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Double the money, double the fun! Let's go bargain hunting! | 0:00:02 | 0:00:06 | |
Today's happy hour of shopping takes place here at Jaguar Antiques Fair | 0:00:28 | 0:00:33 | |
in the grounds of Keddleston Hall. And coming up: | 0:00:33 | 0:00:37 | |
Anita leads the first of our husband and wife teams off at a pace. Well, sort of. | 0:00:39 | 0:00:45 | |
Are we walking too fast for you, my love? | 0:00:45 | 0:00:48 | |
Malcolm struggles to keep up and the Blues struggle to decide. | 0:00:48 | 0:00:53 | |
-You're not overly keen. -I don't think it'll make any money. | 0:00:53 | 0:00:57 | |
Thankfully, the bidders know what they want. | 0:00:57 | 0:01:01 | |
Come on. More! | 0:01:01 | 0:01:03 | |
Come on. | 0:01:03 | 0:01:05 | |
Instead of the usual £300, today our teams get a whopping £600 each | 0:01:05 | 0:01:11 | |
to buy their three items | 0:01:11 | 0:01:13 | |
before they head off for auction. The team wins that makes the most profit or least losses. Simple. | 0:01:13 | 0:01:19 | |
Innit? Now let's go and meet today's teams. | 0:01:19 | 0:01:24 | |
-Malcolm, I gather you're retired. -Yes, Tim. | 0:01:26 | 0:01:29 | |
You don't look as if you ought to be. What did you do before? | 0:01:29 | 0:01:34 | |
I worked in the car industry for a component manufacturer. | 0:01:34 | 0:01:38 | |
I was head of quality and sustainable development. I'd worked enough! | 0:01:38 | 0:01:43 | |
And quality control is everything when it comes to motor cars. | 0:01:43 | 0:01:47 | |
People don't realise how many things have to work when they turn the key and expect the engine to start. | 0:01:47 | 0:01:53 | |
Your work was officially recognised. | 0:01:53 | 0:01:56 | |
It was. I'm pleased to say I was honoured in 2005 with an OBE for services to the automotive industry. | 0:01:56 | 0:02:03 | |
When you go to the Palace, do you get a cup of tea and all that? | 0:02:03 | 0:02:07 | |
If you're receiving an award, you get an orange juice or water. | 0:02:07 | 0:02:12 | |
If you're there to watch, you don't get anything for three hours! | 0:02:12 | 0:02:17 | |
You're involved in the Scouts. | 0:02:17 | 0:02:20 | |
I joined the Cubs when I was just 7 and a half and I've been involved ever since. | 0:02:20 | 0:02:26 | |
Today I actually run a Scout group in Birmingham Children's Hospital. | 0:02:26 | 0:02:31 | |
I actually brought you along a badge, Tim, as a souvenir of our visit. | 0:02:31 | 0:02:38 | |
-We're open only to children that are in hospital. -Yes. | 0:02:38 | 0:02:42 | |
-It's a Scout and Guide group. The Guides get upset if I miss them. -Quite right, too. | 0:02:42 | 0:02:47 | |
Scouting brought you two together. | 0:02:47 | 0:02:50 | |
It is. We met at a meeting and a month later we went out. After six days, we got engaged. | 0:02:50 | 0:02:57 | |
-Gosh. -We'll have been married 30 years next year. -Olwen, what do you do? -I'm now retired, | 0:02:57 | 0:03:03 | |
but I was Deputy Head in a school for children with learning difficulties. Thoroughly enjoyed it. | 0:03:03 | 0:03:10 | |
-What do you like to collect, Olwen? -Well, I've got a collection of mice. | 0:03:10 | 0:03:16 | |
-We've got over 100 mice. -100 mice?! -Probably over 100 cats. -100 cats?! | 0:03:16 | 0:03:21 | |
-And two real cats. -Oh, right. | 0:03:21 | 0:03:24 | |
Well, very, very good luck. Now, moving on to the Blues. | 0:03:24 | 0:03:27 | |
-Mark, the Army has played a great part in your life. -It certainly has. | 0:03:27 | 0:03:32 | |
I joined the Army straight after leaving college and through it I've gained some good trades | 0:03:32 | 0:03:38 | |
-and seen a lot of the world. -Yes. | 0:03:38 | 0:03:40 | |
-You both grew up in Germany. -Yes. -But you never actually met there. | 0:03:40 | 0:03:45 | |
-No. -Not at all. Miles apart. | 0:03:45 | 0:03:48 | |
-Where did you meet? -Barnstaple. -Barnstaple?! | 0:03:48 | 0:03:51 | |
It was just in one of the bars. Serena was out with her friends. I lived in Barnstaple. | 0:03:51 | 0:03:57 | |
We bumped into each other, found out we were both army and it took off from there, really. | 0:03:57 | 0:04:04 | |
-So although you were brought up in Germany, you consider yourself a Brummie. -My dad's from Birmingham. | 0:04:04 | 0:04:10 | |
-So's my mum. -Yeah? So there's a good Birmingham connection between our teams. -Very strong. | 0:04:10 | 0:04:17 | |
-Which is nice. What do you do? -Floor manager for a retail company. | 0:04:17 | 0:04:22 | |
-Do you want to stay with them forever? -I hope to be store manager. | 0:04:22 | 0:04:26 | |
-And you want to start your own jewellery business? -On the side. -Oh, on the side! | 0:04:26 | 0:04:32 | |
-You want to stay in retail, but have a private business. -Pocket money! | 0:04:32 | 0:04:36 | |
-You are an entrepreneur! -Yes. -You'll be rather good today. | 0:04:36 | 0:04:41 | |
-Anyway, very good luck. Looking forward to it? -Very much so. | 0:04:41 | 0:04:45 | |
-There's going to be some competition. It's just as well you get your £600, then. -It is! | 0:04:45 | 0:04:52 | |
You are lucky! Your experts await. And off you go! | 0:04:52 | 0:04:56 | |
Very, very, very good luck. | 0:04:56 | 0:04:58 | |
Sizing things up for the Reds is Anita Manning. | 0:05:01 | 0:05:05 | |
-What will we go for? -Jewellery, silver if it's well hallmarked. | 0:05:05 | 0:05:10 | |
I wouldn't mind something like Crown Derby cats. | 0:05:10 | 0:05:13 | |
Oh, yes, cats! Your specialist subject. | 0:05:13 | 0:05:17 | |
-And Nick Hall will be walking the Blues. -You like model vehicles? | 0:05:17 | 0:05:22 | |
Yep, anything to do with HGVs or aircraft. | 0:05:22 | 0:05:26 | |
-Let's get stuck in. -Yes, let's go. | 0:05:26 | 0:05:29 | |
-We've got a big budget, so we can think big. -I like the sound of that. | 0:05:32 | 0:05:36 | |
-So you like Art Nouveau? -I like Art Nouveau. | 0:05:36 | 0:05:40 | |
-I have no taste at all. I'm a typical man. -Oh, right! -Speak for yourself! | 0:05:40 | 0:05:45 | |
-This is a splendid piece. Is that expensive? -Yes! | 0:05:45 | 0:05:51 | |
-You're looking at 300. -So we're making good choices? -Excellent choices! | 0:05:51 | 0:05:56 | |
-It's finding the right thing. -Yes. | 0:05:56 | 0:05:59 | |
-Do you like pendants? -Yes, I do. | 0:06:04 | 0:06:07 | |
Since she left school. She couldn't wear them at school in case children pulled them. | 0:06:07 | 0:06:12 | |
-Mark, I've found you a grandfather clock in the middle of this field. -I'm chuffed. That's really nice. | 0:06:12 | 0:06:19 | |
There are several things we have to have a look at closely. | 0:06:19 | 0:06:23 | |
-Firstly, the case... -It's damaged. Isn't that damage? | 0:06:23 | 0:06:27 | |
The base tends to split. I suspect someone has added this piece on. There's a split base on there. | 0:06:27 | 0:06:34 | |
It's a bit tired looking, I'll be honest with you. | 0:06:35 | 0:06:39 | |
Even just to handle this, it sings quality. | 0:06:39 | 0:06:44 | |
-Does it? -It sings quality. -What grade of gold would that be? | 0:06:44 | 0:06:48 | |
-This is... -9 carat. -..9 carat. | 0:06:48 | 0:06:51 | |
It's always nice to have it hallmarked. | 0:06:51 | 0:06:55 | |
-You can see the colour changing as you... -Yes. | 0:06:55 | 0:07:00 | |
-It catches the light. -Yes. -It catches the light. Beautiful. | 0:07:01 | 0:07:05 | |
-I think this is lovely. It looks lovely. -Beautiful, isn't it? | 0:07:05 | 0:07:09 | |
And it feels so delicate, but very nice. | 0:07:09 | 0:07:14 | |
-It is a substantial piece. -Yes. -A substantial piece. | 0:07:14 | 0:07:18 | |
This concerns me. It does put buyers off if you've got the base repaired in any way. | 0:07:18 | 0:07:25 | |
-They tend not to be too happy about that. -OK. | 0:07:25 | 0:07:29 | |
The case itself is made of oak. An English piece, | 0:07:29 | 0:07:33 | |
would date to about 1800, thereabouts. | 0:07:33 | 0:07:37 | |
The dial is a painted square dial. | 0:07:37 | 0:07:39 | |
If we just open up the glass and have a look in there, | 0:07:39 | 0:07:43 | |
you can see we've got the clockmaker's details there - Evans of Pwllheli. A Welsh clock. | 0:07:43 | 0:07:50 | |
-Sadly, we're not going to a Welsh auction. That would be perfect. -Yeah. | 0:07:50 | 0:07:55 | |
I suspect the paintwork on the dial is original. That's not been got at. | 0:07:55 | 0:08:00 | |
-There's maybe a replacement dial there. -Yeah. | 0:08:00 | 0:08:04 | |
It's not going to be a massive seller at auction. It would have to be really cheap. | 0:08:04 | 0:08:11 | |
We should have a chat with the stall holder to see if it can be cheap. And see where we go. | 0:08:11 | 0:08:17 | |
-Thank you. -I like it. You're not over keen on it, are you? -I don't think it'll make any money. | 0:08:17 | 0:08:23 | |
Oh, dear. I thought we might be about to buy. | 0:08:23 | 0:08:28 | |
-Can we ask how much that is? -I can do that for 450. -450? Right. | 0:08:28 | 0:08:33 | |
I'd just be uncomfortable spending that much in one go. | 0:08:33 | 0:08:37 | |
If it was 350, I'd be more comfortable. What would it sell for? | 0:08:37 | 0:08:42 | |
We'd be lucky to see that. | 0:08:42 | 0:08:44 | |
-But that's the type of piece that could fly. -You think so? | 0:08:44 | 0:08:49 | |
-£450? -It leaves us 150. | 0:08:50 | 0:08:53 | |
-You have 17 beautifully-faceted amethysts. -Yes. -17 of them. | 0:08:54 | 0:09:00 | |
-Not just one. And they're graded beautifully. -OK. | 0:09:00 | 0:09:05 | |
-I think your wonderful enthusiasm has done it. -You couldn't do anything for us on the price? | 0:09:05 | 0:09:11 | |
No. | 0:09:11 | 0:09:12 | |
The price is stuck at £450. | 0:09:12 | 0:09:16 | |
Anita's being persuasive. I can't watch. | 0:09:16 | 0:09:19 | |
Hi, guys. I tracked him down. He was hiding away. | 0:09:19 | 0:09:24 | |
Now he was asking 450. We'd had a bit of a chat and a natter and he's down to 350. | 0:09:24 | 0:09:30 | |
-It's a lot of money in one go. -It is with how much we've got. | 0:09:30 | 0:09:35 | |
Normally people only get £300 and to spend over that for our first item is a lot of money. | 0:09:35 | 0:09:41 | |
-You're not overly struck? -No. -It would have to come down a lot lower. | 0:09:41 | 0:09:46 | |
-I'm thinking what it would make in auction. It ought to make about 400 quid. -Not much profit. | 0:09:46 | 0:09:52 | |
Well, in this game, profit's profit! | 0:09:52 | 0:09:55 | |
You want everything, don't you? A grandfather clock AND profit! | 0:09:55 | 0:10:00 | |
That is the name of the game, Nick. | 0:10:00 | 0:10:02 | |
-It's up to you two, of course. -Shop on? -Shop on! | 0:10:02 | 0:10:06 | |
OK, teams. 20 minutes down. | 0:10:06 | 0:10:09 | |
Somebody please buy something! | 0:10:09 | 0:10:12 | |
What about the necklace? | 0:10:13 | 0:10:16 | |
Now gold is high just now. People are buying sovereigns. | 0:10:16 | 0:10:21 | |
-And that's a sovereign case. -That's a wee sovereign case. | 0:10:21 | 0:10:25 | |
The mechanism is in perfect working order. That's what we want. | 0:10:25 | 0:10:30 | |
-And isn't that nice, that lovely machined silver? -Yes, it is. -The design on the back. | 0:10:31 | 0:10:37 | |
Do we know the date on this one? | 0:10:37 | 0:10:40 | |
-< 1906. -1906. | 0:10:40 | 0:10:43 | |
It's a London hallmark. That shows the quality. | 0:10:43 | 0:10:47 | |
-And how much? -95? -< 95, I need. | 0:10:47 | 0:10:50 | |
If you went for the two, I'd do the two for 500. | 0:10:50 | 0:10:55 | |
So that would be £450 and this would be 50, because it's being thrown in with it. | 0:10:55 | 0:11:02 | |
The original price was 95 and the original price on that was 510. | 0:11:02 | 0:11:07 | |
-Shall we go? -Yes. -I think so. -We've got items of quality. | 0:11:07 | 0:11:12 | |
-Items of quality. -Yes. | 0:11:12 | 0:11:14 | |
OK? I think that's absolutely fine. | 0:11:14 | 0:11:17 | |
Yes, thank you very much. I hope you do very well. | 0:11:17 | 0:11:21 | |
A bit like buses - you wait for ages, then they all come at once. | 0:11:21 | 0:11:25 | |
We've got £100 left. That's plenty. | 0:11:25 | 0:11:28 | |
-What do you fancy next? -Something a bit quirky? -Plenty of time to go. | 0:11:28 | 0:11:33 | |
Some fantastic contemporary items there. | 0:11:33 | 0:11:36 | |
-That's a splendid stereoscope. -It is, isn't it? | 0:11:36 | 0:11:41 | |
-1,400. -How much? | 0:11:45 | 0:11:47 | |
-1,400. -1,400?! | 0:11:47 | 0:11:49 | |
-Yes, even with that noisy generator, you heard him right, Nick! -That clock looks more attractive now! | 0:11:49 | 0:11:56 | |
I think you're right! | 0:11:56 | 0:11:58 | |
You could just about get a gin and tonic in there! | 0:11:58 | 0:12:02 | |
Good news, Nick. It's still for sale, but he's very adamant on 350. We couldn't get him down any further. | 0:12:02 | 0:12:09 | |
-So you've done the deal? -350. -That's all right. That leaves us profit. | 0:12:09 | 0:12:13 | |
-I hope so, yeah. -There's only one more thing to worry about. You two have to carry that! | 0:12:13 | 0:12:19 | |
Here we go! | 0:12:19 | 0:12:21 | |
Even without Nick's muscle, the Blues have clocked up item one. About time, too! | 0:12:21 | 0:12:27 | |
I'm really happy about that. I want to take it home, not sell it. | 0:12:27 | 0:12:32 | |
-Are we walking too fast for you, my love? -Keep up, Malcolm! | 0:12:32 | 0:12:37 | |
-How long have we got left? -38 minutes. | 0:12:37 | 0:12:40 | |
I do love my smalls. And by smalls I mean collectables that fit into a glazed-top cabinet. | 0:12:42 | 0:12:50 | |
Like this little gem. | 0:12:50 | 0:12:52 | |
Surprise, surprise. It's a scent bottle. | 0:12:52 | 0:12:56 | |
This is glass, but it's a rare and unusual glass, | 0:12:56 | 0:13:00 | |
made by Webb's of Stourbridge. | 0:13:00 | 0:13:03 | |
And it was made around about 1880. | 0:13:03 | 0:13:06 | |
This is called overlaid glass or cased glass. | 0:13:06 | 0:13:11 | |
When it was blown, the yellow was blown originally, | 0:13:11 | 0:13:15 | |
and then a thin layer of opaque or white glass was blown over the entire teardrop shape. | 0:13:15 | 0:13:21 | |
And then they cut through, partly using acid, | 0:13:21 | 0:13:26 | |
and partly using a sharp maser-like tool | 0:13:26 | 0:13:32 | |
to shape these fern-like leaves. | 0:13:32 | 0:13:35 | |
Now these bits of glass are extremely desirable. | 0:13:35 | 0:13:40 | |
The survival rate of these things is quite small. | 0:13:40 | 0:13:44 | |
So when you get one in good condition, like this, it's a bit of a marvel to behold. | 0:13:44 | 0:13:50 | |
I quite like the stopper, too, which is silver gilt. | 0:13:50 | 0:13:55 | |
It was made by Sampson Mordan and Co in London. | 0:13:55 | 0:13:59 | |
And if I unscrew it like that, | 0:13:59 | 0:14:02 | |
you reveal the aperture, you take a little dollop of eau de cologne | 0:14:02 | 0:14:06 | |
and dab that around your person and be overall rather sweet-smelling. | 0:14:06 | 0:14:12 | |
The dealer is asking for this rare little scent bottle | 0:14:12 | 0:14:16 | |
£950. | 0:14:16 | 0:14:18 | |
Quite a smell, eh? | 0:14:21 | 0:14:23 | |
-Have you seen what I've seen, Nick? Toys. -No! -Toys! It's got to be. | 0:14:27 | 0:14:32 | |
-He's found himself a toy shop. Let's have a look. -Oh, yes. | 0:14:32 | 0:14:36 | |
Ah, heaven. | 0:14:36 | 0:14:38 | |
-Oh, Serena...! -No! -He's in toy heaven, isn't he? | 0:14:38 | 0:14:43 | |
-I could spend a fortune here. -'We could be here for some time!' | 0:14:43 | 0:14:48 | |
-Now, has Serena dragged Mark away from the toys? -That is in beautiful condition. | 0:14:54 | 0:15:02 | |
-Er, no. -With the original box as well. | 0:15:02 | 0:15:06 | |
-That's, em... -You know what this is all leading up to? | 0:15:07 | 0:15:11 | |
-The big question. -What price are you looking at for this? | 0:15:11 | 0:15:16 | |
The book price on that is about 350. > | 0:15:16 | 0:15:19 | |
That's more than my grandfather clock! | 0:15:19 | 0:15:23 | |
The gentleman broke that when he was four years old and his father had it repaired. | 0:15:24 | 0:15:30 | |
It's not been repainted. I just left it as I got it. | 0:15:30 | 0:15:34 | |
-So how much is the boxless model? -About 120. | 0:15:34 | 0:15:39 | |
120 without the box. I mean the paintwork's not bad. | 0:15:39 | 0:15:44 | |
Beautiful condition with the grille. It's still got silver on it. | 0:15:44 | 0:15:48 | |
-And these are very commercial models. -I like this as well. | 0:15:48 | 0:15:52 | |
I'm being selfish because I bought the grandfather clock, but would you possibly move down to 100? | 0:15:52 | 0:15:58 | |
-That's nearer our budget. -Please! | 0:15:58 | 0:16:01 | |
-I was going to say 110. -105? | 0:16:01 | 0:16:03 | |
-Oh, she's away! -She's good at this. -She is, yeah. 105? | 0:16:03 | 0:16:08 | |
I will do. I think we'll go for that. | 0:16:08 | 0:16:12 | |
-A tank and artillery gun sight. -That's functional if you've got a tank! | 0:16:15 | 0:16:20 | |
-You know what we need to do now. -Shop for her. | 0:16:20 | 0:16:24 | |
-Small and dainty. -Just like you. | 0:16:24 | 0:16:27 | |
I just spotted this mouse. I think it's Crown Derby. | 0:16:29 | 0:16:34 | |
It is. It is indeed. | 0:16:34 | 0:16:36 | |
It just struck me as strange in that it's normally so traditional, but this looks like a computer mouse. | 0:16:36 | 0:16:43 | |
That's a very interesting comment on that and I love it to pieces. | 0:16:43 | 0:16:47 | |
You're right in that it's Crown Derby. | 0:16:47 | 0:16:51 | |
But Crown Derby is still in operation and they make these wonderful little animals. | 0:16:51 | 0:16:57 | |
I think it's interesting | 0:16:57 | 0:16:59 | |
the comparison you made with something that is very, very modern. | 0:16:59 | 0:17:03 | |
-Do you think that would be appealing to somebody at auction? -I do. | 0:17:03 | 0:17:08 | |
It's got that wee bit of quirkiness. | 0:17:08 | 0:17:11 | |
My reaction is that it's a little expensive. That's a retail price. | 0:17:11 | 0:17:16 | |
-£50? -The box says 65, that says 50. | 0:17:16 | 0:17:20 | |
What do you think it's worth? 20? | 0:17:20 | 0:17:23 | |
-No, no. It's worth more than that. -35. | 0:17:23 | 0:17:27 | |
It's probably worth more than that. | 0:17:27 | 0:17:29 | |
If that went into auction, I would estimate it | 0:17:29 | 0:17:34 | |
between... | 0:17:34 | 0:17:36 | |
40 and 50, | 0:17:36 | 0:17:38 | |
-40 and 60. -So anything I can get below 40 should put us into profit? | 0:17:38 | 0:17:43 | |
Uh-huh. Go and see what you can do. I think that's an interesting piece. I like it. | 0:17:43 | 0:17:49 | |
-How are you doing? Two down? -One to go. -Spent most of the budget on things that I wanted! | 0:17:54 | 0:18:00 | |
-Is this how it always is? -Yes. | 0:18:00 | 0:18:03 | |
Poor Serena. | 0:18:05 | 0:18:07 | |
Now vintage costume jewellery, of course, | 0:18:09 | 0:18:13 | |
-can be a bit of a goer. There's a lot of movement in that market. -OK. | 0:18:13 | 0:18:18 | |
These are beautiful. I don't know if they are pink topaz, | 0:18:18 | 0:18:22 | |
but stunning little things there. | 0:18:22 | 0:18:25 | |
At last! Something for Serena. Right, how's Malcolm doing? | 0:18:25 | 0:18:30 | |
I got £20 off. | 0:18:30 | 0:18:32 | |
-They're going to sell it to us for £30, even though it was originally at 65. -Well done. | 0:18:32 | 0:18:38 | |
-She's very happy for us to have it at £30 and she hopes we make a profit. -Well done! -Well done. | 0:18:38 | 0:18:44 | |
-He is a good negotiator! -He is. | 0:18:45 | 0:18:48 | |
-Nearly all these in here are vintage costume jewellery. -Right. | 0:18:48 | 0:18:53 | |
-This is Trifari from the 1930s. -Yeah. | 0:18:53 | 0:18:56 | |
-Was that an American firm? -American firm, Trifari. A very big firm. | 0:18:56 | 0:19:01 | |
-This one here with the pink stones? -That's Trifari again. -Yes. | 0:19:01 | 0:19:06 | |
They hired a Japanese guy, Kunio Matsumoto, in the '70s. | 0:19:06 | 0:19:11 | |
-Right. -And he made some fantastic pieces. -It's nice, isn't it? | 0:19:11 | 0:19:15 | |
-The earrings and the bracelet set. -He only worked there for a brief period in the '70s. | 0:19:15 | 0:19:22 | |
-What sort of money would that be? -Around about £120. | 0:19:22 | 0:19:25 | |
Now if we were to say to you we kind of like those, but that is a bit of a budget buster. | 0:19:25 | 0:19:32 | |
-We were thinking about 85 quid. Is that something you could live with? -Yeah. | 0:19:32 | 0:19:38 | |
Sounds like a good deal. | 0:19:38 | 0:19:40 | |
It is very sought after. | 0:19:40 | 0:19:43 | |
-Now, Serena, do you like it? -I do. -What about do I like it? | 0:19:43 | 0:19:48 | |
-We've heard all about your clocks and your cars. -I'm discarded now! | 0:19:48 | 0:19:52 | |
-We're on jewellery now. -Very nice. -I think there's a margin of profit. | 0:19:52 | 0:19:57 | |
The chap's right. This is where the market is moving. You want to be where it's moving into, not out of. | 0:19:57 | 0:20:04 | |
It's a good little lot. £85, I think there should be something in it. | 0:20:04 | 0:20:08 | |
We're going to a fine arts sale. | 0:20:08 | 0:20:11 | |
-What do you reckon? -Yeah, sounds good. -I think you have a deal, sir. | 0:20:11 | 0:20:15 | |
-Are you happy with these? -Very happy. -Well, that's our third and final purchase for the day | 0:20:16 | 0:20:22 | |
-and you've left me a little bit. -Yes. -I'm happy. -Well done, guys. -Thank you very much. | 0:20:22 | 0:20:29 | |
Time's up. Right. What's in the Reds' shopping trolley? | 0:20:31 | 0:20:35 | |
Malcolm and Olwen made the most of their extra dosh, | 0:20:35 | 0:20:39 | |
splashing out £450 on an amethyst necklace. Wow. | 0:20:39 | 0:20:44 | |
Left with a few coins, they bought a sovereign case for £50. | 0:20:45 | 0:20:50 | |
And spent £30 on a small piece of Crown Derby. | 0:20:50 | 0:20:55 | |
-We have bought some lovely quality items and things that we all like. -Yes. -And it's been a pleasure. | 0:20:55 | 0:21:01 | |
-Thank you for your advice. -A mutual admiration society! | 0:21:01 | 0:21:06 | |
That's all this is. | 0:21:06 | 0:21:08 | |
-Get on all right with them, Anita? -We had a wonderful time. | 0:21:08 | 0:21:12 | |
-How much did you spend? -£530. -That's a proper amount, that is. | 0:21:12 | 0:21:17 | |
-£70 of leftover lolly somewhere, please. -Sir. -£70. You've got a lot of pressure. | 0:21:17 | 0:21:23 | |
-You've got £70 only to spend. How will you get on? -Very speedily. -Good girl. Good luck with that. | 0:21:23 | 0:21:31 | |
But for the rest of us, let's remind ourselves what the Blues bought, eh? | 0:21:31 | 0:21:36 | |
Mark and Serena also started high, | 0:21:36 | 0:21:39 | |
spending £350 on a longcase clock. | 0:21:39 | 0:21:42 | |
Mark went to toy heaven | 0:21:42 | 0:21:45 | |
and spent £105 on a boxless truck. | 0:21:45 | 0:21:49 | |
Serena was eventually allowed to spend £85 | 0:21:49 | 0:21:53 | |
on some 1970s retro jewellery. | 0:21:53 | 0:21:55 | |
Bling! | 0:21:55 | 0:21:57 | |
-How much of the 600 have you spent? -Five hundred and... -Forty. 540. | 0:21:57 | 0:22:03 | |
That's smashing. Which piece is going to make the most profit, do you think? | 0:22:03 | 0:22:08 | |
-The jewellery. -I've got something about that grandfather clock. I think that'll do it. | 0:22:08 | 0:22:13 | |
-You're with the jewellery? -Yeah. -Have you got a prediction, Nick? | 0:22:13 | 0:22:17 | |
-The clock could just scrape it. It wasn't dear. -To make the maximum profit. -Yeah. | 0:22:17 | 0:22:22 | |
-Lovely to have 600, yes? -Wonderful. In fact, it would've been nice to have had 1,200. -Greedy guts! | 0:22:22 | 0:22:28 | |
Anyway, there's £60 of leftover lolly somewhere. | 0:22:28 | 0:22:32 | |
-Have you got that, Serena? Thank you. £60. -Thank you. | 0:22:32 | 0:22:35 | |
How difficult do you find it sourcing these bonus buys? | 0:22:35 | 0:22:39 | |
Not that difficult. There's such a vast array of stuff out there. | 0:22:39 | 0:22:43 | |
-There's always a dealer's mistake to be found. -You're in safe hands. | 0:22:43 | 0:22:47 | |
The experts are off to spend the leftovers in the fair. | 0:22:47 | 0:22:51 | |
So why don't we go back in time | 0:22:54 | 0:22:57 | |
at Cannon Hall in Barnsley? | 0:22:57 | 0:23:00 | |
In the 18th century, if you were invited to feast at a house like this, you'd dine in style. | 0:23:02 | 0:23:08 | |
The amazing thing about dining in the 18th century | 0:23:21 | 0:23:25 | |
is that the kit got ever more complicated as the century progressed. | 0:23:25 | 0:23:31 | |
I mean, extraordinarily elaborate objects were produced by cabinet-makers and suppliers | 0:23:31 | 0:23:38 | |
to entertain the rich. | 0:23:38 | 0:23:40 | |
For example, we've got here what looks like a faceted, decorative urn made of mahogany. | 0:23:40 | 0:23:48 | |
But if I give it an oink from above, it reveals a fitted interior, | 0:23:48 | 0:23:52 | |
pierced with a whole lot of concentric rings within which are all these apertures. | 0:23:52 | 0:23:58 | |
And they're to hold cutlery. | 0:23:58 | 0:24:00 | |
Now, cutlery containers come in various shapes and sizes. | 0:24:00 | 0:24:05 | |
This is a more traditional shape with a sloping top. | 0:24:05 | 0:24:08 | |
It too has got a fitted interior with all those curious, pierced apertures, | 0:24:08 | 0:24:13 | |
but these are very often spoiled in the 19th century when the interiors are ripped out | 0:24:13 | 0:24:19 | |
and replaced with horizontal bars to hold writing paper and stationery. | 0:24:19 | 0:24:24 | |
But this one is complete and it's even got its lock, so you can lock the silver away. | 0:24:24 | 0:24:30 | |
This handsome decanter sits on top of a block of mahogany that has been through a lathe, | 0:24:30 | 0:24:37 | |
hence these different sized rings which enable the decanter, whatever size it might be, | 0:24:37 | 0:24:43 | |
to sit comfortably on the top, | 0:24:43 | 0:24:46 | |
then the outer border is raised to stop the decanter falling off | 0:24:46 | 0:24:51 | |
when it's pushed around the table on these original brass casters. | 0:24:51 | 0:24:56 | |
It literally coasts across the table. | 0:24:56 | 0:25:00 | |
But the ultimate must-have accessory | 0:25:00 | 0:25:03 | |
in a dining room is a sideboard like this. | 0:25:03 | 0:25:07 | |
Let's just step back and have a look at it. | 0:25:07 | 0:25:11 | |
We've got a side table or side board | 0:25:16 | 0:25:19 | |
which is separate from the two pedestals on either end. | 0:25:19 | 0:25:24 | |
A bit later in the century and into the 19th century, | 0:25:24 | 0:25:28 | |
those two pedestals morph into one piece of furniture, | 0:25:28 | 0:25:32 | |
but here, they are most definitely in three parts. | 0:25:32 | 0:25:35 | |
The urns placed on these pedestal cupboards aren't just decorative. | 0:25:37 | 0:25:42 | |
They have a practical purpose. | 0:25:42 | 0:25:45 | |
If I take the cover off and you have a squint inside, | 0:25:45 | 0:25:49 | |
you can see they're lined with lead with a little hole in the bottom, | 0:25:49 | 0:25:54 | |
then most unusually, and this is a very rare feature, | 0:25:54 | 0:25:58 | |
the fluted frieze on the pedestal pulls open like that, | 0:25:58 | 0:26:01 | |
like a little magic compartment, you stick your finger inside, | 0:26:01 | 0:26:06 | |
give it an oink and out comes the tap. | 0:26:06 | 0:26:09 | |
But what's the fluid? | 0:26:09 | 0:26:11 | |
Some people say you fill the container with wine. | 0:26:11 | 0:26:15 | |
I don't like the thought of my Chateau Margaux going into a lead-lined container | 0:26:15 | 0:26:21 | |
and then coming out of a brass tap. | 0:26:21 | 0:26:24 | |
No, I think this was definitely used for holding water | 0:26:24 | 0:26:27 | |
because on the dining table, they wouldn't have ten or twelve glasses. | 0:26:27 | 0:26:32 | |
There would simply be two or three glasses that would need rinsing during a long dinner party. | 0:26:32 | 0:26:38 | |
There is a further purpose to these pedestals. If I open the door, | 0:26:38 | 0:26:42 | |
underneath, you can see that it's metal-lined, | 0:26:42 | 0:26:45 | |
the idea being that you'd shove in some charcoal in the bottom | 0:26:45 | 0:26:49 | |
and the heat of the charcoal would warm the plates set out in those racks. | 0:26:49 | 0:26:56 | |
The big question today is, of course, | 0:26:56 | 0:26:58 | |
will our teams be being warmed up at all over at the auction? | 0:26:58 | 0:27:03 | |
It's a treat to be in Market Harborough in sunny Leicestershire with Mark Gilding | 0:27:14 | 0:27:20 | |
-at Gilding's, the family auctioneers. How is everything going? -Very good, Tim. Very busy. | 0:27:20 | 0:27:25 | |
Now, the first item is a bit of a shocker and that's this gold and amethyst necklace. | 0:27:25 | 0:27:31 | |
-How do you rate that, Mark? -It's only amethyst. It's only nine-carat gold. | 0:27:31 | 0:27:37 | |
-I rate it at £60 to £80. -Do you really? That is a shocker, isn't it? -It is. | 0:27:37 | 0:27:42 | |
-£450 they paid. -Wow! | 0:27:42 | 0:27:45 | |
-We've got a way to go there, haven't we? -We have really, at £60 to £80. | 0:27:46 | 0:27:51 | |
So is it a style of jewellery, | 0:27:51 | 0:27:54 | |
that kind of fringe necklace, which is not particularly popular in the market? | 0:27:54 | 0:27:58 | |
Yes, we see all too many of them which is a good indication | 0:27:58 | 0:28:02 | |
that they're not really things that people are keeping and wearing. | 0:28:02 | 0:28:06 | |
So that could be a serious black hole. | 0:28:06 | 0:28:09 | |
-Next is the double sovereign case. Do you like that one? -Yeah, that's OK. | 0:28:09 | 0:28:13 | |
-It's silver, nice engine-turned decoration. -How much? -£40 to £60. -£50 paid. | 0:28:13 | 0:28:19 | |
That's a bit more like it. | 0:28:19 | 0:28:21 | |
And then we've got the perennially popular Crown Derby, limited edition type paperweights. | 0:28:21 | 0:28:28 | |
-Yes. Yeah. -This time, a beetle. Or is it a mouse? | 0:28:28 | 0:28:32 | |
-It looks like a mouse. -Or a scarab. Or half a boiled egg. | 0:28:32 | 0:28:37 | |
-40 to 60. -£30. So that, I think, is their best buy. -Yes, I think so. | 0:28:37 | 0:28:41 | |
Well, they had £70 of leftover lolly. | 0:28:41 | 0:28:44 | |
Let's see what Anita spent it on. | 0:28:44 | 0:28:47 | |
Now, Malcolm and Olwen, you spent a magnificent £530. | 0:28:47 | 0:28:53 | |
You left £70 for Anita to find you a bonus buy with. | 0:28:53 | 0:28:58 | |
What did she find? | 0:28:58 | 0:29:00 | |
-Oh, my goodness! -I know you like quality and this is a quality item. | 0:29:02 | 0:29:07 | |
It's a wonderful iridescent paperweight by John Ditchfield. | 0:29:07 | 0:29:12 | |
Now, this isn't an old item. It's within the last 25 years. | 0:29:12 | 0:29:16 | |
What we have is this lovely, iridescent lily pad with a wee silver frog sitting on the top. | 0:29:16 | 0:29:23 | |
-That looks lovely. -And if we look underneath, we can see the mark for John Ditchfield. | 0:29:23 | 0:29:29 | |
That's important because the collectors like to see that label. | 0:29:29 | 0:29:33 | |
-Have you seen them before? -I haven't actually, no. | 0:29:33 | 0:29:37 | |
-It's the sort of thing that would appeal to me. -And not to me. | 0:29:37 | 0:29:41 | |
Not to you, not to you. | 0:29:41 | 0:29:43 | |
-How much? -£70. | 0:29:43 | 0:29:46 | |
-£70? -Uh-huh. -I think I like our paperweight better. | 0:29:46 | 0:29:49 | |
But what do you think it might make? | 0:29:49 | 0:29:52 | |
I've seen them getting between 80 and 140. | 0:29:52 | 0:29:56 | |
Very good, chaps. You don't pick it now. You pick it after the sale of the first three items. | 0:29:56 | 0:30:01 | |
Let's check out what the auctioneer thinks about the paperweight. | 0:30:01 | 0:30:06 | |
John Ditchfield, a legend. | 0:30:07 | 0:30:09 | |
-Yes. -It is extraordinary how the price of Ditchfield's glass has held up, isn't it? | 0:30:09 | 0:30:16 | |
Absolutely, yeah. Quite a lot of things have dropped like stone, but these are OK. | 0:30:16 | 0:30:21 | |
-How do you rate that one? -I rate it at 80 to 120. | 0:30:21 | 0:30:24 | |
Marvellous, that Anita Manning. She only paid £70 for it. | 0:30:24 | 0:30:28 | |
There could be money in it at 80 to 120, couldn't there? | 0:30:28 | 0:30:32 | |
Yeah, there's been lots of people looking at it. | 0:30:32 | 0:30:36 | |
I think they're going to need whatever they can get, providing they go with it. | 0:30:36 | 0:30:41 | |
That's it for the Reds. Now for the Blues. | 0:30:41 | 0:30:44 | |
Their first item, snuggled up against the wall over there, | 0:30:44 | 0:30:48 | |
-that's the Georgian, eight day, kind of cottage-cased clock, isn't it? -Yes. | 0:30:48 | 0:30:52 | |
And Welsh as well. At least it's got an eight-day movement in it. | 0:30:52 | 0:30:57 | |
The case seems to be generally in good order. | 0:30:57 | 0:31:00 | |
-I think we'll make £300 to £400. -They paid 350. | 0:31:00 | 0:31:04 | |
-Good. -If you can get halfway there, they'll be really, really chuffed. | 0:31:04 | 0:31:08 | |
At least they're not falling into a dark jewellery hole. | 0:31:08 | 0:31:12 | |
Or are they? What about the necklace and earrings? | 0:31:12 | 0:31:15 | |
Very bling, aren't they? Nice and bright and shiny. | 0:31:15 | 0:31:18 | |
-Yeah. It's got something, hasn't it? -It has. This has got something about it. | 0:31:18 | 0:31:23 | |
Well marked as well by Trifari, 1970s. | 0:31:23 | 0:31:27 | |
And costume jewellery is selling pretty well at the minute. | 0:31:27 | 0:31:31 | |
-What's your estimate? -£30 to £40. -Is that all? What, for all three? | 0:31:31 | 0:31:36 | |
-Well, a bit of a "come and get me" estimate there. -Yeah, yeah. What's it really worth then? | 0:31:36 | 0:31:42 | |
-On a good day, we'd get 80, perhaps 100. -Perfect. £85 is what they paid. | 0:31:42 | 0:31:47 | |
And their middle item is the Foden truck. I've seen a lot of these sold. | 0:31:47 | 0:31:52 | |
They're always cropping up in the boxes and they do quite nicely, but this one has got no box. | 0:31:52 | 0:31:58 | |
-No box makes me think 30 to 40. -They paid 105. They've paid too much, frankly. -Yes, they have. | 0:31:58 | 0:32:04 | |
Anyway, let's have a look at their bonus buy. | 0:32:04 | 0:32:07 | |
Gosh, it's getting crowded in here! Busy saleroom, eh? | 0:32:08 | 0:32:12 | |
Now, guys, this is your bonus buy moment. | 0:32:12 | 0:32:15 | |
You spent £540. You gave Nicholas £60 to spend on his bonus buy. | 0:32:15 | 0:32:20 | |
-What did he spend it on? Nick? -Ta-da-da-da! | 0:32:20 | 0:32:23 | |
-Look at that! -Oh, very nice. | 0:32:24 | 0:32:27 | |
Aren't they handsome? One each. | 0:32:27 | 0:32:29 | |
-Candle-holders? -Absolutely. | 0:32:29 | 0:32:32 | |
They are silver plate, not solid hallmarked silver, not on the £60 you left me. | 0:32:32 | 0:32:37 | |
-That would be a big wish. -It would. So, main question then, how much did you...? -They were the full £60. | 0:32:37 | 0:32:44 | |
-But I got them down from a lot more than that. -Excellent. Good work. | 0:32:44 | 0:32:48 | |
-How much do you think they might make? -There's a slim profit, maybe £10 or £20 in it. -Not too bad. | 0:32:48 | 0:32:54 | |
They're 19th century, classic Adams revival, | 0:32:54 | 0:32:57 | |
good quality silver plate, Sheffield plated, weighted bases, handsome things. | 0:32:57 | 0:33:02 | |
-You think you'll make more than 60. -Yes. | 0:33:02 | 0:33:05 | |
-Is that because you like the feel of them? -They're quite heavy. -Yeah. That's a sign of the quality. | 0:33:05 | 0:33:11 | |
-I think there could be some money made in that. -Good. | 0:33:11 | 0:33:15 | |
Nick, you've got two takers there, but you decide later after the sale of your first three items. | 0:33:15 | 0:33:21 | |
Let's check out what the auctioneer thinks about Nick's sticks. | 0:33:21 | 0:33:26 | |
Oh, dear. | 0:33:28 | 0:33:30 | |
I mean, I think there's less silver plate on this than there is base metal. | 0:33:30 | 0:33:35 | |
-Wouldn't you? -Yes, well polished. -Well polished. | 0:33:35 | 0:33:39 | |
I don't know what these would cost to re-plate, but it would be not inexpensive, I guess. | 0:33:39 | 0:33:45 | |
-Certainly more than they're worth. -What are they worth? -50 to 70. | 0:33:45 | 0:33:49 | |
He paid £60, which is not a lot in one way, | 0:33:49 | 0:33:54 | |
but if you were laying up a posh dining room and you wanted some Adam-style sticks | 0:33:54 | 0:34:00 | |
and you looked at them and you could see more rub-through nickel than you can silver, it's not a good look. | 0:34:00 | 0:34:07 | |
It's not, but in good order, they would perhaps be a couple of hundred. | 0:34:07 | 0:34:11 | |
-Yes, but they are what they are and you can only do what you do, right? -Yes. -Yes. | 0:34:11 | 0:34:17 | |
-Now, Malcolm and Olwen, how are you? -Fine, thank you. -Are you? -Yes. -Yeah, good. | 0:34:25 | 0:34:30 | |
The amethyst necklace is your big punt, isn't it? | 0:34:30 | 0:34:34 | |
The auctioneer has been a bit sniffy about it. He doesn't think it's worth anything like £450. | 0:34:34 | 0:34:40 | |
-He thinks it's worth more like 60 to 80. -Oh, no. -Auctioneers have been wrong before. | 0:34:40 | 0:34:45 | |
-That's very true, Malcolm. -We just have to keep our fingers crossed. -We do. | 0:34:45 | 0:34:50 | |
-60 to 80 is a very, very, very low estimate. -It is. | 0:34:50 | 0:34:54 | |
But he's going to encourage so many buyers to have a go | 0:34:54 | 0:34:58 | |
because they think they can get 17 amethysts and a string of nine-carat gold | 0:34:58 | 0:35:03 | |
-for that amount of money, so who knows? -That's right. | 0:35:03 | 0:35:06 | |
-Here it comes. -134 is a Victorian, yellow metal necklace | 0:35:06 | 0:35:11 | |
with 17 graduating amethysts and fine chain marks, 9ct. | 0:35:11 | 0:35:16 | |
Bidding starts me here at £100. | 0:35:16 | 0:35:18 | |
110. 120. 130. 40. | 0:35:18 | 0:35:20 | |
-150. 60. 70 I'll take? -Come on, more. -It's £160 I'm bid. 170. | 0:35:20 | 0:35:25 | |
180 now? 180 bid. At 180. 190. 200. At 200 bid. | 0:35:25 | 0:35:28 | |
220. 240. 240 bid. At 240. And 60 I'll take? | 0:35:28 | 0:35:32 | |
240. 260. 280. | 0:35:32 | 0:35:34 | |
-Here we go. -On the internet, you just need to press the button. 280. | 0:35:34 | 0:35:39 | |
You're out. Make no mistake, this will be sold. | 0:35:39 | 0:35:42 | |
£280 and I will sell at 280... | 0:35:42 | 0:35:45 | |
-That's a good deal better than 60 to 80. -It is. | 0:35:46 | 0:35:49 | |
I'm not sure there's not more money in that. | 0:35:49 | 0:35:52 | |
Anyway, 280 is two shy of that, 150... That's minus 170. Here we go. Here comes the sovereign case. | 0:35:52 | 0:35:58 | |
135, modern, hallmarked silver, double sovereign case. | 0:35:58 | 0:36:02 | |
London 1983. | 0:36:02 | 0:36:05 | |
Bidding here, £20. The sovereign case at 20. I'm bid 22, 25. | 0:36:05 | 0:36:09 | |
28. 28 I'm bid now for the double sovereign case. | 0:36:09 | 0:36:13 | |
At £28. 30 do I see? At 30 now. | 0:36:13 | 0:36:15 | |
At £30. At 30. 2 I'll take? | 0:36:15 | 0:36:18 | |
£30. The internet wins then. You're all out in the room? I will sell... | 0:36:18 | 0:36:22 | |
£30 is minus 20. | 0:36:23 | 0:36:25 | |
-The auctioneer's been wrong twice. -Equals 190. | 0:36:25 | 0:36:29 | |
136, Royal Crown Derby paperweight. Mould is a mouse. | 0:36:29 | 0:36:32 | |
With a printed mark and a gold stopper and a box. | 0:36:32 | 0:36:36 | |
£20 I'm bid then. 20. Here at 20. | 0:36:36 | 0:36:39 | |
22. 25. 28. | 0:36:39 | 0:36:41 | |
-30. 32. 35. -Well done, Malcolm. | 0:36:41 | 0:36:44 | |
-£35 I'm bid. At 35. -You're in profit there. | 0:36:44 | 0:36:48 | |
£35. In the middle at 35 and selling away now at £35... | 0:36:48 | 0:36:53 | |
-That is plus 5. Well done, Malcolm. That was your choice. -It was. | 0:36:53 | 0:36:57 | |
A vindication of your taste there, I would say, Malc. | 0:36:57 | 0:37:01 | |
Anyway, overall, you are minus 185. | 0:37:01 | 0:37:04 | |
Now, that could be a winning score. Alternatively, you could go with the bonus buy. | 0:37:04 | 0:37:10 | |
Are you going to trust wee Anita and go with Ditchfield? | 0:37:10 | 0:37:13 | |
-It's up to yourself. -Anita has lovely taste. | 0:37:13 | 0:37:16 | |
-Malcolm, what do you feel? -I have real trust in Anita. | 0:37:16 | 0:37:20 | |
On your head be it. | 0:37:20 | 0:37:22 | |
-Here it comes. -140 then is a John Ditchfield, Glasform paperweight. | 0:37:23 | 0:37:29 | |
Mould is a frog on a lily pad. | 0:37:29 | 0:37:31 | |
£30, £40, £50, £60, £70, £80 bid. | 0:37:31 | 0:37:34 | |
90. 100. 110. | 0:37:34 | 0:37:37 | |
120. 130... | 0:37:37 | 0:37:39 | |
In the room then at 130. 140 I'll take? 130 bid. 130. I'm all out... | 0:37:39 | 0:37:44 | |
-That's brilliant. -And selling in the room at £130... | 0:37:44 | 0:37:49 | |
-OK, he sold it for 130. -Yes! -Well, enough said. -Thank you. | 0:37:49 | 0:37:53 | |
That is plus £60. | 0:37:53 | 0:37:55 | |
-That is a very, very nice contribution. Thank you very much, Anita. -I'm very happy for you. | 0:37:55 | 0:38:01 | |
Which makes your overall position 125. | 0:38:01 | 0:38:05 | |
Minus 125. | 0:38:05 | 0:38:07 | |
It could have been so very different, but that is no shame because you had a good old punt. | 0:38:07 | 0:38:13 | |
-How are you feeling, team, OK? -Yes. -I'm nervous. -Are you? | 0:38:29 | 0:38:33 | |
-Have you been talking to the Reds at all? -No. -Very good. | 0:38:33 | 0:38:37 | |
Your big money is with the longcase clock, | 0:38:37 | 0:38:40 | |
which is your first item, you paid £350 for it. | 0:38:40 | 0:38:43 | |
But I can reassure you that the expert auctioneer has estimated it at 300 to 400, | 0:38:43 | 0:38:49 | |
so you paid a price slap bang in the middle of his estimate, so you should be all right. | 0:38:49 | 0:38:54 | |
-152. -Here it comes. -19th century oak, longcase clock. | 0:38:54 | 0:38:59 | |
And bids have to start me here at... | 0:38:59 | 0:39:02 | |
100. 120. 140. 160. | 0:39:02 | 0:39:04 | |
180. 200. 220. 240. 260. | 0:39:04 | 0:39:07 | |
280. 300. | 0:39:07 | 0:39:10 | |
-£320. With me at 320. -Good start. -320. 340 I'll take? | 0:39:10 | 0:39:15 | |
It's £320 bid here on the book. I will sell at 320... | 0:39:15 | 0:39:20 | |
Bad luck. Just shy. Just £30 shy. Minus £30. | 0:39:21 | 0:39:27 | |
OK, now the Foden truck. | 0:39:27 | 0:39:29 | |
The Dinky Supertoys Foden flat truck... | 0:39:29 | 0:39:33 | |
And bids start at 20. £22. Here with me at 22. | 0:39:34 | 0:39:38 | |
25. 28. 30. 32. 35. 38. | 0:39:38 | 0:39:41 | |
£40. Bid at 40 now. At 40. | 0:39:41 | 0:39:43 | |
-Uh-oh! -42. 45. 48. | 0:39:43 | 0:39:46 | |
50. 5. 60. | 0:39:46 | 0:39:49 | |
£65. 70 I'll take? | 0:39:49 | 0:39:51 | |
-It's 65 there. Are you all out? -I think it's broken down. | 0:39:51 | 0:39:55 | |
70. He's back in. At 75 now. Bid at 75. | 0:39:55 | 0:39:59 | |
£75 and I will sell now at 75... | 0:39:59 | 0:40:02 | |
£75, bad luck. | 0:40:03 | 0:40:05 | |
-Minus 30. -That's not as bad as I thought it could be. | 0:40:05 | 0:40:08 | |
154, 1970s Trifari bracelet. | 0:40:08 | 0:40:11 | |
A pair of matching earrings. | 0:40:11 | 0:40:13 | |
-And bidding for this lot... £20. I'm bid at 20. At £20... -Come on. | 0:40:13 | 0:40:18 | |
22. Bid at £22. At 22. Bid at 22. 25 I'll take? | 0:40:18 | 0:40:22 | |
-25. 28. 30. 32. 35... -No internet interest on it at all. | 0:40:22 | 0:40:26 | |
-42. -Not yet. -45, new bidding. At 45. 48 now... | 0:40:26 | 0:40:30 | |
It's about £100 short of what we want it to be. | 0:40:30 | 0:40:34 | |
55. £55 with the lady then. At 55 and selling... | 0:40:34 | 0:40:38 | |
At £55... | 0:40:38 | 0:40:40 | |
Good Lord, look at that! | 0:40:40 | 0:40:42 | |
On the first lot, you lost 30. On the second lot, you lost 30. | 0:40:42 | 0:40:46 | |
And on the third lot, you lost 30. | 0:40:46 | 0:40:48 | |
-We were consistent. -Consistent losers! Excellent, yeah. | 0:40:48 | 0:40:52 | |
You're minus 90. So what are you going to do about the candlesticks? | 0:40:52 | 0:40:57 | |
I reckon "go for it". If we lose, we lose. | 0:40:57 | 0:40:59 | |
Shall we go for it? You never know, it might make some money. | 0:40:59 | 0:41:03 | |
-Come on, Serena, your decision. -Yes, go for it. -We trust Nick's judgment. | 0:41:03 | 0:41:08 | |
-Are you going to go with it? -Yeah. -You're going with the bonus buy. -Fingers crossed. -Here it comes. | 0:41:08 | 0:41:13 | |
158, a pair of silver-plated candlesticks. | 0:41:13 | 0:41:16 | |
Neoclassical style, well polished. | 0:41:16 | 0:41:20 | |
£20 bid. The pair of these at £20. I'm bid 20. | 0:41:20 | 0:41:24 | |
£20. 22. 25. 28. | 0:41:24 | 0:41:27 | |
I'm bid here at 28. 30 do I see? It's £28. 28 I'm bid. | 0:41:27 | 0:41:31 | |
-I thought these would make more. -They're worth more than that! | 0:41:31 | 0:41:35 | |
30. 32. 35. Shaking his head. | 0:41:35 | 0:41:39 | |
At the back at 35. 38 do I see? | 0:41:39 | 0:41:41 | |
At £35. In the room then at 35... | 0:41:41 | 0:41:45 | |
-We trusted you. -35. That is minus £25. | 0:41:45 | 0:41:48 | |
Sorry, guys. | 0:41:48 | 0:41:50 | |
So, overall, that is minus 115. | 0:41:50 | 0:41:53 | |
-We really were consistent. -All the way through. -Yeah. | 0:41:53 | 0:41:57 | |
I'm afraid it's all in the old overdraft, but minus 115, it could be a winning score. | 0:41:57 | 0:42:03 | |
Well, what excitement we've had! There is barely a sheet of Bronco between our teams today. | 0:42:10 | 0:42:17 | |
-So have you chaps been talking at all? -No. | 0:42:17 | 0:42:20 | |
Well, you know that you've both made stonking losses, but there is only £10 between you. | 0:42:20 | 0:42:26 | |
And the team that have made marginally more losses are the Reds. | 0:42:26 | 0:42:31 | |
£125-worth, actually, which is nothing, really, is it? | 0:42:33 | 0:42:38 | |
But it would have been a lot worse without Anita's £60 profit from the paperweight. | 0:42:38 | 0:42:43 | |
-Congratulations, Anita. Have you had a nice time? -Very. -Wonderful. -We've loved having you on the show. | 0:42:43 | 0:42:49 | |
But the victors who have won by only losing £115... | 0:42:49 | 0:42:53 | |
-are the Blues. -It's a win. -It is. | 0:42:53 | 0:42:55 | |
-Had a good time, Serena? -Very good. -Fabulous. -Loved having you on the show. | 0:42:55 | 0:43:00 | |
-Join us soon for some more bargain hunting, yes? -Yes! | 0:43:00 | 0:43:05 | |
Subtitles by Subtext for Red Bee Media Ltd 2010 | 0:43:21 | 0:43:25 | |
Email [email protected] | 0:43:25 | 0:43:28 |