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Hello, viewers, I would like you to meet one half of today's teams. | 0:00:03 | 0:00:09 | |
-So what are your names? -Mr and Mrs Doubleday. -Really? | 0:00:09 | 0:00:14 | |
-Yes, really Doubleday. -That gives me a bit of an idea. | 0:00:14 | 0:00:19 | |
Let's go Bargain Hunting. | 0:00:21 | 0:00:23 | |
We are at Builth Wells at the Royal Welsh Showground. | 0:00:49 | 0:00:52 | |
Today is Double-Up Day. | 0:00:52 | 0:00:55 | |
Does that mean double the trouble? | 0:00:55 | 0:00:58 | |
Jonathan Pratt has trouble keeping track of Red team Susannah and Sarah. | 0:00:59 | 0:01:05 | |
-Where are they now? Oh no! -And there is more trouble with time. | 0:01:05 | 0:01:11 | |
-And time is? -Six minutes left. | 0:01:11 | 0:01:15 | |
On the Blue team, Noel and Kate make Kate Bliss very happy. | 0:01:16 | 0:01:21 | |
I have every confidence we have a fighting chance to beat Jonathan. | 0:01:21 | 0:01:24 | |
I think we have a good team here. | 0:01:24 | 0:01:27 | |
But as you know, the auction room has its highs. This is fantastic. | 0:01:27 | 0:01:32 | |
And its lows. Oh, dear, bad luck. That is bad luck. | 0:01:32 | 0:01:38 | |
Now, the only thing that changes today is the amount of money | 0:01:38 | 0:01:42 | |
we give the teams, because instead of giving them the £300 | 0:01:42 | 0:01:46 | |
it is Double-Up Day, so we give them £600 apiece, | 0:01:46 | 0:01:50 | |
and that is why my pockets are bulging. | 0:01:50 | 0:01:52 | |
That is coming up later. | 0:01:52 | 0:01:54 | |
For now, let's meet the teams. | 0:01:54 | 0:01:56 | |
-And here they are. -Hello. -Hello and welcome. | 0:01:56 | 0:02:00 | |
So, Sarah, how did you first become friends? | 0:02:00 | 0:02:02 | |
Well, I met Suzanne | 0:02:02 | 0:02:04 | |
when I was 13 and I started babysitting for her children. | 0:02:04 | 0:02:07 | |
At university I used to work for her promoting her photography | 0:02:07 | 0:02:11 | |
business, when I graduated I worked for her full-time | 0:02:11 | 0:02:16 | |
-and now we are just friends. -Isn't that nice? You haven't always been a photographer, have you? | 0:02:16 | 0:02:21 | |
I have been a photographer for seven years. | 0:02:21 | 0:02:23 | |
I used to be a marketing manager for Royal Mail, | 0:02:23 | 0:02:27 | |
but I wanted to do something different and I have always had a passion for photography. | 0:02:27 | 0:02:31 | |
-What sort of photography do you do? -Mostly portraits. | 0:02:31 | 0:02:36 | |
I work a lot with children and animals. | 0:02:36 | 0:02:38 | |
All the things you are not supposed to work with. | 0:02:38 | 0:02:42 | |
Somehow you manage to find time to train for marathons. | 0:02:42 | 0:02:45 | |
I have done four marathons in three different countries. | 0:02:45 | 0:02:49 | |
The first ones I did in my 20s and I did another one in Berlin last year. | 0:02:49 | 0:02:53 | |
Sarah, you also have put your body through punishment over the years. | 0:02:53 | 0:02:57 | |
I have broken bones in my body on three different continents. | 0:02:57 | 0:03:01 | |
Playing netball at school I broke my fingers, | 0:03:01 | 0:03:03 | |
and then I went on a girls' holiday to Thailand | 0:03:03 | 0:03:07 | |
and got a stress fracture in my foot | 0:03:07 | 0:03:10 | |
and slipped on an unsecured rug in Mexico a couple of years ago | 0:03:10 | 0:03:15 | |
and I have had a plate put into my hand to stick me back together. | 0:03:15 | 0:03:20 | |
Poor you! So quite accident-prone, then. | 0:03:20 | 0:03:23 | |
Suzanne, how will you get on as a team? | 0:03:23 | 0:03:25 | |
-We are going to do all right. We will have a good time. -Fingers crossed. | 0:03:25 | 0:03:31 | |
The big question is are you going to be good enough to beat the blues? | 0:03:31 | 0:03:35 | |
That's the question! | 0:03:35 | 0:03:37 | |
So Kate, how long have you two been married? | 0:03:37 | 0:03:40 | |
28 years. Love at first sight. | 0:03:40 | 0:03:43 | |
I was introduced to Noel, and this wonderful gentleman rose up | 0:03:43 | 0:03:47 | |
out of his chair and I thought, "I'll have him." | 0:03:47 | 0:03:51 | |
Did you get any choice in the matter at all? | 0:03:51 | 0:03:54 | |
Well, in all honesty I would have to say it was only a small part. | 0:03:54 | 0:03:59 | |
-You weren't brought up in this country, were you? -I was not. | 0:03:59 | 0:04:03 | |
-I was brought up in Jamaica. -Jamaica! | 0:04:03 | 0:04:05 | |
I went over there when I was five with my parents and my brother and sister. | 0:04:05 | 0:04:09 | |
Did you come back to go to university? | 0:04:09 | 0:04:11 | |
I came back to train as a teacher in Bristol. | 0:04:11 | 0:04:14 | |
Noel, you are retired, but what did you used to do? | 0:04:14 | 0:04:18 | |
We formed a charity in Russia after I'd been on a visit | 0:04:18 | 0:04:21 | |
when I was the UK director for a Bible producing organisation. | 0:04:21 | 0:04:24 | |
-What is the charity? -Its primary interest is to help in the orphanages in Russia. | 0:04:24 | 0:04:30 | |
We helped a hospital or two, but it still continues | 0:04:30 | 0:04:33 | |
because the need is still there despite the changes since my time. | 0:04:33 | 0:04:37 | |
If you can, will you be buying something Russian? | 0:04:37 | 0:04:40 | |
If we can find something we would love to. | 0:04:40 | 0:04:43 | |
How do we all feel about having £600 to spend today? Happy about that? | 0:04:43 | 0:04:49 | |
-Bring it on. -On that happy note I am going to give you your £600. | 0:04:49 | 0:04:54 | |
A huge wodge of cash. | 0:04:54 | 0:04:56 | |
You know your rules, the experts await - off you go and good luck. | 0:04:56 | 0:04:59 | |
Dosvedanya! | 0:05:00 | 0:05:02 | |
I am very excited, because we have £600. | 0:05:06 | 0:05:11 | |
Who has got the money? | 0:05:12 | 0:05:15 | |
Have you got the money? Right. | 0:05:15 | 0:05:17 | |
Well, I am gunning for silver. | 0:05:20 | 0:05:23 | |
That sounds good. | 0:05:23 | 0:05:24 | |
-You're going to spend it, you are not going to leave me much at all. -No. | 0:05:26 | 0:05:30 | |
I was hoping I might have £500 to spend. Let us have a look in here. | 0:05:30 | 0:05:35 | |
The enamel is very good. | 0:05:41 | 0:05:43 | |
They are saleable. | 0:05:43 | 0:05:45 | |
I don't think we will make a huge profit on them. | 0:05:45 | 0:05:48 | |
-What about a green dog? -What, sorry? -The green dog. | 0:05:48 | 0:05:51 | |
-Is it your sort of thing? -No, shall we pass him by? | 0:05:51 | 0:05:54 | |
He's probably... Oh, he's Crown Devon. | 0:05:54 | 0:05:59 | |
They are collectable with glass eyes, but there are a few of them round as well. | 0:06:00 | 0:06:05 | |
-Do you like him? -He caught my eye. -D'you like him, Noel? -Noel won't like him. | 0:06:07 | 0:06:12 | |
-Yes, I suppose, like the expression. -He is cute. | 0:06:12 | 0:06:15 | |
It's a collectables market rather than antiques market. | 0:06:15 | 0:06:19 | |
£48 is the price. I think he could make anything from 20 to 30. | 0:06:19 | 0:06:24 | |
-A bit too much risk. -We could ask, if you like him. -Let's ask. | 0:06:24 | 0:06:31 | |
While Kate checks the price let's check the Reds. | 0:06:31 | 0:06:34 | |
They are late 19th century. Typically Staffordshire made. | 0:06:35 | 0:06:40 | |
-Very Victorian style. -I don't like this. | 0:06:40 | 0:06:43 | |
-I am hoping we might get inspired in a minute. -Anything you can see? -No. | 0:06:43 | 0:06:50 | |
I think Susannah is going to be difficult to please. | 0:06:50 | 0:06:54 | |
What about that dozy dog? | 0:06:54 | 0:06:56 | |
-Well... -Tell me! -The good news is, | 0:06:56 | 0:06:58 | |
after a bit of negotiating they have come down to 35. | 0:06:58 | 0:07:03 | |
Now I have to tell you I think that stands a chance at 35. | 0:07:03 | 0:07:07 | |
As I said it is an area of collectables rather than an antique. | 0:07:07 | 0:07:13 | |
It is 1930s. | 0:07:13 | 0:07:14 | |
Crown Devon is a good English firm | 0:07:14 | 0:07:16 | |
and they were known for making models like this. | 0:07:16 | 0:07:20 | |
-He is called Bingo after the Bingo dog. -That's nice! | 0:07:20 | 0:07:23 | |
He is in this lovely Art Deco green, which is a really '30s colour. | 0:07:23 | 0:07:27 | |
Shall we have Bingo? | 0:07:27 | 0:07:29 | |
I think so - Kate seems to think we might make a profit. | 0:07:29 | 0:07:34 | |
-We are not spending heaps. -It can be our cheap and cheerful. | 0:07:34 | 0:07:39 | |
-Then we go up market. -Yes. -He really caught your eye, didn't it? | 0:07:39 | 0:07:44 | |
-Yes, and I love the colour. -Great. | 0:07:45 | 0:07:48 | |
I will do the deal and I will catch you up. | 0:07:48 | 0:07:51 | |
Bingo is in the bag, but you have £600 to spend. | 0:07:51 | 0:07:56 | |
It is collectable. At £35, it is not such a bad buy. | 0:07:56 | 0:07:59 | |
Now I am hoping we can spend a bit more and get something of quality. | 0:07:59 | 0:08:04 | |
That is quite cool. | 0:08:13 | 0:08:14 | |
What you have to worry when it has a neck that has been broken, | 0:08:14 | 0:08:17 | |
but because... I was wondering how it happened. You'd continue with this, | 0:08:17 | 0:08:21 | |
put a shade on it and you have the lit insides - that is sweet. | 0:08:21 | 0:08:26 | |
-How much it is? -I have no idea. For me that is a good buy - it's modern design. | 0:08:26 | 0:08:31 | |
-How much is it? -The fitting is cool. -I love it because of the colour. | 0:08:31 | 0:08:37 | |
-In the absence of seeing anything... -Exactly. | 0:08:37 | 0:08:40 | |
The Monart vase. What is your price on it? | 0:08:40 | 0:08:43 | |
I have £300 on it. | 0:08:43 | 0:08:45 | |
£300. | 0:08:45 | 0:08:46 | |
So would you move on that at all? | 0:08:48 | 0:08:51 | |
-The best would be 240. -240 best price? | 0:08:51 | 0:08:53 | |
I really like it. | 0:08:53 | 0:08:55 | |
But I can see you going, "That's a lot of the money gone." | 0:08:55 | 0:08:59 | |
It is not my decision. Your choice. What do you think? | 0:08:59 | 0:09:02 | |
I don't dislike it. | 0:09:02 | 0:09:04 | |
It is a large chunk of the money going on something that | 0:09:04 | 0:09:10 | |
potentially I don't know anything about that glass maker, | 0:09:10 | 0:09:13 | |
I don't know anything about how much it is likely to make. | 0:09:13 | 0:09:17 | |
I am more comfortable spending it on something I know. | 0:09:17 | 0:09:21 | |
OK. Well, you are not convinced. | 0:09:21 | 0:09:23 | |
-Let's think about it. -We've got a bit of time. -Can we come back? | 0:09:23 | 0:09:28 | |
We can come back. We can always come back. | 0:09:28 | 0:09:31 | |
You haven't sold it to Susannah, mate, but you might have a bigger problem. | 0:09:31 | 0:09:36 | |
Where the hell are they now? | 0:09:38 | 0:09:39 | |
Oh, no! | 0:09:39 | 0:09:41 | |
Where on earth are they? | 0:09:43 | 0:09:45 | |
There's too many people wearing red. | 0:09:45 | 0:09:47 | |
We have temporarily misplaced our expert. | 0:09:47 | 0:09:50 | |
He is trying to direct us to items, | 0:09:52 | 0:09:54 | |
but at the present time, we don't know where he is! | 0:09:54 | 0:09:59 | |
Oh, dear. Jonathan loses the girl yet again. | 0:09:59 | 0:10:03 | |
Except this time there's two of them. | 0:10:03 | 0:10:05 | |
I have found something in the fair with an Eastern European flavour. | 0:10:05 | 0:10:10 | |
What possible connection is there between these glorious Welsh hills | 0:10:10 | 0:10:15 | |
and the Ural mountains in Russia? | 0:10:15 | 0:10:17 | |
Well, on the face of it, there is no obvious connection. | 0:10:17 | 0:10:21 | |
But, actually, if you look at this little object, there is. | 0:10:21 | 0:10:26 | |
Once upon a time, this exquisitely fashioned box was a lump of stone. | 0:10:26 | 0:10:32 | |
And it probably fell from a quarry or mountainside in the Russian Ural mountains. | 0:10:32 | 0:10:36 | |
It has been so beautifully carved. | 0:10:36 | 0:10:40 | |
I'm no mineralolgist. I couldn't identify precisely this stone for you. | 0:10:40 | 0:10:45 | |
But I would guess it's some sort of Russian quartz. | 0:10:45 | 0:10:48 | |
If I hold it up to the light, you can see the thinness of this mineral | 0:10:48 | 0:10:53 | |
with the light coming through those creamy sections. | 0:10:53 | 0:10:56 | |
The other nice thing about it is the frame. | 0:10:56 | 0:10:59 | |
On the front edge we have this modest-looking button which helps you open it. | 0:10:59 | 0:11:03 | |
But it is no ordinary button. | 0:11:03 | 0:11:05 | |
Instead of having a plain silver blob he has inserted this lovely | 0:11:05 | 0:11:09 | |
pink semi-precious stone, which has been cut en cabochon | 0:11:09 | 0:11:14 | |
which means it's smooth on all its outer surface. | 0:11:14 | 0:11:18 | |
If you look inside, you can just make out a tiny mark. That says AK. | 0:11:18 | 0:11:24 | |
And next door to that it says 830. | 0:11:24 | 0:11:27 | |
That indicates the fineness of the metal. AK are the initials of the work master. | 0:11:27 | 0:11:33 | |
If you look at the workshop of the greatest Russian manufacture | 0:11:33 | 0:11:38 | |
of objet d'art and luxurious products, Carl Faberge, | 0:11:38 | 0:11:42 | |
the makers all registered their initials. | 0:11:42 | 0:11:48 | |
If one was able to prove AK worked for the great Carl Faberge, then bingo. | 0:11:48 | 0:11:54 | |
All your troubles are over. | 0:11:54 | 0:11:57 | |
In short, this is an absolute treasure. | 0:11:57 | 0:12:01 | |
The cost is £175. | 0:12:01 | 0:12:04 | |
£175 for all this history, for all this workmanship, | 0:12:04 | 0:12:10 | |
the fine quality of this thing just takes your breath away. | 0:12:10 | 0:12:14 | |
To say I am excited about this is an understatement. | 0:12:14 | 0:12:18 | |
Mark you, I do get excited quite easily. | 0:12:18 | 0:12:21 | |
Now, more excitement. Jonathan's spotted his girls. | 0:12:21 | 0:12:27 | |
I was looking at a stand, I turn round and everyone had disappeared. | 0:12:27 | 0:12:31 | |
-Have you found something? -No. -Were you looking for me? | 0:12:31 | 0:12:34 | |
-We didn't have an expert with us. -Starting to panic. -OK. | 0:12:34 | 0:12:38 | |
There is a couple of things I want to show you. | 0:12:38 | 0:12:41 | |
I am taking you out of what you are looking for directly. | 0:12:41 | 0:12:45 | |
Intriguing. What have you found? | 0:12:45 | 0:12:48 | |
-First thing is a hall lantern. -OK. | 0:12:48 | 0:12:52 | |
-Do you not like it? -I don't hate it. -I don't hate it. | 0:12:52 | 0:12:55 | |
It's a decorative interiors type of thing. | 0:12:55 | 0:12:58 | |
If you think not really, I'll avoid that. | 0:12:58 | 0:13:02 | |
What about these overlay lamp bases? | 0:13:02 | 0:13:06 | |
I don't like those. | 0:13:06 | 0:13:08 | |
I point those out because at the moment there is more people | 0:13:08 | 0:13:11 | |
in the Eastern Bloc buying this sort of thing so, there is more interest. | 0:13:11 | 0:13:15 | |
-How old are they? -They are not that old. | 0:13:15 | 0:13:17 | |
He's asking 375 the pair. If they were antique you would be looking at £1,000-plus. | 0:13:17 | 0:13:23 | |
-I don't like them. -They are impressive with decent shades. Quite a classy interior... | 0:13:23 | 0:13:28 | |
I am just gauging, OK...the looks I am getting, let's move on. | 0:13:28 | 0:13:32 | |
I do like, I really like that. | 0:13:32 | 0:13:35 | |
I quite like it. | 0:13:35 | 0:13:37 | |
In a big grand hall, I think it would be a feature. | 0:13:37 | 0:13:40 | |
When you have an old house you could still have old floorboard and modern art. | 0:13:40 | 0:13:45 | |
-You have to look at it in the context of the room. -Yes. | 0:13:45 | 0:13:50 | |
An idea. We can come back. | 0:13:50 | 0:13:52 | |
Suzanne is not convinced. | 0:13:52 | 0:13:55 | |
No. As long as I convince you that is one down. | 0:13:55 | 0:13:59 | |
-50% of the way down. -One down, one to go. | 0:13:59 | 0:14:03 | |
-OK. -How much? -No, 110? | 0:14:03 | 0:14:07 | |
It's on at 110. He said he would do it for £90. | 0:14:07 | 0:14:11 | |
-So that is less than a sixth of the budget. -It is not a lot of money. | 0:14:11 | 0:14:16 | |
-She really likes it. -I know she does. | 0:14:16 | 0:14:20 | |
-We will wander on. -I do like it. | 0:14:20 | 0:14:22 | |
What is your best? | 0:14:28 | 0:14:30 | |
Best price £320. Not one penny less. | 0:14:30 | 0:14:34 | |
That is more than we want to pay. | 0:14:34 | 0:14:36 | |
The nice thing about it is that it is a child's chair. | 0:14:36 | 0:14:40 | |
-And child's chairs are very desirable. -How old would it be? | 0:14:40 | 0:14:45 | |
It is in the 17th century style but this is a Georgian country piece. | 0:14:45 | 0:14:49 | |
-Yes. -It has lovely features, you can see how it has been constructed. | 0:14:49 | 0:14:55 | |
Can you see on the back where the pins show through? | 0:14:55 | 0:15:01 | |
These pegs are often left to stand proud. | 0:15:01 | 0:15:06 | |
You can feel the pegs there. | 0:15:06 | 0:15:08 | |
-It's a really nice piece. 320 is a very fair retail price. -Is it? | 0:15:08 | 0:15:13 | |
It's... Retail price. | 0:15:13 | 0:15:15 | |
At auction, for a profit, I'd say 250 is a good price. | 0:15:15 | 0:15:21 | |
I think it would get that at auction. Certainly. | 0:15:21 | 0:15:25 | |
It might make quite a bit more. How are you feeling? | 0:15:25 | 0:15:29 | |
Could we have a quick look round? | 0:15:29 | 0:15:31 | |
Could we have a quick look round? If you think that's a good deal we'll go with it. | 0:15:31 | 0:15:36 | |
We've got half an hour left. | 0:15:36 | 0:15:38 | |
So you are doing really well. | 0:15:38 | 0:15:41 | |
Not doing so well are the reds. Time for a team talk, I think. | 0:15:41 | 0:15:45 | |
-We have less than 20 minutes. Hear the panic in the voice now. -OK. | 0:15:45 | 0:15:51 | |
Less than 20 minutes. We have less than £600 and not spent a penny. | 0:15:51 | 0:15:56 | |
Certainly, one item definitely, we have to buy. Right now. | 0:15:56 | 0:16:00 | |
I know what I prefer. | 0:16:00 | 0:16:03 | |
-What you want to buy? -I want to buy the lamp. | 0:16:03 | 0:16:07 | |
Buy the lamp, OK? Yes? | 0:16:07 | 0:16:09 | |
-Let's go and buy the lamp and get that sorted. -OK. | 0:16:09 | 0:16:12 | |
-Where is it? -Down here. -Down here? Let's do the lamp. | 0:16:12 | 0:16:16 | |
-Absolutely best price? -Absolutely. -Are you sure? -I'll make it 280! | 0:16:19 | 0:16:23 | |
-OK, yes please. -240, yep. -I really really like that. -We've bought something, woohoo! | 0:16:25 | 0:16:31 | |
We've got 19 minutes left and this is the first buy! | 0:16:31 | 0:16:34 | |
-You carry on buying and I'll get it wrapped up. -Thanks, that's that done, brilliant. | 0:16:34 | 0:16:39 | |
Finally a buy under their belt but the Doubledays have been busy emptying that silver cabinet. | 0:16:39 | 0:16:43 | |
-I'm looking underneath. -What do you think? | 0:16:43 | 0:16:47 | |
I quite like these salts, actually. | 0:16:47 | 0:16:50 | |
-Which? -The octagonal ones, see those? -Ah! -Can we have a look at those, please? | 0:16:50 | 0:16:55 | |
We'll have the whole cabinet out. | 0:16:55 | 0:17:00 | |
Lovely, thanks. | 0:17:00 | 0:17:02 | |
-They are nice. -These are little salts. -They're very stylish. | 0:17:02 | 0:17:06 | |
Are they silver or plate? | 0:17:06 | 0:17:09 | |
-They are silver. The hallmark is quite rubbed on this one. -Yes. -But on that one it's quite clear. | 0:17:09 | 0:17:14 | |
So, £58 on the ticket price. They're 1913, George V. | 0:17:14 | 0:17:19 | |
I love the octagonal shape. Little pedestals. | 0:17:19 | 0:17:22 | |
-I like them. -You like them? | 0:17:22 | 0:17:24 | |
Would those fit the silver request you put in at the beginning? | 0:17:24 | 0:17:28 | |
-It would. I'd buy those. -Well, hang on, don't buy them yet, we need to negotiate. | 0:17:28 | 0:17:33 | |
We need to know what he'll charge us. | 0:17:33 | 0:17:35 | |
-What's the very best you could do? -Well done, Noel. | 0:17:35 | 0:17:38 | |
-On those it would be 50. -50. What do you think? | 0:17:38 | 0:17:41 | |
-I think 45 and you've got a deal. -I'll have to check with the boss! -OK. | 0:17:41 | 0:17:44 | |
If we went for those...silver salts, chair? | 0:17:45 | 0:17:48 | |
-And just the chair. -Big gamble. And... | 0:17:48 | 0:17:52 | |
-Bingo. -Yes, yes. | 0:17:52 | 0:17:55 | |
-As we've known you too long, yes. -Ah, thank you so much. | 0:17:55 | 0:18:01 | |
-What do you think, are you happy? -I love them. -I'm happy about it, yes. | 0:18:01 | 0:18:07 | |
-Are you happy at 45, Noel? -Yes, I am. | 0:18:07 | 0:18:09 | |
-If you think they'll make a...profit. I think we've got a chance at that. -I think we do. | 0:18:09 | 0:18:13 | |
-Well done, we've got some silver. -Yes. -Shall we go back to that chair? | 0:18:13 | 0:18:17 | |
Yes, I think we should see if he'll do it for 300 but if not, we still take it, I think. | 0:18:17 | 0:18:21 | |
Come on then. I'm relying on you to negotiate, Noel! Come on... | 0:18:21 | 0:18:24 | |
Here's the chair. So what are your feelings now, what do you think? | 0:18:24 | 0:18:28 | |
I must say it's a nice piece but I just have a feeling that it's too high a price, that's the problem. | 0:18:28 | 0:18:34 | |
-What do you think, Kate? -I feel the same, I don't think we'll make a profit. | 0:18:34 | 0:18:38 | |
Much as I like it, I think it's lovely. | 0:18:38 | 0:18:41 | |
I think we should see... Until we're sure we've got to the bottom price, | 0:18:41 | 0:18:45 | |
he's prepared to take and then make a decision. | 0:18:45 | 0:18:48 | |
-Hi. We don't want to pay 300. -How much do you want to pay, then? | 0:18:48 | 0:18:52 | |
We want to pay... We want to pay 275. | 0:18:52 | 0:18:55 | |
OK, give me your money. | 0:18:55 | 0:18:58 | |
-Thank you. Done. Happy? Thank you very much. -No problem. | 0:18:58 | 0:19:02 | |
That's how you do it with time to spare. | 0:19:02 | 0:19:05 | |
-Take note, girls. -What'll we do is, | 0:19:05 | 0:19:08 | |
we'll buy that hall lantern and we have to find something else. | 0:19:08 | 0:19:12 | |
We've got nine minutes to find two items, OK... | 0:19:12 | 0:19:16 | |
Did you run that by Susannah, Jonathan? | 0:19:16 | 0:19:19 | |
-We're going to take it. Thanks very much. -Thank you. | 0:19:22 | 0:19:25 | |
-We'll come back and pay later. -That's fine. -Super, thanks. | 0:19:25 | 0:19:28 | |
-Let's look at the other one. -What's the other one? -Come on, this way. | 0:19:28 | 0:19:33 | |
-And time is...? -Running out, Jonathan. | 0:19:33 | 0:19:35 | |
Six minutes. | 0:19:35 | 0:19:37 | |
That's a rather sweet thing. That's lovely. I'm glad you stopped here when we've only got two minutes left. | 0:19:41 | 0:19:47 | |
This stall is very fashionable at the moment. | 0:19:47 | 0:19:50 | |
-OK, that's good. -It's good, when you buy something here, there are a lot of buyers out there. | 0:19:50 | 0:19:55 | |
-OK. -You can take it from this arena and put it on the internet, | 0:19:55 | 0:19:58 | |
which this guy will be selling over and the likelihood is you get someone in America or somewhere else. | 0:19:58 | 0:20:03 | |
So, that, the best price on that would be worth going for, | 0:20:03 | 0:20:07 | |
possibly, whatever the best price may be. | 0:20:07 | 0:20:11 | |
195. | 0:20:11 | 0:20:12 | |
195. | 0:20:12 | 0:20:14 | |
And this chap. | 0:20:14 | 0:20:15 | |
How much is that? 320. | 0:20:15 | 0:20:17 | |
Do we have...? | 0:20:17 | 0:20:19 | |
-How much have we got? -270. -Could we do 265 and leave me a fiver? | 0:20:19 | 0:20:23 | |
-No? -OK, what can we get? | 0:20:25 | 0:20:27 | |
What about the letter opener? How much is that? 195? | 0:20:27 | 0:20:30 | |
-Yes. -Quick time check. | 0:20:30 | 0:20:33 | |
-That's 320. You've got one and a half minutes left. -OK. | 0:20:36 | 0:20:39 | |
-What do you think of that? -That's pretty. Ruskin pottery top. | 0:20:39 | 0:20:42 | |
John Ruskin was the art guru of the 19th century. | 0:20:42 | 0:20:44 | |
-How much is it? -280. Have we got 270? | 0:20:44 | 0:20:47 | |
30 seconds left. > | 0:20:47 | 0:20:48 | |
-How much have we got? -We've got to leave him something. -How much have we got? | 0:20:48 | 0:20:52 | |
-We can't do 270, won't leave anything. -We've got... | 0:20:52 | 0:20:54 | |
-Have we got 270 left? -We've got 270. Can you do 265? | 0:20:54 | 0:20:57 | |
Let's do it, go for it. | 0:20:57 | 0:20:59 | |
That leaves me a fiver out of 600 quid. Thank you very much. | 0:20:59 | 0:21:03 | |
We did warn you. | 0:21:03 | 0:21:06 | |
Deep breath, Jonathan! Shopping torture...over! | 0:21:07 | 0:21:11 | |
Time for our teams to hand over any leftover lolly to their experts. | 0:21:13 | 0:21:17 | |
Jonathan pleaded with Susannah | 0:21:20 | 0:21:23 | |
and Sarah to buy this Monart vase with light fitting for £240. | 0:21:23 | 0:21:30 | |
Next up, Jonathan persuaded them to buy this lantern for 90. | 0:21:30 | 0:21:34 | |
And with time running out, they had to buy this pewter box for £265. | 0:21:34 | 0:21:41 | |
-I don't know what to say. -That was fun. -That was exhausting. | 0:21:41 | 0:21:44 | |
Jonathan, you looked like the cat what got the cream. | 0:21:44 | 0:21:48 | |
-Between these two blondes, you've had an intense hour. -I'm knackered! | 0:21:48 | 0:21:53 | |
Knackered! Even a young man like you. I don't know! | 0:21:53 | 0:21:57 | |
So, girls, nobody will tell me how much you finally spent. | 0:21:57 | 0:22:01 | |
-We spent 595. -That means £5 left over to go to Jonathan. | 0:22:01 | 0:22:05 | |
-Called a lady, isn't it? -Yes, but it's not a lot of money. | 0:22:05 | 0:22:09 | |
-What are you going to do, Jonathan? -There's not a lot I can buy with a fiver, it's not easy. | 0:22:09 | 0:22:13 | |
-You can pop down the burger van. -Here's a polystyrene punnet! | 0:22:13 | 0:22:17 | |
That's it, but you're quite satisfied with the service you've had from Jonathan? | 0:22:17 | 0:22:21 | |
He was excellent. He put us in the right direction. | 0:22:21 | 0:22:23 | |
-That's what we want. -In the last five minutes, positive. | 0:22:23 | 0:22:27 | |
-Good luck, Jonathan, good luck, girls. -Thank you. | 0:22:27 | 0:22:30 | |
Why don't we check out what the blues bought? | 0:22:30 | 0:22:32 | |
Noel and Kate bought this glazed dog for a miserable £35. | 0:22:33 | 0:22:38 | |
Then they only spent 45 on this pair of silver salts. | 0:22:38 | 0:22:42 | |
But they finally splurged and shelled out £275 | 0:22:43 | 0:22:47 | |
on this 19th-century child's chair. | 0:22:47 | 0:22:51 | |
-Any regrets? -No! -Actually, do you mind me interrupting? | 0:22:51 | 0:22:55 | |
How much did you spend in the end? | 0:22:55 | 0:22:56 | |
-We spent £355. -£355. Is that all?! | 0:22:56 | 0:23:03 | |
-But we did spend rather a lot on one piece. -What was that? | 0:23:03 | 0:23:06 | |
It was a child's chair. A copy of one made in the 18th century? | 0:23:06 | 0:23:12 | |
Yes, it's a 19th-century piece, but it's 17th-century-ish in style. | 0:23:12 | 0:23:17 | |
Oh, yes? That's as clear as mud, then! | 0:23:17 | 0:23:19 | |
How much did you spend on that? | 0:23:19 | 0:23:22 | |
-£275. -Of your £355? -Yes. -Indeed. | 0:23:22 | 0:23:26 | |
-That's quite a big wodge. Is that a worry to you? -Yes. | 0:23:26 | 0:23:29 | |
-Will you have a sleepless night before the auction? -No. -I don't think so. | 0:23:29 | 0:23:35 | |
Please may I have the £245 of leftover lolly? Thank you. | 0:23:35 | 0:23:40 | |
-And like the Inland Revenue, we take from one and hand to another. There's your £245. -Thank you. | 0:23:40 | 0:23:46 | |
What are you going to do? Hopefully blow the lot! | 0:23:46 | 0:23:49 | |
I think I'll have a go but I need to find something with a serious chance, I think. | 0:23:49 | 0:23:55 | |
-I'll sidle out this way. -I think I'm getting the vibrations here. | 0:23:55 | 0:23:59 | |
Good luck, team! For the rest of us, | 0:23:59 | 0:24:01 | |
we're heading off to Port Sunlight, to the Lady Lever Art Gallery. | 0:24:01 | 0:24:06 | |
How wonderful. | 0:24:06 | 0:24:07 | |
It was built by William Hesketh Lever - industrialist, | 0:24:20 | 0:24:24 | |
philanthropist and art-lover - who filled these galleries | 0:24:24 | 0:24:28 | |
to the rafters with his collection of works of art, erotica and exotica. | 0:24:28 | 0:24:36 | |
And in terms of European works of art, | 0:24:38 | 0:24:41 | |
I guess there's no more exotic or desirable object than this. | 0:24:41 | 0:24:47 | |
This was the most desirable style to collectors in the 18th century. | 0:24:47 | 0:24:54 | |
This picture is the most wonderful combination | 0:24:54 | 0:24:58 | |
of European manufacture and Chinese ingenuity. | 0:24:58 | 0:25:02 | |
It was bought by William Hesketh Lever in 1918 | 0:25:02 | 0:25:06 | |
and he would have been passionate about acquiring it | 0:25:06 | 0:25:09 | |
because it reflects the very apogee of 18th-century collectability. | 0:25:09 | 0:25:15 | |
The plate itself was made in Europe, | 0:25:15 | 0:25:18 | |
then shipped to the Orient to be decorated. | 0:25:18 | 0:25:21 | |
The subject of the picture has nothing to do with any original Chinese art. | 0:25:21 | 0:25:27 | |
What the Chinese are doing is producing images which suit the European market. | 0:25:27 | 0:25:34 | |
The subject itself includes a hawker - the gent here - | 0:25:34 | 0:25:38 | |
and his swain - a shepherdess seated beside the river. | 0:25:38 | 0:25:45 | |
In the foreground, Arcadian sheep with their lambs. | 0:25:45 | 0:25:48 | |
The village on the other side of the river is quasi-European. | 0:25:48 | 0:25:52 | |
This could have been lifted from a Bruegel painting from the 16th century. | 0:25:52 | 0:25:57 | |
But the really clever technical part of this picture | 0:25:57 | 0:26:00 | |
is that it's partly mirrored. | 0:26:00 | 0:26:03 | |
How exactly did the Chinese manage to scratch away | 0:26:03 | 0:26:08 | |
at the mirrored surface behind to reveal sufficient clear glass | 0:26:08 | 0:26:14 | |
to then apply this delicate paint from the reverse? | 0:26:14 | 0:26:17 | |
Because this is a reverse-painted mirror picture. | 0:26:17 | 0:26:21 | |
It's all incredibly cunning. | 0:26:21 | 0:26:23 | |
But not half as cunning as this piece of furniture. | 0:26:31 | 0:26:35 | |
Just look at the scale of it. | 0:26:35 | 0:26:37 | |
It hardly comes up to my chest, | 0:26:37 | 0:26:39 | |
but absolutely reeking of the Orient again. | 0:26:39 | 0:26:43 | |
Surely you've got a Chinese restaurant somewhere near you | 0:26:43 | 0:26:46 | |
that has a porch with a swooping pagoda-like roof, haven't you? | 0:26:46 | 0:26:50 | |
This lovely sweep down that takes you to these curly Qs in the corner of the roof. | 0:26:50 | 0:26:56 | |
In this example, with these turned wooden bells. | 0:26:56 | 0:27:00 | |
If I crouch down, you see this open section? | 0:27:00 | 0:27:03 | |
It's got a barley-twist column at the corner and here, | 0:27:03 | 0:27:07 | |
on the side, typical Chinese fretwork. | 0:27:07 | 0:27:11 | |
You can almost imagine a Chinaman leaning over this balustrade, | 0:27:11 | 0:27:15 | |
doing a bit of fishing in the stream down below. | 0:27:15 | 0:27:19 | |
The panel underneath has got blind fretting. | 0:27:19 | 0:27:21 | |
Like this pierced fretwork, but fretting | 0:27:21 | 0:27:25 | |
that's applied against a solid panel - hence blind fretting - | 0:27:25 | 0:27:29 | |
and underneath, some more typically Chinese asymmetric pierced work. | 0:27:29 | 0:27:35 | |
Positively Chinese, right? Chinese made? You agree? You do agree. Good. | 0:27:35 | 0:27:40 | |
Well, you're wrong. This was made entirely in England. | 0:27:40 | 0:27:44 | |
It was made around about 1752, 1754 by the wonderful | 0:27:44 | 0:27:50 | |
father-and-son British combo cabinet makers William and John Linnell. | 0:27:50 | 0:27:56 | |
They made this piece as part of an enormous suite | 0:27:56 | 0:27:59 | |
for the Duke of Beaufort at Babington House. | 0:27:59 | 0:28:02 | |
And after that suite was broken up, in 1922, this came on the market | 0:28:02 | 0:28:08 | |
and Hesketh Lever just had to have it. | 0:28:08 | 0:28:11 | |
Exotic? You bet. Now, the big question today is, of course, | 0:28:11 | 0:28:16 | |
how exotic are our teams going to be over at the auction? | 0:28:16 | 0:28:19 | |
Jonathan and Kate have had enough time to bag their bonus buys | 0:28:24 | 0:28:27 | |
and auctioneer Jeremy Lamond is ready to roll. | 0:28:27 | 0:28:32 | |
-Jeremy. -Nice to see you, Tim. -Very nice to be back. | 0:28:32 | 0:28:35 | |
So, Suzanne and Sarah, their first item is this Monart pot. | 0:28:35 | 0:28:40 | |
Yes, it's a glass vase from the 1930s. | 0:28:40 | 0:28:43 | |
A bit of aventurine speckling, by the look of it, in it, | 0:28:43 | 0:28:46 | |
and of course, this double light fitting, | 0:28:46 | 0:28:48 | |
-which is quite uncommon to have that. -You kind of rate this, do you, | 0:28:48 | 0:28:52 | |
this business with having a light bulb on the top? | 0:28:52 | 0:28:54 | |
-I think that adds to it. -Oh, good. I suppose the principle being | 0:28:54 | 0:28:59 | |
that when that bottom light bulb is on, you get some sort of internal colouration | 0:28:59 | 0:29:03 | |
within this thing, which is marvellous, isn't it? | 0:29:03 | 0:29:06 | |
-Anyway, what's your estimate? -£80-£120. -How much? | 0:29:06 | 0:29:09 | |
-£80-£120. -£80-£120?! They paid £240 for this thing! | 0:29:09 | 0:29:13 | |
-It might make it. It's a 'Come and get me' estimate. -Is it? | 0:29:13 | 0:29:17 | |
Oh, I see. See that confidential smile? That means something. Good. | 0:29:17 | 0:29:22 | |
Next, is this Moroccan lamp, which, I have to say, | 0:29:22 | 0:29:25 | |
-is one of the most hideous things I've seen in yonks. -Yes. | 0:29:25 | 0:29:28 | |
I think you might see them in Marrakesh, made out of bits of tin. | 0:29:28 | 0:29:31 | |
-I don't think it's very old, and it's a bit cracked. -It's a shocker. | 0:29:31 | 0:29:35 | |
On the other hand, it has got a look to it, | 0:29:35 | 0:29:38 | |
this kind of feathery piercing. | 0:29:38 | 0:29:40 | |
That would be just the job to go with your Moroccan restaurant look. | 0:29:40 | 0:29:44 | |
-How much? -£50-£70. -They only paid £90, so that's not too bad. | 0:29:44 | 0:29:48 | |
And lastly is the arts and crafts pewter cigarette box. | 0:29:48 | 0:29:54 | |
I think it is Archibald Knox-style, although it's not marked at all. | 0:29:54 | 0:29:58 | |
And it doesn't appear to be in the books, | 0:29:58 | 0:30:00 | |
so it should sell well for what it is - | 0:30:00 | 0:30:03 | |
a good, pretty, Archibald Knox-style box. And it's not signed... £40-£60. | 0:30:03 | 0:30:08 | |
£40-£60?! They paid £265 for this! On the other hand, | 0:30:08 | 0:30:12 | |
we have got the possibility of the bonus buy doing incredibly well. | 0:30:12 | 0:30:16 | |
They did, after all, leave their expert £5 to find the bonus buy. | 0:30:16 | 0:30:20 | |
And, by jingo, they'll need it, so let's go and have a look. | 0:30:20 | 0:30:25 | |
OK, S and S, Suzanne and Sarah. This is your bonus buy moment. | 0:30:25 | 0:30:29 | |
You were so miserable with Jonathan, you only gave him the £5. | 0:30:29 | 0:30:33 | |
-What did you spend it on? -Well, you were constantly looking for... | 0:30:33 | 0:30:36 | |
-Aha! -..the claret jugs! -Fantastic. | 0:30:36 | 0:30:39 | |
Do you know how hard it is to find something for £5 at the fair? | 0:30:39 | 0:30:43 | |
-And you found a claret jug. -Now, this one in particular, I like. | 0:30:43 | 0:30:46 | |
-It does have a bit of a gash. -That's why it's a fiver. | 0:30:46 | 0:30:49 | |
It's a good shape. The handle dates it towards the end of the 1800s. | 0:30:49 | 0:30:54 | |
-There's a bit of aesthetic about it, which is quite sweet. -I think it's quite nice. I like it. | 0:30:54 | 0:30:59 | |
There's a hint of the Orient. I'd say circa 1900. | 0:30:59 | 0:31:01 | |
-How much do you think it will make us? -£15 or £18. -Is that...? | 0:31:01 | 0:31:04 | |
-Tim shakes his head! OK, maybe £6 or £8! -It's only a nervous twitch. | 0:31:04 | 0:31:08 | |
-It's not a shake at all. -I quite like it. It's all right. | 0:31:08 | 0:31:11 | |
It is, as you say, a stylish object. | 0:31:11 | 0:31:14 | |
And if anybody was worried about that, it could be polished out. | 0:31:14 | 0:31:19 | |
Anyway, there we go. For the audience at home, let's find out | 0:31:19 | 0:31:22 | |
what the auctioneer thinks about Jonathan's little jug. | 0:31:22 | 0:31:26 | |
Well, if you only had five pounds to spend, | 0:31:26 | 0:31:28 | |
I think you could do worse than buy that. | 0:31:28 | 0:31:31 | |
A claret jug. Always useful, chipped or not chipped, | 0:31:31 | 0:31:34 | |
but there's also a Wurttemberg Metallwarenfabrik mark, WMF, | 0:31:34 | 0:31:39 | |
on here, which is good news. We have put £20-£30 on it. | 0:31:39 | 0:31:42 | |
Have you? Even in that state? | 0:31:42 | 0:31:45 | |
Jonathan will be delighted about that because he only paid £5 for it, | 0:31:45 | 0:31:48 | |
If you can turn a small profit on that, that'll be delightful, because they need it. | 0:31:48 | 0:31:53 | |
Right, now, the Blues. First up, a bit of ceramic, said to be Bingo. | 0:31:53 | 0:32:00 | |
It's a bit of a dog, isn't it? | 0:32:00 | 0:32:02 | |
-Looks dozy to me. -It's actually called Perky Pup. | 0:32:02 | 0:32:06 | |
-It's Crown Devon. Perky Pup. And he looks perky, doesn't he? -Perky Pup! | 0:32:06 | 0:32:11 | |
1935 to 1965, they made Perky Pups, and this is a Perky Pup. | 0:32:11 | 0:32:15 | |
Isn't that sweet? Bravo for researching that. That's lovely. | 0:32:15 | 0:32:20 | |
We think he is £20-£30. | 0:32:20 | 0:32:22 | |
I'm afraid they have bought a pup here, because they paid £35 for it. | 0:32:22 | 0:32:26 | |
Might just scrape home, cos it's cute. | 0:32:26 | 0:32:29 | |
Next are these so-called salts. Trophy cups, aren't they? | 0:32:29 | 0:32:34 | |
Yes. If they are salts they don't have liners, | 0:32:34 | 0:32:37 | |
but good, solid silver objects but light gauge, | 0:32:37 | 0:32:40 | |
fairly lightweight. I think they are £30-£40. | 0:32:40 | 0:32:43 | |
-OK. £45 paid. -That should be OK. | 0:32:43 | 0:32:45 | |
So we've got two just about get-away-with-its, | 0:32:45 | 0:32:48 | |
but their major investment | 0:32:48 | 0:32:50 | |
in this double-up day is in the 17th century-style child's chair. | 0:32:50 | 0:32:55 | |
I think it's late Victorian at the earliest. | 0:32:55 | 0:32:58 | |
Just because of the way it's constructed, | 0:32:58 | 0:33:00 | |
it's quite thin, it's quite contrived in a way. | 0:33:00 | 0:33:02 | |
I like the style of the thing. I've always liked Wainscot back chairs. | 0:33:02 | 0:33:08 | |
It's no wonder lots of reproductions of these were made. | 0:33:08 | 0:33:11 | |
Charming to have it in the child's shape. | 0:33:11 | 0:33:13 | |
But it's the period it was made in that's vital... | 0:33:13 | 0:33:17 | |
-It's key to the value of it. -..to the value, isn't it? | 0:33:17 | 0:33:19 | |
-I think it's £100-£150. -Do you want to know what they paid? -Go on. | 0:33:19 | 0:33:22 | |
-£275. -A snip(!) | 0:33:22 | 0:33:24 | |
OK. | 0:33:25 | 0:33:26 | |
I fancy they'll need their bonus buy, though, so let's have a look. | 0:33:27 | 0:33:31 | |
Now, Kate and Noel, the bonus buy moment. | 0:33:31 | 0:33:34 | |
You had £600 to spend, you spent £355. | 0:33:34 | 0:33:38 | |
You gave £245 to Kate. What has she spent it on? | 0:33:38 | 0:33:41 | |
I went back to my old favourite, silver. | 0:33:41 | 0:33:45 | |
Ooh. I say. £245? How much did you actually spend on it? | 0:33:45 | 0:33:49 | |
I'll tell you in a minute. Let me tell you what it is first of all. | 0:33:49 | 0:33:53 | |
It is a silver pocket knife or fruit knife. | 0:33:53 | 0:33:56 | |
Dated from 1926, and the blade is all in good condition, | 0:33:56 | 0:33:59 | |
which is what you should look for on little pocket knives like this. | 0:33:59 | 0:34:02 | |
It's got a rather attractive engine-turned case, | 0:34:02 | 0:34:05 | |
but the most important thing, perhaps, is the maker. | 0:34:05 | 0:34:08 | |
It is by Sampson Mordan, so that might justify the price that I paid. | 0:34:08 | 0:34:13 | |
-How much did you pay? I did pay £60. -£60. | 0:34:13 | 0:34:19 | |
-You think that will make a profit? -I think it has a chance. | 0:34:19 | 0:34:23 | |
-You know your silver. -What do you think about it, do you like it? | 0:34:23 | 0:34:26 | |
-Er... -Not much? -Yes. -Would you pay £60 for it? | 0:34:26 | 0:34:30 | |
-No! -Well, there you are! | 0:34:30 | 0:34:31 | |
No, I wouldn't, actually, but it is quite nice. | 0:34:31 | 0:34:34 | |
-It's lovely. We'll see how it does. -There we are, Kate. | 0:34:34 | 0:34:37 | |
Thank you very much for that. | 0:34:37 | 0:34:38 | |
For the viewers at home, let's find out what the auctioneer | 0:34:38 | 0:34:41 | |
thinks about Kate's little fruit knife. | 0:34:41 | 0:34:43 | |
There we go. Something to cut up your fruit with. | 0:34:43 | 0:34:46 | |
Little fruit knife, engine-turned, Sampson Mordan mark, 1926. | 0:34:46 | 0:34:51 | |
Good, well-engineered and crafted piece of silver. | 0:34:51 | 0:34:54 | |
-Quite appealing, and good if you had an apple. -If you wanted to peel it. | 0:34:54 | 0:34:58 | |
I would say it's £20-£30 worth. | 0:34:58 | 0:35:00 | |
-Would you? -It's not big money. What did they pay? | 0:35:00 | 0:35:02 | |
She's just paid £60 as her bonus buy. | 0:35:02 | 0:35:05 | |
-That's a lot of apples for £60. -You're so right there, maestro. | 0:35:05 | 0:35:09 | |
-Does it stand any chance at all? -No. -Great(!) | 0:35:09 | 0:35:13 | |
On that happy note, we better shove off to the auction | 0:35:13 | 0:35:16 | |
-and find out what happens. Thanks. -Thank you. | 0:35:16 | 0:35:18 | |
-OK, Sara, Suzanne. How are you feeling, girls? -Nervous! | 0:35:24 | 0:35:28 | |
-It is exciting, isn't it? -It is, but I'm a little sceptical. | 0:35:28 | 0:35:33 | |
-We'll see. -And you? You too, Suzanne? | 0:35:33 | 0:35:37 | |
I'm afraid so. I think we didn't purchase wisely on some of them. | 0:35:37 | 0:35:41 | |
Well, you've had the double-up opportunity, the 600 notes. | 0:35:41 | 0:35:44 | |
£240 you spent on the Monart vase. | 0:35:44 | 0:35:47 | |
His estimate is £80-£100, and here it comes. | 0:35:47 | 0:35:51 | |
This Monart glass vase. Various commissions here. | 0:35:51 | 0:35:55 | |
-At 110, 120, 130 I'm bid already. -A good start. | 0:35:55 | 0:36:00 | |
130, a commission bid. At £130 I've got. At 130. 140 internet. | 0:36:00 | 0:36:06 | |
150 commission. | 0:36:06 | 0:36:07 | |
Against the internet at £150, 160 internet bid. At 170, | 0:36:07 | 0:36:12 | |
-180. -We're getting there. | 0:36:12 | 0:36:16 | |
-190. £190. -Ooh, this is exciting. -Keep it coming, guys. | 0:36:16 | 0:36:20 | |
At £200, internet bid. At 220. | 0:36:20 | 0:36:25 | |
Internet bid 240. £240. | 0:36:25 | 0:36:28 | |
You've wiped your face. This is fantastic! | 0:36:28 | 0:36:30 | |
At £240. I'm selling, then, if you're all sure in the room, at 240. | 0:36:30 | 0:36:35 | |
For goodness sake! | 0:36:35 | 0:36:36 | |
-Oh, well. -That is so brilliant. You've wiped your face. | 0:36:36 | 0:36:41 | |
The Moroccan metal and opaque glass hall lantern showing for you. | 0:36:41 | 0:36:45 | |
Bid me £30 for it. 30 bid. Front row. At £30 it is. | 0:36:45 | 0:36:50 | |
I'll go five. £30. Front row. Any more? | 0:36:50 | 0:36:54 | |
At £30. I'm selling it at £30. All sure at 30? | 0:36:54 | 0:36:58 | |
-Boo! -£30 is minus 60. | 0:36:58 | 0:37:03 | |
Arts and Crafts Archibald Knox-style, | 0:37:03 | 0:37:06 | |
two-division cigarette box. | 0:37:06 | 0:37:08 | |
-Interest here, so £70, £80, £90. -OK. | 0:37:08 | 0:37:11 | |
I'm starting at 90. Various commissions at 90. At £90. | 0:37:11 | 0:37:16 | |
Come on, guys. Come on, internet. | 0:37:16 | 0:37:19 | |
Selling, then, at £90 to a commission bidder. | 0:37:19 | 0:37:22 | |
-Oh, dear. -I can't believe it! -£90! | 0:37:22 | 0:37:25 | |
You paid £265, you got £90 for it. | 0:37:25 | 0:37:28 | |
So that's minus 175, plus 160 is minus £235. | 0:37:28 | 0:37:33 | |
-We have the £5 bonus buy. -What do you think? | 0:37:35 | 0:37:38 | |
It's a really, really big decision. | 0:37:38 | 0:37:42 | |
-Go on. -I wouldn't, I'd stick. Keep the winning score! | 0:37:42 | 0:37:47 | |
I'd fancy £235 minus is not a winning score. | 0:37:47 | 0:37:50 | |
-Are you going with the bonus buy? -We'll risk it. -Yeah. | 0:37:50 | 0:37:53 | |
The WMF glass claret jug. We'll start nice and low at £15. | 0:37:53 | 0:38:00 | |
Where's 15? £15 for it. 15 is bid. | 0:38:00 | 0:38:05 | |
In the room at £15. At £15 I've got. | 0:38:05 | 0:38:08 | |
At 15 with the lady here at 15. | 0:38:08 | 0:38:10 | |
You all finished at £15? | 0:38:10 | 0:38:13 | |
-A profit of £10, which is great. -Fantastic. -Excellent. | 0:38:13 | 0:38:16 | |
-Takes you to minus £225. -Oh, well! | 0:38:16 | 0:38:18 | |
The big thing here is don't talk to the Blues. | 0:38:18 | 0:38:21 | |
-No. We'll be looking very happy. -Go out looking ecstatic! | 0:38:21 | 0:38:24 | |
-You look so happy anyway. -Oh, we are. -It was fun! | 0:38:24 | 0:38:27 | |
How do you rate your chances today? | 0:38:37 | 0:38:39 | |
We're going to do really well. Fantastic. | 0:38:39 | 0:38:42 | |
We're excited about it. | 0:38:42 | 0:38:44 | |
I think we're going to be all right, let's put it that way. Yes. | 0:38:44 | 0:38:48 | |
Your double-up, it's not necessarily much easier to make the profits on. | 0:38:48 | 0:38:53 | |
Your first item is Bingo. | 0:38:53 | 0:38:56 | |
It's not Bingo. According to the auctioneer he is Perky Pup. | 0:38:56 | 0:39:00 | |
Does that make a difference? | 0:39:00 | 0:39:02 | |
Perky Pup is its correct trade name and that's how he is catalogued. | 0:39:02 | 0:39:08 | |
Crown Devon matte glazed green Perky Pup. | 0:39:08 | 0:39:11 | |
Character dog. What about him, Perky Pup? | 0:39:11 | 0:39:15 | |
£15, who wants Perky Pup? 15 bid, front row. At 15. | 0:39:15 | 0:39:20 | |
-We all finished at £15 for the Perky Pup? -Come on! | 0:39:20 | 0:39:24 | |
-Yes? -£15. I can't believe that. | 0:39:24 | 0:39:28 | |
That's minus 20. Bad luck. Bad luck. | 0:39:28 | 0:39:32 | |
That is bad luck, I have to say it is bad luck. | 0:39:32 | 0:39:35 | |
Pair of George V octagonal silver salts. 25 the pair. | 0:39:35 | 0:39:38 | |
-25 to start me. Where's 25? -Come on! | 0:39:38 | 0:39:45 | |
20 to go. 15, surely? 15. In the corner now, at 15. 18 now. | 0:39:45 | 0:39:52 | |
Against you 20. Yes, 22. 25. | 0:39:52 | 0:39:55 | |
£25 now. At 25. We're there at 25. | 0:39:55 | 0:39:59 | |
Minus £20. I can't believe that either. £25 for solid silver... | 0:39:59 | 0:40:03 | |
-It's looking precarious! -Precarious when it comes to the chair. | 0:40:03 | 0:40:07 | |
This child's elm armchair. | 0:40:07 | 0:40:09 | |
Various commission bids here. Lots of interest. 120. | 0:40:09 | 0:40:13 | |
At £120. 130 on the phone. | 0:40:13 | 0:40:15 | |
140. At £140. 150, 160, 160 against you. | 0:40:15 | 0:40:21 | |
170, 180. At £180. 190. | 0:40:21 | 0:40:24 | |
Commission is out with you. At £190. | 0:40:24 | 0:40:27 | |
It's a telephone bid at £190. All finished at 190. | 0:40:27 | 0:40:32 | |
-Sorry, chaps. -It did a lot better than the estimate, | 0:40:32 | 0:40:35 | |
which is minus £85. That's £105. | 0:40:35 | 0:40:38 | |
That's minus £125. Minus 125 is not too bad, I'll tell you. | 0:40:38 | 0:40:44 | |
With the state of this that and the other, minus £125 is not too bad. | 0:40:44 | 0:40:48 | |
What are you going to do about the fruit knife? | 0:40:48 | 0:40:50 | |
-What are we going to do? -I think we go with it. | 0:40:50 | 0:40:53 | |
-We can't go much worse into the deep. -You could do a lot worse. | 0:40:53 | 0:40:58 | |
-It's £60 at stake. -I think we go with it, don't you? | 0:40:58 | 0:41:01 | |
£60 is quite a lot. | 0:41:01 | 0:41:03 | |
What do you think, Kate? You're looking slightly shifty. | 0:41:03 | 0:41:07 | |
-I go with the boss. -I say we go with it. -Are you sure? -Yes, yes. | 0:41:07 | 0:41:10 | |
The silver fruit knife, Sampson Mordan, Sheffield. | 0:41:10 | 0:41:13 | |
1926, interest at £20. I can start at £20. | 0:41:13 | 0:41:19 | |
22, 25, at 25. 28, 30 now. | 0:41:19 | 0:41:23 | |
At 30 against you. It's a commission bid. | 0:41:23 | 0:41:26 | |
At 30. 35. £40 commission. At £40 to a commission bidder at £40. | 0:41:26 | 0:41:34 | |
-£40. -It was worth a try. | 0:41:34 | 0:41:36 | |
I almost think we had more money for it there. | 0:41:36 | 0:41:38 | |
Minus 20 for that, you are minus £145. | 0:41:38 | 0:41:41 | |
That could be a winning score, so don't say a word to the Reds. | 0:41:41 | 0:41:47 | |
Right. Good. | 0:41:47 | 0:41:50 | |
-Well, teams, we've been chatting, have we? -No! | 0:41:59 | 0:42:02 | |
Communicating what the scores are? | 0:42:02 | 0:42:05 | |
It's no secret that the scores are appalling. | 0:42:05 | 0:42:08 | |
This is Double-Up Day, we've doubled up our losses big-time. | 0:42:08 | 0:42:12 | |
We've got hundreds of pounds worth of losses from both teams. | 0:42:12 | 0:42:17 | |
But loved it. | 0:42:17 | 0:42:18 | |
But the team with the really whopping loss today are the Reds. | 0:42:18 | 0:42:22 | |
THEY CHEER | 0:42:22 | 0:42:23 | |
I'm sorry, girls, but minus £225 is a serious number, isn't it? | 0:42:23 | 0:42:29 | |
You did get a nice touch out of the £5 claret jug, | 0:42:29 | 0:42:33 | |
so you should walk tall. | 0:42:33 | 0:42:35 | |
But overall, I'm afraid it was not a pretty picture. | 0:42:35 | 0:42:37 | |
-Have you had a nice time? -We've had a lovely time. | 0:42:37 | 0:42:40 | |
-We've loved having you on. -Thank you. | 0:42:40 | 0:42:42 | |
The victors, who have managed to win by only losing £145. | 0:42:42 | 0:42:47 | |
-Hooray! -Nothing really to cheer about there, Noel, | 0:42:47 | 0:42:52 | |
it's minus all the way through | 0:42:52 | 0:42:53 | |
but you have nevertheless won as a result, | 0:42:53 | 0:42:56 | |
and I congratulate you. Have you had a good time? | 0:42:56 | 0:42:58 | |
-We've had a fantastic time. -We've loved having you on the show. | 0:42:58 | 0:43:01 | |
-Join us soon for some more bargain hunting, yes? -Yes! | 0:43:01 | 0:43:04 | |
Subtitles by Red Bee Media Ltd | 0:43:21 | 0:43:25 | |
E-mail [email protected] | 0:43:25 | 0:43:28 |