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Welcome to Kedleston Hall in Derbyshire. | 0:00:03 | 0:00:06 | |
No, we're not letting our teams loose over there, we're heading here into the fairground. | 0:00:06 | 0:00:13 | |
So let's go bargain hunting. | 0:00:13 | 0:00:16 | |
What a great spot for a bit of bargain hunting, what? | 0:00:40 | 0:00:43 | |
We're at Jaguar Fair's Antiques In The Park, but with one hour to | 0:00:43 | 0:00:48 | |
find three items, will our teams find it a walk in the park? | 0:00:48 | 0:00:53 | |
Let's have a quick glimpse as to what's coming up. | 0:00:53 | 0:00:56 | |
Red Team, Helen and Marcus, lose their expert. | 0:00:59 | 0:01:03 | |
Where are you, Helen? | 0:01:03 | 0:01:05 | |
Blue Team, Shelley and Pete, lose their plectrum. | 0:01:05 | 0:01:08 | |
-Needs tuning. -And we lose a contestant at the auction. | 0:01:10 | 0:01:15 | |
-No Pete? -No Pete. | 0:01:15 | 0:01:17 | |
If that's got you intrigued, let's meet them all. | 0:01:17 | 0:01:20 | |
-Hi, teams. -Hi, Tim. -How are you? | 0:01:20 | 0:01:22 | |
-Well, thank you. -Very good. | 0:01:22 | 0:01:24 | |
Helen, you're in one of the oldest professions, aren't you? | 0:01:24 | 0:01:27 | |
I am. I'd better clarify that, hadn't I?! I'm an artist. | 0:01:27 | 0:01:30 | |
Oh, you're an artist. Oh good. | 0:01:30 | 0:01:32 | |
-What sort of things do you get up to? -Well, I'm a painter primarily - | 0:01:32 | 0:01:36 | |
landscapes, floral work, but I also do a lot of work with children, | 0:01:36 | 0:01:40 | |
with recycled materials. | 0:01:40 | 0:01:42 | |
-Do you? -I do. -Do you go through the bins a lot? | 0:01:42 | 0:01:45 | |
Yeah, I'm always rummaging about for bits and bobs. | 0:01:45 | 0:01:48 | |
Was she always talented as a child, as an artist? | 0:01:48 | 0:01:51 | |
Yes, she was. Yes, she was. | 0:01:51 | 0:01:53 | |
Yes, I can tell, Marcus, your bosom is swelling with pride for the girl. | 0:01:53 | 0:01:57 | |
Marcus, it says here that you're retired, but actually you're just a grown up kid, aren't you? | 0:01:57 | 0:02:01 | |
Yes, Tim, I suppose I am. | 0:02:01 | 0:02:02 | |
What do you mean, you "suppose"? | 0:02:02 | 0:02:05 | |
You go out singing all the time. | 0:02:05 | 0:02:07 | |
Not all the time, Tim. Not now. | 0:02:07 | 0:02:10 | |
I have done a few vocals in the dance band that I play drums in, and enjoy it. | 0:02:10 | 0:02:14 | |
-And it's called Summer Wine. -It is. | 0:02:14 | 0:02:17 | |
Would you say you're the last of the summer wine? | 0:02:17 | 0:02:20 | |
Possibly, cos the average age is about 75, of the musicians. | 0:02:20 | 0:02:24 | |
-That is your group, is it? -Yes. | 0:02:24 | 0:02:25 | |
How long have you been playing together, you lot? | 0:02:25 | 0:02:27 | |
Together 14 years, but I have been playing the drums since I was about 16. | 0:02:27 | 0:02:33 | |
-Oh, right. -Yes. -Will you be going for musical instruments today on Bargain Hunt when you go shopping? | 0:02:33 | 0:02:38 | |
If there's any around and they're | 0:02:38 | 0:02:40 | |
good makes and they could make some money, we will see. | 0:02:40 | 0:02:44 | |
I think we have got a wealth of experience here. | 0:02:44 | 0:02:46 | |
I think the Blues are going to be quaking in their boots. | 0:02:46 | 0:02:49 | |
-I'm sure they are! -Anyway, thank you very much. | 0:02:49 | 0:02:52 | |
-Thank you, Tim. -Good luck. You two are also in a band, is that right? | 0:02:52 | 0:02:57 | |
-That is true. You've got a very musical bunch today. -Yes. | 0:02:57 | 0:02:59 | |
What sort of things do you get up to in your group? | 0:02:59 | 0:03:02 | |
We're in a band called Borderline Crossing. | 0:03:02 | 0:03:05 | |
It's the two of us and a friend of ours who plays guitar. Shelley sings, sings beautifully. | 0:03:05 | 0:03:09 | |
-Oh good, are you going to give us a trill? -No. | 0:03:09 | 0:03:12 | |
Why not? Come on, you just give us a little tune. | 0:03:12 | 0:03:15 | |
One of your favourite numbers. | 0:03:15 | 0:03:18 | |
# I am a poor wayfaring stranger | 0:03:18 | 0:03:24 | |
# While travelling through this world of woe... # | 0:03:24 | 0:03:31 | |
Gosh, isn't that good? How did you two hook up? I guess you're not from round these parts. | 0:03:31 | 0:03:36 | |
-No, how did you guess?! -Because we're sharp, you know? | 0:03:36 | 0:03:42 | |
Pete and I were on a social network. And I thought, "Hmm..." | 0:03:42 | 0:03:45 | |
Where were you at the time? | 0:03:45 | 0:03:47 | |
-I was in Las Vegas. -Oh, yes. | 0:03:47 | 0:03:50 | |
Where were you at the time? | 0:03:50 | 0:03:52 | |
-In Brinkburn, near Rugby. -Oh, you were near Rugby. | 0:03:52 | 0:03:55 | |
Las Vegas and Rugby here. | 0:03:55 | 0:03:57 | |
Closely linked. | 0:03:57 | 0:03:59 | |
Yes, I said, "Hi from Las Vegas" and I thought, OK, it will take a couple of days, and immediately I | 0:03:59 | 0:04:05 | |
got a response, then he found out that I was going to go to Ireland in about three or four months. | 0:04:05 | 0:04:11 | |
I hopped on a plane over to Dublin and I met Shelley in Waterford and | 0:04:11 | 0:04:17 | |
-also met my future father-in-law on the same day, didn't I? -Right. | 0:04:17 | 0:04:21 | |
Well, isn't that brilliant? | 0:04:21 | 0:04:23 | |
So it just goes to show that love can be spawned on the internet. | 0:04:23 | 0:04:27 | |
-Definitely. -Now the money moment, the moment you've been waiting for. | 0:04:27 | 0:04:31 | |
-Marcus, snap to attention. -Absolutely. | 0:04:31 | 0:04:33 | |
There you are. There's your £300. | 0:04:33 | 0:04:35 | |
You know the rules, your experts await and off you go. | 0:04:35 | 0:04:38 | |
Very, very good luck. Do you know something? | 0:04:38 | 0:04:39 | |
I'm going to try this internet lark. | 0:04:39 | 0:04:42 | |
I rather fancy a chat. | 0:04:42 | 0:04:44 | |
But will our experts hit the right note with the teams? | 0:04:44 | 0:04:48 | |
For the Reds, it's Anita Manning. | 0:04:48 | 0:04:50 | |
And for the Blues, it's Nick Hall. | 0:04:50 | 0:04:53 | |
What are we looking for today? | 0:04:55 | 0:04:57 | |
I'm not sure, I'm a bit overwhelmed. | 0:04:57 | 0:04:59 | |
Anything that's music related would be interesting. | 0:04:59 | 0:05:02 | |
So we're looking for quality, we're looking at condition. | 0:05:02 | 0:05:05 | |
Memorabilia from the '50s or '60s. | 0:05:05 | 0:05:07 | |
We're looking for cost, because we want a bargain. | 0:05:07 | 0:05:11 | |
-We do. -Absolutely. | 0:05:11 | 0:05:13 | |
How do we set our teams off shopping? | 0:05:13 | 0:05:16 | |
Sago! | 0:05:16 | 0:05:18 | |
Well, it made me laugh! | 0:05:18 | 0:05:21 | |
How much is your light fitting? | 0:05:21 | 0:05:24 | |
Best on that is 230 and it has got the oil lamp. | 0:05:24 | 0:05:28 | |
-£2.30? -You wish! | 0:05:28 | 0:05:32 | |
-These items here, are they...? They go together? -Yes. | 0:05:32 | 0:05:36 | |
-Do you play guitar? -No, drums, Anita. | 0:05:36 | 0:05:38 | |
-You're drums? -Yes. -He's a wild drummer. | 0:05:38 | 0:05:42 | |
-He is. -He's not. -He's a mad drummer. | 0:05:42 | 0:05:44 | |
-He's a dance-band drummer. -That is all ornate. You like this casket? | 0:05:44 | 0:05:49 | |
-Yes. -What is it about it you like, the decoration? -That's right, yes. | 0:05:49 | 0:05:53 | |
And this lady here was an early American Suffragette. | 0:05:55 | 0:06:00 | |
Oh, really? | 0:06:00 | 0:06:02 | |
So we have got Olive... Olive Percival. | 0:06:02 | 0:06:05 | |
Also a poet and a book collector and this date is the date the poems were published. | 0:06:05 | 0:06:11 | |
So Olive Percival, a Suffragette, anything related to a Suffragette, | 0:06:11 | 0:06:16 | |
you couldn't get better social history than that. | 0:06:16 | 0:06:19 | |
And it's got, of course, an American connection. | 0:06:19 | 0:06:22 | |
I do like that. How much is that? | 0:06:22 | 0:06:24 | |
Let's have a look. There's a price ticket on the inside. | 0:06:24 | 0:06:26 | |
-That is £120. -Goodness me. | 0:06:26 | 0:06:29 | |
Well, I expect you've got £20 for the box, £100 for the provenance. | 0:06:29 | 0:06:33 | |
That's right. | 0:06:33 | 0:06:36 | |
It's a nice work of art. | 0:06:36 | 0:06:38 | |
It's the story is the value. That is where the money is. | 0:06:38 | 0:06:41 | |
It is one of those guesstimate, rather than estimate moments. It is a punt. | 0:06:41 | 0:06:47 | |
If someone picks up on the Suffragette connection and you get a couple of bidders | 0:06:47 | 0:06:51 | |
-who are fanatical, then who knows where the price could go? -Right. | 0:06:51 | 0:06:55 | |
The danger is of course, if that part of it isn't picked up, it is going to fall on its face. | 0:06:55 | 0:07:01 | |
I just wonder what the story is behind all of the engraving. | 0:07:01 | 0:07:04 | |
Well, the decoration actually is leather. | 0:07:04 | 0:07:08 | |
And it's embossed leather, which is then laid on top of a wooden under frame. | 0:07:08 | 0:07:12 | |
As a box, it's quite collectable. | 0:07:12 | 0:07:14 | |
Shall we have a chat with the chap to see what sort of money we could do? | 0:07:14 | 0:07:18 | |
-I could do it for 70. -£70, shaking your head. | 0:07:18 | 0:07:22 | |
You couldn't go £60? | 0:07:22 | 0:07:24 | |
-Yeah, go on then. -What are we thinking? | 0:07:25 | 0:07:28 | |
Do you want to have a gamble at £60 and see what happens? | 0:07:28 | 0:07:31 | |
-I like it, I have to say. -'Shelley doesn't.' | 0:07:31 | 0:07:34 | |
If it takes off, it could make a lot of money. If it doesn't, it's only 60 quid. | 0:07:34 | 0:07:39 | |
20 each, between the three of us. | 0:07:41 | 0:07:43 | |
-OK. -You want to do it? | 0:07:43 | 0:07:45 | |
Shake the man's hand, give him some money. | 0:07:45 | 0:07:47 | |
-OK. -Thank you very much indeed. | 0:07:47 | 0:07:49 | |
Thank you. | 0:07:49 | 0:07:51 | |
Well, like it or not, Shelley, it's bargain number one. | 0:07:51 | 0:07:54 | |
-I don't particular like it. -You don't like it? -No. | 0:07:54 | 0:07:57 | |
-If you don't like it, Marcus... -We'll leave it. | 0:07:57 | 0:07:59 | |
Shut it up. | 0:07:59 | 0:08:01 | |
-And they're empty. -That's true. | 0:08:01 | 0:08:04 | |
Put it back. | 0:08:04 | 0:08:06 | |
Pump it a little faster. | 0:08:06 | 0:08:07 | |
SHE PLAYS BADLY | 0:08:07 | 0:08:10 | |
-Do you like it? -Oh, marvellous(!) | 0:08:10 | 0:08:12 | |
-Do you like it? -Not particularly. | 0:08:12 | 0:08:15 | |
Seven minutes it took us to find that - that's fantastic. | 0:08:15 | 0:08:19 | |
What we'll do is, we'll let you choose the next thing, we'll get something nice and fem and pretty. | 0:08:19 | 0:08:24 | |
-OK. -Got some nice Denby here. | 0:08:24 | 0:08:26 | |
Yes, I love those. | 0:08:26 | 0:08:28 | |
You see that wee one there? | 0:08:28 | 0:08:30 | |
That one? | 0:08:30 | 0:08:32 | |
-That one's £60. -60? | 0:08:32 | 0:08:35 | |
Yeah. 55, actually. | 0:08:35 | 0:08:37 | |
Well, I like Glyn Colledge, this is a modern design, this is 20th century design again | 0:08:37 | 0:08:43 | |
and people are interested in that period, from the 1960s. | 0:08:43 | 0:08:49 | |
It's also good when we have actually the signature of the artist there and we have it, and this is his area. | 0:08:49 | 0:08:57 | |
-What about this one here? -Yeah. | 0:08:57 | 0:09:00 | |
What sort of price on that? | 0:09:00 | 0:09:02 | |
-I will do 35 on that. -35 on that. | 0:09:02 | 0:09:05 | |
Your big jug here? | 0:09:05 | 0:09:07 | |
-That one... -I rather like that, actually. -I've 75 on it. | 0:09:10 | 0:09:14 | |
I can do you that at £60. | 0:09:14 | 0:09:17 | |
And that, same again. That's impressed Glyn Colledge. | 0:09:17 | 0:09:20 | |
I like the shape of that, that is more evocative of the time it was made, isn't it? | 0:09:20 | 0:09:25 | |
With the sort of straighter sides. | 0:09:25 | 0:09:27 | |
-It has nice detail here. -I prefer that. | 0:09:27 | 0:09:30 | |
-You prefer this one? -I do. | 0:09:30 | 0:09:32 | |
-It's got more... -You prefer this one? | 0:09:32 | 0:09:34 | |
I do. | 0:09:34 | 0:09:35 | |
Now, price? | 0:09:35 | 0:09:37 | |
Because it's yourself... | 0:09:37 | 0:09:39 | |
-I'll do 50 on it. Bottom line. -50? | 0:09:39 | 0:09:44 | |
I think that's all right, don't you? What is it marked at? 75. I love it. | 0:09:44 | 0:09:49 | |
I like the shape, I love the colours, | 0:09:49 | 0:09:51 | |
I love the fact that it's handmade and you can tell it's handmade, it has that hand-crafted feel. | 0:09:51 | 0:09:55 | |
'Marcus has glazed over.' | 0:09:55 | 0:09:58 | |
-Yes, like it. -Marcus, tell us what... | 0:09:58 | 0:10:00 | |
Be careful here, otherwise he will be putting the price up! | 0:10:00 | 0:10:04 | |
-It's all right, we might have it! -It's not a man's thing, is it? | 0:10:05 | 0:10:09 | |
-It's not your type. -Is it not turning you on? -No. | 0:10:09 | 0:10:12 | |
OK. But never mind, we will find something that does press all your buttons the next time. | 0:10:12 | 0:10:18 | |
-We'll have that now, then. -You tell him, Marcus. | 0:10:18 | 0:10:21 | |
-Thank you. -Tell him. -We'll buy it. | 0:10:21 | 0:10:23 | |
We'll buy it right now. | 0:10:23 | 0:10:24 | |
Thank you. Deal. | 0:10:24 | 0:10:26 | |
That will with be a deal. Thank you. | 0:10:26 | 0:10:29 | |
So one apiece. Like the Blues, not 100% agreement, but fingers crossed for the next one. | 0:10:29 | 0:10:37 | |
Shelley, there must be something for you amongst all these wonderful pots and figures, what do you think? | 0:10:37 | 0:10:41 | |
-I do like them, yes. -Do you like these particularly, at all? | 0:10:41 | 0:10:45 | |
-Well, they don't... -Don't grab you? | 0:10:45 | 0:10:49 | |
No, not yet. | 0:10:49 | 0:10:50 | |
This is all what's called Wemyss pottery, it was produced up in Fife in Scotland. Very, very collectable. | 0:10:50 | 0:10:57 | |
The biggest collection in the world is at Balmoral. | 0:10:57 | 0:11:00 | |
The late Queen Mother was a big collector of it. | 0:11:00 | 0:11:03 | |
A lot of the value lies within patterns. | 0:11:03 | 0:11:06 | |
Some are rarer than others. Any of them particularly jump out and grab you? | 0:11:06 | 0:11:10 | |
Well, I do like... | 0:11:10 | 0:11:12 | |
-You like the pots with the lids? -I do. | 0:11:12 | 0:11:14 | |
These would be preserve pots for jams and things of that ilk. | 0:11:14 | 0:11:19 | |
Pattern wise, I would think that's quite unusual. | 0:11:19 | 0:11:24 | |
I guess these are apples, are these apples on there do we think? | 0:11:24 | 0:11:28 | |
Do you like the decoration? | 0:11:28 | 0:11:30 | |
This is all hand painted of course. | 0:11:30 | 0:11:32 | |
I think something like that could do well. | 0:11:32 | 0:11:35 | |
Have a look and see what you think. | 0:11:35 | 0:11:37 | |
-I do like it. -What's it like on the inside? Is it OK? | 0:11:37 | 0:11:41 | |
What have you spotted there? It's a little bit of restoration actually. | 0:11:41 | 0:11:46 | |
It's been repainted and touched in the top there. | 0:11:46 | 0:11:49 | |
Not recently, I suspect that was probably done 40, 50 years ago. | 0:11:49 | 0:11:52 | |
It's a decent bit of restoration but will of course affect the value. | 0:11:52 | 0:11:56 | |
-Right. -There's no pricing on it. | 0:11:56 | 0:11:59 | |
That, restored, I've got at 130. | 0:11:59 | 0:12:03 | |
Even restored? | 0:12:03 | 0:12:05 | |
I could come down a little bit on this for you. | 0:12:05 | 0:12:07 | |
Would 75 buy it? | 0:12:07 | 0:12:09 | |
No, 85 would. That gives you quite a lot of profit. | 0:12:09 | 0:12:12 | |
Think Queen Mother! | 0:12:12 | 0:12:14 | |
Think Balmoral. At £85 there ought to be a significant profit in that. | 0:12:15 | 0:12:22 | |
Did you look at this one? | 0:12:22 | 0:12:25 | |
It just boils down to a price and which flower and fruit you prefer. | 0:12:25 | 0:12:30 | |
Out of the two, which would be your preference? | 0:12:30 | 0:12:34 | |
'None of them.' | 0:12:34 | 0:12:36 | |
I do like that one. | 0:12:36 | 0:12:39 | |
You like that one? You keep going back to that one. | 0:12:39 | 0:12:41 | |
But I like that one as well? You're like Harry Hill! | 0:12:41 | 0:12:44 | |
'I know what you mean.' | 0:12:44 | 0:12:48 | |
A blowpipe is it, or something? | 0:12:48 | 0:12:51 | |
No, not really... | 0:12:51 | 0:12:53 | |
-Marcus, do you like that? -It just took my eye, it's a bit strange. | 0:12:53 | 0:12:57 | |
-You're not convinced? -No. -You're a hard man to please. | 0:12:57 | 0:13:01 | |
-I know. -He is. | 0:13:01 | 0:13:02 | |
We are against the clock. | 0:13:02 | 0:13:05 | |
The best on that would be? | 0:13:05 | 0:13:06 | |
-150. -It wouldn't be 100? | 0:13:06 | 0:13:09 | |
I'd do it at 100. | 0:13:09 | 0:13:10 | |
We've got £85 on that one, £100 on that one. | 0:13:10 | 0:13:17 | |
I'm undecided. | 0:13:17 | 0:13:19 | |
You are a nightmare. The clock's ticking. | 0:13:19 | 0:13:22 | |
I know. OK, £100. | 0:13:22 | 0:13:27 | |
You're going to pop that one back, we're going to go for the cabbage rose? Are we there? | 0:13:27 | 0:13:32 | |
There we go. Go for it. | 0:13:32 | 0:13:34 | |
Right, that goes back, that goes in the box. | 0:13:34 | 0:13:37 | |
Give that chap £100. | 0:13:37 | 0:13:39 | |
-Job done. Yes? -No. | 0:13:39 | 0:13:42 | |
Sold. | 0:13:42 | 0:13:45 | |
-Are you sure? -Yeah. | 0:13:45 | 0:13:46 | |
You want this one? | 0:13:46 | 0:13:48 | |
Run like the wind! | 0:13:48 | 0:13:50 | |
You know when I've given him the money there's no going back? | 0:13:50 | 0:13:53 | |
Run like the wind, quick. | 0:13:53 | 0:13:54 | |
-£85. -Sold. | 0:13:54 | 0:13:56 | |
-You've made the right decision. -OK. | 0:13:56 | 0:14:00 | |
Finally! | 0:14:00 | 0:14:01 | |
Time for a break with moi. I do love these general stands, don't you? | 0:14:01 | 0:14:07 | |
You can buy a bicycle for the nipper, two or three dozen clocks, a kettle and of course some luggage. | 0:14:07 | 0:14:14 | |
But not all the luggage on these stands is of such quality or interest as these big trunks. | 0:14:14 | 0:14:20 | |
These things are called steaming trunks. Why? | 0:14:20 | 0:14:23 | |
In the old days, when you went across the Atlantic or around the world by ship, | 0:14:23 | 0:14:28 | |
they were called steamers. | 0:14:28 | 0:14:29 | |
And this one is unusual because it's covered not in a synthetic material but in ox hide. | 0:14:29 | 0:14:36 | |
This blonde leather, once upon a time when it was on the back of an ox, was covered in hair. | 0:14:36 | 0:14:42 | |
The hair's shaved off, the leather is tanned and this extremely dense | 0:14:42 | 0:14:47 | |
and durable material was ideal for going on the outer surface of these trunks because it's so durable. | 0:14:47 | 0:14:54 | |
If we take a trunk like this and open it up, just look at that massive nickel hasp. | 0:14:54 | 0:15:01 | |
It's hinged like this to reveal a completely fitted interior. | 0:15:01 | 0:15:05 | |
This thing is so beautifully fitted. | 0:15:05 | 0:15:08 | |
Whoops, up comes the roof revealing these nice hangers inside. | 0:15:08 | 0:15:13 | |
This is just the sort of trunk that would have gone on the Titanic with our Kate Winslet on board. | 0:15:13 | 0:15:20 | |
We've got compartments here. Look, pull that one out. | 0:15:20 | 0:15:23 | |
This is for your smalls. There's a further hinged lid inside there, | 0:15:23 | 0:15:27 | |
it's got a strap inside, stops all your things rattling around. | 0:15:27 | 0:15:31 | |
Having crossed the Atlantic, you might settle for crossing America on some hare-brained steam train. | 0:15:31 | 0:15:37 | |
So what would you use it for today? | 0:15:37 | 0:15:40 | |
You certainly wouldn't want to take it on your package holiday, would you? | 0:15:40 | 0:15:43 | |
They'd not be pleased at the airport if you pitched up with this one. | 0:15:43 | 0:15:46 | |
No, No. Think about a small flat. | 0:15:46 | 0:15:49 | |
Not much in the way of storage facilities. Perhaps no wardrobe. | 0:15:49 | 0:15:53 | |
Buy this thing and all your storage problems for clothes and whatnot are solved at a stroke. | 0:15:53 | 0:15:59 | |
What's it worth? Well, the asking price is £320. | 0:15:59 | 0:16:04 | |
Like I say, it's a steamer! | 0:16:04 | 0:16:08 | |
Full steam ahead, then. | 0:16:08 | 0:16:10 | |
The Reds have two bargains to find. | 0:16:10 | 0:16:12 | |
-Marcus? -What? | 0:16:12 | 0:16:14 | |
Come on, quick. | 0:16:14 | 0:16:15 | |
The Blues on the other hand are having a musical interlude. | 0:16:17 | 0:16:21 | |
Sounds good to me. Go on. | 0:16:21 | 0:16:24 | |
-# I put a spell on you... # -Oh, no! | 0:16:24 | 0:16:27 | |
This is quite interesting. | 0:16:30 | 0:16:31 | |
"A Yorkshireman's advice to his son. | 0:16:31 | 0:16:34 | |
-"See all, hear all, say nowt." You like that? -Yeah. | 0:16:34 | 0:16:41 | |
"Eat all, drink all, pay nowt. | 0:16:41 | 0:16:44 | |
"And if ever tha does it for nowt, | 0:16:44 | 0:16:47 | |
"all is do it for this." | 0:16:47 | 0:16:51 | |
I think the transfer hasn't quite gone on properly! | 0:16:51 | 0:16:54 | |
I think that's quite good fun. | 0:16:54 | 0:16:56 | |
-How old would that be? -Its Crown Devon. | 0:16:56 | 0:17:00 | |
-Transfer printed. -Any chips or cracks? | 0:17:02 | 0:17:05 | |
No, it seems to be in good condition. | 0:17:05 | 0:17:08 | |
-Lovely face. -It's £12. | 0:17:08 | 0:17:11 | |
Anita, we've got all this money left. | 0:17:14 | 0:17:16 | |
I know but we haven't got a lot of time. | 0:17:16 | 0:17:18 | |
We've got to start thinking of buying something because we've still got two items to buy. | 0:17:18 | 0:17:23 | |
20 minutes, possibly 15 minutes now. | 0:17:23 | 0:17:25 | |
It's good fun, it brings a smile to the face. | 0:17:25 | 0:17:29 | |
I think it's quite good fun. | 0:17:32 | 0:17:35 | |
-It's all right. -I think we've got a winner here! | 0:17:35 | 0:17:37 | |
-That's slightly positive. -We're also panicking for time. | 0:17:37 | 0:17:40 | |
We're also panicking for time. | 0:17:40 | 0:17:42 | |
If we can get something off of it, Marcus, we've got a chance there. | 0:17:42 | 0:17:45 | |
Will you see what you can do? | 0:17:45 | 0:17:47 | |
-I will. -Do your best, Dad. | 0:17:47 | 0:17:49 | |
What's it marked at? | 0:17:49 | 0:17:51 | |
12 quid. Right. | 0:17:51 | 0:17:53 | |
-BOX OF PLATES CLINKS -Whoops. | 0:17:53 | 0:17:55 | |
Whoops! Going to smash the price down, Marcus! | 0:17:55 | 0:17:58 | |
-We've got two pounds off. -Well done. | 0:18:00 | 0:18:03 | |
-What do you think of that? -Well done. | 0:18:03 | 0:18:05 | |
My first purchase. | 0:18:05 | 0:18:07 | |
I think we have a chance of making a profit at that. | 0:18:07 | 0:18:10 | |
-Yes. -If it's only two quid. | 0:18:10 | 0:18:12 | |
Well done. | 0:18:12 | 0:18:14 | |
A pound each! | 0:18:14 | 0:18:16 | |
That's my first purchase, I shall pop off and pay the man. | 0:18:16 | 0:18:19 | |
Excellent. | 0:18:19 | 0:18:21 | |
Don't break anything else! | 0:18:21 | 0:18:23 | |
-Shelley? -Yes? | 0:18:26 | 0:18:28 | |
-What do you think about this little group of decorative modern ceramics here? Do you like this? -I do. | 0:18:28 | 0:18:33 | |
It's made by Troika. | 0:18:33 | 0:18:35 | |
Very collectable in today's market. | 0:18:35 | 0:18:38 | |
It did peak a few years ago and it has dropped back ever so slightly, | 0:18:38 | 0:18:42 | |
but still quite popular for the right shapes and patterns. | 0:18:42 | 0:18:46 | |
-Yeah. -These are interesting. | 0:18:46 | 0:18:48 | |
You see these on the top shelf? | 0:18:48 | 0:18:50 | |
-The vases? -These are known as coffin vases, purely because of the shape, there's nothing sinister about them. | 0:18:50 | 0:18:57 | |
They can be quite popular. | 0:18:57 | 0:18:59 | |
That's got a nice design pattern on it. Oh, it's got, "Restored". | 0:18:59 | 0:19:03 | |
Ah! | 0:19:03 | 0:19:05 | |
Yes, cos we're old hats at restoration. | 0:19:05 | 0:19:07 | |
-Yes, we are. -That's nothing new to us. | 0:19:07 | 0:19:09 | |
It doesn't frighten us. | 0:19:09 | 0:19:11 | |
Now, the restoration would appear to be around the rim. | 0:19:11 | 0:19:16 | |
There's some discolouration here which could well be part of it. | 0:19:16 | 0:19:21 | |
-It's quite an unusual item. -Hang on to that a sec. -Yeah. | 0:19:21 | 0:19:24 | |
We're absolutely spoilt for choice here. | 0:19:24 | 0:19:26 | |
-It's nice to see a collection together. -Yes, it is. | 0:19:26 | 0:19:29 | |
It gives you a real chance to browse and pick and choose your favourite. | 0:19:29 | 0:19:32 | |
Yeah, and compare. | 0:19:32 | 0:19:33 | |
-'They look identical to me!' -What are they asking for this? | 0:19:33 | 0:19:36 | |
They're asking 185. | 0:19:36 | 0:19:38 | |
Again, it's more than we've got, but it's worth asking the question. | 0:19:38 | 0:19:42 | |
For us, a special price of... | 0:19:43 | 0:19:46 | |
-155. -130, how would that be? | 0:19:46 | 0:19:49 | |
-130, and that leaves us a little bit of something left. -135. | 0:19:49 | 0:19:53 | |
135. | 0:19:53 | 0:19:56 | |
I think we could be OK with that. | 0:19:56 | 0:19:58 | |
You're not going to stand and debate between the two for the next half hour, are you? | 0:19:58 | 0:20:01 | |
I won't, I promise you! | 0:20:01 | 0:20:03 | |
In case you do, Shelley, let's see what the Reds are up to. | 0:20:03 | 0:20:07 | |
Where is she? | 0:20:07 | 0:20:08 | |
Where are you, Helen? | 0:20:10 | 0:20:13 | |
-There's a carnival glass there. -Yes. -It's fab, isn't it? | 0:20:13 | 0:20:15 | |
You'd better find them, the Blues are nearly done. | 0:20:15 | 0:20:18 | |
We're kind of stuck on 130, but we like it. Could we shake at £130? | 0:20:18 | 0:20:24 | |
-Please? -I've lost her. | 0:20:24 | 0:20:27 | |
Oh, there they are. | 0:20:28 | 0:20:30 | |
-A gentleman you are. Thank you, sir. -Thank you. Thank you. | 0:20:33 | 0:20:36 | |
What have you got there? | 0:20:36 | 0:20:38 | |
Well, it's something I spotted when we first came into the fair | 0:20:38 | 0:20:41 | |
and I kind of caught it out of the corner of my eye and we've managed to find the stall again. | 0:20:41 | 0:20:46 | |
Come back and found it and it's fab. | 0:20:46 | 0:20:47 | |
Absolutely fabulous. | 0:20:47 | 0:20:50 | |
It's a train set, it's all there and I'm hoping to be able to do a bit of a deal on the price. | 0:20:50 | 0:20:55 | |
-What do you think? -Let me have a wee look. -Come and have a look. I think it's fab. | 0:20:55 | 0:20:58 | |
The most important thing... | 0:20:58 | 0:21:01 | |
-It's in good nick, yes. -Have you got a smile on your face? | 0:21:01 | 0:21:04 | |
He has, look! It's a boy's toy. | 0:21:04 | 0:21:06 | |
-It's a boy's toy. -It's fine. -Do you like it? | 0:21:06 | 0:21:08 | |
-Absolutely. -Do you want to buy this? | 0:21:08 | 0:21:10 | |
-I'm sure we ought to, yes. We'll have to. -We'll have to. | 0:21:10 | 0:21:13 | |
-Yes. -It's 150, full price. | 0:21:13 | 0:21:16 | |
It's all there, it's all complete and I've had a quick word with the | 0:21:16 | 0:21:19 | |
gentleman and he can move on the price, so I maybe need to go and have another quick chat. | 0:21:19 | 0:21:23 | |
-It sounds interesting. -Ah, you've got a smile on your face. -Shall I go and see what I can do? | 0:21:23 | 0:21:28 | |
I think so. In its original box, in good condition. | 0:21:28 | 0:21:32 | |
Marcus likes it and that's the most important thing. | 0:21:32 | 0:21:36 | |
-Yeah. Shall I go and see what I can do? -Yes. -Great stuff. Thank you. | 0:21:36 | 0:21:40 | |
Did you have a train set when you were a wee boy? | 0:21:40 | 0:21:43 | |
No, I didn't, darling. No, I didn't. | 0:21:43 | 0:21:45 | |
Well, here you are, a grown up now and you've bought a train set for yourself. | 0:21:45 | 0:21:51 | |
-Who's a lucky boy? -You are! | 0:21:51 | 0:21:54 | |
-We're all done. -What's happened? | 0:21:54 | 0:21:56 | |
I've done the deal at 115. | 0:21:56 | 0:21:58 | |
The gentleman was very generous, so... | 0:21:58 | 0:22:00 | |
-Go and bite his hand off, quick. -Done it, it's ours. | 0:22:00 | 0:22:03 | |
That's it, time's up. | 0:22:03 | 0:22:07 | |
Helen and Marcus kicked off with the £50 Denby jug. | 0:22:07 | 0:22:11 | |
They stuck with ceramics with this Crown Devon tankard. | 0:22:13 | 0:22:17 | |
Ooh, arr! | 0:22:17 | 0:22:19 | |
Finally, have they gone off the rails thinking the Hornby train set | 0:22:21 | 0:22:25 | |
is just the ticket at 115 smackers? | 0:22:25 | 0:22:28 | |
OK, guys. The shopping's over, are you happy? | 0:22:28 | 0:22:31 | |
-Yes. -I love the last item. -This looks like a happy little trio. | 0:22:31 | 0:22:34 | |
-You look as if you're all married or related or something or other. -We've got on very well. | 0:22:34 | 0:22:40 | |
It's nice when it bonds up like that. What's your favourite bit, Hels? | 0:22:40 | 0:22:44 | |
I quite like the train set, I think. That's my favourite. | 0:22:44 | 0:22:47 | |
But I did like the studio pottery that we bought. | 0:22:47 | 0:22:50 | |
-OK. And you spent how much overall? -£175. | 0:22:50 | 0:22:52 | |
£175. I'd like 125 of leftover lolly. Who's got that? | 0:22:52 | 0:22:56 | |
I have, Tim, there you go. | 0:22:56 | 0:22:58 | |
That's it, is it? No need to count it? | 0:22:58 | 0:23:02 | |
-Straight across to Anita. -Thank you. -Have you got any plans as to what you are going to do, Anita? | 0:23:02 | 0:23:07 | |
Absolutely no plans. | 0:23:07 | 0:23:09 | |
It was a bit difficult because Marcus was very particular about what he liked and what he didn't, | 0:23:09 | 0:23:15 | |
and I would really feel that I was doing well if I bought something that he fell in love with. | 0:23:15 | 0:23:21 | |
-But you're very particular about what you'd buy. -Absolutely. | 0:23:21 | 0:23:24 | |
-Are you sure it's not the pot calling the whatnot black? -No, no. | 0:23:24 | 0:23:28 | |
Anyway, very, very good luck. | 0:23:28 | 0:23:30 | |
And good luck, Anita. | 0:23:30 | 0:23:32 | |
-Thank you. -Why don't we check out what the Blues bought, eh? | 0:23:32 | 0:23:36 | |
Shelly and Pete paid £60 for the Victorian leather casket. | 0:23:36 | 0:23:41 | |
After a bit of indecision, the £85 Wemyss jar came next. | 0:23:41 | 0:23:46 | |
And, finally, they slipped in the '70s Troika vase for 130. | 0:23:46 | 0:23:52 | |
How are you getting on? Are you finished? | 0:23:56 | 0:23:58 | |
How much did you spend in the end, then? | 0:23:58 | 0:24:01 | |
-£275. -£275, that's a very good spend up, that is. You've had a nice time? | 0:24:01 | 0:24:06 | |
Oh, brilliant. Wonderful, yes. Yeah. | 0:24:06 | 0:24:08 | |
Now, so you spent 275. I'd like £25 of leftover lolly, please. | 0:24:08 | 0:24:12 | |
OK, there you go. | 0:24:12 | 0:24:13 | |
That's pounds not dollars! Over to you. | 0:24:13 | 0:24:16 | |
What are you going to get up to with that? | 0:24:16 | 0:24:18 | |
I wish I knew. I'm going to buy a burger and a coffee if I'm lucky. | 0:24:18 | 0:24:22 | |
Meanwhile, I'm nipping off to Cannon Hall in Barnsley to brush up on a bit of study. | 0:24:26 | 0:24:33 | |
If you were lucky enough to own a library like this | 0:24:34 | 0:24:38 | |
in the 18th or early-19th century, you'd have such an advantage when it comes to learning. | 0:24:38 | 0:24:44 | |
Surrounded by books and extremely wealthy, you'd probably want | 0:24:44 | 0:24:49 | |
to own a pair of toys like these to aid your education process. | 0:24:49 | 0:24:56 | |
What we've got here is a pair of Georgian table library globes | 0:24:56 | 0:25:01 | |
made by the celebrated globe-making family of Cary. | 0:25:01 | 0:25:06 | |
If you look carefully on the celestial globe it says "Cary's New Celestial Globe". | 0:25:06 | 0:25:12 | |
And you can see underneath that, "Made and sold by J & W Cary in the Strand". | 0:25:12 | 0:25:19 | |
And we know that J & W Cary were more or less out of business as a partnership by 1820, | 0:25:19 | 0:25:27 | |
so this celestial globe would have been printed and produced and manufactured by them before 1820. | 0:25:27 | 0:25:35 | |
If we move to the terrestrial globe, though, | 0:25:35 | 0:25:39 | |
and you look at this label, it says G & J Cary, 1842. | 0:25:39 | 0:25:44 | |
Still made by Cary, but this time G & J Cary, which is the partnership that succeeded | 0:25:44 | 0:25:52 | |
the 1820s partnership, but what Cary's did was to offer an opportunity of updating your globe. | 0:25:52 | 0:26:00 | |
So, Cary's would take the old globes in and they'd glue strips | 0:26:00 | 0:26:04 | |
of fresh maps onto the old globes, | 0:26:04 | 0:26:06 | |
which is exactly what's happened here. | 0:26:06 | 0:26:09 | |
It's been updated 20 years later as a part of their service, which is brilliant, isn't it? | 0:26:09 | 0:26:17 | |
Of course, neither of these globes will help you at all when it comes to predicting the weather. | 0:26:17 | 0:26:22 | |
Nowadays, thanks to tuning into the BBC first thing in the morning, you can easily predict | 0:26:22 | 0:26:28 | |
what the weather is up to, but in the old days what you'd have is one of these screwed to the hall wall. | 0:26:28 | 0:26:36 | |
It is, of course, a barometer. | 0:26:36 | 0:26:39 | |
But this is a very, very rare form of barometer because it's been made | 0:26:39 | 0:26:44 | |
as if it was a little miniature long-case clock. | 0:26:44 | 0:26:47 | |
It's half the size of a grandmother clock. | 0:26:47 | 0:26:51 | |
What's really lovely, though, is to be in Barnsley at the Cannon Hall Museum | 0:26:51 | 0:26:56 | |
and look at a barometer made by a Barnsley maker. | 0:26:56 | 0:26:59 | |
It says quite clearly here "John Halifax, Barnsley, Invent", | 0:26:59 | 0:27:04 | |
which means he invented it, and "Fecit", meaning that he made it. | 0:27:04 | 0:27:08 | |
As the pressure alters, so that pointer will move towards fair weather or foul weather, | 0:27:08 | 0:27:15 | |
and in the morning you've got an opportunity with this central register | 0:27:15 | 0:27:20 | |
to record where the pressure was at the beginning of the day so that when you take an observation later | 0:27:20 | 0:27:26 | |
when it's changed up above, you can see whether the pressure's going up or down. | 0:27:26 | 0:27:31 | |
That, I have to tell you, is an absolute gem. | 0:27:31 | 0:27:35 | |
The big question today of course is, for our teams over at the auction, | 0:27:35 | 0:27:39 | |
will the pressure be rising or will it be falling? | 0:27:39 | 0:27:42 | |
Before we hear whether auctioneer Mark Gilding likes this week's bargains, | 0:27:44 | 0:27:48 | |
let's find out whether Anita's bonus buy generates a warm front! | 0:27:48 | 0:27:54 | |
-You spent £175, yes? -Yes. | 0:27:54 | 0:27:56 | |
You gave Anita Manning £125, what did she spend it on? | 0:27:56 | 0:28:00 | |
A very pretty little pair of hallmarked silver candlesticks. | 0:28:00 | 0:28:06 | |
-Very pretty. -Miniature, hallmarked for Chester 1921, so a good age. | 0:28:06 | 0:28:13 | |
-Very nice. -How much did you spend, Anita? | 0:28:13 | 0:28:16 | |
-That's the important question. -Of course it is. -£20. | 0:28:16 | 0:28:19 | |
-Good gracious me. -Neat little things. | 0:28:19 | 0:28:22 | |
And what do you think about...? | 0:28:22 | 0:28:24 | |
They're not going to do three figures, | 0:28:24 | 0:28:27 | |
but I would estimate them about £25 to £30, so we could make a little on it. | 0:28:27 | 0:28:34 | |
Small margin on those. They're very neat and tidy, aren't they? | 0:28:34 | 0:28:37 | |
I like them because they're not too ornate. | 0:28:37 | 0:28:40 | |
-They're nice and simple. -Are they collectible? | 0:28:40 | 0:28:42 | |
They are collectible and they are silver, that's the important thing. | 0:28:42 | 0:28:46 | |
-They're clearly not ornate, but they're nice. -Yeah. | 0:28:46 | 0:28:50 | |
-You like them? -I do, yes. | 0:28:50 | 0:28:51 | |
But we'll reserve judgment until a bit later on, I think. Thank you. | 0:28:51 | 0:28:56 | |
I think these two have watched the programme before! | 0:28:56 | 0:28:59 | |
Anyway, well done, Anita. Right now let's find out what the auctioneer thinks about Anita's little sticks. | 0:28:59 | 0:29:05 | |
Well, dwarf candlesticks. They don't get much smaller than these, do they? | 0:29:06 | 0:29:10 | |
-No, they don't. -A bit like Anita Manning. | 0:29:10 | 0:29:13 | |
How do you rate them? | 0:29:13 | 0:29:15 | |
-I rate them £25 to £35. -Do you? | 0:29:15 | 0:29:18 | |
They're solid silver, but they've got a great pig of something else in the middle - wood... | 0:29:18 | 0:29:23 | |
-Yes, oak weighted bases, but at least they're in good order. -Yes. | 0:29:23 | 0:29:27 | |
Well, dear Anita's only paid 20. | 0:29:27 | 0:29:29 | |
She's very sharp on the money is Anita Manning. | 0:29:29 | 0:29:32 | |
Lovely. We've got a potential profit then in the bonus buy, | 0:29:32 | 0:29:35 | |
and that makes a change, if the team decides to go with it. | 0:29:35 | 0:29:38 | |
Anyway, their first item is the Denby jug. | 0:29:38 | 0:29:40 | |
-Yes. -Now, if I had a pound for every piece of Denby Glyn Colledge Ware | 0:29:40 | 0:29:44 | |
-that I've ever come across I'd be quite well off, actually. -Yes. | 0:29:44 | 0:29:50 | |
-There's a lot about. -Common things. -Yeah. | 0:29:50 | 0:29:52 | |
Do you rate this stuff here or not? | 0:29:52 | 0:29:54 | |
-It doesn't do it for me. -No. -I'm saying £30 to £40. | 0:29:54 | 0:29:58 | |
I think you're quite right. £50 they paid. | 0:29:58 | 0:30:01 | |
Next lot is the Devon Ware tankard with its little motto. | 0:30:01 | 0:30:06 | |
Quite a long way from the West Country here in Leicestershire? | 0:30:06 | 0:30:10 | |
Yes. Hopefully have a few people on the internet for this one. | 0:30:10 | 0:30:13 | |
Oh, yes. What's it worth? | 0:30:13 | 0:30:15 | |
-£30 to £40. -OK. £10 they paid. | 0:30:15 | 0:30:17 | |
And the last item is the train set. | 0:30:17 | 0:30:21 | |
-Very nice thing. -Nice, isn't it? -Yeah, I like that. | 0:30:21 | 0:30:23 | |
-What's this one worth, then? -Around £100. | 0:30:23 | 0:30:26 | |
80 to 120 is my estimate. | 0:30:26 | 0:30:29 | |
£115 they paid, so they might have overdone it, mightn't they? | 0:30:29 | 0:30:32 | |
Well, it's in pretty good order and it's got a nice box, | 0:30:32 | 0:30:35 | |
so there's a chance we'll get the top estimate. | 0:30:35 | 0:30:37 | |
-Think it might make 120, then? -There is a chance. -Very good. | 0:30:37 | 0:30:40 | |
-I'll do my best. -Anyway, that's it for the Reds. Now for the Blues. | 0:30:40 | 0:30:43 | |
Shell and Pete, they've gone with the embossed leather stationery box. | 0:30:43 | 0:30:48 | |
-OK. -Yes? -Yeah, I quite like that. -Do you? | 0:30:48 | 0:30:51 | |
Yeah. I think that's a nice thing. | 0:30:51 | 0:30:53 | |
Tell you what I don't like about it is the fact that it's got absolutely no interior in it at all. | 0:30:53 | 0:30:58 | |
That thing has had a disaster. | 0:30:58 | 0:31:00 | |
Well, quite often, people... These things... Who needs a correspondence box nowadays? | 0:31:00 | 0:31:05 | |
People re-line them and use them as jewellery boxes. | 0:31:05 | 0:31:07 | |
-I suppose so. They haven't got around to re-lining it. -No, not yet. | 0:31:07 | 0:31:11 | |
It's not exactly take away, go home splendido condition, though, is it? | 0:31:11 | 0:31:14 | |
-No, but it's nice quality on the outside. -Yes. -Good shape. | 0:31:14 | 0:31:18 | |
-The auctioneer loves it. What's he going to estimate? -£60 to £80. | 0:31:18 | 0:31:21 | |
Brilliant. £60 paid. Seems like a no-brainer to me. That's good. | 0:31:21 | 0:31:26 | |
The Wemyss Ware marmalade pot and cover. | 0:31:26 | 0:31:29 | |
-Quite cute, that, isn't it? -Yes. | 0:31:29 | 0:31:31 | |
Yeah, it's quite a good example of this fairly standard orange pattern. | 0:31:31 | 0:31:36 | |
The condition isn't brilliant. It's quite crazed and stained. | 0:31:36 | 0:31:40 | |
-Yes. £85 paid. -80 to 120. -That's your estimate, is it? | 0:31:40 | 0:31:42 | |
-Yes. -Good. Now, the Troika tapering coffin-shaped vase. | 0:31:42 | 0:31:49 | |
Yeah. We've seen quite a drop in the value if these in sales recently. | 0:31:49 | 0:31:53 | |
Still a number of buyers, but not as popular as it was. | 0:31:53 | 0:31:56 | |
-What's it worth? -60 to 80. | 0:31:56 | 0:31:58 | |
OK. £130 paid. | 0:31:58 | 0:32:00 | |
Just too much, isn't it? | 0:32:00 | 0:32:01 | |
-It is, absolutely. -Yeah. Frankly, Mark, I think this is a bit patchy | 0:32:01 | 0:32:05 | |
and they're going to be let down by this vase and are going to need their bonus buy. | 0:32:05 | 0:32:09 | |
So let's go and have a look at it. Thanks. | 0:32:09 | 0:32:11 | |
So, Shelley, no Pete. | 0:32:11 | 0:32:14 | |
-No Pete. -Where's he? | 0:32:14 | 0:32:16 | |
He's at home recovering from hospital. | 0:32:16 | 0:32:18 | |
Oh, dear! Hasn't he been well? | 0:32:18 | 0:32:20 | |
No, he hasn't. He had emergency surgery. | 0:32:20 | 0:32:22 | |
Oh, my Lord. But he's better now? | 0:32:22 | 0:32:24 | |
-He's better now. -Cos he's being looked after now by you. | 0:32:24 | 0:32:27 | |
-Of course! -Giving him special treatment and treats. | 0:32:27 | 0:32:30 | |
Special treatment, yes. | 0:32:30 | 0:32:32 | |
-Well, of course, the best treat of all would be to win hands down today, wouldn't it? -Yes, it would! | 0:32:32 | 0:32:37 | |
Yes, it would! And Nick's bonus buy may help us on that route. | 0:32:37 | 0:32:41 | |
-No pressure there, then(!) -No pressure! | 0:32:41 | 0:32:44 | |
Good. Now, you spent £275, you left Nick with £25. | 0:32:44 | 0:32:50 | |
-What did he spend it on? -Mm. | 0:32:50 | 0:32:53 | |
Now, what do you think about that? | 0:32:53 | 0:32:55 | |
-Sweet little thing? -Mm! | 0:32:55 | 0:32:58 | |
-Let me convince you. -OK. -Post-war Scandinavian studio glass, | 0:32:58 | 0:33:03 | |
signed by the designer on the base, and a paltry £20 only paid. | 0:33:03 | 0:33:10 | |
-Hm! -Yeah? You like that? -I do. | 0:33:10 | 0:33:12 | |
-It's got a bit of mileage in it, I think. -I do like it. I do. | 0:33:12 | 0:33:15 | |
-You're warming to it? -I'm warming to it. | 0:33:15 | 0:33:18 | |
Well, I'm hoping the buyers will, as well, of course. | 0:33:18 | 0:33:22 | |
-How much profit do you think it's going to make? -I paid 20 for it. | 0:33:22 | 0:33:25 | |
I'd like to see it make maybe £30 or £40. | 0:33:25 | 0:33:27 | |
-OK! -Hey! -That sounds really nice. -I think she does like it. | 0:33:27 | 0:33:32 | |
It's sounding better and better, yes! | 0:33:32 | 0:33:35 | |
-Remember, you can't bid on it, of course! -Oh! | 0:33:35 | 0:33:39 | |
Anyway, you don't pick right now. | 0:33:39 | 0:33:41 | |
You can talk to Pete on the telephone before the auction, | 0:33:41 | 0:33:45 | |
-get his reaction to this, and we'll check it out... -OK. | 0:33:45 | 0:33:49 | |
..a bit later on, but right now, for the audience at home, | 0:33:49 | 0:33:52 | |
let's find out what the auctioneer thinks about Nick's pot. | 0:33:52 | 0:33:55 | |
Well, that's, erm, funky, isn't it? | 0:33:55 | 0:33:59 | |
Quite a nice piece of Scandinavian glass. | 0:33:59 | 0:34:01 | |
It's signed underneath, probably Maija Carlson, I think it's Finnish. | 0:34:01 | 0:34:05 | |
Oh, Finnish. | 0:34:05 | 0:34:07 | |
It's all about to be FINNISHED here! What's it worth? | 0:34:07 | 0:34:09 | |
It's worth £40 to £60. | 0:34:09 | 0:34:12 | |
Really? He only paid £20 for it. | 0:34:12 | 0:34:14 | |
That's good. It's not finished, it's about to begin. | 0:34:14 | 0:34:17 | |
Thank you very much, Mark. | 0:34:17 | 0:34:19 | |
So, guys, how are you feeling? | 0:34:24 | 0:34:26 | |
-Nervous. Excited. -You're nervous and excited? | 0:34:26 | 0:34:29 | |
The big word we use is "apprehensive". | 0:34:29 | 0:34:31 | |
Oh, it's one of those, is it? | 0:34:31 | 0:34:33 | |
I mean, are you feeling dodgy about anything in particular? | 0:34:33 | 0:34:36 | |
No, we're quite confident, really, that we'll get our money back. | 0:34:36 | 0:34:40 | |
-Yeah? -Absolutely. -How much profit are you going to make? | 0:34:40 | 0:34:43 | |
Ooh, loads. You'll have to go to the cashpoint before we go. | 0:34:43 | 0:34:46 | |
£50 or £60, I reckon. | 0:34:46 | 0:34:49 | |
They've got the internet here, so you never know. | 0:34:49 | 0:34:52 | |
But the first lot up is the Glynn College Denby jug, and here it comes. | 0:34:52 | 0:34:58 | |
Glynn College, lot number 30, then, and bidding opens with me here at 15. | 0:34:58 | 0:35:04 | |
20. 5. £30 with me. At 30. | 0:35:04 | 0:35:07 | |
30 I'm bid here. At £30. At 30. | 0:35:07 | 0:35:09 | |
On the book at £30. 30 bid. | 0:35:09 | 0:35:11 | |
£30 here. At £30. | 0:35:11 | 0:35:13 | |
It will be sold. | 0:35:13 | 0:35:15 | |
£30. I'm watching you carefully. | 0:35:15 | 0:35:17 | |
At £30. The bid's with me. | 0:35:17 | 0:35:19 | |
Internet, you're out as well at 30. | 0:35:19 | 0:35:21 | |
And selling right now at £30. | 0:35:21 | 0:35:23 | |
Bad luck. That's minus 20. | 0:35:23 | 0:35:26 | |
I'd have bought it for £30! | 0:35:26 | 0:35:28 | |
-Yeah. -31 is a Crown Devon Pottery printware mug. | 0:35:28 | 0:35:31 | |
"Hear all, say nowt" - a bit like my job today, | 0:35:31 | 0:35:34 | |
31, then, the Crown Devon Pottery printware mug. And £10 bid. | 0:35:34 | 0:35:37 | |
£10 the mug here. At £10. I'm bid here at 10. 12. 15. | 0:35:37 | 0:35:40 | |
18. £18 bid at the back. At £18. | 0:35:40 | 0:35:43 | |
20 I'll take. At 18 bid. At 18. It's in the room at 18. 20 here. | 0:35:43 | 0:35:47 | |
At 20 on the internet. At 22 I'll take. He's shaking his head. | 0:35:47 | 0:35:51 | |
It's £20 with the internet. £20. | 0:35:51 | 0:35:52 | |
And sold now at £20. | 0:35:52 | 0:35:55 | |
-£20 is plus £10. -We've doubled up on that one. | 0:35:55 | 0:35:58 | |
-You have, which means overall you're minus 10. Look out. -32. Here we go! | 0:35:58 | 0:36:02 | |
Hornby O gauge clockwork tank passenger set, number 41. | 0:36:02 | 0:36:05 | |
In the box, as well. Good condition, this one. | 0:36:05 | 0:36:08 | |
So, 32, the tank passenger set. | 0:36:08 | 0:36:10 | |
£100 do I see? | 0:36:10 | 0:36:13 | |
£60 bid with me there. | 0:36:13 | 0:36:14 | |
At 60 bid here. At 60. £60 I'm bid. | 0:36:14 | 0:36:17 | |
At £60. At 65 I'll take. At £60. | 0:36:17 | 0:36:19 | |
Watching you carefully. At 5. 70. 5. | 0:36:19 | 0:36:22 | |
75. 80. £80 bid. | 0:36:22 | 0:36:25 | |
At £80. At 85 I'll take. It's £80. At £80. I'm watching you carefully. | 0:36:25 | 0:36:29 | |
It's 80 bid. At 80. And you're out, then? | 0:36:29 | 0:36:31 | |
And selling away at £80. | 0:36:31 | 0:36:34 | |
£80 is minus 35, | 0:36:34 | 0:36:38 | |
which means overall you're minus 45. | 0:36:38 | 0:36:41 | |
Minus £45. Your prediction was minus 45, wasn't it? | 0:36:41 | 0:36:44 | |
Yes, I think it was, Tim! | 0:36:44 | 0:36:47 | |
Or was it plus 45? | 0:36:47 | 0:36:49 | |
-It was plus 60, I think. -Oh, Lordy. | 0:36:49 | 0:36:52 | |
Well, that's bad luck, isn't it? I would have thought the train set should have done better. | 0:36:52 | 0:36:56 | |
-I mean, £80 for a fully boxed-up job... -Absolutely! -Yeah. | 0:36:56 | 0:37:00 | |
-What a bargain. -I think it's been shunted into the siding, don't you? | 0:37:00 | 0:37:04 | |
-So, the bonus buy, are you going with it? -Yes. | 0:37:04 | 0:37:07 | |
I think so. Yeah, we'll go with it. | 0:37:07 | 0:37:09 | |
We might scrape a bit back. | 0:37:09 | 0:37:10 | |
-You might. -And a pair of silver dwarf candlesticks. | 0:37:10 | 0:37:14 | |
There we go, lot 36. And bidding here £10. | 0:37:14 | 0:37:17 | |
£10 the candlesticks. At 10 I'm bid. £12. 15 here. At 15 bid. At 15. | 0:37:17 | 0:37:20 | |
15 I'm bid. At 15. At £18. At 18 bid. At 18 in the room. At 18. At 18. | 0:37:20 | 0:37:24 | |
20 do I see? £18 I'm bid. It's on my left. | 0:37:24 | 0:37:26 | |
It is yours. Look, someone else. 20 down here. At 20. | 0:37:26 | 0:37:30 | |
22. 25. 28. | 0:37:30 | 0:37:33 | |
28, then, near the door. At 28. Selling, then, at £28. | 0:37:33 | 0:37:38 | |
Last chance at 28. | 0:37:38 | 0:37:40 | |
-Well done, Anita. -A little profit, a little profit. -Thank you! | 0:37:40 | 0:37:44 | |
Plus 8, which means | 0:37:44 | 0:37:48 | |
that you are £37 down the drain. | 0:37:48 | 0:37:53 | |
But that may still be a winning score, so don't mention a thing to the Blues. | 0:37:53 | 0:37:59 | |
No, we won't, we won't. | 0:37:59 | 0:38:00 | |
Thank you very much. | 0:38:00 | 0:38:02 | |
Now, Shelley, how are you feeling? | 0:38:07 | 0:38:09 | |
-Good. -And lonely! -And lonely. | 0:38:09 | 0:38:11 | |
I'm sorry about that. | 0:38:11 | 0:38:13 | |
Anyway, first up, it's the leather stationery box, and here it comes. | 0:38:13 | 0:38:17 | |
48, this nice Victorian embossed leather casket, and bidding here 20. | 0:38:17 | 0:38:22 | |
30. £30 with me. | 0:38:22 | 0:38:24 | |
At £30 I'm bid. At 30. | 0:38:24 | 0:38:26 | |
£30 I'm bid for the casket. At £30. | 0:38:26 | 0:38:28 | |
5. 40. 40 bid. At £40. At 40. And, internet, it's your turn. | 0:38:28 | 0:38:31 | |
It's £40. A bid of 45 in the room. | 0:38:31 | 0:38:33 | |
At 45. 45 bid. At 45. | 0:38:33 | 0:38:36 | |
48. 50. | 0:38:36 | 0:38:38 | |
50 bid. At £50. At 50. 5. | 0:38:38 | 0:38:41 | |
60. | 0:38:41 | 0:38:43 | |
-5. -Yes, you're in profit! | 0:38:43 | 0:38:45 | |
You're in profit, darling. Look at that! | 0:38:45 | 0:38:47 | |
-£70! -At 70. | 0:38:47 | 0:38:49 | |
Fair warning, internet, it's £70. | 0:38:49 | 0:38:51 | |
The bid's in the room at 70, and this will be sold away now. At £70. | 0:38:51 | 0:38:55 | |
Well, good old Pete. | 0:38:55 | 0:38:57 | |
He made a £10 profit on his pick, which is brilliant. £70, plus 10. | 0:38:57 | 0:39:02 | |
-That's a good start, isn't it? -OK. -Now, here comes the Wemyss Ware. | 0:39:02 | 0:39:06 | |
Here, 35. | 0:39:06 | 0:39:07 | |
35 bid for the Wemyss At 35. And 45. | 0:39:07 | 0:39:11 | |
55. £60 I'm bid. At 60 now. | 0:39:11 | 0:39:13 | |
At 60. My bids here are out. At 56, internet. 70 now. At 70 in the room. | 0:39:13 | 0:39:17 | |
At £70. At 70. 5 here. At 75. 80. | 0:39:17 | 0:39:20 | |
£80 I'm bid. At 80. 85. | 0:39:20 | 0:39:22 | |
90. 90 now. At £90. At 90. | 0:39:22 | 0:39:25 | |
95. 100 bid. At 100. | 0:39:25 | 0:39:27 | |
You've got two profits, girl. | 0:39:27 | 0:39:29 | |
£100 in the room. | 0:39:29 | 0:39:31 | |
Internet, you're out. It's £100 bid. | 0:39:31 | 0:39:33 | |
In the room now, will sell away at £100. | 0:39:33 | 0:39:37 | |
-I think that's a nice thing. That's plus £15. -That paid off, | 0:39:37 | 0:39:41 | |
-didn't it? -Yes! -Now, doll face, watch out for old Troika. | 0:39:41 | 0:39:45 | |
There we go, the Troika, and bidding £30. £40. | 0:39:45 | 0:39:51 | |
£50. £60 to start, then. | 0:39:51 | 0:39:53 | |
At 60 with me on the book. At £60. | 0:39:53 | 0:39:55 | |
60. 70. 80. 80 I'm bid. | 0:39:55 | 0:39:58 | |
Are you all out in the room? At £80. | 0:39:58 | 0:40:00 | |
It's on the book here at £80. At 80. | 0:40:00 | 0:40:02 | |
At £80. 90 I'll take. It's £80 I'm bid here. At 80. | 0:40:02 | 0:40:05 | |
-I don't like the look of this... -I'm selling away at £80... | 0:40:05 | 0:40:08 | |
-Oh! -£80. That is just such bad luck. | 0:40:08 | 0:40:11 | |
That is minus 50 on that little hit. | 0:40:11 | 0:40:13 | |
You had £25 of profit. You just lost 50, which means you're minus 25. | 0:40:13 | 0:40:19 | |
God, it's tough at the top, isn't it? | 0:40:19 | 0:40:21 | |
I mean, that is a roller coaster. | 0:40:21 | 0:40:23 | |
Such bad luck. What are you going to do about the bonus buy? | 0:40:23 | 0:40:26 | |
Are you going to go with the Scandinavian pot? | 0:40:26 | 0:40:28 | |
You going to risk it? | 0:40:28 | 0:40:30 | |
It's coming up. Shell, I'm sorry to push you, sweet pea, | 0:40:30 | 0:40:34 | |
-but it's coming. -The decision is yours. -Oh, my gosh! | 0:40:34 | 0:40:37 | |
-How do you see it? -OK. | 0:40:41 | 0:40:43 | |
-OK. -It's agonising. -What are you going to do? Quick! | 0:40:43 | 0:40:46 | |
-Yes! -You're going to go with it and here it comes. | 0:40:46 | 0:40:51 | |
And lot number 53 is the Scandinavian studio glass vase, signed Carlson, | 0:40:51 | 0:40:56 | |
probably Finnish. | 0:40:56 | 0:40:57 | |
-Please, please... -Lot number 53, then, and bids here £10. | 0:40:57 | 0:41:02 | |
10 with me here. At 12. 15. 18. 20. | 0:41:02 | 0:41:05 | |
22. | 0:41:05 | 0:41:06 | |
22. 25. | 0:41:06 | 0:41:08 | |
25. New bidding at 25. | 0:41:08 | 0:41:09 | |
-Good man, Nick! -25. At 28 now. | 0:41:09 | 0:41:12 | |
28. At £28 I'm bid. 30 now. At £30. | 0:41:12 | 0:41:15 | |
32 to bid. 32. At 32. I'm bid at 32. | 0:41:15 | 0:41:17 | |
5 I'll take. It's £32. Selling to the internet, then. | 0:41:17 | 0:41:22 | |
You're all out in the room at £32. | 0:41:22 | 0:41:25 | |
Look at that! That's your boy, isn't it? Plus £12. | 0:41:26 | 0:41:30 | |
You never had any doubt really, Shell, did you? | 0:41:30 | 0:41:33 | |
I never doubted you at all. | 0:41:33 | 0:41:36 | |
Which means overall you are minus £13. | 0:41:36 | 0:41:39 | |
-OK. -But well done, Nick, that's a splendid result. | 0:41:39 | 0:41:42 | |
Now, don't say a word to the Reds. | 0:41:42 | 0:41:44 | |
-OK. -We will reveal all in a moment. -OK. | 0:41:44 | 0:41:47 | |
Well, what an exciting programme we've had today. | 0:41:52 | 0:41:55 | |
I mean, needle close, when you think about it. | 0:41:55 | 0:41:58 | |
Each team has made a profit or two and each team has made substantial losses. | 0:41:58 | 0:42:05 | |
But who are the winners? Have you been chatting amongst yourselves? | 0:42:05 | 0:42:09 | |
-Have you? -No. -No? Not at all? | 0:42:09 | 0:42:11 | |
You have no idea. No idea at all. | 0:42:11 | 0:42:13 | |
Well, I have to reveal that the runners-up today are the Reds. | 0:42:13 | 0:42:17 | |
Well, that's had a nice reaction, hasn't it? | 0:42:20 | 0:42:24 | |
You finished up as minus 37. | 0:42:24 | 0:42:26 | |
-But have you had a nice time? -Wonderful, Tim. | 0:42:26 | 0:42:28 | |
Yes. Well, we've loved having you on the show, and you've been really good sports. | 0:42:28 | 0:42:33 | |
But the victors, or should I say the victor, today... | 0:42:33 | 0:42:38 | |
-Shell, that's great. -Oh, wonderful. | 0:42:38 | 0:42:40 | |
Minus £13 is your overall score. | 0:42:40 | 0:42:44 | |
-Yes. -And you went with the bonus buy, which is just as well, | 0:42:44 | 0:42:48 | |
because that earned you £12 thanks to Nick's glass vase, | 0:42:48 | 0:42:51 | |
which is brilliant. | 0:42:51 | 0:42:52 | |
-You had a good time? -Oh, brilliant time. -Have you? | 0:42:52 | 0:42:55 | |
-Yes, wonderful. -Well, you're going to be able to jolly up Pete | 0:42:55 | 0:42:58 | |
when you get back to his sick bed, which will be nice. | 0:42:58 | 0:43:01 | |
-Tell him we've missed him. -I shall. | 0:43:01 | 0:43:03 | |
And for the rest of you, join us soon for some more bargain hunting! | 0:43:03 | 0:43:06 | |
-Yes? -Yes! | 0:43:06 | 0:43:08 | |
Subtitles by Red Bee Media Ltd | 0:43:12 | 0:43:15 | |
E-mail [email protected] | 0:43:15 | 0:43:18 |