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OK, you 'orrible lot! You've got exactly 30 seconds | 0:00:05 | 0:00:08 | |
to stop making that cup of tea and find that comfortable chair, | 0:00:08 | 0:00:12 | |
cos let's go bargain hunting! Yeah! | 0:00:12 | 0:00:15 | |
Ah, you made it! Well done. | 0:00:40 | 0:00:42 | |
Today we've landed at Hemswell Antiques Centre | 0:00:42 | 0:00:45 | |
just outside Lincoln, which, in the Second World War, | 0:00:45 | 0:00:48 | |
was a bomber base. | 0:00:48 | 0:00:51 | |
Well, let's hope our teams don't hit much flatulence - | 0:00:51 | 0:00:53 | |
-I mean turbulence - in today's show. -HE LAUGHS | 0:00:53 | 0:00:56 | |
Coming up, the Reds set their sights on a dashing fellow. | 0:00:58 | 0:01:02 | |
No, not James Braxton! | 0:01:02 | 0:01:05 | |
Him. | 0:01:05 | 0:01:07 | |
-I'd take him home. -Oh, I would! | 0:01:07 | 0:01:08 | |
JAMES LAUGHS | 0:01:08 | 0:01:10 | |
We're halfway there. We're halfway there, aren't we? | 0:01:10 | 0:01:13 | |
Thomas Plant has to keep the peace... | 0:01:14 | 0:01:17 | |
-You like Lester. -Yeah. -Be him on your head. -OK. | 0:01:18 | 0:01:22 | |
'The question is, will their buys hit the target or just bomb at auction?' | 0:01:25 | 0:01:28 | |
Nice one! | 0:01:28 | 0:01:29 | |
£90! Look at that! | 0:01:29 | 0:01:31 | |
It could be a winning score, so not a word, right? | 0:01:31 | 0:01:34 | |
Let's meet those teams! | 0:01:34 | 0:01:36 | |
-And here they are. Hello, everyone. -Hello, Tim. | 0:01:36 | 0:01:39 | |
Lovely to see you. Catherine, how did you and Jean meet? | 0:01:39 | 0:01:42 | |
We met at the Mothers' Union about ten years ago. | 0:01:42 | 0:01:45 | |
We both go to the same church, and we're both involved in Mothers' Union. | 0:01:45 | 0:01:49 | |
That involves looking after the elderly. | 0:01:49 | 0:01:53 | |
It says here you're "two crazy Christians". Is that right? | 0:01:53 | 0:01:56 | |
That's right. We do like to have a laugh. | 0:01:56 | 0:01:59 | |
-We're not all smells and bells, you know. -No. | 0:01:59 | 0:02:02 | |
So I've been told! | 0:02:02 | 0:02:03 | |
Yes. Brilliant. | 0:02:03 | 0:02:05 | |
And, Jean, you're something of the good Samaritan, aren't you? | 0:02:05 | 0:02:08 | |
I try to be, yes. I tried to rescue a man | 0:02:08 | 0:02:11 | |
who I thought was having a fit. I walked up to him, | 0:02:11 | 0:02:14 | |
removing my cardigan, saying, "Don't worry, I'm here to help you." | 0:02:14 | 0:02:18 | |
And he said, "It's all right, love. I'm trying to turn the tap off." | 0:02:18 | 0:02:22 | |
He was a man from the water board with his arm down a hole. | 0:02:22 | 0:02:26 | |
Oh, goodness! | 0:02:26 | 0:02:27 | |
-I think he had a good laugh. -Yes, absolutely! | 0:02:27 | 0:02:30 | |
Are you two ladies going to win today? | 0:02:30 | 0:02:32 | |
-Oh, yes. Yes. -Definitely? | 0:02:32 | 0:02:34 | |
-Yes. -We've prayed about it, yes. | 0:02:34 | 0:02:37 | |
Oh, you've prayed about it? | 0:02:37 | 0:02:39 | |
Oh, if you've prayed about it, you'll be perfectly all right. | 0:02:39 | 0:02:42 | |
-He's on our side. -A bit of divine intervention! | 0:02:42 | 0:02:45 | |
-Are you quaking in your boots, Blues? -Fearless. | 0:02:45 | 0:02:48 | |
Fearless, you are. You don't care about the power of prayer, do you? | 0:02:48 | 0:02:51 | |
-No. -So, Cath, how did you first meet? | 0:02:51 | 0:02:55 | |
We met in a coffee shop. Yes. I had an unusual Saturday off, | 0:02:55 | 0:02:59 | |
and went along to this little beautiful home-made chocolate shop, | 0:02:59 | 0:03:04 | |
and sat there drinking it and sampling, as you do, | 0:03:04 | 0:03:07 | |
-and, you know... -Dave came along. -There he was, yeah. | 0:03:07 | 0:03:10 | |
And he said, "I like the look of your chocolates!" | 0:03:10 | 0:03:13 | |
Dirty beast! | 0:03:13 | 0:03:14 | |
That's marvellous. I have to say, Dave, | 0:03:14 | 0:03:17 | |
-you're looking very well on the treatment. -Thank you. | 0:03:17 | 0:03:20 | |
You can't beat a bit of plain chocolate, can you? | 0:03:20 | 0:03:23 | |
Perfect. But you've had a few action-packed jobs in your time. | 0:03:23 | 0:03:27 | |
I have. I did ten years in the RAF as an aircraft engineer. | 0:03:27 | 0:03:31 | |
-Did you? -Yeah! Very exciting. | 0:03:31 | 0:03:34 | |
-Here in Lincolnshire? -Yes, RAF Lincolnshire. | 0:03:34 | 0:03:37 | |
I started at Binbrook on the Lightnings. | 0:03:37 | 0:03:39 | |
Oh, did you? I remember those. They were such sexy aeroplanes! | 0:03:39 | 0:03:43 | |
-Oh, yes. -Such a beautiful-looking machine. | 0:03:43 | 0:03:45 | |
-And so fast! -And so fast. | 0:03:45 | 0:03:48 | |
-Did you ever fly in one? -I did, actually. -Did you? | 0:03:48 | 0:03:50 | |
-I mean, they would go vertically... -They do. | 0:03:50 | 0:03:53 | |
..faster than the speed of sound, or something ridiculous. | 0:03:53 | 0:03:56 | |
Dave, what do you do in your spare time, old fruit? | 0:03:56 | 0:03:59 | |
I like to play tennis. | 0:03:59 | 0:04:01 | |
I enjoy watching sport on TV. | 0:04:01 | 0:04:04 | |
-I like eating out. -It says here you prefer eating out | 0:04:04 | 0:04:08 | |
-to cooking yourself. -That is true, yes. Yes. | 0:04:08 | 0:04:11 | |
Cath has tried to encourage me to do a little bit more cooking, | 0:04:11 | 0:04:16 | |
but I'm not destined to be a great cook. | 0:04:16 | 0:04:19 | |
How are you two going to get on as a team? | 0:04:19 | 0:04:22 | |
-He'll do as he's told. He's fine. -THEY LAUGH | 0:04:22 | 0:04:24 | |
That's pretty much it. Cath will make the final decision. | 0:04:24 | 0:04:27 | |
So nothing's different. It's the usual married arrangement? | 0:04:27 | 0:04:31 | |
-Pretty much the same. -Good. We got the message there, then. | 0:04:31 | 0:04:34 | |
This is the money moment. There's your £300. £300 apiece. | 0:04:34 | 0:04:37 | |
You know the rules. Your experts await. And off you go! | 0:04:37 | 0:04:41 | |
And very, very, very good luck. | 0:04:41 | 0:04:43 | |
Well, Lordy, Lordy, Lordy! Whatever's going to happen next? | 0:04:43 | 0:04:48 | |
And they're off! | 0:04:48 | 0:04:49 | |
-Here we are! -Yes. | 0:04:51 | 0:04:53 | |
-Have you got a strategy for today? -Yes. Buy cheap, big sell. | 0:04:53 | 0:04:57 | |
-Something pretty. Something silver, probably. -Silver. | 0:04:57 | 0:05:00 | |
-Cath likes beautiful things. -I do. | 0:05:00 | 0:05:02 | |
-So sculptures, decorative... -What about you, Dave? | 0:05:02 | 0:05:06 | |
-Do you get a say? -Not much of one, no, but... | 0:05:06 | 0:05:09 | |
-Shall we rake this top floor? -Yes. -See if we can find a bargain! | 0:05:09 | 0:05:13 | |
Come on. On your way. | 0:05:13 | 0:05:14 | |
Let's carry on and let's go in search of some bargains. | 0:05:14 | 0:05:17 | |
I've just seen this parasol. Let's have a look. | 0:05:24 | 0:05:26 | |
-Let's stand up. -Oh, thank you! -Look at that! | 0:05:26 | 0:05:29 | |
-Beautiful, isn't it? -Isn't that wonderful? | 0:05:29 | 0:05:32 | |
Is it undamaged? | 0:05:32 | 0:05:34 | |
-Do you know what the stone is? -Tiger's eye, I think. | 0:05:34 | 0:05:36 | |
-It is. It's tiger's eye. -Wow! -Well done. | 0:05:36 | 0:05:39 | |
Tiger's eye is part of the cryptocrystalline-quartz family. | 0:05:39 | 0:05:42 | |
'Get you, Professor Plant!' | 0:05:42 | 0:05:44 | |
-I was going to say that. -Yeah, absolutely. | 0:05:44 | 0:05:47 | |
Do you know what we call this play of colour within the tiger's eye? | 0:05:47 | 0:05:50 | |
-No. -No? | 0:05:50 | 0:05:52 | |
-I don't. -It's called a chatoyant, with the play of light | 0:05:52 | 0:05:56 | |
across the stone. Isn't that absolutely wonderful? | 0:05:56 | 0:06:00 | |
But we have to think to ourselves, | 0:06:00 | 0:06:02 | |
at £75, what are we buying? Are we buying the parasol, | 0:06:02 | 0:06:06 | |
are we investing in the tiger's eye and the base there | 0:06:06 | 0:06:08 | |
-to be used on something else... -It's a brolly, | 0:06:08 | 0:06:11 | |
-at the end of the day. -It is a brolly. | 0:06:11 | 0:06:14 | |
-And you can get one for a fiver. -You can get one for a fiver. | 0:06:14 | 0:06:17 | |
So we're investing in the beautiful stone, aren't we? | 0:06:17 | 0:06:20 | |
-In the stone. -What sort of age do you think this... | 0:06:20 | 0:06:22 | |
That's going to be 1900s, that sort of parasol. | 0:06:22 | 0:06:26 | |
The stone is gorgeous. | 0:06:26 | 0:06:27 | |
-£75 is a lot of money. -It's a lot of money, isn't it? | 0:06:27 | 0:06:30 | |
-That's something to think about. -It is, definitely. | 0:06:30 | 0:06:34 | |
There's one strategy, when you're in this sort of market. | 0:06:34 | 0:06:37 | |
You can look at a number of items in one cabinet, | 0:06:37 | 0:06:40 | |
and if you can do a deal on two, that might be more advantageous. | 0:06:40 | 0:06:44 | |
Oh, I see. Yeah. | 0:06:44 | 0:06:46 | |
So, is there anything else in here you saw? | 0:06:46 | 0:06:48 | |
What about those? | 0:06:48 | 0:06:50 | |
These are the sterling-silver bracelets. | 0:06:50 | 0:06:52 | |
They're marked sterling silver, with portraits of famous pictures. | 0:06:52 | 0:06:56 | |
You've got the Blue Boy by Gainsborough, | 0:06:56 | 0:06:58 | |
the Mona Lisa by Leonardo da Vinci... | 0:06:58 | 0:07:01 | |
-Is this quite desirable? -It is quite desirable. £55. | 0:07:01 | 0:07:04 | |
It's quite interesting, quite fun, a nice little present for somebody. | 0:07:04 | 0:07:09 | |
-Especially if they're off to art college or something. -Yeah. | 0:07:09 | 0:07:12 | |
-I quite like that. -It's worth considering. -Yeah. | 0:07:12 | 0:07:15 | |
Does it sound cheap when you rattle it? | 0:07:15 | 0:07:17 | |
'Are we talking about Thomas or the bracelet?' | 0:07:17 | 0:07:20 | |
Cheap when you rattle it? | 0:07:20 | 0:07:22 | |
Well, I mean, it doesn't sound clinky, | 0:07:22 | 0:07:25 | |
because it's very thin silver. | 0:07:25 | 0:07:27 | |
See, I think £55 is extortionate. | 0:07:27 | 0:07:30 | |
I would pay 20 quid tops for this. | 0:07:30 | 0:07:33 | |
I think you'd be... | 0:07:33 | 0:07:36 | |
I was born under a very tight star sign, so... | 0:07:36 | 0:07:39 | |
You going to speak to the dealer, then? | 0:07:39 | 0:07:41 | |
£100 for the two. | 0:07:41 | 0:07:42 | |
Would you be able to come down as far as...75 for the pair? | 0:07:44 | 0:07:47 | |
They're asking would you do 75 for the pair. | 0:07:47 | 0:07:50 | |
-100 is his very, very bottom. -And that's for both, yeah? | 0:07:50 | 0:07:54 | |
That's for the pair. | 0:07:54 | 0:07:56 | |
So maybe we could take the brolly for a tenner | 0:07:56 | 0:08:00 | |
-and leave the £90 brooch behind. -THEY LAUGH | 0:08:00 | 0:08:02 | |
That's a plan, yeah. THEY LAUGH | 0:08:02 | 0:08:05 | |
'Now, ladies, can I have one deal straight up | 0:08:08 | 0:08:12 | |
'and served on a silver platter, please?' | 0:08:12 | 0:08:14 | |
It's worth looking at, sometimes, these trays. | 0:08:15 | 0:08:18 | |
Although it's plain, you get a lot of bang for your bucks, don't you? | 0:08:18 | 0:08:21 | |
It's sound. It's got a couple of little problems, | 0:08:21 | 0:08:24 | |
but, you know, this is probably a hundred years old. | 0:08:24 | 0:08:28 | |
I like it. If I went to somebody's home, | 0:08:28 | 0:08:30 | |
and I was valuing it as my role as auctioneer, | 0:08:30 | 0:08:33 | |
I would say it's going to make between £50 and £100. | 0:08:33 | 0:08:37 | |
Probably put an estimate of sort of £50, £80. | 0:08:37 | 0:08:40 | |
-Right. -It's not a £30 item, is it? | 0:08:40 | 0:08:43 | |
It's silver. It's on copper. It's got good legs. | 0:08:43 | 0:08:47 | |
It's got good handles. It's sound. | 0:08:47 | 0:08:49 | |
It would grace a sideboard, wouldn't it? | 0:08:49 | 0:08:51 | |
It certainly would. It would look nice anywhere, | 0:08:51 | 0:08:54 | |
and they're great things to have, you know, drinks trays. | 0:08:54 | 0:08:57 | |
-Stylish thing! -It is, yeah. Yeah. | 0:08:57 | 0:09:00 | |
'Go bargain, Red Team!' | 0:09:00 | 0:09:02 | |
I'm sorry. The dealer can't accept 45. He'll take £55. | 0:09:02 | 0:09:06 | |
OK. Would she help us a bit? | 0:09:06 | 0:09:09 | |
Could she do 49? | 0:09:09 | 0:09:11 | |
Could she... We just want to get it a fraction under 50. | 0:09:11 | 0:09:15 | |
Would you please accept £49? You can help them a little. | 0:09:15 | 0:09:20 | |
-49 would be lovely. -Yes. | 0:09:22 | 0:09:25 | |
SHE REPLIES OFF-MIC | 0:09:25 | 0:09:27 | |
-52? -50? | 0:09:27 | 0:09:29 | |
Could she not do 49? | 0:09:29 | 0:09:31 | |
She can't... You can't manage 50? | 0:09:31 | 0:09:33 | |
Yeah? Yeah? | 0:09:35 | 0:09:37 | |
-£50. -Well done. I think we'll do that. | 0:09:37 | 0:09:40 | |
That's very kind of the lady. The tension was palpable! | 0:09:40 | 0:09:43 | |
Wasn't it? My heart is racing! | 0:09:43 | 0:09:45 | |
Everywhere you go these days it's green, green, green! | 0:09:52 | 0:09:55 | |
Recycle this, recycle that... | 0:09:55 | 0:09:57 | |
Well, actually, antiques can be green, | 0:09:57 | 0:10:00 | |
and just look what this cunning, clever dealer has done | 0:10:00 | 0:10:04 | |
in recycling materials into lamps! | 0:10:04 | 0:10:07 | |
If you were keen on athletics, | 0:10:07 | 0:10:10 | |
you'd love the discus made into a lamp, | 0:10:10 | 0:10:13 | |
or boxing, or maybe bowls, | 0:10:13 | 0:10:16 | |
or football, or snooker. | 0:10:16 | 0:10:18 | |
He's even made a cricket bat into a lamp. | 0:10:18 | 0:10:22 | |
On this side we've got an electrical printed circuit, | 0:10:22 | 0:10:26 | |
we've got a converted telephone, | 0:10:26 | 0:10:28 | |
we've got a clarinet. Can you believe that? | 0:10:28 | 0:10:32 | |
A clapped-out set of golf clubs, | 0:10:32 | 0:10:34 | |
even the back end of a hammer shotgun. | 0:10:34 | 0:10:38 | |
Great, aren't they? And the prices, | 0:10:38 | 0:10:41 | |
well, they range from between £190 | 0:10:41 | 0:10:44 | |
and about £400. | 0:10:44 | 0:10:46 | |
So it's quite accessible, and an absolute hoot. | 0:10:46 | 0:10:50 | |
Not quite as oddball, though, as this centre table. | 0:10:50 | 0:10:53 | |
Now, this is really alternative. | 0:10:53 | 0:10:56 | |
What we've got here is a massive galvanised tank, | 0:10:56 | 0:11:00 | |
a storage tank that would've sat in a Victorian house, | 0:11:00 | 0:11:05 | |
except the dealer has taken it out of the house, | 0:11:05 | 0:11:08 | |
and instead of scrapping it has simply cut out the sides | 0:11:08 | 0:11:12 | |
into a form that resemble legs. | 0:11:12 | 0:11:14 | |
All that original riveting is still here. | 0:11:14 | 0:11:18 | |
He's then covered it | 0:11:18 | 0:11:20 | |
in a rotten-stone and varnished mixed paint | 0:11:20 | 0:11:24 | |
which gives it this encrusted, blackish look, | 0:11:24 | 0:11:28 | |
and, by inverting it, has made it into a centre table. | 0:11:28 | 0:11:31 | |
I mean, how clever is that? | 0:11:31 | 0:11:34 | |
It's a hoot! It's amusing. | 0:11:34 | 0:11:36 | |
It's recycled. It's great, great fun. | 0:11:36 | 0:11:39 | |
Well, everything's fun about it apart from the price, | 0:11:39 | 0:11:43 | |
-which is... -HE PLAYS HOLLOW DRUM-ROLL SOUND | 0:11:43 | 0:11:46 | |
..£990. | 0:11:46 | 0:11:49 | |
He's a bit of a sweetie, isn't he? A carved Black Forest bear brush. | 0:11:55 | 0:12:00 | |
There he is. He's doing a dance, as well. | 0:12:00 | 0:12:02 | |
And that would be a table brush. | 0:12:02 | 0:12:04 | |
-Have a look. What do you think? -He's lovely, but, whoa! | 0:12:04 | 0:12:07 | |
He needs to do a lot more dancing for that kind of money. | 0:12:07 | 0:12:11 | |
They're quite popular things. Bears have a hold over people. | 0:12:11 | 0:12:15 | |
Let's see. Is there anything else in here | 0:12:15 | 0:12:17 | |
that grabs your attention? | 0:12:17 | 0:12:19 | |
-Anything, Cath? -Um, that, what you're grabbing now. | 0:12:19 | 0:12:23 | |
-Yeah? -Yeah. -So, this is a paperknife pen, 1880. | 0:12:23 | 0:12:28 | |
It's bone, so what you got is a paperknife, | 0:12:28 | 0:12:30 | |
then you unscrew this bit here... Let's show you. | 0:12:30 | 0:12:34 | |
I thought you might. | 0:12:34 | 0:12:36 | |
Well, you get more for your money, don't you? | 0:12:36 | 0:12:39 | |
-You have a little dip pen. -Oh, I like that. | 0:12:39 | 0:12:41 | |
And then, just in case that's not enough, | 0:12:41 | 0:12:45 | |
if you look through here, | 0:12:45 | 0:12:47 | |
you have a little Stanhope. | 0:12:47 | 0:12:50 | |
What's a Stanhope? A Stanhope is a little magnifier. | 0:12:50 | 0:12:53 | |
-Oh, I see. -I think it's a Stanhope which has lost its lens. | 0:12:53 | 0:12:56 | |
There's meant to be a lens there. I can see print at the back. | 0:12:56 | 0:12:59 | |
-Oh, I see. OK. -Oh, that's a shame. | 0:12:59 | 0:13:02 | |
It is a shame. But there's a pipe-tamper there. | 0:13:02 | 0:13:04 | |
I really like that. And how much is that? | 0:13:04 | 0:13:07 | |
That is... Let's have a look. That's £22. | 0:13:07 | 0:13:10 | |
Oh! | 0:13:10 | 0:13:11 | |
-I'd pay £15 for that. -£15 for that? | 0:13:11 | 0:13:14 | |
Well, all you can do is phone up and ask. | 0:13:14 | 0:13:16 | |
We need to speak to the lovely lady at the front about this. | 0:13:16 | 0:13:19 | |
-See if they can phone up. -And maybe they could... | 0:13:19 | 0:13:22 | |
-You could do a deal. -Yes. -Ooh, yeah. | 0:13:22 | 0:13:24 | |
Shall I go and talk to the man about a dog? | 0:13:24 | 0:13:27 | |
-I think you should go and do that. -Thank you! -Thank you very much. | 0:13:27 | 0:13:31 | |
-Good news and bad news. -Yeah? Go on, then. | 0:13:32 | 0:13:34 | |
The good news is, they didn't say no. | 0:13:34 | 0:13:36 | |
-To what? -Our offer. | 0:13:36 | 0:13:38 | |
-OK. -But the bad news is they didn't actually get the offer, | 0:13:38 | 0:13:42 | |
because they're not there. | 0:13:42 | 0:13:43 | |
-That's got everything, hasn't it? -Enamel. | 0:13:50 | 0:13:53 | |
-It's got enamel... -Silver. | 0:13:53 | 0:13:55 | |
-Oh, that's pretty. -Gold plate, nice hinge, ivory... | 0:13:55 | 0:13:58 | |
I think they called them navette-shaped. | 0:13:58 | 0:14:02 | |
-Maybe it was for... -Patches? -..patches or whatever, | 0:14:02 | 0:14:06 | |
or maybe little scissors. | 0:14:06 | 0:14:08 | |
-Has that got hair? -Yeah. That's plaited hair. | 0:14:08 | 0:14:11 | |
It's slightly mourning, so that would've been a child | 0:14:11 | 0:14:14 | |
or somebody lost, somebody dear lost. | 0:14:14 | 0:14:17 | |
I like those carved things at the back. | 0:14:17 | 0:14:20 | |
-OK. These ones here? -Yeah. | 0:14:20 | 0:14:23 | |
-These tusks? -Yeah. | 0:14:23 | 0:14:25 | |
Carved African tusks. | 0:14:25 | 0:14:27 | |
Again, they are going to be ivory. | 0:14:27 | 0:14:29 | |
So, um, you see, these... Let's see the price of them. | 0:14:29 | 0:14:32 | |
£85 for carved ivory tusks. | 0:14:32 | 0:14:35 | |
I mean, they've got to be pre-1947. | 0:14:35 | 0:14:39 | |
-And how do you know that they are? -It's all a case of dating them | 0:14:39 | 0:14:43 | |
and looking at the ivory, | 0:14:43 | 0:14:45 | |
and making sure it's not too new. | 0:14:45 | 0:14:47 | |
Um, in my opinion they look fine, | 0:14:47 | 0:14:50 | |
but at £85, I just think, you know... | 0:14:50 | 0:14:53 | |
What do you think they'd fetch at auction? | 0:14:53 | 0:14:56 | |
-Well, 40 to 60, say. -Really? -No. I just don't think... | 0:14:56 | 0:14:59 | |
-The monkey. -Oh, the monkey, yeah. | 0:15:01 | 0:15:04 | |
He's rather funny, isn't he? | 0:15:04 | 0:15:06 | |
Monkey! | 0:15:06 | 0:15:09 | |
German. | 0:15:09 | 0:15:10 | |
Oh, it's a novelty lighter, isn't it? | 0:15:10 | 0:15:13 | |
So that won't be all that old, will it? | 0:15:13 | 0:15:16 | |
No. And it's £70. | 0:15:16 | 0:15:19 | |
-Wow! -Rather unusual, isn't it? | 0:15:19 | 0:15:21 | |
-Yes. -He's very comical, isn't he? | 0:15:21 | 0:15:24 | |
-Made of pewter. -Would he sell, do you think? | 0:15:24 | 0:15:27 | |
I think he would sell. He's fun. He's got a good sense of humour. | 0:15:27 | 0:15:31 | |
-Just a novelty lighter. -Shall we think about that one? | 0:15:31 | 0:15:34 | |
Yeah. That's a possibility. | 0:15:34 | 0:15:36 | |
-Oh, it's Nijinsky! -Lester Piggott, Nijinsky. | 0:15:36 | 0:15:40 | |
We'd obviously need to get a significant discount, | 0:15:40 | 0:15:43 | |
cos it would blow our budget in one go. | 0:15:43 | 0:15:45 | |
And it's signed. | 0:15:45 | 0:15:47 | |
And what does Mr Thomas have to say about it? | 0:15:47 | 0:15:50 | |
-I don't know. We need to seek his opinion again, I think. -We do. | 0:15:50 | 0:15:55 | |
-Oh, what have you found? -A teddy. -Teddy. | 0:16:00 | 0:16:02 | |
-Lovely old humpback teddy. -Humpback? Has he got a hump? | 0:16:02 | 0:16:05 | |
-He has. -Ooh, he's got a hump. What's his face like? | 0:16:05 | 0:16:08 | |
-Ohh! Looks a little bit like Sooty, don't he? -Sooty. | 0:16:08 | 0:16:11 | |
He's got a sort of plush cover. Quite silky. | 0:16:11 | 0:16:14 | |
-And then... I can hear the straw. -Does he growl? | 0:16:14 | 0:16:17 | |
-No. -No. He doesn't growl, does he? | 0:16:17 | 0:16:19 | |
-But he's lovely, isn't he? -Very nice. | 0:16:19 | 0:16:22 | |
He's lovely. And, age-wise, pre-war gets you out of a lot of problems, | 0:16:22 | 0:16:26 | |
-doesn't it? What do you think? -1910, '20. | 0:16:26 | 0:16:30 | |
1910, '20? Yeah, I think around the 1920s, '30s. | 0:16:30 | 0:16:33 | |
-He's lovely. I'd take him home. -I would. | 0:16:33 | 0:16:35 | |
JAMES LAUGHS I would. | 0:16:35 | 0:16:37 | |
We're halfway there. We're halfway there, aren't we? | 0:16:37 | 0:16:40 | |
I think best play is if you have a go at speaking to the dealer. | 0:16:40 | 0:16:44 | |
-That would be great! -Yes. -OK. I think he's that way. -OK. | 0:16:44 | 0:16:48 | |
'So, is that teddy bear coming to our picnic, I wonder?' | 0:16:49 | 0:16:54 | |
£80 was the best price. | 0:16:54 | 0:16:57 | |
£80? Good. I think that's the right side of it. | 0:16:57 | 0:17:00 | |
-You think that's OK? -Yeah! I think it's great fun. | 0:17:00 | 0:17:03 | |
-You love it. Hopefully somebody else will. -If we both liked it, somebody else will. | 0:17:03 | 0:17:07 | |
'What? £80?' | 0:17:07 | 0:17:09 | |
So, you quite like this bronze, do you? | 0:17:15 | 0:17:18 | |
-I do, but not at that price. -It's at your risk on that one. | 0:17:18 | 0:17:21 | |
Don't panic. Everything's under control. | 0:17:21 | 0:17:23 | |
I'm not one for panicking. So here's your bronze figure. | 0:17:23 | 0:17:26 | |
It isn't that old, but there's Lester Piggott, | 0:17:26 | 0:17:29 | |
on Nijinsky. | 0:17:29 | 0:17:31 | |
"Champion". And it's a limited edition, is it? | 0:17:31 | 0:17:34 | |
"This particular sculpture"... "One of the edition"... | 0:17:34 | 0:17:39 | |
"In addition"... "strictly limited"... "7,500". | 0:17:39 | 0:17:41 | |
There's quite a few of them about, then! | 0:17:41 | 0:17:44 | |
There's a lot of horseracing fans about, as well. | 0:17:44 | 0:17:47 | |
Yeah. There are, isn't there, really? | 0:17:47 | 0:17:50 | |
The other thing in this cabinet which I think is good is this here. | 0:17:50 | 0:17:53 | |
I think this is handsome. This is a meerschaum pipe, | 0:17:53 | 0:17:56 | |
and it's nice that it's in its little box here, all cased up. | 0:17:56 | 0:18:00 | |
-£39. -I like him. | 0:18:00 | 0:18:02 | |
You like him? Well, he's worth asking about. | 0:18:02 | 0:18:05 | |
Do you want to go and ask about that, Dave? | 0:18:05 | 0:18:07 | |
-I will do. -Well done. -OK. | 0:18:07 | 0:18:09 | |
-And go and ask about Lester Piggott. -I'd like to ask at least. -OK. | 0:18:09 | 0:18:13 | |
-Just to put me out of my misery, yeah. -Right. OK. | 0:18:13 | 0:18:16 | |
-See what you can do on that. -OK. | 0:18:16 | 0:18:18 | |
He can do 225 on the Nijinsky, Lester Piggott. | 0:18:18 | 0:18:23 | |
-OK. -How does that sound? | 0:18:23 | 0:18:25 | |
Er, it still sounds a lot. | 0:18:25 | 0:18:27 | |
'Well, it's £50 off, David.' | 0:18:27 | 0:18:30 | |
Now, this intrigues me. | 0:18:33 | 0:18:35 | |
Isn't that lovely? Do you know, I've never seen a horn beaker | 0:18:35 | 0:18:39 | |
engraved like that, and it really works with this light. | 0:18:39 | 0:18:43 | |
We've got two little people in the coach, | 0:18:43 | 0:18:45 | |
and we're running round here, and he's whipping the horses. | 0:18:45 | 0:18:48 | |
They're really going full gallop. And I like the way the artist here, | 0:18:48 | 0:18:52 | |
because it's quite low-profile scene here, | 0:18:52 | 0:18:54 | |
he's now introduced a sort of village scene in here, | 0:18:54 | 0:18:59 | |
going along the top. And then, rather bizarrely, | 0:18:59 | 0:19:02 | |
the horses, this team of horses, is being attacked | 0:19:02 | 0:19:06 | |
by a lion, and a plucky little terrier there | 0:19:06 | 0:19:09 | |
-is chewing into his calf. It's a lovely item, isn't it? -It is. | 0:19:09 | 0:19:14 | |
Now, I wonder how it performs away from the light. | 0:19:14 | 0:19:17 | |
-You see, it's quite a dull beast now, isn't it? -Yes. | 0:19:17 | 0:19:20 | |
This is made of horn, and it's just got a really charming scene, | 0:19:20 | 0:19:25 | |
sort of English naive art. | 0:19:25 | 0:19:27 | |
-A bit scrimshaw. -It is... Exactly! Scrimshaw, isn't it? | 0:19:27 | 0:19:31 | |
When you put a light upon it, it looks really good, doesn't it? | 0:19:31 | 0:19:34 | |
-It does. -I like that. -What price is it, James? | 0:19:34 | 0:19:37 | |
165. | 0:19:37 | 0:19:39 | |
-That is... -Must be having a laugh, mustn't they? | 0:19:39 | 0:19:42 | |
It's too expensive! | 0:19:42 | 0:19:44 | |
-Gosh, is this a long-distance call? -It is. | 0:19:45 | 0:19:47 | |
-THEY LAUGH -How many pieces you got? | 0:19:47 | 0:19:50 | |
-You got the two, haven't you? -Yes, we've got two. | 0:19:50 | 0:19:52 | |
-So you're down to the final line. -We are. -We're praying. | 0:19:52 | 0:19:56 | |
-We are praying. -I can feel the tension here. | 0:19:56 | 0:19:59 | |
You could cut the atmosphere with a knife, | 0:19:59 | 0:20:02 | |
it's so sharp around here. I think I'll shove off. | 0:20:02 | 0:20:06 | |
130 is his very best. It's very tight on that one. | 0:20:06 | 0:20:10 | |
-If it's rare, we could... -Go for it. | 0:20:10 | 0:20:12 | |
-Yes, we'll have it. -We'll have it? OK. | 0:20:12 | 0:20:14 | |
130. | 0:20:14 | 0:20:16 | |
So, that's the Red Team finished. | 0:20:16 | 0:20:19 | |
But what do they have in their basket? | 0:20:19 | 0:20:21 | |
Catherine and Jean first served up the Sheffield-plate tray for £50. | 0:20:21 | 0:20:27 | |
A humpback teddy bear joined their happy group for 80. | 0:20:28 | 0:20:31 | |
And you just saw them grab the horn beaker for £130. | 0:20:34 | 0:20:38 | |
Now, what's the grand total? | 0:20:38 | 0:20:40 | |
£260. | 0:20:42 | 0:20:44 | |
-260? -Yes. | 0:20:44 | 0:20:45 | |
That's good, then. £40 of leftover lolly somewhere. | 0:20:45 | 0:20:48 | |
Thank you very much. There's the 40. Very good. All present and correct. | 0:20:48 | 0:20:52 | |
-Straight to Mr Braxton. -Blimey! A fortune! | 0:20:52 | 0:20:56 | |
That's marvellous. I'm always delighted when you spend your money. | 0:20:56 | 0:21:00 | |
We wanted to spend a lot. | 0:21:00 | 0:21:01 | |
Now James's challenge is to find something suitable for £40. | 0:21:01 | 0:21:06 | |
-I've got every confidence. -Every... -Yes, indeed. | 0:21:06 | 0:21:09 | |
Haven't we all? Brilliant. | 0:21:09 | 0:21:11 | |
Anyway, why don't we check out right now what the Blues bought, eh? | 0:21:11 | 0:21:15 | |
NEEDLE SCRATCHING ON RECORD | 0:21:15 | 0:21:17 | |
Hold on. I can't, because they haven't bought anything yet! | 0:21:17 | 0:21:20 | |
-What's your decision? -We're going with the brolly, | 0:21:22 | 0:21:25 | |
-the brush with the bear on it... -The brush with the bear. | 0:21:25 | 0:21:28 | |
-And the beautiful pen. -And the little pen. | 0:21:28 | 0:21:30 | |
What about this? You do Lester, 225, | 0:21:30 | 0:21:34 | |
you do pen, 20, | 0:21:34 | 0:21:37 | |
and you do pipe, 38? | 0:21:37 | 0:21:39 | |
-You can afford that, can't you? -I'm not keen on the pipe. | 0:21:40 | 0:21:43 | |
-I'd rather have the bear brush. -The bear brush? | 0:21:43 | 0:21:46 | |
-OK. Are you dead set on Lester? -I really like it. | 0:21:46 | 0:21:49 | |
-You like Lester. Be him on your head. -OK. | 0:21:49 | 0:21:52 | |
-And then the beautiful pen. -20, so that makes 245. | 0:21:52 | 0:21:57 | |
You could go for the brolly for 50, and then leave me with £5. | 0:21:57 | 0:22:00 | |
Yeah. I say let's do that. Surely whatever you buy for a fiver, | 0:22:00 | 0:22:04 | |
-we can't lose on that. -Well, you never know. | 0:22:04 | 0:22:07 | |
-Wonderful. -Job done. | 0:22:07 | 0:22:09 | |
HE LAUGHS | 0:22:09 | 0:22:11 | |
After all that, | 0:22:11 | 0:22:13 | |
this is what they went for - | 0:22:13 | 0:22:15 | |
the Lester Piggott bronze, for £225. | 0:22:15 | 0:22:19 | |
The bone paper knife for £20. | 0:22:20 | 0:22:23 | |
And the ladies' parasol for 50. | 0:22:24 | 0:22:27 | |
What's this I hear? You spent £225 on one item? | 0:22:28 | 0:22:32 | |
-Don't look at me. -Don't look at who? -It's not on my head. It's on his. | 0:22:32 | 0:22:35 | |
-Dave? You. -I think it may be my fault, yes. | 0:22:35 | 0:22:38 | |
Well, it's nobody's fault until the fat lady sings, right? | 0:22:38 | 0:22:42 | |
It can all happen at the auction, which is what's such fun. | 0:22:42 | 0:22:46 | |
So, overall you spent it all, didn't you, roughly? | 0:22:46 | 0:22:48 | |
-Yeah. All bar a little fiver. -£295? -Yes. | 0:22:48 | 0:22:51 | |
I knew they were going to do well. £295. | 0:22:51 | 0:22:55 | |
-Where's the £5 note, then, please? -That's there. | 0:22:55 | 0:22:57 | |
Lovely! Look at that. Nice and crisp and clean. | 0:22:57 | 0:23:00 | |
-Straight over to you, Thomas. Happy with that? -What can you buy for £5? | 0:23:00 | 0:23:04 | |
Well, not much in the caff, I can tell you! | 0:23:04 | 0:23:07 | |
Anyway, that's your challenge, and you do love a challenge, don't you? | 0:23:07 | 0:23:11 | |
-I love a challenge. -Anyway, good luck, kids. | 0:23:11 | 0:23:13 | |
Meanwhile, we're heading off somewhere awfully nice. | 0:23:13 | 0:23:16 | |
We're going to Hampshire. You can come too, if you're good. | 0:23:16 | 0:23:19 | |
Welcome to Hinton Ampner. | 0:23:22 | 0:23:25 | |
Thanks to its last owner, Lord Ralph Dutton, | 0:23:25 | 0:23:28 | |
it is home to some seriously exquisite antiques. | 0:23:28 | 0:23:32 | |
And there are some prime examples in this, the drawing room. | 0:23:40 | 0:23:44 | |
Now, if there's one specie of decorative objects | 0:23:44 | 0:23:48 | |
that seemed to get Ralph Dutton going, | 0:23:48 | 0:23:50 | |
it was anything that was either made of or encrusted in ormolu, | 0:23:50 | 0:23:57 | |
bright gold and glitzy, | 0:23:57 | 0:23:59 | |
and preferably encrusted with something else that's precious. | 0:23:59 | 0:24:04 | |
And an object which typifies his taste is this thing. | 0:24:04 | 0:24:09 | |
Technically it's called a cassolette or perfume burner. | 0:24:09 | 0:24:15 | |
It's been hollowed out inside. | 0:24:15 | 0:24:17 | |
You'd shove a tablet of perfume, incense, | 0:24:17 | 0:24:21 | |
light it so that it smoked, | 0:24:21 | 0:24:24 | |
and the smoke would then curl out from this pierced rim | 0:24:24 | 0:24:28 | |
and effectively perfume the air in your room. | 0:24:28 | 0:24:33 | |
It's a form of air freshener. | 0:24:33 | 0:24:35 | |
And without doubt, in the 18th century, | 0:24:35 | 0:24:38 | |
things could be a bit niffy even in an aristocrat's home. | 0:24:38 | 0:24:42 | |
However, an air freshener couldn't be contained | 0:24:42 | 0:24:46 | |
in a more exotic case than this for an aristocrat, | 0:24:46 | 0:24:49 | |
because the body of the sphere itself | 0:24:49 | 0:24:52 | |
is made out of Blue John, which is a fluorspar | 0:24:53 | 0:24:56 | |
that is only mined in Derbyshire. | 0:24:56 | 0:24:58 | |
There's nowhere else in the world that mines this stuff, | 0:24:58 | 0:25:02 | |
at Castleton, and it's all worked out today, | 0:25:02 | 0:25:04 | |
so you won't get any more. | 0:25:04 | 0:25:07 | |
The sphere itself is supported on three gryphons, | 0:25:07 | 0:25:10 | |
mythical creatures from Greek mythology, | 0:25:10 | 0:25:14 | |
which are half-eagle, with an eagle's beak and wings | 0:25:14 | 0:25:19 | |
applied to the body of a lion. | 0:25:19 | 0:25:21 | |
Seriously weird! | 0:25:21 | 0:25:23 | |
Dotted around the drawing room | 0:25:23 | 0:25:25 | |
we've got a commode that's encrusted in pictorial pietra dura, | 0:25:25 | 0:25:31 | |
little birds, all in coloured stones inlaid into stone, | 0:25:31 | 0:25:34 | |
and in the exotic low pietra-dura table top, | 0:25:34 | 0:25:39 | |
we see parquetry, all again inlaid in stones, | 0:25:39 | 0:25:44 | |
all those different, complicated geometric shapes | 0:25:44 | 0:25:48 | |
fitting together most perfectly. | 0:25:48 | 0:25:51 | |
But the piece de resistance in Dutton's collection | 0:25:51 | 0:25:56 | |
of exotic objects has to be this table cabinet, | 0:25:56 | 0:26:00 | |
an extraordinarily sophisticated and complicated piece of furniture | 0:26:00 | 0:26:06 | |
to make in the 1660s or 1680s. | 0:26:06 | 0:26:10 | |
It comes from Augsburg in Germany, | 0:26:10 | 0:26:14 | |
and if you just look at the frieze, that is indented not once, | 0:26:14 | 0:26:18 | |
not twice but about six times around this single corner, | 0:26:18 | 0:26:23 | |
and you look at the number of little pieces of wood | 0:26:23 | 0:26:26 | |
that geometrically have had to be put together | 0:26:26 | 0:26:29 | |
to create this complicated effect, | 0:26:29 | 0:26:31 | |
then you begin to grasp just how exquisite | 0:26:31 | 0:26:36 | |
this thing actually is. | 0:26:36 | 0:26:38 | |
It looks rich and exotic | 0:26:38 | 0:26:40 | |
partly because the drawer fronts are all applied | 0:26:40 | 0:26:44 | |
with thin pieces of silver, | 0:26:44 | 0:26:46 | |
each of which have been embossed, repousse style, from behind, | 0:26:46 | 0:26:50 | |
with scenes from ancient mythology. | 0:26:50 | 0:26:54 | |
The exotic effect is continued by these out-set columns | 0:26:57 | 0:27:00 | |
that look like twisted pieces of barley sugar or glass. | 0:27:00 | 0:27:05 | |
Actually they're pieces of rock crystal. | 0:27:05 | 0:27:08 | |
And what's this dark-blue stuff? | 0:27:08 | 0:27:10 | |
Well, that's veneered lapis lazuli, | 0:27:10 | 0:27:13 | |
another rare, expensive and exotic mineral, | 0:27:13 | 0:27:18 | |
just to make it that little bit different. | 0:27:18 | 0:27:21 | |
Well, one thing's for certain - | 0:27:21 | 0:27:23 | |
we'll not be coming across anything quite so exquisite today | 0:27:23 | 0:27:28 | |
with our teams over at the auction. | 0:27:28 | 0:27:30 | |
We're heading over to Lichfield in Staffordshire, | 0:27:36 | 0:27:40 | |
where we're under the care of auctioneer Richard Winterton. | 0:27:40 | 0:27:43 | |
Sold at 210. | 0:27:43 | 0:27:44 | |
First up for Catherine and Jean is the silver-plated tray. | 0:27:46 | 0:27:50 | |
Now, I like these when it's got this kind of shaped gallery to it. | 0:27:50 | 0:27:54 | |
-Bit classy that, isn't it? -I think it's a classic, classic item. | 0:27:54 | 0:27:58 | |
Love it. How much? | 0:27:58 | 0:27:59 | |
We've gone conservative at 50 to 60. | 0:27:59 | 0:28:01 | |
-OK. Well, they paid 50. -Yeah. | 0:28:01 | 0:28:04 | |
So they stand a chance, huh? | 0:28:04 | 0:28:06 | |
Now, teddy here is looking very comfy on the tray. | 0:28:06 | 0:28:09 | |
Bit of a lump on its back, look. | 0:28:09 | 0:28:11 | |
And I thought he was looking a bit depressed earlier, | 0:28:11 | 0:28:15 | |
-but maybe he's read your estimate. -We've got 70 to 90, haven't we? | 0:28:15 | 0:28:19 | |
-That's all right. £80 they paid. -Oh, I... | 0:28:19 | 0:28:21 | |
We'll go with the 70, I think. Yeah. | 0:28:21 | 0:28:24 | |
-But you're not feeling really hot for him. -No. | 0:28:24 | 0:28:26 | |
Just hope he isn't listening. | 0:28:26 | 0:28:28 | |
-Yeah. -Poor old chap! | 0:28:28 | 0:28:30 | |
So, what about the horn beaker? Can we buck up with that? | 0:28:30 | 0:28:34 | |
It's 19th century, early, nicely carved. | 0:28:34 | 0:28:37 | |
Used to be collectable. We've put 40 to 50 on it. | 0:28:37 | 0:28:40 | |
Looking at it, there's quite a lot of damage to it. | 0:28:40 | 0:28:43 | |
-It's a quirky thing. -The problem is that I think this horn | 0:28:43 | 0:28:47 | |
has been extremely popular with collectors in the old days. | 0:28:47 | 0:28:50 | |
In the old days, certainly. | 0:28:50 | 0:28:53 | |
And half of us want to see the prices that used to be paid for this back again. | 0:28:53 | 0:28:57 | |
The truth of the matter is, where are those buyers? | 0:28:57 | 0:28:59 | |
Where is horn.com? | 0:28:59 | 0:29:02 | |
Or whatever you might look up on the internet, | 0:29:02 | 0:29:06 | |
you certainly wouldn't find a whole lot of beakers like this. | 0:29:06 | 0:29:09 | |
-That's the trouble. So what's your estimate? -We've gone 40 to 50. | 0:29:09 | 0:29:13 | |
Oh, Lord! They paid £130 for that. | 0:29:13 | 0:29:15 | |
Oh, yeah. Old-day money. | 0:29:15 | 0:29:17 | |
-Old-day money. -That's old stock, I think. | 0:29:17 | 0:29:20 | |
They're going to be torpedoed. In which case, let's go and have a look at the bonus buy! | 0:29:20 | 0:29:25 | |
OK, Catherine, Jean, shall we find out what James Braxton bought | 0:29:26 | 0:29:30 | |
-with the £40 of leftover lolly? -Yes. -Yes! | 0:29:30 | 0:29:34 | |
Now, er, I didn't spend it all. | 0:29:34 | 0:29:36 | |
-What do you think it is, Jean? -I think it's a cigar case. | 0:29:36 | 0:29:40 | |
-Yes. -Cigar case. | 0:29:40 | 0:29:42 | |
What year would that be? | 0:29:42 | 0:29:44 | |
Sort of 1920s, 1930s, by the lettering. | 0:29:44 | 0:29:48 | |
Personalised. Nicely initialled there. | 0:29:48 | 0:29:51 | |
Does that make a difference, though, when people buy? | 0:29:51 | 0:29:54 | |
I think having something gilt-tooled always adds to an item. | 0:29:54 | 0:29:57 | |
-Do you? -Yes. Very much. -And how much did you pay? | 0:29:57 | 0:30:00 | |
-A fiver. -Ooh! -Fiver! | 0:30:00 | 0:30:02 | |
-I like it! -Wow! | 0:30:02 | 0:30:04 | |
-And it's made of pigskin. -Yes. -Yeah, it's rather nice. | 0:30:04 | 0:30:08 | |
I was rather hoping for an Asprey's or a Sampson Mordan or something, | 0:30:08 | 0:30:13 | |
but instead I've got "made in England". | 0:30:13 | 0:30:15 | |
That's all right. That's something to be proud of. | 0:30:15 | 0:30:18 | |
-I'm not going to ask if we'll make a profit. -We will. | 0:30:18 | 0:30:21 | |
-I like these sort of contestants. -I know. Full of confidence. | 0:30:21 | 0:30:24 | |
-We like him. -You like him? You like James or the cheroot case? | 0:30:24 | 0:30:28 | |
-Er, James. -Both. -Both. | 0:30:28 | 0:30:30 | |
THEY LAUGH | 0:30:30 | 0:30:32 | |
-You're not a fiver, are you? -No. -How lovely, James! | 0:30:32 | 0:30:35 | |
You've got fans as well! | 0:30:35 | 0:30:37 | |
-Everybody needs fans. -Well done, James. | 0:30:37 | 0:30:40 | |
You don't decide now, girls. You pick a bit later. | 0:30:40 | 0:30:43 | |
But for the audience at home, | 0:30:43 | 0:30:45 | |
let's find out what the auctioneer thinks about James's case. | 0:30:45 | 0:30:49 | |
You like a bit of leather, don't you? Hah! | 0:30:49 | 0:30:53 | |
-What about that, then? -I quite like this. Yeah. | 0:30:53 | 0:30:56 | |
They are quite collectable. | 0:30:56 | 0:30:58 | |
-Sad about the initials on the other side, though, isn't it? -Yes. | 0:30:58 | 0:31:02 | |
I don't know whether you can ever get those out. | 0:31:02 | 0:31:04 | |
I'm not sure how deep it's been put in. | 0:31:04 | 0:31:07 | |
-Anyway, how much? -I think we've gone 30 to 40. | 0:31:07 | 0:31:10 | |
Good Lord! Braxton will be astounded! | 0:31:10 | 0:31:13 | |
-He only paid £5. -Ah, he's OK with that. -All right. | 0:31:13 | 0:31:16 | |
Jolly good. He will be pleased. | 0:31:16 | 0:31:19 | |
Now, that's it for the Reds. Now for the Blues. | 0:31:19 | 0:31:21 | |
You've got a pretty weird mix here. First up is Lester Piggott | 0:31:21 | 0:31:25 | |
galloping to victory, all three legs off the ground. | 0:31:25 | 0:31:29 | |
These are quite popular, so if they haven't gone over the top too much, | 0:31:29 | 0:31:33 | |
-we could be OK. -What's your estimate? | 0:31:33 | 0:31:35 | |
We've got 200 to 300. | 0:31:35 | 0:31:38 | |
-Have you? Well, they paid £225. -I'm not surprised. | 0:31:38 | 0:31:42 | |
All right. That's encouraging. Well, thank you. | 0:31:42 | 0:31:45 | |
-Bone paperknife now. -OK. | 0:31:45 | 0:31:48 | |
Missing its little lens, the Stanhope in the top, | 0:31:48 | 0:31:51 | |
but nevertheless, got a wee pen inside it and all the rest of it. | 0:31:51 | 0:31:55 | |
Again, it's a good, fun, novelty piece. | 0:31:55 | 0:31:57 | |
Hopefully they haven't paid too much, but it's OK. | 0:31:57 | 0:32:00 | |
-30 to 40, our estimate, so... -Perfect. They paid 20. | 0:32:00 | 0:32:03 | |
-Yeah. Should be. -And lastly is the umbrella | 0:32:03 | 0:32:07 | |
to beat all umbrellas, really, | 0:32:07 | 0:32:08 | |
because that is a fantastic terminal, isn't it? | 0:32:08 | 0:32:11 | |
Yeah, it's a corker, absolute corker of an umbrella. | 0:32:11 | 0:32:14 | |
I don't think it'll stay on there very long, whoever buys it. | 0:32:14 | 0:32:17 | |
The handle will be off and it'll be on a lovely walking stick, | 0:32:17 | 0:32:21 | |
a lovely cane. Beautiful. It's a cracking, cracking piece. | 0:32:21 | 0:32:24 | |
-So, how much for it? -We've gone 50 to 70. | 0:32:24 | 0:32:27 | |
Brilliant. They paid £50. It could make £100, couldn't it? | 0:32:27 | 0:32:30 | |
I wouldn't be surprised at all. | 0:32:30 | 0:32:33 | |
Depending on that and old Lester Piggott, | 0:32:33 | 0:32:35 | |
will determine if they need the bonus buy, but let's have a look at it anyway. | 0:32:35 | 0:32:39 | |
So, Cath and Dave, you spent £295. | 0:32:40 | 0:32:43 | |
You gave the boy £5! Thomas, what did you spend it on? | 0:32:43 | 0:32:46 | |
£5 was tough, | 0:32:46 | 0:32:49 | |
so I looked everywhere, everywhere, | 0:32:49 | 0:32:52 | |
and everything was marked at £15, £10, | 0:32:52 | 0:32:56 | |
and the £5 things was really bad, | 0:32:56 | 0:32:58 | |
so I bought this for £5. It's a piece of art glass, | 0:32:58 | 0:33:01 | |
probably Italian, 1960s, bubble inclusion. | 0:33:01 | 0:33:05 | |
-I mean, what's it worth? 10, 15? -Are the bubbles there on purpose? | 0:33:05 | 0:33:09 | |
Of course they are! What do you mean, are... Actually, | 0:33:09 | 0:33:12 | |
let me take you through the process. | 0:33:12 | 0:33:15 | |
There's this burning furnace, and there's this poor chap | 0:33:15 | 0:33:18 | |
blowing these things, and it's blown by hand. | 0:33:18 | 0:33:21 | |
What he does is, he's got this molten coloured glass, | 0:33:21 | 0:33:24 | |
and he blows it, and then the bubbles are injected in, | 0:33:24 | 0:33:29 | |
and then they mould it out, | 0:33:29 | 0:33:32 | |
and he crimps it here and he cools it down. | 0:33:32 | 0:33:34 | |
There's a lot of work gone into that. It is hand-made, | 0:33:34 | 0:33:37 | |
and it's £5. You couldn't go and say, "Right, Mr Glassblower - | 0:33:37 | 0:33:40 | |
five quid, make me that." He'd say, "It's going to cost you a hundred." | 0:33:40 | 0:33:44 | |
-So we're going to get a hundred? -No. You'll probably get £10 for that. | 0:33:44 | 0:33:47 | |
But it is Italian, it's hand-made, and it's £5. | 0:33:47 | 0:33:51 | |
-And it's blue. -And it's blue. Popular colour. | 0:33:51 | 0:33:54 | |
-And you only gave me a fiver. -You made us spend it. | 0:33:54 | 0:33:57 | |
No, I didn't. I think you have to blame your husband on this one. | 0:33:57 | 0:34:01 | |
But we'll see what happens. | 0:34:01 | 0:34:03 | |
I have to say, Lester Piggott did hoover up quite a lot of your cash, | 0:34:03 | 0:34:07 | |
-David, if you remember. -He may have done, yes. | 0:34:07 | 0:34:10 | |
He may have done. Anyway, more of that later. | 0:34:10 | 0:34:13 | |
Right now let's find out what the auctioneer thinks | 0:34:13 | 0:34:16 | |
about Thomas's £5 buy. | 0:34:16 | 0:34:18 | |
-So, poor Thomas only had £5, and that's what he got. -OK. | 0:34:19 | 0:34:23 | |
Another classic design, | 0:34:23 | 0:34:25 | |
1960s ashtray, I suppose you could call it. | 0:34:25 | 0:34:29 | |
-It's OK, isn't it? I quite like it. -It's blue for the Blue Team. | 0:34:29 | 0:34:32 | |
-Yeah. -What might it bring? -We're £15 to £20 on that. | 0:34:32 | 0:34:36 | |
-£5 he paid. -Easy. -That's what they call a no-brainer, right? -Yeah. | 0:34:36 | 0:34:40 | |
Yeah. Yeah. | 0:34:40 | 0:34:42 | |
-Are you nervy at all, Jean? -No. No. | 0:34:51 | 0:34:54 | |
You aren't nervous, Catherine? No. You said your prayers? | 0:34:54 | 0:34:57 | |
We have. We've just had a prayer meeting. | 0:34:57 | 0:35:00 | |
Have you? So you're going to be all right. | 0:35:00 | 0:35:02 | |
-What's money? -Well, quite. -We've got everything. | 0:35:02 | 0:35:06 | |
-You have. -We've got you! | 0:35:06 | 0:35:08 | |
-We've got you. -James... -What could be nicer? | 0:35:08 | 0:35:10 | |
Anyway, first up, darlings, is your tray, and it's a pretty one. | 0:35:10 | 0:35:15 | |
We go now, lot 243. | 0:35:15 | 0:35:17 | |
Sheffield-plated twin-handled tray now. | 0:35:17 | 0:35:19 | |
Pretty tray, this one. Again, bid's in at £50. | 0:35:19 | 0:35:23 | |
Oh! Straight in. | 0:35:23 | 0:35:25 | |
At £50 I'm bid. 50. And 60. And 70. And 80. | 0:35:25 | 0:35:29 | |
At £80. Here with me at 80. | 0:35:29 | 0:35:31 | |
At £80. I'm bid £80. The room is out. | 0:35:31 | 0:35:34 | |
At £80... | 0:35:34 | 0:35:35 | |
Sold at 80. | 0:35:35 | 0:35:37 | |
Good auctioneering there. Plus 30. | 0:35:37 | 0:35:40 | |
Nice one. I like that. Now teddy. | 0:35:40 | 0:35:44 | |
We now go to 244. It's the teddy bear. | 0:35:44 | 0:35:47 | |
244, the teddy bear. | 0:35:47 | 0:35:49 | |
Nothing on my book on this one, so I'm in the lap of you. | 0:35:49 | 0:35:52 | |
So come on. £20 to start me off. £20 I'm bid. | 0:35:52 | 0:35:56 | |
£20 I'm bid. The teddy bear at £20. | 0:35:56 | 0:35:58 | |
At £20 I'm bid. £20, £20, £20, £20. | 0:35:58 | 0:36:01 | |
The lady at £20. Don't leave me hanging and dangling. | 0:36:01 | 0:36:05 | |
-25. £30. 35. -Oh, yes! | 0:36:05 | 0:36:07 | |
-£40. -More, more! -Still the front row strong at £40. | 0:36:07 | 0:36:10 | |
Everyone else out? £40. All finished? 40. | 0:36:10 | 0:36:14 | |
£40. £40, then, is minus 40, which means overall you're minus ten. | 0:36:14 | 0:36:19 | |
245, the beaker now, the horn beaker. | 0:36:19 | 0:36:23 | |
Again, nothing on my book, I'm afraid, | 0:36:23 | 0:36:25 | |
so open to you again. At £20, start me. | 0:36:25 | 0:36:27 | |
£20. £20 I'm bid. £20 I'm bid. 25. | 0:36:27 | 0:36:31 | |
30. £30. 35, sir? 35. | 0:36:31 | 0:36:35 | |
35 against the right. At 35... 40. | 0:36:35 | 0:36:38 | |
40 bid. 40 bid. Back of the room at £40. | 0:36:38 | 0:36:41 | |
-£40. £40. Got some age. 45. -45. Yes, go on! | 0:36:41 | 0:36:44 | |
£50. £60. | 0:36:44 | 0:36:47 | |
£60. £70. | 0:36:47 | 0:36:49 | |
-Go on. -Yes! -£70. No? | 0:36:49 | 0:36:52 | |
£70. Right away at £70. At £70. | 0:36:52 | 0:36:54 | |
Sold, then, at £70. | 0:36:54 | 0:36:57 | |
What a bore that is! £70! | 0:36:57 | 0:37:00 | |
That is minus 60, which means overall you're minus 70. | 0:37:00 | 0:37:04 | |
Bad luck, girls. It was a speculation. | 0:37:04 | 0:37:07 | |
-Yes. -But somebody will be very pleased with that, | 0:37:07 | 0:37:11 | |
at £70, I tell you. Anyway, what are you going to do? | 0:37:11 | 0:37:14 | |
-Are you going to go with the pigskin? -Yes. | 0:37:14 | 0:37:16 | |
-It's a no-brainer, isn't it? -We trust you. -We love you, James. | 0:37:16 | 0:37:20 | |
A no-brainer, for a fiver, isn't it? It's got to make 75. | 0:37:20 | 0:37:23 | |
Um, he's estimated 30 to 40 on it. You paid a fiver. | 0:37:23 | 0:37:27 | |
He's estimating 30 to 40. I think we need a bit more faith! | 0:37:27 | 0:37:30 | |
Anyway, here we go. | 0:37:30 | 0:37:33 | |
We now go this time, the pigskin cigar case, | 0:37:33 | 0:37:36 | |
lot 249. Commission bids are on the book. | 0:37:36 | 0:37:38 | |
-£10 I'm bid. -There should be. -20. Five. | 0:37:38 | 0:37:41 | |
30. £30 I'm bid. £30. 35. | 0:37:41 | 0:37:44 | |
35 in the room now. At 35. | 0:37:44 | 0:37:47 | |
At 35. 35, 35, 35. In the room on my right at 35. | 0:37:47 | 0:37:50 | |
Sold at 35. | 0:37:50 | 0:37:53 | |
James, that is plus £30! Well done, old fruit. | 0:37:54 | 0:37:58 | |
That's a good profit. Sadly, though, it doesn't get you out of jail. | 0:37:58 | 0:38:03 | |
You are still minus £40. | 0:38:03 | 0:38:06 | |
It could be a winning score, so not a word, right? | 0:38:06 | 0:38:08 | |
-Don't talk to the Blues. -We won't. -Thank you. That's great. | 0:38:08 | 0:38:12 | |
Now, Dave, this is your big responsibility. | 0:38:19 | 0:38:22 | |
Yes? You spent £225 on Lester Piggott, | 0:38:22 | 0:38:26 | |
but I'm glad to tell you that the auctioneer has estimated | 0:38:26 | 0:38:29 | |
£200 to £300. He rates your bronze. | 0:38:29 | 0:38:32 | |
-Fine. -He's sold them before. He says it's on the internet. | 0:38:32 | 0:38:35 | |
He's quite upbeat about it. He reckons you'll get 200, | 0:38:35 | 0:38:38 | |
so there's a small loss in there. | 0:38:38 | 0:38:40 | |
-There's a lot of horseracing fans here, I can tell. -Can you? | 0:38:40 | 0:38:43 | |
Well, there's a lot of punters, that's true. | 0:38:43 | 0:38:46 | |
Anyway, first up is Lester Piggott. Is he going to romp home? | 0:38:46 | 0:38:50 | |
-Here he comes. -Now to 262, | 0:38:50 | 0:38:52 | |
the Champion Finish there. Bit of interest on this lot as well. | 0:38:52 | 0:38:56 | |
-Champion Finish I have in at 130. -Oh! -140. 150. | 0:38:56 | 0:38:59 | |
160. 170. 180. 190. | 0:38:59 | 0:39:02 | |
200. £200 I'm bid, then. At 200. | 0:39:02 | 0:39:06 | |
Come on! | 0:39:06 | 0:39:07 | |
-At £200. -Go on, giddy up! -Little bit more. | 0:39:07 | 0:39:10 | |
Top of three bids at 200. At 200. | 0:39:10 | 0:39:13 | |
Room is out. Sold at 200. | 0:39:13 | 0:39:16 | |
-Oh, bad luck, David. £200. -So close! | 0:39:16 | 0:39:19 | |
Minus 25. | 0:39:19 | 0:39:21 | |
We now go to 263, | 0:39:21 | 0:39:24 | |
the carved-bone pen paperknife. Nothing on my book on this one. | 0:39:24 | 0:39:28 | |
What's it going to be? £20? £20? £20, then. £20. | 0:39:28 | 0:39:32 | |
25. £30. 35. | 0:39:32 | 0:39:34 | |
35 I'm bid. Front row at 35. | 0:39:34 | 0:39:37 | |
35, 35, 35. | 0:39:37 | 0:39:39 | |
Front row at 35. Sold, then... All finished? | 0:39:39 | 0:39:42 | |
£35 is plus £15. Good girl! You're still minus ten. | 0:39:42 | 0:39:47 | |
Now we got the umbrella this time, lot 264, | 0:39:47 | 0:39:52 | |
with the carved tiger's-eye pommel, then. | 0:39:52 | 0:39:54 | |
Silver-mounted. Again, bit of interest on this. £20 I'm bid. | 0:39:54 | 0:39:58 | |
£20. Five. 30. Five. 40. | 0:39:58 | 0:40:01 | |
Five. 50. 60. 70. | 0:40:01 | 0:40:04 | |
£70. 80. | 0:40:04 | 0:40:06 | |
£80 I'm bid. £80, £80. 90. | 0:40:06 | 0:40:09 | |
-£90! Look at that! -£90. | 0:40:09 | 0:40:12 | |
-How good is that? -All done? | 0:40:12 | 0:40:14 | |
-Sold at 90. -Well done, Thomas. | 0:40:14 | 0:40:17 | |
That is plus 40, which has saved your bacon quietly. | 0:40:17 | 0:40:21 | |
So you are plus 30 at the end of that. | 0:40:21 | 0:40:24 | |
What are you going to do about that blue bowl? | 0:40:24 | 0:40:26 | |
-Come on. It's £5. -Yeah. -Absolutely. | 0:40:26 | 0:40:29 | |
-You're only risking a fiver. -Yeah. -OK. We're going with the bonus buy, | 0:40:29 | 0:40:33 | |
-and here it comes. -277 we go to, | 0:40:33 | 0:40:36 | |
which is the studio glass vase from the 1960s there. Blue, there. | 0:40:36 | 0:40:41 | |
Nothing on my books. I'm in your hands. £5? | 0:40:41 | 0:40:44 | |
See where we go. Five, six, seven. Seven, eight, nine. | 0:40:44 | 0:40:48 | |
-You naughty one, Thomas! -12. | 0:40:48 | 0:40:50 | |
12 right away. 12. 15. | 0:40:50 | 0:40:52 | |
15. 18. 18 I'm bid. Standing on my right, at 18. £20. | 0:40:52 | 0:40:56 | |
£20, seated now. At £20. | 0:40:56 | 0:40:59 | |
£22. £22, the lady on my left. | 0:40:59 | 0:41:02 | |
22, 22. On my left, 22. | 0:41:02 | 0:41:05 | |
-Everyone else out? Coming in? -£22. | 0:41:05 | 0:41:08 | |
It's plus 17. That's a handy profit to have, isn't it? | 0:41:08 | 0:41:11 | |
That is plus £47. You're going home with folding money, aren't you? | 0:41:11 | 0:41:16 | |
-We are! -Listen, don't tell the Reds a thing. -No, we won't. | 0:41:16 | 0:41:19 | |
Well, well, well! Had a nice time, girls and boys? | 0:41:26 | 0:41:29 | |
-Yeah. -Yes? Talking to one another? | 0:41:29 | 0:41:32 | |
-No. -No, not at all. | 0:41:32 | 0:41:34 | |
Well, this is the moment to reveal who the runners-up are. | 0:41:34 | 0:41:38 | |
I'm afraid the Reds, | 0:41:38 | 0:41:41 | |
despite the fact that both teams went with their bonus item. | 0:41:41 | 0:41:46 | |
Bonus buys boosted the profit arrangement. | 0:41:46 | 0:41:49 | |
You are nevertheless still minus 40, girls. | 0:41:49 | 0:41:51 | |
-We are. -You was robbed, weren't you? -We were. | 0:41:51 | 0:41:54 | |
-You was robbed by that teddy bear. -Yes, we was. | 0:41:54 | 0:41:58 | |
-And by that horn beaker. -Yes. -They dragged you down. | 0:41:58 | 0:42:02 | |
-But they've not dragged you down in spirit! -Not at all. | 0:42:02 | 0:42:04 | |
No. Well, we've loved having you on the show. | 0:42:04 | 0:42:07 | |
-We've had a wonderful time. -Well, we've loved having you, | 0:42:07 | 0:42:11 | |
and you've enjoyed yourselves. | 0:42:11 | 0:42:13 | |
And well done for getting £30 profit on your £5 purchase! | 0:42:13 | 0:42:17 | |
-We're very proud of James. -We're all very proud of you, James. | 0:42:17 | 0:42:21 | |
But the victors today, Cath and David, who take home £47. | 0:42:21 | 0:42:25 | |
-THEY GASP -£47 of money! | 0:42:25 | 0:42:28 | |
There you go. You've got another couple coming here, | 0:42:28 | 0:42:32 | |
if you play your cards right, if I can get it out. | 0:42:32 | 0:42:35 | |
THEY ALL CHATTER | 0:42:35 | 0:42:38 | |
You risked it with Lester Piggott. | 0:42:38 | 0:42:40 | |
£40, though, on that umbrella found by you, Thomas, | 0:42:40 | 0:42:43 | |
which was a good result. £15 on the nice little pen | 0:42:43 | 0:42:46 | |
with the Stanhope in it, | 0:42:46 | 0:42:48 | |
and then the bubble bowl, another very good £5 purchase, | 0:42:48 | 0:42:52 | |
which made a profit of £17, which has been a miracle all round. | 0:42:52 | 0:42:56 | |
It certainly has, yeah. There's nobody more surprised than me. | 0:42:56 | 0:43:00 | |
Well, £47 is a tidy sum. | 0:43:00 | 0:43:02 | |
I won't ask what you're going to spend it on. | 0:43:02 | 0:43:05 | |
That should... Oh, Prince's Trust! | 0:43:05 | 0:43:07 | |
I think that's what that gesture means. | 0:43:07 | 0:43:10 | |
-THEY LAUGH -Anyway, very good luck. | 0:43:10 | 0:43:12 | |
Join us soon for some more bargain hunting, yes? | 0:43:12 | 0:43:14 | |
THEY ALL SHOUT Yes! | 0:43:14 | 0:43:16 | |
Subtitles by Red Bee Media Ltd | 0:43:16 | 0:43:20 | |
E-mail [email protected] | 0:43:20 | 0:43:24 | |
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