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Eight hundred years ago, two Saxon kings fought over this land. | 0:00:04 | 0:00:09 | |
Today, the Reds and the Blues will do battle for the ultimate daytime prize - | 0:00:09 | 0:00:16 | |
a spot of cash. | 0:00:16 | 0:00:18 | |
Let's go Bargain Hunting! Yeah! | 0:00:18 | 0:00:21 | |
Today, we're up north, in Oswestry. | 0:00:47 | 0:00:50 | |
I've got a team of paranormal investigators | 0:00:50 | 0:00:54 | |
and a team of waitresses. | 0:00:54 | 0:00:56 | |
So that's lunch sorted out, isn't it? | 0:00:56 | 0:00:58 | |
Let's have a quick look at what's coming up, shall we? | 0:00:58 | 0:01:01 | |
Philip Serrell and his ladies in red fall into a love-hate relationship. | 0:01:03 | 0:01:08 | |
Ooh... Why do I always get the nutters? Why? | 0:01:08 | 0:01:12 | |
David Harper is not quite hitting the spot with his Blue team. | 0:01:12 | 0:01:17 | |
-At least we know what we don't want. -Yeah, exactly. | 0:01:17 | 0:01:19 | |
But who will come up smelling of roses at the auction? | 0:01:19 | 0:01:24 | |
And later on, I've got a date with a doll. | 0:01:24 | 0:01:27 | |
Lucky old me! | 0:01:27 | 0:01:29 | |
That's all to come. But come on, first let's meet the teams. | 0:01:29 | 0:01:34 | |
Today, we have two sets of friends. | 0:01:36 | 0:01:38 | |
For the Reds, we've got Migs and Jenny, and for the Blues we've got Sophie and Jez. Welcome. | 0:01:38 | 0:01:45 | |
-Hello! -Hi. | 0:01:45 | 0:01:47 | |
Now, you're both members of a paranormal investigation society. | 0:01:47 | 0:01:51 | |
-Yes, we are. -Is it enough to make your hair stand on end? | 0:01:51 | 0:01:54 | |
-It can be! -Yeah! | 0:01:54 | 0:01:56 | |
-Tell us about it. -Well, we generally go to places where people report | 0:01:56 | 0:02:00 | |
they've got disturbances - pubs, hotels, private houses sometimes. | 0:02:00 | 0:02:03 | |
-Yes. -And we investigate to see if they are paranormal. -Right. You're the chairman. | 0:02:03 | 0:02:08 | |
-I am, yes. -Yes. And this is your assistant. | 0:02:08 | 0:02:11 | |
Yes. This is one of my many investigators. | 0:02:11 | 0:02:13 | |
-So you're waiting for something spooky to happen? -Yeah. | 0:02:13 | 0:02:16 | |
Jenny, you're a fan of Bargain Hunt. Tell us about that. | 0:02:16 | 0:02:19 | |
I've been since it first started many, many years ago. | 0:02:19 | 0:02:22 | |
What's your favourite bit? | 0:02:22 | 0:02:24 | |
Just going, "You're not going to make a profit." | 0:02:24 | 0:02:27 | |
It's easy when you're an armchair critic, isn't it? | 0:02:27 | 0:02:29 | |
-It's easy to say... -Well, you're going to find out today, darling, all about it. Good luck. | 0:02:29 | 0:02:34 | |
Now for the Blues. So, how long have you two girls known each other? | 0:02:34 | 0:02:38 | |
-We've been friends since we started secondary school, so twenty years now? -Oh, lovely! | 0:02:38 | 0:02:42 | |
-Yeah. -And you work together. -We do. | 0:02:42 | 0:02:44 | |
We work in a local restaurant. | 0:02:44 | 0:02:46 | |
-Is it a popular place? -It is, yeah. | 0:02:46 | 0:02:48 | |
I bet they all come in to see the waitresses. | 0:02:48 | 0:02:51 | |
They do! We get some regulars, yeah. | 0:02:51 | 0:02:53 | |
-Well, there you are. -Sophie's got a little way of remembering these people that come in. | 0:02:53 | 0:02:58 | |
What's your way of remembering? | 0:02:58 | 0:03:00 | |
-By what they order! -Oh, do you? | 0:03:00 | 0:03:02 | |
So I've got Mr and Mrs Fish And Chips and Mr and Mrs Minted Lamb! | 0:03:02 | 0:03:06 | |
Cos that's what they always have. | 0:03:06 | 0:03:08 | |
Always have, yeah. | 0:03:08 | 0:03:10 | |
How do you think you're both going to get on today? Any good? | 0:03:10 | 0:03:13 | |
-I think we're going to do well. -Yeah? | 0:03:13 | 0:03:15 | |
You're going to absolutely hammer the Reds? | 0:03:15 | 0:03:18 | |
-I think so. -Is that what you're going to do? I'm sure. | 0:03:18 | 0:03:20 | |
These paranormalists here are looking quite keen. | 0:03:20 | 0:03:25 | |
Anyway, very good luck to you all. | 0:03:25 | 0:03:26 | |
Now the money moment. | 0:03:26 | 0:03:28 | |
There's your £300. £300. You know the rules. | 0:03:28 | 0:03:31 | |
Your experts await. And off you go! | 0:03:31 | 0:03:33 | |
Very, very, very good luck. | 0:03:33 | 0:03:35 | |
I think we're in for a wizard today, don't you? What? | 0:03:35 | 0:03:38 | |
Squaring up for the fight ahead are the experts. | 0:03:40 | 0:03:43 | |
Remember, each team has one hour to buy three items with £300, | 0:03:51 | 0:03:55 | |
and the winners make the most or lose the least at auction. | 0:03:55 | 0:03:59 | |
Got a plan, girls? | 0:04:01 | 0:04:03 | |
-Shiny things. -Shiny things! | 0:04:03 | 0:04:05 | |
You've got the wrong bloke for shiny things! | 0:04:05 | 0:04:08 | |
You two just seem petrified to me. | 0:04:08 | 0:04:10 | |
-Excited! -Are you? OK, well, we've got one hour, and it starts now. | 0:04:10 | 0:04:15 | |
I'll give you a bit of advice, right? | 0:04:15 | 0:04:16 | |
This'll be the quickest hour of your life. It's a lottery. | 0:04:16 | 0:04:19 | |
Go for broke, buy what you like. | 0:04:19 | 0:04:21 | |
And if you want to do well, take no notice of anything that I've got to say. | 0:04:21 | 0:04:25 | |
OK! | 0:04:25 | 0:04:27 | |
That's a promising start, Phil... | 0:04:27 | 0:04:29 | |
I'm sure the Blue team have faith in David. | 0:04:29 | 0:04:31 | |
What I like about those, they look like they're eighteenth-century coloured Delftware, Dutch pieces, | 0:04:33 | 0:04:39 | |
but they're much more modern. | 0:04:39 | 0:04:41 | |
I prefer something a bit plainer, I think. | 0:04:41 | 0:04:43 | |
That's a bit too flowery. | 0:04:43 | 0:04:46 | |
-OK. So we're looking for something more refined, sophisticated? -Yeah. | 0:04:46 | 0:04:50 | |
-OK. -More appealing. | 0:04:50 | 0:04:52 | |
Oh, right. So really, a bit of a bad start on my behalf, then. | 0:04:52 | 0:04:56 | |
-At least we know what we don't want. -Yeah, exactly. | 0:04:56 | 0:04:59 | |
Onwards and upwards, David. | 0:04:59 | 0:05:02 | |
That's a lazy Susie, girls. | 0:05:02 | 0:05:04 | |
Sits on the middle of the table, and you'd put food, whatever, on it. | 0:05:04 | 0:05:08 | |
That's really quite nice. OK? | 0:05:08 | 0:05:09 | |
My heart's not in it, so I'm not sure. | 0:05:09 | 0:05:11 | |
This is going to be a hard old day! | 0:05:11 | 0:05:13 | |
What about that pair of vases? Now, you see, I'm drawn in to certain things. | 0:05:17 | 0:05:21 | |
I quite like those, actually, yeah. | 0:05:21 | 0:05:22 | |
I quite like them. They're not ancient, but there's a pair of. | 0:05:22 | 0:05:26 | |
-Can we have a better look? -They're probably Italian. Let's see. | 0:05:26 | 0:05:30 | |
-What are they? -They'll be Murano, I think. | 0:05:30 | 0:05:32 | |
-So they'll be Italian, Venetian glass... -What's the price? | 0:05:32 | 0:05:36 | |
-..Vases. -£20. | 0:05:36 | 0:05:38 | |
Cheap enough. Twenty quid for glass? | 0:05:38 | 0:05:41 | |
-Fifteen? -Oh, gosh, please! | 0:05:41 | 0:05:43 | |
I love negotiating! | 0:05:43 | 0:05:44 | |
-But... -Go for it. Are they OK? | 0:05:46 | 0:05:47 | |
Let's have a look. No handles off. | 0:05:47 | 0:05:49 | |
-This one seems OK. -I think they're bonny, decorative items. | 0:05:49 | 0:05:54 | |
There's nothing wrong with them. I don't think anyone could say that you've made a huge mistake. | 0:05:54 | 0:05:58 | |
Hi there. What would trade price be on these? | 0:05:58 | 0:06:01 | |
You've got £2 on them. | 0:06:01 | 0:06:03 | |
-18! 18. -15, I think. | 0:06:03 | 0:06:06 | |
No, I think they're worth 18. | 0:06:06 | 0:06:08 | |
-Victorian? -They've certainly got a Victorian shape. | 0:06:10 | 0:06:13 | |
Dating glass is almost impossible. | 0:06:13 | 0:06:16 | |
I'll take 17, that's the very best. | 0:06:16 | 0:06:18 | |
They're definitely a bargain. | 0:06:18 | 0:06:20 | |
I'm not a fan of odd numbers. 16. | 0:06:20 | 0:06:23 | |
I'm a fan of odd numbers! | 0:06:23 | 0:06:25 | |
We'll go 15, then, if you like. | 0:06:25 | 0:06:27 | |
But these two are an odd pair. | 0:06:27 | 0:06:29 | |
15's quite a round number. | 0:06:29 | 0:06:31 | |
I think 17's better. | 0:06:31 | 0:06:32 | |
I'm happy, if you want to go with them. | 0:06:34 | 0:06:36 | |
17? Yeah? | 0:06:36 | 0:06:38 | |
And I'm happy, cos we've only been going three minutes. | 0:06:38 | 0:06:41 | |
-That's good. -Suits me! Is it a done deal? -Yeah. | 0:06:41 | 0:06:43 | |
-Yes. -Shake his hand. | 0:06:43 | 0:06:45 | |
Thank you very much. Thank you. | 0:06:45 | 0:06:47 | |
-Thank you. -Thanks a lot. Cheers. | 0:06:47 | 0:06:50 | |
Thank you! | 0:06:50 | 0:06:52 | |
Not bad, not bad. | 0:06:52 | 0:06:53 | |
One down for the Blues. | 0:06:53 | 0:06:55 | |
I quite like these spoons. | 0:06:57 | 0:06:59 | |
At auction those aren't going to make that money. | 0:06:59 | 0:07:02 | |
OK. I'll sell you one so you can make a profit. | 0:07:02 | 0:07:04 | |
They're both Dutch, and they're both hallmarked. And they are silver. | 0:07:04 | 0:07:09 | |
But if you're interested, I'd give you a chance for them. | 0:07:09 | 0:07:12 | |
Do you like those? | 0:07:12 | 0:07:13 | |
-I do like them, but I'll have a think. -All right. | 0:07:13 | 0:07:16 | |
We'll come and see you in a bit. Thank you. | 0:07:16 | 0:07:18 | |
Back outside, the Blues are proving tricky customers. | 0:07:18 | 0:07:23 | |
-Not getting you, is it? -No. I don't like anything with a foot on the end, I'm afraid. | 0:07:23 | 0:07:27 | |
-Well, yeah. Is it getting you? Is it doing anything for you? -Not really. | 0:07:27 | 0:07:31 | |
OK. It's not doing anything for them. | 0:07:31 | 0:07:33 | |
They're very difficult people. You're not excited, are you? | 0:07:33 | 0:07:36 | |
-I'm not thrilled. -No. | 0:07:36 | 0:07:38 | |
-OK. -What DO you like? | 0:07:38 | 0:07:40 | |
Thank you! That was going to be my next question! | 0:07:40 | 0:07:43 | |
What thrills you? | 0:07:43 | 0:07:45 | |
Mm! Not a lot, methinks. | 0:07:45 | 0:07:48 | |
Meanwhile, Phil has found something that makes rather a lot of noise. | 0:07:50 | 0:07:55 | |
-Do you like that? -I do, actually! It's quirky. | 0:07:55 | 0:07:58 | |
It's something different. | 0:07:58 | 0:08:00 | |
-Yeah, well... -I'm interested in that, and somebody else would be, as well. | 0:08:00 | 0:08:04 | |
I love it. And it looks like a football rattle, doesn't it? | 0:08:04 | 0:08:08 | |
But it's not, it's a bird scarer. | 0:08:08 | 0:08:10 | |
It's not. | 0:08:10 | 0:08:11 | |
Is it not a bird scarer? | 0:08:11 | 0:08:13 | |
It wouldn't have that turned knob there, which is used for... | 0:08:13 | 0:08:17 | |
This is a learning curve for all of us. | 0:08:17 | 0:08:19 | |
LOUD CLICKING | 0:08:19 | 0:08:22 | |
So a nightwatchman's rattle or even a policeman's rattle. | 0:08:22 | 0:08:25 | |
Is it to scare people off? | 0:08:25 | 0:08:27 | |
-Yeah. -I really like that. | 0:08:27 | 0:08:30 | |
It's so well-turned, so it's not a football rattle or even a bird scarer. | 0:08:30 | 0:08:34 | |
A lot of them were bird scarers. | 0:08:34 | 0:08:35 | |
Oh, yeah. It's the same principle, yes. | 0:08:35 | 0:08:38 | |
It's £49, and I think at auction it's 30 quid's worth. | 0:08:38 | 0:08:41 | |
I think it could be worth a lot more than that. | 0:08:41 | 0:08:44 | |
Ah, but you're selling it! | 0:08:44 | 0:08:45 | |
I am selling it. I do have to make a profit. | 0:08:45 | 0:08:48 | |
This is going to be interesting. | 0:08:48 | 0:08:49 | |
If you make a loss, you have a giggle. | 0:08:49 | 0:08:52 | |
If we make a loss, we cry. | 0:08:52 | 0:08:55 | |
Anybody got a handkerchief? | 0:08:55 | 0:08:58 | |
£39 to you. | 0:08:58 | 0:09:00 | |
36 and we'll deal. | 0:09:00 | 0:09:03 | |
-OK. -Thank you ever so much. Thank you very much. | 0:09:03 | 0:09:06 | |
That's wonderful. | 0:09:06 | 0:09:08 | |
So, the bird scarer...football rattle...nightwatchman's rattle... | 0:09:08 | 0:09:14 | |
is the Red team's first item, | 0:09:14 | 0:09:16 | |
and it hits their shopping trolley in a nice and comfortable 17 minutes. | 0:09:16 | 0:09:21 | |
Meanwhile, the Blue team are looking for some real quality goods. | 0:09:23 | 0:09:28 | |
-I like this. -Let's have a quick look at it. | 0:09:28 | 0:09:32 | |
-It's all matching. -Yeah. OK. | 0:09:32 | 0:09:35 | |
That's not the best | 0:09:37 | 0:09:40 | |
-sign in the world. -Right. -That's foreign. | 0:09:40 | 0:09:42 | |
Excellent! | 0:09:42 | 0:09:44 | |
Made in foreign. | 0:09:44 | 0:09:45 | |
But what's this? | 0:09:47 | 0:09:49 | |
Phil's got his eye on something. | 0:09:49 | 0:09:51 | |
-Could we have a look at that little nut, please. -Yes, of course you can. | 0:09:51 | 0:09:56 | |
They normally always split, | 0:09:56 | 0:09:58 | |
because they're turned. This is probably about 1890, 1910. | 0:09:58 | 0:10:03 | |
Because they're circular, they split. | 0:10:03 | 0:10:05 | |
You can see that there's a little bit of a split beginning just there. | 0:10:05 | 0:10:09 | |
They're just primitive things, almost like touristy things. | 0:10:09 | 0:10:12 | |
You might have put a little sponge in here, | 0:10:12 | 0:10:14 | |
or you might have put flowers, like potpourri. | 0:10:14 | 0:10:17 | |
And with these holes, the smell would have come out. | 0:10:17 | 0:10:20 | |
-I really like this. -And how much is that, sir? -22. | 0:10:20 | 0:10:23 | |
Is that the absolute finito, finito, finito? | 0:10:23 | 0:10:27 | |
20 is the finito. | 0:10:27 | 0:10:31 | |
I'm going to unleash them on you in a minute. | 0:10:31 | 0:10:33 | |
And I tell you, you'll need that savage dog down there to look after you. | 0:10:33 | 0:10:37 | |
I think at auction it's £15 to £25 worth. That's what I think. | 0:10:37 | 0:10:42 | |
If you want to make a profit on it, you've got to buy it at 15 quid. | 0:10:42 | 0:10:46 | |
But as this gentleman also wants to make a profit and he wants 20 quid, | 0:10:46 | 0:10:49 | |
-we have a sort of impasse here, don't we? -We do. | 0:10:49 | 0:10:52 | |
-Yeah. -If you really like it... | 0:10:52 | 0:10:54 | |
-I do like it. -..then if you want it... | 0:10:54 | 0:10:56 | |
Smile nicely at him. | 0:10:56 | 0:10:58 | |
Another pound is the very, very best I can do, it really is. | 0:10:58 | 0:11:02 | |
19 is really my bottom line. | 0:11:02 | 0:11:04 | |
-Just because I'm feeling cheeky, can I say £18.50? -No, you can't. | 0:11:05 | 0:11:10 | |
-Well, you can SAY it... -19. -It is up to you. | 0:11:10 | 0:11:13 | |
-I like it. -If you want, | 0:11:13 | 0:11:16 | |
-go for it. -It feels good. It feels good. | 0:11:16 | 0:11:19 | |
OK. | 0:11:19 | 0:11:20 | |
Yeah, £19. Thank you very much. | 0:11:20 | 0:11:23 | |
-Thank you. -Thanks. | 0:11:23 | 0:11:24 | |
Second quirky buy from the Reds. | 0:11:24 | 0:11:27 | |
How does Phil think they're doing? | 0:11:27 | 0:11:29 | |
I think you've done really well so far, and the danger now is that we're going to completely chill, | 0:11:29 | 0:11:35 | |
lose focus and end up buying something stupid for 120 quid. | 0:11:35 | 0:11:39 | |
-Let's go down here. -Down here? | 0:11:39 | 0:11:41 | |
Not one of the last big spenders, our Phil. Oh, no. | 0:11:41 | 0:11:45 | |
But why not spend a little time with me? | 0:11:45 | 0:11:50 | |
You have come to an antique fair, | 0:11:50 | 0:11:52 | |
and you've only got one of these with you. | 0:11:52 | 0:11:55 | |
It's a £5 note. | 0:11:55 | 0:11:56 | |
What are you going to find, and how much fun are you going to have? | 0:11:56 | 0:12:01 | |
Well, I promise you there's lots of fun to be had in a fair like this with a £5 note. | 0:12:01 | 0:12:07 | |
For example, today I've come across old crab face here. | 0:12:07 | 0:12:12 | |
What do you think about him? | 0:12:12 | 0:12:13 | |
This thing was probably made in France or Germany between the wars, | 0:12:13 | 0:12:18 | |
1920 to 1930, | 0:12:18 | 0:12:20 | |
and I bet you it was bought by a tourist | 0:12:20 | 0:12:23 | |
who'd sat in a seaside caff | 0:12:23 | 0:12:25 | |
and had thoroughly enjoyed a dressed, cooked crab. | 0:12:25 | 0:12:29 | |
Yummy! Old crab face's head comes off, revealing a porcelain interior. | 0:12:29 | 0:12:36 | |
You could fill it with relish, and it would give endless entertainment. | 0:12:36 | 0:12:40 | |
Today, crab face could be yours for £2. That's not much, is it? | 0:12:40 | 0:12:46 | |
So, what else did I find? | 0:12:46 | 0:12:47 | |
Well, take a gander at this. | 0:12:47 | 0:12:50 | |
See that? A gorgeous string of beads. | 0:12:50 | 0:12:54 | |
They too are made of porcelain, but somebody has cunningly covered | 0:12:54 | 0:12:59 | |
each of the beads in a different iridescent glaze. | 0:12:59 | 0:13:03 | |
Just look at these colours. | 0:13:03 | 0:13:05 | |
Here we've got a mottled tortoiseshelly one, look. | 0:13:05 | 0:13:08 | |
And here a jade-looking bead. | 0:13:08 | 0:13:11 | |
This one looks like a bit of amethyst. | 0:13:11 | 0:13:14 | |
And I love the Yves Klein blue-mottled one. | 0:13:14 | 0:13:17 | |
Don't you? Almost the same colour as this Yves Klein blue table. | 0:13:17 | 0:13:21 | |
Absolutely delicious. | 0:13:21 | 0:13:23 | |
Who has treated the otherwise plain, white, boring, oval beads in this way? | 0:13:23 | 0:13:30 | |
Well, it could be done by the 1930s factory Ruskin, outside Birmingham, | 0:13:30 | 0:13:36 | |
or Pilkington's, another factory a few years earlier outside Manchester, | 0:13:36 | 0:13:41 | |
because both of those factories-produced pieces | 0:13:41 | 0:13:44 | |
with these mottled, iridescent glazes, kind of down-time-type production, | 0:13:44 | 0:13:49 | |
when they weren't throwing pots. | 0:13:49 | 0:13:52 | |
But what did it cost? | 0:13:52 | 0:13:53 | |
Actually, it cost me £1.50. | 0:13:53 | 0:13:56 | |
So I've even got £1.50 change out of my fiver, | 0:13:56 | 0:14:00 | |
I've got two delightful objects, I've had a thoroughly entertaining morning, | 0:14:00 | 0:14:04 | |
I'm going home with something that's not only intriguing but also of value and is useful. | 0:14:04 | 0:14:10 | |
Where else can you do that? | 0:14:10 | 0:14:12 | |
The answer? | 0:14:12 | 0:14:14 | |
A Bargain Hunt fair. | 0:14:14 | 0:14:16 | |
# Spend a little time with me. # | 0:14:16 | 0:14:21 | |
Are these searchlights? | 0:14:21 | 0:14:23 | |
Are they aircraft lights? | 0:14:24 | 0:14:26 | |
I wasn't around in the Second World War. | 0:14:26 | 0:14:29 | |
I wasn't insinuating you were. | 0:14:29 | 0:14:31 | |
I just wondered if you'd come across similar things. | 0:14:31 | 0:14:33 | |
Thank you so much. | 0:14:33 | 0:14:35 | |
Gordon Bennett, you two have got the attention span of a gnat between you, haven't you? | 0:14:37 | 0:14:41 | |
Listen, listen. Whoa. | 0:14:44 | 0:14:46 | |
What's funny about that? | 0:14:47 | 0:14:49 | |
Why do I always get the nutters? Why? | 0:14:51 | 0:14:55 | |
Well, at least they look vaguely excited. | 0:14:56 | 0:15:00 | |
OK, let's just have a quick catch-up, then. | 0:15:02 | 0:15:05 | |
How many items have we bought? | 0:15:05 | 0:15:06 | |
-One. -One! | 0:15:06 | 0:15:09 | |
-We were doing so well. -I know! | 0:15:09 | 0:15:11 | |
But is it going to end badly? | 0:15:11 | 0:15:14 | |
What do you think about that? | 0:15:14 | 0:15:16 | |
Oh, I quite like that, actually. | 0:15:16 | 0:15:18 | |
-Hooray! -It's soapstone. | 0:15:18 | 0:15:20 | |
-Yeah. I was going to say it's stone. -It's African. It's Zimbabwean. | 0:15:20 | 0:15:23 | |
It's been mounted on something. | 0:15:23 | 0:15:25 | |
It's quite modern, but this African art is actually quite traditional but still feels very modern. | 0:15:25 | 0:15:31 | |
Oh, it's got a plaque on. | 0:15:31 | 0:15:33 | |
"Mother nursing sick child. | 0:15:33 | 0:15:35 | |
"F Madamombe, Zimbabwe, 1987." | 0:15:35 | 0:15:38 | |
Yeah, so there you go. I spent some of my childhood in Zimbabwe, | 0:15:38 | 0:15:42 | |
and so I know this work, and it's from the Mashona tribe in the northern part of Zimbabwe, mainly. | 0:15:42 | 0:15:49 | |
And it's very collectable. Now, I don't know whether this person | 0:15:49 | 0:15:52 | |
is a particularly well-known artist, and it makes a big difference. | 0:15:52 | 0:15:56 | |
Some of the artists can make a lot of money, | 0:15:56 | 0:15:59 | |
but we've got literally 18 minutes to decipher whether this is a particularly well-known artist. | 0:15:59 | 0:16:04 | |
-What's the trade price on the Zimbabwean stone? -The very, very best is 140. | 0:16:04 | 0:16:09 | |
I mean, I don't know. I'm a bit confused with this one because I would have that for myself. | 0:16:09 | 0:16:14 | |
I think for the amount of money, | 0:16:14 | 0:16:15 | |
and not to be sure whether it's the right artist, to pay that kind of money for... | 0:16:15 | 0:16:20 | |
If it was right, it could be worth thousands. | 0:16:20 | 0:16:23 | |
-I think... I like it. -It's a real punt. | 0:16:23 | 0:16:25 | |
I tell you what, can we just stand her up to make sure? | 0:16:25 | 0:16:28 | |
It'll be very heavy, yeah. | 0:16:28 | 0:16:30 | |
I see soapstone is a soft stone, yeah? So it is easily... | 0:16:30 | 0:16:34 | |
-Oh, this is her hair. -Yeah. | 0:16:34 | 0:16:36 | |
-Fabulous. -I love her. | 0:16:36 | 0:16:37 | |
-I think she's fantastic. -I really like her, actually. | 0:16:37 | 0:16:40 | |
-Can she be £100? -No, sir. Honestly, it's 140. | 0:16:40 | 0:16:43 | |
It's an interesting thing. | 0:16:43 | 0:16:45 | |
-But, Jez, you like it. -I do like it. -And I like it. | 0:16:45 | 0:16:48 | |
It's really, really different. | 0:16:48 | 0:16:50 | |
-We could go for... -..a chance. | 0:16:50 | 0:16:53 | |
We could take a risk. We should go for it. | 0:16:53 | 0:16:55 | |
The auction might put a bit of research in. | 0:16:55 | 0:16:57 | |
If we can find the artist as a known artist, then it might have a chance. | 0:16:57 | 0:17:01 | |
-I utterly adore it. -We all like it. | 0:17:01 | 0:17:02 | |
-Yep. Excellent. -We'll have it. Thank you. | 0:17:02 | 0:17:05 | |
-Thank you. -Thank you. | 0:17:05 | 0:17:06 | |
-Allo, allo. -Oh, hello. -Hello. -Have you just bought it? | 0:17:09 | 0:17:12 | |
-Yes. -Zimbabwe. -Zimbabwe. You recognise it, too. | 0:17:12 | 0:17:15 | |
Well, I do, really, because I went to Chelsea Flower Show this year | 0:17:15 | 0:17:19 | |
and they'd got a whole stand of this Zimbabwean soft-ish but coloured stone carving. | 0:17:19 | 0:17:27 | |
It looked fantastic. | 0:17:27 | 0:17:28 | |
It's wonderful. I love it too. | 0:17:28 | 0:17:30 | |
-And that at Chelsea would cost you £1,200. -Absolutely right. | 0:17:30 | 0:17:34 | |
And what did you just pay for it? | 0:17:34 | 0:17:36 | |
-15,000. -You never did! | 0:17:36 | 0:17:38 | |
Well, you're a wally, then, aren't you? | 0:17:38 | 0:17:41 | |
-No, come on. How much did you pay for it? -140. | 0:17:41 | 0:17:43 | |
-How much? -140. | 0:17:43 | 0:17:45 | |
-Oh! Mother and baby - what's more evocative...? -I know, I know! | 0:17:45 | 0:17:48 | |
-Don't you want to own it? -I do want to own it. Well, we do own it! | 0:17:48 | 0:17:52 | |
Well, good on you, girls. | 0:17:52 | 0:17:54 | |
-Thank you. -They've done well. | 0:17:54 | 0:17:56 | |
They haven't finished. They've got one more to go. | 0:17:56 | 0:17:59 | |
-Good luck with that. -Thanks. | 0:17:59 | 0:18:01 | |
So, finally, the Blues are really getting into the swing of things, | 0:18:01 | 0:18:05 | |
and with 10 minutes to go, Migs is taking charge of the Reds. | 0:18:05 | 0:18:09 | |
Look out. | 0:18:09 | 0:18:11 | |
-I'm drawn back to the spoons. -What spoons? Oh, right. | 0:18:11 | 0:18:14 | |
The Dutch spoons, yeah. They haven't gone away. | 0:18:14 | 0:18:17 | |
But the spoons might be a good shout, if you like them. | 0:18:17 | 0:18:19 | |
And we are definitely running out of time. | 0:18:19 | 0:18:23 | |
The Blues haven't moved far. | 0:18:23 | 0:18:25 | |
They're at the same store, eyeing up a silver chain purse for £120. | 0:18:25 | 0:18:31 | |
It's chainmail silver, too. | 0:18:31 | 0:18:33 | |
This is interesting because this is a different hallmark. | 0:18:33 | 0:18:36 | |
It's a foreign piece. | 0:18:36 | 0:18:38 | |
I'm not a purse kind of guy but I think that... | 0:18:38 | 0:18:41 | |
-It's quite stylish, isn't it? -..is a stunner. Have a feel of that. | 0:18:41 | 0:18:45 | |
You'd only want to put notes in, wouldn't you? | 0:18:45 | 0:18:47 | |
Someone would buy that to use it. | 0:18:47 | 0:18:49 | |
Can you imagine going to a special event somewhere and it's good enough and it's good quality enough, | 0:18:49 | 0:18:54 | |
and the condition is there, that you could actually use it. | 0:18:54 | 0:18:58 | |
-It's quite nice, yeah. -I think that's pretty drop-dead gorgeous. | 0:18:58 | 0:19:02 | |
-And it's different. -What's the best on that one? | 0:19:02 | 0:19:04 | |
-125. -125. -I'm sure it's gone up a fiver! | 0:19:04 | 0:19:07 | |
-It has! -120, then. | 0:19:07 | 0:19:09 | |
-I tell you, you are good. -Shall we have it the other way - 115? | 0:19:11 | 0:19:14 | |
-I think it's up to you, but I rate it. -Yeah. | 0:19:14 | 0:19:17 | |
-What do you think? -Have a feel. | 0:19:17 | 0:19:19 | |
It's really heavy, isn't it? | 0:19:19 | 0:19:21 | |
It is. It's lovely. | 0:19:21 | 0:19:22 | |
-Yeah. -And you've got eight minutes. | 0:19:22 | 0:19:26 | |
-How much did you say, 110? -I think we should... Oh. I like it. | 0:19:26 | 0:19:30 | |
How about 113, because I've got three change? | 0:19:30 | 0:19:33 | |
-115. -115. That's another £5. | 0:19:33 | 0:19:36 | |
-I think give him 115. -All right. -You've done well. -Thank you. -I really do. | 0:19:36 | 0:19:41 | |
Sophie emerges as a hard-nosed negotiator in the dying minutes. | 0:19:42 | 0:19:48 | |
Can Migs do the same with her spoon? | 0:19:48 | 0:19:52 | |
-Let's talk. -OK, let's. | 0:19:52 | 0:19:54 | |
£40. | 0:19:54 | 0:19:56 | |
Look at her face. How can you refuse that face? | 0:19:56 | 0:19:59 | |
That's a hell of a discount. | 0:19:59 | 0:20:01 | |
-I think 45 would be a pretty good price. -42. | 0:20:01 | 0:20:05 | |
42, we got a deal. | 0:20:05 | 0:20:06 | |
-42. -42. Thank you very much indeed. | 0:20:06 | 0:20:10 | |
-Thank you. -Can I just ask you a question? | 0:20:10 | 0:20:12 | |
-Yes. -Because I think that was... | 0:20:12 | 0:20:14 | |
This is a good bit of dealing technology here. | 0:20:14 | 0:20:17 | |
-Because you'd have taken 35 quid for that, or 40, would you? -No. | 0:20:17 | 0:20:20 | |
-But you'd have come down a bit more than 42? -No, seriously. | 0:20:20 | 0:20:24 | |
I know you're helping them and for that we are genuinely grateful but... | 0:20:24 | 0:20:27 | |
I think... | 0:20:27 | 0:20:28 | |
Steady! | 0:20:30 | 0:20:33 | |
I think they did well, don't you? | 0:20:33 | 0:20:34 | |
£69 down to £42. | 0:20:34 | 0:20:38 | |
And their last item is in the bag. | 0:20:38 | 0:20:40 | |
OK, the hour is up. | 0:20:40 | 0:20:43 | |
Time for me to find the teams and see how much leftover lolly there is, | 0:20:43 | 0:20:47 | |
because, of course, the experts have still to go and bag the bonus buy. | 0:20:47 | 0:20:52 | |
Let's check out first what the Red team bought, eh? | 0:20:52 | 0:20:55 | |
£36 was paid for the night watchman's rattle. | 0:20:57 | 0:21:02 | |
The nuts pomander, a rather cute £19. | 0:21:02 | 0:21:06 | |
And they went Dutch on the silver spoon, for 42. | 0:21:06 | 0:21:11 | |
This is very matey, isn't it? | 0:21:11 | 0:21:12 | |
-Yeah. -Have you had a good time? | 0:21:12 | 0:21:14 | |
We have. We've found lots of interesting things. | 0:21:14 | 0:21:17 | |
-Lots of interesting things, but you've spent a pathetic amount. -I know. | 0:21:17 | 0:21:21 | |
Really pathetic. How pathetic was it? | 0:21:21 | 0:21:23 | |
We're careful shoppers. We spent £97. | 0:21:23 | 0:21:25 | |
97? I gave you £300 to spend and you only spent £97. | 0:21:25 | 0:21:28 | |
-We couldn't find anything we liked that was interesting. -Really? -Mm-hm. | 0:21:28 | 0:21:32 | |
Well, OK, fine. £97, then. | 0:21:32 | 0:21:34 | |
I'll have 203 quid off you. | 0:21:34 | 0:21:37 | |
-Oh, if you must. -£203. | 0:21:37 | 0:21:40 | |
Well, you've obviously had a peach of a morning, Serrell. | 0:21:40 | 0:21:43 | |
-They've been good fun and I'm going to go and blitz this. -You're going to blitz the lot. | 0:21:43 | 0:21:48 | |
-That means spend it. -I don't know what on, but it's going to go. | 0:21:48 | 0:21:51 | |
-Is it? -Yes. -All right, fine. Well, very, very good luck. | 0:21:51 | 0:21:54 | |
Tell you what, why don't we remind ourselves what the Blues bought, eh? | 0:21:54 | 0:21:58 | |
The glass vases were a plum pair at £17. | 0:21:59 | 0:22:04 | |
They splashed out £140 on the Zimbabwean carving. | 0:22:04 | 0:22:09 | |
And the silver chain mail handbag cost a pretty penny. Actually, £115. | 0:22:09 | 0:22:15 | |
Look at the grins on their faces! | 0:22:16 | 0:22:19 | |
I've never seen two happier people | 0:22:19 | 0:22:21 | |
and their expert doesn't look too bad, either. | 0:22:21 | 0:22:23 | |
We've had a whale of a time. | 0:22:23 | 0:22:24 | |
These two have been brilliant and we've bought three fabulous things. | 0:22:24 | 0:22:28 | |
-£272, better than all this £50, £90 lark. -I do agree. | 0:22:28 | 0:22:34 | |
272. Would that be £28 of leftover lolly, then? | 0:22:34 | 0:22:37 | |
-Yes. -Who's got it? -Me. -You've got it, Soph? | 0:22:37 | 0:22:39 | |
OK, come on, darling, let's have your £28. | 0:22:39 | 0:22:42 | |
Which is a bit of a challenge for old Harper, really, because... | 0:22:42 | 0:22:46 | |
you know, it's very nice, £28, | 0:22:46 | 0:22:49 | |
but you're not going to find anything stellar with that. | 0:22:49 | 0:22:52 | |
-I think I've got a good chance. -Well, nobody better to have a go | 0:22:52 | 0:22:55 | |
than you, Harper, very good luck for that. | 0:22:55 | 0:22:57 | |
Anyway, good luck, girls, because we're heading off somewhere really, really interesting. | 0:22:57 | 0:23:02 | |
Boy, have I got a hidden gem for you today! | 0:23:06 | 0:23:09 | |
In a Wolverhampton suburb. | 0:23:09 | 0:23:11 | |
This is Bantock House Museum, a lovingly restored Georgian house. | 0:23:11 | 0:23:17 | |
These days, it's home to a treasure trove of objects | 0:23:22 | 0:23:26 | |
that enthusiastic collectors have donated over the years. | 0:23:26 | 0:23:30 | |
Daisy St Claire Mander, in about 1952, | 0:23:31 | 0:23:35 | |
left the museum her collection of dolls, | 0:23:35 | 0:23:39 | |
some 300-strong, | 0:23:39 | 0:23:41 | |
and I've made a perfectly arbitrary selection | 0:23:41 | 0:23:44 | |
of just four to share with you today. | 0:23:44 | 0:23:48 | |
Now, I make the oldest one the fellow on the far side. | 0:23:48 | 0:23:52 | |
She's got one of those faces that says, "Look deep into my eyes." | 0:23:52 | 0:23:58 | |
Slightly spooky. Some would say she's not an oil painting. | 0:23:58 | 0:24:01 | |
Actually, she IS an oil painting. | 0:24:01 | 0:24:04 | |
Her face is painted in oil paints, on a simple, shaped plug of wood, | 0:24:04 | 0:24:12 | |
probably carved by a loving parent with his penknife | 0:24:12 | 0:24:16 | |
and painted up, in about 1720. | 0:24:16 | 0:24:20 | |
That hair on that doll is real human hair, | 0:24:20 | 0:24:23 | |
that's been entwined and woven into kiss curls | 0:24:23 | 0:24:28 | |
on either side of her head, | 0:24:28 | 0:24:30 | |
and probably put on 100 years after the original wooden head was carved. | 0:24:30 | 0:24:35 | |
Scroll forward 100 years to about 1820, | 0:24:35 | 0:24:40 | |
and dolls had become rather more sophisticated. | 0:24:40 | 0:24:43 | |
This girl has got a wooden head again, | 0:24:43 | 0:24:46 | |
this time with no real hair, just a rather fetching painted hairdo. | 0:24:46 | 0:24:52 | |
Interesting that she's got pierced ears, | 0:24:52 | 0:24:55 | |
so that you could play with toy earrings and dress her up. | 0:24:55 | 0:24:59 | |
But the feature I really like is her articulated body. | 0:24:59 | 0:25:03 | |
Fun, isn't it? | 0:25:03 | 0:25:05 | |
HE MAKES SQUEAKING NOISES | 0:25:05 | 0:25:07 | |
The next major improvement for dolls we see in ol' wax face here. | 0:25:07 | 0:25:12 | |
She's got glass eyes, indeed lovely blue glass eyes, inset into the wax. | 0:25:12 | 0:25:19 | |
She would date from around 1840 or so, | 0:25:19 | 0:25:22 | |
and what would have intrigued any child with a doll like this | 0:25:22 | 0:25:27 | |
is the fact that she's got wax feet. | 0:25:27 | 0:25:30 | |
There are her sweet little toe-toes. | 0:25:30 | 0:25:32 | |
So realistic, you can almost... | 0:25:32 | 0:25:35 | |
-HE SNIFFS -..smell them. | 0:25:35 | 0:25:37 | |
But the ultimate in sophisticated 19th century dolls | 0:25:37 | 0:25:41 | |
has to be this girl. | 0:25:41 | 0:25:43 | |
This is a bisque-headed doll, a form of porcelain that's unglazed. | 0:25:43 | 0:25:48 | |
The maker is Armand Marseilles. | 0:25:48 | 0:25:51 | |
These dolls all have mould numbers | 0:25:51 | 0:25:54 | |
impressed in the back of their necks, | 0:25:54 | 0:25:57 | |
which is what makes them so interesting to collectors. | 0:25:57 | 0:26:00 | |
Each of the mould numbers relates to a style of head, | 0:26:00 | 0:26:04 | |
and this girl's got an open mouth with several teeth, | 0:26:04 | 0:26:07 | |
rather starey black eyes, | 0:26:07 | 0:26:09 | |
and incredibly healthy, pudgy, florid cheeks. | 0:26:09 | 0:26:14 | |
The big question today is, of course, | 0:26:14 | 0:26:17 | |
is it going to be child's play for our teams over at the auction, | 0:26:17 | 0:26:21 | |
or will they just be a lot of cry babies, | 0:26:21 | 0:26:23 | |
crying out for their mummies and daddies? | 0:26:23 | 0:26:26 | |
Well, we've trotted up the M6, vaguely, from Oswestry to Knutsford, | 0:26:37 | 0:26:42 | |
where we find ourselves in Knutsford's fine art auctioneers, | 0:26:42 | 0:26:45 | |
Frank R Marshall, with Nick Hall. | 0:26:45 | 0:26:48 | |
-Nick. -Welcome, Tim. -Very nice to see you. -You too. | 0:26:48 | 0:26:50 | |
Now, the Red team, their first item is this so-called pigeon scarer. | 0:26:50 | 0:26:54 | |
Is it a pigeon scarer, or a night watchman's rattle? | 0:26:54 | 0:26:58 | |
So many different names. All the same thing, really. | 0:26:58 | 0:27:01 | |
We've gone for a bird-scarer. | 0:27:01 | 0:27:02 | |
Nice thing. And it's old and it's genuine. | 0:27:02 | 0:27:05 | |
-Yeah, good old Victorian one. -How much? | 0:27:05 | 0:27:07 | |
-40 to 60. -£36 paid. -Good. | 0:27:07 | 0:27:11 | |
Next is the coquilla nut pomander. | 0:27:11 | 0:27:14 | |
How old do you think that is, Nick? | 0:27:14 | 0:27:16 | |
-About a week yesterday. -Really? -Yeah, it's a modern tourist piece. | 0:27:16 | 0:27:20 | |
It's well made, it's decorative, but no age to it. | 0:27:20 | 0:27:23 | |
It could easily have been made of plastic but actually it is nut. | 0:27:23 | 0:27:26 | |
-Ah, it's a proper nut. -What's it worth? | 0:27:26 | 0:27:29 | |
Er, £20 or so. | 0:27:29 | 0:27:30 | |
OK, £19 paid. | 0:27:30 | 0:27:31 | |
There could be a pound's profit in that. How exciting is that? | 0:27:31 | 0:27:35 | |
And lastly, then, is this Dutch spoon. | 0:27:35 | 0:27:38 | |
Yeah, nice bit of export-ware. | 0:27:38 | 0:27:40 | |
-Which is chunky. -Mm, decorative. | 0:27:40 | 0:27:43 | |
I don't know what the mythology is with these long-beaked | 0:27:43 | 0:27:46 | |
crane-like birds, do you? | 0:27:46 | 0:27:47 | |
I suspect it's that Japaneseque influence | 0:27:47 | 0:27:50 | |
that we see in some of these earlier silver bits. | 0:27:50 | 0:27:52 | |
Yeah, could be, couldn't it? | 0:27:52 | 0:27:54 | |
-What's your estimate on it? -40-60. | 0:27:54 | 0:27:56 | |
OK, £42 paid. | 0:27:56 | 0:27:57 | |
I think this team have got it just about spot-on. | 0:27:57 | 0:28:00 | |
I don't think they will even need their bonus buy | 0:28:00 | 0:28:03 | |
but just in case, let's go and have a look at it. | 0:28:03 | 0:28:06 | |
Well, this is jolly, isn't it? | 0:28:06 | 0:28:08 | |
Now listen, you girls, you spent £97, right? | 0:28:08 | 0:28:11 | |
One of the most uniquely miserable amounts of money you could have spent. | 0:28:11 | 0:28:15 | |
We gave you 300 notes and you spent 97. | 0:28:15 | 0:28:18 | |
Which means you had £203, P Serrell, to blow on the bonus buy. | 0:28:18 | 0:28:23 | |
-What did you blow it on? -Well, I spent £180 and... | 0:28:23 | 0:28:27 | |
It's gone! | 0:28:29 | 0:28:31 | |
-Where is it? -Well, that's a little one, isn't it? | 0:28:31 | 0:28:33 | |
Stop mucking about now. Come along, Philip. | 0:28:33 | 0:28:36 | |
Settle down, dearie. What did you buy? | 0:28:36 | 0:28:38 | |
-This. -We're sitting on it. | 0:28:38 | 0:28:41 | |
-I knew it, actually! -You knew it? | 0:28:41 | 0:28:43 | |
-How did you know it? -No, I like this. | 0:28:43 | 0:28:45 | |
-Two happy-looking ladies. Is it comfortable? -It is lovely. | 0:28:45 | 0:28:48 | |
-Do you like it? -I do. | 0:28:48 | 0:28:49 | |
How are you girls with leather? | 0:28:49 | 0:28:51 | |
-Experts. -Are you? | 0:28:51 | 0:28:54 | |
It's not old. It's meant to look like...what, 1920s? | 0:28:54 | 0:28:57 | |
Yeah. It's clever, isn't it? If this thing is brand Harry spankers, | 0:28:57 | 0:29:01 | |
how do you get this clapped-out leather look, | 0:29:01 | 0:29:04 | |
which looks as if it's been in a gentlemen's club for 50 years, | 0:29:04 | 0:29:08 | |
-which is the look that you want, isn't it? -Yes, and it cost £180 | 0:29:08 | 0:29:11 | |
and I think it's a really cool thing. I think it's a good-looking thing. | 0:29:11 | 0:29:15 | |
And more importantly, I think that if you wanted to go | 0:29:15 | 0:29:18 | |
and replace this, it would cost you a minimum of £300 to £500. | 0:29:18 | 0:29:22 | |
-Well, at least. -I would be surprised if it didn't show you a profit. | 0:29:22 | 0:29:27 | |
-So what do you think? -We like it. -You like it? | 0:29:27 | 0:29:30 | |
-What do you think, Jens? -Yeah, I like it. You couldn't get one cheaper. | 0:29:30 | 0:29:33 | |
Anyway, for the audience at home, let's find out | 0:29:33 | 0:29:36 | |
what the auctioneer thinks about Philip Serrell's settee. | 0:29:36 | 0:29:40 | |
Well, Nick, you're sitting on it. | 0:29:40 | 0:29:43 | |
-Very comfortable, isn't it? -Not bad. -Yeah, it's all right. | 0:29:43 | 0:29:46 | |
When was this thing made, do you reckon? | 0:29:46 | 0:29:48 | |
-Oh, it's brand-new. -Is it? -No age at all. | 0:29:48 | 0:29:50 | |
Just a nice-quality bit of leather. | 0:29:50 | 0:29:52 | |
This looks as if it's got a bit of age to it. | 0:29:52 | 0:29:55 | |
Yes, it's sort of artificially aged, and that shabby-chic look, hasn't it? | 0:29:55 | 0:29:59 | |
So, found by Mr Serrell for £180, and he really rates this, right? | 0:29:59 | 0:30:04 | |
Brand-new. How's it going to do in the auction? | 0:30:04 | 0:30:06 | |
Trouble is, of course, it's a nice bit of modern home furnishing | 0:30:06 | 0:30:10 | |
sat in the middle of our antiques and collectors' sales! | 0:30:10 | 0:30:13 | |
It might be a struggle with the audience we've got today. | 0:30:13 | 0:30:16 | |
Right... So how much, then? | 0:30:16 | 0:30:17 | |
-I've put 100, 150 on it. -100 to 150? -Yeah. | 0:30:17 | 0:30:20 | |
He's going to be crying in his beer. | 0:30:20 | 0:30:22 | |
Of course, the teams may not go with it. | 0:30:22 | 0:30:25 | |
Anyway, thank you very much. | 0:30:25 | 0:30:27 | |
-OK, Tim. -Let's check out what the Blues bought. | 0:30:27 | 0:30:31 | |
Soph and Jez are excited for the Blues, | 0:30:31 | 0:30:34 | |
their first item being this pair of multicoloured glass vases... | 0:30:34 | 0:30:38 | |
-Lucky them! -...which I think are absolutely hideous. | 0:30:38 | 0:30:41 | |
Yeah, not my favourite lot in the sale, I'll be honest. | 0:30:41 | 0:30:44 | |
It's what we term "end of day" glass. | 0:30:44 | 0:30:46 | |
Yeah. Could be the end of the week, those. | 0:30:46 | 0:30:48 | |
At least they're not cracked or messed about with. | 0:30:48 | 0:30:51 | |
No, they're in good condition. Relatively decorative, | 0:30:51 | 0:30:54 | |
not expensive. They should get away. | 0:30:54 | 0:30:56 | |
-What do you call "not expensive"? -I've put about £30 on them. | 0:30:56 | 0:30:59 | |
£30? Really? They only paid £17. | 0:30:59 | 0:31:03 | |
They'll be completely chuffed if you achieve that, Nick, I tell you! | 0:31:03 | 0:31:07 | |
Next is the Zimbabwean soapstone group, which, I have to say, | 0:31:07 | 0:31:12 | |
-I admired and coveted quite a lot in the fair. -It's a good thing. | 0:31:12 | 0:31:17 | |
-It's a great lump, isn't it? -There's a lot of artistry in these things. | 0:31:17 | 0:31:20 | |
It's part of a group of artwork we term "Shona art", from the tribe Shona. | 0:31:20 | 0:31:25 | |
-Mm-hm. -This particular piece is by a chap called Fabian Madamombe. | 0:31:25 | 0:31:30 | |
He's part of the second generation of Shona artists, born in the Fifties, | 0:31:30 | 0:31:34 | |
and can do quite well at auction. | 0:31:34 | 0:31:36 | |
-So you've done research on this? -I've done a history on that one. | 0:31:36 | 0:31:40 | |
-So, what do you think it's worth? -Well, we've got a wide spread. | 0:31:40 | 0:31:43 | |
We've put 100 to 200 on it, it's a bit of a niche market, | 0:31:43 | 0:31:46 | |
but it should do well. | 0:31:46 | 0:31:47 | |
Well, they paid £140, actually. | 0:31:47 | 0:31:49 | |
-Hopefully, a profit in that. -More or less spot-on. | 0:31:49 | 0:31:52 | |
Yeah. Sculpture's doing well at the minute. | 0:31:52 | 0:31:54 | |
Good. And lastly, and for something completely different, | 0:31:54 | 0:31:57 | |
how about a solid silver chain-mesh handbag? | 0:31:57 | 0:32:00 | |
-For those evenings in the Knutsford wine bars. -Yes, absolutely! | 0:32:00 | 0:32:03 | |
-How do you rate this? -Erm, £100, £150. | 0:32:03 | 0:32:06 | |
Silver's doing well. | 0:32:06 | 0:32:08 | |
-It's a decorative item, good order. Ought to do it. -OK. £115 they paid. | 0:32:08 | 0:32:13 | |
And I think the important thing is that this bag doesn't seem to be snagged at all. | 0:32:13 | 0:32:18 | |
I mean, that mesh is quite delicate, and it is in remarkably good nick. | 0:32:18 | 0:32:22 | |
-Perfect condition, yeah. -So according to your estimate, it's going to be just fab. | 0:32:22 | 0:32:27 | |
-We'll do our best. -They too are not going to need their bonus buy, perhaps. | 0:32:27 | 0:32:31 | |
But let's go and have a look at it anyway, shall we? | 0:32:31 | 0:32:34 | |
OK, girls, £272 you've spent, which was a magnificent effort, | 0:32:34 | 0:32:39 | |
giving the old boy only £28 to spend. | 0:32:39 | 0:32:41 | |
So what did David Harper spend it on? | 0:32:41 | 0:32:44 | |
Right, OK, a rather handsome Roman gentleman. | 0:32:44 | 0:32:48 | |
He is Italian, and I think he's 19th century, | 0:32:48 | 0:32:51 | |
and it's a Grand Tour piece. | 0:32:51 | 0:32:53 | |
It's a bronze Roman bust mounted on a horn plinth. | 0:32:53 | 0:32:57 | |
Have a feel of him. A lovely thing, very unusual, nice weight. | 0:32:57 | 0:33:01 | |
-It is, actually. -Definitely bronze, yeah. | 0:33:01 | 0:33:04 | |
-It's bronze. -So, how old is it? | 0:33:04 | 0:33:06 | |
19th century. | 0:33:06 | 0:33:08 | |
-It's a big century, obviously! -100 years! | 0:33:08 | 0:33:11 | |
-Very safe answer there. -I think I've got away with it, don't you? | 0:33:11 | 0:33:15 | |
-They were impressed. -How much? | 0:33:15 | 0:33:17 | |
Well, I only had £28, and I blew every last pound, | 0:33:17 | 0:33:20 | |
and it took me a very, very long time to get him for £28. That's all I had. | 0:33:20 | 0:33:24 | |
-What do you think, Jez? Is that something you'd buy? -Yes. I do like it. | 0:33:24 | 0:33:28 | |
But it's a real antique, and it's a novelty thing, and it's quirky. | 0:33:28 | 0:33:32 | |
It's got to do £50, I think. My opinion, it should do £50 and more. | 0:33:32 | 0:33:37 | |
-We're standing by here, David, for your prediction. -Thank you, Tim. | 0:33:37 | 0:33:41 | |
But now, for the audience at home, let's find out | 0:33:41 | 0:33:44 | |
what the auctioneer thinks about David's little bust. | 0:33:44 | 0:33:47 | |
Well, what do you make of that little sweetheart? | 0:33:47 | 0:33:50 | |
It's a sweet little thing, really, a nice bit of Grand Tour memorabilia. | 0:33:50 | 0:33:54 | |
Probably 19th century. | 0:33:54 | 0:33:56 | |
Whether the top and bottom started out life together, I'm not sure, but it sits well. | 0:33:56 | 0:34:00 | |
It's an odd mix, isn't it? That's a bit of horn there, | 0:34:00 | 0:34:03 | |
and then is that wood or another solid lump of horn on that little plinth? | 0:34:03 | 0:34:07 | |
-I think that's all horn, the base. -Is it? -Yeah. | 0:34:07 | 0:34:10 | |
And then this little bronze bust on top of a Roman emperor, I guess. | 0:34:10 | 0:34:15 | |
-Nice little thing. -It's got the look. | 0:34:15 | 0:34:17 | |
OK, now, David Harper's cunning. | 0:34:17 | 0:34:20 | |
-Mm. -What's your estimate on this? -50 to 80. | 0:34:20 | 0:34:22 | |
-£28 he paid. -He did well. -He did well. -Mm. A good eye. | 0:34:22 | 0:34:26 | |
-Thank you very much, Nick. -You're welcome. | 0:34:26 | 0:34:29 | |
-So, got any worries about anything, Jens? -No, nothing at all. | 0:34:36 | 0:34:39 | |
No? No particular item that you've bought giving you a problem, Migs? | 0:34:39 | 0:34:43 | |
-No. -No? What about you, Phil? | 0:34:43 | 0:34:45 | |
I think they're going to do very well. | 0:34:45 | 0:34:47 | |
Well, this is exciting, isn't it? We're on the edge of the abyss. | 0:34:47 | 0:34:50 | |
-Here it comes, the rattle. -Just settle down. | 0:34:50 | 0:34:53 | |
Lot number 40 is the Victorian stained-beech bird scarer. | 0:34:53 | 0:34:57 | |
I've got a bit of commission interest. Straight in at £20. | 0:34:57 | 0:35:00 | |
-Oh! -Any advance? | 0:35:00 | 0:35:02 | |
£20 with me on commission. | 0:35:02 | 0:35:03 | |
At 20. 5. Book's out, madam. It's with you, seated. | 0:35:03 | 0:35:06 | |
30 behind you. 35, second row. | 0:35:06 | 0:35:08 | |
40, the gent. | 0:35:08 | 0:35:10 | |
You're in profit. | 0:35:10 | 0:35:12 | |
45 the bid's online. If you're all sure, selling at 45... | 0:35:12 | 0:35:16 | |
Lovely, £45 on the internet. | 0:35:16 | 0:35:18 | |
We like that. You're plus £9. That's a proper job. | 0:35:18 | 0:35:21 | |
Lot number 41 is the 20th century | 0:35:21 | 0:35:26 | |
subcontinent carved and pierced coquilla nut pomander. | 0:35:26 | 0:35:30 | |
A bit of work gone into it. | 0:35:30 | 0:35:31 | |
Where are we going to say? £20? £20. Someone surely will take the bid. | 0:35:31 | 0:35:35 | |
Some very interested parties in the far corner willing you on. | 0:35:35 | 0:35:38 | |
£20, someone, somewhere, surely. | 0:35:38 | 0:35:41 | |
Got to be worth that. 15? | 0:35:41 | 0:35:43 | |
Take a tenner, get the ball rolling. | 0:35:43 | 0:35:45 | |
Or get the nut rolling. 10, I'm bid. 15 seated. | 0:35:45 | 0:35:47 | |
Still in, sir? 15 seated. | 0:35:47 | 0:35:49 | |
I've got 20 in the front, madam in the second row. 25 behind you. | 0:35:49 | 0:35:53 | |
Anyone else coming in? At £25. Any advance? Are we all done? | 0:35:53 | 0:35:56 | |
You sure? At 25. | 0:35:56 | 0:35:58 | |
-And that is plus £6, yes? -Monster profits! | 0:35:58 | 0:36:02 | |
Nothing the matter with a profit, is there? | 0:36:02 | 0:36:05 | |
Lot number 42 is the early 20th century Dutch export | 0:36:05 | 0:36:08 | |
white-metal souvenir spoon. | 0:36:08 | 0:36:10 | |
£20 to start. £20 anywhere? | 0:36:10 | 0:36:12 | |
Surely at £20. Nice bit of Dutch silverware. 20 bid online. | 0:36:12 | 0:36:15 | |
Thank you for the internet. £20. 5 anywhere? Anywhere else? | 0:36:15 | 0:36:19 | |
The bid's online. It's going. It's going at £20. I have to sell. | 0:36:19 | 0:36:23 | |
I cannot believe it. £20. | 0:36:23 | 0:36:26 | |
-You were unlucky. -£20. You are minus £22 on that. | 0:36:26 | 0:36:29 | |
You were plus 15, so that means you're minus 7 overall. | 0:36:29 | 0:36:34 | |
-I am, as they say, without breath. -Mm-hm. | 0:36:34 | 0:36:36 | |
But anyway, breathless or not, are you going to go with the bonus buy? | 0:36:36 | 0:36:40 | |
-Are you going to go with that leather sofa? -Definitely. | 0:36:40 | 0:36:43 | |
We're definitely going with the bonus buy. | 0:36:43 | 0:36:45 | |
I can tell you now, the auctioneer's estimate is 100 to 150, | 0:36:45 | 0:36:48 | |
so he's not that optimistic. | 0:36:48 | 0:36:50 | |
The big question is, who's right? | 0:36:50 | 0:36:52 | |
And here it comes. | 0:36:52 | 0:36:53 | |
Lot number 46 is the good-quality | 0:36:53 | 0:36:57 | |
modern brown leather sofa in the Art Deco taste. | 0:36:57 | 0:36:59 | |
Commission interest. | 0:36:59 | 0:37:01 | |
I'm coming in at £100. | 0:37:01 | 0:37:04 | |
The bid's with me at £100. 110. | 0:37:04 | 0:37:06 | |
120 with me now. 120 bid. | 0:37:06 | 0:37:07 | |
130. 140. 150. | 0:37:07 | 0:37:10 | |
Bid's on the phone. The book's out. | 0:37:10 | 0:37:13 | |
It's 140, and you bid at 150. Thank you, sir. 150 in the room. | 0:37:13 | 0:37:16 | |
160. 170 in the room, sir. | 0:37:16 | 0:37:18 | |
With you at 170. At 170 now. | 0:37:18 | 0:37:21 | |
180. Phone bid at 180. | 0:37:21 | 0:37:23 | |
190. Back in the room at 190. | 0:37:23 | 0:37:25 | |
< Well done, Phil. | 0:37:25 | 0:37:26 | |
200 here. Phone bidder at £200. | 0:37:26 | 0:37:29 | |
210 with you, sir. 220. | 0:37:29 | 0:37:31 | |
230. £230, all done. | 0:37:31 | 0:37:34 | |
Last chance. Selling. | 0:37:34 | 0:37:37 | |
-GAVEL BANGS -I love you! | 0:37:37 | 0:37:38 | |
Oh, wonderful! | 0:37:38 | 0:37:40 | |
Cor, blimey O'Riley! | 0:37:40 | 0:37:42 | |
£230. That is plus £50, which means overall you are, miraculously, | 0:37:42 | 0:37:49 | |
thanks to Philip, transported into plus 43. | 0:37:49 | 0:37:53 | |
£43. The big thing is, do not tell the Blues a thing, all right? | 0:37:53 | 0:37:57 | |
-Mum's the word, all right? Well done, Phil. -Zipped. | 0:37:57 | 0:38:00 | |
Jez, you're looking a bit nervy, love. | 0:38:08 | 0:38:11 | |
Oh, I'm really nervous. | 0:38:11 | 0:38:12 | |
-Why are you really nervous? -I don't know! | 0:38:12 | 0:38:15 | |
-I'll be all right in a minute. -Soph, are you nervous? | 0:38:15 | 0:38:18 | |
-I'm excited! -You're excited. | 0:38:18 | 0:38:20 | |
How excited are you on a scale of excitement out of one to ten? | 0:38:20 | 0:38:23 | |
-Trembling. -Trembling? Oh, that's good. | 0:38:23 | 0:38:25 | |
We love trembling and really frightened. | 0:38:25 | 0:38:28 | |
The first lot up are the vases, and here they come. | 0:38:28 | 0:38:30 | |
62 is the pair of | 0:38:30 | 0:38:33 | |
late 19th century end-of-day multicoloured glass vases. | 0:38:33 | 0:38:37 | |
I am so excited! | 0:38:37 | 0:38:39 | |
I've got a bit of commission interest, as well. | 0:38:39 | 0:38:42 | |
I'm going to start straight in with me now at £25. | 0:38:42 | 0:38:45 | |
-Ooh! -25, the bid's with me. £25. | 0:38:45 | 0:38:47 | |
Any advance? 30 I can take. 5. 40. | 0:38:47 | 0:38:50 | |
5 with me. Are you still bidding? | 0:38:50 | 0:38:52 | |
It's £45. The bid's with me. All done? | 0:38:52 | 0:38:55 | |
That's three to twenty. | 0:38:56 | 0:38:58 | |
I make that plus 28. | 0:38:58 | 0:39:00 | |
Plus 28, chickens! | 0:39:00 | 0:39:02 | |
Lot number 63, nice bit of stone carving, this, from the Shona tribe. | 0:39:02 | 0:39:08 | |
This particular piece is by Fabian Madamombe. | 0:39:08 | 0:39:11 | |
-Fabian Madamombe. -Know him well. | 0:39:11 | 0:39:13 | |
I've got commission interest. | 0:39:13 | 0:39:16 | |
I'm going to start the bidding with me at £100. | 0:39:16 | 0:39:19 | |
Anyone else coming in? With me at £100. I'll take 110 now. | 0:39:19 | 0:39:22 | |
Any advance? 110. 120. | 0:39:22 | 0:39:25 | |
130. The book's out. | 0:39:25 | 0:39:26 | |
With you, sir, seated, at 130 now. | 0:39:26 | 0:39:29 | |
130, I'm selling. | 0:39:29 | 0:39:30 | |
He has sold it for £130. | 0:39:30 | 0:39:33 | |
I mean, I can't believe it. That's minus £10. | 0:39:33 | 0:39:36 | |
-Minus 10? Oh! -It's minus £10. -It's OK. | 0:39:36 | 0:39:38 | |
Lot number 64 | 0:39:38 | 0:39:40 | |
is the George V imported sterling silver mesh lady's cocktail bag. | 0:39:40 | 0:39:43 | |
What are you going to say for this? £100 for it. 100 somewhere, surely. | 0:39:43 | 0:39:48 | |
100 for it. 80. 70. | 0:39:48 | 0:39:49 | |
Get the ball rolling at £50. | 0:39:49 | 0:39:51 | |
-Oh, no! -£50? | 0:39:51 | 0:39:52 | |
Solid, hallmarked silver mesh evening purse. | 0:39:52 | 0:39:55 | |
Thank you, sir, 50 online. The bid's online at £50. | 0:39:55 | 0:39:58 | |
-Oh, no. -The bid's online at £50. | 0:39:58 | 0:40:01 | |
It will be sold, make no mistake. All sure? Thank you, madam, 55. 60. | 0:40:01 | 0:40:05 | |
-Go on! -In the room at £60. Still bidding here? | 0:40:05 | 0:40:08 | |
65. You all finished online? | 0:40:08 | 0:40:10 | |
It's in the room at 65. All done, if you're sure. | 0:40:10 | 0:40:13 | |
Minus 32. | 0:40:14 | 0:40:16 | |
Right? I mean, chin up, because that is not good luck, I tell you. | 0:40:16 | 0:40:21 | |
That silver bag, you'd melt that down for £100. | 0:40:21 | 0:40:25 | |
-And that's just the metal. -Yeah. | 0:40:25 | 0:40:27 | |
So, what are you going to do about your little bust? | 0:40:27 | 0:40:29 | |
-Do you fancy going with the little bust? -Definitely. | 0:40:29 | 0:40:32 | |
You're going to have a tickle with that? I don't blame you. | 0:40:32 | 0:40:35 | |
But on this current form, anything can happen. | 0:40:35 | 0:40:37 | |
Anyway, here comes your bust. | 0:40:37 | 0:40:39 | |
Lot 68 is the 19th century Grand Tour | 0:40:39 | 0:40:42 | |
bronze miniature bust of a Roman emperor. | 0:40:42 | 0:40:45 | |
50 for it. 40. | 0:40:45 | 0:40:47 | |
30. Surely someone at £30. | 0:40:47 | 0:40:49 | |
Thank you, sir. 30, I'm bid. 5 online. | 0:40:49 | 0:40:51 | |
40 now. With you, sir, at £40. | 0:40:51 | 0:40:53 | |
Any advance on £40? Are you bidding online? | 0:40:53 | 0:40:55 | |
45. | 0:40:55 | 0:40:57 | |
45 online. 50 with you, sir. Back in the room at £50. | 0:40:57 | 0:41:00 | |
5 online, sir? Can you squeeze another one? | 0:41:00 | 0:41:03 | |
55 against you. At £55. | 0:41:03 | 0:41:06 | |
£55 is, at least, £2 up from 30. | 0:41:07 | 0:41:11 | |
-That's plus £27. -Brilliant. | 0:41:11 | 0:41:12 | |
Not half bad, matey. Well done. And that means overall you are minus £5. | 0:41:12 | 0:41:19 | |
-Oh! -That is so close. This is the helter-skelter of life. | 0:41:19 | 0:41:23 | |
Now, minus £5 could be a winning score, so don't talk to the Reds, all right? | 0:41:23 | 0:41:27 | |
-Thank you. -OK. | 0:41:27 | 0:41:29 | |
-So, teams, been chatting, have we? -No. -No? | 0:41:37 | 0:41:41 | |
Well, all I can say is that each team should be very, very grateful | 0:41:41 | 0:41:45 | |
that they've got such great experts | 0:41:45 | 0:41:48 | |
-who've done so incredibly well for them today! -Oh! | 0:41:48 | 0:41:53 | |
It's all a question of scale, though, and I have to reveal | 0:41:53 | 0:41:56 | |
-that the runners-up today, unfortunately, are the Blues. -Oh! | 0:41:56 | 0:42:00 | |
Your overall score is minus £5, and that just isn't good enough, girls, | 0:42:01 | 0:42:05 | |
just not good enough today. | 0:42:05 | 0:42:07 | |
But we've had a rip-roaring time. Have you enjoyed it? | 0:42:07 | 0:42:10 | |
-Absolutely. -You look a bit gutted. Are you all right? -Fine! | 0:42:10 | 0:42:13 | |
-They've been wonderful. -I knew I'd lost. | 0:42:13 | 0:42:16 | |
Winning isn't everything, it's taking part, and you've been great. | 0:42:16 | 0:42:20 | |
But the victors today, by a long chalky, | 0:42:20 | 0:42:23 | |
because they're going to actually take home £43... Migs? | 0:42:23 | 0:42:27 | |
But before you go into congratulatory mode, | 0:42:27 | 0:42:30 | |
-I have to tell you that £50 profit came from our Phil today. -It did. | 0:42:30 | 0:42:35 | |
I mean, £50 off that old leather sofa, | 0:42:35 | 0:42:37 | |
that was a considerable achievement. | 0:42:37 | 0:42:39 | |
So, we've been everywhere, all round the houses, | 0:42:39 | 0:42:42 | |
but ultimately, you've come up trumps. | 0:42:42 | 0:42:45 | |
-Thanks to our hero. -Yeah, he is our hero, isn't he? | 0:42:45 | 0:42:49 | |
I mean, not everybody would make the Bargain Hunt team | 0:42:49 | 0:42:52 | |
lug a two-seater solid leather settee | 0:42:52 | 0:42:55 | |
-halfway across the north-west of England! -Three counties! | 0:42:55 | 0:42:58 | |
Three counties, and counting, to make a profit. | 0:42:58 | 0:43:02 | |
So if it hadn't made any money, you'd have been in trouble, Serrell. | 0:43:02 | 0:43:06 | |
I'm glad you've had a good time. Thank you very much, Phil. Congratulations. | 0:43:06 | 0:43:10 | |
-And join us soon for some more Bargain Hunting. Yes? -Yes! | 0:43:10 | 0:43:13 | |
Subtitles by Red Bee Media | 0:43:26 | 0:43:29 | |
Email [email protected] | 0:43:29 | 0:43:32 |