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Today's a windy and wet double-up day. | 0:00:06 | 0:00:09 | |
We're at Deene Park near Corby. | 0:00:09 | 0:00:13 | |
This place was once the home of the seventh Earl of Cardigan, | 0:00:13 | 0:00:17 | |
who led the charge of the Light Brigade. | 0:00:17 | 0:00:20 | |
Look what happened to him! | 0:00:20 | 0:00:21 | |
Let's hope such a fate doesn't befall our teams today. | 0:00:21 | 0:00:26 | |
Yeah. | 0:00:26 | 0:00:27 | |
What a show we have for you today, Bargain Hunters! | 0:00:49 | 0:00:52 | |
Charles is talking big. | 0:00:52 | 0:00:54 | |
-43. -43. -I'm excited. -I'm going to say that's a real bargain. | 0:00:54 | 0:00:58 | |
I'm convinced it will make a handsome profit. | 0:00:58 | 0:01:02 | |
I don't often say it, but all three items are three winners. | 0:01:02 | 0:01:07 | |
And the blue team haggle hard. | 0:01:08 | 0:01:10 | |
What's the best deal you can do on it, on negotiation. | 0:01:10 | 0:01:14 | |
Would you take 150? | 0:01:14 | 0:01:15 | |
-Can we meet you half way? -Sorry, love. I can't. | 0:01:15 | 0:01:18 | |
You know you can do it. You know you want to. | 0:01:18 | 0:01:21 | |
Being a double-up day, it's double the pressure at auction. | 0:01:23 | 0:01:27 | |
Gee whizz. | 0:01:27 | 0:01:28 | |
Even with £600 each to spend, | 0:01:30 | 0:01:34 | |
the other rules on Bargain Hunt remain the same. | 0:01:34 | 0:01:37 | |
They each get one hour to shop for three items. | 0:01:37 | 0:01:40 | |
And the team that makes the most profit over at the auction wins. | 0:01:40 | 0:01:44 | |
Right. Let's meet today's teams. | 0:01:44 | 0:01:47 | |
Competing on Bargain Hunt today, a team of friends. For the reds | 0:01:49 | 0:01:53 | |
we have Craig and Ray. | 0:01:53 | 0:01:56 | |
And very special friends for the blues, mother and daughter, Joan and Emma. | 0:01:56 | 0:02:00 | |
-Welcome to Bargain Hunt. -Thank you. | 0:02:00 | 0:02:02 | |
Craig, how did you two meet? | 0:02:02 | 0:02:05 | |
Me and Ray met working at the dairy in Ashby-de-la-Zouche. | 0:02:05 | 0:02:10 | |
We spent many a time in the canteen, mulling over a cup of tea watching Bargain Hunt. | 0:02:10 | 0:02:15 | |
We said we could get on the show and perform. | 0:02:15 | 0:02:18 | |
-Do better than anybody has ever seen before, right? -But of course! | 0:02:18 | 0:02:22 | |
-Are you still at the dairy? -No, I left, sadly, about two months ago. | 0:02:22 | 0:02:27 | |
-What do you do for a living now? -I work for a corrugated cardboard manufacturer. | 0:02:27 | 0:02:31 | |
-How are you getting on? -Fantastic. | 0:02:31 | 0:02:33 | |
-I'm loving it. Every minute. -But you've done this for a purpose, haven't you? -I have. -What's that? | 0:02:33 | 0:02:40 | |
Basically to spend more time with my family and go and do my singing. | 0:02:40 | 0:02:44 | |
-Singing? -I sing, yes. -What sort of singing do you like to do? | 0:02:44 | 0:02:48 | |
-I'm a swing singer. -Will you give us a blast? -Why not? | 0:02:48 | 0:02:51 | |
-Would you like to hear it now? -Please. | 0:02:51 | 0:02:53 | |
# Everybody loves somebody some time | 0:02:53 | 0:02:59 | |
# Everybody falls in love somehow # | 0:02:59 | 0:03:04 | |
Isn't that great? He deserves a round of applause. | 0:03:04 | 0:03:07 | |
-Mellow. -Really good. | 0:03:07 | 0:03:09 | |
This is becoming a talent programme, this Bargain Hunt lark! | 0:03:09 | 0:03:13 | |
Ray, you work in the dairy. What do you do there? | 0:03:13 | 0:03:16 | |
I like to think I help kick-start the nation by putting the milk in the bottles. | 0:03:16 | 0:03:20 | |
-That's good. -That's my bit for the country. | 0:03:20 | 0:03:23 | |
-You haven't always worked at the dairy. -No, I used to run my own pottery. | 0:03:23 | 0:03:27 | |
Manufacturing and silk-screen printing. | 0:03:27 | 0:03:30 | |
-Why did you give up all that and go for the dairy? -Financial, really. | 0:03:30 | 0:03:34 | |
I thought, "I've got to start earning a wage." | 0:03:34 | 0:03:37 | |
-How are you going to get on today? -We hope we'll win! | 0:03:37 | 0:03:40 | |
Have you looked at the opposition? They look tough, these girls. | 0:03:40 | 0:03:44 | |
-Oh, I don't know. -Anyway, very good luck. | 0:03:44 | 0:03:46 | |
-Girls, are you quaking in your boots? -Yes! | 0:03:46 | 0:03:49 | |
-Joanie, you're a lady of leisure, I'm told. -So I'm told, too! | 0:03:49 | 0:03:53 | |
What did you get up to when you were working? | 0:03:53 | 0:03:56 | |
-I was a nurse. -Were you? -I was a midwife and district nurse for about 20 years. | 0:03:56 | 0:04:01 | |
How do you spend your time now, Joan? | 0:04:01 | 0:04:03 | |
I garden, I look after the grandchildren, | 0:04:03 | 0:04:06 | |
I help my sister look after my mother. | 0:04:06 | 0:04:08 | |
Emma joined me to a choral society at Christmas. | 0:04:08 | 0:04:11 | |
-My Christmas present. -So you sing? | 0:04:11 | 0:04:13 | |
-Do you want to sing now? -I'm not warbling, no! | 0:04:13 | 0:04:16 | |
You can join in the crooning! | 0:04:16 | 0:04:19 | |
Emms, what do you do for a living? | 0:04:19 | 0:04:22 | |
I freelance. I work for a TV gardener as a sponsorship manager. | 0:04:22 | 0:04:26 | |
I also work for a gentleman in a media company as a production assistant. | 0:04:26 | 0:04:31 | |
I have three children and I also help on the farm | 0:04:31 | 0:04:35 | |
and this year I helped deliver 1,600 lambs. | 0:04:35 | 0:04:38 | |
1,600 lambs? | 0:04:38 | 0:04:40 | |
That is something else, isn't it? | 0:04:40 | 0:04:42 | |
Emms, what do you think about me giving you £600 to spend? Is that cool? | 0:04:42 | 0:04:47 | |
That's really generous, Tim. Thank you very much. | 0:04:47 | 0:04:50 | |
We have privileged teams. £600 - it's double-up day. | 0:04:50 | 0:04:53 | |
Here you go. There's £600. That's what £600 looks like. | 0:04:53 | 0:04:57 | |
You know the rules. Your experts await. Run off! | 0:04:57 | 0:05:00 | |
So, let's meet our experts. | 0:05:03 | 0:05:05 | |
Charles Hanson will be guiding the reds. | 0:05:05 | 0:05:08 | |
Whilst David Harper will be in charge of the blues. | 0:05:10 | 0:05:13 | |
Not yet. Oh! Sorry! | 0:05:14 | 0:05:16 | |
They're on the clock. Let battle commence! | 0:05:16 | 0:05:20 | |
Spend, spend and spend more. | 0:05:20 | 0:05:22 | |
-Seriously? You're saying, "Spend, spend, spend"? -Yes. | 0:05:22 | 0:05:25 | |
I can't believe you've got £600. What are you going to do with it? | 0:05:25 | 0:05:29 | |
If you need someone strong and handsome to pick heavy stuff up, it's me. | 0:05:29 | 0:05:33 | |
-I think we have to look for something that appeals. Something quirky. -OK. | 0:05:33 | 0:05:37 | |
-Are we doing a speculative thing? -Are you really looking to see big returns... | 0:05:37 | 0:05:42 | |
I don't know why I picked it up. It's frightening. Horrible. | 0:05:42 | 0:05:46 | |
-Stop talking and start looking. -Right. Thanks. | 0:05:46 | 0:05:49 | |
It's the eagle-eyes blues who spot something first. | 0:05:51 | 0:05:55 | |
What about this? Is it a real one? | 0:05:55 | 0:05:57 | |
"Rolls-Royce Motors." The Spirit of Ecstasy. | 0:05:57 | 0:05:59 | |
-What's it made of? -It's steel, but it's a real Rolls-Royce bonnet mascot. | 0:05:59 | 0:06:05 | |
The Flying Lady. Isn't she gorgeous? | 0:06:05 | 0:06:07 | |
-Can I feel it? -Lovely. -Thank you. | 0:06:07 | 0:06:09 | |
-It's quite heavy. -What have you got on that one? | 0:06:09 | 0:06:12 | |
-200 would be the best. -Is that the best trade? | 0:06:12 | 0:06:15 | |
The very best, yeah. | 0:06:15 | 0:06:16 | |
What would you normally expect to pay? | 0:06:16 | 0:06:19 | |
They can make 200 to £400, probably. | 0:06:19 | 0:06:21 | |
They'd be much more from Rolls-Royce. | 0:06:21 | 0:06:24 | |
-If you wanted a replacement... -It's instantly recognisable. -It's iconic. | 0:06:24 | 0:06:29 | |
-Yes. -I like it. -I know. But at 200 quid. It would be nice for 100 quid. | 0:06:29 | 0:06:34 | |
-No, can't do that. -Who's laughing? | 0:06:34 | 0:06:36 | |
-What's the best deal you can do? -That is it. -200. -It is. | 0:06:41 | 0:06:44 | |
You can't... Non-negotiation? Non-negotiation. | 0:06:44 | 0:06:47 | |
-180. -180? -That would be it. | 0:06:47 | 0:06:50 | |
-Really. -160? -No, I can't do it. | 0:06:50 | 0:06:53 | |
You can't? Shall we have a think about it? | 0:06:53 | 0:06:55 | |
Emma, we'd better, because we're only about three seconds in! | 0:06:55 | 0:06:58 | |
I mean, I like acting fast, but come on! | 0:06:58 | 0:07:02 | |
-Would you take 150? -No. -No? | 0:07:02 | 0:07:04 | |
We might get him later. You could charm him. | 0:07:04 | 0:07:07 | |
I'll come back and try and charm you in a minute. | 0:07:07 | 0:07:10 | |
Could we look at that silver item? | 0:07:10 | 0:07:12 | |
You go, girl! | 0:07:12 | 0:07:15 | |
May I have a seat, sir? What I quite like is this. | 0:07:18 | 0:07:22 | |
They don't look a lot. Have a look at that tea bowl and saucer. | 0:07:22 | 0:07:25 | |
-It's basically a small, miniature... -There's no mark on the bottom. | 0:07:25 | 0:07:30 | |
-Does that mean anything? -It doesn't matter, because it's quite early. | 0:07:30 | 0:07:34 | |
-It's period. -Period. How early are we talking? | 0:07:34 | 0:07:37 | |
I'd have said 1810. | 0:07:37 | 0:07:39 | |
I quite agree. Look at the bottom of the tea bowl, Craig. | 0:07:39 | 0:07:42 | |
Can you see? We've got a very blurry... Look at the blurry blue. | 0:07:42 | 0:07:46 | |
-Is that caused by the firing? -That's actually in the glaze. The cobalt in the glaze. | 0:07:46 | 0:07:51 | |
This was made five years before the Battle of Waterloo. | 0:07:51 | 0:07:55 | |
-OK? That's interesting, isn't it? -It is, very. | 0:07:55 | 0:07:57 | |
-Going back to George III. -It's been about a long time. | 0:07:57 | 0:08:00 | |
The mad King George III. Back to real history. | 0:08:00 | 0:08:04 | |
-What's the best price, sir? -I can... 30. -I really rate it. | 0:08:04 | 0:08:09 | |
-Would you take £25 for it? -Yeah, go on. Why not? | 0:08:09 | 0:08:13 | |
I'm going to say to you, gents, | 0:08:13 | 0:08:15 | |
-buy it! -Is it a bargain? -Yes. | 0:08:15 | 0:08:18 | |
Because it's Bargain Hunt. | 0:08:18 | 0:08:20 | |
-I never normally say this... -It's exciting. | 0:08:20 | 0:08:22 | |
I'm going to say that's a real bargain and I'm convinced will make a handsome profit. | 0:08:22 | 0:08:27 | |
-We're very happy with that. -Thought you might be, cos I know you. | 0:08:27 | 0:08:31 | |
Strong words from Charles, but is he right? | 0:08:31 | 0:08:35 | |
We're doing all right, but we should head inside. | 0:08:35 | 0:08:38 | |
I really, really feel, at £25, | 0:08:38 | 0:08:40 | |
if that doesn't make £45, I'd be amazed. | 0:08:40 | 0:08:45 | |
OK, Carlos, we get the message. Tuck your shirt in! | 0:08:45 | 0:08:48 | |
Meanwhile, the blues are still at their first stall. It must be love. | 0:08:48 | 0:08:52 | |
You're calling it a wine taster? | 0:08:52 | 0:08:55 | |
-"1953". Which was the year of Queen Elizabeth's coronation. -Right. | 0:08:55 | 0:09:00 | |
-Is it a coronation piece? -Yes, I believe so. -You do? | 0:09:00 | 0:09:04 | |
So the jeweller is who? | 0:09:04 | 0:09:06 | |
"Garrard & Co. | 0:09:06 | 0:09:08 | |
"112 Regent Street, London." | 0:09:08 | 0:09:11 | |
Ooh, very nice. | 0:09:11 | 0:09:13 | |
-So a wine taster? -Yes. -Is that what you call it, a wine taster? -Yes. | 0:09:13 | 0:09:16 | |
-I'd always thought that was a coaster. But you mean to... -Yes. | 0:09:16 | 0:09:20 | |
Is that how you drink your wine? | 0:09:20 | 0:09:22 | |
I think I'd need a bigger one! | 0:09:22 | 0:09:24 | |
We need a bucket! | 0:09:24 | 0:09:26 | |
What's trade on that one? | 0:09:28 | 0:09:30 | |
Here we go. Emma's haggle, round two. | 0:09:30 | 0:09:32 | |
65. | 0:09:32 | 0:09:34 | |
65. | 0:09:34 | 0:09:36 | |
-Couldn't be 40, could it? -No. | 0:09:36 | 0:09:38 | |
How about 45? | 0:09:38 | 0:09:40 | |
I'll do it for 50 and that will be it. | 0:09:41 | 0:09:44 | |
-45. -No, can't do it. | 0:09:45 | 0:09:47 | |
-She's a tough one! -I know. | 0:09:47 | 0:09:49 | |
45. Come on. You know you can do it. You know you want to. | 0:09:49 | 0:09:52 | |
Look into her eyes and tell me you can deny her! | 0:09:52 | 0:09:55 | |
My wife's just over there! | 0:09:55 | 0:09:58 | |
It's all right. She can't hear! | 0:09:58 | 0:10:00 | |
Emma, look at him. | 0:10:00 | 0:10:02 | |
-Go on, then, 45. -45. -You got him. Well done. | 0:10:03 | 0:10:05 | |
END-OF-ROUND BELL | 0:10:05 | 0:10:08 | |
Knock-out! | 0:10:08 | 0:10:10 | |
Well done. | 0:10:10 | 0:10:11 | |
-Seven minutes. -Is that good? | 0:10:11 | 0:10:13 | |
Very good. I love it. | 0:10:13 | 0:10:15 | |
I've got to say I like it. It's always done me well in the past, Murano. | 0:10:19 | 0:10:24 | |
-We've still got 575 left. -We'll get something big now, then. | 0:10:24 | 0:10:27 | |
I want to spend, now. | 0:10:27 | 0:10:29 | |
This is very good, here. | 0:10:29 | 0:10:31 | |
It's a lady's slipper. | 0:10:31 | 0:10:33 | |
They used to use it in the coaches. Ladies used it in the old coaches. | 0:10:33 | 0:10:38 | |
-When they were caught short. -A urinal? | 0:10:38 | 0:10:40 | |
It's got a candle-holder in it. | 0:10:40 | 0:10:42 | |
A candle one minute, then when you want to extinguish it... | 0:10:42 | 0:10:45 | |
That is quirky. | 0:10:45 | 0:10:48 | |
It is quirky. A bit painful. | 0:10:48 | 0:10:50 | |
I've never seen such a fancy lady's urinal! | 0:10:50 | 0:10:52 | |
-What a picture that is. -Isn't it? | 0:10:52 | 0:10:55 | |
There's a lot going on. | 0:10:55 | 0:10:56 | |
"Relief of the Light Brigade." The seventh Earl of Cardigan, | 0:10:56 | 0:11:01 | |
who lived here, years ago led this charge, back in 1854. | 0:11:01 | 0:11:07 | |
-So it's got great local interest. -Connection. | 0:11:07 | 0:11:09 | |
Could we afford that? | 0:11:09 | 0:11:11 | |
-Will it sell well? -No. | 0:11:11 | 0:11:13 | |
-Would it make a profit? -I don't think so. | 0:11:13 | 0:11:16 | |
-Let's find out. -Military. -Hello, sir. | 0:11:16 | 0:11:18 | |
May we ask how much this picture is? | 0:11:18 | 0:11:20 | |
That's up for 180. | 0:11:20 | 0:11:22 | |
-Is it a lithograph? -Yes. -It's a lithograph, OK? | 0:11:22 | 0:11:25 | |
I think it's fantastic. I honestly thought he'd say a lot more than that. | 0:11:25 | 0:11:30 | |
A lot more than that. | 0:11:30 | 0:11:32 | |
They say beauty is in the eye of the beholder. Ray, what do you think? | 0:11:32 | 0:11:36 | |
I'm not so sure, to be fair. | 0:11:36 | 0:11:38 | |
No. I'm tempted to say we'll think about it. | 0:11:38 | 0:11:41 | |
Put it onto radar and perhaps come back to it later if we are looking. | 0:11:41 | 0:11:46 | |
-Shall we leave it? -Yes, we'll leave it. -Thank you very much. -Thank you. | 0:11:46 | 0:11:50 | |
Let's go indoors. | 0:11:50 | 0:11:52 | |
You know, I rather fancy the look of this pot. | 0:11:55 | 0:11:59 | |
It's got this strange mark on the bottom. An impressed mark. | 0:11:59 | 0:12:03 | |
It's a hand in a rectangle underneath a blobbolob. | 0:12:03 | 0:12:06 | |
I think it's rather intriguing. | 0:12:06 | 0:12:09 | |
-Let's ask the proprietor of this stall. Hi, Ruthie. -Hi. | 0:12:09 | 0:12:13 | |
What do you know about this silver pot? | 0:12:13 | 0:12:16 | |
It's Sheffield plate. It's an interesting piece. | 0:12:16 | 0:12:19 | |
This mark would be somewhere between 1800 and 1840. | 0:12:19 | 0:12:23 | |
The plating is in very good condition for Sheffield plate. | 0:12:23 | 0:12:26 | |
Often there's copper coming through, which this hasn't got. | 0:12:26 | 0:12:30 | |
This piece here is inset in silver. | 0:12:30 | 0:12:33 | |
It's probably a family crest. | 0:12:33 | 0:12:35 | |
It needs more research. | 0:12:35 | 0:12:37 | |
-How much is it? -£40. | 0:12:37 | 0:12:39 | |
Thank you very much, Ruth. Tell you what we'll do. | 0:12:39 | 0:12:42 | |
You can come with me. Later in the programme we'll shove off to the Sheffield Millennium Museum. | 0:12:42 | 0:12:49 | |
I'll find out from the curator there exactly all about that mark. | 0:12:49 | 0:12:54 | |
-Clocks, as well. I like clocks. -Yes, I like clocks. | 0:12:58 | 0:13:01 | |
"Two for one"? Listen to this lovely lady. | 0:13:03 | 0:13:06 | |
I like two for one. | 0:13:06 | 0:13:07 | |
-Two for one. -So what are you saying? | 0:13:07 | 0:13:09 | |
-95. -What about the 87? | 0:13:09 | 0:13:12 | |
-No, both of them. -Two for 95 quid. | 0:13:12 | 0:13:14 | |
Um, does it really excite me? | 0:13:14 | 0:13:18 | |
-I like the decanters and I'd pay £100 for them. -I can't do that. Can't do less than 160 for them. | 0:13:18 | 0:13:24 | |
Gents, again, I'm sort of... Handle that. | 0:13:24 | 0:13:27 | |
It doesn't look a lot, does it? | 0:13:27 | 0:13:29 | |
-Nothing, really. -This was made by Worcester | 0:13:29 | 0:13:31 | |
in around 1755. | 0:13:31 | 0:13:34 | |
1755, OK? They say small is beautiful. | 0:13:35 | 0:13:38 | |
We just check by just putting our tooth or teeth... | 0:13:39 | 0:13:42 | |
You can tell there's been no restoration at all. | 0:13:42 | 0:13:46 | |
What's the best you'll take for it? | 0:13:46 | 0:13:48 | |
I can do that for 360. | 0:13:48 | 0:13:52 | |
If push comes to shove, yes, 350, | 0:13:53 | 0:13:56 | |
but it won't make a penny less than that. | 0:13:56 | 0:13:58 | |
OK. Let's think about it. | 0:13:58 | 0:14:00 | |
Can we request that you keep it to one side for ten minutes or so? | 0:14:00 | 0:14:04 | |
-Ten minutes. There's 20 minutes to go. -No problem. | 0:14:04 | 0:14:08 | |
Let's look at the name on the end. What have we got? | 0:14:08 | 0:14:12 | |
-"Liberty & Co." -I like that. | 0:14:12 | 0:14:14 | |
-You've got a pair of those? -A pair, yes. | 0:14:14 | 0:14:16 | |
-HE MOUTHS -I like those. | 0:14:16 | 0:14:18 | |
-Yes. -They're nice. -What I think of it... | 0:14:18 | 0:14:21 | |
Stop it. Don't get carried away with this gentleman! | 0:14:21 | 0:14:24 | |
I've been known to take advantage of young ladies before! | 0:14:24 | 0:14:28 | |
Talk to me about age. How old do you think they are? | 0:14:29 | 0:14:33 | |
-Goodness... I think... -Not Art Nouveau? | 0:14:33 | 0:14:36 | |
Absolutely bang on Art Nouveau. | 0:14:36 | 0:14:38 | |
They're absolutely delicious. But what's the absolute death trade? | 0:14:38 | 0:14:42 | |
The absolute death on them would be... | 0:14:42 | 0:14:44 | |
250. | 0:14:45 | 0:14:47 | |
In the right sale, you could be looking at 300 or £400, I'd have thought. | 0:14:47 | 0:14:52 | |
Absolutely right. Could they be one-and-a-half? | 0:14:52 | 0:14:55 | |
No. No, I'm afraid not. No. I've given you my best price. | 0:14:55 | 0:14:59 | |
-I really like these. -I know. Could they be 200? | 0:14:59 | 0:15:02 | |
No, they couldn't. No, no. Absolute death is 250. | 0:15:02 | 0:15:06 | |
-Can we meet you half way? -No, I'm sorry. No. No. I can't. Honestly. | 0:15:06 | 0:15:10 | |
-Are you sure we can't twist you? -Never been so sure in my life! -Really? | 0:15:10 | 0:15:14 | |
Looks like they've met their match! | 0:15:14 | 0:15:17 | |
If I sell them to you for 225, what about the gas and the electric? | 0:15:17 | 0:15:21 | |
My heart bleeds! | 0:15:21 | 0:15:24 | |
Gents, I'm panicking a bit. There's 15 minutes to go. 1-5. Quarter of an hour. | 0:15:24 | 0:15:28 | |
-OK. -This is nice. What we've got here, Ray, | 0:15:28 | 0:15:31 | |
is... | 0:15:31 | 0:15:33 | |
..a George III, 1802, sugar bowl. Matched teapot, that one there. | 0:15:34 | 0:15:41 | |
It's fully hallmarked. | 0:15:41 | 0:15:43 | |
And also, | 0:15:43 | 0:15:45 | |
the milk jug. But I don't know if they all go as one lot. | 0:15:45 | 0:15:50 | |
For that price there, OK? | 0:15:50 | 0:15:52 | |
-I think we need to find out. -It's quite a good set. | 0:15:52 | 0:15:56 | |
-We quite like your three-piece tea-sets. -Yes? | 0:15:56 | 0:16:00 | |
-It is Georgian, isn't it? -It is, yes. | 0:16:00 | 0:16:02 | |
-It's hallmarked for 1802. -Yes. | 0:16:02 | 0:16:05 | |
13 years before the Battle of Waterloo. | 0:16:05 | 0:16:08 | |
Tell me the best price on that. It's priced at 395, I think. | 0:16:08 | 0:16:11 | |
Your absolute best would be? | 0:16:11 | 0:16:13 | |
350. | 0:16:13 | 0:16:15 | |
I like it. But I would like to acquire it for £300 | 0:16:15 | 0:16:19 | |
because then it gives us a chance. | 0:16:19 | 0:16:21 | |
Tea-sets make a certain figure at auction. | 0:16:21 | 0:16:23 | |
-Yes. -It's earlier, it's a bit more interesting. -I'd accept 320 | 0:16:23 | 0:16:28 | |
but 300 is taking it just that bit too far. | 0:16:28 | 0:16:31 | |
Yes. | 0:16:31 | 0:16:32 | |
-But we like it, don't we? Are you in? -I love it. | 0:16:32 | 0:16:36 | |
-Ray? -Yes. -We're that close. Would you meet us halfway at 310, madam? | 0:16:36 | 0:16:41 | |
-Indeed. All right. -Are you sure? -Yes. | 0:16:41 | 0:16:43 | |
-At 310, madam, we'll take it. -Thank you. -Thanks ever so much. | 0:16:43 | 0:16:48 | |
That's purchase number two for the reds. | 0:16:49 | 0:16:51 | |
Whilst the blues are still banging on about these wretched bowls. | 0:16:51 | 0:16:56 | |
If he'd go to 200, I think it would have been worth doing. | 0:16:56 | 0:16:59 | |
-At 200, I'd have snapped his hand off, but he's not moving. -No. | 0:16:59 | 0:17:02 | |
-Can I go and work on him? -You can. Shall we try her? Go and stare at him! | 0:17:02 | 0:17:07 | |
With those big blue eyes and offer him 225, cash. | 0:17:07 | 0:17:10 | |
Go on, Emms. Work your magic. | 0:17:10 | 0:17:13 | |
You never know. She's staring at him. | 0:17:13 | 0:17:15 | |
-How about if I buy you a cup of coffee or a bag of crisps? -Sorry, no. | 0:17:15 | 0:17:18 | |
-No, I'm sorry. They've got to be 250. -The worrying thing is that... | 0:17:18 | 0:17:23 | |
-Has it worked? -I'm afraid not. No. | 0:17:23 | 0:17:26 | |
-You haven't given me long enough! -Come back with me. | 0:17:26 | 0:17:29 | |
We haven't got much time. Right. OK. | 0:17:29 | 0:17:32 | |
We're not going to get any more off at all. 250 or nothing. | 0:17:32 | 0:17:36 | |
-I think we should go for it. -Take a chance. -We'll do it. | 0:17:36 | 0:17:39 | |
-Yes. -Shall I shake the man's hand? | 0:17:39 | 0:17:41 | |
-You go and give him a kiss. -Give him a kiss you might get £25 off! | 0:17:41 | 0:17:44 | |
-Shall I give him a kiss? -I don't think that would work. -Make his day! | 0:17:47 | 0:17:51 | |
No tongue sandwich! Anyway, that seals the deal. | 0:17:54 | 0:17:58 | |
Two silver-plated bowls for 250. | 0:17:58 | 0:18:00 | |
That's a nice one. Any ideas what timber this is, Ray? | 0:18:01 | 0:18:04 | |
I'll test you. What wood is that? | 0:18:04 | 0:18:06 | |
I have not got a clue. | 0:18:06 | 0:18:08 | |
It's a really rich, vibrant, South American rosewood. | 0:18:08 | 0:18:11 | |
Yet this would be from around 1820. | 0:18:11 | 0:18:14 | |
In fact, what it is, is a tea caddy. | 0:18:14 | 0:18:17 | |
So, back in that time of 1820 | 0:18:17 | 0:18:20 | |
when tea was expensive, tea only came from China, | 0:18:20 | 0:18:23 | |
it was kept under lock and key to keep it away from the butler. | 0:18:23 | 0:18:28 | |
I really like this. It's sophisticated, | 0:18:28 | 0:18:30 | |
it's sharp, it's a great sarcophagus shape. | 0:18:30 | 0:18:34 | |
I really rate it. | 0:18:34 | 0:18:35 | |
What's it worth? Madam, we like this caddy very much. | 0:18:35 | 0:18:39 | |
It's priced at £115. | 0:18:39 | 0:18:42 | |
What shall we offer, Ray? | 0:18:42 | 0:18:43 | |
80? | 0:18:43 | 0:18:45 | |
Go on. 80. | 0:18:47 | 0:18:49 | |
I'll accept 85. It's a nice piece. | 0:18:49 | 0:18:52 | |
Cash. 80. Come on! | 0:18:52 | 0:18:56 | |
-Yes? -Great. -That's very good of you. -Thanks. -Well done. | 0:18:56 | 0:19:00 | |
Thank you very much. Great. I like that. | 0:19:00 | 0:19:03 | |
I'm really happy. I don't often say it, but all three items, | 0:19:03 | 0:19:07 | |
in my eyes, are three winners. | 0:19:07 | 0:19:10 | |
-Have you never said that before? -Never, ever! | 0:19:12 | 0:19:15 | |
-I don't believe that. -I'm deadly serious. -Yeah! -You wait and see. | 0:19:15 | 0:19:18 | |
Oh, Charles! I can't wait for the auction. With five minutes to go, | 0:19:18 | 0:19:23 | |
the blues still need to make one more purchase. | 0:19:23 | 0:19:26 | |
-Are you ready to run? -I'm ready. | 0:19:26 | 0:19:28 | |
-Go! -It won't be a marathon. | 0:19:28 | 0:19:31 | |
-Oh, that way. It's that way. -Yes, it was. | 0:19:32 | 0:19:35 | |
It seems the blues are determined to return to the first dealer they met | 0:19:35 | 0:19:39 | |
so that they can haggle over the Rolls-Royce mascot. | 0:19:39 | 0:19:42 | |
Maybe he's hiding. You can't blame him, can you? | 0:19:42 | 0:19:46 | |
I can see his jumper. | 0:19:46 | 0:19:48 | |
Bad luck, mate. You've been spotted. | 0:19:48 | 0:19:51 | |
Right, Emma. | 0:19:51 | 0:19:52 | |
I hope you don't ask me to go back there! | 0:19:52 | 0:19:55 | |
You did very well. Well done, you. | 0:19:55 | 0:19:57 | |
-Right. The Spirit of Ecstasy. -Right. -We've only got a certain amount of money left. | 0:19:57 | 0:20:03 | |
-I still like this, David. -It's nicely spring-loaded. | 0:20:03 | 0:20:06 | |
-Yes. -It's all greased up, ready to fit to a beautiful Rolls-Royce. | 0:20:06 | 0:20:09 | |
Is it going to be a beautiful price? | 0:20:09 | 0:20:11 | |
START-OF-ROUND BELL | 0:20:11 | 0:20:13 | |
Here we go again, Bargain Hunters. Round three. | 0:20:13 | 0:20:16 | |
-I gave you a price of what, 180? -180. But we can't have it at that. That's the problem. | 0:20:16 | 0:20:22 | |
-We have a real problem. What would... -As we've just bought the first thing from you. | 0:20:22 | 0:20:26 | |
-What's the best deal you can do? -She's doing it again. -I know! I know. | 0:20:26 | 0:20:31 | |
-165. -150, job done. -Can't do it. | 0:20:32 | 0:20:36 | |
Shall we meet you halfway? You want 160. I want 150. How about 155? | 0:20:36 | 0:20:40 | |
-JOAN: -What's a fiver between friends? | 0:20:42 | 0:20:44 | |
-Yeah. -Go on, then. Go on, then. | 0:20:44 | 0:20:46 | |
-Go on, then. -Well done. | 0:20:46 | 0:20:48 | |
Thank you. Thank you very much. | 0:20:48 | 0:20:51 | |
I think he deserves a kiss, too. | 0:20:51 | 0:20:53 | |
-Give me a kiss, first! -Thank you for being patient. -Thank you very much. | 0:20:53 | 0:20:58 | |
Right. Our shopping bout is over. | 0:21:00 | 0:21:02 | |
First, let's remind ourselves what the reds have bought. Woof! | 0:21:02 | 0:21:07 | |
Shake hands. I'll say that's a real bargain. | 0:21:07 | 0:21:10 | |
Will Charles regret his prediction | 0:21:10 | 0:21:12 | |
when the miniature tea-set heads to auction? | 0:21:12 | 0:21:15 | |
The boys paid a whopping £310 for the Georgian silver tea-set. | 0:21:15 | 0:21:20 | |
Could this be an expensive gamble? | 0:21:20 | 0:21:22 | |
And finally, £80 was forked out for the tea caddy. | 0:21:23 | 0:21:28 | |
Wow! | 0:21:28 | 0:21:30 | |
It's sharp, it's sophisticated, I'm really pleased with it. | 0:21:30 | 0:21:33 | |
-Are we talking about Charles - sharp and sophisticated? -Could be! -Talking about you! -Yeah(!) | 0:21:33 | 0:21:38 | |
-You know how to butter a bloke up, Craig. -Dead right. | 0:21:38 | 0:21:42 | |
-Now, tell me. You've bought your three items. -Yes. | 0:21:42 | 0:21:45 | |
You're happy with the tea caddy cos it's sharp and sophisticated. | 0:21:45 | 0:21:49 | |
-Apart from that, what's your favourite item? -Mine was the silverware. -Yes? -Yes. | 0:21:49 | 0:21:53 | |
-Craig? -I'd have to go for the tea caddy | 0:21:53 | 0:21:56 | |
because I like the way how the lining inside has been worn away. | 0:21:56 | 0:22:00 | |
Someone likes a nice cup of tea and so do I. | 0:22:00 | 0:22:03 | |
Good. That's a lovely neat answer, that is(!) | 0:22:03 | 0:22:05 | |
-How much did you spend all round, Ray? -415. | 0:22:05 | 0:22:08 | |
-I'd like £185 of leftover lolly, please. -Indeed. | 0:22:08 | 0:22:11 | |
Here we go. 185. That's lovely. That looks to be complete, Charles. | 0:22:11 | 0:22:16 | |
This is quite a lot of money for you. It's pocket money time. | 0:22:16 | 0:22:19 | |
It's a lot of money. I'll find something good to spend it on. | 0:22:19 | 0:22:22 | |
It's spend, spend, spend, Tim, and put it all into the mix at auction. | 0:22:22 | 0:22:27 | |
Nothing ever changes with you, Charles. Very good luck. | 0:22:27 | 0:22:30 | |
Why don't we check out what the blues bought? | 0:22:30 | 0:22:33 | |
-Go on, then. 45. -45. -You got it. Well done. | 0:22:33 | 0:22:37 | |
After severe bargaining, | 0:22:37 | 0:22:39 | |
the coronation dish was snapped up for £45. | 0:22:39 | 0:22:43 | |
A kiss secured the silver-plated bowls for 250. | 0:22:45 | 0:22:50 | |
Go on, then. | 0:22:51 | 0:22:52 | |
And for a quiet life, the dealer let the Rolls-Royce mascot go for 155. | 0:22:53 | 0:22:58 | |
-Gosh, you're looking happy, team. -Very. -Lovely. | 0:23:00 | 0:23:03 | |
-How have you got on with this mother and daughter combo? -Fabulous! | 0:23:03 | 0:23:07 | |
We've got wet a few times, running around in the grass outside. | 0:23:07 | 0:23:10 | |
We've had a whale of a time, Tim! | 0:23:10 | 0:23:12 | |
-It's been good? -It's been great. Thank you. | 0:23:12 | 0:23:14 | |
Which is your favourite piece? | 0:23:14 | 0:23:16 | |
My favourite? Ooh, I like two. | 0:23:16 | 0:23:20 | |
-But if I had to pick. -Pick one. | 0:23:20 | 0:23:22 | |
-I have to pick one. -One. | 0:23:22 | 0:23:24 | |
-Probably... -Probably. Maybe. -The Liberty bowls. | 0:23:24 | 0:23:28 | |
-Do you agree with that, Ma? -Yes, I think so. | 0:23:28 | 0:23:31 | |
I actually do like the Spirit of Ecstasy. | 0:23:31 | 0:23:34 | |
-I do, as well. They're the two faves. -We bought some things, Tim. | 0:23:34 | 0:23:38 | |
Liberty, the Spirit of Ecstasy. Fantastic names. | 0:23:38 | 0:23:41 | |
-Absolutely. -And Garrard. | 0:23:41 | 0:23:43 | |
-Garrard. -And Garrard. -Garrard! | 0:23:43 | 0:23:45 | |
-That was our first swift buy. -Yep. | 0:23:45 | 0:23:47 | |
You are such smoothies! So what did you spend overall? What's the total? | 0:23:47 | 0:23:52 | |
-450 and we've got 150 left. -Have you? Well, give that to me. | 0:23:52 | 0:23:57 | |
-There we go. -Like the tax man, I'll pass it on to him. | 0:23:57 | 0:24:01 | |
£150 is a decent wodge, isn't it? | 0:24:01 | 0:24:03 | |
No better person to spend it, though. | 0:24:03 | 0:24:05 | |
But for us, we're heading off to Sheffield Millennium Galleries. | 0:24:05 | 0:24:10 | |
Ooh-ah! | 0:24:10 | 0:24:11 | |
And while I'm here, I can find out more about the curious mark | 0:24:15 | 0:24:20 | |
on the silver coffee pot I picked up at the fair. | 0:24:20 | 0:24:23 | |
The museum have confirmed that the mark is from an old Sheffield plating firm | 0:24:24 | 0:24:30 | |
called Watson & Co. | 0:24:30 | 0:24:32 | |
So that's that mystery sorted out. | 0:24:32 | 0:24:35 | |
And it does date from around 1830. | 0:24:35 | 0:24:38 | |
What we're going to do now, though, is go into the metalwork gallery | 0:24:38 | 0:24:42 | |
and actually understand what it was that happened over 200 years ago | 0:24:42 | 0:24:48 | |
that started Sheffield off | 0:24:48 | 0:24:51 | |
as the famous centre for plated wares like this. | 0:24:51 | 0:24:54 | |
So how did this Sheffield plate lark start here in Sheffield, and why? | 0:25:00 | 0:25:06 | |
Well, it dates back to the 1740s | 0:25:06 | 0:25:09 | |
when one Thomas Bolsover, who was a cutler in Sheffield, | 0:25:09 | 0:25:14 | |
noticed that silver, solid silver, | 0:25:14 | 0:25:17 | |
fuses with copper when it melts. | 0:25:17 | 0:25:20 | |
And, more importantly, having fused the two metals together, | 0:25:20 | 0:25:25 | |
it was possible to reheat them and roll them out in big flat sheets. | 0:25:25 | 0:25:30 | |
On early pieces of Sheffield plate, though, | 0:25:30 | 0:25:33 | |
it was only possible to apply the silver on one surface. | 0:25:33 | 0:25:37 | |
Here, we've got some Thomas Bolsover-period hunting buttons. | 0:25:37 | 0:25:42 | |
The outer surface is silvery, but on the back, it's the bare metal. | 0:25:42 | 0:25:47 | |
Ditto here with this brandy or sauce pan. | 0:25:47 | 0:25:52 | |
They've neatly covered the interior with silver, but not the exterior. | 0:25:52 | 0:25:57 | |
By the time you get to around 1770, though, | 0:25:57 | 0:26:01 | |
they'd perfected the technique of applying silver on both sides of the copper, | 0:26:01 | 0:26:06 | |
effectively making the copper the jam in the sandwich. | 0:26:06 | 0:26:09 | |
So that when you opened up a vessel, | 0:26:09 | 0:26:11 | |
it's not only silvery outside, but also silvery inside. | 0:26:11 | 0:26:16 | |
Now, one of the most exciting and interesting things they've got in the galleries here | 0:26:16 | 0:26:22 | |
is the opportunities to compare and contrast. | 0:26:22 | 0:26:25 | |
Here we've got two magnificent candlesticks | 0:26:25 | 0:26:28 | |
which date from the 1780s. | 0:26:28 | 0:26:31 | |
If I put one against the other, | 0:26:31 | 0:26:34 | |
you'd think they were an identical pair. | 0:26:34 | 0:26:37 | |
They're actually as different as chalk and cheese | 0:26:37 | 0:26:40 | |
when it comes to the materials used in their manufacture. | 0:26:40 | 0:26:44 | |
This one is solid silver and hallmarked Sheffield. | 0:26:44 | 0:26:47 | |
This one is made of Sheffield plate. | 0:26:47 | 0:26:50 | |
Now you get a hint that it's made of Sheffield plate | 0:26:50 | 0:26:54 | |
because you can see the copper wearing through. | 0:26:54 | 0:26:56 | |
But when this was brand new, it would have looked identical. | 0:26:56 | 0:27:00 | |
What's the other thing that Sheffield is famous for? Cutlery. | 0:27:00 | 0:27:04 | |
Look at the Sheffield trademark on the outside of the box. | 0:27:04 | 0:27:08 | |
It says, "Rust nor stain" in red, in bold capitals. | 0:27:08 | 0:27:14 | |
This is the claim that the Sheffield cutlers were able to use | 0:27:14 | 0:27:18 | |
because of their use of Sheffield stainless steel. | 0:27:18 | 0:27:21 | |
What had happened previously | 0:27:21 | 0:27:24 | |
throughout the 17th, 18th and 19th century, | 0:27:24 | 0:27:27 | |
the blades on cutlery looked a bit like this. | 0:27:27 | 0:27:30 | |
They were made of steel, but not stainless steel. | 0:27:30 | 0:27:34 | |
This one's been nicely polished for museum display, | 0:27:34 | 0:27:38 | |
but you can still see pitting and discolouration under the surface. | 0:27:38 | 0:27:42 | |
And that is the beginning of rust. | 0:27:42 | 0:27:45 | |
So the Sheffield cutlers adopted stainless steel | 0:27:45 | 0:27:49 | |
for its qualities of non-staining and non-rusting, | 0:27:49 | 0:27:53 | |
and here we've got two knives which date from around 1913 | 0:27:53 | 0:27:57 | |
that are spotted with acid | 0:27:57 | 0:27:59 | |
because they were used to test the stainless steel | 0:27:59 | 0:28:03 | |
to make quite sure that it wouldn't discolour or stain. | 0:28:03 | 0:28:07 | |
The big question today is, of course, | 0:28:07 | 0:28:09 | |
are our teams going to have nerves of steel over at the auction? | 0:28:09 | 0:28:13 | |
Here at Mellors and Kirk auction house in Nottingham, | 0:28:16 | 0:28:20 | |
let's find out if Charles can top up his team's totals | 0:28:20 | 0:28:23 | |
with a brilliant bonus buy. | 0:28:23 | 0:28:25 | |
Craig and Ray, here we are at the leftover lolly moment. | 0:28:29 | 0:28:32 | |
What did Charles Hanson spend your £185 on? | 0:28:32 | 0:28:36 | |
-Charles? -Well, Tim. -Wow. -There we go. Gentlemen, | 0:28:36 | 0:28:40 | |
novelty is a really important factor on the market. This will sell well. | 0:28:40 | 0:28:44 | |
I really thought that. | 0:28:44 | 0:28:46 | |
Made by Henry Matthews in Birmingham, 1917. | 0:28:46 | 0:28:49 | |
It's a cornucopia in shape. There are minor imperfections | 0:28:49 | 0:28:52 | |
but I do feel, Tim, novelty here ought to outweigh condition, | 0:28:52 | 0:28:57 | |
-which can be rectified. -Yes. | 0:28:57 | 0:28:59 | |
I think Craig's face says it all, frankly. | 0:28:59 | 0:29:02 | |
He's obviously riveted by this, aren't you? What do you think? | 0:29:02 | 0:29:06 | |
-Blown away! -It has a function, too. | 0:29:06 | 0:29:08 | |
It's practical, but decorative and very novel. | 0:29:08 | 0:29:11 | |
It's a caster for sugar. | 0:29:11 | 0:29:12 | |
I paid 185. That's all the money gone. | 0:29:12 | 0:29:16 | |
It might be a mistake. But if we don't speculate, we'll never know. | 0:29:16 | 0:29:20 | |
-I rate this because it's quite rare. -This is inspirational talk. | 0:29:20 | 0:29:24 | |
You don't have to decide now. Decide later. But for the audience at home, | 0:29:24 | 0:29:28 | |
let's find out what the auctioneer thinks about Charles's little caster. | 0:29:28 | 0:29:33 | |
Over to you, Captain Kirk! | 0:29:33 | 0:29:35 | |
It's a stylish object, but it is in dreadful condition. | 0:29:35 | 0:29:38 | |
-The marks are almost completely illegible. -It has a great dent in it. | 0:29:38 | 0:29:44 | |
-A huge dent in it. -A bullet hole, nearly! | 0:29:44 | 0:29:46 | |
I'm afraid it's going to be 80 or £90. | 0:29:46 | 0:29:49 | |
-Perhaps a shade more. -Oh, dear. | 0:29:49 | 0:29:52 | |
-£185, Charles paid for that. -Lord! -It's supposed to be their bonus buy. | 0:29:52 | 0:29:57 | |
You never know, they might not go with it. | 0:29:57 | 0:30:00 | |
Their first item is the child's tea-set. | 0:30:00 | 0:30:03 | |
Or even just a miniature. | 0:30:03 | 0:30:04 | |
Smaller pieces of pottery and porcelain in the 19th century | 0:30:04 | 0:30:08 | |
were made as decoration and as toys and adults had them, not just children. | 0:30:08 | 0:30:13 | |
You're a mine of information, you are! | 0:30:13 | 0:30:15 | |
-How much do you think it's worth? -It's a little incomplete and damaged. | 0:30:15 | 0:30:19 | |
I suppose 30 to £40 because it is fairly early. | 0:30:19 | 0:30:21 | |
They'll be delighted. £25 paid. | 0:30:21 | 0:30:24 | |
-That's very good. -That's a great start. Moving on, | 0:30:24 | 0:30:27 | |
we have the Georgian tea-set. | 0:30:27 | 0:30:29 | |
-Yes. -To-whit they set great store. | 0:30:29 | 0:30:32 | |
-Have they done the right thing? -No! | 0:30:32 | 0:30:34 | |
Because it isn't a set. | 0:30:34 | 0:30:36 | |
It was made in two different places, London and Sheffield, several years apart. | 0:30:36 | 0:30:41 | |
-And it's in rather poor condition. -Oh. That's not so good, then. -No. | 0:30:41 | 0:30:46 | |
-I think it'll make 200 to £300. -Good lord. £310 they paid. | 0:30:46 | 0:30:49 | |
But their "Get out of jail free" card is this little tea caddy. | 0:30:49 | 0:30:54 | |
Two-division tea caddy, clean as a whistle, but terribly... | 0:30:54 | 0:30:59 | |
Boring and late is probably the way to summarise it! | 0:30:59 | 0:31:02 | |
I didn't get that out in time! So that one on its own on a good day? | 0:31:02 | 0:31:06 | |
-I think probably 30 to £40. -OK. £80 paid. | 0:31:06 | 0:31:10 | |
-Too much. -They started off beautifully with the little tea-set, but it's gone downhill. | 0:31:10 | 0:31:15 | |
Well, that's it for the reds. | 0:31:15 | 0:31:17 | |
Now for the blues. Something completely different, the drinking vessel. | 0:31:17 | 0:31:21 | |
-I suppose it could be a taster, could it? -Yes. | 0:31:21 | 0:31:24 | |
I mean, the style and the shape of it is reminiscent of an early English wine taster. | 0:31:24 | 0:31:29 | |
-But in fact, I think, at this period it's a sweetmeat dish or a coaster. -Yes. | 0:31:29 | 0:31:34 | |
By Garrard & Co, a wonderful maker. | 0:31:34 | 0:31:36 | |
-So top-notch? -Top-notch. -What do you think it's worth? | 0:31:36 | 0:31:40 | |
I think, having said all that, it'll be 30 to £50. | 0:31:40 | 0:31:43 | |
OK. £45 they paid. | 0:31:43 | 0:31:45 | |
-Right. -That's pretty well in the frame. Next | 0:31:45 | 0:31:48 | |
is their major investment | 0:31:48 | 0:31:50 | |
in these plated entree-dish-shaped dishes with the bosses on the outside. | 0:31:50 | 0:31:56 | |
The big question with this is, are they Liberty & Co, or are they not? | 0:31:56 | 0:32:00 | |
I have grave doubts about their authenticity. | 0:32:00 | 0:32:03 | |
They don't have any real quality to them. | 0:32:03 | 0:32:06 | |
And I have stated that these are a pair of electro-plated nickel silver bowls. | 0:32:06 | 0:32:12 | |
-So the buyers must make their own minds up. -Right. | 0:32:12 | 0:32:15 | |
-And you simply mention that they're stamped Liberty & Co. -Yes. | 0:32:15 | 0:32:19 | |
Without giving an opinion as to whether the Liberty & Co stamp | 0:32:19 | 0:32:22 | |
is original or even Liberty's at all. | 0:32:22 | 0:32:26 | |
That's perfectly true. | 0:32:26 | 0:32:27 | |
They bear this mark and the number. | 0:32:27 | 0:32:30 | |
But I am not attributing them to that illustrious retailer. | 0:32:30 | 0:32:35 | |
I think we've got the message. | 0:32:35 | 0:32:36 | |
In view of that, Tim, 80 to £120 is probably the right estimate. | 0:32:36 | 0:32:40 | |
£250 paid. | 0:32:40 | 0:32:42 | |
So that is another dark hole that's opened up, I'm afraid. | 0:32:42 | 0:32:46 | |
Their final item is the Spirit of Ecstasy | 0:32:46 | 0:32:50 | |
from the front of a Rolls-Royce. | 0:32:50 | 0:32:52 | |
-Automobilia is incredibly popular at auction, isn't it? -Indeed it is. | 0:32:52 | 0:32:56 | |
-When does it date from? -I think probably 1970s, even perhaps 1980s. | 0:32:56 | 0:33:02 | |
-'70s, '80s. -Quite modern. -What's it worth? | 0:33:02 | 0:33:04 | |
It's probably worth 100 to £150 as a second-hand object rather than a vintage collectable. | 0:33:04 | 0:33:11 | |
OK. Fine. They paid £155. | 0:33:11 | 0:33:13 | |
-Fair enough. -So that's not going to help them much. | 0:33:13 | 0:33:16 | |
They'll need their bonus buy. Let's have a look at it. | 0:33:16 | 0:33:19 | |
Joan and Emma, you gave the lovely David Harper £150. | 0:33:20 | 0:33:25 | |
-Did you blow the lot? -I bought something every elegant | 0:33:25 | 0:33:28 | |
for a pair of lovely elegant ladies. | 0:33:28 | 0:33:31 | |
-So kind! -Ooh! -That's nice. Just what I needed! | 0:33:31 | 0:33:34 | |
It's not for you! Not really! Try it. | 0:33:34 | 0:33:38 | |
It's nine-carat solid gold. | 0:33:38 | 0:33:41 | |
1960s, 1970s, so it's got that retro kind of feel. | 0:33:41 | 0:33:45 | |
It's nice and neat, the way it's set in there. | 0:33:45 | 0:33:48 | |
-How much did you spend? -I'm not telling you yet. | 0:33:48 | 0:33:50 | |
I'll tell you about it. It's solid gold. But gold has been flying recently. | 0:33:50 | 0:33:55 | |
And it works. It does tick. | 0:33:55 | 0:33:57 | |
-I'd quite like to bid for it! -Well, you can't! -I know! | 0:33:57 | 0:34:01 | |
It's against the rules, Joanie. | 0:34:01 | 0:34:03 | |
Look how excited these girls are. The prospect of having a bit of gold, | 0:34:03 | 0:34:09 | |
-exquisitely crafted. -So how much do you think I paid for it? | 0:34:09 | 0:34:13 | |
How much? Ooh, | 0:34:13 | 0:34:14 | |
about 110. | 0:34:14 | 0:34:16 | |
-You two are very good. Bang on £90. -You both have a good feeling about it? | 0:34:16 | 0:34:21 | |
I do like it. | 0:34:21 | 0:34:22 | |
Well done. You don't decide right now. | 0:34:22 | 0:34:25 | |
Decide later. But for viewers, let's see what the auctioneer thinks about David Harper's little watch. | 0:34:25 | 0:34:31 | |
Nigel, what were you doing in the 1970s? | 0:34:31 | 0:34:33 | |
-Going to smart cocktail parties or... -Absolutely. -Or still in shorts? | 0:34:33 | 0:34:37 | |
-Not quite! -That's what all the girls would have been wearing, | 0:34:37 | 0:34:41 | |
very proudly in 1969. | 0:34:41 | 0:34:43 | |
-Isn't it so typical of that period? -I think it's rather nice. Do you? | 0:34:43 | 0:34:47 | |
I don't particularly like it and it isn't by a very good maker, | 0:34:47 | 0:34:50 | |
but what we need to be aware of is the dramatic rise in recent months | 0:34:50 | 0:34:55 | |
in the value of precious metals. | 0:34:55 | 0:34:57 | |
If you carefully take the movement out of this watch, | 0:34:57 | 0:35:00 | |
you've got very nearly 24 grams of nine-carat gold here. | 0:35:00 | 0:35:05 | |
Gosh. Which you've done. | 0:35:05 | 0:35:07 | |
I have done. It means you could get a couple of hundred pounds for this as scrap metal. | 0:35:07 | 0:35:12 | |
Cunning old Harper, eh? He paid £90. | 0:35:12 | 0:35:15 | |
-That was very astute. -That's absolutely brilliant, Nigel. Thank you very much. | 0:35:15 | 0:35:20 | |
They don't call you the detective for nothing! | 0:35:20 | 0:35:22 | |
The auction is underway. | 0:35:27 | 0:35:29 | |
How are the boys feeling? | 0:35:29 | 0:35:31 | |
-Very excited. Very confident. -Are you? | 0:35:32 | 0:35:34 | |
-Same with you, Craig? -Definitely. We're going to clear up. | 0:35:34 | 0:35:38 | |
You watched his lips? He said "We're going to clear up". Right. | 0:35:38 | 0:35:43 | |
First up it the little child's pearlware tea-set. | 0:35:43 | 0:35:46 | |
-Here it comes. -Lot 25. Staffordshire pearlware miniature coffee pot | 0:35:46 | 0:35:50 | |
and tea bowls en-suite. £20 for this? | 0:35:50 | 0:35:54 | |
20? 20 anywhere? | 0:35:54 | 0:35:56 | |
£10? Ten I'm bid at the back. | 0:35:56 | 0:35:58 | |
-10. 15 for it? -Come on! I'm sure it's worth more. | 0:35:58 | 0:36:01 | |
20. 25 anywhere? | 0:36:01 | 0:36:03 | |
At £20 only and selling. All done at £20. | 0:36:03 | 0:36:08 | |
-I really rated that set. -That's terrible. -Can't believe it. | 0:36:08 | 0:36:11 | |
His estimate was 30 to 40. It's minus £5. Bad luck, chaps. | 0:36:11 | 0:36:16 | |
Stand by for the tea-set. | 0:36:16 | 0:36:17 | |
Lot 26. George III silver teapot, cream jug and sugar bowl. | 0:36:17 | 0:36:22 | |
Bidding here of 120. 120. | 0:36:22 | 0:36:23 | |
30. 40. 150. | 0:36:23 | 0:36:25 | |
-150. 60 for you. 170 I'll take, anywhere? -Getting there. | 0:36:25 | 0:36:29 | |
170. 180. 190? | 0:36:29 | 0:36:31 | |
-190. -Keep going. -200. And 20 here. | 0:36:31 | 0:36:34 | |
240. 260? | 0:36:34 | 0:36:35 | |
240 at the back of the room. And selling at 240. | 0:36:35 | 0:36:40 | |
-Disappointing. -He was spot on. | 0:36:40 | 0:36:42 | |
240. Minus 70 on that. | 0:36:42 | 0:36:45 | |
-We're not doing too well here! -Here comes the tea caddy. -Lot 27. | 0:36:45 | 0:36:49 | |
Rosewood tea caddy. 19th century. | 0:36:49 | 0:36:52 | |
£20 for it? 20? £10? | 0:36:52 | 0:36:54 | |
Ten I'm bid. 15 to you. | 0:36:54 | 0:36:56 | |
15. 20, anywhere? £20. | 0:36:56 | 0:36:58 | |
25. 30? £25 | 0:36:58 | 0:37:01 | |
on my right. Selling at 25. | 0:37:01 | 0:37:04 | |
25. That's five short of 30. That's minus 55. | 0:37:05 | 0:37:08 | |
60 plus 70 is minus 130. | 0:37:08 | 0:37:11 | |
Here we are, lads. £130. | 0:37:11 | 0:37:14 | |
-What are you going to do about the bonus buy? -No choice. | 0:37:14 | 0:37:17 | |
-Yeah? -We're going to go for it. -Well, £130 might be a winning score. | 0:37:17 | 0:37:21 | |
How much did you spend, Charles? | 0:37:21 | 0:37:23 | |
Gents, it cost me 185. | 0:37:23 | 0:37:25 | |
I like it. It's a novel object. | 0:37:25 | 0:37:28 | |
It's up to you. | 0:37:28 | 0:37:30 | |
-No. No, I don't think so, mate. -Got to! | 0:37:30 | 0:37:32 | |
-I don't think it'll do it. -Sure? | 0:37:32 | 0:37:34 | |
-I don't think it'll do it. -OK, mate. | 0:37:34 | 0:37:37 | |
-It's coming up now. -He's not doing it. -No bonus buy. How exciting. | 0:37:37 | 0:37:41 | |
Lot number 32 is the George V silver zoomorphic caster. | 0:37:41 | 0:37:46 | |
-If it's wrong, it's your fault! -Let's push for it. | 0:37:46 | 0:37:49 | |
30 I am bid. And 40. 50. £40 seated. | 0:37:49 | 0:37:52 | |
-I don't believe it! Hanson, you're going... -60? | 0:37:52 | 0:37:55 | |
£50 only bid. Selling. | 0:37:55 | 0:37:57 | |
£60. 70? £60. | 0:37:57 | 0:37:59 | |
-I don't believe it. -All done at 60. | 0:37:59 | 0:38:02 | |
£60 is minus £125. Right. | 0:38:02 | 0:38:05 | |
You did well there, lads, not going with it. Bad luck, Charles. | 0:38:05 | 0:38:08 | |
Overall, you are minus £130. | 0:38:08 | 0:38:12 | |
-You did not go with the bonus buy. -Very wise! | 0:38:12 | 0:38:14 | |
It could be a winning score. Don't talk to the blues! | 0:38:14 | 0:38:17 | |
-So, girls, do you know how the reds got on? -No. -No idea? | 0:38:25 | 0:38:28 | |
-We don't want you to know. You don't know either, David? -I know nothing! | 0:38:28 | 0:38:32 | |
That's the best way to be, mate. | 0:38:32 | 0:38:34 | |
Anyway, first up is going to be the drinking vessel. Estimate 30 to £50. | 0:38:34 | 0:38:38 | |
-Here it comes. -Lot 48 is the commemorative silver dish | 0:38:38 | 0:38:43 | |
made on the occasion of the coronation | 0:38:43 | 0:38:46 | |
of Her Majesty the Queen. | 0:38:46 | 0:38:47 | |
£20 I have for this. At 20. 25 anywhere? | 0:38:47 | 0:38:51 | |
25. 30 I'll take. 30 I'm bid. | 0:38:51 | 0:38:53 | |
35. 40, is it? At £35. 40. 45. | 0:38:53 | 0:38:58 | |
-45. 50. -You're in profit. -55. -Come on. | 0:38:58 | 0:39:02 | |
£55 at the back of the room. | 0:39:02 | 0:39:04 | |
Look out. What's that, £60. You made £15 straight up. | 0:39:04 | 0:39:09 | |
I think it was 55. 55. | 0:39:09 | 0:39:11 | |
OK. There it goes. | 0:39:11 | 0:39:14 | |
-Here come the bowls. -Lot 49. | 0:39:14 | 0:39:16 | |
A pair of electroplate oval bowls. | 0:39:16 | 0:39:19 | |
And £30. Only bid here at £30. 35 for them? | 0:39:19 | 0:39:24 | |
35. 40? 40. 45. Five and 50. | 0:39:24 | 0:39:27 | |
50. 55. 60. 60. | 0:39:27 | 0:39:30 | |
Five. 70. | 0:39:30 | 0:39:31 | |
70. 75. | 0:39:31 | 0:39:33 | |
80. 85? 85. | 0:39:33 | 0:39:36 | |
90. 95? 100? | 0:39:36 | 0:39:38 | |
100. And ten? 110. | 0:39:38 | 0:39:42 | |
-120? At £110 on my left. -No! -110. | 0:39:42 | 0:39:46 | |
Unfair. At £110, it's minus 140. | 0:39:46 | 0:39:49 | |
Which means overall, girls, you are minus 130. | 0:39:49 | 0:39:53 | |
-Now, the Flying Lady. -Lot 50. | 0:39:53 | 0:39:56 | |
The Rolls-Royce chromium-plated Spirit of Ecstasy radiator mascot. | 0:39:56 | 0:40:01 | |
£20 I am bid. £20. | 0:40:01 | 0:40:04 | |
25. 30, may I say? 30. | 0:40:04 | 0:40:06 | |
35. 40. | 0:40:06 | 0:40:08 | |
45? Nope? £40. | 0:40:08 | 0:40:10 | |
Right at the back, selling for 40. | 0:40:10 | 0:40:13 | |
-45. 50. -45? -55. | 0:40:13 | 0:40:15 | |
55. 60. | 0:40:15 | 0:40:17 | |
£60. All done? | 0:40:17 | 0:40:18 | |
-£60. -Oh, no! | 0:40:18 | 0:40:20 | |
£60. | 0:40:20 | 0:40:22 | |
I'm very sorry but that is minus £95. | 0:40:22 | 0:40:25 | |
That is minus £225. | 0:40:25 | 0:40:28 | |
This is getting tragic. | 0:40:28 | 0:40:30 | |
Double-up day. We're doubling up the losses! | 0:40:30 | 0:40:34 | |
That's it. | 0:40:34 | 0:40:35 | |
So what about this bonus buy? Are we going to go with David's fab gold bracelet? | 0:40:35 | 0:40:40 | |
-Absolutely. -You've made the decision. -Absolutely. | 0:40:40 | 0:40:43 | |
-This auctioneer... -Sink or swim. -You're going with it? -Yes. | 0:40:43 | 0:40:46 | |
This auctioneer is brilliant. He's taken the movement out, weighed the gold | 0:40:46 | 0:40:50 | |
-and he thinks there's 150 to £200-worth of gold. -Excellent. | 0:40:50 | 0:40:54 | |
Lot 55. The nine-carat gold ladies' wrist watch. | 0:40:54 | 0:40:59 | |
£150 I am bid. At 150. | 0:40:59 | 0:41:02 | |
60. 70. 180. | 0:41:02 | 0:41:04 | |
180 I've got. 190, anybody? | 0:41:04 | 0:41:06 | |
-190. -Come on! -200, is it? | 0:41:06 | 0:41:08 | |
At 190. All done? | 0:41:08 | 0:41:10 | |
-200? -Yes. -No? At £190. | 0:41:10 | 0:41:12 | |
-Well done, David Harper. -Well done, David. | 0:41:12 | 0:41:16 | |
Thank you. | 0:41:16 | 0:41:17 | |
You've won back £100 of profit on that. | 0:41:17 | 0:41:21 | |
That's a pretty cool lot, isn't it? | 0:41:21 | 0:41:23 | |
-He is a cool cat. -He is. | 0:41:23 | 0:41:25 | |
Which reduces your losses overall, to minus 125. | 0:41:25 | 0:41:31 | |
-Doesn't sound so bad. -Not when you say it quickly! | 0:41:31 | 0:41:34 | |
You never know, that could be a winning score. Don't say a thing to those brutish men. | 0:41:34 | 0:41:39 | |
-Been chatting, have we? Spilling the beans as to the winnings? -No idea. | 0:41:46 | 0:41:51 | |
-No? -No idea. | 0:41:51 | 0:41:53 | |
Well, I can reveal there is only a five pound note between the teams today. | 0:41:53 | 0:41:57 | |
Five pounds only. | 0:41:57 | 0:41:59 | |
Sorry. We've got it. | 0:41:59 | 0:42:01 | |
The team that have marginally made bigger losses than the other team are the reds. | 0:42:01 | 0:42:07 | |
Yay! | 0:42:07 | 0:42:08 | |
-Well done, lads. -Have we won? | 0:42:08 | 0:42:11 | |
-No. -Have we won? -No. -We lost. | 0:42:11 | 0:42:13 | |
You've lost. | 0:42:13 | 0:42:15 | |
Your face! | 0:42:17 | 0:42:18 | |
The reds are the runners-up. Sorry. But only five pounds between them. | 0:42:18 | 0:42:22 | |
Your total is minus £130. | 0:42:22 | 0:42:25 | |
Yes? Minus £130 is your total. | 0:42:25 | 0:42:28 | |
You did not, however, go with the bonus buy. | 0:42:28 | 0:42:31 | |
-Which is the smartest thing you've done today! -Thank you! | 0:42:31 | 0:42:34 | |
But moving across to the victors, who did go with the bonus buy, | 0:42:34 | 0:42:38 | |
which turned in a profit of £100, I have to say, | 0:42:38 | 0:42:41 | |
and saved the bacon, as you can imagine, £100 profit | 0:42:41 | 0:42:46 | |
on the gold watch, David. Well done for that. | 0:42:46 | 0:42:49 | |
And you managed to score minus 125. | 0:42:49 | 0:42:52 | |
-Brilliant. -Very good. -Yes. | 0:42:52 | 0:42:55 | |
Well played. Well done. Well done. | 0:42:55 | 0:42:57 | |
Anyway, we've had a tremendous day, despite the confusion. | 0:42:57 | 0:43:01 | |
Join us soon for more Bargain Hunting. Yes? | 0:43:01 | 0:43:03 | |
Yes! | 0:43:03 | 0:43:04 | |
Subtitles by Red Bee Media Ltd | 0:43:22 | 0:43:25 |