Browse content similar to Stamford 11. Check below for episodes and series from the same categories and more!
Line | From | To | |
---|---|---|---|
This gallows structure is said to have been erected in Stamford | 0:00:02 | 0:00:06 | |
as a warning to highwaymen. | 0:00:06 | 0:00:07 | |
Well, we've not got time to hang around today. | 0:00:07 | 0:00:10 | |
Let's go bargain hunting! | 0:00:10 | 0:00:12 | |
Our antiques fair at Stamford Meadows is small | 0:00:36 | 0:00:40 | |
but perfectly formed, if a little damp. | 0:00:40 | 0:00:42 | |
So our teams are going to have to remain well and truly in focus... | 0:00:42 | 0:00:46 | |
if they're going to stand any chance of finding any bargains. | 0:00:48 | 0:00:51 | |
And we don't make it easy. | 0:00:53 | 0:00:55 | |
Our teams will need all their skill and intuition | 0:00:55 | 0:00:58 | |
to find three bargains in one hour. | 0:00:58 | 0:01:00 | |
-It's not shouting at me, sorry. -It's not shouting at you? | 0:01:01 | 0:01:04 | |
I think I will be soon. | 0:01:04 | 0:01:06 | |
Yes. Brilliant. | 0:01:06 | 0:01:08 | |
I've never seen anyone so excited about buying their first item. | 0:01:08 | 0:01:11 | |
-Run! Come on! -They'd better choose wisely | 0:01:12 | 0:01:14 | |
if they're going to make a profit in the sale room. | 0:01:14 | 0:01:18 | |
So, let's meet our lovely girls. Hi, girls. | 0:01:19 | 0:01:22 | |
-Hello. -Hi, Tim. -Hi! | 0:01:22 | 0:01:24 | |
Good. Now, Jill, how did you first meet Josephine? | 0:01:24 | 0:01:27 | |
Josephine and I used to work together | 0:01:27 | 0:01:29 | |
and we've known each other about 20 years. | 0:01:29 | 0:01:32 | |
And you're a strong believer in reincarnation. | 0:01:32 | 0:01:35 | |
I honestly believe that in a former life, | 0:01:35 | 0:01:38 | |
I was a scullery maid. | 0:01:38 | 0:01:39 | |
-Really? -Hence my desire to buy a suit of armour | 0:01:39 | 0:01:44 | |
because I believe | 0:01:44 | 0:01:46 | |
that I used to clean a suit of armour in a former life. | 0:01:46 | 0:01:49 | |
-Ah, well. -And my husband let me go out and buy a set, | 0:01:49 | 0:01:54 | |
which we have in the hallway and we call Arthur. | 0:01:54 | 0:01:57 | |
-The suit of armour? -That's right. Not my husband. | 0:01:57 | 0:01:59 | |
-What's he called? -Trevor. | 0:01:59 | 0:02:01 | |
Lovely. There's two men in your life, then. Arthur and Trevor. | 0:02:01 | 0:02:05 | |
Yes. One protects me when the other's away. | 0:02:05 | 0:02:08 | |
Yes, now, Jojo. | 0:02:08 | 0:02:10 | |
You also have psychic abilities, don't you? | 0:02:10 | 0:02:13 | |
Well, I'm not easily spooked | 0:02:13 | 0:02:15 | |
but, yeah, on occasions, | 0:02:15 | 0:02:16 | |
I have had a bit of a second sense about things. | 0:02:16 | 0:02:20 | |
-You once had a pregnant friend. -Yes, she was pregnant | 0:02:20 | 0:02:23 | |
-and I knew before anybody else knew. -Did you? -I sensed it, yeah. | 0:02:23 | 0:02:27 | |
-Have a rest. -Told her to rest and she went home and had a baby. | 0:02:27 | 0:02:30 | |
Just like that. What do you do as a job of work? | 0:02:30 | 0:02:33 | |
I work on a very busy dental reception. | 0:02:33 | 0:02:35 | |
-That is a stressful job. -It can be, yes, it can be, | 0:02:35 | 0:02:39 | |
but handled with a lot of laughter, | 0:02:39 | 0:02:41 | |
it tends to calm the patients' nerves. | 0:02:41 | 0:02:43 | |
So, Mystic Jo, can you put your powers to work | 0:02:43 | 0:02:46 | |
and tell us what the prediction is for today's profit? | 0:02:46 | 0:02:50 | |
-Oh, I should think at least... -200. -I would have thought so. -200. -200. | 0:02:50 | 0:02:54 | |
-200? -Yes. -Well, we watched your lips there, all right. | 0:02:54 | 0:02:58 | |
They both said 200, sort of simultaneously, | 0:02:58 | 0:03:00 | |
and we'll hold you to that. | 0:03:00 | 0:03:02 | |
Christine, you two know a lot about collecting, don't you? | 0:03:02 | 0:03:05 | |
We've done a fair bit in our time, yes, Tim. | 0:03:05 | 0:03:08 | |
I started with Victoriana | 0:03:08 | 0:03:10 | |
and I've now got a passion for Art Deco and 1960s. | 0:03:10 | 0:03:15 | |
-You're moving along, then. -I am. -Lovely. | 0:03:15 | 0:03:18 | |
-And have you two known each other for a long time? -A good 20 years. | 0:03:18 | 0:03:22 | |
Lin interviewed me for a job and said how wonderful I was | 0:03:22 | 0:03:27 | |
and employed me and we've been friends ever since. | 0:03:27 | 0:03:30 | |
-Lovely. It says here you like dogs. -Yes, I've got a retired greyhound. | 0:03:30 | 0:03:35 | |
-Lin, what's yours? -Bull terrier. -Bull terrier. I keep forgetting. | 0:03:35 | 0:03:38 | |
-So, Linda, you used to show dogs? -I did. -What were your breeds? | 0:03:38 | 0:03:42 | |
We had Dobermans to start with and then we moved to Schnauzers. | 0:03:42 | 0:03:46 | |
-And were they always well behaved? -Oh, no. | 0:03:46 | 0:03:48 | |
The Schnauzer bitch, who was a champion, was going to Crufts | 0:03:48 | 0:03:52 | |
and she broke into the garage | 0:03:52 | 0:03:55 | |
and ripped open a 28 kilo bag of biscuits, | 0:03:55 | 0:03:58 | |
-which she ate. -Did she? | 0:03:58 | 0:04:00 | |
I lost lots of weight, running around the fields to try and lose some weight | 0:04:00 | 0:04:04 | |
-but she didn't win that day. -I bet she didn't. | 0:04:04 | 0:04:07 | |
-Looked like a tub. -Belly on the ground. | 0:04:07 | 0:04:09 | |
-Anyway, here's the £300. There's your £300. -Thank you. | 0:04:09 | 0:04:12 | |
You know the rules, your experts await and off you go | 0:04:12 | 0:04:15 | |
and very, very, very good luck. | 0:04:15 | 0:04:17 | |
Now, I'm no psychic but I sense that our experts | 0:04:18 | 0:04:22 | |
have got their work cut out with this lot. | 0:04:22 | 0:04:25 | |
It's cosmic Catherine Southon for the Reds... | 0:04:25 | 0:04:27 | |
and mystic Nick Hall with the Blues. | 0:04:28 | 0:04:31 | |
OK, ladies, £300. What are we going to do? | 0:04:32 | 0:04:35 | |
We are going to win. | 0:04:35 | 0:04:38 | |
What are you interested in? What are you after? | 0:04:38 | 0:04:41 | |
We're going to think small and profit big. | 0:04:41 | 0:04:44 | |
-I love Art Deco. -Silver, maybe. Little teeny silver things. | 0:04:44 | 0:04:48 | |
There's a profit out there, I know there's a profit out there | 0:04:48 | 0:04:51 | |
-and we're going to find it. -We will. -Fantastic. Let's go bargain hunting. | 0:04:51 | 0:04:55 | |
Yay! | 0:04:55 | 0:04:57 | |
We're under the clock now. We're off and running. | 0:04:58 | 0:05:01 | |
We just thought about starting fairly small. | 0:05:01 | 0:05:03 | |
-How low is low? -There you go, Lin. | 0:05:03 | 0:05:06 | |
-I like that. -Hello! -It's a punch one, isn't it? | 0:05:06 | 0:05:09 | |
-You put the... -It's like a punch card system. | 0:05:09 | 0:05:11 | |
-That's not small. -No, it's not small. -It's not. I did like it. | 0:05:11 | 0:05:16 | |
I love those perfume bottles. | 0:05:16 | 0:05:19 | |
-They're Art Deco style but brand spanking new. -Yeah. | 0:05:19 | 0:05:22 | |
Oh, my goodness, what's that? | 0:05:22 | 0:05:25 | |
-It's some sort of... -Body. -..resuscitation dummy. -You can't do the compressions. | 0:05:25 | 0:05:29 | |
-So you just do... -Just the mouth-to-mouth thing. | 0:05:29 | 0:05:32 | |
-You like unusual things, don't you? -I do like unusual things. | 0:05:32 | 0:05:35 | |
-Is anyone going to get excited about that at the auction? -Possibly not. | 0:05:35 | 0:05:40 | |
You like your '60s retro. What about that funny looking brown vase | 0:05:44 | 0:05:49 | |
underneath the radio, there? That absolutely screams retro to me. | 0:05:49 | 0:05:53 | |
-But how much is it, Nick? -Is it perfect? -Yeah. | 0:05:53 | 0:05:58 | |
Mm. Not sure. | 0:05:58 | 0:06:00 | |
I was hoping it was going to say West Germany under there. | 0:06:00 | 0:06:03 | |
-It's of a type of pottery known as fat lava. -I've heard of it, yeah. | 0:06:03 | 0:06:07 | |
The West German fat lava stuff is currently doing quite well. | 0:06:07 | 0:06:10 | |
It's the sort of thing that used to be thrown away in skips not that long ago. | 0:06:10 | 0:06:14 | |
There's a real interest now in this. What do you think? Have a look. | 0:06:14 | 0:06:17 | |
-And it's quite a neutral colour that would go with a lot of home decor, wouldn't it? -Yeah. | 0:06:17 | 0:06:23 | |
-It depends how much. -Definitely. | 0:06:23 | 0:06:25 | |
We need to find the stallholder and find out how much it is. | 0:06:25 | 0:06:29 | |
-See the old Tri-ang train. -My Tri-ang one had a rubber... | 0:06:31 | 0:06:34 | |
-That's been repainted. -Has it? -You can see it on the side there. | 0:06:34 | 0:06:39 | |
-No, no, fine. -No. Mine had a rubber funnel. | 0:06:39 | 0:06:42 | |
-OK. -I'm not keen on it but then it's not me, is it? It's selling it. | 0:06:42 | 0:06:47 | |
I think you can tell that I'm not keen on that at all. | 0:06:47 | 0:06:49 | |
-Right. -How much? -How much? If it's a tenner... | 0:06:49 | 0:06:52 | |
-I've tracked the stallholder down... Say that again. -If it's a tenner... | 0:06:52 | 0:06:56 | |
Is she telepathic? They were asking 15 for it but they'd take a tenner. | 0:06:56 | 0:07:00 | |
-Go on, then. You can have it for that. -I think there's a bit of mileage in it. | 0:07:00 | 0:07:04 | |
-I'm happy with that. -Yeah, go on, then, we'll have it. | 0:07:04 | 0:07:07 | |
-Shall I go and get the deal done? -Yeah. -Yeah. | 0:07:07 | 0:07:10 | |
-A Mini Moke that would be good, Jill. -A what? -A Mini Moke in a box. | 0:07:12 | 0:07:16 | |
-What's a Mini Moke? -In The Prisoner. # Da-da-der! # | 0:07:17 | 0:07:20 | |
In The Prisoner it drove round him. They're very collectable. | 0:07:20 | 0:07:24 | |
-Where? -There's none in there but if there was, it would be great. | 0:07:24 | 0:07:28 | |
-But there's not. -It would be great to find a piece of Faberge but there's not one in there. | 0:07:28 | 0:07:32 | |
You're not wrong! | 0:07:34 | 0:07:36 | |
-One down. -We were looking at the clock. -We've only had 11 minutes. | 0:07:37 | 0:07:41 | |
-I know. -We've got plenty of time. | 0:07:41 | 0:07:43 | |
-Are we being timed now? -Yeah. | 0:07:45 | 0:07:47 | |
-Did you not think we were being timed? -No. | 0:07:47 | 0:07:50 | |
-Have you not understood the programme at all? -Yes. | 0:07:50 | 0:07:53 | |
-We understand now. -Three items... -I know, I know, I know. | 0:07:53 | 0:07:58 | |
-Come on. Keep up, Jill. -What's copper doing these days? | 0:07:58 | 0:08:02 | |
Practical things like this, you can stick it in your inglenook, put logs in it. | 0:08:02 | 0:08:06 | |
I don't know how much they want for it. | 0:08:06 | 0:08:08 | |
You wouldn't get many logs in it. | 0:08:08 | 0:08:10 | |
12 quid. | 0:08:10 | 0:08:12 | |
I'm being incredibly cheap, aren't I? | 0:08:12 | 0:08:14 | |
Do you think he'd throw the kettle in as well? | 0:08:14 | 0:08:17 | |
-How tight are you? -You're a shocker, aren't you? | 0:08:17 | 0:08:20 | |
But that's got to be profit all day long, really. | 0:08:20 | 0:08:23 | |
-Remember that and we'll come back. -Yeah. -Let's go spend some money. | 0:08:23 | 0:08:26 | |
Come on, Reds. It's time to take the plunge. | 0:08:31 | 0:08:34 | |
-This looks great. -Oh, look. | 0:08:39 | 0:08:42 | |
I really like that. | 0:08:42 | 0:08:43 | |
-I like the fact that you've got the name. -So do I. -I do. | 0:08:43 | 0:08:47 | |
It would have been full of all different medicines. | 0:08:47 | 0:08:50 | |
What kind of person would buy something like that? | 0:08:50 | 0:08:53 | |
-Now you're going to buy it purely for... -Decoration. -Yeah. | 0:08:53 | 0:08:56 | |
For a simple box, we want that at £30. | 0:08:56 | 0:08:59 | |
-Hello, sir. -Hello. -Hello. | 0:09:00 | 0:09:03 | |
Erm, what would be your bottom price on that? | 0:09:03 | 0:09:07 | |
-For the Red Team. -The scarlet women. -60. | 0:09:07 | 0:09:10 | |
No, we need to come down a bit more on that. | 0:09:10 | 0:09:13 | |
-50. 50 at a push. -50. I still think... | 0:09:15 | 0:09:18 | |
I see that at auction with an estimate of £40-£60. | 0:09:18 | 0:09:22 | |
Right. | 0:09:22 | 0:09:24 | |
-I love it. -I do. -I think it's too dear. | 0:09:24 | 0:09:27 | |
-Is it in good condition? -Yes. -Apart from that. | 0:09:27 | 0:09:29 | |
I'll just have a look underneath. Is there any cracks? | 0:09:29 | 0:09:32 | |
-Yeah. -Yes. -It is cracked. | 0:09:33 | 0:09:35 | |
-Is it split right across? -Yes. | 0:09:35 | 0:09:37 | |
I mean, it's got a nice age to it. It's early Victorian but... | 0:09:37 | 0:09:40 | |
-Can you come down any more for us? -For Bargain Hunt, 40. | 0:09:40 | 0:09:44 | |
-£40. -I think so. -Yes! | 0:09:44 | 0:09:46 | |
-Yes! -Sold. | 0:09:48 | 0:09:49 | |
-Yes! Yes! -Yes? -£40. -We've got our first item. -We've got our first buy. | 0:09:49 | 0:09:54 | |
-Are you happy with that? -Yes, thank you. | 0:09:54 | 0:09:56 | |
I've never seen anyone so excited about buying their first item. | 0:09:56 | 0:10:00 | |
I just know Tim's going to say, "Well, here's a split box for 40 quid." | 0:10:04 | 0:10:10 | |
-Ooh! -Blimey, what have we got here? -Ooh, they look nice. | 0:10:10 | 0:10:14 | |
Tell you what, wouldn't we look smart at the sale day? | 0:10:14 | 0:10:17 | |
-What do you think? -That's definitely your colour. | 0:10:17 | 0:10:20 | |
-Chestnut roaster? -Come on, you're wasting time. | 0:10:20 | 0:10:23 | |
-Come on! -Oh! | 0:10:23 | 0:10:24 | |
-Did you find anything? -Erm, no, not really. -No. | 0:10:24 | 0:10:28 | |
The slope's nice. Do you like that? It's quite a nice example. | 0:10:28 | 0:10:32 | |
What's the price on the writing slope? | 0:10:32 | 0:10:34 | |
-175. -175. -It's a campaign one. -Yeah. | 0:10:34 | 0:10:38 | |
This would have been owned by a military officer, | 0:10:38 | 0:10:41 | |
who would have taken it on campaigns. | 0:10:41 | 0:10:43 | |
He would have sat in his tent in the evening | 0:10:43 | 0:10:45 | |
and drawn letters up. | 0:10:45 | 0:10:47 | |
-So you've got... -What's the little book? | 0:10:47 | 0:10:50 | |
-It looks like a notebook. -A diary or something. | 0:10:50 | 0:10:53 | |
Wouldn't it be nice if we found his diary? | 0:10:53 | 0:10:55 | |
I don't think, actually, that this relates to it. | 0:10:56 | 0:11:00 | |
I'm not sure. | 0:11:00 | 0:11:01 | |
"English Composition by L Goodyear." | 0:11:01 | 0:11:04 | |
I don't know. But it's a nice box. It's in good condition. | 0:11:04 | 0:11:08 | |
You've obviously got a secret drawer | 0:11:08 | 0:11:11 | |
because this little latch there would release it. | 0:11:11 | 0:11:14 | |
So if we spin that round, pop that up, | 0:11:14 | 0:11:17 | |
then the little drawer should open. | 0:11:17 | 0:11:20 | |
And you'd keep precious things in there you could lock. | 0:11:20 | 0:11:23 | |
It's a good thing. | 0:11:24 | 0:11:26 | |
There's a secret drawer on the inside on that one as well. | 0:11:26 | 0:11:29 | |
-Ooh, two secret drawers. Bang for your bucks. -In the top? | 0:11:29 | 0:11:33 | |
-Press the back of the inkwell box. -Here? | 0:11:33 | 0:11:36 | |
Press it downwards. | 0:11:36 | 0:11:38 | |
-Oh! -As if by magic, hey presto. -That's clever. | 0:11:38 | 0:11:40 | |
-It's copper plate for making... -There's a snippet of paper in here | 0:11:40 | 0:11:45 | |
with the same name on it as the little journal. | 0:11:45 | 0:11:48 | |
So, again, there, it all ties up. | 0:11:48 | 0:11:51 | |
What we're doing is we're building up a story. | 0:11:51 | 0:11:53 | |
It's not just an antique, it's someone's life and their history. | 0:11:53 | 0:11:56 | |
What would you estimate it to if you were putting it in a sale? | 0:11:56 | 0:12:01 | |
It's got to be around 100, 150 quid, I'd have thought. | 0:12:01 | 0:12:06 | |
I mean, it's going to boil down to you two chipping the price a bit | 0:12:06 | 0:12:09 | |
but it's a nice object. | 0:12:09 | 0:12:10 | |
He looks like a hard man. | 0:12:10 | 0:12:11 | |
He looks like a fair man. | 0:12:12 | 0:12:15 | |
What would be your best on it? | 0:12:15 | 0:12:18 | |
-160. -160 quid. | 0:12:18 | 0:12:20 | |
-Yeah, let's go for it. -Shall we? -Are you sure? -Yeah. | 0:12:20 | 0:12:23 | |
Well done. You've got a deal, there. Thank you very much. | 0:12:23 | 0:12:26 | |
That's what I like to see - decisive action. | 0:12:26 | 0:12:30 | |
-White Star Line. -That's quite interesting. | 0:12:30 | 0:12:32 | |
White Star Line stopped in what, the '20s? | 0:12:32 | 0:12:35 | |
-Topical, isn't it? -It is topical. | 0:12:36 | 0:12:39 | |
White Star Line built, obviously, the Titanic. | 0:12:39 | 0:12:43 | |
-It would be nice if it came from the Titanic. -Wouldn't it? -Can I look? | 0:12:43 | 0:12:47 | |
What's the very best you'd go to on that? | 0:12:47 | 0:12:49 | |
-Can you tell me what I have on it? -Oh, sorry. 19. | 0:12:49 | 0:12:52 | |
-Well, for you, as a very special deal... -We like special. -..13. -13? | 0:12:52 | 0:12:58 | |
-Mm. -I think it's a gamble but it's a low kind of price, isn't it? | 0:12:59 | 0:13:05 | |
-Shall we have...? We'll come back. -We'll come back. -And hope it's still there. | 0:13:05 | 0:13:09 | |
Oh, stop dithering, girls! | 0:13:09 | 0:13:11 | |
-Oh, look! Mr Wonnacott's. -Oh, yeah! -We're not saying anything! | 0:13:11 | 0:13:17 | |
-Oh, Jill, what do you think? -Oh, look at her! | 0:13:22 | 0:13:26 | |
She's like me. | 0:13:26 | 0:13:27 | |
-She's red. -She's a scarlet woman. | 0:13:28 | 0:13:31 | |
-She can join the team. -She's quite heavy. | 0:13:31 | 0:13:34 | |
Tell us about her. | 0:13:34 | 0:13:36 | |
"1930s lady's head wall plaque." | 0:13:36 | 0:13:39 | |
-Do you like that? -There's something about it. | 0:13:40 | 0:13:43 | |
-How much is she? -She's 38. -£38. -£38. | 0:13:43 | 0:13:47 | |
-Jo, how do you feel about her? -You saw her? -No. | 0:13:48 | 0:13:52 | |
I'm kind of a bit speechless, really. | 0:13:53 | 0:13:55 | |
-LAUGHTER -So's she. | 0:13:55 | 0:13:56 | |
I mean, I like the turban and I can see the 1930s idea coming through | 0:13:56 | 0:14:02 | |
but she doesn't really do an awful lot for me. | 0:14:02 | 0:14:04 | |
We've got to think realistically. Who is going to pay £40? | 0:14:04 | 0:14:08 | |
-No. -No, I don't think so, Jill. I think move on. | 0:14:08 | 0:14:11 | |
-They might. -Move on. -We can always come back. | 0:14:11 | 0:14:14 | |
That's two items we've seen that we can come back to. | 0:14:14 | 0:14:16 | |
-What, the White Star Line...? -The White Star Line and her. | 0:14:16 | 0:14:20 | |
Yeah but you've got to make a decision sometime. | 0:14:20 | 0:14:23 | |
-These are just so elegantly Art Deco, aren't they? -Yeah, gorgeous. | 0:14:25 | 0:14:28 | |
-I love them. -I used to draw like this at art college, | 0:14:28 | 0:14:32 | |
when you do dress designing and you sketch it. | 0:14:32 | 0:14:35 | |
-She's very clever, you know. -You've done fashion design? -Yes. | 0:14:35 | 0:14:38 | |
-It's just... -You wouldn't think so. | 0:14:38 | 0:14:41 | |
In your designer fleece? Surely! | 0:14:42 | 0:14:45 | |
Not many of these about you know, love. | 0:14:45 | 0:14:47 | |
-You're not going to buy one of these? -No, I love them but... | 0:14:47 | 0:14:50 | |
OK. | 0:14:50 | 0:14:51 | |
That's lovely, isn't it, the oil lamp? | 0:14:53 | 0:14:55 | |
-It's beautiful. -It is, actually. -Art Nouveau. -Yes, it is nice. | 0:14:56 | 0:14:59 | |
How much do you want for that? Your best price. | 0:14:59 | 0:15:02 | |
I'll do you 75. That's the absolute best. | 0:15:02 | 0:15:06 | |
It's very good at that. Gladiator, Paris - it is a good make. | 0:15:06 | 0:15:11 | |
-Is it OK to pick it up? -Yeah, pick it up from the marble. | 0:15:11 | 0:15:16 | |
Just below the marble, ideally. That's it. | 0:15:16 | 0:15:19 | |
-Is it heavy, Catherine? -It's not as heavy as I'd expected. | 0:15:19 | 0:15:22 | |
I don't know. Step back and tell me what you think. | 0:15:23 | 0:15:26 | |
-It's lovely but is it a bit...? -Is it a £70...? -Yeah. | 0:15:28 | 0:15:34 | |
I just think at £70, it might be a bit punchy. | 0:15:34 | 0:15:37 | |
Do you want to have a think? We're thinking at so many things, | 0:15:37 | 0:15:40 | |
we're not going to have any time left. | 0:15:40 | 0:15:42 | |
-Let's just look at a couple more stalls. -And then decision time. | 0:15:42 | 0:15:46 | |
-And then we must decide. -Yeah. -Must decide. | 0:15:46 | 0:15:48 | |
I'm getting a bit worried now. What do you think? | 0:15:52 | 0:15:54 | |
-I'm worried. Do I look worried? -How much time have we got left? | 0:15:54 | 0:15:57 | |
-Not long. -About 15, 20 minutes. -OK. | 0:15:57 | 0:16:00 | |
You've got nothing to worry about. | 0:16:00 | 0:16:02 | |
We've bought one item. The White Star Line, we could go for that. | 0:16:02 | 0:16:06 | |
-I think we should go for that. -£11. -£11. -Let's go with that. -Yeah. | 0:16:06 | 0:16:10 | |
-Let's go with that. -OK. | 0:16:10 | 0:16:11 | |
-Let's go and buy the White Star Line and then we need to really keep looking. -OK. | 0:16:11 | 0:16:15 | |
You wanted Deco. There's some Deco over there. | 0:16:15 | 0:16:19 | |
Is that the sort of thing you had in mind? | 0:16:19 | 0:16:21 | |
-It's the geometric shapes... -Those real angular pieces? -Yes. | 0:16:21 | 0:16:25 | |
-Yeah. That's not shouting at me. Sorry. -It's not shouting at you. | 0:16:25 | 0:16:28 | |
I think I will be, soon. | 0:16:28 | 0:16:30 | |
You do the deal on that and I'll carry on having a look. | 0:16:31 | 0:16:35 | |
We're back. We were hoping you might look favourable on us. | 0:16:36 | 0:16:40 | |
-We really like it. -And we really like you. | 0:16:41 | 0:16:45 | |
HE LAUGHS | 0:16:45 | 0:16:47 | |
You can cut that out. | 0:16:48 | 0:16:50 | |
-Can we go on ten? -Ten, go on. | 0:16:50 | 0:16:52 | |
-Hooray! -£10. -That's because I like you. | 0:16:52 | 0:16:54 | |
-That's fantastic. -Thank you very much. | 0:16:54 | 0:16:57 | |
-£10. -Catherine! £10. -Because he likes us. | 0:16:57 | 0:16:59 | |
These things are seriously weird, don't you think? | 0:17:07 | 0:17:11 | |
Take a block of Perspex, freeze within that block of Perspex, | 0:17:11 | 0:17:16 | |
in this instance, a miniature starfish, | 0:17:16 | 0:17:19 | |
a spray of seaweed, opposed by two real crabs | 0:17:19 | 0:17:24 | |
and the whole lot sit on a scattering | 0:17:24 | 0:17:27 | |
of sand and further shells. | 0:17:27 | 0:17:29 | |
And then on the top of the block of Perspex, | 0:17:29 | 0:17:32 | |
you stick two of these things for holding Biros. | 0:17:32 | 0:17:35 | |
1960s kitsch, I hear you say. Well, in a way you're right. | 0:17:35 | 0:17:41 | |
1960s this certainly is but kitsch, well, I'm not so sure. | 0:17:41 | 0:17:48 | |
For the last few years, I've wandered around these fairs | 0:17:48 | 0:17:51 | |
and every time I see one of these frozen blocks, | 0:17:51 | 0:17:55 | |
which are usually inkstands, | 0:17:55 | 0:17:58 | |
I have to say I put my hand in my back pocket | 0:17:58 | 0:18:01 | |
and I've acquired them. | 0:18:01 | 0:18:02 | |
I've got a little collection now, | 0:18:02 | 0:18:04 | |
about 30 or 40 of these things. | 0:18:04 | 0:18:06 | |
I've never paid more than £10 for a block | 0:18:06 | 0:18:10 | |
and nobody has ever been able to tell me how they go about it. | 0:18:10 | 0:18:14 | |
Today has been rather a good day | 0:18:14 | 0:18:17 | |
because I've been able to find two of these jokers. | 0:18:17 | 0:18:20 | |
That one cost me £10 and that one cost me £3, | 0:18:20 | 0:18:23 | |
so these are not expensive things to buy. | 0:18:23 | 0:18:26 | |
But I really fancy them as a bit of an antique for the future. | 0:18:26 | 0:18:31 | |
Now exactly the same technique was used by Dunhill, | 0:18:31 | 0:18:36 | |
the lighter and cigarette people, in the 1960s | 0:18:36 | 0:18:40 | |
and they made a certain type of desk lighter | 0:18:40 | 0:18:43 | |
called an aquarium desk lighter | 0:18:43 | 0:18:46 | |
out of a block of Perspex, | 0:18:46 | 0:18:48 | |
within which they froze fish and shells and seaweed. | 0:18:48 | 0:18:52 | |
And do you know what every one of those Dunhill | 0:18:52 | 0:18:55 | |
aquarium plastic table lighters from the 1960s fetch at auction? | 0:18:55 | 0:19:00 | |
Never less than £2,000 and sometimes as much as £4,000. | 0:19:01 | 0:19:06 | |
Now, I know that's a different thing. It's a Dunhill product. | 0:19:06 | 0:19:10 | |
It's very collectable as a lighter. | 0:19:10 | 0:19:12 | |
But don't you tell me that it's an easy job | 0:19:12 | 0:19:16 | |
to create this thing out of this material | 0:19:16 | 0:19:19 | |
because it isn't | 0:19:19 | 0:19:20 | |
and I'm just longing to find out from one of you | 0:19:20 | 0:19:24 | |
how you freeze this lot in Perspex. | 0:19:24 | 0:19:28 | |
Meanwhile, the Reds are still hedging their bets. | 0:19:29 | 0:19:32 | |
-I'm so panicking now. -Don't panic! -I'm really panicking. | 0:19:32 | 0:19:36 | |
-I still like the lamp. -Do you? -£70. | 0:19:36 | 0:19:39 | |
That would be £120. | 0:19:39 | 0:19:41 | |
-I think the base has been... -It looks a little bit damaged. | 0:19:41 | 0:19:44 | |
It's been touched up. | 0:19:44 | 0:19:45 | |
Are you starting to get as panicked as I am? | 0:19:45 | 0:19:47 | |
-No. -No. | 0:19:47 | 0:19:49 | |
-We could still get it but, yeah, I'm not that happy about it. -OK. | 0:19:49 | 0:19:52 | |
-We're so not panicked. -We're too laid back. | 0:19:52 | 0:19:55 | |
Not panicked at all. | 0:19:55 | 0:19:56 | |
Run! Come on! | 0:19:56 | 0:19:57 | |
Four minutes, we've got. | 0:20:02 | 0:20:03 | |
-Shall we go for the head? It's something different. -Yeah. | 0:20:03 | 0:20:06 | |
-Let's go for it. -OK. Catherine? -We're going to go for the head. | 0:20:06 | 0:20:09 | |
-We're going for the head. -Aren't you going for the lamp? | 0:20:09 | 0:20:12 | |
-I like the lamp. -Don't stop them now, Catherine! | 0:20:12 | 0:20:15 | |
Lamp, head, lamp, head. | 0:20:15 | 0:20:16 | |
Head. | 0:20:16 | 0:20:18 | |
Head. | 0:20:18 | 0:20:19 | |
-Head. -Quite, quite sure? | 0:20:19 | 0:20:21 | |
-Head. -OK. Head. | 0:20:21 | 0:20:23 | |
-Are you lagging behind? -It's you, you wear me out. | 0:20:23 | 0:20:26 | |
-Deco! Deco! -Any old Deco? Any old Deco? | 0:20:27 | 0:20:30 | |
We're back. Is it yours? | 0:20:30 | 0:20:32 | |
-I think it's the lady... -Oh, the same lady who owns the lamp. | 0:20:32 | 0:20:36 | |
Is it? Let's go and ask. | 0:20:36 | 0:20:38 | |
-We have got two minutes, you know, ladies. -We've got to do this. | 0:20:38 | 0:20:41 | |
Where are these mirrors you spotted? | 0:20:41 | 0:20:43 | |
Excuse me. Do you own the stall there with the head on, as well? | 0:20:43 | 0:20:48 | |
I think she's.. | 0:20:48 | 0:20:49 | |
-Wow. -I think that's pretty. I really like that. | 0:20:49 | 0:20:53 | |
-Yeah? -It's really pretty. There's no chips. | 0:20:53 | 0:20:55 | |
-And there's another one. -Hang onto that. Let's look at the other one. | 0:20:55 | 0:20:59 | |
-Hurry up! -Excuse me. Sorry to interrupt. | 0:20:59 | 0:21:02 | |
-Do you own the stall with the lamp? Not the lamp, the head. -Yes. | 0:21:02 | 0:21:06 | |
These ladies are interested in her. | 0:21:06 | 0:21:08 | |
Voila. Two. | 0:21:08 | 0:21:10 | |
-That one is worn. -That's damaged. | 0:21:10 | 0:21:13 | |
I think we need to go and do some negotiations. | 0:21:13 | 0:21:16 | |
You're spot on. Grab hold of that. | 0:21:16 | 0:21:18 | |
-34? -Yes. | 0:21:18 | 0:21:20 | |
-25? -No. | 0:21:20 | 0:21:22 | |
-30. -£30. | 0:21:22 | 0:21:24 | |
-Absolute best. -We're running out of time, Jo. | 0:21:24 | 0:21:27 | |
-Yeah. -Unless... -Unless we can get the lamp down. -Two ticks. | 0:21:27 | 0:21:31 | |
Sorry to interrupt. | 0:21:31 | 0:21:33 | |
-How much are you asking for these mirrors, please? -This one's 55 at the very best. | 0:21:33 | 0:21:37 | |
That one can actually be 45. | 0:21:37 | 0:21:40 | |
Nick! Help! | 0:21:40 | 0:21:42 | |
Could you come down just to 60 on the lamp? | 0:21:42 | 0:21:45 | |
-I can't, sweetheart. -Please! -I'll do 65. | 0:21:45 | 0:21:47 | |
34 on the head or 65 on the lamp. | 0:21:47 | 0:21:51 | |
-Stick to just the one. -Yeah. | 0:21:51 | 0:21:54 | |
We'll have this one. On my head be it and you can hit me later. | 0:21:54 | 0:21:57 | |
-We'll go on the lamp. -I think the lamp. | 0:21:57 | 0:21:59 | |
-Are you sure? -Yes. -Lamp. -The lamp. Thank you. -You're welcome. | 0:21:59 | 0:22:03 | |
I like the lamp. | 0:22:03 | 0:22:05 | |
-'Phew!' -Group hug! -Hug! | 0:22:05 | 0:22:08 | |
-That was literally the last minute. -Yeah, well. | 0:22:10 | 0:22:14 | |
-We take it to the edge, don't we? -Yeah. | 0:22:14 | 0:22:16 | |
I just can't take any more excitement. | 0:22:16 | 0:22:19 | |
Let's see what they finished up with, Noddy. | 0:22:19 | 0:22:22 | |
The girls loved this Victorian veterinary medicine chest, | 0:22:24 | 0:22:27 | |
despite its bumps and bruises | 0:22:27 | 0:22:29 | |
and they splashed out a whole £10 on a White Star Line beaker. | 0:22:29 | 0:22:33 | |
Will it bring a flood of bidders to the auction | 0:22:33 | 0:22:35 | |
or just a sinking feeling? | 0:22:35 | 0:22:37 | |
The French Gladiator lamp might light up the sale room, we'll see. | 0:22:37 | 0:22:40 | |
-Yeah. -Yeah. -Even though we left it to the last moment. | 0:22:43 | 0:22:45 | |
My favourite team, this. All girls. Girl expert, girl contestants. | 0:22:45 | 0:22:49 | |
-Scarlet women. -All girls together. -Yeah. | 0:22:49 | 0:22:52 | |
So, Jill and Jojo Not Tonight Josephine, | 0:22:52 | 0:22:56 | |
-how did you get on? All right? -Fantastic. -Yeah. | 0:22:56 | 0:22:59 | |
-How much did you spend overall, Jojo? -£115. | 0:22:59 | 0:23:02 | |
So I would like £185, please. | 0:23:02 | 0:23:04 | |
You've got that hidden away. | 0:23:04 | 0:23:06 | |
Oh, that's nice and warm. Good. Going across then. | 0:23:06 | 0:23:09 | |
-What are you going to do with all that? -Ooh, I've never had so much cash. | 0:23:09 | 0:23:12 | |
I'm going to buy something very special, | 0:23:12 | 0:23:15 | |
something fun because they are such fun girls. | 0:23:15 | 0:23:17 | |
I can tell that. | 0:23:17 | 0:23:19 | |
And trouble, big trouble. | 0:23:19 | 0:23:22 | |
Anyway, good fun. | 0:23:22 | 0:23:23 | |
Now, why don't we check out what the Blue Team bought, eh? | 0:23:23 | 0:23:26 | |
I can't see the fat lava vase creating a fat lot of interest | 0:23:28 | 0:23:31 | |
but you never know. | 0:23:31 | 0:23:33 | |
Both ladies were inspired by the mahogany writing slope | 0:23:33 | 0:23:36 | |
with its secret drawers. | 0:23:36 | 0:23:38 | |
And a mirror in a style they love - Art Deco. | 0:23:39 | 0:23:42 | |
-You look a bit fagged out, Nicholas. -They have run me ragged. | 0:23:46 | 0:23:50 | |
-They're so competitive. -Why are you so competitive, you two? | 0:23:50 | 0:23:54 | |
-We're sales people. -Who knows? We need to win. | 0:23:54 | 0:23:57 | |
-You've got targets. -Yeah. | 0:23:57 | 0:23:58 | |
-Somebody's forever chasing you, pushing you. -Tenacious. | 0:23:58 | 0:24:02 | |
-Objectives have got to be met. -Tenacious. -All of that. -All right. | 0:24:02 | 0:24:05 | |
-How much did you spend overall? Linda, how much was it? -£225. | 0:24:05 | 0:24:09 | |
-OK, brilliant. Now, there you go. -Thank you. -£75. | 0:24:09 | 0:24:12 | |
-Enough to get your teeth into. -Yeah, if I've got any energy left I can spend that for you. | 0:24:12 | 0:24:17 | |
-You know we have high expectations. -I shall try my best. | 0:24:17 | 0:24:21 | |
-Very good. -Bye. -Good luck, girls, good luck, Nick. | 0:24:21 | 0:24:24 | |
Now, we're heading off to Cheshire. | 0:24:24 | 0:24:26 | |
Welcome to Arley Hall, a much-loved and carefully observed stately home | 0:24:31 | 0:24:37 | |
and no stranger to alterations by its various owners | 0:24:37 | 0:24:40 | |
over the centuries. | 0:24:40 | 0:24:43 | |
Luckily, Piers Egerton Warburton, who inherited Arley in 1891, | 0:24:43 | 0:24:47 | |
was not only a dab hand with the paint brush | 0:24:47 | 0:24:50 | |
but he was also a fan of architecture | 0:24:50 | 0:24:54 | |
and architectural features. | 0:24:54 | 0:24:56 | |
It was he who went in for exposing oak and brickwork | 0:24:56 | 0:25:01 | |
all round the estate. | 0:25:01 | 0:25:03 | |
Like me, he was fascinated by the construction | 0:25:04 | 0:25:08 | |
of these ancient buildings. | 0:25:08 | 0:25:09 | |
What do you think about the way in which I'm standing? | 0:25:09 | 0:25:12 | |
My legs are unnaturally far apart, you say? | 0:25:12 | 0:25:16 | |
Think about stability. | 0:25:16 | 0:25:18 | |
The weight of my torso is supported on my outstretched legs | 0:25:18 | 0:25:24 | |
and I'm at my most stable in this position, | 0:25:24 | 0:25:27 | |
effectively the weight is drawn up my legs, into my pelvis | 0:25:27 | 0:25:33 | |
and crutch. | 0:25:33 | 0:25:34 | |
What do you think about the stability of this building? | 0:25:35 | 0:25:39 | |
Isn't that amazing? | 0:25:41 | 0:25:43 | |
The shape and form of these supports, | 0:25:43 | 0:25:47 | |
these massive oak supports, are called crutch supports. | 0:25:47 | 0:25:53 | |
Architecturally, this form of construction is called a cruck barn. | 0:25:53 | 0:25:58 | |
Not crutch but cruck. | 0:25:58 | 0:26:00 | |
Because the two tree trunks reach to the sky | 0:26:00 | 0:26:04 | |
and are joined by a little collar beam at the top. | 0:26:04 | 0:26:07 | |
Look at the shape of these two elongated beams. | 0:26:07 | 0:26:12 | |
They're slightly curvy. | 0:26:12 | 0:26:14 | |
That's because in the medieval period, | 0:26:14 | 0:26:17 | |
they went down to the woods and they selected a tree | 0:26:17 | 0:26:20 | |
that was slightly leaning over. | 0:26:20 | 0:26:22 | |
Having felled it by hand, you'd then take that tree trunk | 0:26:22 | 0:26:26 | |
and you split it right down the middle, | 0:26:26 | 0:26:28 | |
creating two halves. | 0:26:28 | 0:26:30 | |
And it's those two halves which come together | 0:26:30 | 0:26:34 | |
so that they form a complementary pair, | 0:26:34 | 0:26:36 | |
tied together with the collar beam, | 0:26:36 | 0:26:38 | |
tied together very simply with these cross members, | 0:26:38 | 0:26:42 | |
Very little jointing involved in that. | 0:26:42 | 0:26:45 | |
All you need to do is to shove these dowels through, | 0:26:45 | 0:26:47 | |
so the entire weight is borne on these cruck beams | 0:26:47 | 0:26:52 | |
and the outer walls themselves aren't load-bearing at all. | 0:26:52 | 0:26:56 | |
They simply form the shelter for the enclosed space, | 0:26:56 | 0:27:00 | |
which in the medieval period would have been used | 0:27:00 | 0:27:03 | |
principally for the storage of crops. | 0:27:03 | 0:27:05 | |
This cruck barn at Arley was erected in 1469, | 0:27:07 | 0:27:13 | |
which is extraordinary, isn't it? | 0:27:13 | 0:27:15 | |
The beauty of the Arley cruck barn is | 0:27:15 | 0:27:18 | |
that essentially, with one or two exceptions, | 0:27:18 | 0:27:22 | |
it hasn't been changed in 600 years. | 0:27:22 | 0:27:25 | |
If we scroll forward a cool 130 years, | 0:27:31 | 0:27:35 | |
you find yourself in the adjoining Tudor barn, | 0:27:35 | 0:27:39 | |
today used as a restaurant. | 0:27:39 | 0:27:42 | |
But look at the construction. Look how things have come on | 0:27:42 | 0:27:46 | |
since the crutch barn. | 0:27:46 | 0:27:48 | |
We've got massive, thick masonry, these brick walls, | 0:27:48 | 0:27:52 | |
all of which are load-bearing | 0:27:52 | 0:27:54 | |
and up above, a truss that's not so very different | 0:27:54 | 0:27:59 | |
from the gang-nailed roof-type truss that we use in modern construction. | 0:27:59 | 0:28:04 | |
Of course, the big question today is, | 0:28:04 | 0:28:07 | |
will our teams over at the auction require the odd truss | 0:28:07 | 0:28:10 | |
or the odd cruck? | 0:28:10 | 0:28:13 | |
Well, it's very nice to be at Gilding's auction house in Market Harborough | 0:28:23 | 0:28:27 | |
and to be with the junior partner, Mark Gilding. | 0:28:27 | 0:28:30 | |
-Hello, Mark. -Good morning, Tim. | 0:28:30 | 0:28:32 | |
Now, we kick off with the Reds with this veterinary box, | 0:28:32 | 0:28:36 | |
which would apparently tell you what to do | 0:28:36 | 0:28:39 | |
with any ill animal. | 0:28:39 | 0:28:41 | |
I think it's a bit of fun. I think it's a good-looking box. | 0:28:41 | 0:28:44 | |
-You think so? -Yeah, it's got a nice bit of print on the front | 0:28:44 | 0:28:47 | |
with a good name. | 0:28:47 | 0:28:48 | |
-I suppose it does have a connection with vets. -It does. | 0:28:48 | 0:28:52 | |
And we'll just have to hope there's a vet or two about | 0:28:52 | 0:28:55 | |
-in this agricultural community of yours. -That's it, yes. | 0:28:55 | 0:28:59 | |
-What's your estimate? -Well, out on a limb, 70 to 100. | 0:28:59 | 0:29:02 | |
-How much? -70 to 100. | 0:29:02 | 0:29:04 | |
-Are you all right? -Well, we'll just have to see what happens. | 0:29:04 | 0:29:07 | |
-They paid £40, actually. -I think that's a good buy. | 0:29:07 | 0:29:10 | |
-You do? -I do, yeah. | 0:29:10 | 0:29:12 | |
They'll be delighted if you get £100 for it, my gosh. | 0:29:12 | 0:29:15 | |
Next up is the wisteria pattern White Star Beaker. | 0:29:15 | 0:29:20 | |
-How do you rate that? -Not a lot. 15 to 20. | 0:29:20 | 0:29:23 | |
-£10 paid. -Oh, well. Yeah. | 0:29:23 | 0:29:25 | |
It couldn't have gone down, glug, glug, could it? | 0:29:25 | 0:29:28 | |
No, no. It's not a Titanic item. | 0:29:28 | 0:29:30 | |
Anyway, it still shows a slight profit, which is good. | 0:29:30 | 0:29:34 | |
And lastly is the Gladiator lamp, | 0:29:34 | 0:29:38 | |
which, sadly, has fallen apart in transit. | 0:29:38 | 0:29:43 | |
Now, I've had a good look at this, Mark, | 0:29:43 | 0:29:44 | |
and at the bottom of that marble shaft that went into this socket | 0:29:44 | 0:29:48 | |
is some brand new, still wet white mastic, right? | 0:29:48 | 0:29:54 | |
And this metal piece that should go up through the whole thing | 0:29:54 | 0:29:58 | |
and have a nut on the top has rotted away years ago. | 0:29:58 | 0:30:01 | |
All this mastic was the only thing that was holding this lamp together. | 0:30:01 | 0:30:07 | |
So I'm going to ask you the question, | 0:30:07 | 0:30:09 | |
what would this lamp have been worth | 0:30:09 | 0:30:12 | |
if it had come in in good and sound condition? | 0:30:12 | 0:30:15 | |
In good and sound condition, £60-£80. | 0:30:15 | 0:30:18 | |
OK. And if you had ever had some damage to it in the sale room, | 0:30:18 | 0:30:23 | |
what's your insurance policy? | 0:30:23 | 0:30:24 | |
What would you pay out to the owner of a £60-£80 lamp? | 0:30:24 | 0:30:28 | |
We would pay out a hammer price at the reserve. | 0:30:28 | 0:30:31 | |
-At the reserve? -So the lower figure of the estimate. | 0:30:31 | 0:30:34 | |
Well, I think the only way of sorting this out is to treat this | 0:30:34 | 0:30:37 | |
as far as the team is concerned, | 0:30:37 | 0:30:39 | |
and I'll tell them that this has happened, | 0:30:39 | 0:30:41 | |
as if they had had a damage for insurance purposes | 0:30:41 | 0:30:45 | |
-and we'll treat it as if they got £60... -Sure. | 0:30:45 | 0:30:49 | |
..which is what they would get were they insured in the transit arrangements. | 0:30:49 | 0:30:53 | |
We will, however, sell the damaged lamp in the auction | 0:30:53 | 0:30:56 | |
and if, by a miracle, it makes more than the insurance payment of £60, | 0:30:56 | 0:31:02 | |
they'll get the extra, too. | 0:31:02 | 0:31:03 | |
-Is that fair enough? -Sounds fair. | 0:31:03 | 0:31:05 | |
On that basis, they may or may not need their bonus buy | 0:31:05 | 0:31:08 | |
but let's have a look anyway. | 0:31:08 | 0:31:10 | |
Now, Jill and Jojo, you spent the paltry, miserable, mean amount | 0:31:10 | 0:31:15 | |
of £115 | 0:31:15 | 0:31:16 | |
and you gave Catherine £185 to blow. | 0:31:16 | 0:31:20 | |
Now, I'm going to give Catherine a hand here | 0:31:20 | 0:31:23 | |
by whipping off the cloth and revealing all. | 0:31:23 | 0:31:26 | |
Now, these ladies like lovely things, | 0:31:26 | 0:31:28 | |
so I bought these with you in mind. | 0:31:28 | 0:31:30 | |
Now, we have, it looks like a decanter set but it's probably a liqueur set from the 1930s. | 0:31:30 | 0:31:37 | |
Don't worry, it's not just one paltry glass. There are six glasses. | 0:31:37 | 0:31:41 | |
It's got this lovely little silver decoration on. | 0:31:41 | 0:31:44 | |
I think it's quite attractive, don't you? | 0:31:44 | 0:31:47 | |
-There's lots of deep thought going on. -Lots of deep thought, yes. | 0:31:50 | 0:31:54 | |
I don't know that I've heard Jill and Jojo so quiet ever before. | 0:31:54 | 0:31:59 | |
I mean, the silence is deafening. | 0:31:59 | 0:32:02 | |
Seriously, tell us what you've spent, darling. | 0:32:02 | 0:32:04 | |
-I spent £40. -Wow. -Wow. | 0:32:04 | 0:32:07 | |
-There! -So have you changed your mind now? | 0:32:07 | 0:32:09 | |
-Absolutely. -We've changed our mind. -I think they've bucked up. | 0:32:09 | 0:32:13 | |
-I'm impressed, I'm really impressed. -Yes, I am. | 0:32:13 | 0:32:16 | |
You don't have to decide right now, you decide after the sale of your first three items | 0:32:16 | 0:32:21 | |
but for the audience, let's find out whether the auctioneer | 0:32:21 | 0:32:24 | |
is going to be similarly bowled out by Catherine's decanter set. | 0:32:24 | 0:32:29 | |
Well, Catherine's been weaving, look. | 0:32:30 | 0:32:32 | |
We've got a nice little decanter with that silver lustre | 0:32:32 | 0:32:35 | |
and six of these fellows. | 0:32:35 | 0:32:37 | |
OK, yeah. Little liqueur set. | 0:32:37 | 0:32:39 | |
-Perfectly clean, isn't it? -It is, all in good order. | 0:32:39 | 0:32:42 | |
The decoration's nice, these Venetian scenes. | 0:32:42 | 0:32:44 | |
Good. What do you think the lot will bring? | 0:32:44 | 0:32:47 | |
Well, they're difficult sellers, actually. 20 to 30. | 0:32:47 | 0:32:50 | |
Catherine paid £40, actually, so your estimate's £20-£30. | 0:32:50 | 0:32:55 | |
Anyway, that's it for the Reds. | 0:32:55 | 0:32:57 | |
Now, for the Blues, Christine and Linda. | 0:32:57 | 0:33:00 | |
-Their first item is this fat lava vase. -OK, yeah. | 0:33:00 | 0:33:04 | |
Now, you're an expert on fat lava, aren't you? | 0:33:04 | 0:33:07 | |
-Hardly. -No, I think it's absolutely hideous stuff, for me. | 0:33:07 | 0:33:11 | |
-OK, how much? -20 to 30. -Very good estimate. £10 paid. | 0:33:11 | 0:33:15 | |
-OK. -All right? They'll be happy with that. | 0:33:15 | 0:33:17 | |
Now, the brass-bound wee writing box. | 0:33:17 | 0:33:20 | |
-It's had a bit of a smack up that top, hasn't it? -It has. | 0:33:20 | 0:33:23 | |
It's had a major repair along the top here. | 0:33:23 | 0:33:25 | |
Almost an amputation. | 0:33:25 | 0:33:27 | |
Yes, I think it was the brass that held it together. | 0:33:27 | 0:33:30 | |
Anyway, there we go, it's been bust, | 0:33:30 | 0:33:32 | |
so how much, then? | 0:33:32 | 0:33:33 | |
Well, condition is key. £60-£80. | 0:33:33 | 0:33:35 | |
-£160 they paid. -Wow. | 0:33:35 | 0:33:38 | |
-So that could be their killer blow. -I think so. -Yes. | 0:33:38 | 0:33:41 | |
Anyway, lastly, they got this Art Deco mirror. | 0:33:41 | 0:33:44 | |
I can see that on the suburban wall. Vera Lynn's on the blower. | 0:33:44 | 0:33:49 | |
-Do you like it? -No. -Oh. | 0:33:49 | 0:33:51 | |
Again, we see all too many of these. | 0:33:51 | 0:33:53 | |
-So how much, then? -20 to 30. | 0:33:53 | 0:33:55 | |
-Gosh. £55 paid. -Yeah. | 0:33:55 | 0:33:56 | |
So we seem to have had a disaster moment with the box | 0:33:56 | 0:34:00 | |
and not a brilliant moment with the mirror. | 0:34:00 | 0:34:02 | |
They're going to need their bonus buy, so let's have a look at it. | 0:34:02 | 0:34:06 | |
Now, Linda and Christine, | 0:34:06 | 0:34:08 | |
you spent a magnificent £225 - so proud of you for doing that - | 0:34:08 | 0:34:12 | |
and you gave the man of the moment £75. | 0:34:12 | 0:34:15 | |
Nicholas, what did you spend it on? | 0:34:15 | 0:34:17 | |
Well, I think with this, Tim, we're going to sail to victory. | 0:34:17 | 0:34:21 | |
Oh, God. | 0:34:21 | 0:34:22 | |
-What do you think? Do you like it? -I do, actually. | 0:34:22 | 0:34:25 | |
It's rather smart. It's not original. | 0:34:25 | 0:34:28 | |
It's in the style of an Edwardian pond yacht, a modern version, | 0:34:28 | 0:34:31 | |
-but for the paltry £45 I spent on it... -45? -£45. -£45. | 0:34:31 | 0:34:37 | |
But do you think it will make a profit? | 0:34:37 | 0:34:39 | |
Should do. That's got to be £50, £60 of anyone's money, surely? | 0:34:39 | 0:34:44 | |
Linda, I want to know, darling, what do you think about this? | 0:34:44 | 0:34:47 | |
I think Nick's working on our tactics, | 0:34:47 | 0:34:50 | |
which is looking for the biggest loss. | 0:34:50 | 0:34:53 | |
That's not got much faith. | 0:34:53 | 0:34:55 | |
-I think I'm going to quit while we're ahead, Nick. -Good. | 0:34:55 | 0:34:59 | |
Why don't the audience find out what the auctioneer thinks about Nick's yacht? | 0:34:59 | 0:35:03 | |
Here we go, Mark. | 0:35:03 | 0:35:05 | |
Market Harborough's a long way from the sea, | 0:35:05 | 0:35:08 | |
so how appropriate an object is this to bring to the sale room? | 0:35:08 | 0:35:13 | |
Good-looking thing. It's well made and nicely painted. | 0:35:13 | 0:35:16 | |
Yes. Anyway, Nick rates it. He paid £45. | 0:35:16 | 0:35:20 | |
-Do you think it will make a profit on 45? -I do. I've said 50 to 70. | 0:35:20 | 0:35:23 | |
-That's your estimate? -Yes. It could make something. | 0:35:23 | 0:35:26 | |
-We'll have to hope for the best. -That's it. -Thank you, Mark. | 0:35:26 | 0:35:29 | |
Now, Jill and Jojo, how are you feeling? | 0:35:36 | 0:35:39 | |
-Very confident. -Excited. -Very confident. | 0:35:39 | 0:35:41 | |
Not as excited as you're going to be when I tell you | 0:35:41 | 0:35:44 | |
about the disaster that's happened to your Gladiator lamp. | 0:35:44 | 0:35:47 | |
-Oh, no. -What's happened? | 0:35:47 | 0:35:48 | |
-It fell apart. -Oh, no. -Oh! | 0:35:48 | 0:35:51 | |
It came apart in the transportation | 0:35:51 | 0:35:54 | |
-and we're going to treat it like an insurance claim. -Right. | 0:35:54 | 0:35:57 | |
-They're guaranteeing you £60 on this. -That's good. -OK. | 0:35:57 | 0:36:01 | |
And that's the only fair way that we can get out of this shambles. | 0:36:01 | 0:36:06 | |
First up is the veterinary chest and here it comes. | 0:36:06 | 0:36:10 | |
The wooden stockbreeder's medicine chest | 0:36:10 | 0:36:12 | |
marked Dayson and Hewitt's, original. | 0:36:12 | 0:36:14 | |
-£100 do I see? -£100? | 0:36:14 | 0:36:16 | |
£32, I'm bid, then. At 32, 35, 38, 40. | 0:36:16 | 0:36:20 | |
£40, I'm bid. At 40. | 0:36:20 | 0:36:22 | |
40 for the box. £40 I'm bid. Two I'll take. £40 bid. | 0:36:22 | 0:36:26 | |
The box selling, then, at £40. | 0:36:26 | 0:36:28 | |
Wiped its face. Here we go. Here comes the wisteria beaker. | 0:36:28 | 0:36:33 | |
-Bidding here, £5. -Go on. | 0:36:33 | 0:36:36 | |
The beaker at £5. At 5? | 0:36:36 | 0:36:38 | |
The White Star beaker. I'm bid at £5. It must sold. | 0:36:38 | 0:36:40 | |
At £8, 10. At £10, I'm bid. | 0:36:40 | 0:36:42 | |
-At £12. -Broke even, hasn't it? -15 bid, internet. | 0:36:42 | 0:36:45 | |
-Go on! -15 on the internet. Yes! | 0:36:45 | 0:36:47 | |
18 bid in the room. Internet, it's your turn. | 0:36:47 | 0:36:50 | |
-Come on! -18, that's it. £20? I'm bid at 20. | 0:36:50 | 0:36:53 | |
-£20 with the internet this time. -25, go on, 25. | 0:36:53 | 0:36:57 | |
-Yes! -You doubled your money. | 0:36:57 | 0:37:00 | |
Plus £10 on that. So you've got one wiped face, | 0:37:00 | 0:37:03 | |
doubled your money, now the Gladiator. | 0:37:03 | 0:37:06 | |
-Victorian lamp. -I just want to cry now. -Shall we all cry? -Don't cry. | 0:37:06 | 0:37:09 | |
Needs a bit of proper repair, this one. | 0:37:09 | 0:37:12 | |
LAUGHTER Just a bit. | 0:37:12 | 0:37:14 | |
£10, I'm bid. | 0:37:14 | 0:37:17 | |
£10, the lamp, I'm bid. £10, 12, 15. | 0:37:17 | 0:37:20 | |
15. Bid at 18. | 0:37:20 | 0:37:22 | |
£18 I'm bid then, at 18. | 0:37:22 | 0:37:24 | |
-Hang on. -To the internet at £18. -£18 in pieces. | 0:37:24 | 0:37:27 | |
Sold it for £18 but we're treating it as a sale at 60 | 0:37:27 | 0:37:31 | |
on the old insurance arrangement, so that's minus £5, | 0:37:31 | 0:37:35 | |
which means overall, girls, you are plus £5. | 0:37:35 | 0:37:38 | |
-£5. -Yes! | 0:37:38 | 0:37:40 | |
What's so funny about that? | 0:37:40 | 0:37:42 | |
-It's a profit, Tim. -I know it is. It's a little miracle. | 0:37:42 | 0:37:46 | |
All I can say is thank goodness for the insurance claim. | 0:37:46 | 0:37:50 | |
OK, lovely. Now, the decision is, | 0:37:52 | 0:37:55 | |
are you going to go with Catherine's decanter set? | 0:37:55 | 0:37:57 | |
-No. We've made a profit, Jo. -Yeah, we've made a profit. | 0:37:57 | 0:38:01 | |
-Sorry, Catherine. -That's fine by me. | 0:38:01 | 0:38:03 | |
We're going to sell it anyway and here it comes. | 0:38:03 | 0:38:06 | |
20th century glass liqueur set | 0:38:06 | 0:38:08 | |
with silver decoration of Venetian scenes. | 0:38:08 | 0:38:10 | |
My opening bid here is £15. | 0:38:10 | 0:38:12 | |
-I thought he was going to say 50. -15, I'm bid. At 18. 20. | 0:38:12 | 0:38:15 | |
22, 25, 28, 30. | 0:38:15 | 0:38:17 | |
£30. At 30 here. 32, new bidding. | 0:38:17 | 0:38:19 | |
-At 32, 35. -They don't hate it. | 0:38:19 | 0:38:22 | |
-35. For all of £35... -You've done the right thing. | 0:38:22 | 0:38:26 | |
-Yes! -Yes! | 0:38:26 | 0:38:28 | |
Steady, girls. | 0:38:29 | 0:38:31 | |
-We made the right decision. -Right decision. | 0:38:32 | 0:38:34 | |
Have you ever seen so much excitement over £5? | 0:38:34 | 0:38:39 | |
So overall, then, girls, you are still plus £5. | 0:38:39 | 0:38:42 | |
-We've done well. -We're pleased. | 0:38:42 | 0:38:44 | |
If you can resist telling the Blues, that would be awfully nice. | 0:38:44 | 0:38:48 | |
We'll resist. | 0:38:48 | 0:38:49 | |
-The big question is, girls, have you been talking to the Reds? -No. -No. | 0:38:56 | 0:39:00 | |
-Not a word? -No. -Jolly good. | 0:39:00 | 0:39:02 | |
Well, we like it to be a bit shtoom, like. | 0:39:02 | 0:39:04 | |
You're looking pretty kind of confident and cool. | 0:39:04 | 0:39:08 | |
-Are you feeling that way, Christine? -Full of confidence. -Oh, yes. Yes. | 0:39:08 | 0:39:12 | |
-You, too, Linda? -Yes. -Here it comes, the fat lava. | 0:39:12 | 0:39:15 | |
German pottery vase. How collectable is this? | 0:39:15 | 0:39:18 | |
-£10 is my bid. -Get your money back. -£10 I'm bid for the vase here. | 0:39:18 | 0:39:22 | |
£10 I'm bid. 12, 15, 18. | 0:39:22 | 0:39:24 | |
20, 22. | 0:39:24 | 0:39:26 | |
25, 28. | 0:39:26 | 0:39:29 | |
-Look at this, girls. -28, here then. At 28. | 0:39:29 | 0:39:32 | |
30 do I see? | 0:39:32 | 0:39:33 | |
The bid's seated, then, at 28. And away at £28. | 0:39:33 | 0:39:36 | |
-Whoa! -£28 gives plus 18 just like that. -Oh, clever. | 0:39:37 | 0:39:41 | |
-That's a very good start. -Very good. Well found, Nick. | 0:39:41 | 0:39:44 | |
Now, here comes your old box. | 0:39:44 | 0:39:46 | |
Bidding here starts at 35, £45. | 0:39:46 | 0:39:49 | |
45 bid here. At 45. 55. | 0:39:49 | 0:39:52 | |
60. 60 I'm bid, then. At 60 here. 65, new bidding. 70. | 0:39:52 | 0:39:58 | |
75, 80. | 0:39:58 | 0:39:59 | |
85, 90. | 0:39:59 | 0:40:01 | |
-95, 100. -Somebody likes it. Somebody likes it. | 0:40:01 | 0:40:04 | |
£100 on this side, then. 110 I'll take. | 0:40:04 | 0:40:07 | |
£100 bid and away at 100. | 0:40:07 | 0:40:09 | |
-Oh, dear. -100 smackers is minus 60. Sorry, girls. | 0:40:10 | 0:40:13 | |
Here comes the wall mirror. | 0:40:13 | 0:40:15 | |
Bevelled edge and tinted panels. £10 bid. | 0:40:15 | 0:40:19 | |
£10 I'm bid. 12. 15. | 0:40:19 | 0:40:21 | |
18, 20, | 0:40:21 | 0:40:24 | |
22, 25, 28. | 0:40:24 | 0:40:26 | |
-30, 32, 35. -Look out. | 0:40:26 | 0:40:29 | |
-40, 42. -Yes, keep going. -45. | 0:40:29 | 0:40:31 | |
-48, 50. -Look at this. Look at this, girls. -£50 I'm bid. | 0:40:31 | 0:40:36 | |
A surprise for me. £50 I'm bid and away at £50. | 0:40:36 | 0:40:40 | |
-Good lord. £50. -Well done. | 0:40:40 | 0:40:42 | |
-Well done, you two. -You see? | 0:40:42 | 0:40:44 | |
-You know more than the auctioneer and me. -Yeah. -Well done, you two. | 0:40:44 | 0:40:49 | |
That is only minus £5 on that, which means overall you are minus 47. | 0:40:49 | 0:40:54 | |
That's actually not that bad. | 0:40:54 | 0:40:55 | |
So what are you going to do about this pond yacht? | 0:40:55 | 0:40:58 | |
-We said we'd go with it if we were down. -Yeah. | 0:40:58 | 0:41:01 | |
-You're going to go with it. -Yes. OK. -We're going with the pond yacht. | 0:41:01 | 0:41:05 | |
Here we go, then, the pond yacht in 161. | 0:41:05 | 0:41:07 | |
10, 15, £20 bid. | 0:41:08 | 0:41:10 | |
25, 30, five, | 0:41:10 | 0:41:12 | |
-40, five... -Yes. -Another one. | 0:41:12 | 0:41:16 | |
45 at the back. He's shaking his head. It's right at the back at 45. | 0:41:16 | 0:41:19 | |
-50 do I see? At 45 I will sell, then, at 45. -Oh... | 0:41:19 | 0:41:24 | |
-£45. Wiped its face. -Yes. -Oh, well. | 0:41:24 | 0:41:27 | |
-No shame in that, I have to say. -No shame at all. | 0:41:27 | 0:41:30 | |
-Overall, then, your score is minus £47. -Oh, well. | 0:41:30 | 0:41:34 | |
We've ring-fenced it at minus £47. Don't say a word to the Reds, right? | 0:41:34 | 0:41:39 | |
-No, we won't. -OK. We'll catch up with you in a minute. | 0:41:39 | 0:41:43 | |
Well, it's been a cracking programme, hasn't it? | 0:41:48 | 0:41:51 | |
I mean, helter skelter, a game of chance, | 0:41:51 | 0:41:54 | |
absolutely right. | 0:41:54 | 0:41:57 | |
-Have we all had fun? -Oh, yes! -I think so. | 0:41:57 | 0:41:59 | |
-And have we been talking to one another at all? -No! | 0:41:59 | 0:42:03 | |
That's just as well because there is a world of difference | 0:42:03 | 0:42:07 | |
between the results, I'm afraid, for the teams today | 0:42:07 | 0:42:09 | |
and the team that has done substantially worse than the other | 0:42:09 | 0:42:13 | |
-is the Blues. -Oh. -I'm not really surprised. | 0:42:13 | 0:42:16 | |
You got that £18 profit off the fat lava | 0:42:16 | 0:42:20 | |
-and then it went downhill from there. -Yeah. | 0:42:20 | 0:42:22 | |
Even the pond yacht wiped its face and didn't add to your profits. | 0:42:22 | 0:42:26 | |
But not to worry. Minus 47 is not a shameful score, I have to tell you. | 0:42:26 | 0:42:30 | |
-And you've been great sports. -We had fun, didn't we? -It's been lovely having you on the show. | 0:42:30 | 0:42:36 | |
-Thank you. -Good. | 0:42:36 | 0:42:37 | |
But the Reds can walk away, walk tall, yes? | 0:42:37 | 0:42:41 | |
Just look at their faces. | 0:42:41 | 0:42:44 | |
Gosh. | 0:42:44 | 0:42:45 | |
I'm going to present you with your grand total of £5 profit. | 0:42:45 | 0:42:49 | |
THEY CHEER | 0:42:49 | 0:42:51 | |
I know you're going to feel so good about this, I'm doing it in coins. | 0:42:51 | 0:42:56 | |
-Are you all right with this, blue eyes? -Oh, yes. -Definitely. | 0:42:56 | 0:42:59 | |
Marvellous, marvellous. Brilliant expert, as well, I have to say. | 0:42:59 | 0:43:03 | |
There, you are absolutely truthful. Anyway, we've had a lovely show. | 0:43:03 | 0:43:08 | |
Join us soon for some more bargain hunting, yes? | 0:43:08 | 0:43:10 | |
Yes! | 0:43:10 | 0:43:11 | |
Subtitles by Red Bee Media Ltd | 0:43:29 | 0:43:31 | |
E-mail [email protected] | 0:43:31 | 0:43:33 |