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No, this is not University Challenge, it's a challenge of an altogether different sort. | 0:00:04 | 0:00:10 | |
Let's go bargain hunting! | 0:00:10 | 0:00:12 | |
Today, we're at the Jaguar Antiques Fair at Derby University. | 0:00:36 | 0:00:41 | |
With the high rolling red team. | 0:00:42 | 0:00:45 | |
-I want to spend some money. -Yes. -What about you? | 0:00:45 | 0:00:47 | |
Well, yes, if it's worth it. | 0:00:47 | 0:00:49 | |
I agree with that, let's spend some money on something good. | 0:00:49 | 0:00:52 | |
And a feisty blue team. | 0:00:52 | 0:00:54 | |
And I know by your face, Holly, that you're going to completely | 0:00:54 | 0:00:57 | |
ignore what I say and do what you want anyway. | 0:00:57 | 0:01:01 | |
But it's all smiles all round at the auction. | 0:01:01 | 0:01:03 | |
Yes! | 0:01:03 | 0:01:05 | |
That's all still to come, but first let me remind you about the rules. | 0:01:08 | 0:01:12 | |
To become Bargain Hunt graduates, our teams have just 60 minutes | 0:01:12 | 0:01:18 | |
and £300 to find three items to sell at auction. | 0:01:18 | 0:01:21 | |
The winning team is the one that makes the most profit or least loss. | 0:01:21 | 0:01:25 | |
£500. | 0:01:25 | 0:01:28 | |
That's the theory anyway, but first let's go and meet the teams. | 0:01:28 | 0:01:32 | |
Competing on Bargain Hunt today, we've got a couple of friends and a mother and daughter. | 0:01:32 | 0:01:38 | |
We've got Ken and Bruce for the friends, | 0:01:38 | 0:01:40 | |
and we've got Holly and Beverley for the mother and daughter. | 0:01:40 | 0:01:42 | |
-Welcome all. -Thank you. -Lovely to see you. | 0:01:42 | 0:01:45 | |
Now you two guys, how long have you been friends and where did you meet? | 0:01:45 | 0:01:48 | |
I'm afraid it's nearly 30 years ago, and I met Bruce when he was waiting | 0:01:48 | 0:01:52 | |
for yet another interview, which he passed. | 0:01:52 | 0:01:55 | |
Well, I would do, wouldn't I! | 0:01:55 | 0:01:56 | |
-You were at school then, were you? -Yes, we were both school teachers. | 0:01:56 | 0:01:59 | |
Ten years ago I retired, early retired. | 0:01:59 | 0:02:01 | |
I help out at the Ashby de la Zouch Museum with 50 other volunteers. We love it, it's good fun. | 0:02:01 | 0:02:07 | |
-Do you actually collect anything in particular yourself? -Yes, I'm a book collector. | 0:02:07 | 0:02:11 | |
I'm very keen on the works of John Buchan, John Meade Falkner | 0:02:11 | 0:02:14 | |
and other authors, and I've got nearly 7,000 books at home. | 0:02:14 | 0:02:18 | |
But more recently, last couple of years I've been collecting ampullae. | 0:02:18 | 0:02:22 | |
-Tell us about ampullae then. -Well, here's an ampulla. | 0:02:22 | 0:02:24 | |
-Yes. -And it's made of lead, and it's a small holy water container. | 0:02:24 | 0:02:30 | |
This one has a big W on it. | 0:02:30 | 0:02:32 | |
Allegedly, it's meant to be from Walsingham but I'm hoping today that it means winner. | 0:02:32 | 0:02:38 | |
Now, Bruce, do you still teach? | 0:02:38 | 0:02:40 | |
I teach critical thinking. | 0:02:40 | 0:02:42 | |
What's critical thinking? | 0:02:42 | 0:02:44 | |
It's trying to get people to look at things objectively and not take things at face value. | 0:02:44 | 0:02:49 | |
Well, that's brilliant. What do you like to collect? | 0:02:49 | 0:02:51 | |
I collect DH Lawrence, Evelyn Waugh, modern first editions. | 0:02:51 | 0:02:55 | |
-To find first editions in dust covers and stuff like that is nearly impossible now, isn't it? -Yes. | 0:02:55 | 0:03:00 | |
Have you had any discoveries? | 0:03:00 | 0:03:02 | |
I was a bit lucky, because I actually bought a whole range of | 0:03:02 | 0:03:06 | |
Shakespeare miniatures, and they cost me £10, but one was missing. | 0:03:06 | 0:03:10 | |
Literally months later, in Ulveston in Cumbria, | 0:03:10 | 0:03:13 | |
I walked into a book shop and guess what was for sale for 50 pence? | 0:03:13 | 0:03:16 | |
The book, the specific book from that collection. I'm not sure how much it's worth, but... | 0:03:16 | 0:03:20 | |
-Same publisher, same imprint, the whole thing? -I think it was... | 0:03:20 | 0:03:22 | |
It was the missing one. | 0:03:22 | 0:03:24 | |
The missing book. | 0:03:24 | 0:03:26 | |
We're on the mark with you, we're going to have rather fun today. | 0:03:26 | 0:03:29 | |
Now girls, are you quaking in your boots, all these guys nattering on? | 0:03:29 | 0:03:31 | |
-Not really. -It's something else, isn't it? | 0:03:31 | 0:03:33 | |
-Absolutely. -Yes. What do you do for a living, Bev? | 0:03:33 | 0:03:35 | |
I'm a retail and finance manager at Blackbrook Zoological Park. | 0:03:35 | 0:03:40 | |
-Are you? -I am, yes. -But you haven't always worked at the zoo, have you? | 0:03:40 | 0:03:42 | |
No, I haven't, I've been an interior designer for 20 years. | 0:03:42 | 0:03:47 | |
-Gosh. So you know about antiques? -Absolutely. -Great. | 0:03:47 | 0:03:50 | |
So you've been buying things and placing them in clients' houses to enhance the beauty of their homes? | 0:03:50 | 0:03:56 | |
-Absolutely. -The nice thing about being an interior decorator I always think, I've never done it myself, | 0:03:56 | 0:04:01 | |
but I might turn my hand to it, is spending somebody else's money to create what you want. | 0:04:01 | 0:04:06 | |
-Exactly. -Which is such fun, isn't it? -It is, yes. | 0:04:06 | 0:04:09 | |
I mean, take our £300 today. | 0:04:09 | 0:04:11 | |
-You're going to be taking our £300 and converting it into zillions of profits. -I do hope so. | 0:04:11 | 0:04:17 | |
Yes, I hope so too. Now darling, what do you enjoy collecting? | 0:04:17 | 0:04:20 | |
I collect blue and white china, | 0:04:20 | 0:04:23 | |
David Winter cottages, I also collect teapots. | 0:04:23 | 0:04:26 | |
Yes. How many teapots have you got? | 0:04:26 | 0:04:28 | |
I've probably got about 400. | 0:04:28 | 0:04:30 | |
-400 teapots! -Yes. | 0:04:30 | 0:04:32 | |
I mean, we're talking big time here, aren't we. | 0:04:32 | 0:04:34 | |
-So, Holls, what do you do for a living, baby? -I'm a full-time | 0:04:34 | 0:04:37 | |
student at Nottingham Trent University, I'm studying product design. All going well. | 0:04:37 | 0:04:42 | |
Tell us about the course. Product design, is that good? | 0:04:42 | 0:04:45 | |
Yes, it's really good. It's completely different to what I | 0:04:45 | 0:04:47 | |
originally thought it would be, compared to what I was doing, design technology. | 0:04:47 | 0:04:51 | |
It's a completely different scale. | 0:04:51 | 0:04:53 | |
So I really enjoy it. | 0:04:53 | 0:04:54 | |
-Are you really looking forward to competing on Bargain Hunt? -Absolutely. -I am, yes. | 0:04:54 | 0:04:59 | |
-You're up for this. -Yes, definitely. -It's a great place, you're going | 0:04:59 | 0:05:02 | |
to have lots of fun, and we're going to have lots of fun. | 0:05:02 | 0:05:04 | |
-Now the money moment, £300 apiece. There you go, £300, £300. -Thank you. | 0:05:04 | 0:05:07 | |
You know the rules, your experts await and off you go, and very, very good luck. | 0:05:07 | 0:05:13 | |
400 teapots, eh? Cheers! | 0:05:13 | 0:05:17 | |
Now, time to meet our experts. | 0:05:17 | 0:05:20 | |
Teaching the Reds a thing or two is lecturer in bargains, David Barby. | 0:05:20 | 0:05:25 | |
And helping out the Blues, someone with all his faculties, Mark Stacey and a 2:2. | 0:05:26 | 0:05:31 | |
Time to start shopping! | 0:05:33 | 0:05:36 | |
Some nice stuff here. | 0:05:36 | 0:05:39 | |
They're nice, Mum. | 0:05:39 | 0:05:41 | |
Oh, no. What's the best you can do? | 0:05:41 | 0:05:44 | |
The absolute base would be 120. | 0:05:44 | 0:05:46 | |
-120. -What do you think about it? | 0:05:46 | 0:05:48 | |
-Well, it's a little silver necked decanter. -What do you think of that? | 0:05:48 | 0:05:53 | |
It's attractive. But it's a spoon. | 0:05:53 | 0:05:56 | |
Come on, get your teeth into something, you lot! | 0:05:56 | 0:05:59 | |
These are nice. They are from Nottingham. | 0:06:01 | 0:06:04 | |
What's the date on them? 1837, nice and early. | 0:06:04 | 0:06:08 | |
-Ken. -Yes. -Come and have a look at this. | 0:06:08 | 0:06:12 | |
-Yes, OK. -These are quite interesting. -I like that. | 0:06:12 | 0:06:14 | |
-Oh, his mark. -His mark. That's particularly useful. -Yes. | 0:06:14 | 0:06:17 | |
This was typical. | 0:06:17 | 0:06:19 | |
Often you wouldn't get a signature, somebody else would write the name | 0:06:19 | 0:06:23 | |
and then the person would just put a cross or some other form of imprint to show that they had agreed. | 0:06:23 | 0:06:30 | |
-And it's all hand-written as well. -And it's fairly local as well. -It's a local one. | 0:06:30 | 0:06:34 | |
-Are they from the same place? -Sutton Boddington. -It's Derby. | 0:06:34 | 0:06:37 | |
This one is Nottinghamshire. | 0:06:37 | 0:06:39 | |
Obviously boundary changes. | 0:06:39 | 0:06:42 | |
That's interesting, isn't it? I love anything to do with history. | 0:06:42 | 0:06:45 | |
Social history, and you couldn't get anything more basic than housing. | 0:06:45 | 0:06:49 | |
-It's more and more popular. -It is indeed. | 0:06:49 | 0:06:51 | |
We need a good price. A good price, we'll go for that. | 0:06:51 | 0:06:55 | |
I think they're a little bit on the top side for £12. | 0:06:55 | 0:06:58 | |
-What do you think or not? -I wouldn't want to go above ten for each. | 0:06:58 | 0:07:03 | |
Why don't you offer 16 for two? | 0:07:03 | 0:07:10 | |
Go and have a word, the dealer's over there. | 0:07:10 | 0:07:12 | |
Certainly if I lived in Sutton Boddington, or it was my name, I'd be very interested in that. | 0:07:12 | 0:07:18 | |
Oh, I think so as well. | 0:07:18 | 0:07:19 | |
To see whether the cottage still exists is the interesting factor. | 0:07:19 | 0:07:22 | |
Yes. How are we doing, Bruce? | 0:07:22 | 0:07:24 | |
-Deal done. -How much? -£16. -That's not bad. | 0:07:24 | 0:07:28 | |
I think that is very, very good. | 0:07:28 | 0:07:30 | |
£16 indeed. For some old deeds. | 0:07:30 | 0:07:34 | |
I think it's a nice little bowl. | 0:07:34 | 0:07:36 | |
-Nice colour. -It's quite nice because it's got its paper label as well. | 0:07:36 | 0:07:39 | |
What is the price again, sir? 125? | 0:07:39 | 0:07:41 | |
We said 125. | 0:07:41 | 0:07:43 | |
-125. Oh, gosh. I think it's a little bit too much. -Yeah. | 0:07:43 | 0:07:48 | |
Come on, girls! | 0:07:49 | 0:07:52 | |
Now what about this, do you like bits of jewellery and things? | 0:07:52 | 0:07:55 | |
-Holly, Holly, Holly! -What? -That. | 0:07:55 | 0:07:59 | |
Oh, the little jewellery box. | 0:07:59 | 0:08:01 | |
I mean, that is quite pretty, isn't it? | 0:08:01 | 0:08:03 | |
That is beautiful. | 0:08:03 | 0:08:04 | |
-Why do you like this? -Just it's very, very pretty. | 0:08:04 | 0:08:08 | |
It looks a little bit Art Deco-y to me. | 0:08:08 | 0:08:10 | |
The top's a bit worn, but I just think it's really pretty. | 0:08:10 | 0:08:14 | |
Well, you've got your arts mixed up. It is more art nouveau. | 0:08:14 | 0:08:17 | |
-Right. -What does the ticket say? Does it give a date on it? | 0:08:17 | 0:08:20 | |
120. Birmingham 1913. | 0:08:20 | 0:08:22 | |
So we're slightly off the art nouveau period, but you've | 0:08:22 | 0:08:24 | |
still got that slight sort of, you know, organic shape to it, | 0:08:24 | 0:08:28 | |
to the decoration, but it's pressed out in a mould, really, and cut out and then applied to the box. | 0:08:28 | 0:08:33 | |
Then you keep your pins in there, and of course you keep your little | 0:08:33 | 0:08:36 | |
-valuables in there, your little silver... -I think that's really, really pretty. | 0:08:36 | 0:08:41 | |
-What is the price on it? -120. | 0:08:41 | 0:08:44 | |
-That's quite a lot. -It is. | 0:08:44 | 0:08:46 | |
-Would you like to know what I think if we put it into auction? -Yes. | 0:08:46 | 0:08:49 | |
I would say we're probably looking at an estimate of around about 70-100. | 0:08:49 | 0:08:55 | |
-It is a nice shape though, isn't it? -Yes, it's beautiful. | 0:08:55 | 0:08:57 | |
-Heart shape. Is it something we'd like to negotiate on? -I think so. | 0:08:57 | 0:09:01 | |
-I reckon so, yes. -Because you both kind of lit up when you saw it. | 0:09:01 | 0:09:05 | |
-Yes, I like that. -Now, it's got 120 on it. | 0:09:05 | 0:09:07 | |
What's the best you could do? | 0:09:07 | 0:09:11 | |
Best price is £80. | 0:09:11 | 0:09:13 | |
£80. That's not too bad. If you remember what I said, I said an estimate wise of 70-100. | 0:09:13 | 0:09:21 | |
What do you think about £80? | 0:09:21 | 0:09:23 | |
-I reckon so. -I think we should go for it. | 0:09:23 | 0:09:25 | |
You are sweet to us, is there any way we could tweak you down a little bit, do you think, maybe 70? | 0:09:25 | 0:09:30 | |
Please. | 0:09:30 | 0:09:32 | |
Cash? | 0:09:32 | 0:09:33 | |
It's worth a try. I mean, they're really sweet to us. | 0:09:36 | 0:09:39 | |
-Oh, yes, he'll meet you halfway. -I think we're happy with that. | 0:09:39 | 0:09:41 | |
-Absolutely. -Thank you very much indeed, that's very sweet of you. | 0:09:41 | 0:09:45 | |
We've only used ten minutes and we're still all loved up after that heart-shaped trinket box. | 0:09:48 | 0:09:53 | |
How much is the box, please, with the Ruskin stone? | 0:09:59 | 0:10:02 | |
-400. -Oops! | 0:10:02 | 0:10:04 | |
Have you got anything within our price range? | 0:10:04 | 0:10:07 | |
What have we got here? A Keswick trivet. | 0:10:07 | 0:10:10 | |
This is Keswick School of Industrial Art. And it's typical with the design, actually. | 0:10:10 | 0:10:14 | |
It's nice. | 0:10:14 | 0:10:16 | |
It is nice. | 0:10:16 | 0:10:17 | |
But I rather like this little | 0:10:17 | 0:10:20 | |
ink stand here. | 0:10:21 | 0:10:23 | |
That's actually Imperial Zinn and it's stamped under the lid with the Imperial mark. | 0:10:23 | 0:10:28 | |
-What do you think? -It's nice. | 0:10:28 | 0:10:30 | |
-I like the shape of it, certainly. -It's good. | 0:10:30 | 0:10:33 | |
-So what age is it, roughly? -It dates from about 1900. | 0:10:33 | 0:10:38 | |
-This is quite clever. I like it immensely. -I do. -What does that say? | 0:10:38 | 0:10:41 | |
-That says 60. -What is the very best you can do on that? | 0:10:41 | 0:10:44 | |
I'll take ten off. 50. | 0:10:44 | 0:10:46 | |
-Is that your very best? -I'll take 40. | 0:10:46 | 0:10:49 | |
That's good. We'll go for that. 40. Thank you very much. | 0:10:49 | 0:10:52 | |
-Thank you very much. -Thank you. -Enjoy it. | 0:10:52 | 0:10:55 | |
Wow, two items purchased within the first 15 minutes. | 0:10:55 | 0:10:59 | |
I like your style, boys. | 0:10:59 | 0:11:01 | |
I tell you what we'll do, if we do this middle section - because there are three levels - | 0:11:03 | 0:11:07 | |
if we do the little middle level there, and then we can go down the round level after that, OK? | 0:11:07 | 0:11:12 | |
Yes. | 0:11:12 | 0:11:14 | |
If you woke up this morning and found that you'd got £50, you had a lucky touch last night, | 0:11:17 | 0:11:25 | |
and you didn't know what to do with the £50, you could have come to an antiques fair like this | 0:11:25 | 0:11:30 | |
and bought a selection of objects, actually, for £50. | 0:11:30 | 0:11:33 | |
Let me show you what my selection is for you today. | 0:11:33 | 0:11:37 | |
Well, here's an unusual object. | 0:11:37 | 0:11:40 | |
It's a horn spoon. | 0:11:40 | 0:11:42 | |
I know, I can hear you say, surely that's plastic not horn. | 0:11:42 | 0:11:46 | |
I didn't know you could get horn that's quite as clear as that. | 0:11:46 | 0:11:51 | |
Well, you can. | 0:11:51 | 0:11:52 | |
And this is an unusual Scottish spoon. It's got a silver shield | 0:11:52 | 0:11:56 | |
on it, onto which you could engrave your initials, and down the sharp end, there's something that looks | 0:11:56 | 0:12:02 | |
like a whistle - which actually IS a whistle. | 0:12:02 | 0:12:05 | |
Next, in our galaxy of treasures we have this little fellow. | 0:12:05 | 0:12:09 | |
It's a Triceratops, but what, I hear you ask, is a Triceratops doing on top of a weighted 925 silver base? | 0:12:09 | 0:12:19 | |
Well, the secret's in this little clip on his back, because this | 0:12:19 | 0:12:22 | |
thing is made as a menu holder, but just in case you haven't got a menu | 0:12:22 | 0:12:28 | |
to put on the dinosaur stand, I just happen to have acquired this little fellow. | 0:12:28 | 0:12:33 | |
It's a Victorian photograph of a quadricycle. | 0:12:33 | 0:12:38 | |
A very rare and extraordinary form of bicycle, | 0:12:38 | 0:12:43 | |
except it's got four wheels, two big ones opposite one another and these two little ones on either side. | 0:12:43 | 0:12:50 | |
Now this is a rare and esoteric type of bicycle, and as such this image is quite unusual. | 0:12:50 | 0:12:58 | |
But look how nice it looks when placed on this dinosaur menu holder. | 0:12:58 | 0:13:03 | |
The three items would cost you a total of £50. | 0:13:03 | 0:13:07 | |
£20 for the Scottish horn whistling spoon, which is a jolly | 0:13:07 | 0:13:11 | |
good price, because I think in Scotland the thing's worth about 60. | 0:13:11 | 0:13:15 | |
£20 for the solid silver dinosaur menu stand, | 0:13:15 | 0:13:19 | |
which must be worth £30 or £40, and £10 for the bicycling card. | 0:13:19 | 0:13:25 | |
What else would you have spent your £50 on? | 0:13:25 | 0:13:28 | |
I like those. Those are very pretty. | 0:13:33 | 0:13:34 | |
They're lovely, they're quite early. What do you think, Holls? | 0:13:34 | 0:13:38 | |
-Not my first choice. -No, quite. -It's not for you. | 0:13:38 | 0:13:41 | |
Let's have a look, they're lovely quality, and I | 0:13:41 | 0:13:42 | |
-love blue and white so it's worth considering those. -Absolutely. | 0:13:42 | 0:13:45 | |
This is Minton, containing within this little bowl is the history of the early art movement in England. | 0:13:45 | 0:13:53 | |
Mildly boring to me. | 0:13:53 | 0:13:56 | |
Boring? Each to their own, Ken. | 0:13:56 | 0:13:59 | |
It's £108. You might be able to negotiate on that. | 0:13:59 | 0:14:01 | |
We'll come back to it, I think. | 0:14:01 | 0:14:03 | |
It's entirely up to you. | 0:14:03 | 0:14:05 | |
I think we'll think about it. | 0:14:05 | 0:14:07 | |
If it's meant to be, I'm sure the bowl will still be there later on. | 0:14:07 | 0:14:13 | |
I actually really like that. | 0:14:13 | 0:14:15 | |
-That's very pretty. -It is very pretty, actually. | 0:14:15 | 0:14:18 | |
Minton, Perth pattern vase. You're not impressed, are you? | 0:14:18 | 0:14:22 | |
-Not really. I can imagine it as a pair. -What a gorgeous pansy vase. | 0:14:22 | 0:14:26 | |
-Thank you, it is. -Are you into pansies? | 0:14:26 | 0:14:28 | |
-No, but I very much like that, I think it's very pretty. -Transfer printed, isn't it? | 0:14:28 | 0:14:33 | |
It is transfer printed, then coloured by hand, but quite nice. | 0:14:33 | 0:14:36 | |
It's one of the chintzy type designs. | 0:14:36 | 0:14:39 | |
-Won't be much money, will it? -No. | 0:14:39 | 0:14:41 | |
-How much do you think? -55 is the best price. -Is it? | 0:14:41 | 0:14:43 | |
-I've got £30 in my mind. -Have you? | 0:14:43 | 0:14:45 | |
Well, that's only in my mind. | 0:14:45 | 0:14:47 | |
-No, that's nearer to where it needs to be. -I might be going out of my mind. | 0:14:47 | 0:14:51 | |
-You having a nice time? -Yes. | 0:14:51 | 0:14:52 | |
-We are, yes. -You bought one item, we're about half an hour into it. | 0:14:52 | 0:14:55 | |
-We are. -So pansies or not, buck up! | 0:14:55 | 0:14:59 | |
Hello, hello. The Reds are having a mid shop tactic chat. | 0:15:00 | 0:15:03 | |
-I want to spend some money. -Yes. -What about you? | 0:15:03 | 0:15:06 | |
-Well, yes, if it's worth it. -I agree with that. -That's OK. | 0:15:06 | 0:15:09 | |
Let's spend some money on something good. David, find us something! | 0:15:09 | 0:15:13 | |
Don't just stand there, go and spend it! | 0:15:13 | 0:15:15 | |
Now, what do you think? | 0:15:17 | 0:15:19 | |
It's a little postal balance. | 0:15:19 | 0:15:21 | |
It's carved as a bear. | 0:15:21 | 0:15:24 | |
Now, the price is 295. | 0:15:24 | 0:15:28 | |
-295. Well, you said you wanted something unusual. -Yes. -Quirky. | 0:15:28 | 0:15:33 | |
Yeah. | 0:15:33 | 0:15:35 | |
-Expensive. -That is | 0:15:35 | 0:15:37 | |
-all those things. -But bears are very collectable. | 0:15:37 | 0:15:41 | |
What do you think? | 0:15:41 | 0:15:42 | |
I'd like to look a bit longer. It's a lot of money. | 0:15:42 | 0:15:46 | |
-I'm forming an opinion. -Depends on how much it would come down. -I'm forming an opinion. | 0:15:46 | 0:15:49 | |
Why don't we ask the guy? | 0:15:49 | 0:15:51 | |
Excuse me, sir, what's the very best you could do on that? | 0:15:51 | 0:15:55 | |
Well, I've got 295 on it. | 0:15:55 | 0:15:58 | |
I'll do it for 225. | 0:15:58 | 0:16:00 | |
Is that your very best? | 0:16:00 | 0:16:02 | |
Is that your very, very best? | 0:16:02 | 0:16:04 | |
The very, very best I could do, I'd take £200 for it. | 0:16:04 | 0:16:07 | |
I think it's quite charming. | 0:16:07 | 0:16:09 | |
I would agree with that. I would agree. It's charming. | 0:16:09 | 0:16:12 | |
It's a hefty section of our budget. | 0:16:12 | 0:16:14 | |
You wouldn't take just under the 200, would you, sir? | 0:16:14 | 0:16:16 | |
No, that's as good as it gets. | 0:16:16 | 0:16:19 | |
I can tell. Fair enough. | 0:16:19 | 0:16:21 | |
It's a lovely thing. | 0:16:21 | 0:16:23 | |
Nice to meet you. Thanks very much. | 0:16:23 | 0:16:24 | |
Oh, it's a shame there's not three or four of those. | 0:16:28 | 0:16:32 | |
-I thought you wanted antiques! -I do! | 0:16:32 | 0:16:35 | |
-We're looking at a Pete Townsend guitar there. -£25! | 0:16:35 | 0:16:38 | |
Oh, sorry, that's the poster. | 0:16:38 | 0:16:40 | |
-Goodness me! So what are you asking for that? -£5,000. -I've got good taste. | 0:16:40 | 0:16:45 | |
I like expensive things. | 0:16:45 | 0:16:48 | |
I've got enough for a plectrum! | 0:16:48 | 0:16:50 | |
Now look, this is an antique, girls. | 0:16:50 | 0:16:53 | |
I'll give you that, Holly. | 0:16:53 | 0:16:55 | |
And look at this now. You've heard of the Nanking cargo? | 0:16:55 | 0:16:58 | |
-I have, yes. -And we've got a nice label on there. | 0:16:58 | 0:17:01 | |
-This was before you were born, I should imagine! -Yeah. | 0:17:01 | 0:17:04 | |
They discovered this, Holly, from a cargo that had been | 0:17:04 | 0:17:08 | |
lost at sea, so this had been under the water for 200 years. | 0:17:08 | 0:17:11 | |
But what do you think? | 0:17:11 | 0:17:13 | |
-I like that. -Do you like it, Holly? -Yes, I like that it. | 0:17:13 | 0:17:15 | |
I like that. I think we should have that. | 0:17:15 | 0:17:18 | |
Well, I think we should try and negotiate. I mean, this one is cracked, mind you, | 0:17:18 | 0:17:22 | |
but you know, if we sort of | 0:17:22 | 0:17:25 | |
asked him what he would do the best for the two. | 0:17:25 | 0:17:28 | |
Do you want to ask? Do you want to ask him, Holly? | 0:17:28 | 0:17:30 | |
-I reckon £35 for the pair. -No, but I think less than that. | 0:17:30 | 0:17:33 | |
-And me. A lot less. -What's your best price for the pair? | 0:17:33 | 0:17:35 | |
What have I got on there? 25. | 0:17:35 | 0:17:37 | |
37. | 0:17:37 | 0:17:40 | |
I tell you what, I'll do them both for 25. | 0:17:40 | 0:17:43 | |
-You see, I like round numbers. -£30. | 0:17:43 | 0:17:45 | |
-20. -I'll knock another couple off. £22, how about that? -Yes. | 0:17:45 | 0:17:50 | |
I think we're happy with that, 22. | 0:17:50 | 0:17:53 | |
-Thank you very much. -Where's your money then? | 0:17:53 | 0:17:56 | |
So now they are head-to-head, each team has two purchases but time is marching on. What is the plan? | 0:17:56 | 0:18:03 | |
Right. What about the bear? | 0:18:03 | 0:18:05 | |
-I like the bear. -He likes it. | 0:18:05 | 0:18:07 | |
I got worried by him saying it's speculative. | 0:18:07 | 0:18:09 | |
Well, the only way you're going to make a profit is being speculative. | 0:18:09 | 0:18:12 | |
-Yes, true. -And you've got to speculate to accumulate. | 0:18:12 | 0:18:17 | |
Right. Ken? | 0:18:17 | 0:18:19 | |
My view is we'll go and look at the bowl, and I'll change my mind again. | 0:18:19 | 0:18:22 | |
We'll go for the bear. | 0:18:22 | 0:18:24 | |
-All right? -Yes. | 0:18:24 | 0:18:25 | |
The bear. We'll go. | 0:18:25 | 0:18:27 | |
Decision made, it's the bear. Will it still be there? | 0:18:27 | 0:18:31 | |
Run, boys, run! | 0:18:31 | 0:18:34 | |
-I love that, Mum. -Which? | 0:18:39 | 0:18:41 | |
-That little teapot thing. -Oh, Holly, that's horrid. | 0:18:41 | 0:18:44 | |
That's cute! | 0:18:44 | 0:18:45 | |
-Do you want to have a look at it? -I do, yes. | 0:18:45 | 0:18:48 | |
-Hello there. Can we have a look at this? Do you mind if we... -You can. -Is it a set? | 0:18:48 | 0:18:52 | |
I'm not sure, I think it's obviously | 0:18:52 | 0:18:55 | |
made at the same time, and looking at it it's probably 1930s. | 0:18:55 | 0:19:01 | |
If you look at them they're different shapes. | 0:19:01 | 0:19:03 | |
I think it's still cute, though. | 0:19:03 | 0:19:06 | |
But it's not right, Holly. | 0:19:06 | 0:19:08 | |
I mean, if that was going in for sale it would probably make, | 0:19:08 | 0:19:12 | |
oh, if you were lucky £30, £40, and it is marked up at £75. | 0:19:12 | 0:19:16 | |
-It's quite nice. -I know. | 0:19:16 | 0:19:19 | |
But it's not a set, girls. | 0:19:19 | 0:19:21 | |
I mean, those two are the best part of it | 0:19:21 | 0:19:23 | |
and those are later. | 0:19:23 | 0:19:26 | |
But it's not a complete set, so people are going to be... | 0:19:26 | 0:19:28 | |
-Yeah. -Very anti from there. | 0:19:28 | 0:19:30 | |
Well, I still like it. I would still - I'd buy it. | 0:19:30 | 0:19:33 | |
-Is it your sort of thing? -Yes. | 0:19:33 | 0:19:35 | |
Do you want to negotiate on it? Do you want to find out the best price? | 0:19:35 | 0:19:37 | |
I reckon so, yes. What's the best price you could do for it? | 0:19:37 | 0:19:40 | |
Probably £65 would probably be my lowest. | 0:19:42 | 0:19:47 | |
-You couldn't do it for 50 then? -55 and that would be it. | 0:19:47 | 0:19:50 | |
Do you reckon? | 0:19:50 | 0:19:52 | |
I think you will struggle with it at auction, to be honest. | 0:19:52 | 0:19:55 | |
I can see why you like it, because it's very 1930s, the chrome and the white and it's very young. | 0:19:55 | 0:20:00 | |
It appeals to a young market. | 0:20:00 | 0:20:02 | |
I can see that, but it is fundamentally three different pieces. But it is your choice. | 0:20:02 | 0:20:07 | |
I mean, I can only advise you, and I know by your face, Holly, you're | 0:20:07 | 0:20:10 | |
going to completely ignore what I say and do what you want anyway. | 0:20:10 | 0:20:14 | |
-And it is on your head. -I like it. | 0:20:14 | 0:20:16 | |
-I like it. Well, then you buy it. -My mum likes it as well. | 0:20:16 | 0:20:18 | |
Well, your mum and you must buy it and completely ignore me. | 0:20:18 | 0:20:22 | |
Nothing personal, Mark! | 0:20:22 | 0:20:24 | |
52 and I'll take it. | 0:20:24 | 0:20:26 | |
Go on then. | 0:20:26 | 0:20:28 | |
-Deal. -That's it. | 0:20:28 | 0:20:30 | |
-Why am I even here? -Oh, you love it. | 0:20:30 | 0:20:32 | |
-I like it. -You love it. | 0:20:32 | 0:20:34 | |
So, the Blues are all done, but is the bear in the bag for the Reds? | 0:20:36 | 0:20:42 | |
We've thought long and hard, this is the one that interests us. | 0:20:42 | 0:20:46 | |
It's an intriguing piece. It's speculative. | 0:20:46 | 0:20:48 | |
Speculative, that's the problem. | 0:20:48 | 0:20:50 | |
And it's our money supply that's the problem. | 0:20:50 | 0:20:52 | |
Is there any way, just ten more? | 0:20:52 | 0:20:54 | |
-£10 off. Go on. £10 -£190. | 0:20:54 | 0:20:57 | |
-OK. £190. -Well done. -Thank you very much indeed. | 0:20:57 | 0:21:00 | |
Thanks very much. | 0:21:00 | 0:21:01 | |
Right. That's it. Time's up. | 0:21:03 | 0:21:06 | |
First, let's remind ourselves what the Reds have bought. | 0:21:06 | 0:21:11 | |
Bruce managed to negotiate the 19th century legal documents down to £16. | 0:21:11 | 0:21:17 | |
The boys found a pewter ink stand which they bought for £40. | 0:21:17 | 0:21:22 | |
And finally, Ken and Bruce chose a Bavarian bear postal scale for £190. | 0:21:22 | 0:21:29 | |
Now, spring into step. | 0:21:31 | 0:21:32 | |
Listen, you two, I thought you were going to peak early there. | 0:21:32 | 0:21:35 | |
-You made two purchases in quarter of an hour. -We did, very early. | 0:21:35 | 0:21:38 | |
-Then desperately mucked about. -We saved the best till last. | 0:21:38 | 0:21:41 | |
Confidence in the last piece. | 0:21:41 | 0:21:43 | |
You may have confidence in it, but it's a lot of mucking about in the meanwhile. | 0:21:43 | 0:21:46 | |
Yes, I don't know whether my heart can stand it. It's pounding away. | 0:21:46 | 0:21:50 | |
-I know. Now you spent up. Did you spend 246? -246, I think. | 0:21:50 | 0:21:53 | |
We've got 54 for expert delivery. | 0:21:53 | 0:21:56 | |
£54 goes across David. There we go, that's all complete, David. | 0:21:56 | 0:22:01 | |
What are you going to do with your £54? | 0:22:01 | 0:22:03 | |
I've already got my eye on something as we've been going round. | 0:22:03 | 0:22:06 | |
-I bet I know what it is. -Don't try to second guess him. | 0:22:06 | 0:22:09 | |
Sorry, sorry. | 0:22:09 | 0:22:11 | |
He is such a cunning fox, this man, he may have laid a false scented | 0:22:11 | 0:22:17 | |
trail to an object that you think he's going to go for, but actually, | 0:22:17 | 0:22:21 | |
-like the dilettante that he is, he will flit off and find something else. -Completely strange. | 0:22:21 | 0:22:25 | |
Brilliant. Jolly good. I am glad you've had a nice time. | 0:22:25 | 0:22:29 | |
Very good, David, but for us let's find out what the Blues have bought. | 0:22:29 | 0:22:33 | |
The girls fell in love with a heart shaped pin cushion trinket box, theirs for £75. Ah. | 0:22:33 | 0:22:41 | |
Plucked from the sea bed, a couple of Nanking cargo saucers, salvaged for £22. | 0:22:41 | 0:22:48 | |
Finally, Holly and Bev bought a four-piece tea and coffee set for 52 smackers. | 0:22:49 | 0:22:55 | |
Right then team, how much did you spend? | 0:22:57 | 0:22:59 | |
-149. -£149. Now, do you think that's a lot, Holly, or not? -No. | 0:22:59 | 0:23:05 | |
No, says Bev. Just like that. | 0:23:05 | 0:23:07 | |
It's a lot to me. | 0:23:07 | 0:23:09 | |
So I would like £151, please. | 0:23:09 | 0:23:11 | |
-Who's got the 151? You don't like giving that back, do you? -No. | 0:23:11 | 0:23:14 | |
-OK, £151. -Thank you, Tim. | 0:23:14 | 0:23:17 | |
Have they behaved themselves, these girls? | 0:23:17 | 0:23:20 | |
No. Absolutely not. I don't know why I was here. | 0:23:20 | 0:23:23 | |
Your opinion is going to count a lot for that £151 and they could be depending on you with this, Mark, | 0:23:23 | 0:23:30 | |
so I think you're going to have to stiffen up, old fruit. | 0:23:30 | 0:23:33 | |
And very good luck. But for the rest of us we're heading off to Buckinghamshire. | 0:23:33 | 0:23:37 | |
What could be more divine than that? | 0:23:37 | 0:23:39 | |
This is Claydon House, a manor which was passed | 0:23:50 | 0:23:54 | |
from generation to generation of the Verney family for over 400 years. | 0:23:54 | 0:23:59 | |
It sure is a fine example of 18th century architecture, both inside and out. | 0:24:02 | 0:24:07 | |
But today, I'd like to show you something rather personal. | 0:24:07 | 0:24:11 | |
This is very strange up here, isn't it? | 0:24:13 | 0:24:16 | |
Originally a landing, it's been converted into the Verney family private museum. | 0:24:16 | 0:24:23 | |
Now, Sir Harry Verney, in the 19th century, had an extremely famous sister-in-law. | 0:24:23 | 0:24:29 | |
She was none other than Florence Nightingale. | 0:24:29 | 0:24:33 | |
And, not surprising, in this cabinet we've got a memorial to Florence. | 0:24:33 | 0:24:38 | |
And you can see some images of her here. | 0:24:38 | 0:24:41 | |
There she is, standing on her return from the Crimea. | 0:24:41 | 0:24:44 | |
Below, here's a photograph of the harbour at Balaclava. | 0:24:44 | 0:24:49 | |
And of course Florence Nightingale's most famous achievement in | 0:24:49 | 0:24:54 | |
the Crimean War was establishing the British Hospital at Scutari. | 0:24:54 | 0:24:59 | |
And, intriguingly, two of these bands, which would either have been | 0:24:59 | 0:25:03 | |
worn as a sash or as armbands on her nurses, survive in this cabinet. | 0:25:03 | 0:25:10 | |
But I think one of the most charming pieces of memorabilia is this, | 0:25:10 | 0:25:14 | |
which on the face of it looks like a small cricket ball. | 0:25:14 | 0:25:18 | |
But, if you read the label, it says "Orange, given by Florence Nightingale | 0:25:18 | 0:25:23 | |
"to a sick soldier during the Crimea," | 0:25:23 | 0:25:29 | |
which has been preserved by him and kept for 160 years and was | 0:25:29 | 0:25:34 | |
re-presented back to the family to go into their little museum. | 0:25:34 | 0:25:39 | |
Isn't that charming? | 0:25:39 | 0:25:41 | |
Sir Harry's son, Sir Edmund Hope Verney, was in India at the time of the civil war, | 0:25:41 | 0:25:49 | |
and as a result of that conflict, the British had to reconquer those parts of India held by the rebels. | 0:25:49 | 0:25:56 | |
That meant deposing some of the Maharajahs, and as a result of that, these spoils of war, which are | 0:25:56 | 0:26:04 | |
exquisite gold Damascened steel pieces of armour and chain-mail, | 0:26:04 | 0:26:10 | |
found their way into the museum. | 0:26:10 | 0:26:13 | |
The most spectacular and eye-catching display in the museum though, has to be this array | 0:26:13 | 0:26:20 | |
of musical instruments running up the centre. | 0:26:20 | 0:26:23 | |
This little lot collectively is known as a gamelan, and these were made in Java. | 0:26:23 | 0:26:29 | |
But they were commissioned specifically by Sir Stamford Raffles, who was the man who founded | 0:26:29 | 0:26:36 | |
Singapore, and they're an incredibly important survival illustrating Javanese performing arts. | 0:26:36 | 0:26:44 | |
So keen was Sir Harry Verney to buy this set that he had to persuade his | 0:26:44 | 0:26:50 | |
wife to give up six months of her allowance so that he'd have the cash to make the purchase. | 0:26:50 | 0:26:57 | |
The big question is today, of course, | 0:26:57 | 0:27:00 | |
are our teams over at the auction going to be in tune? | 0:27:00 | 0:27:04 | |
Mark and David have been busy, though, searching for their bonus buys. | 0:27:07 | 0:27:11 | |
With any luck, today's bargains will be music to the ears of our auctioneer. | 0:27:11 | 0:27:15 | |
Well, we've had a quick whizz across from Derby to Nottingham to Mellors and Kirk's excellent sale room. | 0:27:17 | 0:27:25 | |
It's a treat to be here, Nigel. | 0:27:25 | 0:27:27 | |
-Very nice to have you, Tim. -Now, Ken and Bruce went with these documents. | 0:27:27 | 0:27:31 | |
What do you make of these fellows? | 0:27:31 | 0:27:34 | |
They're obviously unique in one sense, and yet in another they're not. | 0:27:34 | 0:27:37 | |
They're the sort of material which, in enormous quantity, survives still | 0:27:37 | 0:27:42 | |
in lawyers' offices the length and breadth of Britain. | 0:27:42 | 0:27:44 | |
If it's your own home or piece of land they relate to, they're great. | 0:27:44 | 0:27:48 | |
And what do you call these documents, Nigel? | 0:27:48 | 0:27:50 | |
Well, this particular one is an indenture. Because of this wavy line, and it means that the agreement is | 0:27:50 | 0:27:56 | |
absolutely unique, and that only the other half is the genuine part to it. | 0:27:56 | 0:28:01 | |
So the solicitor at the time that we signed up our agreement | 0:28:01 | 0:28:05 | |
cut it in half, my half like a jigsaw puzzle, and it makes it go against your half? | 0:28:05 | 0:28:08 | |
Absolutely. It's completely unique. | 0:28:08 | 0:28:10 | |
Well, I never knew that. Isn't that interesting? | 0:28:10 | 0:28:13 | |
Gosh. Now, that bit of information, of course, is going to enhance | 0:28:13 | 0:28:17 | |
-the value dramatically, isn't it? -Not a jot. | 0:28:17 | 0:28:20 | |
-What's it worth, then? -I think a tenner for the two, probably. | 0:28:20 | 0:28:23 | |
-Do you? They paid £16. Next is the pewter inkwell. -Yes. | 0:28:23 | 0:28:27 | |
Which I think is rather a poor example, I have to say. | 0:28:27 | 0:28:31 | |
-I agree. -How much do you think it's worth? | 0:28:31 | 0:28:33 | |
Probably 30 or £40. | 0:28:33 | 0:28:35 | |
-Maybe 50 on a good day. -They paid 40, so that might be a bit dodgy. | 0:28:35 | 0:28:39 | |
Their main hope, to wit they're pinning all their colours, is this little Bavarian bear. | 0:28:39 | 0:28:48 | |
Well, at first sight, it's a sweet little object, isn't it? | 0:28:48 | 0:28:50 | |
-But I have some serious reservations about this one. -Do you? | 0:28:50 | 0:28:53 | |
I don't think it started out life as a postal scale, I think there's a question about that. | 0:28:53 | 0:29:00 | |
Because, why would you put a mechanical gadget like this that completely hides and obscures | 0:29:00 | 0:29:07 | |
the beautifully carved little bear? | 0:29:07 | 0:29:09 | |
That would affect your opinion of value, then? | 0:29:09 | 0:29:11 | |
It will. I think if others are of the same view, I think it's probably going to be maybe £40-£60. | 0:29:11 | 0:29:18 | |
Oh, lordy. £190 they paid for this! | 0:29:18 | 0:29:22 | |
I think that's probably rather too much. | 0:29:22 | 0:29:24 | |
If you're right and they're wrong, they're going to need their bonus buy. | 0:29:24 | 0:29:28 | |
So let's go and have a look at it. | 0:29:28 | 0:29:29 | |
Now, Kenneth and Bruce, you spent 246. | 0:29:32 | 0:29:35 | |
You gave him £54 to spend on the bonus buy. What did you do with it? | 0:29:35 | 0:29:40 | |
-Great consideration on this. I sought a second opinion. -It's very small. | 0:29:40 | 0:29:43 | |
It is small, but I think quite rare. | 0:29:43 | 0:29:47 | |
Now, this is a carved nut. | 0:29:47 | 0:29:51 | |
-Both of you are... -...carved nuts! | 0:29:51 | 0:29:53 | |
Both of you are of a scholastic, scientific inclination. | 0:29:53 | 0:29:56 | |
This little piece here, we call it Scrimshaw. | 0:29:56 | 0:30:00 | |
Possibly done by a sailor, who might have gone to Tasmania, | 0:30:00 | 0:30:04 | |
and spent the hours of boredom just cutting into that. | 0:30:04 | 0:30:08 | |
I think 20 minutes, rather. | 0:30:08 | 0:30:10 | |
Oh, no, a little bit longer than that. | 0:30:10 | 0:30:12 | |
It's got all these sort of lines going across, which is quite extraordinary. What do you think? | 0:30:12 | 0:30:17 | |
It's a very tactile little piece, it needs handling and turning around in the hand. | 0:30:17 | 0:30:21 | |
You shake it, it's still got the nuts inside. | 0:30:21 | 0:30:23 | |
David, I had huge faith in you at one stage. | 0:30:23 | 0:30:27 | |
-The big question is, how much? -£15. | 0:30:27 | 0:30:30 | |
£15 for a little piece of Scrimshaw. | 0:30:30 | 0:30:33 | |
See how great Bruce now thinks this is? | 0:30:33 | 0:30:36 | |
I think there's a possibility there, David, of helping us towards a plus. | 0:30:38 | 0:30:43 | |
-I think, good buy, mate. -Really? -Well done. -I'm going to pass it back. | 0:30:43 | 0:30:46 | |
So, from one nut, to another nut, to a serious nut! | 0:30:46 | 0:30:52 | |
Well, you don't pick it now, you pick it later. | 0:30:53 | 0:30:55 | |
Maybe after the sale of your first three items. | 0:30:55 | 0:30:58 | |
But let's find out now, for the audience at home, | 0:30:58 | 0:31:00 | |
what the auctioneer thinks about David's little nut. | 0:31:00 | 0:31:04 | |
Well, you've got to be a nutcase to be an expert on Bargain Hunt, I tell you. | 0:31:06 | 0:31:10 | |
I'm afraid it's modern. It's a reproduction. | 0:31:10 | 0:31:12 | |
Yes. What do you think it's worth? | 0:31:12 | 0:31:15 | |
I dare say £20, maybe, as a guess. | 0:31:15 | 0:31:17 | |
-£15 is all they paid. -That's not unreasonable. | 0:31:17 | 0:31:20 | |
-It's a bit of fun. -It is. | 0:31:20 | 0:31:22 | |
That's it for the Reds. Now for the Blues. | 0:31:22 | 0:31:24 | |
What an amazing collection of stuff we've got here. I just love it, don't you? | 0:31:24 | 0:31:28 | |
-Yes, it's great. -To kick off, then, we're going to have this silver pin cushion, which is, I suppose, | 0:31:28 | 0:31:35 | |
for people who are intensely in love with needlework, is it? | 0:31:35 | 0:31:39 | |
I think it's for hatpins, actually, Tim, rather than needlework. | 0:31:39 | 0:31:42 | |
It would have sat on an Edwardian lady's dressing-table. | 0:31:42 | 0:31:45 | |
Right. | 0:31:45 | 0:31:46 | |
It's made of silver, it doubles up as a little jewel box. | 0:31:46 | 0:31:50 | |
Lined in velvet with a padded top. | 0:31:50 | 0:31:52 | |
-What's your estimate on that? -40-60. | 0:31:52 | 0:31:54 | |
£75 paid. | 0:31:54 | 0:31:56 | |
Well, I don't know, but I feel a bit of a surprising result perhaps coming from that. I do hope so. | 0:31:56 | 0:32:01 | |
Now we span a few centuries in ceramic terms. What do you make of those? | 0:32:01 | 0:32:06 | |
Well, they're Chinese porcelain made for export to the West, and | 0:32:06 | 0:32:09 | |
they're from the famous Nanking Cargo that was sold at auction 250 years later than it was intended to be. | 0:32:09 | 0:32:17 | |
The date is middle of the 18th century, 1750 or so. | 0:32:17 | 0:32:21 | |
So there we have it. How much? | 0:32:21 | 0:32:23 | |
£20-£30 only. | 0:32:23 | 0:32:25 | |
£22 is what they paid. You're estimating £20-£30, and they may therefore turn a small profit. | 0:32:25 | 0:32:32 | |
-Let's hope so. -Much more encouraging, though, is this brilliant set of chromium-plated clad earthenware. | 0:32:32 | 0:32:39 | |
There's no missing it, is there? | 0:32:39 | 0:32:41 | |
It's right there in your face. | 0:32:41 | 0:32:43 | |
-Absolutely. -They've got a few interesting features, haven't they? | 0:32:43 | 0:32:46 | |
They have. It's earthenware with a chromium-plated | 0:32:46 | 0:32:48 | |
metal casing for insulation purposes, at least in the case of the two pots. | 0:32:48 | 0:32:53 | |
And the design is great. | 0:32:53 | 0:32:56 | |
Are we talking Festival of Britain here? | 0:32:56 | 0:32:59 | |
Are we talking just after the Second World War, do you think? | 0:32:59 | 0:33:01 | |
I think probably just after the Second World War, yes. | 0:33:01 | 0:33:04 | |
Actually, a stunning set. What's your estimate? | 0:33:04 | 0:33:08 | |
I suppose £30 or £40. | 0:33:08 | 0:33:11 | |
OK, £52 paid. It just depends on who's at the auction, doesn't it? | 0:33:11 | 0:33:13 | |
-Yes, it does. -But, looking at this, they may well need their bonus buy, so let's go and have a look at it. | 0:33:13 | 0:33:19 | |
How exciting is this, girls? | 0:33:21 | 0:33:23 | |
Are you gagging to find out how much Mark has spent of your £151? | 0:33:23 | 0:33:28 | |
-I'm intrigued to more than anything. -I can tell. | 0:33:28 | 0:33:31 | |
Put them out of their agony, will you? | 0:33:31 | 0:33:34 | |
Now look at that, girls. Isn't that wonderful? | 0:33:34 | 0:33:37 | |
This is gilt-bronze, | 0:33:37 | 0:33:39 | |
French Champleve enamel, in that sort of Japanese style of the last quarter of the 19th century. | 0:33:39 | 0:33:47 | |
But wonderful detail and quality. | 0:33:47 | 0:33:49 | |
And I didn't spend all of your money. | 0:33:49 | 0:33:52 | |
I spent only £95. | 0:33:52 | 0:33:54 | |
-For one? -No. I've got | 0:33:54 | 0:33:55 | |
the matching pair, discreetly in my pocket, to surprise you. | 0:33:55 | 0:34:00 | |
What do you think of those, girls? Aren't they knock-out? | 0:34:00 | 0:34:03 | |
As it's a pair, definitely. I thought you'd only bought one for a moment. | 0:34:03 | 0:34:07 | |
-I just think they're absolutely delicious. -They're quite nice. | 0:34:07 | 0:34:09 | |
Not what I expected from you. I quite like those. | 0:34:09 | 0:34:12 | |
-I'm impressed. -I think they're absolutely marvellous. | 0:34:12 | 0:34:15 | |
-And you paid how much again? -95, Tim. | 0:34:15 | 0:34:17 | |
£95. For the top, top grade Champleve and gilt bronze? | 0:34:17 | 0:34:21 | |
Absolutely. | 0:34:21 | 0:34:23 | |
-You're happy, girls? -Yes. | 0:34:23 | 0:34:25 | |
You pick later if you want to, but for the audience at home, let's find | 0:34:25 | 0:34:29 | |
out what the auctioneer thinks about the candlesticks. Well done, Mark. | 0:34:29 | 0:34:31 | |
-So, Nigel. They look Oriental, they smell Oriental, but they're not Oriental, right? -No, they're not. | 0:34:34 | 0:34:40 | |
These were made either in France or England, and I'm inclined to think they were made in France. | 0:34:40 | 0:34:45 | |
Although they're unsigned, they're very reminiscent of the work of the bronze founder Ferdinand Barbedienne. | 0:34:45 | 0:34:50 | |
-Great gilding, isn't it? -Super gilding. | 0:34:50 | 0:34:52 | |
Is that not just how really rich gilding ought to look on bronze? | 0:34:52 | 0:34:57 | |
-The whole thing works really well, and they're super quality. -Very, very smart. | 0:34:57 | 0:35:01 | |
A signature would greatly increase the value, but there's no doubting that they're circa 1880. | 0:35:01 | 0:35:07 | |
-What sort of estimate? -100-150, I think is nice and competitive. | 0:35:07 | 0:35:10 | |
Very good, £95 was paid. | 0:35:10 | 0:35:12 | |
Very reasonable. | 0:35:12 | 0:35:15 | |
I think they're an absolutely brilliant, belting bonus buy | 0:35:15 | 0:35:19 | |
which we look forward to seeing sold in a moment. | 0:35:19 | 0:35:21 | |
So, you cool cats, are you pretty excited? | 0:35:31 | 0:35:34 | |
We are. The bear is going to go for big money. | 0:35:34 | 0:35:38 | |
-Really? -We're going to make a lot of money on it. | 0:35:38 | 0:35:40 | |
The auctioneer thinks it's a cobbled together thing. | 0:35:40 | 0:35:43 | |
He thinks the bear is the bear, and the scales are the scales, and they didn't start off life together. | 0:35:43 | 0:35:48 | |
-That's his view. -What does he know? | 0:35:48 | 0:35:50 | |
Your first lot is coming up now. And it's the indenture. | 0:35:50 | 0:35:53 | |
Lot 205, two deeds, one an indenture. | 0:35:53 | 0:35:57 | |
£20 for them, please? £10? | 0:35:57 | 0:36:00 | |
Ten I'm bid, thank you. | 0:36:00 | 0:36:03 | |
15, 20? | 0:36:03 | 0:36:05 | |
£15, all done? | 0:36:05 | 0:36:08 | |
Paid 16, minus one. It's nothing. | 0:36:08 | 0:36:13 | |
Lot 206 is the steel cast pewter inkwell. £30 for this? | 0:36:13 | 0:36:18 | |
£20? | 0:36:18 | 0:36:21 | |
20 I'm bid, thank you. 25, 30? 35? | 0:36:21 | 0:36:24 | |
£30, in the centre of the room, selling for 30. | 0:36:24 | 0:36:28 | |
£30, minus £10, you're minus 11. | 0:36:28 | 0:36:32 | |
Lot 207 is the Swiss limewood carving of a bear. | 0:36:32 | 0:36:36 | |
Several bids on this, including one of £80. | 0:36:36 | 0:36:40 | |
80, 90 for it? 90, 100, 110, 120, 130, 140, 150, 160, 170. | 0:36:40 | 0:36:48 | |
At £170, a commissioned bid. | 0:36:48 | 0:36:50 | |
Selling at 170. | 0:36:50 | 0:36:54 | |
-That's very good. -Not quite wiping its face. | 0:36:54 | 0:36:56 | |
-But it got near. -That was very good. | 0:36:56 | 0:37:00 | |
Far better than the estimate of £40-£60. | 0:37:00 | 0:37:05 | |
Minus 31, that's where we're at, minus 31. What about this nut now? | 0:37:05 | 0:37:08 | |
-No question. -Could this nut save your day? | 0:37:08 | 0:37:10 | |
No question, we're going for it. | 0:37:10 | 0:37:12 | |
-It's a nice piece, we're going for it. -So that's it, then. | 0:37:12 | 0:37:15 | |
We are going with the nut! | 0:37:15 | 0:37:17 | |
Lot 214 is this interesting | 0:37:17 | 0:37:19 | |
Scrimshaw type decorated terrestrial globe in the form of a nut. | 0:37:19 | 0:37:25 | |
£20 for it? | 0:37:25 | 0:37:27 | |
20 I'm bid, thank you. 25 anywhere? | 0:37:27 | 0:37:30 | |
At £20, 25 I'll take. | 0:37:30 | 0:37:33 | |
Selling then at £20. | 0:37:33 | 0:37:35 | |
£20, only one nut about, I'm afraid. | 0:37:38 | 0:37:43 | |
Was that the one that bought it or the one that purchased it? | 0:37:43 | 0:37:46 | |
So, you are minus 26. | 0:37:46 | 0:37:49 | |
Minus 26 is very respectable, it could be a winning score. | 0:37:49 | 0:37:52 | |
-Don't say a word. -Our lips are sealed. | 0:37:52 | 0:37:55 | |
-We'll have to trust you boys on this. -Thank you very much. | 0:37:55 | 0:37:59 | |
-Perky? -Yes, definitely. | 0:38:11 | 0:38:13 | |
I love it. You've not been talking to those boys, have you? | 0:38:13 | 0:38:16 | |
-No, no, not at all. -Absolutely not. | 0:38:16 | 0:38:18 | |
They're wicked, they are. First up, then, is your trinket box in the shape of a heart. | 0:38:18 | 0:38:24 | |
What could be more lovely? Here it comes. | 0:38:24 | 0:38:27 | |
Lot 235, the silver heart-shaped pincushion. | 0:38:27 | 0:38:31 | |
£30 for this lot is asked and bid. 35, 40, 45, 50? | 0:38:31 | 0:38:36 | |
50 for it? 50, madam. 55 here, 60? | 0:38:36 | 0:38:40 | |
70. In the room and selling. | 0:38:40 | 0:38:44 | |
-Did he sell it for 70? -70, yes. -Oh, dear, that's minus 5. | 0:38:46 | 0:38:49 | |
Lot 236, two Chinese saucers from the celebrated Nanking Cargo, | 0:38:49 | 0:38:54 | |
mid-18th century. £20 for these? Any interest? | 0:38:54 | 0:38:57 | |
£20 I'm bid, thank you. 25 for them? | 0:38:57 | 0:39:01 | |
25, 30? | 0:39:01 | 0:39:03 | |
We're in profit. | 0:39:03 | 0:39:05 | |
40? At 35, then. | 0:39:05 | 0:39:07 | |
£35 I'm selling. | 0:39:07 | 0:39:09 | |
That is plus 13 on that, that's super. | 0:39:12 | 0:39:14 | |
Lot 237, the chromium-plated | 0:39:14 | 0:39:16 | |
metal and earthenware composed tea and coffee service. | 0:39:16 | 0:39:20 | |
£20 asked for it. Is bid at 20. | 0:39:20 | 0:39:22 | |
25 anywhere? | 0:39:22 | 0:39:24 | |
Come on! | 0:39:24 | 0:39:27 | |
35, 40, 45 to either of you? | 0:39:27 | 0:39:30 | |
£40, then, with me. | 0:39:30 | 0:39:33 | |
-Come on, a bit more. -If you're sure. £40. | 0:39:33 | 0:39:35 | |
-That's a shame. -£40. -Sorry about that. | 0:39:36 | 0:39:38 | |
That's minus 12, you were plus eight, you're now minus four. | 0:39:38 | 0:39:44 | |
-Oh, petal. -So near yet so far. | 0:39:44 | 0:39:46 | |
-We've got one more to go. -You have. | 0:39:48 | 0:39:50 | |
-Now, you're minus four, now that could be a winning score. -I hope so. | 0:39:50 | 0:39:55 | |
No mucking about now. This could be a winning score. | 0:39:55 | 0:39:59 | |
Serious now. Serious. | 0:39:59 | 0:40:01 | |
Minus £4, are you going to stick at minus four and maybe win the show, | 0:40:01 | 0:40:05 | |
or risk £95 of the left over lolly on the candlesticks? | 0:40:05 | 0:40:09 | |
We've got faith in you, go for it. | 0:40:09 | 0:40:11 | |
-You're going to do us proud. -I hope so. I do like them a lot. | 0:40:11 | 0:40:14 | |
So, you're going to go with the bonus buy, and here it comes. | 0:40:14 | 0:40:17 | |
Lot 244 is the pair of French | 0:40:17 | 0:40:19 | |
gilt-bronze and Champleve enamel chinoisery candlesticks. | 0:40:19 | 0:40:25 | |
Very nice things indeed. And £150 for them is bid. | 0:40:25 | 0:40:29 | |
160, 170, 180, 190, 200, | 0:40:29 | 0:40:33 | |
220, 250, 280 for them? | 0:40:33 | 0:40:37 | |
280, 300, 320, 350, 380, 400. | 0:40:37 | 0:40:44 | |
At £400 and I sell at £400? If you're quite sure. | 0:40:44 | 0:40:48 | |
£400! That is something else, isn't it? | 0:40:52 | 0:40:55 | |
You are up £301! | 0:40:55 | 0:40:59 | |
Now, did that come at you out of the blue? | 0:40:59 | 0:41:02 | |
-Oh, yes. -Made my day. | 0:41:02 | 0:41:04 | |
-Kiss him, for God's sake. -Oh, my God! | 0:41:04 | 0:41:07 | |
I can't believe it! | 0:41:07 | 0:41:08 | |
Look, don't say a word to the Reds. | 0:41:08 | 0:41:11 | |
It's so exciting. | 0:41:11 | 0:41:13 | |
Well, well, well, we've had a surprising programme today, I have to tell you. Have you chaps been | 0:41:22 | 0:41:28 | |
-chatting at all? -No. -You've managed to restrain yourselves all round? | 0:41:28 | 0:41:32 | |
As the audience knows, one team has done spectacularly badly, | 0:41:32 | 0:41:38 | |
and another team has done spectacularly well. | 0:41:38 | 0:41:40 | |
And the team that's done spectacularly badly are the Reds. | 0:41:40 | 0:41:46 | |
Actually, not that spectacularly badly. | 0:41:46 | 0:41:49 | |
Minus £31, they got a nice bonus buy out of David Barby, making their end score minus 26. | 0:41:49 | 0:41:56 | |
Which, in normal circumstances, would be a winning score on Bargain Hunt. | 0:41:56 | 0:42:01 | |
But they have not reckoned with the unbelievable skills of the Blues. | 0:42:01 | 0:42:07 | |
Who, I have to say, at a moment were minus £4 and looking dead dodgy | 0:42:07 | 0:42:13 | |
until in came Mark Stacey, | 0:42:13 | 0:42:16 | |
steaming to the rescue. | 0:42:16 | 0:42:18 | |
Steaming so much to the rescue | 0:42:18 | 0:42:19 | |
that he produced £305 of profit on a single bonus buy object. | 0:42:19 | 0:42:25 | |
£305 profit! How about that? | 0:42:25 | 0:42:28 | |
That's something else. | 0:42:28 | 0:42:31 | |
Which means, overall, you are £301 up. | 0:42:31 | 0:42:35 | |
So, what does it feel like, to be having £150 apiece with your mother? | 0:42:35 | 0:42:42 | |
Where's my pound? | 0:42:42 | 0:42:44 | |
-Does it feel great? -It certainly does. He was fantastic. | 0:42:44 | 0:42:48 | |
Wasn't he fantastic! I quite agree with you. | 0:42:48 | 0:42:51 | |
-We'll have David, we'll have David! -We've had a thoroughly lovely | 0:42:51 | 0:42:55 | |
-programme, join us soon for some more bargain hunting, yes? -Yes! | 0:42:55 | 0:42:59 | |
Subtitles by RED BEE MEDIA LTD | 0:43:17 | 0:43:19 | |
E-mail: [email protected] | 0:43:19 | 0:43:22 |