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Today, we're at The Mona Fairground in Anglesey. | 0:00:23 | 0:00:27 | |
It's amazing what you can find in these places. | 0:00:27 | 0:00:30 | |
Are you intrigued? Well, here's a taste of what's coming up. | 0:00:30 | 0:00:35 | |
There's trouble in the Red camp. | 0:00:36 | 0:00:39 | |
-£55. -55?! But I thought we were saying 50. -Yes! | 0:00:39 | 0:00:43 | |
There's love in the Blue camp. | 0:00:44 | 0:00:47 | |
-How about £60 and a kiss from my missus? -THEY LAUGH | 0:00:47 | 0:00:51 | |
-Aye, aye. -Deal? | 0:00:52 | 0:00:56 | |
"Aye, aye." And how will it all end? | 0:00:56 | 0:00:59 | |
BOTH: Come on... | 0:00:59 | 0:01:01 | |
I love it. Plus 15. | 0:01:01 | 0:01:04 | |
So today, for the Reds, we've got Val and Jens | 0:01:08 | 0:01:12 | |
and Nicola and Matt, an engaged couple, for the Blues. | 0:01:12 | 0:01:16 | |
-Hello, everyone! -Hello. -Hello. | 0:01:16 | 0:01:19 | |
Lovely to see you. Now, Val, how long have you known Jens for? | 0:01:19 | 0:01:23 | |
Some would say far too long, but I think it's 14 years. | 0:01:23 | 0:01:27 | |
But the truth of the matter is that you were once married to one another. | 0:01:27 | 0:01:30 | |
We were. Yes, indeed. | 0:01:30 | 0:01:31 | |
-And what happened? -We got divorced. -It happens, doesn't it? -Yes, unfortunately. | 0:01:31 | 0:01:36 | |
-But you've remained great friends. -We have indeed. | 0:01:36 | 0:01:39 | |
Which I think is incredibly civilized. You want to come on Bargain Hunt | 0:01:39 | 0:01:43 | |
-and show the world what it's all about. -He's an incredibly good dad. -Isn't that lovely? | 0:01:43 | 0:01:48 | |
-Have you got any mementos of your marriage about your person? -I just happen to have one. | 0:01:48 | 0:01:53 | |
Ah... The prized photo album. | 0:01:53 | 0:01:56 | |
Oh my gosh... What is going on here? | 0:01:56 | 0:01:59 | |
We got married in aid of the Breast Cancer Charity for the Countess of Chester Hospital | 0:01:59 | 0:02:03 | |
-and raised £950. -By doing a...? -A cross-dressed wedding. | 0:02:03 | 0:02:07 | |
Jens was the bride and I was the groom. | 0:02:07 | 0:02:09 | |
I can see there's something peculiar going on here. That's funny. | 0:02:09 | 0:02:13 | |
In fact, the whole of the wedding company arrived and gathered as a cross-dressed unit. | 0:02:13 | 0:02:19 | |
That was on the invitation. Yes, definitely. | 0:02:19 | 0:02:22 | |
They are fantastic photographs, aren't they? | 0:02:22 | 0:02:24 | |
-It was a good wedding. -I bet it was a good wedding. -The best. | 0:02:24 | 0:02:28 | |
Now, Jens, you started a horse racing syndicate. | 0:02:28 | 0:02:32 | |
That's correct. Beginning of this year. | 0:02:32 | 0:02:35 | |
We've presently got six horses and syndicate them out... | 0:02:35 | 0:02:39 | |
So I buy a leg from you in one of these... | 0:02:39 | 0:02:41 | |
You can buy a leg or two legs, Tim. If I was you, I'd buy the head. | 0:02:41 | 0:02:45 | |
-That's always in front. -So typically, how much would it cost me, say, to buy a leg? | 0:02:45 | 0:02:50 | |
-That's really, we're doing it to four. -A leg in a half-decent horse would cost you probably £6,000. | 0:02:50 | 0:02:56 | |
Would it really? Well, I'll tell you, we've got an extraordinary team here | 0:02:56 | 0:03:02 | |
that's going to focus on finding bargains today. This is going to be brilliant. Good luck on the show. | 0:03:02 | 0:03:07 | |
Now, for the Blues. You're just about to set out on your voyage of discovery together. | 0:03:07 | 0:03:12 | |
-You're recently engaged, is that right? -Yes. -That's brilliant. | 0:03:12 | 0:03:16 | |
-Matt, you're here today because of your daughter. -I'm here as a stand-in, really. | 0:03:16 | 0:03:20 | |
Came downstairs one morning and she's there on my laptop. | 0:03:20 | 0:03:24 | |
-Got the BBC website, she's managed to find the Bargain Hunt application form. -Has she? | 0:03:24 | 0:03:29 | |
She's filling it in with one-word answers. She's a bit of an antiques buff. She's nine. | 0:03:29 | 0:03:33 | |
She was a bit gutted to find out she had to been 18. | 0:03:33 | 0:03:36 | |
-Hence why I'm standing in with her mum Nic. -How lovely. | 0:03:36 | 0:03:39 | |
-So Nic, you have a love of painting. -I do, yes. | 0:03:39 | 0:03:42 | |
-Where does that come from? -It came from...well, originally from my father, who is a sculptor. | 0:03:42 | 0:03:47 | |
I went to Birmingham University and trained as an illustrator, so it stemmed from there. | 0:03:47 | 0:03:53 | |
-What are your tactics between you? -None particularly. | 0:03:53 | 0:03:58 | |
We like little silver objects. It's down to what Nic likes. | 0:03:58 | 0:04:01 | |
-It's what catches our eye, really. -We'll stand by. | 0:04:01 | 0:04:04 | |
Anyway, now the money moment. Here comes your £300. There's your £300. | 0:04:04 | 0:04:08 | |
You know the rules, your experts await, and off you go and very, very, very good luck. | 0:04:08 | 0:04:14 | |
Well, what unusual and charming teams. | 0:04:14 | 0:04:17 | |
And those teams need an expert. | 0:04:21 | 0:04:23 | |
Mark Stacey has chosen the Reds. | 0:04:23 | 0:04:26 | |
Jeremy Lamond has picked the Blues. | 0:04:28 | 0:04:31 | |
-Right, better get quacking! -TIM CHUCKLES | 0:04:33 | 0:04:37 | |
-How excited are you? -Very. | 0:04:37 | 0:04:39 | |
-Ready to go? -Definitely. | 0:04:39 | 0:04:42 | |
-Have you got an eye for a bargain? -I hope so. -Do you like rummaging? -Yes. | 0:04:42 | 0:04:45 | |
We're going to win, aren't we? Come on, let's nip over to this stall. | 0:04:45 | 0:04:49 | |
-He's gone straight for the glass. Does he like glass? -He likes it when it's full. | 0:04:51 | 0:04:56 | |
Don't we all? I think that's certainly empty at the moment. | 0:04:56 | 0:05:00 | |
Now, that is a good object. | 0:05:08 | 0:05:11 | |
It's Minton Secessionist ware. It's about 1905. | 0:05:11 | 0:05:16 | |
-Right. -This is called tube lining. It's a very high Art Nouveau style. | 0:05:16 | 0:05:21 | |
And it's quite popular at auction. Just depends on the price, really. | 0:05:21 | 0:05:25 | |
It's got £180 on it. | 0:05:25 | 0:05:27 | |
-That's too much. -Yeah, way too much. | 0:05:27 | 0:05:30 | |
-You'd want it for about half of that. But it's a nice thing. -It is pretty. | 0:05:30 | 0:05:34 | |
-What's that? What does that say on the bottom? -£25. -Does it? | 0:05:34 | 0:05:38 | |
This is an up-and-coming market. | 0:05:38 | 0:05:40 | |
This is West German. It's probably by a firm called Scheurich and it's made in the 1960s or '70s. | 0:05:40 | 0:05:48 | |
And the better ones, because of this mottled effect here, they're known as "fat lava". | 0:05:48 | 0:05:53 | |
And although it's not at the top of the market, it's the sort of thing that's a good investment now. | 0:05:53 | 0:05:58 | |
£25 is probably all the money, really. We could think about that. | 0:05:58 | 0:06:03 | |
If we could get it really, really cheap. | 0:06:03 | 0:06:05 | |
You're expert haggler. Maybe you might have to do it. | 0:06:05 | 0:06:09 | |
Decisions, decisions. I do hope it's not going to be one of those days. | 0:06:09 | 0:06:14 | |
Now, these are quite interesting. They look like egg cups, don't they? | 0:06:19 | 0:06:24 | |
-They look like them, but they're not, are they? -Have a little look. I don't know. | 0:06:24 | 0:06:28 | |
They might be little shot glasses. They're silver. They've got 925 on the bottom. | 0:06:28 | 0:06:33 | |
They're continental silver. It's some sort of yachting thing, isn't it? Motor yacht. | 0:06:33 | 0:06:38 | |
-And look, there's a little... -Is it German? -It is German. | 0:06:38 | 0:06:41 | |
-"Hamburg." -Hamburg, yeah. -That's on the sea, isn't it? | 0:06:41 | 0:06:46 | |
And you've got the winners on here, look. 1937's on mine. What's on yours? | 0:06:46 | 0:06:50 | |
-'35. -'34. -So this one must be... '35 again. There were two winners in 1935. | 0:06:50 | 0:06:57 | |
-But aren't they fun? -Yes, very nice. | 0:06:57 | 0:07:00 | |
Anything to do with yachting and oceanography and things like that is quite collectible. | 0:07:00 | 0:07:06 | |
They're quite heavyweight as well. | 0:07:06 | 0:07:08 | |
Is there much yachting going on in the middle of Cheshire? | 0:07:08 | 0:07:11 | |
Well, I think the internet has a lot of yachting, or is that surfing? | 0:07:11 | 0:07:14 | |
-I think it's surfing. -Surfing. I think you're right. | 0:07:14 | 0:07:18 | |
So we might get a few surfers coming on board. | 0:07:18 | 0:07:20 | |
-The magic question... -How much would they be? -How much? | 0:07:20 | 0:07:24 | |
-100. -£100. | 0:07:24 | 0:07:26 | |
As a first purchase, I think that's a bit too much on the first one. | 0:07:26 | 0:07:29 | |
-Do you? -Can we come back and think about it? -We haven't even negotiated yet. | 0:07:29 | 0:07:33 | |
-I thought you said you liked bartering. -I'm telling you it's too much so that they can hear. | 0:07:33 | 0:07:38 | |
-All right. -THEY LAUGH | 0:07:38 | 0:07:40 | |
-I'll tell you what... -80! -I heard 60 behind there. | 0:07:40 | 0:07:45 | |
-I must admit... -I'll tell you what, I'll halve it. I'll go 70 with you. | 0:07:45 | 0:07:49 | |
-70, and shake my hand. No. -Hold on... | 0:07:49 | 0:07:52 | |
-Don't shake yet. Don't shake yet. -I'm just thinking. | 0:07:52 | 0:07:56 | |
-What is your very, very lowest? -£70. | 0:07:56 | 0:07:59 | |
-You can't go 65? -Well, it... -65 would sway me. -Go on then, 65. | 0:07:59 | 0:08:04 | |
-Now he's dropped another fiver. -No, that's it now. | 0:08:04 | 0:08:08 | |
-Shall we...? -I like them, actually. I like them. -Go on, then. | 0:08:08 | 0:08:12 | |
-Thank you. -Thank you. -Well... -Well done. -Do you think we'll sail into profit on that? | 0:08:12 | 0:08:17 | |
-I hope they sell better than your jokes go down anyway. -Thanks for that. | 0:08:17 | 0:08:21 | |
I second that, Val. But at least you bought your first item. | 0:08:21 | 0:08:24 | |
Plenty of time and plenty of cash. | 0:08:26 | 0:08:28 | |
This is a continental lion. He's 20th century. £35. | 0:08:31 | 0:08:38 | |
But I don't think it's a major factory. | 0:08:38 | 0:08:40 | |
So you're paying a lot of money for something that's going to be LYIN' around. | 0:08:40 | 0:08:46 | |
-So you don't think he's got a chance? -I don't think so, no. There's no bite in him, really. | 0:08:49 | 0:08:54 | |
'Oh... What is it with you experts today?' | 0:08:55 | 0:08:59 | |
'Come here a moment! What I found is no joke.' | 0:09:01 | 0:09:06 | |
What we've got here is an exquisitely cast bronze model of a snail. | 0:09:06 | 0:09:12 | |
But what's extraordinary about this is that on the top of the shell | 0:09:12 | 0:09:16 | |
is perched the most exquisitely carved ivory figure of a little child. | 0:09:16 | 0:09:23 | |
Just look at the quality of this carving. | 0:09:23 | 0:09:26 | |
Just look at the curl on that child's forehead. | 0:09:26 | 0:09:30 | |
Look at the way he's holding his arms up, | 0:09:30 | 0:09:33 | |
gripping the reins with which he's steering this horrible snail. | 0:09:33 | 0:09:38 | |
Look at that thigh and the calf | 0:09:38 | 0:09:42 | |
and the way that these individual toe-toes have been carved, | 0:09:42 | 0:09:46 | |
all out of a single piece of ivory. | 0:09:46 | 0:09:49 | |
This is, in my opinion, likely to be the work of a man called Ferdinand Preiss. | 0:09:49 | 0:09:55 | |
Preiss was an Austrian. He was born around 1880 and he died around 1940. | 0:09:55 | 0:10:02 | |
So the prime period of his productions was in the Art Deco period in the 1920s and 1930s, | 0:10:02 | 0:10:08 | |
which is when this thing dates from. | 0:10:08 | 0:10:11 | |
Ordinarily, Ferdinand Preiss signed, with a scratched signature | 0:10:11 | 0:10:16 | |
on the stone plinths of his pieces, "F. Preiss". | 0:10:16 | 0:10:19 | |
I've been over this pretty carefully and I can find no signature. | 0:10:19 | 0:10:24 | |
What's it worth? | 0:10:24 | 0:10:25 | |
Well, the dealer on the stand over there is asking £1,100 for it. | 0:10:25 | 0:10:30 | |
What would it bring if it had got that magical signature on it? | 0:10:30 | 0:10:34 | |
I reckon it would be worth £2,500. | 0:10:34 | 0:10:39 | |
So you see, there's money in snails. | 0:10:39 | 0:10:42 | |
We've got one item down. Any ideas of what other things | 0:10:45 | 0:10:50 | |
-you'd like to put in with it, in the mix? -Well, we're from Derby, so we'd like some Royal Derby. | 0:10:50 | 0:10:55 | |
-Are you from Derby? -Yeah. -OK, and any other items? | 0:10:55 | 0:10:58 | |
-Anything to do with horses. -So anything equestrian. -Yes. -OK. | 0:10:58 | 0:11:03 | |
-How about a rocking horse? -I think that'll be over our budget, you know. | 0:11:03 | 0:11:08 | |
We'll have a quick sneak as we pass by. | 0:11:08 | 0:11:10 | |
-£490. -We could get it down. -Not to that level. | 0:11:10 | 0:11:14 | |
-It's quite well painted that, isn't it? -"1830, Charles..." | 0:11:20 | 0:11:26 | |
-18...? -1830. -So it's got some age on it as well. | 0:11:26 | 0:11:30 | |
-It's not a print, is it? -Waterfall. No, it is a watercolour. | 0:11:30 | 0:11:34 | |
-I like that. -It's quite bright. -Yes. | 0:11:34 | 0:11:37 | |
It's quite bright and it's got some good perspective. £95. | 0:11:37 | 0:11:41 | |
-What do you think it'd make? -I think that it is a good-quality watercolour, | 0:11:41 | 0:11:47 | |
but you've got to be careful, because it's not the best watercolour in the world. | 0:11:47 | 0:11:52 | |
It's quite good. There's no focus apart from the plunging falls. | 0:11:52 | 0:11:56 | |
You do need a figure and a bit of focus in a painting, and a perspective view. | 0:11:56 | 0:12:00 | |
The blue hasn't faded as it can do in old watercolours, | 0:12:00 | 0:12:04 | |
but it is... Try £60, it might be worth it. | 0:12:04 | 0:12:09 | |
-It needs to come down quite a bit. -We're getting a few arrows in our quiver though, aren't we? -OK, yeah. | 0:12:09 | 0:12:14 | |
So we're OK. We're doing our research at the moment. | 0:12:14 | 0:12:19 | |
That's all very well and good, Jeremy, but don't forget the clock's ticking! | 0:12:19 | 0:12:24 | |
-I think they're continental. They've got a bit of character in the eye. -It's a nice face on it. | 0:12:29 | 0:12:34 | |
-What sort of price are those for? -I don't know. What's your feeling? | 0:12:34 | 0:12:38 | |
You're not giving me much feedback here. Tell me. | 0:12:38 | 0:12:41 | |
-I hate them, but... -Don't hold back, love. | 0:12:41 | 0:12:45 | |
-It would have to be a very low price. -Would it? -Yes. | 0:12:45 | 0:12:48 | |
-Should we ask the dealer how much she was looking for for them? -Yes. | 0:12:48 | 0:12:53 | |
Now, I'm trying to explain to my delightful contestants here | 0:12:53 | 0:12:58 | |
-that these are quite fun. -So I'm fifty-fifty but... | 0:12:58 | 0:13:01 | |
BOTH: It all depends on the price. | 0:13:01 | 0:13:04 | |
How could I guess? | 0:13:04 | 0:13:05 | |
-So what sort of price are you hoping to get for them? -I did have £150 on them. | 0:13:05 | 0:13:11 | |
-Was that a good horse gesture? -Decision made, then. -No? | 0:13:11 | 0:13:15 | |
Back they go. Onwards and upwards. | 0:13:17 | 0:13:21 | |
This is a Chinese vase. It's late Qing dynasty famille rose. | 0:13:25 | 0:13:30 | |
So it's been made anywhere between 1880 and 1900. | 0:13:30 | 0:13:35 | |
Good, strong, solid shape and you've got figures on terraces, | 0:13:35 | 0:13:39 | |
this lovely famille rose palette, | 0:13:39 | 0:13:41 | |
and these little lizards here are called "chilong". | 0:13:41 | 0:13:46 | |
It's Chinese, chilong. | 0:13:46 | 0:13:47 | |
And then you've got "kylin", which are dragon dogs with balls here. | 0:13:47 | 0:13:52 | |
So it's a good, strong, impressive vase in a rising market, | 0:13:52 | 0:13:58 | |
because the Chinese are buying things back. | 0:13:58 | 0:14:00 | |
The only fly in the ointment, really, is that crack just there. | 0:14:00 | 0:14:06 | |
But could you live with that? I don't know. £75. | 0:14:06 | 0:14:10 | |
If you had a pair of them, in good condition, they'd be £500-700. | 0:14:10 | 0:14:15 | |
-Do you think it stands a chance? Yeah? -I think we should see what we can get it for. | 0:14:15 | 0:14:19 | |
-That would change my opinion. -Yeah? OK. -We can knock some money off. | 0:14:19 | 0:14:24 | |
-Hiya. -What can you do on this for us? | 0:14:24 | 0:14:30 | |
£80. | 0:14:30 | 0:14:32 | |
-How about £60 and a kiss from my missus? -THEY LAUGH | 0:14:32 | 0:14:37 | |
-Aye, aye. -Deal? | 0:14:38 | 0:14:42 | |
-Give us a kiss. -God... -I'll hold that. | 0:14:42 | 0:14:45 | |
-You're going to pay for this later. -There you go, job done. | 0:14:45 | 0:14:50 | |
Gosh, how low will the Blues stoop? Whatever next? | 0:14:50 | 0:14:55 | |
Oh, I like that. Very unusual, I like the shape of it. | 0:14:58 | 0:15:02 | |
-Is that a fruit bowl or...? -It is a fruit stand. | 0:15:02 | 0:15:06 | |
It's from a dessert service. You would have had several of this shape. | 0:15:06 | 0:15:10 | |
This is referred to as a "shell shape". | 0:15:10 | 0:15:13 | |
Cos you've got a sort of shell design there. This is typical Imari. | 0:15:13 | 0:15:18 | |
Now, it's £65. Circa 1912. | 0:15:18 | 0:15:22 | |
-What do you think? -I like the actual thing, but... -I like the shape of that. | 0:15:22 | 0:15:26 | |
I like something that's just a little bit different, and that is different. | 0:15:26 | 0:15:30 | |
But what sort of price would you place on that? | 0:15:30 | 0:15:33 | |
I think you'll be lucky to get 50 myself, but... | 0:15:33 | 0:15:36 | |
I suppose it depends what they're open to here. | 0:15:36 | 0:15:38 | |
-If we could get it for 40... -I don't think you're going to. It's 65. | 0:15:38 | 0:15:42 | |
-You're asking for... -A third off. -Nearly half off. | 0:15:42 | 0:15:45 | |
-You can try, but you'll be lucky if you get it for 55, actually. -Right, OK. | 0:15:45 | 0:15:50 | |
-Is it something you want to negotiate on? -I would like to have a go. -Have a go. | 0:15:50 | 0:15:54 | |
-Take it over. -Do your worst now. -Do your deal, do your best. | 0:15:54 | 0:15:58 | |
-Hiya. How much do you think you could come down on that for me? -Um... | 0:15:58 | 0:16:04 | |
I could go down to 50. | 0:16:04 | 0:16:07 | |
-Could you go down to 45? -You're pushing it, but yes. OK. | 0:16:07 | 0:16:12 | |
Lovely. You're a gent, you are. | 0:16:12 | 0:16:16 | |
-£45. Am I naughty? -Put it there. -I think you're very naughty. -You can have a kiss for that. | 0:16:16 | 0:16:22 | |
-You're happy with that? -I am. Are you? Yeah. | 0:16:22 | 0:16:25 | |
Well, I have to say that I'm thrilled with it. | 0:16:25 | 0:16:27 | |
Because you know, at the auction now, if that bombs... | 0:16:27 | 0:16:33 | |
It's your fault. | 0:16:33 | 0:16:36 | |
Put it there. | 0:16:36 | 0:16:39 | |
You crafty so-and-so. | 0:16:39 | 0:16:43 | |
He's got the typical verdigris that you get on ancient figures like this, | 0:16:46 | 0:16:51 | |
which is a moot point whether he's Roman. | 0:16:51 | 0:16:54 | |
But he looks the part, doesn't he? If it is the oldest thing in the fair... | 0:16:54 | 0:16:58 | |
-I think it is. -It depends really how much he is. | 0:16:58 | 0:17:02 | |
-For you, £60. -£60? | 0:17:02 | 0:17:04 | |
Where can you buy something of that age for £60? It doesn't work out a penny a year. | 0:17:04 | 0:17:09 | |
He's an ugly Roman, isn't he? | 0:17:09 | 0:17:12 | |
If you had been buried for a couple of thousand years, you wouldn't be too happy, would you? | 0:17:12 | 0:17:17 | |
-Um... Can we think about it? -Shall we think about it? -Sure. | 0:17:17 | 0:17:21 | |
-We'll leave him with you. -OK, thank you. | 0:17:21 | 0:17:24 | |
And it's Melba ware. | 0:17:30 | 0:17:32 | |
So there's three there. I wonder if they're selling them as a set. | 0:17:32 | 0:17:35 | |
-I don't know. -I'll have to ask. -It looks like a family. | 0:17:35 | 0:17:38 | |
Excuse me... Could you tell me how much for the three horses? | 0:17:38 | 0:17:43 | |
-I've got £120 on them, but I... -120. | 0:17:43 | 0:17:46 | |
-I mean, I will come down a little if you're interested. -OK. | 0:17:46 | 0:17:49 | |
I'll come down to £100 for the three of them. | 0:17:49 | 0:17:52 | |
I'm a little bit superstitious with horses and numbers | 0:17:52 | 0:17:56 | |
and 100 into 3 goes 33 1/3. Horrible number. | 0:17:56 | 0:18:00 | |
If you came down to 90, that'll be 30 for each. | 0:18:00 | 0:18:03 | |
Nice... It gives it karma. | 0:18:03 | 0:18:05 | |
So you're working this out that you'd like a nice, evenish figure. | 0:18:05 | 0:18:09 | |
But I think we should just have a quick squiz around, cos we haven't covered the whole fair yet. | 0:18:09 | 0:18:14 | |
Is that OK if we leave and come back? Can you gently place that back for us? | 0:18:14 | 0:18:19 | |
-What's your name? -I'm Florence. -Nice to meet you, Florence. I'm Jens. | 0:18:19 | 0:18:22 | |
Lovely meeting you. | 0:18:22 | 0:18:23 | |
Jens, a charmer in the name of karma. | 0:18:23 | 0:18:27 | |
We'll rush down to this one. Cos we are... We've got ten minutes. | 0:18:32 | 0:18:37 | |
Matt and Nic, you've got no time for mucking about. | 0:18:37 | 0:18:40 | |
-That one. -That one, wasn't it? | 0:18:40 | 0:18:42 | |
-So that was £95 for that one. -Yeah. -OK. | 0:18:42 | 0:18:46 | |
We may be interested in this one. | 0:18:46 | 0:18:48 | |
And were you interested in a lower price? BOTH: Yes, please! | 0:18:48 | 0:18:53 | |
-What about £75? How's that? -So that's £20 off, folks. | 0:18:53 | 0:18:58 | |
-I think I could do £75. -Do you think? -I think so, yeah. -OK. | 0:18:58 | 0:19:02 | |
-Shall we go for it? It's a deal. -Thank you very much. -I'll wrap it up for you. | 0:19:02 | 0:19:06 | |
Phew! Thank goodness for that. | 0:19:06 | 0:19:09 | |
£75 and two in the bag. | 0:19:09 | 0:19:13 | |
So you want to go and try negotiate more on the horse? | 0:19:17 | 0:19:20 | |
-I've just seen a little card case in there in mother-of-pearl. -Right. | 0:19:20 | 0:19:24 | |
Hand that... Yes, let's have a quick look at the card case there, quickly. | 0:19:24 | 0:19:29 | |
-I love mother-of-pearl. -You love mother-of-pearl. Good. | 0:19:29 | 0:19:32 | |
She's very fond of you, I gather, as well. | 0:19:32 | 0:19:34 | |
-What sort of age would you put on that? -It is Victorian, I think. | 0:19:34 | 0:19:37 | |
1880s or something. | 0:19:37 | 0:19:39 | |
It's not just mother-of-pearl, it's abalone shell as well. | 0:19:39 | 0:19:42 | |
The darker ones here are abalone. | 0:19:42 | 0:19:45 | |
-And it does look in quite good condition, doesn't it? -Yes. | 0:19:45 | 0:19:48 | |
-Very nice. -And you've got a little space there, | 0:19:48 | 0:19:51 | |
silver-plated of course, for your initials. | 0:19:51 | 0:19:53 | |
-She's quite pretty. -I like it. -It's marked up at £68. | 0:19:53 | 0:19:59 | |
If that was going into auction, I suppose £50-80, £40-60. | 0:19:59 | 0:20:04 | |
-Do you want to try? -Yeah. -Do you like that? -Yes, I'm happy... | 0:20:04 | 0:20:08 | |
-Do you want to barter? Cos it's your turn. -Go on, then. -Thank you. | 0:20:08 | 0:20:12 | |
We'll have a quick go. We're about three and a half minutes now, | 0:20:12 | 0:20:15 | |
so you need to be really quick. Well spotted. | 0:20:15 | 0:20:18 | |
-What would your best price be for this? -Absolute bottom £50. | 0:20:18 | 0:20:22 | |
You're a dear woman. | 0:20:23 | 0:20:24 | |
-£55. -55?! But I thought we were saying 50. -Yes! | 0:20:24 | 0:20:30 | |
-55... -All right. -55 is fine. | 0:20:30 | 0:20:33 | |
I'm happy to go with that. Good quality... NIC MOANS | 0:20:33 | 0:20:36 | |
And even if I offer the dealer a kiss, we're not going to get it for 50? | 0:20:36 | 0:20:40 | |
-It'd go up to £60. -THEY ALL LAUGH | 0:20:40 | 0:20:44 | |
Hard luck, Mark. But at least you're all past the post, | 0:20:44 | 0:20:49 | |
unlike Nic and Matt. Guys, you're back where you started! | 0:20:49 | 0:20:53 | |
I like it if we can get some money off it. | 0:20:53 | 0:20:55 | |
-£25. -Yeah. -So we really need some hard haggling on this. | 0:20:55 | 0:20:58 | |
-Let's see where we can find... -Where's the stallholder? -The gentleman there. | 0:20:58 | 0:21:02 | |
That's mine as well, yeah. | 0:21:02 | 0:21:04 | |
-You've got £25 on that. -I can do it for 20. | 0:21:04 | 0:21:07 | |
-20? -Yeah. -A little bit lower? -18. -18? -18. | 0:21:07 | 0:21:12 | |
I think we could do a deal at 18, Nic. | 0:21:12 | 0:21:14 | |
-Could you stretch to 15? -No, not really. No. | 0:21:14 | 0:21:18 | |
-I think it's worth it. -It is very pretty. -It's worth a chance at £18. | 0:21:18 | 0:21:21 | |
-All right, then. There you go. That's your buy, then. -That's mine. OK. Good deal. | 0:21:21 | 0:21:26 | |
-Lovely. OK, thank you. -Thank you. | 0:21:26 | 0:21:28 | |
That's it! Shopping's over. | 0:21:34 | 0:21:37 | |
The Red team were out of the stalls quickly | 0:21:37 | 0:21:39 | |
with four commemorative silver cups. | 0:21:39 | 0:21:42 | |
-£45. Am I naughty? -Put it there. | 0:21:45 | 0:21:48 | |
Val used her powers of persuasion | 0:21:48 | 0:21:50 | |
to knock down the price of the Imari pattern dish. | 0:21:50 | 0:21:54 | |
-£55. -55?! | 0:21:54 | 0:21:56 | |
And they entered the home straight with a £55 mother-of-pearl case. | 0:21:56 | 0:22:01 | |
Everything's in the nick of time around here, if you ask me. | 0:22:04 | 0:22:08 | |
-Did you have a nice time, Val? -Fantastic. | 0:22:08 | 0:22:10 | |
-Yeah, he's a great man to go around with, isn't he? -We bullied him a little bit. | 0:22:10 | 0:22:14 | |
-How much did you spend all round? -£165. | 0:22:14 | 0:22:18 | |
£165. I'd like £135 of leftover lolly. Have you got that? Thank you very much. | 0:22:18 | 0:22:22 | |
-You don't like giving that over at all, do you? -I don't, no. | 0:22:22 | 0:22:25 | |
There you go, Mark. Nice little wad for you. | 0:22:25 | 0:22:28 | |
-It's a big responsibility, isn't it? -It is. | 0:22:28 | 0:22:30 | |
-How do you rate their chances? Pretty good? -Very good. I think we've got three interesting items. | 0:22:30 | 0:22:36 | |
Interesting word, "interesting". Anyway, good luck with that. Lovely. | 0:22:36 | 0:22:40 | |
Why don't we check out what the Blue team bought, eh? | 0:22:40 | 0:22:43 | |
-I'll hold that. -You're going to pay for this later. | 0:22:43 | 0:22:47 | |
Matt did some cheeky bargaining to secure the baluster vase. | 0:22:47 | 0:22:51 | |
At £75, they all felt the watercolour would ensure | 0:22:54 | 0:22:58 | |
a flow of bidders at auction. How wet is that? | 0:22:58 | 0:23:01 | |
And finally, they went potty over an £18 German lava vase. Eurgh! | 0:23:01 | 0:23:08 | |
-How do you feel? -You mucked about enough, didn't you? | 0:23:10 | 0:23:13 | |
I mean, I started off with your shopping. What's going on? | 0:23:13 | 0:23:16 | |
-Headless chickens, I think. -Yeah. -But you settled down ultimately, which is great. | 0:23:16 | 0:23:21 | |
-So how much did you spend overall, then? -£153. | 0:23:21 | 0:23:25 | |
-£153. I'd like 147 of leftover lolly, please. -That's right. | 0:23:25 | 0:23:28 | |
-Not bad. -Have you got 147 for me? -There you go. There's some notes for you. -Lovely. | 0:23:28 | 0:23:32 | |
-And a couple of smackers. There we go. £147. -Lovely. | 0:23:32 | 0:23:36 | |
What's your plan? Are you going to blow the lot or go gentle? Got anything in mind? | 0:23:36 | 0:23:40 | |
-I've got something in mind, so I'll go with that. -Have you? | 0:23:40 | 0:23:43 | |
He's very enigmatic. He's not going to give anything away. Good luck with that. Thank you, team. | 0:23:43 | 0:23:48 | |
-Good luck. -Cheers, thank you. -We're heading off to Droitwich. | 0:23:48 | 0:23:52 | |
This is Hanbury Hall in Worcestershire, | 0:24:02 | 0:24:05 | |
lived in by successful London lawyer Thomas Vernon until 1721, don't you know? | 0:24:05 | 0:24:12 | |
When Thomas died, the house was inherited | 0:24:18 | 0:24:22 | |
by his second cousin Bowater Vernon, as seen in this portrait. | 0:24:22 | 0:24:26 | |
He tried his hand at the law, he failed to become a Member of Parliament... | 0:24:26 | 0:24:31 | |
He actually vastly preferred his profligate ways. | 0:24:31 | 0:24:38 | |
Well, can you believe it? Our friend Bowater Vernon, who you see in this picture | 0:24:40 | 0:24:47 | |
was a serious goer when it comes to spending cash. | 0:24:47 | 0:24:51 | |
Here, we see him in the most expensive type of portrait that you could commission | 0:24:51 | 0:24:57 | |
in the early part of the 18th century, by John Wootton. | 0:24:57 | 0:25:02 | |
You see Bowater Vernon holding on to his sporting piece, | 0:25:02 | 0:25:07 | |
looking at a couple of pointers in the foreground. | 0:25:07 | 0:25:10 | |
And as the ground falls away, you see his inheritance, Hanbury Hall. | 0:25:10 | 0:25:17 | |
The big thing is that he inherited, in 1721, | 0:25:17 | 0:25:22 | |
the equivalent of eight million pounds. | 0:25:22 | 0:25:25 | |
And when he died in 1735, | 0:25:25 | 0:25:28 | |
he left the equivalent of debts of three million pounds. | 0:25:28 | 0:25:34 | |
That's 11 million pounds this bloke worked his way through in 14 years. | 0:25:34 | 0:25:41 | |
Now, that's going some. | 0:25:41 | 0:25:44 | |
'He spent the loot on lavish furnishings for the house, | 0:25:49 | 0:25:53 | |
'all of the highest quality of course. | 0:25:53 | 0:25:56 | |
'Including an extravagant dinner service.' | 0:25:56 | 0:26:00 | |
This porcelain service would have been extremely expensive. | 0:26:00 | 0:26:04 | |
Why? Well, it didn't come from Stoke-on-Trent down the road. | 0:26:04 | 0:26:08 | |
It came all the way from China. | 0:26:08 | 0:26:10 | |
It would have included a whole group of large dishes and plates like this, | 0:26:10 | 0:26:15 | |
I guess at least 150 pieces. And each piece is enamelled | 0:26:15 | 0:26:20 | |
with the family's device, part of their coat of arms, their crest. | 0:26:20 | 0:26:26 | |
The design would have been sent to China perhaps in 1733, | 0:26:26 | 0:26:31 | |
being received in 1734 and manufactured that year, | 0:26:31 | 0:26:36 | |
with each piece enamelled with that individual design, | 0:26:36 | 0:26:40 | |
probably sent back in 1735 and received here in 1736. | 0:26:40 | 0:26:47 | |
One big problem. | 0:26:47 | 0:26:49 | |
Bowater Vernon died in 1735, leaving his heirs with massive debts. | 0:26:49 | 0:26:56 | |
But at least, they had the reassurance | 0:26:56 | 0:26:59 | |
of their very own Chinese armorial dinner and tea service | 0:26:59 | 0:27:03 | |
to look at as some sort or recompense. | 0:27:03 | 0:27:07 | |
Extraordinary, isn't it? Anyway, the big question is, | 0:27:07 | 0:27:10 | |
are our teams going to make a massive profit in a moment over at the auction, | 0:27:10 | 0:27:13 | |
or are we going to put them on a slow boat to China? | 0:27:13 | 0:27:17 | |
'Let's hotfoot it east to find out. | 0:27:23 | 0:27:27 | |
'I've an appointment with auctioneer Robert Stones.' | 0:27:27 | 0:27:31 | |
'Let's see what Mark Stacey bought for his bonus buy.' | 0:27:32 | 0:27:36 | |
Well, Val and Jens, £165 you spent. | 0:27:36 | 0:27:41 | |
£135 you gave to the lovely Mark Stacey. What did he blow it on? | 0:27:41 | 0:27:46 | |
Mark? | 0:27:46 | 0:27:49 | |
A little travelling carriage timepiece. | 0:27:49 | 0:27:51 | |
Enamelled, by Zenith, probably around 1910-1920. | 0:27:51 | 0:27:55 | |
I thought it was rather sweet. It's a little alarm. | 0:27:55 | 0:27:58 | |
It's got lots of nice detail there, little bit of enamelling on there, | 0:27:58 | 0:28:02 | |
-and I just thought it was rather nice. -It's very pretty. | 0:28:02 | 0:28:05 | |
-I think so. -I think they like it! -It's nice quality, actually. | 0:28:05 | 0:28:09 | |
-Well, how much did you pay for it? That's the... -I paid an awful lot of money for it, actually. | 0:28:09 | 0:28:14 | |
-£130. -£130? | 0:28:14 | 0:28:17 | |
-Now, how much did you really pay for it? -£130. | 0:28:17 | 0:28:22 | |
Size isn't everything. | 0:28:22 | 0:28:24 | |
-I keep telling you...Val, about this. -THEY ALL LAUGH | 0:28:24 | 0:28:28 | |
It is small and perfectly formed. | 0:28:28 | 0:28:31 | |
What do you think it would make at auction? | 0:28:31 | 0:28:34 | |
Well, I'd love it to make £150-160. | 0:28:34 | 0:28:37 | |
You don't have to pick it now. You choose it if you want to after the sale of your first three items. | 0:28:37 | 0:28:42 | |
Right now, for the viewers at home, | 0:28:42 | 0:28:44 | |
let's find out what the auctioneer thinks about Mark's little timepiece. | 0:28:44 | 0:28:48 | |
How about that for a cute little alarm clock? | 0:28:48 | 0:28:51 | |
-Great quality too. -Smart, isn't it? -It's a nice thing. | 0:28:51 | 0:28:54 | |
It's got very nice casting here, | 0:28:54 | 0:28:55 | |
champlevé, enamel decoration on it here, | 0:28:55 | 0:28:58 | |
which is when they actually gouge out the metal | 0:28:58 | 0:29:01 | |
and then put in the enamel work to get the decoration. | 0:29:01 | 0:29:04 | |
Made by Zenith, and we can snap open the back there, | 0:29:04 | 0:29:07 | |
and we can see we've got all the movement there | 0:29:07 | 0:29:09 | |
with all the controls for it. | 0:29:09 | 0:29:11 | |
And it's an alarm as well, so ideal to pop by your bed. | 0:29:11 | 0:29:14 | |
I quite fancy that. How much is it worth? | 0:29:14 | 0:29:17 | |
-We've said £60-80. -Fair enough, that's a bit of a come-on estimate. | 0:29:17 | 0:29:20 | |
Mark Stacey paid £130. | 0:29:20 | 0:29:22 | |
I think he paid, probably, pretty well fullish whack. | 0:29:22 | 0:29:25 | |
Super! Now, four toddy pots... or egg cups, I suppose. | 0:29:25 | 0:29:31 | |
They're quite interesting, because it was in 1907 | 0:29:31 | 0:29:33 | |
that the Hamburg motor yachting club was formed, | 0:29:33 | 0:29:37 | |
and that's what this insignia is on the side of it. | 0:29:37 | 0:29:39 | |
And these must have been presented | 0:29:39 | 0:29:41 | |
to somebody who was competing in one of these events. | 0:29:41 | 0:29:45 | |
-And does that go on today? -No, it finished in 1957. | 0:29:45 | 0:29:50 | |
Well done for doing the research on that. | 0:29:50 | 0:29:52 | |
They're made of silver. The team paid £65 for the four. | 0:29:52 | 0:29:55 | |
-How do you rate them money-wise? Difficult to estimate. -They are. | 0:29:55 | 0:29:59 | |
-But we've put £30-50 on them. -Bit of a tempter. | 0:29:59 | 0:30:02 | |
-See what happens. -Very good. | 0:30:02 | 0:30:04 | |
Next is the Crown Derby Imari pattern shell-shaped dish, isn't it? | 0:30:04 | 0:30:10 | |
-This is a staple diet of salerooms, isn't it? -Well, it is, yeah. | 0:30:10 | 0:30:14 | |
Although make no mistake, it does vary a lot in quality. | 0:30:14 | 0:30:17 | |
This one is transfer-decorated and then it's been overpainted. | 0:30:17 | 0:30:21 | |
So there is a subtlety there. And although it was done in 1912, | 0:30:21 | 0:30:25 | |
it is a fairly sort of basic decoration that we have with this particular piece. | 0:30:25 | 0:30:30 | |
-What's your estimate? -£30-40. -OK. They only paid £45. | 0:30:30 | 0:30:33 | |
So they paid the right price for the transfer-printed jobbie | 0:30:33 | 0:30:37 | |
and they're in the frame there with the estimates. And lastly, | 0:30:37 | 0:30:41 | |
the mother-of-pearl, pukka tree-veneered little card case. | 0:30:41 | 0:30:46 | |
Be careful when you buy these. They are fairly plentiful. | 0:30:46 | 0:30:49 | |
A lot of them about, but generally speaking, they are damaged. | 0:30:49 | 0:30:53 | |
-But this one is actually in very good order. -How much? | 0:30:53 | 0:30:56 | |
-£40-60. -OK. They paid 55, so they're again in the frame. | 0:30:56 | 0:30:59 | |
I rather fancy this team's chances, actually. | 0:30:59 | 0:31:02 | |
Anyway, that's it for the Reds. Now for the Blues. | 0:31:02 | 0:31:05 | |
Not quite so exciting this, but how do you rate their baluster vase? | 0:31:05 | 0:31:10 | |
Well, Chinese, Cantonese... What can one say about it? | 0:31:10 | 0:31:13 | |
Picture panels... It's really a decorator's piece. | 0:31:13 | 0:31:16 | |
I rather like that, I have to say. I like the mallet-type form of it. | 0:31:16 | 0:31:22 | |
Anyway, the team got it for £60, which I think is a snip. | 0:31:22 | 0:31:25 | |
-So what's your estimate? -£50-80. -They're spot in the middle of that. | 0:31:25 | 0:31:29 | |
-That's good. Next is this rather boring-looking watercolour. -ROBERT LAUGHS | 0:31:29 | 0:31:34 | |
Well, we struggled to find the artist on this one. | 0:31:34 | 0:31:37 | |
-And then we discovered that the artist is a postcard artist. -Right. | 0:31:37 | 0:31:40 | |
Very often misdescribed as Boot rather than Bool. | 0:31:40 | 0:31:44 | |
So that's another reason that you might not find many records of him. | 0:31:44 | 0:31:48 | |
Not a bad little watercolour. | 0:31:48 | 0:31:50 | |
-They paid £75. -Did they? -You've done the research. | 0:31:50 | 0:31:52 | |
Does that enhance the value at all? | 0:31:52 | 0:31:54 | |
Well, sadly his work doesn't make an awful lot of money. | 0:31:54 | 0:31:57 | |
We've said £30-40 as an estimate. | 0:31:57 | 0:31:59 | |
OK, fine. Well, we'll have to see what happens. | 0:31:59 | 0:32:02 | |
-Sure. -And now for something completely different... | 0:32:02 | 0:32:05 | |
I call that lava, that vase. Is it that sort of '60s lava type? | 0:32:05 | 0:32:10 | |
I think so. I don't really know what to say about it, Tim, really. | 0:32:10 | 0:32:14 | |
It is absolutely that '60s art pottery lava, | 0:32:14 | 0:32:17 | |
definitely with that red glaze. | 0:32:17 | 0:32:20 | |
-Usually incredibly cheap. -Yeah, it is, yeah. | 0:32:20 | 0:32:23 | |
-It needs to be cheap, doesn't it? -Yeah. | 0:32:23 | 0:32:25 | |
-Where do you see it, then? -£10-20. -Do you? I think I'm with you there. | 0:32:25 | 0:32:29 | |
£18 they paid, so they didn't pay a fortune. | 0:32:29 | 0:32:31 | |
I think their banker, if they've got one, | 0:32:31 | 0:32:34 | |
is going to be the Canton pot. Anyway, we'll see. | 0:32:34 | 0:32:37 | |
If all else fails, they can have their bonus buy, | 0:32:37 | 0:32:40 | |
and let's go and have look at it. | 0:32:40 | 0:32:42 | |
Now, Nicola and Matt... You spent £153. | 0:32:42 | 0:32:45 | |
You gave the boy £147 of leftover lolly. | 0:32:45 | 0:32:50 | |
What did he spend it on? I'm just going to give this a bit of a flip. | 0:32:50 | 0:32:54 | |
-Ooh! -There. -What do you think of that, then? | 0:32:54 | 0:32:56 | |
-It's a... -Heavy. -Coal bin. -Coal bin, that's exactly what it is. | 0:32:56 | 0:33:02 | |
It's a bit of a modernist thing. Brass and wrought iron. | 0:33:02 | 0:33:06 | |
You're looking at something that could go in any home. | 0:33:06 | 0:33:09 | |
-So wide appeal for it, especially if you've got a coal fire. -Yeah. | 0:33:09 | 0:33:13 | |
-What did you pay for it? -£25. -£25. -Really? | 0:33:13 | 0:33:16 | |
-Bargain bucket. -Bargain bucket. -Well, that's brilliant, isn't it? | 0:33:16 | 0:33:21 | |
So you paid £25. But you don't choose now. | 0:33:21 | 0:33:24 | |
You pick after the sale of the first three items. | 0:33:24 | 0:33:26 | |
So let's find out what the auctioneer thinks about Jeremy's bucket. | 0:33:26 | 0:33:30 | |
There you go, Rob. Just what you've always wanted. | 0:33:31 | 0:33:36 | |
Absolutely. A very seasonal thing. At the end of the day, | 0:33:36 | 0:33:39 | |
trying to sell one in the summertime is not good news. | 0:33:39 | 0:33:42 | |
In the wintertime maybe there'll be somebody out there for it. | 0:33:42 | 0:33:45 | |
So what can we say about it? | 0:33:45 | 0:33:47 | |
Wrought metal, brass insets, swing handle... | 0:33:47 | 0:33:50 | |
A very practical thing to go by the fire. | 0:33:50 | 0:33:53 | |
I think it's got it, you know. | 0:33:53 | 0:33:54 | |
-It's a lot of material, a lot of work in there. -Definitely. | 0:33:54 | 0:33:57 | |
You could use it as a wastepaper basket, couldn't you? | 0:33:57 | 0:34:00 | |
-D'you know, I've not thought of that. -Well... -Good idea. | 0:34:00 | 0:34:03 | |
Remove that ruddy handle of the top. Look, the handle bends down. | 0:34:03 | 0:34:07 | |
Look at that. | 0:34:07 | 0:34:08 | |
It's become a wastepaper basket, not a coal hod. | 0:34:08 | 0:34:12 | |
I think I prefer it as that. | 0:34:12 | 0:34:14 | |
I think I do too. Well, there we go. | 0:34:14 | 0:34:16 | |
They'd better change the catalogue description quick! Anyway... | 0:34:16 | 0:34:20 | |
-What I want to know is what's your estimate? -£30-40. | 0:34:20 | 0:34:23 | |
Very good. £25 paid by Jeremy. | 0:34:23 | 0:34:25 | |
He'll need every penny of profit he can out of his bonus buy, | 0:34:25 | 0:34:29 | |
and we can rely on you, Robert Stones. Thank you very much. | 0:34:29 | 0:34:32 | |
-Thank you, Tim. -All the best. | 0:34:32 | 0:34:34 | |
-So are you excited? -We are, yes. -Yes. | 0:34:42 | 0:34:44 | |
It is quite an exciting moment, isn't it? | 0:34:44 | 0:34:46 | |
I love it when the room's crowded like this. Cross everything. | 0:34:46 | 0:34:49 | |
Cos that's the answer. Cross everything. | 0:34:49 | 0:34:52 | |
Anyway, first lot up. The four German toddy cups. Here they come. | 0:34:52 | 0:34:57 | |
Lot number 149, ladies and gentlemen. | 0:34:57 | 0:34:59 | |
These are most interesting silver cups, there we are. | 0:34:59 | 0:35:04 | |
Several commissions already. I can start at £50. | 0:35:04 | 0:35:07 | |
-Oh, that's good. -55 I have. | 0:35:07 | 0:35:08 | |
55. 60 is it now? £55 I'm bid. | 0:35:08 | 0:35:11 | |
At £55 only, at £55. 60 anywhere now, do I hear? | 0:35:11 | 0:35:15 | |
At £55. 60 on the internet, at £60. On the internet at £60. | 0:35:15 | 0:35:19 | |
65 anywhere else? At £60 on the internet. £65 anywhere else? At £60, | 0:35:19 | 0:35:24 | |
bid on the internet. At £60, and we'll be sold at 60. | 0:35:24 | 0:35:26 | |
-Oh dear, bad luck. £60. -So close. -JENS AND VAL GROAN | 0:35:26 | 0:35:29 | |
That is minus £5. So close. That is bad luck. | 0:35:29 | 0:35:33 | |
Lot number 150, ladies and gentlemen, is this Royal Crown Derby | 0:35:33 | 0:35:36 | |
shell-shaped dish. What may we say for it? | 0:35:36 | 0:35:40 | |
I've got £30 for it straight away. 35 is it now? I'm bid at £30. | 0:35:40 | 0:35:44 | |
35 anywhere now? | 0:35:44 | 0:35:45 | |
At £30. 35, 40. 45? 45. Your bid at 45. | 0:35:45 | 0:35:50 | |
-45. -Come on, one more. -Yes! You're in profit. | 0:35:50 | 0:35:54 | |
At £50. At £50, 55 anywhere else? | 0:35:54 | 0:35:56 | |
At £50 only. It's going to be sold at £50 only, on commission at 50. | 0:35:56 | 0:36:01 | |
-Brilliant. Plus £5. You have... -Dead even. -Yes, wiped face. | 0:36:01 | 0:36:04 | |
-No profit, no loss. -Lot number 151 showing now. | 0:36:04 | 0:36:07 | |
The little case, ladies and gentlemen, it's in lovely order. | 0:36:07 | 0:36:11 | |
Perfect condition. What may we say for it? | 0:36:11 | 0:36:13 | |
I've got £40 bid for it straight away. That's on commission. | 0:36:13 | 0:36:16 | |
£40 I'm bid, at £40. 45? 45, 50 on commission, 55 you're bidding now. | 0:36:16 | 0:36:20 | |
55, your bid. | 0:36:20 | 0:36:21 | |
Come on... Come on, come on! | 0:36:21 | 0:36:24 | |
At 55, the bid's there. At £55 and will be sold. | 0:36:24 | 0:36:26 | |
-Come on! -ALL: Yes! | 0:36:26 | 0:36:29 | |
Go on! | 0:36:32 | 0:36:33 | |
70. 75? 70 is your bid. | 0:36:33 | 0:36:36 | |
At £70, the bid is down there. At £70. 75 anywhere else? | 0:36:36 | 0:36:39 | |
At £70. Will be sold at 70. | 0:36:39 | 0:36:41 | |
-I love it. Plus 15. So overall, you are plus 15. -Well done, Val. | 0:36:41 | 0:36:46 | |
That's marvellous, isn't it? You must be really pleased about that. | 0:36:46 | 0:36:50 | |
Now, what are you going to do about the Zenith miniature timepiece? | 0:36:50 | 0:36:53 | |
-It's a lot of money. -I trust Mark implicitly, | 0:36:53 | 0:36:58 | |
-but Val... -Needs the money. -So we're going to decline it. | 0:36:58 | 0:37:04 | |
-Are you? -Sorry, Mark. -Yeah. | 0:37:04 | 0:37:06 | |
But we do love the clock, and we're very interested to see how it does. | 0:37:06 | 0:37:10 | |
Well, we're going to sell it anyway, and here it comes. | 0:37:10 | 0:37:14 | |
Lot number 155. This delightful Zenith enamelled and brass | 0:37:14 | 0:37:17 | |
miniature clock, ladies and gentlemen. | 0:37:17 | 0:37:20 | |
Several commissions left on this. I can start bidding at £70. | 0:37:20 | 0:37:24 | |
At £70 I'm bid straight away. At £70. 75, 80, 85. | 0:37:24 | 0:37:27 | |
80, that's on commission. At £80. At £80. 85 anywhere now, do I hear? | 0:37:27 | 0:37:31 | |
At £85 on the internet. 85, 90. | 0:37:31 | 0:37:34 | |
95 on the internet. 95 and we're waiting. 95 on the internet. | 0:37:34 | 0:37:37 | |
95. That takes out my commission. 95 on the internet, at 95. | 0:37:37 | 0:37:41 | |
100 anywhere else? At £95 and will be sold. All done. | 0:37:41 | 0:37:46 | |
-Oh, thank God! -Well, you were right to do it. | 0:37:46 | 0:37:48 | |
You were, but there's more money in that. | 0:37:48 | 0:37:50 | |
-It is a lot more money actually. -There we go. That is minus £35. | 0:37:50 | 0:37:54 | |
But not to worry, you didn't go with the bonus buy. | 0:37:54 | 0:37:57 | |
You preserved your winnings at £15, which could be a winning score, all right? | 0:37:57 | 0:38:02 | |
-Just don't tell the Blues a thing. -Not to worry. -Absolutely not. -Well done anyway. | 0:38:02 | 0:38:07 | |
-So, Nicola and Matt, have you been chatting to the Reds? -Not at all. -Good. | 0:38:13 | 0:38:17 | |
We don't want that. Anyway, are you nervous at all? | 0:38:17 | 0:38:21 | |
-A little bit. -A little bit. | 0:38:21 | 0:38:23 | |
-First up is the Chinese baluster vase. Here it comes. -Lot number 166. | 0:38:23 | 0:38:27 | |
Chinese famille rose vase, ladies and gentlemen, there we are. | 0:38:27 | 0:38:31 | |
Late 19th century. What would you make of it? 50 I'm bid. | 0:38:31 | 0:38:34 | |
At 50. 55 is it now? At £50 I'm bid. 55 anywhere now, surely? At £50 only. | 0:38:34 | 0:38:39 | |
At 50. Looking for 55. 55 bid. 60, 65, 70, 75... | 0:38:39 | 0:38:44 | |
BOTH: Come on... At £80 I'm bid. At 80. | 0:38:44 | 0:38:48 | |
85 anywhere now? Still with me, £80. | 0:38:48 | 0:38:50 | |
At £80 only, all finished and done at £80. | 0:38:50 | 0:38:53 | |
We won't complain. That's plus £20. Well done, Jeremy. | 0:38:53 | 0:38:56 | |
-Proper job. -Lot number 167. | 0:38:56 | 0:38:58 | |
This is a watercolour, ladies and gentlemen, | 0:38:58 | 0:39:00 | |
by Charles Bool. £20 to start it off, an interesting lot for somebody here. | 0:39:00 | 0:39:04 | |
At £20 now, do I hear? Great value for money at 20. | 0:39:04 | 0:39:08 | |
20 I'm bid over there. 20. 25 is it now? | 0:39:08 | 0:39:11 | |
25? £20, the bid's over there. 20. 25 now, do I hear? | 0:39:11 | 0:39:14 | |
25, 25. 30 now? 30, are you bidding? At 30, yes? | 0:39:14 | 0:39:18 | |
At £30. At £30. 35? 35, yes? 35? | 0:39:18 | 0:39:22 | |
30 is your bid. At £30, the bid's over there. | 0:39:22 | 0:39:24 | |
At 30 and will be sold at £30. Bid's there at 30. | 0:39:24 | 0:39:27 | |
-Going to go at £30. -Oh dear, £30. | 0:39:27 | 0:39:30 | |
£30 is minus 45. £45... You are minus £25. | 0:39:30 | 0:39:35 | |
Now, lava vase. This is going to have to canter on. | 0:39:35 | 0:39:38 | |
Lot number 168, ladies and gentlemen, | 0:39:38 | 0:39:40 | |
is this lava vase. Now, who will give me £10 for this one? | 0:39:40 | 0:39:45 | |
10 anywhere now? £10? At £10 now, surely. | 0:39:45 | 0:39:47 | |
At 10. Not looking anywhere in particular. £10 now, do I hear? | 0:39:47 | 0:39:50 | |
5 if you like. Come along down at 5. 5 I'm bid. Thank you. | 0:39:50 | 0:39:53 | |
You're going to say 6? 7, 8. 9? 9, 10. 11? | 0:39:53 | 0:39:59 | |
11, 12. 13? 13. 14? | 0:39:59 | 0:40:03 | |
14. 15? | 0:40:03 | 0:40:05 | |
-No money. -15. 16? | 0:40:06 | 0:40:08 | |
15, your bid. 16 anywhere else? | 0:40:08 | 0:40:11 | |
-At £15, the bid's here. £15, will be sold. -Go on! -At £15. | 0:40:11 | 0:40:15 | |
£15 only then, going away... | 0:40:15 | 0:40:17 | |
-£15. That's minus 3. -It could have been worse. -£28. Minus 28. | 0:40:17 | 0:40:22 | |
What are you going to do about the coal bin? I mean the wastepaper bin. | 0:40:22 | 0:40:26 | |
-I mean the jardinière stand. -We'll go for it, definitely. | 0:40:26 | 0:40:29 | |
We're going with the bonus buy, and here it comes. | 0:40:29 | 0:40:32 | |
172, ladies and gentlemen, the brass and wrought steel bin, | 0:40:32 | 0:40:36 | |
there we are. Coal bin, someone said. Maybe a wastepaper basket. Nice idea. | 0:40:36 | 0:40:40 | |
What's it worth? £20 to start it off. A nice-quality thing. At £20. | 0:40:40 | 0:40:44 | |
Must be worth that, surely. At £20. | 0:40:44 | 0:40:46 | |
Multiple bidding, £25 now. 25 on the internet. 25, looking for 30. | 0:40:46 | 0:40:50 | |
At 25 on the internet. 25. 30 there. 30 bid. 35? | 0:40:50 | 0:40:55 | |
At 35 on the internet and waiting. At £35. | 0:40:55 | 0:40:58 | |
35. 40? 40 bid. | 0:40:58 | 0:41:00 | |
-45 now. 45 on the internet? At 45? -Come on, Jeremy! | 0:41:00 | 0:41:04 | |
At £45? 40 is in the room here and will be sold at £40. | 0:41:04 | 0:41:08 | |
All finished and done at 40, then. | 0:41:08 | 0:41:10 | |
-Well done. -Well done. -That's £40. That's £40 plus 15, | 0:41:10 | 0:41:15 | |
-which means, sadly, you are minus £13. -That's not bad. | 0:41:15 | 0:41:18 | |
-That's not too bad. -You're telling me. | 0:41:18 | 0:41:21 | |
On this programme, I promise you, that is not too bad. | 0:41:21 | 0:41:24 | |
-So have you been chatting, you lot? -ALL: No. | 0:41:31 | 0:41:34 | |
OK, fine. Well, I'm going to have to reveal the bad news to somebody sooner or later, I suppose. | 0:41:34 | 0:41:39 | |
Cos we have no losers any more on Bargain Hunt, we only have runners-up. | 0:41:39 | 0:41:44 | |
-And the runners-up today are... The Blues. -Oh! | 0:41:44 | 0:41:48 | |
Bad luck, Blues. I mean, it's only minus £13. | 0:41:48 | 0:41:52 | |
Which is nothing, really. | 0:41:52 | 0:41:53 | |
And it could have been a lot worse without Jeremy's generous contribution from his bonus buy. | 0:41:53 | 0:41:58 | |
Yeah. Of course it was a game of two halves, and the boy done good, but... | 0:41:58 | 0:42:03 | |
Thank you for being such good sports. But our victors, who will actually go home with folding money, | 0:42:03 | 0:42:08 | |
£15 worth... | 0:42:08 | 0:42:11 | |
Look at Val's face lighting up like a national cash register. £15 here. | 0:42:11 | 0:42:16 | |
-Of course, you didn't go with the bonus buy, did you? -No. -That was your wisest move... | 0:42:16 | 0:42:21 | |
-THEY ALL LAUGH -As it turned out. | 0:42:21 | 0:42:23 | |
Anyway, you skipped the bonus buy, you preserved your cash. | 0:42:23 | 0:42:26 | |
You very nearly got three profits, but not quite, which is a regret. | 0:42:26 | 0:42:31 | |
-But you're going home with cash. Are you going to enjoy it? -We're going to celebrate big time. | 0:42:31 | 0:42:36 | |
Very good to see you. Join us soon for some more Bargain Hunting, yes? | 0:42:36 | 0:42:39 | |
ALL: Yes! | 0:42:39 | 0:42:41 | |
Subtitles by Red Bee Media Ltd | 0:43:00 | 0:43:02 | |
E-mail [email protected] | 0:43:02 | 0:43:04 |