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HORSE NEIGHS | 0:00:00 | 0:00:01 | |
No sign of any horses here at Wetherby racecourse. | 0:00:01 | 0:00:06 | |
But which of our teams is going to be first today past the winning post | 0:00:06 | 0:00:11 | |
as we giddy-up for a spot of bargain hunting. What? | 0:00:11 | 0:00:14 | |
Welcome to the Jaguar Antiques Fair at Wetherby Racecourse. | 0:00:39 | 0:00:44 | |
Which colour shall we put our bets on today? | 0:00:44 | 0:00:46 | |
The reds or the blues? | 0:00:46 | 0:00:48 | |
Here's a sample of what's coming up. | 0:00:48 | 0:00:51 | |
Saddling up are two teams of in-laws. | 0:00:53 | 0:00:55 | |
In red, it's "laugh a minute" with father and son-in-law Arnold and Andy. | 0:00:57 | 0:01:03 | |
In blue, brother and sister-in-law Robert and Gemma are racing around | 0:01:05 | 0:01:09 | |
at a bound. | 0:01:09 | 0:01:11 | |
-It's a ship's wheel. -Wow. | 0:01:12 | 0:01:14 | |
And they're all jockeying for position at the auction. | 0:01:15 | 0:01:20 | |
But that's later. | 0:01:20 | 0:01:22 | |
-Welcome, chaps. -Hello, Tim. -Hiya! | 0:01:22 | 0:01:24 | |
So, Arnold, you're going to be looking at things from different perspectives. | 0:01:25 | 0:01:29 | |
In the wheelchair, I can get up close and personal. | 0:01:29 | 0:01:33 | |
-Yes. -And Andy's going to... -..be able to look a bit further afield. | 0:01:33 | 0:01:38 | |
-A distant view. -Three foot, six foot. Perfect. | 0:01:38 | 0:01:40 | |
Where did your interest in antiques come from? | 0:01:40 | 0:01:43 | |
My great-great uncle was Henry Willett. | 0:01:43 | 0:01:47 | |
Henry Willett was a great collector of porcelain down in Sussex. | 0:01:47 | 0:01:52 | |
So as a child I always remember seeing the "cast-offs" of the collection on Grandma's fireplace. | 0:01:52 | 0:01:58 | |
-So that started me off with an interest. -Did a career in antiques then follow? | 0:01:58 | 0:02:03 | |
Not really. It dropped a bit until my accident | 0:02:03 | 0:02:08 | |
and then, due to Bargain Hunt, which started four days after my accident. | 0:02:08 | 0:02:14 | |
The very first programme, and so I've been watching it from hospital beds and all sorts of things. | 0:02:14 | 0:02:20 | |
-For ten years. -For ten years. I'm a long supporter! | 0:02:20 | 0:02:23 | |
-Well, we're going to see how you perform today. -That's what worries me, Tim! | 0:02:23 | 0:02:28 | |
-Andy, you're just a great big kid, aren't you? -Absolutely, yes. | 0:02:29 | 0:02:32 | |
-What sort of toys do you like to play with? Dinkys, is that it? -No, | 0:02:32 | 0:02:36 | |
very expensive, very large-scale models of remote-controlled cars. | 0:02:36 | 0:02:40 | |
-These are radio-controlled? -Yes. | 0:02:40 | 0:02:43 | |
-You zoom round in these quite serious bits of kit. -Yes. | 0:02:43 | 0:02:46 | |
-That's quite something. You're also into two wheels. -A bit of motor-biking. | 0:02:46 | 0:02:50 | |
Living just outside the Yorkshire Dales, I get up there regularly | 0:02:50 | 0:02:56 | |
-and do a bit of trail-blazing! -Yes, and burn off some steam, too. -Yes. | 0:02:56 | 0:03:00 | |
I see you're sporting similar scarves. What's the form of this? | 0:03:00 | 0:03:04 | |
Well, this is the inaugural meeting of the Philip Serrell Supporters Society. | 0:03:04 | 0:03:10 | |
And this is the badge of office | 0:03:10 | 0:03:12 | |
that we've designated. | 0:03:12 | 0:03:15 | |
Unfortunately, we are the only two members so far. | 0:03:15 | 0:03:18 | |
I wonder whether you'll finish up with Philip as an expert on today's programme? | 0:03:18 | 0:03:24 | |
-I wonder. -I wonder. Anyway, good luck, chaps. | 0:03:24 | 0:03:27 | |
Are you in-laws, like the reds? | 0:03:27 | 0:03:29 | |
-Yes, I'm married to Robert's brother. -She's my sister-in-law. | 0:03:29 | 0:03:32 | |
-Brilliant. -Keep her on the straight and narrow! | 0:03:32 | 0:03:35 | |
Now, homework for you, Gems, is not a penance, is it? | 0:03:35 | 0:03:39 | |
No, not at all. I'm a teacher. | 0:03:39 | 0:03:41 | |
-I like to set lots of homework! -Do you? -I do, yes. | 0:03:41 | 0:03:45 | |
-Are you quite strict? -I am. Lots of detentions if it's not in on time. | 0:03:45 | 0:03:49 | |
-Especially with my brother! -Absolutely. -Oh, poor old brother! | 0:03:49 | 0:03:53 | |
-What's your subject? -Science. -Mm-hmm. | 0:03:53 | 0:03:55 | |
Did you get infected with science when you were a nipper? | 0:03:55 | 0:03:59 | |
I did, yes. I've always been interested in the natural world | 0:03:59 | 0:04:02 | |
-and how the body works. Anything to do with science. -Right. | 0:04:02 | 0:04:06 | |
-Robert, you nearly became a teacher, right? -I did, yes. | 0:04:06 | 0:04:09 | |
-How did you escape? -I escaped through building, really. | 0:04:09 | 0:04:13 | |
I decided one day I'd had enough of all the paperwork. | 0:04:13 | 0:04:16 | |
I can't deal with it how Gem does. | 0:04:16 | 0:04:18 | |
My friend was a builder and he offered me a job, so I said, "Yes, I'll take it." | 0:04:18 | 0:04:23 | |
I became an apprentice builder at the age of 23. | 0:04:23 | 0:04:25 | |
-So Bob the Builder was born! -He was, yes! | 0:04:25 | 0:04:28 | |
-Prior Neil Morrissey, yes, Bob the Builder was born. -Good. | 0:04:28 | 0:04:32 | |
You had a promising sports career in your youth? | 0:04:32 | 0:04:35 | |
Yes, while I was at university I played non-league football to quite a high standard. | 0:04:35 | 0:04:41 | |
I went to Everton and trained and played with the senior squad there. | 0:04:41 | 0:04:46 | |
But I struggled with injuries from being a child, really. | 0:04:46 | 0:04:49 | |
I'd always managed to keep going, but as I got older, | 0:04:49 | 0:04:53 | |
and became more of an antique myself, | 0:04:53 | 0:04:55 | |
the injuries kept coming so in the end I had to unfortunately give it up. | 0:04:55 | 0:04:59 | |
I'm still keen to play cricket and golf | 0:04:59 | 0:05:02 | |
but the football's taken a back seat at the moment. | 0:05:02 | 0:05:06 | |
Are you going to try and spend all your cash today? I do hope so. | 0:05:06 | 0:05:09 | |
-I'm pretty good at spending! -I don't think we'll leave our expert with much! | 0:05:09 | 0:05:14 | |
-Hopefully not. -It all starts here with the money moment. | 0:05:14 | 0:05:18 | |
£300 apiece. There you go. £300. You know the rules. | 0:05:18 | 0:05:21 | |
Your experts are waiting. | 0:05:21 | 0:05:23 | |
And very, very, very good luck! | 0:05:23 | 0:05:25 | |
Waiting like a coiled steel spring for the reds is Philip Serrell. | 0:05:28 | 0:05:33 | |
And warming up ready for the starter's orders | 0:05:34 | 0:05:37 | |
is Charles Hanson for the blues. | 0:05:37 | 0:05:39 | |
-Lovely day, isn't it? -Brilliant day. -Gorgeous. -Got a plan? | 0:05:40 | 0:05:44 | |
Quirky sounds quite fun. | 0:05:44 | 0:05:46 | |
Quirky. A bit of silver. | 0:05:46 | 0:05:48 | |
Possibly some sports memorabilia, that kind of thing. | 0:05:48 | 0:05:52 | |
So, with some kind of plan, they're off. | 0:05:52 | 0:05:56 | |
The tricky bit - finding them bargains! | 0:05:58 | 0:06:00 | |
-Is it a brass fire extinguisher? -Yes. | 0:06:01 | 0:06:04 | |
What's the inscription on the front? | 0:06:04 | 0:06:06 | |
Made by the Pyrene Company Ltd, in Brentford, England. | 0:06:07 | 0:06:11 | |
Does that fit into our "quirky" category? | 0:06:12 | 0:06:15 | |
It's quirky, I can tell you. | 0:06:15 | 0:06:16 | |
One of my great loves, when I think of antiques, | 0:06:17 | 0:06:21 | |
I think of true antiques with a true history which go back the years. | 0:06:21 | 0:06:24 | |
This is all great 18th-century English porcelain | 0:06:24 | 0:06:27 | |
which really began the whole antique industry. | 0:06:27 | 0:06:30 | |
A history lesson there from Carlos. Thank you! | 0:06:30 | 0:06:33 | |
Is that a tea machine? | 0:06:33 | 0:06:34 | |
That? | 0:06:34 | 0:06:36 | |
Arnold, mate, what would you do with it? | 0:06:36 | 0:06:39 | |
Why would you want a tea machine? | 0:06:39 | 0:06:42 | |
Every home should have one! | 0:06:42 | 0:06:44 | |
How much is it? | 0:06:44 | 0:06:45 | |
There's a good omen there, Charles. Rob Roy! I'm Rob | 0:06:46 | 0:06:50 | |
-and Roy's my father. -Really? | 0:06:50 | 0:06:53 | |
It's a very stylish tile. It's on at £99. | 0:06:53 | 0:06:57 | |
What's it worth in the sale room? | 0:06:57 | 0:06:59 | |
-What are we looking at? -40 to £50, probably. | 0:06:59 | 0:07:03 | |
-What do you think? -About the same. -Exactly. | 0:07:03 | 0:07:06 | |
-There's not the... -No. -We can always come back and negotiate. | 0:07:06 | 0:07:09 | |
-OK? -Yes. -Shall we move on? | 0:07:09 | 0:07:11 | |
-How much is that, please? SELLER: -17. One-seven. | 0:07:11 | 0:07:15 | |
-Early Delft stuff, a certain amount of damage is acceptable. -Yes. | 0:07:15 | 0:07:20 | |
It has actually come off a wall, so it's done quite well. | 0:07:20 | 0:07:25 | |
There's a collection of shoes I might by for Charlie Hanson. | 0:07:25 | 0:07:28 | |
I get 50 per cent off shoes! | 0:07:28 | 0:07:30 | |
Every leg joke in the book! | 0:07:33 | 0:07:36 | |
-A lot of the items out here are quite high quality. -They are. | 0:07:38 | 0:07:43 | |
-Inside here. -Exactly. | 0:07:43 | 0:07:44 | |
You've got to think rustic. Think rural. Think Yorkshire. | 0:07:44 | 0:07:48 | |
Think time is ticking! | 0:07:50 | 0:07:52 | |
I always wondered what goes on in there, Charles! | 0:07:52 | 0:07:55 | |
What do you reckon to that, Andy? Your sort of thing? | 0:07:55 | 0:07:58 | |
I'm not so sure. It's a bit damaged. | 0:07:58 | 0:08:00 | |
It looks like it could be from an officer's-type thing, in the army. | 0:08:00 | 0:08:04 | |
-Is that right? -I can't feel waves of enthusiasm sweeping me off my feet! | 0:08:04 | 0:08:08 | |
No, it's... | 0:08:08 | 0:08:10 | |
Yeah, I'm probably feeling that way, actually. | 0:08:10 | 0:08:13 | |
-I've assessed the situation on that. -I think you've nailed that. | 0:08:13 | 0:08:17 | |
-OK, fine. -It's nice, but my problem is I don't know who would use it. | 0:08:17 | 0:08:21 | |
Somebody on a picnic. | 0:08:21 | 0:08:23 | |
I remember the last time I went out with a copper kettle and some china for a picnic! | 0:08:26 | 0:08:31 | |
It never came back! | 0:08:31 | 0:08:33 | |
My item that I spotted straightaway is here on the right-hand side. | 0:08:35 | 0:08:38 | |
-Here? -The ship's wheel. -Wow! | 0:08:38 | 0:08:40 | |
-Yeah. -How much is it? | 0:08:40 | 0:08:43 | |
How much is it? | 0:08:43 | 0:08:45 | |
-It's a little bit out of our price range. -What's your very best, sir? | 0:08:45 | 0:08:48 | |
-450. -It's out of our range. Thank you. We appreciate it. | 0:08:48 | 0:08:52 | |
-The barometer's nice. -Pretty. -I can never remember how these work. Do you tap them? | 0:08:52 | 0:08:57 | |
That's coming from a science teacher! | 0:08:57 | 0:08:59 | |
Look at the frame. Is it wood or plastic? | 0:08:59 | 0:09:02 | |
-Um... -I think that's plastic. | 0:09:02 | 0:09:05 | |
Plastic. Chrome-plated as well. | 0:09:05 | 0:09:08 | |
-So fairly mass-produced. -Yeah. | 0:09:08 | 0:09:10 | |
-How much is it? -It's £22. | 0:09:10 | 0:09:12 | |
Maybe we'll come back! | 0:09:12 | 0:09:14 | |
-What's it worth in the sale room, Gemma? -Probably about 20 quid. | 0:09:14 | 0:09:17 | |
-Exactly. -It's nice, but... | 0:09:17 | 0:09:20 | |
That's the mother of a watch, that is! How much is that one? | 0:09:22 | 0:09:26 | |
-SELLER: -I've got 75 on that one. It does work. | 0:09:26 | 0:09:29 | |
So do I, but not very well! | 0:09:29 | 0:09:31 | |
You said it! | 0:09:31 | 0:09:32 | |
It fits in with my quirky. And also being a clock collector. | 0:09:32 | 0:09:36 | |
I promise not to run over your toes if you give us a decent price! | 0:09:36 | 0:09:41 | |
Um... | 0:09:41 | 0:09:42 | |
I could do it at 55. That would be the very best. | 0:09:42 | 0:09:46 | |
-Would you take 45? -No. -I didn't think so! | 0:09:46 | 0:09:48 | |
-£50. That's my bottom line. -What do you think? | 0:09:49 | 0:09:52 | |
Time's ticking on! | 0:09:52 | 0:09:54 | |
I'd put that at 30 to 50 quid, right? | 0:09:55 | 0:09:58 | |
-But... -So it stands a chance. -A bit of a chance. | 0:09:58 | 0:10:00 | |
If he could ease you into another fiver through bribery and corruption! | 0:10:00 | 0:10:04 | |
-You can say this was on Bargain Hunt. -Go on, then! | 0:10:04 | 0:10:07 | |
-45. Done. -We have been! | 0:10:07 | 0:10:10 | |
The reds pocket their first item. | 0:10:10 | 0:10:12 | |
Robert, you were looking for sports memorabilia. But you've found another wheel! | 0:10:12 | 0:10:18 | |
-£40. -£40. -It's decorative, and where we're going is rustic. | 0:10:18 | 0:10:21 | |
-But I would say it needs to be a bit less than that to give us a chance. -Absolutely. | 0:10:21 | 0:10:27 | |
Any discounts, sir, to friends? | 0:10:27 | 0:10:29 | |
To Hartlepool United fans, seeing as it's our... | 0:10:29 | 0:10:32 | |
It's our badge. | 0:10:32 | 0:10:34 | |
Ah, that's the obscure sporting connection! | 0:10:34 | 0:10:38 | |
-Thank you, sir. -Thank you very much. -Thank you. | 0:10:38 | 0:10:41 | |
Nice, isn't it? £30. | 0:10:41 | 0:10:42 | |
Really, Charles? | 0:10:43 | 0:10:45 | |
-I think I've found the ideal lot for us. -Right. | 0:10:45 | 0:10:47 | |
It's something that will stand the test of time | 0:10:47 | 0:10:50 | |
and could prove quite useful. | 0:10:50 | 0:10:52 | |
-Not a prosthetic leg, is it? -No, no, no. | 0:10:52 | 0:10:54 | |
No, no. Come and have a look. | 0:10:54 | 0:10:56 | |
-Is it Tim Wonnacott? -No, "useful", I said! | 0:10:56 | 0:10:59 | |
I'll remember that, Philip Serrell! | 0:11:00 | 0:11:02 | |
-Ping pong. Is it your game? -Absolutely. | 0:11:03 | 0:11:05 | |
-Really? -Tennis for the lazy person! Wow, look at that! That's nice. | 0:11:05 | 0:11:10 | |
It's nice, but probably not for us. | 0:11:10 | 0:11:12 | |
Sewing box? | 0:11:12 | 0:11:14 | |
Yeah, sewing box! | 0:11:14 | 0:11:16 | |
They've gone potty! | 0:11:16 | 0:11:18 | |
It's a step commode. | 0:11:18 | 0:11:19 | |
-It slides out. -This slides in. | 0:11:19 | 0:11:23 | |
Burr walnut. All those knots and swirls there | 0:11:24 | 0:11:29 | |
that's typical of a burr. If you see a tree with a knobble on it, | 0:11:29 | 0:11:32 | |
-when they slice through that knobble, that's what gives this burr. -Right. | 0:11:32 | 0:11:37 | |
A "veneereal problem" down here! | 0:11:37 | 0:11:40 | |
Just there. | 0:11:40 | 0:11:42 | |
Yeah. | 0:11:42 | 0:11:43 | |
So this would be sat beside the bed | 0:11:43 | 0:11:46 | |
and it would serve as steps, one there and one there to get into bed. | 0:11:46 | 0:11:50 | |
OK? | 0:11:52 | 0:11:53 | |
One issue. Apart from stating the obvious here, | 0:11:56 | 0:11:58 | |
what would you do with it today? | 0:11:58 | 0:12:00 | |
A plant pot. | 0:12:00 | 0:12:02 | |
-A plant pot, yeah. What's it worth? -50 to £60? | 0:12:02 | 0:12:05 | |
-The dealer says we can have it for 20 quid. -Really? | 0:12:05 | 0:12:08 | |
Have a word with him and see what you can do. Be gentle! | 0:12:08 | 0:12:11 | |
Hi, there. | 0:12:11 | 0:12:13 | |
-We were interested in the commode. -Yes? | 0:12:14 | 0:12:18 | |
-Um, £20. How about if... -Yeah, £20. | 0:12:18 | 0:12:24 | |
15 if your daughter's on telly? | 0:12:24 | 0:12:26 | |
If we can see this little girl on telly, I might just do a deal! | 0:12:26 | 0:12:31 | |
-Wonderful. -Thanks very much. -Thank you very much. | 0:12:31 | 0:12:34 | |
Hiya! What's your name? | 0:12:34 | 0:12:35 | |
Say hello! | 0:12:35 | 0:12:37 | |
Hello. | 0:12:37 | 0:12:38 | |
Oh, no! | 0:12:38 | 0:12:40 | |
Job done! | 0:12:40 | 0:12:41 | |
Look at those. | 0:12:49 | 0:12:51 | |
They'd be nice on a dresser, wouldn't they? | 0:12:51 | 0:12:54 | |
Any ideas on country of origin? | 0:12:54 | 0:12:56 | |
Feel the body. It's very cold, isn't it? | 0:12:56 | 0:12:59 | |
Very glassy. Very highly fired. | 0:12:59 | 0:13:02 | |
-Japan? -China. -I was going to say China. | 0:13:02 | 0:13:05 | |
-The style of the painting. -Absolutely. | 0:13:05 | 0:13:09 | |
These would have come over on a Dutch East India ship bound for Europe | 0:13:09 | 0:13:13 | |
from the mystical Indies or China in around 1760. | 0:13:13 | 0:13:17 | |
-Really? That old? -They are. -There's a small chip in this one. | 0:13:17 | 0:13:21 | |
-They're what they call Nanking. -They didn't produce glass. They preferred pottery. | 0:13:21 | 0:13:26 | |
That's one reason China never became a super-power so quickly | 0:13:26 | 0:13:30 | |
because glass wasn't invented there. | 0:13:30 | 0:13:32 | |
China invented porcelain in the Tang Dynasty, or seventh century AD. | 0:13:32 | 0:13:36 | |
It was their secret for 1,000 years. | 0:13:36 | 0:13:38 | |
-These are quite good. There's a chip on yours. -There it is. -Actually, | 0:13:38 | 0:13:42 | |
-they're so early... -£15 each. -They're quite unusual. | 0:13:42 | 0:13:45 | |
-£15 each. -For the three, sir, best price? | 0:13:45 | 0:13:48 | |
-< -Best price, those? Uh, £28. | 0:13:48 | 0:13:52 | |
28. Would you do them for £22? | 0:13:52 | 0:13:55 | |
-< -Yes. -I think for £22, | 0:13:55 | 0:13:57 | |
-you're a good sport, they're a bargain. -Brilliant. -We buy them. | 0:13:57 | 0:14:01 | |
-Absolutely. -Yep. -We'll take them. Thank you very much. | 0:14:01 | 0:14:04 | |
It only took you 35 minutes to flash some cash! | 0:14:04 | 0:14:08 | |
But the Philip Serrell Appreciation Society have two bagged already! | 0:14:08 | 0:14:12 | |
We've spent 60 quid. It would be really nice to buy something meaty. | 0:14:12 | 0:14:16 | |
In my view, you've really got to take a gamble and risk everything. | 0:14:16 | 0:14:21 | |
-We're winners! -Or... Or... Or... | 0:14:21 | 0:14:23 | |
Or you can have the title of being the meanest beggars ever on Bargain Hunt... | 0:14:23 | 0:14:28 | |
-What do you think? -You mean beggar! -You can go and buy... | 0:14:28 | 0:14:31 | |
Let's buy something meaty. | 0:14:31 | 0:14:33 | |
Ah, something meaty. I can help you there. | 0:14:33 | 0:14:37 | |
Just look at this table. | 0:14:37 | 0:14:39 | |
We've got a dried terrapin, | 0:14:39 | 0:14:42 | |
a stuffed otter's paw, | 0:14:42 | 0:14:45 | |
sundry bones, | 0:14:45 | 0:14:46 | |
a skull and an incredible piece of modern sculpture. | 0:14:46 | 0:14:51 | |
What do you think about that? | 0:14:52 | 0:14:54 | |
Could it be Henry Moore? Sutherland? | 0:14:54 | 0:14:56 | |
Or could it be the vertebra from a whale? | 0:14:56 | 0:15:01 | |
This lump of bone would have been drifting round in the ocean, | 0:15:01 | 0:15:06 | |
washed up on the beach | 0:15:06 | 0:15:07 | |
and then saved. | 0:15:07 | 0:15:09 | |
I can see this thing elegantly presented on a sideboard | 0:15:09 | 0:15:14 | |
in a New England coastal cottage. | 0:15:14 | 0:15:17 | |
I can see it on the Isle of Wight, sitting on a dining table. | 0:15:17 | 0:15:22 | |
Anybody who is fascinated with things associated with the ocean | 0:15:22 | 0:15:26 | |
would fall in love with this natural product. | 0:15:26 | 0:15:30 | |
And the cost? Well, | 0:15:30 | 0:15:32 | |
a lump of bone - 400. | 0:15:32 | 0:15:35 | |
We do have a whale of a time, don't we, on Bargain Hunt! | 0:15:35 | 0:15:38 | |
And still splashing about in an ocean of antiques are our teams. | 0:15:38 | 0:15:43 | |
How are you gettin on, chaps? | 0:15:43 | 0:15:45 | |
Whenever we go anywhere, this is what he's like. He's just off! | 0:15:45 | 0:15:50 | |
Go on, Gemma. March him through. | 0:15:50 | 0:15:52 | |
This would suit you, Arnold! | 0:15:52 | 0:15:54 | |
Snowboarding! | 0:15:54 | 0:15:56 | |
-What have you seen, Gemma? -That's pretty. -A delightful cake stand. | 0:15:59 | 0:16:03 | |
-It's so fashionable to serve your cup cakes on these! -Yes. | 0:16:03 | 0:16:06 | |
It's hand-painted, three-tiered and very pretty. | 0:16:06 | 0:16:09 | |
-Very old-fashioned. -Chintzy. | 0:16:09 | 0:16:12 | |
Chintzy. But it might appeal to the quality buyer in Yorkshire. | 0:16:12 | 0:16:16 | |
It's Staffordshire porcelain. It must be, the porcelain, 1890. | 0:16:16 | 0:16:21 | |
I'm not so sure about Leyburn, whether that's a ladies at lunch area. I don't know. | 0:16:21 | 0:16:26 | |
I think, knowing the clients who go there, it would be a good thing to sell. | 0:16:26 | 0:16:31 | |
-If the price is right. -What's your best price? | 0:16:31 | 0:16:34 | |
-Thirty. -Ooh. -Wow. | 0:16:34 | 0:16:36 | |
-Wow. -£30. -That's not bad. | 0:16:36 | 0:16:39 | |
It's £10 a plate. | 0:16:39 | 0:16:41 | |
Do you see yourself entertaining with something like that? | 0:16:42 | 0:16:45 | |
Yeah, I do. | 0:16:45 | 0:16:47 | |
My one concern is it's quite stiff, the top plate. | 0:16:47 | 0:16:50 | |
It's slightly narrower. All the better when you're handling it. | 0:16:50 | 0:16:54 | |
-Did it come complete? -It's just as I bought it. | 0:16:54 | 0:16:56 | |
The plates were all together. I like it. I think Gem's being... | 0:16:56 | 0:17:00 | |
-I'm not sure. -..fair. -It's another pottery, another china piece. | 0:17:00 | 0:17:06 | |
-Gemma, you're quite keen. -I am keen on it, yeah. | 0:17:06 | 0:17:09 | |
Gemma's got a twinkle in her eye. | 0:17:09 | 0:17:11 | |
-Gemma's keen. -I'm sold on it. | 0:17:11 | 0:17:12 | |
-Gemma's sold. -I think Charles has chosen one for us, so buy something for yourself. | 0:17:12 | 0:17:18 | |
-I'll choose one and you choose the next. -Could we go a bit less? -30 is the best. | 0:17:18 | 0:17:23 | |
-28? -30's the best. -28? -£28. | 0:17:23 | 0:17:25 | |
-Go on, then. A nice smile! -Well done, Gemma! | 0:17:25 | 0:17:28 | |
So you're going to buy it? | 0:17:28 | 0:17:29 | |
-Yes, I suppose so. -Yep! That's fair. You choose the next one. -Can I? Thanks. | 0:17:29 | 0:17:34 | |
On the home strait. 15 minutes and the reds are still zooming around outside. | 0:17:34 | 0:17:39 | |
Might need some more power here. | 0:17:40 | 0:17:42 | |
And the blues have found - yes, you've guessed it - another wheely thing! | 0:17:42 | 0:17:46 | |
It's got the ship's wheel on it, the badge of Hartlepool United. | 0:17:48 | 0:17:51 | |
We know. We've heard it before. | 0:17:51 | 0:17:54 | |
-Is Hartlepool on the coast? -Absolutely, yeah. | 0:17:54 | 0:17:57 | |
-The coldest football ground in the country. -OK. | 0:17:57 | 0:18:00 | |
-But how much is it? -Excuse me, how much for the barometer? | 0:18:00 | 0:18:03 | |
- 140. - 140. | 0:18:03 | 0:18:05 | |
-What do you think for 140, Charles? -Unless it's £100, it's too much. | 0:18:05 | 0:18:09 | |
-I honestly think at auction, £60. -Yes. -Something like that. | 0:18:09 | 0:18:13 | |
-We'll leave it. -I think we'll leave it. | 0:18:13 | 0:18:15 | |
Thank goodness for that! | 0:18:15 | 0:18:17 | |
-Let's go round this guy, guys. -Thanks. | 0:18:17 | 0:18:20 | |
-Eight minutes and counting. -Quick! | 0:18:20 | 0:18:22 | |
-Down here? -Down here! | 0:18:24 | 0:18:26 | |
Charles is built like a runner. I'm built like a wrestler! | 0:18:26 | 0:18:29 | |
Come on! I'm the shortest! | 0:18:29 | 0:18:32 | |
-Do you like that? -What are you looking for? -> | 0:18:35 | 0:18:37 | |
-Still useful today. -Got to help us on price a bit. | 0:18:37 | 0:18:40 | |
-How much? -A lot. | 0:18:40 | 0:18:42 | |
I can do it for 120. | 0:18:42 | 0:18:44 | |
The thing about this is that black furniture, ebonised furniture, | 0:18:44 | 0:18:48 | |
is not that sought after. That's the bad side. | 0:18:48 | 0:18:51 | |
But the good side is you've got that Arts and Crafts Japanesque influence. | 0:18:51 | 0:18:56 | |
These panels here, of cranes, are pure Japanese. They're lovely, lovely things. | 0:18:56 | 0:19:03 | |
1870s, 1880s. | 0:19:03 | 0:19:05 | |
Come on, what's the death on this? | 0:19:05 | 0:19:06 | |
-110, absolute bottom line. I can't do... -What about 100? | 0:19:06 | 0:19:10 | |
No. No. | 0:19:10 | 0:19:11 | |
Without these two panels in, this is 30 quid. | 0:19:11 | 0:19:14 | |
With the two panels in, I think it's 80 to 120. | 0:19:14 | 0:19:19 | |
That's what I think it'll make in an auction. | 0:19:19 | 0:19:23 | |
-How much is that little table? -This one? -That one. | 0:19:23 | 0:19:26 | |
Um... It's a bit damaged. 50 quid. | 0:19:26 | 0:19:30 | |
Let's have a look. | 0:19:30 | 0:19:31 | |
-That's the damage there, is it? -Yep. | 0:19:35 | 0:19:37 | |
The gallery's beggared. | 0:19:37 | 0:19:39 | |
And Arnold's better off in the leg department than that is! | 0:19:39 | 0:19:42 | |
Your jokes aren't getting any better, Phil. | 0:19:42 | 0:19:45 | |
How much? 50 quid? 240 quid we've got left. | 0:19:45 | 0:19:48 | |
-But you can only buy one item. -The pair for 240. | 0:19:48 | 0:19:51 | |
I don't like the sound of that. | 0:19:51 | 0:19:54 | |
-What can you do the pair for? -For 130 but that's bottom line, absolutely. | 0:19:54 | 0:19:58 | |
We've got a choice. | 0:19:58 | 0:19:59 | |
Either it's this at 110 or the two at 130. | 0:19:59 | 0:20:02 | |
-The two at 130. -Yeah. -I'd probably go for that. | 0:20:02 | 0:20:05 | |
I would have bought that at 100, but if I get that and make a tenner, I'm getting it for nothing. | 0:20:05 | 0:20:11 | |
I'm getting a headache, now. A real headache. | 0:20:11 | 0:20:13 | |
Anyone got any painkillers? The reds are done. | 0:20:13 | 0:20:16 | |
Just one more for the blues. | 0:20:16 | 0:20:17 | |
And Charles has only minutes left | 0:20:17 | 0:20:19 | |
to steer Rob away from them ships' wheels! | 0:20:19 | 0:20:23 | |
Now, may I see that little pendant, please? | 0:20:23 | 0:20:26 | |
This is footballing interest. | 0:20:29 | 0:20:31 | |
Two footballers with a ball. | 0:20:31 | 0:20:33 | |
More importantly, on the reverse, | 0:20:33 | 0:20:36 | |
it's hallmarked with the assay office town mark for Chester | 0:20:36 | 0:20:41 | |
and the date letter for 1925. It goes back to the glory days of early football. | 0:20:41 | 0:20:46 | |
FA Cup three years old at that time. | 0:20:46 | 0:20:48 | |
I can't think who won the cup in '25. It was a while ago! | 0:20:48 | 0:20:51 | |
I can't remember when the White Horse was. Was it '27, the White Horse? | 0:20:51 | 0:20:55 | |
This is going way over my head! | 0:20:55 | 0:20:58 | |
It's early and interesting and it's priced at... | 0:20:58 | 0:21:02 | |
-£25. -£25. | 0:21:02 | 0:21:04 | |
-MAN: -Four minutes. -Four minutes. | 0:21:04 | 0:21:06 | |
-I like it, but we're panicking. -We are panicking. | 0:21:06 | 0:21:09 | |
-What's your absolute best price on the pendant? -£20. | 0:21:09 | 0:21:13 | |
£20. | 0:21:13 | 0:21:14 | |
My valuation would be | 0:21:14 | 0:21:17 | |
30, £35 at auction. | 0:21:17 | 0:21:20 | |
Gemma's had her choice. I've had mine. | 0:21:20 | 0:21:22 | |
I like it. It reminds me of the World Cup coins I used to collect. | 0:21:22 | 0:21:26 | |
-Would you do £18? -20. | 0:21:26 | 0:21:29 | |
20. Would you meet me half way and go 19? | 0:21:29 | 0:21:31 | |
20's a really good price, believe me. | 0:21:31 | 0:21:34 | |
What do you think, Charles? | 0:21:34 | 0:21:36 | |
-Do you think 20? -Two and a half minutes to go. | 0:21:36 | 0:21:39 | |
I would say bag this. | 0:21:39 | 0:21:41 | |
-I agree. -Yep. -Yes. | 0:21:41 | 0:21:43 | |
-£20. -We'll take that. -We'll take it. -Thanks very much. | 0:21:43 | 0:21:46 | |
-Got the money on you? -No, I haven't. We've spent it. | 0:21:46 | 0:21:49 | |
-I have. I'm in charge of it. -Gemma's in charge of the money. | 0:21:49 | 0:21:52 | |
Thank you. | 0:21:52 | 0:21:54 | |
Time's up and they've both passed the finishing post. | 0:21:54 | 0:21:58 | |
Any change is given to our experts to track down a bonus buy. | 0:21:58 | 0:22:03 | |
All that will be revealed at the sale room. | 0:22:03 | 0:22:06 | |
Let's see what the reds bought. | 0:22:06 | 0:22:08 | |
First up, Andy and Arnold clocked the jumbo pocket watch for £45. | 0:22:09 | 0:22:14 | |
Next, they spent more than a penny, £15 in fact, | 0:22:14 | 0:22:19 | |
on the Victorian commode. | 0:22:19 | 0:22:21 | |
Finally, they did a £130 deal | 0:22:21 | 0:22:24 | |
on the brass table and wall cabinet. | 0:22:24 | 0:22:27 | |
The thing is, we put all our eggs in one basket cos we've bought three lumps of furniture. | 0:22:30 | 0:22:34 | |
-How's that going to do? -We did buy the clock as well. | 0:22:34 | 0:22:37 | |
Just a second. These three lumps of furniture are made of what? | 0:22:37 | 0:22:41 | |
-Timber. -Yes. -How could you go with Philip Serrell and not buy pieces of wood? | 0:22:41 | 0:22:47 | |
As you're the entire membership of the Philip Serrell Appreciation Society... | 0:22:47 | 0:22:53 | |
-And in the proper attire. -All tied up, yes. | 0:22:53 | 0:22:56 | |
..you would buy all wood, wouldn't you? | 0:22:56 | 0:22:58 | |
-How much did you spend? -£190. | 0:22:58 | 0:23:01 | |
You spent £190 so you've got £110 of leftover lolly, yes? | 0:23:01 | 0:23:06 | |
Certainly do. | 0:23:06 | 0:23:07 | |
Clearly, Philip, you have been in wonderful company. | 0:23:07 | 0:23:10 | |
We've had some fun. I'm going to buy something now to slow Andy and Arnold down a bit. | 0:23:10 | 0:23:15 | |
Good luck with that, Phil. | 0:23:17 | 0:23:18 | |
Why don't we remind ourselves what the blues have bought? | 0:23:18 | 0:23:22 | |
Gemma and Robert paid a cracking £22 for the Chinese porcelain bowls. | 0:23:23 | 0:23:28 | |
Next, they served up the George V three-tier cake stand for £28. | 0:23:28 | 0:23:33 | |
Finally, hoping not to score an own goal at auction, | 0:23:33 | 0:23:37 | |
they paid 20 smackers for the silver football pendant. | 0:23:37 | 0:23:40 | |
-Just in time! -We've got some good pieces there. | 0:23:42 | 0:23:45 | |
How democratic is that? | 0:23:45 | 0:23:47 | |
Each piece chosen by each of you. | 0:23:47 | 0:23:50 | |
-Yes. -Which is lovely. -Absolutely. -Are you happy about that? | 0:23:50 | 0:23:54 | |
-Yes. Mine was the most expensive. -"Mine was the most expensive!" | 0:23:54 | 0:23:58 | |
-She was in charge of the money, so... -And it ought to be Gem. | 0:23:58 | 0:24:01 | |
-How much did you spend overall? -£70! | 0:24:01 | 0:24:04 | |
I know exactly what you're going to say! Measly! | 0:24:04 | 0:24:07 | |
Measly! | 0:24:07 | 0:24:09 | |
-Please may I have £230 of leftover lolly. -It pains me to do it. | 0:24:09 | 0:24:14 | |
If you didn't spend it, love, it's up to you! | 0:24:14 | 0:24:17 | |
-230, Charles. -This is ridiculous. Spend it all, Charles. | 0:24:17 | 0:24:21 | |
-It says, Tim, opportunity. -We want the largest profit or the largest bust. | 0:24:21 | 0:24:25 | |
-We don't care. -Oh, yeah? -Do we, Gem? | 0:24:25 | 0:24:28 | |
Go and settle down and have a cup of tea. | 0:24:28 | 0:24:30 | |
The rest of us are shoving off to a beautiful country house | 0:24:30 | 0:24:34 | |
just down the road and it's called Newby Hall. | 0:24:34 | 0:24:37 | |
It's 1748. | 0:24:41 | 0:24:43 | |
You've just inherited a monumental pile of a property and you want to redecorate it. | 0:24:43 | 0:24:49 | |
Who do you call? Well, | 0:24:49 | 0:24:51 | |
Robert Adam and Thomas Chippendale, of course! | 0:24:51 | 0:24:55 | |
And this man, William Weddell, did just that. | 0:24:58 | 0:25:01 | |
And look at the results! | 0:25:01 | 0:25:03 | |
He was a keen art collector and shopaholic. | 0:25:15 | 0:25:19 | |
This room was created after a shopping trip to Paris. | 0:25:19 | 0:25:22 | |
He ordered this magnificent suite of Gobelin wall tapestries. | 0:25:22 | 0:25:27 | |
Having got the tapestries, he said to Robert Adam, | 0:25:27 | 0:25:31 | |
"I need a space that will exactly accommodate | 0:25:31 | 0:25:35 | |
"these magnificent pieces." | 0:25:35 | 0:25:38 | |
And hence the space was created in this exact form. | 0:25:38 | 0:25:42 | |
But it wouldn't look anything like this | 0:25:42 | 0:25:45 | |
were it not for the master craftsman Thomas Chippendale. | 0:25:45 | 0:25:51 | |
We often think of Chippendale as a furniture maker. | 0:25:51 | 0:25:54 | |
But he described himself as an "upholder". | 0:25:54 | 0:25:57 | |
An upholder in the 18th century was, in its broadest sense, | 0:25:57 | 0:26:02 | |
a house furnisher. | 0:26:02 | 0:26:04 | |
If we take this door, which was supplied by Chippendale, | 0:26:04 | 0:26:08 | |
Robert Adam would have said to Thomas Chippendale, | 0:26:08 | 0:26:11 | |
"Make the door according to this design." | 0:26:11 | 0:26:14 | |
With this tight guilloche moulding, | 0:26:14 | 0:26:18 | |
this entwined moulding running round the middle of that border. | 0:26:18 | 0:26:22 | |
Now, you'd kind of expect Chippendale to make a door like this. | 0:26:22 | 0:26:26 | |
But when it comes to the door furniture, | 0:26:26 | 0:26:29 | |
the door handle and locks, that too, is Robert Adam's design, | 0:26:29 | 0:26:35 | |
but Chippendale, who wasn't a metal worker, | 0:26:35 | 0:26:38 | |
would have found an out-worker who would have done that casting | 0:26:38 | 0:26:42 | |
and a gilder who would have done the gilding, | 0:26:42 | 0:26:44 | |
and brought those trades together and we finish up with the door as it is today. | 0:26:44 | 0:26:50 | |
Now, the suite of furniture is something you'd expect Chippendale to make. | 0:26:51 | 0:26:56 | |
Loosely in a French style, but Chippendale's commission for these chairs | 0:26:56 | 0:27:01 | |
was governed by the fact that Weddell had bought the Gobelin tapestries in Paris | 0:27:01 | 0:27:07 | |
and said to Chippendale, "I need enough pieces of seat furniture | 0:27:07 | 0:27:11 | |
"that are exactly going to accommodate the tapestries." | 0:27:11 | 0:27:15 | |
Hence the size and form of these frames. | 0:27:15 | 0:27:20 | |
If you look at this pole screen, | 0:27:20 | 0:27:23 | |
which was made specifically to shade 18th-century ladies' faces | 0:27:23 | 0:27:29 | |
from the radiation coming from the fire, | 0:27:29 | 0:27:32 | |
so that their faces didn't go red in the heat. | 0:27:32 | 0:27:35 | |
This pole screen includes a Gobelin tapestry panel | 0:27:35 | 0:27:39 | |
out of Weddell's order from Paris, | 0:27:39 | 0:27:41 | |
and Chippendale then made the frame to contain it | 0:27:41 | 0:27:45 | |
and this delicious tripod base. | 0:27:45 | 0:27:48 | |
The big question today is, of course, | 0:27:48 | 0:27:50 | |
are our teams going to have any red faces | 0:27:50 | 0:27:54 | |
over at the auction? | 0:27:54 | 0:27:56 | |
Saving any embarrassing blushes | 0:27:57 | 0:27:59 | |
is auctioneer Rodney Tennant. | 0:27:59 | 0:28:01 | |
But before we hear his estimates, | 0:28:03 | 0:28:05 | |
let's not forget the bonus buys. | 0:28:05 | 0:28:07 | |
First up is Philip Serrell with the red team. | 0:28:07 | 0:28:09 | |
Andy and Arnold, you spent £190. | 0:28:11 | 0:28:14 | |
And you gave P.Serrell £110. | 0:28:14 | 0:28:18 | |
What did he spend all that cash on? | 0:28:18 | 0:28:20 | |
I'm glad you asked. It's heavy! I bought these. | 0:28:20 | 0:28:23 | |
-Oh. -Look at the look on his face! | 0:28:24 | 0:28:27 | |
They're a pair of bookends. Not these two, these! Bookends. Marble. | 0:28:29 | 0:28:33 | |
I think they're quite cool. They've got that 1930s, '40s look. | 0:28:33 | 0:28:38 | |
They reminded me of those heaters. | 0:28:38 | 0:28:40 | |
Yes, exactly right. Very stylish. | 0:28:40 | 0:28:44 | |
I think they're a good look, they cost me £30. | 0:28:44 | 0:28:47 | |
Are the people of Yorkshire ready for these? | 0:28:47 | 0:28:49 | |
That's the problem. They're either going to make 15 quid or £60. | 0:28:49 | 0:28:54 | |
-Hand them round. -Are they really lumpy? -They are heavy, yes. | 0:28:54 | 0:28:57 | |
Quite a lump. So they do work as a bookend. | 0:28:57 | 0:29:00 | |
They're substantial enough to hold up the Penguins. | 0:29:00 | 0:29:03 | |
How do you feel about this, Arnie? | 0:29:03 | 0:29:06 | |
As members of the Philip Serrell Supporters Society, | 0:29:06 | 0:29:09 | |
-we've got to take his advice. -Fool! | 0:29:09 | 0:29:11 | |
-If we didn't take his advice, we'd never live it down! -Actually, | 0:29:11 | 0:29:16 | |
you don't have to decide right now. | 0:29:16 | 0:29:18 | |
Wait until the sale of your first three items | 0:29:18 | 0:29:21 | |
and depending how you're getting on, you can pick the bookends or not. | 0:29:21 | 0:29:26 | |
For the audience at home, let's find out what the auctioneer thinks. | 0:29:26 | 0:29:29 | |
Here it comes. There's your half. | 0:29:31 | 0:29:34 | |
I'll hang on to my half. | 0:29:34 | 0:29:35 | |
I'm not into the Art Deco of the '30s. I appreciate it, | 0:29:37 | 0:29:40 | |
but I don't have a house with that period of things in. | 0:29:40 | 0:29:43 | |
If you do have and you're an avid Art Deco collector | 0:29:43 | 0:29:47 | |
and wanted a pair of bookends, then these are the things for you. | 0:29:47 | 0:29:51 | |
-Absolutely. -To me they're 15 to £25. -Yes. | 0:29:51 | 0:29:54 | |
But if you want a pair of real, real Art Deco bookends, | 0:29:54 | 0:29:58 | |
-then you'll certainly give more than that. -OK. £30 was paid | 0:29:58 | 0:30:02 | |
by Philip Serrell in the fond hope that Leyburn is stuffed with fervent Art Deco collectors! | 0:30:02 | 0:30:10 | |
-Right. -We shall see. Anyway, | 0:30:10 | 0:30:12 | |
first up for Andy and Arnold | 0:30:12 | 0:30:14 | |
is this jumbo so-called advertising novelty watch. | 0:30:14 | 0:30:19 | |
What do you make of that? | 0:30:19 | 0:30:20 | |
It's a very cheaply-made thing, isn't it? | 0:30:20 | 0:30:23 | |
It is obviously a novelty, but I think it's a novelty clock. | 0:30:23 | 0:30:27 | |
I don't think it's been for advertising. I think the hands are later. | 0:30:27 | 0:30:32 | |
-Replaced. -The whole thing is, I think, it's quite amusing. | 0:30:32 | 0:30:36 | |
But it doesn't have a lot of commercial value. 20 to £30. | 0:30:36 | 0:30:39 | |
OK, fine. £45 they paid. | 0:30:39 | 0:30:41 | |
-OK. I hope they're lucky. -Well, | 0:30:41 | 0:30:43 | |
-they may be. These one-off whacky things can do quite well. -Absolutely. | 0:30:43 | 0:30:48 | |
It's difficult to value, frankly. | 0:30:48 | 0:30:50 | |
Next is the burr walnut step commode. | 0:30:50 | 0:30:54 | |
-No hope! -No? -I wouldn't have thought so! -No hope at all? | 0:30:54 | 0:30:58 | |
-Thunder boxes are not worth much at all nowadays. -Right. | 0:30:58 | 0:31:01 | |
Somebody might just buy it and take the innards out | 0:31:01 | 0:31:04 | |
and use it as a little slipper box, that's fine. | 0:31:04 | 0:31:07 | |
But as it stands, it's worth a tenner. | 0:31:07 | 0:31:10 | |
It doesn't pull my chain! | 0:31:10 | 0:31:12 | |
No, quite. Good. | 0:31:12 | 0:31:14 | |
-Anyway, £10, perhaps ten to £15. -If you're lucky. -They paid £15, so there we are. | 0:31:14 | 0:31:19 | |
The last lot for them | 0:31:19 | 0:31:22 | |
includes these two items. | 0:31:22 | 0:31:24 | |
The Eastern two-tier tray jobbie, tray table. | 0:31:24 | 0:31:28 | |
And the rather nice Aesthetic Movement bathroom cabinet. | 0:31:28 | 0:31:32 | |
Yes, that's very nice in that Japanesque style. | 0:31:32 | 0:31:34 | |
-I rather like that. -It's smart, isn't it? | 0:31:34 | 0:31:37 | |
It's a very smart Aesthetic Movement thing. | 0:31:37 | 0:31:40 | |
I put a miserable estimate of 70 to 100 on it. It may make more. | 0:31:42 | 0:31:45 | |
-But 70 to 100 it should definitely make. -£130 was paid. -Yes. | 0:31:45 | 0:31:49 | |
It's difficult when you get two pieces in quite contrasting styles | 0:31:49 | 0:31:53 | |
to see how anyone's going to want both of them and pay full value for both. | 0:31:53 | 0:31:59 | |
We bring you two pieces. You catalogue the two pieces in one lot. | 0:31:59 | 0:32:03 | |
-That's the bonus. That's the serious thing. -Quite. | 0:32:03 | 0:32:06 | |
-Let's hope for the best. -It's a very nice wall cabinet. | 0:32:06 | 0:32:10 | |
£130 it has to make. | 0:32:10 | 0:32:12 | |
-I will try. -If you do extraordinarily well! Anyway, | 0:32:12 | 0:32:15 | |
that's it for the reds. Now the blues. Gemma and Roberto | 0:32:15 | 0:32:19 | |
with their three 18th-century blue and white Chinese bowls. | 0:32:19 | 0:32:23 | |
Well, that's much more my thing, real antiques. | 0:32:24 | 0:32:28 | |
18th century. Probably 1770s. | 0:32:28 | 0:32:31 | |
Made in China for the export market. | 0:32:31 | 0:32:34 | |
Small bowls like that. | 0:32:34 | 0:32:36 | |
To be able to buy those for, what will they make, 30 to £50, | 0:32:36 | 0:32:41 | |
-what a bargain. -Yeah. | 0:32:41 | 0:32:43 | |
They're in mint condition. | 0:32:43 | 0:32:45 | |
If you're talking about a minimum price of £10 each, | 0:32:45 | 0:32:49 | |
that has got to be a great investment. | 0:32:49 | 0:32:51 | |
They'll be delighted. £22 was paid for them. | 0:32:51 | 0:32:54 | |
-Which just goes to show retail in a fair just how inexpensive some things can be. -Absolutely. | 0:32:54 | 0:33:00 | |
-Yes. -We go for something completely different next. | 0:33:00 | 0:33:04 | |
-That's the three-tier cake plate stand. -The cake stand, yes. | 0:33:04 | 0:33:08 | |
These are fine. They're actually becoming very collectable. | 0:33:08 | 0:33:13 | |
But they've really got to have their original dishes on them. | 0:33:13 | 0:33:16 | |
So we've got the wrong plates in it, basically? | 0:33:16 | 0:33:20 | |
The wrong plates in it. Three decent plates, but they don't belong to that. | 0:33:20 | 0:33:25 | |
-See, they're ill-fitting. -Doesn't even fit. | 0:33:25 | 0:33:27 | |
Jam that in and you'll chip it. | 0:33:27 | 0:33:29 | |
-Yes. That's not... -That's not good, is it? -No. | 0:33:29 | 0:33:32 | |
Separately the plates are worth two or three pounds. | 0:33:32 | 0:33:35 | |
The stand is worth ten, £15. So 15 to £20. | 0:33:35 | 0:33:40 | |
15 to £20. Great. £28 they paid. | 0:33:40 | 0:33:42 | |
Now, the silver football token. | 0:33:42 | 0:33:45 | |
1925 and it's never been inscribed, which is nice, isn't it? | 0:33:45 | 0:33:49 | |
That's probably the important thing. Thousands were made. | 0:33:49 | 0:33:53 | |
But that hasn't been inscribed and at 20, £30, | 0:33:53 | 0:33:56 | |
-you wouldn't buy a plated one for that. And this is solid silver. -Yes. | 0:33:56 | 0:34:00 | |
-£20 paid, so that's not too bad, is it? -No. Well bought. | 0:34:00 | 0:34:03 | |
Excellent. There we go. They haven't done too badly, | 0:34:03 | 0:34:07 | |
but they're likely to need their bonus buy so let's have a look at it. | 0:34:07 | 0:34:11 | |
Now, Robert and Gem, you've spent a pathetic £70. | 0:34:13 | 0:34:17 | |
I mean, honestly! What is going on here? | 0:34:17 | 0:34:20 | |
You gave Charles £230. What did he spend it on? | 0:34:20 | 0:34:23 | |
I wanted to spend it all but I couldn't. But look at this. | 0:34:23 | 0:34:26 | |
-Just look at that! -Oh, right! | 0:34:26 | 0:34:28 | |
Spin it round, very slowly. | 0:34:28 | 0:34:30 | |
This is a continental soda glass. Wine glass. Briefly, | 0:34:31 | 0:34:36 | |
etched and engraved. | 0:34:36 | 0:34:38 | |
This would date, in my opinion, to around 1780, 1790. | 0:34:38 | 0:34:42 | |
It's history. It's a true antique. | 0:34:42 | 0:34:44 | |
You see so many collectables. You've got to buy antiques because they're good investments. | 0:34:44 | 0:34:49 | |
It was only £100. I say "only", but it's a good thing. | 0:34:49 | 0:34:53 | |
-What do you think, Gems? -It's very pretty. | 0:34:53 | 0:34:56 | |
-I'm not sure how much you'd make on it. -Just feel it. | 0:34:56 | 0:34:58 | |
-It feels lovely. -Exactly. Light, | 0:34:58 | 0:35:01 | |
foot rim's good. The marks are nice. | 0:35:01 | 0:35:04 | |
I like it. | 0:35:04 | 0:35:06 | |
-Feel it. Don't drop it! -What do you think, Tim? Would you have paid £100? | 0:35:06 | 0:35:10 | |
I couldn't possibly comment! | 0:35:10 | 0:35:12 | |
Anyway, you will decide after the sale of your first three items. | 0:35:12 | 0:35:17 | |
But for the audience at home, let's find out what Rodney Tennant thinks about the glass! | 0:35:17 | 0:35:22 | |
Right, then, Rodney. Here we go. | 0:35:24 | 0:35:25 | |
-One engraved and acid-etched goblet. -Mm-hmm. | 0:35:25 | 0:35:31 | |
Late 18th century, probably Silesian. | 0:35:31 | 0:35:35 | |
The only trouble is it's got a big chip in the knop there. | 0:35:37 | 0:35:42 | |
-Oh, dear! -That makes a very big difference. | 0:35:42 | 0:35:45 | |
To glass collectors, that finishes it, really. | 0:35:45 | 0:35:49 | |
It makes what I call a 70 to £100 or a 100 to £150 glass worth probably 20 to £30. | 0:35:49 | 0:35:56 | |
-Oh. -It's a case of who spots it tomorrow. | 0:35:56 | 0:35:58 | |
-I doubt Charles could have spotted it cos he paid £100. -Exactly. | 0:35:58 | 0:36:02 | |
-It's a bonus buy. -He can't have spotted it. | 0:36:02 | 0:36:05 | |
-The team may not go with it. -Let's hope they don't have to. | 0:36:05 | 0:36:08 | |
Thank goodness for hawk-eyed Tennant here! | 0:36:08 | 0:36:11 | |
-Are you excited? -Can't wait, Tim! | 0:36:16 | 0:36:18 | |
It's impressive when you see a sale room full of people like this. | 0:36:18 | 0:36:22 | |
-We had difficulty getting through. It's unbelievable. -Tight crammed. | 0:36:22 | 0:36:27 | |
First up, the jumbo watch. Here it comes. | 0:36:27 | 0:36:30 | |
A rather amusing novelty piece. | 0:36:30 | 0:36:33 | |
Start where you will. Start me at £20. | 0:36:33 | 0:36:35 | |
£20? Ten? | 0:36:35 | 0:36:37 | |
An amusing timepiece. Ten bid. 20. | 0:36:37 | 0:36:40 | |
-30. 40. 50. -Get in there! | 0:36:40 | 0:36:44 | |
No? £50 the lady's bid. | 0:36:44 | 0:36:46 | |
Down here. At £50. | 0:36:46 | 0:36:48 | |
60, new bidder. | 0:36:48 | 0:36:50 | |
£60. You'll go a long time before you can get another one! | 0:36:50 | 0:36:53 | |
For the last time. Are you all done? | 0:36:53 | 0:36:55 | |
£60 is plus 15. | 0:36:55 | 0:36:58 | |
-That's very good, isn't it? -It'll do us! -Great. | 0:36:58 | 0:37:01 | |
Now, the step commode. | 0:37:02 | 0:37:03 | |
Ten bid. Right on the aisle at £10. At £10. Take 20, where? | 0:37:04 | 0:37:08 | |
At £10, right on the aisle. At £10. The commode. Anyone else, surely? | 0:37:08 | 0:37:13 | |
Are you all done at £10? | 0:37:13 | 0:37:16 | |
I hope you never need one! | 0:37:17 | 0:37:19 | |
Sell it for a tenner? | 0:37:21 | 0:37:23 | |
Minus £5. You're down to plus ten. | 0:37:23 | 0:37:25 | |
The Aesthetic Movement ebonised hanging wall cabinet. | 0:37:25 | 0:37:30 | |
We throw the two-tiered table in with it. Start me at £100. | 0:37:30 | 0:37:34 | |
As good as you'll get. £100. 50? | 0:37:34 | 0:37:36 | |
£20, then. £20. 20 bid. | 0:37:36 | 0:37:39 | |
In there at 20. 30. 40. 50. | 0:37:39 | 0:37:42 | |
60. 70. 80. 90. | 0:37:42 | 0:37:45 | |
100, yes? 100. | 0:37:45 | 0:37:47 | |
And ten. | 0:37:47 | 0:37:48 | |
120. | 0:37:48 | 0:37:50 | |
£120 on the aisle. | 0:37:50 | 0:37:52 | |
At 120. I've come back to you. | 0:37:52 | 0:37:54 | |
Are you all done this time at £120? | 0:37:54 | 0:37:57 | |
120. A loss of £10. You were £10 up. You now have absolutely nothing! | 0:37:58 | 0:38:03 | |
-Zilch! -After all that! | 0:38:03 | 0:38:06 | |
What are you going to do about the bookends? | 0:38:06 | 0:38:08 | |
-I think we have to. Agree, Andy? -Go for it. | 0:38:08 | 0:38:11 | |
-In for a penny, in for a pound. -Going with the bookends. | 0:38:11 | 0:38:14 | |
We're going with the bonus buy. £30 was paid. | 0:38:14 | 0:38:16 | |
£20. | 0:38:16 | 0:38:18 | |
£10, then. They're here to be sold. 10 is bid. | 0:38:18 | 0:38:21 | |
Thank you. 20. 30. | 0:38:21 | 0:38:24 | |
One more? £30, right at the very back. At £30. | 0:38:24 | 0:38:27 | |
Are you all done this time? | 0:38:27 | 0:38:29 | |
At £30. | 0:38:29 | 0:38:31 | |
Selling at 30. | 0:38:31 | 0:38:32 | |
£30. Wiped its face. This is not improving is it? | 0:38:33 | 0:38:38 | |
All that for... | 0:38:38 | 0:38:39 | |
So, do you see the Philip Serrell Appreciation Society expanding? | 0:38:39 | 0:38:44 | |
I'm going to resign from it! | 0:38:44 | 0:38:46 | |
-Good fun. -You're our president, Philip! | 0:38:46 | 0:38:48 | |
I tell you, a zero score could be a winning one. | 0:38:48 | 0:38:52 | |
Don't say a word to the blues. | 0:38:52 | 0:38:54 | |
-Gems and Robs, do you know how the reds got on? -No idea whatsoever. | 0:39:01 | 0:39:05 | |
-You won't want to know, either! -Good! -Now, | 0:39:05 | 0:39:08 | |
first lot are your three Chinese bowls. And here they come. | 0:39:08 | 0:39:12 | |
-They must be worth £20 each. Start me at £60. -Come on. -£50, then? | 0:39:12 | 0:39:17 | |
20 bid. At £20, 30, 40, 50. | 0:39:17 | 0:39:19 | |
60. At £60 on the aisle. | 0:39:19 | 0:39:22 | |
Three period 18th-century Chinese plates. | 0:39:22 | 0:39:25 | |
At 60, 70. 80. | 0:39:25 | 0:39:27 | |
-That, Charles... -This is amazing! | 0:39:27 | 0:39:29 | |
Charles, you are fantastic! | 0:39:29 | 0:39:31 | |
£100 on the aisle. | 0:39:31 | 0:39:33 | |
At £100. Are you all done? 110, a new bidder. | 0:39:33 | 0:39:37 | |
£110. The bid is on my right, now. | 0:39:37 | 0:39:40 | |
At £110. | 0:39:40 | 0:39:42 | |
Yes! | 0:39:42 | 0:39:44 | |
-£110. -How good is that? | 0:39:44 | 0:39:46 | |
-Delighted. -It's £88 profit. In a stroke. | 0:39:46 | 0:39:50 | |
Cake stand. Who'll start me at £50? 40? | 0:39:50 | 0:39:54 | |
£40. It's a good plate stand. | 0:39:54 | 0:39:57 | |
I've 30 bid. At £30 only bid. At 30. | 0:39:57 | 0:39:59 | |
All done at 30. 40. | 0:39:59 | 0:40:00 | |
50. | 0:40:00 | 0:40:02 | |
60. | 0:40:02 | 0:40:03 | |
70. | 0:40:03 | 0:40:04 | |
£70. Selling at 70. | 0:40:04 | 0:40:05 | |
£70?! What's going on? | 0:40:05 | 0:40:08 | |
£70. That's two off 30. | 0:40:08 | 0:40:12 | |
Come on, Gem! | 0:40:12 | 0:40:13 | |
That's £42. | 0:40:13 | 0:40:14 | |
Plus £42 again! | 0:40:14 | 0:40:17 | |
-Here comes the pendant. -£20. 20. | 0:40:17 | 0:40:20 | |
£20. Silver football medallion. | 0:40:20 | 0:40:24 | |
20 bid. At £20. | 0:40:24 | 0:40:25 | |
All done at 20? | 0:40:25 | 0:40:26 | |
Selling at 30. | 0:40:26 | 0:40:28 | |
That football memorabilia! | 0:40:28 | 0:40:30 | |
With me, now. £30. Anyone else? All done? | 0:40:30 | 0:40:34 | |
-Selling this time at £30. All done. -Come on! | 0:40:34 | 0:40:38 | |
£30 is plus ten. | 0:40:38 | 0:40:40 | |
88 is 128. | 0:40:40 | 0:40:43 | |
That's 130... £140. | 0:40:43 | 0:40:46 | |
You have not only made a profit on each lot, | 0:40:46 | 0:40:49 | |
but you've doubled the £70 you spent! I don't believe that! | 0:40:49 | 0:40:53 | |
Are you going to have a go at the bonus buy? What's your plan? | 0:40:53 | 0:40:57 | |
Even though Charles is the most fantastic expert, | 0:40:57 | 0:41:01 | |
he's even said himself, I think we should stick. Do you reckon? | 0:41:01 | 0:41:04 | |
-Yes. -Stick. -I'm happy with that. | 0:41:04 | 0:41:07 | |
You're not going to go with the glass? | 0:41:07 | 0:41:09 | |
I'll be gutted if it brings 200 quid or something! | 0:41:09 | 0:41:12 | |
£50, anybody? A period continental glass. £50. | 0:41:12 | 0:41:16 | |
£20? £20, anybody? This glass? 30. | 0:41:16 | 0:41:20 | |
40. 50. 60. 70. 80 on the telephone. | 0:41:20 | 0:41:26 | |
You're out and you're out. The bid's on the phone. All out. | 0:41:26 | 0:41:29 | |
At £80. | 0:41:29 | 0:41:31 | |
I'll apologise to Charles here. | 0:41:31 | 0:41:33 | |
Everybody was sniffy about that glass, | 0:41:33 | 0:41:36 | |
and it just made £80, which is only £20 shy. | 0:41:36 | 0:41:39 | |
It did well on phone bids. | 0:41:39 | 0:41:40 | |
-They could have gone to two grand. -Exactly. | 0:41:40 | 0:41:43 | |
Don't say a word to the reds and we'll reveal all in a moment. | 0:41:43 | 0:41:48 | |
I'll have to reveal it, then. | 0:41:52 | 0:41:54 | |
Yes. | 0:41:54 | 0:41:55 | |
-It's the reds. -Yeah! -The losers? | 0:41:55 | 0:41:58 | |
-It's a whitewash. -They're behind. | 0:41:58 | 0:42:00 | |
Yes! | 0:42:00 | 0:42:02 | |
-Come on, Charles Hanson! -Well done! -Come on, Gem! | 0:42:02 | 0:42:08 | |
-Bad luck, isn't it? -Aye, aye. | 0:42:08 | 0:42:10 | |
You finished up at the end of the day by scoring nothing! | 0:42:10 | 0:42:14 | |
-Zero. No profit. No loss. No pain, no shame. -Nice. | 0:42:14 | 0:42:17 | |
-That's fair, isn't it? -Well done, guys. | 0:42:17 | 0:42:20 | |
-It's just bad luck. -Well done. Well done. | 0:42:20 | 0:42:22 | |
He's such a lovely man, this. I haven't given him his money yet. | 0:42:22 | 0:42:27 | |
The thing is, all this love and happiness and fraternity, | 0:42:27 | 0:42:32 | |
but actually, the reds don't know that the blues actually won | 0:42:32 | 0:42:35 | |
by £140! | 0:42:35 | 0:42:37 | |
-That is folding money, isn't it? -Thank you very much. | 0:42:39 | 0:42:42 | |
Here, Rob, is your £140. Congratulations to you all. | 0:42:42 | 0:42:47 | |
-Anyway, join us soon for some more bargain hunting, yes? -Yes! | 0:42:47 | 0:42:51 | |
Subtitles by Red Bee Media Ltd | 0:43:09 | 0:43:12 |