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You have been selected to take part in an antiques TV programme. | 0:00:02 | 0:00:07 | |
Proceed to Go, pick up £300 | 0:00:07 | 0:00:10 | |
and let's go bargain hunting. Yeah! | 0:00:10 | 0:00:13 | |
It's raining in London, but we're snug indoors at Alfies Antique Market. | 0:00:34 | 0:00:39 | |
MUSIC: I Fought The Law by The Clash | 0:00:39 | 0:00:42 | |
Our teams certainly know how to play the game. | 0:00:43 | 0:00:46 | |
It's not our style really. | 0:00:46 | 0:00:48 | |
Is that not for you? | 0:00:48 | 0:00:49 | |
Of course they do - they're lawyers. | 0:00:49 | 0:00:52 | |
One hour and £300 for a team of solicitors? | 0:00:52 | 0:00:56 | |
Sounds cheap to me. | 0:00:56 | 0:00:58 | |
Who will win at auction? | 0:01:00 | 0:01:02 | |
The jury's out. | 0:01:02 | 0:01:04 | |
-Hello, you two sisters. -Hello! -Lovely. | 0:01:05 | 0:01:09 | |
Now, Blanche, what made you want to come on the programme? | 0:01:09 | 0:01:13 | |
Rach and I just love antiques. | 0:01:13 | 0:01:15 | |
Our parents are into antiques. Our farmhouse is a bit like Lovejoy Antiques. | 0:01:15 | 0:01:20 | |
-Cluttered? -It's stacked to the rafters with stuff. | 0:01:20 | 0:01:24 | |
-It says on my card that you wanted to thrash your work colleagues here. -Lies! | 0:01:24 | 0:01:30 | |
-Is that not right? -It's Damian who wants to thrash us. | 0:01:30 | 0:01:35 | |
You know each other - lovely. So are you all lawyers? | 0:01:35 | 0:01:39 | |
No, I'm the only non-lawyer, but I'm Blanche's sister. | 0:01:39 | 0:01:43 | |
-A sister, not a solicitor. -I work for a PR firm. -Well done. What does that mean? | 0:01:43 | 0:01:48 | |
I'm an account manager and basically I just get my clients in the media. | 0:01:48 | 0:01:53 | |
-I write articles and get them on TV, radio. -Do you? | 0:01:53 | 0:01:57 | |
That's fun. What do you collect? | 0:01:57 | 0:02:00 | |
We've got similar taste. We both like Art Deco | 0:02:00 | 0:02:02 | |
and vintage '60s and '70s clothes and jewellery. | 0:02:02 | 0:02:07 | |
-And ceramics as well. -And '50s. -And '50s, yeah. | 0:02:07 | 0:02:10 | |
I'm told that in this fantastic building at Alfies on the top floor, | 0:02:10 | 0:02:15 | |
-is a little period hairdressing salon. Fancy it? -Definitely. | 0:02:15 | 0:02:20 | |
Any particular style? | 0:02:20 | 0:02:22 | |
-Beehive. -We like the '60s. -You like a bit of beehive. | 0:02:22 | 0:02:26 | |
Something to look forward to. What's going to happen next? | 0:02:26 | 0:02:29 | |
Now, Damian, how are you on the old beehive? | 0:02:29 | 0:02:32 | |
-I'm going to pass on that. -Yes, no, very good. | 0:02:32 | 0:02:35 | |
What branch of the law are you involved with? | 0:02:35 | 0:02:39 | |
I work in what's known as counter-fraud, Tim. | 0:02:39 | 0:02:43 | |
When someone might say they've been in an accident and they've not, | 0:02:43 | 0:02:49 | |
I'll be instructed to look at it, investigate it and hopefully repudiate any claim they make. | 0:02:49 | 0:02:55 | |
So you are the Inspector Clouseau of the legal profession? | 0:02:55 | 0:02:59 | |
That's a very fair way of summarising, it, Tim, yeah. | 0:02:59 | 0:03:03 | |
So, Hannah, are you a fraud investigator too? | 0:03:03 | 0:03:05 | |
No, I do contentious litigation, so all sorts of disputes between people, | 0:03:05 | 0:03:11 | |
but mostly revolving around explosions and fires. | 0:03:11 | 0:03:14 | |
-So if it's gone bang or gone up in smoke, you get the job. -Yes. | 0:03:14 | 0:03:19 | |
Any other special talents that will help you win today? | 0:03:19 | 0:03:23 | |
Actually, Tim, I have. | 0:03:23 | 0:03:25 | |
I can read palms, | 0:03:25 | 0:03:27 | |
and if I might read your palm, it might tell us how today will go. | 0:03:27 | 0:03:31 | |
-It will be a pleasure. Right or left? -The left. | 0:03:31 | 0:03:36 | |
There we go. Glad I washed this morning. | 0:03:36 | 0:03:38 | |
This is a very interesting palm. | 0:03:38 | 0:03:40 | |
-Is it? -Very interesting indeed. | 0:03:40 | 0:03:43 | |
-You were a bit of a lothario in your early days. -Oh, Lord. | 0:03:43 | 0:03:46 | |
-But you've been a one-woman man since. -Oh, yes. | 0:03:46 | 0:03:49 | |
Very successful. | 0:03:49 | 0:03:52 | |
Also... What's that? It looks as though | 0:03:52 | 0:03:56 | |
the blue team are going to win. | 0:03:56 | 0:03:58 | |
THEY LAUGH | 0:03:58 | 0:03:59 | |
You are brilliant. Isn't that lovely? | 0:03:59 | 0:04:01 | |
Now, the money moment. You get your £300 apiece. | 0:04:01 | 0:04:04 | |
There you go, there's your 300. | 0:04:04 | 0:04:07 | |
You know the rules. Your experts await. Off you go, and very good luck. | 0:04:07 | 0:04:12 | |
Gosh, what fun we're going to have today, what? | 0:04:12 | 0:04:15 | |
Looking for clues with the red team is Charlie Hanson. | 0:04:15 | 0:04:19 | |
And hoping to see the light with the Blues, Anita Manning. | 0:04:21 | 0:04:24 | |
MUSIC: Green Onions by Booker T And The MGs | 0:04:24 | 0:04:27 | |
Girls, you look hot to trot. | 0:04:27 | 0:04:30 | |
-Thank you, Charles. -The beehive hairstyle is fantastic. | 0:04:30 | 0:04:33 | |
-You're looking very dapper yourself. -I try. | 0:04:33 | 0:04:36 | |
-The other guys have given beehives, but we could give bonnets. -Yeah, definitely. -Try them on. | 0:04:37 | 0:04:43 | |
The hat's the right look, isn't it? | 0:04:44 | 0:04:46 | |
It's the best look of the lot! | 0:04:46 | 0:04:49 | |
OK, guys, we're now off, OK? | 0:04:52 | 0:04:54 | |
We were thinking maybe a print. | 0:04:54 | 0:04:57 | |
A print? OK. Let's have a look at some Chelsea prints. | 0:04:57 | 0:05:00 | |
OK, Chelsea hospital or Regent's Street maybe. | 0:05:00 | 0:05:05 | |
I like the Regent's Street one. I think it's really smart. | 0:05:05 | 0:05:08 | |
Yeah, that is really nice. | 0:05:08 | 0:05:10 | |
Not convinced, Charles? | 0:05:10 | 0:05:11 | |
MUSIC: Uptight (Everything's Alright) by Stevie Wonder | 0:05:11 | 0:05:13 | |
-Look at that! -Can you play the cornet? -No, but I'm happy to give it a go. | 0:05:13 | 0:05:19 | |
-Has it got a mouthpiece? -It has, yes. Go ahead. | 0:05:19 | 0:05:22 | |
When's it from? | 0:05:22 | 0:05:24 | |
Probably about 1940. | 0:05:25 | 0:05:27 | |
HE MAKES A LOUD NOISE | 0:05:27 | 0:05:30 | |
Don't give up the day job! | 0:05:31 | 0:05:34 | |
-I thought that was quite good! Want a go? -No. | 0:05:34 | 0:05:37 | |
Come on, give it a go! | 0:05:37 | 0:05:39 | |
THEY LAUGH | 0:05:43 | 0:05:44 | |
-It'll ruin her lipstick! -I have to get the pout right. -Yeah. -OK. | 0:05:44 | 0:05:48 | |
SHE PLAYS THREE NOTES | 0:05:48 | 0:05:53 | |
-Like, I'm not sure... Is it in full working order? -Yeah. | 0:05:53 | 0:05:57 | |
Full working order! | 0:05:57 | 0:05:58 | |
Yeah, that'll be the problem. | 0:05:58 | 0:06:00 | |
I think Damian was better than you were! | 0:06:00 | 0:06:05 | |
Anita, I can't believe it! | 0:06:05 | 0:06:07 | |
Still looking at pictures, girls? | 0:06:07 | 0:06:10 | |
That's quite nice. | 0:06:11 | 0:06:12 | |
Yeah, that one's quite nice. | 0:06:12 | 0:06:14 | |
I thought the Regent's Street one was quite nice. | 0:06:14 | 0:06:16 | |
What do you think? Why pictures? Why the prints? | 0:06:16 | 0:06:19 | |
We're thinking about things that people would... | 0:06:19 | 0:06:21 | |
I think people at this auction will know how to dress their house. | 0:06:21 | 0:06:26 | |
You're high-flying girls, OK? | 0:06:26 | 0:06:28 | |
You're sisters with similar tastes. As such, I bow to your judgement. | 0:06:28 | 0:06:33 | |
So if you feel that's what we ought to go for, I'm behind you. | 0:06:33 | 0:06:38 | |
Should we get one that's framed? | 0:06:38 | 0:06:40 | |
I think framed and ready to go in the retail market is all-important. | 0:06:40 | 0:06:44 | |
HE MAKES A LOUD NOISE | 0:06:47 | 0:06:49 | |
Blowing your own trumpet, eh, Damian? | 0:06:49 | 0:06:52 | |
Damian, why were you drawn to this instrument? | 0:06:52 | 0:06:55 | |
It's a bit niche, a bit different. | 0:06:55 | 0:06:57 | |
It's a wee bit quirky, and the market's good for quirky items. | 0:06:57 | 0:07:01 | |
-It's got B&H, so it must be... -Boosey and Hawkes, yes. | 0:07:01 | 0:07:04 | |
Boosey and Hawkes was one of the best makers of wind instruments. | 0:07:04 | 0:07:09 | |
-The all-important... -Question, how much is it? | 0:07:09 | 0:07:12 | |
£60. | 0:07:12 | 0:07:14 | |
-I... -Do you like it enough? | 0:07:17 | 0:07:19 | |
I don't... I like it, but I don't £60 like it. | 0:07:19 | 0:07:23 | |
How much do you like it? | 0:07:24 | 0:07:26 | |
Remember, you're dealing with a lawyer. | 0:07:26 | 0:07:28 | |
I think I... £35-ish like it. | 0:07:28 | 0:07:31 | |
HE DRAWS BREATH SHARPLY | 0:07:31 | 0:07:32 | |
-Higher? -55. | 0:07:35 | 0:07:37 | |
55? | 0:07:37 | 0:07:38 | |
I'm being really good now to you. | 0:07:38 | 0:07:40 | |
Damian, you're the... | 0:07:41 | 0:07:43 | |
I... Maybe if we stretch to 40. | 0:07:43 | 0:07:48 | |
Oh, go on! | 0:07:48 | 0:07:49 | |
Anita, you're a devil. | 0:07:50 | 0:07:52 | |
-A wee devil! -She's our lucky mascot. -A wee devil, yes. | 0:07:53 | 0:07:58 | |
-Go on, then. -Ah, excellent! | 0:07:58 | 0:08:00 | |
I'll see you all right, darling. | 0:08:00 | 0:08:02 | |
-I think that's a good buy. -I'm happy with that. -I'm happy. | 0:08:02 | 0:08:06 | |
-It's unusual. -Are you happy? -Yes. The other team won't have one. -Absolutely. | 0:08:06 | 0:08:11 | |
-It'll be the only cornet. -You can have as many silly haircuts as you like. | 0:08:11 | 0:08:16 | |
Careful, Damian! | 0:08:16 | 0:08:18 | |
This is good fun, ladies. | 0:08:21 | 0:08:23 | |
Here you've got a plate from a book entitled Swearing At Highgate. | 0:08:23 | 0:08:27 | |
-If you come round here. -Yes, we like that. -Look at that. -Wow! | 0:08:27 | 0:08:31 | |
So you've got this hand-tinted coaching scene outside the pub, | 0:08:31 | 0:08:35 | |
Swearing At Highgate, | 0:08:35 | 0:08:37 | |
this 18th-century gent in a green frock jacket | 0:08:37 | 0:08:40 | |
-doesn't look overly happy. -I quite like it. | 0:08:40 | 0:08:42 | |
Dated 1796, published by Allen and West. | 0:08:42 | 0:08:45 | |
-And it's hand coloured? -It's hand tinted. | 0:08:45 | 0:08:47 | |
It's quite humorous. It could be up in your bathroom. | 0:08:47 | 0:08:51 | |
-The paper's a little... -It's a bit warped, isn't it? | 0:08:51 | 0:08:55 | |
Well, I suppose when this was printed and tinted, | 0:08:55 | 0:09:00 | |
only seven years after the French Revolution, | 0:09:00 | 0:09:02 | |
that sort of age, you're bound to have a few knocks and tears. | 0:09:02 | 0:09:06 | |
-I wonder how much it is. -Shall we ask? | 0:09:06 | 0:09:09 | |
It says £85. | 0:09:09 | 0:09:11 | |
So what's your best price? | 0:09:11 | 0:09:14 | |
-£65. -There you go, not a bad start, £20 off. | 0:09:14 | 0:09:18 | |
Would you do it for 50? | 0:09:18 | 0:09:20 | |
No, it's too much. | 0:09:20 | 0:09:22 | |
Erm... | 0:09:22 | 0:09:23 | |
55? | 0:09:23 | 0:09:24 | |
I think we should think about it. | 0:09:24 | 0:09:27 | |
-Yeah, we'll think about it, won't we? -Yeah. | 0:09:27 | 0:09:29 | |
-OK. -Then we'll come back. | 0:09:29 | 0:09:31 | |
Waltz on. Thank you, we may come back in a short while. | 0:09:31 | 0:09:35 | |
OK? | 0:09:36 | 0:09:37 | |
-Happy? -Yes. | 0:09:37 | 0:09:39 | |
Here we go, ladies, OK? Let's go. | 0:09:39 | 0:09:42 | |
-That's quite a nice telescope. -It is a nice telescope. | 0:09:43 | 0:09:46 | |
I've seen a few in my time. | 0:09:46 | 0:09:48 | |
Look through it, see if it's working. See if everything's there. | 0:09:48 | 0:09:51 | |
-What can you see through it? -A profit! | 0:09:57 | 0:09:59 | |
Not much actually, but it is... You can see through that. | 0:09:59 | 0:10:03 | |
There's an array of items here which are good fodder, | 0:10:05 | 0:10:09 | |
meaning good material for a good sale. | 0:10:09 | 0:10:11 | |
I quite like the teapot and the coffee, yeah. | 0:10:11 | 0:10:15 | |
-The four-piece set? -Also that tray's nice. | 0:10:15 | 0:10:17 | |
I prefer the tray. | 0:10:17 | 0:10:19 | |
It's 1930s, '40s and a bit more "Wow". | 0:10:19 | 0:10:22 | |
Do you think that teapot and the coffee pot is more mass-produced? | 0:10:22 | 0:10:28 | |
It's standard, it's four-piece, it's Regency in style, | 0:10:28 | 0:10:31 | |
it's a boat-shaped form and do you know what? | 0:10:31 | 0:10:34 | |
It's a bit boring. | 0:10:34 | 0:10:36 | |
-But if you think there's some... -I think it's quite stylish. | 0:10:36 | 0:10:40 | |
I like it. I don't... Let's find out how much it is. | 0:10:41 | 0:10:45 | |
Didn't you say it was boring? | 0:10:45 | 0:10:47 | |
Is this a real diamond? | 0:10:48 | 0:10:51 | |
Because if it is... | 0:10:51 | 0:10:53 | |
You'll go for it! | 0:10:53 | 0:10:54 | |
-For £10, that's pretty good. -Can I swap my partner, please? | 0:10:54 | 0:10:58 | |
We're just admiring your very nice four-piece tea set. | 0:10:58 | 0:11:02 | |
It's silver plate with Bakelite handles. | 0:11:02 | 0:11:05 | |
-Not ebony? -No. -OK. So if... | 0:11:05 | 0:11:08 | |
-they're Bakelite, that puts them more towards 1920, 1925. -Exactly. | 0:11:08 | 0:11:12 | |
OK. What's it worth, without asking the lady? | 0:11:12 | 0:11:15 | |
Test your knowledge. You enjoy Bargain Hunt. | 0:11:15 | 0:11:18 | |
What would you pay for it? | 0:11:18 | 0:11:20 | |
-What do you think? -£60. | 0:11:20 | 0:11:22 | |
-I've got £115 on it. -Oh! | 0:11:22 | 0:11:24 | |
£95 is best on it. | 0:11:24 | 0:11:26 | |
And it's teapot, milk, sugar, and they're all in good condition. | 0:11:26 | 0:11:30 | |
And 95 is a def'? | 0:11:30 | 0:11:31 | |
I'll do 75. | 0:11:31 | 0:11:33 | |
Best-best price. | 0:11:33 | 0:11:35 | |
-Can we also ask about the tray? -The white handles are very nice. -This is really stylish. | 0:11:35 | 0:11:40 | |
It's got the hint of a neo-classical. | 0:11:40 | 0:11:42 | |
-That's 145? -It's got 145 on it. Best on it is 100. | 0:11:42 | 0:11:46 | |
-Would you do the tea set for 70? -Yeah, 70 would be good. | 0:11:46 | 0:11:50 | |
-For cash? -If it helps you, yes, I will. -That's really kind of you. | 0:11:52 | 0:11:56 | |
What do you think, Charles, if we get it for 70? | 0:11:56 | 0:11:58 | |
-Ladies, look, you know, you're... -Can we have a look at it? | 0:11:58 | 0:12:02 | |
I still think it's stylish. You'd want it on your sideboard. | 0:12:02 | 0:12:06 | |
If I value this, | 0:12:06 | 0:12:08 | |
I'd say it could fetch anything from £40 | 0:12:08 | 0:12:11 | |
up to £80. | 0:12:11 | 0:12:13 | |
70 is still a bit steep. | 0:12:13 | 0:12:14 | |
I know it's a terrible mark-down for you coming down to 60 and you probably won't do it. | 0:12:14 | 0:12:20 | |
-She's going once. -65. -She's going twice. | 0:12:20 | 0:12:23 | |
We could look around for some others but I like this one. | 0:12:23 | 0:12:27 | |
-The hour's ticking. -Maybe we need to buy the first. | 0:12:27 | 0:12:30 | |
-Let's go for this for 65. -OK. | 0:12:30 | 0:12:32 | |
I think it's complete, it's on the money. | 0:12:32 | 0:12:35 | |
I can tell by your eyes you think it's got potential. | 0:12:35 | 0:12:39 | |
-And I'm behind you. -It'll go well in Chelsea. -If your friends believe the same, | 0:12:39 | 0:12:44 | |
-let's see it roll away. -Thank you. -That's our first buy done. | 0:12:44 | 0:12:48 | |
OK, guys, that's half an hour, one item, not bad. | 0:12:50 | 0:12:54 | |
But we've got to seriously push on. | 0:12:54 | 0:12:57 | |
-OK. -Let's try down here. | 0:12:57 | 0:12:59 | |
-I'm looking for something for that garden party. -That's really nice! | 0:12:59 | 0:13:04 | |
-We can't go dress shopping, ladies. We're antiques shopping. -These are antiques! | 0:13:04 | 0:13:09 | |
Come on! I know it's only half time, but there's still two objects to find. | 0:13:09 | 0:13:14 | |
Nice try, Charles. | 0:13:14 | 0:13:15 | |
This is older than my dad! | 0:13:15 | 0:13:17 | |
Now, I've found something your mum might remember. | 0:13:17 | 0:13:21 | |
This thing looks a bit like a ladies' overnight bag. | 0:13:21 | 0:13:25 | |
But actually it's not. | 0:13:25 | 0:13:27 | |
Look at this! | 0:13:27 | 0:13:29 | |
This is a piece of hairdressing heaven! | 0:13:29 | 0:13:33 | |
We've got a Ronson hairdryer, | 0:13:33 | 0:13:36 | |
complete with its plastic hanging strap. | 0:13:36 | 0:13:39 | |
So I guess that Madam in 1962 | 0:13:39 | 0:13:43 | |
would hang the set round her neck like this, | 0:13:43 | 0:13:47 | |
and then she'd plug it in to the old 13-amp power point | 0:13:47 | 0:13:50 | |
on the end of this incredibly long cable like that | 0:13:50 | 0:13:53 | |
and then she'd refer to the instruction manual, | 0:13:53 | 0:13:57 | |
because what she'd really like to do is look a bit like her. | 0:13:57 | 0:14:02 | |
Kind of Dusty Springfield. Don't you feel Dusty coming on? | 0:14:02 | 0:14:06 | |
Anyway, according to the brochure, she has used a damp setting, | 0:14:06 | 0:14:12 | |
which is really handy. | 0:14:12 | 0:14:13 | |
But look at these accessories. We've got this nice tube, | 0:14:13 | 0:14:17 | |
so you've got your connector on the end of the hair blower, | 0:14:17 | 0:14:21 | |
and then this marigold-covered plastic bag | 0:14:21 | 0:14:26 | |
which, if she's having a damp set, she'd plug in on top like this. | 0:14:26 | 0:14:31 | |
Then you've got your heat control, | 0:14:31 | 0:14:33 | |
which is this fellow here. If you twiddle this knob, | 0:14:33 | 0:14:36 | |
that line goes up the plastic what-not up to hot | 0:14:36 | 0:14:40 | |
or not so hot. Stick it back there like that. | 0:14:40 | 0:14:43 | |
Isn't that marvellous? | 0:14:43 | 0:14:44 | |
This is a piece of British electronic history, | 0:14:44 | 0:14:49 | |
made in Cheshire around 1962, | 0:14:49 | 0:14:51 | |
complete with all its bits and bobs. | 0:14:51 | 0:14:54 | |
What's a gadget like this going to cost you? | 0:14:54 | 0:14:56 | |
It could be yours for £60. | 0:14:56 | 0:14:59 | |
Gorgeous! | 0:14:59 | 0:15:00 | |
-Are you OK? -Yes. -OK. Come on, there's no time for this. | 0:15:00 | 0:15:04 | |
-You've got 18 minutes left and two items to buy. -OK, OK. | 0:15:04 | 0:15:09 | |
We'll go this way, through here. | 0:15:09 | 0:15:11 | |
No trader there, you're wasting time. | 0:15:11 | 0:15:15 | |
Laying down the law, eh, Anita? | 0:15:15 | 0:15:17 | |
What I do like, Blanche, Raquel, is this here. | 0:15:17 | 0:15:21 | |
Look at this. I've never seen one before. | 0:15:22 | 0:15:25 | |
I've only been in antiques 15 years but this really is exquisite. | 0:15:25 | 0:15:29 | |
It's a stationery set in its original Morocco case. | 0:15:29 | 0:15:33 | |
We've got here some sort of quill pen, the paper knife with the ivory blade. | 0:15:33 | 0:15:38 | |
This delightful champleve white enamel engine-turned ornament | 0:15:38 | 0:15:42 | |
on each handle with some sort of pencil here, perhaps, and also a seal, | 0:15:42 | 0:15:47 | |
which would all sit on your desk. | 0:15:47 | 0:15:50 | |
If we look at the design of this, the young almost Deco girl from the early '20s, | 0:15:50 | 0:15:55 | |
radiating out, and she appears to be feeding the birds. | 0:15:55 | 0:15:59 | |
It's about 1915, 1920. | 0:15:59 | 0:16:02 | |
What's important with this - its condition. | 0:16:02 | 0:16:05 | |
Critically, it's the enamel. | 0:16:05 | 0:16:07 | |
We just roll each implement around | 0:16:07 | 0:16:10 | |
and we can see condition appears to be good. | 0:16:10 | 0:16:14 | |
I rate this because it's of a quality which you rarely see. | 0:16:14 | 0:16:18 | |
Rarity will always help value. | 0:16:18 | 0:16:20 | |
You haven't seen anything like this before? | 0:16:20 | 0:16:22 | |
I'm a young head hopefully on wise shoulders, | 0:16:22 | 0:16:25 | |
and it's not something I've come across before. | 0:16:25 | 0:16:29 | |
The only problem is it's £185. We've got two items left to buy. We can't afford that. | 0:16:29 | 0:16:34 | |
We'll have to see what the best price is. | 0:16:34 | 0:16:37 | |
The best price on your delightful set is? | 0:16:37 | 0:16:40 | |
-140. -140, and that is the bottom. | 0:16:40 | 0:16:42 | |
I think at 140, which is £45 off... | 0:16:42 | 0:16:45 | |
Is there any way you could go to 120, because we still have... | 0:16:45 | 0:16:50 | |
I can do 130 but I paid 100 for it, so I have to make something. | 0:16:50 | 0:16:54 | |
OK, 130. | 0:16:54 | 0:16:56 | |
We've come a long way together. You've had your traditional, | 0:16:57 | 0:17:01 | |
-fairly mundane four-piece set. -Mass-produced. -Speculate. | 0:17:01 | 0:17:05 | |
What do you think, Blanche? | 0:17:05 | 0:17:06 | |
I think if Charles is backing it, and he's obviously excited about this find, | 0:17:06 | 0:17:12 | |
I think... Rach, what do you think? | 0:17:12 | 0:17:15 | |
OK, well, you know, it would be nice if we could get something a little more unusual. | 0:17:15 | 0:17:20 | |
-Shall we go for it? -£130. | 0:17:20 | 0:17:22 | |
Let's try and find out the best price. | 0:17:22 | 0:17:25 | |
-130 is the best price. -It is. That's a good buy. | 0:17:25 | 0:17:29 | |
Yes, OK, we'll go for it at 130. | 0:17:29 | 0:17:31 | |
Case closed. | 0:17:32 | 0:17:33 | |
-Salt and pepper? -Yeah. | 0:17:37 | 0:17:39 | |
I think they're really pretty. | 0:17:39 | 0:17:42 | |
I think they're pretty as well. I like those. | 0:17:42 | 0:17:44 | |
-What's on the bottom? -"Hand painted, made in Germany". | 0:17:44 | 0:17:47 | |
-I think those are very attractive, and these are not old. -What kind of date are they? | 0:17:47 | 0:17:54 | |
-I'd say 1950s. -Yeah. -1950s. | 0:17:54 | 0:17:57 | |
But they are sweet. | 0:17:57 | 0:17:59 | |
I quite... I really like them. I would buy them. | 0:17:59 | 0:18:02 | |
Tell me, Hannah, why do you like them? | 0:18:02 | 0:18:04 | |
Because they're unusual, they're pretty. | 0:18:04 | 0:18:08 | |
But you can tell... They're... I don't know. | 0:18:08 | 0:18:11 | |
-They're very feminine, aren't they? -Yeah, they are. | 0:18:11 | 0:18:14 | |
-Do you think they suit Hannah? -They certainly suit you. -Thank you. How much are they? | 0:18:14 | 0:18:20 | |
They've got a price of £34. | 0:18:20 | 0:18:22 | |
I'll do those for you for 25, how's that? | 0:18:22 | 0:18:25 | |
25. Will you take 20? | 0:18:25 | 0:18:27 | |
-Go on. -It'd make us feel better. -I'll make it 20. -That's great. -That's so kind, thank you. | 0:18:27 | 0:18:33 | |
-Do you like them, Damian? -I love them. | 0:18:33 | 0:18:37 | |
-I really like them. -Yeah. | 0:18:37 | 0:18:39 | |
-I like the way they've got the boy and the girl on. -Yes. | 0:18:39 | 0:18:42 | |
-Maybe that's their wedding carriage. -You're a romantic, aren't you? -Yeah. | 0:18:42 | 0:18:48 | |
Very touching, but time's ticking away. | 0:18:48 | 0:18:51 | |
I quite like the Doulton Lambeth jardinieres over there. See them? | 0:18:51 | 0:18:55 | |
Is that plate the fruit-decorated plate signed one? | 0:18:55 | 0:18:59 | |
I like the puddle ball in the centre. | 0:18:59 | 0:19:01 | |
-Hm... -No? No. | 0:19:01 | 0:19:03 | |
I'm not sure. I'm not keen. | 0:19:03 | 0:19:06 | |
Is that not for you? | 0:19:06 | 0:19:07 | |
It's not our style really. | 0:19:07 | 0:19:09 | |
Damian, help! | 0:19:09 | 0:19:11 | |
I don't think there's anything here. | 0:19:11 | 0:19:14 | |
-We can always... -Let's move on. -OK. -Sorry, Charles. -Don't worry. | 0:19:14 | 0:19:18 | |
Ten minutes to go. Come on, guys! | 0:19:18 | 0:19:20 | |
-Shall we get the prints? -Yes, we have to get the prints. -We might have to run. | 0:19:20 | 0:19:24 | |
Where are we going? | 0:19:24 | 0:19:26 | |
-Follow me. -Let's go downstairs. | 0:19:26 | 0:19:28 | |
-It's not as easy as you think. -It's not. | 0:19:28 | 0:19:31 | |
-It was through here. -It was, and turn right. | 0:19:31 | 0:19:33 | |
-Yep. -Ten minutes to go. -We're struggling to find things that we like. | 0:19:33 | 0:19:37 | |
-There's that one, or do we get the Swearing At Highgate? I like that one. -OK. | 0:19:37 | 0:19:42 | |
-Oh, hello. -Hello, there. -What's going on here? -Are you departing? | 0:19:42 | 0:19:46 | |
We haven't finished yet, Tim. | 0:19:46 | 0:19:48 | |
Wow, look at these hairdos! | 0:19:48 | 0:19:50 | |
They've deflated a little with all the stress. | 0:19:50 | 0:19:54 | |
This is something else, isn't it? | 0:19:54 | 0:19:56 | |
What about these candlesticks? | 0:19:56 | 0:19:58 | |
These are nice, with the telescopic mechanism. | 0:19:58 | 0:20:03 | |
We've got five minutes. We're going to get the print. | 0:20:03 | 0:20:06 | |
I'm getting out of here. I can't take my eyes off you. | 0:20:06 | 0:20:10 | |
Silver plate's absolutely fine. Candlesticks are always popular. | 0:20:10 | 0:20:14 | |
-Thank you, Tim. Yeah, the Swearing At Highgate one. -Where's it gone? | 0:20:14 | 0:20:20 | |
What you have underneath is a copper base and that's good. | 0:20:20 | 0:20:23 | |
That shows some quality. | 0:20:23 | 0:20:25 | |
-Yes, that's it. -Swearing At Highgate. | 0:20:25 | 0:20:27 | |
Time's nearly up. | 0:20:27 | 0:20:29 | |
Start haggling. | 0:20:29 | 0:20:30 | |
Can we go for, say, 30? | 0:20:30 | 0:20:33 | |
From 85? Definitely not. | 0:20:33 | 0:20:35 | |
It's 85. Please will you do it for 50? | 0:20:35 | 0:20:38 | |
Please. | 0:20:38 | 0:20:40 | |
I can do those for 60. | 0:20:40 | 0:20:41 | |
60... | 0:20:41 | 0:20:43 | |
It's heads, and tails it's 55. | 0:20:43 | 0:20:46 | |
If you do this, you buy it, OK? | 0:20:46 | 0:20:48 | |
Can you do them for 50? | 0:20:48 | 0:20:50 | |
I'll say heads. | 0:20:50 | 0:20:52 | |
Oh, no, it's tails. | 0:20:52 | 0:20:54 | |
Because your good lady likes them and you like them, I'll do 50. | 0:20:54 | 0:20:58 | |
OK, so we've got it for 55. | 0:20:58 | 0:20:59 | |
-Three minutes to go. We've done it. -We came good in the end. | 0:20:59 | 0:21:03 | |
I was trying to finish early. More grey hairs all the time. | 0:21:03 | 0:21:07 | |
-We're going to beat the Reds. -We're going to beat the Reds. You never know. | 0:21:07 | 0:21:13 | |
-Let's go get it packed. -OK. | 0:21:13 | 0:21:14 | |
Such confidence. | 0:21:14 | 0:21:16 | |
Now what did the Reds end up with? | 0:21:16 | 0:21:18 | |
Against Charles' better judgement, | 0:21:19 | 0:21:21 | |
the girls were determined to buy the four-piece tea set. | 0:21:21 | 0:21:25 | |
Then he persuaded them the desk set was a rare and quality find, | 0:21:25 | 0:21:30 | |
despite its high price tag. | 0:21:30 | 0:21:32 | |
But he was powerless to resist | 0:21:32 | 0:21:35 | |
when they finally chose an 18th-century hand-tinted engraving. | 0:21:35 | 0:21:39 | |
-Flew by, didn't it? -Yes. -The pressure was on at the end. -This is good, isn't it? | 0:21:39 | 0:21:45 | |
-Did you have a good time? -Yeah, we did. -Wonderful, thank you. | 0:21:45 | 0:21:48 | |
-Which is your favourite piece? -I quite like the Art-Deco tea set. | 0:21:48 | 0:21:52 | |
I think it's quite stylish. It will look cool in someone's home. | 0:21:52 | 0:21:56 | |
-Yeah. -Definitely. | 0:21:56 | 0:21:58 | |
-What about you, Blanche? -The stationery set because I think the enamel's beautiful. | 0:21:58 | 0:22:04 | |
-That is a favourite. -Yes. We did um and aah a little. | 0:22:04 | 0:22:07 | |
We were worried about whether it would sell. | 0:22:07 | 0:22:10 | |
I've been told you ummed and oohed and aahed a lot. | 0:22:10 | 0:22:13 | |
You spent overall £250 and I'd like £50 of leftover lolly, please. | 0:22:13 | 0:22:18 | |
-And £50 goes to Charles. -Thank you. | 0:22:18 | 0:22:20 | |
-You've been in safe hands with Carlos. I hope you enjoyed it. -Yes, it was fun. | 0:22:20 | 0:22:25 | |
You'll see how great he is when he spends his £50, right? | 0:22:25 | 0:22:30 | |
Correct, Tim. They've been so glamorous, now it's for me to bring back the glitz and glory. | 0:22:30 | 0:22:35 | |
-Put a bit of Brylcreem into it. -OK, I will. | 0:22:35 | 0:22:38 | |
Good luck, Charles. Why don't we check out how the Blues are getting on? | 0:22:38 | 0:22:42 | |
Damian showed off his musical talents | 0:22:43 | 0:22:46 | |
and bargained hard to get the cornet at just £40. | 0:22:46 | 0:22:49 | |
The romance of the 1950s salt and pepper shakers | 0:22:51 | 0:22:54 | |
captured Hannah's heart. | 0:22:54 | 0:22:57 | |
And they both think they could see a profit | 0:22:57 | 0:22:58 | |
in the pair of telescopic candlesticks. | 0:22:58 | 0:23:02 | |
Three minutes to spare. I think the Reds are in trouble. | 0:23:03 | 0:23:07 | |
I just love it. A covey of lawyers congratulating themselves. | 0:23:07 | 0:23:12 | |
-Had a good time? -It was a fun day. Anita really helped us. -Good, I'm so pleased. | 0:23:12 | 0:23:17 | |
-How much did you spend? -£110. | 0:23:17 | 0:23:19 | |
-Is that all? -Yeah. -Dear, oh, dear, I'm disappointed about that. | 0:23:19 | 0:23:23 | |
So who's got the £190 of leftover lolly? | 0:23:23 | 0:23:25 | |
-I have. -Well done. | 0:23:25 | 0:23:27 | |
That goes straight to Anita. Good luck, Anita. | 0:23:27 | 0:23:30 | |
Good luck, teams. | 0:23:30 | 0:23:31 | |
Meanwhile, we're heading off to Buckinghamshire, to West Wycombe Park. | 0:23:31 | 0:23:35 | |
In 1724, Francis Dashwood became master of this estate | 0:23:39 | 0:23:44 | |
at the tender age of 16. | 0:23:44 | 0:23:47 | |
Two years later he went off on the first of many grand tours, | 0:23:47 | 0:23:51 | |
collecting works of art from all over the world. | 0:23:51 | 0:23:54 | |
And in this rather naive painting, | 0:23:57 | 0:24:00 | |
we see Sir Francis, surrounded | 0:24:00 | 0:24:02 | |
by a group of his friends, all of whom | 0:24:02 | 0:24:06 | |
are founding members of the Dilettanti Society, which he founded | 0:24:06 | 0:24:12 | |
for the promotion of classical art and taste. | 0:24:12 | 0:24:15 | |
Their mission was to visit classical sites. And indeed, | 0:24:15 | 0:24:21 | |
they're holding a chart of the Mediterranean, planning the next leg of their grand tour. | 0:24:21 | 0:24:27 | |
The grand tour, of course, was, in the 18th century, the equivalent of the gap year. | 0:24:27 | 0:24:33 | |
Some gap year this, | 0:24:33 | 0:24:35 | |
because it added up in toto to some 17 years. | 0:24:35 | 0:24:39 | |
British country houses | 0:24:41 | 0:24:42 | |
were greatly enriched as a result of the grand tourists' visits | 0:24:42 | 0:24:48 | |
throughout Europe in the 18th century. | 0:24:48 | 0:24:51 | |
They were rich and intelligent, and wanted to acquire | 0:24:51 | 0:24:55 | |
art and objects to bring back to enrich their homes here. | 0:24:55 | 0:25:00 | |
But what would happen if the art | 0:25:00 | 0:25:02 | |
that you admired in Italy | 0:25:02 | 0:25:05 | |
was painted on the wall of a building? A fresco? | 0:25:05 | 0:25:09 | |
You couldn't exactly bring the building back to Britain with you, could you? | 0:25:09 | 0:25:13 | |
But you could bring back the artist. | 0:25:13 | 0:25:16 | |
Which is exactly what Sir Francis Dashwood did. | 0:25:21 | 0:25:25 | |
In 1750, he encountered the artist | 0:25:25 | 0:25:28 | |
Giuseppe Borgni, | 0:25:28 | 0:25:30 | |
and he invited him back here to West Wycombe Park to decorate the house. | 0:25:30 | 0:25:36 | |
And here we've got his interpretation | 0:25:36 | 0:25:39 | |
of Raphael's Banquet Of The Gods. | 0:25:39 | 0:25:44 | |
Indeed, old Guiseppe lived here for the rest of his life, painting away | 0:25:44 | 0:25:49 | |
until 1761, when he died, falling from a ladder. | 0:25:49 | 0:25:55 | |
Bit of an occupational hazard if you happened to be a ceiling painter. | 0:25:55 | 0:26:00 | |
The big question today is, of course, will it be a question of snakes and ladders | 0:26:00 | 0:26:05 | |
for our teams, over at the auction? | 0:26:05 | 0:26:07 | |
We're at Lots Road Auctions in Chelsea, | 0:26:08 | 0:26:12 | |
where Nick Carter is selling our items. | 0:26:12 | 0:26:15 | |
MUSIC: London Calling by The Clash | 0:26:15 | 0:26:18 | |
-Morning. -Very nice to see you, Tim. -Very nice to be here. | 0:26:19 | 0:26:22 | |
Now, the most un-saleable | 0:26:22 | 0:26:24 | |
quartet of objects, | 0:26:24 | 0:26:28 | |
they seem to have selected to kick off with. | 0:26:28 | 0:26:30 | |
The four-piece plated tea set. | 0:26:30 | 0:26:33 | |
This stuff is not easy to sell. | 0:26:33 | 0:26:35 | |
It's not easy to sell. | 0:26:35 | 0:26:36 | |
We do sell it from time to time. | 0:26:36 | 0:26:38 | |
It sells very badly wherever we go. | 0:26:38 | 0:26:41 | |
-What's your estimate, Nick? -60 to 120, Tim. | 0:26:41 | 0:26:44 | |
OK. Well our team paid £65 for it, we shall see. | 0:26:44 | 0:26:48 | |
Next is the Austro-German desk set, enamelled. | 0:26:48 | 0:26:53 | |
-How do you rate that? -It's got a lot of problems. | 0:26:53 | 0:26:56 | |
Initially when you look at it, straightaway you can see the case is in terrible condition. | 0:26:56 | 0:27:00 | |
And when you start to look at it more closely, | 0:27:00 | 0:27:03 | |
look at this piece here, | 0:27:03 | 0:27:06 | |
the top of it is severely damaged. | 0:27:06 | 0:27:09 | |
-So, how much? -60 to 90. | 0:27:09 | 0:27:11 | |
They paid 130. | 0:27:11 | 0:27:12 | |
So, we'll see what happens there. And finally, | 0:27:12 | 0:27:15 | |
we've got the Georgian | 0:27:15 | 0:27:17 | |
tinted or watercoloured engraving. | 0:27:17 | 0:27:20 | |
Do you know about the swearing at Highgate? | 0:27:20 | 0:27:22 | |
I don't. No. | 0:27:22 | 0:27:23 | |
It was an oath that was taken | 0:27:23 | 0:27:26 | |
by people who were entering Highgate | 0:27:26 | 0:27:29 | |
and they were given certain privileges after making that oath, | 0:27:29 | 0:27:33 | |
one of which was to kiss the fairest maiden in the pub. | 0:27:33 | 0:27:37 | |
They had the right to kick a pig out of a piggery | 0:27:37 | 0:27:41 | |
-if they needed somewhere to sleep. -What's it worth? | 0:27:41 | 0:27:43 | |
I think it's worth 20 to 30. | 0:27:43 | 0:27:45 | |
They paid £55. | 0:27:45 | 0:27:46 | |
This team are on a hiding to nothing. They're going to need their bonus buy. | 0:27:46 | 0:27:49 | |
-OK. Blanche and Rach, happy? -Yes. -Very. | 0:27:51 | 0:27:53 | |
£50 was given to the young pretender. | 0:27:53 | 0:27:55 | |
What has he spent it on? | 0:27:55 | 0:27:57 | |
-I'm not quite sure about this one. -Not quite sure? | 0:27:57 | 0:28:01 | |
It has great style, and my girls, Tim, they have great style. | 0:28:01 | 0:28:05 | |
This object just reminded me | 0:28:05 | 0:28:07 | |
of your bee-hive hair style. Look at that. | 0:28:07 | 0:28:11 | |
-Same shape. -Same shape. -It's really nice. | 0:28:11 | 0:28:12 | |
-I like it. -Do you really? | 0:28:12 | 0:28:15 | |
Is it Art Deco? It's lovely. | 0:28:15 | 0:28:16 | |
Tim, they're learning. Art Deco. 1930s. | 0:28:16 | 0:28:19 | |
-Quite graphic-y. -Absolutely. | 0:28:19 | 0:28:21 | |
It's got that sort of tropical, palm-tree feel about it. | 0:28:21 | 0:28:24 | |
Now, country of origin. Where's it from? | 0:28:24 | 0:28:26 | |
-Germany? -France? | 0:28:27 | 0:28:29 | |
Think Paris, you're quite right. | 0:28:29 | 0:28:32 | |
It's beautifully moulded. | 0:28:32 | 0:28:34 | |
It is marked with a maker or manufacturer called Oreor's. | 0:28:34 | 0:28:37 | |
O-R-E-R-O-R-S | 0:28:37 | 0:28:40 | |
I've never heard of it. But it's in that Sabino or Lalique idiom | 0:28:40 | 0:28:45 | |
of the mid-20s and '30s. | 0:28:45 | 0:28:49 | |
-It's just very stylish. -It's pretty heavy. I like the colour as well. It's really cool. | 0:28:49 | 0:28:56 | |
-It is stylish. -The rim's OK. It hasn't been cut down. The foot rim's good. | 0:28:56 | 0:29:00 | |
It is like Lalique. Did you spend all the money? | 0:29:00 | 0:29:02 | |
-How much was that? -50. | 0:29:02 | 0:29:03 | |
Yes, I did. | 0:29:03 | 0:29:05 | |
-I really love it. -I really like it. | 0:29:05 | 0:29:08 | |
I think it's lovely. | 0:29:08 | 0:29:09 | |
We all think it's lovely. | 0:29:10 | 0:29:11 | |
Make a change. | 0:29:11 | 0:29:14 | |
Whether it'll make any money is another matter. | 0:29:14 | 0:29:16 | |
You don't have to choose right now, | 0:29:16 | 0:29:18 | |
you choose after the sale of your first three items. | 0:29:18 | 0:29:21 | |
For the audience at home, let's see what the auctioneer thinks of Charles' pot. | 0:29:21 | 0:29:25 | |
Charles Hanson had £50 of leftover lolly and he spent the lot. | 0:29:26 | 0:29:30 | |
-What do you make of it? -I think it's actually | 0:29:30 | 0:29:33 | |
quite a nice thing. Sort of naturalistic form, etc. | 0:29:33 | 0:29:36 | |
Signed there, Oreor. I think I've got plenty | 0:29:36 | 0:29:39 | |
of clients here that | 0:29:39 | 0:29:41 | |
would like this sort of thing. | 0:29:41 | 0:29:43 | |
-I think it will do very well. -What do you think it's worth? | 0:29:43 | 0:29:46 | |
80 to 150. | 0:29:46 | 0:29:47 | |
Right, £50 they paid. | 0:29:47 | 0:29:48 | |
I think Hanson's done well. | 0:29:48 | 0:29:50 | |
Anyway, that's it for the Reds. Now for the Blues. | 0:29:50 | 0:29:54 | |
Damian went with the Boosey and Hawkes instrument. | 0:29:54 | 0:29:57 | |
I don't think they had a good look at it. | 0:29:57 | 0:29:59 | |
It's actually got quite a lot of damage on the trumpet. | 0:29:59 | 0:30:02 | |
I think that's going to knock it for six. | 0:30:02 | 0:30:05 | |
-What are you going to get for it? -30-50. | 0:30:05 | 0:30:07 | |
Our team paid 40. | 0:30:07 | 0:30:09 | |
If it wipes its face, fair enough. | 0:30:09 | 0:30:11 | |
Next, the salt and peppers. 1950s are they? | 0:30:12 | 0:30:15 | |
They are. They're made by Thomas of Germany. | 0:30:15 | 0:30:19 | |
It's quite a good maker. | 0:30:19 | 0:30:21 | |
Not sure how many buys I'm going to have for those. | 0:30:21 | 0:30:24 | |
-£20 they paid. What will you get? -We'll get 10-20. | 0:30:24 | 0:30:27 | |
It's neither here nor there, really. | 0:30:27 | 0:30:29 | |
Lastly, the telescopic | 0:30:29 | 0:30:31 | |
Sheffield plated candlesticks. | 0:30:31 | 0:30:34 | |
I think... they are pretty standard. | 0:30:34 | 0:30:36 | |
They are old. They're 18th century. Plating showing through a little bit. | 0:30:36 | 0:30:41 | |
-But I think they'll sell. -How much? | 0:30:41 | 0:30:43 | |
-60-100. -£50 paid. | 0:30:43 | 0:30:46 | |
-Overall, I don't think they're going to do too badly. -No. | 0:30:46 | 0:30:48 | |
They only spent £110 overall. | 0:30:48 | 0:30:50 | |
But let's go and have a look at the bonus buy. | 0:30:50 | 0:30:53 | |
Hannah and Damian, | 0:30:54 | 0:30:55 | |
how are you feeling? | 0:30:55 | 0:30:56 | |
-Quietly confident. -Are you? And that's before you've seen the bonus buy. | 0:30:56 | 0:31:02 | |
You only spent £110, which meant that Anita Manning was let loose with 190. | 0:31:02 | 0:31:07 | |
Anita, what did you buy? What's under your little rag? | 0:31:07 | 0:31:10 | |
I'll let you have a look at it and tell me what you think. | 0:31:10 | 0:31:14 | |
Step back and have a look at that. | 0:31:18 | 0:31:21 | |
Wow! It's really colourful. It's huge. | 0:31:21 | 0:31:24 | |
ANITA LAUGHS | 0:31:24 | 0:31:26 | |
-Is it an oil painting? -It's an oil on board. | 0:31:26 | 0:31:29 | |
It's probably from maybe the 1970s. | 0:31:29 | 0:31:32 | |
The auctioneer has called it Greek school. Maybe he knows something I don't. | 0:31:32 | 0:31:37 | |
I'm hoping that it will appeal to the buyers down there, but... | 0:31:37 | 0:31:43 | |
it could get £20, | 0:31:44 | 0:31:47 | |
it could get £200. I don't know. You've got to make up your mind. | 0:31:47 | 0:31:51 | |
-Do you like it? -I do like the colours. | 0:31:51 | 0:31:54 | |
I could see someone buying it. Do you know anything about | 0:31:54 | 0:31:58 | |
-the artist? -No. -Nothing? -Nothing at all. | 0:31:58 | 0:32:01 | |
-OK. -Damian? -It's all Greek to us. | 0:32:01 | 0:32:03 | |
I like the look of it. | 0:32:04 | 0:32:06 | |
It is very colourful. | 0:32:06 | 0:32:08 | |
And as you say, it could go for anything, couldn't it? | 0:32:10 | 0:32:14 | |
I don't think you're convinced, Damie! | 0:32:14 | 0:32:17 | |
-How much did you pay for it? -£100. | 0:32:17 | 0:32:19 | |
Mmm... | 0:32:21 | 0:32:23 | |
I don't know. I don't know. | 0:32:23 | 0:32:24 | |
It seems to have taken your breath away, Hannah. | 0:32:24 | 0:32:28 | |
That's exactly what I was hoping for. | 0:32:28 | 0:32:31 | |
Anyway, the trick is, | 0:32:31 | 0:32:32 | |
you don't have to decide now, you decide later, | 0:32:32 | 0:32:35 | |
after the sale of your first three items. | 0:32:35 | 0:32:38 | |
For the audience at home, let's see what the auctioneer thinks of Anita's big old daub. | 0:32:38 | 0:32:43 | |
Nick, you're a picture man. | 0:32:44 | 0:32:46 | |
You'll be delighted with Anita Manning's bonus buy, | 0:32:46 | 0:32:50 | |
the yellow composition abstract. How do you rate that? | 0:32:50 | 0:32:53 | |
When you said delighted, Tim, was it ironic? | 0:32:53 | 0:32:55 | |
Not really, no. It's a big old slab, isn't it? | 0:32:55 | 0:32:59 | |
It is a big old slab and it's a big old slab of colour. | 0:32:59 | 0:33:02 | |
We do tend to sell big canvases, | 0:33:02 | 0:33:04 | |
colour canvases, quite well. | 0:33:04 | 0:33:06 | |
This is unsigned. | 0:33:06 | 0:33:08 | |
It does have some lettering on the back which is in Greek. | 0:33:08 | 0:33:12 | |
-Greek? -I don't think it's a name, so it's completely un-ascribed. | 0:33:13 | 0:33:17 | |
It's purely a decorative thing. | 0:33:17 | 0:33:20 | |
Bit of colour, spray it around, looks fantastic. | 0:33:20 | 0:33:23 | |
-At the right price, somebody will buy it. -What would that price be? | 0:33:23 | 0:33:26 | |
-I think it would be 100-200. -Perfect. Anita Manning | 0:33:26 | 0:33:29 | |
-has managed to find it for £100. -I think she's done incredibly well. | 0:33:29 | 0:33:33 | |
If you're rating it 100-200, | 0:33:33 | 0:33:35 | |
potentially doubling the money, | 0:33:35 | 0:33:37 | |
we'll have to hope that her team see the sense of going with the bonus buy. | 0:33:37 | 0:33:42 | |
And that's the fun of the game. | 0:33:42 | 0:33:44 | |
We'll find out in a moment. Thanks, Nick. | 0:33:44 | 0:33:47 | |
Going. Going. | 0:33:52 | 0:33:54 | |
Blanche and Rachel, how are you feeling, you chickens? | 0:33:54 | 0:34:00 | |
-A little bit nervous. -What have you got to be nervous about? | 0:34:00 | 0:34:03 | |
Your first item, coming up, is the intriguing silver-plated tea set. Here it comes. | 0:34:03 | 0:34:09 | |
-OK. -Link arms, there we go. | 0:34:09 | 0:34:11 | |
Right, we have the silver-plated tea set there. | 0:34:11 | 0:34:14 | |
It's a four-piece one, 20th century. | 0:34:14 | 0:34:16 | |
I can start the bidding off now at £40 on this lot. | 0:34:16 | 0:34:19 | |
-40 anyone? -Come on. -40 anywhere? | 0:34:19 | 0:34:22 | |
20 then, anyone? £20 anyone? 20 bid. | 0:34:22 | 0:34:25 | |
20 bid. 25 bid. 30. | 0:34:25 | 0:34:27 | |
30 bid. Any advance on 30? | 0:34:27 | 0:34:30 | |
Anyone going 40? | 0:34:30 | 0:34:32 | |
Once at 30, twice at 30. | 0:34:32 | 0:34:35 | |
-Three times at 30. -That's such a bargain for someone. | 0:34:36 | 0:34:39 | |
Buyer 92 at 30. | 0:34:39 | 0:34:40 | |
-Oh, no. -That is minus £35. | 0:34:40 | 0:34:42 | |
-Next is the enamelled desk set. -Which I really like. | 0:34:42 | 0:34:46 | |
-I shall start the bidding off on this lot at £10. -Mr Auctioneer! | 0:34:46 | 0:34:52 | |
Ten bid. 20 bid. | 0:34:52 | 0:34:54 | |
-20 bid. 20 bid. 30 bid now. -He should have started higher. | 0:34:54 | 0:34:58 | |
Any advance on 30? It's the commissions at 30. | 0:34:58 | 0:35:00 | |
Are we done? At £30. | 0:35:00 | 0:35:02 | |
-I'm never a sore loser, but that's bad. -That's terrible. | 0:35:02 | 0:35:05 | |
Three times. £30 commission buyer. | 0:35:05 | 0:35:09 | |
That's so upsetting. | 0:35:09 | 0:35:10 | |
-It's a beautiful item. -Absolutely. | 0:35:10 | 0:35:13 | |
It's a joke. It was sold as a joke. | 0:35:13 | 0:35:15 | |
Now here comes the Swearing At Highgate. | 0:35:15 | 0:35:18 | |
The Swearing At Highgate. Ten. Ten pounds. | 0:35:18 | 0:35:23 | |
Ten pounds bid. | 0:35:23 | 0:35:24 | |
What about 15? 15 bid. | 0:35:24 | 0:35:25 | |
15 bid. 20. Any advance on that? | 0:35:25 | 0:35:28 | |
£20 is now bid, any advance on that? Otherwise... | 0:35:28 | 0:35:32 | |
25 now bid. | 0:35:32 | 0:35:33 | |
Any more for any more? | 0:35:33 | 0:35:34 | |
Going, going, gone. | 0:35:34 | 0:35:36 | |
£25, that's minus 30. | 0:35:37 | 0:35:40 | |
Yeah. It's 135, minus 165. | 0:35:40 | 0:35:45 | |
Look, girls, I'm really sorry about this. | 0:35:45 | 0:35:48 | |
I'm sorry team, about this. | 0:35:48 | 0:35:50 | |
-Are you going with his bonus buy? -Definitely. -Even if we were winning we'd still go for it. -Yeah. | 0:35:50 | 0:35:56 | |
Now you've made your decision, | 0:35:56 | 0:35:58 | |
I can tell you the auctioneer's estimate is £80-£150 | 0:35:58 | 0:36:01 | |
on this item that Charles paid £50 for. | 0:36:01 | 0:36:03 | |
There we go. Here it is. | 0:36:03 | 0:36:05 | |
We go to market together. | 0:36:05 | 0:36:06 | |
We've now got this piece of art glass from the '30s-'40s. | 0:36:06 | 0:36:11 | |
I can start the bidding off at £30 this lot. | 0:36:11 | 0:36:14 | |
£30. £30. £30 anywhere? | 0:36:14 | 0:36:17 | |
30 bid. 30 bid. 40 bid. 50. | 0:36:17 | 0:36:20 | |
-50 bid. 50 bid. 60's here. -Creeping up. -Any advance on 60? | 0:36:20 | 0:36:26 | |
65. 70. | 0:36:26 | 0:36:27 | |
Five. 80. | 0:36:27 | 0:36:30 | |
-Yes. -£80. -We're still losing. | 0:36:30 | 0:36:33 | |
Anyone want to go 90, otherwise I'm selling at 80. Are we all done at 80? | 0:36:33 | 0:36:37 | |
Once, twice, three times at 80. | 0:36:37 | 0:36:40 | |
Going, going, gone. | 0:36:40 | 0:36:43 | |
Plus 30. Which takes your final score to minus 135. | 0:36:43 | 0:36:49 | |
-That's not too bad. -Not too bad. -It's not too good. | 0:36:49 | 0:36:53 | |
Well, there is a result with Charles and his pot, which is good. | 0:36:53 | 0:36:57 | |
Who knows, at this rate, £135 could be a winning score. | 0:36:57 | 0:37:01 | |
-How are you feeling? -I'm feeling quite nervous. -Are you? -Yes. | 0:37:07 | 0:37:10 | |
Is it a bit like going into court? | 0:37:10 | 0:37:12 | |
It's not entirely dissimilar, Tim. | 0:37:12 | 0:37:15 | |
There is this hush and anticipation. | 0:37:15 | 0:37:18 | |
Absolutely, and a bit of excitement as well. | 0:37:18 | 0:37:20 | |
Do you know how the Reds got on? | 0:37:20 | 0:37:22 | |
-We have no idea. -Your great rivals. -No idea. | 0:37:22 | 0:37:26 | |
Badly, I would expect. | 0:37:26 | 0:37:28 | |
Well, there's optimism for you. | 0:37:28 | 0:37:31 | |
First up is the Boosey and Hawkes cornet and here it comes. | 0:37:31 | 0:37:35 | |
Lot number 510. | 0:37:35 | 0:37:38 | |
-We have the Boosey and Hawkes cornet. -You are quite tense. | 0:37:38 | 0:37:43 | |
I'm sure you've seen it. Who'll start me at £20? | 0:37:43 | 0:37:46 | |
£20. £20. | 0:37:46 | 0:37:47 | |
Anyone going to bid me 20? | 0:37:47 | 0:37:50 | |
£20 there with you, sir. At 20. | 0:37:50 | 0:37:52 | |
30 at the back of the room. | 0:37:52 | 0:37:54 | |
Do you want to go 40, sir? | 0:37:54 | 0:37:56 | |
40 is bid. 50 here with commissions. | 0:37:56 | 0:37:58 | |
60 at the back of the room. £60. Do you want to go 70? | 0:37:58 | 0:38:02 | |
-65. -He's a legend. -At £60. | 0:38:02 | 0:38:05 | |
I'm selling, then, at £60. | 0:38:05 | 0:38:07 | |
Back of the room at 60. 381 at 60. | 0:38:07 | 0:38:10 | |
Going once, going twice, going three times. | 0:38:10 | 0:38:16 | |
-Well done, Damian. -That is plus 20. -Wonderful. -So cool. Marvellous. | 0:38:16 | 0:38:21 | |
-Now, next up is your shakers. -I feel the pressure now. | 0:38:21 | 0:38:26 | |
511. The salt and pepper shakers. Nice lots these. | 0:38:26 | 0:38:29 | |
I'm going to start the bidding off now at, who'll bid me | 0:38:29 | 0:38:33 | |
£5 for that pair of salt and pepper shakers? | 0:38:33 | 0:38:36 | |
£5. Five anywhere? Five bid. Ten bid. Ten bid. | 0:38:36 | 0:38:40 | |
Any advance on ten? | 0:38:40 | 0:38:41 | |
Anyone want to go for any more than ten? | 0:38:41 | 0:38:44 | |
-I'm going to sell at ten. -Oh no! -12 bid. Any advance on 12? | 0:38:44 | 0:38:49 | |
I'm at £12. Any advance on 12? I'm going to sell with commissions at £12. Going. Going. | 0:38:49 | 0:38:55 | |
-Gone. -Minus eight. -OK. -You're still plus 12. -It could have been worse. | 0:38:55 | 0:39:01 | |
You'll have to live with it! | 0:39:01 | 0:39:02 | |
Now, here comes the candlesticks. | 0:39:02 | 0:39:05 | |
512. We've got the telescopic candlesticks. | 0:39:05 | 0:39:09 | |
These are silver plated. At £50. | 0:39:09 | 0:39:12 | |
Anyone going to go 50? | 0:39:12 | 0:39:14 | |
60 bid on the candlesticks. 60's now bid. What about 70? | 0:39:14 | 0:39:19 | |
70 is now bid. What about 80? | 0:39:19 | 0:39:23 | |
80's now bid. What about 90? | 0:39:23 | 0:39:26 | |
I'm at £80. Any advance on 80? | 0:39:26 | 0:39:29 | |
I'm selling at 80. | 0:39:29 | 0:39:30 | |
Going. Going. And gone for the third time. | 0:39:30 | 0:39:33 | |
-That's pretty good. -This is good. -Lot 513. -That is plus 30 on that item. -OK. | 0:39:34 | 0:39:41 | |
-So you are now plus 42. -£42 profit. -£42 profit. -Excellent. | 0:39:41 | 0:39:47 | |
What are you going to do about the oil-on-board composition? | 0:39:47 | 0:39:50 | |
I don't know. It's hard. It might go, but then it might jeopardize the profit we've made. | 0:39:50 | 0:39:57 | |
Can I be honest? I think 42 could well be a winning score. | 0:39:57 | 0:40:00 | |
Be careful. £42, money's in your pocket. | 0:40:00 | 0:40:04 | |
-So, you're going to park it? -Yes. -No bonus buy? -No. | 0:40:04 | 0:40:08 | |
-We're not going with the bonus buy. -No. -OK. Fine. | 0:40:08 | 0:40:11 | |
Well, now you've made that decision I have to tell you the auctioneer's estimate is £100-£200. | 0:40:11 | 0:40:16 | |
He really rates it. | 0:40:16 | 0:40:18 | |
That doesn't mean it's going to make it. | 0:40:18 | 0:40:20 | |
We're going to see the thing sold anyway. | 0:40:20 | 0:40:22 | |
You've made your decision, you've got your £42. That could be a winning score. | 0:40:22 | 0:40:26 | |
But I want to find out whether this abstract's worth 100-200, which is his estimate. | 0:40:26 | 0:40:31 | |
So, here it comes anyway. Just for the fun of it. | 0:40:31 | 0:40:33 | |
I'm going to start the bidding off on that lot | 0:40:33 | 0:40:36 | |
at £50. 50. | 0:40:36 | 0:40:38 | |
Anyone going to bid me 60? | 0:40:38 | 0:40:40 | |
50. 60 bid. 70. | 0:40:40 | 0:40:42 | |
£70 bid. 80 front row. | 0:40:42 | 0:40:45 | |
90's here, sir. Is it 100? | 0:40:45 | 0:40:48 | |
100 is bid. 120 is here. Do we see 140? | 0:40:48 | 0:40:51 | |
Is it 140, sir? | 0:40:51 | 0:40:52 | |
140 is now bid. It's the gentleman's bid. | 0:40:53 | 0:40:55 | |
Seated down here at 140. | 0:40:55 | 0:40:58 | |
Anyone going 160? | 0:40:58 | 0:40:59 | |
Otherwise I am selling at 140. | 0:40:59 | 0:41:02 | |
Going. Going. Gone. | 0:41:02 | 0:41:03 | |
-Well, look at that. Congratulations, Anita. -Congratulations, Anita. | 0:41:03 | 0:41:08 | |
Very nice to know that your eye is absolutely in on that. | 0:41:08 | 0:41:12 | |
-And bad luck, team. -And us doubting Thomases, you deserve better. | 0:41:12 | 0:41:16 | |
-It could have gone either way. -We should have trusted you. | 0:41:16 | 0:41:20 | |
No, don't get yourself into a row. £42 - a good profit. It could have gone the other way. | 0:41:20 | 0:41:27 | |
-Yep. I'm pleased with 42. -You've got your 42, that's good. | 0:41:27 | 0:41:30 | |
-Don't say a word to the Reds, OK? 42 could be a winning score. -OK. | 0:41:30 | 0:41:34 | |
-Excellent. Well done. -Thanks. | 0:41:35 | 0:41:37 | |
Well, well, well. What a day we have had today, haven't we kids? | 0:41:43 | 0:41:47 | |
-Good was it? Everybody enjoy it? -Lots of fun. | 0:41:47 | 0:41:50 | |
So, have you been talking to one another, teams? | 0:41:50 | 0:41:53 | |
No idea as to where we stand with the score? | 0:41:53 | 0:41:56 | |
Well, I have to say, there is | 0:41:56 | 0:41:58 | |
a world of difference between the two teams. | 0:41:58 | 0:42:00 | |
And unfortunately - we don't have losers any more on Bargain Hunt, we only have runners-up - | 0:42:00 | 0:42:04 | |
-and the runners-up are... -The Blues? -..the Reds. | 0:42:04 | 0:42:07 | |
Yes! | 0:42:07 | 0:42:08 | |
-I'm sorry. -We just took too many risks. | 0:42:11 | 0:42:14 | |
-We were too adventurous. -Absolutely. | 0:42:14 | 0:42:16 | |
-We are risk takers. -Minus £135 is a bit of a score. | 0:42:16 | 0:42:20 | |
-Minus 135? -Minus £135. | 0:42:20 | 0:42:22 | |
We can't afford any more hairspray now. | 0:42:22 | 0:42:25 | |
We have loved having you on the programme. | 0:42:25 | 0:42:28 | |
Thank you for being so brilliant. | 0:42:28 | 0:42:30 | |
I'm sorry you're runners-up. | 0:42:30 | 0:42:31 | |
But the victors are actually going to go home with money. | 0:42:31 | 0:42:34 | |
They're going to go home with 42 smackers. There you go. | 0:42:37 | 0:42:40 | |
This is going to be £21 each. Here's a £2 one. | 0:42:42 | 0:42:45 | |
-Thank you. -How do you feel about that, Hannah? | 0:42:45 | 0:42:47 | |
Very excited. Very pleased. | 0:42:47 | 0:42:50 | |
You didn't go with the bonus buy, which is your big error. | 0:42:50 | 0:42:53 | |
-The bonus buy made another £40. -Well done. -Really? | 0:42:53 | 0:42:57 | |
It could have been twice as bad for you girls. | 0:42:57 | 0:43:00 | |
-Congratulations. Really good. -Thanks. | 0:43:00 | 0:43:02 | |
Lovely result for us and for you. | 0:43:02 | 0:43:04 | |
I'm pleased you had a good time. | 0:43:04 | 0:43:06 | |
-Anyway, we had a great day, so join us soon for some more bargain hunting. Yes? -Yes! | 0:43:06 | 0:43:11 | |
Subtitles by Red Bee Media Ltd | 0:43:29 | 0:43:31 | |
E-mail [email protected] | 0:43:31 | 0:43:34 |