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It's 12.15 at the BBC. Let's go Bargain Hunting! | 0:00:02 | 0:00:05 | |
Our teams will need a healthy appetite if they're going to taste victory today. | 0:00:30 | 0:00:34 | |
They're given £300 and an hour to buy three objects. | 0:00:34 | 0:00:38 | |
How's this for starters? | 0:00:38 | 0:00:41 | |
I like a bit of duck pate, me! | 0:00:41 | 0:00:43 | |
What do you mean, you disagree? | 0:00:44 | 0:00:47 | |
Coming up today the Blues know what they don't want. | 0:00:49 | 0:00:53 | |
No, move away from the Murano. | 0:00:53 | 0:00:56 | |
And the Reds don't know what they do want. | 0:00:56 | 0:00:58 | |
I don't like it so much as to make a quick decision. | 0:00:58 | 0:01:01 | |
Who's going to win today? It's anyone's guess. | 0:01:01 | 0:01:04 | |
Minus 15. | 0:01:04 | 0:01:05 | |
-Hello, everyone. -Hello. -So for the Red Team, we've got Nick and Mary, | 0:01:08 | 0:01:13 | |
-husband and wife. You two have been associated for a few years now, haven't you? -48 years! | 0:01:13 | 0:01:19 | |
-That's a pretty good innings, isn't it? -Yeah. -Not bad, is it? | 0:01:19 | 0:01:22 | |
So how did it all happen? Where did you meet? | 0:01:22 | 0:01:24 | |
Well, we come from the Medway Towns in Kent, and we used to go dancing at a place called the Pav. | 0:01:24 | 0:01:30 | |
-And Mick always had a girlfriend. Remember, he was 16 at the time. -Yes. | 0:01:30 | 0:01:33 | |
And you knew that he would also go through them at a fair rate, and at this dance | 0:01:33 | 0:01:38 | |
-I knew that the last one he danced with or the last one that he met would be the one he took home. -Ah! | 0:01:38 | 0:01:43 | |
I saw the other one that he fancied and I just stood in the way. And so he asked me out. | 0:01:43 | 0:01:49 | |
-Once you'd got your teeth into him, though, you knew he was a good man, right? -A good man. | 0:01:49 | 0:01:53 | |
-You were not going to give up. -No! | 0:01:53 | 0:01:54 | |
So, Mick, tell me about your career before you became a Red Team Bargain Hunter. | 0:01:54 | 0:02:01 | |
I went out to sell to main painting contractors. | 0:02:01 | 0:02:03 | |
But you were actually the golden boy in that business, weren't you? | 0:02:03 | 0:02:07 | |
I had my moments. I won quite a few bits and pieces, yeah. | 0:02:07 | 0:02:10 | |
But you could be known to doze off, yeah? | 0:02:10 | 0:02:13 | |
LAUGHTER | 0:02:13 | 0:02:14 | |
Very much so. We was in a sales conference and the eyes shut. | 0:02:14 | 0:02:18 | |
-And, of course, with the eyes shut, the snoring started... -Oh, dear! -They stopped the conference to wake me up! | 0:02:18 | 0:02:23 | |
Really? | 0:02:23 | 0:02:25 | |
-It was that good? -Yes. | 0:02:25 | 0:02:27 | |
Now, as well as being a silver-tongued salesman, you're also incredibly creative. | 0:02:27 | 0:02:33 | |
Yes, I used to do a lot of stained glass. | 0:02:33 | 0:02:35 | |
And are you as creative as Mick, Mary? | 0:02:35 | 0:02:37 | |
It says here that you're a tart with a heart! | 0:02:37 | 0:02:40 | |
Well, I think... | 0:02:40 | 0:02:42 | |
-I mean... -Well... -Is this a professional role of yours? -Well, I don't know! | 0:02:42 | 0:02:46 | |
What do you think? No, when I was doing am dram, | 0:02:46 | 0:02:49 | |
-I always got the parts where it was a tart with a heart! -Yes. | 0:02:49 | 0:02:52 | |
-Really, you're just a little actress, aren't you? -Oh, I am, darling! | 0:02:52 | 0:02:56 | |
-I think you're going to do very, very well on Bargain Hunt. -Thank you. | 0:02:56 | 0:02:59 | |
How lovely. Now...so how did you two boys meet? | 0:02:59 | 0:03:02 | |
We met about five years ago. I was recently moved to Bath, | 0:03:02 | 0:03:07 | |
and waiting at the bus stop and he started talking to me. | 0:03:07 | 0:03:10 | |
-Ever since, he's been known in my phone now as Bus Stop Boy as his nickname. -Oh, how sweet! | 0:03:10 | 0:03:14 | |
-Now, Robin, what's your day job? -Er...graphic designer. | 0:03:14 | 0:03:18 | |
Tell us about this design, because a lot of people don't know what graphic design is. | 0:03:18 | 0:03:22 | |
It's a funny word. In the good old days, it was kind of colouring in, but now computers have come into it. | 0:03:22 | 0:03:29 | |
I design for branding, marketing... I'd quite like a go at sorting out Bargain Hunt...! | 0:03:29 | 0:03:35 | |
-But that's another day... -You think our logo's not up to it? | 0:03:35 | 0:03:38 | |
-Yeah, it could with a bit of pulling in to the 21st century! -Hey, steady! | 0:03:38 | 0:03:41 | |
This is a programme about antiques, you know! | 0:03:41 | 0:03:44 | |
So, David, tell us about the rational part of your job. | 0:03:44 | 0:03:46 | |
I'm the practice manager for a firm of architects. | 0:03:46 | 0:03:50 | |
So I have to be the rational one in amongst twenty-something emotional, creative types, | 0:03:50 | 0:03:56 | |
so they take a lot of cajoling and bullying to keep them in line! | 0:03:56 | 0:04:00 | |
So you're the man that strictly controls all these activities? | 0:04:00 | 0:04:03 | |
I do. I look after all of the payroll and the accounts and... | 0:04:03 | 0:04:07 | |
Everything from toilet roll to payroll I look after. | 0:04:07 | 0:04:09 | |
-If it's not architectural, it's down to me. -Payroll to toilet roll! | 0:04:09 | 0:04:13 | |
Super! So this Bargain Hunt lark is going to be like a piece of cake, isn't it? | 0:04:13 | 0:04:17 | |
-It's going to be a walk in the park for you. -It's going to be a laugh. | 0:04:17 | 0:04:20 | |
You've only got to find three items with £300 to make a profit... | 0:04:20 | 0:04:24 | |
I mean, you run 25 architects! I mean, you should be quaking in your boots, you two! | 0:04:24 | 0:04:29 | |
-Anyway, the money moment. Very, very good luck. £300 apiece all round, yes? -Yes. -That's your 300. | 0:04:29 | 0:04:36 | |
You know the rules! Your experts await and off you go! Very, very good luck! | 0:04:36 | 0:04:41 | |
I've a funny feeling that one of our teams today won't need their expert! | 0:04:41 | 0:04:46 | |
Leading the charge for the Red Team is Philip Serrell. | 0:04:47 | 0:04:50 | |
And full steam ahead | 0:04:51 | 0:04:53 | |
with the Blues is Anita Manning... my captain! | 0:04:53 | 0:04:56 | |
-So, have we got a plan? -Well, the plan... -Other than sit out here in the sun and drink gin. | 0:04:57 | 0:05:02 | |
-I think the plan is to rely on you, really, Phil. -That's it, we are doomed! | 0:05:02 | 0:05:06 | |
Both of you are involved in design and the arts, | 0:05:06 | 0:05:10 | |
-and I would think that you are looking for cutting-edge stuff. -Yes. | 0:05:10 | 0:05:16 | |
-I'm interested in sort of pewter... -Yeah. -Small bits of silver. | 0:05:16 | 0:05:20 | |
-20th century? -Yep! -Yeah. | 0:05:20 | 0:05:23 | |
-Wacky? -Yeah. -Maybe. | 0:05:23 | 0:05:25 | |
-Right, let's go and have a look this way. -OK. | 0:05:25 | 0:05:28 | |
Let's go with Anita! | 0:05:28 | 0:05:31 | |
A confident bunch, but how long will that last? | 0:05:31 | 0:05:34 | |
Blimey, the Blues have spotted something already! | 0:05:34 | 0:05:37 | |
-The Sooty xylophone. -Yes. | 0:05:37 | 0:05:39 | |
In its original box. | 0:05:39 | 0:05:42 | |
-Uh-huh. In good condition. -What do you reckon? -Look at these lovely colours. | 0:05:42 | 0:05:45 | |
HE PICKS OUT A TUNE | 0:05:46 | 0:05:48 | |
Nobody likes a show-off, Robin! | 0:05:48 | 0:05:51 | |
-He's a man of many talents! -And look! A songbook! | 0:05:54 | 0:05:58 | |
-Right. -What do you reckon? -Let's have a look. -I think that it's great fun. | 0:05:58 | 0:06:02 | |
-It's great fun and there will be a market for it. -Shall we get an idea of the price? | 0:06:02 | 0:06:05 | |
-How much is the wee xylophone? -45 with the Sooty and Sweep. -With the Sooty and Sweep? -Yeah. | 0:06:05 | 0:06:12 | |
-Can they play a tune? -I don't know. I think they're a bit too old! | 0:06:12 | 0:06:15 | |
Can Sooty hold a tune? | 0:06:15 | 0:06:16 | |
-They're the originals from the programme. -Hi, team! | 0:06:19 | 0:06:21 | |
I don't think they're the originals, but I think they're pretty good. | 0:06:21 | 0:06:24 | |
I think these are lovely! Hold them up, hold them up! | 0:06:25 | 0:06:29 | |
-Oh, there's a look, there's a look. -Yeah. | 0:06:29 | 0:06:31 | |
They look like a pair of Muppets... no, puppets. | 0:06:31 | 0:06:33 | |
I think they're great fun. | 0:06:33 | 0:06:35 | |
It's a wee bit expensive... | 0:06:35 | 0:06:37 | |
-£40. That's it. -40? | 0:06:37 | 0:06:40 | |
And what you've got is not just the xylophone, but you've got Sooty and Sweep, | 0:06:40 | 0:06:47 | |
and I would say that they are... they have a bit of age about them as well. | 0:06:47 | 0:06:51 | |
They are marked Chad Valley Toys. Yeah, they are... | 0:06:51 | 0:06:54 | |
-Have we got labels on them? -They've got labels on them. -What do you think, boys? | 0:06:54 | 0:06:58 | |
-It's up to you. -Let's do it! -Let's go for it. -We can't leave them alone. They'll be lonely! | 0:06:58 | 0:07:01 | |
You big softies! | 0:07:03 | 0:07:05 | |
It looks like the Reds could do with a bit of that magic themselves. | 0:07:08 | 0:07:12 | |
How much is your trunk out the front? | 0:07:12 | 0:07:14 | |
Which trunk is that? | 0:07:14 | 0:07:16 | |
-Your S Lowe trunk. -£30. -£20. | 0:07:16 | 0:07:19 | |
-He's offering 20. -No, I'm not yet. They've got to have a look at it, but I think that's quite fair. | 0:07:19 | 0:07:25 | |
It's going to be 30. | 0:07:25 | 0:07:26 | |
Hold you horses, Phil! | 0:07:26 | 0:07:28 | |
Do you like that...? Listen, we're getting ourselves all disjointed. | 0:07:28 | 0:07:31 | |
-Go and grab your man. There's a little trunk out there, an elm trunk. -Yeah. | 0:07:31 | 0:07:37 | |
I haven't looked at it too closely, but £30 doesn't strike me as being that dear. | 0:07:37 | 0:07:41 | |
They're the sort of thing that make serviceable coffee tables and the like. | 0:07:41 | 0:07:45 | |
-Have a look at it and see what you think. -So, right at the front? | 0:07:45 | 0:07:47 | |
It's the one on the right there, and I'll have another trawl through here. | 0:07:47 | 0:07:50 | |
Elm? Are you sure? | 0:07:50 | 0:07:52 | |
-What's the wood, Phil? -It looks like it's elm. -It's elm. Did you say elm? | 0:07:52 | 0:07:56 | |
-I think that elm's probably oak, isn't it? -I thought so! | 0:07:56 | 0:08:00 | |
-So is oak worth more than elm? -No. -It's the other way round. | 0:08:00 | 0:08:03 | |
Why's that, then? I always thought oak was the wood of the... | 0:08:03 | 0:08:06 | |
To be truthful to you, it just depends... | 0:08:06 | 0:08:09 | |
When they talk about property, the most important thing is location, location, location, | 0:08:09 | 0:08:13 | |
and in timber the most important thing is colour, colour, colour. | 0:08:13 | 0:08:15 | |
Surely, it's price, price, price, isn't it? | 0:08:15 | 0:08:18 | |
An elm can come up a beautiful colour. | 0:08:18 | 0:08:20 | |
-Do you both like it? That's the important thing. -What sort of age is it? | 0:08:20 | 0:08:24 | |
It's probably 1920s, I would think, something like that. | 0:08:24 | 0:08:28 | |
It's got a use as a toy box, it's got a use as a coffee table... it's quite a trendy thing, | 0:08:28 | 0:08:32 | |
but at the end of the day, you've got to like it, because it isn't me that's buying. | 0:08:32 | 0:08:36 | |
-How much did he say initially was the price? -£30. | 0:08:36 | 0:08:38 | |
- How did we get on? - Very rude, but he said it could be 25. | 0:08:38 | 0:08:41 | |
-£25. -If the guy will let us have it for 25, then, that's... -It would stand at the top of the stairs | 0:08:41 | 0:08:46 | |
-and be used as something. There's got to be a few quid in it. -It's not going to earn you a fortune, | 0:08:46 | 0:08:52 | |
but the way I look at this is the worst it can do is lose you a tenner. | 0:08:52 | 0:08:56 | |
-And the most it can do is make you £20-£25. -Yeah. -Okey-doke. | 0:08:56 | 0:09:00 | |
Well, Mick really likes it, so... | 0:09:00 | 0:09:02 | |
-Sounds like the job's done, then. -I think so. -I think so. | 0:09:02 | 0:09:04 | |
All right, then. Well, we better just pay the man, hadn't we? | 0:09:04 | 0:09:07 | |
-Timers for playing chess. -That's really unusual. | 0:09:12 | 0:09:15 | |
You press that and then make your move... and then the other guy presses that. | 0:09:15 | 0:09:18 | |
-What's it made of, Anita? -Bakelite. | 0:09:18 | 0:09:21 | |
-I would say that's '30s, '40s. -OK. | 0:09:21 | 0:09:24 | |
-Let's have a look at the back. -Has it got anything on it? | 0:09:24 | 0:09:27 | |
-It just has a registration number. -What's on the bottom? -Nothing. -Nothing there? | 0:09:27 | 0:09:32 | |
Let's look at... There's a maker's name there. | 0:09:32 | 0:09:35 | |
-It looks Russian. -Foreign. -Uh-huh. | 0:09:35 | 0:09:38 | |
-Well, the Russians were great chess players. -I quite like it. | 0:09:38 | 0:09:43 | |
-I do like it, I like it too. -I like the style of it. -Do you think it works? | 0:09:43 | 0:09:46 | |
- Does this work? - Yes, it does. | 0:09:46 | 0:09:48 | |
-The chess timer. -And how much is it? | 0:09:48 | 0:09:50 | |
- 65. - 65. | 0:09:50 | 0:09:51 | |
I really like this a lot. | 0:09:51 | 0:09:53 | |
I like the style, I like the simplicity of it. | 0:09:53 | 0:09:56 | |
-It's quite art deco, isn't it? -Yeah. -It's got a Russian art deco look, | 0:09:56 | 0:10:00 | |
-you know, it does look Russian. -All the lettering on this is fantastic. -Will you go 50? | 0:10:00 | 0:10:05 | |
-Yeah. -Yeah? 50. -I think it's a great item. | 0:10:07 | 0:10:11 | |
- Can we have it for 45? - No. | 0:10:11 | 0:10:13 | |
You're pushing your luck, boys! | 0:10:13 | 0:10:15 | |
I think 50's a very good price! | 0:10:15 | 0:10:17 | |
-You have taken him down from 65. -That's true. -Will they make a profit at auction? | 0:10:17 | 0:10:21 | |
I think they'll make a profit. I would expect those to go at over 100. | 0:10:21 | 0:10:25 | |
-You're kidding? Really? -£50! Brilliant! Thank you very much. | 0:10:25 | 0:10:29 | |
What a salesman! | 0:10:29 | 0:10:30 | |
Isn't it lovely when they buy something they like? | 0:10:30 | 0:10:32 | |
-I really like it, it's great. -Yes! That's smashing. | 0:10:32 | 0:10:35 | |
Now, I've got just the thing for a day like today... | 0:10:36 | 0:10:39 | |
Oh, I do love relaxing out in the sunshine, don't you? | 0:10:41 | 0:10:44 | |
The dodgy thing in this country, though, is finding out what the weather's up to. | 0:10:44 | 0:10:49 | |
Nowadays, we just tune into the BBC any old time of day and it gives you a weather forecast. | 0:10:50 | 0:10:56 | |
But back in 1870, you had to depend on one of these jokers. | 0:10:56 | 0:11:01 | |
That's if you were rich enough to own one in your house. | 0:11:01 | 0:11:06 | |
This thing would sit on your mantelpiece, | 0:11:07 | 0:11:10 | |
and, as you can see, it's decoratively framed in a rosewood case | 0:11:10 | 0:11:16 | |
that then sits on this classic plinth. | 0:11:16 | 0:11:21 | |
Now, if I slip the movement out, | 0:11:21 | 0:11:23 | |
you can see that it's nicely made of solid brass... | 0:11:23 | 0:11:28 | |
and it contains an aneroid movement, | 0:11:28 | 0:11:31 | |
a type of barometer, invented in the early 19th century with a vacuum chamber, | 0:11:31 | 0:11:37 | |
so that when the atmospheric pressure change takes place, | 0:11:37 | 0:11:40 | |
the chamber expands or contracts, | 0:11:40 | 0:11:43 | |
it moves this indicator across the range of change, | 0:11:43 | 0:11:48 | |
fair, very dry, stormy, etcetera, | 0:11:48 | 0:11:52 | |
enabling you to make your prediction. | 0:11:52 | 0:11:54 | |
This thing does have one problem, though. | 0:11:54 | 0:11:57 | |
This dial is incredibly dirty. If you look at that, it's grey, right? | 0:11:57 | 0:12:03 | |
In the middle, you get a semblance of what it ought to look like, which is bright silvery. | 0:12:03 | 0:12:08 | |
It's been in a room, probably a gaslit room, | 0:12:08 | 0:12:12 | |
which makes the most terrible fug, | 0:12:12 | 0:12:15 | |
and it's that fug which has discoloured the silvered surface on the front of the barometer. | 0:12:15 | 0:12:22 | |
But that is no problem to me. Why? | 0:12:22 | 0:12:24 | |
Because I know a barometer restorer who's capable of cleaning that | 0:12:24 | 0:12:28 | |
and presenting me with a perfectly silvered dial and it'll cost me £20. | 0:12:28 | 0:12:35 | |
What's it worth once I've spent the £20 on it? | 0:12:35 | 0:12:38 | |
I would think between 300 and 400. | 0:12:38 | 0:12:41 | |
What would it cost you in this state in the fair today? | 0:12:41 | 0:12:47 | |
You're not going to believe this, | 0:12:48 | 0:12:50 | |
but it could be yours for £30. | 0:12:50 | 0:12:55 | |
Now...I feel the pressure rising! | 0:12:56 | 0:12:59 | |
You have been wonderful, you've bought wonderful items! | 0:12:59 | 0:13:03 | |
And I hope that the auctioneer thinks that they're wonderful as well! | 0:13:03 | 0:13:08 | |
Oh-oh, here we go. | 0:13:08 | 0:13:10 | |
-And he's just got a silly, daft look on his face, doesn't he? -Yes! | 0:13:10 | 0:13:13 | |
-Well, it looks very familiar to me, actually! Take your choice! -Poor hippo! | 0:13:13 | 0:13:18 | |
-What? What? What? -The boar's head! | 0:13:19 | 0:13:22 | |
Anybody you know? | 0:13:22 | 0:13:24 | |
-Hello, Philip! -Cheeky monkeys! | 0:13:24 | 0:13:27 | |
He's not a "boar"! | 0:13:27 | 0:13:28 | |
Hang on! There's something fishy going on now. | 0:13:28 | 0:13:31 | |
I mean, it's sort of pretty ugly, isn't it? | 0:13:33 | 0:13:35 | |
You can say that again! | 0:13:35 | 0:13:37 | |
-Well, it's certainly weird! -But is it a good age? | 0:13:37 | 0:13:40 | |
I don't know, is the truthful answer. I've never seen anything like it before. | 0:13:40 | 0:13:43 | |
Er... A lot of these open up and become...they're sort of Japanese almost like pill containers. | 0:13:43 | 0:13:51 | |
But, I mean, that... Is that mother-of-pearl? | 0:13:51 | 0:13:53 | |
-It's abalone shell, isn't it? -It's the same principle, it's the inside of a shell. -So this is Japanese? | 0:13:53 | 0:13:58 | |
-Probably, I would think. Asian, at least, isn't it? -I think it's probably more Chinese than Japanese. | 0:13:58 | 0:14:04 | |
-Yeah. -And how old do you think that is? -It's probably 40, 50 years. | 0:14:04 | 0:14:09 | |
-So, really it's mid-century? -So it's 1960s, then? -So it's not... Sadly. I mean, that's interesting, yeah? | 0:14:09 | 0:14:15 | |
-Yeah. -Thank you very much. | 0:14:15 | 0:14:17 | |
Famous last words! I think the Reds need to get on their bike! | 0:14:17 | 0:14:21 | |
We've nearly got half the time gone. So we need to make a policy decision which is either... | 0:14:24 | 0:14:27 | |
we go in this door here, which I suspect might be a little bit more expensive | 0:14:27 | 0:14:31 | |
or we...I can't see whether that's a car park down there or more stalls. Which would you like to do? | 0:14:31 | 0:14:38 | |
Well, bearing in mind we'd like to look for some silver or pewter... | 0:14:38 | 0:14:40 | |
-Let's go, then. -Inside would be a good bet. | 0:14:40 | 0:14:43 | |
Well, this all looks nice. I'm sure they won't have any trouble finding something pretty in here, | 0:14:47 | 0:14:53 | |
do you? | 0:14:53 | 0:14:55 | |
-What about a glass eye? -No, thank you. -Do you not think that's cool? | 0:14:55 | 0:15:00 | |
What? | 0:15:00 | 0:15:01 | |
You keep your eye on the bargains, Phil! | 0:15:01 | 0:15:05 | |
Look at these semaphore flags here, and there's a map of every single one. | 0:15:05 | 0:15:11 | |
-I'm not sure they're very old, though. -Interesting, interesting, but... -But not... | 0:15:11 | 0:15:16 | |
-Not for us. -Not today! -Not today, darlings! | 0:15:16 | 0:15:20 | |
I'm kind of thinking a really nice plate or a really nice bit of glass or jewellery... | 0:15:23 | 0:15:29 | |
We could go inside...if you wish... | 0:15:29 | 0:15:33 | |
-Yeah, let's go and have a look inside. -This is all a bit samey. -Yeah. | 0:15:33 | 0:15:37 | |
That's Newlyn School, I would suggest. | 0:15:43 | 0:15:47 | |
Is that Newlyn School, sir? Is this your stall? | 0:15:47 | 0:15:50 | |
-Yeah, but it's not marked, but it is Newlyn. -How much is it? | 0:15:50 | 0:15:52 | |
It is...70. | 0:15:52 | 0:15:55 | |
What's the best you could do it for? | 0:15:55 | 0:15:57 | |
I could it for 65. | 0:15:57 | 0:16:00 | |
-Do you want to have a look at it? -Mmm. | 0:16:00 | 0:16:02 | |
I like that. I mean, these fish are typical of Newlyn. | 0:16:06 | 0:16:10 | |
-Fish! Again! -But the issue is there's no Newlyn mark on it. | 0:16:10 | 0:16:13 | |
-And that's... -The thing that would sell it. | 0:16:13 | 0:16:17 | |
It's going to make a difference of £100 almost in terms of value. | 0:16:17 | 0:16:21 | |
-That's the annoying thing with Newlyn. -What's the very, very best, | 0:16:21 | 0:16:24 | |
finito, def, there-is-no-more, God-help-us price? | 0:16:24 | 0:16:28 | |
The very, very best would be 60. | 0:16:28 | 0:16:31 | |
£55? | 0:16:31 | 0:16:32 | |
I can't go that low. 58. And that's the absolute... | 0:16:32 | 0:16:36 | |
I'd rather actually you buy something that you really, really liked. | 0:16:36 | 0:16:39 | |
You're up against it timewise. You really like that. | 0:16:39 | 0:16:43 | |
-And... -That's fine, then. Let's go for it. | 0:16:43 | 0:16:47 | |
I think that, in terms of auction, it's got to make £40 or £50 minimum, | 0:16:47 | 0:16:52 | |
-and if you have a result it could make £100-£120. -Yeah. | 0:16:52 | 0:16:56 | |
-Mick, if it makes you happy, that's fine. -I'll go for that, please. | 0:16:57 | 0:17:01 | |
Thank you very much indeed. | 0:17:01 | 0:17:02 | |
-Now, this is a piece of Orrefors glass. -OK. | 0:17:05 | 0:17:09 | |
It's not terribly old, but Orrefors is one of the best glassmakers. | 0:17:09 | 0:17:14 | |
-And it's quite a sweet little piece. -It's quite cute. -Uh-huh. | 0:17:14 | 0:17:18 | |
-Tell me what you think. -Any damage? | 0:17:18 | 0:17:20 | |
-It's quite heavy. I've kind of got a good feeling that it might do quite well at auction. -Uh-huh. | 0:17:20 | 0:17:26 | |
It's a glass bear, not a crystal ball! | 0:17:26 | 0:17:28 | |
-I can see that doing 30...35... -I just think people will like it. -She's got 38 on it. | 0:17:28 | 0:17:34 | |
-If we can get it under 30, we'd be all right. -Yeah. Do you like it? You're not convinced. | 0:17:34 | 0:17:39 | |
-Have a wee hold of it. -Can I feel the weight? -Yeah. | 0:17:39 | 0:17:42 | |
-It is quite heavy. -It's quite a good heavy weight, | 0:17:42 | 0:17:44 | |
-that's always positive. -Do you know, I can see it kind of in a kid's bedroom. | 0:17:44 | 0:17:47 | |
-Uh-huh. -It's kind of quite nursery. If we can get it under the 30, then we might be all right. | 0:17:47 | 0:17:52 | |
-Uh-huh. -I could see it getting that sort of price. -It all depends on the price. We're fighting time now, | 0:17:52 | 0:17:58 | |
so what I think you should do... you're not convinced. | 0:17:58 | 0:18:01 | |
-Put it down, we'll have a quick look, we'll give ourselves so many minutes... -And maybe come back. | 0:18:01 | 0:18:06 | |
-That's a good fallback position. -That OK? -Yeah. -I'm agreed. -Let's go! | 0:18:06 | 0:18:12 | |
Don't give it too many minutes, Blues! | 0:18:12 | 0:18:16 | |
-What about the animals? Is there anything there... -They're lovely, | 0:18:16 | 0:18:18 | |
but they'll be a lot of money. | 0:18:18 | 0:18:20 | |
Their Worcester's ugly and it'll be out of our price range. | 0:18:20 | 0:18:23 | |
I'm conscious of our time here, guys. | 0:18:23 | 0:18:26 | |
-You like that, do you? -I don't like it so much as to make a quick decision. | 0:18:26 | 0:18:30 | |
Or any decision, Mary, perhaps? | 0:18:30 | 0:18:32 | |
-Come on, Mary! You've got to pick something. -The pressure's on you, my love! | 0:18:32 | 0:18:35 | |
Time's going on, but I think we're in trouble. | 0:18:35 | 0:18:39 | |
Well, you're not the only ones. The Blues are struggling too. | 0:18:39 | 0:18:43 | |
-Has that got any age to it, though? -I don't think so. | 0:18:43 | 0:18:47 | |
-And what you've got is quite a nice quality replica. -Right. | 0:18:47 | 0:18:51 | |
If it was the original one, you couldn't afford it. | 0:18:51 | 0:18:53 | |
-What about your Murano? -They're horrendous. Move away from the Murano! | 0:18:53 | 0:18:59 | |
Go on, say what you really think, David! | 0:18:59 | 0:19:02 | |
We're going to cut it down to the wire. | 0:19:02 | 0:19:04 | |
Yeah, you realise that's going to happen. | 0:19:04 | 0:19:06 | |
Everybody watches this at home and doesn't realise quite how quickly the time goes. | 0:19:06 | 0:19:11 | |
There's some stuff. | 0:19:12 | 0:19:13 | |
Oh, here's a lot of stuff. | 0:19:13 | 0:19:14 | |
Oh...but it's all the good stuff. | 0:19:14 | 0:19:17 | |
Do you mean antiques, Robin? | 0:19:17 | 0:19:19 | |
-Guys, we've got about three minutes left now, so... -OK. | 0:19:20 | 0:19:23 | |
Aaargh! | 0:19:23 | 0:19:24 | |
It's time for those Plan Bs, teams! | 0:19:24 | 0:19:28 | |
-Is there anything we've seen so far that you really like? -Only the expensive stuff. | 0:19:28 | 0:19:32 | |
-Anita, I've got a really good feeling about the teddy bear. -Uh-huh. | 0:19:32 | 0:19:36 | |
-It was... -Did you like the fish? -It was unusual. | 0:19:36 | 0:19:38 | |
Go buy it, girl! | 0:19:38 | 0:19:40 | |
-We could say... -£25. -20. | 0:19:40 | 0:19:44 | |
-20? -Oh! -Just go for it! -You're quite racy! She's good! | 0:19:44 | 0:19:48 | |
-Shall I do a runner? Go down and ask the lady? -You'll come back, won't you? -Yeah, I will come back! | 0:19:49 | 0:19:53 | |
-So shall I run? -We'll come round that way anyway, I expect. | 0:19:53 | 0:19:57 | |
Run! You've got less than a minute! | 0:19:57 | 0:20:00 | |
-We've been having a think about this one. -Could you do that for 20? | 0:20:00 | 0:20:03 | |
What have we got on it? | 0:20:03 | 0:20:05 | |
If you could do it for 20... | 0:20:05 | 0:20:07 | |
-it would make these boys... my boys... -Very happy boys. -It's our last object. -..Very happy! | 0:20:07 | 0:20:12 | |
-I think you remember me from before. -I do. | 0:20:13 | 0:20:16 | |
I'm in a pickle! | 0:20:16 | 0:20:18 | |
-The guys have had their things, and I'm desperate to find something really interesting. -OK. | 0:20:18 | 0:20:23 | |
-I loved the fish! -I think I told you 50 I would do on that one. | 0:20:23 | 0:20:27 | |
I'll tell you what I'll do. You give me 21, I'll do it. | 0:20:27 | 0:20:32 | |
-Aw! -Thank you very much. -That's wonderful! -OK? | 0:20:32 | 0:20:36 | |
Could you come down on that a little bit for me? Please! | 0:20:36 | 0:20:40 | |
-You're pushing me a bit now. -Oh, I'm so... -45. 45, and that is it! | 0:20:40 | 0:20:43 | |
Phew! They're all done! | 0:20:43 | 0:20:45 | |
Thank you! | 0:20:45 | 0:20:47 | |
Oh, I'm so grateful, thank you! | 0:20:47 | 0:20:48 | |
Hang on, where's my kiss? | 0:20:48 | 0:20:50 | |
-There's a lot of love today! -I know. | 0:20:51 | 0:20:54 | |
And that's your lot! You thought all that lot looked easy? | 0:20:54 | 0:20:59 | |
Well, shame on you! Let's remind ourselves what the Reds bought. | 0:20:59 | 0:21:03 | |
Was Phil thinking outside the box with the oak coffee table? | 0:21:04 | 0:21:09 | |
Next, they spent their coppers on the Newlyn-style candle holder. | 0:21:10 | 0:21:15 | |
And, finally, will Mary's abalone fish be good bait for the bidders? | 0:21:17 | 0:21:22 | |
-Thanks ever so much. We're so grateful to you. -Mary, you were quite chilled there, weren't you? | 0:21:25 | 0:21:30 | |
Why, pray, are you thanking him so much? For what, that's what I want to know. | 0:21:30 | 0:21:35 | |
-It's the nerves, Tim! -It was the nerves. -He had to cope with a dose of nerves with Mary, you see. | 0:21:35 | 0:21:40 | |
-It's the effect I have on women. -Is that what it is? | 0:21:40 | 0:21:43 | |
I mean, Mary, bless her... The trouble is, Tim, everybody at home watches this, | 0:21:43 | 0:21:47 | |
and they think their hour is just you go in and you buy that in the first 20 minutes, | 0:21:47 | 0:21:51 | |
and that in the next 20 minutes and that...and it doesn't work that way! | 0:21:51 | 0:21:54 | |
No. You've used up pretty well every second of your allotted time, I have to say! You've gone to the wire! | 0:21:54 | 0:21:59 | |
Now...which is your favourite piece, Mary? | 0:21:59 | 0:22:03 | |
-My favourite piece is an articulated fish. -Is it? | 0:22:03 | 0:22:07 | |
-What about you, Mick? -Well, I'm hoping it's Newlyn, but it's the copper candlestick. | 0:22:07 | 0:22:11 | |
-Which may not be Newlyn. -It may not be. -Lovely! And you spent about £127, didn't you? | 0:22:11 | 0:22:16 | |
-128, actually. -Very good. And I would like £172, please. | 0:22:16 | 0:22:20 | |
That's absolutely right. I have it here for you. | 0:22:20 | 0:22:22 | |
You got that? That's a wodge, isn't it? And that goes straight to you, Philip Serrell. | 0:22:22 | 0:22:26 | |
-Now, what are you going to do with that? -You think I know? | 0:22:26 | 0:22:30 | |
No, there is a plan! | 0:22:30 | 0:22:31 | |
-Oh? -It's just I don't know what it is yet! | 0:22:31 | 0:22:34 | |
All right, then. Well, I'll leave you to go and negotiate with that, all right? Excellent. | 0:22:34 | 0:22:39 | |
Super! So why don't we remind ourselves of what the Blue Team has bought, eh? | 0:22:39 | 0:22:44 | |
"What's that, Sooty?" "A bargain at £40." | 0:22:47 | 0:22:50 | |
Might it be checkmate at the auction with the Russian chess timer? | 0:22:51 | 0:22:56 | |
A bear for the Blues. | 0:22:57 | 0:23:00 | |
£21 bought them a piece of Orrefors glass. | 0:23:00 | 0:23:03 | |
-We might be OK. We'll keep our fingers crossed. -Yeah. | 0:23:05 | 0:23:07 | |
I should be crossing more than your fingers if I were you with this lot! | 0:23:07 | 0:23:12 | |
-How much did you spend? -111. -£111? It's just pathetic! | 0:23:12 | 0:23:16 | |
It was hard to spend that much! | 0:23:16 | 0:23:18 | |
You're grown men! £110! | 0:23:18 | 0:23:21 | |
-Which is your favourite piece, Rob? -Sooty and Sweep. | 0:23:21 | 0:23:24 | |
-What's your fave? -The chess timer. -The chess timer? -Yeah. | 0:23:24 | 0:23:28 | |
-OK, lovely. So who's got the leftover lolly? -I've got the dosh. -So, 110... That's an awful lot! | 0:23:28 | 0:23:33 | |
-How much is all that, then? -189. -189. | 0:23:33 | 0:23:35 | |
You've done the math already? No wonder you run the architects, I tell you! 189! | 0:23:35 | 0:23:40 | |
£189, then, coming your way, Anita Manning. Have you got a plan? | 0:23:40 | 0:23:45 | |
Well, really just to spend as much of it as I can! | 0:23:45 | 0:23:48 | |
They want me to buy something stupendous, big, beautiful and expensive! | 0:23:48 | 0:23:54 | |
And blow the lot, I hope! Bye-bye, Anita. Good luck, chaps. | 0:23:54 | 0:23:58 | |
I'm heading off somewhere incredibly intellectual. We're going a stride or two east from Shepton Mallet. | 0:23:58 | 0:24:04 | |
We're going to Lincoln's Inn Fields and I can't wait to show you it! | 0:24:04 | 0:24:09 | |
Which buildings spring to mind when you think of London? | 0:24:15 | 0:24:19 | |
St Paul's Cathedral? | 0:24:19 | 0:24:21 | |
Buckingham Palace? | 0:24:21 | 0:24:22 | |
The Gherkin? | 0:24:22 | 0:24:24 | |
12-14 Lincoln's Inn Fields? | 0:24:24 | 0:24:28 | |
No? Well, these three houses were knocked together 200 years ago | 0:24:29 | 0:24:35 | |
to create a home for the architect Sir John Soane. | 0:24:35 | 0:24:38 | |
And not content with owning three buildings, he filled his house with over a hundred more... | 0:24:38 | 0:24:44 | |
all in model form. | 0:24:44 | 0:24:46 | |
The first model that Soane bought | 0:24:50 | 0:24:52 | |
was this fellow, which is made out of cork, | 0:24:52 | 0:24:56 | |
which he acquired in 1804. | 0:24:56 | 0:24:59 | |
It shows the Temple of Vesta at Tivoli. | 0:24:59 | 0:25:03 | |
The colour and texture of the cork almost perfectly replicate old stone. | 0:25:03 | 0:25:10 | |
This sort of model is referred to as a "tourist piece", | 0:25:10 | 0:25:16 | |
simply because if the milawdy are going to Italy, | 0:25:16 | 0:25:20 | |
doing their grand tour for a year or two or three, | 0:25:20 | 0:25:24 | |
they want to bring back models of examples of buildings that they've seen. | 0:25:24 | 0:25:30 | |
If you're thinking that this is an ancient ruin, you'd be wrong. | 0:25:30 | 0:25:34 | |
It's an artist's impression of Soane's most famous building, the Bank of England, | 0:25:34 | 0:25:38 | |
painted to show both the interior and exterior space. | 0:25:38 | 0:25:42 | |
And just look how complicated all those spaces are. | 0:25:44 | 0:25:49 | |
You see it there in the bird's-eye view | 0:25:49 | 0:25:51 | |
and here in plan section, | 0:25:51 | 0:25:54 | |
the rather more traditional way of looking at an architect's design. | 0:25:54 | 0:26:00 | |
Soane, however, was very keen on the use of models. | 0:26:00 | 0:26:05 | |
And here we have a magnificent model that was created for him | 0:26:05 | 0:26:11 | |
for the proposed design for a building called Tyringham | 0:26:11 | 0:26:15 | |
for a banker called William Pride. Soane understood that the use of a model | 0:26:15 | 0:26:22 | |
enabled him to sell his services. | 0:26:22 | 0:26:24 | |
It's all very well having the arrangement on a plan, | 0:26:24 | 0:26:29 | |
but for the client who doesn't understand the plan, | 0:26:29 | 0:26:32 | |
how much better to see what his building's going to look like | 0:26:32 | 0:26:36 | |
in a beautifully constructed, fully-to-scale sense, | 0:26:36 | 0:26:40 | |
which is what this type of cedar model gives you. | 0:26:40 | 0:26:44 | |
If we were able to take Tyringham apart, the roof would be removed, | 0:26:44 | 0:26:50 | |
and we'd be able to reveal exactly the arrangement of rooms and staircases, | 0:26:50 | 0:26:55 | |
which, if you look very carefully through these windows, you can more or less make out. | 0:26:55 | 0:27:01 | |
Of course the big question today is who is going to be our model team over at the auction? | 0:27:01 | 0:27:07 | |
Today our teams are vying for victory at Lawrences Saleroom with auctioneer Richard Kay. | 0:27:07 | 0:27:14 | |
Now, let's see if Phil can come up with a star bargain. | 0:27:14 | 0:27:17 | |
Now, Mick and Mary, you spent a miserable £128, | 0:27:19 | 0:27:21 | |
you gave Philip Serrell £172... What did he spend it on? Philip? | 0:27:21 | 0:27:27 | |
Bowls. | 0:27:27 | 0:27:29 | |
-Ooh! -Oh! -I bought those at £35. -Oh, wow! -They're beautiful, aren't they? | 0:27:29 | 0:27:34 | |
-They're carpet bowls. -Are they a full set? -Yes, absolutely, a set of four... | 0:27:34 | 0:27:39 | |
and there's the jack. And you've got four pairs. | 0:27:39 | 0:27:42 | |
-How old are they, Phil? -I would think they're probably 1930s, | 0:27:42 | 0:27:46 | |
-perhaps a little later, but I just thought they were really nice. -They are nice. -Very snazzy. | 0:27:46 | 0:27:50 | |
-What sort of profit do you think they're going to make? -I think they'll make £30-£50. | 0:27:50 | 0:27:55 | |
-Really? -And 35 is what you paid, yeah? -That's good. -That's a good prediction. | 0:27:55 | 0:27:59 | |
-Nice little box. -I like the colours. -And velvet-lined, looks all good. | 0:27:59 | 0:28:04 | |
-What colour is the velvet inside? -It is a lovely rose pink! | 0:28:04 | 0:28:07 | |
-To go with the rose-pink team! -Oh, yeah! | 0:28:07 | 0:28:11 | |
Anyway, there you go! You've got your prediction. You don't decide right now, you decide later | 0:28:11 | 0:28:16 | |
after the sale of your first three items, | 0:28:16 | 0:28:19 | |
but let's find out what the auctioneer thinks about Philips's bowls. | 0:28:19 | 0:28:23 | |
Well, Richard, for a change, these look as if they've been played with. | 0:28:24 | 0:28:27 | |
They do, which is what they're meant for, of course. They were designed to be played with, | 0:28:27 | 0:28:31 | |
-and I like to think that these would have given hours of recreation in an Edwardian parlour... -Yes. | 0:28:31 | 0:28:35 | |
..On a wet afternoon. I think they are Edwardian in date, 1900-1920 sort of period, perhaps. | 0:28:35 | 0:28:41 | |
They do show signs of their age, but that's rather appealing for these sorts of things, | 0:28:41 | 0:28:46 | |
because somebody who buys them might feel that they too could play with them, | 0:28:46 | 0:28:49 | |
-rather than have to arrange them because they're frightened of spoiling them. -Yeah. | 0:28:49 | 0:28:52 | |
-All complete with the jack as well. -Yeah. -Rather a nice little set. | 0:28:52 | 0:28:56 | |
-How much? -£15-£25, I should think. | 0:28:56 | 0:28:59 | |
£35 paid by Philip Serrell. Mark you, he's a very cunning monkey that Philip Serrell at this. | 0:28:59 | 0:29:05 | |
I don't doubt that and he may be rewarded with a surprise there, yes. | 0:29:05 | 0:29:09 | |
-Anyway, we start off today with this little coffer... -Yeah. | 0:29:09 | 0:29:12 | |
Described curiously as a coffee table, though I suppose you could use it for anything, couldn't you? | 0:29:12 | 0:29:17 | |
I suppose that is the most obvious use for it. | 0:29:17 | 0:29:19 | |
It's got a sort of functional seafarer's look about it, hasn't it? | 0:29:19 | 0:29:22 | |
-Yes. -As though it was used once to carry things around in, but now will sit in the middle of someone's floor, | 0:29:22 | 0:29:29 | |
with a tray on it, or a television or something like that. It's got a sort of modern practical application. | 0:29:29 | 0:29:34 | |
-How much? -£30-£50. | 0:29:34 | 0:29:36 | |
-Great. £25 they paid. -That's very reasonable. -Very natural, isn't it? -Yes, I think it is. -Next up... | 0:29:36 | 0:29:41 | |
is this rather fishy chamber stick, which is fun, isn't it? | 0:29:41 | 0:29:46 | |
It is, and it's nicely made. You know, people do like to see items, small items that show evidence | 0:29:46 | 0:29:52 | |
-of the craftsmanship that went into them. -Yes. | 0:29:52 | 0:29:55 | |
And that is nicely made, front and back. | 0:29:55 | 0:29:57 | |
It's got a sort of honest artisan finish to it. | 0:29:57 | 0:30:01 | |
It would be nice to think that it came from Cornwall. | 0:30:01 | 0:30:06 | |
It could have come from any of the other schools that worked with copper around the country | 0:30:06 | 0:30:11 | |
in the early part of the 20th century. Without a name on it or anything to identify it regionally, | 0:30:11 | 0:30:16 | |
it's something of a lost soul as far as its research is concerned. | 0:30:16 | 0:30:21 | |
I'm not quite sure what "sole" looks like, actually! | 0:30:21 | 0:30:23 | |
-It looks more like a seahorse... -A plaice! -Yes. Good. Estimate? | 0:30:23 | 0:30:28 | |
£20-£40, but I think it's a nice little thing. Tell me what they paid. | 0:30:28 | 0:30:33 | |
-£58. -58. Well, it's a little more than I think it would make at auction, but not a bad price. | 0:30:33 | 0:30:37 | |
Quite. And, lastly, continuing the aquatic theme, | 0:30:37 | 0:30:42 | |
-we've got the articulated abalone-shell veneered fish. -Yes. | 0:30:42 | 0:30:47 | |
These were pretty much the stock-in trade of the promenade souvenir seller in the Mediterranean, | 0:30:47 | 0:30:55 | |
and still are, I believe. I don't think they're difficult to find. It's nicely made. | 0:30:55 | 0:30:59 | |
Is it going to be a dead fish in the water at the auction? | 0:30:59 | 0:31:02 | |
I don't know. I suppose it might be up to £20 or so. | 0:31:02 | 0:31:06 | |
-£45 they paid. -45? That seems like plenty for it as far as its auction prospects are concerned. | 0:31:06 | 0:31:11 | |
-A strong fishy smell about that one. -Yes, absolutely. | 0:31:11 | 0:31:13 | |
Anyway, that's it for the Reds. Now for the Blues. Robin and David. | 0:31:13 | 0:31:17 | |
-Robin went bonkers with these puppets. -Well, these take me back. -Do they? -I had some myself | 0:31:17 | 0:31:23 | |
-when I was five or six years old. -No? -Went to see Harry Corbett with Sooty and Sweep. -You never did? | 0:31:23 | 0:31:28 | |
I did, at the Pier Theatre in Bournemouth in the late '60s. | 0:31:28 | 0:31:31 | |
-Good Lord! -And thought that these sort of puppets were the most desirable kind of toy you could have, | 0:31:31 | 0:31:37 | |
but these ones are somewhat careworn. | 0:31:37 | 0:31:40 | |
-They've been up and down the pier a few times? -They have. | 0:31:40 | 0:31:43 | |
And they've been at the bottom of the toy box for quite a long time as well, I think. | 0:31:43 | 0:31:47 | |
But they're appealing, evocative. People do like toys that remind them of their childhood. | 0:31:47 | 0:31:50 | |
What sort of price do you think the group's worth? | 0:31:50 | 0:31:54 | |
Well, I don't know if Sooty and Sweep have the clout they used to have in terms of commercial appeal, | 0:31:54 | 0:31:59 | |
-so £10-£20. -OK, fine. £40 they paid. | 0:31:59 | 0:32:03 | |
I think their sentiment has outweighed their commercial judgment here, if I'm being perfectly frank. | 0:32:03 | 0:32:09 | |
They've probably done what I'd do and buy them because they remember them. | 0:32:09 | 0:32:12 | |
Which is absolutely fatal when it comes to reselling. | 0:32:12 | 0:32:15 | |
-It's a good way to enjoy yourself, not a good way to make money. -No, quite. | 0:32:15 | 0:32:19 | |
Next, it's the Russian Bakelite chess scorer. | 0:32:19 | 0:32:23 | |
That is a combination of four words I never thought I'd hear. | 0:32:23 | 0:32:26 | |
-Russian Bakelite chess scorer is such a weird object. -I know. -I've never seen one. Have you? | 0:32:26 | 0:32:31 | |
-Never. -No. And it's got niche appeal, I think. | 0:32:31 | 0:32:34 | |
I'm not sure how many people are going to be completely besotted with something that's Russian in origin... | 0:32:34 | 0:32:38 | |
-No. -..Made of Bakelite and designed to time moves in chess matches. | 0:32:38 | 0:32:43 | |
-We have a wide range of buyers, but I don't think it extends quite that far. -No. | 0:32:43 | 0:32:47 | |
Mark you, there could be nest of Russian chess players somewhere lurking around in Somerset | 0:32:47 | 0:32:52 | |
-that you know nothing about. -Let's hope they turn up at auction! -Let's hope they've got the right moves! | 0:32:52 | 0:32:56 | |
-What's your estimate? -For its sheer novelty appeal, £30-£50. | 0:32:57 | 0:33:00 | |
-Needs to be pretty novel because they paid 50. -Well, that seems fair enough. | 0:33:00 | 0:33:05 | |
-Pounds not roubles! -I'm glad to hear that! They could be pleasantly surprised. It's an unusual thing. | 0:33:05 | 0:33:10 | |
They've clearly got a Russian theme, because up we come with a bear next. | 0:33:10 | 0:33:13 | |
A bear, yes. Well, modern piece of Orrefors glass. | 0:33:13 | 0:33:17 | |
It's nicely made, as this sort of stuff always is. | 0:33:17 | 0:33:20 | |
And people do like modern glass with a name on it, | 0:33:20 | 0:33:22 | |
and a factory that they can look up and a model they can probably trace. | 0:33:22 | 0:33:25 | |
I don't feel it's a piece you would display in your drawing room, | 0:33:25 | 0:33:30 | |
-as opposed to your bedroom window sill. -So what's your estimate on our bear here? | 0:33:30 | 0:33:35 | |
-Well, I would say £10-£20 for it. -Would you? -Yes. -On a good day or a bad day? | 0:33:35 | 0:33:39 | |
Well, today, I hope. Whatever that's going to be, good or bad. | 0:33:39 | 0:33:43 | |
-Well, £21 was the amount. -21? Well, they're in with a chance. -They're in with a chance. | 0:33:43 | 0:33:48 | |
-They only spent £111 and I think that's their strategy. -Well, I hope it's rewarded. | 0:33:48 | 0:33:52 | |
And I think they're going to need a bit of spice, so let's go and have a look at it. | 0:33:52 | 0:33:56 | |
-Now, R and D, Robin and David, you spent £111. -We did. | 0:33:56 | 0:34:00 | |
You gave Anita Manning £189. What did she spend all that dosh on? | 0:34:00 | 0:34:05 | |
-Oh! -Oh... -In jewellery, fashion and fad is everything! | 0:34:05 | 0:34:11 | |
And I'm finding that this type of thing is very popular. | 0:34:11 | 0:34:16 | |
It's come back. It was great in the 1960s and 1970s, | 0:34:16 | 0:34:22 | |
-and every Vogue model would wear a Babitz. -Are they amber? | 0:34:22 | 0:34:27 | |
-They're coming back now. -OK. -So I thought I would spend some money... | 0:34:27 | 0:34:32 | |
-How much did you spend? -£110. | 0:34:32 | 0:34:35 | |
-Blimey! -From our 189? Well, that's not bad. -OK. How much do you think that's going to make at auction? | 0:34:35 | 0:34:41 | |
I think... that we could make a little profit. | 0:34:41 | 0:34:45 | |
-OK. -"A little profit"? -A little profit. | 0:34:45 | 0:34:48 | |
-So are they real amber? -It's very difficult to tell. | 0:34:48 | 0:34:53 | |
-You don't know! You've bought plastic! -Amberesque! | 0:34:53 | 0:34:58 | |
-There are lots of different tests. The one that I like... -Don't you rub it on your teeth? | 0:35:00 | 0:35:05 | |
-No, that's pearls. -See if you could get a dinosaur out of it! | 0:35:05 | 0:35:09 | |
You immerse them in salty water. If they float, they're amber, | 0:35:09 | 0:35:14 | |
and if they're plastic, they sink. | 0:35:14 | 0:35:17 | |
The thing is, it doesn't really matter! | 0:35:18 | 0:35:22 | |
-Right. -It doesn't matter, because what we have is the look. | 0:35:22 | 0:35:26 | |
-I love them. -Beautiful! Well, you can bid for them. | 0:35:27 | 0:35:31 | |
Sadly, Anita can't bid for them, actually. | 0:35:32 | 0:35:35 | |
But what do you think, seriously? | 0:35:35 | 0:35:37 | |
-Are they amber? -They're on a nice tatty bit of cord, Anita! | 0:35:37 | 0:35:40 | |
-You just sniffed it. -They smell of plastic. -Do they? | 0:35:41 | 0:35:45 | |
Well, on this happy note, I think we better shuffle off | 0:35:46 | 0:35:49 | |
and find out what the auctioneer thinks about Anita's little beads. | 0:35:49 | 0:35:53 | |
Well, here we are, Richard, a little something for your weekend wear. | 0:35:55 | 0:35:58 | |
You know me too well, Tim. It's exactly what I like to wear. | 0:35:58 | 0:36:01 | |
But I'm not sure I'd want to wear these, to be honest, because they're described as cherry amber, | 0:36:01 | 0:36:06 | |
and I'm not convinced that they are made of amber. | 0:36:06 | 0:36:09 | |
-They don't have any variations within them as you'd expect from a natural stone. -Right. | 0:36:09 | 0:36:15 | |
So what you're saying is that the colour is too uniform and you want inclusions, | 0:36:15 | 0:36:21 | |
-you want, as a natural resinous product... -That's right. -It's the oozing of a tree. | 0:36:21 | 0:36:26 | |
-That's my understanding of amber. -And it's that element of amber that makes it attractive to collectors. | 0:36:26 | 0:36:31 | |
They want to see little mummified insects within them. They look as though they might be plastic | 0:36:31 | 0:36:37 | |
-or synthetic anyway... -Yeah. -..I'm afraid. -OK, this could be a bit of hit, then, | 0:36:37 | 0:36:41 | |
I'm afraid, for darling Anita. | 0:36:41 | 0:36:44 | |
Er, what sort of estimate? | 0:36:44 | 0:36:46 | |
Well, I would have said probably only up to £20 or so, just as a decorative string of beads. | 0:36:46 | 0:36:52 | |
-£110 she paid. -Oh, dear! -That could be a bit of bore, couldn't it? -I think it could. | 0:36:52 | 0:36:56 | |
-I think it could. -Still, you never know! Look on the bright side, eh? -OK. -Here comes the auction! Thanks. | 0:36:56 | 0:37:02 | |
-Mick and Mary, how are you feeling? -Very well. -Are you? You relaxed? | 0:37:08 | 0:37:12 | |
-Mmm...a bit tense, but... -You done the shoulder exercises? | 0:37:12 | 0:37:15 | |
-Done everything. -Yeah? Everything's exercised? Lovely. | 0:37:15 | 0:37:18 | |
Anyway...first up is the coffee table box and here it comes. | 0:37:18 | 0:37:22 | |
Lot 98. | 0:37:22 | 0:37:23 | |
It's an oak metal-banded coffee table or box. | 0:37:23 | 0:37:26 | |
Bids here start me at 25. £30 is bid. | 0:37:27 | 0:37:31 | |
£30 is bid. | 0:37:31 | 0:37:33 | |
35, and I'm out. At 35, it's the lady's bid in front of me. | 0:37:33 | 0:37:37 | |
At £35. And I'm selling at 35 now. | 0:37:37 | 0:37:40 | |
-I love it! -Yes! -That's a profit of £10. | 0:37:40 | 0:37:44 | |
It's a brass chamber stick, possibly Newlyn. £20 for it? | 0:37:44 | 0:37:49 | |
£20. 20 I see. 25. 30? | 0:37:49 | 0:37:53 | |
5. 40? | 0:37:53 | 0:37:54 | |
£40. It's to my left at 40. I'm selling at 40. | 0:37:54 | 0:37:58 | |
At £40, then, for the last time, at 40. | 0:37:58 | 0:38:02 | |
Oh, dear! £40 is minus 18. I think that's got it that time. | 0:38:02 | 0:38:05 | |
Overall now, you're minus 8. | 0:38:05 | 0:38:07 | |
Here comes your old fish, darling. | 0:38:07 | 0:38:10 | |
I hope I'm wrong here. | 0:38:10 | 0:38:11 | |
£10 for that. | 0:38:11 | 0:38:13 | |
£10 for it. £10 I see. Far corner at 10. It's the maiden bid at 10. 12. | 0:38:13 | 0:38:18 | |
15. | 0:38:18 | 0:38:19 | |
18. | 0:38:19 | 0:38:20 | |
18 nearer me now. | 0:38:20 | 0:38:22 | |
20. | 0:38:22 | 0:38:23 | |
5. 30. £30 in front of me. Lady's bid at 30. | 0:38:23 | 0:38:28 | |
I'm selling at £30 now, last time. | 0:38:28 | 0:38:30 | |
That is minus 15 on that. So, overall, you are minus £23. | 0:38:30 | 0:38:36 | |
You're £23 down the proverbial. What are you going to do? | 0:38:36 | 0:38:39 | |
-Are you going to go with Phil and his old bowls or not? -I think we ought to. -I like them. | 0:38:39 | 0:38:43 | |
You don't have to. Minus 23 is potentially a winning score. | 0:38:43 | 0:38:47 | |
-But if you fancy them... -I think we'll go for the bowls. -Going to go for the bowls? -Yeah. | 0:38:47 | 0:38:51 | |
OK, we're going with the bonus bowls, here they come. | 0:38:51 | 0:38:54 | |
Lot 106 is this set of turned wooden carpet bowls. | 0:38:54 | 0:38:59 | |
Rather a nice set. £45 is bid. £45 I have. | 0:39:01 | 0:39:06 | |
At £45. It's a commission bid at 45. | 0:39:06 | 0:39:09 | |
50? £50 now. At £50 it's on commission. | 0:39:09 | 0:39:12 | |
At 50. And I'm selling at £50. At 50. | 0:39:12 | 0:39:16 | |
-£50. Well done. -Can I give you a kiss, Philip? | 0:39:16 | 0:39:18 | |
That's plus £15. | 0:39:18 | 0:39:21 | |
-Anyway, bad luck, you're minus £8. But minus £8... -That's a relief. -..Is not a spit, I tell you! | 0:39:21 | 0:39:27 | |
-No shame in that. -Well done, you. -That's excellent. | 0:39:27 | 0:39:29 | |
Anyway, don't tell the Blues a thing, all right? Not a word! | 0:39:29 | 0:39:33 | |
Perfect! | 0:39:33 | 0:39:34 | |
First lot up, then, are the puppets. | 0:39:39 | 0:39:41 | |
122, the Chad Valley Sooty and Sweep puppets and the xylophone. | 0:39:41 | 0:39:47 | |
£10 for them? | 0:39:47 | 0:39:48 | |
-Oh, he's struggling. -Oh, no! | 0:39:48 | 0:39:52 | |
5, then? £5 for them? | 0:39:52 | 0:39:54 | |
- 5 is bid. - Anita! | 0:39:54 | 0:39:57 | |
£8 now. 10. | 0:39:57 | 0:39:58 | |
£10. It's the lady's bid, seated at 10. | 0:39:58 | 0:40:01 | |
-I'm selling at 10. -The lady has it. -Selling at 10. | 0:40:01 | 0:40:04 | |
Bad luck, chaps. Now, here comes the Bakelite Russian chess timer. | 0:40:04 | 0:40:10 | |
£30 for this. £30 is bid. Quickly at 30. | 0:40:10 | 0:40:12 | |
Can I see 5? 35. | 0:40:12 | 0:40:15 | |
40. 5? 50? | 0:40:15 | 0:40:17 | |
£50. Nearer the counter at 50. Selling at 50. | 0:40:17 | 0:40:21 | |
Last time at £50, all done. | 0:40:21 | 0:40:24 | |
-What do you say? -Yes! -Not bad, not bad! -Now, here comes the bear. | 0:40:24 | 0:40:28 | |
Lot 124 is an Orrefors glass bear ornament. £10 for that, if you will. | 0:40:28 | 0:40:34 | |
£10 for it to start. £10 anywhere? | 0:40:34 | 0:40:38 | |
5, then? £5? 5 is bid quickly. Can I say 8? | 0:40:38 | 0:40:41 | |
8. 10. 12. | 0:40:41 | 0:40:44 | |
£12, lady's bid seated at 12. I'm selling at 12, all done at 12. | 0:40:44 | 0:40:49 | |
-Last time. -Aw! -Bad luck. Minus 9. | 0:40:49 | 0:40:52 | |
-You are minus 39, chaps, minus 39. -That's OK. | 0:40:52 | 0:40:56 | |
So, chaps, what are you going to do about the cherry amber look-alike beads? | 0:40:56 | 0:40:59 | |
-The plastic beads? -I don't think so. -Not going with that? -We'll leave them, Tim. | 0:40:59 | 0:41:04 | |
-I'm not convinced they're amber. -Sorry, Anita. -It's OK, boys. | 0:41:04 | 0:41:08 | |
You're not going for the Bonus Buy. Anita paid £110. | 0:41:08 | 0:41:11 | |
I have to tell you that the auctioneer's estimate is £10-£20. | 0:41:11 | 0:41:14 | |
-On the beads? -Yeah. You're not going with them, though. -No. -But we're going to sell them anyway. | 0:41:14 | 0:41:18 | |
Cherry amber beads, so described, lot 130. | 0:41:18 | 0:41:22 | |
£10 for them? | 0:41:22 | 0:41:25 | |
You bidding? £10 is bid. £10. Maiden bid at 10. | 0:41:25 | 0:41:29 | |
12. 15. | 0:41:29 | 0:41:32 | |
18. | 0:41:32 | 0:41:33 | |
20. You're in a line. Are you bidding, sir? | 0:41:33 | 0:41:36 | |
£20, lady's bid at 20. | 0:41:36 | 0:41:39 | |
Any more? £20. It's yours at 20 and I'm selling. 25? | 0:41:39 | 0:41:43 | |
-Brilliant, Anita! -Look at your face! | 0:41:43 | 0:41:47 | |
40. £40. Lady's bid at 40. Selling at 40 now, last time at 40. | 0:41:47 | 0:41:53 | |
-I thought those beads might have got more, Anita! -Minus £70 on those! | 0:41:53 | 0:41:58 | |
You did well, boys, to preserve your cash. | 0:41:58 | 0:42:01 | |
-Anyway, your score is minus £39, and don't say a word to the Reds, right? -OK. | 0:42:01 | 0:42:05 | |
Well, what fun we've had today. Have we been chatting at all? | 0:42:10 | 0:42:13 | |
-ALL: No! -Inter-team chatting? | 0:42:13 | 0:42:15 | |
Well, sadly, all programmes have to have a runners-up, | 0:42:15 | 0:42:19 | |
and our runners-up today are the Blues! | 0:42:19 | 0:42:22 | |
-Oh, no! -Aw! | 0:42:22 | 0:42:24 | |
Yep! | 0:42:24 | 0:42:26 | |
-You've managed to lose £39, lads. -That's OK. | 0:42:26 | 0:42:29 | |
-And your smartest move was not going with the amber beads! -Yeah! -Funnily enough! | 0:42:29 | 0:42:33 | |
Which would have lost you another 70! But there it is. Minus £39 is a perfectly respectable score... | 0:42:33 | 0:42:40 | |
Don't laugh! | 0:42:40 | 0:42:42 | |
Just look at their smiling faces! | 0:42:42 | 0:42:44 | |
-They have had a lovely time and it's been great having you on the show. -Thank you. | 0:42:44 | 0:42:48 | |
But the victors today got incredibly close to taking home folding money! | 0:42:48 | 0:42:52 | |
-But didn't! -But, overall, your score is minus 8 and there's nothing to be ashamed of about that. | 0:42:52 | 0:42:58 | |
-We've had a fantastic show! Join us soon for some more Bargain Hunting, yes? -Yes! | 0:42:58 | 0:43:03 | |
Subtitles by Red Bee Media Ltd | 0:43:07 | 0:43:11 | |
E-mail [email protected] | 0:43:11 | 0:43:15 |