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Here's a bit of a brainteaser for you to get the grey matter going. | 0:00:04 | 0:00:08 | |
What do you do if you've got a spare hour? You've got £300 | 0:00:08 | 0:00:11 | |
in your back pocket, and you're in a fair crammed with goodies! | 0:00:11 | 0:00:15 | |
Well, you go bargain-hunting, of course! Hah! | 0:00:15 | 0:00:18 | |
Boy, have our teams got a challenge on their hands today! | 0:00:44 | 0:00:47 | |
The Oswestry Showground is packed with hundreds of stalls. | 0:00:47 | 0:00:51 | |
Our teams will have to get their skates on. | 0:00:51 | 0:00:54 | |
Why don't you relax and get comfortable? | 0:00:55 | 0:00:58 | |
The Red Team are on a mission. | 0:00:58 | 0:01:01 | |
We've got to win this one, Phil. | 0:01:01 | 0:01:03 | |
And the Blue Team will do anything for a bargain. | 0:01:03 | 0:01:07 | |
These two girls are going to stare deep into your soul. | 0:01:07 | 0:01:11 | |
-I'll make you the best offer you've ever had. -Ooh! | 0:01:11 | 0:01:13 | |
-Yes! -Yes! -THEY CHATTER | 0:01:14 | 0:01:17 | |
'But who will be the winners and the losers at today's auction? | 0:01:17 | 0:01:21 | |
'Let's meet our contestants.' | 0:01:21 | 0:01:24 | |
Today we have a team of friends for the Reds, Nick and Rob. | 0:01:24 | 0:01:28 | |
And for the Blues we've got aunt and niece Helen and Laura. Hi, guys. | 0:01:28 | 0:01:33 | |
-Hello! -Hi, Tim. -Lovely to see you all. | 0:01:33 | 0:01:35 | |
-So, Rob, you met in Nick's pub, yeah? -Indeed we did, | 0:01:35 | 0:01:38 | |
-about 18 months ago. -You obviously had a good time. | 0:01:38 | 0:01:41 | |
-Well, yeah. He keeps good real ale. -Is that what it is? -That's the secret. | 0:01:41 | 0:01:45 | |
-You watch Bargain Hunt in the pub? -I do, because I work night shift. | 0:01:45 | 0:01:48 | |
I pop in for a pint when Bargain Hunt's on, and Nick and I watch it, | 0:01:48 | 0:01:52 | |
-and we got quite good at saying, "They paid too much for that." -Yes. | 0:01:52 | 0:01:56 | |
-Or, "That'll make a few bob." -It's very easy | 0:01:56 | 0:01:59 | |
to be an armchair critic, though, isn't it, as we'll discover today. | 0:01:59 | 0:02:03 | |
Now, Nick, you're in the pub trade. What's it about this real ale? | 0:02:03 | 0:02:07 | |
It's difficult stuff to keep well, and it's one of the few things | 0:02:07 | 0:02:10 | |
the supermarkets can't provide, cask-conditioned real ale. | 0:02:10 | 0:02:14 | |
Unfortunately the pub industry is in decline. | 0:02:14 | 0:02:17 | |
-It's one sector of the pub industry which is seeing a resurgence. -Yes. | 0:02:17 | 0:02:21 | |
People like it. It's organic, it's natural, | 0:02:21 | 0:02:23 | |
and we're proud of the stuff that we keep. | 0:02:23 | 0:02:26 | |
So what are your team tactics going to be today, lads? | 0:02:26 | 0:02:29 | |
We're going to be looking for quality. That seems to do well. | 0:02:29 | 0:02:32 | |
-Maybe a bit of furniture. -Spend the money. That's the point. | 0:02:32 | 0:02:35 | |
-I think so. -Some really stonking stuff, yeah? | 0:02:35 | 0:02:39 | |
-Yeah. -Smashing job. Lovely team. Now, girls, | 0:02:39 | 0:02:41 | |
-are you quaking in your boots? -No. -No! | 0:02:41 | 0:02:44 | |
-You're both in the pub industry too. -Yeah. We are. | 0:02:44 | 0:02:47 | |
-You're not rival pubs by any chance? -More or less. -We might be! | 0:02:47 | 0:02:50 | |
-Are you? -We're about two miles apart. | 0:02:50 | 0:02:53 | |
-Really? -Yeah. -This is going to be the war of the pubs! | 0:02:53 | 0:02:56 | |
I love it! So, what's your favourite aspect of working in a pub? | 0:02:56 | 0:03:00 | |
-It's the banter with the customers. -Is it? -Oh, yeah. | 0:03:00 | 0:03:03 | |
-Definitely. -We've got a high wall, and when they're sat in the garden | 0:03:03 | 0:03:06 | |
I'll pour water over them. They think it's the dog having a wee. | 0:03:06 | 0:03:10 | |
-HE LAUGHS -I love the banter. | 0:03:10 | 0:03:12 | |
I like having a good dance behind the bar when the music channels are on. | 0:03:12 | 0:03:16 | |
Oh, yeah? So, what are your team tactics today? | 0:03:16 | 0:03:19 | |
To spend as little as possible and make a big profit. | 0:03:19 | 0:03:23 | |
-Is that it? -Yeah. -Haggle, haggle, haggle. | 0:03:23 | 0:03:26 | |
-THEY LAUGH -Well, very, very, very good luck. | 0:03:26 | 0:03:29 | |
Now, the dough-re-mi. Here we go, look. There's your £300. | 0:03:29 | 0:03:32 | |
-Thank you. -Thank you very much. -You know the rules. | 0:03:32 | 0:03:36 | |
Your experts await. Off you go, and very, very, very good luck. | 0:03:36 | 0:03:39 | |
Do you know what I feel like? A drink! | 0:03:39 | 0:03:42 | |
And I'm not alone. Our rival pub teams are warming up. | 0:03:44 | 0:03:48 | |
-Cheers, Phil. -Cheers. -Cheers, Phil. | 0:03:48 | 0:03:50 | |
Will Philip Serrell be toasting victory with the Reds... | 0:03:50 | 0:03:54 | |
-Cheers. -Cheers. -Cheers. | 0:03:54 | 0:03:57 | |
..or could David Harper be celebrating with the Blues? | 0:03:57 | 0:04:00 | |
Right! The clock has started. | 0:04:03 | 0:04:06 | |
-So, girls, are we nervous? -A little bit. | 0:04:06 | 0:04:09 | |
-Are we excited? -Very! | 0:04:09 | 0:04:11 | |
-Got a plan? -Um, yeah. I think quality, quality, quality. | 0:04:11 | 0:04:15 | |
-Are we going to go blow some money? -Oh, yes. -Come on, then. One hour! | 0:04:15 | 0:04:19 | |
A bit of pub pride in this, if the opposition's another local. | 0:04:19 | 0:04:22 | |
-We've got to win this one, Phil. -I just saw the price tag. | 0:04:22 | 0:04:25 | |
-I nearly fell over! -Don't touch it if it's too expensive to break! | 0:04:25 | 0:04:30 | |
THEY LAUGH | 0:04:30 | 0:04:32 | |
Right. Come on, then. | 0:04:32 | 0:04:34 | |
-Are you feeling a bit blinded by it all? -I am, actually. | 0:04:41 | 0:04:44 | |
-Yeah! It does get that way. -It's not as easy as it looks! | 0:04:44 | 0:04:48 | |
-Especially when the clock is ticking. -I know. -I was looking at that. | 0:04:48 | 0:04:52 | |
Yeah, let's have a look at that. What on earth is it, do we think? | 0:04:52 | 0:04:57 | |
Um, it's a little bit small for a bread bin, | 0:04:57 | 0:05:00 | |
-unless it's for, like, a milk roll. -THEY LAUGH | 0:05:00 | 0:05:03 | |
It could be for biscuits, I suppose. Is it a biscuit barrel? | 0:05:03 | 0:05:06 | |
-It's got a padlock. -Yes, it has. | 0:05:06 | 0:05:09 | |
So it's probably for keeping savings in or special things in kitchen. | 0:05:09 | 0:05:14 | |
-Yes, it could be, couldn't it? -Yeah. -So you could keep biscuits in there. | 0:05:14 | 0:05:18 | |
You could keep tea in there. Now, it looks Continental to me, | 0:05:18 | 0:05:23 | |
-and so do you. Did it come from the Continent? -No. | 0:05:23 | 0:05:26 | |
THEY LAUGH | 0:05:26 | 0:05:28 | |
-I bought it in Swansea. -Is Swansea on the Continent? | 0:05:29 | 0:05:33 | |
You might need a passport to get there. | 0:05:33 | 0:05:35 | |
Well, I think I was right. It may have been bought in Swansea, | 0:05:35 | 0:05:39 | |
but if you look at the base, we've got some markings. Just numbers, | 0:05:39 | 0:05:43 | |
reference numbers, and it looks very '60s, '50s, even. | 0:05:43 | 0:05:47 | |
-It's a bit funky and retro. What sort of money is it? -20. | 0:05:47 | 0:05:50 | |
-20. It's a bit wacky, isn't it? -It is a bit wacky. | 0:05:50 | 0:05:53 | |
I think it's wacky. I was drawn to it when I saw it. | 0:05:53 | 0:05:57 | |
-It's quite groovy, isn't it? -It is groovy. | 0:05:57 | 0:06:00 | |
-Could it be drastically cheaper? -£18. | 0:06:01 | 0:06:04 | |
-18. -15. -Oh, she's in already. | 0:06:04 | 0:06:07 | |
-SHE LAUGHS -15 great British pounds. | 0:06:07 | 0:06:10 | |
-Go on! -Go on. Yes. | 0:06:10 | 0:06:13 | |
You've done a deal. Well done. Thank you very much. 15 quid. | 0:06:14 | 0:06:18 | |
I think that's the best 15 quid anybody could ever spend. | 0:06:18 | 0:06:21 | |
There's nothing wrong in that at all. A nice quick purchase, | 0:06:21 | 0:06:25 | |
-within about three minutes. I love you two! -Get in, Hel! | 0:06:25 | 0:06:28 | |
-Come on. -Let's go. -We could do really well. | 0:06:29 | 0:06:32 | |
Get in, indeed! A cracking start. | 0:06:32 | 0:06:35 | |
Reds, are you hot on their heels? Because I am. | 0:06:35 | 0:06:39 | |
This is quite late because of these turnings, | 0:06:42 | 0:06:45 | |
so it's sort of 1900, 1890, 1900-ish. | 0:06:45 | 0:06:49 | |
If it was early, they'd have actual turnings there. | 0:06:49 | 0:06:52 | |
And these things used to be... I dunno, £300, £400, £500. | 0:06:52 | 0:06:56 | |
They've completely fallen out of bed. I don't know how much that is now. | 0:06:56 | 0:07:00 | |
130. I imagine we'd do a bit better than that. | 0:07:00 | 0:07:02 | |
If you wanted to buy that and make a profit on it, | 0:07:02 | 0:07:05 | |
-it's got to be... An auction estimate on that today is £60 to £90. -Yeah. | 0:07:05 | 0:07:10 | |
Excuse me. What about the whatnot? What's the best we can do on it? | 0:07:10 | 0:07:15 | |
Best price I can do for 60. | 0:07:15 | 0:07:17 | |
-She's probably not dear at that. -OK. Thank you very much. | 0:07:17 | 0:07:21 | |
What do you mean, "thank you very much"? You haven't started yet. | 0:07:21 | 0:07:24 | |
-Have you bought anything yet? -We're sort of... -Meandering? | 0:07:24 | 0:07:28 | |
-We're cogitating. -Cogitating? -Isn't that cheap at 60 quid? | 0:07:28 | 0:07:32 | |
-£60? -Yeah. -Is that per shelf, or what? | 0:07:32 | 0:07:35 | |
£60... It doesn't seem expensive to me. | 0:07:37 | 0:07:40 | |
-No, it doesn't. -Not that I'm saying anything! | 0:07:40 | 0:07:43 | |
I'm not allowed to express an opinion. | 0:07:43 | 0:07:46 | |
I'm only muttering a few thoughts while I wander my way out of here. | 0:07:46 | 0:07:49 | |
Bye, lads! | 0:07:49 | 0:07:51 | |
-At 60 quid, I think that's cheap. -Shall we get it, then? -Dive in. | 0:07:51 | 0:07:54 | |
-We'll have that. -We'll take that. Thanks very much. | 0:07:54 | 0:07:57 | |
-Yeah? -Yes. -Right. Onwards and upwards, chaps. | 0:07:57 | 0:08:01 | |
Thank you, Mr Wonnacott, for that little bit of help there. | 0:08:01 | 0:08:04 | |
Just a little nudge. Has it nudged him over the cliff, or are we all right? I think we are. | 0:08:04 | 0:08:08 | |
'Are you questioning my judgement there, Philip?' | 0:08:08 | 0:08:11 | |
It's a mass-produced thing, probably from the '70s, looking at it. | 0:08:18 | 0:08:23 | |
But it's jazzy, isn't it? Sort of thing you'd have in your bathroom. | 0:08:23 | 0:08:26 | |
-Yeah. -With bubbly things in. | 0:08:26 | 0:08:28 | |
Or you could fill it with... fantastic, probably cheap perfume. | 0:08:28 | 0:08:32 | |
-So we smell high-class! -Or mix them all together. | 0:08:32 | 0:08:36 | |
That's what I do, yeah. Have you noticed? | 0:08:36 | 0:08:39 | |
How lovely is this? | 0:08:44 | 0:08:46 | |
Just chilling out on a grassy bank in the sunshine. | 0:08:46 | 0:08:50 | |
Those teams are off bustling about, doing what they must do, | 0:08:50 | 0:08:54 | |
and this is the moment when I do what I do, | 0:08:54 | 0:08:58 | |
which is to find something to chat to you about. | 0:08:58 | 0:09:00 | |
And today I've found three beautiful objects. | 0:09:00 | 0:09:04 | |
Are these bells really beautiful? | 0:09:04 | 0:09:07 | |
Well, the funny thing is | 0:09:07 | 0:09:09 | |
that since the worldwide increase in metal prices, | 0:09:09 | 0:09:13 | |
if you were to take these three bells and go and weigh them, | 0:09:13 | 0:09:18 | |
they're worth about £500 in scrap. | 0:09:18 | 0:09:21 | |
Because the very best bells are cast in bronze, | 0:09:21 | 0:09:25 | |
which is exactly what these things are. | 0:09:25 | 0:09:28 | |
And if they're hung in a belfry for long enough, | 0:09:28 | 0:09:31 | |
they get this gorgeous dark green, rather dusty patination. | 0:09:31 | 0:09:36 | |
Now, I guess the oldest bell of this trio is this fellow. | 0:09:36 | 0:09:40 | |
You can see that it's got that dark-green colour, | 0:09:40 | 0:09:44 | |
but on the outer surface, there's some flaky grey paint. | 0:09:44 | 0:09:47 | |
Most of the grey paint has come off now, | 0:09:47 | 0:09:50 | |
but look at the green that exists underneath the grey paint. | 0:09:50 | 0:09:54 | |
This bell had been knocking around for 100 or 200 years | 0:09:54 | 0:09:58 | |
before the grey paint was put on a hundred years ago, | 0:09:58 | 0:10:01 | |
so it's potentially 17th or 18th century. | 0:10:01 | 0:10:06 | |
That is the oldest bell of the three. | 0:10:06 | 0:10:09 | |
Now, this fella is a standard bell that you'd find in a belfry | 0:10:09 | 0:10:14 | |
with about eight other fellow bells. | 0:10:14 | 0:10:17 | |
I guess that bell is probably early 19th century. | 0:10:17 | 0:10:21 | |
But this big fella in the middle I think has the most practical purpose | 0:10:21 | 0:10:25 | |
for anybody today. If you imagine this thing set up on its frame - | 0:10:25 | 0:10:29 | |
there are the two ferrules perfectly balanced and placed like this - | 0:10:29 | 0:10:34 | |
it would violently swing the bell like this, | 0:10:34 | 0:10:36 | |
and you get this lovely chiming noise. | 0:10:36 | 0:10:40 | |
Oh, my Lord! I feel a bit like Quasimodo here. | 0:10:40 | 0:10:43 | |
Anyway, three charming examples. | 0:10:44 | 0:10:48 | |
We know there's £500 worth of bronze, | 0:10:48 | 0:10:51 | |
were you to want to go and melt them down. | 0:10:51 | 0:10:54 | |
I suspect individually | 0:10:54 | 0:10:56 | |
each of these bells is worth about £500. | 0:10:56 | 0:11:00 | |
So, the asking price - | 0:11:00 | 0:11:02 | |
these could be yours for £650. Does that ring your bell or what? | 0:11:02 | 0:11:06 | |
It's a cocktail shaker, | 0:11:11 | 0:11:13 | |
and it's electroplated nickel on silver. | 0:11:13 | 0:11:16 | |
What I love about this one is just the way it's engraved. | 0:11:16 | 0:11:20 | |
-How old would you put it? -Um, I would think it's... | 0:11:20 | 0:11:23 | |
first half of the 20th century, isn't it? | 0:11:23 | 0:11:26 | |
-Might be 1930s. -What do you reckon? | 0:11:26 | 0:11:29 | |
-I don't know. How much is it? -35 quid, the ticket price is. -35? | 0:11:29 | 0:11:34 | |
-You've got the action, haven't you? -Yeah, I'm there. | 0:11:34 | 0:11:37 | |
-Look at him. -I'm Tom Cruise. | 0:11:37 | 0:11:39 | |
Tom Cruise? Very impressive. So, what's the verdict? | 0:11:39 | 0:11:43 | |
-I think it's a nice thing. -Yeah. Maybe come back to it. | 0:11:43 | 0:11:46 | |
-Maybe come back, possibly. -Right. Come on, then. | 0:11:46 | 0:11:49 | |
-Come on, girls. -I don't know a lot about cars. | 0:11:57 | 0:12:00 | |
Now we're talking. It's a 1965 or 1966, ladies. It's a Super Minx, | 0:12:00 | 0:12:05 | |
-the right colour, with a red trim, manual gearbox... -Look at that! | 0:12:05 | 0:12:08 | |
-Shall we go for a spin, David? -Oh, I love it! Don't you love it? | 0:12:08 | 0:12:12 | |
-I've now got three Super Minxes. One, two, three. -Get in! | 0:12:12 | 0:12:16 | |
David, you old charmer! | 0:12:16 | 0:12:19 | |
-You look the part. He does look the part. -Hello, hello, hello! | 0:12:25 | 0:12:28 | |
-No. I think it's more goodbye, goodbye, goodbye. -Do you? | 0:12:28 | 0:12:33 | |
Nick! You should be nicked for that gag. | 0:12:33 | 0:12:36 | |
-So you know exactly what it is, don't you? -Yeah. | 0:12:42 | 0:12:44 | |
-It's a desktop thing for, like, ink and your pens. -Yes. | 0:12:44 | 0:12:48 | |
-Quills! -Your quills. Exactly. | 0:12:48 | 0:12:51 | |
Date-wise, what sort of date would you put on that? | 0:12:51 | 0:12:54 | |
-Um, um, er... -Don't look at the ticket! | 0:12:54 | 0:12:56 | |
Um... | 0:12:56 | 0:12:58 | |
I don't know. Maybe '30s or something? | 0:12:58 | 0:13:00 | |
-No. Earlier. -Earlier? -Oh, yeah. 1880. | 0:13:00 | 0:13:03 | |
-Look at the dovetail joins. -Oh, yeah. -See how fine they are? | 0:13:03 | 0:13:06 | |
Real high-quality thing, but something that was mass produced, | 0:13:06 | 0:13:10 | |
because anybody who was a clerk, or you were running a business, | 0:13:10 | 0:13:14 | |
or keeping paperwork at home, you would need something like this. | 0:13:14 | 0:13:18 | |
-Er, £65. -I do like it, but not for 65. | 0:13:18 | 0:13:21 | |
No. It might make, um... What's the trade on this one? | 0:13:21 | 0:13:26 | |
-What have we got on it? -65 on there. | 0:13:26 | 0:13:28 | |
-I'll do it for 50 and that's it. -Is that the trade price, yeah? | 0:13:30 | 0:13:34 | |
I think it might do that in auction, | 0:13:34 | 0:13:37 | |
but I don't think there's going to be any profit in it. | 0:13:37 | 0:13:40 | |
-I'll make you the best offer you've ever had. -Ooh! | 0:13:40 | 0:13:43 | |
-And this is on camera? -THEY LAUGH | 0:13:43 | 0:13:46 | |
-£30. -No, I couldn't do it. I'm sorry. | 0:13:46 | 0:13:48 | |
You've got to be willing to go lower than 50. | 0:13:48 | 0:13:52 | |
-49.99. -40? 40? | 0:13:52 | 0:13:55 | |
-49. -Come on. 40 English pounds. | 0:13:55 | 0:13:59 | |
No. Really rock bottom would be 45. I could not go below that. | 0:13:59 | 0:14:03 | |
All right. Go on. Tell him, then! Tell him... You've won! | 0:14:03 | 0:14:07 | |
-45. -How can you? -But the smile's gone. | 0:14:07 | 0:14:10 | |
Smile's gone, look. Well, I'll live with that, anyway. | 0:14:10 | 0:14:14 | |
You've got a nice piece, and I'll think of you when it's on television. | 0:14:14 | 0:14:19 | |
THEY LAUGH Thank you very much. Well done. | 0:14:19 | 0:14:22 | |
-Do you like that? -I think it's interesting, Phil, yeah. | 0:14:28 | 0:14:32 | |
It's an old sort of, er, blotter. | 0:14:32 | 0:14:34 | |
And you can see here, stationery would have gone in there, | 0:14:34 | 0:14:38 | |
various letters that you've replied to or got to reply to. | 0:14:38 | 0:14:41 | |
This is like a Tunbridge Ware band around there, | 0:14:41 | 0:14:45 | |
and Tunbridge Ware is lots of little pieces of wood, | 0:14:45 | 0:14:47 | |
different colours, glued together then sliced off and laid on there to form a pattern. | 0:14:47 | 0:14:52 | |
But then you've got these stylised dolphins, this figure here. | 0:14:52 | 0:14:56 | |
I think it's a smart thing. | 0:14:56 | 0:14:58 | |
It's not Tunbridge Ware. Any idea where it's from? | 0:14:58 | 0:15:02 | |
Er, no. You say it's not Tunbridge Ware? | 0:15:02 | 0:15:04 | |
No, no, no. To give us a clue, look... | 0:15:04 | 0:15:08 | |
Ah! It'll be Sorrento, then. | 0:15:08 | 0:15:10 | |
Sorrento were famous for producing these inlaid wooden wares, | 0:15:10 | 0:15:13 | |
little trays... They were done for the tourist market. | 0:15:13 | 0:15:16 | |
But this is like a Rolls Royce of Sorrento Ware, really. | 0:15:16 | 0:15:21 | |
I think it's a smart thing. If that came into auction, | 0:15:21 | 0:15:24 | |
you could put 60 to 90, 80 to £120 on it. Do you like it? | 0:15:24 | 0:15:28 | |
I think you've got the collectors of Tunbridge Ware, | 0:15:28 | 0:15:31 | |
and, as you say, it's a nice thing and it's usable. | 0:15:31 | 0:15:34 | |
Well, I think we need to get a price on it, maybe. | 0:15:34 | 0:15:38 | |
-What's the best price on this? -I can do it for a one-er. | 0:15:38 | 0:15:42 | |
-A one-er? There's 120 on it. -That's the death. | 0:15:42 | 0:15:45 | |
-Couldn't do it for 90? -No. | 0:15:45 | 0:15:47 | |
-What do you think, Phil? -It's up to you guys. | 0:15:47 | 0:15:51 | |
-It's really up to you guys. -I think it's a nice thing. -Yeah? | 0:15:51 | 0:15:55 | |
-I'd say so. Yeah. We'll take it. -Thank you very much. | 0:15:55 | 0:15:59 | |
-Done. -It's a deal. | 0:15:59 | 0:16:00 | |
£100 spent, but will it soak up a profit? | 0:16:00 | 0:16:03 | |
We'll see. | 0:16:03 | 0:16:05 | |
-It could be almost anything you want it to be, couldn't it? -Yeah. | 0:16:11 | 0:16:16 | |
-What's on the books here? Sorry, I didn't see. -40. | 0:16:16 | 0:16:18 | |
-40. Shall I tell you what I think it is? -Yeah. | 0:16:18 | 0:16:21 | |
Well, on the inside here is enamel, | 0:16:21 | 0:16:25 | |
almost a cloisonné, so I think it's a Chinese piece. | 0:16:25 | 0:16:29 | |
And this, I think, is cinnabar lacquer. | 0:16:29 | 0:16:32 | |
Now, cinnabar lacquer is a sap from a tree, | 0:16:32 | 0:16:36 | |
a lacquer from a tree, and it's put on in layers. | 0:16:36 | 0:16:39 | |
It can take many months to build up the right layers. | 0:16:39 | 0:16:42 | |
Then, when you've got a box with a few millimetres of lacquer, | 0:16:42 | 0:16:47 | |
then the craftsman - this is mind-boggling - | 0:16:47 | 0:16:50 | |
-will hand-cut and chisel out the decoration. -Oh, my God. | 0:16:50 | 0:16:53 | |
It's absolutely bonkers. It's a wonderful thing. | 0:16:53 | 0:16:56 | |
-That is definitely hand carved. -Oh, my gosh! | 0:16:56 | 0:16:59 | |
I'm unsure of its age, and this is the thing with Chinese items. | 0:16:59 | 0:17:03 | |
-It's difficult... -Yeah. -..to tell. I don't think it's ancient, | 0:17:03 | 0:17:06 | |
-but it could be early 20th century. What would be the trade on this? Sorry to interrupt. -35. | 0:17:06 | 0:17:11 | |
-35? Is that the absolute death? -Yeah. -Really? | 0:17:11 | 0:17:14 | |
Um, OK. Thanks for that. Thanks. | 0:17:14 | 0:17:16 | |
I want you to tell me if you like it. | 0:17:16 | 0:17:19 | |
I think, if it is a cinnabar lacquer, which I'm quite sure, | 0:17:19 | 0:17:22 | |
it's an absolute bargain, 35 quid. | 0:17:22 | 0:17:24 | |
Personally I think you've got to have it. | 0:17:24 | 0:17:27 | |
-Yeah. -Yeah. -That should be a guaranteed profit-maker. | 0:17:27 | 0:17:31 | |
-If it doesn't, then, you know - -On your head be it, | 0:17:31 | 0:17:35 | |
and you'll have to buy us the car and take us on a road trip. | 0:17:35 | 0:17:38 | |
-You have to buy us a Super Minx! -I will come up with loads of excuses. | 0:17:38 | 0:17:41 | |
Don't worry. I will be blaming anybody but myself. | 0:17:41 | 0:17:45 | |
Go and try and work a bit of magic. Every pound counts. Go on. | 0:17:46 | 0:17:50 | |
It certainly does, David. Don't you agree, boys? | 0:17:50 | 0:17:54 | |
-Do you like the Vesta case? -I do, but it's too much money. | 0:17:54 | 0:17:57 | |
-I think it's a stonking thing. -Let me just see what I can do. | 0:17:57 | 0:18:01 | |
-All right. -Yeah. -When I tell you, that will be... | 0:18:01 | 0:18:04 | |
-OK. -If I can do it and make a turnover, I'll do it. | 0:18:04 | 0:18:08 | |
-Of course. -Absolutely. -I think that's lovely. | 0:18:08 | 0:18:10 | |
Let's just have a chat, guys. Where has he gone? | 0:18:10 | 0:18:14 | |
I talked to the wrong one then. | 0:18:14 | 0:18:17 | |
-TIM LAUGHS -Keep it together, Phil! | 0:18:17 | 0:18:19 | |
What you got there, Rob? | 0:18:19 | 0:18:22 | |
It's all go. How's the bargaining going, girls? | 0:18:24 | 0:18:27 | |
-Would you take £20? -No, I wouldn't. -Please? | 0:18:29 | 0:18:32 | |
That was an interesting question. Try another one. | 0:18:32 | 0:18:35 | |
-Higher. Higher. -Lower! | 0:18:35 | 0:18:37 | |
-Higher! -THEY LAUGH | 0:18:37 | 0:18:40 | |
-All right. A maximum of 25. -No. 28. | 0:18:40 | 0:18:43 | |
28? | 0:18:43 | 0:18:44 | |
-28. Come on. -Give him some money. | 0:18:44 | 0:18:47 | |
THEY LAUGH Well done. Thanks very much. | 0:18:47 | 0:18:50 | |
-Thank you. -It's worth £33,000, that. | 0:18:50 | 0:18:52 | |
THEY LAUGH | 0:18:52 | 0:18:55 | |
Not a bad buy! | 0:18:55 | 0:18:57 | |
Thank you very much. That's brilliant. | 0:18:57 | 0:19:00 | |
-And you two are done. -Great! | 0:19:00 | 0:19:03 | |
Boys, you need to regroup and close the deal fast. | 0:19:05 | 0:19:09 | |
We have lost him. Do you like it? | 0:19:09 | 0:19:12 | |
I think it's lovely. I think it's unusual, yeah. | 0:19:12 | 0:19:15 | |
I'll get you a price on it. I'll do it for 60 quid, then you've a chance. | 0:19:15 | 0:19:20 | |
I think that's a really nice thing. As Vesta cases go, | 0:19:20 | 0:19:23 | |
you'll struggle to find a better one, because this is meant to look like a miniature cigar case, | 0:19:23 | 0:19:28 | |
and then your Vestas are in here. So it's the Rolls Royce of Vesta cases. | 0:19:28 | 0:19:33 | |
-So... Where have you been? -I was looking at something up there. | 0:19:33 | 0:19:36 | |
-What? -A little silver toast rack. -How much is it? | 0:19:36 | 0:19:40 | |
-It's £55. -So you got a little silver toast rack for £55... | 0:19:40 | 0:19:43 | |
-Or this one for 60. -That's 60 quid. Do you like that? | 0:19:43 | 0:19:47 | |
-I do like it, yeah. -I think that's a nice thing. | 0:19:47 | 0:19:51 | |
I think that's lovely. You'll find 101 toast racks all over the world. | 0:19:51 | 0:19:55 | |
-I think that's cute. You've got five minutes left. -It's unusual. | 0:19:55 | 0:19:58 | |
-You've got five minutes left. -How much is it? -It's 60 quid. | 0:19:58 | 0:20:02 | |
-Down from 89 quid. -It's a deal. | 0:20:02 | 0:20:06 | |
-It's a deal? -Yes. -Five minutes. Stop the clock. | 0:20:06 | 0:20:08 | |
Yeah, I think we'll take that. Thanks very much. | 0:20:08 | 0:20:12 | |
Right! No more haggling. Time's up. | 0:20:15 | 0:20:18 | |
But before we find out how much leftover lolly our experts have | 0:20:21 | 0:20:26 | |
for their bonus buys, let's remind ourselves what the Reds have got. | 0:20:26 | 0:20:29 | |
We've got to win this one. | 0:20:29 | 0:20:31 | |
They all agreed the walnut whatnot was a bargain at £60. | 0:20:31 | 0:20:35 | |
Then Philip found a Sorrento Ware desk blotter, | 0:20:37 | 0:20:40 | |
and he set them on fire with his silver Vesta case. | 0:20:40 | 0:20:44 | |
-So how was it? Was it good, Rob? -It was good. It was very good, yes. | 0:20:44 | 0:20:48 | |
-Up to expectations, Nicholas? -Yes, very good. | 0:20:48 | 0:20:52 | |
You spent £220, I'm told. | 0:20:52 | 0:20:54 | |
-That means you've got £80 of leftover lolly somewhere. -£80. | 0:20:54 | 0:20:57 | |
£80. There you go, then. That's a good round for you, isn't it? | 0:20:57 | 0:21:01 | |
-Off down the pub. -Good luck, chaps. | 0:21:01 | 0:21:04 | |
Why don't we check out what the Blue team bought, eh? | 0:21:04 | 0:21:07 | |
THEY LAUGH | 0:21:07 | 0:21:09 | |
15 quid. I think that's the best 15 quid anybody could ever spend. | 0:21:09 | 0:21:12 | |
David is confident the decorative box will return a profit. | 0:21:12 | 0:21:16 | |
-I'll make you the best offer you've ever had. -Ooh! | 0:21:17 | 0:21:21 | |
Helen worked hard to drive down the price of the Victorian inkwell. | 0:21:21 | 0:21:25 | |
That should be a guaranteed profit-maker. | 0:21:26 | 0:21:29 | |
And finally, will David's prediction prove correct? | 0:21:29 | 0:21:33 | |
They paid £28 for the cinnabar trinket box. | 0:21:33 | 0:21:36 | |
-There's a heck of a lot of laughing going on. -Oh, yeah. | 0:21:39 | 0:21:43 | |
Too much joy on Bargain Hunt, I'd say. | 0:21:43 | 0:21:45 | |
So, you've obviously had a very, very good shop, haven't you? | 0:21:45 | 0:21:49 | |
-Oh, yes. -What did you spend overall, then? | 0:21:49 | 0:21:52 | |
-£88. -You mean that's the leftover lolly? | 0:21:52 | 0:21:54 | |
No, that's how much we spent. We've got 212 left. | 0:21:54 | 0:21:57 | |
212? Just terrible! £212... | 0:21:57 | 0:22:01 | |
Why do we bother giving you 300? That's what I want to know. | 0:22:01 | 0:22:04 | |
-What's going on here? What are you going to do, Dave? -I don't know. | 0:22:04 | 0:22:08 | |
I'll need a lot of time. That's a lot of money for me to go and blow. | 0:22:08 | 0:22:11 | |
-Find something super-profitable, like you're so good at doing. -Right. | 0:22:11 | 0:22:16 | |
Very good luck to you trio. The rest of us are going to shove off now. | 0:22:16 | 0:22:20 | |
We're going to go somewhere really, really interesting. | 0:22:20 | 0:22:23 | |
Welcome to Bantock House - | 0:22:31 | 0:22:33 | |
no grand stately home, but an unassuming Georgian farmhouse | 0:22:33 | 0:22:38 | |
set in the suburbs of Wolverhampton. | 0:22:38 | 0:22:40 | |
It's a house that's been lived in and loved by the bourgeoisie, | 0:22:42 | 0:22:47 | |
local industrialists rather than aristocrats, lords and ladies. | 0:22:47 | 0:22:53 | |
You won't find hanging on the walls of this house | 0:22:53 | 0:22:56 | |
works by the great and old masters - | 0:22:56 | 0:23:00 | |
no Titians, no Stubbs. | 0:23:00 | 0:23:03 | |
But what you will find are a series of paintings | 0:23:03 | 0:23:06 | |
painted by the Cranbrook Colony. Have you ever heard of 'em? | 0:23:06 | 0:23:11 | |
The Cranbrook Colony were a group of artists | 0:23:15 | 0:23:19 | |
headed up by GB O'Neill, who painted these two pictures, | 0:23:19 | 0:23:24 | |
based in Cranbrook in Kent. | 0:23:24 | 0:23:26 | |
And they produced a style of genre painting | 0:23:26 | 0:23:30 | |
which was particularly popular amongst the industrialists | 0:23:30 | 0:23:34 | |
of the West Midlands and the Northwest, | 0:23:34 | 0:23:37 | |
the sort of paintings that might have hung in this house originally. | 0:23:37 | 0:23:42 | |
Now, what's exquisite about the Cranbrook Colony pictures | 0:23:42 | 0:23:46 | |
is their depiction of an idealised life and children. | 0:23:46 | 0:23:52 | |
Here we've got two little kiddiewinks, | 0:23:52 | 0:23:55 | |
and they raked up some hay, and they've made a little nest, | 0:23:55 | 0:23:59 | |
hence the title, Nestlings. | 0:23:59 | 0:24:02 | |
But somebody, some naughty little girl or boy, | 0:24:02 | 0:24:06 | |
is burrowing away under the hay here, | 0:24:06 | 0:24:09 | |
and you can see their face just tucking out. | 0:24:09 | 0:24:13 | |
A seriously naughty boy is here on the outside | 0:24:13 | 0:24:16 | |
gathering up a kind of ball of stuff, which you just know | 0:24:16 | 0:24:20 | |
he's going to throw over the girls. | 0:24:20 | 0:24:23 | |
Over here we've got another girl-boy subject, | 0:24:23 | 0:24:26 | |
here a naughty boy sitting in the corner dribbling. | 0:24:26 | 0:24:29 | |
At his feet he's got his slate, | 0:24:29 | 0:24:32 | |
on which he should have been doing his letters, | 0:24:32 | 0:24:35 | |
and a book discarded on the floor. He's obviously in disgrace, | 0:24:35 | 0:24:38 | |
but this girl is coming around the corner bearing a plate of fruit. | 0:24:38 | 0:24:43 | |
It's as if she's coming to say, "Well, cheer up, old man." | 0:24:43 | 0:24:46 | |
"It can't be as bad as all that." | 0:24:46 | 0:24:49 | |
Some would say that these paintings are incredibly sentimental, | 0:24:49 | 0:24:54 | |
which of course they are - and that's the point, | 0:24:54 | 0:24:57 | |
because the patrons, the rich industrialists from Wolverhampton | 0:24:57 | 0:25:02 | |
who so loved these pictures liked to have them in their house | 0:25:02 | 0:25:06 | |
because it reminded them of happy, clean, | 0:25:06 | 0:25:10 | |
wholesome and healthy childhood... | 0:25:10 | 0:25:12 | |
..a way of life threatened as a result of the Industrial Revolution. | 0:25:14 | 0:25:19 | |
Right. Let's get to the auction house. | 0:25:24 | 0:25:27 | |
We're meeting up at Marshall's saleroom, | 0:25:29 | 0:25:32 | |
except for Rob on the Red Team. He's decided that Bargain Hunt is not for him. | 0:25:32 | 0:25:36 | |
Undeterred, Philip Serrell has arrived with his bonus buy. | 0:25:36 | 0:25:41 | |
£220 was spent by you and Rob, £80 going to your man. | 0:25:42 | 0:25:47 | |
What did you spend the cash on, Serrell? | 0:25:47 | 0:25:50 | |
Well, just a... I bought these, | 0:25:50 | 0:25:53 | |
which are boxwood, and they would have contained sort of... | 0:25:53 | 0:25:58 | |
medicine bottles or pots or whatever. I just think they're quite nice, | 0:25:58 | 0:26:02 | |
-and they were £20 the two. -I've got you trained, Phil. | 0:26:02 | 0:26:06 | |
-Absolutely right. -Not like you. -No. Unusual for me, these. | 0:26:06 | 0:26:09 | |
I'd be really disappointed if they didn't make you a profit. | 0:26:09 | 0:26:13 | |
-You could put your paper clips in them. -I think they're rather nice. | 0:26:13 | 0:26:17 | |
-You could put your takings from the pub in it. -We have a few more than that, | 0:26:17 | 0:26:21 | |
to be honest with you, but we do have some slack days. | 0:26:21 | 0:26:24 | |
-Well, there you go, you see. -Maybe the tips for the girls. | 0:26:24 | 0:26:28 | |
-Perfect. -I paid £20 for them. | 0:26:28 | 0:26:31 | |
I would be very surprised if they made less than... | 0:26:31 | 0:26:34 | |
30, and I don't think they'll make over 55. | 0:26:34 | 0:26:38 | |
-I think between 30 and 55. -You're confident there's a profit? | 0:26:38 | 0:26:41 | |
-Yeah. -OK. Excellent. | 0:26:41 | 0:26:43 | |
-Right? -Good stuff. -Nick, you don't choose now. | 0:26:43 | 0:26:46 | |
You choose later if you want to go with them or not. | 0:26:46 | 0:26:49 | |
But for the audience at home, let's find out what the auctioneer thinks about Philip's little pots. | 0:26:49 | 0:26:54 | |
Nick, how do you rate those? Do you think they're anything to do with medicine? | 0:26:54 | 0:26:58 | |
No. They're not apothecary pieces. They're a nice bit of turned treen, | 0:26:58 | 0:27:02 | |
I suspect for the dressing table. Little powder pots. | 0:27:02 | 0:27:05 | |
But they're well turned, and people like treen. | 0:27:05 | 0:27:07 | |
Yeah. I used to do things like that in the lower-fourth woodwork class, | 0:27:07 | 0:27:12 | |
-on a little lathe. -Did you, now? And did you get top marks? | 0:27:12 | 0:27:16 | |
-Not bad marks, actually. -No detention? | 0:27:16 | 0:27:19 | |
Oh, never any detention, no. I didn't like getting smacked. | 0:27:19 | 0:27:22 | |
-Now, how much? -Er, £30 or so. | 0:27:22 | 0:27:25 | |
-OK. £20 paid. -That's fair enough. -They're a bonus buy, | 0:27:25 | 0:27:29 | |
but I don't see a lot of profit in those. | 0:27:29 | 0:27:31 | |
Anyway, next is the handsome, and, I fancy, | 0:27:31 | 0:27:34 | |
-greatly undervalued walnut whatnot. -They've dropped hugely in value. | 0:27:34 | 0:27:38 | |
It's still a nice example of its type, | 0:27:38 | 0:27:41 | |
but they fetch a fraction of what we used to get. | 0:27:41 | 0:27:44 | |
-I mean, that was £200 to £300 standing on your head. -Oh, easily. | 0:27:44 | 0:27:48 | |
Structurally it's sound. Nice bit of inlay. It's OK. | 0:27:48 | 0:27:51 | |
-What's your estimate, then? -80-120. -OK. £60 paid. | 0:27:51 | 0:27:54 | |
-It should turn a profit. -Yeah, I think so. -Good. Good. | 0:27:54 | 0:27:58 | |
-Next is the Italian blotter... -Mm! | 0:27:58 | 0:28:01 | |
..which you have to admit has got a lot of work in it. | 0:28:01 | 0:28:04 | |
Yeah. I mean, it's one of those touristy pieces, really. | 0:28:04 | 0:28:07 | |
Ideally you want it to be a nice bit of English marquetry or Tunbridge Ware, | 0:28:07 | 0:28:11 | |
then the market would be buoyant. It's not a great seller. It's decorative. | 0:28:11 | 0:28:15 | |
-That's always got a chance. -Somebody will love it. | 0:28:15 | 0:28:18 | |
-How much? -50 to 80. -£100 paid. | 0:28:18 | 0:28:21 | |
-That could be their dark hole. -Ouch! -It could be the Sorrento pit | 0:28:21 | 0:28:26 | |
into which they're about to descend. | 0:28:26 | 0:28:28 | |
-HE CHUCKLES -Lastly they got their Vesta case. | 0:28:28 | 0:28:31 | |
Solid silver, look! Very nice. Hallmarked. | 0:28:31 | 0:28:34 | |
Always collectible. Nice hallmarks. Good shape with the fluting. | 0:28:34 | 0:28:38 | |
-Good little collectible item. -What do you think a Vesta collector is going to pay for that one? | 0:28:38 | 0:28:43 | |
-40 to 60. -£60 they paid. | 0:28:43 | 0:28:45 | |
So they paid towards the top end on that. | 0:28:45 | 0:28:48 | |
They'll need all the profit they can generate out of that whatnot, | 0:28:48 | 0:28:52 | |
and it may not even then be enough. Anyway, that's it for the Reds. | 0:28:52 | 0:28:56 | |
Now for the Blues, and this is an engaging trio. Just look at that! | 0:28:56 | 0:29:00 | |
-Nice mix. -Kicking off with this Secessionist box. | 0:29:00 | 0:29:04 | |
It's very much, as you say, right in that Vienna Secessionist style. | 0:29:04 | 0:29:10 | |
The decoration is transfer-printed rather than painted or tube-lined | 0:29:10 | 0:29:14 | |
that we see in other factories. I think it's a basic workman's piece, | 0:29:14 | 0:29:18 | |
-a sandwich box, something of that type. -Really? | 0:29:18 | 0:29:22 | |
You see a workman taking it out on the fields? | 0:29:22 | 0:29:25 | |
-Well, it's not... -Walking up all those steep hills in Austria? | 0:29:25 | 0:29:28 | |
It's not airtight, as you'd expect a biscuit or - | 0:29:28 | 0:29:31 | |
-In leather trousers? -HE CHUCKLES | 0:29:31 | 0:29:33 | |
-So what's your estimate, then, Nick? -£40 or so. | 0:29:33 | 0:29:37 | |
-OK. £15 paid. -That's good. There should be profit in that. | 0:29:37 | 0:29:40 | |
-There definitely ought to be. -Good. -Next is the encrier, | 0:29:40 | 0:29:44 | |
this rather dull Victorian two-bottle inkstand. | 0:29:44 | 0:29:49 | |
Yeah. It's not the best of its type, but inkstands do sell well. | 0:29:49 | 0:29:54 | |
Oh, good. Well, I'm reassured, because that's quite a black, dark, dank mid-Victorian one to my eye, | 0:29:54 | 0:30:01 | |
but it all boils down to the price, doesn't it? They paid £45. | 0:30:01 | 0:30:05 | |
I don't think that's too bad. It just needs a bit of spit and polish. | 0:30:05 | 0:30:08 | |
-Got the two inkwells there, which is good. -That's a big factor. | 0:30:08 | 0:30:12 | |
-I'd like to see it make £80 or so. -They might double their money? | 0:30:12 | 0:30:15 | |
-Could do. -That would be exciting. | 0:30:15 | 0:30:17 | |
What about this Chinese cinnabar-lacquer-style box? | 0:30:17 | 0:30:21 | |
-Do you think that's any good? -That magic word "style", isn't it? | 0:30:21 | 0:30:25 | |
It's got a cinnabar look about it. | 0:30:25 | 0:30:28 | |
I think it's probably machine cut rather than hand cut. | 0:30:28 | 0:30:30 | |
Bit of age to it, early 20th century, | 0:30:30 | 0:30:33 | |
-but a good, decorative bit of Chinese art. -How well will this do? | 0:30:33 | 0:30:36 | |
-We've put 60-plus on it. -£28 paid. | 0:30:36 | 0:30:39 | |
Here we've got three items bought way below the low estimate | 0:30:39 | 0:30:45 | |
-in the auction. -It's that canny David again, isn't it? | 0:30:45 | 0:30:48 | |
It's that canny David, stiffening up his team. | 0:30:48 | 0:30:51 | |
They won't need their bonus buy, but anyway we're going to go and have a look at it. | 0:30:51 | 0:30:55 | |
-The sale's on for you. We've got the punters coming in, which is lovely. You excited? -Oh, yeah. Very. | 0:30:56 | 0:31:01 | |
You won't be excited about the £88 you spent. How cheap is that?! | 0:31:01 | 0:31:05 | |
-We gave you 300. -It's called Bargain Hunt for a reason! | 0:31:05 | 0:31:09 | |
-Ooh! -THEY LAUGH | 0:31:09 | 0:31:11 | |
She's right. £88 - is that the right strategy, | 0:31:11 | 0:31:14 | |
because £212 went across to David Harper. | 0:31:14 | 0:31:19 | |
-And what did you blow it on? -I think you'll like this. -OK. | 0:31:19 | 0:31:23 | |
Tell me what you think. It's not a camera! | 0:31:23 | 0:31:26 | |
It's a novelty table lighter. It's got its original box, | 0:31:26 | 0:31:30 | |
-which is fantastic. It's called a Photo Flash table lighter. -Oh! | 0:31:30 | 0:31:35 | |
Oh, it's getting better. Did you like the "flash" bit? | 0:31:35 | 0:31:38 | |
THEY LAUGH | 0:31:38 | 0:31:39 | |
Probably 1960s, I think. I'm not over-sure. | 0:31:39 | 0:31:42 | |
I've never bought one before. I've seen them but never owned one, | 0:31:42 | 0:31:46 | |
and I just thought it was really funky and jazzy and wacky. | 0:31:46 | 0:31:50 | |
The first thing to do is to take it out of the box. | 0:31:50 | 0:31:54 | |
So there is your camera set up in 1960. | 0:31:54 | 0:31:57 | |
-It's very James Bond! -Very, but just in case you're lost | 0:31:57 | 0:32:00 | |
in your sitting room, and you can't find where the fags are, | 0:32:00 | 0:32:05 | |
-you've got a little compass! -Yes. It's good fun. | 0:32:05 | 0:32:08 | |
I mean, it's a seriously wacky Japanese novelty item. | 0:32:08 | 0:32:13 | |
-Do you like it? -I don't know. | 0:32:13 | 0:32:15 | |
-Oh. -I'll have to have a think. I'll have to have a think about it. | 0:32:15 | 0:32:19 | |
-How much do you think I paid for it? -Not a clue. Really wouldn't know. | 0:32:19 | 0:32:24 | |
The best price I could get it for was £55. That was it. | 0:32:24 | 0:32:27 | |
The big thing is, would you pay £55 for it? Honestly? | 0:32:27 | 0:32:31 | |
-Probably not. -Yeah. -THEY LAUGH | 0:32:31 | 0:32:34 | |
Anyway, you don't decide right now. You decide later, | 0:32:34 | 0:32:37 | |
but for the audience at home, let's find out what the auctioneer thinks about David's little lighter. | 0:32:37 | 0:32:42 | |
-There we go. It's a lot of fun. -There it is. | 0:32:42 | 0:32:46 | |
A sweet little thing, really. There is a collector's market for these. | 0:32:46 | 0:32:50 | |
-Yes. I mean, you got the box. Look. -All the component parts are here. | 0:32:50 | 0:32:54 | |
The condition's not great, which is a massive factor in these things. | 0:32:54 | 0:32:58 | |
Yes. Somebody who smoked 40 a day, and lit them all with that lighter | 0:32:58 | 0:33:03 | |
-for a lifetime. -Yeah. But it's a quirky collector's item, | 0:33:03 | 0:33:07 | |
so there is a market for it. It's an internet-based sale, | 0:33:07 | 0:33:10 | |
-and it will be an internet purchase, I'm sure. -What sort of price? | 0:33:10 | 0:33:13 | |
-40 to 60. -OK. £55 paid, so they're pretty well spot on. | 0:33:13 | 0:33:17 | |
-Of course, they may not take it. -They might not. | 0:33:17 | 0:33:19 | |
The big trick is to achieve these massive estimates. | 0:33:19 | 0:33:22 | |
-Are you taking the sale today? -I shall be, Tim. | 0:33:22 | 0:33:25 | |
We're in safe hands. | 0:33:25 | 0:33:27 | |
So, Nick, here we are. Excited? | 0:33:33 | 0:33:36 | |
I am, yeah. Quite excited, Tim. Yeah. | 0:33:36 | 0:33:39 | |
You never know what will happen in an auction. | 0:33:39 | 0:33:42 | |
-That's the fun of the thing, really. -Plenty of people here. | 0:33:42 | 0:33:45 | |
Plenty, which is a good sign. First up is the whatnot. Here it comes. | 0:33:45 | 0:33:50 | |
Lot 84 is the Victorian marquetry-inlaid walnut-veneered four-tier whatnot. | 0:33:50 | 0:33:56 | |
Good classic design. Nice condition as well. | 0:33:56 | 0:33:58 | |
I've got commissioned interest, you'll be pleased to know. | 0:33:58 | 0:34:02 | |
I can start the bidding straight in at... Wait for it...£100. | 0:34:02 | 0:34:06 | |
-Oh, well done! -Well done, you. -Fingers crossed. | 0:34:06 | 0:34:09 | |
Any advance, now? £100 bid. You coming in, sir? 110. | 0:34:09 | 0:34:12 | |
120. 120, I'm holding. Worth another one, surely. | 0:34:12 | 0:34:15 | |
130. 140 with me. Going to try one more, sir? | 0:34:15 | 0:34:19 | |
140 I'm holding. On commission with me. You're out. 140 I'm bid. | 0:34:19 | 0:34:22 | |
With me at £140. Any further bids? Have you all done? | 0:34:22 | 0:34:26 | |
150 online. 160 now. The bid's with me on commission. 160. | 0:34:26 | 0:34:30 | |
£160. If you're out online I'm selling now. | 0:34:30 | 0:34:34 | |
-160! -I'm in the wrong job. | 0:34:34 | 0:34:37 | |
-Oops! -Good stuff. | 0:34:37 | 0:34:39 | |
-That's £100 profit. -Nearly £100 lost. | 0:34:39 | 0:34:42 | |
-Plus £100 on the first item! -Well done, you. -This never happens! | 0:34:42 | 0:34:46 | |
-I might lose this for you. -Now, here comes your blotter, Phil. | 0:34:46 | 0:34:50 | |
Lot 85 is the Italian grand-tour revival | 0:34:50 | 0:34:54 | |
Sorrento Ware desk-top stationery folio. | 0:34:54 | 0:34:57 | |
Bit of interest, as well. I'm going to come in on commission at £100. | 0:34:57 | 0:35:02 | |
-That's good. -I take my hat off. | 0:35:02 | 0:35:05 | |
110 now. 110 now. Any further bids in the room? | 0:35:05 | 0:35:09 | |
110 online. Commission's out. It's all online. | 0:35:09 | 0:35:12 | |
-110 now. At £110. -I told you it was a nice thing. | 0:35:12 | 0:35:15 | |
Make no mistake, the bid's online at £110. | 0:35:15 | 0:35:19 | |
£110, so that's plus £10, which means you've now got £110 | 0:35:19 | 0:35:24 | |
of your own profit. Cor! Right! | 0:35:24 | 0:35:27 | |
Six is the Edwardian hallmarked silver Vesta case. | 0:35:27 | 0:35:30 | |
Nice decoration, this, with the fluting | 0:35:30 | 0:35:33 | |
almost simulating the cigars. We're going to say 40 for it. | 0:35:33 | 0:35:38 | |
£40 anywhere? £40? 35? 30? | 0:35:38 | 0:35:40 | |
Thank you, madam. 30 bid in the front row. 30 offered. | 0:35:40 | 0:35:43 | |
Five anywhere? Five behind you. Thank you, sir. Bidding, madam? 40. | 0:35:43 | 0:35:47 | |
40 bid. Five behind you. Bidding, madam? | 0:35:47 | 0:35:51 | |
£50, front row. At £50. The bid's in the front row. | 0:35:51 | 0:35:54 | |
-Come on! Yes! -In the front row. At £50, all done. | 0:35:54 | 0:35:57 | |
-At £50 I'm selling. -That wipes out your £10, | 0:35:57 | 0:36:00 | |
which leaves you with plus 100. Now, what you going to do? | 0:36:00 | 0:36:03 | |
All the responsibility is yours. | 0:36:03 | 0:36:05 | |
Are you going to go with the two medicine bottles? | 0:36:05 | 0:36:10 | |
The worst I can do is lose 20 quid, and I like them, Phil. | 0:36:10 | 0:36:13 | |
-Good. So the decision is made. -If they wipe their face, | 0:36:13 | 0:36:16 | |
-I'll be quite happy, Tim. -All right. Fine. | 0:36:16 | 0:36:19 | |
Lot 90 is the 1920s turned boxwood ladies' dressing-table receptacle. | 0:36:19 | 0:36:24 | |
Two of them in the lot. That'll be £30. | 0:36:24 | 0:36:27 | |
25? £20? £20 anywhere? | 0:36:27 | 0:36:30 | |
£15? Tenner? For the two, not each! Thank you, sir. Ten bid. | 0:36:30 | 0:36:34 | |
Any advance on a tenner? Got to go. Selling at £10. | 0:36:34 | 0:36:36 | |
-£10. -Cost you a tenner. I'm sorry about that. -Not to worry. | 0:36:36 | 0:36:41 | |
Minus ten... That is plus 90. | 0:36:41 | 0:36:43 | |
Had to bring some respectability to your score. You got far too much. | 0:36:43 | 0:36:47 | |
-There you go. Plus 90, all right? -Not too bad. Not too bad at all. | 0:36:47 | 0:36:51 | |
Don't tell the Blues a thing. No point in spoiling their day. | 0:36:51 | 0:36:55 | |
-Happy? -Yeah. -Do you know how the Reds got on? | 0:37:03 | 0:37:06 | |
-No. Haven't got a clue. -Good. We don't want you to know, actually. | 0:37:06 | 0:37:10 | |
First up is your biscuit barrel, and here it comes. | 0:37:10 | 0:37:12 | |
Lot 105 is the 1920s Vienna Secessionist ceramic-and-metal box. | 0:37:12 | 0:37:18 | |
Nicely decorated. We're going to go £40 for it. | 0:37:18 | 0:37:21 | |
Nice bit of Vienna Secessionism. £40 for it. | 0:37:21 | 0:37:24 | |
-35. 30, surely. -Oh, no... -Come on! | 0:37:24 | 0:37:28 | |
Someone recognise the quality of this for £30. | 0:37:28 | 0:37:31 | |
£20. We're going the wrong way! £20, surely! Someone bid me £20. | 0:37:31 | 0:37:35 | |
-Come on! -Smart little box. 20 online. 25. | 0:37:35 | 0:37:37 | |
30. Bids online now. They've all been waiting online. | 0:37:37 | 0:37:40 | |
-Just woken up. Five now. -Yes! -35 online. | 0:37:40 | 0:37:43 | |
-It'll be Austria. -Come along. Don't stop now. Nice little lot, this. | 0:37:43 | 0:37:47 | |
You all done? Selling online. It's against you all in the room. | 0:37:47 | 0:37:51 | |
-Selling online at £35. -£35. I don't care. | 0:37:51 | 0:37:54 | |
-That's still plus 20. -I am happy. -I'm happy with that. | 0:37:54 | 0:37:58 | |
Lot 106 is the Victorian ebonised and walnut desk stand | 0:37:58 | 0:38:03 | |
with two nice little glass inkwells in there. 60 for it. | 0:38:03 | 0:38:07 | |
50. £40 if you like. £40. £40 anywhere? £40. | 0:38:08 | 0:38:12 | |
Thank you, sir. 40 bid. Any advance on 40? | 0:38:12 | 0:38:16 | |
-Come on! -45 online. -Yes! | 0:38:16 | 0:38:19 | |
-Keep going. £50. -Yes! | 0:38:19 | 0:38:21 | |
Bids in the room, £50. Any online? Five online. | 0:38:21 | 0:38:24 | |
-Yes! Good online. -55 online. You sure, sir? | 0:38:24 | 0:38:27 | |
It's 55 against you. You sure? You all out? The bid's online, | 0:38:27 | 0:38:30 | |
-£55. All finished? -That's £10. -I'm happy. | 0:38:30 | 0:38:34 | |
That is a profit. You have got two profits. | 0:38:34 | 0:38:37 | |
-What is going to happen with your third item? -A very good item. | 0:38:37 | 0:38:41 | |
Nice-quality lot, this bit of Chinese export ware, red lacquer | 0:38:41 | 0:38:44 | |
and carved panelling. What am I going to say - 50 for it? 45? | 0:38:44 | 0:38:50 | |
40 to start me. Anywhere, somewhere. £40, surely. Who's coming in? | 0:38:50 | 0:38:53 | |
-The bid's online. -£40 online. Thank God for online! | 0:38:53 | 0:38:57 | |
Ought to make a bit more, I'm sure. I'm bid 45. | 0:38:57 | 0:39:01 | |
And 50. Still going. | 0:39:01 | 0:39:03 | |
-55. Any advance on 55? -Should be 100. -You finished? Done? | 0:39:03 | 0:39:07 | |
Online at 55. The hammer's hovering. I'm going at £55. | 0:39:07 | 0:39:11 | |
£55. That's very good. That's two off 30. | 0:39:11 | 0:39:14 | |
That's 25. That's plus 27. | 0:39:14 | 0:39:16 | |
27 and ten is 37, plus 20 is 57. That is plus 57. | 0:39:16 | 0:39:22 | |
-That is not bad. -£57! How about that? | 0:39:22 | 0:39:25 | |
What are you going to do about the bonus buy? This is a bit chancy, | 0:39:25 | 0:39:29 | |
because... We know it's chancy. What are you going to do? | 0:39:29 | 0:39:33 | |
-You can stick. -God, here we go. | 0:39:33 | 0:39:36 | |
Or you've got £57 to stick in there. | 0:39:36 | 0:39:38 | |
-What do you think? -Yes. -Are you going with it? | 0:39:38 | 0:39:42 | |
-OK, no. -You're not going with it. It's coming up now anyway. | 0:39:42 | 0:39:46 | |
-I can't believe it! -Lot 111 | 0:39:46 | 0:39:48 | |
is the 1960s KKW Photo Flash novelty table lighter. | 0:39:48 | 0:39:54 | |
Got the original box with it, which is nice. | 0:39:54 | 0:39:56 | |
£40 anywhere? 35. | 0:39:56 | 0:39:59 | |
30. Someone snap it up. Thank you, sir. 30 bid. | 0:39:59 | 0:40:03 | |
Right at the back. 30 offered. Any further bid? It's in the room, | 0:40:03 | 0:40:06 | |
-standing at £30. Anyone online? -Get online! | 0:40:06 | 0:40:10 | |
The bid's in the room. £30, if you're all sure that's all. | 0:40:10 | 0:40:14 | |
-At £30, selling... -Yes! It's sold for £30. | 0:40:14 | 0:40:17 | |
-Oh, thank God! -It's minus 25. -What do you mean, "Yes! It's sold"? | 0:40:17 | 0:40:21 | |
-HE LAUGHS -Well, I can tell you, girls, | 0:40:21 | 0:40:24 | |
this is a special moment on Bargain Hunt. Don't talk to the Reds at all, | 0:40:24 | 0:40:28 | |
because you have made a profit on all three items. | 0:40:28 | 0:40:32 | |
-All right? -Yes! | 0:40:32 | 0:40:34 | |
The golden gavel that once ruled supreme on this programme | 0:40:34 | 0:40:38 | |
makes its comeback, because we found some more golden gavels, | 0:40:38 | 0:40:42 | |
and you are the first team that have won a golden gavel | 0:40:42 | 0:40:45 | |
-for absolutely yonks. -Yes! -Get in! | 0:40:45 | 0:40:48 | |
-Thank you! -Thank you! Ooh! | 0:40:48 | 0:40:52 | |
-Got a snog then! -Oh, sorry! That was a plus! | 0:40:52 | 0:40:55 | |
-Why are you thanking him? -I helped in the beginning! | 0:40:55 | 0:40:58 | |
-Do you want a snog as well? -What? I want one too. | 0:40:58 | 0:41:02 | |
-THEY LAUGH -Don't talk to the Reds. | 0:41:02 | 0:41:05 | |
What an incredible programme we've had today! Both teams making stellar profits. | 0:41:14 | 0:41:19 | |
-Oh! -Get in there! | 0:41:19 | 0:41:22 | |
-But have these teams been talking to one another? -No. -No. | 0:41:22 | 0:41:25 | |
Well, sadly we do have to have a runner-up on Bargain Hunt, | 0:41:25 | 0:41:29 | |
and the runners-up today are...the Blues. | 0:41:29 | 0:41:32 | |
-Oh, no! -Get in there! | 0:41:32 | 0:41:35 | |
-Oh! -The Blues have managed to lose by winning £57. | 0:41:35 | 0:41:40 | |
-Oh, well... -Which is a pretty queer old kettle of fish, I have to say. | 0:41:40 | 0:41:44 | |
Anyway, £57 coming across here. You didn't go with the bonus buy, | 0:41:44 | 0:41:49 | |
-which was one of your wisest moves today. -Well done. | 0:41:49 | 0:41:52 | |
As a result, not only did you take £57 in the way of profit, | 0:41:52 | 0:41:56 | |
but you made a profit on each of the things you bought between you, | 0:41:56 | 0:42:00 | |
and as a result, I'm going to be able to present you | 0:42:00 | 0:42:03 | |
-with a golden gavel. -I've never seen one. -No. | 0:42:03 | 0:42:06 | |
Well, the new golden gavels come in the form of a pin. | 0:42:06 | 0:42:10 | |
-Oh! -All right? This is something for each of you girls | 0:42:10 | 0:42:14 | |
to wear with pride, and because we've had such a stellar performance | 0:42:14 | 0:42:18 | |
-from you, my friend... -No, Tim! Not me as well? | 0:42:18 | 0:42:21 | |
-Yes, you as well. -Oh! | 0:42:21 | 0:42:23 | |
A successful expert in a golden-gavel occupation | 0:42:23 | 0:42:27 | |
is allowed to have his very own pin, | 0:42:27 | 0:42:30 | |
so you can pin that to your bosom, David - careful as you go - | 0:42:30 | 0:42:34 | |
-and wear it with pride. -I will. -Congratulations, | 0:42:34 | 0:42:37 | |
and I hope you've had a great time. You've got money and something to show for it. | 0:42:37 | 0:42:41 | |
But the big winners are over here. £90 of profit, | 0:42:41 | 0:42:45 | |
-which is phenomenal, isn't it? -Thanks very much, Tim. | 0:42:45 | 0:42:48 | |
£100 off that whatnot, for a kick-off, | 0:42:48 | 0:42:51 | |
was a considerable effort, wasn't it? | 0:42:51 | 0:42:54 | |
And you got a nice profit out of the Sorrento blotter, | 0:42:54 | 0:42:57 | |
so well done for that, Phil. But not a profit on each item, | 0:42:57 | 0:43:01 | |
which is what makes that performance very clever. | 0:43:01 | 0:43:03 | |
But there you go. What are you giggling at? | 0:43:03 | 0:43:06 | |
He can share it with us. We'll go up for a drink. | 0:43:06 | 0:43:09 | |
Well, same town. What could be better? We've had a great day. | 0:43:09 | 0:43:12 | |
-Join us soon for some more bargain hunting, yes? -Yes! | 0:43:12 | 0:43:16 | |
Subtitles by Red Bee Media Ltd | 0:43:16 | 0:43:20 | |
E-mail [email protected] | 0:43:20 | 0:43:24 | |
. | 0:43:24 | 0:43:24 |