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Please may I have eight bacon sandwiches, | 0:00:03 | 0:00:06 | |
two sausage sandwiches, three cheeseburgers | 0:00:06 | 0:00:10 | |
-and one coffee with eight sugars. -OK, thank you. | 0:00:10 | 0:00:12 | |
Lovely, thank you. | 0:00:12 | 0:00:14 | |
I have the most terrible time feeding the crew and the contestants | 0:00:14 | 0:00:17 | |
but that little breakfast is just for David Barby! | 0:00:17 | 0:00:20 | |
Tim, I've got such an insatiable appetite. | 0:00:20 | 0:00:22 | |
That's not the only thing that's insatiable about you. | 0:00:22 | 0:00:25 | |
Let's go bargain hunting. | 0:00:25 | 0:00:27 | |
Welcome to the antique and collectors' fair | 0:00:58 | 0:01:00 | |
here at the Mona Show Ground on Anglesey. | 0:01:00 | 0:01:03 | |
The teams, the crew, have all been watered and fed now | 0:01:03 | 0:01:08 | |
and everyone is generally ready for the off. | 0:01:08 | 0:01:10 | |
James Lewis and reds Angela and Jeff treat the shopping like a race. | 0:01:12 | 0:01:17 | |
Hey, you guys. You're pretty Speedy Gonzalez, aren't you? | 0:01:17 | 0:01:20 | |
It's slow progress, though, for David Barby | 0:01:21 | 0:01:24 | |
with blues Pauline and Rachel. | 0:01:24 | 0:01:26 | |
-Is this the sort of glass you're looking for? -I love this. It's fab. | 0:01:26 | 0:01:30 | |
The coloured glass we're looking at is modern. Thank you. | 0:01:30 | 0:01:33 | |
And we're going to get no profit on it. | 0:01:33 | 0:01:35 | |
320, now. 320, 350... | 0:01:35 | 0:01:38 | |
So will the hare or the tortoise win at auction? | 0:01:38 | 0:01:41 | |
-And here we are. Hello, everyone. -Hello. -Great to see you. | 0:01:49 | 0:01:53 | |
-Now, Jeff, Ange is your oldest sister, right? -She is. | 0:01:53 | 0:01:56 | |
-And has that ever caused you any problems? -Lots of problems, Tim. | 0:01:56 | 0:02:00 | |
I think Ange wished I was a little sister | 0:02:00 | 0:02:03 | |
-because she used to dress me up as a girl. -Did she? | 0:02:03 | 0:02:07 | |
Make-up, the works - dresses. | 0:02:07 | 0:02:09 | |
-Has that damaged you psychologically at all? -Hopefully not. -No? | 0:02:09 | 0:02:14 | |
-Do you ever get a longing for tights? -Er, lipstick but not tights. | 0:02:14 | 0:02:18 | |
Lipstick, not tights. That's sensible. | 0:02:18 | 0:02:20 | |
-Now, Jeff, what's your main passion in life? -Football. | 0:02:20 | 0:02:23 | |
I've always been into it. I got involved with Liverpool Football Club. | 0:02:23 | 0:02:27 | |
I started a football collection from it. | 0:02:27 | 0:02:31 | |
Every time I used to go, picking up bits of memorabilia, programmes. | 0:02:31 | 0:02:34 | |
-They're lovely mementoes. -They're fantastic. | 0:02:34 | 0:02:37 | |
-And whether they win or lose... -Well, they used to win when I was a child. | 0:02:37 | 0:02:43 | |
-but not any more. -Well, things can always change. -They will. | 0:02:43 | 0:02:46 | |
-That's what's so brilliant. -They will. -Angela, do you collect anything? | 0:02:46 | 0:02:50 | |
Yes, I do. I collect mainly Enid Blyton books. | 0:02:50 | 0:02:53 | |
-I've got quite a few first editions. -Have you? | 0:02:53 | 0:02:56 | |
And other books, as well. | 0:02:56 | 0:02:57 | |
I've got The Count Of Monte Cristo, an old copy of that. | 0:02:57 | 0:03:00 | |
I've got a set of Charles Dickens that are over 100 years old. | 0:03:00 | 0:03:03 | |
That's a really nice thing to do. | 0:03:03 | 0:03:05 | |
And every time you come to a fair or a car boot, | 0:03:05 | 0:03:08 | |
-there's always old books. -Oh, yeah. | 0:03:08 | 0:03:10 | |
-People don't know what's there. -They don't. | 0:03:10 | 0:03:13 | |
You find them in charity shops, as well. They can be 10p. | 0:03:13 | 0:03:17 | |
So if you find an Enid Blyton first edition out there today... | 0:03:17 | 0:03:20 | |
-Yeah. -..will you be able to resist keeping it for yourself | 0:03:20 | 0:03:23 | |
-or will you give it to the programme? -No, I'll keep it. | 0:03:23 | 0:03:28 | |
You're not allowed to admit that. | 0:03:28 | 0:03:30 | |
-Anyway, I hope you have a lovely time. -Thank you. | 0:03:30 | 0:03:32 | |
Now, blues. How do you two know each other? | 0:03:32 | 0:03:36 | |
Me and Pauline are both custodians at Plas Mawr, | 0:03:36 | 0:03:39 | |
which is the finest Elizabethan townhouse in the country. | 0:03:39 | 0:03:44 | |
Really? Now, Pauline, I gather that Plas Mawr's got a ghost. | 0:03:44 | 0:03:47 | |
Well, yes. | 0:03:47 | 0:03:49 | |
There were some visitors who went upstairs to the attic rooms | 0:03:49 | 0:03:52 | |
and they came rushing down, they were all white-faced and rushing about, | 0:03:52 | 0:03:57 | |
saying they'd heard this ghost saying, "Leave. Leave." | 0:03:57 | 0:04:00 | |
Leave? That's not friendly, is it? Especially as they'd paid to come in. | 0:04:00 | 0:04:04 | |
-Exactly. I thought, "I'm not going up by myself." -No! | 0:04:04 | 0:04:07 | |
In case it told me to leave. So I asked Rachel to go with me. | 0:04:07 | 0:04:10 | |
And it turned out it was just the fire alarm system. | 0:04:10 | 0:04:15 | |
-Now, talking about spirits, Rachel, you're partial to a glass, aren't you? -I am. | 0:04:15 | 0:04:20 | |
I've been making homemade wine for the past ten years or so. | 0:04:20 | 0:04:24 | |
-On one occasion I was making rice and raisin wine. It had fermented. -Lovely. | 0:04:24 | 0:04:30 | |
I'd sieved it and just put the pulp in the bin. | 0:04:30 | 0:04:32 | |
And it was three days later, an elderly neighbour came to me | 0:04:32 | 0:04:36 | |
and asked why there was a flock of seagulls staggering around the street and falling off rooftops. | 0:04:36 | 0:04:41 | |
They'd eaten the pulp and that's got alcohol in it, | 0:04:42 | 0:04:45 | |
so they were sozzled and couldn't fly for a week. | 0:04:45 | 0:04:48 | |
How very funny. | 0:04:48 | 0:04:50 | |
-Pauline, you're a great fan of birds, though, aren't you? -Yes, I am. | 0:04:50 | 0:04:53 | |
-Any one in particular? -Chickens. | 0:04:53 | 0:04:55 | |
-What is it with you and chickens? -We had chickens when I was little. | 0:04:55 | 0:04:59 | |
-Yeah? -And I found on one of the internet sites | 0:04:59 | 0:05:02 | |
a place where you get rescue chickens. | 0:05:02 | 0:05:05 | |
-Rescued chickens? -Yes, from battery chickens. | 0:05:05 | 0:05:08 | |
-Really? From out of the oven? -No! | 0:05:08 | 0:05:10 | |
Get 'em out... What do you do, give them the kiss of life? | 0:05:10 | 0:05:13 | |
They don't have many feathers, so you can knit them little jumpers. | 0:05:13 | 0:05:17 | |
Get away! What, this is a registered charity? | 0:05:17 | 0:05:21 | |
-Yes! -Is it? | 0:05:21 | 0:05:22 | |
We're going to have the most super programme today, aren't we? | 0:05:22 | 0:05:25 | |
Anyway, here we go, look. Here's the £300. | 0:05:25 | 0:05:28 | |
Take the £300, you know the rules, your experts await and off you go | 0:05:28 | 0:05:32 | |
and very, very, very good luck. | 0:05:32 | 0:05:34 | |
Well, I don't know. Bald chickens? | 0:05:34 | 0:05:37 | |
Drunken seagulls? | 0:05:37 | 0:05:39 | |
Where do we get them from? | 0:05:39 | 0:05:41 | |
Right, teams, your hour starts now. | 0:05:44 | 0:05:47 | |
What are you after? | 0:05:47 | 0:05:49 | |
Some small silver, like vesta cases or something like that. | 0:05:49 | 0:05:53 | |
Something with dogs on. | 0:05:53 | 0:05:54 | |
Any coloured glass. | 0:05:54 | 0:05:55 | |
I really like silver but I'm not sure that'll sell well. | 0:05:55 | 0:05:59 | |
-A silver dog, then. -Maybe. -Let's go and have a look. | 0:05:59 | 0:06:03 | |
-Are those salt and pepper things? -Yeas but they're very ordinary. | 0:06:06 | 0:06:10 | |
Guys, what do you think to Moorcroft? | 0:06:10 | 0:06:12 | |
-That can be yours for £1,495. -Is that all? -Yeah. -Really. | 0:06:12 | 0:06:17 | |
We've got 300, it's a bit out of our price range. | 0:06:17 | 0:06:20 | |
-Those are popular. What do you think to those? -Is it a jug and bowl? | 0:06:20 | 0:06:23 | |
-Yes, it is a milk jug and bowl. -Jug and bowl together. | 0:06:23 | 0:06:26 | |
Please don't drop them. | 0:06:26 | 0:06:29 | |
There's a reason why I don't often look at ceramics. | 0:06:30 | 0:06:34 | |
If you drop a bronze, it dents the floor. | 0:06:34 | 0:06:36 | |
If you drop these, it's curtains. | 0:06:36 | 0:06:39 | |
-How old is this? -This is going to be about 1935. | 0:06:40 | 0:06:45 | |
It's nice and early. | 0:06:45 | 0:06:46 | |
You've got two bits instead of one. | 0:06:46 | 0:06:48 | |
-Erm... -He's just on his way. -Is he? OK. The stallholder's coming. | 0:06:48 | 0:06:52 | |
What could you do those two for? | 0:06:52 | 0:06:54 | |
One and a half. | 0:06:56 | 0:06:58 | |
One and a half. 150 quid. You've got two pieces. | 0:06:59 | 0:07:02 | |
-Mm. -I think that's a really good price. -Do you? -Yeah. | 0:07:02 | 0:07:06 | |
120 would be better. Can you do it? | 0:07:06 | 0:07:09 | |
It would be better for you, not for me. | 0:07:09 | 0:07:11 | |
I know, I know. | 0:07:11 | 0:07:13 | |
Go on, just for you. 120. | 0:07:13 | 0:07:15 | |
-If you're happy with it, I'll go with it. -Yeah. | 0:07:15 | 0:07:17 | |
-120 quid? Deal, deal? -Fine. -Thank you. | 0:07:17 | 0:07:20 | |
Well, there could be a chance of profit here for the reds. | 0:07:22 | 0:07:25 | |
Of course, any blue team profits will be turned into knitwear | 0:07:25 | 0:07:30 | |
for Pauline's bald chickens. | 0:07:30 | 0:07:32 | |
I'm going to buy some wool and some needles, so I should be all right. | 0:07:34 | 0:07:39 | |
So, should get a good few jumpers out of it. | 0:07:43 | 0:07:46 | |
-Cardigans, scarves... -No, just jumpers. | 0:07:48 | 0:07:52 | |
Gilets. | 0:07:52 | 0:07:53 | |
Leg warmers. | 0:07:54 | 0:07:55 | |
Little bobbly hats. | 0:07:55 | 0:07:57 | |
Sweat bands. | 0:07:57 | 0:07:59 | |
TIM SQUAWKS | 0:07:59 | 0:08:01 | |
Of course, the only way I like a chicken dressed | 0:08:01 | 0:08:04 | |
is with a nice bit of gravy. | 0:08:04 | 0:08:06 | |
Ah! | 0:08:06 | 0:08:07 | |
Hey, you guys. You're pretty Speedy Gonzalez, aren't you? | 0:08:07 | 0:08:11 | |
We're trying our best, Tim. | 0:08:11 | 0:08:13 | |
You've bought something in six minutes, right? | 0:08:13 | 0:08:16 | |
And then you got a thumping great reduction. | 0:08:16 | 0:08:19 | |
-I've been filled in with all the details. -Spying on us already. | 0:08:19 | 0:08:22 | |
We're up there watching, you know. | 0:08:22 | 0:08:25 | |
-So how are you feeling, Ange? Are you all right? -I'm enjoying it. | 0:08:25 | 0:08:28 | |
-It's lovely to see everything here. -Isn't it? | 0:08:28 | 0:08:30 | |
It's such of feast of objects. Always something interesting. | 0:08:30 | 0:08:35 | |
What have you found there? | 0:08:35 | 0:08:36 | |
"Great Eastern Steam Ship. | 0:08:36 | 0:08:39 | |
"Tons, 24,000, length, 692." | 0:08:39 | 0:08:43 | |
-Really? -Get away. Look at that. -Mm. | 0:08:43 | 0:08:46 | |
It's a little bit of memorabilia | 0:08:46 | 0:08:48 | |
relating to what was the largest iron-built ship in the world | 0:08:48 | 0:08:53 | |
at that moment. | 0:08:53 | 0:08:55 | |
I'm not sure if the Great Eastern was a paddle or a single screw | 0:08:55 | 0:08:58 | |
but it laid cables all round the world. | 0:08:58 | 0:09:01 | |
-Is that what it did? -Just at the moment that telegraph cables were being laid everywhere | 0:09:01 | 0:09:06 | |
and then it was very useful for that. | 0:09:06 | 0:09:09 | |
They had a huge problem in getting a length of wire | 0:09:09 | 0:09:12 | |
that would go across the Atlantic. | 0:09:12 | 0:09:14 | |
-You can imagine, really! -What you need | 0:09:14 | 0:09:16 | |
is 2,500 miles of wire on one vessel | 0:09:16 | 0:09:21 | |
in a series of rolls | 0:09:21 | 0:09:23 | |
and the Great Eastern was able to do that. | 0:09:23 | 0:09:26 | |
I think it did very well on that front. | 0:09:26 | 0:09:28 | |
That cowry shell could've come from the Caribbean, couldn't it? | 0:09:28 | 0:09:31 | |
Somebody's etched that or carved it. | 0:09:31 | 0:09:35 | |
I mean, he's the man. It's no wonder he does so well. | 0:09:35 | 0:09:38 | |
-Was that on that table? -Yeah. | 0:09:38 | 0:09:40 | |
-How much is it? -£28. | 0:09:40 | 0:09:42 | |
-£28. -That's not a lot of money, is it? | 0:09:42 | 0:09:44 | |
-When would that have been made? -That's mid 19th century. | 0:09:44 | 0:09:48 | |
This is a bit of high Victorian engineering, it's an important part | 0:09:48 | 0:09:52 | |
of Brunel, Britain, all that made this country great, | 0:09:52 | 0:09:57 | |
a century and a half ago. | 0:09:57 | 0:09:59 | |
It's all wrapped up in a shell that somebody's carved. | 0:09:59 | 0:10:02 | |
How can I influence them any more? | 0:10:02 | 0:10:05 | |
Let's see what he'll take for it. | 0:10:05 | 0:10:06 | |
-What would be your best? -I'll do that for 25, sir. | 0:10:06 | 0:10:10 | |
-25. Yes? -I'm happy with that. -I'm happy with that? -Yeah, definitely. | 0:10:10 | 0:10:14 | |
Profit in it for both of us. Thank you. Deal. | 0:10:14 | 0:10:17 | |
That's two deals in 11 minutes. Slow down, reds! | 0:10:19 | 0:10:23 | |
This is no race. | 0:10:23 | 0:10:25 | |
I've just dug this out of a casket. | 0:10:32 | 0:10:35 | |
Now, what do you think? | 0:10:35 | 0:10:36 | |
-It's a lovely shape, isn't it? -Feel the weight. | 0:10:36 | 0:10:39 | |
It's not an early one. It's a lump of silver. | 0:10:40 | 0:10:43 | |
But it's a very functional piece. | 0:10:43 | 0:10:46 | |
Breathe on it there. | 0:10:47 | 0:10:48 | |
-Do you see the mark come up? -Yeah. | 0:10:50 | 0:10:52 | |
It's fully hallmarked, there. | 0:10:52 | 0:10:54 | |
It's a fairly late mark. What's the date on it? | 0:10:54 | 0:10:56 | |
It's 1971 and I don't think it's ever been used. | 0:10:57 | 0:11:00 | |
-It's not dented or anything, is it? -It's late. | 0:11:00 | 0:11:03 | |
I've got to get out of the idea of thinking everything has to be old. | 0:11:03 | 0:11:06 | |
-Some things modern in a Georgian style are very acceptable. -Mm-hm. | 0:11:08 | 0:11:12 | |
Rachel, feel the weight. | 0:11:12 | 0:11:14 | |
-Yeah, there's some weight in it. -It is good. -It's nice, isn't it? | 0:11:14 | 0:11:18 | |
Substantial. That's what I like about it. | 0:11:18 | 0:11:20 | |
-It looks class. -It does look class. | 0:11:20 | 0:11:23 | |
Like us. What's the price on that? | 0:11:23 | 0:11:26 | |
It's priced at £120. He'll take 80 for it. | 0:11:26 | 0:11:29 | |
Do you think we'd make much of a profit on that? | 0:11:29 | 0:11:32 | |
Ooh, I think it's all its money at auction. | 0:11:32 | 0:11:36 | |
-I don't think you'll make a profit on it. -OK. | 0:11:36 | 0:11:38 | |
-You could do. That's a risk you'd have to take. -Mm. | 0:11:38 | 0:11:42 | |
I'm not going to say it's a bargain at £80. | 0:11:42 | 0:11:44 | |
-Is it worth going for it? -Well, I'll have a go if... | 0:11:44 | 0:11:48 | |
-Yeah, I think we'll have a go. Yes. -You'll have a go? -We'll have a go. | 0:11:48 | 0:11:52 | |
Right, I'll go and settle up. | 0:11:52 | 0:11:54 | |
Well, it's about time you did have a go, girls, | 0:11:54 | 0:11:57 | |
because the reds might have found their last buy. | 0:11:57 | 0:11:59 | |
That little box, there, the wooden one. | 0:12:03 | 0:12:06 | |
-Do you want to have a look at it? -Could we? | 0:12:06 | 0:12:08 | |
Hi. Could we have a look at the boxwood card case, please? | 0:12:08 | 0:12:12 | |
-Is that what it is? -It's a visiting-card case. | 0:12:14 | 0:12:17 | |
-This one? -Thank you. | 0:12:17 | 0:12:18 | |
-How much is it? Oh! It's £155. -Too much money. | 0:12:24 | 0:12:28 | |
-It's a card holder, is it? -Yeah. | 0:12:28 | 0:12:30 | |
It's Chinese Canton boxwood. | 0:12:30 | 0:12:34 | |
How old do you think that is? | 0:12:34 | 0:12:36 | |
It's likely to have been made between 1870 and 1900, | 0:12:36 | 0:12:40 | |
when the trade links between England and China were at their strongest. | 0:12:40 | 0:12:44 | |
-How frequently are these in auction? -Regularly. -Oh, are they? -Right. | 0:12:44 | 0:12:48 | |
-So it's not that rare? -It's not rare but they are doing well. | 0:12:48 | 0:12:51 | |
-OK, so how much are these going for? -Totally different kettle of fish, | 0:12:51 | 0:12:56 | |
I saw a tortoiseshell one, about the same quality as this, | 0:12:56 | 0:12:59 | |
-make 3,500 the other day. -Really? | 0:12:59 | 0:13:02 | |
I've seen boxwood ones of nicer quality making £400, 500. | 0:13:02 | 0:13:08 | |
-Right. -Do you think that's got age to it? -Yeah. | 0:13:08 | 0:13:12 | |
-It's not a modern reproduction? -No. | 0:13:12 | 0:13:14 | |
Again, the work that's gone into that. | 0:13:14 | 0:13:16 | |
-Do you see where the edges are slightly proud? -Yeah. | 0:13:16 | 0:13:20 | |
-Do you see there's a shine on them? -Yeah. | 0:13:20 | 0:13:22 | |
-Is that wear? -That's 100 years of that | 0:13:22 | 0:13:25 | |
-and where it's too deep, there's a matt finish. -Yeah. | 0:13:25 | 0:13:29 | |
-Did you buy it well? -Yes, absolutely. -It's a... | 0:13:30 | 0:13:34 | |
-Nice ones are never cheap. -No, they're not. | 0:13:34 | 0:13:36 | |
-Does it owe you a lot of money? -I'm afraid it does, yeah. | 0:13:36 | 0:13:40 | |
-I can help a little. What have we got? -155. -155. | 0:13:40 | 0:13:44 | |
I could do it for 120. | 0:13:44 | 0:13:46 | |
120. | 0:13:46 | 0:13:48 | |
What do you think? Is that the very best? | 0:13:49 | 0:13:51 | |
Erm, yes, it is, really, yes. | 0:13:51 | 0:13:54 | |
-No chance of a little bit less? -Perhaps a fiver more. | 0:13:54 | 0:13:57 | |
Would you take 100 for it? That would give us a fighting chance. | 0:13:57 | 0:14:01 | |
Erm, it's leaving very little but yeah, I'll do £100. | 0:14:02 | 0:14:07 | |
-There's still a little profit in there? -Very small. | 0:14:07 | 0:14:10 | |
He's had a profit, it gives us a fighting chance. | 0:14:10 | 0:14:13 | |
-Go for it. I think we should go for this. -Go on, then. | 0:14:13 | 0:14:16 | |
-I'm happy. -You chose it. -Yeah! | 0:14:16 | 0:14:18 | |
-I'm happy to go for it. -It's your show. | 0:14:18 | 0:14:21 | |
Well, that, I think was a record shop. | 0:14:23 | 0:14:25 | |
We did it in about half the time. I'll buy you a drink. | 0:14:25 | 0:14:27 | |
But will it be a case of too much haste, James? | 0:14:27 | 0:14:32 | |
Talking of cases, the blues have got one. | 0:14:32 | 0:14:35 | |
Rachel, this is about the only thing you've indicated you like. | 0:14:36 | 0:14:41 | |
Why do you like that? | 0:14:41 | 0:14:42 | |
It's just quite an interesting little piece, really. | 0:14:42 | 0:14:45 | |
-Do you like mother-of-pearl? -I do. | 0:14:45 | 0:14:47 | |
-Do you have jewellery with mother-of-pearl in it? -Only one very small piece | 0:14:47 | 0:14:52 | |
from my grandmother. | 0:14:52 | 0:14:54 | |
That's a little ring box. Can you open it up? | 0:14:54 | 0:14:56 | |
And it's lined with ivory. | 0:14:57 | 0:15:00 | |
I don't think this has ever, ever been used | 0:15:00 | 0:15:03 | |
because it's got its original silk. | 0:15:03 | 0:15:05 | |
Just fraying slightly there but that indicates its age. | 0:15:05 | 0:15:08 | |
Nothing to worry about. I think that's rather nice. | 0:15:08 | 0:15:11 | |
-I quite like that. -Yes, I think it's lovely. | 0:15:11 | 0:15:13 | |
And the ivory is all right because it is Victorian, you say? | 0:15:13 | 0:15:17 | |
It is Victorian, it's not post 1947. | 0:15:17 | 0:15:21 | |
-And all the pieces are there. -Yeah, there's nothing... | 0:15:23 | 0:15:26 | |
And it's got its little feet and if you look underneath, | 0:15:26 | 0:15:28 | |
it's got its original lacquered paper. | 0:15:28 | 0:15:31 | |
-So it's quite nice. -It's amazing, that. | 0:15:31 | 0:15:33 | |
A lot of these things do come off | 0:15:33 | 0:15:35 | |
because they've been stored where it's damp | 0:15:35 | 0:15:38 | |
and the glue underneath lifts. | 0:15:38 | 0:15:40 | |
But I think that's quite a nice little box. | 0:15:40 | 0:15:43 | |
-If we can get it for round about 60 or something like that? -Yeah. | 0:15:44 | 0:15:50 | |
We'll make a bit of profit on that then? | 0:15:50 | 0:15:52 | |
We'll make a reasonable profit but not a vast amount. | 0:15:52 | 0:15:55 | |
You haven't got one of these items that's going to bring you £200, £300 profit. | 0:15:55 | 0:15:59 | |
OK. I quite like that. | 0:15:59 | 0:16:01 | |
-Shall we have a go with that? You happy with that? -Yes, I am. | 0:16:02 | 0:16:05 | |
I can do it for 65. | 0:16:06 | 0:16:09 | |
Any less? 60? | 0:16:09 | 0:16:10 | |
I paid, what was it? 62. | 0:16:11 | 0:16:13 | |
62. | 0:16:13 | 0:16:15 | |
-Are you quite happy with 62? -Yeah. -It's a nice box. | 0:16:15 | 0:16:18 | |
-It's halfway, isn't it? -Yeah. -OK. -Yeah. It's a nice box. | 0:16:18 | 0:16:21 | |
-Well, let's pay up and move on. -Yeah. | 0:16:21 | 0:16:23 | |
Now, don't drop off | 0:16:23 | 0:16:25 | |
because I've spied something interesting outside. | 0:16:25 | 0:16:28 | |
Do you know what it is? | 0:16:32 | 0:16:34 | |
It's a tricky object, I have to tell you. | 0:16:34 | 0:16:36 | |
You won't believe it but this thing is made of solid brass. | 0:16:36 | 0:16:41 | |
Just look on that edge there. See? | 0:16:41 | 0:16:43 | |
It's all brassy underneath this paint effect. | 0:16:43 | 0:16:46 | |
Down this end, we've got a turned wooden bit, | 0:16:46 | 0:16:48 | |
which is the handle, | 0:16:48 | 0:16:50 | |
and through the handle you've got a hole | 0:16:50 | 0:16:52 | |
and it would have had a thong set in there, | 0:16:52 | 0:16:56 | |
a length of leather which came out of it here | 0:16:56 | 0:16:58 | |
that you'd have around your wrist, | 0:16:58 | 0:17:00 | |
so that this thing could be about your person | 0:17:00 | 0:17:03 | |
or on your horse. | 0:17:03 | 0:17:05 | |
Think about it. | 0:17:06 | 0:17:08 | |
Why have you got a solid brass tube, | 0:17:08 | 0:17:11 | |
covered in a brown, blotchy paint job, with a wooden handle, | 0:17:11 | 0:17:14 | |
that's capable of being hung from your horse? | 0:17:14 | 0:17:17 | |
The secret is, of course, | 0:17:17 | 0:17:19 | |
that the brown paint job is camouflage. | 0:17:19 | 0:17:22 | |
Because the person who used this didn't want it shining in the sunlight, | 0:17:22 | 0:17:27 | |
giving away their position, | 0:17:27 | 0:17:30 | |
and the secret becomes more obvious if I twist this little flange on the top | 0:17:30 | 0:17:36 | |
and reveal that bit - it's a mirror. | 0:17:36 | 0:17:39 | |
And if I tweak the bottom bit through that flange, | 0:17:39 | 0:17:43 | |
it reveals another mirror. | 0:17:43 | 0:17:46 | |
So, if I was in the Boer War, | 0:17:46 | 0:17:50 | |
which is when this thing dates from, | 0:17:50 | 0:17:52 | |
and I wanted to find whether one of those beastly Boers | 0:17:52 | 0:17:56 | |
were over the top of a ridge, | 0:17:56 | 0:17:58 | |
what I'd do is I'd get off my horse, | 0:17:58 | 0:18:01 | |
I'd go up to the ridge, I'd stick this periscope up | 0:18:01 | 0:18:04 | |
and I'd have a little squint through there. | 0:18:04 | 0:18:06 | |
Oh, I say! | 0:18:09 | 0:18:11 | |
There, you see? | 0:18:11 | 0:18:13 | |
It's got a civilian application even today. | 0:18:13 | 0:18:17 | |
What would such a relic from Britain's military and empire past | 0:18:17 | 0:18:23 | |
cost you today? | 0:18:23 | 0:18:24 | |
It could be yours for under £50. | 0:18:24 | 0:18:27 | |
Now, back to the blues shopping for their final item | 0:18:29 | 0:18:33 | |
and a rather frustrated David Barby. | 0:18:33 | 0:18:35 | |
They've looked at so many other pieces | 0:18:37 | 0:18:39 | |
and I don't get any comeback, any enthusiasm. | 0:18:39 | 0:18:43 | |
Put the beans in there, seal it up, | 0:18:43 | 0:18:47 | |
and put that in there... | 0:18:47 | 0:18:48 | |
and the burner would roast the beans. | 0:18:49 | 0:18:52 | |
That's lovely. | 0:18:52 | 0:18:53 | |
Pauline's appreciating the history behind the objects, | 0:18:53 | 0:18:57 | |
particularly that little coffee grinder, which is brilliant. | 0:18:57 | 0:19:01 | |
-You don't like it? -No. -It's very different, isn't it? | 0:19:01 | 0:19:05 | |
I know it's quirky and I know it's different | 0:19:05 | 0:19:07 | |
-but it's... -You specifically said quirky items. | 0:19:07 | 0:19:11 | |
Rachel doesn't like that and she's now looking for coloured glass. | 0:19:11 | 0:19:15 | |
-Is this the sort of glass you're looking for? -I love this. This is fab. | 0:19:15 | 0:19:19 | |
The coloured glass we're looking at is modern | 0:19:19 | 0:19:22 | |
and we're going to get no profit on it. | 0:19:22 | 0:19:24 | |
No such frustration for James. | 0:19:24 | 0:19:27 | |
Oh, no. He's all done. Only one thing on his mind. | 0:19:27 | 0:19:30 | |
Do you have a really big sausage? | 0:19:30 | 0:19:32 | |
I understand that James Lewis has finished now. | 0:19:32 | 0:19:35 | |
I wish I had that opportunity | 0:19:35 | 0:19:37 | |
but it's excitement, isn't it, until the last minute? | 0:19:37 | 0:19:40 | |
That last second. | 0:19:40 | 0:19:42 | |
So, we'll see how it goes. | 0:19:42 | 0:19:44 | |
Well, if it's glass Rachel wants, it's glass she'll get. | 0:19:44 | 0:19:49 | |
So this is an interesting shape. | 0:19:49 | 0:19:51 | |
This is probably by Powell and Co., it's Birmingham, | 0:19:51 | 0:19:54 | |
and they specialised in these sort of tear drops at the side. | 0:19:54 | 0:19:57 | |
Rachel. Glass, glass. | 0:19:57 | 0:19:59 | |
-Glass. -Does your hand tremble with excitement? -Yes, it does. | 0:19:59 | 0:20:03 | |
Well, it is hallmarked. The price is £60. | 0:20:03 | 0:20:07 | |
-What do you think? -And it is silver? -Silver base. | 0:20:09 | 0:20:13 | |
It looks organic, to me. Does it look organic to you? | 0:20:13 | 0:20:16 | |
-It looks very much like a sort of Powell glass. -Yes, it does. | 0:20:16 | 0:20:20 | |
-What you want is a green blob in there. -I know, I know. | 0:20:20 | 0:20:23 | |
-What do you think, girls? -I quite like it. -I like it. | 0:20:23 | 0:20:26 | |
-And you're passionate about glassware? -I am. -She is. | 0:20:26 | 0:20:29 | |
I'm just the bearer of bad news, really, because time's running out. | 0:20:29 | 0:20:32 | |
You've not done a lot in the last half an hour. | 0:20:32 | 0:20:35 | |
-I mean, you have done lots but we've got to buy the stuff or... -Tim? | 0:20:35 | 0:20:38 | |
-What's that? -Goodbye. -Oh, thanks. | 0:20:38 | 0:20:40 | |
-Right... -£60. I think that's a great price. -Yeah. | 0:20:44 | 0:20:46 | |
-You think so? -Yeah. -Let's go for it. -Let's go for it. -Yeah. | 0:20:46 | 0:20:50 | |
At last they agree! | 0:20:50 | 0:20:53 | |
But is our Rachel happy? | 0:20:53 | 0:20:55 | |
-Are you excited about it? -I am excited, yes. | 0:20:56 | 0:20:58 | |
-Can you not tell? -No. No. | 0:20:58 | 0:21:01 | |
Look excited! | 0:21:01 | 0:21:03 | |
Oh, I am excited! | 0:21:03 | 0:21:06 | |
Oh, calm down, David. You're not in a disco. | 0:21:06 | 0:21:09 | |
Now our experts have to shop for their teams' bonus buys | 0:21:09 | 0:21:13 | |
with the leftover lolly. | 0:21:13 | 0:21:14 | |
How much? Let's find out. | 0:21:14 | 0:21:16 | |
Jeff and Angela raced to their first buy, | 0:21:18 | 0:21:21 | |
two pieces of Moorcroft for £120. | 0:21:21 | 0:21:25 | |
Minutes later, they had this engraved shell for a mere 25. | 0:21:27 | 0:21:31 | |
And they finished their shop with this boxwood card case for 100. | 0:21:32 | 0:21:37 | |
So what's this? Treats and rewards is it? | 0:21:40 | 0:21:43 | |
I mean, there you go, 20-minute shop. | 0:21:43 | 0:21:46 | |
-We don't hang around, Tim. -You certainly don't hang around. -Well, we were decisive. | 0:21:46 | 0:21:52 | |
-So what did you spend, then, actually? -£245. | 0:21:52 | 0:21:56 | |
£245. That is such a good number. | 0:21:56 | 0:21:58 | |
-£245. So I want £55 back, don't I? £55. -There you go, Tim. | 0:21:58 | 0:22:03 | |
-Here's your £55. -Thank you. | 0:22:03 | 0:22:05 | |
-What are you going to do with that, Jimmy? -I'm going to try and find something oriental. | 0:22:05 | 0:22:10 | |
Because you love it, don't you? So I'm going to go in search of something like that. | 0:22:10 | 0:22:14 | |
And it can sell very well at auction. So good luck with that. | 0:22:14 | 0:22:17 | |
Take your sandwich with you. Perfect. | 0:22:17 | 0:22:20 | |
Now we're going to remind ourselves what the blue team bought. | 0:22:20 | 0:22:24 | |
Pauline and Rachel bought the sauce boat first for £80. | 0:22:26 | 0:22:29 | |
They then plumped for the mother-of-pearl casket at 62. | 0:22:32 | 0:22:36 | |
And in the last few minutes, they found this vase for £60. | 0:22:36 | 0:22:40 | |
You've missed out on the scoff and the tea because you took so long. | 0:22:43 | 0:22:47 | |
We took the precise hour, Tim, that we were allotted, | 0:22:47 | 0:22:50 | |
-did we not, girls? -We did. | 0:22:50 | 0:22:51 | |
And the others have had their sausage sandwiches and cha. | 0:22:51 | 0:22:55 | |
But never mind. You could have stolen the march on them | 0:22:55 | 0:22:58 | |
and got the biggest bargain of all. | 0:22:58 | 0:23:00 | |
-How much did you spend? -202. | 0:23:00 | 0:23:03 | |
-202? That's a good number, isn't it? -It is. -2:2. Like David's degree. | 0:23:03 | 0:23:07 | |
OK, you tutus, I'd like £98 then, please. | 0:23:09 | 0:23:14 | |
98 smackers coming. That's lovely. | 0:23:14 | 0:23:16 | |
That goes straight across to David Barby. | 0:23:16 | 0:23:18 | |
What are you going to do with all that smackerage? | 0:23:18 | 0:23:21 | |
I quite honestly do not know. | 0:23:21 | 0:23:23 | |
-Really? -It's one of those things. | 0:23:23 | 0:23:25 | |
I'm going to spot something and go, "Right, that's Rach or that's Pauline." | 0:23:25 | 0:23:30 | |
It's their choice. I want something that will make them happy. | 0:23:30 | 0:23:33 | |
Yeah, make them happy but what would make them best happy is the biggest profit. | 0:23:33 | 0:23:37 | |
And profit is the point of this game. | 0:23:38 | 0:23:41 | |
We'll find out how much later at the auction. | 0:23:41 | 0:23:43 | |
For now, let's take a short trip to the home of Lord Anglesey, | 0:23:43 | 0:23:47 | |
Plas Newydd. | 0:23:47 | 0:23:49 | |
In the past, a grand house like this | 0:23:57 | 0:24:00 | |
would have sat in the heart of an estate, | 0:24:00 | 0:24:02 | |
acres of land as far as the eye could see. | 0:24:02 | 0:24:05 | |
The family's estates in the 1780s extended to some 100,000 acres. | 0:24:10 | 0:24:17 | |
You think about it - 100,000 acres. | 0:24:17 | 0:24:20 | |
How many tenants, exactly, would you have on 100,000 acres? | 0:24:20 | 0:24:25 | |
Well, if the average size of each farm was, say, 50 acres, | 0:24:25 | 0:24:30 | |
on 100,000 acres you'd have over 2,000 tenants. | 0:24:30 | 0:24:35 | |
And what happened to those 2,000 tenants? | 0:24:35 | 0:24:39 | |
Well, every single quarter day, that's four times a year, | 0:24:39 | 0:24:43 | |
they'd foregather in the agent's office. | 0:24:43 | 0:24:46 | |
And they'd sit around a table like this | 0:24:46 | 0:24:48 | |
and each of those tenants would be eyeballed by the agent | 0:24:48 | 0:24:52 | |
and he'd say, "What's your name?" | 0:24:52 | 0:24:54 | |
And the tenant would say, "My name's Burke." | 0:24:54 | 0:24:57 | |
And he'd say, "Ah, now, Burke. Right." | 0:24:57 | 0:25:00 | |
And he'd twizzle the rent table around | 0:25:00 | 0:25:02 | |
until you get to the right drawer. | 0:25:02 | 0:25:04 | |
They've got the alphabet inlaid on them | 0:25:04 | 0:25:07 | |
and he'd take out the tenancy agreement for Burke. | 0:25:07 | 0:25:11 | |
"Right," he'd say, "Burke. Let me see." | 0:25:11 | 0:25:15 | |
The tenancy agreement says that on every quarter day - | 0:25:15 | 0:25:18 | |
and quarter days were Christmas Day, Midsummer's Day, | 0:25:18 | 0:25:22 | |
Lady Day, which is in March, | 0:25:22 | 0:25:25 | |
and Michaelmas, which is in September - | 0:25:25 | 0:25:27 | |
and on each of those days each of the tenants would have to come in to the office. | 0:25:27 | 0:25:31 | |
The agent would remove the centre section on a rent table like this | 0:25:31 | 0:25:37 | |
and he's day, "OK, fine, here's your tenancy agreement. | 0:25:37 | 0:25:40 | |
"You owe a quarter's rent, that's one pound eight and sixpence." | 0:25:40 | 0:25:44 | |
He'd initial that one pound eight and sixpence had been paid, | 0:25:44 | 0:25:48 | |
post the money into the middle | 0:25:48 | 0:25:50 | |
and, hey presto, your quarter's rent was paid up. | 0:25:50 | 0:25:54 | |
Now, this is a relic of those rent-paying days | 0:25:54 | 0:25:58 | |
that would, originally, have sat in the agent's office | 0:25:58 | 0:26:02 | |
in rather a humble position in the house. | 0:26:02 | 0:26:04 | |
But today, the Trust have it here on Anglesey on public display | 0:26:04 | 0:26:09 | |
in a grand room, | 0:26:09 | 0:26:11 | |
just as an example of bygone days and how these things happened. | 0:26:11 | 0:26:16 | |
The big question is today, of course, | 0:26:16 | 0:26:19 | |
are our teams likely or even able to do the business | 0:26:19 | 0:26:23 | |
over at the auction? | 0:26:23 | 0:26:25 | |
'And our auction today is in the market town of Nantwich, | 0:26:29 | 0:26:34 | |
'under the direction of Robert Stones. | 0:26:34 | 0:26:36 | |
'Now, what will he think of James' bonus buy?' | 0:26:38 | 0:26:42 | |
-Now, Jeff, no Ange? -No Ange, I'm afraid. She's in Boston. | 0:26:47 | 0:26:51 | |
-Is she? -She is. -Business or pleasure? -Business. | 0:26:51 | 0:26:55 | |
-Ah, we'll let her off, then. -Only just. | 0:26:55 | 0:26:57 | |
£55 of leftover lolly went from you and Ange to James Lewis. | 0:26:57 | 0:27:02 | |
-Did he blow the lot? James? -Not quite but the majority of it. | 0:27:02 | 0:27:06 | |
-Oh! -LAUGHTER | 0:27:06 | 0:27:09 | |
What do you think to that? | 0:27:09 | 0:27:11 | |
-Well... -That's me with an moustache, I think! | 0:27:11 | 0:27:14 | |
I just looked at that and I thought, "People are either going to love it or hate it." | 0:27:14 | 0:27:19 | |
-What is it? -It's actually a mask. A miniature Japanese mask. | 0:27:19 | 0:27:24 | |
-Oh, right. -It's been framed around 1890 to 1900, | 0:27:24 | 0:27:29 | |
so it's a Meiji period mask | 0:27:29 | 0:27:30 | |
that somebody has thought was great fun, had it framed. | 0:27:30 | 0:27:33 | |
It's never been out of its frame, so that's in its favour. | 0:27:33 | 0:27:37 | |
It's in lovely condition. | 0:27:37 | 0:27:38 | |
It is a sort of macabre-looking thing, isn't it? | 0:27:38 | 0:27:41 | |
But I must say, the frame has done it a great favour | 0:27:41 | 0:27:44 | |
in keeping it in brilliant nick, hasn't it? | 0:27:44 | 0:27:46 | |
Whether you like this frame or not, it is all sealed up. | 0:27:46 | 0:27:50 | |
-These things are called Noh masks. -Oh, right. -N-O-H masks. | 0:27:50 | 0:27:53 | |
Also "no", because they have no chance of making a profit, I think. | 0:27:53 | 0:27:57 | |
Well, I've got to say, I do like its unusualness. | 0:27:59 | 0:28:01 | |
They'd be set up as puppets, these things | 0:28:01 | 0:28:04 | |
and you'd then do a performance, like Punch and Judy, | 0:28:04 | 0:28:07 | |
but with 60 or 80 characters all running around in their costumes. | 0:28:07 | 0:28:11 | |
-How much did you pay again? -£32. -£32. | 0:28:11 | 0:28:13 | |
Any money in it, do you think? If there's Japanese collectors there. | 0:28:13 | 0:28:17 | |
-I think it's worth £35-40. I don't see a lot of profit in it. -No. | 0:28:17 | 0:28:22 | |
What do you think Ange would think about it? | 0:28:22 | 0:28:24 | |
-Erm... -Do you want to ring her up in Boston? | 0:28:24 | 0:28:27 | |
-No. -What time is it in Boston? -She can phone me. | 0:28:27 | 0:28:30 | |
-I love that. -I think she'd be laughing about it, that's for sure. | 0:28:32 | 0:28:35 | |
The responsibility is yours but for the audience, | 0:28:35 | 0:28:38 | |
let's find out what the auctioneer thinks about James' Noh mask. | 0:28:38 | 0:28:42 | |
Well, he's an odd-looking fellow, isn't he? | 0:28:44 | 0:28:46 | |
Well, er... | 0:28:47 | 0:28:48 | |
Wouldn't want to meet him on a dark night, I tell you. | 0:28:48 | 0:28:51 | |
I don't know quite what to say about this, to be honest. | 0:28:51 | 0:28:53 | |
It's always difficult when you see something like this that's sealed. | 0:28:53 | 0:28:57 | |
Ah, yes. | 0:28:57 | 0:28:59 | |
Although I have tried to get inside this sealed box, | 0:28:59 | 0:29:03 | |
-I can't get into it. -Yes. | 0:29:03 | 0:29:05 | |
So I'm not entirely sure if this Noh figurehead is porcelain or not because I can't check it. | 0:29:05 | 0:29:12 | |
-It could be wood, couldn't it? -It could. -Sometimes they are. | 0:29:12 | 0:29:16 | |
But odd things can do better than average, can't they? | 0:29:16 | 0:29:19 | |
Well, we'll see. | 0:29:19 | 0:29:21 | |
You clearly love it, Robert. | 0:29:21 | 0:29:24 | |
-What is your estimate? -20 to 40. | 0:29:24 | 0:29:26 | |
Very good. £32 was paid by James, | 0:29:26 | 0:29:29 | |
who's a genius when it comes to finding the oddball, | 0:29:29 | 0:29:32 | |
and we'll hope for the best. | 0:29:32 | 0:29:33 | |
Now, a subject close to your heart. | 0:29:33 | 0:29:36 | |
-Moorcroft. -Absolutely. | 0:29:36 | 0:29:38 | |
Moorcroft made in Cobridge, which is about ten miles from here, | 0:29:38 | 0:29:43 | |
so there's a great following for it and people love the stuff. | 0:29:43 | 0:29:47 | |
These are two particularly plain and ordinary pieces, though, aren't they? | 0:29:47 | 0:29:52 | |
-I know but they're going to do OK. -Are they? -I think so. | 0:29:52 | 0:29:55 | |
I like your reassurance, there. | 0:29:55 | 0:29:57 | |
Well, how much is OK, then? | 0:29:57 | 0:29:58 | |
-Well, we think £80 to 120. -OK. £120 paid. | 0:29:58 | 0:30:03 | |
-So they're pretty well at the top end of the range. -Yeah. | 0:30:03 | 0:30:07 | |
We'll be relying on you, Robert, but we trust you. | 0:30:07 | 0:30:10 | |
-Now, what about the Great Eastern Steam Ship...? -Little shell. | 0:30:10 | 0:30:15 | |
Probably a souvenir, if you like, of the Great Eastern shipping line. | 0:30:15 | 0:30:20 | |
And it's got the tonnage | 0:30:20 | 0:30:22 | |
and the length of the ship on the shell as well, | 0:30:22 | 0:30:26 | |
acid etched. | 0:30:26 | 0:30:27 | |
Yeah, and of course, people do collect things which relate to the great Victorian vessels | 0:30:27 | 0:30:33 | |
-What do you think it might bring? -15 to 25. | 0:30:33 | 0:30:35 | |
£25 paid, so they're pretty well spot-on with that, too. | 0:30:35 | 0:30:38 | |
Finally, the little Chinese export card case. | 0:30:38 | 0:30:43 | |
I like to see these in ivory, myself. | 0:30:43 | 0:30:46 | |
-I'm not so keen on the wooden ones. -Yeah, I have to agree with you. | 0:30:46 | 0:30:49 | |
If it was made out of ivory, it would be a beautiful thing | 0:30:49 | 0:30:53 | |
but it is what it is, it's carved out of wood. | 0:30:53 | 0:30:55 | |
It's in great condition, it's not been knocked about, | 0:30:55 | 0:30:58 | |
as so often they can be, | 0:30:58 | 0:31:00 | |
with the fine carving being so delicate. | 0:31:00 | 0:31:02 | |
-We're saying 30 to 50. -£100 paid. | 0:31:02 | 0:31:05 | |
So I think if there's a dark hole, it will revolve around the card case. | 0:31:05 | 0:31:10 | |
-So we've all learnt something from that. -Mm. | 0:31:10 | 0:31:12 | |
That's it for the reds, now for the blues, | 0:31:12 | 0:31:15 | |
-which look much more conventional. -Yeah. | 0:31:15 | 0:31:18 | |
This should be a walk in the park, I think. | 0:31:18 | 0:31:20 | |
A very nice silver sauce boat. | 0:31:20 | 0:31:23 | |
It's unfortunately not very old. It's a relatively modern thing | 0:31:23 | 0:31:27 | |
but silver prices are very buoyant at the moment. | 0:31:27 | 0:31:30 | |
It's a very conventional shape. | 0:31:30 | 0:31:32 | |
I think we might do OK with that. | 0:31:32 | 0:31:34 | |
-Like, how well? -90 to 120. | 0:31:34 | 0:31:36 | |
Perfect. £80 paid. | 0:31:36 | 0:31:38 | |
And what about the little ring casket? | 0:31:38 | 0:31:41 | |
I think it's extremely difficult to age this. | 0:31:41 | 0:31:44 | |
The condition of it is incredible. | 0:31:44 | 0:31:46 | |
Everything about it is absolutely pristine. | 0:31:46 | 0:31:49 | |
-Brand Harry spankers, then, potentially? -Could be. | 0:31:49 | 0:31:52 | |
But there may be somebody that likes it. | 0:31:52 | 0:31:54 | |
It's almost too good to be true. | 0:31:54 | 0:31:56 | |
-What would your estimate be? -40 to 60. | 0:31:56 | 0:31:58 | |
Fair enough. £62 paid. So they're in the frame, more or less. | 0:31:58 | 0:32:02 | |
The last item is quite fun. | 0:32:02 | 0:32:04 | |
I like these tear drop, solifleur, | 0:32:04 | 0:32:08 | |
these kind of single flower head type vases. | 0:32:08 | 0:32:10 | |
-Does that appeal to you? -Yes, it's not a bad piece. | 0:32:10 | 0:32:14 | |
The big thing about this is that the glass is in good condition. | 0:32:14 | 0:32:18 | |
The downside is, | 0:32:18 | 0:32:19 | |
it's actually got a silver foot on it, which is good, | 0:32:19 | 0:32:22 | |
but you if you look carefully, you can see that frosted... | 0:32:22 | 0:32:26 | |
You can see that overenthusiastic housewife 200 yards away, can't you? | 0:32:26 | 0:32:30 | |
"I've got to clean that up. I'll get out one of those oven-cleaning pads." | 0:32:30 | 0:32:34 | |
-Absolutely fatal. -"Give it a good scouring." | 0:32:34 | 0:32:36 | |
-What's your estimate on it? -On that one, we've said 40 to 60. | 0:32:36 | 0:32:40 | |
-OK, £60. So they're not far off on any of it, really. -No. In with a sporting chance. | 0:32:40 | 0:32:45 | |
They may not need their bonus buy | 0:32:45 | 0:32:46 | |
but we're going to have a look at it, anyway. | 0:32:46 | 0:32:49 | |
Now, Rach and Pauline, you spent a clear 202. | 0:32:50 | 0:32:53 | |
You gave David Barby 98 smackers. What did he spend it on? | 0:32:53 | 0:32:58 | |
Well, I didn't spend the lot. | 0:32:58 | 0:33:00 | |
I spent £40 on this very special piece of glass. | 0:33:00 | 0:33:04 | |
-Now, you wanted glass. -I did want glass - coloured glass. | 0:33:05 | 0:33:08 | |
This is coloured as well. | 0:33:08 | 0:33:09 | |
Now, there was one factory in central Europe called Loetz | 0:33:09 | 0:33:13 | |
who specialised in this green, iridescent glass. | 0:33:13 | 0:33:16 | |
This is in the manner of Loetz, it's not necessarily Loetz itself. | 0:33:16 | 0:33:20 | |
But what I like about it is it has this gilt metal collar, | 0:33:20 | 0:33:24 | |
which is loose, but anybody can restore it. | 0:33:24 | 0:33:28 | |
But that little collar round there has a sort of art nouveau design. | 0:33:28 | 0:33:32 | |
So we're looking at probably just before the First World War. | 0:33:32 | 0:33:37 | |
Remember that the top is loose. | 0:33:38 | 0:33:41 | |
Steady! | 0:33:41 | 0:33:42 | |
-So much did you actually pay? -£40. | 0:33:42 | 0:33:45 | |
-Do you like the colours, Rach? -I do like the colours, yeah. | 0:33:45 | 0:33:48 | |
It is an interesting piece. | 0:33:48 | 0:33:50 | |
-Pauline, what do you think, darling? -I do like it as well, yeah. | 0:33:50 | 0:33:53 | |
Profit, though, do you think? | 0:33:53 | 0:33:55 | |
I think it's probably going to make only five or 10 pounds. | 0:33:55 | 0:33:59 | |
We watched his lips. He's predicting five or ten pounds. | 0:33:59 | 0:34:02 | |
-Hold that thought until the auction... -Mmm. | 0:34:02 | 0:34:05 | |
For the audience at home, let's find out what the auctioneer thinks. | 0:34:05 | 0:34:09 | |
There we go, Robert. That looks rather colourful. | 0:34:10 | 0:34:14 | |
Nice piece of Bohemian glass, Austrian, Hungarian area. | 0:34:14 | 0:34:17 | |
And you can see here how the colour plays on it | 0:34:17 | 0:34:20 | |
-and that's what people like. -Yes, gorgeous. | 0:34:20 | 0:34:23 | |
-What's the estimate? -20 to 40. | 0:34:23 | 0:34:25 | |
-Ah. £40 paid. -Oh, really? -By David Barby. | 0:34:25 | 0:34:28 | |
So he's rating it as his bonus buy | 0:34:28 | 0:34:31 | |
-but he may just have paid a tad too much. -Mm. | 0:34:31 | 0:34:35 | |
-We'll see in a moment. -We will. | 0:34:35 | 0:34:36 | |
-You're in good voice? -Absolutely ready to go. -Lovely. | 0:34:36 | 0:34:39 | |
-Have you been on the phone to Ange, then? -Yeah. Transatlantic calls. | 0:34:49 | 0:34:52 | |
-Ah, nothing's spared on this programme. -Keeping her informed. | 0:34:52 | 0:34:57 | |
Have you told her about the bonus buy? Have you told her what you might be doing with it? | 0:34:57 | 0:35:01 | |
-I couldn't describe it, to be honest. -No, well, you don't want her to feel ill. | 0:35:01 | 0:35:05 | |
-Not on a business trip. -No, you don't want any negative calls. -No, quite. | 0:35:05 | 0:35:10 | |
First up, though, is the Moorcroft pansy pots | 0:35:10 | 0:35:13 | |
and here they come. | 0:35:13 | 0:35:14 | |
Moorcroft pottery, jug and bowl. There we are. | 0:35:14 | 0:35:17 | |
I've got several commissions on this. I can start at £80. | 0:35:17 | 0:35:21 | |
85. At 85, there. 90 on commission. 95? | 0:35:21 | 0:35:24 | |
95, 100, I'm bid. And 5? | 0:35:24 | 0:35:27 | |
£100 with me. And 5 I'm bid in a fresh place. At 105. | 0:35:27 | 0:35:30 | |
-Come on. -110 anywhere else? 110, fresh bidder. | 0:35:30 | 0:35:33 | |
At 110. 115 anywhere else? | 0:35:33 | 0:35:36 | |
At £110. All done at 110? | 0:35:36 | 0:35:38 | |
GAVEL BANGS I can't bear it. £120 paid. | 0:35:38 | 0:35:40 | |
-That's 110. You're minus £10. -Not bad. -I hate Moorcroft. | 0:35:40 | 0:35:44 | |
139, ladies and gentlemen, there we are. | 0:35:44 | 0:35:47 | |
Of shipping interest, of course. This is the cameo. | 0:35:47 | 0:35:50 | |
This is a good thing. | 0:35:50 | 0:35:52 | |
Great Eastern Steam Ship, 1860. | 0:35:52 | 0:35:55 | |
£10 I'm bid straightaway. At 10. | 0:35:55 | 0:35:57 | |
12? 10 is all I have. At 10. 12. 15 is the next bid. | 0:35:57 | 0:36:02 | |
15, 18, 20, 22, 25? 25. | 0:36:02 | 0:36:05 | |
28. 30? At 28 here. | 0:36:05 | 0:36:08 | |
-30. 32? -Come on. | 0:36:08 | 0:36:10 | |
30, your bid. 32. 35? 35. 38? | 0:36:10 | 0:36:13 | |
38. 40, now. 42. | 0:36:13 | 0:36:16 | |
£40. It's here. £40 only, then, at 40... | 0:36:16 | 0:36:19 | |
£40. It's a profit, though, James. Well done. | 0:36:19 | 0:36:22 | |
That's plus 15, which means that overall you're plus 5. | 0:36:22 | 0:36:24 | |
-You're £5 up and it comes to this case. -Now we're in trouble. | 0:36:24 | 0:36:29 | |
Lot number 140, ladies and gentlemen, | 0:36:29 | 0:36:31 | |
is the Chinese carved hardwood case. There we are. | 0:36:31 | 0:36:35 | |
£20 now do I hear? At £20 anywhere. Straightaway, £20. | 0:36:35 | 0:36:39 | |
I'm bid 20. 22 is the now. Super thing. | 0:36:39 | 0:36:42 | |
-At £20. 22. -Come on. -25. 28. 30 now? | 0:36:42 | 0:36:45 | |
28 here. At £28 there. £28. | 0:36:45 | 0:36:48 | |
30 anywhere else? Come along, now. 30 on the internet. | 0:36:48 | 0:36:51 | |
-Ooh, internet. -35 on the internet. | 0:36:51 | 0:36:53 | |
35. Are you bidding? At 35 on the internet. | 0:36:53 | 0:36:56 | |
38. 40 now do I hear on the internet? | 0:36:56 | 0:36:58 | |
40. 40, if you like. 40? 40 bid there. | 0:36:58 | 0:37:00 | |
42, 45? 45. 48? 48? | 0:37:00 | 0:37:03 | |
48. 50, now? 50, bid. 52. I'll take 52 off you. | 0:37:03 | 0:37:07 | |
£52, it's going to be sold. At 52... | 0:37:07 | 0:37:10 | |
-£52, then. It's gone. -Not good. -That is not good. | 0:37:10 | 0:37:13 | |
You're minus 48 on that, which means overall, you're minus 43. | 0:37:13 | 0:37:17 | |
What are you going to do about the Noh mask? | 0:37:17 | 0:37:20 | |
Are you going to say yes or no? | 0:37:20 | 0:37:21 | |
-Yes. -Yes? -It's unusual, isn't it? Come on! Yeah. | 0:37:22 | 0:37:26 | |
-You're going to do it? -It's a comedy piece, so we'll go with it. | 0:37:26 | 0:37:30 | |
OK, we're going for the Noh mask. | 0:37:30 | 0:37:32 | |
The Japanese Noh. There we are. It's a porcelain mask. | 0:37:32 | 0:37:35 | |
What's it worth to you, ladies and gentlemen? | 0:37:35 | 0:37:39 | |
£20 to start it off, somebody, at £20. | 0:37:39 | 0:37:41 | |
At £20, anybody, at £20? | 0:37:41 | 0:37:42 | |
At £20, do I hear now, at 20? | 0:37:42 | 0:37:44 | |
20 anywhere now do I hear? | 0:37:44 | 0:37:45 | |
At £20. There's a deathly silence in the room and I don't like it. | 0:37:45 | 0:37:49 | |
Come on, now. | 0:37:49 | 0:37:50 | |
10, somebody. £10 now do I hear? | 0:37:50 | 0:37:53 | |
10 I'm bid, thank you very much indeed. | 0:37:53 | 0:37:55 | |
-I've got not a lot of faith in this. -12 is the now. | 0:37:55 | 0:37:58 | |
12 anywhere now? £10 only, at 10. | 0:37:58 | 0:38:00 | |
12 on the internet. | 0:38:00 | 0:38:02 | |
12 on the internet. 15 now, Alan? | 0:38:02 | 0:38:04 | |
LAUGHTER | 0:38:04 | 0:38:05 | |
A lonely bid on the internet there. At £12 only, it will be sold. | 0:38:05 | 0:38:09 | |
-At 12. -GAVEL BANGS | 0:38:09 | 0:38:10 | |
-Minus 20. Minus 20. -What a dreadful day. | 0:38:10 | 0:38:12 | |
-Gives minus 63. -I am sorry. -It's all right. -They're just not bidding. | 0:38:12 | 0:38:16 | |
Minus 63 could be a winning score | 0:38:16 | 0:38:18 | |
because if they're not bidding for you, they won't be bidding for the blues. | 0:38:18 | 0:38:23 | |
Are you predicting any great profits on any particular item, Rach? | 0:38:32 | 0:38:36 | |
-Who can say? I hope so. -Yeah. -I really do hope so. | 0:38:36 | 0:38:39 | |
That's a good shifty answer, that. | 0:38:39 | 0:38:41 | |
If there's anything that's listed to make a decent profit, | 0:38:41 | 0:38:45 | |
it's that sauce boat and it's the first object up and here it comes. | 0:38:45 | 0:38:49 | |
Georgian design silver sauce boat, Sheffield, 1971. | 0:38:49 | 0:38:53 | |
What may we say for it? £80 I'm bid straightaway. | 0:38:53 | 0:38:56 | |
At £80. 85 is the now. | 0:38:56 | 0:38:57 | |
At 80 to have. £80. 85 is the now. | 0:38:57 | 0:39:00 | |
At £80, then, I'm bid at £80. | 0:39:00 | 0:39:02 | |
85 there, now. At 85. 90 is the now. | 0:39:02 | 0:39:05 | |
-One more go. -At 85. It should be more than this, surely? | 0:39:05 | 0:39:08 | |
At £85. Bid's there at £85. I'm going to sell it at 85. | 0:39:08 | 0:39:12 | |
Last chance at £85. Your bid. | 0:39:12 | 0:39:14 | |
-£85. -Disappointing. -But still plus five. | 0:39:14 | 0:39:18 | |
Nothing the matter with that. Now your ring casket. | 0:39:18 | 0:39:22 | |
The mid 19th century mother-of-pearl ring casket. | 0:39:22 | 0:39:26 | |
I've got £30 bid for this straightaway. | 0:39:26 | 0:39:28 | |
At £30 with me. 2, there. At 32. Your bid at 32. | 0:39:28 | 0:39:31 | |
35 is the now. At £32 only. | 0:39:31 | 0:39:34 | |
At 32. 35. 38. 40, now. | 0:39:34 | 0:39:36 | |
-40 bid. 42. -It's going up slowly. | 0:39:36 | 0:39:40 | |
At £42. Bid's there at £42. | 0:39:40 | 0:39:42 | |
Bid's there at £42. Last chance at 42. | 0:39:42 | 0:39:44 | |
-£42. -Oh! | 0:39:45 | 0:39:47 | |
Bad luck. You're minus 20 on that, so overall, you're minus 15. | 0:39:47 | 0:39:51 | |
Now, the bud vase. | 0:39:51 | 0:39:53 | |
Powell vase, there we are. | 0:39:53 | 0:39:54 | |
Early 20th century Powell and Co vase. | 0:39:54 | 0:39:56 | |
£30 I'm bid straightaway. | 0:39:56 | 0:39:58 | |
Worth a lot more in my opinion but £30 we'll start it at. | 0:39:58 | 0:40:01 | |
At £30, the bid's here. At £30. | 0:40:01 | 0:40:02 | |
At 32. Your bid at 32. | 0:40:02 | 0:40:04 | |
35 anywhere now? 35. 38? | 0:40:04 | 0:40:06 | |
-38 your bid. -Come on. -At £38. | 0:40:06 | 0:40:09 | |
40. 42? | 0:40:09 | 0:40:11 | |
-42. -Oh! -45. 45. | 0:40:11 | 0:40:13 | |
48? 45, there. 48, yes? | 0:40:13 | 0:40:16 | |
45. I'm going to sell at 45. | 0:40:16 | 0:40:18 | |
-At 45. -You never know. -48. 50, now? | 0:40:18 | 0:40:21 | |
I still think it's reasonable. At £48, bid's there. | 0:40:21 | 0:40:24 | |
At £48, I can't look at you any harder. | 0:40:24 | 0:40:26 | |
£48 is minus 12 on that, which means you're minus 27. | 0:40:26 | 0:40:31 | |
Minus 27. That's nothing. | 0:40:31 | 0:40:33 | |
That is not a bad tally. Don't be depressed. | 0:40:33 | 0:40:37 | |
What are you going to do about the Loetz vase? | 0:40:37 | 0:40:39 | |
-Are you going to risk it? -Yeah. -Go on, then. | 0:40:39 | 0:40:43 | |
-It is 40 smackers spent. -We'll go with Pauline. Pauline wants to. | 0:40:43 | 0:40:47 | |
-You like it, do you? -Yes, I do. -OK, this is Pauline's choice. | 0:40:47 | 0:40:51 | |
Let's be quite clear. No pressure, Pauline. | 0:40:51 | 0:40:53 | |
The Loetz iridescent glass posy holder | 0:40:53 | 0:40:57 | |
and I have a commission on this, in fact I have more than one, | 0:40:57 | 0:41:00 | |
and I can start the bidding at £40. | 0:41:00 | 0:41:02 | |
-Whoo! -I'm straight it at 40. 42 is the now. | 0:41:02 | 0:41:05 | |
42 anywhere do I hear? At £40, the bid's here. | 0:41:05 | 0:41:08 | |
At £40. 42, 45, 48, 50, bid. | 0:41:08 | 0:41:11 | |
55 is the next bid. | 0:41:11 | 0:41:13 | |
-At £50. Still with me on commission. -Hey, Pauline! | 0:41:13 | 0:41:16 | |
55 anywhere else? | 0:41:16 | 0:41:18 | |
At 50. Bid's with me at £50. | 0:41:18 | 0:41:20 | |
And it will be sold, make no mistake. At 50. | 0:41:20 | 0:41:22 | |
On commission at 50. | 0:41:22 | 0:41:24 | |
-Yes! -£50, eh, Pauline? | 0:41:24 | 0:41:26 | |
-Well done. -That's plus ten. That's very good. | 0:41:26 | 0:41:30 | |
That makes you only minus 17 and that could be a winning score, | 0:41:30 | 0:41:34 | |
-so don't talk to the reds. -OK. -Well done, Pauline. | 0:41:34 | 0:41:37 | |
-Well done, David. -Thank you, David. -Well done, Rach. | 0:41:37 | 0:41:41 | |
Thank you! | 0:41:41 | 0:41:42 | |
PIGEONS COOING | 0:41:50 | 0:41:52 | |
The sound of cooing pigeons in the adjacent churchyard. | 0:41:52 | 0:41:56 | |
Now who got buried today in the auction? | 0:41:56 | 0:41:59 | |
Have you lot been chatting to one another? | 0:41:59 | 0:42:02 | |
-No. -Not at all? | 0:42:02 | 0:42:03 | |
Well, the runners up today are the reds. | 0:42:03 | 0:42:07 | |
HE GROANS | 0:42:07 | 0:42:08 | |
Or should I say "the red"? | 0:42:08 | 0:42:09 | |
There's a lot of minus signs on your side of the water, I'm afraid, | 0:42:12 | 0:42:15 | |
and they total minus 63. | 0:42:15 | 0:42:17 | |
You did get a little profit on the Scrimshawed cowry shell, | 0:42:17 | 0:42:21 | |
though that should've been more. | 0:42:21 | 0:42:23 | |
-You were a bit robbed, there. -Yeah. | 0:42:23 | 0:42:25 | |
But you're a good sport and very broad-shouldered | 0:42:25 | 0:42:28 | |
-to bear the burden without your sister. -It's a lot to take on. | 0:42:28 | 0:42:31 | |
It's a lot to take on but I hope you had a lovely time. | 0:42:31 | 0:42:35 | |
-It's been fantastic. -And thank you very much, James, too. | 0:42:35 | 0:42:38 | |
-But the victors are the blues. -Yes! | 0:42:38 | 0:42:40 | |
-And you win by only losing £17. -Yes! | 0:42:40 | 0:42:44 | |
It's good that, isn't it? Only 17. | 0:42:44 | 0:42:46 | |
It started off so nicely with that £5 profit on your sauce boat | 0:42:46 | 0:42:50 | |
but it gradually went down the old lavatory | 0:42:50 | 0:42:52 | |
until you came to the bonus buy, David, | 0:42:52 | 0:42:54 | |
and a £10 profit on that little green vase helped. | 0:42:54 | 0:42:58 | |
Anyway, you've won. Minus £17, which is not a bad score. | 0:42:58 | 0:43:02 | |
In fact, join us soon for some more bargain hunting, yes? | 0:43:02 | 0:43:04 | |
Yes! | 0:43:04 | 0:43:06 | |
Subtitles by Red Bee Media Ltd | 0:43:23 | 0:43:25 | |
Email [email protected] | 0:43:25 | 0:43:26 |