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Hello. Let's meet today's teams. | 0:00:04 | 0:00:07 | |
For the Reds, naturally in red, it's firemen, Terry and Olly. | 0:00:07 | 0:00:12 | |
-Hi, guys. -Hi, Tim. | 0:00:12 | 0:00:13 | |
And for the front view of the police girls, it's Donna and Rachel. | 0:00:13 | 0:00:19 | |
Hello, hello, hello. | 0:00:19 | 0:00:21 | |
Let's go bargain hunting! | 0:00:23 | 0:00:25 | |
Let them down, let them down. | 0:00:25 | 0:00:27 | |
We're at the outskirts of Norwich at the Norfolk Show Ground. | 0:00:58 | 0:01:02 | |
It's a busy old fair which means we're going to have a busy old show. | 0:01:02 | 0:01:08 | |
The policewomen won't lose their man today, oh, no! | 0:01:08 | 0:01:11 | |
You keep wandering away from me and I'm not having it. | 0:01:11 | 0:01:15 | |
They're cuffing James Braxton. | 0:01:15 | 0:01:17 | |
While the firemen have just the thing to lift Catherine Southon's spirits. | 0:01:17 | 0:01:24 | |
And someone's left their mark on this beautiful manor, but can you guess who? We'll find out later. | 0:01:24 | 0:01:30 | |
For now, let's meet the teams. | 0:01:30 | 0:01:32 | |
And here they all are. Back on terra firma, thank goodness. | 0:01:36 | 0:01:39 | |
Now, Terry, when did you first meet Olly? | 0:01:39 | 0:01:42 | |
I met Olly at Wattisham Air Field Fire Service, a defence fire service | 0:01:42 | 0:01:46 | |
about two years ago and he was put on to Red Watch. | 0:01:46 | 0:01:49 | |
-Was he? -Yes. -But tell me, because it'll be confusing people, | 0:01:49 | 0:01:52 | |
you are firemen but you're attached to the Ministry of Defence. | 0:01:52 | 0:01:55 | |
-MoD, yes. -Right, but all the basic training and everything is the same? | 0:01:55 | 0:01:59 | |
Except you're specialists in more military related things? | 0:01:59 | 0:02:02 | |
Yes. Firm related, we are. | 0:02:02 | 0:02:05 | |
Yes. Now, Terry, you get up to the odd practical joke, don't you? | 0:02:05 | 0:02:09 | |
Obviously, Tim, I'm not going to admit to anything on TV. | 0:02:09 | 0:02:12 | |
-No. -Because I always say it isn't me. | 0:02:12 | 0:02:15 | |
No, quite. So what sort of practical jokes happen but don't have anything to do with you? | 0:02:15 | 0:02:20 | |
I've got up one morning and gone to the toilet | 0:02:20 | 0:02:25 | |
and blackened it with boot polish. | 0:02:25 | 0:02:28 | |
The milkman turned up early and he then went to the toilet and got a black ring on his rear. | 0:02:28 | 0:02:34 | |
-But at least you didn't do any Superglue or anything. -No, no, no. | 0:02:34 | 0:02:39 | |
Quite. Now, you raise a lot of money for charity, don't you? | 0:02:39 | 0:02:42 | |
We do, we try, yes. We always try to raise a bit of money for charity. | 0:02:42 | 0:02:45 | |
There have been occasions when you've gone that extra mile. | 0:02:45 | 0:02:48 | |
That's right, Tim, I assume you're talking about my Full Monty strip that I did when I was in the RAF. | 0:02:48 | 0:02:54 | |
-Oh, yes. Everything off, like? -Well, we were spared a little bit | 0:02:54 | 0:02:57 | |
of dignity, they provided us with a little thong and it looked like | 0:02:57 | 0:03:01 | |
it was made out of a pair of Y-fronts and stained with teabags to make it look skin-coloured. | 0:03:01 | 0:03:05 | |
The policewomen look absolutely horrified. | 0:03:05 | 0:03:08 | |
Anyway, how do you think you're going to get on today on Bargain Hunt? Do you think you'll do well? | 0:03:08 | 0:03:13 | |
Yes, I think we will. We're a good team, aren't we, B'ner? | 0:03:13 | 0:03:16 | |
-He's called Terry, why do you call him B'ner? -That all I know him as, | 0:03:16 | 0:03:22 | |
-he's probably better at explaining the nickname. -Why are you called B'ner? | 0:03:22 | 0:03:26 | |
For ten years I worked in a factory which used to have pigs and we used to bone the pigs out. | 0:03:26 | 0:03:30 | |
I've been called B'ner from training. | 0:03:30 | 0:03:32 | |
-B'ner is like Boner. -Boner, yes, Boner! | 0:03:32 | 0:03:35 | |
-Boner? -Boner! Come here, Boner! | 0:03:35 | 0:03:37 | |
And you had to take all your kit off? | 0:03:37 | 0:03:39 | |
-No, he did, I didn't. -Oh, he did. -I was too big for that job. | 0:03:39 | 0:03:42 | |
Good for you. I think you're going to do terribly well. | 0:03:45 | 0:03:48 | |
Rachel, attention here, girl. | 0:03:48 | 0:03:51 | |
How did you two meet then? | 0:03:51 | 0:03:53 | |
-We met through work, didn't we? About a year-and-a-half ago. -Yes. | 0:03:53 | 0:03:56 | |
Yes, and is that in the force then? | 0:03:56 | 0:03:59 | |
Yes, we work for a Safer Neighbourhood team, that's in Wotton, a little village. | 0:03:59 | 0:04:03 | |
Norfolk Police. | 0:04:03 | 0:04:04 | |
-Now, Donna, your husband's also in the police? -He is, yes. | 0:04:04 | 0:04:08 | |
And how did you meet him? | 0:04:08 | 0:04:10 | |
I was working in Surrey at the time and I came to Newmarket | 0:04:10 | 0:04:14 | |
on a girls' night out and we got rather drunk. | 0:04:14 | 0:04:18 | |
Walked to go get a burger at the end of the night and he was stood there | 0:04:18 | 0:04:22 | |
on his own, so we went over and I asked him for his phone number. | 0:04:22 | 0:04:26 | |
-You thought I won't have a burger, I'll have a bloke. -I'll have a copper! -I'll have a copper! | 0:04:26 | 0:04:31 | |
-Were you a policewoman yourself at the time? -Oh, no. -Oh, you weren't? | 0:04:31 | 0:04:34 | |
-No, no, no. -Right. | 0:04:34 | 0:04:35 | |
-I asked for his phone number and he said no so I went and gave him my phone number. -And he was on duty? | 0:04:35 | 0:04:40 | |
-Yes, so he wouldn't take my phone number. -No, naturally. | 0:04:40 | 0:04:43 | |
So I gave him mine and then some woman collapsed in the nightclub | 0:04:43 | 0:04:47 | |
so he had to run over and deal with her but I was a bit drunk so we got our burger and went home. | 0:04:47 | 0:04:52 | |
And then he text me and we met up from then. | 0:04:52 | 0:04:55 | |
Really? And it was caramba, was it? Brilliant. | 0:04:55 | 0:04:58 | |
-So have you girls got any tactics today? -Yes. | 0:04:58 | 0:05:01 | |
Well, I think we're going to handcuff our team so they can't actually go out and buy anything. | 0:05:01 | 0:05:07 | |
They've already picked you up, haven't they? | 0:05:07 | 0:05:09 | |
You might just as well tie them up. | 0:05:09 | 0:05:12 | |
What a programme we'll have today! Anyway, here's the £300 apiece, yes? | 0:05:12 | 0:05:16 | |
Thank you. | 0:05:16 | 0:05:17 | |
You know the rules, your experts await, and off you go. | 0:05:17 | 0:05:21 | |
And very, very, very good luck. | 0:05:21 | 0:05:23 | |
Oh, dear! | 0:05:25 | 0:05:26 | |
So they have their money, they have an hour on the clock, they need to find three items. | 0:05:28 | 0:05:33 | |
But have they got a plan? | 0:05:33 | 0:05:36 | |
Spend as little as we can and make the biggest profits we can. | 0:05:36 | 0:05:40 | |
Anything that looks nice. | 0:05:40 | 0:05:42 | |
OK, so this is going to be a challenge, isn't it? | 0:05:42 | 0:05:45 | |
-Yes, definitely. -I've got a better plan. | 0:05:45 | 0:05:48 | |
-I think we should shout "fire". -Fire. -Fire. | 0:05:48 | 0:05:51 | |
Clear the area and then we've got our choice... Let's go! | 0:05:51 | 0:05:56 | |
Come on, we've got no time to lose. | 0:05:56 | 0:05:58 | |
No tomfoolery. | 0:05:58 | 0:06:00 | |
What do you think of spoons? | 0:06:00 | 0:06:02 | |
-No. -You always see a lot of spoons on there. Ghastly. | 0:06:02 | 0:06:06 | |
Fire! | 0:06:06 | 0:06:08 | |
Very good. So what date is this one? | 0:06:08 | 0:06:10 | |
-Maybe we need to ask Terry, he's a bit older. -Yeah, he's a bit older. | 0:06:10 | 0:06:14 | |
Oh, it's going to rain. | 0:06:16 | 0:06:19 | |
And a bit of blue and white. | 0:06:19 | 0:06:21 | |
Yeah, I was looking at those, thinking these are nice. | 0:06:21 | 0:06:23 | |
-They're the serving dishes. -Some of those funny... | 0:06:23 | 0:06:26 | |
they have those big sort of thing so gravy goes in there. | 0:06:26 | 0:06:31 | |
-Yeah. -You'd use a big serving spoon. -There's no marking on | 0:06:31 | 0:06:35 | |
-that one, is there? -Oh, yes, there is. | 0:06:35 | 0:06:38 | |
-Impress, Spode. -What's Spode? | 0:06:38 | 0:06:41 | |
Spode is Staffordshire. | 0:06:41 | 0:06:43 | |
Right. | 0:06:43 | 0:06:46 | |
-Still rings, so it's fine. -Excuse me? -Age? | 0:06:46 | 0:06:49 | |
Mid-early 1840s, something like that. | 0:06:49 | 0:06:52 | |
How much are you after for that? | 0:06:52 | 0:06:53 | |
-I'm asking 55. -Are you? | 0:06:53 | 0:06:55 | |
Which I think is a good price. | 0:06:55 | 0:06:57 | |
Yeah, it's a good price, isn't it? | 0:06:57 | 0:07:00 | |
What's the very, very best you'd do for two lovely ladies? | 0:07:00 | 0:07:02 | |
-42. -42, what do you reckon? | 0:07:02 | 0:07:05 | |
40, you've got a deal, come on. | 0:07:05 | 0:07:08 | |
£40, come on. Go on, all right. | 0:07:08 | 0:07:10 | |
Lovely, thank you. Thank you. | 0:07:10 | 0:07:12 | |
First one bought and very handy shelter. | 0:07:12 | 0:07:15 | |
How prophetic, James. The heavens have opened. | 0:07:20 | 0:07:24 | |
-Now, have our firemen got their hands on a damp squib? -How much is it? -£10, I think. | 0:07:24 | 0:07:28 | |
I think it's cracked right the way through. | 0:07:28 | 0:07:30 | |
-Let's have a look. -Yes, it's cracked right the way through. | 0:07:30 | 0:07:34 | |
-Well spotted. We don't want to buy anything which is... -OK, shall we head off? -Head off. | 0:07:34 | 0:07:39 | |
Can we have an umbrella, please? | 0:07:39 | 0:07:42 | |
-Bubbly, isn't it? -Now, there's Donna and Rachel, but where's James? | 0:07:42 | 0:07:48 | |
-Ah, having a chinwag. -He lived with a boxer and they didn't get on | 0:07:51 | 0:07:57 | |
-because he has quirky ways about him. -Did he? | 0:07:57 | 0:08:00 | |
That's interesting. | 0:08:00 | 0:08:02 | |
-Where is he now? -Come on. | 0:08:02 | 0:08:04 | |
Hold on. James, come here. | 0:08:04 | 0:08:07 | |
-What about this bowl as well? -'Ello, 'ello. | 0:08:07 | 0:08:09 | |
You keep wandering away from me and I'm not having it. Come on. | 0:08:09 | 0:08:13 | |
-Excellent, excellent. -Come on, this way. | 0:08:13 | 0:08:15 | |
-Come on, watch my bowl. -Haven't been this excited in years. | 0:08:15 | 0:08:18 | |
James seems to like dominant women. What about the firemen? | 0:08:20 | 0:08:24 | |
Does she appeal to you? | 0:08:24 | 0:08:26 | |
Come here often, love? | 0:08:28 | 0:08:30 | |
Can we just go and have a look at this? I've passed this one. | 0:08:32 | 0:08:36 | |
-I like the cups. -It's not Lalique. | 0:08:36 | 0:08:38 | |
It's not Lalique but I still like it. | 0:08:38 | 0:08:41 | |
It's a ceiling light, a sort of bowl. | 0:08:41 | 0:08:43 | |
They sometimes called a bowl. | 0:08:43 | 0:08:45 | |
It's got nice definition, pressed glass, undamaged | 0:08:45 | 0:08:49 | |
and quite a sort of trendy item. Typical sort of '30s. | 0:08:49 | 0:08:53 | |
-No, not for me. -You don't like that? | 0:08:53 | 0:08:55 | |
-No, no. -I wouldn't pay 45. -You don't like that? -No. | 0:08:55 | 0:08:58 | |
-No. -God, these handcuffs are beginning to hurt a bit. | 0:08:58 | 0:09:02 | |
Can you release me now? | 0:09:02 | 0:09:04 | |
Are these standard issue? | 0:09:04 | 0:09:08 | |
-No, they're not. -"Made in China!" | 0:09:08 | 0:09:11 | |
No wonder he's smiling. Now, have our firemen found anything job appropriate? | 0:09:11 | 0:09:17 | |
What about our nice bucket? | 0:09:17 | 0:09:19 | |
I know, that's what made me think of it, I saw your bucket. | 0:09:19 | 0:09:22 | |
I've got two firemen here, you see. | 0:09:22 | 0:09:25 | |
It's got a hole in it, hasn't it? | 0:09:25 | 0:09:27 | |
-There's a hole in my bucket... -Down there. Oh, no. | 0:09:27 | 0:09:29 | |
It's had a load of coal in it. | 0:09:29 | 0:09:30 | |
-£45. -£45? No. | 0:09:30 | 0:09:33 | |
See that polished up. I ain't winding no-one up here, see this polished up. | 0:09:33 | 0:09:37 | |
Polish the brass up. | 0:09:37 | 0:09:39 | |
And all this done in black, in one of your silly centres, you're talking about £150. | 0:09:39 | 0:09:45 | |
-And I ain't winding you up. -It's quite suitable for us, you know, a bucket. Yeah, go on. | 0:09:45 | 0:09:49 | |
-You've go to have a bucket, I suppose. -Shake on it? | 0:09:49 | 0:09:52 | |
Do you really, really want this? | 0:09:52 | 0:09:54 | |
-Is it that bad? -We're trusting this guy here. | 0:09:54 | 0:09:57 | |
He's got an honest face. What do you reckon, Olly? | 0:09:57 | 0:10:00 | |
OK, let's have a look at this. | 0:10:00 | 0:10:01 | |
I mean, I suppose it's quite decorative. | 0:10:01 | 0:10:05 | |
You can see there, all the copper, that will clean up. | 0:10:05 | 0:10:08 | |
-It's very badly scratched and discoloured. -How old is it? | 0:10:08 | 0:10:12 | |
But then that's its appeal. | 0:10:12 | 0:10:14 | |
It's entirely up to you, chaps. | 0:10:14 | 0:10:16 | |
Give me £38 cash and you've got it. | 0:10:16 | 0:10:19 | |
-We'll find you £38. -Shake his hand, Olly. | 0:10:19 | 0:10:21 | |
-I want to see you on telly doing that. -Deal. | 0:10:21 | 0:10:24 | |
-Sure? -Yes, we're buying it. | 0:10:24 | 0:10:26 | |
OK. First item, hurrah! | 0:10:26 | 0:10:29 | |
-Hurrah. -Thank you, cheers. | 0:10:29 | 0:10:31 | |
Are you happy about that bucket, Catherine? | 0:10:31 | 0:10:35 | |
I just mentioned 18th century leather fire bucket, | 0:10:35 | 0:10:39 | |
next thing I know, we've got a 20th century copper bucket. | 0:10:39 | 0:10:42 | |
Am I happy? Not that happy but you never know. | 0:10:42 | 0:10:47 | |
Very modern though, isn't it? Too modern. | 0:10:52 | 0:10:54 | |
You'd need a certain type of house. | 0:10:54 | 0:10:56 | |
-I quite like this. -Oh, my word. -Rubbish, is it? | 0:10:56 | 0:10:59 | |
-Why do you like that? -Will anyone be happy? | 0:10:59 | 0:11:01 | |
I can imagine my wife putting things in the top of it. | 0:11:01 | 0:11:05 | |
You've got to stop imagining your wife in whatever and start thinking about profits. | 0:11:05 | 0:11:10 | |
-Start listening to Catherine. -Mm, I wonder if he will. | 0:11:10 | 0:11:15 | |
Now, the girls have spotted something. | 0:11:15 | 0:11:18 | |
Look at that. It's only £50. | 0:11:18 | 0:11:21 | |
Can I sit on this? | 0:11:21 | 0:11:24 | |
Is it all right to... | 0:11:27 | 0:11:29 | |
Oh, Rachel! | 0:11:29 | 0:11:30 | |
Oh, look. That's nice, I like that. | 0:11:34 | 0:11:37 | |
What's that? | 0:11:37 | 0:11:39 | |
We like this. | 0:11:39 | 0:11:41 | |
-Invalid's chair. -Yeah. | 0:11:41 | 0:11:43 | |
-How much is that? -£50. | 0:11:43 | 0:11:45 | |
That's what it says on the sticker. What do you think, James? | 0:11:45 | 0:11:48 | |
I think it's marvellous. | 0:11:48 | 0:11:50 | |
I could've searched all over this fair and I wouldn't have found anything as remarkable as that. | 0:11:50 | 0:11:56 | |
Is that a good thing? | 0:11:56 | 0:11:58 | |
The jury's out! | 0:11:58 | 0:12:00 | |
-See if he'll take 30, girls. -OK. | 0:12:00 | 0:12:03 | |
-We're going to give a bit of Bargain Hunt magic here and try to do a deal. -Right. | 0:12:03 | 0:12:09 | |
-One of the arms has come a bit loose. -I don't want them to buy it. | 0:12:09 | 0:12:12 | |
Would you give 25? | 0:12:12 | 0:12:15 | |
I'll take 40. | 0:12:15 | 0:12:17 | |
-25. -No. -28? | 0:12:17 | 0:12:19 | |
-30. -£30, James. | 0:12:19 | 0:12:22 | |
Oh, my goodness. | 0:12:22 | 0:12:24 | |
No, I think it's a bit of fun. | 0:12:24 | 0:12:26 | |
It's a traditional Bargain Hunt lot. | 0:12:26 | 0:12:29 | |
-It's a bit of fun, isn't it? -£30? | 0:12:29 | 0:12:31 | |
-£30. Lovely. -Thank you very much. | 0:12:31 | 0:12:33 | |
Thank you. Fantastic. | 0:12:33 | 0:12:34 | |
Oh, my thing's come out. | 0:12:34 | 0:12:37 | |
Oh, gawd. | 0:12:37 | 0:12:38 | |
Well, the Blues have found their chair and thankfully, I've found mine. | 0:12:38 | 0:12:44 | |
Oh, this is very nice, isn't it? | 0:12:44 | 0:12:47 | |
To be able to have five minutes to relax and for a change | 0:12:47 | 0:12:51 | |
not just to sit down but to lie down and relax. | 0:12:51 | 0:12:55 | |
I mean, put your feet up pukka style. | 0:12:55 | 0:12:58 | |
And where would you have to go to find a chair like this? | 0:12:58 | 0:13:03 | |
Well, actually, only just around the corner in the fair. | 0:13:03 | 0:13:07 | |
You have to admit that this chair looks just like a contemporary or modern deckchair, doesn't it? | 0:13:07 | 0:13:13 | |
Except in this example, we've got these lovely, long, | 0:13:13 | 0:13:18 | |
swooping arms which enable you to hook up your legs | 0:13:18 | 0:13:22 | |
and truly get down there and relax. | 0:13:22 | 0:13:26 | |
It was made around 1880-1910, just at the end | 0:13:26 | 0:13:31 | |
of the last days of the British Raj, | 0:13:31 | 0:13:34 | |
and it was made for an Anglo-Indian planter | 0:13:34 | 0:13:38 | |
and this isn't a deckchair, it's a verandah chair. | 0:13:38 | 0:13:42 | |
It's the chair that the planter, when he comes back at the end of his long day | 0:13:42 | 0:13:47 | |
supervising the tea plantation, down you go like that, look at that, | 0:13:47 | 0:13:53 | |
get your feet up like that and he'd go....order up a drink. | 0:13:53 | 0:13:57 | |
What does a magnificent late 19th century teak verandah chair like this cost you? | 0:13:57 | 0:14:05 | |
It could be yours for 60 notes. | 0:14:05 | 0:14:08 | |
It's a bargain. | 0:14:08 | 0:14:11 | |
Back in the buzz of the fair, Terry's a bit of a worry. | 0:14:15 | 0:14:21 | |
Terry is always wandering off. He just keeps going off on a tangent. | 0:14:21 | 0:14:24 | |
They keep picking up glass, modern glass. | 0:14:24 | 0:14:29 | |
I think he's gone again, actually. | 0:14:29 | 0:14:31 | |
No such worries about the Blues though. | 0:14:31 | 0:14:35 | |
-That is nice. -Oh, yeah, that's nice. | 0:14:36 | 0:14:38 | |
Quite heavy as well. | 0:14:38 | 0:14:40 | |
-That's really nice. -Somebody's spent some work staining it, haven't they? | 0:14:40 | 0:14:44 | |
It's nice though, isn't it? | 0:14:44 | 0:14:46 | |
So it's an octagon. | 0:14:46 | 0:14:48 | |
-Just like that. -That is nice, actually. -How much would you say for something like that? | 0:14:48 | 0:14:53 | |
I don't know, sort of 50 quid? Something like that. | 0:14:53 | 0:14:57 | |
The table? 45. | 0:14:57 | 0:15:00 | |
And what's your best offers you can do on that? | 0:15:00 | 0:15:03 | |
I'll do you it for 35. | 0:15:03 | 0:15:04 | |
35. I think that's a no-brainer. | 0:15:04 | 0:15:07 | |
Would you let us have it for 30? | 0:15:07 | 0:15:09 | |
-Oh, blimey! -Yeah. -Yeah? All right, then. Lovely. | 0:15:09 | 0:15:12 | |
Thank you! Love it. That's great! | 0:15:12 | 0:15:14 | |
I think I could learn something here! | 0:15:14 | 0:15:17 | |
Too late now, James, you've finished your shop. | 0:15:17 | 0:15:21 | |
The Reds, meanwhile, have only one bargain, and they're starting to panic. | 0:15:21 | 0:15:25 | |
-Shall we go inside? If so, it's that way. -Let's go. | 0:15:27 | 0:15:30 | |
We've got 15 minutes to buy two items. | 0:15:30 | 0:15:35 | |
-Should be some more stuff in here. -Right! | 0:15:35 | 0:15:39 | |
We're really pushed for time. We've got no time at all. | 0:15:39 | 0:15:42 | |
It's impossible to keep track of these guys. | 0:15:51 | 0:15:56 | |
I don't want to worry you, Catherine, but look, Terry's spotted some more glass! | 0:15:56 | 0:16:01 | |
-What make is this? -Murano. -Murano? | 0:16:01 | 0:16:04 | |
What price would you take on that? Best price. | 0:16:04 | 0:16:06 | |
-40 on each. -I quite like that one, actually. | 0:16:06 | 0:16:09 | |
Could you sell one for 35 for us? | 0:16:09 | 0:16:11 | |
Yeah, I could do that one for 35. | 0:16:11 | 0:16:13 | |
-This one? -Yeah. -I'll buy that. | 0:16:13 | 0:16:15 | |
-What?! -I don't rate me mates, OK? | 0:16:15 | 0:16:18 | |
-Oh, my goodness! -It's on my head. | 0:16:18 | 0:16:20 | |
You might lose your head, Terry. | 0:16:20 | 0:16:25 | |
-Stand by. -What have you found? | 0:16:25 | 0:16:27 | |
Actually, I've bought it. | 0:16:27 | 0:16:29 | |
-What? -Just a vase. | 0:16:29 | 0:16:31 | |
"Just a vase"? | 0:16:31 | 0:16:33 | |
I was desperate, because we were running out of time. | 0:16:33 | 0:16:36 | |
-Trust me. -Right. -I like it. | 0:16:36 | 0:16:39 | |
Right, OK. Can you just hold this for me for five minutes? | 0:16:39 | 0:16:42 | |
-How you doing? -Oh, you're friends! Oh, big discounts, then. | 0:16:42 | 0:16:45 | |
-I went to school with him. -Oh, good. | 0:16:45 | 0:16:47 | |
Oh, well, you've got to give him a discount. | 0:16:47 | 0:16:50 | |
We'll come back in one minute. | 0:16:50 | 0:16:53 | |
-I've never sold anything like that in my life. -I have. | 0:16:53 | 0:16:55 | |
-What make is it again? -Murano. -Murano. -Oh, it's Murano. | 0:16:55 | 0:16:58 | |
-What makes you think... -£35? -Right, OK. But it's not very old. | 0:16:58 | 0:17:02 | |
-For 35, all right, are we? -What price was it? | 0:17:02 | 0:17:04 | |
-40. -I mean, it's very striking. | 0:17:04 | 0:17:07 | |
It's a beautiful ink blue. | 0:17:07 | 0:17:08 | |
I like the colour. | 0:17:08 | 0:17:10 | |
-We'll do that. -OK. | 0:17:10 | 0:17:12 | |
-So that's our second item, yeah? Do you agree, Olly? -Well, you've bought it. | 0:17:12 | 0:17:16 | |
-He bought it. -I have never, ever had two like you before. | 0:17:16 | 0:17:19 | |
I don't know where we are, what we've bought, I don't know how much we've spent. | 0:17:19 | 0:17:24 | |
It's just gone whoosh! | 0:17:24 | 0:17:25 | |
Welcome to our company! | 0:17:25 | 0:17:27 | |
I just... Do you know what I need? A gin and tonic. That's what I need. | 0:17:29 | 0:17:32 | |
We've got seven minutes, and I'll buy you one. | 0:17:32 | 0:17:35 | |
Right, after seven minutes promise me you will buy me a gin and tonic. | 0:17:35 | 0:17:38 | |
Make mine a double! | 0:17:38 | 0:17:40 | |
Now, I want to show you something. Right, what do you think about this? | 0:17:42 | 0:17:48 | |
A bottle stopper. I quite like it. | 0:17:48 | 0:17:50 | |
Quite cute. Is it real silver? | 0:17:50 | 0:17:53 | |
No, it's not real silver. Well, it's silver plated. | 0:17:53 | 0:17:56 | |
It's by WMF, so a German maker. | 0:17:56 | 0:17:59 | |
This one was probably about 1920, something like that, in date. | 0:17:59 | 0:18:03 | |
They're asking £45, but as you went to school together... | 0:18:03 | 0:18:08 | |
-Yeah, we went to school together. -Bestest buds. | 0:18:08 | 0:18:10 | |
Bestest mates. Imagine that, Roggie? | 0:18:10 | 0:18:14 | |
35. | 0:18:14 | 0:18:15 | |
A bit lower than that. | 0:18:15 | 0:18:17 | |
Yeah, 35 and that's it. | 0:18:17 | 0:18:19 | |
-Just have a little look for a minute. -32. -Let's have a look. -Does he ever stop? | 0:18:19 | 0:18:23 | |
Will you, boss? 32? | 0:18:23 | 0:18:25 | |
Go on, 32 will be fine. | 0:18:25 | 0:18:26 | |
-Thank you very much. -Do you want a couple of minutes to look? | 0:18:26 | 0:18:30 | |
No, I'm happy with that if you are. | 0:18:30 | 0:18:32 | |
-I want a gin and tonic. Don't you? -You want a gin and tonic as well? | 0:18:32 | 0:18:35 | |
You probably want a gin and tonic after this! | 0:18:35 | 0:18:38 | |
I think everyone deserves a gin and tonic after that! | 0:18:38 | 0:18:42 | |
Now the shopping's over, the leftover lolly will be handed to the experts to buy their bonus buys. | 0:18:42 | 0:18:47 | |
First up, the Reds. | 0:18:47 | 0:18:50 | |
Firemen Terry and Olly bought a fire bucket for £38. | 0:18:54 | 0:18:59 | |
And Terry went off on his own to buy a glass vase for £35. | 0:18:59 | 0:19:04 | |
And finally, Catherine found the bottle stopper from heaven for 32. | 0:19:04 | 0:19:09 | |
-You two are probably actually the worst team I've ever had. -Worst? | 0:19:12 | 0:19:17 | |
Terence, you're a shocker, running off like that. What did you mean by doing that? | 0:19:17 | 0:19:21 | |
Oh, well, I just panicked and bought the vase. | 0:19:21 | 0:19:24 | |
-Did you? -Yes, I did. -And the bucket. -And the bucket. | 0:19:24 | 0:19:27 | |
No, Olly bought the bucket. | 0:19:27 | 0:19:28 | |
I'm getting the blame for the bucket. | 0:19:28 | 0:19:30 | |
You wait till you see the film. | 0:19:30 | 0:19:32 | |
Well, I've heard about the hole in the bucket. Why does a fireman buy a bucket with a hole in it? | 0:19:32 | 0:19:36 | |
It's going to be our worst nightmare when the lads at work see this hole in the bucket! | 0:19:36 | 0:19:41 | |
I know! That's what I mean - your professional reputation's on the line here. | 0:19:41 | 0:19:45 | |
Anyway, how much did you spend overall, Ol? | 0:19:45 | 0:19:47 | |
We spent £105. | 0:19:47 | 0:19:49 | |
£105. Well, that's pathetic, too. | 0:19:49 | 0:19:51 | |
£105 is pathetic! £105! | 0:19:51 | 0:19:55 | |
£195 of leftover lolly, please. Who's got that? | 0:19:55 | 0:19:59 | |
-You've got that, Ols? -I haven't got it! -You've got it. | 0:19:59 | 0:20:02 | |
I see exactly what you mean. | 0:20:02 | 0:20:04 | |
Thank you very much! | 0:20:04 | 0:20:05 | |
That's all there. Hand on heart. | 0:20:05 | 0:20:07 | |
Anyway, your girl now has got £195, and she, hopefully, will go and blow the lot. | 0:20:07 | 0:20:11 | |
-Are you going to do that, Catherine? -I've got to do something to pick up this team, because | 0:20:11 | 0:20:16 | |
it's all going to go horribly wrong otherwise! | 0:20:16 | 0:20:18 | |
I think it's gone pear-shaped already! | 0:20:18 | 0:20:20 | |
-Anyway, good luck, Catherine. Good luck, chaps. -Thank you! | 0:20:20 | 0:20:23 | |
Why don't we find out what the Blue team bought, eh? | 0:20:23 | 0:20:26 | |
Policewomen Donna and Rachel collared this Spode meat dish | 0:20:26 | 0:20:31 | |
for £40. | 0:20:31 | 0:20:33 | |
Then they seized this invalid's chair for 30 and gave it a ticket. | 0:20:33 | 0:20:38 | |
And they were arrested by the octagonal table at the same price. | 0:20:38 | 0:20:42 | |
-Very, very tough negotiating. -It was. | 0:20:45 | 0:20:49 | |
Now, Jim, I'm sorry to interrupt you, but I've seen you've got two very satisfied customers here. | 0:20:49 | 0:20:54 | |
-Yeah, they're very good. Very good. Very focused, these two. -And have you seen better grins in your life? | 0:20:54 | 0:20:59 | |
-No! -She's very pleased. -They're winning grins. -Winning grins? | 0:20:59 | 0:21:02 | |
-Yes. -You've invested in this table. You're happy with this? | 0:21:02 | 0:21:06 | |
-Yeah. Love it. -Definitely. | 0:21:06 | 0:21:07 | |
I said to the girls they'll have a price of around £50, | 0:21:07 | 0:21:10 | |
and the lady comes out with 45, | 0:21:10 | 0:21:13 | |
Donna gets her in a sort of full arm lock, and the poor lady | 0:21:13 | 0:21:18 | |
sort of concedes at 30! | 0:21:18 | 0:21:19 | |
Well, that seems pretty good, doesn't it? | 0:21:19 | 0:21:22 | |
It's quite clean and ready to go. | 0:21:22 | 0:21:23 | |
So, that's 30 of your pounds. What did you spend overall? | 0:21:23 | 0:21:27 | |
-What's the total? -£100. | 0:21:27 | 0:21:28 | |
-What, on the lot? -Yes. -Oh, no! | 0:21:28 | 0:21:31 | |
-£100 on the lot? -Yes! | 0:21:31 | 0:21:33 | |
-Dear, oh, dear. -Bargains. | 0:21:33 | 0:21:35 | |
Traditional Bargain Hunt bargains, I would say! | 0:21:35 | 0:21:38 | |
OK, fine. Well, this is exciting. | 0:21:38 | 0:21:40 | |
£200 of leftover lolly, please. | 0:21:40 | 0:21:41 | |
-Who's got that? -Donna. | 0:21:41 | 0:21:43 | |
Nicely tucked away, darling. Thank you very much. | 0:21:43 | 0:21:45 | |
-There we are. -'Ello, 'ello, 'ello! There we go. -Lovely. | 0:21:45 | 0:21:48 | |
200, then, Jimmy. Happy about that? | 0:21:48 | 0:21:50 | |
-Yeah, very happy. Yes! -Well, you ought to be. | 0:21:50 | 0:21:53 | |
Yeah, I think I can go and buy a Norfolk terrier. | 0:21:53 | 0:21:56 | |
You're going to be able to buy most of this fair! | 0:21:56 | 0:21:58 | |
Anyway, good luck with that. Good luck with that, girls. | 0:21:58 | 0:22:01 | |
-Thank you! -We're going to shove off now to the gorgeous Melford Hall. | 0:22:01 | 0:22:05 | |
Ever heard of it? Well, you'll find out about it any minute now. | 0:22:05 | 0:22:08 | |
Melford Hall sits in the heart of Suffolk and is the ancestral home of the Hyde-Parker family. | 0:22:11 | 0:22:18 | |
Not very many houses these days have a visitors' book, but this place sure does. | 0:22:18 | 0:22:25 | |
And I have to tell you, it's rather special. | 0:22:25 | 0:22:28 | |
On the face of it, the visitors' book doesn't look all that special, does it? | 0:22:35 | 0:22:39 | |
OK, fine, it's leather and it's been embossed or raised with the family's coat of arms. | 0:22:39 | 0:22:46 | |
Open it up and it starts with the title of the house, Melford Hall, and the date, October 1912. | 0:22:46 | 0:22:53 | |
List of visitors. Nothing very special, until you get to page two, and who do we find? | 0:22:53 | 0:23:00 | |
Beatrix Potter, with Mr Todd and Jemima Puddleduck. | 0:23:00 | 0:23:06 | |
Beatrix Potter was a cousin of Ethel Leach, | 0:23:08 | 0:23:11 | |
wife of Sir William Hyde-Parker. | 0:23:11 | 0:23:13 | |
Cousin Beattie became a regular visitor and would often sketch | 0:23:13 | 0:23:18 | |
the house and its grounds. | 0:23:18 | 0:23:21 | |
And to entertain the children at mealtimes, Beatrix Potter devised | 0:23:21 | 0:23:27 | |
what I guess must be a pretty novel, if not unique, form of place card. | 0:23:27 | 0:23:33 | |
Here she's taken a simple rectangle of paper, | 0:23:33 | 0:23:37 | |
she's cut it with those slits there, so that an additional | 0:23:37 | 0:23:41 | |
slip of paper with the child's name could be inserted there. | 0:23:41 | 0:23:46 | |
And then in pen and ink and watercolour, | 0:23:46 | 0:23:49 | |
she does Jemima Puddleduck with the question, | 0:23:49 | 0:23:53 | |
"Who sits here?" | 0:23:53 | 0:23:56 | |
How charming's that? | 0:23:56 | 0:23:57 | |
Can you believe this? | 0:24:06 | 0:24:08 | |
Auntie Beattie, which is how Beatrix Potter was referred to | 0:24:08 | 0:24:13 | |
by her young cousins, used to sleep in this bed | 0:24:13 | 0:24:17 | |
when she came to Melford. | 0:24:17 | 0:24:19 | |
When she's lying in that bed, | 0:24:19 | 0:24:21 | |
she's thinking about her stories, and she painted this little picture, | 0:24:21 | 0:24:26 | |
guess what, in this bed, | 0:24:26 | 0:24:28 | |
except instead of her lying in the bed, it's her old friend, Ratty. | 0:24:28 | 0:24:34 | |
There he is, look, underneath his duvet | 0:24:34 | 0:24:37 | |
with his great long tail sticking out underneath. | 0:24:37 | 0:24:40 | |
I mean, this is a facsimile of the original, but how lovely is that? | 0:24:40 | 0:24:46 | |
This thing, however, is no facsimile. | 0:24:46 | 0:24:50 | |
This would have been originally made probably in Germany or France. | 0:24:50 | 0:24:54 | |
It's a blond mohair duck, except that Beatrix Potter, when visiting, | 0:24:54 | 0:25:00 | |
made up this costume and transformed the toy duck into Jemima Puddleduck. | 0:25:00 | 0:25:07 | |
How charming is that? | 0:25:07 | 0:25:10 | |
Well, almost as charming as dedicating your books | 0:25:10 | 0:25:15 | |
to the cousins, because here are the three Hyde-Parker children, | 0:25:15 | 0:25:18 | |
in particular the gorgeous little girl in the middle | 0:25:18 | 0:25:22 | |
with her long tresses, who's Stephanie. | 0:25:22 | 0:25:25 | |
And when it came to dedicating the title page for her book | 0:25:25 | 0:25:30 | |
Mr Jeremy Fisher, who does she do it but "For Stephanie, from Cousin B"? | 0:25:30 | 0:25:37 | |
Charming, isn't it? | 0:25:37 | 0:25:39 | |
The big question is today, of course, is it going to be | 0:25:39 | 0:25:42 | |
child's play for our teams over at the auction? | 0:25:42 | 0:25:45 | |
See ya! | 0:25:45 | 0:25:47 | |
Well, it's a treat to have trotted into Norfolk | 0:26:01 | 0:26:04 | |
to TW Gaze auction room in Diss to be with Elizabeth Talbot. Elizabeth! | 0:26:04 | 0:26:09 | |
-Hello. Nice to see you again. -Very nice to see you, too. -Thank you. | 0:26:09 | 0:26:13 | |
First up, then, Terry and Olly, our firemen, not surprisingly, | 0:26:13 | 0:26:16 | |
-went first off with a bucket. -A bucket. But when that bucket's -got a hole in it... -Well, yes. | 0:26:16 | 0:26:22 | |
It was once a grand piece, wasn't it? | 0:26:22 | 0:26:24 | |
I mean, it's very much from the Arts and Crafts period, almost. | 0:26:24 | 0:26:27 | |
I can see it having had something about it. | 0:26:27 | 0:26:30 | |
What makes me smile is somebody's had an attempt to polish, just to see what was under all the surface. | 0:26:30 | 0:26:35 | |
They're given it the wire wool. | 0:26:35 | 0:26:37 | |
But I think it needs a little more TLC to bring it back to its full potential. | 0:26:37 | 0:26:43 | |
It's got something about it, you're quite right. | 0:26:43 | 0:26:46 | |
-So, how much, do you think? -£40 to £60. | 0:26:46 | 0:26:49 | |
-Well, they'll be delighted. They only paid £38. -That seems very fair. | 0:26:49 | 0:26:52 | |
For a fireman! Good. | 0:26:52 | 0:26:55 | |
Next is the Murano so-called blue trumpet-type vase. | 0:26:55 | 0:26:59 | |
Mm, yes. I have doubts about the attribution to Murano being specific. | 0:26:59 | 0:27:04 | |
It's not a wizard, to me. It's just blue glass, isn't it? | 0:27:04 | 0:27:07 | |
It's large enough to be of a decorative nature that will strike a pose in a nice interior. | 0:27:07 | 0:27:12 | |
Having said that, we do quite like it, and we have got a good market | 0:27:12 | 0:27:16 | |
for modern glass, so we have rated it reasonably highly. About £60 to £80? | 0:27:16 | 0:27:22 | |
-No?! -Yeah. | 0:27:22 | 0:27:24 | |
-Really? -Yeah. | 0:27:24 | 0:27:25 | |
You're hinting that I might live to regret that one. | 0:27:27 | 0:27:30 | |
It's just they paid £35. | 0:27:30 | 0:27:32 | |
-Their last item I think has got a bit of potential, which is this little stopper. -Yes. | 0:27:32 | 0:27:36 | |
It's quite an amusing little object. | 0:27:36 | 0:27:39 | |
Well, it's both practical and amusing, and I think it's the sort of thing which | 0:27:39 | 0:27:43 | |
country folk might buy as a stocking filler for someone, even if they didn't use it, | 0:27:43 | 0:27:47 | |
because the subject, whether it's a dog or a fox, is a good, | 0:27:47 | 0:27:51 | |
aesthetic sort of image, and they like those sort of things round here. | 0:27:51 | 0:27:55 | |
-Yes. So, what's your estimate? -We think £30 to £40. | 0:27:55 | 0:27:57 | |
-Great. £32 paid. -Right. -So, all round, | 0:27:57 | 0:28:00 | |
I think our firemen have managed to spend £105 quite wisely. | 0:28:00 | 0:28:05 | |
Well, we hope so, yes, absolutely. A good cross section, yes. | 0:28:05 | 0:28:08 | |
So, for a change, they probably won't need their bonus buy, | 0:28:08 | 0:28:12 | |
but let's go and have a look at it anyway. | 0:28:12 | 0:28:14 | |
OK, Tel, OK, Ol, this is out moment for Bonus Buy Land, all right? | 0:28:14 | 0:28:18 | |
You gave Catherine Southon £195 of leftover lolly, | 0:28:18 | 0:28:22 | |
an enormous amount of money. | 0:28:22 | 0:28:24 | |
Did she spend the lot? Catherine? | 0:28:24 | 0:28:26 | |
This is what I bought. Are you ready? | 0:28:26 | 0:28:28 | |
Excited, yeah. | 0:28:28 | 0:28:30 | |
It might not look much like this, but open it up, and look at that. | 0:28:30 | 0:28:34 | |
It is a beautiful set of perfume bottles, a gentleman's set. | 0:28:34 | 0:28:40 | |
Isn't that lovely? Look at all the different colours. | 0:28:40 | 0:28:43 | |
I think they're absolutely beautiful. | 0:28:43 | 0:28:46 | |
I've seen that colour blue somewhere else on our buys. | 0:28:46 | 0:28:49 | |
1930s Art Deco, and I paid £70 for it. | 0:28:49 | 0:28:56 | |
-£70? -Yeah. -Is there substantial profit there? | 0:28:56 | 0:28:59 | |
-I think you're going to make a profit on that, cos it's a very smart piece. -Food for thought. | 0:28:59 | 0:29:03 | |
-Food for thought, yeah. -Mm! -Well done, chaps. | 0:29:03 | 0:29:07 | |
But for the viewers at home, let's find out what the auctioneer thinks about Catherine's little set. | 0:29:07 | 0:29:12 | |
Now, there, Elizabeth. | 0:29:12 | 0:29:14 | |
-Oh! -A little something to tickle you. | 0:29:14 | 0:29:16 | |
That is lovely. And they're all different colours. | 0:29:16 | 0:29:19 | |
-Look at that! -Now, I like that. I think that's very, very nice. | 0:29:19 | 0:29:24 | |
When's the last time you saw one with different-colour bottles in? | 0:29:24 | 0:29:27 | |
When's the last time you saw one with four bottles and in such good condition of any colour? | 0:29:27 | 0:29:31 | |
-Quite extraordinary, really. -Yeah. -It's lovely. | 0:29:31 | 0:29:34 | |
-And in its day, to have a bit of tanned red leather inside... -Mm! | 0:29:34 | 0:29:40 | |
Chic as chic could be, but within a brown leather outer that's, as you say, in pretty good nick... | 0:29:40 | 0:29:47 | |
Ooh, good, well. Well done, Catherine Southon, I say. | 0:29:47 | 0:29:50 | |
This is a bit of a bonus buy with potential, perhaps. | 0:29:50 | 0:29:53 | |
How much do you think it might bring? | 0:29:53 | 0:29:55 | |
We're hoping for between 100 and £150 because | 0:29:55 | 0:29:57 | |
that's quite a rare opportunity for people. | 0:29:57 | 0:30:00 | |
I think you're absolutely spot-on. | 0:30:00 | 0:30:03 | |
-She paid £70 so it's a bonus buy with legs. -Yes. | 0:30:03 | 0:30:06 | |
If the team decide to go with it. | 0:30:06 | 0:30:09 | |
Now, that's it for the Reds. | 0:30:09 | 0:30:11 | |
Now for the Blues. Donna and Kebab, I mean Donna and Rachel! | 0:30:11 | 0:30:15 | |
And first up for them is the meat dish. | 0:30:15 | 0:30:18 | |
Yes. I like this. | 0:30:18 | 0:30:20 | |
Which is chunky, isn't it? | 0:30:20 | 0:30:22 | |
I like the fact it's got the double wells in it. | 0:30:22 | 0:30:25 | |
-Often everything gravitates to one end. -Yes. | 0:30:25 | 0:30:28 | |
You can have oil down one end and blood down the other. | 0:30:28 | 0:30:32 | |
Oh, Tim! But, no, again, a good make, a good period. | 0:30:32 | 0:30:38 | |
It's not a rare, rare pattern but it's not the most obvious. | 0:30:38 | 0:30:41 | |
It's not just a normal willow pattern. | 0:30:41 | 0:30:43 | |
It's a little bit fuzzy if you're going to be critical | 0:30:43 | 0:30:46 | |
about the transfer, but as a piece it's in good condition. | 0:30:46 | 0:30:49 | |
-I mean, it's a belter for the turkey. -Yes, it is. | 0:30:49 | 0:30:52 | |
I think that's very nice. Yes, I do. | 0:30:52 | 0:30:54 | |
Perfect. How much in the old money department? | 0:30:54 | 0:30:57 | |
Well, about 50 to £70. | 0:30:57 | 0:30:58 | |
-£40 paid. -Well, I think they should do that fine. | 0:30:58 | 0:31:01 | |
-Next up is the invalid's chair. -Yes. | 0:31:01 | 0:31:03 | |
As a bit of social history, I would imagine | 0:31:03 | 0:31:07 | |
it's kind of post-First World War, when there are literally millions of servicemen returning disabled. | 0:31:07 | 0:31:14 | |
There's something emotive about this. | 0:31:14 | 0:31:16 | |
Yes. We do see quite a few chairs of various designs and ages. | 0:31:16 | 0:31:22 | |
It's a tricky market at the moment. | 0:31:22 | 0:31:24 | |
We're finding them difficult to place | 0:31:24 | 0:31:27 | |
and I think it's because that's quite a big chair to take up room. | 0:31:27 | 0:31:31 | |
-It's a chunky thing. -Yeah, it is. Museums are often interested. | 0:31:31 | 0:31:35 | |
So it isn't terribly commercial although it might pull the heartstrings a bit. | 0:31:35 | 0:31:39 | |
-I rather agree with you. So, how much then? -We think about 40 to £50 on that. | 0:31:39 | 0:31:43 | |
Yeah, it's difficult, isn't it? £30, they paid. I mean, only £30. | 0:31:43 | 0:31:47 | |
Well, in the interests of the game they probably will be all right | 0:31:47 | 0:31:50 | |
but not a tearaway success. | 0:31:50 | 0:31:52 | |
-It's not going to run away. -Well, we hope not anyway! | 0:31:52 | 0:31:56 | |
It's braked! Lastly is the octagonal hardwood table. | 0:31:56 | 0:32:00 | |
-Fairly standard piece, aren't they? -They are standard. | 0:32:00 | 0:32:03 | |
Good use of carving over the whole surface so it's a little more ornate than some examples. | 0:32:03 | 0:32:08 | |
People do like them, I think, because they're quite versatile. | 0:32:08 | 0:32:11 | |
So although they're not a rarity, there seems to be a sort of steady demand for them. | 0:32:11 | 0:32:16 | |
-Again, nothing too extraordinary. -Yes. So don't get carried away? -No. | 0:32:16 | 0:32:19 | |
Would you be able to improve on £30, do you think? | 0:32:19 | 0:32:22 | |
Marginally. If we sort of put 40 to 60 as a sort of guide on that one. | 0:32:22 | 0:32:26 | |
Good. Well, there seem to be one or two holes in this team's opportunity | 0:32:26 | 0:32:31 | |
so they may need their bonus buy, so let's go and have a look at it. | 0:32:31 | 0:32:35 | |
So, Donna and Rachel, you spent a miserable £100. | 0:32:35 | 0:32:38 | |
-You gave him the 200 notes. Did he spend all the 200, James? -Of course not. | 0:32:38 | 0:32:42 | |
-Here we are. -Ah. -It's a rather nice ceiling light. | 0:32:42 | 0:32:48 | |
There we are. A sort of 1920s, 1930s, possibly more to the '30s. | 0:32:48 | 0:32:53 | |
Very fashionable. | 0:32:53 | 0:32:55 | |
Lots of '30s houses around, lots of people wanting to do them up in a similar manner. | 0:32:55 | 0:33:00 | |
And £35. | 0:33:00 | 0:33:02 | |
Ooh, happy days, bargain! | 0:33:02 | 0:33:04 | |
I think they're overwrought with enthusiasm, aren't they? | 0:33:04 | 0:33:08 | |
Do you want to handle the goods or not? | 0:33:08 | 0:33:10 | |
-Yeah, come on, take it. -Why not. -All right? | 0:33:10 | 0:33:12 | |
Do like it, Rachel? | 0:33:12 | 0:33:14 | |
-Yes. -Sort of. -Yeah, sort of. -What about you, Don? | 0:33:14 | 0:33:17 | |
It's not to my taste. But I could see it in an older house. | 0:33:17 | 0:33:21 | |
-Yes. -Yeah. | 0:33:21 | 0:33:23 | |
Good. Quite frankly, girls, you don't have to like it. | 0:33:23 | 0:33:26 | |
But you might be in such a desperate position that you have to have it a bit later on. | 0:33:26 | 0:33:34 | |
But for the viewers at home, | 0:33:34 | 0:33:35 | |
let's find out what the auctioneer thinks about James' light fitting. | 0:33:35 | 0:33:39 | |
-So, Elizabeth? -Yes. -That's a pretty standard item, isn't it, actually? -I quite like it. | 0:33:41 | 0:33:46 | |
Again, as they go, a lot of good, decorative usage, and it's nice when you hold it up. | 0:33:46 | 0:33:51 | |
You see the benefit of the light coming through and you can see the decoration from underneath. | 0:33:51 | 0:33:56 | |
I think that's not too bad. It's quite pleasing. | 0:33:56 | 0:33:59 | |
-Yes. You're quite right, it's a horse chestnut, isn't it? -Mmm. -With its spiky conker. | 0:33:59 | 0:34:04 | |
So, it's not Lalique but it could be Sabino or one of those other minor jobbies, couldn't it? | 0:34:04 | 0:34:10 | |
Yes. It's of its type, it's reasonable quality. | 0:34:10 | 0:34:12 | |
I have seen much worse lampshades and light shades that | 0:34:12 | 0:34:17 | |
purport to be something exciting and they're not. | 0:34:17 | 0:34:20 | |
-Got some potential? -I'd like to think so, yes, indeed. | 0:34:20 | 0:34:23 | |
-What sort of money do you think? -50 to £70 on that one. | 0:34:23 | 0:34:26 | |
OK, £35, James Braxton paid. So that was the right price. | 0:34:26 | 0:34:30 | |
-Yes, indeed. Yeah, that's fine. -And if you got fed up with it | 0:34:30 | 0:34:33 | |
-on the ceiling, you could use it for a fruit bowl. -You could indeed! | 0:34:33 | 0:34:37 | |
£55 only. Any advance? | 0:34:38 | 0:34:43 | |
Here we go, then. And here comes your meat dish, love. | 0:34:45 | 0:34:47 | |
-Meat dish. Come on, Spode. -It's not Meatloaf, it's meat dish. | 0:34:47 | 0:34:51 | |
Mid-nineteenth century, lovely plate, this one. Start me at 50. | 0:34:51 | 0:34:55 | |
If that doesn't make £100, it's a bad job. | 0:34:55 | 0:34:58 | |
30, I'll take to start. 30 bid, thank you. 30, I have only. | 0:34:58 | 0:35:01 | |
It's for nothing. 35, 40, 5, 50, 5, 60, 5, 70. | 0:35:01 | 0:35:08 | |
70's on my right, at 70. | 0:35:08 | 0:35:10 | |
75, new bidder. | 0:35:10 | 0:35:13 | |
See, you're smiling now.> | 0:35:13 | 0:35:15 | |
75. Any advance on the 75? 80. | 0:35:15 | 0:35:18 | |
Yes! | 0:35:18 | 0:35:20 | |
They bought my bowl. | 0:35:20 | 0:35:22 | |
That is plus 40. | 0:35:22 | 0:35:23 | |
Yeah? Plus... Ooh! | 0:35:23 | 0:35:26 | |
Ah! Hot flush! | 0:35:26 | 0:35:27 | |
Have a quick fan down. Shh, shh, shh, shh. | 0:35:27 | 0:35:32 | |
The beech and cane Carstairs invalid's chair and wheels there. | 0:35:32 | 0:35:36 | |
There really is no excuse for this item, is there? | 0:35:36 | 0:35:39 | |
Start me at £50. | 0:35:39 | 0:35:41 | |
£50, surely? 30, I'll take. | 0:35:41 | 0:35:45 | |
-We'll take ten! -Come on. | 0:35:45 | 0:35:48 | |
20, I'll take to start. | 0:35:48 | 0:35:52 | |
Come on, we'll volunteer to push you out if you need to. Come on! | 0:35:52 | 0:35:55 | |
Ten bid, sir. | 0:35:55 | 0:35:57 | |
Thank you. A low start at ten. | 0:35:57 | 0:35:58 | |
Ten only, where's 12? At £10 only. | 0:35:58 | 0:36:01 | |
Surely worth more, come on. | 0:36:01 | 0:36:02 | |
Are you all done? All done. | 0:36:02 | 0:36:06 | |
Gutted. | 0:36:06 | 0:36:07 | |
-£10. -It was pretty inevitable, I think. -£10 from minus... | 0:36:07 | 0:36:11 | |
You're minus 20 on that, which means you're still plus 20. | 0:36:11 | 0:36:14 | |
Don't give up. Keep at it. | 0:36:14 | 0:36:16 | |
The Indian octagonal carved, hardwood table on folding stand. | 0:36:16 | 0:36:19 | |
Always useful, these ones. Start me at 30. | 0:36:19 | 0:36:23 | |
£30. 20, I'll take. | 0:36:23 | 0:36:26 | |
With its folding stand there, 20, surely, anybody? Ten, I've got. | 0:36:26 | 0:36:30 | |
Ten, I have. Where's 12? | 0:36:30 | 0:36:31 | |
I don't like the look of this. | 0:36:31 | 0:36:33 | |
Where's 15? Are you wanting this one as well, sir? | 0:36:33 | 0:36:35 | |
Oh, you've not spent very much today yet. £12, the gallery. Where's 15? | 0:36:35 | 0:36:39 | |
15 downstairs. | 0:36:39 | 0:36:42 | |
18. 20, two. At 22, gallery's bid, and 22, it sells. | 0:36:42 | 0:36:50 | |
£22 is minus eight, which means you are plus 12. | 0:36:50 | 0:36:54 | |
-Are we plus 12? -You are plus 12. | 0:36:54 | 0:36:57 | |
So that's good, isn't it? | 0:36:57 | 0:36:59 | |
-Can we go now? -No, you can't! | 0:36:59 | 0:37:01 | |
You've got to decide... You've got to decide.... | 0:37:01 | 0:37:04 | |
Do you want to preserve...? | 0:37:04 | 0:37:05 | |
His ceiling light. | 0:37:05 | 0:37:08 | |
-Ceiling light. At - how much was it? -£35. What are you going to do? | 0:37:08 | 0:37:12 | |
Stick, I think. Stick. | 0:37:12 | 0:37:14 | |
-Why do you want to stick? You shouldn't be risk-averse. -Oh, go on then. | 0:37:14 | 0:37:18 | |
The 1930s-style glass ceiling light there. | 0:37:18 | 0:37:22 | |
Good detail to this one, start me at £50. | 0:37:22 | 0:37:26 | |
30 I'll take. Come on, this is pretty. | 0:37:26 | 0:37:31 | |
-20 bid. -Rash words! | 0:37:31 | 0:37:32 | |
£20 only. I'll take two. | 0:37:32 | 0:37:34 | |
Not sure this is the best advice here, James. | 0:37:34 | 0:37:38 | |
At £20. Are you all done? | 0:37:38 | 0:37:40 | |
-What? -What?! | 0:37:40 | 0:37:41 | |
I don't believe it. I'm going to kill him! | 0:37:44 | 0:37:48 | |
I'm going to kill you! | 0:37:48 | 0:37:49 | |
You are minus £15. | 0:37:49 | 0:37:52 | |
Minus £15? | 0:37:52 | 0:37:54 | |
You had 12 before, but that means you're just the minus three. | 0:37:54 | 0:37:59 | |
Just minus three. That's all. Don't say a word to those beastly boys. | 0:37:59 | 0:38:04 | |
Those fireman are out of this. | 0:38:04 | 0:38:06 | |
This £28 little runner at 28. | 0:38:09 | 0:38:11 | |
Now Terry and Noel, how you feeling? | 0:38:18 | 0:38:20 | |
A little bit nervous now we're getting near the end. | 0:38:20 | 0:38:23 | |
Yes, because you've been pretty cocky. | 0:38:23 | 0:38:25 | |
We've been giving the girls a lot of stick. | 0:38:25 | 0:38:27 | |
You've been giving everybody a lot of stick! | 0:38:27 | 0:38:29 | |
You're not big brave firemen for nothing. | 0:38:29 | 0:38:31 | |
Anyway, first lot up is your coal bucket, and here it comes. | 0:38:31 | 0:38:35 | |
The copper and white metal bucket in the Art Nouveau style there. | 0:38:35 | 0:38:38 | |
Start here at £10. | 0:38:38 | 0:38:40 | |
Oh. Not that much interest. | 0:38:40 | 0:38:42 | |
I'll take 12. 12. 15. 18. 20. | 0:38:42 | 0:38:45 | |
-22. 25. £25. -I don't like this. | 0:38:45 | 0:38:51 | |
Hole in our bucket! | 0:38:51 | 0:38:53 | |
£25. That's leaky. Minus 13. | 0:38:53 | 0:38:56 | |
Oh, Tim. | 0:38:56 | 0:38:59 | |
We have the 1950s Murano-style vase there. | 0:38:59 | 0:39:02 | |
Lovely shade of blue this one. | 0:39:02 | 0:39:04 | |
Start me at 30. Come on. £30 sir. | 0:39:04 | 0:39:08 | |
Thank you. Straight in at 30. | 0:39:08 | 0:39:09 | |
I'll take two. At 30 only. Where are you? | 0:39:09 | 0:39:12 | |
At 32, gallery. | 0:39:12 | 0:39:14 | |
-Come on. -35. 38. | 0:39:14 | 0:39:18 | |
40. 2. | 0:39:19 | 0:39:21 | |
45. | 0:39:21 | 0:39:24 | |
45 is downstairs, at 45 the front, at 45 now, may I say eight? | 0:39:24 | 0:39:27 | |
At £45 now on the vase, a lovely vase at 45 all done? | 0:39:27 | 0:39:32 | |
Well done, Terry. That's very sound. | 0:39:32 | 0:39:36 | |
That is plus 10. | 0:39:36 | 0:39:37 | |
That is plus ten, which means overall you're minus £3, that's all. | 0:39:37 | 0:39:41 | |
We've got to scrape this back. | 0:39:41 | 0:39:44 | |
The 1920s WMF German bottle stopper. | 0:39:44 | 0:39:46 | |
A lovely item, this one here, starting at £22. £22 bid. | 0:39:46 | 0:39:51 | |
-We need a bit more. -28. 30. 2. | 0:39:51 | 0:39:53 | |
35. 38. 40. 2. 45. 48. | 0:39:53 | 0:39:56 | |
With me at 48. Now 50 may I say? | 0:39:56 | 0:40:00 | |
It's £48 here, looking for 50. Lovely item at £48. | 0:40:00 | 0:40:03 | |
Come on a bit more. Oh, well. | 0:40:03 | 0:40:07 | |
We got a little bit of profit. | 0:40:07 | 0:40:09 | |
£48 is plus 16. | 0:40:09 | 0:40:12 | |
Plus 16 minus three is plus 13. | 0:40:12 | 0:40:15 | |
You have £13 in the bank. That is remarkable, isn't it. | 0:40:15 | 0:40:19 | |
What are you going to do about the scent bottles? | 0:40:19 | 0:40:21 | |
Are you going to back Catherine and go with these fellas or not? | 0:40:21 | 0:40:25 | |
-I trust Catherine. -We trust Catherine. | 0:40:25 | 0:40:27 | |
-You're going to do it? -Yeah. -You're going to go with the bonus buy. | 0:40:27 | 0:40:30 | |
Gentleman's leather case with perfume bottles. | 0:40:30 | 0:40:33 | |
-Art Deco in style. -Very rare. | 0:40:33 | 0:40:36 | |
This one here starts at £50. £50 on the set there, at 50. | 0:40:36 | 0:40:40 | |
I'll take 5. | 0:40:40 | 0:40:41 | |
On the set of bottles 5 and 60, 5 and 70, 5 and 80. | 0:40:41 | 0:40:46 | |
80, with me at 80. A good quality item, at £80 surely worth more. | 0:40:46 | 0:40:51 | |
At 85. 90. 5. 100. 110. | 0:40:51 | 0:40:55 | |
120. Where's 30? | 0:40:55 | 0:40:57 | |
At £120. Case and bottles at 120. | 0:40:57 | 0:41:03 | |
-Yes! -£120. | 0:41:03 | 0:41:07 | |
That is brilliant, isn't it. That's plus 50. | 0:41:07 | 0:41:09 | |
That's plus 50 before you started, plus the 13 is plus 63. | 0:41:09 | 0:41:13 | |
-Great. -Now I know this is going to be difficult for you to keep your mouth | 0:41:13 | 0:41:17 | |
shut, but don't tell the Blues a thing. | 0:41:17 | 0:41:20 | |
-So, teams, been chatting amongst yourselves? -No. -No. | 0:41:30 | 0:41:32 | |
-So the emergency services have not been colluding. -No. | 0:41:32 | 0:41:37 | |
-No. -Well, I'm delighted cos that's what we don't want you to do | 0:41:37 | 0:41:40 | |
just so that you've got the excitement of this | 0:41:40 | 0:41:42 | |
final moment of discovering who is ahead and who is slightly behind. | 0:41:42 | 0:41:47 | |
And the team that's slightly behind today, I am afraid are the police. | 0:41:47 | 0:41:51 | |
YAY! | 0:41:51 | 0:41:54 | |
Don't get too cocky about it because they've only lost by losing £3, which is not so much. | 0:41:54 | 0:42:01 | |
In fairness, they were well in profit before they | 0:42:01 | 0:42:05 | |
had their bonus buy debacle, which didn't help them on their way. | 0:42:05 | 0:42:08 | |
-Sorry, girls. -Nevertheless girls, you have been great competitors, and have you enjoyed it? | 0:42:08 | 0:42:14 | |
-Yes, we've had a great time. -Donna, you've had a good time? | 0:42:14 | 0:42:17 | |
-Yes, loved it. -It's been good fun, hasn't it. -Yes. | 0:42:17 | 0:42:19 | |
But the victors today, thank you very much, behave boys! | 0:42:19 | 0:42:25 | |
By taking home £63 I have to say, there we go. | 0:42:25 | 0:42:30 | |
There's your 63. | 0:42:30 | 0:42:33 | |
It was entirely down to your very good buying skills, Catherine. | 0:42:33 | 0:42:36 | |
Thank you, Tim. | 0:42:36 | 0:42:38 | |
If I ever have a fire I do hope you come round. | 0:42:38 | 0:42:41 | |
We've had great fun. Join us soon for more bargain hunting, yes? | 0:42:43 | 0:42:48 | |
ALL: Yes! | 0:42:46 | 0:42:48 | |
Subtitles by Red Bee Media | 0:42:53 | 0:42:56 | |
E-mail [email protected] | 0:42:56 | 0:42:59 |