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The Norfolk antiques fair. Two eager teams! | 0:00:02 | 0:00:07 | |
What are we missing? | 0:00:07 | 0:00:09 | |
Oh, yes! Expertise! Then... | 0:00:09 | 0:00:12 | |
THEY ALL SHOUT Let's go bargain hunting! | 0:00:12 | 0:00:15 | |
This is a game of two halves. | 0:00:36 | 0:00:39 | |
Buy three items here... | 0:00:40 | 0:00:42 | |
and make profits here. Easy! | 0:00:42 | 0:00:46 | |
Hah! Today we're kicking off in sunny Norfolk... | 0:00:47 | 0:00:51 | |
Rainy Norfolk. Sunny Norfolk! | 0:00:52 | 0:00:55 | |
Rainy Norfolk. Oh, Lord... | 0:00:55 | 0:00:58 | |
But even the weather won't stop these wives from taking the lead. | 0:00:58 | 0:01:02 | |
-Meet Jean. -Can we have it? | 0:01:02 | 0:01:04 | |
She'll stop at nothing to get a bargain. | 0:01:04 | 0:01:06 | |
-£90. -I'll give you a kiss for that. | 0:01:06 | 0:01:09 | |
Give him two kisses and make it 80. | 0:01:09 | 0:01:11 | |
-Would you like three? -No! | 0:01:11 | 0:01:15 | |
Naughty! And introducing Becks. | 0:01:15 | 0:01:18 | |
-Yeah. I'm good with that. Are you? -Yeah. | 0:01:18 | 0:01:20 | |
Or do you want to think for another eight minutes, keep looking? | 0:01:20 | 0:01:24 | |
IN AMERICAN ACCENT That would be no! | 0:01:24 | 0:01:26 | |
And, gee, she means no! | 0:01:26 | 0:01:29 | |
And here they are - happy, smiling, married faces, | 0:01:31 | 0:01:36 | |
which is great. Now, Rebecca, tell me about yourselves. | 0:01:36 | 0:01:40 | |
Tim and I have been married 28 years, and we have four children | 0:01:40 | 0:01:44 | |
between the ages of 11 and 21. | 0:01:44 | 0:01:46 | |
And you're living here, which is lovely. | 0:01:46 | 0:01:48 | |
We are. We are missionaries, | 0:01:48 | 0:01:51 | |
and we work with the US military. | 0:01:51 | 0:01:54 | |
Now, um, you're keen on shabby chic. | 0:01:54 | 0:01:57 | |
Is this something you've fallen in love with while you've been here? | 0:01:57 | 0:02:01 | |
Yes, it is. I really was not that familiar with it, | 0:02:01 | 0:02:04 | |
and then we moved here and I saw more of it at antique fairs and shows, | 0:02:04 | 0:02:08 | |
and I just think it looks very country, and I like that whole look. | 0:02:08 | 0:02:12 | |
-I think it's very pretty. -Good. | 0:02:12 | 0:02:14 | |
So, Timbo - great name, I have to say. | 0:02:14 | 0:02:17 | |
-Yeah! -What did you do before you became a missionary? | 0:02:17 | 0:02:20 | |
I was a designer and builder, so I built houses. | 0:02:20 | 0:02:24 | |
I loved it. I loved the design process. | 0:02:24 | 0:02:28 | |
So, what are your tactics going to be today? | 0:02:28 | 0:02:30 | |
Well, I come from the States. The exciting thing here is, | 0:02:30 | 0:02:33 | |
things are actually really old. We don't want to take any huge chances, | 0:02:33 | 0:02:38 | |
-but buy well, buy good quality. -Will you take your expert's advice? | 0:02:38 | 0:02:41 | |
-Yes, absolutely. -THEY LAUGH | 0:02:41 | 0:02:44 | |
That could be your first mistake! | 0:02:44 | 0:02:46 | |
No, only joking. Anyway, very, very good luck. Lovely. | 0:02:46 | 0:02:50 | |
Now, guys, you're not scared by this international presence, are you? | 0:02:50 | 0:02:54 | |
-No, no. -Because you're not from round these parts, are you? | 0:02:54 | 0:02:57 | |
-No. -Where do you come from, darling? | 0:02:57 | 0:02:59 | |
-Well, I come from Essex. -Lovely. | 0:02:59 | 0:03:02 | |
Essex girl. | 0:03:02 | 0:03:04 | |
You've been together, you two, for 50 years, yes? | 0:03:04 | 0:03:07 | |
-51 years. -51 years. | 0:03:07 | 0:03:09 | |
When you first met, was it kind of "caramba"? | 0:03:09 | 0:03:12 | |
-No. -No. -Couldn't stand the sight of him. | 0:03:12 | 0:03:14 | |
-Couldn't you? -No. No, um, he was an apprentice, | 0:03:14 | 0:03:18 | |
and I worked in the medical block. | 0:03:18 | 0:03:21 | |
So all the apprentices had to come in and be weighed, | 0:03:21 | 0:03:24 | |
because it was a lead firm, and blood-tested and everything. | 0:03:24 | 0:03:27 | |
And he used to pester the life out of me! | 0:03:27 | 0:03:29 | |
-Did he? -I couldn't stand him! | 0:03:29 | 0:03:31 | |
Was it to do with your nurse's uniform, do you suppose? | 0:03:31 | 0:03:34 | |
I don't know. He said it was my teeth! | 0:03:34 | 0:03:37 | |
THEY LAUGH | 0:03:37 | 0:03:38 | |
-It was... -THEY LAUGH | 0:03:38 | 0:03:41 | |
-It was your teeth? -Yeah. Yeah. | 0:03:41 | 0:03:43 | |
-Right! -They were all there then. | 0:03:43 | 0:03:46 | |
Anyway, let's not dwell on teeth. It's not my best subject, | 0:03:48 | 0:03:51 | |
personally. Now, Cliff, | 0:03:51 | 0:03:53 | |
I'm told that you're usually to be found at the bottom of a garden. | 0:03:53 | 0:03:57 | |
Yes, yes. Since, um... Well, before I retired, actually - | 0:03:57 | 0:04:00 | |
been an engineer for years - | 0:04:00 | 0:04:04 | |
I carried on making models of various types, | 0:04:04 | 0:04:06 | |
and I've made a series of small model houses, | 0:04:06 | 0:04:11 | |
one for each daughter, | 0:04:11 | 0:04:13 | |
and seven for the grandchildren. | 0:04:13 | 0:04:16 | |
Real scale models, 12-scale and 24-scale. | 0:04:16 | 0:04:19 | |
So, proper jobs, then. | 0:04:19 | 0:04:22 | |
-Oh, yes. Take some time to make. -Yeah. | 0:04:22 | 0:04:24 | |
-Well, it's kept you out of mischief. -Yes, yes, yes, yes. | 0:04:24 | 0:04:27 | |
And kept me quietly away. | 0:04:27 | 0:04:29 | |
-Yes. From her indoors. -From teeth. From teeth! | 0:04:29 | 0:04:33 | |
-From teeth! -THEY LAUGH | 0:04:33 | 0:04:36 | |
-Not fair, is it? -No, it's definitely not fair! | 0:04:36 | 0:04:39 | |
I think you're going to have a very jolly time today. | 0:04:39 | 0:04:42 | |
We certainly are, yes. | 0:04:42 | 0:04:43 | |
We all are. I'm rather looking forward to this. | 0:04:43 | 0:04:46 | |
Now, here we go, chaps. | 0:04:46 | 0:04:48 | |
Here's your 300 smackeroos. There you go. | 0:04:48 | 0:04:51 | |
£300 - several hundred dollars. You know the rules. | 0:04:51 | 0:04:54 | |
Your experts await. Off you go, and very, very, very good luck. | 0:04:54 | 0:04:58 | |
I can't wait to get my teeth into this lot. | 0:04:58 | 0:05:01 | |
So, who did we "chewse" as experts? | 0:05:03 | 0:05:07 | |
Paul Laidlaw, the Scot, on hand for Team US, | 0:05:07 | 0:05:11 | |
and Sussex boy Jonathan Pratt for Team Essex. | 0:05:11 | 0:05:15 | |
Norfolk awaits! | 0:05:15 | 0:05:17 | |
How very international! | 0:05:17 | 0:05:20 | |
-Right, then. We're off, yeah? -Yeah. -Sounds good! | 0:05:20 | 0:05:24 | |
'Right! Down to business.' | 0:05:27 | 0:05:30 | |
-Not there. -Not there? -No teddy bears. | 0:05:30 | 0:05:33 | |
-'Ooh, 'ello!' -A cute little footstool. | 0:05:37 | 0:05:39 | |
-No. -That's quite... How much is that? | 0:05:39 | 0:05:42 | |
-It's 25. -25? | 0:05:42 | 0:05:44 | |
-See, that - -That's right, for 25. -It's a little footstool. | 0:05:44 | 0:05:47 | |
It needs re-upholstering, but the legs are all right. | 0:05:47 | 0:05:50 | |
-The legs are good, though. -Victorian frame. | 0:05:50 | 0:05:53 | |
-Yeah, it is, innit? -That would be quite good for £20. | 0:05:53 | 0:05:56 | |
No woodworm in it, is there? | 0:05:56 | 0:05:58 | |
-No. -Well, I had to check. | 0:05:58 | 0:06:00 | |
-Of course. Have a look. -No, there isn't, is there? | 0:06:00 | 0:06:03 | |
If you could get that for £20, that would be a good buy. | 0:06:03 | 0:06:06 | |
-If I wink at you, would you... -I suppose I could - -Where is she? | 0:06:06 | 0:06:10 | |
Wherever she's run off to... Hey! 20? | 0:06:10 | 0:06:14 | |
-It's all right. -20. OK. | 0:06:14 | 0:06:16 | |
-You happy, I'm happy, anyway. -20. You got a good deal. | 0:06:16 | 0:06:19 | |
Oh, good girl! There we are! That was good bargaining, wasn't it? | 0:06:19 | 0:06:23 | |
-Shall we have it? -I think it's a good buy for £20. | 0:06:23 | 0:06:26 | |
-We'll have that, then. -OK. Thank you! | 0:06:26 | 0:06:28 | |
'Ooh! You big spender, Jean! £20, and they're off!' | 0:06:28 | 0:06:33 | |
-Right. -Let's get out of the rain. -Let's get out of this rain! | 0:06:33 | 0:06:38 | |
A touch of Arts and Crafts. | 0:06:45 | 0:06:47 | |
-Pewter... -What is this? Is that enamel? | 0:06:47 | 0:06:50 | |
High-fired glass enamel. Silvered face, silvered bezel. | 0:06:50 | 0:06:54 | |
-Liberty Tudric ware. -Is that good or bad? | 0:06:54 | 0:06:56 | |
It's very good. | 0:06:56 | 0:06:58 | |
-I bet you it doesn't run. It's £95. -SHE GASPS | 0:06:59 | 0:07:02 | |
-Believe me, the market's all about brand. -Yeah? | 0:07:02 | 0:07:06 | |
-Yeah. -Brand sells. | 0:07:06 | 0:07:09 | |
Well, I'm surprised. It's running. Let me tell you about the faults. | 0:07:09 | 0:07:13 | |
The good news is, it's got the right name. | 0:07:13 | 0:07:16 | |
Britannia metal, glass cabochon, very nice. | 0:07:16 | 0:07:20 | |
And it runs. But...kink here, | 0:07:20 | 0:07:23 | |
and severe oxidation and wear to the face, | 0:07:23 | 0:07:27 | |
and I don't know to what extent that can be improved. | 0:07:27 | 0:07:29 | |
And yet I'm still holding it, still talking to you about it, | 0:07:29 | 0:07:32 | |
because of the name, and how pretty damn sexy I think that wee clock is! | 0:07:32 | 0:07:38 | |
Does it do anything for you? Ignore the condition. | 0:07:38 | 0:07:40 | |
-I like the look of it. -I do, too. -You picked it up. | 0:07:40 | 0:07:43 | |
-I do. I like it. -Got the eye! | 0:07:43 | 0:07:45 | |
-But... -It's a lot of money. | 0:07:45 | 0:07:47 | |
Er, I think it might be worth 80 to 120 quid | 0:07:47 | 0:07:50 | |
if people are forgiving of that wee fault. | 0:07:50 | 0:07:54 | |
'Come on, guys! Get bargaining!' | 0:07:54 | 0:07:56 | |
I'm bigging it up to these guys, | 0:07:56 | 0:07:59 | |
but I'm kicking the hell out of the price tag. Can you help me? | 0:07:59 | 0:08:02 | |
-95... -A big... A big ask. | 0:08:02 | 0:08:06 | |
60. | 0:08:06 | 0:08:08 | |
-What do you think, Tim? -I'm not sure about the money. | 0:08:08 | 0:08:12 | |
-It's a brand name I know. -That's what we're saying. | 0:08:12 | 0:08:15 | |
It couldn't be 50? | 0:08:15 | 0:08:17 | |
-At 50, I think - -55, so it gives me a fiver. | 0:08:19 | 0:08:21 | |
You've heard how I'm feeling about it. | 0:08:23 | 0:08:27 | |
-Yeah. -I've got this massive plus - | 0:08:27 | 0:08:29 | |
brand and look. But you don't know to what extent | 0:08:29 | 0:08:32 | |
people are going to go, "Wonderful! What a shame," and keep moving. | 0:08:32 | 0:08:36 | |
I'm worried it's going to be 30, and that's what we'll end up with - | 0:08:36 | 0:08:39 | |
a £25 loss. But that's probably more than fair. | 0:08:39 | 0:08:43 | |
-If it was 50, would you buy it? -Yeah, I think so, at 50. | 0:08:43 | 0:08:47 | |
-I would feel better. -Can we be really... | 0:08:47 | 0:08:49 | |
Go on, then. I just won't eat for a week. | 0:08:50 | 0:08:53 | |
THEY LAUGH Come to my house. | 0:08:53 | 0:08:55 | |
-I'll cook for you. -Send you a food parcel. | 0:08:55 | 0:08:57 | |
'But have they cooked up a bargain, or is it a dog's dinner? | 0:08:57 | 0:09:01 | |
'Have they clocked a recipe for success... | 0:09:01 | 0:09:04 | |
'OK. I'll stop. Sorry.' | 0:09:04 | 0:09:06 | |
That was ten minutes or so, and I think you've banked a little... | 0:09:06 | 0:09:09 | |
-That's got to be good for morale. -Yeah. I'm excited! | 0:09:09 | 0:09:12 | |
It's a shame about the rain, though. Is inside looking good now? | 0:09:12 | 0:09:16 | |
Yes, it is. | 0:09:16 | 0:09:17 | |
'So, with spirits undampened, rain halts outside play.' | 0:09:17 | 0:09:21 | |
That's what we need to go outside in. | 0:09:21 | 0:09:23 | |
Get some wipers! | 0:09:23 | 0:09:26 | |
Look, Jean. Look. 1959 - that's the year we got married. | 0:09:26 | 0:09:29 | |
-That's the year we got married, so it's 51 years old. -Yeah! | 0:09:29 | 0:09:33 | |
Crikey. | 0:09:33 | 0:09:35 | |
What's drawn my eye is the little box with silver inlay. | 0:09:38 | 0:09:41 | |
-That's quite nice, isn't it? -It's pretty. -A snuffbox. | 0:09:41 | 0:09:43 | |
It's a snuffbox! Oh, that's quite nice. | 0:09:43 | 0:09:46 | |
-It's rather cute, actually. -That is rather nice, isn't it? | 0:09:46 | 0:09:49 | |
Tortoiseshell and silver-inlaid snuffbox, | 0:09:49 | 0:09:52 | |
circa 1800. They're asking 190 for it. | 0:09:52 | 0:09:56 | |
Hmm! | 0:09:56 | 0:09:58 | |
-Look at that! -That's lovely, isn't it? | 0:09:58 | 0:10:00 | |
-That's fantastic, that is. -Gold-mounted hinge. -Yes. | 0:10:00 | 0:10:03 | |
Or it could be silver gilt, possibly, | 0:10:03 | 0:10:06 | |
but the wear suggests it's not, | 0:10:06 | 0:10:09 | |
and the little tablet in the top there, which is rather cute. | 0:10:09 | 0:10:13 | |
Would you do anything on that at all? | 0:10:13 | 0:10:15 | |
-170 is the best. -170. | 0:10:15 | 0:10:17 | |
Tortoiseshell is like hair. It can dry out and get brittle. | 0:10:17 | 0:10:20 | |
-It can crack, it can fade. -Yeah. Years, innit? | 0:10:20 | 0:10:23 | |
The thing that makes me worry now is that it's dried out, basically. | 0:10:23 | 0:10:27 | |
Oh, that's a shame, innit? | 0:10:27 | 0:10:29 | |
As... As there's some markings on here, | 0:10:29 | 0:10:33 | |
and obviously it needs some type of work doing on it, | 0:10:33 | 0:10:36 | |
will you ask your friend if he will accept 150 for it? | 0:10:36 | 0:10:40 | |
Because it requires some work to do around that edge. | 0:10:40 | 0:10:43 | |
-That's my only concern with it. -Otherwise, it's quite - | 0:10:43 | 0:10:47 | |
-I'll have to make a phone call. -And then we could come back. | 0:10:47 | 0:10:50 | |
-OK, I'll make a phone call. -Thank you very much. Lovely. | 0:10:50 | 0:10:54 | |
Thank you very much indeed. Thank you. | 0:10:54 | 0:10:56 | |
'So, one snuffbox on hold.' | 0:10:56 | 0:10:59 | |
We need to find our second item. I'm getting stressed. | 0:11:06 | 0:11:09 | |
'Hey! Chill, man!' | 0:11:09 | 0:11:12 | |
Those are pretty. What is that on the bottom? | 0:11:12 | 0:11:15 | |
-That's a pontil. These are hand-worked. -Hmm! | 0:11:15 | 0:11:19 | |
-Um, I love these. -OK. So... | 0:11:19 | 0:11:22 | |
I absolutely love this. That is a little percussion, a bruise. | 0:11:22 | 0:11:27 | |
That's not killing it for me. A star-crack... | 0:11:28 | 0:11:31 | |
-It's not a chip. -A chip. | 0:11:31 | 0:11:32 | |
It's just a percussive little shatter. | 0:11:32 | 0:11:36 | |
-Right. -But it's skin-deep. That... | 0:11:36 | 0:11:40 | |
-If we got it for £20, would that be - -I am loving these. | 0:11:40 | 0:11:43 | |
That's cased glass. You've got layers of glass here. | 0:11:43 | 0:11:46 | |
You've got, er, blue opaline, | 0:11:46 | 0:11:48 | |
and then you've got this fabulous chevron design here. | 0:11:48 | 0:11:53 | |
The form's nice. It's pretty. Some people would call it twee. | 0:11:53 | 0:11:56 | |
These flanking your clock... | 0:11:56 | 0:11:59 | |
-Oh, come on! Yeah? -We're a bit twee anyway, aren't we? | 0:11:59 | 0:12:03 | |
-THEY LAUGH -That's OK. | 0:12:03 | 0:12:05 | |
-What are you thinking of those? -There's a bit of marking there. | 0:12:05 | 0:12:09 | |
-Yeah. -Is that anything - -That is... | 0:12:09 | 0:12:11 | |
Er, is it kiln dust, or is it just stour? | 0:12:12 | 0:12:16 | |
You see, if it's in the manufacture, who cares? | 0:12:17 | 0:12:20 | |
-I think that's - -If it's in the manufacture, | 0:12:21 | 0:12:23 | |
does that lend some authenticity to it? | 0:12:23 | 0:12:25 | |
Yeah, absolutely. These... I mean, the work that went into that! | 0:12:25 | 0:12:29 | |
-I mean, fabulous stuff. No money. -And because there's a pair - | 0:12:29 | 0:12:33 | |
Glass is good value at the moment. It's incredible value. | 0:12:33 | 0:12:36 | |
-Try for 20? -Do you want to go for it? | 0:12:36 | 0:12:39 | |
Hello? Hi! | 0:12:39 | 0:12:41 | |
-OK. We'd like to talk. -PAUL LAUGHS | 0:12:41 | 0:12:45 | |
You got the pair of them, and that one with the bruise... | 0:12:45 | 0:12:48 | |
-Uh-huh? -What could you do for price? | 0:12:48 | 0:12:50 | |
So, what have I got on those, actually? | 0:12:50 | 0:12:52 | |
I've got 35. | 0:12:52 | 0:12:54 | |
Um, I'd like to take 30, but if 28 helps you, | 0:12:54 | 0:12:58 | |
then, I could do that. | 0:12:58 | 0:13:00 | |
-We'd like to pay 20. -Oh, my word! | 0:13:00 | 0:13:03 | |
Um... | 0:13:03 | 0:13:05 | |
I don't think I can go to that. I think... | 0:13:05 | 0:13:08 | |
Probably... Oh, gosh. | 0:13:09 | 0:13:11 | |
-I think 25 is going to be the best. -What do you think? | 0:13:11 | 0:13:16 | |
-25 for both of them. -Doing it for me! | 0:13:17 | 0:13:20 | |
THEY LAUGH It was his find, you know. | 0:13:20 | 0:13:23 | |
-I like those. -Yes, I like them. They're a gorgeous colour, as well. | 0:13:23 | 0:13:27 | |
I think you've got to forgive them the bruise. | 0:13:27 | 0:13:30 | |
You've got to hope the audience does if they go to auction, but - | 0:13:30 | 0:13:33 | |
Now, that's scary to say at this minute! | 0:13:33 | 0:13:36 | |
-THEY LAUGH -Can we be decisive? | 0:13:36 | 0:13:38 | |
Are we going to buy here? The lady's given you - | 0:13:38 | 0:13:42 | |
-OK. -You think 25's fine? -Yeah. | 0:13:42 | 0:13:44 | |
-OK. We'll do it. It's good. -Thank you very much. | 0:13:44 | 0:13:47 | |
'Item two. Ahhh! | 0:13:47 | 0:13:50 | |
'Now, relax. Really pretty.' | 0:13:50 | 0:13:52 | |
That's a shame. | 0:13:55 | 0:13:57 | |
Not worth the money. | 0:13:58 | 0:14:00 | |
-You could look like Tim Wonnacott. -TIM LAUGHS | 0:14:00 | 0:14:03 | |
'Takes more than a hat, Jonathan. What do you think of him, Jean?' | 0:14:03 | 0:14:07 | |
-He's worse than a woman... -At what? | 0:14:07 | 0:14:10 | |
Getting all her bits and pieces, shopping. | 0:14:10 | 0:14:12 | |
'Yeah. You tell him, girl!' | 0:14:12 | 0:14:15 | |
-We've nearly bought two objects! -I know, I know, | 0:14:15 | 0:14:18 | |
-but you're always looking! -Oh, come on. | 0:14:18 | 0:14:21 | |
-Stop moaning. Let's get a move on. -No, I'm not moaning! | 0:14:21 | 0:14:25 | |
'Not much, you're not. Right! | 0:14:26 | 0:14:28 | |
'The results are in. Drum roll, please!' | 0:14:28 | 0:14:31 | |
-OK. -DRUM-ROLL SOUND EFFECT | 0:14:31 | 0:14:34 | |
-Ah, she says yes! -She said yes. | 0:14:34 | 0:14:37 | |
OK, cool. Should've asked for more, shouldn't we? | 0:14:37 | 0:14:40 | |
-'Some people are never happy.' -No, that's good. | 0:14:40 | 0:14:43 | |
Shall we have it? | 0:14:43 | 0:14:45 | |
Yes. I think it's a good thing. I like it. | 0:14:45 | 0:14:47 | |
-I like it, cos it's very dainty. -That's right. | 0:14:47 | 0:14:51 | |
-You could use it for anything. -OK. Thank you. | 0:14:51 | 0:14:54 | |
It's a deal. | 0:14:54 | 0:14:55 | |
It's a deal! | 0:14:55 | 0:14:57 | |
'OK, two items each, and 15 minutes to go. | 0:14:57 | 0:15:00 | |
'Ah, and the sun's come out! | 0:15:00 | 0:15:03 | |
-'Time for a confession, methinks.' -I didn't think about it till now, | 0:15:03 | 0:15:06 | |
how much I'm attracted to some of this junky stuff. | 0:15:06 | 0:15:10 | |
'Yeah, we've noticed!' | 0:15:10 | 0:15:12 | |
We could go to the "everything £5" table. | 0:15:12 | 0:15:15 | |
-What are we at? -Ten minutes. | 0:15:15 | 0:15:17 | |
Ten minutes? | 0:15:17 | 0:15:19 | |
OK. We're going to have to make a decision here pretty quick. | 0:15:20 | 0:15:24 | |
-I know. -Something will jump out at us. | 0:15:24 | 0:15:26 | |
It's going to have to. | 0:15:26 | 0:15:28 | |
Oh, quick, quick, quick, quick, quick! | 0:15:28 | 0:15:30 | |
I know! I'm getting stressed! | 0:15:30 | 0:15:33 | |
Ten minutes! Ten minutes! | 0:15:33 | 0:15:36 | |
Don't be chary. | 0:15:36 | 0:15:38 | |
'All you have to do is to find something. | 0:15:38 | 0:15:40 | |
'Anything! Hello!' | 0:15:40 | 0:15:43 | |
Fantastic little rocking chair. Is it expensive? | 0:15:43 | 0:15:46 | |
It's come down to this price. It was 150. | 0:15:46 | 0:15:50 | |
But he'd have to come down a lot more on that before I'd buy it. | 0:15:50 | 0:15:55 | |
Um, so, period, mid-19th century. It's an early Victorian thing, | 0:15:56 | 0:16:01 | |
1850, 1860. | 0:16:01 | 0:16:03 | |
Um... | 0:16:03 | 0:16:06 | |
I mean, the pattern is lovely, and this turning... | 0:16:06 | 0:16:09 | |
It's a country piece. There's a naivete about it, | 0:16:09 | 0:16:13 | |
and it's bold here. Lovely wear there. | 0:16:13 | 0:16:16 | |
Er... | 0:16:16 | 0:16:18 | |
Rush seat's OK. | 0:16:18 | 0:16:20 | |
I mean, it's straight. | 0:16:20 | 0:16:22 | |
I mean, it is what it is. | 0:16:23 | 0:16:26 | |
Um, and if it's a country salesroom... | 0:16:26 | 0:16:29 | |
That could be cute, yeah. | 0:16:29 | 0:16:31 | |
You'd need to be really brutal on that price. | 0:16:31 | 0:16:33 | |
It is what it is, but, now... | 0:16:33 | 0:16:35 | |
-Give me two minutes here. -OK. -Keep looking! | 0:16:35 | 0:16:38 | |
'See you, Paul. | 0:16:38 | 0:16:40 | |
'Hello, Sherlock!' | 0:16:40 | 0:16:42 | |
People like these. When people get to a certain age, | 0:16:42 | 0:16:45 | |
-they find reading a little harder. -Yeah. I do. | 0:16:45 | 0:16:48 | |
And something like this is a good size, not a little one. | 0:16:48 | 0:16:51 | |
So, Birmingham, F... 1931. | 0:16:51 | 0:16:54 | |
The label says Sampson Mordan & Co. Good makers of small silver objects. | 0:16:54 | 0:16:58 | |
-It's a good, clean-looking thing. -Could you reduce it slightly more? | 0:16:58 | 0:17:02 | |
-DEALER LAUGHS -Slightly more? | 0:17:02 | 0:17:04 | |
-Slightly more. -Just for us. -Er, £90, then. | 0:17:04 | 0:17:07 | |
-£90. -He's come down to £90. -I'll give you a kiss for that. | 0:17:07 | 0:17:10 | |
-Give him two kisses and make it 80. -Would you like three? | 0:17:10 | 0:17:15 | |
-No, no! -THEY LAUGH | 0:17:15 | 0:17:17 | |
Is 90 reasonable? | 0:17:17 | 0:17:19 | |
90. 90, 90... That's a possible. Put that one there. That's a possible. | 0:17:19 | 0:17:23 | |
'Ah. How much is the chair, then, Paul?' | 0:17:23 | 0:17:26 | |
It's £50. You're not losing any money at £50. | 0:17:26 | 0:17:29 | |
If it's a country-type sale, it's worth £120, | 0:17:29 | 0:17:33 | |
but on any day of the week, it's worth 50 to 80. | 0:17:33 | 0:17:35 | |
-I'm good with that. Are you good with that? -Yeah. | 0:17:35 | 0:17:38 | |
Or do you want to think for another eight minutes, keep looking? | 0:17:38 | 0:17:41 | |
THEY LAUGH That would be no! | 0:17:41 | 0:17:44 | |
-Right. We doing it? -Yeah. | 0:17:44 | 0:17:46 | |
Thank you very much. You've a deal. Thank you. | 0:17:46 | 0:17:48 | |
Well, then! Five minutes? | 0:17:48 | 0:17:51 | |
-THEY LAUGH -Blood pressure? | 0:17:51 | 0:17:53 | |
Yeah. Can I breathe now? | 0:17:53 | 0:17:56 | |
'Team USA is done and dusted! | 0:17:56 | 0:18:00 | |
-'Now it's close to the...' -# Final countdown! # | 0:18:00 | 0:18:05 | |
'OK. I think they've got the message.' | 0:18:05 | 0:18:07 | |
That little teether there's got an owl on. Has it got any age? | 0:18:07 | 0:18:11 | |
-What, that one? -Yes. | 0:18:11 | 0:18:12 | |
That is nice. | 0:18:12 | 0:18:15 | |
That is Birmingham, 1920. | 0:18:15 | 0:18:17 | |
-Oh, I like that! That is very nice. -It's different. | 0:18:17 | 0:18:20 | |
You're looking at a gift. It's a christening gift, | 0:18:20 | 0:18:23 | |
but could be given at all times of the year. | 0:18:23 | 0:18:25 | |
He would've started off life with something in his eyes. | 0:18:25 | 0:18:28 | |
He probably would have had a bit of onyx or something in there. | 0:18:28 | 0:18:31 | |
-Probably. -That can be 100, OK? | 0:18:31 | 0:18:34 | |
-That can be 90, maybe, then? -Maybe, yes. -Maybe 90. | 0:18:34 | 0:18:37 | |
-Oh, I'll give you three kisses. -We'll have both of them. | 0:18:37 | 0:18:40 | |
Even four! I'm brushing my fingers through your hair! | 0:18:40 | 0:18:44 | |
Anything else in there? | 0:18:44 | 0:18:46 | |
Oh, hang on. What about this hair set? Has that got any age? | 0:18:46 | 0:18:50 | |
Er, it has, yeah, but the only problem is, | 0:18:50 | 0:18:53 | |
it hasn't got any maker's name or anything. | 0:18:53 | 0:18:56 | |
-Oh, what's that? -I'm sorry. We've only got five minutes. | 0:18:56 | 0:18:59 | |
Come on. Make a decision. | 0:18:59 | 0:19:02 | |
You see, that's quite sweet, as well. | 0:19:02 | 0:19:05 | |
See, that's enamel on silver. | 0:19:05 | 0:19:07 | |
-Ooh! -Very simply made. | 0:19:07 | 0:19:10 | |
The way it's attached to the back of that, | 0:19:10 | 0:19:12 | |
it's very, very straightforward. It's quite stylish. Er... | 0:19:12 | 0:19:17 | |
-Well, it's your decision. -Is it my decision? | 0:19:19 | 0:19:21 | |
-This is boiling down to me now! -I like all of them. | 0:19:21 | 0:19:24 | |
-No, no. -OK, a quick summary. | 0:19:24 | 0:19:26 | |
-Slightly narrow market... -Yeah. -..but it is unusual. | 0:19:26 | 0:19:30 | |
At 140. You'll do it at... | 0:19:30 | 0:19:33 | |
-At 80. -He'll do it at 80. | 0:19:33 | 0:19:35 | |
OK. Then you've got this Sampson Mordan magnifying glass, £90. | 0:19:35 | 0:19:39 | |
I really like that. And he's also got this silver teether, | 0:19:39 | 0:19:43 | |
which is £90. I also really like that. | 0:19:43 | 0:19:46 | |
I think my money, personally, is... The profit's in that one. | 0:19:46 | 0:19:49 | |
-Yeah. We'll... -Probably I'd say that one. | 0:19:49 | 0:19:53 | |
-We'll go for that one. -All right. | 0:19:53 | 0:19:55 | |
-And leave the gentleman enough money... -Uh-huh? | 0:19:55 | 0:19:58 | |
-Perhaps come back for that one. -Oh, yeah! | 0:19:58 | 0:20:01 | |
-Anyway, it's a deal. There we go. -Lovely. | 0:20:01 | 0:20:04 | |
-Thank you very much indeed. -Let's give him a kiss. | 0:20:04 | 0:20:07 | |
Thank you. | 0:20:07 | 0:20:10 | |
And, do you know what? We only have a minute to spare. | 0:20:10 | 0:20:13 | |
-I think we've done a good job. -Do you? -Give him a kiss. | 0:20:13 | 0:20:16 | |
-HE LAUGHS -Thank you very much! | 0:20:16 | 0:20:19 | |
I'm never going to wash again. | 0:20:19 | 0:20:21 | |
Ooh! | 0:20:21 | 0:20:23 | |
'Finally the shopping and the kissing is over - | 0:20:23 | 0:20:27 | |
'I hope.' | 0:20:27 | 0:20:29 | |
'Rebecca led from the start, | 0:20:29 | 0:20:30 | |
'and spotted this clock by Liberty. | 0:20:30 | 0:20:33 | |
'£50 and a promise.' | 0:20:33 | 0:20:35 | |
Come to my house. I'll cook for you. | 0:20:35 | 0:20:38 | |
The work that went into that! | 0:20:38 | 0:20:40 | |
'And they got a pair for £25.' | 0:20:40 | 0:20:43 | |
'Finally Becks called time on the shop | 0:20:45 | 0:20:47 | |
'and went with the rocking chair for £50. Rock on!' | 0:20:47 | 0:20:50 | |
How much did you spend? Pretty miserable, wasn't it? | 0:20:50 | 0:20:53 | |
-No, I thought it was decent. 125. -That's kind of average, | 0:20:53 | 0:20:57 | |
but £175 of leftover lolly, then. Have you got that, Timbo? | 0:20:57 | 0:21:01 | |
-I do. -Great name. | 0:21:01 | 0:21:03 | |
Good. Lovely. There we go. 175 smackers. | 0:21:03 | 0:21:06 | |
Which is your favourite piece that you bought? | 0:21:06 | 0:21:09 | |
-The clock. It was very pretty. -That's your fave? | 0:21:09 | 0:21:11 | |
And which piece is going to bring the biggest profit, Timbo? | 0:21:11 | 0:21:15 | |
-Probably the "vayses". -You reckon? -You have to say "vahses". | 0:21:15 | 0:21:18 | |
Vahses, vayses. Potaytoes, potahtoes. | 0:21:18 | 0:21:21 | |
-Anyway, there you go, Paulus. -Thank you. | 0:21:21 | 0:21:23 | |
-175. A decent squidge for you, for a change. -Yeah. | 0:21:23 | 0:21:26 | |
Seen anything that you might be going for? | 0:21:26 | 0:21:28 | |
-Something to tease us with? -No, I've a blank canvas | 0:21:28 | 0:21:31 | |
to go at at the moment, Tim. But I'll find something. | 0:21:31 | 0:21:34 | |
A blank canvas! That could mean he's going to buy a painting. | 0:21:34 | 0:21:38 | |
You never really know, with Laidlaw. Have a great time, | 0:21:38 | 0:21:41 | |
and very good luck, Paul. | 0:21:41 | 0:21:43 | |
Now, why don't we check out what the Blue Team bought, eh? | 0:21:43 | 0:21:46 | |
'Jean got things going with a footstool for £20.' | 0:21:46 | 0:21:49 | |
That was good bargaining, wasn't it? Shall we have it? | 0:21:49 | 0:21:52 | |
'Then Cliff stepped forward.' | 0:21:52 | 0:21:54 | |
As... As there's some markings on here... | 0:21:54 | 0:21:58 | |
'And the snuffbox was theirs for £150. | 0:21:58 | 0:22:01 | |
'Jean went for a final smooch...' | 0:22:01 | 0:22:05 | |
I'll give him a kiss. | 0:22:05 | 0:22:07 | |
'..to get the magnifying glass for 90.' | 0:22:07 | 0:22:09 | |
I think you're a jammy lot. I really do. | 0:22:09 | 0:22:12 | |
Well, you've got to, haven't you, Tim? | 0:22:12 | 0:22:14 | |
You do, but I'm longing for somebody to go over the hour, | 0:22:14 | 0:22:18 | |
-then I can just cut you off, right? -But we didn't. -But you didn't! | 0:22:18 | 0:22:22 | |
-No. -That's good. | 0:22:22 | 0:22:24 | |
-You're pleased with that, Cliff? -Very pleased indeed. | 0:22:24 | 0:22:27 | |
-Lovely. -And how do you rate your expert? | 0:22:27 | 0:22:29 | |
-Oh, hi, Jonathan. -I think he's very good. -Oh, you do? | 0:22:29 | 0:22:32 | |
-Yes. -How much did you spend? -240. | 0:22:32 | 0:22:34 | |
-£240? Is that right? -No, you didn't. 260. | 0:22:34 | 0:22:37 | |
-He's a director. You never see them. -Sorry! | 0:22:37 | 0:22:40 | |
OK. So there's £40 of leftover lolly. | 0:22:40 | 0:22:43 | |
-Ooh, Lord! Just like that! -Just like that. | 0:22:43 | 0:22:45 | |
I thought I'd better give it to you in case he goes back and spends it. | 0:22:45 | 0:22:49 | |
Which is your favourite piece? | 0:22:49 | 0:22:51 | |
Ideally, the box. | 0:22:51 | 0:22:53 | |
Ideally, the box. And what's your favourite piece, Jean? | 0:22:53 | 0:22:56 | |
-I think I like the footstool. -You like the footstool. | 0:22:56 | 0:23:00 | |
That's your favourite. Will that bring the biggest profit? | 0:23:00 | 0:23:03 | |
-I think it will. -Do you? Do you agree? | 0:23:03 | 0:23:05 | |
I think that should get the most money, yes. | 0:23:05 | 0:23:08 | |
-Relative to the cost of it. -Relative to the cost of it. | 0:23:08 | 0:23:11 | |
Yes, absolutely. Good. Now, here you go, JP. | 0:23:11 | 0:23:14 | |
-Here's your £40. -That's a rather mean amount. | 0:23:14 | 0:23:17 | |
Not at all. It's a splendid total, is £260. | 0:23:17 | 0:23:20 | |
I'm so proud of you kids. You be careful with your £40, all right? | 0:23:20 | 0:23:24 | |
Very good luck, kids. Now we're heading off to central Wisbech. | 0:23:24 | 0:23:27 | |
"What goes on in central Wisbech?" I hear you shriek. | 0:23:27 | 0:23:30 | |
Well, we're about to find out. And it's lovely. | 0:23:30 | 0:23:33 | |
In 1777, | 0:23:41 | 0:23:42 | |
Jonathan Peckover established a small grocery business | 0:23:42 | 0:23:46 | |
here in Wisbech. | 0:23:46 | 0:23:49 | |
With the requirement to hang on to his customers' money | 0:23:49 | 0:23:53 | |
for safekeeping, before long, the young Quaker businessman | 0:23:53 | 0:23:56 | |
had set up the town's first official bank. | 0:23:56 | 0:24:00 | |
Jonathan Peckover needed an address befitting a successful banker, | 0:24:05 | 0:24:10 | |
and he thought this riverside mansion was just the ticket. | 0:24:10 | 0:24:14 | |
The bank operated its business | 0:24:19 | 0:24:21 | |
from a building adjacent to the house, | 0:24:21 | 0:24:24 | |
so Jonathan could kind of work from home. | 0:24:24 | 0:24:27 | |
Handy! | 0:24:27 | 0:24:29 | |
What a gorgeous house this would be to live in! | 0:24:39 | 0:24:43 | |
Slightly strange for a Quaker banking family to own, | 0:24:43 | 0:24:48 | |
because the principles of Quakerism embrace simplicity, | 0:24:48 | 0:24:54 | |
honesty, probity, | 0:24:54 | 0:24:56 | |
and a certain unostentatious way of living. | 0:24:56 | 0:25:01 | |
But then, of course, the Peckovers bought it. It was already built, | 0:25:01 | 0:25:04 | |
and all these interior mouldings | 0:25:04 | 0:25:07 | |
and the elaborate nature of the decoration were already here. | 0:25:07 | 0:25:12 | |
But what I like about this space | 0:25:12 | 0:25:14 | |
is the way the National Trust have got it furnished today, | 0:25:14 | 0:25:18 | |
because it looks exactly how an interior ought to look | 0:25:18 | 0:25:22 | |
in the 1770s - | 0:25:22 | 0:25:25 | |
not a lot of furniture, and what is here is symmetrically organised, | 0:25:25 | 0:25:30 | |
and, to my eye, looks just perfect. | 0:25:30 | 0:25:33 | |
Take this pair of satinwood demilune games tables. | 0:25:33 | 0:25:38 | |
They fit exactly where they ought to fit, | 0:25:38 | 0:25:41 | |
just underneath the dado rail, | 0:25:41 | 0:25:43 | |
and if you look at the oval patera at the top of each of the legs, | 0:25:43 | 0:25:48 | |
that looks just splendid | 0:25:48 | 0:25:51 | |
alongside the Hepplewhite sideboard, | 0:25:51 | 0:25:54 | |
which also has oval patera on the top of its legs. | 0:25:54 | 0:25:59 | |
In short, it's pretty near perfect. | 0:25:59 | 0:26:03 | |
The quality of this building is stupendous. | 0:26:03 | 0:26:07 | |
Just look at these sash windows! | 0:26:07 | 0:26:09 | |
Each of the glazing bars are made of solid mahogany. | 0:26:09 | 0:26:13 | |
Being a hardwood, they're less likely to rot, | 0:26:13 | 0:26:17 | |
and also they're a bit stronger, | 0:26:17 | 0:26:19 | |
which means that the glazing bars can be of smaller section, | 0:26:19 | 0:26:24 | |
and that means more glass and more light coming in. | 0:26:24 | 0:26:27 | |
But that didn't exactly suit the Peckovers, | 0:26:27 | 0:26:31 | |
because they'd got the customers going by these windows | 0:26:31 | 0:26:35 | |
on the ground floor, going to the bank, | 0:26:35 | 0:26:38 | |
and they didn't want to be overlooked. | 0:26:38 | 0:26:40 | |
So they had fitted, in mahogany, | 0:26:40 | 0:26:43 | |
these hinged screens. | 0:26:43 | 0:26:45 | |
Isn't that dinky? So you'd bring across the screens like that | 0:26:45 | 0:26:50 | |
during the banking hours, and then twiddle this knob on the top | 0:26:50 | 0:26:54 | |
and shut out the public altogether. Marvellous! | 0:26:54 | 0:26:58 | |
They're referred to as snob screens, | 0:26:58 | 0:27:02 | |
because I think, with the customers outside not being able to look in, | 0:27:02 | 0:27:08 | |
they would regard the banker's family inside | 0:27:08 | 0:27:12 | |
as being snobs, and therefore called them snob screens. | 0:27:12 | 0:27:17 | |
The big question today is, of course, | 0:27:17 | 0:27:20 | |
are our teams going to get a look-in over at the auction, | 0:27:20 | 0:27:24 | |
and any profits? | 0:27:24 | 0:27:26 | |
Well, we're at Abbots saleroom in Campsea Ashe in rural Suffolk, | 0:27:42 | 0:27:47 | |
with our auctioneer, Geoffrey Barford. | 0:27:47 | 0:27:49 | |
-Good morning, Geoffrey. -Good morning! -Nice to be here. | 0:27:49 | 0:27:52 | |
Now, our first item for Tim and Rebecca | 0:27:52 | 0:27:56 | |
-is the little Liberty timepiece. -Yes, indeed. | 0:27:56 | 0:27:58 | |
-How do you rate that, Geoffrey? -Well, the style is good - | 0:27:58 | 0:28:02 | |
-condition awful, quite frankly. -Right. | 0:28:02 | 0:28:05 | |
So, all this discoloration on these enamel bits is not good news? | 0:28:05 | 0:28:09 | |
-Very, very dull, isn't it? -But it has got the magic name. | 0:28:09 | 0:28:12 | |
It has. We have had numerous telephone requests for condition. | 0:28:12 | 0:28:16 | |
-So, how have you estimated it? What's your estimate? -40 to 60. | 0:28:16 | 0:28:20 | |
-£40 to £60. -And they paid £50. -Yeah. | 0:28:20 | 0:28:23 | |
So, we'll stand by for that, then. | 0:28:23 | 0:28:26 | |
Next are these rather nice pale blue, silky Victorian glass vases. | 0:28:26 | 0:28:32 | |
-Do you like those? -Yes. Sort of satin glass, | 0:28:32 | 0:28:34 | |
-a bit fussy with the frilled rim... -Yes. | 0:28:34 | 0:28:38 | |
Probably 20 to 40, somewhere in that region. Got a chance, I think. | 0:28:38 | 0:28:41 | |
OK, fine. So some hope there. We've got two hopefuls. | 0:28:41 | 0:28:44 | |
And what about the, er, the old rocker? | 0:28:44 | 0:28:47 | |
Yeah. Nice little cottage piece. We're in a rural location. | 0:28:47 | 0:28:51 | |
I see it being, hopefully, sort of £40 to £60, | 0:28:51 | 0:28:54 | |
-somewhere in that region. -OK, great! £50 paid. | 0:28:54 | 0:28:57 | |
So, they haven't overpaid, on the face of it, at all. | 0:28:57 | 0:29:00 | |
I don't think so, no. No. | 0:29:00 | 0:29:03 | |
So for a change they might not need their bonus buy, | 0:29:03 | 0:29:05 | |
but let's go and have a look at it anyway. | 0:29:05 | 0:29:08 | |
Now, Tim and Becks, you've spent £125. | 0:29:08 | 0:29:11 | |
You gave the boy £175. What did he spend it on? | 0:29:11 | 0:29:16 | |
Behold! | 0:29:17 | 0:29:18 | |
SHE GASPS Oh! It's beautiful! | 0:29:18 | 0:29:20 | |
That's an excellent reaction. Tell your friends! | 0:29:20 | 0:29:23 | |
-I like it a lot! -We know what it is, don't we? | 0:29:23 | 0:29:26 | |
-It's an inkstand. -Yeah. | 0:29:26 | 0:29:28 | |
And a very smart one, at that. | 0:29:28 | 0:29:31 | |
Silver plated, but it bears a good name, | 0:29:31 | 0:29:34 | |
and you know my opinion about brands in this field, | 0:29:34 | 0:29:37 | |
as all others. WMF, | 0:29:37 | 0:29:39 | |
one of THE names in late 19th, early 20th century. | 0:29:39 | 0:29:44 | |
Wurttembergische Metallwarenfabrik! | 0:29:44 | 0:29:47 | |
-A good name. -Could you say that again? | 0:29:47 | 0:29:50 | |
Been practising for it, | 0:29:50 | 0:29:52 | |
and I think it's a really smart piece. | 0:29:52 | 0:29:57 | |
-How much was it? -It was all of £50. | 0:29:57 | 0:30:00 | |
-Wow! -50. -OK. What do you think at auction? | 0:30:00 | 0:30:03 | |
Well, it's worth 50 to 80 in its sleep, in my opinion. | 0:30:03 | 0:30:08 | |
-We trust your opinion. -THEY LAUGH | 0:30:08 | 0:30:10 | |
We value your opinion! | 0:30:10 | 0:30:13 | |
So you're seeing a pretty swift £20 to £30 out of it. | 0:30:13 | 0:30:16 | |
Yeah. I hope so, yeah. | 0:30:16 | 0:30:17 | |
It seems to me that Laidlaw, | 0:30:17 | 0:30:20 | |
with his usual eloquent and rather smooth side, | 0:30:20 | 0:30:23 | |
-has found you something rather special here. -Yeah, I like it! | 0:30:23 | 0:30:26 | |
-Good! I like it! -You did well. | 0:30:26 | 0:30:29 | |
-We all like it! -THEY LAUGH | 0:30:29 | 0:30:31 | |
For the viewers at home, let's find out if the auctioneer likes it. | 0:30:31 | 0:30:35 | |
How about that for an inkwell? It's pretty good, isn't it? | 0:30:36 | 0:30:39 | |
-Very stylish, isn't it? -Yeah. | 0:30:39 | 0:30:41 | |
Plated, WMF? | 0:30:41 | 0:30:43 | |
Well, let's just give it a bit of a bird's-eye. | 0:30:43 | 0:30:45 | |
-Oh, yeah. There's - -The mark there. | 0:30:45 | 0:30:48 | |
-There's the little triangular mark. -Missing its little inkpots, | 0:30:48 | 0:30:51 | |
but that's not a huge problem. I've put it in at £60 to £80. | 0:30:51 | 0:30:55 | |
-Have you? -I'm confident it will on that. | 0:30:55 | 0:30:57 | |
Well, that would be great, if they decide to go with it. | 0:30:57 | 0:31:00 | |
Anyway, that's it for the Reds. Now for the Blues, Jean and Cliff. | 0:31:00 | 0:31:04 | |
Their first item is the little footstool. | 0:31:04 | 0:31:06 | |
Yeah. Little Victorian walnut footstool. | 0:31:06 | 0:31:09 | |
Needlepoint top. | 0:31:09 | 0:31:11 | |
-Little bit worn, battered... -But incredibly cheap. | 0:31:11 | 0:31:13 | |
They only paid £20 for it. What do you think about that? | 0:31:13 | 0:31:16 | |
I think that's a reasonable buy. I've put it in at 30 to 50, | 0:31:16 | 0:31:19 | |
-so hopefully there's a profit there. -Yeah? Good. Good. | 0:31:19 | 0:31:23 | |
Next is the little tortoiseshell snuffbox. | 0:31:23 | 0:31:26 | |
How do you rate that? | 0:31:26 | 0:31:29 | |
Very nice, silver inlaid. Bit of gold as well. | 0:31:29 | 0:31:32 | |
Um, the only problem with it is this mark round the outside, | 0:31:32 | 0:31:36 | |
this blooming, which I think is going to detract. | 0:31:36 | 0:31:40 | |
If the rest of it was the same condition as the top, | 0:31:40 | 0:31:42 | |
I think we'd be on a winner, sort of 200 to 300. | 0:31:42 | 0:31:45 | |
Yes. A shame, really. So, what's your estimate in that condition? | 0:31:45 | 0:31:49 | |
Right. I've put it in at 80 to 120. | 0:31:49 | 0:31:52 | |
Ooh, dear! £150, Jonathan's paid on that. | 0:31:52 | 0:31:55 | |
-Right. -And the last item is the little table magnifying glass. | 0:31:55 | 0:32:00 | |
Yeah. Sampson & Mordan, well known maker. | 0:32:00 | 0:32:03 | |
Nice little item. I've put that in at 60 to 80. | 0:32:03 | 0:32:06 | |
-60 to 80? £90 paid. -Right. | 0:32:06 | 0:32:09 | |
So the big problem, if they've got a problem at all, | 0:32:09 | 0:32:12 | |
-is going to be that snuffbox. -Yes, I think so. Yeah. | 0:32:12 | 0:32:15 | |
In which case they'll need their bonus buy, | 0:32:15 | 0:32:17 | |
so let's go and have a look at it. | 0:32:17 | 0:32:19 | |
Now, Jean and Cliff, your leftover lolly totalled £40. | 0:32:19 | 0:32:24 | |
You entrusted it to JP. What did you invest in, Jonathan? | 0:32:24 | 0:32:28 | |
-Ooh! -That's lovely! | 0:32:28 | 0:32:31 | |
I like that. | 0:32:31 | 0:32:34 | |
It's an embossed-silver thermometer frame, OK, | 0:32:34 | 0:32:37 | |
made circa 1900 in London. That's what the hallmark says, anyway. | 0:32:37 | 0:32:41 | |
I thought it was quite funny, | 0:32:41 | 0:32:43 | |
because it makes a good photograph frame for a very skinny person. | 0:32:43 | 0:32:48 | |
But nonetheless, this frame itself is in nice condition... | 0:32:48 | 0:32:52 | |
Oh, it's lovely! | 0:32:52 | 0:32:54 | |
It's got a little strut on the back for standing up. | 0:32:54 | 0:32:57 | |
It wouldn't take much to finish it back off again. | 0:32:57 | 0:32:59 | |
Having given me the budget of £40, | 0:32:59 | 0:33:02 | |
and not being the biggest of hagglers, | 0:33:02 | 0:33:05 | |
I spent the princely sum of £40. | 0:33:05 | 0:33:07 | |
-Ooh, you've done well. -You blew the lot. | 0:33:07 | 0:33:10 | |
I blew the lot. | 0:33:10 | 0:33:11 | |
I think there's, you know... There's £10 profit in it. | 0:33:11 | 0:33:15 | |
-It's better than nothing, innit? -I'd be surprised to see a loss. | 0:33:15 | 0:33:19 | |
I think that's nice. I think you done very well. | 0:33:19 | 0:33:22 | |
-It's unusual, anyway. -It had a thermometer in it. | 0:33:22 | 0:33:25 | |
That got bust. Somebody threw it away. | 0:33:25 | 0:33:27 | |
They're using it for another purpose, | 0:33:27 | 0:33:29 | |
and the dealer's done well to put an appealing child within it. | 0:33:29 | 0:33:34 | |
He saw me coming. "There he is. He's a man who's got children." | 0:33:34 | 0:33:37 | |
Well, let's face it, he didn't have much, did he? | 0:33:37 | 0:33:40 | |
I don't know! £40 is quite a lot for Jonathan. | 0:33:40 | 0:33:43 | |
-Is it? -Long as he makes a profit on it... | 0:33:43 | 0:33:46 | |
-And he's just out of shorts himself, as you can see. -He's my toy boy. | 0:33:46 | 0:33:50 | |
Oh, is he? That's enough of that, Jean, thank you very much. | 0:33:50 | 0:33:54 | |
For the viewers at home, let's find out | 0:33:54 | 0:33:56 | |
what the auctioneer thinks about JP's little frame. | 0:33:56 | 0:34:00 | |
There. That's a rather fancy little fellow. | 0:34:01 | 0:34:04 | |
Nice little late-Victorian silver thermometer frame. | 0:34:04 | 0:34:07 | |
-But he looks sweet, doesn't he, that little fellow? -Indeed. | 0:34:07 | 0:34:10 | |
So we've got another use for what would have been a broken object, | 0:34:10 | 0:34:13 | |
so that's fair enough. And it sits up nicely on its... | 0:34:13 | 0:34:17 | |
I quite like these things with a strut on the back. | 0:34:17 | 0:34:19 | |
-Strut, yeah. -Strut holds it and presents it perfectly. | 0:34:19 | 0:34:24 | |
-Put a picture of one of your nippers in there, look jolly nice. -Yeah. | 0:34:24 | 0:34:28 | |
Good. And what do you think it's worth? | 0:34:28 | 0:34:31 | |
-Um, I've put it in at 50 to 60. -Jonathan Pratt paid £40. | 0:34:31 | 0:34:35 | |
It's his bonus buy. Will you be taking our sale? | 0:34:35 | 0:34:38 | |
-Yes, indeed. -Ah, brilliant. We're in safe hands. Thank you. | 0:34:38 | 0:34:42 | |
70 standing, 80 seated, | 0:34:42 | 0:34:45 | |
90, | 0:34:45 | 0:34:46 | |
100 seated, 110, | 0:34:46 | 0:34:49 | |
120, 130, | 0:34:49 | 0:34:51 | |
140. Are we all done, then, at 140? And I sell... | 0:34:51 | 0:34:55 | |
-So, how you feeling, guys? -Nervous. | 0:34:56 | 0:34:58 | |
Are you? | 0:34:58 | 0:35:00 | |
I mean, what is going to happen? We've got snow out there, | 0:35:00 | 0:35:03 | |
we've got reduced crowds... This is all pretty tense, isn't it? | 0:35:03 | 0:35:09 | |
-Yeah. I want to buy my clock. -You want to buy your clock? | 0:35:09 | 0:35:12 | |
-Anyway, here it comes. -Lot number 50, then, | 0:35:12 | 0:35:15 | |
is this little handsome Liberty's pewter clock. | 0:35:15 | 0:35:19 | |
I open the bidding at £40, with me. At 40. And two. | 0:35:19 | 0:35:22 | |
45. | 0:35:22 | 0:35:24 | |
45. There's a commission bid at 45. 50's in the room. | 0:35:24 | 0:35:28 | |
50 in the room. At 50, I'm bid. In the room at 50. | 0:35:28 | 0:35:31 | |
60. Brand-new bidder. 70. | 0:35:31 | 0:35:34 | |
-80. 90. -SHE GASPS | 0:35:34 | 0:35:36 | |
-Hey! -Get in! | 0:35:36 | 0:35:38 | |
-110. -I'm excited! | 0:35:38 | 0:35:40 | |
On the right-hand side now at 110. 120's on the phone. | 0:35:40 | 0:35:43 | |
-On the phone. -Get in! -On the telephone at 120. | 0:35:43 | 0:35:47 | |
Are we all done, then, at 120 for the clock? | 0:35:47 | 0:35:49 | |
Hammer's on it, then. Make no mistake. At 120... | 0:35:49 | 0:35:52 | |
£120. That's pretty cool, isn't it? And you were worried? | 0:35:52 | 0:35:56 | |
£120. You just made £70 profit. | 0:35:56 | 0:36:00 | |
Now, look out. Here come the glass vases. | 0:36:00 | 0:36:02 | |
This is looking good. | 0:36:02 | 0:36:04 | |
Several bids on the book. I open the bidding at £30. | 0:36:04 | 0:36:08 | |
-Hey! -At £30 with me. | 0:36:08 | 0:36:09 | |
-Good job, Paul! -Thanks for bidding, sir. 35. | 0:36:09 | 0:36:12 | |
40. It's with me at 40. | 0:36:12 | 0:36:14 | |
Commission bid is with me at 40. You're out in the room now. 40. | 0:36:14 | 0:36:18 | |
With me at 40 for the pretty vases, then. | 0:36:18 | 0:36:21 | |
Sounds cheap to me. At 40 only... | 0:36:21 | 0:36:23 | |
I love it, don't you? £40. That is plus £15. | 0:36:23 | 0:36:27 | |
Well done, Paul, for spotting that. | 0:36:27 | 0:36:29 | |
-Now, this rocking armchair. -This was our last-minute buy. | 0:36:29 | 0:36:33 | |
-Is it going to rock on? -Early Victorian elm rocking chair, | 0:36:33 | 0:36:36 | |
with the rush seat. How do you see that one, then? Put me in at £50. | 0:36:36 | 0:36:41 | |
30 to start, then, surely, for the rocking chair. | 0:36:41 | 0:36:43 | |
Will anyone start me 20? Come along, do. 20 I'm bid. | 0:36:43 | 0:36:46 | |
20 I'm bid. At 20. 25 with the lady. At 25. | 0:36:46 | 0:36:50 | |
Lady's bid now at 25. | 0:36:50 | 0:36:52 | |
30's in the middle. 35. | 0:36:52 | 0:36:54 | |
At 35. 40's on the left here. | 0:36:54 | 0:36:56 | |
40's in the doorway. At 40. Still a cheap lot at £40 only. | 0:36:56 | 0:37:00 | |
In the doorway, then, at 40. Are we all done at £40? | 0:37:00 | 0:37:04 | |
Oh, bad luck. That is minus ten. You are still plus £75. | 0:37:04 | 0:37:09 | |
That is a number, that is! | 0:37:09 | 0:37:11 | |
Our American cousins! Oh, yes. Plus £75. | 0:37:11 | 0:37:15 | |
What are you going to do about the inkstand? | 0:37:15 | 0:37:17 | |
-£50 at risk with this. -We're up 75! | 0:37:17 | 0:37:21 | |
-Yeah. We'll go for it. -You going to go for it? | 0:37:21 | 0:37:24 | |
-You sure about this? -Are we... Are we sure? | 0:37:24 | 0:37:27 | |
Are you sure about this? We're doing the bonus buy, and here it comes. | 0:37:27 | 0:37:31 | |
WMF Art Deco inkstand. There you are. How do you see that one, then? | 0:37:31 | 0:37:35 | |
Put me in at £100 to start. 100. | 0:37:35 | 0:37:38 | |
Well, 50 to go, then, surely. | 0:37:38 | 0:37:40 | |
30, and up we go. 30 I'm bid. | 0:37:40 | 0:37:42 | |
At £30, I'm bid on the right-hand side. 30. | 0:37:42 | 0:37:44 | |
At 30. 40. | 0:37:44 | 0:37:46 | |
At 40. 40 at the back now. 40. 50. | 0:37:46 | 0:37:48 | |
At 50. At 50. | 0:37:48 | 0:37:50 | |
You're out at the back. Still a cheap lot at £50. | 0:37:50 | 0:37:53 | |
-Hey! -On my right-hand side at 50. | 0:37:53 | 0:37:55 | |
Are we all done, then? £50 only for the handsome inkstand. | 0:37:55 | 0:37:59 | |
-At 50, and selling away. -£50. It wiped its face. | 0:37:59 | 0:38:02 | |
Well, there we go. No shame in that. | 0:38:02 | 0:38:05 | |
But nevertheless, plus £75. That is an absolute wizard. | 0:38:05 | 0:38:10 | |
Now, look, you have to do us a favour. | 0:38:10 | 0:38:12 | |
Don't say a word to the Blues, and all will be revealed in a moment. | 0:38:12 | 0:38:15 | |
-OK. -OK? Well done. Congratulations! | 0:38:15 | 0:38:18 | |
Now, Jean and Cliff, you nervous at all? | 0:38:24 | 0:38:27 | |
-No! -Not really, no. | 0:38:27 | 0:38:29 | |
You're pretty bullish about most stuff, aren't you? | 0:38:29 | 0:38:32 | |
Any particular piece you think will do really well? | 0:38:32 | 0:38:35 | |
Well, I think the stool might gain us a bit. | 0:38:35 | 0:38:39 | |
You reckon? Well, it's the first item up, and here it comes. | 0:38:39 | 0:38:44 | |
Lot 71 is that nice little Victorian footstool. | 0:38:44 | 0:38:47 | |
How do you see that one? Put me in at £30. | 0:38:47 | 0:38:49 | |
30 for the footstool. Well, 20 to start, then. | 0:38:49 | 0:38:53 | |
It's all in. Nice little footstool. 20 to start. | 0:38:53 | 0:38:57 | |
20 I'm bid. At £20. Do I see two anywhere? | 0:38:57 | 0:39:00 | |
At £20 only for the footstool. At 20. | 0:39:00 | 0:39:03 | |
At £20. It's on the main bid at 20. | 0:39:03 | 0:39:05 | |
Are we all done, then, at 20? Selling away, then, at £20... | 0:39:05 | 0:39:09 | |
£20. Wiped its face. No profit, no loss. | 0:39:09 | 0:39:12 | |
-No shame, no gain. -Oh, what an anticlimax! | 0:39:12 | 0:39:15 | |
-Never mind. -Here comes the tortoiseshell box. | 0:39:15 | 0:39:18 | |
Rather handsome George III tortoiseshell, | 0:39:18 | 0:39:20 | |
gold-mounted and silver-inlaid snuffbox. | 0:39:20 | 0:39:23 | |
I have two identical bids on the book. | 0:39:23 | 0:39:26 | |
I open the bidding at £86. | 0:39:26 | 0:39:28 | |
Oh! Come on, then. Come on! | 0:39:28 | 0:39:31 | |
88. 90. | 0:39:31 | 0:39:33 | |
Two. I'm off the book and in the room at £92. | 0:39:34 | 0:39:38 | |
At £92. 95. | 0:39:38 | 0:39:40 | |
98. | 0:39:40 | 0:39:42 | |
100. And five. | 0:39:42 | 0:39:45 | |
-Still a cheap lot for 105. -Keep going! | 0:39:45 | 0:39:48 | |
Right in the middle of the room at 105. | 0:39:48 | 0:39:50 | |
-Keep going! -Are we all done at 105? | 0:39:50 | 0:39:52 | |
Hammer's on it. 105, and I sell at 105... | 0:39:52 | 0:39:56 | |
Oh, dear. Minus £45. That's a bit of a torpedo, that, isn't it? | 0:39:56 | 0:40:00 | |
-Yeah. -Now the magnifying glass. | 0:40:00 | 0:40:02 | |
By Sampson Mordan & Co, Birmingham, 1930, | 0:40:02 | 0:40:05 | |
well known makers of pretty little objects. | 0:40:05 | 0:40:07 | |
How do you see that one, then? Put me in at 60. | 0:40:07 | 0:40:10 | |
Or 30, and up we go. Come along, do. 30. Five. | 0:40:10 | 0:40:13 | |
40. Five. 50. 60. | 0:40:13 | 0:40:16 | |
70. 70. It's right in the middle at 70. Any other bids? | 0:40:16 | 0:40:20 | |
-Come on! -Right in the middle at £70. Are we all done at 70, | 0:40:20 | 0:40:24 | |
for the magnifying glass? Hammer's on it, then, at 70... | 0:40:24 | 0:40:28 | |
Oh, blast it. Minus £20 on that. | 0:40:28 | 0:40:30 | |
You are, overall, minus £65. That's really tough. | 0:40:30 | 0:40:34 | |
What are you going to do about the thermometer? | 0:40:34 | 0:40:36 | |
-Oh, we'll go with it. -You're going to go with that? -Yeah. | 0:40:36 | 0:40:39 | |
Because that last piece of silver did really well, didn't it? | 0:40:39 | 0:40:43 | |
-Let's go with it. -Well, we might just as well, mightn't we? | 0:40:43 | 0:40:47 | |
-Thank you. -OK. We're going to go with it. | 0:40:47 | 0:40:49 | |
We're going with the thermometer frame, and here it comes. | 0:40:49 | 0:40:53 | |
Pretty little late-Victorian silver- mounted easel thermometer frame, | 0:40:53 | 0:40:57 | |
which easily converts into a photograph frame. | 0:40:57 | 0:41:00 | |
-I feel the temperature rising. -How do you see that lot, then? | 0:41:00 | 0:41:03 | |
-Put me in at 50. -Yeah, go on, then. -30 to start, then. | 0:41:03 | 0:41:06 | |
-30, surely, for the little frame. -Oh, come on, come on! | 0:41:06 | 0:41:11 | |
30. 40, front row. | 0:41:11 | 0:41:13 | |
At 40 in the front row. 50. I've got two places. | 0:41:13 | 0:41:17 | |
-You want to bid? 60 in the doorway. -Oh, 60! | 0:41:17 | 0:41:20 | |
Five if you like, sir. At 60 in the doorway, then. | 0:41:20 | 0:41:23 | |
-Come on! -Are we all done at 60? -Well done, Jon. | 0:41:23 | 0:41:27 | |
Are we all done, then? 60 and I sell. | 0:41:27 | 0:41:29 | |
-Well done, Jonathan. Plus 20. -Well done! | 0:41:29 | 0:41:31 | |
Thank you. Redeemed myself slightly there. | 0:41:31 | 0:41:34 | |
Minus £45 overall, but don't say a word to the Reds. | 0:41:34 | 0:41:37 | |
-No, no, no. -We'll have a catch-up in just a minute. | 0:41:37 | 0:41:41 | |
Well, it's been a day of swings and roundabouts, hasn't it? | 0:41:46 | 0:41:50 | |
-Have you lot been chatting? -No! | 0:41:50 | 0:41:52 | |
No chatting, so you have no idea of the incredible poles apart | 0:41:52 | 0:41:57 | |
that our two teams are today. | 0:41:57 | 0:41:59 | |
And I have to reveal that, at the bottom end of the pole, | 0:41:59 | 0:42:02 | |
just happen to be the Blues. | 0:42:02 | 0:42:04 | |
Ohhhhh! | 0:42:04 | 0:42:06 | |
"Ohhhhh", they say. | 0:42:06 | 0:42:08 | |
I mean, it says minus, minus, minus here. | 0:42:08 | 0:42:11 | |
All those minuses add up to minus 45, | 0:42:11 | 0:42:14 | |
and I'm afraid that is the bottom of our league table today. | 0:42:14 | 0:42:17 | |
-But we've had a great time, haven't we? -Yes. -Fantastic. | 0:42:17 | 0:42:20 | |
You've been great. Cliff, thank you for giving us your pearls of wisdom | 0:42:20 | 0:42:24 | |
and overall humour. It's been lovely. | 0:42:24 | 0:42:27 | |
And Jonathan, thank you for yours. Have you had a good day? | 0:42:27 | 0:42:30 | |
I've had a wonderful day, Timothy, as always. | 0:42:30 | 0:42:33 | |
Very good to see you, anyway. Now, but the victors today, | 0:42:33 | 0:42:36 | |
our friends from across the pond, are going to go home with £75. | 0:42:36 | 0:42:40 | |
How about that? That's folding money, isn't it? | 0:42:40 | 0:42:44 | |
Does that make it 100? It's more than 100, isn't it? | 0:42:44 | 0:42:46 | |
-More than 100. -More than 100 bucks! | 0:42:46 | 0:42:49 | |
-Have you had a good time, Timbo? -Real good time, yeah. | 0:42:49 | 0:42:52 | |
Real good time. We've had a real good time, too. | 0:42:52 | 0:42:54 | |
-A very good time. -What about you, Rebecca? | 0:42:54 | 0:42:57 | |
-Yeah, it's been really fun. -Oh, we've enjoyed it. | 0:42:57 | 0:42:59 | |
Thank you for joining us, and join us soon | 0:42:59 | 0:43:01 | |
-for some more bargain hunting, yes? -Yes! | 0:43:01 | 0:43:05 | |
Subtitles by Red Bee Media Ltd | 0:43:05 | 0:43:09 | |
E-mail [email protected] | 0:43:09 | 0:43:13 | |
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