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We're thinking big today, bargain hunters. | 0:00:02 | 0:00:04 | |
We're in London, so why don't we bump up the budget | 0:00:04 | 0:00:07 | |
and blow the blooming lot, as we go bargain hunting? | 0:00:07 | 0:00:11 | |
Hello and welcome. | 0:00:34 | 0:00:36 | |
We've come to the Ally Pally in North London, | 0:00:36 | 0:00:39 | |
which is absolutely ginormous. | 0:00:39 | 0:00:42 | |
And I'm going to be giving each of our teams today £600. | 0:00:42 | 0:00:47 | |
Coming up... | 0:00:47 | 0:00:49 | |
Come on, where's this girl power gone? | 0:00:49 | 0:00:52 | |
..mates Elliott and Simon pass the buck... | 0:00:52 | 0:00:54 | |
I'm happy with it as long as Simon takes all responsibility. | 0:00:54 | 0:00:58 | |
-If it doesn't make a profit, it's your responsibility. -We can blame him. | 0:00:58 | 0:01:01 | |
..cousins Mya and Tenay pass on the decision-making... | 0:01:01 | 0:01:06 | |
-I want to go and get it. -Do you want to? | 0:01:06 | 0:01:08 | |
-Yeah. -But you just walked away. | 0:01:08 | 0:01:09 | |
-Yeah, I know, but I've thought about it. -Sure? -The sense came back. | 0:01:09 | 0:01:13 | |
And at the auction, the experts feel the pressure. | 0:01:13 | 0:01:16 | |
Well, Tim, this is what I bought. | 0:01:16 | 0:01:18 | |
Think you stitched us up. | 0:01:19 | 0:01:21 | |
Come on. One more. | 0:01:24 | 0:01:26 | |
So, if that got you hooked, let's meet the teams. | 0:01:26 | 0:01:29 | |
Great. Boys versus girls. For the Reds, we've got Elliott and Simon. | 0:01:31 | 0:01:35 | |
-And for the Blues, Mya and Tenay. Welcome. -Hello. -Nice to see you. | 0:01:35 | 0:01:39 | |
Now you're both in bands, right? | 0:01:39 | 0:01:41 | |
-Yes. That's right. -Tell us about that. | 0:01:41 | 0:01:43 | |
I'm in a band called the Bluebirds. We play bluesy folk kind of rock. | 0:01:43 | 0:01:48 | |
-And Si, yours? -Yeah. I play in a band called Blackbart and we've played for about five years. | 0:01:48 | 0:01:53 | |
-And we play country, rock, blues sort of music really. -Right. | 0:01:53 | 0:01:56 | |
So you're not in the same band. | 0:01:56 | 0:01:59 | |
-No. -Is there a reason for that? | 0:01:59 | 0:02:01 | |
I don't like Elliott as much as my other friends. | 0:02:01 | 0:02:04 | |
Well, you're going to do terribly well on Bargain Hunt today. | 0:02:04 | 0:02:08 | |
-So, what do you know about antiques, you chaps? -BOTH: Er... | 0:02:08 | 0:02:12 | |
There you are, you see. That says it all, doesn't it? | 0:02:12 | 0:02:14 | |
-Do you know anything at all about them? -We're willing to learn. | 0:02:14 | 0:02:17 | |
-Very willing. -You know about collectables though, don't you? | 0:02:17 | 0:02:20 | |
Yeah. We like memorabilia - music memorabilia and that sort of stuff. | 0:02:20 | 0:02:24 | |
Nothing wrong with buying that if you can make a profit on it, and we are giving you a monster £600. | 0:02:24 | 0:02:29 | |
-Exactly. -I've never spent £600 in one day ever. | 0:02:29 | 0:02:32 | |
-Well, there we go. You might not spend all of it. -No. -Yeah. Anyway, very good luck. | 0:02:32 | 0:02:37 | |
-Thank you. Thanks, Tim. -Lovely. | 0:02:37 | 0:02:38 | |
-Now, girls, what do you think about that? You scared of these boys? -No. Not at all. -We'll take them on. | 0:02:38 | 0:02:44 | |
Tenay, you've got some musical talents, haven't you? | 0:02:44 | 0:02:47 | |
-Yes. I can hold a note. -Cos Stars In Their Eyes. Yes? | 0:02:47 | 0:02:50 | |
-When I was a lot younger. -Yeah. How old were you? -Nine. | 0:02:50 | 0:02:53 | |
Nine. Good. Good. | 0:02:53 | 0:02:54 | |
-I was doing backup singing. -Were you? Was it good fun? | 0:02:54 | 0:02:58 | |
Yeah. It was really fun and funny. | 0:02:58 | 0:03:01 | |
-Mya, you play the clarinet. -Yeah. | 0:03:01 | 0:03:03 | |
-What grade did you get to? -Grade five. -Did you? | 0:03:03 | 0:03:05 | |
That's pretty good, isn't it? We could have a band on this programme | 0:03:05 | 0:03:08 | |
if you think about it, cos we've got the boys who are very good. | 0:03:08 | 0:03:12 | |
Perhaps we'll have a bit of a rave-up over at the auction. | 0:03:12 | 0:03:15 | |
Now, Tenay, what are you studying at the moment? | 0:03:15 | 0:03:18 | |
-I'm currently studying health and social care at my sixth form. -And what about you, Mya? | 0:03:18 | 0:03:22 | |
Well, I'm not doing anything at the moment but I want to go back to college and study nursing. | 0:03:22 | 0:03:26 | |
And hopefully from there, go to university and do midwifery. | 0:03:26 | 0:03:29 | |
Now you know a bit about midwifery already, don't you? | 0:03:29 | 0:03:32 | |
-Yeah. -Cos you've got your little stinker at home. Do you want to wave at him? | 0:03:32 | 0:03:36 | |
-Hi, Tyrell! -Hi, Tyrell! | 0:03:36 | 0:03:38 | |
-How old's he? -14 months. | 0:03:38 | 0:03:40 | |
What do you think you're going to be looking out for with your £600 that I'm about to give you? | 0:03:40 | 0:03:44 | |
-Silverware. -Yeah. Silver. -Yeah. Go for silver. That's always safe. | 0:03:44 | 0:03:48 | |
We always see it goes well, yeah. | 0:03:48 | 0:03:49 | |
-And just generally have a poke about, right? -Yeah. Definitely. | 0:03:49 | 0:03:52 | |
I think these boys can see trouble ahead here. Yes? Anyway, now the money moment. | 0:03:52 | 0:03:56 | |
£600 apiece. Here's your £600. Great wodge of money. Look at that. | 0:03:56 | 0:04:00 | |
Never seen anything like that. | 0:04:00 | 0:04:02 | |
You know the rules. Your experts await. And off you go. | 0:04:02 | 0:04:05 | |
And very, very, very good luck. So today, we've got youth versus youth. | 0:04:05 | 0:04:10 | |
'So let's give that youth a bit of experience. | 0:04:14 | 0:04:17 | |
'The Reds have got Mark Stacey. | 0:04:18 | 0:04:20 | |
'And the Blues, Charles Hanson. | 0:04:22 | 0:04:24 | |
'And they're off.' | 0:04:27 | 0:04:29 | |
You're not serious. | 0:04:31 | 0:04:33 | |
Aryton Senna. | 0:04:33 | 0:04:34 | |
That might be funny to have in a house, like if I was buying... | 0:04:34 | 0:04:38 | |
-What do you think? -I don't like Formula One. | 0:04:38 | 0:04:40 | |
It's priced. Look. | 0:04:40 | 0:04:43 | |
On the back here, it's priced £1,000. | 0:04:43 | 0:04:45 | |
-Too much. -Yeah, well... -It's too much. | 0:04:45 | 0:04:48 | |
'Hmm. I think the experts have got their work cut out today.' | 0:04:48 | 0:04:52 | |
Whilst the teams get their bearings, here are the rules. | 0:04:52 | 0:04:55 | |
Each team buys three items, which they sell later at auction | 0:04:55 | 0:04:58 | |
and the team that makes the most profit wins. Simple. | 0:04:58 | 0:05:02 | |
-You like that, do you? -Yeah. -Tell me about it. Why do you like it? | 0:05:10 | 0:05:13 | |
-It's really petite. -Petite? -Yeah. | 0:05:13 | 0:05:16 | |
-Like yourself, I suppose. -Yeah. | 0:05:16 | 0:05:18 | |
Well, it's a very nice standard set of silver teaspoons. | 0:05:18 | 0:05:23 | |
-OK. -We can see on the back there'll be hallmarks. | 0:05:23 | 0:05:26 | |
There's our hallmark there, which is a leopard's head for London. | 0:05:26 | 0:05:30 | |
-Yeah. -London 1928. They're quite old. They're very small, aren't they? | 0:05:30 | 0:05:35 | |
They're probably small little coffee spoons or... Yeah, they're pretty. | 0:05:35 | 0:05:39 | |
-And they're £49. -Yeah. | 0:05:39 | 0:05:41 | |
-I would say at auction, probably worth, what? £35, £40. -Yeah. -Less? | 0:05:41 | 0:05:45 | |
Yeah, yeah, yeah. So we need to just maybe haggle a bit. | 0:05:45 | 0:05:49 | |
-I prefer these ones that I like. -They're nice, aren't they? | 0:05:49 | 0:05:51 | |
-Yeah. -They're nice. | 0:05:51 | 0:05:53 | |
And they're 1907 hallmark from Birmingham. | 0:05:53 | 0:05:55 | |
These are apostle spoons, you see. | 0:05:55 | 0:05:57 | |
There's our apostle terminal with its nice spiral casting, | 0:05:57 | 0:06:01 | |
and of course on the back it says Birmingham, with an anchor, you see. And they're nice. | 0:06:01 | 0:06:05 | |
-And they are £49 as well. -Which ones do you prefer? | 0:06:05 | 0:06:08 | |
I'm not sure. I think they're both nice. | 0:06:08 | 0:06:10 | |
-In a saleroom, each set is worth between £30 and £40 each. -Yeah. | 0:06:10 | 0:06:15 | |
If the gentleman would sell them for 60, I then think there'll be a small profit. | 0:06:15 | 0:06:20 | |
-But would they be sold together? -With them as one lot. Exactly. | 0:06:20 | 0:06:23 | |
Two sets of silver spoons. Yes. That makes more sense. That's really what I would go for. | 0:06:23 | 0:06:27 | |
-My very best is 65. -Close. | 0:06:27 | 0:06:31 | |
-64? -I can't do it for less, honestly. -63? | 0:06:31 | 0:06:33 | |
I've already come down... | 0:06:33 | 0:06:35 | |
-quite a bit. -Quite a bit. Yeah. -I say we'll think about it. -Yeah. | 0:06:35 | 0:06:38 | |
-The gentleman's been very kind. Is that OK with you, sir? -I'll hold them open for you. | 0:06:38 | 0:06:43 | |
Thank you very much. | 0:06:43 | 0:06:45 | |
'Isn't it lovely seeing Charles with a team younger than him? | 0:06:49 | 0:06:53 | |
'He almost looks grown up.' | 0:06:53 | 0:06:55 | |
-Yeah. I just found these and they look pretty... -Great, aren't they? | 0:06:57 | 0:07:00 | |
-Yeah. They look really interesting. -That's good, El. | 0:07:00 | 0:07:03 | |
-But they'd be great in a sort of loft apartment, wouldn't they? -Yeah. -A sort of open-plan. Yeah. | 0:07:03 | 0:07:08 | |
I love it. It's very... It looks a bit like | 0:07:08 | 0:07:11 | |
the War Of The Worlds as well, you know, the aliens. Shall we ask how much it is? | 0:07:11 | 0:07:15 | |
Yeah. I like it. | 0:07:15 | 0:07:17 | |
-Excuse me. -Best on them is 350. | 0:07:19 | 0:07:21 | |
They're both Strand lamps. | 0:07:21 | 0:07:23 | |
-So they're 350 each? -They're 350 each. | 0:07:23 | 0:07:25 | |
And is this the original stand? | 0:07:25 | 0:07:27 | |
-No. -No. | 0:07:27 | 0:07:28 | |
The stand is a 1970s display stand. | 0:07:28 | 0:07:33 | |
So it would have come from a shop-window type of environment. | 0:07:33 | 0:07:38 | |
But this piece is 1930s original. | 0:07:38 | 0:07:40 | |
And as I say, you could see that in a loft apartment. | 0:07:40 | 0:07:43 | |
-Yeah. Exactly. -Just as a statement piece in the corner. -Yeah. And I think people... | 0:07:43 | 0:07:47 | |
-I love this. -Yeah. It just looks really nice. | 0:07:47 | 0:07:49 | |
-Yes. It's great fun, isn't it? -Yes. | 0:07:49 | 0:07:52 | |
I think it's... You said you wanted something funky. | 0:07:52 | 0:07:54 | |
-Yeah. -And different. I mean, you've certainly found two funky, different things - | 0:07:54 | 0:07:58 | |
-The Ayrton Senna and this. -Yeah. | 0:07:58 | 0:08:00 | |
Which do you like out of the two? | 0:08:00 | 0:08:02 | |
-I prefer this one, personally. -Yeah. | 0:08:02 | 0:08:05 | |
I prefer the Formula One man. | 0:08:05 | 0:08:07 | |
-But everyone likes lights, don't they? -Yeah. They do. | 0:08:07 | 0:08:10 | |
-Everybody needs lights. -Yeah. Everyone doesn't need an Ayrton Senna. | 0:08:10 | 0:08:14 | |
But everyone needs lights, I guess. | 0:08:14 | 0:08:16 | |
So maybe on that basis, we should... I don't know. | 0:08:16 | 0:08:18 | |
I don't know. Shall we go for it? | 0:08:18 | 0:08:20 | |
I think it might be quite a good idea. | 0:08:20 | 0:08:22 | |
Yeah. I really like it but I don't want to be... I would rather you... | 0:08:22 | 0:08:25 | |
-If it doesn't make a profit, it's your responsibility. -We can blame him. I like your strategy. | 0:08:25 | 0:08:30 | |
-Yeah. -I like your strategy. -It's nothing to do with us. -It's completely your fault. | 0:08:30 | 0:08:34 | |
OK. I think I'm up for that. | 0:08:34 | 0:08:36 | |
Could you possibly do it for 300? | 0:08:36 | 0:08:39 | |
I'll take another 20 quid off. 330. | 0:08:39 | 0:08:41 | |
I've got a good feeling about this. | 0:08:41 | 0:08:43 | |
-I mean, we could leave it. -Let's do it. | 0:08:43 | 0:08:45 | |
-OK. Leave it? -Let's do it. Yeah. | 0:08:45 | 0:08:47 | |
OK. Yeah. We'll take that. | 0:08:47 | 0:08:49 | |
'There you go. All in one fell swoop. Half the budget gone. | 0:08:51 | 0:08:55 | |
'Just like that. | 0:08:55 | 0:08:56 | |
What did we do before the ubiquitous Biro, | 0:09:01 | 0:09:04 | |
which was invented in the Second World War? | 0:09:04 | 0:09:07 | |
What we did was, we wandered around with little things like this. | 0:09:07 | 0:09:12 | |
Propelling pencils. | 0:09:12 | 0:09:14 | |
These propelling pencils were extremely popular, right back | 0:09:14 | 0:09:18 | |
to the time when they were invented by Sampson Mordan in the 1820s. | 0:09:18 | 0:09:23 | |
This one's nice. | 0:09:23 | 0:09:25 | |
Half of it is engraved in inches. | 0:09:25 | 0:09:27 | |
We've got up to three and a half inches there, look. | 0:09:27 | 0:09:30 | |
And if I twiddle it over, there's the centimetres and millimetres. | 0:09:30 | 0:09:34 | |
It's hallmarked Birmingham 1925. | 0:09:34 | 0:09:37 | |
So it's the sort of thing that a relatively rich person would have owned. | 0:09:37 | 0:09:41 | |
But it contains another secret - | 0:09:41 | 0:09:44 | |
cos if I give it a yank, it extends, | 0:09:44 | 0:09:48 | |
not to six inches but to a cool nine and a quarter inches. | 0:09:48 | 0:09:53 | |
This retractable shaft | 0:09:53 | 0:09:55 | |
is also engraved all the way down its length, | 0:09:55 | 0:09:59 | |
so when you sat at your desk you could measure something even larger. | 0:09:59 | 0:10:04 | |
What fun is that? What's it worth? | 0:10:04 | 0:10:08 | |
Well, I reckon it's worth about £20 an inch. | 0:10:08 | 0:10:12 | |
That's extended. | 0:10:12 | 0:10:14 | |
I think it's worth £150 to £180. | 0:10:14 | 0:10:18 | |
What's it available for? | 0:10:18 | 0:10:21 | |
This is where it gets interesting - | 0:10:21 | 0:10:23 | |
and don't let anybody say you can't find bargains in these places. | 0:10:23 | 0:10:27 | |
It's available for £45, | 0:10:27 | 0:10:29 | |
which I promise you, per inch, is not much. | 0:10:29 | 0:10:34 | |
'So has our Blue team sized up its first buy yet?' | 0:10:35 | 0:10:39 | |
There's some nice objects here. | 0:10:41 | 0:10:43 | |
Nice tantalus. | 0:10:43 | 0:10:45 | |
This must be what, 1900, 1910? | 0:10:45 | 0:10:47 | |
-Yes. -Do you like it? | 0:10:47 | 0:10:50 | |
Yeah. It's nice. | 0:10:50 | 0:10:51 | |
-Like it? -'Don't think they do.' | 0:10:51 | 0:10:53 | |
The quality of the cutting is... You rub your hand over that. | 0:10:53 | 0:10:56 | |
-Yeah. -Really good quality. | 0:10:56 | 0:11:00 | |
And then of course, how you lock it - | 0:11:00 | 0:11:02 | |
you close it like that. Very, very... Oops, careful. | 0:11:02 | 0:11:05 | |
So you close it like that. And you turn the key | 0:11:05 | 0:11:07 | |
-and then you won't be able to get the stoppers out. -Oh, wow. | 0:11:07 | 0:11:10 | |
To me, it's worth... There aren't any chips you see, | 0:11:10 | 0:11:13 | |
on the actual glass in the stoppers. 150, 200. | 0:11:13 | 0:11:17 | |
So if we could sort of negotiate down to the bottom estimate, | 0:11:17 | 0:11:20 | |
there might be a chance of a profit, because 150-200 is its market. | 0:11:20 | 0:11:24 | |
-We just like the sound of the profit really. -Yeah. | 0:11:24 | 0:11:27 | |
We'll ask your lowest price first. | 0:11:27 | 0:11:29 | |
We're asking your lowest. | 0:11:29 | 0:11:30 | |
-150. -150, Mya. | 0:11:30 | 0:11:33 | |
-I'm going to have a quick look again. Stay there. -That's the bottom of the estimate. | 0:11:33 | 0:11:37 | |
Can I just come and look at the condition of it? | 0:11:37 | 0:11:39 | |
Let's turn it round, open it up again. | 0:11:39 | 0:11:42 | |
There we go. Out it comes. | 0:11:42 | 0:11:44 | |
Take them out. | 0:11:44 | 0:11:45 | |
There we go. The cut is superb, isn't it? Look at that cut. | 0:11:48 | 0:11:51 | |
You could have your vodka in here. You could have your rum and coke in here, you know. Eh. | 0:11:51 | 0:11:56 | |
We check the bases, it's in good condition. | 0:11:56 | 0:11:58 | |
The only concern is, of course, the stoppers because | 0:11:58 | 0:12:01 | |
we've got the chipping and nibbling on the actual inside stopper. | 0:12:01 | 0:12:05 | |
-I like it. I think it's good. -Yeah. | 0:12:05 | 0:12:07 | |
Excuse me! | 0:12:07 | 0:12:09 | |
-Can you do it for us for 130 and we'll take it now? -And we'll take it. | 0:12:10 | 0:12:14 | |
140 is my best, really is. | 0:12:14 | 0:12:16 | |
-130. -135? | 0:12:16 | 0:12:19 | |
-135. -Oh! | 0:12:19 | 0:12:21 | |
-TIM: -'Go, Tenay!' | 0:12:21 | 0:12:22 | |
-TRADER: -135, I'll take that. | 0:12:22 | 0:12:24 | |
-You wouldn't go 130? -He's worse than me! | 0:12:24 | 0:12:27 | |
I can see it... | 0:12:27 | 0:12:28 | |
It's just the nibbles on the neck which bothered me. | 0:12:28 | 0:12:31 | |
I mean, I like it a lot. Sir, I'm being really cheeky. | 0:12:31 | 0:12:34 | |
-Would you take 130? -Go on, then. | 0:12:34 | 0:12:37 | |
OK, sir, thank you. You're a good sport. 130. It's a deal. | 0:12:37 | 0:12:41 | |
'There you go. A lesson in negotiating by Master Hanson.' | 0:12:41 | 0:12:46 | |
It's quite good, isn't it? | 0:12:52 | 0:12:54 | |
I like this and I like the Wall's ice-cream one. | 0:12:54 | 0:12:58 | |
-Advertising-ware is quite collectable. -Yeah. | 0:12:58 | 0:13:01 | |
And it is quite funky, isn't it? | 0:13:01 | 0:13:02 | |
-68 quid for that. -That's not bad. | 0:13:02 | 0:13:05 | |
I could see that in a little apartment, in a bedroom, for shoving your odd socks in or something. | 0:13:05 | 0:13:09 | |
-Exactly. Yeah. -Yeah. -I think I prefer it to the Wall's one, actually. | 0:13:09 | 0:13:13 | |
-Yeah. I do. -Cos it's a bit, I like the iconography on it, you know, the sort of female figure. | 0:13:13 | 0:13:17 | |
And "High Life". | 0:13:17 | 0:13:19 | |
-Is this the beer? -It is. Yeah. Miller's Beer. | 0:13:19 | 0:13:22 | |
It's American, isn't it? | 0:13:22 | 0:13:23 | |
Yeah. That's right. | 0:13:23 | 0:13:25 | |
Hello. I think we quite like the Miller's box there. | 0:13:25 | 0:13:30 | |
It's priced at 68. | 0:13:30 | 0:13:32 | |
What's the very best you could do? | 0:13:32 | 0:13:34 | |
-64. -64? | 0:13:34 | 0:13:37 | |
-That's not very much. -I know. | 0:13:37 | 0:13:39 | |
-I paid a lot of money for it. -Did you? | 0:13:39 | 0:13:41 | |
-Oh, right. -I think we were hoping for a bit more off than that. | 0:13:41 | 0:13:44 | |
-Yeah. -Like what? -Can we try 50 for the box? | 0:13:44 | 0:13:47 | |
No. Definitely not. | 0:13:47 | 0:13:48 | |
-I think that was a very definite no. -No. Definitely. | 0:13:48 | 0:13:50 | |
You were very positive about that. Do you like it? | 0:13:50 | 0:13:53 | |
I mean, could we tuck it in at 58? | 0:13:53 | 0:13:57 | |
You're pushing it. No. | 0:13:57 | 0:13:59 | |
59. | 0:13:59 | 0:14:00 | |
-I just want to get it under that 60 if you can. -Yeah. | 0:14:00 | 0:14:03 | |
-£59.50? -£59.50? | 0:14:03 | 0:14:06 | |
-No. 59. -Go on - 59. | 0:14:06 | 0:14:08 | |
But do you like it? | 0:14:08 | 0:14:10 | |
I'm happy with it as long as Simon takes all responsibility. | 0:14:10 | 0:14:14 | |
-Oh, you're doing this, are you? -I'm turning this back. | 0:14:14 | 0:14:17 | |
Are you willing to take that chance, Simon? | 0:14:17 | 0:14:21 | |
-Yes. I am, Mark. Yeah. -£59 and we'll shake the lady's hand and say thank you. | 0:14:21 | 0:14:25 | |
-Thank you, madam. -Thank you. -OK. Brilliant. | 0:14:25 | 0:14:28 | |
-TIM: -'So, a box for Simon and an old light for Elliott.' | 0:14:28 | 0:14:32 | |
What's that, Mya? | 0:14:32 | 0:14:34 | |
'What next?' | 0:14:34 | 0:14:36 | |
We've got 25 minutes left so we need to start formulating some plans. | 0:14:36 | 0:14:40 | |
Bring it round to me here. What have we got? | 0:14:40 | 0:14:43 | |
-Are you a musician at all? -I play the clarinet. -Do you? | 0:14:43 | 0:14:46 | |
-I like it. -Tenay? | 0:14:46 | 0:14:47 | |
-It's not antique. -Look at me. Look at me. -It's not antique, is it? | 0:14:47 | 0:14:50 | |
You said to me you want to bounce along, you want to spend some money. | 0:14:50 | 0:14:53 | |
-I like it. -There's too much caution here, don't you think? -I'm the safe one. | 0:14:53 | 0:14:58 | |
'Charles is earning his money today, and our Mark deserves a bonus.' | 0:14:58 | 0:15:01 | |
It's quite a big thing, isn't it, for £50? | 0:15:01 | 0:15:05 | |
Is it heavy? | 0:15:05 | 0:15:07 | |
Yeah, because we value paintings by the weight. | 0:15:07 | 0:15:10 | |
I'm literally going on the size and weight. | 0:15:10 | 0:15:13 | |
Some silver we could try and get for 200. | 0:15:13 | 0:15:15 | |
-Do you like silver? -Well... | 0:15:15 | 0:15:17 | |
-Yeah. -I don't know much about it but we could. | 0:15:17 | 0:15:20 | |
Well, it's a metal. | 0:15:20 | 0:15:21 | |
'It's so educational, this bargain hunting lark, you know.' | 0:15:23 | 0:15:26 | |
It's the same thing, Art Deco thing, what you was talking about, isn't it? | 0:15:29 | 0:15:33 | |
-Yeah. -What have you got over there? -We've found something. | 0:15:33 | 0:15:36 | |
-It's an Art Deco thing. -That's very nice. -It's cute. | 0:15:36 | 0:15:39 | |
American Art Nouveau. | 0:15:39 | 0:15:41 | |
1930s. | 0:15:41 | 0:15:43 | |
-And they look good, don't they? -Yeah. -They're very stylish. | 0:15:43 | 0:15:45 | |
-Chrome boats. -Yeah. | 0:15:45 | 0:15:47 | |
-I would, if I was in your shoes, I would buy the whole ensemble as one lot. -Yeah. | 0:15:47 | 0:15:52 | |
-How much is he selling it for? -Yeah. Let's find out. | 0:15:52 | 0:15:54 | |
Excuse me, sir. How much is the whole ensemble, please? | 0:15:54 | 0:15:57 | |
-Including the tray? -Yes. | 0:15:57 | 0:15:59 | |
345. | 0:15:59 | 0:16:00 | |
And it is American art deco. It is 1930s. | 0:16:00 | 0:16:03 | |
-Absolutely definite. -All contemporary. -The tray isn't. | 0:16:03 | 0:16:06 | |
-No. -The tray's French, sorry. The tray is French. -OK. | 0:16:06 | 0:16:10 | |
But all the boats are American deco. | 0:16:10 | 0:16:13 | |
Personally, I've never come across these before. | 0:16:13 | 0:16:15 | |
You don't see them very often. | 0:16:15 | 0:16:17 | |
No. So there's a rarity value there. | 0:16:17 | 0:16:19 | |
-Great. -But it's a gamble, girls. | 0:16:19 | 0:16:21 | |
-Do you think that rare thing will go good in a... -It's a gamble. | 0:16:21 | 0:16:24 | |
290? | 0:16:24 | 0:16:25 | |
Yeah, 290. | 0:16:28 | 0:16:29 | |
It's your day out. OK. | 0:16:29 | 0:16:31 | |
What do I think? | 0:16:31 | 0:16:33 | |
It's a big gamble, isn't it? Big gamble at auction. | 0:16:33 | 0:16:35 | |
-Cos if it's rare here... -They are rare. | 0:16:35 | 0:16:38 | |
-It's your call. -The flute's less of a gamble. -No. | 0:16:38 | 0:16:41 | |
-The flute's more of a gamble. -Where's this girl power business gone? | 0:16:41 | 0:16:45 | |
Come on. Where's this girl power gone? Look, it's your call. | 0:16:45 | 0:16:48 | |
The flute's less of a gamble. | 0:16:48 | 0:16:50 | |
OK. What's your opinion? | 0:16:50 | 0:16:53 | |
I think those. She thinks the flute. So what do you think will do better? | 0:16:53 | 0:16:56 | |
I would gamble with the boats, personally. | 0:16:56 | 0:16:58 | |
I think that's where there is some more speculation to be made and had. | 0:16:58 | 0:17:02 | |
Would you come down a tad more, sir? | 0:17:02 | 0:17:05 | |
275. That's the bottom. | 0:17:05 | 0:17:08 | |
Are you sure 270 ain't the bottom? SHE CHUCKLES | 0:17:08 | 0:17:11 | |
Sorry. | 0:17:11 | 0:17:13 | |
-TIM: -'Ooh! Go, girl.' | 0:17:13 | 0:17:15 | |
What do you think, Mya? | 0:17:15 | 0:17:16 | |
-I think let's keep looking. -'And I say you need to make your mind up.' | 0:17:16 | 0:17:20 | |
He'll hold the deal as long as he can, | 0:17:20 | 0:17:22 | |
-but it will go if a buyer comes who offers a better price. -Yeah. | 0:17:22 | 0:17:25 | |
I think, let's do it - we've got £600 so why not? | 0:17:25 | 0:17:28 | |
OK. Well, hold on. You just walked off a second ago. | 0:17:28 | 0:17:31 | |
-I want to go and get it. -Do you want to? | 0:17:31 | 0:17:33 | |
-Yeah. -But you just walked away. | 0:17:33 | 0:17:35 | |
-Yeah, I know, but I've thought about it. -She changed her mind. | 0:17:35 | 0:17:38 | |
-Sure? -The sense came back. -Sense came back. OK. | 0:17:38 | 0:17:40 | |
'Hurrah. They agree.' | 0:17:40 | 0:17:43 | |
-Oh, that's quite nice. -Do you like that? -Yeah. -A nest of tables. | 0:17:48 | 0:17:51 | |
-It's very funky, isn't it? -Yeah. That is cool. | 0:17:51 | 0:17:56 | |
-Is that the whole thing for 110? -Yeah. -That's amazing. | 0:17:56 | 0:17:58 | |
-Is it amazing? -Well, is it? I don't know, Mark! | 0:17:58 | 0:18:02 | |
I think they're really colourful, aren't they? | 0:18:02 | 0:18:04 | |
Just again, if you saw that - quite colourful, quite big, quite nice. | 0:18:04 | 0:18:08 | |
-Quite big. -Quite big. | 0:18:08 | 0:18:10 | |
-It's got legs. -I like the... It's got, yeah. | 0:18:10 | 0:18:13 | |
-Put stuff on it. -Put stuff on it. | 0:18:13 | 0:18:15 | |
-I like it. -Do you want to have a go at negotiating? | 0:18:15 | 0:18:19 | |
-Yeah. -Hello. | 0:18:19 | 0:18:20 | |
-Hello. -Is that the best price you can do on this table? | 0:18:20 | 0:18:23 | |
Maybe knock it down to 80 or so? | 0:18:23 | 0:18:27 | |
I could do 95. | 0:18:28 | 0:18:30 | |
-What do you think? -A round figure would be nice. | 0:18:30 | 0:18:33 | |
-90 would be good. -Meet us halfway? | 0:18:33 | 0:18:36 | |
-Go on, then. I'll do 90. -Thank you very much. | 0:18:36 | 0:18:39 | |
-TIM: -'Well, they bought their third item and could furnish a flat.' | 0:18:40 | 0:18:45 | |
'Now, those girls - are they still seeing eye to eye?' | 0:18:45 | 0:18:48 | |
It's OK condition but it's not nice. | 0:18:48 | 0:18:52 | |
-It's not nice? -No. -It is nice. | 0:18:52 | 0:18:54 | |
-It's not nice? -I disagree. | 0:18:54 | 0:18:56 | |
Right. | 0:18:56 | 0:18:57 | |
'That's a no. Keep looking, Mya.' | 0:18:57 | 0:19:00 | |
Have you found something over there? | 0:19:02 | 0:19:04 | |
To me, it's a bit old-fashioned, personally. | 0:19:04 | 0:19:07 | |
-It looks like my granny's friend's. -Yeah. What you doing, Grandma? | 0:19:07 | 0:19:11 | |
-What you doing, Grandma, to me? -I don't like you lot. | 0:19:11 | 0:19:13 | |
'Yeah, meanies. You haven't got time to pick on poor Mya. | 0:19:13 | 0:19:17 | |
'You've only got minutes left.' | 0:19:17 | 0:19:19 | |
What about the spoons? What do you think about the spoons? | 0:19:19 | 0:19:21 | |
'Good idea, girlfriend.' | 0:19:21 | 0:19:23 | |
-Buy the two for 60 quid. -Buy the two of them? -Yes. -Yeah. | 0:19:23 | 0:19:27 | |
-We're back. -Hello there. | 0:19:27 | 0:19:29 | |
-We're back again. -We're back. | 0:19:29 | 0:19:31 | |
You wouldn't do 62? | 0:19:31 | 0:19:33 | |
We've got 62. We'll take it now. | 0:19:33 | 0:19:36 | |
-Take it now, cash, 62. -All right. | 0:19:36 | 0:19:37 | |
-Thank you. -That's girl power, isn't it, for you? There we go. Dear me. -Two such lovely smiles. | 0:19:37 | 0:19:42 | |
-How can I say no? -That's a deal. -That's done. You've done it. | 0:19:42 | 0:19:46 | |
-You've twisted my arm. -You've done it. | 0:19:46 | 0:19:48 | |
-TIM: -'Yep. You've sure done it. | 0:19:48 | 0:19:50 | |
'And any leftover loot gets given to our experts to sniff out a bonus buy. | 0:19:50 | 0:19:56 | |
'But before all that, let's recap on what the Reds bought. | 0:19:56 | 0:19:59 | |
'First up, Elliott took a shine to the £330 Strand lamp and stand. | 0:19:59 | 0:20:04 | |
'Next, Simon hopes to be drinking in the glory | 0:20:05 | 0:20:09 | |
'after going for the £59 beer box. | 0:20:09 | 0:20:12 | |
'And finally, they found not one, but a whole nest, | 0:20:12 | 0:20:16 | |
'of 1970s tables, bringing their total spend to £479.' | 0:20:16 | 0:20:22 | |
Just look at you lads. | 0:20:22 | 0:20:24 | |
I just can't decide which one's the youngest. | 0:20:24 | 0:20:28 | |
-Now, have you had a good time? -We've got £121 left over. | 0:20:28 | 0:20:31 | |
Well, that's a decent amount, isn't it? I'll have the £121 left over. | 0:20:31 | 0:20:35 | |
Thank you very much. £121. Right. That's yours, sir. | 0:20:35 | 0:20:38 | |
-Thank you, Tim. -What are you going to spend all this money on? -An antique. -Are you? | 0:20:38 | 0:20:42 | |
Deliberately, something as old as you can possibly can find. | 0:20:42 | 0:20:45 | |
Absolutely. I'm going to try and find an antique to show | 0:20:45 | 0:20:48 | |
these kids that old things can be more valuable. | 0:20:48 | 0:20:51 | |
Well, make sure you don't fall up on that one. | 0:20:51 | 0:20:55 | |
For us though, right now, why don't we check out what the Blue girls have bought? | 0:20:55 | 0:20:59 | |
'Mya and Tenay took Charles's advice | 0:20:59 | 0:21:02 | |
'on the Victorian decanter set coming in at £130.' | 0:21:02 | 0:21:06 | |
Sense came back. | 0:21:06 | 0:21:07 | |
'After a bit of indecision, | 0:21:07 | 0:21:09 | |
'they plumped for the £275 chrome sailing ornaments. | 0:21:09 | 0:21:13 | |
'And finally, they came full circle, | 0:21:14 | 0:21:17 | |
'buying two sets of silver teaspoons for 62 smackers.' | 0:21:17 | 0:21:21 | |
How was your shopping, darling? | 0:21:21 | 0:21:23 | |
-It was good. -Was it? How much did you spend in the end? | 0:21:23 | 0:21:27 | |
-467. -467? -Yeah. | 0:21:27 | 0:21:30 | |
So you're going to give me £133. | 0:21:30 | 0:21:33 | |
-Yeah. -Can you get that out of the old tight jeans? | 0:21:33 | 0:21:36 | |
Going to be an experiment, isn't it? | 0:21:36 | 0:21:38 | |
-There we go, look. -No more in there. | 0:21:38 | 0:21:40 | |
-No more. You sure? -Yeah. | 0:21:40 | 0:21:42 | |
-Are you going to go and blow the lot, Charles? -Oh, I don't know, Tim. | 0:21:42 | 0:21:46 | |
I'll have a good look. | 0:21:46 | 0:21:48 | |
Well, you look after yourselves, girls, | 0:21:48 | 0:21:50 | |
because we're about to shove off to Camden Town. | 0:21:50 | 0:21:53 | |
I'm in Camden in north London, | 0:22:01 | 0:22:03 | |
home of the recently reopened Jewish museum and believe you me, | 0:22:03 | 0:22:08 | |
this place packs a punch in more ways than one. | 0:22:08 | 0:22:12 | |
It's extraordinary the range and breadth of exhibits in this museum. | 0:22:20 | 0:22:25 | |
But probably the prize exhibit, | 0:22:26 | 0:22:29 | |
despite its damaged condition, is this - | 0:22:29 | 0:22:32 | |
a pearlware jug, | 0:22:32 | 0:22:34 | |
which, on the face of it, looks pretty ordinary. | 0:22:34 | 0:22:37 | |
It was made by the Aynsley factory in Stoke on Trent. | 0:22:37 | 0:22:41 | |
The top band is hand painted but if you look at this scene underneath, | 0:22:41 | 0:22:45 | |
this is transfer printed and merely coloured up in part by hand. | 0:22:45 | 0:22:52 | |
The interest to the museum is in this pugilists' fight. | 0:22:52 | 0:22:57 | |
Here we've got a boxing match between a man called Humphries | 0:22:57 | 0:23:01 | |
and a man called Daniel Mendoza, a Jew. | 0:23:01 | 0:23:05 | |
Daniel Mendoza was an extraordinary athlete | 0:23:05 | 0:23:08 | |
and incredibly successful as a fighter, | 0:23:08 | 0:23:11 | |
becoming English heavyweight champion from 1792 to 1795. | 0:23:11 | 0:23:16 | |
What was extraordinary about him was that he was so underweight. | 0:23:16 | 0:23:21 | |
Technically, he was a middleweight, | 0:23:21 | 0:23:23 | |
but he fought as a heavyweight and survived | 0:23:23 | 0:23:26 | |
because he came up with a new form of boxing | 0:23:26 | 0:23:29 | |
called scientific boxing, where he developed a form of defence. | 0:23:29 | 0:23:33 | |
Previously, boxers had simply slugged it out, | 0:23:33 | 0:23:37 | |
bare fist to bare fist. | 0:23:37 | 0:23:39 | |
He would simply dance around, avoiding punches. | 0:23:39 | 0:23:43 | |
Not only were these fighting bouts recorded on ceramic, | 0:23:43 | 0:23:47 | |
but you can see behind the coloured print, | 0:23:47 | 0:23:50 | |
which shows Mendoza at his best. | 0:23:50 | 0:23:53 | |
The point is that prize fighting in that period was incredibly popular. | 0:23:53 | 0:23:58 | |
From the very leaders of society - | 0:23:58 | 0:24:01 | |
the prime minister and so forth would attend boxing matches. | 0:24:01 | 0:24:05 | |
And as a result, these things have a special place | 0:24:05 | 0:24:09 | |
in the Jewish Museum today. | 0:24:09 | 0:24:11 | |
The big question is, of course, | 0:24:11 | 0:24:13 | |
which of our teams are going to deliver the knockout blow over at the auction? | 0:24:13 | 0:24:17 | |
Ker-pow! | 0:24:17 | 0:24:19 | |
'Their arena for the final round is West London - | 0:24:23 | 0:24:27 | |
'the Chiswick Auction Rooms. It's also where our experts reveal their bonus buys. | 0:24:27 | 0:24:32 | |
'In the Red corner, it's Mark Stacey.' | 0:24:32 | 0:24:36 | |
Now, Elliott and Simon, you spent £479, which is pretty good. | 0:24:36 | 0:24:41 | |
£121 went to Mark. | 0:24:41 | 0:24:43 | |
Did you blow the lot, Mark? | 0:24:43 | 0:24:45 | |
Well, Tim, this is what I bought. | 0:24:45 | 0:24:47 | |
-Oh, lordy. -It's a sliding book trough, so you can have this on your little library shelves. | 0:24:47 | 0:24:53 | |
I particularly like the little Egyptian scenes here. | 0:24:53 | 0:24:56 | |
It's Victorian, of course. | 0:24:56 | 0:24:58 | |
It's not in the best of conditions. | 0:24:58 | 0:25:01 | |
-Right. -I was left with quite a lot of money, which I'm not used to. -Yes. | 0:25:01 | 0:25:05 | |
And I thought... I just... | 0:25:05 | 0:25:06 | |
At the time, I thought, "This is bound to make a profit." | 0:25:06 | 0:25:10 | |
It was £25, which is not too bad, actually. | 0:25:10 | 0:25:13 | |
You're quite interested in the science of these things, aren't you? | 0:25:13 | 0:25:17 | |
-Yeah. -Aren't you, Simon? Yes. | 0:25:17 | 0:25:19 | |
-You like that. -I like things. Yeah. -Yeah. That's rather good, isn't it? | 0:25:19 | 0:25:22 | |
Yeah. You could use it as a little small table as well. | 0:25:22 | 0:25:25 | |
-You could. Yeah. Thank you for that. -Lovely. | 0:25:25 | 0:25:27 | |
And what do you think, Elliott? | 0:25:27 | 0:25:29 | |
I don't really like it. | 0:25:29 | 0:25:31 | |
Well, get away! | 0:25:31 | 0:25:33 | |
-I mean, don't hide your feelings, will you? -No. Quite. | 0:25:33 | 0:25:36 | |
I mean, don't worry about how Mark feels about it. | 0:25:36 | 0:25:38 | |
I think he's stitched us up. | 0:25:38 | 0:25:41 | |
No, Mark. Thanks very much. | 0:25:43 | 0:25:44 | |
Yeah. Thanks, Mark. OK. | 0:25:44 | 0:25:46 | |
Well, on that happy note, you don't have to pick it right now. | 0:25:46 | 0:25:49 | |
You might decide to choose...it after the sale of your first two items | 0:25:49 | 0:25:53 | |
but for the viewers at home, and the viewers at home only, | 0:25:53 | 0:25:56 | |
let's find out what the auctioneer thinks about Mark's little slide. | 0:25:56 | 0:25:59 | |
One pretty standard late Victorian book slide. | 0:26:01 | 0:26:04 | |
Not too exciting. Won't set the world alight. | 0:26:06 | 0:26:08 | |
Nice...distinctive masks on it - | 0:26:08 | 0:26:11 | |
best thing I'd say about it - but not very valuable. £40-£60. | 0:26:11 | 0:26:15 | |
-£40-£60. -£40-£60 is a fair estimate for it | 0:26:15 | 0:26:17 | |
and hopefully we can give it a bit of oomph. | 0:26:17 | 0:26:19 | |
Well, he'll be delighted cos he paid £25 for it, | 0:26:19 | 0:26:22 | |
so that's not too bad. Great as a bonus buy. Lovely. | 0:26:22 | 0:26:25 | |
OK. Now, Elliott and Simon - | 0:26:25 | 0:26:28 | |
they're young, they're enthusiastic and not surprisingly, | 0:26:28 | 0:26:32 | |
they've gone with some pretty extraordinary objects, including this lamp. | 0:26:32 | 0:26:35 | |
I think it's a copy. I think the whole thing's a copy. | 0:26:35 | 0:26:38 | |
It's got some Philips screws in it. | 0:26:38 | 0:26:40 | |
I've been all over it and I'm very dubious about the age of this. | 0:26:40 | 0:26:44 | |
The stand's obviously new but the top, I think, is new as well. | 0:26:44 | 0:26:47 | |
Oh, lordy. | 0:26:47 | 0:26:49 | |
For decorative purposes, 80-120. | 0:26:49 | 0:26:51 | |
£330 paid. | 0:26:51 | 0:26:53 | |
Next. They're keen on beer so they bought the Miller's beer box. | 0:26:53 | 0:26:58 | |
I suppose that goes into a trendy flat, does it? | 0:26:58 | 0:27:02 | |
Yeah. I mean, it's OK, but it's not valuable, is it? | 0:27:02 | 0:27:05 | |
It's £20 or £30 worth. | 0:27:05 | 0:27:07 | |
£59 paid. | 0:27:07 | 0:27:08 | |
That's another one third of its potential purchase price | 0:27:08 | 0:27:12 | |
-maybe about to be achieved. -Another kicking. | 0:27:12 | 0:27:15 | |
Another kicking. Yes. | 0:27:15 | 0:27:16 | |
And the third kicking maybe, or not, is this nest of tables. | 0:27:16 | 0:27:20 | |
Tile-topped tables. | 0:27:20 | 0:27:21 | |
Originally flat-pack - | 0:27:21 | 0:27:23 | |
unscrew-type legs and whatnot - but we've got three of them just like this, Tom. | 0:27:23 | 0:27:27 | |
Something to warm the cockles of your heart. | 0:27:27 | 0:27:30 | |
Well, I think they're original '70s and they have got a look to them | 0:27:30 | 0:27:33 | |
and people who buy the sort of '70s look will buy those | 0:27:33 | 0:27:36 | |
and they'll make £50 or £80. | 0:27:36 | 0:27:38 | |
Brilliant. £90 paid. Lovely. That's it for the Reds. | 0:27:38 | 0:27:41 | |
Now for the Blues, Mya and Tenay. | 0:27:41 | 0:27:43 | |
They're not the most experienced antiques buyers. | 0:27:43 | 0:27:46 | |
They've been led around with their £600. | 0:27:46 | 0:27:48 | |
And the first item they've come up with is the tantalus. | 0:27:48 | 0:27:51 | |
Are they as good a seller as they used to be? | 0:27:51 | 0:27:54 | |
No. They're not. Ten years ago, | 0:27:54 | 0:27:55 | |
that was £200 or £300. And it's not a bad quality one. | 0:27:55 | 0:27:58 | |
Nice silver-plated top. The bottles are intact, which makes a change. | 0:27:58 | 0:28:02 | |
They're usually damaged, so that will help them. | 0:28:02 | 0:28:05 | |
But even so, £60, £80. | 0:28:05 | 0:28:07 | |
£130 paid, so they may be lucky there. | 0:28:07 | 0:28:09 | |
Next is this centrepiece. The late Deco chromium-plated centrepiece. | 0:28:09 | 0:28:15 | |
I think the quality of the thing | 0:28:15 | 0:28:17 | |
takes me to one shop and one shop only on the high street and that's Woolworths. | 0:28:17 | 0:28:21 | |
I suppose Clarice Cliff started in Woolworths but I wouldn't put it round the '30s. | 0:28:21 | 0:28:25 | |
I think it's '50s, '60s. | 0:28:25 | 0:28:26 | |
-'50s. '60s. Fair enough. -And the quality is not that good. | 0:28:26 | 0:28:29 | |
What's it worth? It's going to be hard to value as well. £30, £40. | 0:28:31 | 0:28:34 | |
Great. £275 spent. | 0:28:34 | 0:28:36 | |
£275. I mean... | 0:28:37 | 0:28:41 | |
-That's got no chance. -That's got no chance. | 0:28:41 | 0:28:43 | |
Lovely. What about the two sets of silver spoons? | 0:28:43 | 0:28:46 | |
Quite easy. £60 or £80 for the two sets. £50-£80, that sort of money. | 0:28:48 | 0:28:51 | |
-Yeah. -Silver. | 0:28:51 | 0:28:53 | |
-Not that exciting. -£62 paid. So they paid about the same. | 0:28:53 | 0:28:56 | |
About that money. | 0:28:56 | 0:28:58 | |
You know, when you've got a big hole sitting in the middle of your purchases, | 0:28:58 | 0:29:02 | |
like that chromium-plated centrepiece, I mean, | 0:29:02 | 0:29:04 | |
that is a serious difference. | 0:29:04 | 0:29:06 | |
£30-£40 to £275. | 0:29:06 | 0:29:10 | |
They're going to need their bonus buy so let's have a look at it. | 0:29:10 | 0:29:13 | |
Now, Mya and Tenay, | 0:29:13 | 0:29:15 | |
-you spent £467. -Yes. | 0:29:15 | 0:29:18 | |
You gave the lovely Charles £133 to go and find you a bonus buy. What did you find? | 0:29:18 | 0:29:22 | |
It was really, really hard but I spent every last pound. | 0:29:22 | 0:29:26 | |
So £133 for this beauty. | 0:29:26 | 0:29:29 | |
Wow. | 0:29:29 | 0:29:31 | |
It's a magnificent wrist watch. | 0:29:31 | 0:29:34 | |
OK. It's a ladies' Rolex. | 0:29:34 | 0:29:36 | |
-Wow. -Nine-carat, gold-backed, precision-movement, from 1958. | 0:29:36 | 0:29:41 | |
It's iconic, it's in good condition, | 0:29:41 | 0:29:44 | |
with Arabic numerals. | 0:29:44 | 0:29:46 | |
-And I like it. -I think the girls are stunned. What do you think? Have a look. | 0:29:46 | 0:29:50 | |
Isn't that small? So tiny. | 0:29:50 | 0:29:52 | |
I always think they look so much nicer when they're on. | 0:29:52 | 0:29:55 | |
Don't you think? | 0:29:55 | 0:29:56 | |
Let's just try and see whether that looks really pretty or not. | 0:29:56 | 0:30:00 | |
Because if these things look just fab on you, | 0:30:00 | 0:30:03 | |
they're going to look fab on somebody else. | 0:30:03 | 0:30:05 | |
Oh, look at that. Just look at that. | 0:30:05 | 0:30:07 | |
-Do you think that looks nice? Tenay? -No. -No. | 0:30:07 | 0:30:10 | |
-I think it's not my style but it's nice. -How much did you pay again? | 0:30:10 | 0:30:14 | |
-133. -133. | 0:30:14 | 0:30:16 | |
And I really, really hope it will make... | 0:30:16 | 0:30:18 | |
£150, £170. | 0:30:18 | 0:30:21 | |
And I'm confident with this watch. | 0:30:21 | 0:30:25 | |
-Happy? -Yeah. I'm happy. -Great. | 0:30:25 | 0:30:27 | |
-You don't have to decide right now. You decide later. -Yeah. | 0:30:27 | 0:30:30 | |
But for the viewers at home, let's find out what the auctioneer thinks about Charles's little watch. | 0:30:30 | 0:30:35 | |
This is a really ducky little thing, isn't it? | 0:30:35 | 0:30:38 | |
It's got a good name and it's gold case | 0:30:38 | 0:30:41 | |
-so it's a "get out of jail free" card, isn't it? -Yes. -As a bonus buy. | 0:30:41 | 0:30:44 | |
But pity it's not a gents' watch. They always do very well. | 0:30:44 | 0:30:48 | |
But a ladies' gold watch, being Rolex as well, it'll make 120, 180, all day long. | 0:30:48 | 0:30:52 | |
Brilliant. £133 paid. | 0:30:52 | 0:30:53 | |
-Chances. -So as a bonus buy, that's a good idea, isn't it? | 0:30:53 | 0:30:56 | |
It just depends on whether the girls go with it. | 0:30:56 | 0:30:58 | |
-Anyway, good luck on the rostrum, Tom. -Thank you. | 0:30:58 | 0:31:00 | |
Our future is in your hands. | 0:31:00 | 0:31:02 | |
Does this box remind you of anything? | 0:31:11 | 0:31:14 | |
If I was standing outside number 11 Downing Street | 0:31:14 | 0:31:18 | |
and was beaming at you like a Cheshire cat, | 0:31:18 | 0:31:22 | |
I could be mistaken for the Chancellor of the Exchequer, | 0:31:22 | 0:31:26 | |
en route to Parliament to deliver his budget speech. | 0:31:26 | 0:31:30 | |
In fact, all those government boxes are covered in leather - | 0:31:30 | 0:31:34 | |
usually red leather - and they're all of substantial construction. | 0:31:34 | 0:31:39 | |
On the end of this piece of picture-hanging chain is a wee key, | 0:31:39 | 0:31:44 | |
cos you wouldn't want to lose this key. | 0:31:44 | 0:31:46 | |
Insert it into the lock and yeah, you can open it like that, look. | 0:31:46 | 0:31:50 | |
And it reveals a gorgeous leather-lined interior. | 0:31:50 | 0:31:54 | |
This has hardly been touched inside, | 0:31:54 | 0:31:56 | |
even though it's a bit battered about on the outside. | 0:31:56 | 0:32:00 | |
And if we open it up, it's full of intriguing compartments, like that. | 0:32:00 | 0:32:04 | |
That little pouch would contain papers, look. | 0:32:04 | 0:32:07 | |
The interior is lined in mahogany. | 0:32:07 | 0:32:10 | |
On the other side, compartments for pens and writing instruments. | 0:32:10 | 0:32:14 | |
Inside this flap | 0:32:14 | 0:32:17 | |
is contained some information about the history of this box. | 0:32:17 | 0:32:22 | |
We've got a plaque here that describes the Solemn Covenant, | 0:32:22 | 0:32:27 | |
the covenant that was sworn by all loyal Ulstermen in 1912. | 0:32:27 | 0:32:33 | |
The box itself was presented to | 0:32:33 | 0:32:36 | |
the Duke of Abercorn in May 1928 | 0:32:36 | 0:32:40 | |
and he was the governor of the newly formed province of Northern Ireland. | 0:32:40 | 0:32:45 | |
Later that year, the box was passed on yet again, | 0:32:45 | 0:32:49 | |
to Lieutenant Commander Oscar Henderson. | 0:32:49 | 0:32:53 | |
Quite exactly what happened to this box | 0:32:53 | 0:32:55 | |
after it finished up with Commander Henderson, I do not know. | 0:32:55 | 0:33:00 | |
But on the outside, | 0:33:00 | 0:33:02 | |
we've got a little brass plaque, which is inscribed with a crest, | 0:33:02 | 0:33:06 | |
and that crest relates to the Order of St Patrick, | 0:33:06 | 0:33:11 | |
which is an ancient order relating to the government of Ireland | 0:33:11 | 0:33:14 | |
that dates back to the end of the 18th Century. | 0:33:14 | 0:33:17 | |
This box, therefore, | 0:33:17 | 0:33:20 | |
has been steeped in the history of Ireland, | 0:33:20 | 0:33:24 | |
the formation of the province | 0:33:24 | 0:33:26 | |
and of course, the declaration of the free state. | 0:33:26 | 0:33:31 | |
Historically important. | 0:33:31 | 0:33:32 | |
What's going to be interesting is the auction - | 0:33:32 | 0:33:35 | |
what is it going to bring? | 0:33:35 | 0:33:36 | |
The estimate is £300-£500. | 0:33:36 | 0:33:40 | |
250. 260. 270. 280. | 0:33:40 | 0:33:44 | |
290. 300. | 0:33:44 | 0:33:46 | |
-Guys, how are you feeling? -Good. -Pretty confident. | 0:33:48 | 0:33:50 | |
-Pretty confident. Yeah? -Yeah. | 0:33:50 | 0:33:52 | |
Good. Mark, you didn't have so much to do with this shop, did you? | 0:33:52 | 0:33:56 | |
-Cos these boys were largely on their own. -They were very good, Tim. | 0:33:56 | 0:33:59 | |
They knew what they liked and I liked some of the things. | 0:33:59 | 0:34:02 | |
I liked the nest of tables. | 0:34:02 | 0:34:04 | |
I think they're quite funky. I could live with those. | 0:34:04 | 0:34:06 | |
£90 you paid for those. It's this ruddy lamp that is going to sink you or swim you | 0:34:06 | 0:34:12 | |
and it's the first lot and it's coming up right now. | 0:34:12 | 0:34:15 | |
Chrome and aluminium adjustable set light on castors. | 0:34:15 | 0:34:19 | |
£50 for it? | 0:34:19 | 0:34:21 | |
£50 for it? | 0:34:21 | 0:34:23 | |
£50. 55. 60. Five. 70. | 0:34:23 | 0:34:25 | |
Five. 80. Five. 90. | 0:34:25 | 0:34:28 | |
Five. 100. 110. | 0:34:28 | 0:34:30 | |
120. 130. | 0:34:30 | 0:34:32 | |
It's like Only Fools And Horses. | 0:34:32 | 0:34:34 | |
Are we there at 130? You out? At 130. | 0:34:34 | 0:34:35 | |
Last chance. Going at 130. Are we done? 130. | 0:34:35 | 0:34:38 | |
£130 just like that, and you are £200 down the lavatory. | 0:34:38 | 0:34:42 | |
-And it could have been worse. -It could have been. | 0:34:42 | 0:34:45 | |
-Not quite sure how. -OK. The beer box. | 0:34:45 | 0:34:47 | |
Miller's brewery pine beer crate, | 0:34:47 | 0:34:50 | |
with a stencil decoration. £20 for it. £10 for it. | 0:34:50 | 0:34:53 | |
-Good Lord! -It's looking just like a wooden box now. | 0:34:53 | 0:34:56 | |
£5 for it? They sell the beer for about a fiver somewhere. | 0:34:56 | 0:34:59 | |
A bid of five. Take it at £5. Bid in at £5. At £5. All done? | 0:34:59 | 0:35:03 | |
-The wooden box, no-one cares. -£5. £5. | 0:35:03 | 0:35:05 | |
All done? At £5. All done and going at £5. | 0:35:05 | 0:35:07 | |
-Sorry, guys. £5. -That is minus £54. | 0:35:07 | 0:35:10 | |
Mark, why couldn't you step in and help us more? | 0:35:10 | 0:35:12 | |
Well, cos it's more fun not to. | 0:35:12 | 0:35:15 | |
54A now. The nest of three '70s tile-topped tables. | 0:35:15 | 0:35:19 | |
-See, I think those look really stylish. -Yeah. Me too. | 0:35:19 | 0:35:22 | |
It's a good nest. | 0:35:22 | 0:35:23 | |
£50, please. £50. Thank you. | 0:35:23 | 0:35:26 | |
Bid at £50. £50. Take 55. £50. | 0:35:26 | 0:35:28 | |
Take five. £50. Are we done at £50? | 0:35:28 | 0:35:30 | |
Take 55. 60. Five. | 0:35:30 | 0:35:33 | |
£60. Take five. £60. Are you all done at £60 and going? | 0:35:33 | 0:35:38 | |
-Last chance £60. £60. -Oh, £60. | 0:35:38 | 0:35:40 | |
It's minus 30. | 0:35:40 | 0:35:43 | |
I make that minus £284. | 0:35:43 | 0:35:46 | |
-Good heavens above. -That's not bad. -Minus 284. | 0:35:46 | 0:35:49 | |
What about this book shelf jobbie? What do you think about that? | 0:35:49 | 0:35:52 | |
-Yes. We'll go for it. Yeah. -Definitely. Go for it. | 0:35:52 | 0:35:54 | |
All right. We're going for it. | 0:35:54 | 0:35:56 | |
The decision's made. We're going with the bonus buy. Here it comes. | 0:35:56 | 0:35:59 | |
158A now. | 0:35:59 | 0:36:01 | |
158A. Victorian book slide. | 0:36:01 | 0:36:04 | |
-£30. Start me at £30. £20. -Oh, come on. | 0:36:04 | 0:36:07 | |
-£20. It's got to make £20. £10 for it. -Get on with it. | 0:36:07 | 0:36:11 | |
10. £10. 12. Bid at 12. 15. | 0:36:11 | 0:36:13 | |
15. 18. | 0:36:13 | 0:36:15 | |
At £15. A bid at £15. | 0:36:15 | 0:36:17 | |
18. New bidder. 20? | 0:36:17 | 0:36:19 | |
-Come on. That's it. -20. 22. Do you want 22 over there? | 0:36:19 | 0:36:24 | |
At £20. At £20. 22. At £20. | 0:36:24 | 0:36:26 | |
At £20. At £20 sold. | 0:36:26 | 0:36:28 | |
-Oh, how silly! -It's £20. | 0:36:28 | 0:36:30 | |
I have to tell you, his estimate was 40 to 60. | 0:36:30 | 0:36:33 | |
He's just sold it for 20, which is minus £5. | 0:36:33 | 0:36:36 | |
You are £289 down. | 0:36:36 | 0:36:39 | |
But that could be a winning score. | 0:36:39 | 0:36:42 | |
In today's market, here, it could be a winning score so don't say a thing to the Blues. | 0:36:42 | 0:36:46 | |
310. Your last chance at 310. | 0:36:55 | 0:36:57 | |
310, all done. | 0:36:57 | 0:36:58 | |
Next up is that dispatch case. | 0:36:58 | 0:37:01 | |
Do you fancy being Chancellor of the Exchequer? | 0:37:01 | 0:37:04 | |
Well, the estimate is £300-£500. Here it comes. | 0:37:04 | 0:37:07 | |
Early 20th Century leather-clad dispatch case, number 26. | 0:37:07 | 0:37:11 | |
£200 for it. Thank you. Bid at £200. | 0:37:11 | 0:37:13 | |
210 there. 220. 230. 240. | 0:37:13 | 0:37:16 | |
250? 250. | 0:37:16 | 0:37:18 | |
260. 270. 280. | 0:37:18 | 0:37:20 | |
290. 300. | 0:37:20 | 0:37:22 | |
320. 340. 360. 380. | 0:37:22 | 0:37:24 | |
At £400 bid. At £400. | 0:37:24 | 0:37:27 | |
-420. 430. -Cor! | 0:37:27 | 0:37:29 | |
No. At 420. Bid at 420. 430. 440. | 0:37:29 | 0:37:32 | |
450. 460. 470. | 0:37:32 | 0:37:34 | |
480. 490. 500. | 0:37:34 | 0:37:36 | |
520. 540. 560. | 0:37:36 | 0:37:40 | |
540. Bid at 540. Going at 540. | 0:37:40 | 0:37:42 | |
Are we done? Last chance and going. | 0:37:42 | 0:37:44 | |
540 smackers. | 0:37:44 | 0:37:46 | |
Well, there's a bit of Irish history for you. | 0:37:46 | 0:37:49 | |
370 bid, right in the corner. | 0:37:51 | 0:37:53 | |
So, girls, do you know how the Reds got on? | 0:37:56 | 0:37:58 | |
-No. -You haven't been talking to those Reds? | 0:37:58 | 0:38:00 | |
-No. -No. Just how excited are you? | 0:38:00 | 0:38:03 | |
-Really excited. -Are you? | 0:38:03 | 0:38:05 | |
-Yeah. -Are you a bit scared? -A little bit. Yeah. | 0:38:05 | 0:38:08 | |
A little bit scared. It's not surprising, is it? | 0:38:08 | 0:38:10 | |
There's a room packed full of people here | 0:38:10 | 0:38:12 | |
and who knows what your things are going to bring in? | 0:38:12 | 0:38:15 | |
All depends on how the bidding goes. | 0:38:15 | 0:38:17 | |
First up is the tantalus | 0:38:17 | 0:38:18 | |
-and doesn't it look good up there, Charles? -Looks great, Tim. | 0:38:18 | 0:38:21 | |
A Victorian oak and silver-plated mounted two-bowl tantalus. And £50. | 0:38:21 | 0:38:26 | |
Thank you. Bid at £50. 55. 55. | 0:38:26 | 0:38:29 | |
60. Five. | 0:38:29 | 0:38:32 | |
Bid at £60. 60. 65. 70. Five. | 0:38:32 | 0:38:35 | |
-75. 80. Five. At £80. -One more. | 0:38:35 | 0:38:38 | |
At 80. 85. 90. | 0:38:38 | 0:38:40 | |
At 85. At £85. | 0:38:40 | 0:38:43 | |
90. 95. At £90. | 0:38:43 | 0:38:45 | |
-Come on. -£90. Take five. £90. | 0:38:45 | 0:38:48 | |
Are you all done? Selling for £90. And going. All out £90. And gone? | 0:38:48 | 0:38:51 | |
Oh, dear me. | 0:38:51 | 0:38:53 | |
£90 equals minus 40. | 0:38:53 | 0:38:55 | |
Anyway, chromium-plated sailing ornament on a circular stand. | 0:38:55 | 0:38:59 | |
A circular chrome-mirrored table stand | 0:38:59 | 0:39:02 | |
with five various-sized chromed sailing boats. | 0:39:02 | 0:39:04 | |
-Very much in the art deco style. Is it worth £50 for it? -Come on. | 0:39:04 | 0:39:08 | |
Worth £30 for it? | 0:39:08 | 0:39:10 | |
Please. A bid at £30. | 0:39:10 | 0:39:13 | |
Let's go. Come on. | 0:39:13 | 0:39:15 | |
£30. At £30. 32. | 0:39:15 | 0:39:16 | |
-At 32. 35. -Come on. | 0:39:16 | 0:39:20 | |
38. 40. 42. 45. | 0:39:20 | 0:39:23 | |
-Come on. -50. Five. | 0:39:23 | 0:39:25 | |
-60. One more. -At £50. I want 55. £50. I'll take two if it helps you. | 0:39:25 | 0:39:28 | |
-Come on. -At £50. At £50. | 0:39:28 | 0:39:31 | |
At £50 all out. £50. Selling and all done at £50 and going. At £50 then. | 0:39:31 | 0:39:34 | |
That's minus £225. | 0:39:34 | 0:39:37 | |
That is bad luck, isn't it? | 0:39:37 | 0:39:39 | |
Now the teaspoons. The safety buy, we know. | 0:39:39 | 0:39:43 | |
Two cases of teaspoons here. 136A. | 0:39:43 | 0:39:45 | |
-Here we go. Come on. Let's go. -£50? | 0:39:45 | 0:39:47 | |
£40? | 0:39:47 | 0:39:49 | |
-Surely. -42. 42. 45. 48. | 0:39:49 | 0:39:53 | |
What is going on here, eh? | 0:39:53 | 0:39:55 | |
-£48. -One more. Come on. -52. | 0:39:55 | 0:39:58 | |
£50. £50. Take 52. At £50. | 0:39:58 | 0:40:01 | |
-Come on. -Oh, dear me. | 0:40:01 | 0:40:02 | |
Come on. One more. | 0:40:02 | 0:40:04 | |
At £50. Sorry. | 0:40:04 | 0:40:06 | |
OK. We tried. There we go, Tim. | 0:40:06 | 0:40:07 | |
£50 is minus 12. Minus 12. | 0:40:07 | 0:40:10 | |
That's 225. | 0:40:10 | 0:40:11 | |
65. 75. 77. | 0:40:11 | 0:40:14 | |
Minus 277, I make that. | 0:40:14 | 0:40:18 | |
That's terrible. | 0:40:18 | 0:40:20 | |
-That is terrible. -That is very bad. -You never know, it might be a winning score. | 0:40:20 | 0:40:24 | |
What are you going to do about this Rolex? Your bonus buy. | 0:40:24 | 0:40:27 | |
I think we've got to give it a try. We've got nothing to lose. | 0:40:27 | 0:40:29 | |
-You're going to go with it? -Yeah. -We've got no more to lose, you mean. | 0:40:29 | 0:40:33 | |
You've made, I hope, a wise decision there. | 0:40:33 | 0:40:36 | |
You're going with the bonus buy. Here it comes. | 0:40:36 | 0:40:38 | |
A ladies' nine-carat gold Rolex wrist watch. | 0:40:38 | 0:40:41 | |
180A. Is that worth £100? Start me. | 0:40:41 | 0:40:44 | |
-£50 for a low start. -Dear. | 0:40:44 | 0:40:46 | |
-Come on. -Start me at £50. | 0:40:46 | 0:40:50 | |
£50. I'm bid at £50. Say 55. | 0:40:50 | 0:40:51 | |
At £50. Take five. At 55. 60. | 0:40:51 | 0:40:55 | |
At £65. I'll take 70. £65. 70. 75. | 0:40:55 | 0:40:57 | |
80. 85. 90. | 0:40:57 | 0:40:59 | |
At £85. £85. Take 90. | 0:40:59 | 0:41:03 | |
For a Rolex watch. At £85. Take 90. | 0:41:03 | 0:41:05 | |
Are we done at 85? Going. All done? | 0:41:05 | 0:41:07 | |
At £85. | 0:41:07 | 0:41:08 | |
90. Thank you. 95. 100. | 0:41:08 | 0:41:11 | |
Are we done for 95 and going? | 0:41:11 | 0:41:13 | |
That's minus 38. | 0:41:16 | 0:41:17 | |
38. Seven and eight. 15. Seven. | 0:41:17 | 0:41:20 | |
Eight. Ten. 11. That's minus £315. | 0:41:20 | 0:41:22 | |
That's amazing, isn't it? | 0:41:22 | 0:41:24 | |
-Oh, dear. -That is minus 315 smackers. | 0:41:24 | 0:41:27 | |
Minus 315. | 0:41:27 | 0:41:29 | |
-Too bad. -Sorry. | 0:41:29 | 0:41:31 | |
OK. Minus 315. It could be a winning score. | 0:41:31 | 0:41:35 | |
Don't say a word to the Reds. And all will be revealed in a moment. | 0:41:35 | 0:41:39 | |
So, teams, been chatting? | 0:41:46 | 0:41:48 | |
-No. -No? No chats at all. | 0:41:48 | 0:41:50 | |
So you have no idea | 0:41:50 | 0:41:51 | |
how diabolical your mutual performance has been today. | 0:41:51 | 0:41:55 | |
I mean, you have all done incredibly badly. | 0:41:55 | 0:41:58 | |
And the way it shuffled out, the team that is behind, | 0:41:58 | 0:42:02 | |
running up, are the Blues. | 0:42:02 | 0:42:04 | |
Aww! | 0:42:04 | 0:42:06 | |
Your final score is minus 315. | 0:42:08 | 0:42:11 | |
Carumba! | 0:42:13 | 0:42:14 | |
It was the sailing ornaments for £225 down the proverbial | 0:42:14 | 0:42:19 | |
which didn't really help did it, Tenay? | 0:42:19 | 0:42:21 | |
-I told Mya... -I told you. | 0:42:21 | 0:42:23 | |
"That's not nice." | 0:42:23 | 0:42:26 | |
The best thing to do is everybody blame everybody else. | 0:42:26 | 0:42:30 | |
No. Seriously. It was bad luck. £315 down the drain is nothing, | 0:42:30 | 0:42:34 | |
cos this lot are £289 down the drain, | 0:42:34 | 0:42:38 | |
-but you're nevertheless the winners today. -We owe it all to this man. | 0:42:38 | 0:42:42 | |
Oh, thank you. | 0:42:42 | 0:42:44 | |
Well, isn't that lovely? | 0:42:44 | 0:42:46 | |
Just don't buy any more of those Strand lamps, cos that | 0:42:46 | 0:42:49 | |
minus 200 score wasn't a great start. But we've had great fun. | 0:42:49 | 0:42:53 | |
We've learnt a lot on Bargain Hunt today and in fact, | 0:42:53 | 0:42:55 | |
join us soon for more bargain hunting. Yes? | 0:42:55 | 0:42:57 | |
ALL: Yes! | 0:42:57 | 0:42:58 | |
Subtitles by Red Bee Media Ltd | 0:43:16 | 0:43:19 | |
E-mail [email protected] | 0:43:19 | 0:43:22 |