Browse content similar to NW8 27. Check below for episodes and series from the same categories and more!
Line | From | To | |
---|---|---|---|
-WHISTLING -Oh, hello. | 0:00:07 | 0:00:11 | |
I do just love a spot of bargain hunting, don't you? Roll the titles! | 0:00:11 | 0:00:16 | |
Right, before the shopping commences, | 0:00:44 | 0:00:47 | |
I need to track down the teams. | 0:00:47 | 0:00:50 | |
So why don't you just take a gander at what's coming up | 0:00:50 | 0:00:54 | |
while I go and find them? | 0:00:54 | 0:00:56 | |
'It's miserable outside, but there's a party atmosphere inside!' | 0:01:00 | 0:01:06 | |
Who's going to make the cocktails and who's going to sip them? | 0:01:06 | 0:01:09 | |
-I'll make them. -I'll sip them. Sounds good to me! | 0:01:09 | 0:01:13 | |
'Until Charles rains on their parade.' | 0:01:13 | 0:01:16 | |
-OK, guys, we have had 20 minutes. -What? | 0:01:16 | 0:01:18 | |
The honeymoon now is over, right? | 0:01:18 | 0:01:21 | |
'Let's meet these girls!' | 0:01:21 | 0:01:24 | |
So today for the Reds, we have good friends, | 0:01:24 | 0:01:28 | |
-at least they are at the moment, Amber and Jamie. Good morning. -BOTH: Good morning! | 0:01:28 | 0:01:33 | |
-You are our international team. -That's right. | 0:01:33 | 0:01:36 | |
-Would that be because you've got a bit of a g'day going on here? -Yeah, we can g'day all day. | 0:01:36 | 0:01:40 | |
-Where do you come from in Australia? -I come from a small town outside Melbourne called Cockatoo. | 0:01:40 | 0:01:46 | |
-Cockatoo? -Yeah, which is just down the road from Jamie's town, Emerald. | 0:01:46 | 0:01:50 | |
-So what are you doing here? -I work for a charity. | 0:01:50 | 0:01:54 | |
-And what do you do for them? -I publish their health and social care information. | 0:01:54 | 0:01:58 | |
Hm. And is that something you did in Aus? | 0:01:58 | 0:02:01 | |
No, in Australia, I worked in Alice Springs for an indigenous publishing house in the desert. | 0:02:01 | 0:02:08 | |
-In the desert? -Yeah. -So this is all a bit different for you. | 0:02:08 | 0:02:11 | |
-It is quite a change. -We get rain and snow. -I know, amazing. | 0:02:11 | 0:02:16 | |
-You are a founder member of an interesting society. -I am! | 0:02:16 | 0:02:20 | |
Some former colleagues of mine and I have founded the real ale and whisky education society. | 0:02:20 | 0:02:26 | |
-THEY LAUGH -Really? -Yeah. | 0:02:26 | 0:02:29 | |
-For educational purposes. -Right. -It's cultural. | 0:02:29 | 0:02:31 | |
-And how are you getting on with your scotches? -I'm slowly learning about scotch. | 0:02:31 | 0:02:36 | |
I find that the more they taste like dirt and smoke, the more I enjoy them. | 0:02:36 | 0:02:40 | |
So, Jamie, you like to relax with a fine single malt, do you? | 0:02:40 | 0:02:45 | |
Yeah. Mostly ales, though. I'm big on that side of the society. | 0:02:45 | 0:02:49 | |
-Yeah. Cos there are some great pubs in London, aren't there? -Oh, yes. -Good beers. -Very good. | 0:02:49 | 0:02:54 | |
Tell me about this military keep-fit run that you've been involved in. | 0:02:54 | 0:02:59 | |
Ah, yes, the challenge. Yeah, just signed up for a new 5K run, | 0:02:59 | 0:03:03 | |
got pretty good out of the starting gates and ended up coming fifth, | 0:03:03 | 0:03:07 | |
-which was not too bad. -Out of how many. -I think the girls was 160. | 0:03:07 | 0:03:11 | |
-160 sheilas and you came fifth? -Yes. -That's seriously good, isn't it? | 0:03:11 | 0:03:16 | |
-I would've come a bit closer, but I got stuck on a fence and ripped my pants. -Did you? | 0:03:16 | 0:03:20 | |
-THEY LAUGH -It was that sort of run, was it? -Yeah. | 0:03:20 | 0:03:23 | |
-Through mud. -Oh, right, cross-country. Not some piece of cake going round a piece of tarmac? | 0:03:23 | 0:03:29 | |
-Up and down. -Was it? -Yeah. -Have you got, Jamie, what it takes to win this one-hour competition? | 0:03:29 | 0:03:35 | |
Well, I think I do. I've definitely got some charm. | 0:03:35 | 0:03:39 | |
-Amber's got the business. So we are the business. -You are the business. I love it. | 0:03:39 | 0:03:43 | |
I hope you have a great time. I think you should do really well today. | 0:03:43 | 0:03:47 | |
And I guess our Blues are seriously scared. Are you scared about this? | 0:03:47 | 0:03:51 | |
-A little bit. -It's very nice to see you. | 0:03:51 | 0:03:54 | |
-Nicky and Fatima, welcome. -Thank you. -So, Fatima, how did you two meet? | 0:03:54 | 0:03:59 | |
It's quite a funny story. I was shopping in the supermarket and Nicky broke her heel, basically. | 0:03:59 | 0:04:06 | |
-Just fell off? -Yeah, she was walking, shopping around, | 0:04:06 | 0:04:10 | |
-and it just broke and I came to her rescue. -Did you really? -Yeah. -How did the rescue go? | 0:04:10 | 0:04:15 | |
Well, I have lots of stuff that I carry in my bag just for emergencies. | 0:04:15 | 0:04:19 | |
-The superglue came in handy. -Did it? -Yeah. -I don't believe this. | 0:04:19 | 0:04:22 | |
-You have superglue for emergencies in your handbag? -Just in case. | 0:04:22 | 0:04:27 | |
-And you come across a damsel in distress and glue her heel on. -That's it. And we had a coffee. | 0:04:27 | 0:04:32 | |
-And now she's your sister-in-law. -She is. | 0:04:32 | 0:04:35 | |
-Well, something stuck together, didn't it? -It did! | 0:04:35 | 0:04:39 | |
-What sort of things do you like to collect, Nicky? -I've got a few antique perfume bottles, | 0:04:39 | 0:04:44 | |
but I was in a really tiny flat before, so I had three. | 0:04:44 | 0:04:47 | |
Now we've moved somewhere bigger, I'm going to fill it up with them. | 0:04:47 | 0:04:51 | |
-Why perfume bottles? Do you like the design of them? -Yeah, it's just cos they're really pretty | 0:04:51 | 0:04:56 | |
-and for girls. -So what's your plan otherwise, Nicky, for today's shopping? | 0:04:56 | 0:05:02 | |
Just to get out there, try and get the lowest price we can and win. | 0:05:02 | 0:05:07 | |
And win. Oh, I like this! The Antipodeans are quaking here. | 0:05:07 | 0:05:12 | |
Anyway, this is the money moment. Here is your £300. Great big wodges of cash today. | 0:05:12 | 0:05:18 | |
You know the rules. Your experts await and off you go! And very, very, very good luck. | 0:05:18 | 0:05:24 | |
Boy, or should I say girl, am I going to enjoy today's show! | 0:05:24 | 0:05:29 | |
-The hour starts now. -OK. -This is it. | 0:05:31 | 0:05:33 | |
-What you've got down here is the epitome of a good English antique. -OK. | 0:05:33 | 0:05:39 | |
It's cluttery, it's floral, it's pretty. | 0:05:39 | 0:05:44 | |
'Charles Hanson's with our girls from Aus.' | 0:05:44 | 0:05:47 | |
-This is priced at £600. -Oh! -That's quite a lot. | 0:05:47 | 0:05:51 | |
'He's got expensive taste.' | 0:05:51 | 0:05:54 | |
They're 450 plus £1,000. | 0:05:54 | 0:05:58 | |
-Ah! -So they're £1,450. | 0:05:58 | 0:06:01 | |
Any tactics? | 0:06:01 | 0:06:03 | |
'And Anita Manning is with our local ladies.' | 0:06:03 | 0:06:06 | |
-Nothing too expensive. -And to haggle. | 0:06:06 | 0:06:08 | |
-Girls, I think you've got it! -Hope so! | 0:06:08 | 0:06:12 | |
'Are their fingers on the pulse of the London market? | 0:06:12 | 0:06:16 | |
-That's pretty. -What do you think of that tea tray over there? | 0:06:18 | 0:06:21 | |
That's great fun. It's very 50s, 60s. | 0:06:21 | 0:06:25 | |
-Is that 68? -Uh-huh. | 0:06:25 | 0:06:28 | |
It's got a wonderful retro look. | 0:06:28 | 0:06:32 | |
It's 1950s, 1960s, and that's the type of thing which is hot just now. | 0:06:32 | 0:06:38 | |
-The colour's nice, as well. -The colour's great! -What do you think? | 0:06:38 | 0:06:42 | |
-I like it. It's not something I'd have in my house. -Right. | 0:06:42 | 0:06:45 | |
-But... -Would you have it in your house, Fatima? | 0:06:45 | 0:06:48 | |
I like it, like Nicky, but it wouldn't go with my decor. | 0:06:48 | 0:06:53 | |
-It wouldn't go with your decor? -Yeah. -Right, OK. | 0:06:53 | 0:06:56 | |
-Let's see if we can get a... -Hello there. | 0:06:56 | 0:07:00 | |
-We wanted to ask you about your trolley. -Right. | 0:07:00 | 0:07:02 | |
It's got £68 written there. | 0:07:02 | 0:07:05 | |
What could you actually do on that trolley, do you think? | 0:07:05 | 0:07:09 | |
-If it helps you, I can do 55. -How about we say 40? | 0:07:09 | 0:07:15 | |
-How about 45? -Oh, that would be... | 0:07:15 | 0:07:18 | |
-40 is good. -Go on. -Go on, then. | 0:07:18 | 0:07:20 | |
-First sale. -Thank you so much! | 0:07:20 | 0:07:23 | |
-My first of the day's sales. -Brilliant! -You're a natural! | 0:07:23 | 0:07:27 | |
'You go, Fatima! Retro, eh? May be a smart move for our city bidders.' | 0:07:27 | 0:07:33 | |
-Hi. Morning. -What's that? | 0:07:33 | 0:07:35 | |
Oh, I love that. Are you not? | 0:07:35 | 0:07:39 | |
-That's quite nice, isn't it? -No, that's grim. | 0:07:39 | 0:07:42 | |
-It's rusty. -Oh, no, it's no good. OK, let's keep looking. -I love it. | 0:07:43 | 0:07:47 | |
I love it. We can't afford it. | 0:07:47 | 0:07:50 | |
'These girls know what they don't like.' | 0:07:50 | 0:07:53 | |
-Ooh, dresses. -THEY LAUGH | 0:07:53 | 0:07:55 | |
'And what they do.' | 0:07:55 | 0:07:58 | |
Ooh, look, how lovely. An art gallery here at Alfies. | 0:08:02 | 0:08:08 | |
But what sort of painting do you get attracted to in a gallery like this? | 0:08:09 | 0:08:14 | |
For me, this painting is the business. | 0:08:14 | 0:08:19 | |
The style of the painting is impressionistic. | 0:08:19 | 0:08:22 | |
This is not an artist who has done a detailed representation of a group of pelicans, | 0:08:22 | 0:08:29 | |
he's simple gone out, and in a very loose and impressionistic way, | 0:08:29 | 0:08:34 | |
daubed his paint. | 0:08:34 | 0:08:36 | |
Now, the great thing about this gallery is that paintings like this aren't over-restored. | 0:08:36 | 0:08:42 | |
If it had been cleaned and particularly cleaned badly, | 0:08:42 | 0:08:46 | |
you lose the sharpness of those thick, blobby bits of paint. | 0:08:46 | 0:08:51 | |
The colours are very subtle. | 0:08:51 | 0:08:53 | |
The water itself is represented by this greenish-brown, | 0:08:53 | 0:08:58 | |
but yet the bank where the birds are standing | 0:08:58 | 0:09:01 | |
is neither snow nor grass, | 0:09:01 | 0:09:03 | |
it's perhaps the ledge in a zoo, | 0:09:03 | 0:09:06 | |
where the artist is observing the birds from above. | 0:09:06 | 0:09:10 | |
Who might the artist be? Frankly, the gallery owner doesn't know | 0:09:10 | 0:09:15 | |
and they're simply listing it as German School circa 1920. | 0:09:15 | 0:09:20 | |
And that could set you off on a mission, a little research mission, | 0:09:20 | 0:09:25 | |
to try and determine who was the artist who actually created this work. | 0:09:25 | 0:09:31 | |
And what is all this fun going to cost you? | 0:09:31 | 0:09:34 | |
Well, according to the label on the wall, this picture could be yours | 0:09:34 | 0:09:39 | |
for £950. | 0:09:39 | 0:09:42 | |
-It's a snip really, isn't it? -HE SQUAWKS | 0:09:42 | 0:09:45 | |
-OK, guys, we have had 20 minutes. -What? | 0:09:48 | 0:09:51 | |
-The honeymoon now is over. -'Charles, you heartbreaker.' | 0:09:51 | 0:09:56 | |
The coloured Waterford glasses, | 0:09:58 | 0:10:01 | |
-there are six of them in a set. -Yeah, there's a story to these. | 0:10:01 | 0:10:04 | |
They're not actually Waterford. | 0:10:04 | 0:10:06 | |
I read the label and it says Watford. | 0:10:06 | 0:10:11 | |
-So what age would they be, then? -I think about 1960s. | 0:10:11 | 0:10:16 | |
-And they're liqueur classes, aren't they? -Yeah. | 0:10:16 | 0:10:20 | |
-I think they're really quite nice. -I reckon they're nice, too. | 0:10:20 | 0:10:24 | |
I just think they have a great look about them. | 0:10:24 | 0:10:26 | |
-I would have them in my house. -And they're all cut, aren't they? -Yeah. | 0:10:26 | 0:10:31 | |
I think they're really quite nice because they're all coloured and I just think... | 0:10:31 | 0:10:35 | |
-They're quite eye-catching. -They're quite quirky, as well. -They're going for 72 off the ticket. | 0:10:35 | 0:10:41 | |
Right. So what you're really saying is more like 40. | 0:10:41 | 0:10:46 | |
-50. -Ooh. -How about 48? -45. | 0:10:46 | 0:10:49 | |
-45, OK. -Yeah! -45! Sold! -I reckon that's a... | 0:10:49 | 0:10:53 | |
-Thanks. -That's a buy. -Hello? Hello? | 0:10:53 | 0:10:57 | |
-Hello, calling down under. Can you hear me? -Hello! | 0:10:57 | 0:11:00 | |
-Hello? -You said you liked them. You said they were quite nice. | 0:11:00 | 0:11:03 | |
-But we hadn't talked about price. Doesn't matter. -I've shaken hands with the man now. -It's a done deal. | 0:11:03 | 0:11:09 | |
-Nice work, guys. One down, two to go. -Let's go. -Come on. | 0:11:09 | 0:11:13 | |
'I love it when a team are working so well together.' | 0:11:13 | 0:11:17 | |
I mean, it's beautiful. | 0:11:17 | 0:11:20 | |
If you were having a posh cocktail party, that's what you'd want, really. | 0:11:20 | 0:11:24 | |
'Bit of a boozy theme going on here.' | 0:11:24 | 0:11:27 | |
Is that a cocktail shaker up there? | 0:11:30 | 0:11:33 | |
-89. -What do you think? | 0:11:33 | 0:11:37 | |
Well, you would put your liquor in here | 0:11:37 | 0:11:40 | |
-and pour it from here. -The other one was just at the top. -Yeah. | 0:11:40 | 0:11:44 | |
-98. -Uh-huh. | 0:11:45 | 0:11:48 | |
-Hello there. -Hi. | 0:11:48 | 0:11:50 | |
-Is there...? -40. 40. | 0:11:50 | 0:11:53 | |
-40? -Oh, that's a massive drop. -It's a very good company that's actually from. -Yeah. | 0:11:53 | 0:11:58 | |
Maple and Company, London. | 0:11:58 | 0:12:01 | |
-Yeah, it was a very good shop at the time. -The quality is there. | 0:12:03 | 0:12:07 | |
I like this one. I like this better than the other one. | 0:12:07 | 0:12:10 | |
It's from the 1930s. We've got that wonderful 1930s shape. | 0:12:10 | 0:12:15 | |
We've got our pourer mixers in there, but we have the spout | 0:12:15 | 0:12:20 | |
-and that makes it a little bit more interesting. -OK. -I love this. | 0:12:20 | 0:12:24 | |
-What do you think? -I think we should definitely go for it. -OK. | 0:12:24 | 0:12:27 | |
-So you want to go for it, girls? -Definitely. -OK. That's great. | 0:12:27 | 0:12:31 | |
-Give the man the money. -Away we go. | 0:12:31 | 0:12:35 | |
'Ah, team work! These girls make it look so easy! | 0:12:35 | 0:12:38 | |
'Now, are the Reds in sync?' | 0:12:40 | 0:12:44 | |
-What about that blue folding-looking glass guy? -That's quite nice. | 0:12:45 | 0:12:51 | |
-That's what we call a handkerchief vase. -OK. | 0:12:51 | 0:12:53 | |
-1950s. -I'll grab one, you grab the other. -OK. | 0:12:53 | 0:12:57 | |
-On the surface or on the base. -They've got age. -Yeah. | 0:12:57 | 0:13:01 | |
-I love them. -Swing it over, Jamie. Just look for some minor wear of the foot rim. | 0:13:01 | 0:13:06 | |
Look at that lovely wear there. On that base, you've got a lovely, circular rim which is good age | 0:13:06 | 0:13:13 | |
and we know they're about 60 years old. A nice pair. | 0:13:13 | 0:13:16 | |
-Little imperfections, but I'm not concerned. -I think they're gorgeous. | 0:13:16 | 0:13:20 | |
-Ooh, that one's got a ding. -Has it? You've found a ding? -Yeah. | 0:13:20 | 0:13:23 | |
That will affect value, because they are good, decorative vase, but a small ding... | 0:13:23 | 0:13:28 | |
-Is that a ding? -You're quite right, that's a small ding. -It's to do with age. | 0:13:28 | 0:13:32 | |
-Quite right. -Like you. Aww. | 0:13:32 | 0:13:35 | |
-Erm... -I like them. -What kind of price difference do you think this ding's going to... | 0:13:35 | 0:13:40 | |
-What kind of impact? -What's your best price? -45 for the pair. It's not much. | 0:13:40 | 0:13:46 | |
I would say, at auction, they're worth between 40 and 60, and they could do quite well. | 0:13:46 | 0:13:52 | |
If our gentleman was perhaps going to do them for 45 or 40, even, I would buy them. | 0:13:52 | 0:13:59 | |
We could take two of them off you right now for £40. | 0:13:59 | 0:14:03 | |
-This is a good day for everyone! -Oh, dear. OK. | 0:14:04 | 0:14:07 | |
-Yes! -Thank you, sir! -Thank you! | 0:14:07 | 0:14:10 | |
-40! -Great. -Sold. -Sold! | 0:14:10 | 0:14:13 | |
-Come on. -Thank you! -Two down. | 0:14:13 | 0:14:16 | |
'At last, they've gelled. Purchase two with a ding for £40.' | 0:14:16 | 0:14:22 | |
They are hallmarked London. The hallmark is about 1885. | 0:14:23 | 0:14:29 | |
165. | 0:14:35 | 0:14:37 | |
-Oh, look at that! -Oh, that is really cute! -I like that. | 0:14:37 | 0:14:41 | |
Having the little stopper is very, very important. | 0:14:41 | 0:14:45 | |
-Is that silver? -Er, do you know your silver, girls? How you tell your silver? | 0:14:45 | 0:14:49 | |
-From here? -Uh-huh. What do you see? Do you want to have a wee look through? -Is that the lion? | 0:14:49 | 0:14:54 | |
-Let's have a wee look. -Yeah, I can see the lion. | 0:14:54 | 0:14:58 | |
-I can see an anchor, I think. -Yes, that means it was assayed in Birmingham. | 0:14:58 | 0:15:03 | |
And I can see a bee. | 0:15:03 | 0:15:07 | |
I would say it's probably the turn of the century. Let me see the lid. | 0:15:07 | 0:15:11 | |
The lid has a slightly Art Nouveau influence | 0:15:11 | 0:15:17 | |
and I can't see any damage. There's no damage on it. | 0:15:17 | 0:15:20 | |
-What's the price on it? -165. | 0:15:20 | 0:15:23 | |
See if we can do something on that? | 0:15:24 | 0:15:28 | |
-Do you want to ask, Nicky? -What do you think? | 0:15:28 | 0:15:30 | |
-I'd have to get 130. -130? -What do you think, Anita? | 0:15:30 | 0:15:34 | |
You've got a chance at 130. | 0:15:34 | 0:15:36 | |
-You've got a chance. -We said to remember we weren't going to... | 0:15:36 | 0:15:40 | |
-I know, but then we have to think about our timing. -Yeah. -Yeah, uh-huh. | 0:15:40 | 0:15:44 | |
-I mean... -Could you go a bit lower on that? | 0:15:44 | 0:15:46 | |
-120, otherwise I'm not making a thing. -120? | 0:15:46 | 0:15:51 | |
-120. -At 120, there is a chance. | 0:15:51 | 0:15:56 | |
If it was coming into auction, I would estimate it £100 to £150. | 0:15:56 | 0:16:01 | |
-Oh. -I know, but if the item is of quality, then there is a chance. | 0:16:01 | 0:16:08 | |
-And I think you've got a chance there. -You said you liked it | 0:16:08 | 0:16:11 | |
-and that is what I said I wanted to go for. -You liked it, as well. | 0:16:11 | 0:16:15 | |
-I think we should just go for it. -Yeah? -We'll take a chance. | 0:16:15 | 0:16:19 | |
# Take a chance on me | 0:16:19 | 0:16:20 | |
'Oh, you chancers!' | 0:16:20 | 0:16:24 | |
OK, well done, girls, you have both come to agreement | 0:16:24 | 0:16:27 | |
and I think that you've made a good choice. | 0:16:27 | 0:16:30 | |
Let's go and give the chap the money. | 0:16:30 | 0:16:32 | |
'So, gambling on the scent bottle. And they're done!' | 0:16:32 | 0:16:36 | |
-RECORD SCRATCHES -'Hang on a minute.' | 0:16:36 | 0:16:39 | |
-What do you think about this? I really like it. -I think it's beautiful. -So much detail there. | 0:16:39 | 0:16:44 | |
-It's lovely. -'They've fallen for something else! Anita, help!' | 0:16:44 | 0:16:50 | |
-OK, girls, what... -We were thinking maybe we'd swap the perfume bottle, | 0:16:50 | 0:16:54 | |
-because it's in the middle of the estimates for auction. -Right. | 0:16:54 | 0:16:58 | |
-And we might have more chance with this. What do you think? -Erm, I like both of them. | 0:16:58 | 0:17:03 | |
-I like both of them. -It's 185, though. | 0:17:03 | 0:17:07 | |
-Do you want to stick with our original items or swap one of them for this? -We should keep them. | 0:17:07 | 0:17:13 | |
-We're not going to look back and think, "Oh, why didn't we?" -Of course we are. | 0:17:13 | 0:17:17 | |
-You'll do that anyway! -But we're going to do it more if we change. | 0:17:17 | 0:17:22 | |
-We'd better stick with our original, cos that way... -You sure? -Yes. Definitely. | 0:17:22 | 0:17:26 | |
-Happy? -Yes. | 0:17:26 | 0:17:28 | |
-SHE LAUGHS -OK, we're going to stick. | 0:17:29 | 0:17:33 | |
'A-ha! They're sticking with the scent bottle.' | 0:17:33 | 0:17:35 | |
-It's very nice. Thank you. -'Don't look at anything else. | 0:17:35 | 0:17:39 | |
'Step away from the antiques.' | 0:17:39 | 0:17:41 | |
'Right, girls, one item. Keep it simple. Time is short.' | 0:17:42 | 0:17:47 | |
-Come on, Amber. -OK, what about this guy? -15 to go. | 0:17:47 | 0:17:49 | |
-With this floral thing? -That's nice. -Is that grim? | 0:17:49 | 0:17:54 | |
It's about 1950. It's Art Deco. How much? | 0:17:54 | 0:17:57 | |
I've got 65 on it. I can do that for a very reasonable price. | 0:17:57 | 0:18:00 | |
-I'll give you that for 45. -Ooh. How do you feel about that? | 0:18:00 | 0:18:04 | |
I like it and I would say guide price would be between £30 and £50. | 0:18:04 | 0:18:09 | |
-No. -So if Beth said, "OK, Mr Hanson, we'll give you..." | 0:18:09 | 0:18:14 | |
-Handsome or Hanson? -Well, thanks, Beth. | 0:18:14 | 0:18:17 | |
If you said, "Yes, have that for £30," we might buy it. | 0:18:17 | 0:18:21 | |
-35. -Oh! £10 off! -Yeah. | 0:18:21 | 0:18:24 | |
-I like it! -But I just don't know if it says Chelsea. | 0:18:24 | 0:18:26 | |
-Beth, is it in good condition? -It's absolutely perfect, which makes a hell of a difference, | 0:18:26 | 0:18:31 | |
-and it's got a silver-plated surround. -It's not silver metallic glaze, it's plated. | 0:18:31 | 0:18:36 | |
-It's proper silver. -It's a plated band on brass. -Great. I like it. | 0:18:36 | 0:18:40 | |
-It's nice because it's bright. -It's happy! -You're too easily pleased, Hanson. -Like us! | 0:18:40 | 0:18:44 | |
So the absolute best is 35? | 0:18:44 | 0:18:47 | |
-32. -Oh, my God! It's going at £32. | 0:18:47 | 0:18:51 | |
-I really like it. I think it's gorgeous. -My mum would love it. | 0:18:51 | 0:18:54 | |
-Handle it first, double-check its condition. -Yes. | 0:18:54 | 0:18:57 | |
We can see the enamelling is all hand-applied over print. | 0:18:57 | 0:19:01 | |
There's your all-important Royal Winton Grimwades mark. Made in England, so we know it's after 1921. | 0:19:01 | 0:19:07 | |
-It's pretty. -Let's do it. Let's buy it! | 0:19:07 | 0:19:10 | |
-It's going. It's gone. -Sold. -Done. -I have been, I'm sure. | 0:19:10 | 0:19:13 | |
-THEY LAUGH -Thank you. -Enjoy, and I hope you make lots of money. -I hope so, too. | 0:19:13 | 0:19:18 | |
'And I hope you do, too. Time's up! So, here's Team Red's line-up. | 0:19:18 | 0:19:24 | |
'Charles is frozen out of deal one | 0:19:24 | 0:19:27 | |
'as Jamie and Amber take a shot at the liqueur glasses for £45. | 0:19:27 | 0:19:33 | |
'But they worked as a team to secure these handkerchief vases for £40. | 0:19:33 | 0:19:38 | |
'And they wrapped things up with a bowl for £32, | 0:19:39 | 0:19:42 | |
'leaving Charles a whopping £183 to spend on his bonus buy. | 0:19:42 | 0:19:47 | |
'Off you go, Charlie! | 0:19:47 | 0:19:49 | |
'Don't know about that, mate. | 0:19:50 | 0:19:52 | |
'Nicola and Fatima went plastic fantastic, | 0:19:52 | 0:19:57 | |
'buying this tea trolley for 40. | 0:19:57 | 0:19:59 | |
'They parted with another £40 on a Deco cocktail shaker. | 0:19:59 | 0:20:04 | |
'Then they gambled £120 on this scent bottle.' | 0:20:04 | 0:20:09 | |
And I think you've got a chance. | 0:20:09 | 0:20:11 | |
'Leaving Anita £100 of leftover lolly to spend. | 0:20:11 | 0:20:15 | |
'We'll find out what Anita and Charles found at the auction, | 0:20:15 | 0:20:18 | |
'but first, come with me to a pretty fancy family home.' | 0:20:18 | 0:20:22 | |
When Sir Francis Dashwood, 1st Baronet, | 0:20:27 | 0:20:30 | |
took over the West Wycombe Park estate in 1706, | 0:20:30 | 0:20:35 | |
he replaced the existing manor house with a modest Queen Anne dwelling on higher ground. | 0:20:35 | 0:20:42 | |
All was well until his son got his hands on it. | 0:20:42 | 0:20:46 | |
'The 2nd Baronet set to work to jazz up his modest abode. | 0:20:53 | 0:20:57 | |
'No expense was spared in this transformation. | 0:20:57 | 0:21:01 | |
'The result - stunning.' | 0:21:01 | 0:21:05 | |
The first thing that really strikes you when you come into this, the saloon, has to be the door case. | 0:21:05 | 0:21:12 | |
Just look at that! Solid marble. | 0:21:12 | 0:21:16 | |
You've got two-colour marble. Carrara is the white-grey streaked stuff | 0:21:16 | 0:21:22 | |
and Sienna marble, the yellow. | 0:21:22 | 0:21:25 | |
The sculptor was no less than Sir Henry Cheere, | 0:21:25 | 0:21:29 | |
who installed it here at West Wycombe Park in 1751. | 0:21:29 | 0:21:33 | |
It typifies the incredible attention to detail and expenditure | 0:21:33 | 0:21:41 | |
that the family have lavished on this property over the years. | 0:21:41 | 0:21:46 | |
Your eye, however, is next drawn to these extraordinary windows. | 0:21:46 | 0:21:50 | |
Look at this series of huge arched-top windows, | 0:21:50 | 0:21:54 | |
all of which have been embellished with the use of Victorian stained glass. | 0:21:54 | 0:22:00 | |
This is not stained glass that's taking small sections of coloured glass | 0:22:00 | 0:22:05 | |
and inserting them into lead surrounds, | 0:22:05 | 0:22:09 | |
but sheets of glass that have been especially enamelled and decorated. | 0:22:09 | 0:22:14 | |
There's been an incident in recent years with this central roundel. | 0:22:14 | 0:22:18 | |
The poor old window cleaner, when having a go, | 0:22:18 | 0:22:21 | |
managed to break that central roundel. | 0:22:21 | 0:22:24 | |
That was not a particularly popular move. | 0:22:24 | 0:22:27 | |
But after some difficulty, they managed to remove the coloured section | 0:22:27 | 0:22:33 | |
and then they've squashed that in a sandwich of two sheets of clear glass | 0:22:33 | 0:22:37 | |
and have popped it back up there again. | 0:22:37 | 0:22:40 | |
If you look carefully, you can see there is a bit of a crack in it. | 0:22:40 | 0:22:43 | |
And overall, I think these windows look so much better | 0:22:43 | 0:22:48 | |
as a result of the placing of the sculpture. | 0:22:48 | 0:22:52 | |
We've got four carved French early 18th century sculptures here | 0:22:52 | 0:22:57 | |
representing spring, summer, autumn and winter, | 0:22:57 | 0:23:02 | |
but what I'm particularly impressed by are these stands. | 0:23:02 | 0:23:05 | |
Just look at those. Marvellous carved pieces of stone. | 0:23:05 | 0:23:10 | |
Yes? | 0:23:10 | 0:23:12 | |
No. Actually, they're made of moulded clay, | 0:23:12 | 0:23:16 | |
something called Coade stone, | 0:23:16 | 0:23:18 | |
an artificial form of stone | 0:23:18 | 0:23:21 | |
made from moulded clay by a woman called Eleanor Coade. | 0:23:21 | 0:23:26 | |
She was clever, Eleanor Coade, | 0:23:26 | 0:23:29 | |
because her patent mix, | 0:23:29 | 0:23:32 | |
the actually earthenware that she used and baked, | 0:23:32 | 0:23:35 | |
was capable of withstanding frost and could be used outside. | 0:23:35 | 0:23:40 | |
And, indeed, certain elements, architectural elements, for the exterior decoration of buildings | 0:23:40 | 0:23:47 | |
were made of Eleanor's Coade stone. | 0:23:47 | 0:23:50 | |
Of course, the big question today is, | 0:23:50 | 0:23:52 | |
are our teams over at the auction going to crack under the pressure? | 0:23:52 | 0:23:56 | |
Today we're in Lots Road Auctions in the heart of Chelsea | 0:24:09 | 0:24:13 | |
-with Nick Carter, our auctioneer. Nick, good morning. -Welcome, Tim. | 0:24:13 | 0:24:17 | |
Thank you very much. Lovely to be here. | 0:24:17 | 0:24:20 | |
First off, we've got some rare Watford cut-crystal liqueur tots. | 0:24:20 | 0:24:26 | |
I've heard of Waterford glass, I've never heard of Watford glass. | 0:24:26 | 0:24:30 | |
All I can think of is | 0:24:30 | 0:24:33 | |
they're quite pretty, a little bit camp and they're from Watford. | 0:24:33 | 0:24:38 | |
We get a lot of celebrity buyers down here, so if Elton John comes down this weekend, we'll sell them. | 0:24:38 | 0:24:43 | |
-Brilliant. What do you think they're going to make? -I think £30 to £50. | 0:24:43 | 0:24:48 | |
-£45 was paid. So they might just wipe their face. -They might. -Which is good. | 0:24:48 | 0:24:53 | |
Now, the handkerchief glasses. Do you like those? | 0:24:53 | 0:24:57 | |
Do I like them? They're very modern designer pieces, but I'm not convinced by them. | 0:24:57 | 0:25:02 | |
I'm looking at them and thinking, "What can you do with them?" | 0:25:02 | 0:25:06 | |
You could maybe put cufflinks in them, something like that, | 0:25:06 | 0:25:09 | |
-but I'm a little bit short on ideas of what you can do with them. -What's your estimate? | 0:25:09 | 0:25:14 | |
-£30 to £50. -£40 paid. -£40 paid. | 0:25:14 | 0:25:17 | |
-And what do you make of this pot? -It's Royal Winton, isn't it? | 0:25:17 | 0:25:21 | |
I think that is Chesterfield, not Chelsea. It's really not a Chelsea thing. | 0:25:21 | 0:25:25 | |
I can't remember the last time I went into a house in Chelsea and spoke to somebody | 0:25:25 | 0:25:29 | |
who was in desperate need of a pansy bowl. | 0:25:29 | 0:25:32 | |
Of course, it's not for pansies, is it? It's a fruit bowl. | 0:25:32 | 0:25:35 | |
That's why it's got the plated rim on the top, so if you had a server, a salad server or fruit server, | 0:25:35 | 0:25:43 | |
-some utensils would've sat within that. -I think, pansies or fruits, | 0:25:43 | 0:25:48 | |
-it's going to be a struggle to sell. -What's your estimate? -Only £15 to £30. | 0:25:48 | 0:25:52 | |
OK. They only paid £32, so they're not going to lose a fortune on it, but they might struggle, as you say. | 0:25:52 | 0:25:59 | |
Let's go and have a look at the bonus buy. | 0:25:59 | 0:26:01 | |
-Jamie and Amber, how are you feeling, girls? -Very good. -Great. -Are you excited? -Yeah. | 0:26:02 | 0:26:06 | |
I have to tell you, you spent £117. | 0:26:06 | 0:26:09 | |
That gave Charles Hanson a whopping £183 to spend. Charles, what did you spend it on? | 0:26:09 | 0:26:16 | |
Well, Amber and Jamie, I bought this. | 0:26:16 | 0:26:19 | |
-Oh! -Look at that. Now... -What is it? -What do you call that, Charles? | 0:26:19 | 0:26:26 | |
Well, it's a wonderful oak, plated cider jug. | 0:26:26 | 0:26:29 | |
It would date to around 1880, 1890, but it would've been a cider jug. | 0:26:29 | 0:26:33 | |
-Do you get cider in Australia? -We get cider. -Weighty. -It is. | 0:26:33 | 0:26:38 | |
Cider's a drink made by pressing apples, | 0:26:38 | 0:26:40 | |
a great Victorian drink. This would be of the high Victorian period. | 0:26:40 | 0:26:44 | |
And I like it. I know you girls enjoy a drink or two. | 0:26:44 | 0:26:47 | |
I thought it reflected your interests and going out and... | 0:26:47 | 0:26:51 | |
-Who do you think it would've belonged to? -Well, I think it would've been a good middle-upper-class market. | 0:26:51 | 0:26:56 | |
It's 130 or so years old. | 0:26:56 | 0:26:59 | |
You could have had your crest or monogram applied on that nice shield cartouche. | 0:26:59 | 0:27:03 | |
The quality of the casting I like very much. | 0:27:03 | 0:27:05 | |
Look at the little mask on the spout here. It's quality. | 0:27:05 | 0:27:09 | |
-What's the price tag? -What's it worth? -Less than 80. | 0:27:09 | 0:27:13 | |
THEY LAUGH | 0:27:13 | 0:27:16 | |
-OK. -The question is... -Plus 100, makes 180 bucks. | 0:27:16 | 0:27:22 | |
Look at the quality of the oak. I rate this jug. | 0:27:22 | 0:27:25 | |
Listen, cobber, you know the question to ask. | 0:27:25 | 0:27:30 | |
-What's it going to get us? -Yes! What's it going to get us? | 0:27:30 | 0:27:34 | |
Speculate, OK? I think there's mileage both ways, | 0:27:34 | 0:27:37 | |
-up and under. -We're talking cash. -I would value this delightful jug, | 0:27:37 | 0:27:42 | |
in my sale room, at between £150 and £250. | 0:27:42 | 0:27:45 | |
And knowing a few of my great buyers, I could see it making 220, 240. | 0:27:45 | 0:27:49 | |
You girls need a profit, you've got to speculate. We can't speculate with a £30 or £40 lot. | 0:27:49 | 0:27:54 | |
-You left me all that money and I spent it. -The thing is, Charles, | 0:27:54 | 0:27:57 | |
you can't make a horse drink. We've got two fillies here who are at the trough right now. | 0:27:57 | 0:28:03 | |
They don't look so terribly thirsty to me, but you never know, | 0:28:03 | 0:28:07 | |
-they might get a bit parched before we go to the auction. -This auction business is certainly thirsty work. | 0:28:07 | 0:28:13 | |
-Feels functional. This is true. -Good. | 0:28:13 | 0:28:16 | |
On that basis, think about it. You don't pick it now, you choose after the sale of your first three items. | 0:28:16 | 0:28:21 | |
For the viewers at home, let's find out what the auctioneer thinks about Charles' jug. | 0:28:21 | 0:28:26 | |
There you go, Nick. Feeling thirsty? | 0:28:27 | 0:28:29 | |
Why not? I actually really like this. I don't know why. I really do like it. | 0:28:29 | 0:28:33 | |
The first thing that came to mind was, I can just imagine Lady Philippa | 0:28:33 | 0:28:38 | |
asking you round for a barbecue lunch | 0:28:38 | 0:28:40 | |
and producing this with some nice, cool cider in it on a sunny afternoon. | 0:28:40 | 0:28:44 | |
I think it's really quite a nice thing. It's unusual. | 0:28:44 | 0:28:47 | |
-It's not fantastic quality, but it looks a lot better than it is and I think it'll do quite well. -How much? | 0:28:47 | 0:28:53 | |
-120 to 180. -180 paid. | 0:28:53 | 0:28:56 | |
It's a bonus buy. Charles Hanson taking quite a punt on this. | 0:28:56 | 0:29:01 | |
-Could be a substantial loss. -Depends on whether they take the bonus buy or not. | 0:29:01 | 0:29:06 | |
That's what's so exciting about this show. Anyway, that's it for the Reds. Now for the Blues. | 0:29:06 | 0:29:11 | |
Their first item is the magnificent chromium-plated and plastic two-tier trolley. | 0:29:11 | 0:29:18 | |
-Erm... -Look at that. | 0:29:18 | 0:29:21 | |
It's an interesting thing. You might look at it and think, "Who would want that?" | 0:29:21 | 0:29:26 | |
-but I think it'll be quite popular here. -It's glowing, isn't it? | 0:29:26 | 0:29:29 | |
It looks like a 50-year-old piece of plastic, | 0:29:29 | 0:29:32 | |
which is amazing, really, because the maker of that | 0:29:32 | 0:29:36 | |
never saw it surviving as an icon of a decade, | 0:29:36 | 0:29:41 | |
they just simply made a cheaply-produced tubular and plastic structure. | 0:29:41 | 0:29:46 | |
-It was made in Italy and I think it's actually a good, stylish piece. -Yeah. | 0:29:46 | 0:29:52 | |
Excellent. Well, we all love it. How much? | 0:29:52 | 0:29:56 | |
-80 to 150. -There you go. £40 paid. | 0:29:56 | 0:29:59 | |
-They're going to do well on that. -They should do. | 0:29:59 | 0:30:02 | |
-Now, what about the cocktail shaker? -The cocktail shaker, again, I love. | 0:30:02 | 0:30:06 | |
I can just imagine, Saturday night, you're in Claridge's Bar | 0:30:06 | 0:30:10 | |
and you meet Bryan Ferry and he asks you if you want to go back for cocktails afterwards, | 0:30:10 | 0:30:15 | |
-he's going to produce it in something like that. -His will be silver. -Maybe. | 0:30:15 | 0:30:19 | |
But I think it's a wonderful thing. It's very, very Chelsea. | 0:30:19 | 0:30:22 | |
It's good, it's decorative, but it's got a use, as well. | 0:30:22 | 0:30:25 | |
People can actually use that. I think it'll do incredibly well. | 0:30:25 | 0:30:29 | |
And people do drink cocktails more than they ever used to. | 0:30:29 | 0:30:33 | |
I think it's very much on the rise. You can't beat a good mojito. | 0:30:33 | 0:30:36 | |
-How much? -I think we're going to see 50 to 80. | 0:30:36 | 0:30:41 | |
Very good. £40 paid. And then we shift to the late Victorian classic scent bottle. | 0:30:41 | 0:30:48 | |
They're quite contrasting, the styles of these things. | 0:30:48 | 0:30:51 | |
-Is that going to find a good buyer here? -It will find a buyer. We see a lot of them. | 0:30:51 | 0:30:57 | |
They're not really rare things, so there's no rarity value to it. | 0:30:57 | 0:31:01 | |
And it's reasonably well made. | 0:31:01 | 0:31:03 | |
The silver isn't too bad. The glass is not quite so good. | 0:31:03 | 0:31:07 | |
-But I think it'll find a buyer. -How much? | 0:31:07 | 0:31:11 | |
-60 to 90. -£120 paid. So they've made it, if you like, at one end of it | 0:31:11 | 0:31:16 | |
by going for 20th century objects, | 0:31:16 | 0:31:19 | |
and slightly spoiled it on the end with their scent bottle. | 0:31:19 | 0:31:22 | |
Anyway, it ain't all over till the fat lady does the necessary, | 0:31:22 | 0:31:26 | |
so let's go and have a look at the bonus buy. | 0:31:26 | 0:31:29 | |
Now, girls, you spent £200 and you gave £100 to Anita Manning. | 0:31:30 | 0:31:34 | |
And what has she spent it on? Anita. | 0:31:34 | 0:31:37 | |
Well, I hope I'm going to give these girls...a lovely surprise! | 0:31:37 | 0:31:44 | |
How did you get that? | 0:31:44 | 0:31:47 | |
Oh, my God, Anita! | 0:31:47 | 0:31:49 | |
-This is a favourite, isn't it? -We wanted to buy this! -Did you? | 0:31:49 | 0:31:53 | |
When we were buying, they were undecided whether to buy a little scent bottle or this. | 0:31:53 | 0:31:58 | |
But they couldn't quite afford this one and they went for the scent bottle. | 0:31:58 | 0:32:02 | |
I went back afterwards. | 0:32:02 | 0:32:05 | |
The trader realised how much you loved this, so he gave it to me for £100. | 0:32:05 | 0:32:12 | |
-Wow! -Oh, brilliant! -Are you happy? | 0:32:12 | 0:32:14 | |
BOTH: Very! ANITA LAUGHS | 0:32:14 | 0:32:17 | |
-This was one of our favourites. -Was it? -Yeah. | 0:32:17 | 0:32:19 | |
The girls did most of the work. They were so enthusiastic about it. | 0:32:19 | 0:32:23 | |
-You're so modest. -It's fairly nice quality. | 0:32:23 | 0:32:27 | |
It's a silver-plate, of course, it's not silver, | 0:32:27 | 0:32:30 | |
but it's decorative, it's pretty and it has reasonable quality. | 0:32:30 | 0:32:34 | |
-And nice and flashy for the London market. -Yes. | 0:32:34 | 0:32:37 | |
-And we love it. -We do. -Well, that's why I bought it, girls. | 0:32:37 | 0:32:42 | |
-Good. -Thank you so much. | 0:32:42 | 0:32:44 | |
You decide later, but for the audience at home, | 0:32:44 | 0:32:47 | |
let's find out what the auctioneer thinks about Anita's claret jug. | 0:32:47 | 0:32:50 | |
There we go, look. Nice wee claret jug. | 0:32:52 | 0:32:55 | |
-Or lemonade. -Anita bought this, yes? -Yeah. | 0:32:55 | 0:32:59 | |
I think it's actually a good standard item. | 0:32:59 | 0:33:01 | |
It's an item you can sell very, very often. | 0:33:01 | 0:33:04 | |
And I think it's a reasonable thing, yeah. | 0:33:04 | 0:33:06 | |
You produce that on a Sunday afternoon with the roast, with the wine in there, absolutely wonderful. | 0:33:06 | 0:33:12 | |
-How much? -I think it's going to get 80 to 150. | 0:33:12 | 0:33:15 | |
-OK. £100 Anita paid. -I think that's a reasonable amount of money for her to have paid for it. | 0:33:15 | 0:33:21 | |
I don't think... She may make a small profit. | 0:33:21 | 0:33:24 | |
-Well, we'll find out very, very shortly. Thank you, Nick. -I'm going to try my best. | 0:33:24 | 0:33:29 | |
Start it at £50. 60's yours. 70's here. 80's bid. | 0:33:29 | 0:33:33 | |
Any advance on 80? 90's bid now. | 0:33:33 | 0:33:36 | |
What about 100? £100 is bid. | 0:33:36 | 0:33:39 | |
At £100. £100. | 0:33:39 | 0:33:41 | |
Going. Going. Gone. | 0:33:41 | 0:33:45 | |
Now, Amber, Jamie, attention. We are incredibly optimistic on your behalf. | 0:33:45 | 0:33:49 | |
You have been a fantastic team. The first item, which is the Watford liqueur glasses, are coming up now. | 0:33:49 | 0:33:57 | |
This is the Watford liqueur glasses. | 0:33:57 | 0:34:00 | |
There are six in the lot. | 0:34:00 | 0:34:03 | |
£30 I'm going to start the bidding at. £30. | 0:34:03 | 0:34:05 | |
-30's yours. -Yeah, go on. -5. 40. -Get behind us. -40 bid. | 0:34:05 | 0:34:10 | |
Any advance on 40? I'm with 482 at 40. | 0:34:10 | 0:34:13 | |
-Any more for any more. -Come on! -Come on! | 0:34:13 | 0:34:16 | |
-At £40 unless I see more. -No. | 0:34:16 | 0:34:19 | |
-5 is here. -Yes! -Yes! -50? | 0:34:19 | 0:34:21 | |
-Breaking even. -50 is bid now. -Whoo! -New bidder. | 0:34:21 | 0:34:24 | |
£50 bid. Any advance on 50? I'm selling with 482 at 50. | 0:34:24 | 0:34:28 | |
Once with 482 at 50. | 0:34:28 | 0:34:30 | |
Twice with 482 at 50. | 0:34:30 | 0:34:32 | |
Three times, back of the room, gone for 50. | 0:34:32 | 0:34:35 | |
-50. That's a £5 profit. -Fantastic. | 0:34:35 | 0:34:37 | |
Be nice to them. £5. | 0:34:37 | 0:34:40 | |
Now, handkerchief vases. | 0:34:40 | 0:34:43 | |
-These handkerchief vases... -Aren't they fetching? -They are. | 0:34:43 | 0:34:47 | |
-£10 for this pair of vases. -What's going on? | 0:34:47 | 0:34:50 | |
-That's not good. -This is a crisis situation. | 0:34:50 | 0:34:53 | |
20? I'm at 10. 20 bid now. | 0:34:53 | 0:34:55 | |
And advance on 20? Anyone want to go for any more than 20? 5 is bid. | 0:34:55 | 0:34:59 | |
25 is bid. 92 is at 25. Are we all done? | 0:34:59 | 0:35:02 | |
-25? -I can't believe it. -92 at 25. | 0:35:02 | 0:35:06 | |
I thought they would make more. Buyer 92 at 25. | 0:35:06 | 0:35:10 | |
Going, going, gone. | 0:35:10 | 0:35:12 | |
-Oh, dear. -That is bad. | 0:35:12 | 0:35:14 | |
Minus £15 on that. Here comes the pansy bowl. | 0:35:14 | 0:35:18 | |
The Royal Winton pansy bowl. | 0:35:18 | 0:35:21 | |
I'm going to start the bidding on this lot at £5. | 0:35:21 | 0:35:25 | |
-Anyone want to bid me 10? I'm at 5. -You're fired. | 0:35:25 | 0:35:29 | |
-Thanks. I'm fired. -£5. Anyone going to go 10? | 0:35:29 | 0:35:32 | |
10 bid. 10 bid. Any advance on 10? | 0:35:32 | 0:35:35 | |
Anyone want to go for any more? Otherwise it's £10 and I'm selling. | 0:35:35 | 0:35:38 | |
Are we all done? It's going to a commission bidder at 10. All done? | 0:35:38 | 0:35:43 | |
-One. Two. Three. -HAMMER BANGS | 0:35:43 | 0:35:45 | |
-Crazy. Crazy. I can't believe it. -That's minus 22, babes. | 0:35:45 | 0:35:49 | |
-Not hot. -22. 32. 37. Less 5 is 32. | 0:35:49 | 0:35:54 | |
-You're minus 32. -Do you want to go for... | 0:35:54 | 0:35:58 | |
Let's name the things we have to lose at this point. | 0:35:58 | 0:36:01 | |
-Nothing. -Nothing. -So... We'll take your crazy ancient thermos. | 0:36:01 | 0:36:07 | |
-You were right there in one sense. -Knowing that we're going to get smashed on it... | 0:36:07 | 0:36:12 | |
It's difficult today. I'm tempted to say stick, the market's so weak. | 0:36:12 | 0:36:15 | |
-Ah. -You might win with that score. But, trust me, I'm an expert, you never know. | 0:36:15 | 0:36:20 | |
-Trust me, I'm an expert, you never know? That's not helping. -It's about winning. | 0:36:20 | 0:36:24 | |
Hang on. Are you going to go with this bonus buy or not? | 0:36:24 | 0:36:27 | |
Go. | 0:36:27 | 0:36:29 | |
-Nope. We're not having it. -You're not having it? | 0:36:29 | 0:36:32 | |
-I think it's a very wise move. Not going with the bonus buy and here it comes. -Here we go. | 0:36:32 | 0:36:37 | |
This is one of my favourite lots in the sale. | 0:36:37 | 0:36:39 | |
-This is a cider jug. -Aww! -You're going to be lucky to get out alive. | 0:36:39 | 0:36:44 | |
-Shh, shh, shh. -I think we're going to start the bidding at £40. | 0:36:44 | 0:36:50 | |
-Oh, come on! -THEY LAUGH | 0:36:50 | 0:36:52 | |
£40 I'm bid. 50's bid. | 0:36:52 | 0:36:54 | |
50's bid. 60's bid. | 0:36:54 | 0:36:56 | |
60's bid. 70's bid. | 0:36:56 | 0:36:58 | |
80 is bid. 80 is bid. What about 90 now? | 0:36:58 | 0:37:02 | |
-Why not? -£80. Are we all done at 80? | 0:37:02 | 0:37:04 | |
-Yeah, we're done. -Anyone want to go 90? -Right decision. | 0:37:04 | 0:37:08 | |
Anyone going to go 100? | 0:37:08 | 0:37:10 | |
-£100. 100 is bid now. -What? | 0:37:10 | 0:37:13 | |
-100 is bid now. -For real? -For real. -Anyone want 20? | 0:37:13 | 0:37:15 | |
I'm at £100. Unless I see 20 now, I am selling it at 100. | 0:37:15 | 0:37:20 | |
-10 is your last offer. Once at 100. -Difficult day. | 0:37:20 | 0:37:24 | |
-Twice at 100. -Thanks for coming. -Three times at £100. | 0:37:24 | 0:37:28 | |
It's going at £100. Gone! | 0:37:28 | 0:37:30 | |
So, overall, you don't have a bad score here. | 0:37:30 | 0:37:33 | |
Minus £32. This could be a winning score, | 0:37:33 | 0:37:36 | |
so not a word to the Blues. Not a word. | 0:37:36 | 0:37:39 | |
-Not a word. -Don't say anything. Go out looking terribly confident. | 0:37:39 | 0:37:43 | |
-Absolutely. -Yeah. -OK. -Fake it. Go on. -OK. | 0:37:43 | 0:37:48 | |
-OK, girls, how are you feeling? -Good. | 0:37:53 | 0:37:56 | |
-Are you feeling confident, Nicola? -Erm, no. | 0:37:56 | 0:37:59 | |
-What about you, Fatima? -Er, quietly. -Quietly confident. | 0:37:59 | 0:38:04 | |
So, first up is your uranium orange trolley. There we go. | 0:38:04 | 0:38:08 | |
Lot number 446, the tea trolley. | 0:38:08 | 0:38:13 | |
£30. Anyone going to bid me 40 now on this? Made in Italy. | 0:38:13 | 0:38:17 | |
I'm at 30. Anyone want to go 40 now? | 0:38:17 | 0:38:21 | |
Otherwise I'm at 30. 40's bid. 40's bid. | 0:38:21 | 0:38:23 | |
At 50 now. 50 now. | 0:38:23 | 0:38:26 | |
-Any advance on 50? -Yes! | 0:38:26 | 0:38:28 | |
I'm going to sell it at 50 unless I see 60 now. | 0:38:28 | 0:38:30 | |
£50, it's going. One, two, three at 50. | 0:38:30 | 0:38:34 | |
-Yes! -Well done, Nicola. Plus £10. | 0:38:34 | 0:38:37 | |
That's a start! That's what I like. | 0:38:37 | 0:38:40 | |
Cocktail shaker there. Very stylish piece. | 0:38:40 | 0:38:44 | |
I'm going to start the bidding off at £30. £30. What about 35? 35 bid. | 0:38:44 | 0:38:49 | |
35 bid. 40 bid. | 0:38:49 | 0:38:51 | |
45 bid, sir. 50 bid. I know you've got class, sir. | 0:38:51 | 0:38:55 | |
At £50 bid. I'm here at 50. | 0:38:55 | 0:38:58 | |
-Are you going 60? 60 is the gentleman's bid. -Yes! | 0:38:58 | 0:39:02 | |
5 against you. 70 does it, yes or no? £70, ma'am? | 0:39:02 | 0:39:05 | |
£70 is now the lady's bid. On my right at 70. | 0:39:05 | 0:39:09 | |
80 is now bid. 80 is the gentleman's bid. 90, ma'am? | 0:39:09 | 0:39:13 | |
-90 is now bid. -Yes! -100, sir? It's a good old piece. | 0:39:13 | 0:39:17 | |
At £90. You're 90, ma'am, is that right? You are. | 0:39:17 | 0:39:20 | |
Are you going 100 at the back? No. I am selling to the lady at £90. | 0:39:20 | 0:39:24 | |
-Yes! -Once, twice, three times. | 0:39:24 | 0:39:26 | |
You've both got money and taste but you win it, ma'am. 361. | 0:39:26 | 0:39:30 | |
-Yes! -Fantastic! -I could do with a drink! | 0:39:30 | 0:39:33 | |
£90. That's plus 50. | 0:39:33 | 0:39:36 | |
So you are £60 up. This is very cool. | 0:39:36 | 0:39:39 | |
-Now, the scent bottle. -Oh, God, here we go. | 0:39:39 | 0:39:41 | |
Cut crystal, embossed. 30. | 0:39:41 | 0:39:45 | |
I'm at 30. Will anyone give me £30? | 0:39:45 | 0:39:48 | |
At 30. Anyone bid me 30? Yes or no? £30 bid. | 0:39:48 | 0:39:52 | |
5. £40 here. £40 here. 45. | 0:39:52 | 0:39:55 | |
-45. 50, sir. It's the lady's bid. Back of the room at £45. -Please. | 0:39:55 | 0:40:00 | |
Are we all done at 45? | 0:40:00 | 0:40:02 | |
Once at 45. Twice at 45. | 0:40:02 | 0:40:04 | |
-Selling. Gone. You got it. -You had 60, to just lost 75. | 0:40:04 | 0:40:08 | |
You're minus £15 overall. That is nothing and it's really bad luck. | 0:40:08 | 0:40:14 | |
You were doing so well, girls. | 0:40:14 | 0:40:17 | |
-What are you going to do about the claret jug? -Be very careful because you've got a loss of £15 | 0:40:17 | 0:40:22 | |
but that's not a big loss. It could be a winning score. | 0:40:22 | 0:40:26 | |
Silver isn't doing too well in this sale, | 0:40:26 | 0:40:29 | |
so be careful. I can't tell you what to do, but be careful. | 0:40:29 | 0:40:33 | |
Shall we leave it at a £15 loss? | 0:40:33 | 0:40:36 | |
-I don't know. -Shall we leave it? | 0:40:36 | 0:40:39 | |
I don't know. | 0:40:40 | 0:40:42 | |
-Are you going to go with the claret jug or not? -Leave it. Shall we leave it? -We'll leave it. | 0:40:42 | 0:40:47 | |
-You're not going with the bonus buy? -No. -That's a definite decision? | 0:40:47 | 0:40:50 | |
-Yeah. I'm happy with that. -Right. Fine. Very good. | 0:40:50 | 0:40:53 | |
We're not going ahead with the bonus buy, | 0:40:53 | 0:40:56 | |
but we're going to sell it anyway, so let's see what it brings. | 0:40:56 | 0:40:59 | |
452, quite nice claret jug. | 0:40:59 | 0:41:03 | |
I'm going to start the bidding on this lot at £30. | 0:41:03 | 0:41:07 | |
£30. Anyone want to go 40? 40 is yours, sir. 5, sir. 5, sir. | 0:41:07 | 0:41:11 | |
50, sir? Yes or no? No. | 0:41:11 | 0:41:13 | |
I'm at 45. Anyone want to go 50 now? 50 at the back. | 0:41:13 | 0:41:16 | |
-5's against you, sir. 60? -Stop. | 0:41:16 | 0:41:19 | |
60 buys it. £60. Any advance on 60? Back of the room at 60. | 0:41:19 | 0:41:23 | |
Anyone want to go for any more? Otherwise I'm selling to you, sir, | 0:41:23 | 0:41:27 | |
at 60. Buyer 500 at 60. Going, going, gone. | 0:41:27 | 0:41:32 | |
Excellent. You made the right decision, girls. Well done. | 0:41:32 | 0:41:36 | |
You certainly did. So your overall score is minus £15, | 0:41:36 | 0:41:40 | |
-which could be a winning score. Don't go talking to the Reds. -BOTH: We won't! | 0:41:40 | 0:41:45 | |
Well, girls, it's been fun, hasn't it? | 0:41:50 | 0:41:52 | |
-ALL: Yes. -Have you been chatting about the scores? | 0:41:52 | 0:41:56 | |
-ALL: No! -You have no idea. Strangely enough, there's hardly a gap between our two teams today. | 0:41:56 | 0:42:04 | |
You can't credit it, can you? You've been so taut and close, | 0:42:04 | 0:42:08 | |
such has been the spirit of our competition today. | 0:42:08 | 0:42:10 | |
But I have to reveal that the runners-up, cos we don't have losers any more on Bargain Hunt, | 0:42:10 | 0:42:16 | |
-are, very marginally, the Reds. -ALL: Ohh! | 0:42:16 | 0:42:19 | |
-Yes! -How did this happen? | 0:42:19 | 0:42:23 | |
I mean, you started off so well with your Watford glasses. | 0:42:23 | 0:42:26 | |
-Yeah. -But your smartest move was not going with the bonus buy. | 0:42:26 | 0:42:29 | |
-Quite right! -Which managed to ring-fence your losses at only £32. | 0:42:29 | 0:42:36 | |
-Minus £32, which is quite cool. -I've seen worse. -You've seen worse. | 0:42:36 | 0:42:40 | |
Yeah. I've seen a lot worse. Thank you very much for coming on the programme. | 0:42:40 | 0:42:45 | |
-But the victors today, who've won by only losing £15... -Yes! | 0:42:45 | 0:42:51 | |
You, too, started off so brilliantly. | 0:42:51 | 0:42:54 | |
The £50 from Fatima on the cocktail shaker! | 0:42:54 | 0:42:58 | |
-What can I say? -A £50 profit! Did you enjoy your day, Nicola? | 0:42:58 | 0:43:01 | |
-It was brilliant. -Fatima? -Fantastic. -We've loved having you on the show. | 0:43:01 | 0:43:05 | |
Join us soon for some more Bargain Hunting, yes? | 0:43:05 | 0:43:08 | |
ALL: Yes! | 0:43:08 | 0:43:10 | |
Subtitles by Red Bee Media Ltd | 0:43:11 | 0:43:15 | |
E-mail [email protected] | 0:43:15 | 0:43:19 | |
. | 0:43:19 | 0:43:19 |