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This bargain hunting lark just looks like a piece of cake, doesn't it? | 0:00:03 | 0:00:07 | |
But, actually, there's far more to it than meets the eye. | 0:00:07 | 0:00:11 | |
Our teams are going to need loads of skill, they're going to need cunning, | 0:00:11 | 0:00:15 | |
and above all, they're going to need speed. | 0:00:15 | 0:00:18 | |
Yeah. | 0:00:18 | 0:00:20 | |
Well, come on then. What are you doing back there? | 0:00:20 | 0:00:23 | |
Let's go bargain hunting. | 0:00:23 | 0:00:25 | |
Hello. And a very warm welcome to you all. | 0:00:57 | 0:01:00 | |
I'm at the East of England showground in Peterborough | 0:01:00 | 0:01:03 | |
and can't wait to show you what's in store. | 0:01:03 | 0:01:05 | |
Just take a squiz at this. | 0:01:05 | 0:01:08 | |
The Reds can't decide. | 0:01:10 | 0:01:12 | |
25% off everything on that table. | 0:01:12 | 0:01:15 | |
-Jen, we've got some money to spend. -We have. -We have. | 0:01:15 | 0:01:18 | |
The Blues can't disagree. | 0:01:18 | 0:01:21 | |
-You want to go for it? -Yeah. -You like that? | 0:01:21 | 0:01:23 | |
-Definitely. -Brilliant. We'll go with that. | 0:01:23 | 0:01:25 | |
And I can't move for dogs. Don't you think he's sweet? | 0:01:25 | 0:01:29 | |
Hang on a sec, though. | 0:01:32 | 0:01:34 | |
We need to meet the teams. Welcome, girls. | 0:01:34 | 0:01:37 | |
Now we've got good friends, Jennifer and Lydia, for the Reds. | 0:01:37 | 0:01:40 | |
And good friends, Christie and Abbey, for the Blues. | 0:01:40 | 0:01:44 | |
Now, you two became friends in the swinging '60s. Is that right? | 0:01:44 | 0:01:48 | |
-Yes. We did. -And you're both very busy, aren't you? | 0:01:48 | 0:01:50 | |
-Yes. -OK. Tell us what you get up to then, Jennifer. | 0:01:50 | 0:01:53 | |
Golf and tennis and bridge and... | 0:01:53 | 0:01:56 | |
-Lunch? -..eating. Eating. | 0:01:56 | 0:01:58 | |
Lots of eating. | 0:01:58 | 0:02:01 | |
Mostly outdoor sports, really. | 0:02:01 | 0:02:03 | |
So you want to not only exercise your brains but also... | 0:02:03 | 0:02:07 | |
Our bodies. | 0:02:07 | 0:02:08 | |
I thought you were going to say that. | 0:02:08 | 0:02:11 | |
-Lovely. Now, Lydia, you're a hairdresser. -Yes. | 0:02:11 | 0:02:14 | |
-And did hairdressing bring you to Britain? -Yes. It did. | 0:02:14 | 0:02:17 | |
-Where did you come from? -Austria. | 0:02:17 | 0:02:19 | |
-And you came to learn English. -Yes, I did. | 0:02:19 | 0:02:22 | |
You came over to learn your English. Then what happened? | 0:02:22 | 0:02:25 | |
I came to learn to go back home again, home Austria, and then I met my husband and stayed. | 0:02:25 | 0:02:30 | |
So how confident are you two girls about your performance today? | 0:02:30 | 0:02:34 | |
-Very confident. -Are you? -Yes. | 0:02:34 | 0:02:36 | |
Well, we'll do all we can to assist you in that aim. | 0:02:36 | 0:02:40 | |
What lovely girls. Now, over to the Blues. | 0:02:40 | 0:02:43 | |
-You're great friends. Yes? -Yes. -From university. | 0:02:43 | 0:02:46 | |
When you've finished at university, you're keen to travel. | 0:02:46 | 0:02:48 | |
Yeah. Well, I think so. I don't really know exactly what I want to do, but I'd like to go to China. | 0:02:48 | 0:02:54 | |
-To do what? -Maybe to like care for animals or teach English. | 0:02:54 | 0:02:56 | |
Is there any particular animal that you'd like to look after in China? | 0:02:56 | 0:03:00 | |
Pandas are the obvious one for China, because they're endangered. | 0:03:00 | 0:03:04 | |
-Lucky old panda, I say. -That's right. -Now, Abbey, golf is your big thing, right? | 0:03:04 | 0:03:09 | |
I'd like to pretend it is, although I did have lessons for two years | 0:03:09 | 0:03:12 | |
and never played a round of golf. I wasn't confident enough. | 0:03:12 | 0:03:15 | |
-What, never the whole 18 holes? -No. | 0:03:15 | 0:03:18 | |
How are you on the subject of antiques and collectables? | 0:03:18 | 0:03:20 | |
Are you going to beat these Reds? | 0:03:20 | 0:03:22 | |
We both do history and I think because we read it so much in books, | 0:03:22 | 0:03:25 | |
the reason why we wanted to come on Bargain Hunt was to see it in objects as well. | 0:03:25 | 0:03:29 | |
And there is no better way of telling the historical story, | 0:03:29 | 0:03:32 | |
quite frankly, than grabbing a lump of something, that's really a bit of living history. | 0:03:32 | 0:03:37 | |
Anyway, now the lovely dosh moment. | 0:03:37 | 0:03:39 | |
£300 apiece. £300. There you go. £300. | 0:03:39 | 0:03:41 | |
You know the rules. Your experts await. And off you go. | 0:03:41 | 0:03:45 | |
And very good luck. Don't forget, girls, we want a nice clean fight. | 0:03:45 | 0:03:49 | |
Talking tactics with the Red team is shrewd shopper David Barby. | 0:03:53 | 0:03:58 | |
And the Blue team are being warmed up by Mr Motivator himself, | 0:03:58 | 0:04:02 | |
Thomas Plant. | 0:04:02 | 0:04:04 | |
And the rules are each team gets £300 and 60 minutes to shop for three items. | 0:04:05 | 0:04:10 | |
And we're going to be watching the clock. | 0:04:10 | 0:04:13 | |
So, let's get cracking, eh. | 0:04:13 | 0:04:14 | |
Look, here we are. Here's the entrance. | 0:04:18 | 0:04:20 | |
It looks crowded out. Keep close. | 0:04:20 | 0:04:22 | |
-Scan the stalls as you go along but don't look at every single thing. -All right. | 0:04:22 | 0:04:26 | |
Sound advice, David. | 0:04:26 | 0:04:28 | |
-Oh, that's nice. Look how intricate that is. Is that ivory? -It is ivory. | 0:04:30 | 0:04:34 | |
How much is the ivory brooch? | 0:04:34 | 0:04:36 | |
The very best is 130. | 0:04:36 | 0:04:38 | |
-130. Did you want to think about it? We've just started shopping. -Yeah. We will have a think about it. | 0:04:38 | 0:04:43 | |
We don't want to buy something too expensive at the start. | 0:04:43 | 0:04:46 | |
-We'll leave it. -That's a very good plan. | 0:04:46 | 0:04:48 | |
Here on this still is 18th century porcelain. | 0:04:50 | 0:04:54 | |
-Yes. -And you know about that, don't you? | 0:04:54 | 0:04:56 | |
Come and have a look. Whether in fact it interests you or not, | 0:04:56 | 0:04:59 | |
you see, you're talking in terms of £250. | 0:04:59 | 0:05:02 | |
It's really more than we would possibly want to spend. | 0:05:02 | 0:05:05 | |
-Yes. -Yes. Yes. It is indeed. It is indeed. Some very nice pieces. | 0:05:05 | 0:05:09 | |
It's a bit expensive though, isn't it? | 0:05:09 | 0:05:11 | |
-Do you think? -I don't know. | 0:05:11 | 0:05:13 | |
-How much is it? -195. | 0:05:13 | 0:05:15 | |
Well, I don't think you'll get your money on that somehow. | 0:05:15 | 0:05:18 | |
I don't think so. What do I like? | 0:05:18 | 0:05:22 | |
Lydia, Winston Churchill. | 0:05:22 | 0:05:23 | |
-I don't know. -How much is it? | 0:05:23 | 0:05:26 | |
-Well, it's a bit expensive. £25. -It's not expensive for what it is. | 0:05:26 | 0:05:29 | |
But you've got to think in terms of if it goes up for auction... | 0:05:29 | 0:05:33 | |
-I just like his face. -..whether we're going to make a profit or not. | 0:05:33 | 0:05:36 | |
This is going to be a battle, David. | 0:05:36 | 0:05:38 | |
These toys, toys have such a nostalgia with people. | 0:05:40 | 0:05:44 | |
-Definitely. -People love them. -They're collectables. | 0:05:44 | 0:05:47 | |
It's a huge collecting area. | 0:05:47 | 0:05:49 | |
-Wow. Look at that. -What do you like about that? | 0:05:49 | 0:05:51 | |
When we were younger there was like the huge plastic | 0:05:51 | 0:05:55 | |
little kitchen thing, so it's quite nice to see that they had that toy then. | 0:05:55 | 0:05:58 | |
It's tinplate. And you've got these nice printed panels on here. | 0:05:58 | 0:06:02 | |
-These look like plastic handles. -It's in good condition. -It is in good condition. | 0:06:02 | 0:06:06 | |
-They're lovely, aren't they? -Yeah. Really good. -Oh, there we are. | 0:06:06 | 0:06:09 | |
-It's a Swiss make, Sigg of Switzerland. -You can image them melting the chocolate in the pans. | 0:06:09 | 0:06:14 | |
Do you think things like that would sell? | 0:06:14 | 0:06:16 | |
Absolutely. You've got a big paella dish. Yeah. | 0:06:16 | 0:06:19 | |
I think it's a good, novelty, interesting item, isn't it? A toy point of view. | 0:06:19 | 0:06:23 | |
-I just think I would prefer to see at least £10 off that. -Yeah. | 0:06:23 | 0:06:26 | |
Maybe a little bit more. Do you want me to go and have a chat? | 0:06:26 | 0:06:29 | |
-Yes. -Or do you want to go and do it? | 0:06:29 | 0:06:32 | |
-What do you want to do, girls? -You can do it. -Yeah. | 0:06:32 | 0:06:34 | |
-Yeah. -You do the first one and then we'll... -Chickens. | 0:06:34 | 0:06:38 | |
Hello. What's your very best on that? | 0:06:38 | 0:06:41 | |
-35. -Brilliant. So, guys, £35. What do you think? | 0:06:41 | 0:06:44 | |
-That's really good. -You want to go for it? -Yeah. | 0:06:44 | 0:06:46 | |
-You like that? -Definitely. -Brilliant. We'll go with that. | 0:06:46 | 0:06:49 | |
-That's really good. -It's a novelty item. | 0:06:49 | 0:06:51 | |
-Even though we said we weren't going to go for that, but I like it. -I do. | 0:06:51 | 0:06:54 | |
So, onwards and upwards. We've got our first item. | 0:06:54 | 0:06:57 | |
-Yeah. -Good. -Let's find another two. | 0:06:57 | 0:06:59 | |
-Yes. Let's go. -Come on. | 0:06:59 | 0:07:01 | |
Cor, you're cooking with gas, Blues. | 0:07:01 | 0:07:04 | |
Now that, actually, I like it. | 0:07:04 | 0:07:08 | |
-Oh, good. -I do. -Let's have a look. -I like that. | 0:07:08 | 0:07:10 | |
-I wonder if we can get... -We'll have to ask. | 0:07:10 | 0:07:12 | |
-Like the shape of it? -Yes. I like that. | 0:07:12 | 0:07:15 | |
It's very... the simplicity of it. | 0:07:15 | 0:07:17 | |
-Would I pay £45 for it? -No. We wouldn't. We wouldn't. | 0:07:17 | 0:07:21 | |
The gentleman may negotiate a price. | 0:07:21 | 0:07:23 | |
-What's the best on the spoon, sir? -38. | 0:07:23 | 0:07:26 | |
Can't do quite 38. | 0:07:26 | 0:07:28 | |
Have to do a bit better than that. | 0:07:28 | 0:07:31 | |
We will. | 0:07:31 | 0:07:32 | |
I know we have to buy things. | 0:07:32 | 0:07:35 | |
Yes. That is the point of the game, Lydia. | 0:07:35 | 0:07:37 | |
OK. Can I just check with my boss? | 0:07:37 | 0:07:41 | |
-My boss? -What do you think? | 0:07:41 | 0:07:43 | |
-How much is it? -32. -Would he come down to 30 on it? | 0:07:43 | 0:07:47 | |
-Yeah. We'd have it for 30. -Go on. I'll do 30 then. | 0:07:47 | 0:07:50 | |
-We'll do 30. -Right. | 0:07:50 | 0:07:52 | |
This is quite a nice little spoon. | 0:07:52 | 0:07:54 | |
When I look at this, I think of the arts and crafts movement although it was made round about 1946. | 0:07:54 | 0:08:00 | |
It's a two to one thing here. | 0:08:00 | 0:08:02 | |
-You don't like it, obviously. -I don't dislike it, but I just feel | 0:08:02 | 0:08:05 | |
would I pay £30 for something of that nature or even more? | 0:08:05 | 0:08:09 | |
-It is solid silver. -Do you think 30 is OK? | 0:08:09 | 0:08:11 | |
I think £30 is a reasonable figure. | 0:08:11 | 0:08:13 | |
-And do you think it'll make a profit? -It is handmade. | 0:08:13 | 0:08:18 | |
-Yes. -So I've been told, but I liked the look of it straightaway. | 0:08:18 | 0:08:22 | |
-So do I. Yes. -Well, there we are. We've made our first purchase and I do think we ought to get on. | 0:08:22 | 0:08:26 | |
You tell them, Lydia. | 0:08:26 | 0:08:28 | |
The next choice will be yours, Jennifer. | 0:08:28 | 0:08:31 | |
SHE LAUGHS | 0:08:31 | 0:08:33 | |
We might be waiting a long time for that then. | 0:08:33 | 0:08:37 | |
-That is nice, isn't it? -Yeah. I mean, it's £6. | 0:08:38 | 0:08:41 | |
I think you want to look for something... You've got a bit more money than £6 to spend. | 0:08:41 | 0:08:45 | |
What about that jug up there? | 0:08:45 | 0:08:47 | |
-This one? -Yeah. Do you like that? -Yeah. I like the blue inside. | 0:08:47 | 0:08:51 | |
Yeah. Look at the base. | 0:08:51 | 0:08:53 | |
-What does it say? -"Clarice Cliff." | 0:08:53 | 0:08:55 | |
Your grandma recommended that, didn't she? | 0:08:55 | 0:08:58 | |
My grandma told me to get Clarice Cliff. | 0:08:58 | 0:09:00 | |
-Oh, right. -Or Troika. -Naturally, they're two good subjects. | 0:09:00 | 0:09:03 | |
I knew it was Clarice, as soon as I saw it, because of this handle here. | 0:09:03 | 0:09:06 | |
It's a sort of later Clarice Cliff design. | 0:09:06 | 0:09:09 | |
-Would it be a water jug? -Yeah. Water jug or lemonade, certainly. | 0:09:09 | 0:09:12 | |
You can even put flowers in it if you wanted. It is pretty. | 0:09:12 | 0:09:15 | |
Do what you want, really. Absolutely. | 0:09:15 | 0:09:16 | |
It would be quite nice. I love the colours. | 0:09:16 | 0:09:19 | |
-The handle's really nice. -It's quite modern looking. | 0:09:19 | 0:09:21 | |
-Yeah. -How old is it then? -60 years? -I don't know any Clarice. | 0:09:21 | 0:09:25 | |
Think a bit earlier. A bit earlier. | 0:09:25 | 0:09:28 | |
-80 years? -Absolutely. It's about 1930s. What do you think about that price there? | 0:09:28 | 0:09:32 | |
I think we could knock it down a bit. Maybe to like 70 or something. | 0:09:32 | 0:09:36 | |
I'd go for 65. | 0:09:36 | 0:09:37 | |
Why don't you go, do you want to go and have a chat? | 0:09:37 | 0:09:39 | |
Why don't you go and bargain this time? | 0:09:39 | 0:09:42 | |
Go and see her and Christie and I will have a look round and see what else is here? Is that all right? | 0:09:42 | 0:09:46 | |
Yes. Perfect. Wish me luck. | 0:09:46 | 0:09:48 | |
-Go and have a chat. Go on. -Good luck. | 0:09:48 | 0:09:50 | |
So while Abbey goes walkies, come and have a look at this. | 0:09:50 | 0:09:53 | |
Have you noticed that there's not the most phenomenal number of dogs at these antique fairs? | 0:09:55 | 0:10:02 | |
Well, it's hardly surprising then that actually, dog collectables are incredibly collectable. | 0:10:02 | 0:10:08 | |
So what do you think about this little joker? | 0:10:08 | 0:10:11 | |
What sort of breed is it? The clue is about its body, look. | 0:10:11 | 0:10:14 | |
It's got this vaguely squashed-in face and a curly type of tail. | 0:10:14 | 0:10:19 | |
And I reckon it's a pug dog. | 0:10:19 | 0:10:21 | |
This thing was made of cast bronze between 1780 and 1820, | 0:10:21 | 0:10:26 | |
so it's really got some age. | 0:10:26 | 0:10:28 | |
This gold chain is supposed to be attached to that collar, | 0:10:28 | 0:10:32 | |
which in turn is attached to this slab of marble, | 0:10:32 | 0:10:36 | |
and I really like this slab of marble, because it's Siena marble | 0:10:36 | 0:10:40 | |
and that's been applied onto some plain white Carrara marble. | 0:10:40 | 0:10:44 | |
And these two slabs of marble, one on top of the other, I think are incredibly smart. | 0:10:44 | 0:10:49 | |
And it looks a bit, to me, like William Hogarth's Trump. | 0:10:49 | 0:10:54 | |
If you trot down to the Tate, there's a splendid portrait | 0:10:54 | 0:10:57 | |
of William Hogarth with his dog, Trump, | 0:10:57 | 0:11:00 | |
which you see in lots of portraits of the man. | 0:11:00 | 0:11:03 | |
The other famous person that owned one of these was the Emperor Li Po. | 0:11:03 | 0:11:08 | |
He so loved his pug dogs that he gave them the status of his wives. | 0:11:08 | 0:11:14 | |
Of course, the British, when they sacked Peking in 1860, | 0:11:14 | 0:11:18 | |
they found loads of pug dogs in the Imperial palace and they imported them en masse back to Britain. | 0:11:18 | 0:11:25 | |
So, you see, there's a lot that's very special about pugs, | 0:11:25 | 0:11:29 | |
which I reckon will make this thing highly desirable | 0:11:29 | 0:11:32 | |
were it to be resold. | 0:11:32 | 0:11:34 | |
What's it worth? Well, you could buy it in a sale like this for £60. | 0:11:34 | 0:11:38 | |
Were you to sell it to a pug fanatic though, | 0:11:38 | 0:11:41 | |
I reckon you'd get a cool 400. | 0:11:41 | 0:11:45 | |
Woof woof. | 0:11:45 | 0:11:47 | |
Abbey, how did you get on with the bargaining? | 0:11:50 | 0:11:53 | |
Prefer one with a shade on top. | 0:11:53 | 0:11:54 | |
But you always choose your own shade though, don't you? | 0:11:54 | 0:11:57 | |
-Yeah, I suppose. -You always do your own shade. | 0:11:57 | 0:11:59 | |
Guys, I think I've got good news. | 0:11:59 | 0:12:00 | |
-Oh, yeah. What is it? -65. | 0:12:00 | 0:12:02 | |
-That is good. -Let's put this down. | 0:12:02 | 0:12:05 | |
-Looking at things. Let's have a look at that. -I think it's worth it. | 0:12:05 | 0:12:08 | |
-I definitely do. I really like it. -Do you want to go for it? | 0:12:08 | 0:12:11 | |
-Yep. -Well done. I think we should get it. -We'll dedicate that one to your grandma. | 0:12:11 | 0:12:14 | |
-Definitely. -Brilliant. | 0:12:14 | 0:12:16 | |
Swift work. Two down, one to go. | 0:12:16 | 0:12:18 | |
You'd better start making some quick decisions, Jen and Lydia, if you want to catch the Blue team up. | 0:12:18 | 0:12:23 | |
Could I just interrupt? Are you interested in Art Deco? | 0:12:25 | 0:12:28 | |
-Am I? Yes. -I am. -Any interest in ceramics? | 0:12:28 | 0:12:31 | |
-Yes. -OK. Can we walk quickly? -Yes. -OK. Right. Follow me. | 0:12:31 | 0:12:35 | |
Barby's getting all masterful. | 0:12:35 | 0:12:39 | |
-So you've got one other thing to buy. Is that right? -Yep. We have. | 0:12:40 | 0:12:44 | |
And are they good? | 0:12:44 | 0:12:45 | |
They're receptive. They're interested. | 0:12:45 | 0:12:47 | |
-They're young, bright. -They're young, bright. | 0:12:47 | 0:12:50 | |
-Like you and me. -Absolutely. | 0:12:50 | 0:12:51 | |
-Mirror image really, I'd say. Anyway, good luck. -Thank you. | 0:12:51 | 0:12:54 | |
-Right. What do you think? -What, the plates? | 0:13:02 | 0:13:04 | |
They're actually stands for table. | 0:13:04 | 0:13:06 | |
-If you had a hot terrine, you'd place it on the top so you wouldn't harm the table. -Yes. | 0:13:06 | 0:13:10 | |
But they're bold colours, typical of the 1920s. | 0:13:10 | 0:13:13 | |
They look nice. I like them. | 0:13:13 | 0:13:15 | |
That's good. Good. | 0:13:15 | 0:13:16 | |
A bit expensive, aren't they? Are they 44 or is it my eyesight? | 0:13:16 | 0:13:20 | |
They are 44. They're £22 each. Very good mark there. James Kent. | 0:13:20 | 0:13:24 | |
So many factories producing it, you look at this and think of Clarice Cliff. | 0:13:24 | 0:13:27 | |
-Do I? -Jennifer, where have you been the last 40 years? | 0:13:27 | 0:13:30 | |
Where have I been? Clarice Cliff. Yes. | 0:13:30 | 0:13:33 | |
And it's that sort of palate, that sort of decoration, stylised flowers. So I think it's quite good. | 0:13:33 | 0:13:38 | |
I had a quick word with the dealer and he's prepared to take £30 for the two. | 0:13:38 | 0:13:43 | |
Would you say that was good? | 0:13:43 | 0:13:45 | |
-It's £15 each. -Yes. | 0:13:45 | 0:13:46 | |
Can we do a bit more off with the dealer? Can we ask a bit more? | 0:13:46 | 0:13:50 | |
He's come down 44 to 30. | 0:13:50 | 0:13:52 | |
-All right then. -What do you think? -Yeah. I think they're nice. | 0:13:52 | 0:13:55 | |
-Yes. -Hold one, Jennifer. | 0:13:55 | 0:13:57 | |
Hold the other one, Lydia. | 0:13:57 | 0:13:59 | |
Because I think they're quite attractive. I like these. | 0:13:59 | 0:14:03 | |
-Yes. We'll have those. -Yes. | 0:14:03 | 0:14:06 | |
-My prayer's been answered. -Hallelujah. | 0:14:06 | 0:14:09 | |
Can we have a look at something just round the corner? | 0:14:09 | 0:14:11 | |
-Yes. Of course. -Right. -Right. Shall we settle on these? -Yes. | 0:14:11 | 0:14:14 | |
I'm so delighted. | 0:14:14 | 0:14:16 | |
You know you guys are thinking about, you know, something useful. | 0:14:21 | 0:14:25 | |
-Yeah. -I mean, why don't we look at something like a walking stick? | 0:14:25 | 0:14:28 | |
-Yeah. -That is useful. | 0:14:28 | 0:14:30 | |
-I know it's not very feminine at all. -We don't mind about that. | 0:14:30 | 0:14:34 | |
But do people buy walking sticks at auctions? | 0:14:34 | 0:14:36 | |
-Huge collectorship appeal for them. -Really? | 0:14:36 | 0:14:39 | |
The plain ones, people aren't so excited about. | 0:14:39 | 0:14:41 | |
But it's the white metal ones they quite like. | 0:14:41 | 0:14:43 | |
-I quite like that one. -This here. -Who's that man? | 0:14:43 | 0:14:47 | |
Well, you are historians, aren't you? | 0:14:47 | 0:14:50 | |
So what happened in 1848? | 0:14:50 | 0:14:52 | |
-Unification. -Yeah. And who was sort of in charge of Germany? | 0:14:52 | 0:14:56 | |
-Bismarck? -Yeah, Bismarck, but who was their sort of king? | 0:14:56 | 0:15:00 | |
I'm sorry. I'm an English historian. | 0:15:00 | 0:15:03 | |
-Kaiser Bell. -Wilhelm. | 0:15:03 | 0:15:05 | |
Yeah. Yeah. So, Kaiser Wilhelm. | 0:15:05 | 0:15:07 | |
-And then this is obviously... -Oh, that one. | 0:15:07 | 0:15:10 | |
Kaiser Bell being under the thumb. | 0:15:10 | 0:15:12 | |
-Oooh! -That's really clever. -You like that. -I like that. | 0:15:12 | 0:15:15 | |
That's quite witty! | 0:15:15 | 0:15:17 | |
-I do. -It's quite funny, isn't it? | 0:15:17 | 0:15:18 | |
Yeah. It's in good condition as well. | 0:15:18 | 0:15:20 | |
It is. Quite a heavy gauge of white metal. | 0:15:20 | 0:15:23 | |
It is not marked anywhere if it's silver or not. It's good fun though, isn't it? | 0:15:23 | 0:15:27 | |
-Yeah. -I do like that it's a bit of history as well. | 0:15:27 | 0:15:29 | |
-Me, too. -It's not just old. It's got history behind it. | 0:15:29 | 0:15:32 | |
Shall I ask how much it is? It could be quite expensive. | 0:15:32 | 0:15:34 | |
-Yeah, ask how much it is. Check it out. -Shall I? | 0:15:34 | 0:15:37 | |
-Yeah. -Do it. -Right. What do you think we would get it at? | 0:15:37 | 0:15:40 | |
I don't know how much it would be. | 0:15:40 | 0:15:43 | |
Maybe...180. | 0:15:43 | 0:15:45 | |
-I'll do 140 and that is rock bottom. -OK. So what do you think? | 0:15:45 | 0:15:49 | |
£140 I've got it down from. | 0:15:49 | 0:15:50 | |
It was 180. And I've got it to 140. | 0:15:50 | 0:15:53 | |
We've spent 100, haven't we? | 0:15:53 | 0:15:55 | |
-So we'll have 60 left. -60 for me. -Yeah. I like it. | 0:15:55 | 0:15:58 | |
-I like it. -I like the joke behind it. -Me, too. | 0:15:58 | 0:16:00 | |
-You want to go for it? -Definitely. -Yeah, I think so. | 0:16:00 | 0:16:02 | |
Well, that's brilliant. Third item. 45 minute shop. | 0:16:02 | 0:16:06 | |
-That's really good. -15 minutes left for a cup of tea. | 0:16:06 | 0:16:08 | |
Yep. Definitely. Or two. | 0:16:08 | 0:16:10 | |
Let's go and have that cup of tea then. Come on. | 0:16:10 | 0:16:12 | |
-Thank you. -Easy peasy. | 0:16:12 | 0:16:14 | |
Blues done. Hurry up, Reds. | 0:16:14 | 0:16:16 | |
Right, Jennifer. It's your buy now. | 0:16:16 | 0:16:18 | |
It is my buy. | 0:16:18 | 0:16:20 | |
I want something bigger for my money. | 0:16:20 | 0:16:22 | |
-Small is beautiful. -Is it? -So I'm told. | 0:16:22 | 0:16:24 | |
Let's have a quick wander down here. | 0:16:24 | 0:16:26 | |
Please do not pick up every little thing. | 0:16:26 | 0:16:28 | |
-No. No. No. No. -Right. | 0:16:28 | 0:16:30 | |
25% off everything on that table. | 0:16:32 | 0:16:34 | |
Jen, we've got some money to spend. | 0:16:34 | 0:16:36 | |
-We have. -We have. -Nude ladies always sell quite well, don't they? | 0:16:36 | 0:16:40 | |
Do what, nude ladies? | 0:16:40 | 0:16:42 | |
We've got 15 minutes to spare. | 0:16:42 | 0:16:44 | |
Have you seen anything, Jennifer? It's your choice. | 0:16:44 | 0:16:47 | |
I might have seen something on this stall round here. | 0:16:47 | 0:16:49 | |
-OK. Lead on MacDuff. -Right. | 0:16:49 | 0:16:51 | |
I'm quite happy with either of those items. I quite like that one really. | 0:16:51 | 0:16:55 | |
-That's a bit small. -It's small? It's huge. | 0:16:55 | 0:16:58 | |
-It's small for our purposes but it does look attractive. -It does look attractive. | 0:16:58 | 0:17:02 | |
-It reminds me of Victoriana, whereas, the one up there reminds me of the 1950s. -Does it? | 0:17:02 | 0:17:07 | |
Yeah. Do you not think so? | 0:17:07 | 0:17:08 | |
-1950s? -I don't mind either. I like them both. -It's Bohemian glass. | 0:17:08 | 0:17:12 | |
And they are wonderful glass manufacturers. | 0:17:12 | 0:17:14 | |
They were in the 19th century and before. | 0:17:14 | 0:17:16 | |
But I think it was made yesterday. | 0:17:16 | 0:17:17 | |
-Do you? -Yes. But that doesn't matter. It's got quality. | 0:17:17 | 0:17:20 | |
1950s, all the rage. | 0:17:20 | 0:17:22 | |
Flat furniture, G-Plan. It's all coming back, | 0:17:22 | 0:17:25 | |
and this is very much capturing that particular style. | 0:17:25 | 0:17:28 | |
I like it. Did you want to have a word with the gentleman? | 0:17:28 | 0:17:31 | |
I will. What do you think? | 0:17:31 | 0:17:33 | |
I'll do it for 70. > | 0:17:33 | 0:17:34 | |
-Not 65? -I'll meet you halfway. | 0:17:34 | 0:17:37 | |
-I'll go 68. -I'll see what he says. | 0:17:37 | 0:17:39 | |
He'll do it for 68 but that wouldn't make us much, would it? | 0:17:39 | 0:17:43 | |
No-one would go to 68 for that, would they? | 0:17:43 | 0:17:45 | |
The point is we're running out of time. | 0:17:45 | 0:17:47 | |
-Yes. -I want to hold it. -Go on then. It's new, isn't it? -Course it's new. | 0:17:47 | 0:17:50 | |
-Yeah. -And it's not that heavy if you're considering lead crystal. | 0:17:50 | 0:17:54 | |
What I do like about it is that it's handcrafted and this has been spun whilst it's still a molten shape | 0:17:54 | 0:18:01 | |
and then it's been pulled in at its corners there whilst it's still molten. | 0:18:01 | 0:18:05 | |
It's what we term as case glass. So you can see the clear glass there. | 0:18:05 | 0:18:09 | |
-And then you've got the dark glass with the gold inclusions encased within the clear. -What do you think? | 0:18:09 | 0:18:16 | |
-Do you want to have another quick glance or do you want to decide on that? -No. I'll be going on forever. | 0:18:16 | 0:18:21 | |
But I don't know if it would make a profit at 68. | 0:18:21 | 0:18:23 | |
-Well, it's your choice. -I know. | 0:18:23 | 0:18:26 | |
-It's the only thing that's brought us a sort of positive reaction. -It is. -Isn't it? -Yes. | 0:18:26 | 0:18:30 | |
-And you can see, when it sells, that I have no taste. -Oh, it'll sell. | 0:18:30 | 0:18:34 | |
It'll sell. Don't worry about that. | 0:18:34 | 0:18:35 | |
Go and clinch the deal and we'll go and have a cup of tea. | 0:18:35 | 0:18:38 | |
More tea. Mine's black. No sugar. | 0:18:38 | 0:18:41 | |
Hello. What's that, you say? | 0:18:43 | 0:18:46 | |
-Time's up. -Time's up. | 0:18:46 | 0:18:48 | |
Cor, doesn't time fly when you're enjoying yourself? | 0:18:48 | 0:18:53 | |
The hour might be over, but our experts still have to find a bonus buy with the leftover lolly. | 0:18:54 | 0:19:00 | |
The team can take it or leave it at auction, | 0:19:00 | 0:19:03 | |
but it could make the difference between victory and defeat. | 0:19:03 | 0:19:07 | |
But that's all for later. Right now, though, let's remind everybody what the Reds are pinning their hopes on. | 0:19:09 | 0:19:16 | |
The Reds ladled out £30 for a silver arts and crafts spoon. | 0:19:16 | 0:19:23 | |
They spent the same amount on David's Art Deco plate stands. | 0:19:23 | 0:19:27 | |
And Jennifer was taken by the flamboyant glass vase. | 0:19:30 | 0:19:34 | |
-I'm so pleased that's over and done with now. -What a relief. | 0:19:36 | 0:19:39 | |
-What a relief. -Absolutely. | 0:19:39 | 0:19:41 | |
I think everybody's relieved, quite frankly. We're all relieved. | 0:19:41 | 0:19:44 | |
You have not agreed on one single little thing, have you? | 0:19:44 | 0:19:48 | |
-Not really. -No. What do you mean, not really? | 0:19:48 | 0:19:49 | |
-Not really. Well, we semi-agreed... -Semi-agreed. | 0:19:49 | 0:19:52 | |
..that my taste was rubbish. | 0:19:52 | 0:19:55 | |
Well, of course, the proof with all this, | 0:19:55 | 0:19:57 | |
which is what so exciting on Bargain Hunt, is in the pudding. | 0:19:57 | 0:20:00 | |
So how much exactly have you spent, Lyd? | 0:20:00 | 0:20:03 | |
I think £128. | 0:20:03 | 0:20:06 | |
You're, of course, not happy with that, are you? | 0:20:06 | 0:20:08 | |
-Well, I think we should have spent more. -Yes. I quite agree. | 0:20:08 | 0:20:11 | |
-I do. -But anyway, you spent 128. | 0:20:11 | 0:20:12 | |
I would like £172 of leftover lolly. | 0:20:12 | 0:20:15 | |
You want some change, do you? There's your leftover lolly. | 0:20:15 | 0:20:18 | |
Leftover housekeeping. I'm going to hand this over to the long-suffering David Barby. | 0:20:18 | 0:20:23 | |
-So right. -He's our hero actually. -He definitely is. | 0:20:23 | 0:20:26 | |
You've got all that dosh and you've got to go off and buy | 0:20:26 | 0:20:29 | |
the bonus buy but at least nobody's going to tell you what to do, David. | 0:20:29 | 0:20:32 | |
Absolutely. They've got such diverse tastes. | 0:20:32 | 0:20:35 | |
So this time, Tim, I'm going to buy something that I like. | 0:20:35 | 0:20:39 | |
Buy something that you like that's going to make a big profit. And good luck with that. | 0:20:39 | 0:20:43 | |
Why don't we check out what the Blue team bought, eh? | 0:20:43 | 0:20:46 | |
They really got cooking with the toy kitchen range. | 0:20:48 | 0:20:52 | |
And all agreed, £65 was the right price for the Clarice Cliff vase. | 0:20:52 | 0:20:58 | |
Finally, they just strolled off with a commemorative walking stick. | 0:20:58 | 0:21:03 | |
-Now for that cup of tea. -Yeah. Cup of tea. | 0:21:04 | 0:21:06 | |
Well done, girls. I think you've done rather well. | 0:21:06 | 0:21:08 | |
-What's all this? You finished? -Yeah. -Yes. | 0:21:08 | 0:21:10 | |
-That's a result, isn't it? -Do you want to join us for a cup of tea? | 0:21:10 | 0:21:13 | |
I'd rather do the leftover lolly really. How much did you spend? | 0:21:13 | 0:21:16 | |
-£240. -Yeah. | 0:21:16 | 0:21:18 | |
Yes. That's a good number is £240. | 0:21:18 | 0:21:21 | |
-Not cheap, these girls, are they? -Not cheap but it's good fun. | 0:21:21 | 0:21:24 | |
Good fun. £240. So there's 60 notes left over. | 0:21:24 | 0:21:27 | |
-You've got the 60 notes? -Yeah. -You got that crispy? | 0:21:27 | 0:21:30 | |
-Yes. -Thank you very much. -Thanks, Tim. | 0:21:30 | 0:21:32 | |
-OK, Timbo. What's this then? -This is our last item. | 0:21:32 | 0:21:34 | |
It's your last item. This is rather good, isn't it? | 0:21:34 | 0:21:36 | |
Do you know what I'm going to do with this? I'm going to give you the stick, Thomas. | 0:21:36 | 0:21:40 | |
Going to knight you, Sir Bargain Hunt. Arise. | 0:21:40 | 0:21:44 | |
Anyway, I'm not giving an opinion on that. Thank you very much. | 0:21:44 | 0:21:47 | |
-Here's £60 anyway. -Thank you. | 0:21:47 | 0:21:49 | |
You like that. See, straightaway, he snatched it. | 0:21:49 | 0:21:51 | |
What are you going to do with it? It's not for you, you know. | 0:21:51 | 0:21:54 | |
I've seen something very stylish. | 0:21:54 | 0:21:55 | |
Have you? Good. Well, you'd better hobble off and find it then. | 0:21:55 | 0:22:00 | |
Anyway, good luck, girls. But for us though, while Tom goes off | 0:22:00 | 0:22:03 | |
and weaves his magic wand, we're going off somewhere magical too. | 0:22:03 | 0:22:07 | |
We're going to Canons Ashby in Northamptonshire. Ooh ahh. | 0:22:07 | 0:22:12 | |
Canons Ashby, home to the Dryden family since the 1550s | 0:22:19 | 0:22:24 | |
and let me tell you, there's more to this manor house than meets the eye. | 0:22:24 | 0:22:28 | |
In 1708, Edward Dryden was running his own successful London business. | 0:22:28 | 0:22:35 | |
He was married to a wealthy well-connected wife and on top of all of that, he inherited this. | 0:22:35 | 0:22:42 | |
The family pile. | 0:22:42 | 0:22:43 | |
Lucky chap, what. | 0:22:43 | 0:22:46 | |
Edward was a dedicated follower of fashion and couldn't resist making a few changes here and there. | 0:22:46 | 0:22:53 | |
In the dining room alone, Edward lowered the floor so as to improve the proportions of the room. | 0:22:53 | 0:23:00 | |
He added costly Wainscot panelling, so that it was warmer. | 0:23:00 | 0:23:05 | |
And, of course, he added the must-have early 1700s feature, which is sash windows, | 0:23:05 | 0:23:13 | |
so that you could enjoy the recently landscaped gardens more easily. | 0:23:13 | 0:23:18 | |
Edward and Elizabeth sure did understand about the finer things in life. | 0:23:26 | 0:23:31 | |
And here, in the dining room, we've got a very rare survival of their time. | 0:23:31 | 0:23:36 | |
A solid silver tea kettle, which was commissioned by them in 1712. | 0:23:36 | 0:23:43 | |
It was made by Thomas Sadler, a famous silversmith in London. | 0:23:43 | 0:23:48 | |
And it remains nigh on 300 years later still in the house for which it was made. | 0:23:48 | 0:23:55 | |
These things are extraordinary objects, aren't they? | 0:23:55 | 0:23:58 | |
The scale of the tea kettle and the gauge of the metal in it exude quality. | 0:23:58 | 0:24:04 | |
It's polyagonal, not round. | 0:24:04 | 0:24:06 | |
It's got these chamfered sides. | 0:24:06 | 0:24:09 | |
It's got a handsome and imposing swing overhead handle, | 0:24:09 | 0:24:13 | |
all thoroughly worked out for your convenience. | 0:24:13 | 0:24:17 | |
This section being in turned mahogany, so that when it gets hot you don't hurt your hand. | 0:24:17 | 0:24:21 | |
And, of course, it's got another heat-proof knob on the top. | 0:24:21 | 0:24:27 | |
The lower part forms an elaborate stand with these C and S scrolls making up the legs. | 0:24:27 | 0:24:34 | |
And the centre section is the part that would have held a reservoir of methylated spirits and the cover | 0:24:34 | 0:24:39 | |
encloses a hole through which the wick would have extended. | 0:24:39 | 0:24:45 | |
And when the tea kettle was delivered to the dining room, | 0:24:45 | 0:24:49 | |
it would be lit and the flame would literally heat | 0:24:49 | 0:24:53 | |
the bottom of the kettle and keep the water warm. | 0:24:53 | 0:24:56 | |
Now you might think that you'd then shove some tea into the kettle and brew it. | 0:24:56 | 0:25:01 | |
Well, you wouldn't, because there would be a separate teapot | 0:25:01 | 0:25:04 | |
within which you'd do the brewing. This thing is simply for the water. | 0:25:04 | 0:25:08 | |
Of course, tea was fantastically expensive. | 0:25:08 | 0:25:10 | |
A pound of tea apparently in the early part of the 18th century | 0:25:10 | 0:25:13 | |
cost five bob and that's the equivalent of £400 today. | 0:25:13 | 0:25:18 | |
Wow. The big question today is, of course, are our teams going to need | 0:25:18 | 0:25:22 | |
tea and sympathy over at the auction? | 0:25:22 | 0:25:25 | |
We've travelled to the outskirts of Derby to be with Charles Hanson at Hansons Auctioneers. | 0:25:28 | 0:25:35 | |
-Charles, how are you? -It's been a while. | 0:25:35 | 0:25:36 | |
It's been a while. Missing you already. | 0:25:36 | 0:25:40 | |
Now, Jennifer and Lydia have got this little whacky group here, | 0:25:40 | 0:25:43 | |
including this spoon, which looks as if it should be 1907, | 0:25:43 | 0:25:48 | |
but in fact it's 1946. | 0:25:48 | 0:25:50 | |
It's charming. It's rustic. | 0:25:50 | 0:25:53 | |
-You mean it's made by hand. -Correct. -Thanks, Charles. What's it worth? | 0:25:53 | 0:25:57 | |
-Well, £15-£20. -OK. £30 paid. -Right. | 0:25:57 | 0:26:00 | |
-Now, these teapot stand jobbies. Bright and breezy. -Yes. | 0:26:00 | 0:26:04 | |
-Trying to be Clarice Cliff, but not. -They are. | 0:26:04 | 0:26:06 | |
What does a poor man's Clarice Cliff in the way of a teapot stand make these days? | 0:26:06 | 0:26:10 | |
Condition is everything. | 0:26:10 | 0:26:11 | |
They're in good condition. The enamelling hasn't flaked. | 0:26:11 | 0:26:14 | |
James Kent. OK. Mediocre name, but from that wonderful period of the mid to late '30s. | 0:26:14 | 0:26:19 | |
-Between £25 and £35. -Perfect. £30 paid. -Good. | 0:26:19 | 0:26:22 | |
-So that's bang in the middle. -OK. -David Barby at his best. | 0:26:22 | 0:26:25 | |
-And Jennifer has gone with this, well, what shall we call it, a vase? -A centrepiece. A table centrepiece. | 0:26:25 | 0:26:31 | |
-Yes. -Come vase. -It would be Murano? -I think so. | 0:26:31 | 0:26:34 | |
-Yes. -And its value is decorative. | 0:26:34 | 0:26:36 | |
-What I quite like about it, it's rather like a cornucopia at the bottom. -Indeed. | 0:26:36 | 0:26:41 | |
You've got this curly Q scroll. Up it comes to a trumpet, but for me, | 0:26:41 | 0:26:45 | |
it completely loses it from that moment on, | 0:26:45 | 0:26:47 | |
because we then come up to this outpouring of glass here on the top. | 0:26:47 | 0:26:51 | |
So do you rate it at all, Charles? | 0:26:51 | 0:26:53 | |
I think its value will be fought between £20 and £35. | 0:26:53 | 0:26:57 | |
-£68 paid. -Right. | 0:26:57 | 0:26:59 | |
Well, that's enough to send anybody into a tailspin, so they're quite likely to need their bonus buy. | 0:26:59 | 0:27:04 | |
Let's go and have a look at it. | 0:27:04 | 0:27:07 | |
Now, you girls, you gave David Barby £172 of leftover lolly, | 0:27:07 | 0:27:12 | |
which is a small fortune. What we want to know is has he blown the lot? | 0:27:12 | 0:27:16 | |
I didn't blow the lot. And this is what I bought. | 0:27:16 | 0:27:18 | |
A little French beaker. Date-wise, probably middle of the 19th century. | 0:27:18 | 0:27:22 | |
Beautifully engraved all the way round with this initialled cartouche. | 0:27:22 | 0:27:26 | |
-What do you think? -Can I? | 0:27:26 | 0:27:29 | |
Well, I agree with you. | 0:27:29 | 0:27:31 | |
I think it's very nice. | 0:27:31 | 0:27:32 | |
I can't quite see all the cartouche. | 0:27:32 | 0:27:34 | |
Have a go at these, look. | 0:27:34 | 0:27:36 | |
Try that on and see whether you can see something with those. | 0:27:36 | 0:27:40 | |
-Those are plus two and a half. -Plus two and a half. | 0:27:40 | 0:27:43 | |
-Oh, that's much better. -There you go, you see. | 0:27:43 | 0:27:45 | |
Can I borrow them? | 0:27:45 | 0:27:47 | |
-Lydia, do you think that's good? -Yes. I do. | 0:27:47 | 0:27:49 | |
I hope this bit will make some money because I don't think ours will. | 0:27:49 | 0:27:53 | |
Jennifer, you have a handle. Do you need two and a halfs, or one and a halfs? | 0:27:53 | 0:27:57 | |
-Can I be of assistance? -Well, I may as well. | 0:27:57 | 0:27:59 | |
-You may as well. What do you think about that? -Yes. | 0:27:59 | 0:28:03 | |
Good. Well that's been a great success, David. | 0:28:03 | 0:28:05 | |
-Are we allowed to ask how much you paid for it? -I bought it for £55. | 0:28:05 | 0:28:09 | |
-OK. -Jennifer, what do you think? Would you have bought that for 55? | 0:28:09 | 0:28:14 | |
-What, me? -Yes. For £55. -Could I say no? | 0:28:14 | 0:28:17 | |
-You wouldn't have done. -No, Jennifer wouldn't. | 0:28:17 | 0:28:20 | |
-I feel as though I'm in a magistrates court. -Yes! | 0:28:20 | 0:28:23 | |
Well, I'm going to pronounce you guilty anyway. | 0:28:23 | 0:28:26 | |
And for the viewers at home, | 0:28:26 | 0:28:28 | |
let's find out what the auctioneer thinks about David's little beaker. | 0:28:28 | 0:28:32 | |
-So, Charles, over to you. -Thank you. | 0:28:32 | 0:28:34 | |
-You're our beaker expert. -Yes. -Plain, isn't it? | 0:28:34 | 0:28:36 | |
It is plain. It's simple. It's restrained. | 0:28:36 | 0:28:38 | |
I would have guessed it's going to be around 1830, 1850. | 0:28:38 | 0:28:42 | |
-It's got this curious etched design on it, hasn't it? -Yes. It has. | 0:28:42 | 0:28:46 | |
I think 1830, 1840's fine for that. | 0:28:46 | 0:28:48 | |
Also the gauge of silver's a lot thinner here, so we know that an earlier mark has been erased out. | 0:28:48 | 0:28:54 | |
-Right. -Just maybe, just from the feel of it. | 0:28:54 | 0:28:56 | |
-It could be, couldn't it? -The gauge is slightly slimmer. | 0:28:56 | 0:28:58 | |
-Where are we coming from? -Well, I would evaluate it today between £30 and £50. -£55 paid. | 0:28:58 | 0:29:04 | |
-Right. -David Barby rates it. | 0:29:04 | 0:29:06 | |
The proof will be in the pudding and who knows, | 0:29:06 | 0:29:08 | |
the lovely Reds may not go with their expert. Anyway, that's it for them. | 0:29:08 | 0:29:12 | |
Now for the Blues. And what whacky things they've got. | 0:29:12 | 0:29:14 | |
-Charles, you don't play with toys much these days, do you? -I'm past that, sadly. | 0:29:14 | 0:29:19 | |
Yes, but you could easily have had a set like this in your toy box. | 0:29:19 | 0:29:22 | |
-It's kitsch, isn't it? -It is kitsch. | 0:29:22 | 0:29:25 | |
It's got such a charming look about it. | 0:29:25 | 0:29:27 | |
In your kitchen you could have this little range set up | 0:29:27 | 0:29:31 | |
-and thoroughly enjoy looking at it as a decorative piece. -Yes. | 0:29:31 | 0:29:35 | |
I think it's absolutely charming. | 0:29:35 | 0:29:37 | |
It's complete. It's fairly comprehensive. | 0:29:37 | 0:29:40 | |
-I don't think any of these pots are later editions. -Yes. | 0:29:40 | 0:29:44 | |
And our guide price would be between £20 and £30. | 0:29:44 | 0:29:46 | |
OK. £35 paid. | 0:29:46 | 0:29:47 | |
Next is the handled Clarice Cliff jug. How do you rate that? | 0:29:47 | 0:29:52 | |
If it was a tennis pattern in that great Art Deco gaudy design it would be a jug worth £2,000 or £3,000. | 0:29:52 | 0:29:57 | |
It isn't. It's at the other scale, where we are at that more... | 0:29:57 | 0:30:00 | |
-Boring really. -Boring. It's in good condition. | 0:30:00 | 0:30:03 | |
A whacky handle. But that's really it. | 0:30:03 | 0:30:05 | |
OK. It's got a whacky handle and it's boring. What's it worth? | 0:30:05 | 0:30:09 | |
Well, my guide price is between £30 and £40. | 0:30:09 | 0:30:12 | |
-£65 paid. -OK. -That could be a bit of a struggle. -Yes, it could. | 0:30:12 | 0:30:16 | |
But they are absolutely pinning their hopes on this walking stick. How do you see it, Charles? | 0:30:16 | 0:30:21 | |
Well, when I first picked it up it felt heavy, | 0:30:21 | 0:30:24 | |
which sent alarm bells ringing, because I suspect | 0:30:24 | 0:30:28 | |
rather than being 1900, 1920, I think it might be more... | 0:30:28 | 0:30:31 | |
-1962. -Exactly, '70s. -Or even '80s. -Exactly. | 0:30:31 | 0:30:35 | |
This is absolutely crucial when coming up with the valuation, because your liability | 0:30:35 | 0:30:40 | |
as an auctioneer, if you sell this as being around 1900 | 0:30:40 | 0:30:44 | |
-and it turns out to be a later fake, then you're in trouble, aren't you? -Indeed. | 0:30:44 | 0:30:49 | |
You're describing it as a later copy, are you? | 0:30:49 | 0:30:51 | |
I am describing it as a later copy, Tim. | 0:30:51 | 0:30:53 | |
I'm happy it's a decorative but later commemorative cane. | 0:30:53 | 0:30:57 | |
Fine. But it's going to torpedo the £140 they paid, isn't it? | 0:30:57 | 0:31:01 | |
Between £30 and £50. | 0:31:01 | 0:31:03 | |
-Is your realistic estimate. -Yes. It is. -For a copy. | 0:31:03 | 0:31:05 | |
I think you're absolutely sound there, Charles. | 0:31:05 | 0:31:07 | |
If we're right, they're going to need their bonus buy. | 0:31:07 | 0:31:10 | |
Let's go and have a look at it. | 0:31:10 | 0:31:12 | |
Now, Christie and Abbey, you spent £240. You gave Tom £60. | 0:31:12 | 0:31:16 | |
What did he spend it on? | 0:31:16 | 0:31:18 | |
A very nice Art Deco lamp base. | 0:31:18 | 0:31:21 | |
It's in glass on an octagonal base. | 0:31:21 | 0:31:25 | |
-I like it. -It's quite cool, isn't it? | 0:31:25 | 0:31:27 | |
When was it made? | 0:31:27 | 0:31:28 | |
Probably made 1930s I would say. | 0:31:28 | 0:31:31 | |
I mean, it's a real Thomas Plant special. | 0:31:31 | 0:31:33 | |
-Lovely. -£30. I see a profit in it. | 0:31:33 | 0:31:35 | |
-You may have convinced me. -It's a good thing. It's a really good-looking object. | 0:31:35 | 0:31:40 | |
You can imagine that in a living room. | 0:31:40 | 0:31:42 | |
-And quite young for a younger audience? -I suppose. Yeah. | 0:31:42 | 0:31:45 | |
-It looks quite '70s to me. -It is growing on me. -It looks '70s. | 0:31:45 | 0:31:48 | |
That's interesting because a lot of derivative design in the '70s is from the '30s so that's very smart. | 0:31:48 | 0:31:54 | |
-No. I like it. -Anyway, you watched his lips. Right. | 0:31:54 | 0:31:57 | |
You heard him say it's going to make, £40, £60, £80 even. | 0:31:57 | 0:32:01 | |
If you need to, you can choose it later, but right now, for the audience at home, | 0:32:01 | 0:32:05 | |
let's find out what the auctioneer thinks about Tom's lamp. | 0:32:05 | 0:32:08 | |
-OK, Carlos. -Thank you, Tim. | 0:32:08 | 0:32:10 | |
-There's something a bit special for you. -First of all, the weight of it. | 0:32:10 | 0:32:14 | |
It's heavy for the right reasons. | 0:32:14 | 0:32:15 | |
And chrome-mounted, it's obviously glass rather than being anything else like Bakelite. | 0:32:15 | 0:32:20 | |
-I think it's period. -Good. | 0:32:20 | 0:32:21 | |
-Having said all that, Charles, what's it worth? -Between £30 and £40. | 0:32:21 | 0:32:25 | |
Great. Planter only paid £35, so he's spot on in the middle. | 0:32:25 | 0:32:28 | |
With any luck, there's some potential for making a bit more. | 0:32:28 | 0:32:31 | |
-I think so. -I think so too. | 0:32:31 | 0:32:33 | |
All done? Gone. | 0:32:37 | 0:32:39 | |
What do you do if you really, really love somebody and you want to give them a present? | 0:32:39 | 0:32:45 | |
Well, you find something special, don't you? | 0:32:45 | 0:32:47 | |
If we look at this object, it doesn't look particularly special. | 0:32:47 | 0:32:51 | |
In fact, it looks exactly like a tin of paint with a detachable lid | 0:32:51 | 0:32:57 | |
and hey presto, it has no paint in it. | 0:32:57 | 0:33:00 | |
What is special about it though is the fact that it's solid silver. | 0:33:00 | 0:33:04 | |
Here's the London hallmark, look, for 1906. | 0:33:04 | 0:33:08 | |
But if I turn it round, | 0:33:08 | 0:33:09 | |
you get to understand the personal mystery of this particular tin. | 0:33:09 | 0:33:15 | |
And it says, "Rubio. 1908. | 0:33:15 | 0:33:18 | |
"To Jack, from Bronuwski." So there you have it. Lucky old Jack, | 0:33:18 | 0:33:24 | |
in 1908, was presented with this special tin. | 0:33:24 | 0:33:29 | |
So where does this Rubio come in to it? | 0:33:29 | 0:33:31 | |
Well, if you look it up, Rubio is Spanish. | 0:33:31 | 0:33:34 | |
And it means blonde or light. And the idiomatic use of that word | 0:33:34 | 0:33:40 | |
is used to describe blonde tobacco or Virginia tobacco. | 0:33:40 | 0:33:45 | |
Hey presto, this is no paint tin. | 0:33:45 | 0:33:48 | |
It's a very special solid silver Edwardian tobacco tin | 0:33:48 | 0:33:53 | |
that's been presented to Jack, presumably he's a pipe smoker, | 0:33:53 | 0:33:57 | |
and he would have had his tin of tobacco on his desk, | 0:33:57 | 0:34:01 | |
lovingly inscribed by his Bronuwski. And there you have it. | 0:34:01 | 0:34:07 | |
A very special object that you could use today on your desk | 0:34:07 | 0:34:11 | |
for practically anything. | 0:34:11 | 0:34:13 | |
It's priced up in the auction at £30 to £50. | 0:34:13 | 0:34:17 | |
And at that, I have to tell you, it is something of a snip. | 0:34:17 | 0:34:21 | |
18. 22. | 0:34:23 | 0:34:26 | |
-So, Jennifer, so Lydia, this is exciting, isn't it? -It is. Yes. | 0:34:26 | 0:34:32 | |
-We hope it is. -First up is your spoon, Lydia. And here it comes. | 0:34:32 | 0:34:36 | |
A very nice arts and crafts style silver spoon, shaped bulb, | 0:34:36 | 0:34:40 | |
pierced terminal, London, 1946. | 0:34:40 | 0:34:43 | |
I'm only bid £12. | 0:34:43 | 0:34:45 | |
Do I see 15? 15. 18. 20. Two. Five. | 0:34:45 | 0:34:48 | |
I'm out. Do I see eight now? Eight. | 0:34:48 | 0:34:51 | |
30. Two. Five. Eight. 40. Two. | 0:34:51 | 0:34:55 | |
Five. One more, sir. | 0:34:55 | 0:34:58 | |
Isn't that lovely? | 0:34:58 | 0:34:59 | |
-That's a surprise. -At £42. All done. | 0:34:59 | 0:35:02 | |
We say sell and standing at £42. | 0:35:02 | 0:35:04 | |
-Fantastic! -What a surprise. | 0:35:04 | 0:35:06 | |
-Well done, Lydia. -Ye of little faith. | 0:35:06 | 0:35:08 | |
Plus 12. You're £12 up. Here we go. | 0:35:08 | 0:35:11 | |
These James Kent, circular dish stands, each very richly enamelled, | 0:35:11 | 0:35:14 | |
with colourful flowers and leaves on a yellow ground. | 0:35:14 | 0:35:17 | |
I am bid £20 here. Do I see two now? | 0:35:17 | 0:35:19 | |
Look at them. £20. Two. Five. Eight. | 0:35:19 | 0:35:22 | |
30. And two, sir. | 0:35:22 | 0:35:23 | |
-Come on. Come on. -I'm out. Where's five? Come on. | 0:35:23 | 0:35:27 | |
At £32, do I see five now, surely? | 0:35:27 | 0:35:29 | |
At £32, surely five. Come on. | 0:35:29 | 0:35:32 | |
One more. Fair warning that we are selling at £32 to you, sir. | 0:35:32 | 0:35:37 | |
£32. Plus £2. Well done, David. | 0:35:37 | 0:35:39 | |
A profit. | 0:35:39 | 0:35:41 | |
Oh, dear. Now the vase. | 0:35:41 | 0:35:43 | |
A very, very fine 1950s glass vase. | 0:35:43 | 0:35:46 | |
Could be Italian. There we are. | 0:35:46 | 0:35:48 | |
Well, I'm bid £10 for it. Do I see 12 now? Just look at it for £10. | 0:35:48 | 0:35:52 | |
At ten. Where's 12? And 15. | 0:35:52 | 0:35:54 | |
18. 18. 20, madam. | 0:35:54 | 0:35:57 | |
Two. Come on. £20. Where's two? | 0:35:57 | 0:35:59 | |
Quickly. Quickly. Quickly. 20. Once. | 0:35:59 | 0:36:02 | |
Twice. One more, madam. Two. Five. | 0:36:02 | 0:36:04 | |
-One more. At £25. -Look at that. -30. | 0:36:04 | 0:36:09 | |
You can't lose it now, surely. One more, ma'am. 30. Two. Five. | 0:36:09 | 0:36:13 | |
-We're getting so near. One more. -Look at this, Jennifer. | 0:36:13 | 0:36:16 | |
-He's so good trying. -One more, ma'am. 35. 38. 40. | 0:36:16 | 0:36:19 | |
You're in, sir, at £38. | 0:36:19 | 0:36:23 | |
Fair warning, all done. Take 40. | 0:36:23 | 0:36:25 | |
At £38, the gavel falls to you. | 0:36:25 | 0:36:28 | |
You're minus £30 on that, which means overall you're minus £16, | 0:36:28 | 0:36:33 | |
which is not bad. | 0:36:33 | 0:36:35 | |
-It could be a winning score, minus 16. -I don't think so. | 0:36:35 | 0:36:38 | |
-You don't think it will be. -A winning score? -Could be. | 0:36:38 | 0:36:41 | |
-Most definitely not. -Why not, if the Blues don't do very well. | 0:36:41 | 0:36:44 | |
My instinct tells me there's going to be some good things. | 0:36:44 | 0:36:47 | |
-OK. -Are we going for the beaker? | 0:36:47 | 0:36:49 | |
Can we go for your beaker? | 0:36:49 | 0:36:51 | |
-It's entirely your hands, not me. -Yes. We will. | 0:36:51 | 0:36:54 | |
Silver beaker. Engraved with floral scrolls. | 0:36:54 | 0:36:57 | |
Initialled AP, we believe it to be around 1830, 1840. | 0:36:57 | 0:37:00 | |
I am bid £20. | 0:37:00 | 0:37:02 | |
Five and 30. I'll take two now. | 0:37:02 | 0:37:04 | |
30. I'll take two for it. Come on. | 0:37:04 | 0:37:06 | |
-30 I'm bid. Where's two? Come on. 30. -I want to put my hand up. | 0:37:06 | 0:37:11 | |
30. I'll take two. Five. Eight, sir. One more. 38. | 0:37:11 | 0:37:13 | |
And I've got 40. And two. | 0:37:13 | 0:37:15 | |
I'm out. I'll take five now. | 0:37:15 | 0:37:17 | |
At £42. Fair warning. All done. | 0:37:17 | 0:37:20 | |
We say sale at £42. | 0:37:20 | 0:37:23 | |
Bad luck, David. 42. That's minus 13. | 0:37:23 | 0:37:25 | |
That's not right. Minus £29. Could be a winning score. | 0:37:25 | 0:37:29 | |
Just don't tell the Blues a thing. | 0:37:29 | 0:37:31 | |
Five. 55. | 0:37:31 | 0:37:33 | |
Come on, sir. One more. It's yours. | 0:37:33 | 0:37:35 | |
Next up is the paint tin. | 0:37:40 | 0:37:42 | |
Here it comes. Estimate £30 to £50. | 0:37:42 | 0:37:45 | |
Isn't it wonderful? Silver syrup tin, Edwardian, London 1906. | 0:37:45 | 0:37:49 | |
Lots and lots of interest. I'm in at double the estimate at £100 now. Do I see 110? | 0:37:49 | 0:37:54 | |
110. 120. 130. 140. 150. 160. 170. | 0:37:54 | 0:37:57 | |
I'm out. Do I see 180 now? At 170. | 0:37:57 | 0:38:00 | |
Do I see 180, surely? At 170. Fair warning. All down to you, sir. | 0:38:00 | 0:38:04 | |
We say sold at £170. I'm out and you're in, sir. | 0:38:04 | 0:38:07 | |
Well, that's not bad, is it? Six times the low estimate. | 0:38:07 | 0:38:12 | |
Rubio, eh. Lovely. | 0:38:12 | 0:38:14 | |
Five. Eight, sir. | 0:38:16 | 0:38:17 | |
Now, Christie and Abbey, do you know how the Reds got on? | 0:38:19 | 0:38:22 | |
-No. -No idea. -You don't want to know, I can tell you. | 0:38:22 | 0:38:25 | |
Abbey, your doll's kitchen set I think is divine. | 0:38:25 | 0:38:29 | |
You paid £35 for it. | 0:38:29 | 0:38:30 | |
He's estimated £20 to £30, but surely, someone somewhere | 0:38:30 | 0:38:35 | |
-must just fall in love with it as it's a great object. -It's lovely. | 0:38:35 | 0:38:38 | |
So you should get away with at least a wiped face, all right. | 0:38:38 | 0:38:41 | |
-And here it comes. -It's a 1950s miniature tinplate cooker range | 0:38:41 | 0:38:45 | |
with 14 various cooking utensils. There we are. I've got no bids. | 0:38:45 | 0:38:48 | |
Ohhh! | 0:38:48 | 0:38:50 | |
But do I see £10? | 0:38:50 | 0:38:52 | |
All these hands going up. Ten. 15. 20. Five. 30. Five. 40. | 0:38:52 | 0:38:57 | |
In green. One more. 40. Five. Are you sure? | 0:38:57 | 0:39:01 | |
45. 50. No, she says. | 0:39:01 | 0:39:03 | |
At 45, the lady. I'll take 50 now. | 0:39:03 | 0:39:06 | |
That's very good, Abbey. | 0:39:06 | 0:39:08 | |
Well done. Well done, you two. | 0:39:08 | 0:39:11 | |
At £45. The gavel is falling. | 0:39:11 | 0:39:13 | |
Well done, ladies. That's lovely. | 0:39:13 | 0:39:15 | |
-Brilliant. -That's £10. You must be pleased. | 0:39:15 | 0:39:18 | |
-We are. Very. -1930s Clarice Cliff My Garden pattern jug. There it is. | 0:39:18 | 0:39:23 | |
A handle of turquoise berries. In good condition. I'm only bid £20. | 0:39:23 | 0:39:26 | |
Do I see two now? 20. I'll take two. | 0:39:26 | 0:39:29 | |
And come on. Look at it. Two. Five. Eight. 30 I've got. | 0:39:29 | 0:39:32 | |
Two and I'm out. Where's five? | 0:39:32 | 0:39:34 | |
I'll take five now, surely. Five. 40. Five down here. 45. 50. Five. | 0:39:34 | 0:39:40 | |
-One more. Go on. -Come on. | 0:39:40 | 0:39:42 | |
I'll take five. One more, sir. | 0:39:42 | 0:39:44 | |
50. I'll take five. Once, twice and three times. We're selling. | 0:39:44 | 0:39:48 | |
At £50, the gavel falls. | 0:39:48 | 0:39:50 | |
-Minus 15, which means overall you're minus five. -Minus five. | 0:39:50 | 0:39:54 | |
Now, the wretched walking stick. | 0:39:54 | 0:39:56 | |
Interesting cane. This commemorative white metal mounted walking stick | 0:39:56 | 0:40:00 | |
with a wonderful commemoration for Emperor Franz Joseph of Austria, | 0:40:00 | 0:40:03 | |
but we believe to be later. | 0:40:03 | 0:40:05 | |
Why do you believe it to be later? | 0:40:05 | 0:40:07 | |
Perhaps 30 or so years on, but ever so interesting. I will start at £40. | 0:40:07 | 0:40:11 | |
Do I see five now? 45. 50. Five. | 0:40:11 | 0:40:14 | |
I've got 65. 70. Five. | 0:40:14 | 0:40:17 | |
I've got 70 on my book. | 0:40:17 | 0:40:18 | |
Do I see five now? 70. I'll take five. | 0:40:18 | 0:40:21 | |
Come on, sir. One more, it's yours. No, he says, five and I'm out. £75. | 0:40:21 | 0:40:24 | |
Do I see 80 now? | 0:40:24 | 0:40:26 | |
At £75. Fair warning. | 0:40:26 | 0:40:28 | |
All done. We are selling... | 0:40:28 | 0:40:30 | |
80. Five. One more, sir. Come on. | 0:40:30 | 0:40:33 | |
One more. Only five. | 0:40:33 | 0:40:35 | |
No, he says. You're in, sir. 80. I'll take five if it helps you. No. | 0:40:35 | 0:40:39 | |
-85. 90. -Yes. -Thank you. | 0:40:39 | 0:40:41 | |
£85. Fair warning before I sell. All done. | 0:40:41 | 0:40:43 | |
Minus 55, which means overall you're minus 60. Minus £60 overall. | 0:40:43 | 0:40:48 | |
-What do you want to do? -Go for it. -Go for it. | 0:40:48 | 0:40:50 | |
Minus 60. We might as well. | 0:40:50 | 0:40:51 | |
-Go for that then. -Yeah. Definitely. -Yeah. You sure? -Yep. | 0:40:51 | 0:40:54 | |
-Yeah? -Yeah. We're minus 60. | 0:40:54 | 0:40:56 | |
-It can't really get that much worse. -Could be a winning score. Minus 60. | 0:40:56 | 0:41:00 | |
-We'll try. -I've got faith in this table lamp. | 0:41:00 | 0:41:02 | |
-Here it comes. -An interesting and very stylish Art Deco slate | 0:41:02 | 0:41:06 | |
and clear glass lamp base. There it is. Lots of interest here. | 0:41:06 | 0:41:09 | |
-Smart thing. -Lots of interest here. | 0:41:09 | 0:41:11 | |
And I'm going ten. 20. 30. 40. 50. | 0:41:11 | 0:41:14 | |
-£60. -Yes! | 0:41:14 | 0:41:16 | |
-Do I see five now? -I'm vindicated. | 0:41:16 | 0:41:19 | |
Five. 60. I'll take five. | 0:41:19 | 0:41:21 | |
70. Takes my under bid. Do I see five now? | 0:41:21 | 0:41:23 | |
-Go on! -70. I'll take five. Come on. | 0:41:23 | 0:41:26 | |
-Go on. Bid against him. -£70. Where's five now? Once. Twice. | 0:41:26 | 0:41:29 | |
We're selling at £70. Yes, we are. | 0:41:29 | 0:41:32 | |
Well done, Tom. | 0:41:32 | 0:41:33 | |
That's absolutely marvellous. You've doubled your money. | 0:41:33 | 0:41:36 | |
That is plus £35, all right. | 0:41:36 | 0:41:38 | |
That's really good, which drags your score back to minus £25. | 0:41:38 | 0:41:43 | |
It could be a winning score. | 0:41:43 | 0:41:46 | |
Well, there you are. It could be a winning score. | 0:41:46 | 0:41:48 | |
We're just going to have to find out in a minute. | 0:41:48 | 0:41:51 | |
All these hands going up. Five. 40. | 0:41:51 | 0:41:54 | |
-So, girls, you've been chatting? -No. -No little chat? | 0:42:01 | 0:42:04 | |
Oh, yes. Oh, yes. | 0:42:04 | 0:42:06 | |
-Been talking about it? -Of course we have. -The score? | 0:42:06 | 0:42:09 | |
-Oh, no, no, no, no! -Oh, no, no, no! | 0:42:09 | 0:42:12 | |
-Not between us. -No, no, no. -Between us. | 0:42:12 | 0:42:15 | |
Oh, between us. Well, anyway, who would believe it that after all | 0:42:15 | 0:42:18 | |
these losses all round, there is only £4 between the teams. | 0:42:18 | 0:42:23 | |
£4 only. | 0:42:23 | 0:42:26 | |
But I have to tell you that the margin has turned against the Reds. | 0:42:26 | 0:42:30 | |
-Oh, dear. Not again. -We're desolated. | 0:42:30 | 0:42:33 | |
-Well done. -Your total is minus 29, which is nothing to be ashamed of. | 0:42:33 | 0:42:38 | |
-No. Not at all. -And I hope you had a lovely time. | 0:42:38 | 0:42:41 | |
-We have. -But the victors today. | 0:42:41 | 0:42:43 | |
This is amazing, isn't it? You're minus 25, OK, | 0:42:43 | 0:42:47 | |
largely helped by Thomas Plant's bonus buy with a profit of £35. | 0:42:47 | 0:42:50 | |
Thank you very much, Tim. | 0:42:50 | 0:42:52 | |
And you two were so sniffy about that lamp. | 0:42:52 | 0:42:54 | |
-I liked it. -"I liked it." -I did! | 0:42:54 | 0:42:57 | |
She said, "I liked it." You liked it after it made £35 profit. | 0:42:57 | 0:43:01 | |
-I liked it more. -You liked it more. You've been great fun. | 0:43:01 | 0:43:04 | |
-I hope you had a nice time. -We did. -Very much so. | 0:43:04 | 0:43:06 | |
We've loved having you on the show. It's been fantastic. | 0:43:06 | 0:43:09 | |
-Join us soon for some more bargain hunting. Yes? -Yes! | 0:43:09 | 0:43:12 | |
Subtitles by Red Bee Media Ltd | 0:43:16 | 0:43:18 | |
E-mail [email protected] | 0:43:18 | 0:43:20 |