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You know what they say, small man big car. Today we've got big house! | 0:00:02 | 0:00:07 | |
Big expectations! Big budget! | 0:00:07 | 0:00:10 | |
Let's go big Bargain Hunting! | 0:00:10 | 0:00:13 | |
Hello and welcome to the gorgeous grounds at Kedleston Hall, in Derbyshire. | 0:00:36 | 0:00:41 | |
We're at the Jaguar antiques fair and have decided to spice up | 0:00:41 | 0:00:44 | |
the proceedings by giving each team £600 to spend today. | 0:00:44 | 0:00:49 | |
So with these heightened expectations, let's have a | 0:00:49 | 0:00:53 | |
gander at what's coming up. | 0:00:53 | 0:00:55 | |
Reds - Stephen and his dad Stuart are playing it for laughs. | 0:00:57 | 0:01:00 | |
That sounds good to me. | 0:01:00 | 0:01:02 | |
While mates Alison and Alison resort to bribery. | 0:01:02 | 0:01:06 | |
My only question, madam, is, how do you take it? | 0:01:06 | 0:01:09 | |
There are plenty of surprises at the auction. | 0:01:09 | 0:01:13 | |
I knew it. | 0:01:13 | 0:01:15 | |
-Hi, everybody. -ALL: Hi, Tim. | 0:01:18 | 0:01:20 | |
Now, we don't want any family arguments from you, is that going to happen? | 0:01:20 | 0:01:24 | |
-We'll try not to argue. -Have you two got a game plan? | 0:01:24 | 0:01:28 | |
Yeah, I think we have, Tim. We are going to go for something quirky. | 0:01:28 | 0:01:32 | |
-Quirky? -Not normal, try and move off the normal. -Something peculiar? | 0:01:32 | 0:01:36 | |
-Yes, I think so. -Lovely. Well, you've got £600 so you can be really peculiar, | 0:01:36 | 0:01:41 | |
-because you're used to taking risks, aren't you, Stuart? -I am, yes, I'm a driving instructor. | 0:01:41 | 0:01:46 | |
Dear, oh dear. What's your favourite pupil - do you like taking the ladies or the gents? | 0:01:46 | 0:01:51 | |
-I have to say it's the ladies that make the better drivers. -Really? -Yes. | 0:01:51 | 0:01:55 | |
Good Lord. There we are, that could be controversial with your dad. He's snorting there. | 0:01:55 | 0:02:00 | |
-So, Stephen, you take a back seat to this, do you? -I do now. | 0:02:00 | 0:02:03 | |
-I took an early retirement package. -So what do you collect between you? | 0:02:03 | 0:02:09 | |
Well, I collect stamps, I know it's boring but I have been | 0:02:09 | 0:02:12 | |
collecting them since, British stamps, since the '70s. | 0:02:12 | 0:02:17 | |
-Did you infect the boy with the collecting? -No. | 0:02:17 | 0:02:20 | |
-What got to me was the Star Wars memorabilia. -Have you got your wand? | 0:02:20 | 0:02:24 | |
-No. -You haven't? -It's a light sabre, Tim. | 0:02:24 | 0:02:27 | |
-So, Stu, what is that the thing you're hanging on to? -This is Rory. | 0:02:29 | 0:02:31 | |
He is our pub quiz team mascot. | 0:02:31 | 0:02:33 | |
Wherever somebody goes who has something interesting to do, | 0:02:33 | 0:02:37 | |
-he comes along with us. -Yeah. | 0:02:37 | 0:02:38 | |
I'm glad you've got your strategy and I wish you very good luck on our double up day. | 0:02:38 | 0:02:42 | |
Now for the Alisons. | 0:02:42 | 0:02:44 | |
-You're into Girl Power. -We certainly are. -Yeah? | 0:02:44 | 0:02:48 | |
We are both members of the Girl Guiding Association, | 0:02:48 | 0:02:51 | |
and we run a Rainbow and Brownie pack together in Staffordshire. | 0:02:51 | 0:02:56 | |
-Is that what these fellows here are? -It certainly is. | 0:02:56 | 0:03:00 | |
-It is 100 years of girl-guiding so it is a very special year for us. -Yes. | 0:03:00 | 0:03:03 | |
We wanted to come and show that girls are the best. | 0:03:03 | 0:03:06 | |
Girls are the best - I don't have any doubt about that. | 0:03:06 | 0:03:08 | |
I've never had a problem about that. | 0:03:08 | 0:03:10 | |
-And you are a police community support officer? -I am, yes. | 0:03:10 | 0:03:13 | |
I've been doing that for five years now. | 0:03:13 | 0:03:16 | |
-Are you on the beat, do you walk the streets a lot? -Yes. | 0:03:16 | 0:03:19 | |
-So anything can happen? -Anything, no two days are the same. | 0:03:19 | 0:03:23 | |
-You also have a passion for antiques. -Yes. | 0:03:23 | 0:03:26 | |
My dad got me into that years ago. | 0:03:26 | 0:03:28 | |
He got me going to antique fairs and things. | 0:03:28 | 0:03:32 | |
-I just collected bits along the way and it's grown since then. -OK. | 0:03:32 | 0:03:36 | |
-What about you, Allie the red? -I'm really into it, obviously owls. | 0:03:36 | 0:03:41 | |
-Owls? -Oh yes. -Why obviously? -Because I'm a Brown Owl. -I see. -This is a Snowy Owl, | 0:03:41 | 0:03:47 | |
so we collect owls as well. | 0:03:47 | 0:03:49 | |
-You are not obsessed at all? -Erm, just slightly! | 0:03:49 | 0:03:51 | |
-"Just slightly". -And I also collect frogs. -What is special about frogs? | 0:03:51 | 0:03:55 | |
-They are quite pretty. -Yes. | 0:03:55 | 0:03:58 | |
They're very different and they hop around my garden. | 0:03:58 | 0:04:00 | |
-You don't mind the slimy bit? -I do try not to touch them. | 0:04:00 | 0:04:04 | |
-I just look at them. -And run them over with a lawnmower. | 0:04:04 | 0:04:09 | |
Run them over! You've been known to? | 0:04:09 | 0:04:13 | |
Just the once quite recently. | 0:04:13 | 0:04:17 | |
-I only chopped off, one leg! -Oh! | 0:04:17 | 0:04:20 | |
-Dear. -He was OK, he looked at me and then he hopped off. | 0:04:20 | 0:04:25 | |
Maybe he was hopping mad! | 0:04:25 | 0:04:26 | |
You would be, if you'd lost your back legs in the mower. | 0:04:28 | 0:04:31 | |
Now, the money moment! Here we go, look! | 0:04:31 | 0:04:34 | |
You know the rules, your experts await and off you go. | 0:04:34 | 0:04:36 | |
Very very good luck. | 0:04:36 | 0:04:39 | |
Yes, you can't beat a fricassee of frogs' legs. | 0:04:39 | 0:04:42 | |
And two of our experts who always have a spring in their step are... | 0:04:42 | 0:04:47 | |
saucy Anita Manning for the Reds. | 0:04:47 | 0:04:51 | |
And man's best friend Nick Hall for the Blues. | 0:04:51 | 0:04:54 | |
OK, guys, today we have 600 smackaroos. | 0:04:54 | 0:05:01 | |
We can think big, spend big and hopefully win big. | 0:05:01 | 0:05:04 | |
And we want to spend as much of it as we can. | 0:05:04 | 0:05:07 | |
What are we looking for? What interests you? | 0:05:07 | 0:05:09 | |
Probably look for some jewellery. | 0:05:09 | 0:05:12 | |
Maybe a bit of glass. | 0:05:12 | 0:05:14 | |
-Let's go for it. -OK, let's go! | 0:05:14 | 0:05:17 | |
We've also got Rory to help us as well. | 0:05:17 | 0:05:19 | |
The good news for you is that the things from your childhood | 0:05:19 | 0:05:22 | |
aren't old enough yet. | 0:05:22 | 0:05:24 | |
-Look, there's a pal for Rory. -A distant relative. | 0:05:24 | 0:05:28 | |
That's a nice clean box, guys, have a wee look and tell me what you think. | 0:05:32 | 0:05:37 | |
It is in good condition. | 0:05:37 | 0:05:41 | |
-I like that, the hallmarks give you an idea of a date. -Yeah. | 0:05:41 | 0:05:44 | |
We have a little lion here which tells us it is silver. | 0:05:46 | 0:05:50 | |
We have a Birmingham hallmark there | 0:05:50 | 0:05:54 | |
and we have the initials of CH - for hopefully Charles Horner. | 0:05:54 | 0:05:59 | |
Charles Horner is a very prestigious silversmith. | 0:05:59 | 0:06:02 | |
We associate him most with little enamelled jewellery, | 0:06:02 | 0:06:05 | |
hatpins and these little thimbles. | 0:06:05 | 0:06:09 | |
-Although we have CH here, there are other makers with that mark. -OK. | 0:06:12 | 0:06:18 | |
-But it's a lovely clean little box. -It's lovely. Do you like it? -Yes, I do. -What about...? | 0:06:18 | 0:06:22 | |
What do you think? | 0:06:22 | 0:06:24 | |
Yeah, he says go for it. | 0:06:24 | 0:06:28 | |
Quite a hefty price there at 195. | 0:06:28 | 0:06:32 | |
What we might be able to do, if we pick two items, | 0:06:32 | 0:06:38 | |
we might be able to get a good deal. | 0:06:38 | 0:06:40 | |
-Yeah. -Tactics, what do you think? I'll go for that. | 0:06:40 | 0:06:43 | |
It might work, it might not! | 0:06:43 | 0:06:45 | |
The Red Team have got a cunning plan. | 0:06:45 | 0:06:47 | |
But the Blues are having trouble getting started. | 0:06:47 | 0:06:52 | |
It is not a bad thing, it is just not old enough. | 0:06:52 | 0:06:54 | |
He's got his nose put out of joint, I know how he feels. | 0:06:54 | 0:06:57 | |
I think, sadly, he is beyond repair. | 0:06:57 | 0:07:00 | |
Let's look at some diamonds, we have plenty of dosh to spend here. | 0:07:01 | 0:07:07 | |
The thing about diamond rings is that people like classic settings. | 0:07:07 | 0:07:14 | |
They like solitaires and they like this, which is two diamonds in a twist. | 0:07:14 | 0:07:18 | |
I think that is a particularly nice setting. | 0:07:18 | 0:07:23 | |
If we could just ask the trader what is the caratage? | 0:07:23 | 0:07:27 | |
Each diamond is about 0.4, at least 0.4. | 0:07:27 | 0:07:33 | |
At least 0.4? | 0:07:33 | 0:07:35 | |
Yeah. So it is at least 0.8 together. | 0:07:35 | 0:07:38 | |
So we've nearly got a carat of diamonds there. Shall I try it on? | 0:07:38 | 0:07:41 | |
LAUGHTER | 0:07:41 | 0:07:43 | |
-Try it on. -Better on you than me. -Yeah. Let's see. | 0:07:43 | 0:07:48 | |
-Yes. -What do you think? | 0:07:50 | 0:07:52 | |
Just the job, probably a little bit too expensive for us. | 0:07:52 | 0:07:55 | |
-What sort of price is this? -480. -480? | 0:07:55 | 0:08:01 | |
It's 18 carat white gold. | 0:08:02 | 0:08:06 | |
People like a white gold setting or a platinum setting. | 0:08:06 | 0:08:09 | |
It's 480, it's a lot of money, | 0:08:11 | 0:08:15 | |
but a good - a carat of diamonds, is just about £1,000. | 0:08:15 | 0:08:21 | |
-That is a good point for it. -You've got a lot of diamond there. | 0:08:21 | 0:08:24 | |
-I'd like to get it cheaper than that. -I think you should. | 0:08:24 | 0:08:30 | |
-I wonder if we bought both of those, would that...? -Yes, certainly. | 0:08:30 | 0:08:35 | |
We can make you an offer on it? Because these are two good items. | 0:08:35 | 0:08:39 | |
-Yeah. -You're thinking more like 500 for the two or something like that? | 0:08:39 | 0:08:43 | |
-Yeah. -Would you do two for 500? | 0:08:43 | 0:08:47 | |
-I can't do 500, the very lowest I can do is 525. -525? | 0:08:47 | 0:08:52 | |
-Yeah. -Could you do 510? | 0:08:52 | 0:08:55 | |
515, I'd do 515. | 0:08:55 | 0:08:58 | |
That sounds good to me. | 0:08:59 | 0:09:02 | |
BOTH: 400 for the ring and 115 for the box. | 0:09:02 | 0:09:06 | |
Yeah, that sounds good. | 0:09:06 | 0:09:09 | |
-Boys, tell me what you think? -Yes. I like that. | 0:09:09 | 0:09:13 | |
Do you want to try the ring? Try the ring on! | 0:09:13 | 0:09:16 | |
LAUGHTER | 0:09:16 | 0:09:19 | |
Looks lovely, Stuart. | 0:09:19 | 0:09:22 | |
-There we are. -Put it on Rory. -It fits perfectly! | 0:09:22 | 0:09:26 | |
The boys are roaring into the lead. | 0:09:27 | 0:09:29 | |
What are the girls looking at though? | 0:09:29 | 0:09:33 | |
We saw something unusual and rare, tell me what you think. | 0:09:33 | 0:09:37 | |
-Now, sit yourself on there and just tell me what you think about this bench. -Sit on it? | 0:09:40 | 0:09:45 | |
-Yeah. -Is it safe to sit on? -Yeah, of course it is. | 0:09:45 | 0:09:49 | |
-There's no worms or anything? -There is no worms. Do you like that? | 0:09:49 | 0:09:53 | |
-Erm. -It is rustic. It's quirky. | 0:09:53 | 0:09:57 | |
-Do you know what it is? -No? | 0:09:57 | 0:10:00 | |
-It's what we call a pig bench. It's used for slaughtering pigs on. -No! | 0:10:00 | 0:10:07 | |
'No, Nick, no! They're animal lovers!' | 0:10:07 | 0:10:11 | |
-Oh no. -This is rustic social history something like this. | 0:10:11 | 0:10:17 | |
You can see the handles you carry it with on either end, | 0:10:17 | 0:10:20 | |
you can see where all the chop marks have been over the years. | 0:10:20 | 0:10:25 | |
-Do you like that? -No. -Am I winning you over yet? -No. | 0:10:25 | 0:10:28 | |
-I wonder how the other team are getting on? -Not as well as us. | 0:10:29 | 0:10:33 | |
LAUGHTER | 0:10:33 | 0:10:36 | |
-Think of it - what they were wanting for the two items was... -675. | 0:10:36 | 0:10:41 | |
And we got them for 515. | 0:10:41 | 0:10:43 | |
That's it, give yourselves a pat on the back. | 0:10:43 | 0:10:46 | |
-Come on, Nick, find something they like. -This caught my eye. | 0:10:46 | 0:10:50 | |
There is a this fantastic lighting and wonderful Deco | 0:10:50 | 0:10:55 | |
appeal in here, I think this might be worth a good rummage. | 0:10:55 | 0:10:58 | |
-We've got 85 left now. -I think we need to get something mad. | 0:10:58 | 0:11:03 | |
Let's get something mad! | 0:11:03 | 0:11:05 | |
What about that light up there? It's like Saturn or something. | 0:11:05 | 0:11:09 | |
Come on, girls, focus. | 0:11:09 | 0:11:12 | |
Wave! | 0:11:12 | 0:11:14 | |
LAUGHTER | 0:11:14 | 0:11:16 | |
What do you think? do you like that? It's a classic art nouveau shape, it's solid silver. | 0:11:21 | 0:11:25 | |
This is how you verify silver, | 0:11:25 | 0:11:28 | |
you have the lion for English standard hallmarked silver. | 0:11:28 | 0:11:32 | |
You've the little anchor in the corner which tells us it is | 0:11:32 | 0:11:35 | |
made in Birmingham. Yeah, it is Birmingham. | 0:11:35 | 0:11:37 | |
Then the date letter which is important because they reproduce a lot of this Art Nouveau silverware. | 0:11:37 | 0:11:42 | |
But that tells us it was made in the Edwardian era, 1905-08. | 0:11:42 | 0:11:47 | |
-That sort of area. -What's this? | 0:11:47 | 0:11:49 | |
-This is all original. -I know but it's faded. -That doesn't matter. | 0:11:49 | 0:11:53 | |
That just adds to the prestige and antiquity of it, that's not a bad thing. | 0:11:53 | 0:12:00 | |
But a little bit of damage in the corner, but you can forgive that, it is such a beautiful thing. | 0:12:00 | 0:12:04 | |
-Do we know how much it is, have you asked the lady? -No. | 0:12:04 | 0:12:08 | |
-Excuse me, how much is it please? -The silver frame? 250? | 0:12:08 | 0:12:12 | |
-250? I don't think that's too bad. -Do you think there's a profit in that? | 0:12:12 | 0:12:16 | |
I would certainly hope so, | 0:12:16 | 0:12:18 | |
I would expect it to make at auction around the 250 mark so... | 0:12:18 | 0:12:23 | |
-Would something around 200 be acceptable? -I could do two. | 0:12:25 | 0:12:28 | |
-Just two. -That would be the death? -Yes. | 0:12:28 | 0:12:32 | |
-I don't think that's a bad buy, do you like it? -I do like it. -Do you like it enough to buy it? | 0:12:32 | 0:12:37 | |
I like the fact it is blue. | 0:12:37 | 0:12:39 | |
You're the expert, if you think, we will go with that. | 0:12:39 | 0:12:42 | |
-I'm happy with the price, if you're happy with the object? -You're happy? | 0:12:42 | 0:12:45 | |
-Yes, I like it. -'Time is ticking away, girls.' | 0:12:45 | 0:12:49 | |
-Are we edging towards a decision? -It was never going to be easy. | 0:12:49 | 0:12:54 | |
-Quite right. -Yes. | 0:12:54 | 0:12:56 | |
-Yeah, we will have that. -Will we give this nice lady £200? | 0:12:56 | 0:12:59 | |
-We certainly are. -Brilliant stuff. -thank you very much. -That's terrific. | 0:12:59 | 0:13:02 | |
Hooray! | 0:13:02 | 0:13:04 | |
Formula One racing driver. | 0:13:04 | 0:13:07 | |
If it'd been signed by David Coulthard it wouldn't half be worth some money. | 0:13:07 | 0:13:12 | |
The Reds are in pole position but the blues haven't moved an inch. | 0:13:12 | 0:13:15 | |
-Nothing else has captured your eye in here? -Well, yes! | 0:13:15 | 0:13:20 | |
-What something on here? -Do you put tea in it? -The caddy? | 0:13:20 | 0:13:24 | |
-You like this as well. -Right. -It is a fabulous object. -It's heavy. | 0:13:24 | 0:13:30 | |
-This is polished pewter of course. -Look at that. | 0:13:30 | 0:13:33 | |
-That's been hammered, hasn't it? -Yes, this is proper handicraft. | 0:13:33 | 0:13:38 | |
It's the sort of thing that visually will sell well. | 0:13:38 | 0:13:40 | |
Arts and Crafts, Art Nouveau, we just touched on with the frame, is so in vogue at the minute. | 0:13:40 | 0:13:45 | |
Sometimes you can attribute these designs to specific schools, | 0:13:45 | 0:13:49 | |
guilds, designers, Birmingham is one that springs to mind. | 0:13:49 | 0:13:53 | |
It's a beautiful thing, this isn't silver though. It is pewter. | 0:13:53 | 0:13:57 | |
Solid pewter. Highly polished to give that silver sheen and effect. | 0:13:57 | 0:14:01 | |
-This is a fantastic thing. -That's beautiful. -Do you know what that is? -No. | 0:14:01 | 0:14:05 | |
This is actually glazed ceramic. | 0:14:05 | 0:14:08 | |
-Right. -That's a piece of pottery under there. | 0:14:08 | 0:14:10 | |
Almost certainly that would be made at the Ruskin factory. | 0:14:10 | 0:14:14 | |
-I think that's beautiful. -Can I have a...? | 0:14:14 | 0:14:17 | |
Wow! It's really heavy. | 0:14:17 | 0:14:19 | |
-It is surprisingly heavy. -That is so tactile. How much is it? | 0:14:19 | 0:14:24 | |
I had 220 in mind for it but because you have bought, | 0:14:24 | 0:14:28 | |
I will do you 180. 180. | 0:14:28 | 0:14:31 | |
I don't think that is a bad price at all. | 0:14:31 | 0:14:34 | |
-You like this, don't you? -Do you think there is some profit in that? | 0:14:35 | 0:14:38 | |
-There should be. It is a super object. I'll be disappointed if there isn't. -I love it. | 0:14:38 | 0:14:44 | |
And I love it as well. Again, it has got the blue, it has everything. | 0:14:44 | 0:14:48 | |
-There's a colour theme going on, girls. Decision made? -Yes. | 0:14:48 | 0:14:51 | |
-You've got a deal. Thank you very very much. -Thank you. | 0:14:51 | 0:14:55 | |
At last, the girls are catching up, | 0:14:55 | 0:14:57 | |
but they're not the only ones to find a little gem. | 0:14:57 | 0:15:00 | |
Are you a Satanist? Are you a Goth? | 0:15:00 | 0:15:04 | |
Are you a Christian? | 0:15:04 | 0:15:06 | |
Anglican, Catholic, it doesn't matter what your denomination is, | 0:15:06 | 0:15:10 | |
you're going to fall in love with this object | 0:15:10 | 0:15:13 | |
which I found on a stall. Look at the workmanship. | 0:15:13 | 0:15:17 | |
This is a silver piece that's been pierced in this cruciform form, | 0:15:17 | 0:15:23 | |
complete with hanging pendant so you could suspend it | 0:15:23 | 0:15:26 | |
from a chatelaine or, more likely, a chain around your neck. | 0:15:26 | 0:15:31 | |
It's identical on each side. | 0:15:31 | 0:15:34 | |
If you look down the sides, | 0:15:34 | 0:15:36 | |
it's been engraved with a continuous trail of foliage, | 0:15:36 | 0:15:40 | |
and it's quite weighty. | 0:15:40 | 0:15:43 | |
All in all, it's a beautifully made little box. | 0:15:43 | 0:15:47 | |
Before I open it up, if you said to me, | 0:15:48 | 0:15:50 | |
"What does it look as if it contains?" | 0:15:50 | 0:15:53 | |
I would say, perhaps a relic. | 0:15:53 | 0:15:56 | |
but if I open this thing up, | 0:15:56 | 0:15:57 | |
look what we've got inside. | 0:15:57 | 0:16:00 | |
We've got a little watch. | 0:16:01 | 0:16:03 | |
This is a Swiss watch movement which has been fitted into | 0:16:05 | 0:16:09 | |
the interior of the crucifix. | 0:16:09 | 0:16:11 | |
An exquisite white dial | 0:16:11 | 0:16:13 | |
with Arabic and Roman numerals in perfect condition | 0:16:13 | 0:16:18 | |
and underneath it, on the plate, appropriately engraved | 0:16:18 | 0:16:23 | |
is a scene showing Adam and Eve | 0:16:23 | 0:16:26 | |
either side of the forbidden fruit tree | 0:16:26 | 0:16:30 | |
with a serpent coiled up against it. | 0:16:30 | 0:16:34 | |
You can imagine the thrill that a padre would have | 0:16:34 | 0:16:38 | |
wearing a little cruciform watch case like this, | 0:16:38 | 0:16:41 | |
opening it up and checking whether it's time for Vespers. | 0:16:41 | 0:16:45 | |
On the reverse, the identical reverse, | 0:16:45 | 0:16:48 | |
I'll open that up, you've got a plain plate with two holes. | 0:16:48 | 0:16:52 | |
One hole is for winding the watch movement | 0:16:52 | 0:16:56 | |
and the other is for adjusting the hands. | 0:16:56 | 0:16:59 | |
All in all, this is a perfect little piece. | 0:16:59 | 0:17:02 | |
It has no marks. | 0:17:02 | 0:17:05 | |
There's no indication of the country of origin | 0:17:05 | 0:17:08 | |
but I would guess France or Italy. | 0:17:08 | 0:17:10 | |
No indication of the period | 0:17:10 | 0:17:14 | |
but the period of the watch is around 1840 to 1880. | 0:17:14 | 0:17:19 | |
What's an exquisite little thing like this worth? | 0:17:19 | 0:17:23 | |
Well, it's priced up at £420. | 0:17:23 | 0:17:27 | |
God bless! | 0:17:28 | 0:17:30 | |
And let's say a prayer for the teams | 0:17:30 | 0:17:33 | |
who've still got one more item to find. | 0:17:33 | 0:17:35 | |
-How much is your Mamod? -£100. | 0:17:35 | 0:17:39 | |
-£100? -Yes. Negotiable. | 0:17:39 | 0:17:43 | |
-That's what I like to hear! -THEY LAUGH | 0:17:43 | 0:17:47 | |
-Can we've a wee look at it? -Yes. There's the wagon as well at the side there. | 0:17:47 | 0:17:50 | |
-Stuart, you had one of these. -I had one of these. -You had one of those? | 0:17:50 | 0:17:54 | |
-In good condition. -It was the fuel pellets you had to have. -Show me how you worked it. | 0:17:54 | 0:17:58 | |
-Did you play with it as a child? -Yes, I did. | 0:17:58 | 0:18:01 | |
What you used to do | 0:18:01 | 0:18:04 | |
is you pull this out and you put your fuel pellets in there. | 0:18:04 | 0:18:09 | |
Light it, put it back in... | 0:18:09 | 0:18:11 | |
-But that's an old... -This is an older one than the one I had, isn't it? | 0:18:11 | 0:18:15 | |
You put some water in there and you could pull this down | 0:18:15 | 0:18:18 | |
and it would make sounds and steam and everything. | 0:18:18 | 0:18:20 | |
-So this is bringing back happy memories. -That's bringing back a lot of happy memories. | 0:18:20 | 0:18:25 | |
-This is an older one than yours. -Yes, an older one than mine. | 0:18:25 | 0:18:28 | |
-This, the wagon is to go with it. -Yes, yeah. | 0:18:28 | 0:18:31 | |
- All in original boxes. - Brilliant. | 0:18:31 | 0:18:35 | |
What sort of date with this one be? | 0:18:35 | 0:18:38 | |
Around about '50s, going into '60s, yeah. | 0:18:38 | 0:18:43 | |
-It's a boy's toy. -Definitely a boy's toy. | 0:18:43 | 0:18:46 | |
-Definitely a boy's toy, this is. -Right, right. | 0:18:46 | 0:18:50 | |
-Do you like it? -I do. | 0:18:50 | 0:18:51 | |
-You've fallen in love with that. -I have, yes, I have. | 0:18:51 | 0:18:54 | |
We got 85 and we got to leave you with some so... | 0:18:54 | 0:18:57 | |
-Could you do it for 50? -Oh, no. -It's too far. -Too far, yes. | 0:18:58 | 0:19:04 | |
-I was going to say £80. I would do it for £80. -What does that leave me? | 0:19:04 | 0:19:07 | |
-70? -A fiver. | 0:19:07 | 0:19:09 | |
-A fiver. -Could you do it for 70 and then she's got 15? | 0:19:09 | 0:19:12 | |
-£75, that's it. -75. -Yeah! | 0:19:12 | 0:19:15 | |
You reckon it would be... | 0:19:15 | 0:19:18 | |
Yeah, I'll just go and buy another diamond ring for a tenner. | 0:19:18 | 0:19:20 | |
I do love your confidence, Anita. | 0:19:20 | 0:19:23 | |
And the blue team have taken their foot off the gas too. | 0:19:23 | 0:19:27 | |
We've still got a fair chunk of our budget left so there's no panic now. | 0:19:27 | 0:19:32 | |
And of course we've always got that fantastic pig table we can go back to. | 0:19:32 | 0:19:37 | |
I've not given up on that yet. | 0:19:37 | 0:19:40 | |
Half an hour, three items, we've spent all our money. | 0:19:40 | 0:19:43 | |
ALL: # We are the champions! # | 0:19:44 | 0:19:46 | |
Now, this is interesting because, again, there's a real theme here. | 0:19:47 | 0:19:51 | |
You've got quite a collection of art nouveau period jewellery here. | 0:19:51 | 0:19:55 | |
All circa 1900 and those great, sort of, | 0:19:55 | 0:19:58 | |
art nouveau flowing lines and motifs. | 0:19:58 | 0:20:00 | |
-There's a pearl drop there. -Oh, that little pendant. | 0:20:00 | 0:20:04 | |
That's pretty, isn't it? | 0:20:04 | 0:20:06 | |
What sort of money are we looking for on the pendant? | 0:20:06 | 0:20:10 | |
-The art nouveau one? -Yes. | 0:20:10 | 0:20:12 | |
Well, I've got 85 on it but I'll do it for 60. | 0:20:12 | 0:20:15 | |
That's not a bad price really. How do you feel about that? | 0:20:15 | 0:20:18 | |
Is it possible we could have a look at it please? | 0:20:18 | 0:20:20 | |
-There you go. -Shall we have a closer... | 0:20:20 | 0:20:22 | |
Let's get one of these little magic gadgets out that tells all. | 0:20:22 | 0:20:26 | |
Just flip it over onto there. | 0:20:26 | 0:20:28 | |
So, what we need to find is some marks to indicate that it's gold. | 0:20:28 | 0:20:33 | |
If you're ever so lucky, | 0:20:33 | 0:20:35 | |
you can sometimes get a little maker's mark on there as well. | 0:20:35 | 0:20:38 | |
Can't see a mark. | 0:20:38 | 0:20:40 | |
Um... Well, I suggest it IS going to be gold. | 0:20:41 | 0:20:44 | |
They're more often nine or 15 carat for this period. | 0:20:44 | 0:20:48 | |
It's not stamped but it's not a major issue really. | 0:20:48 | 0:20:52 | |
This would date to about 1900. | 0:20:52 | 0:20:54 | |
It's right slap bang in the art nouveau period there. | 0:20:54 | 0:20:57 | |
It's very much in line with the other purchases you've made. | 0:20:57 | 0:21:00 | |
-What are the little dots? -These are seed pearls. -Right. | 0:21:00 | 0:21:04 | |
Then you've got a blister pearl at the bottom there. | 0:21:04 | 0:21:07 | |
There's a lovely red stone in there which will either be a garnet or a ruby. | 0:21:07 | 0:21:11 | |
It's difficult to tell in this light but it'll be one or the other. | 0:21:11 | 0:21:15 | |
It'll be a nice gemstone. | 0:21:15 | 0:21:16 | |
How flexible would the price be? | 0:21:16 | 0:21:18 | |
Because you're missing a stamp? | 0:21:18 | 0:21:20 | |
Because we're missing a stamp and it's our last item | 0:21:20 | 0:21:24 | |
and we'll go and have a cup of tea and go home. | 0:21:24 | 0:21:27 | |
Providing you bring one back for me? 10, I'll take another 10 off. | 0:21:27 | 0:21:30 | |
-So £50 and a cup of tea? -Yes. -That doesn't sound like a bad deal. | 0:21:30 | 0:21:33 | |
-Can I have a feel? -Absolutely. -Do you think that would make a profit? | 0:21:33 | 0:21:38 | |
That's got to be worth over £50. I'll be shocked if it wasn't. | 0:21:38 | 0:21:42 | |
It's a nice thing. | 0:21:42 | 0:21:43 | |
-What do we think? -It's a go-er. | 0:21:43 | 0:21:45 | |
-I think we're there, do you? -Yes. -We're happy with that? -Yes. | 0:21:45 | 0:21:48 | |
-We're going to give this lady £50 and a cup of tea? -Yes. | 0:21:48 | 0:21:51 | |
-My only question, madame, is how do you take it? -No sugar. -No sugar. Great. | 0:21:51 | 0:21:54 | |
That's it. Time's up. | 0:21:54 | 0:21:57 | |
So, what are the teams taking to auction? | 0:21:57 | 0:22:01 | |
The Reds reckon they've got an open and shut case | 0:22:01 | 0:22:04 | |
with the silver box at £115. | 0:22:04 | 0:22:06 | |
And the diamond ring certainly put a twinkle in Anita's eye at £400. | 0:22:10 | 0:22:15 | |
And it's full steam ahead for the boys' toy tractor. | 0:22:15 | 0:22:19 | |
They are magnificent, aren't they? This is a magnificent team. | 0:22:22 | 0:22:26 | |
How much did you spend overall? | 0:22:26 | 0:22:27 | |
£590! | 0:22:27 | 0:22:31 | |
Yes, that's so cool, that £590. | 0:22:31 | 0:22:34 | |
-You've done well, haven't you, Stephen? -We're very pleased. | 0:22:34 | 0:22:37 | |
We did it in record time, half-an-hour. | 0:22:37 | 0:22:39 | |
-Half-an-hour, I can't believe it. How was it for you, Stu? -Loved it. | 0:22:39 | 0:22:43 | |
It brought back a lot of childhood memories | 0:22:43 | 0:22:46 | |
-with one of the items we've bought, the steam train. -Good, good. | 0:22:46 | 0:22:49 | |
So you spent the £590, which piece will bring the biggest profit do you think? | 0:22:49 | 0:22:53 | |
Well, I'm hoping it's going to be the steam train. | 0:22:53 | 0:22:56 | |
-Do you agree with that? -No, I think the diamond ring. | 0:22:56 | 0:22:58 | |
-You think the diamond ring, do you? -Yes, it's nearly a carat. | 0:22:58 | 0:23:01 | |
Yes that is a carrot, isn't it? A carat is a carrot! | 0:23:01 | 0:23:04 | |
And, of course, some of these girls, they do know about diamonds. | 0:23:04 | 0:23:07 | |
They are a girl's best friend. | 0:23:07 | 0:23:10 | |
Anyway, Anita, £590 has gone down the drain, | 0:23:10 | 0:23:12 | |
that means you've only got £10 of leftover lolly. | 0:23:12 | 0:23:15 | |
-Where is that, please? -I've got it here. -You've got it there, very good. | 0:23:15 | 0:23:18 | |
You give it to me, I check it out, I give it to her, that's what the union says, right? | 0:23:18 | 0:23:21 | |
We're all in with this together. | 0:23:21 | 0:23:23 | |
Not a lot to spend, Anita, but it's in capable hands. Lovely. | 0:23:23 | 0:23:26 | |
Why don't we check out what the blues bought, eh? | 0:23:26 | 0:23:30 | |
The girls' enamelled frame is pretty, | 0:23:30 | 0:23:33 | |
but not picture perfect. | 0:23:33 | 0:23:35 | |
I think the arts and crafts tea caddy could be really hot stuff. | 0:23:37 | 0:23:41 | |
But will the pendant be the jewel in their crown? | 0:23:41 | 0:23:45 | |
So, what's this then, a tea party or something? | 0:23:48 | 0:23:51 | |
No, this is part of the deal. | 0:23:51 | 0:23:54 | |
-We swung the deal for £50 and a cuppa, wasn't it? -Yeah. | 0:23:54 | 0:23:57 | |
-So you had a good time? -Fabulous. -Fantastic. | 0:23:57 | 0:24:00 | |
-What's your favourite piece, Al? Alison! -I think the tea caddy. | 0:24:00 | 0:24:05 | |
-Absolutely beautiful. -What about you, Alison? | 0:24:05 | 0:24:07 | |
Yeah, that was definitely my favourite. | 0:24:07 | 0:24:10 | |
It's heavy and it's clean and it's sparkly and it's great. | 0:24:10 | 0:24:13 | |
Yes, a bit like Nick, clean and sparkly. | 0:24:13 | 0:24:15 | |
-Nice of you to notice. -Solid and reliable. -Well riveted! | 0:24:15 | 0:24:18 | |
-Well, I wouldn't know about that. -An antique, yeah(!) | 0:24:18 | 0:24:21 | |
-Very good, how much did you spend all around? -We spent £430. -430. | 0:24:21 | 0:24:26 | |
I'd like £170 back, please. | 0:24:26 | 0:24:28 | |
-SHE SIGHS -OK. | 0:24:28 | 0:24:30 | |
-You don't really like passing that over like that, did you? -No, I didn't. | 0:24:30 | 0:24:33 | |
No, I could tell that. | 0:24:33 | 0:24:35 | |
-The girl guide in you was not guiding your hand towards mine. -No! | 0:24:35 | 0:24:39 | |
-But my hand is inevitably drawn to yours, Nicholas. -Thank you, Tim. | 0:24:39 | 0:24:42 | |
It's a nice little wodge, isn't it? You got your cup of tea, you've got your money. | 0:24:42 | 0:24:45 | |
-I've got to go and deliver this. -You better go and do that. | 0:24:45 | 0:24:48 | |
You go and have your cup of tea and warm up. | 0:24:48 | 0:24:50 | |
Meanwhile, we're heading off to Cannon Hall in Barnsley | 0:24:50 | 0:24:53 | |
where I hope it's going to be a little less parky than it is here. | 0:24:53 | 0:24:56 | |
When Barnsley Council bought this place in the 1950s, | 0:24:59 | 0:25:03 | |
it was an empty shell, so they went antiques hunting to fit it out. | 0:25:03 | 0:25:08 | |
And what a brilliant job they've done! | 0:25:08 | 0:25:11 | |
I mean, does this not look like the quintessential Georgian drawing room, | 0:25:11 | 0:25:16 | |
all set out for afternoon tea? | 0:25:16 | 0:25:19 | |
They've done phenomenally well, | 0:25:19 | 0:25:22 | |
principally because they sourced the very best of furniture. | 0:25:22 | 0:25:26 | |
But the furnishings also include delicious paintings, | 0:25:26 | 0:25:29 | |
including a portrait by Constable. | 0:25:29 | 0:25:33 | |
But the piece in this room for me is this little joker, | 0:25:33 | 0:25:37 | |
partly because of its size - | 0:25:37 | 0:25:39 | |
it's the sort of object that would fit very nicely in the back of my car, | 0:25:39 | 0:25:44 | |
it comes in two parts - | 0:25:44 | 0:25:46 | |
and also it would fit into a small flat for modern-day living. | 0:25:46 | 0:25:51 | |
It was made around 1680 to 1700 | 0:25:52 | 0:25:55 | |
and the striking feature of this thing | 0:25:55 | 0:25:58 | |
is the timber that's been used in its veneers. | 0:25:58 | 0:26:02 | |
These things are called oysters because the shape of the veneer | 0:26:02 | 0:26:08 | |
that you see there has been cut from the branch of a tree, | 0:26:08 | 0:26:12 | |
making that oyster-type shape. | 0:26:12 | 0:26:15 | |
And because the branch of the tree is not particularly large, | 0:26:15 | 0:26:20 | |
you need a lot of these oysters to completely cover a surface, | 0:26:20 | 0:26:25 | |
which is how you get these intriguing shapes. | 0:26:25 | 0:26:29 | |
The timber that's been used is often referred to as laburnum these days. | 0:26:29 | 0:26:35 | |
But in the old days, it was sometimes called cocus or stick wood. | 0:26:35 | 0:26:42 | |
What we see on the outside today is rather gingery in colour. | 0:26:42 | 0:26:45 | |
But if I open up the cabinet door, you can see the original colour | 0:26:45 | 0:26:50 | |
was incredibly deep and rich and luxurious. | 0:26:50 | 0:26:55 | |
This is the colour scheme | 0:26:55 | 0:26:56 | |
that would have covered the whole of this piece of furniture. | 0:26:56 | 0:27:01 | |
The doors enclose its function, | 0:27:01 | 0:27:04 | |
because all these little drawers would be incredibly useful | 0:27:04 | 0:27:08 | |
for the storage of papers and little personal effects. | 0:27:08 | 0:27:12 | |
Now, a tip for anybody who's looking for a cabinet on a stand like this - | 0:27:13 | 0:27:18 | |
I would suggest you pull out the bottom drawer of the upper part | 0:27:18 | 0:27:24 | |
and if you pull out the draw on the lower part, | 0:27:24 | 0:27:27 | |
compare carefully the timber and dovetails from top to bottom. | 0:27:27 | 0:27:33 | |
Because very often, the top part - the cabinet bit - | 0:27:33 | 0:27:36 | |
is different to the bottom part. | 0:27:36 | 0:27:39 | |
But in this case, they match up perfectly, which is great. | 0:27:39 | 0:27:43 | |
And while we're down here, | 0:27:43 | 0:27:45 | |
you should look at these barley twist turned supports. | 0:27:45 | 0:27:48 | |
They're turned out of a solid lump of laburnum and, | 0:27:49 | 0:27:52 | |
quite frankly, they're in perfect condition. | 0:27:52 | 0:27:55 | |
This piece has been treasured for over 300 years. | 0:27:55 | 0:27:59 | |
The big question today is, of course, | 0:27:59 | 0:28:01 | |
will anybody be treasuring our teams over at the auction? | 0:28:01 | 0:28:06 | |
We've come to Gilding's Saleroom in Market Harborough, | 0:28:07 | 0:28:10 | |
where auctioneer Mark Gilding is in the hot seat. | 0:28:10 | 0:28:13 | |
Now, first up on this special double-up day, | 0:28:13 | 0:28:16 | |
our team have gone with this duo number - | 0:28:16 | 0:28:18 | |
that's the embossed box and the crossover diamond ring. | 0:28:18 | 0:28:23 | |
They've divided the purchase price | 0:28:23 | 0:28:25 | |
and apparently the part apportioned to the silver box is £115. | 0:28:25 | 0:28:30 | |
-Well, that's a bit of a surprise. -You look nonplussed. | 0:28:30 | 0:28:32 | |
-Do you think that's too much? -I do. I think that's way too much. | 0:28:32 | 0:28:35 | |
They should have put a bit more on to the ring, in my opinion. | 0:28:35 | 0:28:39 | |
-What do you reckon it'll bring? -40 to 60. -Oh, Lord! | 0:28:39 | 0:28:42 | |
That's a bit off, isn't it? Then it begs the question, | 0:28:42 | 0:28:44 | |
-how much do you think the crossover ring is going to bring? -300 to 400. | 0:28:44 | 0:28:47 | |
Ah, that's a bit more hopeful, because the attributed price to that is £400. | 0:28:47 | 0:28:51 | |
-Oh, closer. -So, 300 to 400 is your estimate on that. | 0:28:51 | 0:28:55 | |
And they're already, potentially, £50 or £60 shy on the silver box. | 0:28:55 | 0:29:00 | |
-This is not looking so happy, is it? -No, it's not. | 0:29:00 | 0:29:05 | |
Well, it's going to be for them... It's either silver or jewellery buyers, or toy buyers. | 0:29:05 | 0:29:09 | |
This is a magnificent little ensemble, this Mamod thing, isn't it? | 0:29:09 | 0:29:12 | |
-It is. Yeah, I like that. -I think it's unbelievable - this thing's absolutely unplayed with. | 0:29:12 | 0:29:18 | |
-In its box, plus the trailer. -Yep, a good set. | 0:29:18 | 0:29:20 | |
-How much, then, Mark? -50 to 70. -OK, £75 they paid. | 0:29:20 | 0:29:24 | |
-But it could go a bit more, couldn't it? -It could do, yes. | 0:29:24 | 0:29:27 | |
Nice with the boxes. We'll have to see what the demand is in the sale. | 0:29:27 | 0:29:30 | |
So if the worst comes to the worst, they've spent 590, | 0:29:30 | 0:29:33 | |
they left Anita with £10 for her bonus buy. | 0:29:33 | 0:29:36 | |
Let's go and have a look at it. | 0:29:36 | 0:29:38 | |
Now, Stephen and Stuart, you spent nearly all the money. | 0:29:38 | 0:29:41 | |
You spent £590, | 0:29:41 | 0:29:44 | |
giving poor Anita just a tenner to spend. So, Anita, | 0:29:44 | 0:29:48 | |
-show us what you spent. -Well, I spent every penny of the £10. -Fantastic! | 0:29:48 | 0:29:53 | |
I bought something very, very silly but I hope you like it. | 0:29:53 | 0:29:57 | |
-ANITA CHUCKLES -OK, yes. | 0:29:58 | 0:30:00 | |
It's an advertising sign from about the 1910, 1920s, | 0:30:02 | 0:30:06 | |
and what's happening here is that this lady is making | 0:30:06 | 0:30:10 | |
spectacles look elegance itself. | 0:30:10 | 0:30:14 | |
-Elegant and glamorous, yes. -You can just see the spectacles. | 0:30:14 | 0:30:19 | |
-So an optician would have this on their wall? -Yes. | 0:30:19 | 0:30:22 | |
So it was £10, and how much do you reckon it'll make? | 0:30:22 | 0:30:26 | |
I have absolutely no idea! | 0:30:26 | 0:30:28 | |
If you say 15, I'll be convinced. | 0:30:28 | 0:30:31 | |
I know. I mean, it's just a bit of fun. | 0:30:31 | 0:30:33 | |
-Hopefully, it will amuse someone... -I'm sure it will. -..and they'll pay £50 for it! | 0:30:33 | 0:30:37 | |
-They won't pay 50 but... -We can't lose a lot of money on it, anyway. | 0:30:37 | 0:30:41 | |
-It might make £20 on a good day. -I think that's super. I really do. | 0:30:41 | 0:30:45 | |
The fact of the matter is, | 0:30:45 | 0:30:47 | |
you didn't give Anita much of a chance, did you, with the £10? So well done, Anita, for that. | 0:30:47 | 0:30:51 | |
But for the audience at home, | 0:30:51 | 0:30:52 | |
let's find out what the auctioneer thinks about Anita's rimless picture. | 0:30:52 | 0:30:56 | |
So, Mark, does this remind you of anybody? Anita Manning in specs? | 0:30:58 | 0:31:02 | |
When you think of the millions spent on advertising today | 0:31:02 | 0:31:06 | |
by high-street spectacle shops, this fair takes your breath away, doesn't it? | 0:31:06 | 0:31:10 | |
-It does, yes. Not in a good way. -No. | 0:31:10 | 0:31:12 | |
I mean, difficult for you to sell. | 0:31:12 | 0:31:15 | |
Well, I think she did well to find something for £10. | 0:31:15 | 0:31:17 | |
But it really isn't going to make a lot. | 0:31:17 | 0:31:21 | |
-Might make £10. -If we're lucky. | 0:31:21 | 0:31:23 | |
On a good day. Anyway, that's it for the Reds. Now for the Blues, Alison and Alison. | 0:31:23 | 0:31:28 | |
Their first item is the photo frame, | 0:31:28 | 0:31:31 | |
-which they got really excited about, I have to tell you. -Yes. | 0:31:31 | 0:31:35 | |
Well, I really do want to like this. | 0:31:35 | 0:31:37 | |
There's a couple of things that just put me off. | 0:31:37 | 0:31:40 | |
Mainly the condition - there's a big crease in the silver over here | 0:31:40 | 0:31:44 | |
and quite a few chips to the enamel. One like this, | 0:31:44 | 0:31:48 | |
in good order, would be £300, £400, | 0:31:48 | 0:31:51 | |
so they would have made a reasonable profit. | 0:31:51 | 0:31:54 | |
-But it really brings me down to 60 to 80. -Does it? -It does. | 0:31:54 | 0:31:58 | |
That's right down, isn't it? 60 to 80. Lordy! | 0:31:58 | 0:32:01 | |
What about the pewter and Ruskin mounted pot? | 0:32:01 | 0:32:07 | |
Yeah, again, I like this, | 0:32:07 | 0:32:08 | |
and I've be been pretty mean with my estimate, I think, on this. | 0:32:08 | 0:32:12 | |
-I've said 60 to 80. -You're in a rut here, aren't you, | 0:32:12 | 0:32:15 | |
with this 60 to something or other? | 0:32:15 | 0:32:17 | |
-I mean, they paid £180 for that. -Well, right. | 0:32:17 | 0:32:20 | |
OK, fine, you've been a bit mean but that's OK. | 0:32:20 | 0:32:23 | |
Auctioneers sometimes have a modest estimating process | 0:32:23 | 0:32:26 | |
to draw people in. | 0:32:26 | 0:32:28 | |
What do you really, really think this might make? | 0:32:28 | 0:32:31 | |
-I think it might make 200. -Oh, do you? | 0:32:31 | 0:32:34 | |
Well, there you are, you see. | 0:32:34 | 0:32:36 | |
We're feeling better already. And what about the Edwardian pendant? | 0:32:36 | 0:32:40 | |
Nice quality Edwardian bit of jewellery, | 0:32:40 | 0:32:43 | |
but not particularly in fashion. | 0:32:43 | 0:32:45 | |
-£30 to £40. -OK, £50 paid so that's not so far off. | 0:32:45 | 0:32:49 | |
The killer here is going to be the enamel photo frame | 0:32:49 | 0:32:53 | |
and by jingo, if you're right, they'll need their bonus buy. Let's go and have a look at it. | 0:32:53 | 0:32:58 | |
To prevent you from having the pleasure of the sudden appearance | 0:32:58 | 0:33:02 | |
of this lump, we blindfolded you, so would you mind, please, | 0:33:02 | 0:33:06 | |
taking off your blindfolds now? | 0:33:06 | 0:33:07 | |
I knew it! | 0:33:09 | 0:33:11 | |
-Now, as you well know, this is a Victorian pig bench. -Yes. -Yes. | 0:33:11 | 0:33:17 | |
A wonderful bit of agricultural social history for slaughtering pigs on. | 0:33:17 | 0:33:22 | |
THE ALISONS CHUCKLE | 0:33:22 | 0:33:24 | |
Now, I can see you're bowled over with enthusiasm for this. | 0:33:24 | 0:33:27 | |
Just so pleased to see it again(!) | 0:33:27 | 0:33:29 | |
Why didn't you like it first time round, Alison? | 0:33:29 | 0:33:32 | |
I think because it just looked like a bench, for a start, | 0:33:32 | 0:33:36 | |
and then the history of it. | 0:33:36 | 0:33:38 | |
-What, the blood? -Yes. And the chopping and the... -Yes, yeah. | 0:33:38 | 0:33:43 | |
-..slicing and the squealing. -And the squealing! | 0:33:43 | 0:33:47 | |
Do you want to know what I paid for it? | 0:33:47 | 0:33:49 | |
How much did you leave me to spend? | 0:33:49 | 0:33:51 | |
-170. -£170. I was very frugal - I only spent 120 of it. | 0:33:51 | 0:33:56 | |
-Do you think it's going to bring home the bacon? -Oh! | 0:33:56 | 0:33:59 | |
Well, you don't pick right now, you pick later. | 0:33:59 | 0:34:02 | |
But for the audience at home, let's have a bit of fun now | 0:34:02 | 0:34:04 | |
and find out what the auctioneer thinks about Nick's pig bench. | 0:34:04 | 0:34:08 | |
I'm looking forward to your view on this, Mark, because it's, er, | 0:34:09 | 0:34:12 | |
an unusual object to have about the house, isn't it? | 0:34:12 | 0:34:15 | |
It is, yeah. We don't get to see too many of these in Market Harborough. | 0:34:15 | 0:34:19 | |
Do you see it as a talking point in the front room? | 0:34:19 | 0:34:21 | |
You don't have a coffee table - you have a pig sticking bench instead? | 0:34:21 | 0:34:26 | |
No, I think this is pretty awful, to be honest. | 0:34:26 | 0:34:28 | |
It's a garden bench for someone, I think. | 0:34:28 | 0:34:30 | |
-£30 to £40 is where I end up. -Do you? I think that's extremely generous of you. | 0:34:30 | 0:34:34 | |
£120 was paid for the pig sticking bench. | 0:34:34 | 0:34:38 | |
Let's just hope the teams don't go with it, eh? | 0:34:38 | 0:34:41 | |
-Anyway, good luck on the rostrum. -Thank you. -Thanks, Mark. | 0:34:43 | 0:34:46 | |
-OK, boys, how you feeling? Confident? -I am confident. | 0:34:53 | 0:34:56 | |
First up is the embossed box, and here it comes. | 0:34:56 | 0:34:59 | |
Embossed with flowers and scrolls. Birmingham, 1904. | 0:34:59 | 0:35:02 | |
£10, £20, £30, | 0:35:03 | 0:35:05 | |
£40, £50 I'm bid. | 0:35:05 | 0:35:08 | |
50 bid. Here with me then at £50. 50 bid. | 0:35:09 | 0:35:11 | |
Five - do I see a 55? 60? £60. | 0:35:11 | 0:35:13 | |
At five, I'll take. | 0:35:13 | 0:35:15 | |
65, 70. £70 I'm bid. At £70. | 0:35:15 | 0:35:18 | |
75 now with the internet and I'm out. At 75, all out in the room? | 0:35:18 | 0:35:21 | |
-It's on the internet. -75? | 0:35:21 | 0:35:23 | |
-With the internet, then the bid £75 and selling. -Disappointing, this. | 0:35:23 | 0:35:28 | |
£75, I'm afraid. | 0:35:28 | 0:35:30 | |
-25, 35. That's minus 40. -Oh, dear. | 0:35:30 | 0:35:32 | |
So I fancy he was right on that. | 0:35:32 | 0:35:35 | |
But now the other half of the equation of your purchase is this ring. | 0:35:35 | 0:35:40 | |
Here it comes. | 0:35:40 | 0:35:41 | |
And bidding starts here at £180. | 0:35:41 | 0:35:44 | |
180, 190, 200. | 0:35:44 | 0:35:47 | |
£200. Bid at 200. | 0:35:48 | 0:35:49 | |
210. With the internet at £210. 210 I'm bid, £210. | 0:35:49 | 0:35:55 | |
£210. 220. In the room now at 220, at 220. | 0:35:55 | 0:35:59 | |
-This is well worth it. -Come on. | 0:35:59 | 0:36:01 | |
220. At £220. 220, 230. I'll take 230. | 0:36:01 | 0:36:05 | |
230, still with the internet. You're all out in the room? | 0:36:05 | 0:36:08 | |
240 do I see? £230. | 0:36:08 | 0:36:11 | |
-Good lord! -I will sell to the internet now at £230. | 0:36:11 | 0:36:14 | |
-£230. -That was very, very cheap. | 0:36:17 | 0:36:20 | |
-It was, definitely. -Very, very cheap. | 0:36:20 | 0:36:23 | |
Minus 170 on that. Now... | 0:36:23 | 0:36:26 | |
here comes the wagon. | 0:36:26 | 0:36:27 | |
What are these worth? £100, are they? | 0:36:27 | 0:36:31 | |
£20 I'm bid. For two of these, 20. I'm bid here £20. | 0:36:31 | 0:36:33 | |
At 20. Five, 30, five, 40. | 0:36:33 | 0:36:36 | |
£40 here. At £40, at 40. | 0:36:36 | 0:36:38 | |
£40. 45, new bidding. 45 here, at 45. 50 I'll take. | 0:36:38 | 0:36:42 | |
It's £45. 50 internet. At £50. | 0:36:42 | 0:36:45 | |
At 55. 50 I'm bid. At 55. | 0:36:45 | 0:36:47 | |
60 I'll take, at 55. | 0:36:47 | 0:36:49 | |
55 - fair warning, then. It's in the room at 60. Now at £60. 65. | 0:36:49 | 0:36:53 | |
-65 I'm bid on the internet. It's your turn. 65 in the room. -Come on! | 0:36:53 | 0:36:56 | |
£65 I'm bid. Can't see you. Internet, then, at 65, | 0:36:56 | 0:37:00 | |
and I WILL sell. | 0:37:00 | 0:37:01 | |
-In the room at £65. 70 - I've got a new bidder. -Yes! -£70. At 75? | 0:37:01 | 0:37:05 | |
75, at 75? Still near the door at 75. | 0:37:05 | 0:37:08 | |
£75 - it wiped its face. Now, are you going with the bonus buy or not? | 0:37:10 | 0:37:13 | |
-Yes. -I think so. -You're going with the bonus buy? | 0:37:13 | 0:37:15 | |
OK, decision made - we're going with the bonus buy. Here it comes. | 0:37:15 | 0:37:18 | |
-It can't lose much, boys! -What are we saying for this? | 0:37:18 | 0:37:20 | |
Well, you tell me. £2 I'm bid. £2 I'm bid here. | 0:37:20 | 0:37:25 | |
At £2. At £2 I'm bid. At £5, I'll take. It's here to be sold. | 0:37:25 | 0:37:28 | |
£2 over here. At £2. £5 - a bid of five. Thank you, I got you. | 0:37:28 | 0:37:32 | |
-£5. At five. With the hand at five. Eight I'll take, at £5. -Yes! | 0:37:32 | 0:37:35 | |
£5 and selling at £5... | 0:37:35 | 0:37:37 | |
Oh, boys, I'm so sorry. | 0:37:39 | 0:37:40 | |
There you have it, then. We're ring fencing the losses at £215. | 0:37:45 | 0:37:50 | |
Could be a winning score! | 0:37:51 | 0:37:53 | |
Could be a winning score, so don't say a thing to the Blues, OK? | 0:37:53 | 0:37:57 | |
BOTH: We won't. | 0:37:57 | 0:37:58 | |
-Do you know how the Reds got on? -No, not a clue. -No idea? | 0:38:04 | 0:38:07 | |
First up, then, is the frame, with the turquoise enamel. Here it comes. | 0:38:07 | 0:38:11 | |
50, 60, 70. £80 I'm bid. | 0:38:11 | 0:38:13 | |
80 I'm bid for the frame here, at 80? At 80? | 0:38:13 | 0:38:16 | |
-Telephone. That's encouraging. -90? £90 bid. At £90, at 90. | 0:38:16 | 0:38:19 | |
90 bid. At £90, at 90. 100. At £100 with the telephone. | 0:38:19 | 0:38:24 | |
£100 I'm bid. | 0:38:24 | 0:38:26 | |
-110 I'll take. 110 now. 110. -110 against you, sir. | 0:38:26 | 0:38:29 | |
Did you want to bid? No, thank you. | 0:38:29 | 0:38:30 | |
Still with the internet, then, at 110. 120, do I see? Telephone? | 0:38:30 | 0:38:34 | |
You're out. It's 110, with the internet. | 0:38:34 | 0:38:36 | |
All out in the room? £110 and will sell at 110. | 0:38:36 | 0:38:40 | |
Oh, boy! Look at that. | 0:38:41 | 0:38:43 | |
110 is minus 90 smackers, girls. | 0:38:43 | 0:38:46 | |
You're going to have to grip hard here. | 0:38:46 | 0:38:48 | |
Now, here comes your pot. | 0:38:48 | 0:38:52 | |
And bidding starts here at £60. | 0:38:52 | 0:38:55 | |
60 I'm bid here. 70, 80? | 0:38:55 | 0:38:59 | |
90, 100. 110 in the room. 110, I'm bid. | 0:38:59 | 0:39:02 | |
£110 bid. 110, 120, now. | 0:39:02 | 0:39:04 | |
-130, 140. -They've got a phone bid on this, as well. -150. 150 bid. | 0:39:04 | 0:39:09 | |
At 150, 160 I'll take. It's 150. | 0:39:09 | 0:39:11 | |
160. 170. | 0:39:11 | 0:39:14 | |
170. 180? 190. | 0:39:14 | 0:39:17 | |
200. 210. | 0:39:18 | 0:39:20 | |
-210 again. -220. 230. | 0:39:20 | 0:39:23 | |
-We're off now. We're off now! -240. 250. | 0:39:23 | 0:39:26 | |
-250 again. -260. | 0:39:26 | 0:39:29 | |
-270. -Grip fast. | 0:39:29 | 0:39:32 | |
280. 290. | 0:39:32 | 0:39:34 | |
-290 again. -300. | 0:39:34 | 0:39:36 | |
I'll take ten if you like - it's £300. 310. Thank you, at 310. 320. | 0:39:38 | 0:39:42 | |
I'll wait again - it's 320. | 0:39:44 | 0:39:47 | |
We're talking £320, here. | 0:39:47 | 0:39:49 | |
£320. Fair warning, then, at 320, and I will sell. | 0:39:49 | 0:39:53 | |
Yes! £320 - | 0:39:53 | 0:39:56 | |
that is a profit of £140. | 0:39:56 | 0:40:00 | |
That's what we like. Less the 90 you had before, right, | 0:40:00 | 0:40:04 | |
means you are plus 50. | 0:40:04 | 0:40:05 | |
-OK, girls. What about the Edwardian pendant? -18, 20, | 0:40:05 | 0:40:09 | |
22, 25, 28, 30. | 0:40:09 | 0:40:11 | |
32. 32? At £32, I'm bid. At 32. | 0:40:11 | 0:40:15 | |
35, 38. 40? | 0:40:15 | 0:40:17 | |
42. 45, 48. | 0:40:17 | 0:40:21 | |
48 - still 48. | 0:40:21 | 0:40:22 | |
You're out at the back. It's £48 here, then. At 48. 50 I'll take. | 0:40:22 | 0:40:26 | |
£48 and selling at 48. | 0:40:26 | 0:40:28 | |
Bad luck - you're minus two on that. | 0:40:28 | 0:40:31 | |
But you are still plus 48 smackers overall. How about that? | 0:40:31 | 0:40:36 | |
-That is a bit of a turn-up, isn't it? Are you feeling good about that, Alison? -Yes. | 0:40:36 | 0:40:40 | |
-Are you feeling good about that, Alison? -Yes! | 0:40:40 | 0:40:42 | |
There's two happy Alisons here. | 0:40:42 | 0:40:45 | |
What are you going to do about the Victorian pig bench? | 0:40:45 | 0:40:47 | |
-We're going to leave it. Sorry. -What? -Sorry. | 0:40:47 | 0:40:52 | |
You're not going to go for the pig bench? I'm mortified! | 0:40:52 | 0:40:55 | |
-No pig bench? -No. -We're not going with the bonus buy. | 0:40:55 | 0:40:59 | |
-Fair enough. -But we're going to sell it anyway so let's see what happens. | 0:40:59 | 0:41:03 | |
..is this Victorian pine pig bench. | 0:41:03 | 0:41:06 | |
122. What do we say for this? I'm starting at £10. | 0:41:08 | 0:41:12 | |
£10 I'm bid, then, for the pig bench. At £10? | 0:41:12 | 0:41:15 | |
At 10? You tell me what it's worth. At 10. Here at £10. At 10. | 0:41:15 | 0:41:19 | |
12, I'll take. At £10, I'm bid. £12. 15? | 0:41:19 | 0:41:23 | |
-15? 18, 20... -You were right to dismiss it. | 0:41:23 | 0:41:27 | |
22? 25? £25. | 0:41:27 | 0:41:30 | |
Close to you, then, at £25. 28, I'll take. It's £25. | 0:41:30 | 0:41:33 | |
And I'm selling now. 25. | 0:41:33 | 0:41:37 | |
That is minus £95, all right? | 0:41:37 | 0:41:40 | |
I mean, nice one, Nick, but you didn't go with it. | 0:41:40 | 0:41:43 | |
That means you have got your profit of £48 to wander off with. | 0:41:43 | 0:41:48 | |
-Just don't say a word to the Reds. -No. -No, great. | 0:41:48 | 0:41:51 | |
We'll catch up in a minute. Happy Alisons! | 0:41:51 | 0:41:54 | |
Well, there's been some serious punting around today | 0:41:59 | 0:42:01 | |
on our double-up day. | 0:42:01 | 0:42:03 | |
Look at these teams, all looking expectant and confident. | 0:42:03 | 0:42:07 | |
-Have you been chatting to one another, have you? -No. | 0:42:07 | 0:42:10 | |
No? Not at all? | 0:42:10 | 0:42:12 | |
Well, we have got one enormous thumping loss here | 0:42:12 | 0:42:15 | |
and sadly, it is the Reds who have suffered. | 0:42:15 | 0:42:18 | |
THEY CHUCKLE | 0:42:18 | 0:42:20 | |
-Minus £215 is a fair old score, isn't it? -It's a good loss! | 0:42:20 | 0:42:23 | |
-It's a good loss! -It's a wonderful loss! | 0:42:23 | 0:42:27 | |
Inexplicable that that two-stone diamond ring didn't do better. | 0:42:27 | 0:42:30 | |
I'm really sorry for you about that because it torpedoed your opportunity. | 0:42:30 | 0:42:34 | |
-That's all right - we had fun, anyway. -You had fun - | 0:42:34 | 0:42:36 | |
and that is exactly the right Bargain Hunt attitude. | 0:42:36 | 0:42:39 | |
-But the victors today... -Yes! -Just look at these Alisons. | 0:42:39 | 0:42:45 | |
They're going to take home a princely £48. Here you go. | 0:42:45 | 0:42:49 | |
£48 coming up. | 0:42:49 | 0:42:51 | |
They made a profit of £140 on one item, which was really good, | 0:42:51 | 0:42:56 | |
wasn't it? The Birmingham box. | 0:42:56 | 0:42:58 | |
You didn't go for the bonus buy, which was pretty smart, and we've loved having you on the show. | 0:42:58 | 0:43:03 | |
-Thank you very much. -Have you had a nice time? -Fabulous time! | 0:43:03 | 0:43:06 | |
-Join us soon for some more bargain hunting, yes? -ALL: Yes! | 0:43:06 | 0:43:09 | |
Subtitles by Red Bee Media Ltd | 0:43:25 | 0:43:27 |