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I wonder what's on the telly at lunchtime. | 0:00:05 | 0:00:09 | |
Oh, look, c'est moi! | 0:00:09 | 0:00:11 | |
Let's go bargain hunting! | 0:00:11 | 0:00:14 | |
'We're on the Isle of Anglesey today, and it may be wet and windy, | 0:00:36 | 0:00:41 | |
'but that won't stop our fun. | 0:00:41 | 0:00:43 | |
'Here's a peek at what's coming up. | 0:00:45 | 0:00:47 | |
-'The Reds just can't decide.' -I've never run out of time before. | 0:00:48 | 0:00:53 | |
You have 20 seconds to make a decision. | 0:00:53 | 0:00:56 | |
-Right, ladies, are you excited? -BOTH: Yes. | 0:00:57 | 0:00:59 | |
'The Blues just can't stop talking!' | 0:00:59 | 0:01:02 | |
-I would've thought that was foreign. -Yes. -North African. | 0:01:02 | 0:01:06 | |
'And the auction is full of surprises.' | 0:01:06 | 0:01:09 | |
Yes! | 0:01:09 | 0:01:13 | |
'So, let's crack on with the show.' | 0:01:14 | 0:01:16 | |
Today, we have Andy and Leanne for the Reds | 0:01:16 | 0:01:19 | |
-and Jane and Doreen for the Blues. Hello, everyone. -ALL: Hello, Tim. | 0:01:19 | 0:01:23 | |
So, Andy, you have a pretty responsible job. Tell me about it. | 0:01:23 | 0:01:27 | |
I work for the Environment Agency in flood risk management across North Wales, so it's local. | 0:01:27 | 0:01:33 | |
-It's a pretty wet place, North Wales, too. -Definitely. | 0:01:33 | 0:01:36 | |
I gather Bargain Hunt is one of the loves of your life. | 0:01:36 | 0:01:40 | |
-What do you like particularly about it? -I love the thrill of finding a bargain but, to be honest, | 0:01:40 | 0:01:45 | |
this is the priceless object in my life. | 0:01:45 | 0:01:48 | |
I think I'm going to cry! | 0:01:48 | 0:01:51 | |
-Leanne, he's obviously a pretty soppy old fella. -Very. | 0:01:51 | 0:01:54 | |
-You're a sales negotiator with an estate agent. -I am. | 0:01:54 | 0:01:58 | |
-What does that involve? -Well, just the first point of contact, really, between buyers and sellers. | 0:01:58 | 0:02:04 | |
-What's the best house you've ever sold? -I'd say the best property would be the most expensive one. | 0:02:04 | 0:02:09 | |
-You must have been popular for doing that. -And the commission. -Yeah. | 0:02:09 | 0:02:13 | |
So, the tactics. What are your tactics today? | 0:02:13 | 0:02:17 | |
-Find a bargain. -Yep, find a bargain, buy low. | 0:02:17 | 0:02:20 | |
-I've got my lucky Santa pants, even though it's not Christmas. -Oh, great. | 0:02:20 | 0:02:24 | |
-So... -You're weird. -Yeah. | 0:02:24 | 0:02:27 | |
I think you're going to be very happy. OK. Anyway, good luck with that. | 0:02:27 | 0:02:30 | |
-Now, Jane. -Yes. -You met at teacher training college. -We did. -Brilliant. | 0:02:30 | 0:02:36 | |
And did you both finish up teaching? | 0:02:36 | 0:02:38 | |
No. I finished up teaching, | 0:02:38 | 0:02:42 | |
but Doreen dipped out after the first six months. | 0:02:42 | 0:02:46 | |
I didn't have the temperament, put it that way, so I became a probation officer, | 0:02:46 | 0:02:50 | |
-working with offenders instead of children. -Dear, dear. | 0:02:50 | 0:02:54 | |
-Now, you've recently moved to North Wales from Liverpool. -Yes. | 0:02:54 | 0:02:58 | |
I took early retirement in Liverpool | 0:02:58 | 0:03:00 | |
and we just wanted to move away and have a different way of life. | 0:03:00 | 0:03:04 | |
-And have you found it? -Oh, yes, definitely. | 0:03:04 | 0:03:07 | |
-Now, Doreen, I hear that you went on a date with a Beatle. -I did. | 0:03:07 | 0:03:11 | |
-Which one? -John Lennon. -Did you? -Yes. | 0:03:11 | 0:03:14 | |
I was 14 and we used to congregate in the home of a certain friend and he was 15. | 0:03:14 | 0:03:19 | |
We would play Little Richard records at full volume | 0:03:19 | 0:03:22 | |
and John Lennon would go into the kitchen, | 0:03:22 | 0:03:25 | |
get the pan lids out | 0:03:25 | 0:03:27 | |
and bang them together, using them as cymbals, in time. | 0:03:27 | 0:03:30 | |
-Did he ever sign any pan lids? -No, I don't think so! | 0:03:30 | 0:03:34 | |
You're missing out on a fortune here. | 0:03:34 | 0:03:36 | |
Now the money moment. £300 apiece. There's your £300. You know the rules. | 0:03:36 | 0:03:40 | |
Your experts await and off you go! And very good luck. | 0:03:40 | 0:03:43 | |
Thank you! | 0:03:43 | 0:03:45 | |
John Lennon, eh? Imagine. | 0:03:45 | 0:03:48 | |
'Let's meet the experts that will guide our teams. | 0:03:51 | 0:03:53 | |
'Charting a course for the Reds is Mark Stacey. | 0:03:53 | 0:03:58 | |
'And mapping a route of the Blues, Jeremy Lamond.' | 0:03:58 | 0:04:02 | |
One hour to shop, £300 to spend, three items to find. | 0:04:02 | 0:04:06 | |
Now you know the rules, let's get on with it. Ready, steady, go! | 0:04:06 | 0:04:10 | |
-Are we going to win? -I think we will. -Definitely. You've got to win. | 0:04:13 | 0:04:17 | |
-Right, ladies, are you excited? -BOTH: Yes. | 0:04:17 | 0:04:20 | |
-Are you going to try it on? -Hey! For the wedding! | 0:04:20 | 0:04:23 | |
I love anything Moorish. Anything Moroccan. | 0:04:23 | 0:04:26 | |
-Anything with tassels, tiles, beads. -Sounds exotic. | 0:04:26 | 0:04:30 | |
-Ooh, look, it fits me perfectly. -Condition-wise, would you say we should... | 0:04:30 | 0:04:35 | |
-Me or the hat? -Both! | 0:04:35 | 0:04:37 | |
Carlton Ware. Carlton Ware. | 0:04:43 | 0:04:46 | |
Carlton ware is a trade name. 1894 it started, Carlton Ware. | 0:04:46 | 0:04:49 | |
This sort of ware was made in the 1930s. | 0:04:49 | 0:04:52 | |
-£38. I don't think there's much profit in that. -No. -OK. | 0:04:52 | 0:04:58 | |
Something colourful, something different. | 0:05:00 | 0:05:03 | |
-Great. Worcester. -Yeah. | 0:05:05 | 0:05:07 | |
1860s. Quite decorative cup and saucer, | 0:05:07 | 0:05:09 | |
but they don't tend to make huge amounts of money singularly at auction. | 0:05:09 | 0:05:13 | |
OK. Keep looking, baby. | 0:05:13 | 0:05:16 | |
It's 1860. And I love the lions. | 0:05:17 | 0:05:21 | |
-1840. -1840 to 1860. | 0:05:21 | 0:05:24 | |
Is it something that's speaking to you? | 0:05:24 | 0:05:27 | |
-It's something different. I quite like it. -Shall we think about it? | 0:05:27 | 0:05:30 | |
Yeah, we'll have a think about that and come back. Thank you. | 0:05:30 | 0:05:34 | |
-God, you two are going to be difficult to please. -We are. -We're fussy people. | 0:05:34 | 0:05:38 | |
Let's get indoors and see if anything speaks to Leanne. | 0:05:38 | 0:05:42 | |
These are Portuguese Majolica. | 0:05:52 | 0:05:54 | |
And they're 1900-ish, but they're copying a design by Bernard Palissy, | 0:05:54 | 0:06:02 | |
which was way back in the 15th, 16th century. | 0:06:02 | 0:06:04 | |
-Wow. -But I love them. And the more creepy crawlies they have on them, | 0:06:04 | 0:06:08 | |
-the better they are. -What would they be used for? | 0:06:08 | 0:06:11 | |
They're just decorative. You can get big ewers and things. | 0:06:11 | 0:06:14 | |
But I think they're rather charming. | 0:06:14 | 0:06:18 | |
-I'll give you those for 80. -For the pair? -Yeah. | 0:06:18 | 0:06:20 | |
-That's quite reasonable. -Would you do 60 for the pair, | 0:06:20 | 0:06:23 | |
-seeing that we're on a... -70. | 0:06:23 | 0:06:26 | |
-65? -70. | 0:06:26 | 0:06:29 | |
I think that's quite reasonable. | 0:06:31 | 0:06:33 | |
-Yeah? -Do you like them? -I do, cos they're unusual. -Yeah. | 0:06:33 | 0:06:37 | |
-I like creepy crawlies, Leanne doesn't like creepy crawlies. -I quite like them, though. | 0:06:37 | 0:06:41 | |
-You're not buying them for yourself. That is just about to eat the snake. -Yeah. | 0:06:41 | 0:06:45 | |
There's a big chunk missing that somebody's had a go at restoring, | 0:06:46 | 0:06:50 | |
but I think, in fairness, the price for two of these reflects the damage on it. | 0:06:50 | 0:06:55 | |
Would you take 65 as it's damaged? | 0:06:55 | 0:06:57 | |
-You'll have to ask the boss. -Are you sure? | 0:06:57 | 0:07:00 | |
-That's fantastic. -I think they've got to be worth the chance. | 0:07:00 | 0:07:04 | |
-Thank you very much. -That's very kind of you. Thank you very much indeed. | 0:07:04 | 0:07:08 | |
-I think you've really got a good chance of making a profit on those. -Brilliant. | 0:07:08 | 0:07:15 | |
'Ooh, Andy, you red-hot bargain hunter, you!' | 0:07:15 | 0:07:18 | |
I can't see without my glasses. What does that say? | 0:07:28 | 0:07:31 | |
It looks like Slovenia. Slo... | 0:07:33 | 0:07:37 | |
Made in... | 0:07:37 | 0:07:39 | |
-Oh, Czechoslovakia. -Czechoslovakia, right. | 0:07:40 | 0:07:43 | |
-Anything else on the bottom? -Amphora. | 0:07:43 | 0:07:45 | |
Amphora, OK. That's good. | 0:07:45 | 0:07:48 | |
That's a nice thing. Amphora. This was made after 1918, | 0:07:50 | 0:07:55 | |
because Czechoslovakia didn't exist until 1918. | 0:07:55 | 0:07:58 | |
So we know it's post-1918. | 0:07:58 | 0:08:01 | |
It's probably 1920s. | 0:08:01 | 0:08:04 | |
And Amphora is a well-known factory for Czechoslovakia. | 0:08:04 | 0:08:07 | |
Also, it's quite striking, isn't it, with this heron on it and this tube line decoration. | 0:08:07 | 0:08:13 | |
-I think that decoration is really attractive. -It is. It's unusual. | 0:08:13 | 0:08:16 | |
-That's a possibility. -What's the price on that? -There isn't one. | 0:08:16 | 0:08:20 | |
-There's no price on that. -I'll see if I can find out how much it is. | 0:08:20 | 0:08:25 | |
If I can find somebody belonging to this stall. | 0:08:25 | 0:08:27 | |
Oh, hi. This on your stall, is it? | 0:08:27 | 0:08:30 | |
-What would it be worth to you? -Considering it doesn't really float my boat, | 0:08:30 | 0:08:34 | |
I'd be expecting 30 quid. | 0:08:34 | 0:08:37 | |
-Don't tell me, let me tell you. £25. -No, it's 18. | 0:08:37 | 0:08:40 | |
-18? -But that is the bottom line. She won't come down any more. | 0:08:40 | 0:08:44 | |
-I think that's really worth a go. -It's certainly a bargain. | 0:08:44 | 0:08:48 | |
It's a bargain. It's something I know nothing about, so it's really in your hands. | 0:08:48 | 0:08:52 | |
-The onus is on Jeremy. -Well, I would take a punt on that. | 0:08:52 | 0:08:59 | |
'No pressure then, J! | 0:08:59 | 0:09:01 | |
'"Vays, vars, vors." There we go.' | 0:09:04 | 0:09:07 | |
What I love about collecting pottery and porcelain | 0:09:09 | 0:09:12 | |
is that you can find two wee pots like these | 0:09:12 | 0:09:16 | |
that were made very, very close together in Britain, | 0:09:16 | 0:09:20 | |
they were made at exactly the same period, around 1905, | 0:09:20 | 0:09:25 | |
but yet they're so completely different. | 0:09:25 | 0:09:29 | |
If you take this one, which is a classic tear-drop type shape, | 0:09:29 | 0:09:34 | |
this was made in the Pilkington Tile Works | 0:09:34 | 0:09:39 | |
just to the northwest of Manchester. | 0:09:39 | 0:09:42 | |
This one is decorated by a man called Mycock | 0:09:42 | 0:09:45 | |
and you can see his initials, MSM, on the bottom. | 0:09:45 | 0:09:50 | |
And if you look at the decoration on this piece, | 0:09:50 | 0:09:54 | |
you'll see that it's got these lovely silver resist designs | 0:09:54 | 0:09:59 | |
of flowers and foliage running in spirals up the side | 0:09:59 | 0:10:03 | |
in the red and green grounds. | 0:10:03 | 0:10:06 | |
Now, next door to it, we've got a pot made about 50 miles to the south | 0:10:06 | 0:10:12 | |
in Stoke-on-Trent by the renowned firm of Minton's. | 0:10:12 | 0:10:17 | |
Again, made in 1905, | 0:10:17 | 0:10:20 | |
this stuff is called Secessionist ware. | 0:10:20 | 0:10:23 | |
Extraordinary, though, isn't it? The difference between them, like chalk and cheese. | 0:10:23 | 0:10:28 | |
The other difference in the price. | 0:10:28 | 0:10:31 | |
Because this Pilkington wee pot | 0:10:31 | 0:10:35 | |
you could buy here today for £300. | 0:10:35 | 0:10:38 | |
What might it bring in a specialised sale? | 0:10:38 | 0:10:41 | |
Well, I'd be disappointed if it didn't bring 600. So there's a good profit in that. | 0:10:41 | 0:10:46 | |
The Secessionist pot from Minton's, however, | 0:10:47 | 0:10:50 | |
would cost you here today £80. | 0:10:50 | 0:10:53 | |
What might it bring on a good day with the wind up its tail? | 0:10:53 | 0:10:57 | |
Perhaps £160. | 0:10:57 | 0:11:00 | |
Do you know something? I'm completely potty about pots. | 0:11:00 | 0:11:05 | |
-What about that Shelley tea set? -That's pretty. | 0:11:10 | 0:11:14 | |
-That is pretty. -Is that a full set? -Well, it's six. | 0:11:14 | 0:11:17 | |
-You can buy as many as you want of these. -When do they date back? | 0:11:17 | 0:11:20 | |
-These are 1930s. -OK. -It's 1930s, transfer-printed and then hand-painted over. | 0:11:20 | 0:11:25 | |
Shelley are quite well-known for this type of china. They made a series of wares. | 0:11:25 | 0:11:29 | |
The very expensive ones are the ones with the triangular handles. | 0:11:29 | 0:11:34 | |
This is quite a nice design. You've got six cups, saucers and plates, | 0:11:34 | 0:11:37 | |
cream jug and sugar bowl and a sandwich plate. | 0:11:37 | 0:11:40 | |
-I'm not sure if this is separate. -Yes. -I can throw that in. | 0:11:40 | 0:11:43 | |
-You'd throw it in? So... Hold on, don't start negotiating yet. -Sorry. | 0:11:43 | 0:11:48 | |
-You go too fast, Andy. -You go too fast for us. | 0:11:48 | 0:11:51 | |
I want to get Leanne's opinion. What do you think of it? | 0:11:51 | 0:11:54 | |
-I think they're really pretty. Really nice design. -It's very flash with the bright blue. | 0:11:54 | 0:11:59 | |
It's a nice colour, nice design, clean, fresh lines. | 0:11:59 | 0:12:02 | |
-Yeah. -And the design of the handles I think is quite cute. -They are really pretty. | 0:12:02 | 0:12:07 | |
-Shall we have word? -Give it a go. | 0:12:07 | 0:12:09 | |
-Where... -Sir. -Sir. | 0:12:09 | 0:12:11 | |
What's your lowest price on this tea set, please? | 0:12:11 | 0:12:14 | |
-Well, I had 95 on that, but I'd be willing to throw that in. -That's quite steep. | 0:12:14 | 0:12:19 | |
It would be lovely if we could just get you to be very kind to us. | 0:12:19 | 0:12:23 | |
-I'll ask. -Would you do... -Hang on, Andy. -He's asking his wife. | 0:12:23 | 0:12:26 | |
-80? -80. -Would you do 60? -No. -Would you meet us halfway? | 0:12:26 | 0:12:32 | |
-Cash. -No, no. | 0:12:32 | 0:12:35 | |
-No. I paid more than that. -He's trying! He's a trier! | 0:12:35 | 0:12:38 | |
-75. -75? -OK, then. -Yeah? -Yeah. | 0:12:38 | 0:12:42 | |
-Deal? -Do you think that's... -I think it's quite nice. | 0:12:42 | 0:12:46 | |
-I do really like that. -Leanne's come alive. | 0:12:46 | 0:12:50 | |
-Haven't you? -That's my moment. -OK, yeah. | 0:12:50 | 0:12:53 | |
-Yeah? -Let's do 75. Thank you very much. -Brilliant. Thank you. | 0:12:53 | 0:12:57 | |
Funny little flute for nine and a half quid. | 0:13:06 | 0:13:09 | |
That is unusual. Can you blow it? Are you allowed to give it a blow? | 0:13:09 | 0:13:14 | |
Give us a tune, Jeremy. | 0:13:17 | 0:13:19 | |
-That was Happy Birthday To You. -Oh, is that what it was? | 0:13:20 | 0:13:24 | |
-You get a lot of carving for £9.50. -You do get a lot of carving, yes. Where do you think that's made? | 0:13:24 | 0:13:29 | |
This is probably a north Welsh flute, because it's a bit of vernacular carving. | 0:13:29 | 0:13:34 | |
Look at all this. This is what's called chip carving. | 0:13:34 | 0:13:38 | |
This may well have been carved by a chap for his sweetheart. | 0:13:38 | 0:13:41 | |
I would say it's probably late Victorian. They did this sort of work in Wales. | 0:13:41 | 0:13:46 | |
-You've got the Welsh love spoons, as well. -Oh, that's right. | 0:13:46 | 0:13:49 | |
The other place that did all this sort of intricate work is Polynesia. | 0:13:49 | 0:13:52 | |
-But it's not Polynesian. -Right. I would've thought that was foreign with the carving. | 0:13:52 | 0:13:57 | |
-North African or something. -They also did this sort of thing in the South Tyrol. | 0:13:57 | 0:14:01 | |
At the end of the day, for a tenner, at least you can play it if you can't sell it. | 0:14:01 | 0:14:06 | |
-We may even get a couple of quid knocked off that. -That would be cheap. | 0:14:06 | 0:14:09 | |
-If you can get it for a fiver... -What do you reckon? -On your way. | 0:14:09 | 0:14:13 | |
-I'll go. -Start below half price. -Good luck. | 0:14:13 | 0:14:15 | |
Hello. What is your best on it? | 0:14:15 | 0:14:18 | |
-My best on that? -You've got £9.50 on it. | 0:14:18 | 0:14:22 | |
-My best on it would be 8. -Well, that's money off, so I think that's fine. | 0:14:22 | 0:14:26 | |
-Right! -I think we've got a deal. -Thank you very much indeed. | 0:14:26 | 0:14:30 | |
-I'm going to learn to play it now. -Please do. -Thank you. | 0:14:30 | 0:14:34 | |
'Blue Team, you are in tune. | 0:14:34 | 0:14:37 | |
'Andy and Leanne, are you singing from the same hymn sheet?' | 0:14:38 | 0:14:42 | |
No, I don't like them, to be honest. | 0:14:42 | 0:14:45 | |
He doesn't like what I look at, that's his problem. | 0:14:45 | 0:14:48 | |
Andy's very enthusiastic. He loves car-booting so I think he's in his element here. | 0:14:48 | 0:14:53 | |
Leanne, at the moment, is being a little bit reticent. | 0:14:53 | 0:14:56 | |
She's being a bit shy. She's looking for bling. So we'll see whether she finds it. | 0:14:56 | 0:15:00 | |
-Where's Doreen gone? -Erm, she's over there. | 0:15:04 | 0:15:08 | |
Behind you! | 0:15:08 | 0:15:10 | |
I found it quite attractive. | 0:15:10 | 0:15:13 | |
-Guilloche enamelling. -Excuse me. | 0:15:13 | 0:15:15 | |
Could we just have a look at this little green case here? | 0:15:15 | 0:15:18 | |
And can you tell us anything about it? | 0:15:18 | 0:15:21 | |
-Is it silver or is it... -It's silver. -OK. | 0:15:21 | 0:15:25 | |
-It's in good condition. This is Guilloche enamel. -Yeah. | 0:15:25 | 0:15:29 | |
And it's got what I call a piano hinge. The French were very good at hinges like this. | 0:15:29 | 0:15:35 | |
This is a very good quality hinge and it's a nice design in the middle. | 0:15:35 | 0:15:39 | |
-We don't know the price. -What price? | 0:15:39 | 0:15:41 | |
-300? -Oh, wow! -We haven't got that much left. | 0:15:41 | 0:15:45 | |
It's exciting, but not... | 0:15:45 | 0:15:48 | |
-I understand. -Thank you very much. | 0:15:48 | 0:15:51 | |
'No pressure, but the hour is ticking away, guys.' | 0:15:54 | 0:15:58 | |
Right, shall we go up to the top again? | 0:15:58 | 0:16:01 | |
-I think we should go up. -Do you want to go right back again? -Yep. | 0:16:01 | 0:16:04 | |
-I don't think there's anything there. -We should, cos there's nothing here. | 0:16:04 | 0:16:08 | |
'I hope their engagement can take the strain.' | 0:16:08 | 0:16:10 | |
-Doreen. -What's that? -Jeremy's just spotted this. | 0:16:14 | 0:16:17 | |
-And he said this is selling really well, it's really popular. -Yep. | 0:16:17 | 0:16:22 | |
-Oh, I like it. -It's a Bohemian overlay vase. | 0:16:22 | 0:16:25 | |
-Yeah. It's beautifully made. -Round about 1900, 1920, early 20th century. | 0:16:25 | 0:16:30 | |
-Right. -You've got this opaline glass on top, which is decorated, | 0:16:30 | 0:16:35 | |
and then cut away to make these little lenses here so you can see through it. | 0:16:35 | 0:16:39 | |
So it's quite a bold idea. | 0:16:39 | 0:16:41 | |
-This is a navette shape, a sort of boat-shaped vase. -I haven't heard that expression before. | 0:16:41 | 0:16:47 | |
-It's attractive from every angle. -It is, yeah. -It's lovely from underneath and the sides | 0:16:47 | 0:16:52 | |
-and from the top. -And it's not expensive. -£48. | 0:16:52 | 0:16:56 | |
-I think... -Do you think we could get... | 0:16:56 | 0:16:58 | |
Would you agree on that, that we make a bid perhaps? | 0:16:58 | 0:17:02 | |
If we can get something off the price, yes. | 0:17:02 | 0:17:05 | |
Shall we try for 40? I think it's a winner. | 0:17:05 | 0:17:08 | |
Let me just ask you about this. Right. | 0:17:08 | 0:17:12 | |
We do find it attractive. | 0:17:12 | 0:17:15 | |
It's beautiful, isn't it? Lovely piece. | 0:17:15 | 0:17:17 | |
You've got 48 on it. | 0:17:17 | 0:17:20 | |
-We were just wondering... -What would be your very best on that? | 0:17:20 | 0:17:24 | |
-Just to help us, give us a little lift for Bargain Hunt. -I'll give you it for 40. | 0:17:24 | 0:17:29 | |
Er, yes, on your advice, I'll go with that. | 0:17:29 | 0:17:33 | |
-Just in the nick of time. -Well done. Well done. Cheers. Thank you! | 0:17:33 | 0:17:39 | |
-I just think we need to find anything, really. -Anything. | 0:17:46 | 0:17:50 | |
-I've never run out of time before. -Candle holders? No? | 0:17:50 | 0:17:53 | |
-Look, what about these vases? -They're pretty. | 0:17:53 | 0:17:57 | |
Cloisonne vases. They're Chinese. We're running out of time, Andy. | 0:17:57 | 0:18:01 | |
You haven't got much time here. | 0:18:01 | 0:18:03 | |
-How much are they? -Well, they're marked at 120. | 0:18:03 | 0:18:05 | |
They're decorative, they've got a pair, they're Chinese, probably about 1900. | 0:18:05 | 0:18:10 | |
If we could get them for 100. See if they'll do it for 100 for us. | 0:18:10 | 0:18:13 | |
-Where's the... -It's this or nothing. | 0:18:13 | 0:18:15 | |
Will that sell at auction? What sort of estimate on that? | 0:18:15 | 0:18:18 | |
-You have 20 seconds, Andy, to make a decision. -OK. | 0:18:18 | 0:18:22 | |
-Andy, I think we'll go for it. -I'm really sorry about this. -It's all right. | 0:18:22 | 0:18:26 | |
-We're desperately running out of time. -OK. | 0:18:26 | 0:18:28 | |
-You've got 120 on these. Is there any chance... -Go on, try me. | 0:18:28 | 0:18:32 | |
-80? Can you do 80, please? -90. | 0:18:32 | 0:18:35 | |
-85. -Please. -85, then. -Brilliant. Thank you very much. | 0:18:35 | 0:18:40 | |
-Good negotiation. -Thank you. -You're welcome. -I think I'm redundant. | 0:18:40 | 0:18:44 | |
-I think we did that with about one second to spare. -That was pushing it. | 0:18:44 | 0:18:49 | |
-And that really was pushing it. -OK. -So well done. -Gone red now! | 0:18:49 | 0:18:54 | |
Phew! They're going to be exhausted after that shop. | 0:19:00 | 0:19:03 | |
Just as well time's up. | 0:19:03 | 0:19:05 | |
'So, to recap, here's what the Reds found. | 0:19:06 | 0:19:09 | |
'For starters, they got a pair of Palissy style plates | 0:19:09 | 0:19:13 | |
'for £65. Spooky. | 0:19:13 | 0:19:16 | |
'Let's hope it will be tea all round with the Shelley service. | 0:19:16 | 0:19:20 | |
'And they left it late, but finally found a pair of 20th century | 0:19:21 | 0:19:25 | |
'Cloisonne vases.' | 0:19:25 | 0:19:28 | |
Just finished. What was our favourite piece? | 0:19:30 | 0:19:33 | |
-I've never been in that position. -Haven't you? | 0:19:33 | 0:19:35 | |
-That was scary. -What, position 49? Really? | 0:19:35 | 0:19:38 | |
Look at his face! Such a monkey. | 0:19:38 | 0:19:41 | |
-Have you had a nice time? -We have, yes. -He's really naughty. -He is. | 0:19:41 | 0:19:45 | |
-He's very naughty but very clever. -Yeah, naughty but nice. | 0:19:45 | 0:19:49 | |
-Tell me, how much did you spend overall? -We spent £225. | 0:19:49 | 0:19:52 | |
£225, that's an excellent number. £75 of leftover lolly, please. | 0:19:52 | 0:19:56 | |
I trust you, Leanne. Millions wouldn't. | 0:19:56 | 0:19:59 | |
And here it comes, Mark. £75 for you. What are you going to spend it on? | 0:19:59 | 0:20:04 | |
Well, I think I'm going to try and spend it wisely to help them make a bit of a profit. | 0:20:04 | 0:20:08 | |
-Are you worried? -A little bit. -You are a bit worried. | 0:20:08 | 0:20:11 | |
-A little bit. -You're not the only one that's worried. Good luck, teams. | 0:20:11 | 0:20:14 | |
Why don't we remind ourselves what the Blues bought, eh? | 0:20:14 | 0:20:18 | |
'First in the basket was a Czechoslovakian tube lined vase.' | 0:20:20 | 0:20:24 | |
It's a very nice vase for the money. | 0:20:24 | 0:20:26 | |
It's a good factory, Amphora, and that's in cracking condition. | 0:20:26 | 0:20:30 | |
I think that should do well. I think it's a good buy. | 0:20:30 | 0:20:33 | |
Give us a tune, Jeremy. | 0:20:35 | 0:20:38 | |
'Next, an £8 penny whistle that could go for a song. Ha! | 0:20:38 | 0:20:43 | |
'And last but not least, a cranberry pedestal vase | 0:20:43 | 0:20:47 | |
-'set them back 40 smackers.' -Beautifully made. | 0:20:47 | 0:20:50 | |
1900, 1920. | 0:20:50 | 0:20:53 | |
We just got there in the nick of time and I think we've done well. | 0:20:53 | 0:20:56 | |
Nick being the operative word, I have to say. | 0:20:56 | 0:20:59 | |
-I mean, how much have you spent? -About £66! | 0:20:59 | 0:21:03 | |
You spent £66. We give them £300, they spend £66. What is going on? | 0:21:03 | 0:21:08 | |
Anyway, somebody has got £234. | 0:21:08 | 0:21:12 | |
Thank you. £234. | 0:21:12 | 0:21:14 | |
I'll sign a cheque for it later. As will you, Jeremy. | 0:21:14 | 0:21:17 | |
-This is a whole week's wages for you. -It is! | 0:21:17 | 0:21:20 | |
I do hope you're going to go and spend the whole lot on your bonus buy. | 0:21:20 | 0:21:23 | |
This is a very good lunch. So I'll see you later. | 0:21:23 | 0:21:27 | |
-Spend it wisely. -Have you spotted anything? | 0:21:27 | 0:21:30 | |
I've spotted one or two and this will buy them for me. | 0:21:30 | 0:21:33 | |
Very good luck with that, J. Have a lovely time, girls. | 0:21:33 | 0:21:36 | |
For me, though, I'm heading off to Droitwich to Hanbury Hall, | 0:21:36 | 0:21:41 | |
which is simply wonderful. | 0:21:41 | 0:21:43 | |
'This Worcestershire stately pile | 0:21:47 | 0:21:50 | |
'has been in the hands of the Vernon family for the last 250 years.' | 0:21:50 | 0:21:54 | |
I love it, don't you? 250 years worth of family life | 0:21:56 | 0:22:01 | |
by a single family in a single house. | 0:22:01 | 0:22:05 | |
And here in the dining room, we've got an array of the family silver. | 0:22:05 | 0:22:09 | |
The earliest piece is this covered vessel called a porringer | 0:22:09 | 0:22:14 | |
and, I have to say, it is a particularly magnificent example. | 0:22:14 | 0:22:19 | |
It's hallmarked 1678 | 0:22:19 | 0:22:21 | |
and was commissioned by Thomas Vernon for this house. | 0:22:21 | 0:22:26 | |
The idea with these vessels is, with their two handles, | 0:22:26 | 0:22:29 | |
that you pass them from person to person around the table | 0:22:29 | 0:22:33 | |
and they'd contain some delicious spiced mead, | 0:22:33 | 0:22:38 | |
something that could be enjoyed communally | 0:22:38 | 0:22:41 | |
at some sort of celebration. | 0:22:41 | 0:22:44 | |
But the cover is a particularly nice example. | 0:22:44 | 0:22:46 | |
If you look at the crispness of this acanthus leafage on the outside, | 0:22:46 | 0:22:52 | |
that's created by hammering from within, called repousse work, | 0:22:52 | 0:22:57 | |
and normally on a piece of silver that's getting on for 300 years old, | 0:22:57 | 0:23:03 | |
the amount of polishing that's happened polishes away the pattern. | 0:23:03 | 0:23:07 | |
In this case, it's as crisp as the day it was made. | 0:23:07 | 0:23:11 | |
If we scroll forward now to the middle of the 19th century, | 0:23:11 | 0:23:15 | |
we come across this wacky and oddball piece of Victoriana, | 0:23:15 | 0:23:20 | |
something that's called a six-egg cruet. | 0:23:20 | 0:23:24 | |
You could've removed your individual egg cup, | 0:23:24 | 0:23:27 | |
with its egg in it, and what's nice about this piece, | 0:23:27 | 0:23:30 | |
which was made by Hancock's in London in 1856, | 0:23:30 | 0:23:34 | |
is it comes with its integral stand | 0:23:34 | 0:23:37 | |
for the egg spoons, which are clustered around that centre stem. | 0:23:37 | 0:23:42 | |
Now, the last Vernon to occupy this house | 0:23:42 | 0:23:46 | |
was Sir George Vernon, who died in 1940. | 0:23:46 | 0:23:50 | |
And it was his bequest that gave it to the National Trust. | 0:23:50 | 0:23:54 | |
Now he had, how can I put it, a colourful life. | 0:23:54 | 0:23:58 | |
He spent a lot of his time in the Caribbean whizzing around | 0:23:58 | 0:24:01 | |
and he was quite clearly pretty keen on a piece of horse flesh. | 0:24:01 | 0:24:05 | |
And hence, in 1930, he commissioned the celebrated London firm | 0:24:05 | 0:24:11 | |
the Goldsmiths and Silversmiths Company, | 0:24:11 | 0:24:14 | |
to cast in solid silver two models of his favourite horses. | 0:24:14 | 0:24:19 | |
One was called Javali and the other Carrasco. | 0:24:19 | 0:24:22 | |
Rather sweetly, Sir George has simply had inscribed on each of these, | 0:24:22 | 0:24:27 | |
"Winners of many races," which is rather a modest way of putting it, | 0:24:27 | 0:24:31 | |
and I suspect they may have just won a few point-to-points here in Worcestershire. | 0:24:31 | 0:24:36 | |
And I think they look particularly handsome on the dining table. | 0:24:36 | 0:24:40 | |
Looking like this, they could almost be sniffing each other and having a chat. | 0:24:40 | 0:24:45 | |
Perhaps they're saying, "Which team will trot off with the profit today | 0:24:45 | 0:24:49 | |
"on Bargain Hunt over at the auction?" | 0:24:49 | 0:24:52 | |
'Neigh! | 0:24:54 | 0:24:55 | |
'We travelled to Cheshire to Peter Wilson Sale Room in Nantwich. | 0:24:55 | 0:25:01 | |
'And I'm joined by auctioneer Robert Stone.' | 0:25:02 | 0:25:05 | |
Now, Andy and Leanne have gone with these Palissy style dishes. Do they grab you? | 0:25:11 | 0:25:17 | |
Yeah, I think they're quite commercial, and very funny, if you look at it closely, quite comical. | 0:25:17 | 0:25:23 | |
Yeah. Quite what Bernard Palissy was doing | 0:25:23 | 0:25:27 | |
in the 17th century churning this stuff out I don't know. | 0:25:27 | 0:25:32 | |
-He must have been on some serious mushrooms. -HE LAUGHS | 0:25:32 | 0:25:36 | |
-This is all very strange. -Yeah. -But, anyway, here they are. | 0:25:36 | 0:25:39 | |
I suppose around about the turn of the century, around 1900. | 0:25:39 | 0:25:43 | |
-What's your estimate? -£50 to £80. -£65 they paid. They might get their money back. | 0:25:43 | 0:25:49 | |
-I think it could do all right. -Not so far off. | 0:25:49 | 0:25:51 | |
Next up is the Shelley tea set. We've just got a bit here. | 0:25:51 | 0:25:55 | |
29 pieces in total. | 0:25:55 | 0:25:57 | |
How do you find this 1930s ceramics is going? | 0:25:57 | 0:26:00 | |
This sort of Shelley is actually very good, | 0:26:00 | 0:26:03 | |
but, of course, the trouble with this lot is that it's actually got the wrong decoration. | 0:26:03 | 0:26:08 | |
People really want that deco decoration and this is the Regent shape, | 0:26:08 | 0:26:12 | |
which is a good shape, but it's the transfer decoration that lets it down. | 0:26:12 | 0:26:16 | |
Not so much pink and blue pastel flowers, | 0:26:16 | 0:26:19 | |
-more jazzy zig-zags and oranges and reds. -Exactly. -I see. | 0:26:19 | 0:26:25 | |
-So, how much for the lot, 29 pieces? -£60 to £80. | 0:26:25 | 0:26:29 | |
-Oh, lord. £75 paid. -Mm. -That's not so good. | 0:26:29 | 0:26:33 | |
-Well, lastly, we've got the Chinese fellas here. How do you rate these? -Cloisonne. | 0:26:33 | 0:26:38 | |
Unusual shape, the square section shape I quite like, | 0:26:38 | 0:26:42 | |
and in particularly good condition, so that's a real bonus. | 0:26:42 | 0:26:46 | |
-Not such a bad pair of vases, really. I quite like them. -I'm building up for a big estimate. | 0:26:46 | 0:26:50 | |
-£60 to £80. -Paid £85. | 0:26:50 | 0:26:54 | |
So we're a bit shy on that. So we have three objects which, uniquely, | 0:26:54 | 0:26:57 | |
are just a bit shy of the estimates. They'll need their bonus buy. Let's go and have a look at it. | 0:26:57 | 0:27:03 | |
Now, Andy and Leanne, you spent 225 magnificent pounds. | 0:27:04 | 0:27:09 | |
£75 went to the lovely Mark. What's he blown it on? | 0:27:09 | 0:27:12 | |
Ta-da. Something very small but very delicate and very pretty. | 0:27:12 | 0:27:17 | |
It's a little silver bonbon dish. It's almost got an Art Nouveau design. | 0:27:17 | 0:27:22 | |
-I thought it was rather nice. -Where's the silver? Where is it made? | 0:27:22 | 0:27:26 | |
I think it's a Birmingham hallmark. There's a little anchor on there. | 0:27:26 | 0:27:30 | |
-So it's just a pretty little bonbon dish. And I didn't pay £75 for it. -You didn't? -No. | 0:27:30 | 0:27:35 | |
-What did you pay? -£25. | 0:27:35 | 0:27:38 | |
-Oh, OK. -I don't think there's a huge profit in it, | 0:27:38 | 0:27:41 | |
but maybe £5, £10, £15 if we're lucky. | 0:27:41 | 0:27:44 | |
-Anyway, you happy? -Yeah, definitely. -You don't pick it now, you pick it after the sale of your items. | 0:27:44 | 0:27:49 | |
For the viewers at home, let's find out what the auctioneer thinks about Mark's bonbon dish. | 0:27:49 | 0:27:54 | |
That's not going to break your wrist when you pick it up. Is that lightweight or what? | 0:27:55 | 0:27:59 | |
Very lightweight, I'm afraid. Stamped out, mass-produced piece of silver. | 0:27:59 | 0:28:05 | |
The saving grace is that silver is doing particularly well at the moment. | 0:28:05 | 0:28:08 | |
Its value has improved a lot, so they may just get away with this one. | 0:28:08 | 0:28:12 | |
-OK, how much? -£30 to £40. -£25 paid. | 0:28:12 | 0:28:16 | |
That's OK. Mark Stacey's a pretty cunning operator, I have to say. So, we'll cross our legs there. | 0:28:16 | 0:28:21 | |
Anyway, that's it for the Reds. Now for the Blues. | 0:28:21 | 0:28:24 | |
-A complete mixture of objects. -Mm. | 0:28:24 | 0:28:27 | |
How do you rate that for a good shaped vase? | 0:28:27 | 0:28:31 | |
Well, I can't say I'm over-enthusiastic about it. | 0:28:31 | 0:28:34 | |
I normally try to build things up with some enthusiasm, but this I'm struggling with. | 0:28:34 | 0:28:40 | |
-It's just a fairly ordinary looking vase. -So what's your estimate? | 0:28:40 | 0:28:43 | |
-We've put £20 to £40 on it. -Well, that's generous, cos they only paid £18. -Mm. | 0:28:43 | 0:28:48 | |
But, anyway, good luck. Next is this little chip-carved whistle. Where do you think that comes from? | 0:28:48 | 0:28:54 | |
We think it's probably continental, probably Black Forest, a souvenir from the continent. | 0:28:54 | 0:29:00 | |
We've had a go at playing it. It doesn't work very well. | 0:29:00 | 0:29:03 | |
I guess Jane and Doreen have gone out on a mission to spend as little as possible here, | 0:29:03 | 0:29:09 | |
cos they only paid £8 for that. Might it make £10 or £20? | 0:29:09 | 0:29:12 | |
-That's exactly what we've said. -Is it? Well, that's lovely. | 0:29:12 | 0:29:15 | |
Good luck with that. You can always play your own tune here, can't you? | 0:29:15 | 0:29:19 | |
And, lastly, is this white overlaid cranberry boat-shaped dish. | 0:29:19 | 0:29:25 | |
Fantastic condition. And the thing about this is, it's quite a clever way that it's made. | 0:29:25 | 0:29:30 | |
It's two sheets of glass that are put together and then cameo cut out. | 0:29:30 | 0:29:36 | |
-So quite a nice little example, but extraordinarily good condition. -Do you think suspiciously good? | 0:29:36 | 0:29:41 | |
-Sadly, I think you're right. I'm not happy about the fact that it's just like the day it was made. -Yes. | 0:29:41 | 0:29:48 | |
I'm just suspicious that there might not be a container somewhere with a few hundred thousand of these | 0:29:48 | 0:29:53 | |
-lurking about and they're about to hit our shores. -Yeah. | 0:29:53 | 0:29:57 | |
-How much? -£50 to £80. -Good! £40 paid. | 0:29:57 | 0:30:00 | |
That's cunning Jeremy Lamond again. | 0:30:00 | 0:30:02 | |
-Clever chap. -Well, it has to convert. -Yep. | 0:30:02 | 0:30:05 | |
You have to do this for us from the rostrum. You're the vital man! | 0:30:05 | 0:30:10 | |
-We'll do our best. -No pressure. -THEY LAUGH | 0:30:10 | 0:30:13 | |
But they are going to need their bonus buy, I fancy, so let's have a look at it. | 0:30:13 | 0:30:17 | |
So, smilers, you managed to spend a pathetic £66, | 0:30:17 | 0:30:22 | |
which is the most ridiculous total we've ever had on Bargain Hunt, | 0:30:22 | 0:30:26 | |
giving Jeremy £234 of leftover lolly, which is a huge wodge. | 0:30:26 | 0:30:32 | |
-What did you buy, Jeremy? -Well, you may think I've been a bit of a mug. | 0:30:32 | 0:30:36 | |
-Ohh! -This is a particularly wonderful | 0:30:36 | 0:30:39 | |
early 19th century frog mug. | 0:30:39 | 0:30:43 | |
When you drank out of it for the first time | 0:30:43 | 0:30:45 | |
and you didn't know these pottery lizard and frog were inside... | 0:30:45 | 0:30:50 | |
-You'd have a heart attack. -You would. It's quite funny. | 0:30:50 | 0:30:53 | |
And it's a typical 1820s frog mug. Perfect condition. And I just thought it was a bit of fun. | 0:30:53 | 0:31:00 | |
I mean, how rare is that, J, to have the newt | 0:31:00 | 0:31:04 | |
-or frog and lizard in a combo? It's quite unusual. -Yeah. -It's uncommon. | 0:31:04 | 0:31:08 | |
You're more likely to get a frog mug rather than a frog and a lizard. | 0:31:08 | 0:31:12 | |
Jeremy, how much did you pay for that? | 0:31:12 | 0:31:14 | |
-120. -120? -Yeah. | 0:31:14 | 0:31:17 | |
-120. -Are you serious? | 0:31:17 | 0:31:20 | |
I think Doreen's really impressed with that. | 0:31:20 | 0:31:23 | |
-120. -THEY LAUGH | 0:31:23 | 0:31:25 | |
-Is it going to make a profit? -It could do. | 0:31:25 | 0:31:28 | |
It could do. On the edge, but I think it's nice, it's in good condition, | 0:31:28 | 0:31:32 | |
it's got all its enamel colours, it's not lost any colour at all. | 0:31:32 | 0:31:35 | |
All right, girls, you happy with that? You don't pick it now, you pick it later. | 0:31:35 | 0:31:39 | |
But for the viewers at home, let's find out what the auctioneer thinks about Jeremy's rare mug. | 0:31:39 | 0:31:45 | |
Well, look at that, Robert. What a lovely thing that is. | 0:31:46 | 0:31:49 | |
A wonderful piece of pottery, no doubt about it. Unusual having a frog and a newt inside it. | 0:31:49 | 0:31:54 | |
And absolutely spot-on condition for 1830, I suppose, 1830, 1840. | 0:31:54 | 0:32:00 | |
-Yep. -How much, then? -£40 to £60. | 0:32:00 | 0:32:03 | |
-It's Jeremy Lamond's bonus buy. He's paid £120. -Has he? By Jove. | 0:32:03 | 0:32:08 | |
-Yeah, he really rates it. -I wish him luck. -I wish him luck, too. | 0:32:08 | 0:32:11 | |
-Are you going to be taking the auction? -I will indeed. -We're in safe hands. | 0:32:11 | 0:32:15 | |
£110 now. £110 now, if you're all happy at £100. £100 it is. Sold. | 0:32:16 | 0:32:23 | |
-Are you excited? -Excited. -Very excited. -He's nervous. | 0:32:23 | 0:32:27 | |
Anything that you wished you hadn't bought? | 0:32:27 | 0:32:30 | |
I wish we'd had a bit more time to consider the final lot. | 0:32:30 | 0:32:34 | |
Yeah, yeah. | 0:32:34 | 0:32:36 | |
OK, fine. First up is the Palissy dishes. Here they come. | 0:32:36 | 0:32:39 | |
All creep crawlies. | 0:32:39 | 0:32:42 | |
Lot 84, a pair of plaques there. | 0:32:42 | 0:32:45 | |
Palissy type. What may we say for these? | 0:32:45 | 0:32:48 | |
Rather nice things. Really collectable things. £40 to start. | 0:32:48 | 0:32:52 | |
£40 anywhere do I hear? At £40 I'm bid straight away. | 0:32:52 | 0:32:55 | |
A bid at 40. 5 now do I hear? At £40. 45 there. | 0:32:55 | 0:32:59 | |
50 now do I hear? 45 the bid's there. | 0:32:59 | 0:33:02 | |
At 45. Looking for 50. At £45. | 0:33:02 | 0:33:04 | |
50 anywhere now? At £45. Bid's there at £45. | 0:33:04 | 0:33:08 | |
Will be sold at... 50 on the internet. 55. 60 on the internet. | 0:33:08 | 0:33:12 | |
60 on the internet. Oh, yes, here comes the internet. | 0:33:12 | 0:33:16 | |
At 60, yes or no? 60 bid. | 0:33:16 | 0:33:18 | |
65 now. 65 in the room? | 0:33:18 | 0:33:20 | |
-65? 65. 70 on the internet. -In profit. -At 70 on the internet. | 0:33:20 | 0:33:24 | |
70 bid. 75. | 0:33:24 | 0:33:27 | |
At 70 on the internet. £70 with you, Stephen, on the internet. | 0:33:27 | 0:33:31 | |
£70. 75 anywhere else? At £70, then. | 0:33:31 | 0:33:34 | |
Going to be sold at 70. All finished and done at 70? | 0:33:34 | 0:33:37 | |
You got away with it, kids. Plus five. Lovely jubbly. | 0:33:37 | 0:33:40 | |
-Now, Shelley. -Lot 85, the part Shelley tea set. | 0:33:40 | 0:33:45 | |
There we are, 29 pieces altogether. What may we say for this lot? | 0:33:45 | 0:33:49 | |
£50 to start it off. A lovely lot here. What may we say for it? | 0:33:49 | 0:33:53 | |
£50 anywhere now for it? Money for nothing, I'll tell you now. | 0:33:53 | 0:33:56 | |
What about this? £50 anywhere for the Shelley? At 50. 50 do I hear? | 0:33:56 | 0:34:01 | |
-Ooh. -50 I'm bid. 50 I have. 55 now. | 0:34:01 | 0:34:04 | |
55 on the internet. 60. 65 on the internet? 65. 65 on the internet. | 0:34:04 | 0:34:09 | |
65. 70 now. 65, the bid's over here at 65. 70 now do I hear? | 0:34:09 | 0:34:13 | |
At £65 and it will be sold at £65. Any further takers? | 0:34:13 | 0:34:18 | |
At £65, 65. | 0:34:18 | 0:34:20 | |
£65, bad luck. That's minus £10. You're minus five overall. | 0:34:20 | 0:34:25 | |
-Come on. Here come the Cloisonne. -I need my fish and chips. | 0:34:25 | 0:34:28 | |
86 are the pair of Oriental Cloisonne vases. | 0:34:28 | 0:34:33 | |
Those are the ones there. £60 a bid straight away. 65 do I hear? | 0:34:33 | 0:34:38 | |
£60. A bid at 60. 5 do I hear, surely? 65 anywhere now? | 0:34:38 | 0:34:41 | |
At £60, the bid's on commission. 65? 65 bid. | 0:34:41 | 0:34:45 | |
-70 I have. -Come on. -At £70 the bid, still on commission at 70. | 0:34:45 | 0:34:49 | |
75 anywhere else? At £70. The bid's here with me at £70. | 0:34:49 | 0:34:53 | |
-75 now, quickly? -I don't like it. | 0:34:53 | 0:34:57 | |
-GAVEL BANGS -£70. -£70. You're minus 15 on that. | 0:34:57 | 0:35:00 | |
Overall, minus 20. What are you going to do about the bonbon dish? | 0:35:00 | 0:35:04 | |
-Get it in. -Get it in. | 0:35:04 | 0:35:06 | |
-Go for it. -Something's got to give. | 0:35:06 | 0:35:08 | |
-Going to do it? -Yep. -Go for it. -Get it in. -Get it in! | 0:35:08 | 0:35:11 | |
I want a couple of noughts on the end of this one. | 0:35:11 | 0:35:14 | |
-Not something I say very often. -THEY LAUGH | 0:35:14 | 0:35:18 | |
In the modern parlance, get it in. | 0:35:18 | 0:35:22 | |
90 is the lot number. There we are, the silver bonbon dish. | 0:35:22 | 0:35:26 | |
That's the one. A lovely thing. 1983, Birmingham. | 0:35:26 | 0:35:29 | |
How much may we say for this? I've got £30 straight away for it. | 0:35:29 | 0:35:33 | |
£30 I'm bid. 35 is there now? 35. 40? Yes? 40 bid. | 0:35:33 | 0:35:37 | |
45 now. 45 here? 40 is over there. Your bid at 40. | 0:35:37 | 0:35:41 | |
At £40. 45 now do I hear? At £40 and will be sold. | 0:35:41 | 0:35:44 | |
At £40 only, if we're all finished. At 40, going to be sold. | 0:35:44 | 0:35:47 | |
Gosh, that was close. 45. | 0:35:47 | 0:35:51 | |
-Go on. Go on. -Your bid now at £45. 50 now? | 0:35:51 | 0:35:55 | |
At £45. Bid is there at £45 and will be sold at 45. | 0:35:55 | 0:35:58 | |
-GAVEL BANGS -We broke even! | 0:35:58 | 0:36:01 | |
Look at that. Plus 20. | 0:36:01 | 0:36:03 | |
You have, overall, wiped your face. | 0:36:03 | 0:36:06 | |
-It's clean. -There's no shame in that, I tell you. | 0:36:07 | 0:36:10 | |
And, in fact, being absolutely nowhere at the end of this programme could be a winning score. | 0:36:10 | 0:36:15 | |
-Now, Jane and Doreen, have you been talking to the Reds? -Nope. | 0:36:22 | 0:36:25 | |
Haven't said a word? That's perfect. | 0:36:25 | 0:36:27 | |
Are you nervous about anything? Can you be when you've only spent £66? | 0:36:27 | 0:36:31 | |
-We haven't got a lot to lose. -You certainly haven't. | 0:36:31 | 0:36:35 | |
And, in fact, I'm happy to tell you that on all three items, | 0:36:35 | 0:36:39 | |
-that auctioneer has estimated more than the miserable amount that you paid. -Brilliant! | 0:36:39 | 0:36:44 | |
Anyway, first up is the Amphora Czechoslovakian tube lined vase, | 0:36:44 | 0:36:49 | |
which is truly repulsive and for which you paid £18. Here it comes. | 0:36:49 | 0:36:55 | |
Lot 101 is this Amphora vase. That's the one for you. | 0:36:55 | 0:37:01 | |
£20 will start it off, surely. Straight away at £20. | 0:37:01 | 0:37:04 | |
-I chose this. -At £20. 25 is there now? Come on, now. £20 the bid. | 0:37:04 | 0:37:09 | |
25 there. 30 you're bidding. 30 bid. At £30. | 0:37:09 | 0:37:12 | |
At 30. 5 anywhere else? | 0:37:12 | 0:37:14 | |
At £30 and will be sold at £30. All done at 30? | 0:37:14 | 0:37:18 | |
-Look at that! -Yes! | 0:37:18 | 0:37:20 | |
-Well done, Doreen! Look. That's £12 straight up. -Eat your words! | 0:37:20 | 0:37:25 | |
Lot 102 is this delightful Black Forest whistle. | 0:37:25 | 0:37:29 | |
There we are. What may we say for it? £10 anywhere now? | 0:37:29 | 0:37:33 | |
Surely at 10. Come on, now. | 0:37:33 | 0:37:35 | |
-Oh, come on! -At £10. | 0:37:35 | 0:37:37 | |
Silence. 5. | 0:37:37 | 0:37:39 | |
What? One? | 0:37:41 | 0:37:44 | |
I told you! | 0:37:44 | 0:37:46 | |
-All right, two. -Two? | 0:37:46 | 0:37:49 | |
We've got 5. | 0:37:49 | 0:37:51 | |
6. 6. | 0:37:52 | 0:37:56 | |
How about 7? 7 on the internet. | 0:37:56 | 0:37:59 | |
8. 9. 10. | 0:38:00 | 0:38:03 | |
-Yes! -11. -Yes! -12. | 0:38:03 | 0:38:06 | |
13. 14. | 0:38:06 | 0:38:07 | |
Be daring. 15. | 0:38:07 | 0:38:09 | |
Oh, yes! | 0:38:09 | 0:38:11 | |
LAUGHTER | 0:38:11 | 0:38:13 | |
15, the bid's there. 16! | 0:38:13 | 0:38:16 | |
-Yes! -Ohh! | 0:38:16 | 0:38:18 | |
17. | 0:38:18 | 0:38:21 | |
-20! -THEY GASP | 0:38:21 | 0:38:24 | |
LAUGHTER | 0:38:24 | 0:38:27 | |
21. | 0:38:27 | 0:38:30 | |
25! | 0:38:30 | 0:38:32 | |
-Ooh! -26. | 0:38:32 | 0:38:35 | |
26. 30. | 0:38:35 | 0:38:37 | |
31. | 0:38:38 | 0:38:40 | |
35. It doesn't seem fair, this. 35? 35. | 0:38:40 | 0:38:43 | |
-That's brilliant. -£35. | 0:38:43 | 0:38:45 | |
The bid's there at £35. At £35. If you're all finished and done. | 0:38:45 | 0:38:49 | |
-At £35, being sold. -GAVEL BANGS | 0:38:49 | 0:38:51 | |
-That's plus 27! -Ohh! Yes! | 0:38:51 | 0:38:56 | |
Very good. Such a good auctioneer. Plus £27. | 0:38:56 | 0:39:00 | |
This Bohemian overlaid basket-shaped vase. | 0:39:00 | 0:39:04 | |
That's the one for you. £40. Start me off on this piece at £40. | 0:39:04 | 0:39:07 | |
A nice thing. At £40 anywhere? Do I hear £40? Lovely piece of glass. | 0:39:07 | 0:39:11 | |
At £40. And absolutely perfect. At £40. | 0:39:11 | 0:39:14 | |
At £40. That's all I'm asking. £40. | 0:39:14 | 0:39:17 | |
At 40. Who's with me at £40? £40 bid. | 0:39:17 | 0:39:20 | |
45 is there now? It's your bid. £40. | 0:39:20 | 0:39:22 | |
-At £40. 45 do I hear? -Come on! -At £40 only. 45 anywhere? | 0:39:22 | 0:39:26 | |
At 45 and waiting. At £40 only, if we're all finished and done. | 0:39:26 | 0:39:29 | |
Going to be sold at £40 only. One bid and one bid alone at 40. | 0:39:29 | 0:39:33 | |
-GAVEL BANGS -£40. -Wiped its face. | 0:39:33 | 0:39:35 | |
£40. It's wiped its face. | 0:39:35 | 0:39:37 | |
27, 37. £39. You are plus 39. | 0:39:37 | 0:39:44 | |
-We're plus 39! -You're plus 39 and you spent £66. | 0:39:44 | 0:39:49 | |
And you've finished up with nigh on £40 in your back pocket. | 0:39:49 | 0:39:53 | |
-That's pretty good. -Two Scousers. | 0:39:53 | 0:39:55 | |
Two Scousers. She said it. | 0:39:55 | 0:39:58 | |
What are you going to do about the frog? | 0:39:58 | 0:40:00 | |
Are you going to hang onto the £39 | 0:40:00 | 0:40:02 | |
or are you going to chance it for the mug? | 0:40:02 | 0:40:05 | |
Oh, Jeremy, we're just staying put, if that's OK. | 0:40:05 | 0:40:09 | |
We think it's delightful, we think it's a lovely object, but we're not sure if this is the right auction. | 0:40:09 | 0:40:15 | |
-Definitely not going with the bonus buy? -No. -We're going to sell it anyway and here it comes. | 0:40:15 | 0:40:21 | |
107 is the Scottish mug. There we are. | 0:40:21 | 0:40:25 | |
This lovely frog mug with a newt inside, as well. | 0:40:25 | 0:40:28 | |
Absolutely super condition. £40 I'm bid for it. | 0:40:28 | 0:40:30 | |
That's £40 with me on commission. Your bid at 45. | 0:40:30 | 0:40:33 | |
50 anywhere now do I hear? 45 there. I'm looking for 50. | 0:40:33 | 0:40:37 | |
50. 55. 60. | 0:40:37 | 0:40:40 | |
55 your bid. At 55. 60 now do I hear? At £55. The bid's there. | 0:40:40 | 0:40:45 | |
At £55 and will be sold. | 0:40:45 | 0:40:47 | |
-All quiet and done at 55? 55. -55. That's minus 65. | 0:40:47 | 0:40:52 | |
I think you girls made the right decision today, | 0:40:52 | 0:40:55 | |
although, I have to say in Jeremy's defence, | 0:40:55 | 0:40:58 | |
-that is a very smart mug. -We loved it. | 0:40:58 | 0:41:01 | |
On another day in another sale, that would've made a profit for you. | 0:41:01 | 0:41:05 | |
But there we are. We are here today and you girls have preserved your profit of £39, | 0:41:05 | 0:41:11 | |
-but I don't want you to tell those kids anything. -No. | 0:41:11 | 0:41:14 | |
-Don't mention a word to them. -We'll go out looking really down in the dumps. | 0:41:14 | 0:41:18 | |
You're an actress, as well as being an extremely clever person. | 0:41:18 | 0:41:22 | |
Well done, Doreen. Well done, Jane. | 0:41:22 | 0:41:25 | |
Well, we've had an extraordinary result today, haven't we? | 0:41:32 | 0:41:35 | |
-Have you lot been chatting? -No. -No. -No conversations going on? | 0:41:35 | 0:41:40 | |
I'm pleased to hear that, because today, we have two teams | 0:41:40 | 0:41:45 | |
who are just so close I can't tell you. | 0:41:45 | 0:41:48 | |
And the runners up today by making no profit and no loss at all are the Reds. | 0:41:48 | 0:41:54 | |
Ohh! THEY LAUGH | 0:41:54 | 0:41:56 | |
You have the ultimate wiped face. You were minus £20, | 0:41:56 | 0:42:01 | |
you had no chance at all, and along came Mr Stacey, galloping in from the sunset | 0:42:01 | 0:42:07 | |
with a £20 profit, which then finished up with a wiped face, which is really exciting. | 0:42:07 | 0:42:12 | |
-Did you have a good time? -Yeah. -Lovely to have you on the show. Good luck with everything. | 0:42:12 | 0:42:17 | |
But the victors today who are actually going to go home with some money... | 0:42:17 | 0:42:22 | |
-Yes! -£39. | 0:42:22 | 0:42:25 | |
How can these chickens just spend £66 | 0:42:25 | 0:42:29 | |
but yet go away with £39 worth of profit? Is that not just marvellous? | 0:42:29 | 0:42:34 | |
As a special feature today, | 0:42:34 | 0:42:37 | |
we are going to award you with the equivalent of the golden gavel, | 0:42:37 | 0:42:41 | |
which is now known as the silvery pin. | 0:42:41 | 0:42:44 | |
Normally, you would get one of these to wear with pride | 0:42:44 | 0:42:47 | |
if you'd made a profit on all three items, | 0:42:47 | 0:42:50 | |
but as you made a profit on two items and you got a wiped face, | 0:42:50 | 0:42:54 | |
which is nearly a profit on three items, | 0:42:54 | 0:42:57 | |
you pin that on your bosom and nobody will understand what's going on. | 0:42:57 | 0:43:04 | |
-We've had a great show. Join us soon for some more bargain hunting, yes? -ALL: Yes! | 0:43:04 | 0:43:08 | |
Subtitles by Red Bee Media Ltd | 0:43:10 | 0:43:14 | |
E-mail [email protected] | 0:43:14 | 0:43:18 | |
. | 0:43:18 | 0:43:18 |