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We're keeping it simple today, Bargain Hunters. | 0:00:03 | 0:00:06 | |
Meet Jan and Jan, and Dave and Dave. | 0:00:06 | 0:00:09 | |
Two teams of Bargain Hunters. | 0:00:12 | 0:00:14 | |
And, of course, me. | 0:00:14 | 0:00:16 | |
Now, introductions are over. | 0:00:16 | 0:00:19 | |
Let's go bargain hunting. | 0:00:19 | 0:00:21 | |
We're in the Royal Welsh Showground, in the heart of Wales. | 0:00:44 | 0:00:48 | |
But our teams won't have time to enjoy the scenery. | 0:00:48 | 0:00:51 | |
WELSH MALE VOICE CHOIR SINGS | 0:00:51 | 0:00:56 | |
Oh, no. They've got to go shopping. | 0:00:58 | 0:01:01 | |
Coming up on today's show: | 0:01:01 | 0:01:04 | |
The Blues try some hard bargaining. | 0:01:04 | 0:01:07 | |
-45. -No! | 0:01:07 | 0:01:09 | |
The Reds try hard to trust their expert. | 0:01:09 | 0:01:12 | |
Smell like me. | 0:01:12 | 0:01:14 | |
What a load of rubbish! | 0:01:14 | 0:01:17 | |
And I head north to the Lady Lever Art Gallery in the village of Port Sunlight. | 0:01:17 | 0:01:23 | |
But first, let's chat to our teams. | 0:01:23 | 0:01:27 | |
Well, we're not going to forget anybody's names today, are we, | 0:01:27 | 0:01:30 | |
because we've got Jan, Jan and Dave, Dave. | 0:01:30 | 0:01:33 | |
-Jan, Jan, Dave, Dave, hi. -Hi, Tim. -Lovely to see you. | 0:01:33 | 0:01:35 | |
-Now, Jan, you have been great friends with Jan here, haven't you, Jan, for 11 years? -Yep. | 0:01:35 | 0:01:42 | |
-How did you first meet? -She was my boss and we've stayed friends ever since. | 0:01:42 | 0:01:47 | |
I hope! Until today, maybe. | 0:01:47 | 0:01:49 | |
No, you'll be fine after today, I can tell. | 0:01:49 | 0:01:52 | |
What did you do for your boss? | 0:01:52 | 0:01:54 | |
-Where did you work? -I was a part-time housekeeper. | 0:01:54 | 0:01:56 | |
-Hotel business? -Yeah. -Lovely. | 0:01:56 | 0:01:58 | |
-Have you always been in the hotel business, Jan? -No. -How did you start? | 0:01:58 | 0:02:02 | |
I started in around about 1984 when I bought a large house and turned it into a nine-bedroom B&B. | 0:02:02 | 0:02:09 | |
And then I bought a hotel. | 0:02:09 | 0:02:12 | |
-And then I sold out and bought another hotel. -You're a bit of an entrepreneur then. | 0:02:12 | 0:02:16 | |
-So you know how to turn a bit of money into money, then? -I hope so. | 0:02:16 | 0:02:20 | |
Well, let's hope those talents will extend to antiques. | 0:02:20 | 0:02:23 | |
You're also rather a fine arrows player. | 0:02:23 | 0:02:26 | |
Well, I try to be. I've been at it for a long time. | 0:02:26 | 0:02:29 | |
-Chucking the old darts. -Yes. | 0:02:29 | 0:02:31 | |
So, how good are you at darts? | 0:02:31 | 0:02:33 | |
Average, very average, but we go on - it's a bit like this programme - good competition, In It To Win It. | 0:02:33 | 0:02:39 | |
-But you've got an eye for a bargain, haven't you? -I had one really good buy, yeah. | 0:02:39 | 0:02:43 | |
My £2-odd box of jewellery turned me into £250 for one item. | 0:02:43 | 0:02:50 | |
-Did it really? -I was pleased with that. | 0:02:50 | 0:02:52 | |
I should think you were. It's no wonder you chose her as your team mate. | 0:02:52 | 0:02:56 | |
Do you think you're going to work well together today as a team? | 0:02:56 | 0:03:00 | |
-I think so. -I think so. Well, we won't fall out, that's for sure. | 0:03:00 | 0:03:04 | |
Well, I've heard that before, actually. Very good luck. | 0:03:04 | 0:03:07 | |
Now for the Blues. Dave, Dave. | 0:03:07 | 0:03:09 | |
-Hi, Tim. -You've been friends for 25 years. | 0:03:09 | 0:03:11 | |
-Indeed. -But didn't you start off as rivals? | 0:03:11 | 0:03:14 | |
We had teams that competed against each other, in a boat handling competition. | 0:03:14 | 0:03:19 | |
Oh, right. This is sea cadets. | 0:03:19 | 0:03:21 | |
That's right. And then I went on to become one of the national judges | 0:03:21 | 0:03:25 | |
and was fortunate enough to be judging his team. | 0:03:25 | 0:03:27 | |
-Ha-ha! -But they were very good. -So did you pay him back, then? | 0:03:27 | 0:03:30 | |
No, I didn't. They were very good. | 0:03:30 | 0:03:33 | |
-They did win. -Now, Dave, once upon a time you really were one of the boys in blue, weren't you? | 0:03:33 | 0:03:38 | |
I was a policeman in Greater Manchester. | 0:03:38 | 0:03:40 | |
So how come you're not still a copper? | 0:03:40 | 0:03:43 | |
I came out after 12 years, after a bit of an incident in Yorkshire, | 0:03:43 | 0:03:48 | |
which is not in Greater Manchester. | 0:03:48 | 0:03:51 | |
It involved a man with a firearm. | 0:03:51 | 0:03:53 | |
He drew his gun and I drew my truncheon, and he lost. | 0:03:53 | 0:03:55 | |
Well, that was a moment, wasn't it? | 0:03:55 | 0:03:58 | |
Actually, you're very modest, | 0:03:58 | 0:04:00 | |
because you got the Queen's Commendation for bravery. That's right, yes. | 0:04:00 | 0:04:04 | |
-Dave, you've inherited a spectacular collection from your son. -Yeah. | 0:04:04 | 0:04:08 | |
My son, when he was in Cubs, decided to get his collector's badge and go for spoons, for some unknown reason. | 0:04:08 | 0:04:14 | |
And we've now got a collection of about a thousand. | 0:04:14 | 0:04:18 | |
People go all over the world and it's become a bit of a joke. | 0:04:18 | 0:04:21 | |
People bring back all manner of things. But it's really quite quaint. | 0:04:21 | 0:04:26 | |
-So what do they do, nick them from the hotels? -I don't ask them that. | 0:04:26 | 0:04:29 | |
Whatever they give me is all in good faith. | 0:04:29 | 0:04:32 | |
So, what are your plans for tactics today? What tactics have you got? | 0:04:32 | 0:04:36 | |
-We thought we'd buy something nautical... -Surprise, surprise. -..and maybe a bit of silver as well. | 0:04:36 | 0:04:41 | |
Right, fine. Right, well there's your ambition, good luck with it. | 0:04:41 | 0:04:44 | |
Now, the money moment. Here is your £300. £300 apiece. | 0:04:44 | 0:04:47 | |
You know the rules, your experts await. | 0:04:47 | 0:04:49 | |
And off you go, and very, very good luck. | 0:04:49 | 0:04:52 | |
Well, you know what they say about sailors. | 0:04:52 | 0:04:56 | |
Let's meet our experts. | 0:04:56 | 0:05:00 | |
Jonathan Pratt is taking a punt on the Reds. | 0:05:00 | 0:05:04 | |
And Kate Bliss is betting the farm on the Blues. | 0:05:04 | 0:05:07 | |
So, Jan and Jan. | 0:05:10 | 0:05:14 | |
-What is it you're looking for today? -Silver, some silver. | 0:05:14 | 0:05:18 | |
-Something quirky. -Different. | 0:05:18 | 0:05:21 | |
-Nautical. -A good theme. -The theme of the sea. | 0:05:21 | 0:05:24 | |
-Seafaring, marine, perhaps? -That sounds good. | 0:05:24 | 0:05:27 | |
Well, that sounds pretty laid back to me. I like the sound of that. | 0:05:27 | 0:05:29 | |
Well, we'll start outside and then we'll go inside. | 0:05:29 | 0:05:33 | |
Let's have a little browse around. | 0:05:33 | 0:05:35 | |
Shall we start in here? There's a lot to go at. Yeah? | 0:05:35 | 0:05:39 | |
This is more you, is it not? | 0:05:42 | 0:05:45 | |
Look at that. | 0:05:45 | 0:05:46 | |
-Nautical theme. -I know, it's a nice boat. I was looking at that. | 0:05:46 | 0:05:50 | |
But a little bit out of our budget, unfortunately. Nice ship, though. | 0:05:50 | 0:05:54 | |
Ah-harrrrr, it's plain sailing so far for Team Dave, but Jan-Jan are all at sea. | 0:05:54 | 0:05:59 | |
They've even lost Jonathan already. | 0:05:59 | 0:06:01 | |
Come on, Jonathan. Our hour's going. | 0:06:01 | 0:06:04 | |
Come on! | 0:06:04 | 0:06:05 | |
Move it. | 0:06:05 | 0:06:07 | |
Blues are heading for their first port of call. | 0:06:07 | 0:06:10 | |
Dave, do you like the boat up here? | 0:06:10 | 0:06:13 | |
-On the plate? -Not really. It looks dead cheap to me. -It looks what? -It looks dead cheap. | 0:06:13 | 0:06:17 | |
-Looks dead cheap? -I quite like it. Do you? -He quite likes it. | 0:06:17 | 0:06:21 | |
Well, let's just go with the flow. | 0:06:21 | 0:06:24 | |
Can you tell us a little bit about it? | 0:06:25 | 0:06:27 | |
-It's Royal Doulton. -Is it? What kind of age though? | 0:06:27 | 0:06:30 | |
-1930s-'40s. -It is a '30s one? | 0:06:30 | 0:06:32 | |
Lovely. | 0:06:32 | 0:06:33 | |
There's a series of them. | 0:06:33 | 0:06:35 | |
Thank you. They're called chargers. | 0:06:35 | 0:06:39 | |
Let's have a look, shall we? HMS Victory, here we go. | 0:06:39 | 0:06:43 | |
It's a good-sized plate, isn't it? | 0:06:44 | 0:06:46 | |
Or charger. It's really made for decorative purposes, obviously. | 0:06:46 | 0:06:49 | |
Not made to be used as a plate. | 0:06:49 | 0:06:51 | |
As well as being glazed, depicting the ship, it's got that moulded feel to it as well, | 0:06:51 | 0:06:57 | |
so the design comes out in relief at you. | 0:06:57 | 0:07:00 | |
-What about this here? -That is actually done in the manufacture of the pottery. | 0:07:00 | 0:07:03 | |
That was done in the firing of the piece. | 0:07:03 | 0:07:07 | |
If we turn it over though, you can see quite clearly the Royal Doulton mark. | 0:07:07 | 0:07:12 | |
Registered in Australia, it says there, quite interestingly. | 0:07:12 | 0:07:15 | |
So this may well have been made for export purposes. | 0:07:15 | 0:07:18 | |
And it's in the Famous Ships series, and this one being the Victory, the flagship of Nelson, | 0:07:18 | 0:07:25 | |
is a particularly nice one, I think. | 0:07:25 | 0:07:28 | |
-Let's have a look at the price, shall we, before we go any further? -88. | 0:07:28 | 0:07:32 | |
He's quick off the ball. | 0:07:32 | 0:07:33 | |
88, you're absolutely right. | 0:07:33 | 0:07:36 | |
-It caught your eye. -It caught my eye. | 0:07:36 | 0:07:39 | |
-I quite liked it. I didn't notice it being Victory at first, but that's got some significance with us. -Mmm. | 0:07:39 | 0:07:44 | |
-That could be our nautical piece. -It could be your nautical piece. | 0:07:44 | 0:07:47 | |
-What about the price though? -At auction I would say it's probably going to be nearer the £50 mark. | 0:07:47 | 0:07:52 | |
£50-70, I'd probably say. I think £88 is pushing it. | 0:07:52 | 0:07:56 | |
For retail purposes, that's a fair price. But not at auction. | 0:07:56 | 0:07:59 | |
-Good. So we need to do a bit of negotiating. -Let's go and have a chat. | 0:07:59 | 0:08:04 | |
That is the name of the game, Dave. | 0:08:04 | 0:08:06 | |
1900s. That's really early. | 0:08:09 | 0:08:12 | |
Cos it's deco style. The deco style starts very, very early. | 0:08:12 | 0:08:15 | |
That's very bold. FGHI, would be about 1908. | 0:08:15 | 0:08:19 | |
It says circa 1900. | 0:08:19 | 0:08:22 | |
I'd say it's probably more like 1910. But even so. | 0:08:24 | 0:08:27 | |
It still very early. It is Liberty's. The marks are up though. | 0:08:27 | 0:08:31 | |
It's not something you look at as the weight of the silver. | 0:08:31 | 0:08:34 | |
It's all about the fact that it's Liberty's and it's a strong design. | 0:08:34 | 0:08:38 | |
The price on there is 225, but there's a good buying public for this sort of thing. | 0:08:38 | 0:08:43 | |
If you're going to be bold and you're going to go, right, we're going to go for it. | 0:08:43 | 0:08:46 | |
-Something like that will do it. -Yeah. | 0:08:46 | 0:08:48 | |
But if it's going to go for about £150 at auction, we'd have to get it lower than that. | 0:08:48 | 0:08:53 | |
No, because the lady wouldn't go as low as that. | 0:08:53 | 0:08:55 | |
An auctioneer would always try and get away with what is seen to be a tempting estimate. | 0:08:55 | 0:09:00 | |
So if it's £150-£200, it would hopefully generate interest on it. | 0:09:00 | 0:09:03 | |
-Yeah. -I quite like that, actually. -Well, we know where it is. | 0:09:03 | 0:09:08 | |
Well, we'll leave you to work on them, Jonathan. | 0:09:08 | 0:09:11 | |
Now, how are the Blues getting on? | 0:09:11 | 0:09:14 | |
£60 is the bottom line. | 0:09:14 | 0:09:16 | |
£60? What do you think, Kate? | 0:09:16 | 0:09:18 | |
I think that's fair. What do you think, H? | 0:09:18 | 0:09:22 | |
Well, taking your advice of course, and this lady needs to | 0:09:22 | 0:09:26 | |
fill the plate, yeah, go on, let's give it a whirl. | 0:09:26 | 0:09:31 | |
-£60? -It's our nautical one, then. | 0:09:31 | 0:09:33 | |
-Yep. -Let's go for that. Let's do it. | 0:09:33 | 0:09:35 | |
I like it. Well done. | 0:09:35 | 0:09:37 | |
-Thank you very much. -Thank you so much. | 0:09:37 | 0:09:40 | |
One down, team Dave, well done. | 0:09:41 | 0:09:43 | |
Now, how's Jonathan getting on at persuading those Jans? | 0:09:43 | 0:09:46 | |
What would be your lowest price on that? | 0:09:46 | 0:09:51 | |
Well, I possibly could stretch it to the £150 for you. Do you think? 150? | 0:09:51 | 0:09:56 | |
You've picked it up, you like it. You've picked it up and you've realised its Liberty. | 0:09:56 | 0:09:58 | |
-That's two good factors. -Yeah. | 0:09:58 | 0:10:00 | |
And I think the price is fair on it. | 0:10:00 | 0:10:03 | |
-I think it is too. -Yeah. | 0:10:03 | 0:10:04 | |
-We'll go with it, then. Let's go. -Right. Can we have it, please? | 0:10:04 | 0:10:08 | |
Team Jan is finally off the starting blocks. Thank goodness for that. | 0:10:08 | 0:10:14 | |
And I have found something interesting too. | 0:10:14 | 0:10:17 | |
You might think that me wandering around with this thing had something to do with sheep. | 0:10:17 | 0:10:22 | |
Cos the glorious hills of Wales, of course, are stuffed with sheep, | 0:10:22 | 0:10:26 | |
and a shepherd would have a stick like this. | 0:10:26 | 0:10:28 | |
Actually, this thing has nothing to do with sheep. | 0:10:28 | 0:10:31 | |
Because this thing, and millions like it, would have been found in haberdashers' shops. | 0:10:31 | 0:10:38 | |
And if you're a shop assistant, and not terribly tall, you would reach for one of these things | 0:10:38 | 0:10:44 | |
and stretch up above you and remove an object from one of those shelves. | 0:10:44 | 0:10:51 | |
And it worked like this. This is a piece of bamboo, hollow up the middle. | 0:10:51 | 0:10:55 | |
Down this end, we've got some bronze jaws with hatcheted sections here | 0:10:55 | 0:11:01 | |
to enable you to get a firm grip. | 0:11:01 | 0:11:03 | |
Down the other end, we've got this handle arrangement, | 0:11:03 | 0:11:06 | |
and if I squeeze the handle, hey presto, the jaws shut. | 0:11:06 | 0:11:11 | |
So, say my hat is way up there on the top shelf, | 0:11:11 | 0:11:15 | |
and I want to get it off the top shelf, what the girl would do is, | 0:11:15 | 0:11:18 | |
she'd reach up like that with this thing, which is called a long arm, | 0:11:18 | 0:11:22 | |
she'd then grip it very, very tight up there, she'd get it off the shelf | 0:11:22 | 0:11:26 | |
and she'd then remove it and present it to the potential customer and say, "Does the hat fit, sir?" | 0:11:26 | 0:11:33 | |
Well, actually, the hat does fit, and this is a most interesting piece of kit. What did it cost? | 0:11:33 | 0:11:38 | |
It's yours for £60 off a stall down the way. | 0:11:38 | 0:11:42 | |
That's pretty good, isn't it? | 0:11:42 | 0:11:44 | |
I've seen perhaps a dozen of these sell over the last 10 years | 0:11:44 | 0:11:48 | |
and I would guess the average price at auction in London would be around £300-£400. | 0:11:48 | 0:11:54 | |
So, how does that grab you? Ooh! | 0:11:54 | 0:11:58 | |
Where's Jonathan? | 0:11:58 | 0:12:00 | |
He's wandered off again. | 0:12:00 | 0:12:02 | |
We've lost Jonathan again. Where is he? | 0:12:02 | 0:12:05 | |
-Well, he's obviously looking at something interesting. -Jonathan! | 0:12:05 | 0:12:09 | |
Oh, Jonathan, do stick with your team, old fruit. | 0:12:09 | 0:12:12 | |
-Sorry. -Come on! -How much is the platter? | 0:12:15 | 0:12:18 | |
-You tell him, Jan. Hit him with your crutch. -Do you like the hip flask? | 0:12:18 | 0:12:21 | |
That's quite nice. That's a glass and silver one combined. | 0:12:21 | 0:12:25 | |
Let's have a little look at that. | 0:12:25 | 0:12:28 | |
That's great. So you could use the bottom, the silver a bit, as your little cup. | 0:12:28 | 0:12:33 | |
So, all very neatly done. | 0:12:33 | 0:12:36 | |
The class is in good condition. And this one is really nice quality, | 0:12:36 | 0:12:40 | |
you can see how the glass has been faceted and cut around the top. | 0:12:40 | 0:12:44 | |
It's not just a bog-standard moulded glass flask. | 0:12:44 | 0:12:47 | |
And this has been gilded inside to protect the silver, really, from the liquor. | 0:12:47 | 0:12:53 | |
As well as for decorative purposes. | 0:12:53 | 0:12:55 | |
Have a little look, see what you think of that. | 0:12:55 | 0:12:58 | |
-That feels light. Is that...Is that not silver? -It's marked on the side. | 0:12:58 | 0:13:01 | |
Yes, it should be hallmarked on the top and on the cup, on the base. | 0:13:01 | 0:13:05 | |
There we go. That's right. | 0:13:05 | 0:13:08 | |
So, what age are we talking, Clive? | 0:13:08 | 0:13:10 | |
Let's look at the hallmark. Yes. | 0:13:10 | 0:13:13 | |
It is London 1907. | 0:13:13 | 0:13:15 | |
So it's George V, so it's over 100 years old. | 0:13:15 | 0:13:19 | |
-Do you like that? -I do. | 0:13:19 | 0:13:20 | |
-It's quite handy. -What about the price? | 0:13:20 | 0:13:23 | |
-It's 195. -195. | 0:13:23 | 0:13:25 | |
A bit of room for manoeuvre there, surely? | 0:13:26 | 0:13:29 | |
Would you do 150? | 0:13:29 | 0:13:31 | |
-Now. -Now, this very moment? | 0:13:31 | 0:13:34 | |
-Immediately. -Yes, go on. | 0:13:34 | 0:13:37 | |
We'll do 150. | 0:13:37 | 0:13:39 | |
You're a good man. Thank you very much. | 0:13:39 | 0:13:41 | |
-Oh, we've got a deal! Have we got a deal? -Thank you very much indeed. | 0:13:41 | 0:13:43 | |
-Happy days. -Well done. There's no messing with you lot, is there? | 0:13:43 | 0:13:47 | |
No messing indeed. | 0:13:47 | 0:13:51 | |
And Kate seems very happy with her Daves. | 0:13:51 | 0:13:54 | |
I think it's going really well. | 0:13:54 | 0:13:56 | |
I don't think I've been with such decisive contestants for quite a long time. | 0:13:56 | 0:14:00 | |
They know what they want and they are getting good prices. I've got no complaints. | 0:14:00 | 0:14:05 | |
The Jans are less decisive. I think I'd better have a quick word. | 0:14:05 | 0:14:09 | |
-Listen, you're halfway through and you've only bought one thing. -We've got to hurry up. | 0:14:09 | 0:14:15 | |
You have. You've got to what they call buck up. | 0:14:15 | 0:14:17 | |
I hope that's done the trick. | 0:14:17 | 0:14:21 | |
How much are your daguerreotypes? | 0:14:21 | 0:14:24 | |
I've got one of those in my family album. | 0:14:24 | 0:14:26 | |
£28 is on that one. £28. This is really early photographs. | 0:14:26 | 0:14:30 | |
Yes. And basically it's like printed onto the back of the glass. | 0:14:30 | 0:14:34 | |
This is like cut velvet. This is how they would have done a very early photograph. | 0:14:34 | 0:14:37 | |
This would be the alternative to having a portrait miniature. | 0:14:37 | 0:14:40 | |
You're talking 1860s-1870s. | 0:14:40 | 0:14:42 | |
Is this collectible? What would you do with it otherwise? | 0:14:42 | 0:14:45 | |
You know, an ordinary person wouldn't buy it, would they? | 0:14:45 | 0:14:47 | |
They do. Dealers buy them. People collect them. | 0:14:47 | 0:14:50 | |
-It's quite damaged though, isn't it? -But the price is quite good on it. | 0:14:50 | 0:14:54 | |
It's a novelty item in that respect. You don't often see it on Bargain Hunt. Would you accept £20 for it? | 0:14:54 | 0:15:01 | |
I could do 20 on that one, yeah. | 0:15:01 | 0:15:02 | |
-£20? Do you think so? -Yes. | 0:15:02 | 0:15:05 | |
-It's a bit of history. -Well, you said it like that to me now, Jonathan. | 0:15:05 | 0:15:08 | |
You've put doubt in my mind. | 0:15:08 | 0:15:11 | |
I always like to have that little come out and the end and say, it's your decision. | 0:15:11 | 0:15:15 | |
Of our budget, it's not much spent. | 0:15:15 | 0:15:17 | |
That means we've got some more to play with on the last object and it leaves me a nice sum. | 0:15:17 | 0:15:21 | |
-A princely sum! -A fiver. -We'll go with the daguerreotype. Thanks very much. | 0:15:21 | 0:15:26 | |
-It's a bit of a mish-mash. -Come back to it. | 0:15:28 | 0:15:32 | |
-It's been converted to a lighter. -What do you reckon? | 0:15:34 | 0:15:37 | |
I'd leave it as it is. | 0:15:37 | 0:15:40 | |
Let's go down a bit. | 0:15:40 | 0:15:42 | |
I think we'll wander round here then maybe try the next shed. | 0:15:42 | 0:15:45 | |
Team Dave...! | 0:15:45 | 0:15:47 | |
Team Dave! You've lost focus. | 0:15:47 | 0:15:49 | |
What about the bottle? | 0:15:49 | 0:15:51 | |
Wow. | 0:15:53 | 0:15:54 | |
That would take a while, wouldn't it, to get through that? | 0:15:54 | 0:15:57 | |
There's a lot of splash-ons. | 0:15:57 | 0:15:59 | |
Let's ask the lady. | 0:15:59 | 0:16:02 | |
It's the factice, which is the shop display dummy, | 0:16:02 | 0:16:05 | |
and then after the initial display, they were sent back and they were smashed. | 0:16:05 | 0:16:10 | |
-SMASH -Like that? -Like that! | 0:16:10 | 0:16:13 | |
Don't say it again, please. | 0:16:13 | 0:16:15 | |
So if you turn it round, on the other side it's got the fact it's a factice, a shop display dummy. | 0:16:15 | 0:16:21 | |
So what would be your best price on this? | 0:16:21 | 0:16:25 | |
How much have you got left? | 0:16:25 | 0:16:28 | |
We've got £130. So if it was £125, it would give me a fiver. | 0:16:28 | 0:16:33 | |
But we have to leave him some money | 0:16:33 | 0:16:35 | |
-to go and buy another present. -A tenner sounds great. £120. | 0:16:35 | 0:16:39 | |
£120? I've got no idea if that's good or bad, to be honest with you. | 0:16:39 | 0:16:43 | |
I mean, it's a big bottle of perfume, nonetheless. | 0:16:43 | 0:16:46 | |
It's collectible. You know. | 0:16:46 | 0:16:49 | |
You're ladies - your choice. | 0:16:49 | 0:16:51 | |
Go on. I've pushed it for the daguerreotype. Your choice now. | 0:16:51 | 0:16:55 | |
I mean, it's modern collectible. | 0:16:57 | 0:16:59 | |
I can imagine Tim sitting there with the auctioneer now and saying, | 0:16:59 | 0:17:05 | |
"What on earth have they bought this for?! | 0:17:05 | 0:17:08 | |
"What a load of rubbish!" | 0:17:08 | 0:17:11 | |
-It's not cheap tat. -What do you want to do? | 0:17:11 | 0:17:14 | |
-Go on. -Her decision. | 0:17:15 | 0:17:18 | |
She said yes. Right, we're done. | 0:17:18 | 0:17:20 | |
Thank you very much. Job done. | 0:17:20 | 0:17:22 | |
Dying minutes for the Blues. What can Kate pull out of the bag? | 0:17:22 | 0:17:27 | |
I think we've got seven minutes, guys. What do you think? | 0:17:27 | 0:17:30 | |
-Picked you up some nice stuff. -Yeah? Shall we have a look? | 0:17:30 | 0:17:33 | |
-They've got the original bits in them. -Yes. What can you do on the salts for us? | 0:17:33 | 0:17:39 | |
£60? | 0:17:40 | 0:17:42 | |
-Do you like those, guys? -They are attractive. | 0:17:42 | 0:17:45 | |
Little boat-shaped salts. | 0:17:45 | 0:17:47 | |
They've got their blue glass liners, which is quite nice. | 0:17:47 | 0:17:50 | |
-And there's a pair. -They're a pair. | 0:17:50 | 0:17:52 | |
Hallmarked on the side. Quite nice, clear hallmarks. | 0:17:52 | 0:17:55 | |
Have a look. You have that one. | 0:17:57 | 0:17:58 | |
-£60. -I think we need to go for it. We are at the end. -Let's do it. | 0:17:58 | 0:18:04 | |
We haven't got much time, have we? | 0:18:04 | 0:18:06 | |
I think they'd polish up a bit better, actually. I like the feet. | 0:18:06 | 0:18:10 | |
-They're identical. -Will you do 50 for us? | 0:18:10 | 0:18:12 | |
At a push? Can you do 50? | 0:18:12 | 0:18:14 | |
I'll meet you halfway. | 0:18:14 | 0:18:16 | |
£55 I'll do. | 0:18:16 | 0:18:18 | |
That gives you a good chance. | 0:18:18 | 0:18:20 | |
-I like the fact they've got their liners too. -I think we'll go for it. | 0:18:20 | 0:18:26 | |
Go for it. Let's do the deal. | 0:18:26 | 0:18:27 | |
-We're done. -It's a deal. Thank you very much indeed. | 0:18:27 | 0:18:31 | |
Salty cellars for some salty sea dogs. | 0:18:32 | 0:18:36 | |
Well done, Kate. | 0:18:36 | 0:18:38 | |
Right, that's it. Time's up. | 0:18:38 | 0:18:42 | |
Let me out of here! | 0:18:42 | 0:18:44 | |
Time's not up for our experts though because they need to spend the leftover lolly on a bonus buy. | 0:18:46 | 0:18:51 | |
Will our teams choose to use them at auction? | 0:18:51 | 0:18:55 | |
Well, we'll have to wait and see, won't we? | 0:18:55 | 0:18:57 | |
But before all that, let's remind ourselves what the Reds bought. | 0:18:57 | 0:19:02 | |
They started off with this Art Deco silver bowl. | 0:19:05 | 0:19:09 | |
Then Jonathan persuaded them the daguerreotype was a bargain at £20. | 0:19:09 | 0:19:15 | |
And finally, they took a punt on the Hugo Boss perfume bottle. | 0:19:15 | 0:19:20 | |
listen, you lot, I think you did very well. What did you finish up spending? | 0:19:20 | 0:19:24 | |
£290. | 0:19:24 | 0:19:26 | |
£290? That is such a good total out of £300. | 0:19:26 | 0:19:29 | |
-That means there's only £10 left for JP to go off. -Yes. -Where is the £10, please? Lovely. | 0:19:29 | 0:19:34 | |
Now, listen, which piece is going to bring the biggest profit then, Jan-Jan? | 0:19:34 | 0:19:38 | |
Oh, definitely the aftershave. | 0:19:38 | 0:19:40 | |
Aftershave? You agree with that, Jan, don't you? | 0:19:40 | 0:19:42 | |
-No, I don't. -Oh, lovely. -I still think the dish is going to. | 0:19:42 | 0:19:45 | |
It's got the Liberty mark on it and that'll go. | 0:19:45 | 0:19:47 | |
-You've had a run around today, haven't you, Jonathan? -Oh, yes. | 0:19:47 | 0:19:50 | |
I'm going to present you with a whole £10 note, right? | 0:19:50 | 0:19:53 | |
That's your pocket money to go and spend and find something really stellar for us. | 0:19:53 | 0:19:59 | |
-Thank you very much. -And I have a horrible feeling we're going to need it! | 0:19:59 | 0:20:03 | |
Good luck, girls. Why don't we check out what the Blues bought, eh? | 0:20:03 | 0:20:08 | |
Bradders spied the decorative HMS Victory charger. | 0:20:08 | 0:20:13 | |
They all felt the silver and glass hipflask was worth the £150 price tag. | 0:20:13 | 0:20:18 | |
And with time running out, Kate found them a pair of silver salts. | 0:20:18 | 0:20:23 | |
-How did you get on then, chaps? -I think we did really well. Got some good stuff. | 0:20:24 | 0:20:29 | |
-What's your favourite bit? -A little hip-flask. -Hip-flask. | 0:20:29 | 0:20:32 | |
That's typical that, isn't it? | 0:20:32 | 0:20:35 | |
Senior Service, all the rest of it, they've got to have a nip. Got to have your tot of rum. | 0:20:35 | 0:20:39 | |
That's right. It was empty, though. | 0:20:39 | 0:20:41 | |
Not for long! What's your favourite bit? | 0:20:41 | 0:20:43 | |
Can't disagree with him. | 0:20:43 | 0:20:45 | |
-It's a really lovely piece. -Is it? | 0:20:45 | 0:20:46 | |
Right, that's your favourite. And how much did you spend overall? | 0:20:46 | 0:20:49 | |
-£265. -£265. I want £35 of leftover lolly, please. | 0:20:49 | 0:20:53 | |
-Oh, you've got it there. £35. -Thank you very much. | 0:20:53 | 0:20:57 | |
-Got anything in mind though? Have you spotted something already? -No, I haven't. | 0:20:57 | 0:21:04 | |
We won't tell them then. Good luck, chaps. | 0:21:04 | 0:21:07 | |
Thank you. For me though, and you, and all the rest of the world, | 0:21:07 | 0:21:11 | |
we're about to head off to the Lady Lever Art Gallery in Port Sunlight. How special is that? | 0:21:11 | 0:21:16 | |
Port Sunlight in the Wirral is a model village that was built in 1888 by a soap tycoon. | 0:21:23 | 0:21:31 | |
Lord Leverhulme was an avid collector of fine art and furniture. | 0:21:31 | 0:21:36 | |
He wanted to share his enthusiasms with his workforce, | 0:21:36 | 0:21:40 | |
so in 1922 he built this magnificent gallery, | 0:21:40 | 0:21:43 | |
slap-bang in the middle of the workers' model village. | 0:21:43 | 0:21:48 | |
He was born in 1851, the son of a grocer, | 0:21:48 | 0:21:53 | |
and made his fortune selling soap. | 0:21:53 | 0:21:56 | |
But his taste in paintings was not exactly squeaky clean. | 0:21:58 | 0:22:04 | |
If we take this canvas, | 0:22:04 | 0:22:05 | |
it's by far not the largest in the collection, nor the most important, | 0:22:05 | 0:22:10 | |
but it does sum up that Victorian industrialist's taste in art. | 0:22:10 | 0:22:17 | |
What we've got here is a girl that's lying on a marble slab | 0:22:17 | 0:22:22 | |
with absolutely nothing on. | 0:22:22 | 0:22:25 | |
She is as naked as a jaybird. | 0:22:25 | 0:22:28 | |
At first glance, you just have to admire the technical skill | 0:22:28 | 0:22:34 | |
of the artist, Lawrence Alma-Tadema. | 0:22:34 | 0:22:37 | |
She's just come from the Roman baths, where she's got jolly hot, | 0:22:37 | 0:22:41 | |
and she's come to the tepidarium, | 0:22:41 | 0:22:44 | |
which is what this picture is entitled. | 0:22:44 | 0:22:46 | |
She's come to the room to cool down, having had her bath and sauna. | 0:22:46 | 0:22:52 | |
Now the artist, Lawrence Alma-Tadema, | 0:22:52 | 0:22:55 | |
in this High Victorian period of art, | 0:22:55 | 0:22:58 | |
produced works that specifically harked back to life in Roman times. | 0:22:58 | 0:23:04 | |
And on the basis of Victorian prudery, | 0:23:04 | 0:23:07 | |
where everything, including furniture legs, is covered up, | 0:23:07 | 0:23:11 | |
all of that prudery is thrown to the winds to the altar of art. | 0:23:11 | 0:23:17 | |
And in artistic terms you're able to bare all | 0:23:17 | 0:23:22 | |
without causing offence to the audience, | 0:23:22 | 0:23:25 | |
because this is fine art. | 0:23:25 | 0:23:29 | |
And Alma-Tadema, producing pictures of this ilk, | 0:23:29 | 0:23:32 | |
became the most prolific and highly paid Victorian artist of all time. | 0:23:32 | 0:23:38 | |
But Alma-Tadema isn't the only one with an eye for the ladies. | 0:23:40 | 0:23:45 | |
This is a Pre-Raphaelite painting, | 0:23:46 | 0:23:49 | |
one of several in the collection here at the Lady Lever. | 0:23:49 | 0:23:53 | |
And it's by Dante Gabriel Rossetti. | 0:23:53 | 0:23:57 | |
Now, the early Pre-Raphaelites | 0:23:57 | 0:23:59 | |
included Rossetti, Holman Hunt and Millais, | 0:23:59 | 0:24:02 | |
and in 1848 they set up something called | 0:24:02 | 0:24:05 | |
the Pre-Raphaelite Brotherhood. | 0:24:05 | 0:24:08 | |
The Pre-Raphaelite Brotherhood was set up as a reaction to the stuffy formality | 0:24:08 | 0:24:14 | |
of the artistic authorities, principally the Royal Academy, | 0:24:14 | 0:24:17 | |
and by harking back to an earlier period of art, ie before Raphael, | 0:24:17 | 0:24:24 | |
they felt that the early medieval period of art | 0:24:24 | 0:24:29 | |
was the true, honest and proper root of artistic endeavour.They created a stir at the time, | 0:24:34 | 0:24:37 | |
principally because of the bright colours that they employed | 0:24:37 | 0:24:41 | |
and the sensuous way in which they displayed their womenfolk. | 0:24:41 | 0:24:46 | |
This picture is entitled The Blessed Damozel, | 0:24:46 | 0:24:49 | |
which is appropriate for Rossetti, | 0:24:49 | 0:24:52 | |
because not only did he compose a poem to this subject, | 0:24:52 | 0:24:56 | |
but it harks back to the mythical figure of Damozel, | 0:24:56 | 0:25:01 | |
a creature who had died | 0:25:01 | 0:25:03 | |
and from heaven wistfully looks down onto Earth, | 0:25:03 | 0:25:08 | |
at her lover, longing for him to join her in the afterlife. | 0:25:08 | 0:25:14 | |
Now, this is particularly poignant for Rossetti. | 0:25:14 | 0:25:17 | |
His wife, his model, his muse, Elizabeth Siddal, | 0:25:17 | 0:25:22 | |
had died of a drug overdose in 1862 | 0:25:22 | 0:25:26 | |
and her characteristics, principally, | 0:25:26 | 0:25:29 | |
were her bright red hair, delicious eyes and sensuous red lips. | 0:25:29 | 0:25:35 | |
So this is surely her sitting as Damozel would have done in heaven, | 0:25:35 | 0:25:42 | |
looking down at Rossetti gazing wistfully to the sky, | 0:25:42 | 0:25:46 | |
waiting to join her. | 0:25:46 | 0:25:48 | |
What a lovely, romantic notion. | 0:25:48 | 0:25:51 | |
The big question is today, of course, | 0:25:51 | 0:25:53 | |
will our auctioneer be falling in love with the team's lots? | 0:25:53 | 0:25:56 | |
How lovely to find ourselves on the banks of the River Severn in Shrewsbury | 0:26:02 | 0:26:07 | |
at Halls' saleroom with Jeremy Lamond. | 0:26:07 | 0:26:10 | |
-Welcome. -Thank you. | 0:26:10 | 0:26:11 | |
So first off, JJ, that's Jan and Jan to you and me. | 0:26:11 | 0:26:15 | |
We've got the Art Deco bowl. | 0:26:15 | 0:26:18 | |
Interesting little bowl, very Art Deco handles. | 0:26:18 | 0:26:21 | |
Silver, but the marks are rubbed, which is a problem for the market. | 0:26:21 | 0:26:26 | |
Marked "L Ltd," | 0:26:26 | 0:26:28 | |
which is not Liberty, it's Lanson in this case. | 0:26:28 | 0:26:31 | |
-Not Liberty? -Not Liberty. I don't know what they paid for it, but... | 0:26:31 | 0:26:35 | |
-They paid a lot of money. -..£30 to £50. -What? | 0:26:35 | 0:26:38 | |
-It's not Liberty. -It's not Liberty. | 0:26:38 | 0:26:41 | |
-They paid £150. They thought it was Liberty. -No, it's Lanson. -Oh, dear. | 0:26:41 | 0:26:45 | |
-So that's a blow. -Could be. | 0:26:45 | 0:26:48 | |
Right, what about the daguerreotype? | 0:26:48 | 0:26:50 | |
Good-looking fellow. | 0:26:50 | 0:26:52 | |
Yeah, must be after 1840, when it was invented. | 0:26:52 | 0:26:54 | |
-There's lots of them about and it's not in a union case... -No, quite. | 0:26:54 | 0:26:59 | |
..which is what the collectors want. | 0:26:59 | 0:27:01 | |
So I think £10 or £20. | 0:27:01 | 0:27:03 | |
-They paid £20. So that's about the right price, perhaps, to pay. -Yeah. | 0:27:03 | 0:27:07 | |
So, if we're going to really splash out, though, | 0:27:07 | 0:27:10 | |
this is the object to do it with. | 0:27:10 | 0:27:13 | |
This lovely large sample of Boss fragrance. | 0:27:13 | 0:27:16 | |
How do you rate that? When do you think it was made? | 0:27:16 | 0:27:19 | |
Well, it can't have been made before 1985, because Hugo Boss didn't make fragrance before 1985. | 0:27:19 | 0:27:26 | |
-Did he not? -So that dates it. | 0:27:26 | 0:27:27 | |
Well, it says on the back here "dummy". | 0:27:27 | 0:27:30 | |
-So presumably it's not got anything smelly in it. -It has. Vinegar. | 0:27:30 | 0:27:34 | |
-Vinegar? Really? -Yes. -Gosh. | 0:27:34 | 0:27:36 | |
-It's a shop display, isn't it? -I've rather gone off it. | 0:27:36 | 0:27:39 | |
And what's it worth? | 0:27:39 | 0:27:41 | |
Well, what do you pay for a press-moulded glass empty bottle? | 0:27:41 | 0:27:44 | |
-Hmm, tricky, isn't it? -Tricky one, that. -£5 to £10. | 0:27:44 | 0:27:47 | |
You reckon? You wouldn't splash out and spent 10 to 20, would you? | 0:27:47 | 0:27:50 | |
-Could do. -Yeah. Lovely. | 0:27:50 | 0:27:52 | |
They paid 120. | 0:27:52 | 0:27:53 | |
Right. | 0:27:53 | 0:27:55 | |
Lovely. They've got a huge dark hole opening up | 0:27:55 | 0:27:58 | |
underneath their arrangements today, and they're going to need the bonus buy, | 0:27:58 | 0:28:02 | |
so let's go and have a look at it. | 0:28:02 | 0:28:04 | |
OK, Jan-Jan, you gave Jonathan £10 of leftover lolly. | 0:28:04 | 0:28:09 | |
-We did. We were generous, weren't we? -You certainly were. -Ouch! | 0:28:09 | 0:28:12 | |
So the poor chap's gone off with a £10 note and bought you a bonus buy. What is it, Jonathan? | 0:28:12 | 0:28:17 | |
Are we ready for this? | 0:28:17 | 0:28:19 | |
Oh, lovely! | 0:28:19 | 0:28:20 | |
-There we go. -I like owls. -A little glass owl. | 0:28:20 | 0:28:23 | |
-It's moulded glass, as you'd expect, really, for under a tenner. -For £10! | 0:28:23 | 0:28:28 | |
-UNDER a tenner? -Ooh, yes, I'm giving it away, aren't I? | 0:28:28 | 0:28:31 | |
-You are. -Under a tenner. But it's quite a decorative little object. | 0:28:31 | 0:28:35 | |
There's two little defects, a chip there and one on the base, | 0:28:35 | 0:28:37 | |
but otherwise I think it's a rather pretty object. | 0:28:37 | 0:28:40 | |
I paid £8 for it. It's an early-20th-century thing, I'd say. | 0:28:40 | 0:28:43 | |
Do you like owls, Jan? | 0:28:43 | 0:28:46 | |
I do. | 0:28:46 | 0:28:48 | |
It's about the same as the rest of the rubbish we've bought! | 0:28:48 | 0:28:52 | |
-About a tenth of the cost, though! -Yes! | 0:28:52 | 0:28:56 | |
-No, I think it's very nice. -Oh, well... That's good, then. Lovely. | 0:28:56 | 0:29:00 | |
Jonathan's relieved by that, because you spent...how much did you say? | 0:29:00 | 0:29:03 | |
-£8. -£8 on this Lalique-lookalike paperweight. -Yes, exactly. | 0:29:03 | 0:29:08 | |
You could use it for a paperweight. | 0:29:08 | 0:29:10 | |
It was the sort of thing... Lalique did their car mascots, and it's the same sort of size as one of those. | 0:29:10 | 0:29:15 | |
Same sort of size, same sort of idea. Anyway, enough of that. | 0:29:15 | 0:29:19 | |
For the viewers at home, let's find out what the auctioneer thinks about Jonathan's little owl. | 0:29:19 | 0:29:24 | |
-There we go, wise old owl for you. -Well, it's a frosted glass owl. | 0:29:24 | 0:29:28 | |
It's not Lalique, it's not Sabino... | 0:29:28 | 0:29:32 | |
it's probably not old. | 0:29:32 | 0:29:34 | |
-Is it Woolworths? -It could be. | 0:29:34 | 0:29:36 | |
-Late Woolworths? -Eastern European or Polish, but possibly not a wise buy. | 0:29:36 | 0:29:42 | |
The man only had £10, in fairness. | 0:29:42 | 0:29:44 | |
Leftover lolly was only £10. | 0:29:44 | 0:29:46 | |
He had to go and buy something so he paid eight for this. | 0:29:46 | 0:29:49 | |
Well, he might get his money back because...owl collectors | 0:29:49 | 0:29:52 | |
and paperweight collectors, that's cross-fertilisation. | 0:29:52 | 0:29:55 | |
All right, lovely, thank you. | 0:29:55 | 0:29:57 | |
That is it for our Reds. Forecasting a bloodbath here. | 0:29:57 | 0:30:00 | |
And now for the Blues. | 0:30:00 | 0:30:03 | |
Their first investment is in the form of HMS Victory. | 0:30:03 | 0:30:07 | |
Yeah, Royal Doulton Series Ware, moulded plate, probably 1930s. | 0:30:07 | 0:30:13 | |
Very popular old England theme. | 0:30:13 | 0:30:16 | |
Good subject, and it's in good condition. | 0:30:16 | 0:30:20 | |
-So what might it be worth, then, on a good day, with the wind up its tail? -I think £40 to £60. | 0:30:20 | 0:30:25 | |
£60 paid, so they're in the frame there. Jolly good. Well done, Blues. | 0:30:25 | 0:30:29 | |
-Next is the little silver-mounted flask. -Right. | 0:30:29 | 0:30:33 | |
-How do you rate that, Jay? -Silver, obviously, cut-glass. | 0:30:33 | 0:30:37 | |
Elegantly done. 80 to 120. | 0:30:37 | 0:30:40 | |
Right... | 0:30:40 | 0:30:42 | |
-Is that good? -No. -No. -'Fraid not. | 0:30:42 | 0:30:45 | |
Have to try harder. £150 they paid. | 0:30:45 | 0:30:48 | |
Well, they might get that at the end of the day. | 0:30:48 | 0:30:50 | |
It's not damaged, it's not particularly worn. | 0:30:50 | 0:30:53 | |
And it's quite fragrant. | 0:30:53 | 0:30:55 | |
Do you think it's more for fragrance than something that goes down the cakehole? | 0:30:55 | 0:30:59 | |
I think it could be fragrance rather than hunting or hip-flask, | 0:30:59 | 0:31:03 | |
because you have to unscrew the top and it's got no cover, | 0:31:03 | 0:31:06 | |
and it's a bit inconvenient to take into the field. | 0:31:06 | 0:31:10 | |
Anyway, the estimate's 80 to 120, they paid £150. | 0:31:10 | 0:31:14 | |
That is not all that hopeful. | 0:31:14 | 0:31:16 | |
What about those squat tiny little salts? | 0:31:16 | 0:31:20 | |
Cauldron-shaped salts like that are very common indeed. | 0:31:20 | 0:31:24 | |
So if the teams are searching for something unusual that might take off | 0:31:24 | 0:31:29 | |
this is not they. | 0:31:29 | 0:31:31 | |
-No. Bog-standard, isn't it? -Pretty much. -Mm. | 0:31:31 | 0:31:34 | |
-So what's your estimate on the silver salts? -30 to 50. | 0:31:34 | 0:31:38 | |
Our team paid £55 for them, actually. So they're on a bit of a hiding there. | 0:31:38 | 0:31:42 | |
-They might get away with it. -They might do. -But the prospect of making a PROFIT is very small. | 0:31:42 | 0:31:48 | |
Therefore they're going to need their bonus buy, so let's have a look. | 0:31:48 | 0:31:52 | |
Right, Dave and Dave, you spent £265, you gave the lovely Kate Bliss £35. What did she spend it on? | 0:31:52 | 0:31:58 | |
Well, I scoured the fair and I must have been thinking subconsciously | 0:31:58 | 0:32:03 | |
-that Dave was a spoon collector, so I came up with these. -Wow. | 0:32:03 | 0:32:08 | |
Now, they're not perhaps the most exciting bonus buy under the sun | 0:32:08 | 0:32:12 | |
but the reason I bought them | 0:32:12 | 0:32:14 | |
was to have the best chance of making a profit, which of course is the name of the game. | 0:32:14 | 0:32:19 | |
So have a little look at them. They're in their original case. | 0:32:19 | 0:32:22 | |
They are English silver, they date from 1938 | 0:32:22 | 0:32:26 | |
and they're all hallmarked on the reverse, | 0:32:26 | 0:32:30 | |
as you'd expect for Sheffield, 1938. | 0:32:30 | 0:32:32 | |
And they're what's known as Hanoverian pattern, | 0:32:32 | 0:32:35 | |
so the very tips of the handles just tip up a little bit, | 0:32:35 | 0:32:38 | |
which is known as Hanoverian pattern. Quite a commercial little set really. | 0:32:38 | 0:32:42 | |
-So what would you expect to make on it? -I think we might make £10 profit on a good day. | 0:32:42 | 0:32:47 | |
Do we know what you paid? | 0:32:47 | 0:32:49 | |
-I paid £20. -£20. | 0:32:49 | 0:32:52 | |
And you think they might make £30? | 0:32:52 | 0:32:54 | |
-I think they might. -Yes. £5 a spoon. | 0:32:54 | 0:32:57 | |
-What do you think about it, Dave-Dave? -Yeah, they might have a bit of profit in them. -You think? | 0:32:57 | 0:33:03 | |
-We'll...consider it. -Well, six solid silver spoons, in a case, for £20. | 0:33:03 | 0:33:08 | |
I would say there's a lot of places you'd go | 0:33:08 | 0:33:11 | |
and you'd get six plated spoons in a case for £20, but solid silver ones? | 0:33:11 | 0:33:15 | |
I think we have to consider this quite carefully, Dave-Dave. | 0:33:15 | 0:33:18 | |
-We'll see. -You're looking rather down in the mouth, mate. | 0:33:18 | 0:33:22 | |
-No, we'll see. -Dave's the spoon man. -No, they look good, they look good. | 0:33:22 | 0:33:26 | |
-It depends on our other products, doesn't it? -Well, it certainly does. | 0:33:26 | 0:33:29 | |
You have to sell the first three objects, then you make | 0:33:29 | 0:33:32 | |
your decision as to whether you're even going to go with this £20 risk. | 0:33:32 | 0:33:35 | |
Now, for the audience at home, let's find out what the auctioneer thinks about Kate's spoons. | 0:33:35 | 0:33:40 | |
There you go. Just what every auctioneer loves to receive. | 0:33:40 | 0:33:44 | |
-There we are. -Half a dozen silver teaspoons in their case. | 0:33:44 | 0:33:47 | |
1938, silver teaspoons, cased. | 0:33:47 | 0:33:50 | |
Good presentation case. Obviously someone was terribly excited at tea, | 0:33:50 | 0:33:54 | |
-there's a bit of a tea stain here. -Nasty stain. | 0:33:54 | 0:33:57 | |
-But we think £20 to £30. -Do you? -Yes. -Perfect. | 0:33:57 | 0:34:00 | |
Kate Bliss paid £20 for it and she has every chance of a huge success. | 0:34:00 | 0:34:05 | |
-We shall try very hard for her. -As usual. | 0:34:05 | 0:34:09 | |
-Are you taking the auction today? -I am. -Super. Should be a riot. | 0:34:09 | 0:34:13 | |
OK, Jan-Jan, we're at the edge now, how are you feeling? | 0:34:21 | 0:34:24 | |
Fine, fine. Yes, we're going to make lots of profits. | 0:34:24 | 0:34:28 | |
That's lovely. Is she always like this? | 0:34:28 | 0:34:31 | |
Most of the time, yes! | 0:34:31 | 0:34:33 | |
-Just as well you're good friends. -Sometimes she behaves! | 0:34:33 | 0:34:36 | |
OK, the Hugo Boss aftershave bottle, which you paid £120 for, he's estimated at £5-10. | 0:34:36 | 0:34:42 | |
-He doesn't know what he's talking about. -It's a typo. -A typing error! | 0:34:42 | 0:34:45 | |
-He says it's full of vinegar or a similar straw-coloured liquid. -Rubbish. | 0:34:45 | 0:34:51 | |
-Rubbish. -For display purposes. | 0:34:51 | 0:34:53 | |
And it dates from after 1986. | 0:34:53 | 0:34:56 | |
-He's had the benefit of looking all this stuff up. -Yes. | 0:34:56 | 0:35:00 | |
I'm only reporting it, right? Don't shoot the messenger. | 0:35:00 | 0:35:02 | |
-OK, we'll try not to. -There we go. | 0:35:02 | 0:35:04 | |
So there is a bit of a problem, frankly. | 0:35:04 | 0:35:07 | |
-Yes, quite a big problem. -And you've spent the 290, which is lovely, and I love it when you spend up, | 0:35:07 | 0:35:12 | |
and I really hope that Hugo Boss does the business for you. | 0:35:12 | 0:35:15 | |
-Yes. -First up is your silver Art Deco bowl, and here it comes. | 0:35:15 | 0:35:20 | |
The silver two-handled Art Deco bowl | 0:35:20 | 0:35:22 | |
by Lanson Ltd, Birmingham, circa 1930. | 0:35:22 | 0:35:25 | |
Again, various commissions here. | 0:35:25 | 0:35:27 | |
-20, 25, 35. At 35 to start it. At 35, 40. -Come on, keep going. -Here it comes. | 0:35:27 | 0:35:32 | |
45, commission bid. | 0:35:32 | 0:35:34 | |
At £45. | 0:35:34 | 0:35:36 | |
-It will keep going, don't worry. -£50 now, new place at £50. | 0:35:36 | 0:35:40 | |
Internet is out, at £50 now, at 50? | 0:35:40 | 0:35:42 | |
-He'll come back in. -Lady in the room at £50. Selling? -No! | 0:35:42 | 0:35:46 | |
-Oh, dear. £50, that's £100 down the doo-doo. -For goodness' sake. | 0:35:46 | 0:35:50 | |
Lot 139 is the daguerreotype of a gentlemen, Victorian. | 0:35:50 | 0:35:53 | |
What about that? £10, bid me? £10 to start it. Little one, £10? | 0:35:53 | 0:35:57 | |
Who's got 10? 10 at the back. 10 at the back of the room now, 12 now. | 0:35:57 | 0:36:02 | |
£12, 15. 18. At £18. Lady here. | 0:36:02 | 0:36:05 | |
Go for 20, go for 20. | 0:36:05 | 0:36:07 | |
-Come on. -Bid is in the room. £18. | 0:36:07 | 0:36:09 | |
-22 against you, 25. -A bit of profit. | 0:36:09 | 0:36:12 | |
-£28, still with you at 28. Your bid. -We might get back that £100! | 0:36:12 | 0:36:17 | |
Selling at 28... | 0:36:17 | 0:36:18 | |
That's brilliant, girls. That's plus £8. Well done, Jan. | 0:36:18 | 0:36:21 | |
The shop-display Hugo Boss. | 0:36:21 | 0:36:23 | |
Please bear in mind the contents are not original. | 0:36:23 | 0:36:26 | |
Do not splash it all over, or anything. £10, who's got 10? | 0:36:26 | 0:36:30 | |
-£10? £5? Oh, internet, 10. £10. -More than that. -Paid £120. | 0:36:30 | 0:36:34 | |
Not original contents, internet, please note. £10 I've got. | 0:36:34 | 0:36:37 | |
At 10? £10 on the internet, then. | 0:36:37 | 0:36:40 | |
We're selling it for 10 only? | 0:36:40 | 0:36:44 | |
-Dear, oh dear. There's a smell about. -Yeah. | 0:36:44 | 0:36:47 | |
-Minus 110. -Should have done more than that, just for the bottle. -I'm quite amazed actually. | 0:36:47 | 0:36:52 | |
I make that minus 202. | 0:36:52 | 0:36:54 | |
-Minus 202, OK? -Yes. | 0:36:54 | 0:36:56 | |
-Not so brilliant, really. -No, not a very good score, that. | 0:36:56 | 0:36:59 | |
You spent 290 and 202 down the drain. | 0:36:59 | 0:37:02 | |
Anyway, we had the £8 left over for the bonus buy. | 0:37:02 | 0:37:06 | |
-What will you do about that? -We'll go with it. | 0:37:06 | 0:37:09 | |
-On that happy note, we're going with the bonus buy? -Yes. We're going to have our owl. | 0:37:09 | 0:37:13 | |
The fishy owl. OK, here it comes. | 0:37:13 | 0:37:16 | |
The opaque glass owl's head, paperweight, showing for you there. | 0:37:16 | 0:37:20 | |
What about it? £5, start me. | 0:37:20 | 0:37:22 | |
Fiver bid immediately, at £5. | 0:37:22 | 0:37:24 | |
At five, here in the front row. | 0:37:24 | 0:37:26 | |
Who'll have a go? At £5? | 0:37:26 | 0:37:27 | |
-Come on. -At five, any more? £5 for the paperweight? | 0:37:27 | 0:37:31 | |
-It's your bid. 10 on the internet. You're out. -Yes! -There we go. | 0:37:31 | 0:37:34 | |
-Someone with taste! -£12, with you. Internet is out. | 0:37:34 | 0:37:38 | |
-At £12. It's in the room, a live bid in the room. -We've got profits! | 0:37:38 | 0:37:42 | |
At £12, you've got it, looks like. | 0:37:42 | 0:37:44 | |
£12, that's brilliant, Jonathan. | 0:37:45 | 0:37:47 | |
-I'm spent. -Plus four. -Well done. | 0:37:47 | 0:37:49 | |
You're four pounds up on that, which means overall you're minus £198, which is not so brilliant. | 0:37:49 | 0:37:55 | |
It's under 200. | 0:37:55 | 0:37:56 | |
Exactly, under 200. Don't tell the Blues a thing, right? | 0:37:56 | 0:38:00 | |
-No chance! -Good. Thank you. | 0:38:00 | 0:38:02 | |
Now, Dave-Dave. Do you know how Jan-Jan got on? | 0:38:09 | 0:38:12 | |
Not at all. They've not told us. | 0:38:12 | 0:38:14 | |
We didn't want you to find out either. Now, how do you rate your chances, Dave? | 0:38:14 | 0:38:18 | |
I think we'll make on the salts. | 0:38:18 | 0:38:21 | |
I'm not too sure about the hip-flask thing, and I really don't know about the plate. | 0:38:21 | 0:38:26 | |
-Right, so you've got two doubtfuls. What about you, Dave? -I'm keen on the plate and the salts. | 0:38:26 | 0:38:31 | |
-And if the worst comes to the worst you've got the spoons to go back on, right? -That's right. Maybe. | 0:38:31 | 0:38:36 | |
-Don't look at me like that! -Maybe. | 0:38:36 | 0:38:38 | |
Anyway, first up is the Victory decorative plate and here it comes. | 0:38:38 | 0:38:42 | |
-The Royal Doulton HMS Victory plate, the famous ship series. -Oh, Dave. | 0:38:42 | 0:38:46 | |
Lot 160, commissions here at £35, £40, £45. | 0:38:46 | 0:38:50 | |
At 45. | 0:38:50 | 0:38:52 | |
We want more, come on. | 0:38:52 | 0:38:54 | |
The ship series plate at 45. | 0:38:54 | 0:38:56 | |
Any more? At £45, selling at 45. | 0:38:56 | 0:38:57 | |
-On, no. -Come on, behave. | 0:38:57 | 0:39:00 | |
£15 off, bad luck, lads. | 0:39:00 | 0:39:02 | |
45, minus 15. | 0:39:02 | 0:39:04 | |
-Here we go. -Now your flask. | 0:39:05 | 0:39:07 | |
Silver-mounted cut-glass flask, Percy Whitehouse, London, 1907. | 0:39:07 | 0:39:11 | |
Lot 161, and again, interest here at £70, £80, £90. | 0:39:11 | 0:39:14 | |
At £90, on commission at £90. | 0:39:14 | 0:39:17 | |
-Give it some. -At 90 it is. | 0:39:17 | 0:39:19 | |
At £90, all done at 90? | 0:39:19 | 0:39:22 | |
Selling it, then, for £90. | 0:39:22 | 0:39:24 | |
Oh, this is... 90, minus 60 on that. | 0:39:24 | 0:39:27 | |
-Can't believe that, can you, Kate? -That's a lot. | 0:39:27 | 0:39:31 | |
Now, here come the salts. | 0:39:31 | 0:39:33 | |
Birmingham 1918, lot 162. | 0:39:33 | 0:39:36 | |
Bid me £20 to start. £20, where's 20? | 0:39:36 | 0:39:39 | |
-At 22, 25. 28, 30. 32, 35. -Come on. | 0:39:39 | 0:39:45 | |
35 against you, sir. 38, 40. | 0:39:45 | 0:39:48 | |
42, 42 still with you, sir, at £42. | 0:39:48 | 0:39:51 | |
Second row, at £42. | 0:39:51 | 0:39:55 | |
He's selling at £42, that's minus £13. | 0:39:55 | 0:39:58 | |
Minus 13, 60, 73, 83, 88. | 0:39:58 | 0:40:03 | |
Minus £88, chaps. | 0:40:03 | 0:40:05 | |
-Minus 88. -Oh, guys. -Shouldn't laugh really, should you? | 0:40:05 | 0:40:08 | |
But it could be a lot worse, I tell you. This could be a winning score. | 0:40:08 | 0:40:12 | |
-What are you going to do about the spoons? Go for it. -We've got to go for it. -You're going to go for it? | 0:40:12 | 0:40:17 | |
I think we're all in agreement, aren't we, that six spoons, | 0:40:17 | 0:40:21 | |
solid silver in a case, for £20 is a pretty good find for Kate. | 0:40:21 | 0:40:24 | |
-Absolutely. -So you're going to chance it, yes? -Yep. | 0:40:24 | 0:40:27 | |
-Yep. -All right, we're going to go with the bonus buy. Here it comes. | 0:40:27 | 0:40:30 | |
The cased set of six Hanoverian-pattern silver spoons. | 0:40:30 | 0:40:33 | |
Here we go, Kate. All on you now, girl. | 0:40:33 | 0:40:36 | |
-No pressure(!) -No, none at all! | 0:40:36 | 0:40:38 | |
Sheffield, lot 166. At 15, £16 I'm bid. At 16, 18 now? | 0:40:38 | 0:40:44 | |
At £18. Front row at 18. | 0:40:44 | 0:40:47 | |
Who else wants a go, at 18? | 0:40:47 | 0:40:49 | |
-Front row. -Oh, come on. Oh, come on! | 0:40:49 | 0:40:51 | |
20, just in time. £20, you're out. | 0:40:51 | 0:40:55 | |
At £20, front row? Yes? 22. | 0:40:55 | 0:40:57 | |
At 22, at 22, you're out now, sir. At £22. Front row, then. | 0:40:57 | 0:41:02 | |
The bid at 22... | 0:41:02 | 0:41:04 | |
-Just out of trouble, Kate. Well done. -Amazing. -Well... | 0:41:05 | 0:41:08 | |
Overall, you're minus 86. | 0:41:08 | 0:41:10 | |
You're minus £86. Don't tell the Reds a scrap, because this could be a winning score. | 0:41:10 | 0:41:15 | |
It will be. | 0:41:15 | 0:41:17 | |
-Well, teams. Been chatting, have we? -No. -No. | 0:41:23 | 0:41:26 | |
Not about results? | 0:41:26 | 0:41:27 | |
-Not about results. -You have no idea? -Everything else but not results. | 0:41:27 | 0:41:31 | |
There are some similarities between our teams today. Both have made substantial losses. | 0:41:31 | 0:41:35 | |
That should come as no surprise. | 0:41:35 | 0:41:37 | |
Both teams made a profit with their experts' bonus buys. | 0:41:37 | 0:41:41 | |
-Well done. -So both of our experts are feeling very pleased with themselves, I hope. | 0:41:41 | 0:41:46 | |
But one team, sadly, made nearly double the losses of the other, | 0:41:46 | 0:41:51 | |
and the running-up team that managed to have that amazing feat | 0:41:51 | 0:41:56 | |
-were the Reds. -Oh, dear. | 0:41:56 | 0:41:58 | |
Minus £198 you are, Jan-Jans. | 0:41:58 | 0:42:02 | |
Are you sure you've added that up right? | 0:42:02 | 0:42:05 | |
No, but that's the score that we're running with, minus 198. | 0:42:05 | 0:42:10 | |
I do not propose to go through the whole humiliating total for you. | 0:42:10 | 0:42:13 | |
-Thank you for that. -Doesn't matter a scrap. | 0:42:13 | 0:42:16 | |
You've been great fun, it just wasn't your day today in the auction room, quite frankly. | 0:42:16 | 0:42:21 | |
-No. -But you had a nice time? -Fantastic. -Yes. | 0:42:21 | 0:42:23 | |
I can reassure you that it wasn't really the day for the Blue team | 0:42:23 | 0:42:27 | |
in the auction room either, except that they only managed to lose £86. | 0:42:27 | 0:42:32 | |
-So, there you have it. -Well done. -That nice little profit on your set of spoons, Kate... -LITTLE profit. | 0:42:32 | 0:42:38 | |
£2, of course, helped tremendously. | 0:42:38 | 0:42:41 | |
-Have you had a nice time, chaps? -Fantastic. Met some wonderful people. -Yes, it's lovely, isn't it? | 0:42:41 | 0:42:45 | |
The team spirits on this programme are quite extraordinary. Anyway, we've had a great time. | 0:42:45 | 0:42:50 | |
-Join us soon for some more bargain hunting. Yes? -ALL: Yes! | 0:42:50 | 0:42:54 | |
Subtitles by Red Bee Media Ltd | 0:43:13 | 0:43:15 | |
E-mail [email protected] | 0:43:15 | 0:43:17 |