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A couple of clementines, a couple of Royal Galas, | 0:00:05 | 0:00:08 | |
thank you very much. | 0:00:08 | 0:00:09 | |
-How much would that lot be? -60p. -60p. Do it for 50? | 0:00:09 | 0:00:13 | |
-Yeah, not a problem. Go on. -50p. Lovely. | 0:00:13 | 0:00:15 | |
Thank you very much, squire. There you go. | 0:00:15 | 0:00:17 | |
These people know a thing or two about bargaining. | 0:00:17 | 0:00:20 | |
The big question is, though, how will our teams get on today? | 0:00:20 | 0:00:24 | |
Cos let's go bargain hunting! | 0:00:24 | 0:00:26 | |
Yeah! | 0:00:26 | 0:00:27 | |
This part of London is a Mecca for all sorts of bargain hunters | 0:00:52 | 0:00:57 | |
and we're bringing our teams today to Alfies Antiques Market, | 0:00:57 | 0:01:01 | |
one of the largest covered markets in the country. | 0:01:01 | 0:01:05 | |
Because as they say round here, "Alfie, don't be so filthy! | 0:01:05 | 0:01:09 | |
"Use your hankie!" | 0:01:09 | 0:01:11 | |
We've got a show of ups and downs. | 0:01:13 | 0:01:18 | |
And some more downs. | 0:01:18 | 0:01:20 | |
-The Blues get lost. -Can't we get down this way? | 0:01:20 | 0:01:22 | |
-The Reds get stuck in. -Climb in. -Climb in. -All aboard. | 0:01:22 | 0:01:26 | |
Will they make a profit in the sale room? | 0:01:28 | 0:01:31 | |
Let's find out. | 0:01:31 | 0:01:33 | |
Well, it's happy families today. | 0:01:34 | 0:01:36 | |
For the Reds we've got Philip and Ellie, father and daughter. | 0:01:36 | 0:01:40 | |
-Morning. -Morning. -Hi. -Lovely to see you. | 0:01:40 | 0:01:42 | |
-Now, Philip. You're going to be just fine with buying and selling, aren't you? -I hope so, yeah. | 0:01:42 | 0:01:48 | |
-What do you do? -I sell pickles and jams and cheeses at markets and shows around the country. | 0:01:48 | 0:01:54 | |
-Really? You're Mr Pickle man, are you? -Well... | 0:01:54 | 0:01:56 | |
One of my favourite foods is pickle. | 0:01:56 | 0:01:59 | |
It's a good way of jollying up some cold dish, isn't it? | 0:01:59 | 0:02:02 | |
They go with all sorts of things, | 0:02:02 | 0:02:04 | |
with cold dishes, with hot foods, as well. | 0:02:04 | 0:02:06 | |
Quite right, too. Keep pushing it, that's what I say. | 0:02:06 | 0:02:11 | |
But you've made a bit of a name for yourself in your village. | 0:02:11 | 0:02:14 | |
I guess that really comes from the calendar. | 0:02:14 | 0:02:17 | |
We did a calendar to support breast cancer in the village | 0:02:17 | 0:02:20 | |
and 12 of us got together with a number of tractors | 0:02:20 | 0:02:23 | |
-and took our clothes off. -Did you? -Yes. | 0:02:23 | 0:02:26 | |
-You posed naked with your tractor? -Yes. Behind the wheel. | 0:02:26 | 0:02:30 | |
-Good Lord. -We raised something like £9-10,000 for breast cancer. | 0:02:30 | 0:02:35 | |
-I mean, it's a scream, isn't it? -It was a good laugh. | 0:02:35 | 0:02:37 | |
-You had to be quite brave, though. -Mm. | 0:02:37 | 0:02:40 | |
Now, Ellie, we're shopping indoors today | 0:02:41 | 0:02:43 | |
-but your great love is the outdoors, isn't it? -Yes. | 0:02:43 | 0:02:47 | |
I work at the moment as a bar and restaurant manager | 0:02:47 | 0:02:51 | |
but my true love is horticulture and landscape gardening. | 0:02:51 | 0:02:56 | |
So what's the ideal job, then, after the bar work? | 0:02:56 | 0:02:58 | |
Well, I lived in New Zealand for a year, | 0:02:58 | 0:03:01 | |
where I did a bit of conservation work working in a botanic gardens. | 0:03:01 | 0:03:05 | |
I'd like to go back and do a bit more conservation work, | 0:03:05 | 0:03:08 | |
specialising in endangered plants and things like that. | 0:03:08 | 0:03:11 | |
-Well, good luck with that. -Thank you. | 0:03:11 | 0:03:13 | |
Now, for the Blues, the mother and daughter combo. | 0:03:13 | 0:03:17 | |
Now, Jackie, you're no stranger to being in the limelight. | 0:03:17 | 0:03:21 | |
-Well, I have my moments. -You have your moments. You're very modest. | 0:03:21 | 0:03:25 | |
Tell us about it. | 0:03:25 | 0:03:26 | |
Well, a number of years ago I started doing background work in films. | 0:03:26 | 0:03:31 | |
Unbeknown to a lot of people, I am, in another life, a Ministry wizard. | 0:03:31 | 0:03:35 | |
-Mm. -Really? -Yeah. | 0:03:35 | 0:03:37 | |
-I've done a few Harry Potter films and it was great fun. -Yes. | 0:03:37 | 0:03:42 | |
-Horrendously long hours. -A bit like Bargain Hunt, really - not. | 0:03:42 | 0:03:48 | |
I'm finding out! | 0:03:48 | 0:03:49 | |
Ann, you're going to have particular fun, I hope, today, | 0:03:49 | 0:03:53 | |
shopping in this environment. | 0:03:53 | 0:03:54 | |
Well, I should do because I like modernist pieces, 1920s, '30s, '40s. | 0:03:54 | 0:03:59 | |
and I guess this is a perfect place to hunt for them. | 0:03:59 | 0:04:03 | |
Now, apart from liking things that look beautiful, | 0:04:03 | 0:04:05 | |
-you're also keen on the beautiful sound, aren't you? -I am, exactly. | 0:04:05 | 0:04:10 | |
I've been volunteering at a radio station. | 0:04:10 | 0:04:12 | |
-New career opening up? -Fingers crossed. -A new career, hopefully, in audio production... | 0:04:12 | 0:04:18 | |
-There you are. -..radio programmes, maybe sound installations, so... | 0:04:18 | 0:04:23 | |
-So what job do you do at the moment? -I don't have a job. | 0:04:23 | 0:04:25 | |
I'm one of those lucky few or majority | 0:04:25 | 0:04:27 | |
that are looking for a job at the moment. | 0:04:27 | 0:04:30 | |
It's a nightmare for you, so don't be dispirited. | 0:04:30 | 0:04:32 | |
-We look forward to some good news... -Thank you. | 0:04:32 | 0:04:35 | |
..on the employment front, hopefully. | 0:04:35 | 0:04:37 | |
Now, the money moment. Here we go. £300 apiece. | 0:04:37 | 0:04:40 | |
Here's your £300. The bit you're waiting for, Phil. Look at that. | 0:04:40 | 0:04:44 | |
Oh, yes, the market trader. Here we go. | 0:04:44 | 0:04:46 | |
£300 apiece. You know the rules. Your experts await | 0:04:46 | 0:04:49 | |
and off you go and very, very, very good luck. | 0:04:49 | 0:04:51 | |
Gosh! What charming family teams. | 0:04:51 | 0:04:55 | |
From our happy family of experts, | 0:04:56 | 0:04:58 | |
introducing golden boy Charlie Hanson | 0:04:58 | 0:05:02 | |
and sparkling Anita Manning. | 0:05:02 | 0:05:04 | |
-Charlie! -Anita. | 0:05:04 | 0:05:06 | |
We're now on the stairway to heaven, OK? The stairway to big profit. | 0:05:07 | 0:05:11 | |
It's all about, the hour goes very quickly, | 0:05:11 | 0:05:14 | |
look at the object, work the object, look hard, play hard | 0:05:14 | 0:05:17 | |
-and figure it out, OK? -Sounds good. | 0:05:17 | 0:05:19 | |
Girls, we've got plenty of choice here. | 0:05:21 | 0:05:24 | |
But what is it we're looking for? What do you want to buy? | 0:05:24 | 0:05:27 | |
I think some classic items, 20th century, | 0:05:27 | 0:05:31 | |
but also functional pieces for the domestic environment. | 0:05:31 | 0:05:35 | |
-Shall we go and have a look? -Yes. -Come on. | 0:05:35 | 0:05:37 | |
# I'm going in for the kill | 0:05:37 | 0:05:40 | |
# I'm doing it for a thrill | 0:05:40 | 0:05:43 | |
# I'm hoping you'd understand | 0:05:43 | 0:05:47 | |
# And now let go of my hand. # | 0:05:47 | 0:05:50 | |
-Anita, is that what you'd call a Toby jug? -Yes. Do you like it? | 0:05:51 | 0:05:58 | |
It's very cheeky, isn't it? LAUGHTER | 0:05:58 | 0:06:01 | |
-I just wondered how much that is. -Humpty Dumpty. -Humpty Dumpty. | 0:06:01 | 0:06:06 | |
It's Carlton Ware, 1930s, part of the novelty range. | 0:06:06 | 0:06:10 | |
Have I not priced him yet? Yes, I've got £295 on him. | 0:06:10 | 0:06:15 | |
-The best price on it, I can do 200. It's an unusual piece. -It is. | 0:06:15 | 0:06:18 | |
-It's a real one and that's why it's expensive. -It's an original. | 0:06:18 | 0:06:22 | |
I love it. I can see it in my kitchen on a shelf. | 0:06:22 | 0:06:25 | |
-At £200? -No. LAUGHTER | 0:06:25 | 0:06:28 | |
-I'm very keen on that. -OK, so keep that in mind. | 0:06:28 | 0:06:31 | |
'Seems a lot to shell out to me, girls. | 0:06:31 | 0:06:34 | |
'Bit early for that, Phil.' | 0:06:36 | 0:06:38 | |
-Charles! -Yes, were you calling me? | 0:06:38 | 0:06:40 | |
It's marked EPNS. It's electroplate nickel silver. | 0:06:42 | 0:06:45 | |
-It's very nice. -It is nice | 0:06:45 | 0:06:47 | |
but I guess we should go for real silver. | 0:06:47 | 0:06:50 | |
Yeah, it's got to be in good condition | 0:06:50 | 0:06:52 | |
-and real silver, exactly. -OK. -Yeah. -Never mind. | 0:06:52 | 0:06:55 | |
-It's a nutcracker. -Is this a nutcracker? -You're right. | 0:06:59 | 0:07:02 | |
-What you have is a collectable piece of Black Forest carving. -Yes. | 0:07:02 | 0:07:07 | |
It will appeal to the dog collectors | 0:07:07 | 0:07:10 | |
and also nutcracker collectors | 0:07:10 | 0:07:12 | |
and Black Forest collectors. | 0:07:12 | 0:07:15 | |
The nice thing about that is that it still has the original glass eyes | 0:07:15 | 0:07:21 | |
and these eyes move. | 0:07:21 | 0:07:22 | |
In actual fact, they follow you as you move around... | 0:07:22 | 0:07:26 | |
They follow you as you move around the room. | 0:07:26 | 0:07:28 | |
LAUGHTER | 0:07:28 | 0:07:29 | |
-And that one is...? -It's got 75 on it. | 0:07:29 | 0:07:32 | |
The best price I can do on it, it should be 60, I'll do 50 | 0:07:32 | 0:07:36 | |
because I've had a good day. | 0:07:36 | 0:07:37 | |
Novelties always make money because you've always got somebody with a warped sense of humour. | 0:07:37 | 0:07:42 | |
-Some nutter. -Yes, like you and me. | 0:07:42 | 0:07:44 | |
-That's very good. Some nutter. -There you are. | 0:07:44 | 0:07:48 | |
-It took you a long time to get that one, ladies. -I got it! | 0:07:48 | 0:07:51 | |
'You're barking mad!' | 0:07:52 | 0:07:54 | |
-What's this? A cigar holder? -It's a cigar holder. | 0:08:01 | 0:08:04 | |
-A cigar holder? -Isn't that neat, eh? | 0:08:04 | 0:08:06 | |
-I like that. -I like it. I like it. Have a feel. | 0:08:06 | 0:08:10 | |
You're not a smoker, are you, Ellie? | 0:08:10 | 0:08:12 | |
A wine bottle. You could have that hidden in with all your wine | 0:08:12 | 0:08:16 | |
and your missus would never know if you're smoking a couple of cigars on the side. | 0:08:16 | 0:08:20 | |
-Is there any more movement on that? -Er, let me see what I can do. | 0:08:23 | 0:08:27 | |
-I've had a good day, so 40. -40? | 0:08:30 | 0:08:32 | |
Have you forgotten about Humpty? | 0:08:32 | 0:08:34 | |
What was your best of the best of the best for the two? | 0:08:34 | 0:08:37 | |
-Tell me what you're thinking and don't say 150. -I wasn't going to. | 0:08:37 | 0:08:41 | |
I was sort of going to meet you somewhere in the middle, maybe, | 0:08:41 | 0:08:45 | |
between 150 and 200. | 0:08:45 | 0:08:48 | |
-How about 190? -No. That wasn't quite the middle. | 0:08:48 | 0:08:51 | |
-Well, I've got to make a profit as well. -I know, I know, | 0:08:51 | 0:08:55 | |
but we're nice people and you're a nice lady. | 0:08:55 | 0:08:58 | |
LAUGHTER | 0:08:58 | 0:08:59 | |
Oh, you smooth talker! | 0:08:59 | 0:09:01 | |
-175 for the two. -God, you're a hard woman. Go on, then. | 0:09:01 | 0:09:06 | |
-Do you reckon? -175, girls. You have just bought two items. | 0:09:06 | 0:09:11 | |
Crikey! Good work. | 0:09:11 | 0:09:14 | |
Now, guys, over here. Look at this. | 0:09:14 | 0:09:18 | |
-Wow. -What do you think it is? | 0:09:19 | 0:09:21 | |
-Have a guess. -A magic wand. | 0:09:21 | 0:09:24 | |
Well, it could almost be a magic wand. | 0:09:24 | 0:09:27 | |
In fact, you think, well, what's up with it? | 0:09:27 | 0:09:29 | |
-What's up with it? -Is there something missing from the end? -You're right. | 0:09:29 | 0:09:33 | |
-And where is that? -Inside. -So watch, I undo this... | 0:09:33 | 0:09:37 | |
-And then this attachment is on like that... -Oh! | 0:09:38 | 0:09:41 | |
And, of course, it's a conductor's baton. | 0:09:41 | 0:09:44 | |
-Isn't it great? -It's cool. -Fantastic. | 0:09:44 | 0:09:46 | |
We like objects with pedigree and this long, extending baton - | 0:09:46 | 0:09:50 | |
that's the top part there, | 0:09:50 | 0:09:51 | |
the mushroom, silver, chased cover goes on like so - | 0:09:51 | 0:09:55 | |
and we can see on it, it's inscribed and dated. | 0:09:55 | 0:09:58 | |
It reads, "Presented to Mr Scaife by the Wandsworth Male Voice Choir, | 0:09:58 | 0:10:05 | |
"April 1908." | 0:10:05 | 0:10:07 | |
Each tip is full hallmarked, it's an ebonised, tapered shaft | 0:10:07 | 0:10:11 | |
and what makes it unusual is it's in three pieces. | 0:10:11 | 0:10:14 | |
And you can take it all apart like that. | 0:10:14 | 0:10:16 | |
It's in three detachable bits | 0:10:16 | 0:10:18 | |
and what is so nice, it also has its original case. | 0:10:18 | 0:10:22 | |
-It's beautiful. -Isn't it? -It's lovely. -I like it. | 0:10:22 | 0:10:24 | |
-I think it's different. -Can I ask, dare I ask how much? | 0:10:24 | 0:10:28 | |
What's it worth? Well... | 0:10:28 | 0:10:30 | |
'Good question, Ellie.' | 0:10:30 | 0:10:31 | |
-95. -£95. I like it. -Yes. | 0:10:31 | 0:10:36 | |
OK, now, in a sale room, what's it worth? | 0:10:36 | 0:10:38 | |
Because it's in three divisions, I would suggest to a client up north, | 0:10:38 | 0:10:44 | |
where things are a bit cheaper because of the north-south divide, | 0:10:44 | 0:10:48 | |
it would carry a guide price of between £80-£120. | 0:10:48 | 0:10:51 | |
-OK, that's my thought on value. -Right. | 0:10:51 | 0:10:53 | |
We're going to Chelsea, love, | 0:10:53 | 0:10:56 | |
we're going to the big market on a Sunday in a retail environment, | 0:10:56 | 0:11:00 | |
it might make a bit more. | 0:11:00 | 0:11:02 | |
-I like it. -It fits in with what you said about something nice and stylish. | 0:11:02 | 0:11:06 | |
-Any chance of 90, at all? -£90. -£90? | 0:11:06 | 0:11:10 | |
-I'd buy it. -I'd buy it. -Because I like it. | 0:11:10 | 0:11:12 | |
Definitely. | 0:11:12 | 0:11:13 | |
-It's different. -I've not seen anything like that before. | 0:11:13 | 0:11:17 | |
-It's got provenance. -You could even make a romantic story up about it. | 0:11:17 | 0:11:22 | |
Yes, you could, and on that note, we'll take it. | 0:11:22 | 0:11:24 | |
-Definitely. -All right. -Happy with that? -Fantastic. -Are you sure, Dad? | 0:11:24 | 0:11:28 | |
Yep, I love it. I think it's brilliant. | 0:11:28 | 0:11:30 | |
-We've done it. OK. That's our first one down. -Brilliant. | 0:11:30 | 0:11:34 | |
-These light fittings are really astonishing. -Yeah. | 0:11:36 | 0:11:40 | |
I would say that these things are Italian. | 0:11:40 | 0:11:42 | |
The Italians have always had great style. | 0:11:42 | 0:11:44 | |
Mm, speaking of style... | 0:11:49 | 0:11:51 | |
This is a beautiful place, you know, | 0:11:55 | 0:11:57 | |
and even the furniture, is, oh, I don't know - comfortable. | 0:11:57 | 0:12:02 | |
It's attractive to look at, it's practical and comfy. | 0:12:02 | 0:12:06 | |
And what I love are | 0:12:06 | 0:12:07 | |
some of these decorative objects just sitting around, | 0:12:07 | 0:12:10 | |
dating from the 1950s and 1960s. | 0:12:10 | 0:12:14 | |
Take these two dishes. | 0:12:14 | 0:12:16 | |
Now, this one is shaped rather like a chip of wood that's warped. | 0:12:16 | 0:12:23 | |
It's actually made of bronze or brass, or at least the core is, | 0:12:23 | 0:12:28 | |
and there's been some incredibly complicated technical treatment | 0:12:28 | 0:12:33 | |
to create this decorative effect. | 0:12:33 | 0:12:35 | |
To make this lovely rippled, almost striped grain within the enamel, | 0:12:35 | 0:12:42 | |
they've had to apply silver foil onto the brass or bronze ground, | 0:12:42 | 0:12:47 | |
cut it into strips and then apply this opaque orange enamel on top. | 0:12:47 | 0:12:54 | |
But for the last third, there hasn't been any enamelling | 0:12:54 | 0:12:58 | |
on the silver-foil ground. | 0:12:58 | 0:13:01 | |
They've simply created by casting | 0:13:01 | 0:13:03 | |
this oddball, geometric arrangement of divided cubes | 0:13:03 | 0:13:09 | |
with a crizzled skin type ground on the outside, | 0:13:09 | 0:13:15 | |
something that is abstract and utterly delightful. | 0:13:15 | 0:13:19 | |
Now, the complementing dish is even more peculiarly shaped. | 0:13:19 | 0:13:25 | |
Look at that. You hold that up like that. | 0:13:25 | 0:13:27 | |
You've got that curve on that plane and that curve on that plane | 0:13:27 | 0:13:32 | |
It has a similar form of decoration, | 0:13:32 | 0:13:35 | |
except the geometric band on this side | 0:13:35 | 0:13:38 | |
is of a different shape | 0:13:38 | 0:13:40 | |
and if we turn it upside down, | 0:13:40 | 0:13:42 | |
you can see that it's been enamelled on the back | 0:13:42 | 0:13:44 | |
and we get a mark. | 0:13:44 | 0:13:46 | |
That mark within a shaped pyramid says Del Campo, | 0:13:46 | 0:13:51 | |
which indicates who the manufacturer was in Italy. | 0:13:51 | 0:13:55 | |
In 1952, a group of enamellers, art students, | 0:13:56 | 0:14:01 | |
founded a loose association and two of those left that association | 0:14:01 | 0:14:07 | |
in 1957 to set up the Del Campo works. | 0:14:07 | 0:14:11 | |
So we know that these dishes date from around 1957 to 1960. | 0:14:11 | 0:14:17 | |
They're in perfect condition. | 0:14:17 | 0:14:20 | |
They are, truly, the antiques of the future | 0:14:20 | 0:14:24 | |
and I think it's remarkable that you can buy | 0:14:24 | 0:14:27 | |
something of this quality for only | 0:14:27 | 0:14:31 | |
£1,650. | 0:14:31 | 0:14:33 | |
And who knows what sort of a deal you might get | 0:14:33 | 0:14:36 | |
if you walked in here with pound notes. | 0:14:36 | 0:14:38 | |
HE SPEAKS ITALIAN | 0:14:39 | 0:14:41 | |
Look at these great pillars here. Have a guess how much? | 0:14:51 | 0:14:55 | |
They are from a villa on Lake Como. | 0:14:55 | 0:14:57 | |
-OK, all that romance. -Oh, wow. -And that's provenance, isn't it? | 0:14:57 | 0:15:01 | |
-Yeah. -£2,000. | 0:15:01 | 0:15:03 | |
-You pay for the experience of being taken back to Italy. -Exactly. | 0:15:03 | 0:15:07 | |
And that's all, OK? | 0:15:07 | 0:15:08 | |
Oh, never mind the romance, Carlos. Get shopping! | 0:15:08 | 0:15:12 | |
At least you Blues know where you're going. | 0:15:12 | 0:15:15 | |
-..downstairs but can we get there? -The way we came? | 0:15:15 | 0:15:17 | |
-Or maybe not. -Can't we get down this way? | 0:15:17 | 0:15:20 | |
-Shall we go the way we came? -Yeah, yeah. -I think so. | 0:15:20 | 0:15:23 | |
Ah, that's more like it. | 0:15:26 | 0:15:28 | |
Wait a minute. | 0:15:30 | 0:15:32 | |
TAPE REWINDING | 0:15:32 | 0:15:33 | |
Who's that handsome fellow? | 0:15:35 | 0:15:37 | |
-We're just enquiring, sir. How much is it? -250. | 0:15:38 | 0:15:41 | |
Is that £250? | 0:15:41 | 0:15:43 | |
Or £2.50? | 0:15:43 | 0:15:45 | |
£250. | 0:15:45 | 0:15:47 | |
Yeah, OK. We'll leave it. | 0:15:47 | 0:15:48 | |
-LAUGHTER -We'll move on, thank you. -Thank you. | 0:15:48 | 0:15:52 | |
Quick march, Reds, you're way behind. | 0:15:52 | 0:15:55 | |
This is what really caught my eye, the little girl and the boy | 0:15:55 | 0:16:00 | |
and they're a set. | 0:16:00 | 0:16:01 | |
-German Art Nouveau. -I just think that they're charming. | 0:16:01 | 0:16:05 | |
-They are delightful, though... -They're decorative. -Oh, yes, absolutely. | 0:16:05 | 0:16:09 | |
You've got the key. Hooray. | 0:16:09 | 0:16:12 | |
You girls really know what you're after. | 0:16:12 | 0:16:15 | |
-But can you get it? -No, that's too big. -That's too big, is it? | 0:16:16 | 0:16:20 | |
Yeah. | 0:16:20 | 0:16:22 | |
Right, guys, don't panic, you know, it's tough at the moment. | 0:16:23 | 0:16:27 | |
We bought the first item the best part of half an hour ago now | 0:16:27 | 0:16:31 | |
but don't panic because it does happen. | 0:16:31 | 0:16:33 | |
-Right. -So frustrating. | 0:16:33 | 0:16:36 | |
OK, ah, there we are. | 0:16:36 | 0:16:38 | |
-And they're in! -Yes, yes! -Brilliant. | 0:16:38 | 0:16:41 | |
There you are, Anita, and let's have a look at the boy. | 0:16:41 | 0:16:45 | |
-These are actually for hanging on the wall. -Yes. | 0:16:45 | 0:16:48 | |
They've very sweet. The subjects are good. They're romantic, again. | 0:16:48 | 0:16:52 | |
The little girl and the little boy. Children always sell. | 0:16:52 | 0:16:56 | |
They are very Germanic. They're in traditional dress, aren't they? | 0:16:56 | 0:17:00 | |
Can I ask you what price the pair are? | 0:17:00 | 0:17:03 | |
We have a price of something like... Sorry. | 0:17:03 | 0:17:07 | |
280 for the pair. | 0:17:07 | 0:17:10 | |
We can do it for about £100 | 0:17:10 | 0:17:12 | |
but we can't do it for any less than that. | 0:17:12 | 0:17:14 | |
-So £200 was for the pair... -Yes. | 0:17:14 | 0:17:17 | |
-..but you can sell them for £100, the pair? -Yeah. -The pair. -Yeah. | 0:17:17 | 0:17:21 | |
Well, what do you think, Anita? | 0:17:21 | 0:17:23 | |
Well, I think that they're very pretty items. | 0:17:23 | 0:17:26 | |
I think £100 is not expensive. | 0:17:26 | 0:17:29 | |
They're probably not late 19th, early 20th century. | 0:17:29 | 0:17:35 | |
They're probably a little bit later | 0:17:35 | 0:17:37 | |
-but the style carries them through. -Right. | 0:17:37 | 0:17:40 | |
I think they're very nice and I think £100 is a good price. | 0:17:40 | 0:17:43 | |
-Very appealing. -Yes. -OK. | 0:17:43 | 0:17:46 | |
Yes. I like the pair. | 0:17:46 | 0:17:48 | |
It makes me smile. | 0:17:49 | 0:17:51 | |
That's what we like to see on Bargain Hunt. | 0:17:51 | 0:17:53 | |
-Exactly. Smile, smile, smile. -Thank you very much. -Brilliant. | 0:17:53 | 0:17:57 | |
Good work! You're done. | 0:17:57 | 0:17:59 | |
Come on, Reds. You're two down. | 0:17:59 | 0:18:02 | |
I wonder, madam, may we have a look at this nice cigarette case? | 0:18:02 | 0:18:06 | |
-That's not silver. -Oh, is it? What a shame. | 0:18:06 | 0:18:08 | |
-There we are. -Isn't that gorgeous? -It's a lovely colour. | 0:18:08 | 0:18:11 | |
-Ellie, look at that. -Vibrant. | 0:18:11 | 0:18:14 | |
-A vibrant cigarette case. -Yeah. -It's of great quality. | 0:18:14 | 0:18:18 | |
It is electroplate nickel silver. We can see it marked there. | 0:18:18 | 0:18:22 | |
But look at the form, look at the skyscraper effect. Can you see that? | 0:18:22 | 0:18:27 | |
-Yeah. -In that columnar, enamel champleve inset. | 0:18:27 | 0:18:31 | |
I love this engine turning on the blue | 0:18:31 | 0:18:33 | |
and importantly, what's so good about it, Phil? | 0:18:33 | 0:18:35 | |
-Er, undamaged. -Exactly, exactly. Look at the condition. | 0:18:37 | 0:18:41 | |
-Suave. -Do people still buy cigarette cases? -They do. | 0:18:41 | 0:18:44 | |
-It makes for a nice 18th or 21st birthday present. -Absolutely. | 0:18:44 | 0:18:48 | |
The quality is divine. | 0:18:48 | 0:18:50 | |
It's on at £85. | 0:18:50 | 0:18:51 | |
-It's a bit steep if it's not silver. -It's a bit too much. | 0:18:53 | 0:18:56 | |
-I'll see what I can do. -Oh, thank you. -60? | 0:18:56 | 0:19:00 | |
£60. That's a nice discount. | 0:19:00 | 0:19:02 | |
OK, and I would guide that between, at auction, 50 and 70. | 0:19:02 | 0:19:09 | |
So it's not a massive sort of margin but with time of the essence... | 0:19:09 | 0:19:13 | |
We're OK but it's worthy of thought. | 0:19:13 | 0:19:16 | |
-What's that case up there for? -That's nice, isn't it? | 0:19:16 | 0:19:19 | |
-Little cameo case. -Yeah, is it a cameo case? | 0:19:19 | 0:19:23 | |
That's sweet, isn't it? And that's the original box for it. | 0:19:23 | 0:19:26 | |
Isn't that gorgeous? | 0:19:26 | 0:19:27 | |
That is a wonderful neoclassical, gilt, bellflower gilded case | 0:19:27 | 0:19:32 | |
-and that lovely photo frame, is it? -It is. | 0:19:32 | 0:19:35 | |
-Which comes out. That's gorgeous, isn't it? -That's beautiful. | 0:19:35 | 0:19:38 | |
-Is it double-sided, as well? -Double-sided. | 0:19:38 | 0:19:41 | |
So in fact you could have your loved one on either side | 0:19:41 | 0:19:45 | |
or maybe a lock of hair on one side and a portrait of your partner, | 0:19:45 | 0:19:48 | |
-lover, husband, wife... -Depends who it is, yeah. -..on the other. | 0:19:48 | 0:19:51 | |
It's probably around 1900, 1910. | 0:19:51 | 0:19:55 | |
So it's high Edwardian elegance. | 0:19:55 | 0:19:59 | |
-What's the best price, madam? -150. -150. -150. | 0:19:59 | 0:20:03 | |
If we bought the two lots together... | 0:20:05 | 0:20:07 | |
what would the best price be for the two? | 0:20:09 | 0:20:11 | |
-I'd take off another 15. -So it would be 195, is that right? | 0:20:11 | 0:20:15 | |
-Yeah. -195. -How about 180? -All right, I'll make it 190. | 0:20:15 | 0:20:18 | |
What do you think? Phil, talk to me. | 0:20:18 | 0:20:21 | |
Well, they're both great items. They're both stunning. | 0:20:21 | 0:20:25 | |
-They're lovely. -Ten minutes to go. | 0:20:25 | 0:20:26 | |
I'm very taken with that. I'm very taken with that. | 0:20:26 | 0:20:31 | |
But I still feel 150's a little too high. | 0:20:31 | 0:20:33 | |
-Is there any...? -Can you squeeze another ten for us? -I'll take another ten off to help you. | 0:20:33 | 0:20:37 | |
-Thank you. -At £140, this has enough quality to make a bit more. | 0:20:37 | 0:20:43 | |
I have to say, I prefer the pair. Let's go for both of them. | 0:20:43 | 0:20:46 | |
-Let's do it. Let's do it. -Go. Go. | 0:20:46 | 0:20:48 | |
There's nothing else you like more? These are my top two choices | 0:20:48 | 0:20:52 | |
of what we've seen so far. | 0:20:52 | 0:20:53 | |
I've only met you today but I trust you already, so, yes. | 0:20:53 | 0:20:57 | |
-That's always bad news, isn't it? -It's all on you, then. | 0:20:57 | 0:21:00 | |
-And, really, 140's the lowest? -Yes. -Absolute lowest? | 0:21:00 | 0:21:05 | |
OK, 135. | 0:21:05 | 0:21:06 | |
-Perfect. -You're a star. -You're perfect. | 0:21:06 | 0:21:09 | |
135 and 40 makes £175. | 0:21:09 | 0:21:13 | |
-That's enough. -Yes! Done! | 0:21:13 | 0:21:15 | |
-Well done. -Well done. -Thanks. | 0:21:15 | 0:21:18 | |
-All done. -Done. -Brilliant. | 0:21:18 | 0:21:20 | |
Right, that's it. Time's up. | 0:21:20 | 0:21:23 | |
OK, you 'orrible Reds, let's check out what you bought. | 0:21:23 | 0:21:26 | |
The silver-topped conductor's baton really struck a chord | 0:21:29 | 0:21:32 | |
with Phil and Ellie. | 0:21:32 | 0:21:34 | |
They wanted style and they found it in the enamelled cigarette case. | 0:21:36 | 0:21:40 | |
And it's pretty as a picture | 0:21:42 | 0:21:44 | |
but can the cameo case make a profit in the sale room? | 0:21:44 | 0:21:47 | |
-I'm really happy. -I love the things we bought. | 0:21:48 | 0:21:51 | |
-Really happy. -It's always nice to finish, isn't it? | 0:21:51 | 0:21:53 | |
That's what I like about happy families, Charles. | 0:21:53 | 0:21:56 | |
You're so good at looking after your team. Congratulations, anyway. | 0:21:56 | 0:22:00 | |
-So that's well shopped, isn't it? -Very well shopped. -It is. | 0:22:00 | 0:22:03 | |
-What did you spend overall, then? -£265. | 0:22:03 | 0:22:07 | |
-Correct. -Who's got the £35 smackers? -I do. -I want that. | 0:22:07 | 0:22:10 | |
-No, you're not allowed out on your own. -No? -There you go. | 0:22:10 | 0:22:13 | |
-£35. Thank you. There you go, Charles. -Thanks, Tim. | 0:22:13 | 0:22:16 | |
-What are you going to do with that? -Well, I think the gardening influence is difficult here | 0:22:16 | 0:22:21 | |
but I think something wooden, something stick-like. | 0:22:21 | 0:22:24 | |
-In other words... -Yes? -..a golf club. | 0:22:24 | 0:22:27 | |
I don't know. Something with a hard edge. | 0:22:27 | 0:22:29 | |
-We're looking for something a bit raw and unrefined... -Natural. | 0:22:29 | 0:22:33 | |
..and we can take it out to Chelsea. | 0:22:33 | 0:22:36 | |
OK, well, I like the sound of all of this. | 0:22:36 | 0:22:38 | |
Anyway, you've had a great time. Thanks, Charles. Super-duper. | 0:22:38 | 0:22:41 | |
We're going to check out what the Blue team bought, what? | 0:22:41 | 0:22:45 | |
They kicked off with a cracking Toby jug | 0:22:46 | 0:22:49 | |
in the shape of Humpty Dumpty. | 0:22:49 | 0:22:51 | |
And then they snapped up the Black Forest nutcracker | 0:22:52 | 0:22:55 | |
at the bargain price of £30. | 0:22:55 | 0:22:57 | |
A pair of wall plaques decorated with children | 0:22:59 | 0:23:02 | |
completes the picture. | 0:23:02 | 0:23:03 | |
-That was great fun, wasn't it? -It was good fun, yeah. | 0:23:03 | 0:23:06 | |
It's comfy down here on the family settee. | 0:23:06 | 0:23:08 | |
-How was your shop? Pretty good? -Good. Very good. | 0:23:08 | 0:23:11 | |
-Speedy. -Fast and furious. -Yeah. Within half an hour, I was told. | 0:23:11 | 0:23:15 | |
Absolutely. No messing. | 0:23:15 | 0:23:17 | |
I hope you haven't been too speedy about this. | 0:23:17 | 0:23:19 | |
What did you spend overall? | 0:23:19 | 0:23:21 | |
Er, we spent, what? £275. | 0:23:21 | 0:23:26 | |
-OK, who's got the 25 smackers? -Me. | 0:23:26 | 0:23:27 | |
-Thank you. Can I have it? -There you go. -Thank you. £25. | 0:23:27 | 0:23:31 | |
-Here you are, Anita Manning. Here's your £25. -£25. -Yeah. | 0:23:31 | 0:23:34 | |
Do you stand any chance of finding anything for £25? | 0:23:34 | 0:23:38 | |
Of course I'll find something for £25. | 0:23:38 | 0:23:42 | |
That's tons of money. | 0:23:42 | 0:23:43 | |
There's lots of nice little bits and pieces for very modest prices. | 0:23:43 | 0:23:47 | |
OK, fine, well, we'll leave that with you, Anita. | 0:23:47 | 0:23:50 | |
Meanwhile, we're heading off to Buckinghamshire, | 0:23:50 | 0:23:53 | |
to West Wycombe Park, no less. | 0:23:53 | 0:23:55 | |
The estate was passed between various kings, bishops and queens | 0:24:02 | 0:24:08 | |
until 1706, when it was acquired by a successful merchant | 0:24:08 | 0:24:13 | |
by the name of Dashwood. | 0:24:13 | 0:24:15 | |
Things got really interesting here, though, when his son inherited | 0:24:15 | 0:24:20 | |
and decided to give the place a makeover | 0:24:20 | 0:24:23 | |
and created a magnificent Palladian mansion. | 0:24:23 | 0:24:27 | |
But this place is no museum. Oh, no. | 0:24:34 | 0:24:37 | |
There's one room | 0:24:37 | 0:24:39 | |
that perfectly synthesises historic house with family home | 0:24:39 | 0:24:43 | |
and it's just over here. | 0:24:43 | 0:24:45 | |
And it's called, surprise, surprise, the Tapestry Room, | 0:24:49 | 0:24:53 | |
because it's completely contained by Brussels tapestries, | 0:24:53 | 0:24:59 | |
which were produced early in the 18th century. | 0:24:59 | 0:25:02 | |
They were originally bought by the Duke of Marlborough | 0:25:02 | 0:25:05 | |
and distributed to his friends and colleagues | 0:25:05 | 0:25:08 | |
to celebrate his successful battles in the Netherlands. | 0:25:08 | 0:25:12 | |
These were given to the Earl of Westmorland, | 0:25:12 | 0:25:15 | |
who subsequently left them to the Dashwoods in the 1760s, | 0:25:15 | 0:25:19 | |
which is when they were hung in this room. | 0:25:19 | 0:25:22 | |
They depict a series of scenes | 0:25:22 | 0:25:25 | |
taken from paintings by Teniers the Younger | 0:25:25 | 0:25:29 | |
and the scene behind me shows a fish market. | 0:25:29 | 0:25:32 | |
On the right-hand side we've got the fisherman themselves | 0:25:32 | 0:25:36 | |
drawing their nets | 0:25:36 | 0:25:37 | |
and if you progress up the pier itself, | 0:25:37 | 0:25:40 | |
you see the progress of the cod, | 0:25:40 | 0:25:42 | |
until you get to the fishmonger and the fishwife at the end | 0:25:42 | 0:25:46 | |
doing a bit of filleting. | 0:25:46 | 0:25:48 | |
Now, the tapestry along the end wall here shows a bowls match. | 0:25:48 | 0:25:53 | |
And, indeed, the characters who are about to set about the bowling | 0:25:53 | 0:25:59 | |
look completely miserable. | 0:25:59 | 0:26:01 | |
Quite why they're looking so miserable, though, I can't tell you | 0:26:01 | 0:26:05 | |
because the entire left-hand section of the tapestry | 0:26:05 | 0:26:09 | |
has been cut about. | 0:26:09 | 0:26:10 | |
When they arrived here, the Dashwoods would have recognised | 0:26:10 | 0:26:14 | |
that the full length up above fits the wall perfectly | 0:26:14 | 0:26:18 | |
but unfortunately, the doorway and fireplace are in the way, | 0:26:18 | 0:26:22 | |
so they simply cut up the old tapestry | 0:26:22 | 0:26:25 | |
to fit around the fire and the door. | 0:26:25 | 0:26:28 | |
Huh! Some would say that this is a wanton act of vandalism | 0:26:28 | 0:26:33 | |
but you have to place this in the context of the time. | 0:26:33 | 0:26:37 | |
These tapestries, when they were hung, would have been 50 years old. | 0:26:37 | 0:26:41 | |
They wouldn't have been revered as early 18th century Brussels tapestries. | 0:26:41 | 0:26:46 | |
They'd be probably looked at as rather old-fashioned | 0:26:46 | 0:26:50 | |
and therefore, no big deal to cut that lump out. | 0:26:50 | 0:26:53 | |
The vision on the far wall is complete | 0:26:53 | 0:26:57 | |
and it depicts the return of the harvest. | 0:26:57 | 0:26:59 | |
Of course, the big question today is | 0:27:00 | 0:27:02 | |
are our teams about to harvest a bumper crop over at the auction? | 0:27:02 | 0:27:07 | |
It's time to find out. | 0:27:10 | 0:27:12 | |
We're at Lots Road sale room in Chelsea, | 0:27:12 | 0:27:14 | |
where auctioneer Nick Carter is wielding the gavel. | 0:27:14 | 0:27:18 | |
Now, Ellie and Phil have gone with their baton. How do you rate that? | 0:27:22 | 0:27:27 | |
I think it's a lovely thing. Silver mounts on it. Very nice indeed. | 0:27:27 | 0:27:31 | |
-How much? -£100-£200. -OK, £90 paid. | 0:27:31 | 0:27:34 | |
£90 paid. I wouldn't be surprised if we see it going reasonably up | 0:27:34 | 0:27:39 | |
that £100-£200 scale. | 0:27:39 | 0:27:40 | |
Now, what about the plated and enamel cigarette case? | 0:27:40 | 0:27:43 | |
Cigarette cases are not that desirable nowadays, obviously. | 0:27:43 | 0:27:48 | |
It's in reasonable condition. The enamel is pretty much untouched. | 0:27:48 | 0:27:52 | |
-A bit of scratching on the surface but no chips. -No chips. | 0:27:52 | 0:27:55 | |
I would think we're going to see £20-£40 on it. | 0:27:55 | 0:27:58 | |
They paid £40, so that's about it. | 0:27:58 | 0:28:01 | |
Their last item is the miniature frame, | 0:28:01 | 0:28:04 | |
-which I think is only gilt metal, isn't it? -It is only gilt metal. | 0:28:04 | 0:28:07 | |
A lovely, leather, outer folding case but no miniature. | 0:28:07 | 0:28:12 | |
No miniature but it would be a lovely thing | 0:28:12 | 0:28:15 | |
to have an image in there - a photograph of yourself, Tim, maybe - | 0:28:15 | 0:28:19 | |
-Well... -..and you can put it down by the side of the bed, | 0:28:19 | 0:28:22 | |
-see you all the time. -A two-faced photograph. | 0:28:22 | 0:28:25 | |
Perfect. How much do you think | 0:28:25 | 0:28:28 | |
one of your wealthy punters here in Chelsea will pay? | 0:28:28 | 0:28:32 | |
I think it's worth £60-£90. | 0:28:32 | 0:28:34 | |
Is that all? Because they paid £135, you know. | 0:28:34 | 0:28:37 | |
-They went out on a limb for this. -Mm. | 0:28:37 | 0:28:40 | |
I think if you're buying a gift for somebody | 0:28:40 | 0:28:43 | |
and you're buying it retail, £135 isn't terrible | 0:28:43 | 0:28:46 | |
-but at auction, it's £60-£90. -To buy and resell. OK, fair enough. | 0:28:46 | 0:28:50 | |
You know your market. | 0:28:50 | 0:28:52 | |
And the estimate at £60-£90 is a tease, isn't it? | 0:28:52 | 0:28:54 | |
It's saying, "Come and buy me." | 0:28:54 | 0:28:56 | |
Still, depending on how that strategy works, | 0:28:56 | 0:28:59 | |
will determine whether they need the bonus buy or not, | 0:28:59 | 0:29:01 | |
so let's go and have a look at it. | 0:29:01 | 0:29:03 | |
Well, you spent £265, | 0:29:04 | 0:29:06 | |
you gave £35 to Charles Handsome. | 0:29:06 | 0:29:10 | |
What did you spend it on, handsome? | 0:29:10 | 0:29:13 | |
Here we go. Look at that. | 0:29:13 | 0:29:15 | |
LAUGHTER | 0:29:15 | 0:29:16 | |
There is nothing like monkey business, OK? | 0:29:16 | 0:29:19 | |
We had some monkey business in our hour | 0:29:19 | 0:29:22 | |
and this is just novelty | 0:29:22 | 0:29:24 | |
and novelty when it comes to decorative art from the early 20th century, | 0:29:24 | 0:29:28 | |
all those factors in unison play very well together. | 0:29:28 | 0:29:31 | |
-What do you think? -Do you really want to know? | 0:29:31 | 0:29:33 | |
-Be honest. -You know we're meant to make a profit, don't you? | 0:29:33 | 0:29:37 | |
Absolutely and this, I like a lot because it's in good condition. | 0:29:37 | 0:29:41 | |
Look at that monkey, those eyes, smiling at you. | 0:29:41 | 0:29:44 | |
It's saying, "Take me on. I'll make a profit." | 0:29:44 | 0:29:47 | |
Marked on the base. There's your all-important shape number, the Bretby mark. | 0:29:47 | 0:29:52 | |
Made in England, so we know it's after 1921 | 0:29:52 | 0:29:54 | |
and I love the glaze. | 0:29:54 | 0:29:56 | |
I think it's good fun. | 0:29:56 | 0:29:58 | |
-Dare we ask how much you paid for it? -It cost me £30. | 0:29:58 | 0:30:02 | |
And I would be surprised if it didn't make between 40 and 60. | 0:30:02 | 0:30:06 | |
Only a small profit but that is the name of the game | 0:30:06 | 0:30:08 | |
and that's my job today. | 0:30:08 | 0:30:10 | |
-Mm. -Right, OK. -It's worth thinking about. | 0:30:10 | 0:30:13 | |
Are Bretby still producing now? | 0:30:13 | 0:30:15 | |
-No. -No. -Aren't Bretby in Derbyshire? -They are. | 0:30:15 | 0:30:18 | |
-Ah! -Is that why you went for it? -Bretby are in Burton-on-Trent, | 0:30:18 | 0:30:22 | |
-off the A511... -Yeah, yeah. -..between Derby and Burton. | 0:30:22 | 0:30:25 | |
-Not far from your sale room. -Tim, about 11.5 miles away. | 0:30:25 | 0:30:29 | |
-There we go. Anyway, very, very good for that, yes? -Yes. -Yes. | 0:30:30 | 0:30:34 | |
You don't pick it now, you pick it later but for the audience at home, | 0:30:34 | 0:30:37 | |
let's find out what the auctioneer thinks about Charles Hanson's Bretby monkey. | 0:30:37 | 0:30:42 | |
-That's a bit of fun. -Yes. -Isn't that marvellous? | 0:30:44 | 0:30:47 | |
It's interesting, isn't it? But it's a little bit ugly, Tim, isn't it? | 0:30:47 | 0:30:52 | |
There are collectors for this type of thing. | 0:30:52 | 0:30:56 | |
-What's your estimate? -25 to 50. -OK, £30 paid by Charles Hanson. | 0:30:56 | 0:31:00 | |
Derbyshire man, he'll know his local pottery. | 0:31:00 | 0:31:03 | |
Anyway, that's it for the Reds, now for the Blues. | 0:31:03 | 0:31:06 | |
First up, another novelty piece of ceramic, look - Humpty Dumpty. | 0:31:06 | 0:31:11 | |
From the Carlton Ware factory, which is in Stoke-on-Trent. | 0:31:11 | 0:31:15 | |
Again, they were well-known for making these novelty pieces | 0:31:15 | 0:31:19 | |
with garish colours. | 0:31:19 | 0:31:21 | |
There are collectors for these, | 0:31:21 | 0:31:24 | |
not as many around as there used to be, | 0:31:24 | 0:31:26 | |
but it's an interesting thing. | 0:31:26 | 0:31:28 | |
It is Humpty Dumpty, he's not broken. | 0:31:28 | 0:31:30 | |
-Is he going to have a great fall? -Is he going to have a great fall? | 0:31:30 | 0:31:33 | |
I don't know how much they paid for him | 0:31:33 | 0:31:35 | |
but I would suggest that we're looking at 40 to 60. | 0:31:35 | 0:31:38 | |
-I have to tell you, he's had a great fall. -How much? | 0:31:38 | 0:31:40 | |
He's completely smashed. £145 they paid. | 0:31:40 | 0:31:43 | |
-£145? -Yeah, there we go. -Phew. -Dear, oh dear, oh dear. | 0:31:43 | 0:31:48 | |
Yes, I think that was a bit too much. | 0:31:48 | 0:31:50 | |
Next is the nutcracker. | 0:31:50 | 0:31:52 | |
The nutcracker. It's a very sort of pedestrian thing. | 0:31:52 | 0:31:55 | |
You see a lot of this sort of Black Forest carved woodwork | 0:31:55 | 0:31:59 | |
around and about and it turns up for sale. | 0:31:59 | 0:32:01 | |
-It never does particularly well. -It boils down to age, doesn't it? | 0:32:01 | 0:32:05 | |
If you've got Black Forest stuff from the early period, | 0:32:05 | 0:32:10 | |
late 19th, early 20th century, | 0:32:10 | 0:32:12 | |
the mid period, maybe, the '30s... | 0:32:12 | 0:32:15 | |
-I think that that's more like 1950s, 1960s. -Mm-hm. | 0:32:15 | 0:32:18 | |
-What's your estimate? -20 to 40. -I think that's right. They paid 30. | 0:32:18 | 0:32:21 | |
They didn't pay too much but it isn't going to make a big profit. | 0:32:21 | 0:32:25 | |
What about these white metal plaques? | 0:32:25 | 0:32:28 | |
-Do you fancy those? -They're not my cup of tea, really, Tim. | 0:32:28 | 0:32:31 | |
They're Continental, probably Austrian. | 0:32:31 | 0:32:34 | |
I think that really they would have been a set of four | 0:32:34 | 0:32:39 | |
and they're representing the seasons. | 0:32:39 | 0:32:41 | |
I think they will do OK. They'll do OK. | 0:32:41 | 0:32:44 | |
Somebody will buy those as an interesting, decorative thing. | 0:32:44 | 0:32:47 | |
They're bright and breezy. Glitzy things. | 0:32:47 | 0:32:49 | |
-So, how much? -30 to 50. -Not good enough. £100 they paid. | 0:32:49 | 0:32:53 | |
So they've apparently overpaid for the plaques, | 0:32:53 | 0:32:56 | |
they've apparently overpaid for Humpty Dumpty | 0:32:56 | 0:32:59 | |
and they're going to need their bonus buy. Let's have a look. | 0:32:59 | 0:33:02 | |
Now, Jackie and Ann, the leftover lolly moment. | 0:33:02 | 0:33:05 | |
You only gave Anita £25. What did you spend it on, Anita? | 0:33:05 | 0:33:10 | |
-ANITA LAUGHS -Is that shock? | 0:33:10 | 0:33:13 | |
It's a 1970s spherical, plastic and chrome | 0:33:14 | 0:33:21 | |
-ice bucket. -Oh! | 0:33:21 | 0:33:22 | |
OK. | 0:33:22 | 0:33:24 | |
-Right. -Have a look at it. -I've never seen a spherical one before. | 0:33:24 | 0:33:28 | |
-It's for spherical ice cubes. -Huh! | 0:33:28 | 0:33:31 | |
-And how much did that cost? -That's the important question. | 0:33:31 | 0:33:35 | |
-Yes. -£20. -£20. -£20? | 0:33:35 | 0:33:37 | |
I didn't have a lot of money to play with | 0:33:37 | 0:33:39 | |
but I thought that that had a good look, a vintage look, 1970s. | 0:33:39 | 0:33:45 | |
-Yes. -Mm-hm. -This type of material is popular just now in the market, | 0:33:45 | 0:33:50 | |
plastic - there is nothing wrong with plastic, Tim. | 0:33:50 | 0:33:53 | |
No. Lovely. What do you think? | 0:33:54 | 0:33:57 | |
-Yeah. -It's very tactile, isn't it? | 0:33:57 | 0:34:00 | |
-Yes, it's, erm... -Like a football, really. | 0:34:00 | 0:34:03 | |
-It's like a mirror, wherever you are. -It's like a mirror. | 0:34:03 | 0:34:06 | |
-So how much did you spend, did you say? -£20. | 0:34:06 | 0:34:09 | |
-And what sort of figure would it go for? -I would expect that to make perhaps 30. | 0:34:09 | 0:34:14 | |
-Really? -We don't know. -No. -We don't know. | 0:34:14 | 0:34:17 | |
It's not an exact science. We won't know until the hammer falls. | 0:34:17 | 0:34:20 | |
-Quite right. -We could get £10, we could get 50. | 0:34:20 | 0:34:23 | |
Well, perhaps not 50. | 0:34:23 | 0:34:25 | |
-We live in hope. -Think optimistically. -Absolutely. | 0:34:26 | 0:34:30 | |
Meanwhile, for the viewers at home, let's find out how optimistic | 0:34:30 | 0:34:34 | |
the auctioneer's going to be about Anita's ice bucket. | 0:34:34 | 0:34:37 | |
OK, Nick, one lump or two? | 0:34:38 | 0:34:40 | |
-Oh, isn't it an ice bucket, not a sugar bowl? -It is. | 0:34:40 | 0:34:43 | |
One lump of ice or two. | 0:34:43 | 0:34:44 | |
It's very stylish, isn't it? | 0:34:44 | 0:34:46 | |
You put ice in there, your friends come round, | 0:34:46 | 0:34:49 | |
you dip in there to put something in their G&T. | 0:34:49 | 0:34:51 | |
-Mm-hm. -Perfect. | 0:34:51 | 0:34:54 | |
-How much? -How much? Not a lot, is it? 30 to 50. | 0:34:54 | 0:34:58 | |
-Good lord. -I mean, it has got some age. | 0:34:58 | 0:35:00 | |
It's probably 1970s. | 0:35:00 | 0:35:02 | |
Amazing, isn't it? A cheaply made plastic, spherical ice container. | 0:35:02 | 0:35:07 | |
£30-£50 the estimate, Anita paid 20. | 0:35:07 | 0:35:10 | |
She'll be delighted if you get a price even approaching that. | 0:35:10 | 0:35:14 | |
Wonderful. | 0:35:14 | 0:35:16 | |
Stand by your beds. | 0:35:16 | 0:35:17 | |
Going... | 0:35:22 | 0:35:24 | |
Ellie, you're looking tense. | 0:35:24 | 0:35:26 | |
My heart is racing like the clappers, absolutely. | 0:35:26 | 0:35:29 | |
-Are you nervous about something? -Not nervous, just adrenaline. | 0:35:29 | 0:35:33 | |
-Is that what it is? -It's adrenaline I think, yes. | 0:35:33 | 0:35:35 | |
-Oh. What about you, Phil? -Eager anticipation, I think. | 0:35:35 | 0:35:39 | |
-Is that what it is? -Twitching with anticipation. | 0:35:39 | 0:35:41 | |
You never know what's going to happen. Anyway, exciting. | 0:35:41 | 0:35:44 | |
Different things, exciting things. | 0:35:44 | 0:35:46 | |
Let's see what happens. The first lot up is now. | 0:35:46 | 0:35:49 | |
This is the conductor's baton. | 0:35:49 | 0:35:52 | |
A very nice piece. Let's start it at £50. | 0:35:52 | 0:35:55 | |
At 50. Anyone want to bid me 60? | 0:35:55 | 0:35:57 | |
60 is yours, sir. 70's here. | 0:35:57 | 0:36:00 | |
80? £80 anywhere? | 0:36:00 | 0:36:02 | |
£70. 80 is bid. Any advance on 80? | 0:36:02 | 0:36:05 | |
-Are we all done at 80? -I can't believe it. | 0:36:05 | 0:36:08 | |
I'm going to sell it at £80. | 0:36:08 | 0:36:10 | |
-Any more for that now? -Come on! -One more. | 0:36:10 | 0:36:12 | |
90 is bid now. 90 is bid now. | 0:36:12 | 0:36:15 | |
-What about 100? £100 is bid, front row. -Yes. | 0:36:15 | 0:36:18 | |
Anyone want to go 10? It's 456, well done, sir. Nice thing. | 0:36:18 | 0:36:21 | |
456 at £100... | 0:36:21 | 0:36:24 | |
Going, going... | 0:36:24 | 0:36:27 | |
-Well done. Plus £10. -A profit, anyway. | 0:36:27 | 0:36:29 | |
-We can't complain. -No. -No, it's a profit. | 0:36:29 | 0:36:32 | |
381, this cigarette case, there. | 0:36:32 | 0:36:36 | |
I can start the bidding off there at £10. | 0:36:36 | 0:36:39 | |
Who'll bid me ten for that pretty case there? £10? | 0:36:39 | 0:36:42 | |
Who'll bid me 10? 10, anywhere? | 0:36:42 | 0:36:44 | |
-Ten anywhere now? Ten's bid. -Come on. | 0:36:44 | 0:36:46 | |
Anyone going to go 15 now? 15 anywhere now? | 0:36:46 | 0:36:49 | |
-Otherwise it's £10. -Oh, no. -It's the gentleman's bid at ten. | 0:36:49 | 0:36:52 | |
Anyone want to go 15 now? | 0:36:52 | 0:36:54 | |
-Otherwise I am selling to you, sir. -You do want to go 15. -All done? | 0:36:54 | 0:36:58 | |
-One, two, three at ten. -GAVEL BANGS | 0:36:58 | 0:37:00 | |
That's minus £30. Wicked. | 0:37:00 | 0:37:02 | |
382, the twin portrait case. I like this. Very pretty. | 0:37:02 | 0:37:07 | |
Let's start the bidding off on this lot at £20. | 0:37:07 | 0:37:11 | |
-Oh, no. -Oh, dear. | 0:37:11 | 0:37:13 | |
At 20, 5, 30. | 0:37:13 | 0:37:15 | |
Any advance on 30? | 0:37:15 | 0:37:17 | |
-Five, 40. -Come on. | 0:37:17 | 0:37:20 | |
-Five, 50. -Keep going. | 0:37:20 | 0:37:21 | |
£50. Any advance on 50? | 0:37:21 | 0:37:24 | |
-Any more for any more? -Go on. | 0:37:24 | 0:37:26 | |
55, 60. | 0:37:26 | 0:37:28 | |
Any advance on 60? | 0:37:28 | 0:37:30 | |
I'm going to sell it at £60, then. Going, going, gone at 60. | 0:37:30 | 0:37:35 | |
-Minus 75. -Dear, oh dear. | 0:37:35 | 0:37:38 | |
Of course, made a profit of £10, that means overall you're minus £95. | 0:37:38 | 0:37:43 | |
What are you going to do about the Bretby monkey? | 0:37:43 | 0:37:46 | |
-Because on this form it's going to do terribly well! -It's going to dive. | 0:37:46 | 0:37:50 | |
We've already made such a big loss, that... | 0:37:50 | 0:37:53 | |
-Go on, let's do it. -We'll do it. | 0:37:53 | 0:37:55 | |
We're going with the bonus buy. Here's the monkey. | 0:37:55 | 0:37:57 | |
Lot number 386. | 0:37:57 | 0:38:01 | |
We're ending on a high. It's our finale. | 0:38:01 | 0:38:03 | |
We now have the pottery ash tray, there. | 0:38:03 | 0:38:06 | |
I'm going to start the bidding off on this Bretby piece. | 0:38:06 | 0:38:09 | |
-Who'll start me at £10 for this? -Oh, no. | 0:38:09 | 0:38:12 | |
10 is yours, sir. 15 is here. Is it 20? | 0:38:12 | 0:38:15 | |
20 is the gentleman's bid. Any advance on £20? | 0:38:15 | 0:38:19 | |
-Go on. -Come on. It's unique. You'll never see anything like it again. | 0:38:19 | 0:38:22 | |
And crazy. | 0:38:22 | 0:38:23 | |
It's going at 20, once, twice, three times. | 0:38:23 | 0:38:26 | |
-Crazy. -Oh, God. -Minus £10. Bad luck. | 0:38:26 | 0:38:29 | |
That means overall you are minus £105. | 0:38:29 | 0:38:33 | |
The big thing is, don't tell the Blues anything. | 0:38:33 | 0:38:36 | |
-All right? -Yes. -Promise? -Promise. -Good. | 0:38:36 | 0:38:38 | |
-So, Jacks and Ann, have you talked to the Reds? -No. -No. | 0:38:43 | 0:38:47 | |
-You haven't talked to them at all? -No. -Good. | 0:38:47 | 0:38:49 | |
First up is Humpty Dumpty and here he comes. | 0:38:49 | 0:38:51 | |
Lot number 402. | 0:38:51 | 0:38:54 | |
Humpty Dumpty sat on a wall, Humpty Dumpty had a great fall | 0:38:54 | 0:38:57 | |
but this one's not got any damage, it's rather nice and very colourful. | 0:38:57 | 0:39:01 | |
I can start the bidding off on this lot at, let's say... | 0:39:01 | 0:39:06 | |
Who'll start me at £10? Who'll start me at ten? Ten's yours, sir. | 0:39:06 | 0:39:10 | |
15 is here, sir. Is it 20? | 0:39:10 | 0:39:12 | |
20, five, 30. | 0:39:12 | 0:39:15 | |
Two's against you. | 0:39:15 | 0:39:17 | |
-35? -35? | 0:39:17 | 0:39:19 | |
35. Any advance on 35? | 0:39:19 | 0:39:21 | |
Unless I see any more I am selling. Once, twice, three times... | 0:39:21 | 0:39:28 | |
£110 minus, I'm afraid on that. | 0:39:28 | 0:39:32 | |
Now, Ann, here comes the nutcracker. | 0:39:32 | 0:39:35 | |
Start me at ten for the nutcracker. £10. | 0:39:35 | 0:39:38 | |
Anyone going to go 15, now? | 0:39:38 | 0:39:40 | |
10, 15, 15, 20. | 0:39:40 | 0:39:42 | |
£20. £20. 22, commissions. | 0:39:42 | 0:39:45 | |
25 anywhere? Otherwise I am selling at 22. Are we done? | 0:39:45 | 0:39:49 | |
At £22 and selling. Going, going, gone. | 0:39:49 | 0:39:52 | |
THEY GROAN | 0:39:52 | 0:39:54 | |
Minus £8 on that. | 0:39:54 | 0:39:56 | |
Oh, dear. | 0:39:56 | 0:39:58 | |
Now the wall plaques. | 0:39:58 | 0:40:00 | |
And I can start the bidding off on that lot at let's say £10. | 0:40:00 | 0:40:05 | |
Anyone going to bid me ten on these? Ten for the pair. | 0:40:05 | 0:40:08 | |
Ten for the pair. Ten bid. What about 20? | 0:40:08 | 0:40:11 | |
-20 bid. -Oh, no. -Anyone advance on 20? | 0:40:11 | 0:40:13 | |
Anyone going to go 30 now? Otherwise, it's at £20. | 0:40:13 | 0:40:16 | |
-Uh-oh. -Anyone going to go 30? £20. 25 bid. 30 bid. | 0:40:16 | 0:40:21 | |
Any advance on 30? Anyone going to go for any more? | 0:40:21 | 0:40:23 | |
Otherwise I'm selling at 30. One, two, three at 30. | 0:40:23 | 0:40:27 | |
-So that is minus 188. 188 overall. -That's too terrible. | 0:40:28 | 0:40:34 | |
Don't worry about it. It's a bad day. The buyers aren't here for it. | 0:40:34 | 0:40:38 | |
What about the ice bucket? Are you going to have a go at that? | 0:40:38 | 0:40:41 | |
-We have to. -You have to. -We might make even more of a loss, though. | 0:40:41 | 0:40:45 | |
-Oh, I think we owe it to Anita. -OK, Anita, we'll do it for you. | 0:40:45 | 0:40:50 | |
-We'll do it for you. -You've made a decision to go with this. | 0:40:50 | 0:40:53 | |
The estimate is 30 to 50. Let's see what happens. | 0:40:53 | 0:40:56 | |
Ah, this ice bucket! I really like this. | 0:40:56 | 0:40:59 | |
Very, very stylish. I'm going to start the bidding off at £10. | 0:40:59 | 0:41:03 | |
I think this undervalued. Ten. Who's going to bid me 20? | 0:41:03 | 0:41:07 | |
Ten. £20, £20. Any advance on 20? | 0:41:07 | 0:41:10 | |
Are we all done? Anyone going to go for any more or I'm selling at 20? | 0:41:10 | 0:41:14 | |
-Once at 20, twice at 20... £30 is bid now, front row. -Yes! | 0:41:14 | 0:41:19 | |
£30, new buyer. | 0:41:19 | 0:41:20 | |
456 is at 30 and buying it. | 0:41:20 | 0:41:23 | |
One, two, three... Well done, sir. | 0:41:23 | 0:41:25 | |
-£30. Well done, Anita. -Yes! -Plus £10. | 0:41:25 | 0:41:28 | |
-Good for Anita. -Very good. | 0:41:28 | 0:41:30 | |
So overall, that makes your score minus 178. | 0:41:30 | 0:41:35 | |
-The big thing now is not to mention a word to the Reds. -No. | 0:41:35 | 0:41:40 | |
-Because minus 178... -Yes? -..could be a winning score. -Yes! | 0:41:40 | 0:41:45 | |
-Well, teams, have you been chatting to one another? -No! -Not at all. | 0:41:49 | 0:41:54 | |
Well, there are some extraordinary similarities with our teams today. | 0:41:54 | 0:41:57 | |
Both teams made a socking great loss | 0:41:57 | 0:42:01 | |
but one team has made substantially larger losses than the other | 0:42:01 | 0:42:07 | |
and today, that is the Blue team. | 0:42:07 | 0:42:09 | |
CHEERING | 0:42:09 | 0:42:11 | |
-Ah! -Sorry, team. | 0:42:11 | 0:42:15 | |
-You are behind by 178... -Well done, girls. | 0:42:15 | 0:42:20 | |
..which is not so hot, is it, really? | 0:42:20 | 0:42:22 | |
-No. -It's disastrous. -A bit cold. | 0:42:22 | 0:42:25 | |
A bit cold but it doesn't matter one little scrap. | 0:42:25 | 0:42:28 | |
Those items on another day in another sale room | 0:42:28 | 0:42:30 | |
could have made a completely different amount. | 0:42:30 | 0:42:33 | |
So just fortify yourself with that truth, | 0:42:33 | 0:42:36 | |
because it is the truth. | 0:42:36 | 0:42:37 | |
-It just wasn't your day... -No. -..and I'm sorry for that. | 0:42:37 | 0:42:41 | |
And I have to say, nor was it your day | 0:42:41 | 0:42:44 | |
because they managed to lose £105, so, you know, no shame, you Blues. | 0:42:44 | 0:42:49 | |
-But nevertheless, you came forcing through, Philip, didn't you? -We did. | 0:42:49 | 0:42:54 | |
Er,. £105 is your losing winning score... | 0:42:54 | 0:42:59 | |
which is the joy of this programme. | 0:42:59 | 0:43:01 | |
Anyway, we've had such a good day. | 0:43:01 | 0:43:03 | |
Join us soon for some more bargain hunting, yes? | 0:43:03 | 0:43:06 | |
Yes! | 0:43:06 | 0:43:07 | |
Subtitles by Red Bee Media Ltd | 0:43:25 | 0:43:27 | |
E-mail [email protected] | 0:43:27 | 0:43:29 |