Browse content similar to Ardingly 30. Check below for episodes and series from the same categories and more!
Line | From | To | |
---|---|---|---|
They do say that you can choose your friends but not your family. | 0:00:02 | 0:00:05 | |
Well, that's not true today. | 0:00:05 | 0:00:08 | |
'We've got a mother who chose her daughter. Which is which? | 0:00:08 | 0:00:11 | |
'And a father who chose his son.' | 0:00:11 | 0:00:14 | |
So let's go bargain hunting! | 0:00:14 | 0:00:17 | |
The Ardingly Antiques and Collectors Fair is absolutely huge, | 0:00:39 | 0:00:45 | |
so our teams are going to have to put their skates on. | 0:00:45 | 0:00:48 | |
Fortunately for me, I've got one of these babies. Bye! | 0:00:48 | 0:00:52 | |
'On today's show, the Red Team keep Mark happy.' | 0:00:53 | 0:00:57 | |
-I'll take all the blame. -OK. | 0:00:57 | 0:00:59 | |
I love you! I love that you take all the blame! | 0:00:59 | 0:01:02 | |
'Blue Team worry Catherine.' | 0:01:02 | 0:01:05 | |
Do you really like that? Or are you just getting a bit desperate? | 0:01:05 | 0:01:09 | |
'And it's nerves all round at the auction.' | 0:01:11 | 0:01:13 | |
Oh, dear, it's looking gloomy. | 0:01:13 | 0:01:15 | |
-Please! -'But all that's to come. First, let's meet our teams.' | 0:01:15 | 0:01:19 | |
-Welcome, everyone. -ALL: Hello! -Lovely to see you. | 0:01:21 | 0:01:24 | |
Now, Zozo, you're here with your mum and you're very, very close. | 0:01:24 | 0:01:28 | |
-Yes, we do everything together. We can read each other's minds. -Almost. | 0:01:28 | 0:01:32 | |
-Almost. -Well, you're like two peas in a pod, I have to say. You love amateur dramatics. -Yes. | 0:01:32 | 0:01:38 | |
-Thus, you're on Bargain Hunt, the biggest screen in the world for am-dram. -Yes. | 0:01:38 | 0:01:43 | |
What sort of roles do you like to play? | 0:01:43 | 0:01:45 | |
I've done a variety of roles. Lots of musicals. | 0:01:45 | 0:01:49 | |
I've been a member of my local pop choir, which my mum helped set up, | 0:01:49 | 0:01:53 | |
and we've done concerts together on stages with 700-odd people. | 0:01:53 | 0:01:57 | |
-Is that very nerve-racking? -Extremely. -I bet it is. | 0:01:57 | 0:02:01 | |
What tactics will you two chickens be up to today? | 0:02:01 | 0:02:05 | |
-Trying to get something unusual. -And listen to our expert. | 0:02:05 | 0:02:09 | |
-Yeah. -Good. Thank you very much for joining us. Now, boys. | 0:02:09 | 0:02:13 | |
You've got all sorts of supernatural powers on your side today, haven't you? | 0:02:13 | 0:02:18 | |
Well, I hope so. I mean, I'm actually rector of Godalming, so I'm a Church of England vicar. | 0:02:18 | 0:02:23 | |
-Ah. -And I'm hoping for a bit of divine inspiration today. -Fingers crossed. | 0:02:23 | 0:02:27 | |
Well, it will be interesting to see whether any of this stuff around you | 0:02:27 | 0:02:31 | |
will bring you luck today, because you're keen on the supernatural, too. | 0:02:31 | 0:02:35 | |
-I've had one or two strange experiences. -Like what? | 0:02:35 | 0:02:38 | |
On one occasion, literally, a sound of the organ in my parish church back in the Midlands, | 0:02:38 | 0:02:45 | |
years ago, and when trying to detect who was playing that organ, couldn't find anyone at all. | 0:02:45 | 0:02:50 | |
That is spooky, isn't it? Luke, you have a pretty interesting job, too. | 0:02:50 | 0:02:54 | |
I do. It's very different from my dad. I am a rock and pop drummer. I'm a musician. | 0:02:54 | 0:02:59 | |
What attracted you to the drums? | 0:02:59 | 0:03:02 | |
From a very early age, I was always interested in drumming. | 0:03:02 | 0:03:06 | |
-One of my earliest memories is playing on my cousin's drum kit. I was about three. -Hammering away. | 0:03:06 | 0:03:12 | |
So the day that a letter came home from my school to my parents saying, | 0:03:12 | 0:03:16 | |
"Does your son or daughter want to learn how to play the drums?" I was on it straightaway. | 0:03:16 | 0:03:21 | |
What are your tactics today? | 0:03:21 | 0:03:24 | |
I've always had the tactic that if you don't spend too much, | 0:03:24 | 0:03:27 | |
-you can't lose too much. -Oh. -However... -Yes? | 0:03:27 | 0:03:30 | |
-You don't often get given £300 to go and spend at your leisure, so we'll probably... -Blow the lot? | 0:03:30 | 0:03:36 | |
-He's always expecting money from me, though! -THEY LAUGH | 0:03:36 | 0:03:40 | |
I'm quite interested in something of a more spiritual and enlightening nature, | 0:03:40 | 0:03:46 | |
-so I'm looking for something... -That's going to make a profit. -Which will also make a profit! | 0:03:46 | 0:03:52 | |
-OK, very good luck. Now the money moment. You get £300 apiece. There it is. -Thank you. | 0:03:52 | 0:03:57 | |
You know the rules. Your experts await and off you go! Very, very, very good luck. | 0:03:57 | 0:04:03 | |
Ooh, lordy. | 0:04:03 | 0:04:04 | |
'Playing happy families with our teams today | 0:04:04 | 0:04:08 | |
'we have Mark Stacey | 0:04:08 | 0:04:11 | |
'and Catherine Southon. | 0:04:11 | 0:04:14 | |
-'And the rules.' -The wackier, the better. | 0:04:16 | 0:04:19 | |
'One hour to find three items and a total of £300 to spend.' | 0:04:19 | 0:04:24 | |
So what are we looking for? | 0:04:26 | 0:04:28 | |
Jewellery. | 0:04:28 | 0:04:29 | |
A kind of story or it's got an aura. | 0:04:29 | 0:04:32 | |
-Ornamental stuff, ceramics. -Something a little bit quirky. | 0:04:32 | 0:04:36 | |
-But no Toby jugs. -No Toby jugs? So even if I find a bargain Toby jug... -No, no, no. | 0:04:36 | 0:04:43 | |
OK, let's go bargain hunting. | 0:04:44 | 0:04:47 | |
'Oi, Southon! That's my line!' | 0:04:47 | 0:04:50 | |
How much are you? | 0:04:50 | 0:04:53 | |
-It's a good, purposeful stride. -Was it? -Yes. -On a mission. | 0:04:53 | 0:04:57 | |
That's fun, isn't it? It's an inkwell in the form of a melon. | 0:04:58 | 0:05:01 | |
-The bowl's quite interesting. -Yes. | 0:05:01 | 0:05:03 | |
Shall we move along? THEY LAUGH | 0:05:03 | 0:05:06 | |
'Well, there's plenty here to excite Mervyn. | 0:05:08 | 0:05:12 | |
'But it's Luke who's been grabbed by the ecclesiasticals.' | 0:05:15 | 0:05:19 | |
-Oh, wow! Can I have a look at this? -Absolutely. | 0:05:19 | 0:05:22 | |
-Oh, my goodness. Luke, that's one for you. -One for you. | 0:05:22 | 0:05:27 | |
-And one for you. -And something for me. Indeed. | 0:05:27 | 0:05:31 | |
Yes. The trouble is, it's a bit damaged, isn't it, really, | 0:05:31 | 0:05:35 | |
-which is suppose is not unusual. -Very damaged. The paint's flaking off. -Yeah. | 0:05:35 | 0:05:39 | |
I mean, is there a market for this kind of thing, other than people like me? | 0:05:39 | 0:05:44 | |
-Not a great market, I fear. -Ohh. All right. | 0:05:44 | 0:05:47 | |
What about the biscuit tin? I just noticed that. | 0:05:48 | 0:05:50 | |
-I like that. -That's probably out of our budget. | 0:05:50 | 0:05:53 | |
-Is it worth asking the price of that? -100. | 0:05:53 | 0:05:56 | |
-Is it Huntley and Palmer? -Yeah. | 0:05:56 | 0:05:59 | |
The tops you have to watch on those. They get very discoloured on the top. | 0:05:59 | 0:06:03 | |
-Quite good condition. -Yeah. It's quite nice. | 0:06:03 | 0:06:05 | |
-And that's not too bad. -You can still read... -You can still read the titles. | 0:06:05 | 0:06:09 | |
That's what I need. Self help. SHE LAUGHS | 0:06:09 | 0:06:13 | |
-It's quite quirky, isn't it? -That's in quite good condition. | 0:06:14 | 0:06:19 | |
-How old is it? -I would've thought that's 1910 or something. | 0:06:19 | 0:06:23 | |
-It's 1905, 1910. -Well, you wanted something quirky and you don't get much quirkier than this. | 0:06:23 | 0:06:28 | |
What's your ab-ab-absolute best on that? | 0:06:28 | 0:06:31 | |
-I can't go lower than 100. A few years ago, those tins were making 200 quid. -Yeah. | 0:06:31 | 0:06:35 | |
I have to say, I haven't seen one in a saleroom for quite a while. | 0:06:35 | 0:06:40 | |
The other thing you have to be careful of is the condition. | 0:06:40 | 0:06:43 | |
It's a bit worn on this side. But this side is very good and the front... Could we say 95? | 0:06:43 | 0:06:50 | |
-95, please. -No, honestly, I think 100 is fine. | 0:06:50 | 0:06:54 | |
-OK. -OK. -Well, you both like it, don't you? -Yes, we both like it. | 0:06:54 | 0:06:58 | |
And if it makes a huge profit, I'll take the biscuit. | 0:06:58 | 0:07:00 | |
THEY LAUGH | 0:07:00 | 0:07:03 | |
-Goodness me. -What do you think? | 0:07:05 | 0:07:08 | |
-I think put it down, that's what I think. -OK. -'Spoilsport!' | 0:07:08 | 0:07:13 | |
-Is it old? -Yeah, it's getting on for 100 years old. | 0:07:13 | 0:07:15 | |
-Bent, as well. -I beg your pardon! THEY LAUGH | 0:07:15 | 0:07:20 | |
You don't strike me as compact type men, men that you see with a compact. | 0:07:20 | 0:07:26 | |
Luke uses it but he doesn't tell anyone. He keeps it silent. | 0:07:26 | 0:07:29 | |
-That's pretty. -Is that a tea caddy? -It is a tea caddy, yes. | 0:07:32 | 0:07:36 | |
It's a single tea caddy and it's got these nice little roundels. | 0:07:36 | 0:07:39 | |
This mahogany would've been quite red and this would've been bright green and this would've been bright gold. | 0:07:39 | 0:07:45 | |
Bit of bling. It's probably out of our budget. | 0:07:45 | 0:07:48 | |
-190. -Ohh. It's a lovely object. You're picking quality, girls, | 0:07:48 | 0:07:52 | |
But I don't think we can afford it, really, because we've spent 100. So we'll put that down. | 0:07:52 | 0:07:57 | |
But I have just noticed this. Isn't he lovely? | 0:07:57 | 0:08:01 | |
A sleeping pig. It's got something on here which I can't quite read. | 0:08:01 | 0:08:08 | |
But I've seen this exact model carved in ivory | 0:08:08 | 0:08:11 | |
-and they make over £1,000. -Oh, right. | 0:08:11 | 0:08:14 | |
But I'm afraid he's not for us, he's a bit damaged. It's a shame because I like that. | 0:08:14 | 0:08:20 | |
-It's not easy, this, is it? -No. | 0:08:22 | 0:08:25 | |
-You're kind of spoilt for choice but then... -This is it. | 0:08:25 | 0:08:28 | |
It's like looking for a needle in a haystack. | 0:08:28 | 0:08:30 | |
-Look at these glass eyes. -Ohh! | 0:08:32 | 0:08:35 | |
Once I sold 2,000 of them for £17,500. | 0:08:35 | 0:08:40 | |
-Really? -Yeah. And I think it was an artist that bought them. Excuse me. | 0:08:40 | 0:08:45 | |
-Are these your glass eyes? -Aye. -Aye, aye! | 0:08:45 | 0:08:48 | |
-How much are they? -500. -Right. | 0:08:48 | 0:08:51 | |
-That's quite unusual. -This is a little inkwell, isn't it? | 0:08:54 | 0:08:57 | |
It's quite nice detailing, isn't it? Quite nice quality detailing there. | 0:08:57 | 0:09:02 | |
-Do you think it's quite old? -I think, looking at the style of it, | 0:09:02 | 0:09:06 | |
it's from that sort of aesthetic period, so around about 1870, something like this. | 0:09:06 | 0:09:11 | |
-Would you say that? -Yeah, I would think so. -I like the blue. | 0:09:11 | 0:09:14 | |
-You like the blue against the brass. -It offsets against the gold quite well. | 0:09:14 | 0:09:18 | |
-It's very decorative. -I really like it. | 0:09:18 | 0:09:20 | |
-Do you really like it? -I do. -You like it, as well? | 0:09:20 | 0:09:23 | |
-Do they sell quite well? -It really does depend. It's 155. | 0:09:23 | 0:09:27 | |
I think, if I was estimating on that at auction, | 0:09:27 | 0:09:30 | |
I would've probably said | 0:09:30 | 0:09:32 | |
around about the 80 to 120 mark, maybe 100 to 150. | 0:09:32 | 0:09:38 | |
-I would certainly like to see that reduced if we can. -Definitely. | 0:09:38 | 0:09:42 | |
-What's your best price on that? -125. | 0:09:42 | 0:09:45 | |
-120 and I'll give you a kiss? -No, no, no. -No? | 0:09:45 | 0:09:48 | |
-From both of us? All three of us? -Steady on! Ooh! | 0:09:48 | 0:09:53 | |
I don't think you're going to get there. | 0:09:53 | 0:09:55 | |
-You know, it's right near the bone. -It think it's a good quality object so I think it's worth a punt. | 0:09:55 | 0:10:01 | |
-Shake his hand. -Definitely. Thank you! -Thank you. | 0:10:01 | 0:10:04 | |
-And you've missed out on the kiss. THEY LAUGH -'Not from you, surely.' | 0:10:04 | 0:10:09 | |
-Coming up to half an hour and we haven't bought a single item. -OK. | 0:10:12 | 0:10:15 | |
-No pressure. -No pressure. | 0:10:15 | 0:10:18 | |
We want that something special. Maybe we're looking too hard. I don't know. | 0:10:18 | 0:10:23 | |
-What's that underneath? -Burlington. | 0:10:25 | 0:10:28 | |
Is it quirky enough for you? Interesting enough? | 0:10:28 | 0:10:31 | |
-75 you've got to spend. -Yes. | 0:10:34 | 0:10:37 | |
-But you've got to leave me a little something. -We will, we promise. | 0:10:37 | 0:10:41 | |
I'm not sure I believe you. Come on. We've got to get a third item. | 0:10:41 | 0:10:45 | |
'So while the Reds casually browse | 0:10:47 | 0:10:49 | |
-'and the Blues frantically search...' -Throw yourself into the stalls. | 0:10:49 | 0:10:55 | |
'..I've got my eyes on the sky.' | 0:10:55 | 0:10:57 | |
I want you to imagine that you're a pigeon. | 0:11:00 | 0:11:03 | |
And there's one thing that pigeons like to do when they're hungry, to find a friend. | 0:11:03 | 0:11:08 | |
And if they could see another pigeon to land close to to have a chat, | 0:11:08 | 0:11:13 | |
that's exactly what they do. | 0:11:13 | 0:11:15 | |
Now, we've got our Freda, the decoy pigeon, | 0:11:15 | 0:11:19 | |
sitting beside me, looking very seductive. | 0:11:19 | 0:11:22 | |
And any friendly pigeon going by would think, | 0:11:22 | 0:11:25 | |
"There's a Freda down there, I'm going to land and be sociable." | 0:11:25 | 0:11:29 | |
Marvellous thing, nature, isn't it? | 0:11:29 | 0:11:32 | |
Anyway, the idea with these decoys is that you set them out in the field | 0:11:32 | 0:11:37 | |
and the hunter waits for the real birds to come down to the decoy | 0:11:37 | 0:11:42 | |
and then he goes "bang, bang" and, hey presto, there's supper. | 0:11:42 | 0:11:45 | |
But our Freda has got one particularly attractive feature. | 0:11:45 | 0:11:51 | |
And that is that she is fitted with an electric motor up her bottom. | 0:11:51 | 0:11:57 | |
This electric motor is stamped Bassett-Lowke | 0:11:57 | 0:12:00 | |
and Bassett-Lowke, in the 1930s, made electric motors for toy steam trains. | 0:12:00 | 0:12:06 | |
The hunter would be set up behind that hedge, he'd have a long piece of wire coming from our Freda | 0:12:07 | 0:12:14 | |
and a battery behind the hedge, and he'd simply put the two terminals together and look what happens! | 0:12:14 | 0:12:20 | |
-HE LAUGHS -Look at that! | 0:12:21 | 0:12:23 | |
Freda's going absolutely bonkers! | 0:12:23 | 0:12:26 | |
So the pigeon coming out of the sky, he sees this little lot going on on the ground | 0:12:28 | 0:12:33 | |
and he thinks, "Bingo! I'm in here!" | 0:12:33 | 0:12:36 | |
So this is like a top-of-the-range example | 0:12:36 | 0:12:40 | |
of pigeon lure-dom. | 0:12:40 | 0:12:43 | |
The problem was that it never took off. | 0:12:43 | 0:12:46 | |
They were expensive, the batteries ran down quickly | 0:12:46 | 0:12:49 | |
and quite frankly, the static decoy set out in the field worked almost as well. | 0:12:49 | 0:12:55 | |
And as a result, this type of motorised automaton decoy is extremely rare. | 0:12:55 | 0:13:02 | |
So what's it worth? In a sporting gun sale along with the accessories, | 0:13:02 | 0:13:07 | |
I think the estimate would be £300 to £500. | 0:13:07 | 0:13:10 | |
And, wow, it could soar, I reckon, to as much as 800. | 0:13:10 | 0:13:15 | |
Coo! Coo-coo! | 0:13:16 | 0:13:18 | |
'Look. Pigeons everywhere.' | 0:13:21 | 0:13:25 | |
-Cos they're quite realistic, those little silver pigeons. -Quite unusual. | 0:13:25 | 0:13:29 | |
-So it's cheap, then? -It's 220. | 0:13:29 | 0:13:32 | |
-THEY LAUGH -We're moving. | 0:13:32 | 0:13:34 | |
Now, I'm interested in this one, | 0:13:35 | 0:13:38 | |
-because I could preach, I could put that on my pulpit.... -There's no sand. -Exactly! | 0:13:38 | 0:13:43 | |
-So I could have as long as I wanted! -That's very good, yes. -Please, no! | 0:13:43 | 0:13:47 | |
-Anything here? -No. | 0:13:48 | 0:13:51 | |
THEY LAUGH | 0:13:51 | 0:13:53 | |
-Very Indiana Jones. -I like that. -I like that. -'Finally!' | 0:13:53 | 0:13:56 | |
Yes, a thread that's been woven into all these different shapes, it's called filigree work. | 0:13:56 | 0:14:01 | |
-It's just really nice. And it's got these semi-precious stones on it. -Yes. | 0:14:01 | 0:14:05 | |
And it's all on brass. So it's just like a jewellery casket. | 0:14:05 | 0:14:10 | |
-That's a heck of a price you've got on that. -I know. | 0:14:10 | 0:14:13 | |
-You've got 165 on this. What can you do? -145. | 0:14:13 | 0:14:17 | |
I think that's still a bit... To me, it's more 100, 120. | 0:14:17 | 0:14:21 | |
-Can you come down a bit more? -135? | 0:14:21 | 0:14:23 | |
-130? 120? -OK, 130. That is it. | 0:14:24 | 0:14:28 | |
-Ah. -What do you think? | 0:14:28 | 0:14:31 | |
-I don't know. -You won't see another on the fair like that. | 0:14:31 | 0:14:35 | |
All I can say to you is it is very unusual. | 0:14:35 | 0:14:37 | |
-Shall we go for it, then? -Let's go for it! Let's do this! | 0:14:38 | 0:14:41 | |
-You sure? -Yes. -You said you wanted to let your hair down. | 0:14:41 | 0:14:44 | |
-Yes! -And spend lots. -Why not? -Go for it. | 0:14:44 | 0:14:47 | |
'Good decision, Blues. And you're finally out of the gates. | 0:14:47 | 0:14:51 | |
'But watch out. Yvonne and Zozo are nearing the finish.' | 0:14:51 | 0:14:56 | |
-This caught my eye. -Oh, right. -1873. | 0:14:56 | 0:15:01 | |
-Lovely colour, isn't it? -Mm. Matches our inkwell. | 0:15:01 | 0:15:05 | |
Yes, I suppose it does. | 0:15:05 | 0:15:08 | |
-Do these sell well? -Well, they are a limited market, I have to say. | 0:15:08 | 0:15:12 | |
-But I just think it's a lovely, big harvest mug. -I like that. | 0:15:12 | 0:15:15 | |
And anything with a name and a title on it is... | 0:15:15 | 0:15:17 | |
-Chip on there. -Yes. I don't know if that is a chip. | 0:15:17 | 0:15:20 | |
-Feel it. It's been glazed, I think. -Yes. | 0:15:20 | 0:15:23 | |
-But it has to be cheap. -Yeah. -To leave you money. | 0:15:24 | 0:15:29 | |
-I'm wondering where the dealer is. He's disappeared. Is he behind you? -Yep. | 0:15:29 | 0:15:33 | |
-Let's go and ask him. -You go and ask him. -Excuse me. | 0:15:33 | 0:15:37 | |
78. | 0:15:39 | 0:15:40 | |
-Do you really like that? Or are you just getting... -It's just different. | 0:15:41 | 0:15:45 | |
Are you just getting a bit desperate? THEY LAUGH | 0:15:45 | 0:15:50 | |
I'm getting a bit nervous. There's so much here, it's overwhelming. | 0:15:50 | 0:15:54 | |
But in terms of what to actually get which I'm interested in, | 0:15:54 | 0:15:58 | |
but also we think will sell, that's the problem. | 0:15:58 | 0:16:01 | |
It's 120. Would someone have that? | 0:16:01 | 0:16:04 | |
-I don't think, in the fine arts sale. -In the fine arts, it's not... -A shower tap! Aghh! | 0:16:04 | 0:16:10 | |
-What did he say? -He said 65. | 0:16:11 | 0:16:14 | |
65. | 0:16:14 | 0:16:16 | |
-My gut feeling is, I'd want it for about 50. -Yeah, definitely. | 0:16:16 | 0:16:22 | |
-I'd pay 50 for it, I wouldn't pay 65. -Do you want to offer him 50? | 0:16:22 | 0:16:25 | |
-As a one-off offer. -Yes. -And if not, we'll carry on looking. | 0:16:25 | 0:16:30 | |
Cos we are getting a little bit concerned on time. | 0:16:30 | 0:16:33 | |
-'Really? You've got ages left!' -Would you take 50 for it? | 0:16:33 | 0:16:38 | |
Er, I'd take 55. | 0:16:38 | 0:16:40 | |
-It would have to be 50, really. -Give us your money! -50 cash. | 0:16:40 | 0:16:44 | |
-You're happy with it for 50? -Yeah. -Happy? -Yeah, definitely. | 0:16:44 | 0:16:47 | |
-You won't shout at me at the saleroom? "I didn't want that!" -No, no. -We'll take all the blame. | 0:16:47 | 0:16:51 | |
I love you! I love that you take all the blame! | 0:16:51 | 0:16:55 | |
'Right, girls, that's you all sewn up. Blues? Are you feeling the heat?' | 0:16:55 | 0:17:00 | |
A thermometer. That's actually quite nice. | 0:17:05 | 0:17:09 | |
It is. It's also 195. | 0:17:09 | 0:17:12 | |
That's a very heavy price. What can you do on that? | 0:17:12 | 0:17:16 | |
170. | 0:17:16 | 0:17:17 | |
-I think if we could do it for 130. -I knew you'd say that. No way. | 0:17:17 | 0:17:22 | |
-Can you come down a bit more? -We're running out of money, you see? -160 and that would be it. | 0:17:23 | 0:17:28 | |
-Where's Mervyn? Mervyn. -Oh, wow. -What do you think about that? | 0:17:28 | 0:17:32 | |
-I like that. -I'd say that's probably early 19th century. -Oh, really? | 0:17:32 | 0:17:37 | |
-And it's ivory. -I mean, I remember, once upon a time, these making £300 to £400. | 0:17:37 | 0:17:43 | |
-But... -We like that. -..in more of a specialist sale. -Couldn't have been too long ago. | 0:17:43 | 0:17:49 | |
You say the nicest things! | 0:17:49 | 0:17:52 | |
-I don't know. What do you think? -We've only got 170 left. | 0:17:52 | 0:17:56 | |
-How much have we got left? -170, isn't it? | 0:17:56 | 0:17:58 | |
-Have we really? -Yeah, it will be. -Yeah. -Your maths is better than mine. | 0:17:58 | 0:18:03 | |
-Oh, my word! I'm picking up too expensive things. -Mm. | 0:18:03 | 0:18:07 | |
We've still got to buy another object. | 0:18:07 | 0:18:10 | |
-If we bought that... -If you could do 150, that'd help us out so much. -All right, 150. | 0:18:10 | 0:18:14 | |
-Ohh! -You're good! He's good! | 0:18:14 | 0:18:18 | |
-You go first. -'So are the Reds, Catherine. They finished ages ago!' | 0:18:18 | 0:18:23 | |
You're going to take me. | 0:18:24 | 0:18:26 | |
'Two down, only one to go.' | 0:18:26 | 0:18:29 | |
You've got to buy an item for, like, £15, really. | 0:18:29 | 0:18:33 | |
-How much was that tambourine? -Oh, dear. | 0:18:33 | 0:18:36 | |
Five minutes to find one object. | 0:18:36 | 0:18:39 | |
Should we just sort of separate? I think we're going to have to. | 0:18:39 | 0:18:42 | |
-That's mine and that's yours. -No, you can't do that! -Yes, I can! | 0:18:46 | 0:18:50 | |
-No, you can't. -Yes, I can! -'Break it up, girls!' | 0:18:50 | 0:18:54 | |
Go on, your go. | 0:18:54 | 0:18:55 | |
-Oh, my goodness! -Have you found anything? | 0:18:55 | 0:18:58 | |
-Come on. -No, no, keep looking! | 0:18:58 | 0:19:01 | |
Oh, yes, I can see it. | 0:19:01 | 0:19:04 | |
-Huge profit at the auction. -Ohh! | 0:19:04 | 0:19:07 | |
-Got anything here for sort of £15? Something interesting? -A nice bargain for 15 quid. | 0:19:14 | 0:19:18 | |
We've literally got one minute left and not very much money. | 0:19:18 | 0:19:22 | |
-How much is the prayer wheel? -20. -Luke. -Yep? | 0:19:22 | 0:19:25 | |
-A what? -Shall we say a prayer? It's a prayer wheel. | 0:19:25 | 0:19:28 | |
Tibetan. Buddhist prayer wheel. | 0:19:28 | 0:19:32 | |
-I'm with you on that... -I'm not fussy. | 0:19:32 | 0:19:35 | |
-Can we say 15 quid? -15? -I will do it 15. | 0:19:35 | 0:19:38 | |
Brilliant! You are kind! I'll say a prayer for you. | 0:19:38 | 0:19:41 | |
-Thank you very much. -I think we need to say a prayer for the whole thing. | 0:19:41 | 0:19:45 | |
-You basically... -Don't break it. -You swing it around with your prayers. | 0:19:45 | 0:19:50 | |
# Hallelujah | 0:19:50 | 0:19:52 | |
'Divine intervention at last! | 0:19:52 | 0:19:55 | |
'Now, while I find those Reds, let's remind ourselves what they bought. | 0:19:55 | 0:19:59 | |
'They sprinted off the blocks with a Huntley and Palmer biscuit tin. | 0:20:01 | 0:20:05 | |
'Then swiftly signed a deal over the ink stand.' | 0:20:08 | 0:20:11 | |
Sometimes, those French and English things made in that Japanese style | 0:20:11 | 0:20:16 | |
can be extremely desirable. | 0:20:16 | 0:20:18 | |
'And finished up with a cobalt blue harvest mug.' | 0:20:18 | 0:20:22 | |
So, have you been instigating your daughter to spend all the money? | 0:20:25 | 0:20:28 | |
-Just a little bit. -Yeah, pushing her along, I'd say. | 0:20:28 | 0:20:31 | |
-Was that good fun, though? -I really enjoyed it. -Good. -Really good. | 0:20:31 | 0:20:35 | |
-How much did you finish up spending? -£275. | 0:20:35 | 0:20:38 | |
-Have you got £25 of leftover lolly? -Yep. -Very nice. | 0:20:38 | 0:20:41 | |
-Which is your favourite piece? -I think the inkwell. | 0:20:41 | 0:20:47 | |
-The inkwell's your favourite? What about you? -Same. | 0:20:47 | 0:20:50 | |
-Is it? -Yep. -Right, fine. £25 goes to you, Mark. | 0:20:50 | 0:20:53 | |
-Not bad. -Not a lot of money there. -Not a lot, but I'm pleased with what they bought. | 0:20:53 | 0:20:57 | |
-They've got a very good eye, these two. -Yes. Sharp as razors, eh? | 0:20:57 | 0:21:01 | |
-Anyway, good luck, everybody. -Thank you. -Why don't we remind ourselves of exactly what the Blues bought? | 0:21:01 | 0:21:07 | |
'The Blue Team finally found a jewelled casket | 0:21:07 | 0:21:11 | |
'to get them underway. | 0:21:11 | 0:21:13 | |
'With the temperature rising, they bought an ivory thermometer | 0:21:13 | 0:21:16 | |
'for £150. | 0:21:16 | 0:21:19 | |
'And in the dying seconds, their prayers were answered | 0:21:19 | 0:21:22 | |
'by a Tibetan wheel.' | 0:21:22 | 0:21:25 | |
To be saved by a prayer wheel is just a strange turn of fate, isn't it? | 0:21:26 | 0:21:31 | |
Well, it was indeed. It was just there. | 0:21:31 | 0:21:33 | |
-It was the hand of God, I think. -Absolutely. | 0:21:33 | 0:21:36 | |
-Talking about the hand of God, who's got the leftover lolly? -Ohh, that would be me. | 0:21:36 | 0:21:40 | |
-You've got the collection money? Very good. -Five whole pounds. -This is a joke. | 0:21:40 | 0:21:44 | |
Well, I'm afraid, Catherine, that's all I've got to present you with. | 0:21:44 | 0:21:48 | |
It's a challenge to go out and find a bonus buy that's going to make a profit for these two for £5. | 0:21:48 | 0:21:53 | |
-How do you feel about that? -I think I've got to work a miracle. | 0:21:53 | 0:21:57 | |
-Oh, dear. -I don't feel very confident, Tim. -Don't you? -No. | 0:21:57 | 0:22:00 | |
-I will try. -We've got faith in you. -I'll do my best. | 0:22:00 | 0:22:04 | |
'Good luck, Catherine. £5, eh? | 0:22:04 | 0:22:07 | |
'Well, while the experts shop, I'm off to London.' | 0:22:07 | 0:22:11 | |
Welcome to Ranger's House. | 0:22:21 | 0:22:24 | |
It's located next door to Greenwich Park | 0:22:24 | 0:22:26 | |
and it contains the remains of one man's collection of treasures. | 0:22:26 | 0:22:33 | |
'Julius Wernher made his fortune digging up diamonds in South Africa at the turn of the century. | 0:22:33 | 0:22:38 | |
'He bought himself an array of treasures with the proceeds.' | 0:22:38 | 0:22:43 | |
# A kiss on the hand may be quite continental | 0:22:43 | 0:22:48 | |
# But diamonds are a girl's best friend | 0:22:48 | 0:22:52 | |
# A kiss may be grand... | 0:22:53 | 0:22:55 | |
The jewellery collected by Wernher comprised some 115 cast and chased gold | 0:22:55 | 0:23:01 | |
bejewelled and enamelled pieces | 0:23:01 | 0:23:05 | |
dating from the second century BC right up to the 18th century | 0:23:05 | 0:23:09 | |
and I've been allowed to make a selection | 0:23:09 | 0:23:11 | |
of four pieces of this early jewellery to show you down here in the drawing room. | 0:23:11 | 0:23:18 | |
Now, the oldest piece out of this group is probably this fellow, | 0:23:18 | 0:23:22 | |
the diamond ring. And if you look at that, | 0:23:22 | 0:23:25 | |
it's encrusted with diamonds, but stones that don't look quite like | 0:23:25 | 0:23:30 | |
the diamonds we see today. | 0:23:30 | 0:23:32 | |
That's because the modern diamond is displayed in the claw | 0:23:32 | 0:23:36 | |
and is cut differently | 0:23:36 | 0:23:38 | |
so that the light reflects off more surfaces above and below. | 0:23:38 | 0:23:42 | |
But in the old days, and we're talking about 1580 for the ring, | 0:23:42 | 0:23:46 | |
the diamonds were set flat. | 0:23:46 | 0:23:49 | |
As you see behind, there's no light coming in from the back area. | 0:23:49 | 0:23:53 | |
And sometimes they introduced foil underneath the cut stone | 0:23:53 | 0:23:58 | |
so that the light, when it hits the top of the stone, | 0:23:58 | 0:24:00 | |
does shine back at you, giving you this impressive bling-type finish. | 0:24:00 | 0:24:06 | |
Old lizard face, on the other side, which is another pendant, | 0:24:06 | 0:24:11 | |
is encrusted in little chips of fiery opals. | 0:24:11 | 0:24:15 | |
We tend to think of opals being commonly available today | 0:24:15 | 0:24:20 | |
following the opening of the opal mines in Australia, | 0:24:20 | 0:24:23 | |
but in the old days, opals would've been much, much rarer. | 0:24:23 | 0:24:28 | |
What got early collectors of jewellery really excited | 0:24:28 | 0:24:33 | |
was when they came across a piece that looked like this. | 0:24:33 | 0:24:36 | |
That pendant is so stunning and so spectacular | 0:24:36 | 0:24:42 | |
because of the pearl element. The body of this girl | 0:24:42 | 0:24:46 | |
is, in fact, a deformed pearl. | 0:24:46 | 0:24:49 | |
The piece of jewellery was made in the 17th century | 0:24:49 | 0:24:53 | |
and if you look at her head, it's been cast and chased in gold | 0:24:53 | 0:24:57 | |
and it's quite obviously a girl's head. | 0:24:57 | 0:25:00 | |
But the body itself could very easily resemble a torso. | 0:25:00 | 0:25:05 | |
She's got breasts, she's got a tummy, | 0:25:05 | 0:25:08 | |
and you have a semblance of how her dolphin-like tail | 0:25:08 | 0:25:13 | |
might be tucked up here on one side. | 0:25:13 | 0:25:17 | |
The best bit of all, though, has to be this skull pendant. | 0:25:17 | 0:25:20 | |
It looks like a miniature skull, doesn't it? He's even got teeth. | 0:25:20 | 0:25:24 | |
But if I give it a gentle tweak, you see it opens up | 0:25:24 | 0:25:29 | |
and inside we've got a scene that shows the baptism of Christ. | 0:25:29 | 0:25:33 | |
The purpose of this little fellow is as a pomander, | 0:25:33 | 0:25:37 | |
and originally when it was made, around 1620, it would have contained | 0:25:37 | 0:25:41 | |
a little slab of perfume so that when you were wandering around | 0:25:41 | 0:25:46 | |
and there was a nasty smell about, and believe you me, there were lots of smells in the streets, | 0:25:46 | 0:25:51 | |
you'd simply reach for your pomander, which would be hanging on a chain around your neck, | 0:25:51 | 0:25:56 | |
and stick it under your nostrils to take away the evil smells. | 0:25:56 | 0:25:59 | |
The big question today is, of course, | 0:25:59 | 0:26:02 | |
will our teams be able to smell a profit over at the auction? | 0:26:02 | 0:26:06 | |
'Auctioneer Michael Roberts at the Canterbury Auction Galleries | 0:26:06 | 0:26:11 | |
'is playing host to us today and I can't wait to see what our experts bought. | 0:26:11 | 0:26:17 | |
'They only had £30 between them.' | 0:26:17 | 0:26:21 | |
Yvonne and Zozo, this is your moment. | 0:26:21 | 0:26:23 | |
£275 you spent. You gave £25 to Mark Stacey to find your bonus buy. | 0:26:23 | 0:26:28 | |
-What did you find, Mark? -Something small, Tim. | 0:26:28 | 0:26:31 | |
But I think very nice. It's a little porcelain cream jug. | 0:26:31 | 0:26:35 | |
It's not marked, but it reminds me of something like Goss or early Belleek | 0:26:35 | 0:26:39 | |
because the quality is very nice. | 0:26:39 | 0:26:42 | |
They called it King Charles, but I think it comes from a suit of cards. It looks like the jack to me. | 0:26:42 | 0:26:48 | |
-Yes. -But I just thought the quality was very nice and it did cost me the £25 | 0:26:48 | 0:26:52 | |
-but I thought it was rather sweet. -I like that. | 0:26:52 | 0:26:55 | |
-Would you say he's two-faced? -Ooh! -THEY LAUGH | 0:26:55 | 0:26:59 | |
-I hope he makes double the profit. -No shame! | 0:26:59 | 0:27:03 | |
Do you think it's going to make a profit? | 0:27:03 | 0:27:05 | |
Well, I'd love it to make £35, £40. | 0:27:05 | 0:27:07 | |
So maybe a working profit. Not a huge profit but maybe a working one if people get carried away a bit. | 0:27:07 | 0:27:12 | |
OK. Well, you don't pick it now, you pick it later, after the sale of your first three items. | 0:27:12 | 0:27:18 | |
But let's, for the audience at home, find out what the auctioneer thinks about Mark's little jug. | 0:27:18 | 0:27:23 | |
-Morning, Michael. -Morning. -Lovely to be here. Now, what do you make of that? | 0:27:23 | 0:27:29 | |
Not a great deal. I think possibly the least said, the better. | 0:27:29 | 0:27:32 | |
It's of no great quality. In the manner of perhaps Belleek, | 0:27:32 | 0:27:36 | |
maybe Goss, late 19th century slip cast type thing, | 0:27:36 | 0:27:41 | |
-but no name, no value. -So, you're being very polite, but it's rubbish. | 0:27:41 | 0:27:46 | |
-Absolutely. -OK, fine. I quite agree with you. It looks like... | 0:27:46 | 0:27:50 | |
When I was a child, you threw three stones at a coconut | 0:27:50 | 0:27:53 | |
and if you hit it, they gave you one of those. | 0:27:53 | 0:27:56 | |
-There we are. -It's a fairground type object. -Absolutely. -I think. | 0:27:56 | 0:28:00 | |
Our estimate is, optimistically, £20 to £30. | 0:28:00 | 0:28:03 | |
You're a lovely lot, I tell you. That's pure charity, that is. | 0:28:03 | 0:28:08 | |
Now, Zoe and Yvonne, their first item is the Huntley and Palmer's biscuit tin. | 0:28:08 | 0:28:13 | |
-How do you rate that? -Well, it's OK. It's physically sound. | 0:28:13 | 0:28:18 | |
Not the most exciting. The famous one is the garden scene with the nude figures, | 0:28:18 | 0:28:24 | |
-that's what everyone raves about and you see articles about it. -What do you think value-wise? | 0:28:24 | 0:28:29 | |
-Our estimate is £50 to £70. -They paid £100. | 0:28:29 | 0:28:31 | |
-OK. -Could get there, couldn't it? -It could do with the internet. | 0:28:31 | 0:28:34 | |
-Next is the inkwell. -Yes. -With this slightly oddball Chinaman squatting on the top, | 0:28:34 | 0:28:41 | |
-but it certainly ain't Chinese, is it? -No, it's French. | 0:28:41 | 0:28:44 | |
It's nice quality and a bit of Eastern influence there with the Chinese style. | 0:28:44 | 0:28:49 | |
-Would've been part of a larger set. -Yes, with a blotter and a pen rack. | 0:28:49 | 0:28:54 | |
-Absolutely, the whole lot. -How much for that one? | 0:28:54 | 0:28:57 | |
-Our estimate is £70 to £100. -£125 they paid. | 0:28:57 | 0:29:00 | |
-Right. -Gosh. And their last item is this cobalt blue mug. -Yep. | 0:29:00 | 0:29:07 | |
-Looks a bit grubby to me. -Yeah, it is, but it's actually quite a nice thing, named and dated at the front, | 0:29:07 | 0:29:13 | |
and in good condition, it would be worth a bit of money. | 0:29:13 | 0:29:16 | |
However, it has been completely restored and internally you can see over-painting, which has cracked. | 0:29:16 | 0:29:22 | |
-Oh, dear. -So it's not something that's going to sell terribly well. | 0:29:22 | 0:29:27 | |
They paid £50. How does that rate? | 0:29:27 | 0:29:29 | |
-Our estimate is £60 to £80. -Oh, well, not too bad, then. | 0:29:29 | 0:29:32 | |
-Yeah. -It's better than the tin and the inkwell. Good. | 0:29:32 | 0:29:36 | |
So, that's it for the Reds. Now for the Blues, Mervyn and Luke. | 0:29:36 | 0:29:40 | |
Their first item is this filigree gem-encrusted casket. | 0:29:40 | 0:29:46 | |
-Ooh. Not a good start. -Right. | 0:29:46 | 0:29:49 | |
-I mean, it looks a bit better, perhaps, than it is. -Yeah. | 0:29:49 | 0:29:53 | |
It looks quite nice, but it's a souvenir thing, really. Internally, it's fairly plain. | 0:29:53 | 0:30:00 | |
-And rough. -Yeah. The filigree element is applied as a sheet over the top. | 0:30:00 | 0:30:05 | |
-Yes. -There's no damage to any of these stones but there's no great value to it. | 0:30:05 | 0:30:10 | |
The problem with this is, it's trying to be incredibly important, | 0:30:10 | 0:30:13 | |
when, in fact, it's a bit of tourist wear. Somebody got off a cruise liner, | 0:30:13 | 0:30:17 | |
they toddled 200, 300 yards, they saw this in 1968, they thought it was marvellous | 0:30:17 | 0:30:25 | |
and they invested at least 100 denary for it. | 0:30:25 | 0:30:29 | |
-So how do you estimate that? -Our estimate is £20 to £30. | 0:30:29 | 0:30:33 | |
-Our guys paid £130. -Right. -Well, it's got the look. -Oh, yes. | 0:30:33 | 0:30:37 | |
I can see somebody in the auction maybe getting carried away | 0:30:37 | 0:30:41 | |
and paying £50 or £80 for it, but £130 plus? | 0:30:41 | 0:30:44 | |
I don't think so. | 0:30:44 | 0:30:46 | |
-Next up, we've got this thermometer. -Yes. -In ivory. | 0:30:46 | 0:30:50 | |
Yeah. It's not a bad thing, this one, actually. | 0:30:50 | 0:30:54 | |
Good quality, ornamentally turned ivory. | 0:30:54 | 0:30:56 | |
And, yeah, it's in fairly good condition, really. | 0:30:56 | 0:31:01 | |
-Lovely. How much? -£70 to £100. -£150 they paid. -Right, OK. | 0:31:01 | 0:31:06 | |
-Well, strangely enough, I can see that perhaps making £150. -Yeah. | 0:31:06 | 0:31:09 | |
If somebody pays £150 for that, they are getting a genuine piece | 0:31:09 | 0:31:13 | |
of mid to late 19th century turner's art. | 0:31:13 | 0:31:18 | |
Now, I think this team might need to say their prayers, so how about the prayer wheel? | 0:31:18 | 0:31:24 | |
Well, it's just as well they bought it, really. | 0:31:24 | 0:31:27 | |
Yeah, it... I know not a lot about it, but I do know that it's not very good quality. | 0:31:27 | 0:31:32 | |
Erm, consequently, our estimate isn't very high. | 0:31:32 | 0:31:36 | |
-What is your estimate? -£20 to £30. -That's OK. £15 they paid. -OK. | 0:31:36 | 0:31:40 | |
-And if they can buy a prayer with it, then all the better. -Well, quite. | 0:31:40 | 0:31:44 | |
The whole thing's a bit of a wing and a prayer if you ask me. | 0:31:44 | 0:31:48 | |
They're definitely going to need their bonus buy so let's have a butchers at it. | 0:31:48 | 0:31:53 | |
OK, boys, you spent £295. You gave Catherine a miserable £5 note. | 0:31:53 | 0:31:59 | |
-You seem to have got something rather substantial. -I have! | 0:31:59 | 0:32:02 | |
I have for £5. I mean, this was mission impossible, but I think I did rather well. | 0:32:02 | 0:32:09 | |
-What do you think of that? -Oh, wow! | 0:32:09 | 0:32:11 | |
-It's... It's a lot bigger than I was expecting a £5 item to be. -It's fabulous. | 0:32:11 | 0:32:18 | |
It's this 1950s Samsonite, so a nice make, simulated leather vanity case. | 0:32:18 | 0:32:24 | |
You can see that it's rather nice inside. We've got a mirror and little pockets. | 0:32:24 | 0:32:28 | |
-I mean, for £5... -That's really good! -I'm impressed. | 0:32:28 | 0:32:32 | |
That's fantastic. That would just about contain your makeup, Luke. | 0:32:32 | 0:32:36 | |
-Yeah, that's really, really nice. -Is there any money in it? | 0:32:36 | 0:32:39 | |
-Yes, anything else? -I did actually see a little... | 0:32:39 | 0:32:42 | |
Oh, even the keys! | 0:32:42 | 0:32:45 | |
-I mean, gosh. -Just out of interest, | 0:32:45 | 0:32:48 | |
the fact that the label's on it, would that actually add value? | 0:32:48 | 0:32:52 | |
I think it makes it a little bit more interesting. | 0:32:52 | 0:32:54 | |
I mean, he wanted £30 for it, | 0:32:54 | 0:32:57 | |
-so I had to work very, very hard. -You got him down to £5 from £30? | 0:32:57 | 0:33:02 | |
Gosh. You should go shopping with me. What do you think, Catherine? | 0:33:02 | 0:33:06 | |
-Do you think we'll make a little bit on that? -You will definitely make a profit on this. | 0:33:06 | 0:33:11 | |
-Well done. -Very clever of you, Catherine. Thank you for that. | 0:33:11 | 0:33:14 | |
But for the audience at home, let's find out what the auctioneer thinks about Catherine's case. | 0:33:14 | 0:33:19 | |
-Michael, you'll not remember BOAC, will you? -No. | 0:33:19 | 0:33:22 | |
-That's what British Airways was before it became British Airways. -Right. | 0:33:22 | 0:33:26 | |
-So it's a lovely label. -Yes, that's probably the best thing about it. | 0:33:26 | 0:33:31 | |
Nice label. Samsonite cabin bag. | 0:33:31 | 0:33:35 | |
-There we are. Right. -It's all stained, look. | 0:33:36 | 0:33:39 | |
With a mirror inside. It's been used. | 0:33:39 | 0:33:43 | |
All made of plastic with metal mounts. It's not something of any great shakes, really. | 0:33:43 | 0:33:49 | |
-What's strange about this stuff is that it's evocative of an era. -Yeah. | 0:33:49 | 0:33:53 | |
It's all about nostalgia. And if you don't feel nostalgic about it | 0:33:53 | 0:33:58 | |
because it's not really your era, which is fair enough... | 0:33:58 | 0:34:02 | |
The person who is going to feel nostalgic about it is somebody who did fly first in 1962 | 0:34:02 | 0:34:08 | |
and think, "That's the type of luggage I used to have." | 0:34:08 | 0:34:10 | |
-And I must say, it's quite clever. Looks like leather. -Yes, it does. | 0:34:10 | 0:34:14 | |
But it's just plastic throughout. Anyway, what do you think it might bring? | 0:34:14 | 0:34:18 | |
-I think it's around £20 to £30. -You think it's going to take off. | 0:34:18 | 0:34:22 | |
-Well, within that limited area. -She paid just £5 for it. | 0:34:22 | 0:34:25 | |
-OK. -You have to admit, for £5, that's not too bad. -It's not. | 0:34:25 | 0:34:30 | |
-Good luck on the rostrum. -Thank you. | 0:34:30 | 0:34:33 | |
What do you know about the Archduchess Maria Theresa? | 0:34:39 | 0:34:44 | |
Not much? Well, you could come to a sale here in Canterbury and learn a lot more about her. | 0:34:44 | 0:34:51 | |
Because what we've got here is a pair of reverse paintings on glass | 0:34:51 | 0:34:56 | |
of the Archduchess herself and her hubby, Francis. | 0:34:56 | 0:35:00 | |
And we see her here in quite a naive portrait. | 0:35:00 | 0:35:04 | |
This would not have been painted by a court painter, | 0:35:04 | 0:35:08 | |
it would've been painted by a man who was a gifted amateur. | 0:35:08 | 0:35:12 | |
He might have painted pub signs. | 0:35:12 | 0:35:15 | |
But he's patriotic. He loves his queen. | 0:35:15 | 0:35:18 | |
And he's inscribed underneath, Maria Theresa imperat, empress, | 0:35:18 | 0:35:25 | |
of Hung, Hungary, and Bohemia. | 0:35:25 | 0:35:28 | |
She acceded in about 1740 | 0:35:28 | 0:35:32 | |
and she died in about 1780. | 0:35:32 | 0:35:35 | |
So her time in power spans a crucial mid-18th century period. | 0:35:35 | 0:35:42 | |
But how do you create an image like this? | 0:35:42 | 0:35:45 | |
Well, you start off with a plain sheet of glass | 0:35:45 | 0:35:48 | |
and instead of painting on the surface, which is what you do with an ordinary oil painting, | 0:35:48 | 0:35:54 | |
you paint it from behind. | 0:35:54 | 0:35:56 | |
So it's not complicated, really, setting out your image from behind, | 0:35:56 | 0:36:00 | |
but it's a bit like painting on a shop window. | 0:36:00 | 0:36:04 | |
And it's rather beautifully done. | 0:36:04 | 0:36:06 | |
The colours have remained bright and clear | 0:36:06 | 0:36:09 | |
because, after all, no dust or pollution can get at the surface of that paint | 0:36:09 | 0:36:14 | |
because the surface of the paint is frozen for all time against a sheet of glass. | 0:36:14 | 0:36:20 | |
And as long as the backs don't get too bashed, | 0:36:20 | 0:36:23 | |
here we've got some pretty rotten old brown paper which is protecting it, | 0:36:23 | 0:36:28 | |
as long as the backs don't get bashed, you'll still have | 0:36:28 | 0:36:31 | |
a bright and breezy image like that | 0:36:31 | 0:36:34 | |
a cool 260 years after they were painted. | 0:36:34 | 0:36:38 | |
Charming, aren't they? | 0:36:38 | 0:36:41 | |
What are they worth? Well, according to the auction estimate, | 0:36:41 | 0:36:44 | |
all this European history could be yours for £120 to £160. | 0:36:44 | 0:36:51 | |
Apparently. | 0:36:51 | 0:36:52 | |
This is it. Oooh! | 0:36:58 | 0:37:01 | |
-Here's your tin. -A Huntley and Palmer book pattern biscuit tin. | 0:37:01 | 0:37:05 | |
Starting at £70 on commission and looking for £80. | 0:37:05 | 0:37:09 | |
-£70 we've got. -The biscuit tin here. £80, anyone? | 0:37:09 | 0:37:13 | |
-Must have this. £80. -Where's the tinternet. | 0:37:14 | 0:37:18 | |
-I will sell on commission at £70. -Oh, no. | 0:37:18 | 0:37:21 | |
We're going to burst into tears. | 0:37:21 | 0:37:23 | |
Minus 30. Now, here he goes. | 0:37:23 | 0:37:26 | |
The French brass square ink stand, Eastern design. | 0:37:26 | 0:37:29 | |
-50. Anyone, £50? -Oh, dear. | 0:37:29 | 0:37:33 | |
-Looking gloomy. -£50 I'm bid, thank you. -Come on. | 0:37:33 | 0:37:35 | |
£60 where? I have 50. Looking for 60. Any more? | 0:37:35 | 0:37:39 | |
-Come on. -If not, 50 it is. | 0:37:39 | 0:37:41 | |
Yes? 50 and selling. | 0:37:41 | 0:37:43 | |
-Bad luck. -That is minus £75. | 0:37:43 | 0:37:46 | |
246 is the Staffordshire pottery mug with the name and date on the front. | 0:37:46 | 0:37:51 | |
Who'll start me at £40? 40? | 0:37:51 | 0:37:54 | |
Lot 246, £40 now. Anyone? | 0:37:54 | 0:37:57 | |
-£40? -This isn't going well. -It's not at all, is it? | 0:37:58 | 0:38:01 | |
£30 now. 30. Let's see a bid. Who's 40? Any more? | 0:38:01 | 0:38:05 | |
-If not, 30 and selling. -That's minus 125. | 0:38:05 | 0:38:09 | |
-God. -Minus 125. | 0:38:09 | 0:38:12 | |
What are you going to do about the two-faced jug, then? | 0:38:12 | 0:38:15 | |
-I think we'll go for it. -We trust Mark. | 0:38:15 | 0:38:18 | |
-You what? -We trust Mark. -After that? Bad! | 0:38:18 | 0:38:22 | |
We'll have a go and here it comes. | 0:38:22 | 0:38:24 | |
250 is the white glazed porcelain jug modelled with two faces. | 0:38:24 | 0:38:28 | |
-Who'll start me at £10? -Come on! -£10 I'm bid. 20. | 0:38:28 | 0:38:31 | |
30. No. £20. Looking for £30 now. | 0:38:31 | 0:38:34 | |
30. 40? | 0:38:34 | 0:38:36 | |
No? £30. Who's 40? Any more? | 0:38:36 | 0:38:39 | |
30, looking for 40. | 0:38:39 | 0:38:41 | |
If not, 30 and selling. It's yours. | 0:38:41 | 0:38:43 | |
£5 profit. Well, that's great, isn't it? | 0:38:43 | 0:38:46 | |
-Well done. -Overall, girls, you are minus 120. | 0:38:46 | 0:38:52 | |
That might be a winning score if everything goes the same way for the Blues. | 0:38:52 | 0:38:57 | |
Next up are the paintings on glass. | 0:39:05 | 0:39:08 | |
I rather fancy these, you know? Morning. | 0:39:08 | 0:39:11 | |
But will anybody else recognise them? They seem to be leaving, | 0:39:11 | 0:39:14 | |
-Start on commission at £200. -£200! -Start me at 210. | 0:39:14 | 0:39:18 | |
210 where? 200 on commission. Looking for 10. | 0:39:18 | 0:39:21 | |
210. 220. 230 now. Any more? | 0:39:21 | 0:39:25 | |
At 220 and selling, then. All done. | 0:39:25 | 0:39:27 | |
£220. The Archduchess would be delighted. | 0:39:27 | 0:39:31 | |
-How's it for you, Luke? -Really exciting. I want to know what's going to happen. | 0:39:37 | 0:39:41 | |
Here comes the filigree casket. | 0:39:41 | 0:39:44 | |
Stone topped casket with applied filigree work. Who'll start at £10? | 0:39:44 | 0:39:48 | |
£10 where? Lot 266. £10. 10 I'm bid. | 0:39:48 | 0:39:53 | |
20. 30. No. Keep all your jewels. | 0:39:53 | 0:39:56 | |
-20. Looking for 30 now. -Come on! -At £20 I will sell. | 0:39:56 | 0:40:00 | |
-Come on! -Please! -Looking for 30. 20 and selling. | 0:40:00 | 0:40:03 | |
-There we are. -£20. That was pretty swift. | 0:40:03 | 0:40:06 | |
Minus 110. That's a big hit, isn't it? | 0:40:06 | 0:40:10 | |
We've got a long way to go. | 0:40:10 | 0:40:12 | |
Ivory desk thermometer. Lot 267. | 0:40:12 | 0:40:16 | |
Who's £50? £50 on commission. Who's 60 now? | 0:40:16 | 0:40:19 | |
60, the ivory thermometer here. 60 on the internet. | 0:40:19 | 0:40:23 | |
-Yes? -Two bidders on the internet. This could take forever. Stand by. | 0:40:23 | 0:40:28 | |
It's gone a bit crazy on the net. We're onto 180, are we? | 0:40:28 | 0:40:32 | |
-180! -Yes! -Look at that, guys! -Yes! | 0:40:32 | 0:40:35 | |
Makes up for the last lot. | 0:40:35 | 0:40:38 | |
-At 200. And 10? -Look at that! -No? | 0:40:38 | 0:40:41 | |
-At £200 on the internet. -Come on. -Looking for 10. -A bit more! | 0:40:41 | 0:40:45 | |
-220. -Come on, keep going. -Looking for 30. 230 now. | 0:40:45 | 0:40:49 | |
If not, 220, I will sell. | 0:40:49 | 0:40:52 | |
-At 220 and selling. -Is it not carrying on? | 0:40:52 | 0:40:54 | |
220. Yes! That is so good! | 0:40:54 | 0:40:57 | |
268, this is a Tibetan embossed copper prayer wheel. | 0:40:57 | 0:41:01 | |
£10, the prayer wheel. £10 I'm bid. Thank you. Who's 20? | 0:41:01 | 0:41:05 | |
£20 now. Any more? | 0:41:05 | 0:41:08 | |
-If not, £10 it will sell. -Oh, dear, £10. Terribly quick. | 0:41:08 | 0:41:12 | |
Minus £5. You're minus £45 overall. | 0:41:12 | 0:41:15 | |
You're minus £45, boys. | 0:41:15 | 0:41:17 | |
What are you going to do about the suitcase? You going with it or not? | 0:41:17 | 0:41:21 | |
-I think definitely. -We're going with the suitcase, the bonus buy. | 0:41:21 | 0:41:25 | |
Lot 272 is this Samsonite brown leather vanity case. | 0:41:25 | 0:41:29 | |
Who'll start me at £10? £10 I'm bid. | 0:41:29 | 0:41:31 | |
Who's 20? £20 now. | 0:41:31 | 0:41:34 | |
-20 on the telephone. -Ooh! -20, thank you. | 0:41:34 | 0:41:37 | |
30. 40? | 0:41:37 | 0:41:39 | |
50. No? | 0:41:39 | 0:41:41 | |
-Go on! Go on! Go on! -Come on! | 0:41:41 | 0:41:45 | |
We have an international bidder on the phone. £40. Looking for 50 now. | 0:41:45 | 0:41:48 | |
-At 40 and selling. -One more. Ohh. £40. | 0:41:48 | 0:41:52 | |
That's plus £35. Well done, Catherine. | 0:41:52 | 0:41:56 | |
You were minus £45, which means overall you're minus 10. | 0:41:56 | 0:41:59 | |
-Ohh! -Well, that's the way it goes. -So exciting, that. | 0:41:59 | 0:42:03 | |
Well, well, well. Such excitement the like of which we haven't seen for years. | 0:42:08 | 0:42:15 | |
So, you have no idea that one team has done disastrously badly | 0:42:15 | 0:42:20 | |
and the other has done really rather well. | 0:42:20 | 0:42:23 | |
-No, you have no idea about that? -ALL: No. | 0:42:23 | 0:42:25 | |
-Well, unfortunately, the disaster movie starts over here. -Oh, no. | 0:42:25 | 0:42:30 | |
It's bad luck, isn't it? Minus £120. | 0:42:30 | 0:42:34 | |
The only glimmer on your horizon was the two-faced jug, | 0:42:34 | 0:42:38 | |
very cleverly found by Mark, which made you a £5 profit. | 0:42:38 | 0:42:42 | |
But what I love about this team is they're so giggly. Mother and daughter all having a great time. | 0:42:42 | 0:42:47 | |
Cos it's not the result that really counts. Unless you happen to be the winners, in which case it counts. | 0:42:47 | 0:42:53 | |
Well done, chaps. Your overall score after all that | 0:42:53 | 0:42:57 | |
is minus £10, so you're not going home with money, | 0:42:57 | 0:42:59 | |
but nevertheless, you're most certainly the winners and it's been the most splendid show. | 0:42:59 | 0:43:04 | |
-Thank you very much. Join us soon for some more bargain hunting, yes? -ALL: Yes! | 0:43:04 | 0:43:08 | |
Subtitles by Red Bee Media Ltd | 0:43:08 | 0:43:12 | |
E-mail [email protected] | 0:43:12 | 0:43:16 | |
. | 0:43:16 | 0:43:16 |