Browse content similar to Anglesey 13. Check below for episodes and series from the same categories and more!
Line | From | To | |
---|---|---|---|
TIM: Ah, isn't this lovely? | 0:00:02 | 0:00:03 | |
Beautiful Welsh countryside, | 0:00:03 | 0:00:05 | |
the Menai Strait, a grand old house. | 0:00:05 | 0:00:09 | |
Don't you wish you could be here? | 0:00:09 | 0:00:11 | |
Well, you will be in about half an hour's time | 0:00:11 | 0:00:14 | |
cos I'm going to show you around. | 0:00:14 | 0:00:16 | |
But right now, let's go bargain hunting. | 0:00:16 | 0:00:19 | |
Today's show comes from the Mona Showground | 0:00:43 | 0:00:45 | |
on the island of Anglesey. | 0:00:45 | 0:00:47 | |
But there's no time to chillax for our experts. | 0:00:47 | 0:00:51 | |
James Lewis is not listening to his own advice. | 0:00:55 | 0:00:58 | |
Isn't that right, Maggie and Toni? | 0:00:58 | 0:01:00 | |
-Don't buy anything broken! -Yeah. | 0:01:02 | 0:01:04 | |
I say, "Don't buy anything broken and don't buy things cos you like them." | 0:01:04 | 0:01:07 | |
-What did you do? -I bought a broken thing I liked. | 0:01:07 | 0:01:09 | |
James should never have bought that box. We wanna kill him. | 0:01:09 | 0:01:12 | |
David Barby is tied in knots by looting Lyn and Kathleen. | 0:01:13 | 0:01:17 | |
-Shame. -'It's a shame' in Welsh. | 0:01:17 | 0:01:19 | |
No. No G at the end. D. Bechod. | 0:01:19 | 0:01:22 | |
-Bethog. -No. Bechod. -WOMEN MAKE GUTTURAL NOISE | 0:01:22 | 0:01:24 | |
-Bethog. -No. | 0:01:24 | 0:01:26 | |
Someone's going to win big money at the auction. But who will it be? | 0:01:27 | 0:01:32 | |
250. Is that all finished and done? | 0:01:32 | 0:01:34 | |
THEY LAUGH AND APPLAUD | 0:01:34 | 0:01:36 | |
Let's meet those teams, shall we? | 0:01:36 | 0:01:38 | |
-And here we all are. How lovely. Hello, everyone. -Hello! | 0:01:42 | 0:01:45 | |
Mags, how long have you known your mate Toni? | 0:01:45 | 0:01:48 | |
I've known Toni for eight years | 0:01:48 | 0:01:50 | |
and I met her in the pub where we both work. | 0:01:50 | 0:01:52 | |
Basically, we just hit it off straightaway. She's as mad as I am. | 0:01:52 | 0:01:56 | |
Toni, you don't just represent the pub behind the bar? | 0:01:56 | 0:01:59 | |
No, I'm the captain of the ladies' darts team. | 0:01:59 | 0:02:01 | |
Oh! "I'm the captain of the ladies' darts team"! | 0:02:01 | 0:02:04 | |
-Yes. I got 180 once. -Did you? -Yes. | 0:02:04 | 0:02:07 | |
-What happened? -I went to pieces. | 0:02:07 | 0:02:08 | |
I'd never got it before. And I lost the game. | 0:02:08 | 0:02:11 | |
-That is a monster score, isn't it? -I know, yeah. | 0:02:11 | 0:02:13 | |
Now, Maggie, you've taken up some more dangerous pastimes? | 0:02:13 | 0:02:17 | |
I have. I love anything with an adrenaline rush. | 0:02:17 | 0:02:20 | |
I did a bungee jump years ago | 0:02:20 | 0:02:21 | |
and then I skydived from 12,000 feet...downwards, | 0:02:21 | 0:02:25 | |
and did it for charity. | 0:02:25 | 0:02:27 | |
Do you have an instructor on your back? | 0:02:27 | 0:02:29 | |
Yeah, it was a tandem jump | 0:02:29 | 0:02:31 | |
because you can only go from 2,000 feet if you're on your own. | 0:02:31 | 0:02:34 | |
-Yeah. -Yes. | 0:02:34 | 0:02:35 | |
What happens when you come in to land with this bloke? | 0:02:35 | 0:02:37 | |
-He tells you to lift your legs up. -Does he? Yeah. | 0:02:37 | 0:02:41 | |
-So, do you manage that all right? -Just about do. | 0:02:41 | 0:02:43 | |
Yeah, good. Lovely. | 0:02:43 | 0:02:45 | |
Do you collect anything apart from male skydivers? | 0:02:45 | 0:02:47 | |
I like Elvis stuff and we also collect pop memorabilia. | 0:02:47 | 0:02:52 | |
You collect something unusual too, don't you, Toni? | 0:02:52 | 0:02:55 | |
Laurel and Hardy memorabilia. I have them tattooed on my back. | 0:02:55 | 0:02:58 | |
-Do you? -Yes, I love them. -Keen on tattoos? | 0:02:58 | 0:03:00 | |
Yes. I have over 20. | 0:03:00 | 0:03:02 | |
Not on visible parts of your body, | 0:03:02 | 0:03:04 | |
so there's a lot of space taken up elsewhere, as they say. | 0:03:04 | 0:03:07 | |
-Yeah. -Yeah, lovely. Anyway, good luck. | 0:03:07 | 0:03:10 | |
You never know, you might find some Laurel and Hardy. | 0:03:10 | 0:03:13 | |
-I might do. -And would you buy it? | 0:03:13 | 0:03:15 | |
-Depends on the price. -Oh, she's sharp. | 0:03:15 | 0:03:19 | |
They're gonna do well, these girls. Now, the Blues. | 0:03:19 | 0:03:21 | |
Lyn, how did you meet Kathleen? | 0:03:21 | 0:03:23 | |
Well, we met at a swimming group. | 0:03:23 | 0:03:27 | |
I think there's more chatting done than actual swimming. | 0:03:27 | 0:03:30 | |
It's two or three breaststrokes and chat, chat, chat. | 0:03:30 | 0:03:33 | |
-Is it? -THEY LAUGH | 0:03:33 | 0:03:34 | |
Inhaling a lot of water while you talk? | 0:03:34 | 0:03:37 | |
-Now, you're retired now, Kathleen. -Yes, yes. | 0:03:37 | 0:03:39 | |
And what's this about genealogy, then? What's so keen about that? | 0:03:39 | 0:03:43 | |
Well, I knew nothing about my grandparents on my father's side. | 0:03:43 | 0:03:46 | |
I didn't even know what their names were. | 0:03:46 | 0:03:48 | |
So, it's been very interesting finding out about them. | 0:03:48 | 0:03:51 | |
Yes. And how far back have you got? | 0:03:51 | 0:03:54 | |
I've gone to about 1780. | 0:03:54 | 0:03:56 | |
-Have you? -Yes. | 0:03:56 | 0:03:57 | |
-And you're Welsh, right? -I'm proud to be full... Yes. | 0:03:57 | 0:04:00 | |
-Full Welsh. -Full-blown Welsh. | 0:04:00 | 0:04:02 | |
-Yes, yeah. -Very good. | 0:04:02 | 0:04:03 | |
Lyn, what do you do in your spare time? | 0:04:03 | 0:04:05 | |
I thoroughly enjoy watercolour painting. | 0:04:05 | 0:04:08 | |
It's my passion at the moment. | 0:04:08 | 0:04:09 | |
It's all water with you, isn't it? It's either the swimming pool or watercolouring. | 0:04:09 | 0:04:14 | |
I'm trying to develop my technique at the moment, | 0:04:14 | 0:04:17 | |
my ambition being | 0:04:17 | 0:04:19 | |
that I can paint something that I'll be proud enough to frame. | 0:04:19 | 0:04:23 | |
Ha, ha! Now, the money moment. | 0:04:23 | 0:04:26 | |
OK? £300 apiece. | 0:04:26 | 0:04:27 | |
-Here you go. £300. There's 300. -BOTH: Thank you. | 0:04:27 | 0:04:30 | |
-£300. -Thank you. | 0:04:30 | 0:04:31 | |
You know the rules. Your experts await, and off you go! | 0:04:31 | 0:04:34 | |
And very, very, very good luck. | 0:04:34 | 0:04:36 | |
All-girl teams, you see. | 0:04:36 | 0:04:38 | |
My favourite. | 0:04:38 | 0:04:39 | |
OK, well, the fair beckons. Come on, let's go and have a look. | 0:04:42 | 0:04:45 | |
-What are we looking for? -Profit. | 0:04:45 | 0:04:47 | |
Anything that's gonna make us money. | 0:04:47 | 0:04:49 | |
You know, I think we're gonna get on. Come on. | 0:04:49 | 0:04:52 | |
That's the right attitude, girls. | 0:04:52 | 0:04:54 | |
But can our teams calculate a winning formula? | 0:04:54 | 0:04:58 | |
They are given £300 to spend. | 0:04:58 | 0:05:02 | |
That's 300. | 0:05:02 | 0:05:04 | |
They are supposed to buy three items. | 0:05:04 | 0:05:07 | |
That's three items. | 0:05:07 | 0:05:09 | |
And they have 60 minutes to go shopping. | 0:05:09 | 0:05:12 | |
That's 60 minutes. | 0:05:12 | 0:05:14 | |
Tally-ho, what? | 0:05:16 | 0:05:17 | |
-What do you think? -That's nice. | 0:05:21 | 0:05:23 | |
-Unusual. -Is it a genuine...? | 0:05:23 | 0:05:26 | |
-Is it? -What's the back of it like? | 0:05:26 | 0:05:28 | |
-Well, it's been redone. -Has it? Yes. | 0:05:28 | 0:05:30 | |
But underneath is the original label, you see? | 0:05:30 | 0:05:33 | |
WOMEN: 1863! | 0:05:33 | 0:05:35 | |
Mmm! | 0:05:35 | 0:05:36 | |
It's lost its attachment to hang on the wall. | 0:05:36 | 0:05:38 | |
-Yes. -But I think it's quite a startling... | 0:05:38 | 0:05:41 | |
Now, that's an oil painting on a panel. | 0:05:41 | 0:05:44 | |
-Yes. -It's not on ivory. | 0:05:44 | 0:05:46 | |
-But what is interesting, you see... -Is this brass here? | 0:05:46 | 0:05:48 | |
No, no, no. | 0:05:48 | 0:05:49 | |
If you look carefully, instead of brass, it's lined with horn. | 0:05:49 | 0:05:53 | |
-Yes. -Oh, gosh! | 0:05:53 | 0:05:54 | |
It's signed down there and it's dated 1837. | 0:05:54 | 0:05:58 | |
-Yes. -But I think that's quite nice. | 0:05:58 | 0:06:00 | |
-What do you think? -Yes, that's quite nice, actually. | 0:06:00 | 0:06:03 | |
-Would you fall for him, Kath? -Um...yes, he's not too bad-looking. | 0:06:03 | 0:06:07 | |
-THEY LAUGH -He'll pass. | 0:06:07 | 0:06:10 | |
Excuse me, sir? What's the best you could do on this? | 0:06:11 | 0:06:14 | |
I can do 75 and that's the rock-bottom. | 0:06:14 | 0:06:16 | |
-How much?! -75! | 0:06:16 | 0:06:17 | |
-Is that the rock-bottom? -That is the rock-bottom. | 0:06:17 | 0:06:19 | |
-You couldn't do it for less? -I couldn't. | 0:06:19 | 0:06:22 | |
-75. -I don't think... Do you see any profit in that? | 0:06:22 | 0:06:25 | |
-Oh, it's very... -There's marginal profit. | 0:06:26 | 0:06:29 | |
The thing is, look, he's a handsome guy... | 0:06:29 | 0:06:32 | |
Yeah, yeah. | 0:06:32 | 0:06:33 | |
-It's the original frame. -Mmm. | 0:06:33 | 0:06:35 | |
And it's unusual to have this horn mount all the way round. | 0:06:35 | 0:06:38 | |
Sir, would you do it for 70, please? | 0:06:38 | 0:06:41 | |
You're gonna twist my arm, aren't you? | 0:06:41 | 0:06:43 | |
-Yes. -I'll do it for 70. | 0:06:43 | 0:06:45 | |
I think we're going to make a profit. | 0:06:45 | 0:06:47 | |
-Shall we have it? -OK. We'll go with that. | 0:06:47 | 0:06:49 | |
OK, lovely. Thank you. | 0:06:49 | 0:06:50 | |
Wow! Just three minutes in and the Blues have found their first item. | 0:06:55 | 0:07:00 | |
Now, how's that Red team getting on? | 0:07:00 | 0:07:02 | |
-Wide? -JAMES: £2. | 0:07:06 | 0:07:09 | |
Yeah, but they're only £7, anyway. | 0:07:09 | 0:07:11 | |
-They're worth 2. -Oh. | 0:07:11 | 0:07:12 | |
-We're not having them, then. -No. | 0:07:12 | 0:07:15 | |
James? | 0:07:16 | 0:07:17 | |
Cigarette case. Cigarettes don't fit into them at the moment. | 0:07:17 | 0:07:22 | |
-No. -And the RAF does limit it. | 0:07:22 | 0:07:23 | |
Is it a cigarette case? I wouldn't imagine it'd be that small. | 0:07:23 | 0:07:26 | |
-Tiny. -Excuse me, could we have a look at this, please? | 0:07:26 | 0:07:30 | |
-MAN: It's a compact. -See! | 0:07:30 | 0:07:32 | |
-James, you were wrong. -You were wrong. | 0:07:32 | 0:07:34 | |
-Well, I mean... -There you go. | 0:07:34 | 0:07:37 | |
-I like it. -But is there any profit in it? | 0:07:37 | 0:07:39 | |
They are a great pair of girls. I love 'em to bits. | 0:07:40 | 0:07:42 | |
They're the perfect pair to go out for a drink with. | 0:07:42 | 0:07:45 | |
-A load of photographs in North Wales. -I was only looking. | 0:07:45 | 0:07:48 | |
Are you gonna take 'em to Cheshire to make a profit? | 0:07:48 | 0:07:50 | |
Whether they're the right guys to do Bargain Hunt with...? | 0:07:50 | 0:07:53 | |
They love what they love and it's hard to persuade them to come away | 0:07:53 | 0:07:56 | |
and buy something that'll make a profit. | 0:07:56 | 0:07:58 | |
Well, you never know how many people in Cheshire come... | 0:07:58 | 0:08:01 | |
Come on, you. You're mad. Come on. | 0:08:01 | 0:08:03 | |
That's right, James. You keep 'em in line. | 0:08:03 | 0:08:06 | |
Now, then, David's heading indoors. | 0:08:06 | 0:08:09 | |
And so am I. | 0:08:09 | 0:08:11 | |
You would not believe just how incredibly difficult it is in a Welsh fair | 0:08:17 | 0:08:22 | |
to find something that is quintessentially Welsh. | 0:08:22 | 0:08:25 | |
But, fortunately, I've found it. | 0:08:25 | 0:08:28 | |
This is it. | 0:08:28 | 0:08:29 | |
It looks like a little oak box, doesn't it? | 0:08:29 | 0:08:32 | |
But to the Welsh, this is a really important piece of furniture. | 0:08:32 | 0:08:35 | |
It's called a 'coffor bach'... | 0:08:35 | 0:08:38 | |
I think that's the right pronunciation. | 0:08:38 | 0:08:40 | |
..which is Welsh for 'small coffer'. | 0:08:40 | 0:08:43 | |
And it is, isn't it? A miniature coffer. | 0:08:43 | 0:08:46 | |
If it was English, | 0:08:46 | 0:08:48 | |
it would have a thumping great hinge whacked onto the back. | 0:08:48 | 0:08:52 | |
But because it's Welsh | 0:08:52 | 0:08:54 | |
and it's made with some considerable economy as a result, | 0:08:54 | 0:08:57 | |
if I open it up, that hinge inside is, in fact, simply a fulcrum. | 0:08:57 | 0:09:04 | |
What you've got underneath the oak | 0:09:04 | 0:09:06 | |
is this bar that's been hollowed out there | 0:09:06 | 0:09:08 | |
and that fits neatly into the backboard, | 0:09:08 | 0:09:11 | |
which is simply a slab of oak | 0:09:11 | 0:09:13 | |
that's been cut with that little ridge | 0:09:13 | 0:09:15 | |
so that the two mate perfectly. | 0:09:15 | 0:09:18 | |
They form as a hinge, | 0:09:18 | 0:09:20 | |
and as it comes down, the bottom part of that hinge engages | 0:09:20 | 0:09:25 | |
so that when it's shut and you lock the lock at the front, | 0:09:25 | 0:09:29 | |
you can't pick up the back. | 0:09:29 | 0:09:31 | |
It has exactly the function of a hinge | 0:09:31 | 0:09:34 | |
without the expense of having to go to the ironmonger | 0:09:34 | 0:09:37 | |
and buy a pair of hinges in brass or iron. | 0:09:37 | 0:09:40 | |
If you found a similar-sized box from a similar period, | 0:09:40 | 0:09:45 | |
i.e. around 1750 to 1800, in England, | 0:09:45 | 0:09:49 | |
an English little coffer might cost you, perhaps, £400 to £600. | 0:09:49 | 0:09:54 | |
But because this is Welsh, | 0:09:54 | 0:09:56 | |
the price here is £2,200. | 0:09:56 | 0:10:00 | |
Now, what's the Welsh for 'cor blimey!'? | 0:10:00 | 0:10:04 | |
Well, perhaps I should ask Welsh speakers Val and Kathleen. | 0:10:04 | 0:10:08 | |
But they're just a bit busy at the moment. | 0:10:08 | 0:10:11 | |
-LYN: Oh, that's nice. -Do you like that? | 0:10:13 | 0:10:15 | |
Yeah. Can I...can I... Do you mind if I...? | 0:10:15 | 0:10:17 | |
-This would've been for toilet water. -Yes. Yeah. | 0:10:19 | 0:10:22 | |
Within a silver coaster. | 0:10:22 | 0:10:25 | |
So, that makes a difference. | 0:10:25 | 0:10:28 | |
So, I think that's quite nice. | 0:10:28 | 0:10:29 | |
KATHLEEN: Is there a hallmark on it? | 0:10:29 | 0:10:32 | |
WOMAN: It has got one but it's quite hard to find. | 0:10:32 | 0:10:35 | |
-You can see it's across there. -Ah, yes. Yes, yes. | 0:10:35 | 0:10:38 | |
I think that's quite nice. So, what's the price on this, please? | 0:10:38 | 0:10:42 | |
-45. -45?! | 0:10:42 | 0:10:43 | |
-SHE INHALES -Is that the very best you can do? | 0:10:43 | 0:10:46 | |
-What about 30? -Oh, no. What about 40? | 0:10:46 | 0:10:50 | |
-Could we do it at 30? -I can't do it at 30. | 0:10:50 | 0:10:53 | |
-35. -35. | 0:10:53 | 0:10:54 | |
OK. I think so. | 0:10:54 | 0:10:57 | |
What do you think? | 0:10:57 | 0:11:00 | |
-SHE LAUGHS -We didn't have a chance to think! | 0:11:00 | 0:11:03 | |
Sorry, David! | 0:11:03 | 0:11:04 | |
Well...I think it's very nice, actually. I like it. | 0:11:04 | 0:11:08 | |
-Yes. -Do you think...? | 0:11:08 | 0:11:10 | |
Do you see a profit in this? | 0:11:10 | 0:11:12 | |
I think, because it's a Birmingham hallmark, not Chester... | 0:11:12 | 0:11:16 | |
Uh...what about 30? | 0:11:16 | 0:11:18 | |
-OK, 30. -30. | 0:11:18 | 0:11:20 | |
-OK, OK. -Thank you. | 0:11:20 | 0:11:23 | |
I've never known anything bought so quickly in all my life! | 0:11:23 | 0:11:27 | |
-We don't have time to draw breath! -SHE LAUGHS | 0:11:27 | 0:11:32 | |
You might have to watch our Kathleen, Mr Barby. | 0:11:32 | 0:11:35 | |
Kath is bubbling and my problem is to hold her back | 0:11:37 | 0:11:41 | |
cos she'll look at something on almost every stall | 0:11:41 | 0:11:44 | |
and negotiate a price and want to buy it. | 0:11:44 | 0:11:46 | |
-That's quite interesting. -MAN: 25. | 0:11:46 | 0:11:48 | |
-25. -20. | 0:11:48 | 0:11:50 | |
-I-I-I... -I'm sure you can make it 20. | 0:11:50 | 0:11:55 | |
Delightful couple. Well-balanced. Complete opposites, I would've thought. | 0:11:55 | 0:11:59 | |
Well, talking of opposites, | 0:11:59 | 0:12:01 | |
barmaids Toni and Maggie haven't bought a thing yet! | 0:12:01 | 0:12:05 | |
How about the mustard? Do you like that? | 0:12:07 | 0:12:09 | |
-The mustard pot. -Yeah. -But it's 130 quid. | 0:12:09 | 0:12:11 | |
-£130. See? Expensive taste. -It's nice, though. | 0:12:11 | 0:12:15 | |
-It is nice. -You said you wanted silver. | 0:12:15 | 0:12:18 | |
Ooh, you want to feel the weight of this. | 0:12:18 | 0:12:21 | |
-And it says 12... -Plated, though. | 0:12:21 | 0:12:23 | |
Because all the weight that you've got in that... | 0:12:23 | 0:12:26 | |
Hang on, what's the thing on the front, though? | 0:12:26 | 0:12:29 | |
It's still lovely. | 0:12:29 | 0:12:30 | |
Oh, it's got a flag on the front. | 0:12:31 | 0:12:33 | |
It's actually from a sea... It's from a liner. | 0:12:33 | 0:12:35 | |
-So, that would've been on a ship? -On a ship, yeah. | 0:12:35 | 0:12:38 | |
And, you see, it's quite hotely, isn't it? | 0:12:38 | 0:12:40 | |
-Yeah. -Walker & Hall made these for hotels, cruise liners and railway carriages. | 0:12:40 | 0:12:46 | |
I actually sold a cruet set | 0:12:46 | 0:12:49 | |
that was taken onboard the 'Terra Nova' to the South Pole | 0:12:49 | 0:12:54 | |
with Scott of the Antarctic | 0:12:54 | 0:12:55 | |
a few weeks ago, and this very make made £4,000. | 0:12:55 | 0:12:59 | |
-Wow. -So, it's all about the logo that's on the front. | 0:12:59 | 0:13:03 | |
I've got a lens. | 0:13:03 | 0:13:04 | |
Let's have a look, see if we can work out what that flag is. | 0:13:04 | 0:13:07 | |
-Get our bit of silver we wanted. -Silver plate, though. | 0:13:07 | 0:13:10 | |
-Silver plate, yeah. -Yeah. | 0:13:10 | 0:13:12 | |
12 quid. Hmm. It's only silver plate. Will you take a fiver for that? | 0:13:12 | 0:13:17 | |
MAN: Yes, why not? | 0:13:17 | 0:13:19 | |
He'll take a fiver, so it makes it buyable. | 0:13:19 | 0:13:22 | |
-Yeah. -It's not gonna make us a lot of money. | 0:13:22 | 0:13:25 | |
No, but we like it. | 0:13:25 | 0:13:27 | |
Go back. Whether you like it or not... | 0:13:27 | 0:13:29 | |
-BOTH: I know! -You know? | 0:13:29 | 0:13:31 | |
We think it's gonna make more than a fiver, so... | 0:13:31 | 0:13:33 | |
Well, it can't make much less, can it? | 0:13:33 | 0:13:35 | |
-Exactly. -No, no. | 0:13:35 | 0:13:36 | |
Tim will really have it in for us | 0:13:36 | 0:13:38 | |
if we just spend five quid here and there. | 0:13:38 | 0:13:40 | |
-Let him have it in for us. -Unlucky! | 0:13:40 | 0:13:42 | |
-Yeah, unlucky! -Unlucky. | 0:13:42 | 0:13:43 | |
-HE LAUGHS You tell him. I'm not. -I will. | 0:13:43 | 0:13:45 | |
TIM: Actually, there's nothing wrong in spending a fiver, girls, | 0:13:45 | 0:13:49 | |
if it makes you puppies a profit. | 0:13:49 | 0:13:52 | |
DAVID: How much have we got left? | 0:13:52 | 0:13:53 | |
-You've spent £30, 70. We've got £200. -Yes, 200. | 0:13:53 | 0:13:58 | |
We've got £200 and you leave me so much. | 0:13:58 | 0:14:00 | |
-Yes. -Yes, yes. | 0:14:00 | 0:14:03 | |
So, that, as nice as it is, it's going to take a wallop, isn't it? | 0:14:03 | 0:14:07 | |
-Yes. -Bechod! | 0:14:07 | 0:14:10 | |
-Yeah, yeah. -It's bechod. 'Shame'. | 0:14:10 | 0:14:13 | |
Yeah. 'It's a shame' in Welsh. | 0:14:13 | 0:14:15 | |
-Bechog? -Yes. | 0:14:15 | 0:14:16 | |
-Bechod. -Bechog. | 0:14:16 | 0:14:17 | |
-I pronounce it bechog? -It's a pity. | 0:14:17 | 0:14:20 | |
-No. No G at the end. D. Bechod. -Bethog. | 0:14:20 | 0:14:23 | |
-No. Bechod. -WOMEN MAKE GUTTURAL NOISE | 0:14:23 | 0:14:25 | |
-Bethog. -No. | 0:14:25 | 0:14:26 | |
-MAKES GUTTURAL NOISES -Give up girls! He's a hopeless case. | 0:14:26 | 0:14:30 | |
Where's my Blue team? | 0:14:30 | 0:14:32 | |
How about that? | 0:14:35 | 0:14:37 | |
WOMAN: There's a bit of a story to that. | 0:14:37 | 0:14:39 | |
Go on, then. | 0:14:39 | 0:14:40 | |
About four hours ago, I had 595 on it | 0:14:40 | 0:14:43 | |
and then I picked it up and dropped it. | 0:14:43 | 0:14:46 | |
-No! -Therefore it is now... | 0:14:46 | 0:14:48 | |
I can do it for 150. | 0:14:48 | 0:14:50 | |
It's about 1790, 1800 in date. | 0:14:55 | 0:14:58 | |
The thing that I love about this | 0:14:58 | 0:14:59 | |
is it appeals to so many different collecting fields. | 0:14:59 | 0:15:03 | |
We've got the people that are gonna collect it | 0:15:03 | 0:15:05 | |
because of the picture in the top, an original watercolour. | 0:15:05 | 0:15:08 | |
It dates from about 1780, 1790. | 0:15:08 | 0:15:10 | |
And the subject... See that? | 0:15:10 | 0:15:13 | |
It looks like a funny little smiley-faced moon | 0:15:13 | 0:15:15 | |
when you hold it upside down, | 0:15:15 | 0:15:16 | |
but that's meant to be one of the first-ever balloon flights. | 0:15:16 | 0:15:21 | |
But we don't just have an 18th-century watercolour. | 0:15:21 | 0:15:23 | |
This is set into a wonderful 18th-century ivory box | 0:15:23 | 0:15:27 | |
and the pique work, this silver and gold inlay, | 0:15:27 | 0:15:31 | |
is in wonderful condition. | 0:15:31 | 0:15:33 | |
What is your best? | 0:15:33 | 0:15:34 | |
I'll toss you a coin for it. 150 or 100. | 0:15:34 | 0:15:38 | |
-HE GASPS -Ooh. | 0:15:38 | 0:15:40 | |
That's too much risk. You don't like it at 100 quid, do you? | 0:15:40 | 0:15:43 | |
-No. -You don't like it at 100 quid, either?! | 0:15:43 | 0:15:46 | |
-No, because it's broken. -Yeah. | 0:15:46 | 0:15:47 | |
Oh, but it's 200 years old. | 0:15:47 | 0:15:50 | |
I know but it wasn't broken before. | 0:15:50 | 0:15:53 | |
But you didn't know that. She didn't have to tell you. | 0:15:53 | 0:15:56 | |
-She did, though. -I'm too honest. | 0:15:56 | 0:15:58 | |
Toss you a coin - 100 or 120. No? | 0:15:58 | 0:16:02 | |
100 or 130, final offer. I'm meeting you halfway. | 0:16:03 | 0:16:07 | |
-I'm trying to do it. -Go on, then. | 0:16:07 | 0:16:09 | |
-Who's tossing the coin? -Don't mind. Do you want to? | 0:16:09 | 0:16:12 | |
TIM: Hello, hello. This is a rare moment. | 0:16:12 | 0:16:13 | |
Mr Lewis is gonna get his wallet out. | 0:16:13 | 0:16:15 | |
-Oh, no, he isn't. -Well, could you give us a hand? | 0:16:15 | 0:16:18 | |
I was gonna toss a coin for this box. | 0:16:18 | 0:16:21 | |
It's either gonna be £100 or £130. | 0:16:21 | 0:16:24 | |
-Right. -So, it's all on the toss of a coin. | 0:16:24 | 0:16:26 | |
Oh, is it? So, I might save you £30? | 0:16:26 | 0:16:27 | |
You might do. You might cost us £30 as well! | 0:16:27 | 0:16:30 | |
Well, call while it's in the air. What are you having? | 0:16:30 | 0:16:33 | |
-WOMAN: Tails. -Tails. | 0:16:33 | 0:16:34 | |
-And...tails it is. -HE GROANS | 0:16:34 | 0:16:37 | |
-Come on! -I feel a complete heel. | 0:16:37 | 0:16:40 | |
For £130?! | 0:16:40 | 0:16:43 | |
-I like it. -Well, it's not what you like. | 0:16:43 | 0:16:46 | |
-Oh, I know! -It's not what you like. | 0:16:46 | 0:16:48 | |
Cos you're not taking it home, are you? | 0:16:48 | 0:16:50 | |
I think it's got a potential, I really do. | 0:16:50 | 0:16:52 | |
It's a lovely watercolour in the top. | 0:16:52 | 0:16:54 | |
It's in good order, | 0:16:54 | 0:16:56 | |
apart from it being in three bits about half an hour ago. | 0:16:56 | 0:16:59 | |
Well, you're obviously getting on terribly well. | 0:16:59 | 0:17:02 | |
-Don't buy anything broken! -Yeah. | 0:17:02 | 0:17:04 | |
I said, "Don't buy anything broken and don't buy things cos you like them." | 0:17:04 | 0:17:07 | |
-What did you do? -I bought a broken thing cos I liked it. | 0:17:07 | 0:17:09 | |
James should never have bought that box. We wanna kill him. | 0:17:12 | 0:17:15 | |
Toni and Maggie may be unhappy with James, | 0:17:15 | 0:17:18 | |
but there's no time to argue on this show. | 0:17:18 | 0:17:20 | |
DAVID: We've got ten minutes. | 0:17:20 | 0:17:22 | |
-Oh, dear. -We have ten minutes. | 0:17:22 | 0:17:23 | |
16 minutes, we found two objects | 0:17:23 | 0:17:25 | |
and now we come to that third, elusive object. | 0:17:25 | 0:17:28 | |
Oh, it was all going so well too! | 0:17:28 | 0:17:31 | |
JAMES: Girls, come on! | 0:17:31 | 0:17:33 | |
Jewellery's always saleable. | 0:17:33 | 0:17:35 | |
-That's quite good, isn't it? -Yes. | 0:17:37 | 0:17:39 | |
-You like that brooch. That's at... -WOMAN: 74. | 0:17:39 | 0:17:44 | |
Right, ladies, we haven't got much time. | 0:17:44 | 0:17:47 | |
JAMES: We've got three or four minutes left. | 0:17:47 | 0:17:49 | |
Now, this is just about one of the earliest things at the fair. | 0:17:51 | 0:17:54 | |
It's Ancient Greek. It's about 3,000 years old. | 0:17:54 | 0:17:59 | |
And the price tag is 100 quid. | 0:17:59 | 0:18:01 | |
So, it really is a fantastic object. | 0:18:01 | 0:18:05 | |
Shape-wise - just look at that. | 0:18:05 | 0:18:08 | |
It's fabulous, isn't it? | 0:18:08 | 0:18:09 | |
-Mmm. -Yeah. | 0:18:09 | 0:18:11 | |
-What was it used for? -Oils. | 0:18:11 | 0:18:13 | |
Oh, right. I see. | 0:18:13 | 0:18:15 | |
-I quite like it. Do you? -Yeah, it's different. | 0:18:15 | 0:18:17 | |
For me, I'm talking from the heart, I think it's lovely. | 0:18:17 | 0:18:20 | |
Yeah, I like it. | 0:18:20 | 0:18:22 | |
And if I was going to buy something for me here, I'd be buying that. | 0:18:22 | 0:18:26 | |
Mind you, I made that mistake with the snuffbox. | 0:18:26 | 0:18:28 | |
-Yeah. -SHE CHUCKLES | 0:18:28 | 0:18:29 | |
I personally love it. It's one of my favourite things here. | 0:18:29 | 0:18:32 | |
There are lots of interesting things on this stand. | 0:18:32 | 0:18:34 | |
-Right. And what's it made of? -It's clay. It's terracotta. | 0:18:34 | 0:18:37 | |
And it's black-glazed | 0:18:37 | 0:18:39 | |
and you often had these Attic red-figure decorations | 0:18:39 | 0:18:43 | |
on this black ware. | 0:18:43 | 0:18:45 | |
-Yeah. -But it's...it's a lovely shape. | 0:18:45 | 0:18:48 | |
How can you date something like that? | 0:18:48 | 0:18:50 | |
It's...as much as anything, it's on shape. | 0:18:50 | 0:18:54 | |
And you have to go on archaeological finds | 0:18:54 | 0:18:56 | |
of what's been discovered at other places | 0:18:56 | 0:18:58 | |
where we can date them pretty precisely, | 0:18:58 | 0:19:00 | |
like Herculaneum and Pompeii and that type of thing. | 0:19:00 | 0:19:03 | |
-Will it sell at auction? -It might make 30 quid. | 0:19:03 | 0:19:06 | |
It might do. It depends how educated the people are that are there. | 0:19:06 | 0:19:10 | |
And that's not an insulting thing to say, it's a genuine thing to say. | 0:19:10 | 0:19:14 | |
Because, you know, anyone can turn something over | 0:19:14 | 0:19:16 | |
and say, "Look, it's Carlton Ware," | 0:19:16 | 0:19:18 | |
or "It's Worcester," or "It's Beswick." | 0:19:18 | 0:19:20 | |
A lot of people don't understand this stuff. I think it's fantastic. | 0:19:20 | 0:19:24 | |
-What do you think, Tone? -I'd go for it. | 0:19:24 | 0:19:26 | |
-Are you sure? -Yeah. Cos I like it, yeah. | 0:19:26 | 0:19:29 | |
-Should we ask him if he'll... -Do a deal? | 0:19:29 | 0:19:31 | |
It's worth that. He's done us a good price. But we can ask. | 0:19:31 | 0:19:34 | |
Will you take another tenner off it, at 90 quid? | 0:19:34 | 0:19:38 | |
-OK. -You will? Hey! -You should've gone for 80! | 0:19:38 | 0:19:41 | |
No, these guys have got to make a living. | 0:19:41 | 0:19:43 | |
-I know. -You can't knock 'em down too much. | 0:19:43 | 0:19:45 | |
That's fantastic. Thanks very much. | 0:19:45 | 0:19:47 | |
Well done, Reds, you've finished your shop, | 0:19:47 | 0:19:49 | |
finally agreeing on something. | 0:19:49 | 0:19:52 | |
David, over to you. | 0:19:52 | 0:19:54 | |
KATH: It's something that a gentleman would buy | 0:19:56 | 0:19:59 | |
for his wife or girlfriend or whoever. | 0:19:59 | 0:20:01 | |
There's a mixture of oyster and river pearls. | 0:20:01 | 0:20:06 | |
-Yes, yes, yes. -A set of hearts? | 0:20:06 | 0:20:08 | |
-Twin hearts. -Yes, yes. | 0:20:08 | 0:20:11 | |
-What carat gold would that be? -15. | 0:20:12 | 0:20:14 | |
-15? -Yes. | 0:20:14 | 0:20:16 | |
Is the pin, is the clasp, all right? | 0:20:16 | 0:20:18 | |
Take it out and try it against your blue. | 0:20:18 | 0:20:21 | |
-I think it's quite nice, don't you? -I do, yes. | 0:20:23 | 0:20:26 | |
-Do you like that? -Yes, I do. | 0:20:26 | 0:20:27 | |
-Would you go for that? -I think so. | 0:20:27 | 0:20:29 | |
Yes, because I could imagine a gentleman buying that for a wife, | 0:20:29 | 0:20:32 | |
like I say. | 0:20:32 | 0:20:34 | |
-OK. -An anniversary or birthday coming up. | 0:20:34 | 0:20:37 | |
We have got very little time now. | 0:20:37 | 0:20:39 | |
We've got this one and you've got the double-bar one. | 0:20:39 | 0:20:42 | |
-BOTH: Yes. -OK. | 0:20:42 | 0:20:44 | |
I think that one would go better. | 0:20:44 | 0:20:45 | |
This one is nicer. It's something that would go with most outfits. | 0:20:45 | 0:20:50 | |
-Right, quick, she'll take 60 for it. -Yes. | 0:20:50 | 0:20:52 | |
-OK. -I think that's...I think that's... | 0:20:52 | 0:20:54 | |
Would you pay £60 at auction? | 0:20:54 | 0:20:56 | |
-Yes, I would. -Yeah, I think so. | 0:20:56 | 0:20:57 | |
-You like it. You both like it? -BOTH: Yes. | 0:20:57 | 0:20:59 | |
-Twin hearts united? -BOTH: Yes. | 0:20:59 | 0:21:01 | |
OK, right, it's done, then. £60. | 0:21:01 | 0:21:04 | |
OK, fine? | 0:21:04 | 0:21:05 | |
What did I say? | 0:21:05 | 0:21:07 | |
We bought the first two in 16 minutes and at the last second... | 0:21:07 | 0:21:11 | |
Well, better late than never, David. But your work isn't done. | 0:21:11 | 0:21:15 | |
You and James have still to find | 0:21:15 | 0:21:18 | |
your team's bonus buys with any leftover lolly. | 0:21:18 | 0:21:22 | |
Let's find out how much loose change the Reds have from their shop. | 0:21:22 | 0:21:25 | |
-See? Expensive taste. -It's nice, though. | 0:21:27 | 0:21:28 | |
Toni and Maggie fought James for this mustard pot at £5. | 0:21:28 | 0:21:32 | |
Then he fought them to buy the snuffbox at 130. | 0:21:33 | 0:21:39 | |
And they finally agreed on this little Greek urn-er at £90. | 0:21:39 | 0:21:44 | |
-Have you had a lovely shop? -Brilliant, fantastic. Enjoyed it. | 0:21:44 | 0:21:47 | |
-Really good? -Really, really good. | 0:21:47 | 0:21:49 | |
How much did you spend overall? | 0:21:49 | 0:21:51 | |
-225. -Yeah. | 0:21:51 | 0:21:53 | |
£225? I want £75, please. | 0:21:53 | 0:21:56 | |
Have you got 75? Look at that! Look at the nails. | 0:21:56 | 0:21:59 | |
Wow, where did you get those nails done? | 0:21:59 | 0:22:02 | |
That's scary, isn't it? OK, fine. | 0:22:02 | 0:22:04 | |
-Here's the £75. Thanks, Jimmy. -Thank you. | 0:22:04 | 0:22:07 | |
-That's a good wad for you. -It is. | 0:22:07 | 0:22:08 | |
-What are you gonna spend? -I've seen something really cheap. | 0:22:08 | 0:22:12 | |
-And quite a bargain. -You're gonna go for it. | 0:22:12 | 0:22:15 | |
Always intrigued by what you're gonna dig out. | 0:22:15 | 0:22:17 | |
-All right, wish me luck. -Good luck, girls. | 0:22:17 | 0:22:19 | |
Why don't we remind ourselves, in the meanwhile, | 0:22:19 | 0:22:22 | |
what the Blues bought, eh? | 0:22:22 | 0:22:23 | |
Kathleen and Lyn's first buy | 0:22:23 | 0:22:26 | |
was a miniature, bought for £70. | 0:22:26 | 0:22:30 | |
They were then drawn to a water bottle coaster for 30. | 0:22:30 | 0:22:35 | |
And their final buy was the twin-heart brooch at 60, | 0:22:35 | 0:22:38 | |
making their total spend £160. | 0:22:38 | 0:22:42 | |
-So, Kath, have you had a good time? -Yes, lovely. | 0:22:44 | 0:22:47 | |
-Has Mr Barby looked after you? -Oh, yes. Very good. | 0:22:47 | 0:22:50 | |
Yes, he's good at that. | 0:22:50 | 0:22:52 | |
OK, so, 160. £140 leftover lolly, please. | 0:22:52 | 0:22:55 | |
There we go. That's £140. I've no need to count it? | 0:22:55 | 0:22:59 | |
-No. -A lady with your probity. | 0:22:59 | 0:23:00 | |
Thank you very much. So, David, what are you going to do with £140? | 0:23:00 | 0:23:05 | |
There is so much here. | 0:23:05 | 0:23:06 | |
You know, the silver boxes, there's New Hall porcelain. | 0:23:06 | 0:23:09 | |
Well, that will get you going, won't it? Good luck, David. Good luck, girls. | 0:23:09 | 0:23:13 | |
We're going to stay on the island of Anglesey. | 0:23:13 | 0:23:15 | |
We're gonna go out of the fairground. We're gonna go south 800 yards, turn right... | 0:23:15 | 0:23:20 | |
'Yak, yak, yak. Let's get cracking!' | 0:23:20 | 0:23:23 | |
This is Plas Newydd, home of Lord Anglesey. | 0:23:26 | 0:23:30 | |
Many of his ancestors have dutifully served their country | 0:23:30 | 0:23:34 | |
but none in so illustrious a fashion as Henry, the Earl of Uxbridge. | 0:23:34 | 0:23:40 | |
But what did Uxbridge do that was so incredibly heroic? | 0:23:46 | 0:23:50 | |
Well, it's partially recorded in this brilliant picture - | 0:23:50 | 0:23:55 | |
a picture by Denis Dighton | 0:23:55 | 0:23:57 | |
that was painted from life | 0:23:57 | 0:23:59 | |
on the afternoon of 18 June 1815. | 0:23:59 | 0:24:04 | |
It, of course, records the Battle of Waterloo. | 0:24:04 | 0:24:08 | |
On the far side here, | 0:24:13 | 0:24:14 | |
we've got Lord Wellington himself directing operations. | 0:24:14 | 0:24:18 | |
And on this side of the painting, we've got Lord Uxbridge, | 0:24:18 | 0:24:22 | |
who, apart from being Wellington's second-in-command, | 0:24:22 | 0:24:27 | |
was also commander of the allied cavalry. | 0:24:27 | 0:24:30 | |
And what a brilliant job he did too. | 0:24:30 | 0:24:32 | |
A few hours later, the British scent victory. | 0:24:33 | 0:24:37 | |
But sadly, for Uxbridge, it was not such a great day. | 0:24:37 | 0:24:43 | |
(CANNON FIRE) | 0:24:44 | 0:24:47 | |
Practically the last shot fired by the French cannon that day | 0:24:51 | 0:24:56 | |
narrowly missed Wellington but shattered Uxbridge's leg. | 0:24:56 | 0:25:01 | |
He's supposed to have famously declared to Wellington, | 0:25:01 | 0:25:05 | |
"My God, sir! I seem to have lost my leg." | 0:25:05 | 0:25:09 | |
Wellington replied, "My God, sir. So you have." | 0:25:09 | 0:25:13 | |
And, indeed, in this cabinet, | 0:25:13 | 0:25:16 | |
we've got the trouser that Uxbridge was wearing, | 0:25:16 | 0:25:20 | |
still spattered with Waterloo mud. | 0:25:20 | 0:25:24 | |
Uxbridge was taken to a farmhouse, | 0:25:25 | 0:25:28 | |
where his shattered leg was amputated above the knee. | 0:25:28 | 0:25:31 | |
On his return to London, | 0:25:31 | 0:25:33 | |
he was honoured with the title Lord Anglesey | 0:25:33 | 0:25:36 | |
by a grateful Prince Regent. | 0:25:36 | 0:25:38 | |
One of the most extraordinary objects in the collection | 0:25:38 | 0:25:43 | |
is Lord Anglesey's artificial leg, | 0:25:43 | 0:25:46 | |
which was made for him by the leg-maker James Potts of Chelsea. | 0:25:46 | 0:25:52 | |
Potts first made an example of a leg like this in 1800 | 0:25:52 | 0:25:57 | |
and when he sold an example to Lord Anglesey in 1815, | 0:25:57 | 0:26:02 | |
forever after, this thing became known as the Anglesey leg. | 0:26:02 | 0:26:07 | |
The upper part here is in leather, | 0:26:08 | 0:26:12 | |
into which his lordship would insert the stump. | 0:26:12 | 0:26:16 | |
But the lower part is crafted out of beechwood | 0:26:16 | 0:26:20 | |
and has this very sophisticated articulation. | 0:26:20 | 0:26:23 | |
In other words, when his lordship moved the stump above, | 0:26:23 | 0:26:29 | |
the joint in the knee activates a ligament | 0:26:29 | 0:26:33 | |
that runs within the shaft of the artificial leg | 0:26:33 | 0:26:36 | |
and as that shaft moves, so it impacts on the heel | 0:26:36 | 0:26:41 | |
and makes the toe extend. | 0:26:41 | 0:26:44 | |
In short, Potts' craftsmanship has become a work of art. | 0:26:44 | 0:26:50 | |
The big question is, today, of course, | 0:26:51 | 0:26:53 | |
will our teams over at the auction need a leg-up or not? | 0:26:53 | 0:26:58 | |
Well, we've whizzed from Anglesey, down the expressway, | 0:27:07 | 0:27:11 | |
all the way to Nantwich, to Peter Wilson's saleroom | 0:27:11 | 0:27:15 | |
where we are with Robert Stones, our auctioneer today. | 0:27:15 | 0:27:17 | |
-Robert, good morning. -Good morning, Tim. | 0:27:17 | 0:27:20 | |
Now, Toni and Maggie, their first item is this little mustard. | 0:27:20 | 0:27:24 | |
What have you got to tell us about that? | 0:27:24 | 0:27:26 | |
I think it's a very charming little thing. It's made by Elkington & Co. | 0:27:26 | 0:27:29 | |
The big thing about it is Anchor Line were a transatlantic shipping line. | 0:27:29 | 0:27:34 | |
They had three luxury liners, so it's got quite a nice bit of history to it | 0:27:34 | 0:27:38 | |
but here it is, just a lonely mustard pot. | 0:27:38 | 0:27:40 | |
Absolutely. It will help that you've taken the trouble to look it up. | 0:27:40 | 0:27:44 | |
So, thank you very much for doing that. | 0:27:44 | 0:27:46 | |
How much do you think it's likely to bring in the auction? | 0:27:46 | 0:27:48 | |
Well, we're thinking about £15 to £25. | 0:27:48 | 0:27:51 | |
It's not worth a huge amount but that sort of value. | 0:27:51 | 0:27:53 | |
Well, I don't know. That's pretty good. | 0:27:53 | 0:27:55 | |
They only paid a £5 note for it. | 0:27:55 | 0:27:57 | |
-Well, let's see how we get on, then. -Well, good luck with that. | 0:27:57 | 0:28:01 | |
Next up is this fascinating ballooning box. | 0:28:01 | 0:28:05 | |
I guess it's a table snuffbox, really, is it? | 0:28:05 | 0:28:07 | |
I think so and I think especially the fact | 0:28:07 | 0:28:10 | |
that it's got a ballooning scene on the top of it is very important. | 0:28:10 | 0:28:14 | |
Those people that are interested in hot-air ballooning, | 0:28:14 | 0:28:16 | |
which is so fashionable today, will be very interested. | 0:28:16 | 0:28:19 | |
What do you think this thing's worth, then? | 0:28:19 | 0:28:21 | |
We're saying £80 to £120. It's a nice, collectible thing. | 0:28:21 | 0:28:24 | |
Yes. Well, Lewis went very strongly with this. James Lewis. | 0:28:24 | 0:28:29 | |
He thinks it's a fantastic job. He paid £130. | 0:28:29 | 0:28:32 | |
And who knows, in the thrill of the sale? | 0:28:32 | 0:28:34 | |
Lastly, this item's a bit tricky, I find. | 0:28:34 | 0:28:38 | |
I mean, all these really ancient artefacts... | 0:28:38 | 0:28:41 | |
Is this thing 2,500 years old? | 0:28:41 | 0:28:44 | |
-It's terribly difficult, isn't it? -I get nervous about these things. | 0:28:44 | 0:28:49 | |
When you look at it, if it's 2,500 years old, | 0:28:49 | 0:28:52 | |
how on earth has that lovely, slender handle survived? | 0:28:52 | 0:28:56 | |
I mean, these were reproduced in vast quantities | 0:28:56 | 0:28:59 | |
to attract the tourist industry | 0:28:59 | 0:29:02 | |
and, you know, the fact that it's got this sort of distressed glaze on it, | 0:29:02 | 0:29:06 | |
you could easily think it's old, but is it? | 0:29:06 | 0:29:09 | |
It's very difficult to know, isn't it? | 0:29:09 | 0:29:11 | |
James Lewis loves these things. | 0:29:11 | 0:29:13 | |
He's paid £90 for it. What's your estimate? | 0:29:13 | 0:29:16 | |
Well, we put 20 to 40 on it. He's a daring man, isn't he? | 0:29:16 | 0:29:20 | |
-We'll see what happens. -Mmm. | 0:29:20 | 0:29:22 | |
Overall, though, that Greek pot might drag them down | 0:29:22 | 0:29:25 | |
and they may need their bonus buy, so let's go and have a look at it. | 0:29:25 | 0:29:28 | |
Now, Toni and Mags, you spent £225, a magnificent total, | 0:29:30 | 0:29:34 | |
and you gave the man £75. | 0:29:34 | 0:29:37 | |
-What did he spend it on? -When I saw this, I thought of you. | 0:29:37 | 0:29:41 | |
SHE LAUGHS | 0:29:41 | 0:29:43 | |
What do you think? THEY LAUGH | 0:29:43 | 0:29:46 | |
Have a little itchy? How about that? | 0:29:46 | 0:29:48 | |
-I've got a bigger version at home. -THEY LAUGH | 0:29:48 | 0:29:52 | |
Well, you can use it in the bath, you can use it if you have an itchy head. | 0:29:52 | 0:29:56 | |
Whatever you want to do with that, you can do with it. | 0:29:56 | 0:29:59 | |
There it is. It's a Georgian backscratcher or wig scratcher. | 0:29:59 | 0:30:02 | |
So, if you were wearing one of those big, hairy, nasty wigs, | 0:30:02 | 0:30:05 | |
you can stick that under there and have a good old itch. | 0:30:05 | 0:30:08 | |
-It's a great thing. I thought it was fun. -What do you think, Toni? | 0:30:08 | 0:30:11 | |
How much did you pay for it? | 0:30:11 | 0:30:12 | |
Well, I thought £70 wasn't a lot. | 0:30:12 | 0:30:15 | |
-You never paid £70! -£70?! -No, I paid a fiver. | 0:30:15 | 0:30:18 | |
Oh, that's OK! | 0:30:18 | 0:30:20 | |
-And are we gonna make any money? -What do you think? | 0:30:20 | 0:30:23 | |
It's 1780, 1790. | 0:30:23 | 0:30:25 | |
Yeah, but they sell them for a pound now - the bigger version. | 0:30:25 | 0:30:30 | |
I'll take it home. HE LAUGHS | 0:30:30 | 0:30:32 | |
No, I think there's a profit in that. There's gotta be. | 0:30:32 | 0:30:34 | |
On that happy note, hang on to those thoughts, girls, | 0:30:34 | 0:30:37 | |
cos the audience at home need to find out what the auctioneer thinks about James Lewis's backscratcher. | 0:30:37 | 0:30:42 | |
There you go, Robert. A bit of a tester for you. | 0:30:43 | 0:30:45 | |
These are all over the place. They vary enormously. | 0:30:45 | 0:30:50 | |
This has a bone handle on it. | 0:30:50 | 0:30:52 | |
If you look really closely at it, | 0:30:52 | 0:30:54 | |
there is actually a very fine scrimshaw spiral | 0:30:54 | 0:30:56 | |
that runs up and down the length of it. | 0:30:56 | 0:30:58 | |
Oh, yes. Look at that. | 0:30:58 | 0:31:00 | |
Sadly, the end of the thing has been broken off. | 0:31:00 | 0:31:03 | |
So, what would that have had? A little knob? | 0:31:03 | 0:31:06 | |
-I think so, yeah. -Yes. | 0:31:06 | 0:31:07 | |
-How much? -We've gone modestly at £20 to £40. | 0:31:07 | 0:31:10 | |
He'll be delighted. He paid a £5 note. | 0:31:10 | 0:31:13 | |
I think we're going to have a bit of fun here. | 0:31:13 | 0:31:16 | |
Anyway, that's it for the Reds. Now for the Blues. | 0:31:16 | 0:31:19 | |
If we tickle up these lots, they've got a bit of a mixture here. | 0:31:19 | 0:31:22 | |
I'm very, very keen, Robert, | 0:31:22 | 0:31:24 | |
to find out what you have to say about the miniature. | 0:31:24 | 0:31:27 | |
This miniature is a very difficult piece, really, | 0:31:27 | 0:31:32 | |
because we're looking at something that's got a 19th-century frame | 0:31:32 | 0:31:35 | |
but it is a more modern print that's inside it. | 0:31:35 | 0:31:38 | |
Now, I have to say, that if you look at it at first glance, as I did, | 0:31:38 | 0:31:42 | |
I actually thought it was a genuine oil painting on card. | 0:31:42 | 0:31:48 | |
But in truth, if you get a magnifying glass on it, | 0:31:48 | 0:31:51 | |
you can see the little pixels, | 0:31:51 | 0:31:53 | |
and so, therefore, it is clearly a more modern copy of an early picture. | 0:31:53 | 0:31:58 | |
But if we look at the back, | 0:31:58 | 0:32:00 | |
which I know you shouldn't necessarily go by, | 0:32:00 | 0:32:03 | |
but that's a nice grubby old bit of paper, isn't it? | 0:32:03 | 0:32:07 | |
Well, I think they've done a good job, haven't they? | 0:32:07 | 0:32:10 | |
It does look, to all intents and purposes, like an old piece of newspaper. | 0:32:10 | 0:32:13 | |
I thought it could've been worth £200 or £300 | 0:32:13 | 0:32:16 | |
but when I realised it was a print and probably not that old, | 0:32:16 | 0:32:19 | |
my heart sank a little bit. | 0:32:19 | 0:32:21 | |
Well, good on you for spotting that. | 0:32:21 | 0:32:23 | |
That'll affect the value. How much do you think? | 0:32:23 | 0:32:25 | |
-We put 20 to 40 on it. -Right. | 0:32:25 | 0:32:27 | |
£70 paid. | 0:32:27 | 0:32:30 | |
Moving on to sweeter things, | 0:32:30 | 0:32:32 | |
we've got the scent bottle. | 0:32:32 | 0:32:33 | |
I quite like this, because if you look at it closely, | 0:32:33 | 0:32:36 | |
you can see the profile of the silver | 0:32:36 | 0:32:40 | |
is the same as the profile of the bottle. | 0:32:40 | 0:32:43 | |
So, firstly, bottle and container, which is silver, match. | 0:32:43 | 0:32:48 | |
However, sadly, the stopper is either the wrong stopper | 0:32:48 | 0:32:53 | |
or it's jammed in in such a way, we can't get the stopper out. | 0:32:53 | 0:32:56 | |
We've put a date on it - 1903, Birmingham. | 0:32:56 | 0:32:59 | |
A pretty thing. Could do with a good clean. | 0:32:59 | 0:33:02 | |
-How much? -40 to 60. | 0:33:02 | 0:33:04 | |
-£30 paid. That's good. -Well done. | 0:33:04 | 0:33:07 | |
Their last item, looking rather nice on that velvet pad, | 0:33:07 | 0:33:10 | |
is the bar brooch. | 0:33:10 | 0:33:12 | |
Brooches are not very commercial. | 0:33:12 | 0:33:14 | |
However, I always think there's a great romance with jewellery | 0:33:14 | 0:33:18 | |
and this has two hearts entwined, which, as far as I'm concerned, | 0:33:18 | 0:33:23 | |
makes it attractive. | 0:33:23 | 0:33:24 | |
It's gold and we've got these pearls on it. | 0:33:24 | 0:33:27 | |
There will be somebody out there that would like it, I'm sure. | 0:33:27 | 0:33:30 | |
-Some lover somewhere. -Exactly. | 0:33:30 | 0:33:32 | |
-We hope. -Yeah. | 0:33:32 | 0:33:33 | |
-How much? -40 to 60. | 0:33:33 | 0:33:34 | |
£60 paid. | 0:33:34 | 0:33:36 | |
I mean, their torpedo in this is that miniature. | 0:33:36 | 0:33:41 | |
On that basis, they'll need their bonus buy, so let's look at it. | 0:33:41 | 0:33:44 | |
-You spent £160, girls. -BOTH: Yes. | 0:33:46 | 0:33:48 | |
You gave David Barby £140. What did he spend it on? | 0:33:48 | 0:33:51 | |
I spent the lot. | 0:33:51 | 0:33:53 | |
THEY GASP That's gorgeous! | 0:33:53 | 0:33:57 | |
-Moorcroft? -It's Moorcroft, yes. | 0:33:57 | 0:33:59 | |
-THEY GASP -I like that. | 0:33:59 | 0:34:01 | |
And it's blue for the Blue team. | 0:34:01 | 0:34:02 | |
-Gorgeous! May I? -Yes, of course. | 0:34:02 | 0:34:05 | |
-Oh! -Isn't that nice? | 0:34:05 | 0:34:06 | |
-It's lovely! -And how much? | 0:34:06 | 0:34:09 | |
-£140. The whole lot. -Ooh! | 0:34:09 | 0:34:11 | |
But isn't that lovely? I love the colours. | 0:34:11 | 0:34:13 | |
-Is that quite old? -It's quite an old piece, yes. | 0:34:13 | 0:34:16 | |
You're talking in terms of probably late '40s, '50s. | 0:34:16 | 0:34:20 | |
But what I love is this glaze that runs... | 0:34:20 | 0:34:23 | |
-It's lovely. -I love these subtle colours. -Oh, I love it. | 0:34:23 | 0:34:26 | |
I've seen these go for about £180, £200. | 0:34:26 | 0:34:28 | |
So, there could be £40 or £60 or £80 in it. | 0:34:28 | 0:34:31 | |
You watched his lips there? We all watched his lips. | 0:34:31 | 0:34:33 | |
It's gonna be proven true or false any minute now. | 0:34:33 | 0:34:36 | |
Let's find out, for the audience at home, what the auctioneer thinks about David's little pot. | 0:34:36 | 0:34:42 | |
There we go, then, Robert. | 0:34:43 | 0:34:44 | |
A standard piece of Moorcroft. Rather nice. | 0:34:44 | 0:34:47 | |
It's not damaged. It's in good condition. | 0:34:47 | 0:34:50 | |
We sell a lot of Moorcroft. | 0:34:50 | 0:34:52 | |
Moorcroft made in Cobridge, | 0:34:52 | 0:34:53 | |
which is literally less than 10 miles from here, I would think. | 0:34:53 | 0:34:58 | |
We like it a lot. | 0:34:58 | 0:34:59 | |
You like it a lot. How much do you like it? | 0:34:59 | 0:35:01 | |
-We like it £100 to £150 worth. -Do you really? | 0:35:01 | 0:35:05 | |
Well, £140 was paid by David Barby. He's the ceramics guru. | 0:35:05 | 0:35:10 | |
How lovely to know | 0:35:10 | 0:35:11 | |
that we're in the right saleroom for a commodity for once. | 0:35:11 | 0:35:16 | |
-It'll do well for sure. -We look forward to that. | 0:35:16 | 0:35:18 | |
-Are you taking the auction today? -I am, indeed. | 0:35:18 | 0:35:21 | |
-We're in safe hands. -HE LAUGHS | 0:35:21 | 0:35:23 | |
270, 280. | 0:35:26 | 0:35:28 | |
I'll start at £800. Done! | 0:35:28 | 0:35:30 | |
Any lots that you're at all doubtful about, Lyn? | 0:35:30 | 0:35:34 | |
I think the plaque, the first item we bought. | 0:35:34 | 0:35:39 | |
-You're not so happy about that? -No. | 0:35:39 | 0:35:41 | |
It's the first lot up and here it comes. | 0:35:41 | 0:35:43 | |
ROBERT: Number 72 is the miniature portrait, ladies and gents. | 0:35:43 | 0:35:46 | |
It's a print but it's a jolly nice thing. | 0:35:46 | 0:35:48 | |
£20 bid on commission straightaway at £20. | 0:35:48 | 0:35:51 | |
22, is it now? 22. 25. 28. 30, on commission. | 0:35:51 | 0:35:53 | |
32. 35. 38. 38, your bid. | 0:35:53 | 0:35:56 | |
38. On bid at 38. 40 anywhere now? | 0:35:56 | 0:35:58 | |
40. A fresh bidder. 42? | 0:35:58 | 0:36:00 | |
40, your bid. In the middle of the room at £40. | 0:36:00 | 0:36:02 | |
-At £40 there. -Come on! | 0:36:02 | 0:36:04 | |
At 40, going to be sold at 40, then. | 0:36:04 | 0:36:06 | |
-That was a mistake. -Is minus 30. | 0:36:06 | 0:36:09 | |
-Oh, dear. -You were right in your estimate. | 0:36:09 | 0:36:10 | |
-Yes, yes. -Early days. | 0:36:10 | 0:36:12 | |
Early days. | 0:36:12 | 0:36:14 | |
Number 73, ladies and gentlemen, this delightful perfume bottle. | 0:36:14 | 0:36:17 | |
£30 to start it off. At £30 there. | 0:36:17 | 0:36:19 | |
-Straight up, 30. -Yes, yes! Come on! | 0:36:19 | 0:36:21 | |
£30. Your bid at £30. 32 anywhere now? Do I hear it? | 0:36:21 | 0:36:24 | |
£30 bid is there. 32. 35. 35? 35. | 0:36:24 | 0:36:26 | |
-38. -Come on. Up, up, up. | 0:36:26 | 0:36:28 | |
40 now? 40 bid. 42 now. | 0:36:28 | 0:36:30 | |
At £40. 42 anywhere else? | 0:36:30 | 0:36:32 | |
£40 bid's there and it will be sold, make no mistake. | 0:36:32 | 0:36:34 | |
At 40... | 0:36:34 | 0:36:36 | |
-£40 is plus £10. -That's good. | 0:36:36 | 0:36:37 | |
That's very nice, plus £10. | 0:36:37 | 0:36:39 | |
You're overall minus 20, but here we go. | 0:36:39 | 0:36:42 | |
This charming bar brooch with pearls inset on it, ladies and gentlemen. | 0:36:42 | 0:36:47 | |
A lovely thing. £30 to start it off, please, at £30. | 0:36:47 | 0:36:50 | |
£30 anywhere? Now, quickly now at £30. | 0:36:50 | 0:36:52 | |
-There's a bid over there. -Straightaway £30. 32, thank you. | 0:36:52 | 0:36:55 | |
-35, 35. 38. -Come on. Buy it for your wife. | 0:36:55 | 0:36:56 | |
40 now? 40 bid. 42 now. 42? Yes. 42. 45. | 0:36:56 | 0:37:00 | |
42 there. At 42. 45 anywhere else? | 0:37:00 | 0:37:03 | |
At £42, then. | 0:37:03 | 0:37:05 | |
-Oh, dear. £42. That's minus 18. -Oh, dear. | 0:37:05 | 0:37:07 | |
-Overall, you're minus £38. -Oh, dear! | 0:37:07 | 0:37:09 | |
So, what are you going to do about the Moorcroft pot? | 0:37:09 | 0:37:11 | |
-Are you going to go with the Moorcroft pot? -Oh, yes! Definitely. | 0:37:11 | 0:37:15 | |
-"Oh, yes!" she says. You happy with that, then? -Yes! | 0:37:15 | 0:37:17 | |
Yes, we're doing it and here it comes. | 0:37:17 | 0:37:20 | |
Lot number 78, ladies and gentlemen, | 0:37:20 | 0:37:22 | |
is the Moorcroft vase, signed Walter Moorcroft. | 0:37:22 | 0:37:25 | |
£100. Bid on commission straightaway at £100. | 0:37:25 | 0:37:27 | |
105 bid there. 110. 115. 120. | 0:37:27 | 0:37:30 | |
115 there. 115 and bid at... 120, thank you. | 0:37:30 | 0:37:34 | |
125. 130. 135. 140. | 0:37:34 | 0:37:37 | |
145. 150. | 0:37:37 | 0:37:39 | |
-155. 160? -You're in profit. | 0:37:39 | 0:37:40 | |
At 155, bid's there. | 0:37:40 | 0:37:42 | |
-£155. -It's worth more. | 0:37:42 | 0:37:44 | |
-At 155... -£155 is plus £15. | 0:37:44 | 0:37:49 | |
So, I make that minus 23. | 0:37:49 | 0:37:52 | |
But don't worry about it. That could be a winning score. | 0:37:52 | 0:37:55 | |
You never know. That could be a winning score. | 0:37:55 | 0:37:58 | |
-We'll find out in a second, all right? -OK. -OK. | 0:37:58 | 0:38:01 | |
-OK, girls. Are you excited? -We are. Very. -Very. | 0:38:10 | 0:38:13 | |
Good, good. Here it comes. Your first lot is the mustard pot. | 0:38:13 | 0:38:17 | |
Lot number 50, ladies and gentlemen. There we are. | 0:38:17 | 0:38:20 | |
The Elkington Anchor Line EPNS mustard pot. | 0:38:20 | 0:38:23 | |
-£10 it is. -It's good! | 0:38:23 | 0:38:24 | |
10. 12 anywhere now? Do I hear it? 10. 12. | 0:38:24 | 0:38:26 | |
15 anywhere now? 15. 18. 20. | 0:38:26 | 0:38:29 | |
20 bid. 22. 20, your bid. | 0:38:29 | 0:38:31 | |
Cheap at £20. | 0:38:31 | 0:38:33 | |
-22 anywhere now? Do I hear it? -Come on, come on, come on. | 0:38:33 | 0:38:36 | |
-22 there. 25? 25. 28? 28. -I'll be crying in a minute. | 0:38:36 | 0:38:41 | |
30 bid. 32? 32. 35? | 0:38:42 | 0:38:45 | |
You can't take it with you, you know, if you don't buy it. 35. | 0:38:48 | 0:38:51 | |
-35. 38? 35. Your bid at 35. -35! That's so good. | 0:38:51 | 0:38:54 | |
35, going to be sold. At £35, all quiet and done. | 0:38:54 | 0:38:57 | |
At 35... | 0:38:57 | 0:38:59 | |
-Get in! -SHE LAUGHS | 0:38:59 | 0:39:00 | |
-Good start. -Plus £30. -Get in! | 0:39:00 | 0:39:03 | |
Lot number 51, ladies and gentlemen. | 0:39:03 | 0:39:05 | |
There we are, the snuffbox of a hot-air balloon flight. | 0:39:05 | 0:39:09 | |
That's the one there. We think it's probably 18th century. | 0:39:09 | 0:39:11 | |
£50 to start it off. 55, I'm looking for. 55 there. 55. | 0:39:11 | 0:39:14 | |
60. 5. 70. 5. 80. 5. 90. 5. | 0:39:14 | 0:39:20 | |
100. 110. 120. 130. | 0:39:20 | 0:39:23 | |
-140. 150. 150. -TIM: You're in profit. | 0:39:23 | 0:39:26 | |
-160. 170. -Come on! | 0:39:26 | 0:39:28 | |
170. 180. 190 now. 190. | 0:39:28 | 0:39:31 | |
200? 200. And 10? | 0:39:31 | 0:39:33 | |
-At £210. You can change your mind. -Go on! | 0:39:33 | 0:39:35 | |
-220. 230. 240. -Yes. -Yes! | 0:39:35 | 0:39:39 | |
250 now? | 0:39:39 | 0:39:40 | |
250. | 0:39:40 | 0:39:42 | |
260? | 0:39:42 | 0:39:44 | |
-JAMES: I think it's worth it. -£250. | 0:39:44 | 0:39:45 | |
And gonna be sold at £250, then. All finished and done? | 0:39:45 | 0:39:47 | |
-£250. -YES! | 0:39:47 | 0:39:49 | |
THEY LAUGH | 0:39:49 | 0:39:52 | |
-Good. -Plus 120 on that. | 0:39:52 | 0:39:54 | |
You are £150 up. | 0:39:54 | 0:39:56 | |
Get in! | 0:39:56 | 0:39:57 | |
52 is the Greek oil bottle. | 0:39:57 | 0:40:00 | |
That's the one. The Greek oil bottle. | 0:40:00 | 0:40:02 | |
I've got several commissions on this. I can start the bidding at £40. | 0:40:02 | 0:40:05 | |
At 40, I'm bid. At 40. 42 is it now? At £40. The bid's with me at £40. | 0:40:05 | 0:40:08 | |
42 anywhere now? 42? Yes? No? 42. | 0:40:08 | 0:40:11 | |
45. 48. 50's here. | 0:40:11 | 0:40:13 | |
55 anywhere now, do I hear? | 0:40:13 | 0:40:15 | |
At £50 only and will be sold. 55 on the internet. | 0:40:15 | 0:40:18 | |
55. 60 on commission. | 0:40:18 | 0:40:20 | |
-Come on, come on, come on. -At £60, bid's here with me. | 0:40:20 | 0:40:23 | |
At £60 only, it will be sold. | 0:40:23 | 0:40:25 | |
At £60 only. Last chance. | 0:40:25 | 0:40:27 | |
-£60. -OK. | 0:40:27 | 0:40:29 | |
£60, just £30 light-on there. | 0:40:29 | 0:40:31 | |
-Which overall means you are plus 120. -Get in! | 0:40:31 | 0:40:35 | |
-Which is pretty good. -Brilliant. | 0:40:35 | 0:40:37 | |
What are you going to do about the backscratcher? Are you going to risk another £5 note? | 0:40:37 | 0:40:41 | |
-Yeah. -We're going for it. -Go with it? | 0:40:41 | 0:40:43 | |
We're going with the bonus buy and here comes the backscratcher. | 0:40:43 | 0:40:46 | |
Number 56, ladies and gentlemen. | 0:40:46 | 0:40:48 | |
Victorian bone backscratcher. | 0:40:48 | 0:40:50 | |
If I may say so, a very useful item. | 0:40:50 | 0:40:54 | |
THEY LAUGH | 0:40:54 | 0:40:56 | |
£40, a bid straightaway. | 0:40:56 | 0:40:58 | |
At £40. The bid at 40. 42, is it now? | 0:40:58 | 0:41:00 | |
42 anywhere now? Do I hear 42 quickly now? | 0:41:00 | 0:41:02 | |
42 bid. 45. 48. 50's with me. | 0:41:02 | 0:41:04 | |
At 50. 55, do I hear? | 0:41:04 | 0:41:07 | |
At £50. The bid's with me at £50. | 0:41:07 | 0:41:09 | |
£55 anywhere now? 55. 60. 65? | 0:41:09 | 0:41:12 | |
At 60, the bid's still here. At £60 on commission. | 0:41:12 | 0:41:15 | |
At £60 only and will be sold. At £60 only. All quiet and done at 60? | 0:41:15 | 0:41:20 | |
-£60 sold. -Done. -Yes! | 0:41:20 | 0:41:21 | |
THEY LAUGH | 0:41:21 | 0:41:24 | |
-Well done. -You can't stop yourself, can you? -Ah, well done, James. | 0:41:24 | 0:41:28 | |
£55 profit on that bonus buy. Very good. | 0:41:28 | 0:41:32 | |
So, that's £175 up. | 0:41:32 | 0:41:36 | |
The big thing now is don't say a word to the Blues, all right? | 0:41:36 | 0:41:39 | |
-No. -No point in spoiling their day. | 0:41:39 | 0:41:41 | |
Well, teams, this is excitement, to be out in the fresh air. | 0:41:49 | 0:41:53 | |
Isn't it lovely? Now, have you been talking to one another? | 0:41:53 | 0:41:56 | |
-ALL: No. -No, no communications. | 0:41:56 | 0:41:58 | |
Well, there is a world of difference between our two teams today. | 0:41:58 | 0:42:02 | |
And I'm afraid to say | 0:42:02 | 0:42:04 | |
that the runners-up by a long chalk are the Blues. | 0:42:04 | 0:42:07 | |
Yes! | 0:42:07 | 0:42:09 | |
-Bad luck, team. -Oh, dear. | 0:42:09 | 0:42:11 | |
You have an overall score of minus £23, | 0:42:11 | 0:42:13 | |
despite a nice little profit from the Moorcroft vase. | 0:42:13 | 0:42:17 | |
And you got a profit out of the bottle coaster, | 0:42:17 | 0:42:19 | |
that was a very nice buy. | 0:42:19 | 0:42:21 | |
But I'm afraid it wasn't anything like enough | 0:42:21 | 0:42:24 | |
to stem the flow of riches coming from the Reds. | 0:42:24 | 0:42:27 | |
Great team, though, and I'm sorry about that. | 0:42:27 | 0:42:29 | |
Because I'm actually going to hand the Reds £175. | 0:42:29 | 0:42:32 | |
-Get in! Get in! -THEY APPLAUD | 0:42:32 | 0:42:35 | |
We've been down to the hole in the wall | 0:42:35 | 0:42:37 | |
and raided it for you especially. | 0:42:37 | 0:42:39 | |
You nearly had pluses on every single item, didn't you? | 0:42:39 | 0:42:43 | |
Which would have been a thrill. | 0:42:43 | 0:42:45 | |
You were £120 up before James stormed in with his backscratcher. | 0:42:45 | 0:42:50 | |
I mean, how could a man spend £5 on a backscratcher | 0:42:50 | 0:42:54 | |
and sell it for £55, on one backscratcher? | 0:42:54 | 0:42:58 | |
That is a considerable achievement. It was great, wasn't it? | 0:42:58 | 0:43:01 | |
-Yeah. -Fabulous. | 0:43:01 | 0:43:02 | |
It's been a serious scratch all-round today and we've loved it. | 0:43:02 | 0:43:05 | |
-All of you. -Yes, well done. -Yeah! | 0:43:05 | 0:43:06 | |
Join us soon for some more bargain hunting. Yes? | 0:43:06 | 0:43:08 | |
ALL: Yes! | 0:43:08 | 0:43:10 | |
For more information about Bargain Hunt, including how the programme was made, visit the website at bbc.co.uk | 0:43:10 | 0:43:15 | |
Subtitles by Red Bee Media Ltd | 0:43:15 | 0:43:19 | |
E-mail [email protected] | 0:43:19 | 0:43:23 |