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One antiques fair, | 0:00:06 | 0:00:09 | |
£300, | 0:00:09 | 0:00:11 | |
two teams. | 0:00:11 | 0:00:13 | |
That can only mean one thing. | 0:00:13 | 0:00:15 | |
Let's go bargain-hunting. | 0:00:15 | 0:00:17 | |
Welcome, bargain-hunters. | 0:00:43 | 0:00:45 | |
We're at the Mona Showground on Anglesey. | 0:00:45 | 0:00:48 | |
I've got the cash, this place is stuffed up with antiques. | 0:00:48 | 0:00:51 | |
It's up to our contestants to find all their bargains, so let's have a quick squizz at what's coming up. | 0:00:51 | 0:00:57 | |
We've lined up two husband and wife teams. | 0:00:59 | 0:01:02 | |
Tony and Ann-Marie know what they want. | 0:01:02 | 0:01:06 | |
-What do you think, darling? -It's not silver. | 0:01:06 | 0:01:08 | |
No. | 0:01:08 | 0:01:11 | |
We're not going to get silver by the look of it. | 0:01:11 | 0:01:13 | |
-Bill and Barbara know a good thing when they see it. -How much? | 0:01:13 | 0:01:17 | |
1,800. | 0:01:17 | 0:01:19 | |
You don't want to do it for 20 quid, then? | 0:01:19 | 0:01:21 | |
Not today. | 0:01:22 | 0:01:25 | |
The auction is full of surprises. | 0:01:25 | 0:01:27 | |
-No! -Oh, no! | 0:01:27 | 0:01:29 | |
Yes! | 0:01:30 | 0:01:32 | |
So if that has got you hooked, let's meet the couples. | 0:01:32 | 0:01:36 | |
Hi, guys. Very nice to see you. Now, you two are very family orientated because you've had 11 children. | 0:01:36 | 0:01:43 | |
-You must be exhausted. -Six and if you count the ones we've got, about 16. | 0:01:43 | 0:01:48 | |
16 children you've had. | 0:01:48 | 0:01:51 | |
Yes. Dear, oh dear. You've got to explain to us about these 16 kids. | 0:01:51 | 0:01:56 | |
Eleven are foster children that we've fostered. | 0:01:56 | 0:01:59 | |
How did all that start? | 0:01:59 | 0:02:01 | |
Just from a story I heard on the radio a few years back about a | 0:02:01 | 0:02:05 | |
gang of kids who got into some deep trouble. I just | 0:02:05 | 0:02:09 | |
realised that kids need our help, | 0:02:09 | 0:02:11 | |
so that's what made us decide to go into fostering. | 0:02:11 | 0:02:14 | |
Of course, you've had all this experience with your own children, | 0:02:14 | 0:02:18 | |
so you were up for all of that. | 0:02:18 | 0:02:19 | |
You know all the scrapes and all the tricks | 0:02:19 | 0:02:22 | |
and all the ducking and diving that goes on. | 0:02:22 | 0:02:24 | |
It's really lovely, isn't it? So, do you collect anything together? | 0:02:24 | 0:02:28 | |
-Pigs. -Pigs? | 0:02:28 | 0:02:31 | |
-Back of the garden job? -That's what I'd like eventually. | 0:02:31 | 0:02:34 | |
-But model pigs? -Yes. | 0:02:34 | 0:02:36 | |
What's this about the stuffed pig on the top of your wardrobe? | 0:02:36 | 0:02:39 | |
My darling husband bought me it for Christmas. | 0:02:39 | 0:02:43 | |
About 20 years ago. | 0:02:43 | 0:02:45 | |
-Where did you find that, Toto? -Can I mention the name? -No. | 0:02:45 | 0:02:49 | |
I better not tell you, then! | 0:02:49 | 0:02:51 | |
So a large, warehouse, retail supplier of children's toys? | 0:02:51 | 0:02:56 | |
-Yes. -That's where you found it? -Yes, it was. -How lovely. | 0:02:56 | 0:02:59 | |
-You're just a romantic really, aren't you? -I am at heart. | 0:02:59 | 0:03:02 | |
Not many people buy their wives a stuffed pig to go on the wardrobe. | 0:03:02 | 0:03:06 | |
It's too big to go anywhere else. | 0:03:06 | 0:03:08 | |
There you are. It needs a sty of its own, doesn't it? | 0:03:08 | 0:03:10 | |
Very good luck, team. So, Bill and Babs, you met at the movies. | 0:03:10 | 0:03:15 | |
That's right, yes. | 0:03:15 | 0:03:17 | |
We met at the cinema where I worked as a technician. | 0:03:17 | 0:03:21 | |
I work upstairs on projection | 0:03:21 | 0:03:22 | |
-and Babs used to work downstairs behind the hot dog counter. | 0:03:22 | 0:03:27 | |
You were on hot dog duty? | 0:03:27 | 0:03:29 | |
Not just hot dogs, but box office and whatever else. | 0:03:29 | 0:03:33 | |
It was a romance bred out of the movie house? Yes. How lovely. | 0:03:33 | 0:03:37 | |
Are you into a bit of film memorabilia? | 0:03:37 | 0:03:40 | |
Do you like collecting that stuff? | 0:03:40 | 0:03:42 | |
I'm collecting film posters mainly, collecting for future antiques. | 0:03:42 | 0:03:47 | |
I've got James Bond, Star Wars, | 0:03:47 | 0:03:49 | |
The Lord Of the Rings will be valuable for the future. | 0:03:49 | 0:03:53 | |
Lucky old you. Babs, do you still work there? | 0:03:53 | 0:03:56 | |
No, I'm an art teacher now at Flint high school. | 0:03:56 | 0:04:00 | |
Quite a different sort of job. | 0:04:00 | 0:04:02 | |
I love drawing, painting and sculpture. | 0:04:02 | 0:04:04 | |
I've done a lot of painting and sold a few. | 0:04:04 | 0:04:09 | |
I've also made a huge spider and recently I was working on a smaller | 0:04:09 | 0:04:13 | |
project which is a present for you, a little sculpture of yourself. | 0:04:13 | 0:04:17 | |
For me? | 0:04:17 | 0:04:19 | |
Oh, my gosh. | 0:04:19 | 0:04:21 | |
Look at this! | 0:04:21 | 0:04:22 | |
That's what you were hiding. | 0:04:22 | 0:04:25 | |
Now listen, you can't say that there's any true likeness | 0:04:25 | 0:04:30 | |
between these geezers, can you? Or can you? | 0:04:30 | 0:04:34 | |
This will be worth a lot of money one day... | 0:04:34 | 0:04:37 | |
when I've passed on. | 0:04:37 | 0:04:39 | |
What are your tactics today? How are you going to win? | 0:04:39 | 0:04:42 | |
I'm going to keep quite an open mind and go for anything that appeals. | 0:04:42 | 0:04:47 | |
You won't get anywhere without a bit of money and therefore, | 0:04:47 | 0:04:50 | |
holding this very fine model of myself, | 0:04:50 | 0:04:52 | |
we're going to fish out first £300 for you, and another £300 for Toto. | 0:04:52 | 0:05:00 | |
You know the rules, | 0:05:00 | 0:05:01 | |
your experts wait and off you go and very good luck. | 0:05:01 | 0:05:05 | |
Cheeky monkeys! | 0:05:05 | 0:05:07 | |
Monkeying around with our teams are two cheeky experts. | 0:05:08 | 0:05:13 | |
For the Reds, James Lewis. | 0:05:13 | 0:05:15 | |
For the Blues, David Barby. | 0:05:15 | 0:05:18 | |
-What are you going to look for? -Something quirky, silver. | 0:05:19 | 0:05:23 | |
What do you really love? | 0:05:23 | 0:05:25 | |
We like quirky things really, silver. | 0:05:27 | 0:05:30 | |
Is there an echo? Silver? Quirky silver? | 0:05:30 | 0:05:32 | |
Silver and quirky? Yes. | 0:05:32 | 0:05:34 | |
Let's see what we can do. | 0:05:34 | 0:05:38 | |
They're both looking for the same stuff. | 0:05:38 | 0:05:41 | |
I hope it doesn't end up in a brawl. | 0:05:41 | 0:05:43 | |
There's a silver cabinet down there. Shall we go and have a look at that? | 0:05:46 | 0:05:51 | |
Could I see the little vessel in the centre? | 0:05:51 | 0:05:54 | |
-Of course. -What's that? | 0:05:54 | 0:05:56 | |
It's ancient Greek. It's about 300 BC I think. | 0:05:56 | 0:05:59 | |
That's a lovely shape. Look at that. | 0:05:59 | 0:06:02 | |
-Very nice. -How much is it? -140. What do you think, darling? | 0:06:02 | 0:06:05 | |
It's not silver. | 0:06:05 | 0:06:07 | |
You're going to limit our buying capacity. | 0:06:07 | 0:06:11 | |
Buttons are always good, | 0:06:19 | 0:06:21 | |
silver buttons. | 0:06:21 | 0:06:23 | |
That's a stamp case holder, it's quite nice. | 0:06:23 | 0:06:27 | |
-That's sweet. -It's £55. | 0:06:27 | 0:06:31 | |
What would that be used for? | 0:06:31 | 0:06:33 | |
You put stamps in a purse, | 0:06:33 | 0:06:35 | |
so it would stop them glueing together and you put them in there | 0:06:35 | 0:06:40 | |
three at a time as long as they didn't get moist. | 0:06:40 | 0:06:44 | |
Let's have a look around to see what he's got. | 0:06:44 | 0:06:47 | |
First class, David. | 0:06:47 | 0:06:49 | |
It's not silver. No. | 0:06:49 | 0:06:52 | |
-OK, guys? -Shame that. -Yeah. | 0:06:52 | 0:06:56 | |
Thank you. | 0:06:56 | 0:06:57 | |
See that saucepan there, that's a pepperette. 165. I like that. | 0:07:00 | 0:07:05 | |
What you think you'd get in an auction for something like that? | 0:07:07 | 0:07:10 | |
Because it is unusual I think either you're going to get your money back | 0:07:10 | 0:07:14 | |
or a slight profit. | 0:07:14 | 0:07:15 | |
Could you attract the dealer's attention? Is he busy at the moment? | 0:07:15 | 0:07:19 | |
Hello, what's your best price on the little silver pepper sauce pan? | 0:07:21 | 0:07:26 | |
I'd do that for 140. | 0:07:28 | 0:07:30 | |
-140's about it... -Could you do it for 120? | 0:07:30 | 0:07:33 | |
No, I can't do 120. There would be no profit at all in it for me. | 0:07:33 | 0:07:38 | |
125? | 0:07:38 | 0:07:40 | |
I said 135 and you said 125. If we split it at 130 we've got a deal. | 0:07:40 | 0:07:45 | |
-What do you think? -That's my absolute bottom. | 0:07:45 | 0:07:48 | |
Handle it first. | 0:07:48 | 0:07:50 | |
Don't you agree? | 0:07:50 | 0:07:52 | |
-Absolutely. -Handle the object first. | 0:07:52 | 0:07:54 | |
-Are they common? -Not very. | 0:07:54 | 0:07:56 | |
There are a few around, but not many. | 0:07:56 | 0:07:58 | |
They did coffee pots and jugs and various things. | 0:07:58 | 0:08:02 | |
It's hallmarked on the front. | 0:08:02 | 0:08:04 | |
It's by Sanderson Shephard, an excellent maker. | 0:08:06 | 0:08:10 | |
It's Chester hallmarked 1904. | 0:08:10 | 0:08:12 | |
There's always a premium price on Chester silver because | 0:08:12 | 0:08:16 | |
there's not so much of it around. | 0:08:16 | 0:08:17 | |
I like the gilding inside. | 0:08:17 | 0:08:19 | |
They always put gilding for anything | 0:08:19 | 0:08:21 | |
when it's going to be used for food. | 0:08:21 | 0:08:24 | |
It's nice as little object like that on its own. | 0:08:24 | 0:08:28 | |
Sure you won't do 125? | 0:08:28 | 0:08:30 | |
135. | 0:08:30 | 0:08:32 | |
-You said 130. -I said 135. | 0:08:32 | 0:08:36 | |
No, 130. We said 125, you said 135, so we said 130. | 0:08:36 | 0:08:42 | |
It's on camera. | 0:08:42 | 0:08:43 | |
-130? -130. | 0:08:44 | 0:08:48 | |
-I like it. -Thank you very much. | 0:08:48 | 0:08:51 | |
I think that's lovely. | 0:08:58 | 0:09:00 | |
It's a quirky, unusual object. | 0:09:00 | 0:09:03 | |
So, one in the pan, I mean can. | 0:09:03 | 0:09:06 | |
That's prisoner of war work possibly. What does that say? | 0:09:11 | 0:09:15 | |
It's lovely quality. | 0:09:17 | 0:09:20 | |
What's interesting is it's Deco, but it's still African made. | 0:09:22 | 0:09:26 | |
So they obviously worked to commission. | 0:09:26 | 0:09:28 | |
I think the lining is European. | 0:09:28 | 0:09:31 | |
I think it was bought and lined in Europe. | 0:09:31 | 0:09:34 | |
Something that I do think is interesting with this | 0:09:34 | 0:09:38 | |
is the way they handle is formed | 0:09:38 | 0:09:40 | |
is very much in the manner of the First World War | 0:09:40 | 0:09:43 | |
Turkish prisoner of war work that you get. | 0:09:43 | 0:09:46 | |
You see bags and bags of these snakes around. | 0:09:46 | 0:09:48 | |
Sometimes they can be metres long and sometimes only a foot long. | 0:09:48 | 0:09:52 | |
If you look there, forget that as a bag. | 0:09:52 | 0:09:55 | |
Twinkle eyes and a long beaded body. | 0:09:55 | 0:09:59 | |
That's exactly where they were dated | 0:09:59 | 0:10:01 | |
if they were First World War prisoner of war work. | 0:10:01 | 0:10:04 | |
We have also got Arabic at the top. | 0:10:04 | 0:10:06 | |
When Ataturk convinced the Turkish people | 0:10:06 | 0:10:09 | |
to go from Arabic to the Western language | 0:10:09 | 0:10:12 | |
that was around this time, so my gut reaction is this could be | 0:10:12 | 0:10:16 | |
an ex-Turkish prisoner of war who learned the beadwork, | 0:10:16 | 0:10:21 | |
who was educated before Ataturk, | 0:10:21 | 0:10:24 | |
so he's writing in Arabic. | 0:10:24 | 0:10:26 | |
By the 1930s the Turkish people were using the Western language and becoming Westernised. | 0:10:26 | 0:10:31 | |
It's an interesting bag and there are a lot of possibilities. | 0:10:31 | 0:10:34 | |
-Do you like it? -I do, yes, I think it's very nice. | 0:10:34 | 0:10:37 | |
There's a wristband and if you turn that over that's also dated. | 0:10:37 | 0:10:41 | |
It came from the same source. | 0:10:41 | 0:10:43 | |
Did this come from the same source as well? Yes. | 0:10:45 | 0:10:47 | |
That's definitely Kenyan. | 0:10:47 | 0:10:50 | |
And you've got the stopper as well. They're all African. | 0:10:50 | 0:10:54 | |
The interesting thing about these | 0:10:54 | 0:10:56 | |
is that they're still making these tassels in the Masai Mara today. | 0:10:56 | 0:11:00 | |
It has a feel of something African. | 0:11:00 | 0:11:02 | |
This is 1930. | 0:11:02 | 0:11:04 | |
They're very interesting, I like them. | 0:11:08 | 0:11:11 | |
Let me just ask him what his best would be. | 0:11:11 | 0:11:13 | |
It's 85. | 0:11:13 | 0:11:15 | |
I think it's 50-70 | 0:11:15 | 0:11:18 | |
at auction. What would be your best on that? | 0:11:18 | 0:11:21 | |
All of them or just that? I've got to be asking at least 60 for it. | 0:11:21 | 0:11:26 | |
It must have taken them weeks to make that. | 0:11:26 | 0:11:30 | |
What would you do the two for? That's enough. | 0:11:31 | 0:11:34 | |
You've already got your limit. | 0:11:34 | 0:11:35 | |
I'll take another fiver off, go on. | 0:11:35 | 0:11:39 | |
Round it off at 100, you see. | 0:11:39 | 0:11:41 | |
You mean 100 for all three? | 0:11:41 | 0:11:43 | |
That's the thing where most of the private buyers are going to want it. | 0:11:43 | 0:11:47 | |
You've got 60 quid there and you're talking about increasing it to 100 | 0:11:47 | 0:11:50 | |
for two things that aren't that commercial. | 0:11:50 | 0:11:52 | |
80 quid for the lot. | 0:11:52 | 0:11:55 | |
Go on, be nice. | 0:11:55 | 0:11:57 | |
For the lady. | 0:11:57 | 0:11:59 | |
Thank you so much. | 0:11:59 | 0:12:01 | |
That's working with my heart as much as my head really. | 0:12:01 | 0:12:04 | |
When I saw that I worked with my heart because you just don't see it. | 0:12:04 | 0:12:07 | |
I think they're lovely. I really like them. | 0:12:07 | 0:12:09 | |
Thank you very much for showing us something very different. | 0:12:09 | 0:12:13 | |
You're welcome. | 0:12:13 | 0:12:14 | |
But, team, it's not silver. | 0:12:14 | 0:12:17 | |
Ten minutes gone, one down, two to go. | 0:12:20 | 0:12:22 | |
I'm going to find something that you're going to love now. No more handbags. | 0:12:22 | 0:12:26 | |
OK, I get this all the time, no more handbags. It's not fair. | 0:12:26 | 0:12:29 | |
That card case, how much? | 0:12:31 | 0:12:33 | |
1,800. | 0:12:33 | 0:12:35 | |
You don't want to do it for 20 quid, then? | 0:12:35 | 0:12:37 | |
Nice try, but not today. | 0:12:37 | 0:12:40 | |
It's always worth asking. | 0:12:42 | 0:12:44 | |
I'm here for the rest of the day now. | 0:12:44 | 0:12:46 | |
Something gold like that, would that be of interest to you? | 0:12:56 | 0:13:01 | |
The gold bar brooch. | 0:13:01 | 0:13:03 | |
It's pretty, it's not something I'd wear myself, | 0:13:03 | 0:13:06 | |
but that's not about today, is it? | 0:13:06 | 0:13:07 | |
What would make a profit? | 0:13:07 | 0:13:10 | |
It depends how much that's on offer | 0:13:10 | 0:13:12 | |
because it's got inset diamonds I think. | 0:13:12 | 0:13:14 | |
It looks like £45. | 0:13:14 | 0:13:16 | |
It's attracting my interest. What do you think? | 0:13:18 | 0:13:21 | |
Yes, shall we have a look at it? | 0:13:21 | 0:13:24 | |
There's nobody here. | 0:13:24 | 0:13:25 | |
There's all this stock. | 0:13:29 | 0:13:31 | |
So, with no-one in sight the Blues grind to a halt. | 0:13:31 | 0:13:36 | |
What about the red team? | 0:13:36 | 0:13:38 | |
How are they doing? Much the same I see. | 0:13:38 | 0:13:41 | |
How much? | 0:13:42 | 0:13:45 | |
How much? Priceless. | 0:13:45 | 0:13:46 | |
What's going on here? | 0:13:46 | 0:13:49 | |
Get on and do some shopping! | 0:13:49 | 0:13:51 | |
Hello, where have you been? | 0:13:51 | 0:13:55 | |
To the loo. | 0:13:55 | 0:13:57 | |
I hope you washed your hands. | 0:13:57 | 0:13:59 | |
The little brooch there, can we have a look at that, please? | 0:14:01 | 0:14:04 | |
-This one? -Yes. | 0:14:09 | 0:14:11 | |
It's very lightweight, but they're diamonds, are they? | 0:14:15 | 0:14:19 | |
I've not had then tested, but I would think so. | 0:14:19 | 0:14:23 | |
Can you tell us anything about this, David? | 0:14:26 | 0:14:28 | |
What kind of person would have...? | 0:14:28 | 0:14:30 | |
This is the sort of brooch that would have been bought by, | 0:14:30 | 0:14:34 | |
let's say, lower middle-class. | 0:14:34 | 0:14:38 | |
It was their only brooch, | 0:14:38 | 0:14:39 | |
their own special piece of jewellery, because it's nine carat. | 0:14:39 | 0:14:43 | |
We're looking about 1890-1910. | 0:14:43 | 0:14:46 | |
It's very lightweight. | 0:14:46 | 0:14:48 | |
If not diamond, it's going to be expensive at 35. | 0:14:48 | 0:14:53 | |
Could you do it at 25? | 0:14:53 | 0:14:55 | |
-No, 28? -25? | 0:14:58 | 0:15:00 | |
28. | 0:15:00 | 0:15:02 | |
25 for us? 25, please. | 0:15:02 | 0:15:06 | |
Oh, go on. | 0:15:06 | 0:15:07 | |
-25, yeah? -Yeah. Yeah. | 0:15:07 | 0:15:11 | |
I think there's a profit margin in that | 0:15:11 | 0:15:13 | |
and I think we should do reasonably well. | 0:15:13 | 0:15:15 | |
I hope you're making a profit as well. | 0:15:15 | 0:15:17 | |
Only a very small one. | 0:15:17 | 0:15:20 | |
Thank you very much indeed, you're so kind. | 0:15:20 | 0:15:23 | |
Nice warm hands. | 0:15:23 | 0:15:24 | |
Thank you. | 0:15:24 | 0:15:27 | |
Does it come with the box? | 0:15:27 | 0:15:30 | |
The box is another fiver! | 0:15:32 | 0:15:34 | |
That's great, high spirits and bonding as a team. | 0:15:36 | 0:15:39 | |
Er... Reds? | 0:15:39 | 0:15:41 | |
He's over there. | 0:15:41 | 0:15:43 | |
He's off on his wanders. | 0:15:43 | 0:15:46 | |
Whilst they hunt for James I'm going to rabbit on. | 0:15:46 | 0:15:50 | |
Just look at these handsome, long-eared rabbits. | 0:15:50 | 0:15:54 | |
Charming, aren't they? | 0:15:54 | 0:15:56 | |
They were made in Staffordshire around about 1840 - 1860. | 0:15:56 | 0:16:01 | |
They would have been bought by... not exactly an impoverished person, | 0:16:01 | 0:16:06 | |
but nor was that person | 0:16:06 | 0:16:08 | |
particularly rich either. | 0:16:08 | 0:16:10 | |
If you can't afford all the expensive porcelains that sit | 0:16:10 | 0:16:14 | |
in grand mansions, you simply can afford a bit of Staffordshire pot. | 0:16:14 | 0:16:20 | |
Typically a rabbit like that would have cost sixpence. | 0:16:20 | 0:16:25 | |
Because they were relatively cheap, the survival rate was not very high. | 0:16:25 | 0:16:31 | |
Children did play with them in the intervening 160 years. | 0:16:31 | 0:16:36 | |
They did get broken, | 0:16:36 | 0:16:38 | |
so it's a thrill to find this pair here in Wales. | 0:16:38 | 0:16:42 | |
The dealer who has them on his stand | 0:16:42 | 0:16:45 | |
tells me that they're breeding rabbits. Nice. | 0:16:45 | 0:16:49 | |
The price? | 0:16:49 | 0:16:50 | |
£160 for the pair. | 0:16:50 | 0:16:54 | |
That's £80 a rabbit. | 0:16:54 | 0:16:55 | |
But because they're breeding rabbits, if you put the two of them together for about six weeks, | 0:16:55 | 0:17:01 | |
you can apparently finish up with another 10! | 0:17:01 | 0:17:05 | |
That's what you call a bargain. | 0:17:05 | 0:17:07 | |
There are really great deals to be found out there | 0:17:07 | 0:17:10 | |
and with 30 minutes on the clock it's up to the teams to find them. | 0:17:10 | 0:17:14 | |
Let's move on, 30 minutes. | 0:17:14 | 0:17:16 | |
29 minutes now. | 0:17:16 | 0:17:18 | |
-Seen anything you like? -Not yet. | 0:17:26 | 0:17:28 | |
Is that silver? | 0:17:28 | 0:17:30 | |
-Silver plate. -That's a shame. | 0:17:30 | 0:17:34 | |
We haven't done that stretch along there. | 0:17:34 | 0:17:36 | |
This is exhausting. | 0:17:36 | 0:17:38 | |
It's high pressure, isn't it? | 0:17:38 | 0:17:41 | |
That's quite interesting. Very interesting. It's straw work. | 0:17:50 | 0:17:54 | |
It's a prisoner of war work probably, | 0:17:54 | 0:17:56 | |
going back to that prisoner of war work. | 0:17:56 | 0:17:59 | |
It's got a nice bit of age. | 0:18:00 | 0:18:02 | |
Look at the base. | 0:18:02 | 0:18:04 | |
It feels slightly rough. | 0:18:04 | 0:18:07 | |
Probably the remnants of a striker. It's probably | 0:18:07 | 0:18:10 | |
a little match case for before you had safety matches. | 0:18:10 | 0:18:15 | |
It's lovely. It's beautifully lined and each piece of this is a single | 0:18:15 | 0:18:20 | |
individual piece of straw that has been hand-cut and stained. | 0:18:20 | 0:18:23 | |
That's beautiful. | 0:18:23 | 0:18:26 | |
That I think is sweet. | 0:18:26 | 0:18:28 | |
We'll ask how much it is. Excuse me, how much is that, please? | 0:18:29 | 0:18:33 | |
£12. That's cheap. | 0:18:33 | 0:18:36 | |
It's not expensive. The auction is | 0:18:38 | 0:18:41 | |
going to go up in bids of a fiver. | 0:18:41 | 0:18:45 | |
Let's make a fair offer on it and see what she says. | 0:18:45 | 0:18:49 | |
Will you take £8 for it? | 0:18:49 | 0:18:50 | |
No. | 0:18:50 | 0:18:52 | |
I've never done a deal where I haven't got any money off something at all. | 0:18:55 | 0:18:59 | |
That's a good deal. | 0:19:01 | 0:19:02 | |
The first time in Bargain Hunt history not a pound off, deal. | 0:19:02 | 0:19:05 | |
You're a hard woman. Well done. | 0:19:05 | 0:19:07 | |
Great, two items. | 0:19:09 | 0:19:11 | |
They're on the home straight. | 0:19:11 | 0:19:13 | |
Hello, how much is the mother of pearl card case? | 0:19:13 | 0:19:18 | |
With the Prince of Wales feathers on. | 0:19:21 | 0:19:25 | |
-It's lovely. -It's nice. | 0:19:25 | 0:19:27 | |
The other side, I think. | 0:19:30 | 0:19:31 | |
185 on that. | 0:19:33 | 0:19:35 | |
What's the very best you can do on that? | 0:19:38 | 0:19:40 | |
The very, very best, 140. | 0:19:40 | 0:19:43 | |
It's the sort of item that quite regularly sells for 300 to £400. | 0:19:46 | 0:19:50 | |
It's in super condition. | 0:19:50 | 0:19:51 | |
-What do you think? -It's beautiful. | 0:19:51 | 0:19:58 | |
I love this fleur-de-lis | 0:19:58 | 0:20:00 | |
which is very good. The other one is priced 115. | 0:20:00 | 0:20:04 | |
My very best on that would be £80. | 0:20:04 | 0:20:09 | |
That's at £80. | 0:20:09 | 0:20:12 | |
That has got abalone shell all the way around. | 0:20:12 | 0:20:15 | |
What I like is that each piece is engraved. | 0:20:15 | 0:20:18 | |
That's really interesting, isn't it? | 0:20:18 | 0:20:20 | |
-Could you do 70? -I'll meet you halfway. | 0:20:20 | 0:20:22 | |
75. That gives you a really good chance. | 0:20:24 | 0:20:28 | |
-I do like it. -I like it. | 0:20:30 | 0:20:32 | |
I think it's good, | 0:20:32 | 0:20:34 | |
it's different, unique. | 0:20:34 | 0:20:36 | |
I do like it but I'm just... | 0:20:36 | 0:20:41 | |
not 100 % sure. | 0:20:41 | 0:20:43 | |
You've got 20 minutes to look around. | 0:20:43 | 0:20:46 | |
Would you hold it for us for 20 minutes? | 0:20:46 | 0:20:50 | |
That's fine by me, no problem at all. | 0:20:50 | 0:20:54 | |
So we've got it as a back-up. | 0:20:54 | 0:20:55 | |
-I do like it. -OK, that's fine. | 0:20:55 | 0:20:59 | |
I like the strategy, Babs. | 0:20:59 | 0:21:02 | |
Isn't he great? | 0:21:06 | 0:21:08 | |
Come on, James. | 0:21:08 | 0:21:10 | |
We're not going to get silver, are we, by the look of it? | 0:21:13 | 0:21:16 | |
-Not really, No. -Don't give up yet. | 0:21:16 | 0:21:18 | |
No, never give up. | 0:21:18 | 0:21:21 | |
How do you feel about looking at those? | 0:21:21 | 0:21:23 | |
Do you want to spend the time looking at those or have you made up your mind? | 0:21:23 | 0:21:27 | |
-I like the mother of pearl case we saw. -Do you? | 0:21:27 | 0:21:30 | |
I like that. Really good quality. | 0:21:30 | 0:21:33 | |
-The mother of pearl? -The one we've just seen, yeah. | 0:21:33 | 0:21:35 | |
-Yes, I like that. -What did he say? | 0:21:35 | 0:21:37 | |
75? Do you want to go for that? | 0:21:37 | 0:21:40 | |
-I think we've got a good chance. -Shall we go for that? -Yes. | 0:21:40 | 0:21:43 | |
This is looking good and the Reds have found some silver. | 0:21:45 | 0:21:49 | |
What do you like in there? | 0:21:49 | 0:21:51 | |
We're after a bit of silver for you really. | 0:21:51 | 0:21:53 | |
Something that's going to speak to you. | 0:21:53 | 0:21:55 | |
Nothing, to be honest. | 0:21:55 | 0:21:57 | |
Nothing? You were looking at pepperettes earlier. | 0:21:57 | 0:22:00 | |
These are really early ones. | 0:22:00 | 0:22:04 | |
Is it all right to have a look? | 0:22:04 | 0:22:05 | |
Lovely bits in there. | 0:22:09 | 0:22:11 | |
Is there anything you'd recommend for us to see? | 0:22:11 | 0:22:13 | |
Anything you bought really well? | 0:22:13 | 0:22:15 | |
Pounce pot. | 0:22:15 | 0:22:16 | |
Pounce pot, so for when you're writing you'd have it | 0:22:16 | 0:22:20 | |
filled with sand and to stop the ink blotching, | 0:22:20 | 0:22:24 | |
you'd sprinkle dust or sand over your ink. | 0:22:24 | 0:22:27 | |
-I do like that. -What would be the best on that? | 0:22:27 | 0:22:30 | |
-70. -I have to say that's a really good first offer. | 0:22:30 | 0:22:35 | |
We've asked for his best and he's done us a good price. | 0:22:35 | 0:22:40 | |
-It's 1824, 200 years old, a good lump of silver. -I do like that. | 0:22:40 | 0:22:44 | |
If you like it then, buy it. Only minutes left. | 0:22:44 | 0:22:47 | |
Which stand is it? | 0:22:47 | 0:22:49 | |
Was it him? | 0:22:49 | 0:22:50 | |
It's your choice. | 0:22:52 | 0:22:54 | |
-Will it make a profit? -Not much of one. -No, right. | 0:22:54 | 0:22:57 | |
God, there's such a crowd. | 0:23:00 | 0:23:03 | |
I don't know. | 0:23:03 | 0:23:05 | |
It's all bagged up and ready for you. | 0:23:05 | 0:23:08 | |
Let's go for it. | 0:23:08 | 0:23:10 | |
He knew you had good taste. | 0:23:10 | 0:23:12 | |
Absolutely. | 0:23:12 | 0:23:15 | |
All you want now is a guarantee it's going to make a profit. | 0:23:15 | 0:23:17 | |
Yeah, absolutely, in writing. | 0:23:17 | 0:23:19 | |
We don't go quite that far. | 0:23:20 | 0:23:22 | |
-You've got to make a decision. -Go for that one. | 0:23:24 | 0:23:26 | |
Are you sure? Yeah, definitely. | 0:23:26 | 0:23:28 | |
-Take another fiver off? -No. | 0:23:28 | 0:23:30 | |
Never mind, we've got a bit of silver for you, | 0:23:30 | 0:23:33 | |
we've got the handbags for you. | 0:23:33 | 0:23:35 | |
A little bit of prisoner of war work and I love that, too. | 0:23:35 | 0:23:38 | |
A good team effort. Well done, guys, you've done it. | 0:23:38 | 0:23:41 | |
Brilliant. Let's pay for this. | 0:23:41 | 0:23:42 | |
That's it, time is up. | 0:23:42 | 0:23:45 | |
Let's recap on what the Reds bought. | 0:23:45 | 0:23:48 | |
Tony and Ann-Marie cast their beady eye | 0:23:48 | 0:23:51 | |
over some African, Turkish craftwork. | 0:23:51 | 0:23:54 | |
a Napoleonic straw work Vesta case was next up for £12. | 0:23:54 | 0:23:59 | |
After searching the whole fair for silver | 0:23:59 | 0:24:01 | |
they finally found a silver pounce pot for 70. | 0:24:01 | 0:24:05 | |
-Well done, guys. -Thank you, been absolutely brilliant! | 0:24:05 | 0:24:08 | |
I don't know where I've seen such a happy looking team. | 0:24:08 | 0:24:10 | |
-You've had a lovely shop, haven't you? -Yes, we have. | 0:24:10 | 0:24:13 | |
How much did you spend overall? | 0:24:13 | 0:24:16 | |
-£162. -£162, very precise isn't it? | 0:24:16 | 0:24:19 | |
Anyway, £162, so I'd like £138, please. | 0:24:20 | 0:24:25 | |
Lovely. | 0:24:25 | 0:24:26 | |
Now this is your favourite moment James, | 0:24:26 | 0:24:29 | |
because you can get out there and shine. | 0:24:29 | 0:24:32 | |
-Or be completely dull, one of the two. -Make lots of profit! | 0:24:32 | 0:24:35 | |
You won't be dull, I can tell you that. | 0:24:35 | 0:24:37 | |
You've got a bit of time now, so good luck with that. | 0:24:37 | 0:24:39 | |
The challenge is on. See you soon. | 0:24:39 | 0:24:42 | |
Why don't we check out what the Blues bought. | 0:24:42 | 0:24:45 | |
Bill and Babs plumped for a pepperette for 130. | 0:24:47 | 0:24:51 | |
Next to catch their eye was a gold brooch | 0:24:51 | 0:24:54 | |
with rose-cut diamonds for only 25. | 0:24:54 | 0:24:57 | |
Finally they shelled out £75 for the abalone card case. | 0:24:57 | 0:25:02 | |
Good fun? Did you have a good time, Babs? | 0:25:04 | 0:25:06 | |
Yes, I had a brilliant time, yes. | 0:25:06 | 0:25:08 | |
So you spent overall £230? Yes. | 0:25:08 | 0:25:11 | |
May I have the £70 left over. | 0:25:11 | 0:25:14 | |
Thank you very much. There we go, Dave, there's you're £70. | 0:25:14 | 0:25:18 | |
-Thank you very much. -Not at all. Got any idea what you're going to do? | 0:25:18 | 0:25:22 | |
Yes, we're | 0:25:22 | 0:25:25 | |
-all cat lovers. -Are you? | 0:25:25 | 0:25:27 | |
They've got three and I've got one. | 0:25:27 | 0:25:29 | |
I want to try and find something cat orientated. Good idea? | 0:25:29 | 0:25:33 | |
Good idea if it's going to make a profit. Otherwise, buy a dog. | 0:25:33 | 0:25:37 | |
Anyway, for the rest of us we're going to hang around on the island, | 0:25:37 | 0:25:41 | |
but we're going to the most beautiful house. | 0:25:41 | 0:25:43 | |
Plas Newydd belongs to Lord and Lady Anglesey | 0:25:46 | 0:25:50 | |
and overlooks the Menai Straits. | 0:25:50 | 0:25:52 | |
But it's not only mother nature who creates spectacular views. | 0:25:52 | 0:25:57 | |
Artist Rex Whistler was commissioned by the family | 0:26:04 | 0:26:07 | |
to spruce up the dining room and add an extra dimension. | 0:26:07 | 0:26:11 | |
The first thing that Whistler did in 1936 | 0:26:12 | 0:26:17 | |
was to order an especially woven, | 0:26:17 | 0:26:20 | |
long length of canvas, 58ft in length from Paris. | 0:26:20 | 0:26:26 | |
Early in 1937, the canvas was brought to the house | 0:26:26 | 0:26:30 | |
and glued to the wall. | 0:26:30 | 0:26:32 | |
He then made certain changes to personalise and to make this mural | 0:26:32 | 0:26:38 | |
absolutely something special for the Anglesey family. | 0:26:38 | 0:26:41 | |
Just look at these dogs here. | 0:26:41 | 0:26:43 | |
They aren't accidentally placed. We've got two French bulldogs. | 0:26:43 | 0:26:46 | |
These are the dogs from the members of the Anglesey family at that time. | 0:26:46 | 0:26:52 | |
In the middle distance we've got a cello | 0:26:52 | 0:26:55 | |
which reflects the current Lord Anglesey's interest in music | 0:26:55 | 0:26:59 | |
and casually draped on the balustrade beyond is a red towel, | 0:26:59 | 0:27:03 | |
as if you've just come in from a bathe. | 0:27:03 | 0:27:06 | |
The colour red is significant | 0:27:06 | 0:27:08 | |
because it reflects the unrequited love that Whistler had for Lord | 0:27:08 | 0:27:15 | |
Anglesey's daughter, Lady Caroline, who you see here sailing her boat as if she was sailing on the Menai | 0:27:15 | 0:27:22 | |
Strait, but by now you've been introduced to this capriccio | 0:27:22 | 0:27:27 | |
which is an imaginary architectural, | 0:27:27 | 0:27:30 | |
landscape view that Whistler has entirely dreamt up out of his imagination and his recollection | 0:27:30 | 0:27:38 | |
of architectural structures that he's seen in the past. | 0:27:38 | 0:27:42 | |
All great fun, but what I think is most | 0:27:42 | 0:27:45 | |
extraordinary about his work is what he's done at the ends of the mural. | 0:27:45 | 0:27:49 | |
Ordinarily this would simply be a blank wall at the end of the room, | 0:27:49 | 0:27:54 | |
but because the mural wraps around, it does a 90 degree turn. | 0:27:54 | 0:27:59 | |
Visually, the tromp de l'oeil, the trick of the eye, | 0:27:59 | 0:28:04 | |
takes you not to a black wall, but through | 0:28:04 | 0:28:07 | |
a colonnade with swifts flying in from the outside fresh air. | 0:28:07 | 0:28:13 | |
Effectively this room has become at least 40 ft longer than it actually is. | 0:28:13 | 0:28:20 | |
It's extremely clever. | 0:28:20 | 0:28:22 | |
I think it's quite appropriate that the figure we see here brushing up | 0:28:22 | 0:28:27 | |
in the colonnade is supposed to be a self-portrait of Whistler himself. | 0:28:27 | 0:28:32 | |
The man who wielded so delicate a brush so as to be able | 0:28:32 | 0:28:36 | |
to create this enormous mural, shows himself wielding a broom. | 0:28:36 | 0:28:43 | |
Isn't that charming? | 0:28:43 | 0:28:44 | |
The big question is today are our teams over at the auction going to be capable of a clean sweep? | 0:28:44 | 0:28:52 | |
We'll find out in a minute when auctioneer Robert Stones | 0:28:52 | 0:28:56 | |
gives us his verdict on our teams' items. | 0:28:56 | 0:28:58 | |
But first up, the experts have been hunting for their bonus buys, | 0:28:58 | 0:29:03 | |
so let's see what James Lewis has rustled up. | 0:29:03 | 0:29:06 | |
Ann-Marie and Toto, you spent 162 and gave James £138. | 0:29:08 | 0:29:13 | |
What did he spend it on and did he blow the lot? | 0:29:13 | 0:29:16 | |
Well, I blew the princely sum of £1. | 0:29:16 | 0:29:21 | |
Oh, wow. | 0:29:21 | 0:29:23 | |
There you are. Lovely, aren't they? | 0:29:23 | 0:29:26 | |
I have to say I was so excited when I found these. | 0:29:26 | 0:29:29 | |
-That's pretty. -It's a Regency card waiter | 0:29:29 | 0:29:33 | |
by Clay of London who's probably one of the leading papier-mache makers. | 0:29:33 | 0:29:37 | |
And a little George the IV card tray for your gaming tokens. | 0:29:37 | 0:29:42 | |
What do you think they're worth, James? | 0:29:42 | 0:29:44 | |
That's going to be 10 or £15 I would have thought, the little brass tray. | 0:29:44 | 0:29:48 | |
I hope that might be 30 - £40. | 0:29:48 | 0:29:52 | |
If it cleaned up nicely, it would be lovely, wouldn't it? | 0:29:52 | 0:29:55 | |
I do like those. | 0:29:55 | 0:29:57 | |
There we go. If he's right, there might be £50 for his £1 purchase. | 0:29:57 | 0:30:03 | |
That's the way to find a bonus buy. | 0:30:03 | 0:30:06 | |
That's why the man is where he is today. | 0:30:06 | 0:30:10 | |
Hold on to those because right now we are going to find out | 0:30:10 | 0:30:14 | |
what the auctioneer thinks about James Lewis's £1 buy. | 0:30:14 | 0:30:18 | |
How do you rate that little tray? | 0:30:18 | 0:30:20 | |
I love it. I think this sort of thing is absolutely delightful. | 0:30:20 | 0:30:23 | |
I think the thing which is so nice about this is, | 0:30:23 | 0:30:26 | |
it's in great condition. | 0:30:26 | 0:30:27 | |
So often, papier mache, which is what this is, is damaged. | 0:30:27 | 0:30:31 | |
And we've got a great mark on the back of it. | 0:30:31 | 0:30:34 | |
We've got the Crown and the name, Clay, on there. | 0:30:34 | 0:30:38 | |
The manufacturers in London of papier mache. | 0:30:38 | 0:30:41 | |
And then, in addition, as if that isn't enough, | 0:30:41 | 0:30:44 | |
you get this little fellow, | 0:30:44 | 0:30:46 | |
which is only a cheap, stamped out piece of brass. | 0:30:46 | 0:30:49 | |
This, I think, may have been one of four and card playing, | 0:30:49 | 0:30:52 | |
as we know, at that time, was absolutely at its zenith. | 0:30:52 | 0:30:56 | |
So, there we are. | 0:30:56 | 0:30:58 | |
We've got something I think is really quite fun | 0:30:58 | 0:31:01 | |
and we quite like it - we like both items. | 0:31:01 | 0:31:03 | |
-What would be your estimate in the auction for the two pieces? -30-60. | 0:31:03 | 0:31:07 | |
-Well, there you go. That's a very good way of spending £1. -Exactly. | 0:31:07 | 0:31:11 | |
Next is the beadwork collection. What do you make of it? | 0:31:11 | 0:31:15 | |
I, personally, having done a little bit of work on this, | 0:31:15 | 0:31:18 | |
think it might be something that was actually produced in Egypt. | 0:31:18 | 0:31:22 | |
-Oh, do you? -In 1938 it was the time when it was the Coronation | 0:31:22 | 0:31:26 | |
of King Farukh - his first wife. | 0:31:26 | 0:31:29 | |
-Oh, right! -It's a bit of a sporting sort of thought, | 0:31:29 | 0:31:33 | |
if you like, on what it might be but that's what I think it's about. | 0:31:33 | 0:31:37 | |
All of that makes perfect sense. I'm convinced. | 0:31:37 | 0:31:40 | |
-Do you think? -I like it. -Good. | 0:31:40 | 0:31:42 | |
I'm already there. | 0:31:42 | 0:31:44 | |
-So, how much? -30-50. -Ah, that doesn't do us much good, does it? | 0:31:44 | 0:31:48 | |
£80 is what James Lewis paid for this. | 0:31:48 | 0:31:51 | |
Next is this straw work Vesta case. | 0:31:51 | 0:31:55 | |
Yeah. We've got a bit of an issue with this really. | 0:31:55 | 0:31:58 | |
Is it a Vesta case? If it was made during the Napoleonic period, | 0:31:58 | 0:32:02 | |
we're looking at something that was produced | 0:32:02 | 0:32:04 | |
before the match was truly invented. That's the safety match. | 0:32:04 | 0:32:08 | |
-So, maybe it's a needle case. -That would be much more likely, | 0:32:08 | 0:32:12 | |
wouldn't it? What do you think it's worth? | 0:32:12 | 0:32:14 | |
We've said on that one, 10 to 20. | 0:32:14 | 0:32:16 | |
OK, £12 was paid. | 0:32:16 | 0:32:18 | |
That's the right price to pay for it. | 0:32:18 | 0:32:20 | |
A nice thing to find for £12 retail. | 0:32:20 | 0:32:22 | |
-Absolutely! -The last item is this baluster pounce pot. | 0:32:22 | 0:32:28 | |
Yep. This is, I think, part of something much bigger. | 0:32:28 | 0:32:33 | |
I think this would have stood on an inkstand, | 0:32:33 | 0:32:35 | |
probably the central part of an inkstand, so there'd have been | 0:32:35 | 0:32:38 | |
a couple of ink pots on either side of it, so a much bigger | 0:32:38 | 0:32:41 | |
piece of silver and this is just something which is | 0:32:41 | 0:32:44 | |
part of something else. | 0:32:44 | 0:32:45 | |
We're saying on that one, 40 to 60. | 0:32:45 | 0:32:48 | |
£70 paid. I can see it making £70. | 0:32:48 | 0:32:51 | |
-Silver's doing well. -Not a lot more than that. | 0:32:51 | 0:32:54 | |
No, I don't think so. | 0:32:54 | 0:32:56 | |
Thank you, Robert, for that. That's it for the Reds. Now for the Blues. | 0:32:56 | 0:33:00 | |
Their first item is the novelty pepperette, the little saucepan. | 0:33:00 | 0:33:04 | |
I think this is really, really nice. | 0:33:04 | 0:33:06 | |
Collectors of pieces of silver like this will really enjoy this and more specifically it's Chester hallmarked | 0:33:06 | 0:33:14 | |
and people in Chester and Cheshire generally | 0:33:14 | 0:33:18 | |
do like collecting Chester hallmarked items. | 0:33:18 | 0:33:22 | |
So, we're saying on that one, 40 to 60. | 0:33:22 | 0:33:24 | |
Oh! £130 they paid for this. | 0:33:24 | 0:33:29 | |
Next is the bar brooch. Nine carat gold. | 0:33:29 | 0:33:33 | |
Yeah, it's a typical piece of Edwardian jewellery. | 0:33:33 | 0:33:36 | |
We have a brooch here which, | 0:33:36 | 0:33:38 | |
frankly, isn't that fashionable at the moment. | 0:33:38 | 0:33:40 | |
-We're looking at that one and we're saying 40 to 60. -As much as that? | 0:33:40 | 0:33:44 | |
Well, there you go, you see. | 0:33:44 | 0:33:46 | |
They only paid £25. | 0:33:46 | 0:33:47 | |
-If you can turn in a profit on that, that would be great, Robert. -Yeah. | 0:33:47 | 0:33:51 | |
Lastly is the card case. | 0:33:51 | 0:33:54 | |
I don't know but I have a feeling this is slightly | 0:33:54 | 0:33:57 | |
yesterday's antiques, I don't know. | 0:33:57 | 0:33:59 | |
-Am I being unkind? -Well, sadly, I think you're right in that respect. | 0:33:59 | 0:34:03 | |
This one, whatever the past was, this one is in great condition | 0:34:03 | 0:34:07 | |
and I love the fact it's got that quilted effect on it. | 0:34:07 | 0:34:10 | |
-I love the fact it's got that etched decoration on it. -OK. | 0:34:10 | 0:34:13 | |
-Give us your estimate? -30 to 40. | 0:34:13 | 0:34:15 | |
-£75. -Blimey! | 0:34:15 | 0:34:17 | |
But you never know. | 0:34:17 | 0:34:18 | |
-Absolutely. -Perhaps, | 0:34:18 | 0:34:20 | |
here in Nantwich, we're going to start a revival | 0:34:20 | 0:34:22 | |
-of mother of pearl encrusted card case collecting. -We'll do our best. | 0:34:22 | 0:34:27 | |
It could happen. | 0:34:27 | 0:34:29 | |
On the other hand, I think it's not going to look so good and they're | 0:34:29 | 0:34:32 | |
going to need their bonus buy so let's have a look at that. | 0:34:32 | 0:34:35 | |
Well, Bill and Babs, you spent a magnificent £230, of which I'm so proud. | 0:34:35 | 0:34:40 | |
You gave £70 to the old boy. What did he spend it on? | 0:34:40 | 0:34:43 | |
I spent £60 on this rather interesting little match striker. | 0:34:43 | 0:34:48 | |
Why is it interesting? This little symbol here represents the | 0:34:48 | 0:34:53 | |
Royal Corinthian Yacht Club that was based in Cowes on the Isle of Wight. | 0:34:53 | 0:34:57 | |
So, we're looking at something | 0:34:57 | 0:34:58 | |
round about the beginning of the 20th century. | 0:34:58 | 0:35:01 | |
Anybody who has a yacht based at Cowes, | 0:35:01 | 0:35:04 | |
or anybody interested in yachting, racing, would go for this. | 0:35:04 | 0:35:09 | |
Will it make a profit? That's the question, isn't it? | 0:35:09 | 0:35:12 | |
-I hope so because this sale is on the internet. -It's heavy, isn't it? | 0:35:12 | 0:35:17 | |
We have online bidding so I think we stand a good chance. | 0:35:17 | 0:35:20 | |
-It's nice that. -Have a quick feel. | 0:35:20 | 0:35:22 | |
Very tactile. | 0:35:22 | 0:35:25 | |
-I like it. -I wasn't sure when I first saw it | 0:35:25 | 0:35:27 | |
but now I've felt it, I really like it. | 0:35:27 | 0:35:30 | |
-Yeah, I know. -It is tactile. It's heavy. It's got some weight. | 0:35:30 | 0:35:33 | |
Yeah, like your expert. No. | 0:35:33 | 0:35:35 | |
I am on a diet. | 0:35:35 | 0:35:37 | |
You don't need to, David. You're thinner than a pencil. | 0:35:37 | 0:35:40 | |
Right now, for the audience at home, | 0:35:40 | 0:35:43 | |
let's find out what the auctioneer thinks about David's match striker. | 0:35:43 | 0:35:48 | |
Nice little match striker. | 0:35:48 | 0:35:51 | |
Very nice little pennant on here. | 0:35:51 | 0:35:54 | |
Nice enough thing. There are plenty of them about. | 0:35:54 | 0:35:58 | |
Smoking isn't that popular these days. This sort of thing doesn't | 0:35:58 | 0:36:01 | |
-necessarily hold the value that you'd hope it would. -How much? | 0:36:01 | 0:36:05 | |
-20 to 30. -Is that all? | 0:36:05 | 0:36:07 | |
£60 paid by Barby for his bonus buy. | 0:36:07 | 0:36:10 | |
Of course, the team may not select it. We can't predict that yet. | 0:36:10 | 0:36:14 | |
-All will come out in the melting pot, Robert. Thank you. -Thank you. | 0:36:14 | 0:36:17 | |
-So, are you excited? -Yes, very. | 0:36:26 | 0:36:29 | |
-Very excited. -Very excited. | 0:36:29 | 0:36:31 | |
The first lot up are the beadwork pieces - | 0:36:31 | 0:36:33 | |
four pieces of beadwork and here they come. | 0:36:33 | 0:36:35 | |
Lot number 94, there we are. | 0:36:35 | 0:36:37 | |
This beadwork handbag decorated with birds, Arabic writing, etc. | 0:36:37 | 0:36:41 | |
What's it worth to you? | 0:36:41 | 0:36:43 | |
£25 I'm bid for it straight away. | 0:36:43 | 0:36:45 | |
-No! -25. 28 is the now. | 0:36:45 | 0:36:47 | |
It's on commission at 25. 28 there. 28, that's taken out the commission. | 0:36:47 | 0:36:50 | |
28. 30, do I hear? At £28. | 0:36:50 | 0:36:52 | |
Oh, come on! | 0:36:52 | 0:36:55 | |
At £28, I'm going to sell at £28. | 0:36:55 | 0:36:58 | |
-No! -Oh, no! -Last chance at £28. | 0:36:58 | 0:37:01 | |
-No. That is ridiculous. -Minus 52. | 0:37:01 | 0:37:06 | |
Interesting thing here. This little pin box, we think it might be. | 0:37:06 | 0:37:09 | |
£10 to start it off, somebody, please. 10 I'm bid straight away. | 0:37:09 | 0:37:13 | |
At £10. 12, anywhere now? 12. | 0:37:13 | 0:37:14 | |
Yes! 15 now. 18. 18, 20, 22, 25. | 0:37:14 | 0:37:18 | |
25, 28, 30. 30, 32 now. | 0:37:18 | 0:37:22 | |
At £30 only. If you're all finished and done, at £30. | 0:37:22 | 0:37:25 | |
Going to be sold at 30 there. £30. | 0:37:25 | 0:37:27 | |
£30 is plus 18. | 0:37:27 | 0:37:28 | |
We liked that very much. | 0:37:28 | 0:37:30 | |
That's pulled a bit back. | 0:37:30 | 0:37:31 | |
-Now the pounce pot. -That's the one there. A lovely thing. | 0:37:31 | 0:37:35 | |
I've got a bid of £40 on it straight away. £40 on commission. 42. | 0:37:35 | 0:37:38 | |
At £42. 45. 48. | 0:37:38 | 0:37:40 | |
48. 50 bid. 55. 60 now. | 0:37:40 | 0:37:42 | |
-Come, on, yes. -60 bid. 65. 70. 75. | 0:37:42 | 0:37:45 | |
80 now. At 75, you're all bid. At £75 only, at 75, going to be sold. | 0:37:45 | 0:37:49 | |
At £75. The bid's there. At 75. | 0:37:49 | 0:37:52 | |
That's plus five on that, which means overall, you're minus 29. | 0:37:52 | 0:37:56 | |
I'm blaming you two for that. | 0:37:56 | 0:37:59 | |
What are we going to do about this bonus buy? | 0:37:59 | 0:38:01 | |
There doesn't seem to be much choice but it's £1 worth. | 0:38:01 | 0:38:04 | |
We've got to go for it. | 0:38:04 | 0:38:06 | |
We're going to trust James on this one. | 0:38:06 | 0:38:08 | |
We're going to go with the bonus buy. That's unanimous. | 0:38:08 | 0:38:11 | |
-Good luck. Here it comes. -Thank you. | 0:38:11 | 0:38:12 | |
How much will you say? £20 I'm bid for it straight away. | 0:38:12 | 0:38:15 | |
At £20. 22 is now. | 0:38:15 | 0:38:16 | |
For no money at all, I promise you. | 0:38:16 | 0:38:18 | |
At £20. 22 is now. | 0:38:18 | 0:38:21 | |
-Come on! -22. 20's all I'm bid. | 0:38:21 | 0:38:23 | |
At 22. 25, anywhere now, do I hear? | 0:38:23 | 0:38:27 | |
-At £22 and it's going to be sold. Make no mistake. -No. | 0:38:27 | 0:38:29 | |
-No! -At £22. All finished and done, at £22. | 0:38:29 | 0:38:32 | |
All quiet and done at £22. | 0:38:32 | 0:38:35 | |
£22 is nevertheless a profit of £21. | 0:38:35 | 0:38:40 | |
That's painful. | 0:38:40 | 0:38:41 | |
If you said to me, what did I think that might have brought? | 0:38:41 | 0:38:44 | |
£100, that's what I saw that clay tray, so... | 0:38:44 | 0:38:47 | |
It's bad luck on you kids there. | 0:38:48 | 0:38:49 | |
Overall, you are minus £8 at the end of that. | 0:38:49 | 0:38:53 | |
It's a roller-coaster, isn't it? | 0:38:53 | 0:38:55 | |
-Yes. -It's taking part that matters. -Of course. | 0:38:55 | 0:38:58 | |
And, who knows? Minus £8 could easily be a winning score. | 0:38:58 | 0:39:01 | |
Are you nervous about anything in particular, any particular lot? | 0:39:07 | 0:39:11 | |
I'm a little bit nervous about the silver pepper shaker. | 0:39:11 | 0:39:14 | |
Are you? I don't know what you've got to worry about. | 0:39:14 | 0:39:17 | |
His estimate's 40 to 60, you paid £130. | 0:39:17 | 0:39:20 | |
-What's the trouble with that? -Oh, dear! | 0:39:20 | 0:39:23 | |
The fact of the matter is, it's the first lot up, | 0:39:23 | 0:39:26 | |
so stand by for a bloodbath. | 0:39:26 | 0:39:28 | |
£40 I'm bid straightaway on commission. At 40. 42, 45. | 0:39:28 | 0:39:31 | |
48. 50's with me. 55. 55, 60. 65. | 0:39:31 | 0:39:35 | |
65, your bid at 65. | 0:39:35 | 0:39:37 | |
-Too cheap! -70. 75. Nice thing. | 0:39:37 | 0:39:40 | |
-Go on! -Go on! | 0:39:40 | 0:39:42 | |
Don't be put under any pressure. | 0:39:42 | 0:39:45 | |
70's here. £70. 75 if you like. | 0:39:45 | 0:39:47 | |
75, well done! 80 now. | 0:39:47 | 0:39:49 | |
75. The bid's there at 75. | 0:39:49 | 0:39:52 | |
It will be sold at £75 only then. | 0:39:52 | 0:39:54 | |
-At 75. -Still no money. | 0:39:54 | 0:39:56 | |
75, it's minus 55. | 0:39:56 | 0:39:59 | |
How much? | 0:39:59 | 0:40:01 | |
Minus 55. Say it quickly. | 0:40:01 | 0:40:03 | |
Here comes your brooch. | 0:40:03 | 0:40:06 | |
That's the lot before you. | 0:40:06 | 0:40:08 | |
£30 to start it off, please. At 30. 30 now quickly, at £30, surely. | 0:40:08 | 0:40:11 | |
-Oh, no. -At £30. Who's at it now? | 0:40:11 | 0:40:13 | |
£30 for the bar brooch. At 30. | 0:40:13 | 0:40:15 | |
30 bid there. At £30 the bid's here. | 0:40:15 | 0:40:17 | |
At £30. 32 now. 32. 35. | 0:40:17 | 0:40:22 | |
38. 39. 40. 42 now. | 0:40:22 | 0:40:25 | |
At £42, will be sold. | 0:40:25 | 0:40:28 | |
-45. -Yes! | 0:40:28 | 0:40:30 | |
-45, your bid at 45. -It's gold an diamonds. | 0:40:31 | 0:40:35 | |
£45 and being sold then. | 0:40:35 | 0:40:39 | |
That's plus 20. | 0:40:39 | 0:40:40 | |
So, overall you are minus 35. | 0:40:40 | 0:40:43 | |
Now, the card case. | 0:40:43 | 0:40:44 | |
-I love this. -Who'll start me off? | 0:40:44 | 0:40:46 | |
£30, anywhere now? £30 straight away. £30. | 0:40:46 | 0:40:49 | |
32 now, quickly. Come on! With me now at £30. | 0:40:49 | 0:40:52 | |
This is so cheap if it goes at 30. | 0:40:52 | 0:40:54 | |
32 on the internet. 35 now. | 0:40:54 | 0:40:56 | |
35. 38 on the internet. £38. 40 bid. | 0:40:56 | 0:40:59 | |
42 is there now. £42. 42, 45. | 0:40:59 | 0:41:03 | |
45. 48 on the internet. | 0:41:03 | 0:41:05 | |
At £45, the bid is in the room then. | 0:41:05 | 0:41:07 | |
At £45 and will be sold. | 0:41:07 | 0:41:10 | |
At £48, just in time. At 50, | 0:41:10 | 0:41:13 | |
the bid's there. At £50. | 0:41:13 | 0:41:15 | |
In the room. | 0:41:15 | 0:41:16 | |
At £50 and will be sold at £50. | 0:41:16 | 0:41:20 | |
Not good enough. | 0:41:20 | 0:41:21 | |
Minus 25. That means, minus 60. | 0:41:21 | 0:41:26 | |
-Minus £60. -Never mind. | 0:41:26 | 0:41:29 | |
That's a bit of a bore, isn't it? | 0:41:29 | 0:41:32 | |
Could be worse. | 0:41:32 | 0:41:33 | |
What are we going to do about the bonus buy then? | 0:41:33 | 0:41:36 | |
Are we going to go for the Vesta striker? | 0:41:36 | 0:41:38 | |
Yeah. We're going to go for it. | 0:41:38 | 0:41:39 | |
In for a penny, in for a pound, boss. | 0:41:39 | 0:41:42 | |
Lot number 122, ladies and gentlemen, | 0:41:42 | 0:41:45 | |
is the silver-mounted | 0:41:45 | 0:41:47 | |
pottery Vesta match striker. | 0:41:47 | 0:41:49 | |
£20 to start it off. £20 bid straight away. At £20 I'm bid. | 0:41:49 | 0:41:52 | |
At £20. 22 is there now. 22. | 0:41:52 | 0:41:55 | |
28. 30 now. 30 bid. 32. | 0:41:55 | 0:41:58 | |
Fresh bidder. 35 now. | 0:41:58 | 0:41:59 | |
35. 38. 38, 40 now. | 0:41:59 | 0:42:01 | |
40 yes? 40 bid. | 0:42:01 | 0:42:02 | |
42. Going to be sold at 40. | 0:42:02 | 0:42:06 | |
You're all bid. | 0:42:06 | 0:42:07 | |
That's minus 20 on that which means overall you are minus 80. | 0:42:07 | 0:42:11 | |
-Yes. -Dear oh dear! | 0:42:11 | 0:42:12 | |
Sadly on Bargain Hunt we of course have no losers any more, we simply have runners up and winners. | 0:42:19 | 0:42:24 | |
The runners up today are the Blues. | 0:42:24 | 0:42:26 | |
The Blues have managed to run out with a score of minus 80. | 0:42:28 | 0:42:31 | |
-Yes! -Yes! | 0:42:31 | 0:42:33 | |
You had a nice £20 profit though out of your brooch, | 0:42:33 | 0:42:37 | |
which is a really nice result, wasn't it? | 0:42:37 | 0:42:40 | |
Not good enough, I'm afraid. We've loved having you on the show. | 0:42:40 | 0:42:44 | |
The victors today, by a long chalk, | 0:42:44 | 0:42:46 | |
because they've won by only losing £8. | 0:42:46 | 0:42:50 | |
80 one way, £8 the other. | 0:42:50 | 0:42:52 | |
You made a nice profit on the little Vesta or pin case and, of course, | 0:42:52 | 0:42:58 | |
the papier mache little waiter made you a cool £21, which helped James. | 0:42:58 | 0:43:02 | |
Thanks for that. Overall, minus £8 and that's the winning score today. | 0:43:02 | 0:43:07 | |
Join us soon for some more bargain-hunting. Yes? | 0:43:07 | 0:43:10 | |
ALL: Yes! | 0:43:10 | 0:43:11 | |
Subtitles by Red Bee Media Ltd | 0:43:26 | 0:43:29 | |
Email [email protected] | 0:43:29 | 0:43:32 |