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Today we have the ultimate showdown. We have the Girl Guides | 0:00:02 | 0:00:05 | |
versus the Women's Institute. Let's go bargain hunting! | 0:00:05 | 0:00:09 | |
Mmm! Will it be cakes at dawn | 0:00:34 | 0:00:37 | |
or campfires burning | 0:00:37 | 0:00:39 | |
here at the Bath & West Showground? | 0:00:39 | 0:00:42 | |
Either way, I've no doubt it will be good, clean fun! | 0:00:42 | 0:00:45 | |
Mmm! Concrete! | 0:00:45 | 0:00:48 | |
Coming up... | 0:00:51 | 0:00:53 | |
..a rift between the Red Team and their expert, Philip Serrell. | 0:00:55 | 0:00:58 | |
-You've lost all confidence in us now. -It didn't take long. Eight minutes, I reckon. | 0:00:58 | 0:01:03 | |
..and a love-in between Anita Manning and the Blue Team. | 0:01:05 | 0:01:08 | |
-Hey, look at that! -Do you like these wee Scottish things? | 0:01:08 | 0:01:13 | |
Of course we like wee Scottish things! | 0:01:13 | 0:01:16 | |
THEY LAUGH | 0:01:16 | 0:01:17 | |
And I escape the drama in the treasure-filled London home | 0:01:17 | 0:01:21 | |
of architect Sir John Soane. | 0:01:21 | 0:01:24 | |
-Veronica, you've known your mate here for ten years. -Yes. | 0:01:27 | 0:01:31 | |
-How did that all come about? -We met in a drama festival for the WI. | 0:01:31 | 0:01:35 | |
-What were you playing, darling? -A New Age traveller, | 0:01:35 | 0:01:39 | |
and my mate here was a maid of Taunton. | 0:01:39 | 0:01:42 | |
Including being the innkeeper who swept up the dirty floor. | 0:01:42 | 0:01:46 | |
She had the posh parts. I had the scruffy parts. | 0:01:46 | 0:01:50 | |
And has your relationship developed wholesomely since then? | 0:01:50 | 0:01:53 | |
-Oh, I think so. -Absolutely. -We've got on like a house on fire. | 0:01:53 | 0:01:57 | |
Veronica, you've got a pretty cool collection. | 0:01:57 | 0:02:00 | |
Yes. I collect cannons. | 0:02:00 | 0:02:02 | |
-What - religious ones? -No, no, dear. | 0:02:02 | 0:02:04 | |
-Ones that fire. -Oh! | 0:02:04 | 0:02:06 | |
-Do you really? -Yes. -That's unusual, isn't it? | 0:02:06 | 0:02:09 | |
-Not if you're a Gunner. -Oh, you're a Gunner? | 0:02:09 | 0:02:11 | |
-You support them, do you? -I do. -Oh, brilliant! | 0:02:11 | 0:02:14 | |
So you don't go out with black powder letting these things off. | 0:02:14 | 0:02:18 | |
Oh, no. No, no, no. They're sitting in my living room. | 0:02:18 | 0:02:22 | |
Now, Sheena, you went to the National Ballet School | 0:02:22 | 0:02:25 | |
-in Kensington? -Yes. That was when I left school, | 0:02:25 | 0:02:28 | |
and didn't become Margot Fonteyn. | 0:02:28 | 0:02:31 | |
Bet you did a fair Swan Lake, though. | 0:02:31 | 0:02:33 | |
SHE LAUGHS | 0:02:33 | 0:02:35 | |
-Possibly! -Well, we'll look forward to your performance. | 0:02:35 | 0:02:38 | |
-Ooh, thank you! -Thank you very much! | 0:02:38 | 0:02:41 | |
Great! Now the Blues - or should I say the Brownies? | 0:02:41 | 0:02:44 | |
-Yes! -Brownies will do. | 0:02:44 | 0:02:47 | |
You've been involved with the Brownies all your life? | 0:02:47 | 0:02:50 | |
Yes, since I was seven. So not that long a time, obviously. | 0:02:50 | 0:02:54 | |
-Quite. The last ten or twelve years. -Exactly. -Yes. | 0:02:54 | 0:02:57 | |
-And you have your own pack, do you? -Carol and I run one together. | 0:02:57 | 0:03:02 | |
I do Girl Guides, as well, so the older ones, | 0:03:02 | 0:03:05 | |
and we have the youth of today in our hands, as it were. | 0:03:05 | 0:03:08 | |
What do you do apart from the Guides, Carol? | 0:03:08 | 0:03:11 | |
I do like to give a few parties. | 0:03:11 | 0:03:14 | |
-Do like to have a theme to the parties. -Ooh, theme! | 0:03:14 | 0:03:16 | |
-We do like a theme. -I have to say that Theresa... | 0:03:16 | 0:03:20 | |
one birthday let it slip she'd like a Titanic meal, | 0:03:20 | 0:03:23 | |
-and we did 11 courses. -Not recommended in a corset, | 0:03:23 | 0:03:27 | |
I have to say. | 0:03:27 | 0:03:29 | |
And we started at seven and finished at nearly midnight. | 0:03:29 | 0:03:32 | |
Right. What tactics are you going to employ between you | 0:03:32 | 0:03:36 | |
-on today's programme? -I think we should buy, like us, | 0:03:36 | 0:03:39 | |
-small and classy. -Yes, absolutely. | 0:03:39 | 0:03:42 | |
And as we're Girl Guides, we'll tie the other lot up in knots. | 0:03:42 | 0:03:45 | |
Oh, yes. Very good. OK, fine. The money moment - here we go. | 0:03:45 | 0:03:50 | |
Here's the cash. There's your £300. You know the rules. | 0:03:50 | 0:03:54 | |
-Your experts await. And off you go! -Yes! | 0:03:54 | 0:03:56 | |
And very, very, very good luck. | 0:03:56 | 0:03:59 | |
Well, we've never had the Women's Institute versus the Girl Guides. | 0:03:59 | 0:04:03 | |
Whatever's going to happen? | 0:04:03 | 0:04:05 | |
Well, whatever happens, it's bound to be intense. | 0:04:09 | 0:04:12 | |
In...tents? | 0:04:12 | 0:04:14 | |
Get it? Girl Guides? | 0:04:14 | 0:04:17 | |
-Is there a plan, girls? -Yes. Something local with social history. | 0:04:21 | 0:04:25 | |
-Bit of silver, bit of treen? -And something that's quirky. | 0:04:25 | 0:04:29 | |
We like quirky. | 0:04:29 | 0:04:31 | |
-Do you know where you want to go? -Oh, yes. -Top hole! -Let's go. | 0:04:31 | 0:04:34 | |
So they're divided from the off - | 0:04:34 | 0:04:37 | |
Blues inside, Reds out. | 0:04:37 | 0:04:39 | |
Does this chair need a bit of tender, loving care? | 0:04:39 | 0:04:42 | |
-It's like me. It's a bit tired. -It's lost its stuffing. | 0:04:42 | 0:04:46 | |
What we're looking for is something superb, at a good price. | 0:04:46 | 0:04:50 | |
-At no money at all. -At no money at all. Absolutely. | 0:04:50 | 0:04:53 | |
-That's pretty. -It's pretty, yeah. | 0:04:53 | 0:04:56 | |
But would the people be here for that? | 0:04:56 | 0:04:58 | |
-Unusual. -Ooh, that's pretty. | 0:04:59 | 0:05:01 | |
-Are these silver? -900 or something. -Continental? | 0:05:01 | 0:05:05 | |
-Continental. -So it would go as white metal, would it? | 0:05:05 | 0:05:08 | |
-Is it marked as silver? -There is a mark here. | 0:05:08 | 0:05:11 | |
I think it's very pretty. It's unusual. | 0:05:13 | 0:05:15 | |
-It's a sweet little thing. -It is, isn't it? -Just like me! | 0:05:15 | 0:05:19 | |
-THEY LAUGH -Oh, definitely! | 0:05:19 | 0:05:21 | |
-But there's a pair, so it must be us. -It must be you. | 0:05:21 | 0:05:25 | |
So what would you put on it - tiny little sweeties? | 0:05:26 | 0:05:29 | |
-Very tiny earrings? -Rings? | 0:05:29 | 0:05:32 | |
You could put it on your dressing table and keep your earrings... | 0:05:32 | 0:05:35 | |
You could hang it up, | 0:05:35 | 0:05:37 | |
-and it makes a nice little pattern. -That's quite sweet. | 0:05:37 | 0:05:41 | |
It's pretty. I like the leaves at the top. | 0:05:41 | 0:05:44 | |
So we all like it. | 0:05:44 | 0:05:45 | |
Do we like the price? | 0:05:45 | 0:05:48 | |
-Best is 20. -SHE HISSES | 0:05:48 | 0:05:50 | |
Best is 20, so we'd better offer him 18, hadn't we? | 0:05:50 | 0:05:53 | |
That's being generous. | 0:05:53 | 0:05:55 | |
Well, it's something unusual. Somebody will go, "Yes, I love it." | 0:05:55 | 0:05:59 | |
Lovely. We like it. | 0:05:59 | 0:06:02 | |
What a wonderful team we have here! | 0:06:02 | 0:06:06 | |
-30 seconds into the game, and bought! -Born to shop. | 0:06:06 | 0:06:10 | |
Guides, you're pulling ahead! | 0:06:10 | 0:06:13 | |
WI ladies, what's caught your eye? | 0:06:17 | 0:06:20 | |
Ah! Sewing. | 0:06:20 | 0:06:22 | |
-It's lovely! -Have you got the rest of it? | 0:06:22 | 0:06:24 | |
-The lid. -Never had a cover. -It's never had one? | 0:06:24 | 0:06:27 | |
In the catalogue, you just bought them as they are. | 0:06:27 | 0:06:30 | |
I think this has got a bit of a WI look to it. | 0:06:30 | 0:06:33 | |
-Well, I don't sew. -Neither do I! | 0:06:33 | 0:06:35 | |
-"Jerusalem and jam", is that right? -We can sing. | 0:06:35 | 0:06:38 | |
We don't cook, we don't sew and we don't do crafts. We just have fun! | 0:06:38 | 0:06:42 | |
Sounds like a really good reason. | 0:06:42 | 0:06:44 | |
-THEY LAUGH -But I think this is rather sweet. | 0:06:44 | 0:06:48 | |
It's an interesting one, this, because this ceased to be a toy. | 0:06:48 | 0:06:51 | |
-It's a collector's item now. -Oh, I see. | 0:06:51 | 0:06:54 | |
And I think it's quite sweet in its own right. | 0:06:54 | 0:06:57 | |
-I mean, um... -Well, how much is it? | 0:06:57 | 0:07:00 | |
-How much is this, please, sir? -75. | 0:07:00 | 0:07:02 | |
-Is that the best? -70's the best. | 0:07:02 | 0:07:05 | |
70's the best? And that's it? There is no more? | 0:07:05 | 0:07:08 | |
The paintwork's in mint condition for its age. | 0:07:08 | 0:07:11 | |
-Oh, it's German. -It's 1911, look. | 0:07:11 | 0:07:14 | |
-That's far too much money. -Just out of curiosity... | 0:07:14 | 0:07:17 | |
-I would say 50. -Would you? -But that's too much drop. | 0:07:17 | 0:07:21 | |
If we'd like you to hang on for an hour, would that be all right? | 0:07:21 | 0:07:24 | |
-No problem. -You're a gentleman. Thank you. | 0:07:24 | 0:07:26 | |
I like the fish service, but they don't sell any more, do they? | 0:07:31 | 0:07:35 | |
-That's very good fun, the box. -Oh, that really is rather wonderful! | 0:07:35 | 0:07:40 | |
Maybe we could come... If we can't see anything... | 0:07:40 | 0:07:42 | |
If we don't see anything else. But how much was it? | 0:07:42 | 0:07:45 | |
110. | 0:07:45 | 0:07:47 | |
-It's a bit... -A bit too steep. -A bit rich for us. | 0:07:47 | 0:07:50 | |
-That's a pump, isn't it? -A pump for what? | 0:07:50 | 0:07:54 | |
-Well, it... -Oh, it is! -As it turns round. | 0:07:54 | 0:07:56 | |
-Do you like that? -Yes. -You know those toy engines? | 0:07:56 | 0:08:00 | |
Is that off a steam engine or something like that? | 0:08:00 | 0:08:02 | |
It's a Victorian model of a steam pump. | 0:08:02 | 0:08:05 | |
-Oh, that's historical. -How much is that? -140. | 0:08:05 | 0:08:08 | |
Oh, come on! | 0:08:08 | 0:08:10 | |
Be repainted next week, mounted up - 240. | 0:08:10 | 0:08:14 | |
-No! -Oh, yes. | 0:08:14 | 0:08:16 | |
It's a nice thing, and they're very collectable. | 0:08:16 | 0:08:18 | |
-It's lovely. -On a bad day, this could make 60 to 80 quid, | 0:08:18 | 0:08:22 | |
and on a good day it might make 150, 160. That's what I think. | 0:08:22 | 0:08:26 | |
It's a conversation piece, and it's social history. | 0:08:26 | 0:08:29 | |
Do you come from an engineering background? | 0:08:29 | 0:08:32 | |
-No. -Nothing at all? -No! But it's fascinating. | 0:08:32 | 0:08:36 | |
-I think so. -Absolutely fascinating. -You can tell in your eyes | 0:08:36 | 0:08:39 | |
that we're not going to see something that grabs you as much as this. | 0:08:39 | 0:08:43 | |
-And it's not all about money. -Veronica, shall we buy it? | 0:08:43 | 0:08:47 | |
-Yeah, why not? -You want to buy it? -Yes. | 0:08:47 | 0:08:50 | |
-Would you do 130 for us and we'll take it now? -I'll do 130. | 0:08:50 | 0:08:53 | |
-Oh! -Thank you! -Thank you! -It's fantastic! | 0:08:53 | 0:08:57 | |
-What have you found, girls? -Moorcroft. | 0:09:07 | 0:09:09 | |
Well, you're looking at quality, aren't you? | 0:09:09 | 0:09:12 | |
Always does well, doesn't it? This is the one that caught my eye. | 0:09:12 | 0:09:15 | |
THEY ALL TALK AT ONCE MacIntyre, and that's early. | 0:09:15 | 0:09:18 | |
-It's an early piece, yeah. -Collectors like that. | 0:09:18 | 0:09:22 | |
-How much is that? -That one's £800. | 0:09:22 | 0:09:25 | |
THEY LAUGH It's far too rich for... | 0:09:25 | 0:09:28 | |
Too rich for us, but beautiful nonetheless. | 0:09:28 | 0:09:30 | |
-You like it? -I do. -Another thing you could try | 0:09:30 | 0:09:33 | |
is something with a lovely red flambé glaze. | 0:09:33 | 0:09:36 | |
This was a nice early version his warehouse would have been producing in the '30s. | 0:09:36 | 0:09:40 | |
-I could give that houseroom! -It's poppies, Theresa. | 0:09:40 | 0:09:44 | |
-Poppies! -How much is that one? -£100. | 0:09:44 | 0:09:47 | |
I think it might be nice to buy a piece of Moorcroft. | 0:09:47 | 0:09:51 | |
-Oh, yes. -You want to buy a piece of Moorcroft? | 0:09:51 | 0:09:53 | |
I always want to buy a piece of Moorcroft. | 0:09:53 | 0:09:56 | |
-Right, girls. The decision is yours. -I love that. | 0:09:56 | 0:10:00 | |
-Absolutely. That's fantastic. -Small is beautiful! | 0:10:00 | 0:10:03 | |
-Always! -Ah, yes, always. | 0:10:03 | 0:10:06 | |
-And we're quite small. -Hang on. Let's go back to reality. | 0:10:06 | 0:10:09 | |
THEY LAUGH High heels off! | 0:10:09 | 0:10:13 | |
It's a money box. | 0:10:15 | 0:10:17 | |
-Girls, can I be honest with you? -What is it? -Tat? | 0:10:19 | 0:10:23 | |
Dreadful. | 0:10:23 | 0:10:25 | |
THEY LAUGH Absolutely, truly awful. | 0:10:25 | 0:10:28 | |
Put it back. | 0:10:28 | 0:10:30 | |
-I thought you were being - -Excuse me. Veronica found that. | 0:10:30 | 0:10:33 | |
Well, I thought it was an evening bag, not a money box. | 0:10:33 | 0:10:36 | |
-SHEENA LAUGHS -She's my best friend. | 0:10:36 | 0:10:39 | |
No. Was your best friend. Was. SHE LAUGHS | 0:10:39 | 0:10:42 | |
You've lost all confidence in us now. | 0:10:42 | 0:10:45 | |
Well, it didn't take long. | 0:10:45 | 0:10:47 | |
Eight minutes, I reckon. | 0:10:47 | 0:10:49 | |
-I wish you'd take this seriously. -I am. I am very serious. Look. | 0:10:51 | 0:10:55 | |
Let's step away from this craziness for a moment. | 0:10:55 | 0:10:59 | |
I've got a question for you. | 0:10:59 | 0:11:01 | |
Where do you suppose this might be? | 0:11:01 | 0:11:03 | |
If I was clever, I'd be able to tell you | 0:11:03 | 0:11:06 | |
what the outline of those hills in the background represent. | 0:11:06 | 0:11:10 | |
Is this Hong Kong Harbour? | 0:11:10 | 0:11:13 | |
It is Macao, | 0:11:14 | 0:11:16 | |
opposite Hong Kong? | 0:11:16 | 0:11:18 | |
I don't know, but it's somewhere in the Far East. | 0:11:18 | 0:11:22 | |
And the curious thing about this painting is | 0:11:22 | 0:11:25 | |
that although it's incredibly naive, | 0:11:25 | 0:11:27 | |
if it is one of those Far Eastern ports, | 0:11:27 | 0:11:31 | |
it's an early representation. | 0:11:31 | 0:11:33 | |
Now, if I take the sheet of paper and hold it up to the light, | 0:11:33 | 0:11:37 | |
like that, you can see it's got a watermark. | 0:11:37 | 0:11:41 | |
Now, the watermark is put into the paper | 0:11:41 | 0:11:44 | |
by the paper mill that made this particular sheet, | 0:11:44 | 0:11:47 | |
and if you're lucky, they're dated, as this one is, | 0:11:47 | 0:11:52 | |
and you can see that it says 1876. | 0:11:52 | 0:11:55 | |
That would mean that this could be an incredibly early image | 0:11:55 | 0:12:00 | |
of Hong Kong Harbour, which would be exciting. | 0:12:00 | 0:12:03 | |
Now, the other sheet has got a most peculiar group | 0:12:03 | 0:12:07 | |
of buildings and mountains on it. | 0:12:07 | 0:12:09 | |
Again, it's foreign, | 0:12:09 | 0:12:11 | |
yet in the middle of this clump of trees, | 0:12:11 | 0:12:14 | |
we can see a spiky, Anglican-looking parish-church spire sticking up, | 0:12:14 | 0:12:20 | |
which reminds you very much of a spire that you might find in Egham, | 0:12:20 | 0:12:26 | |
except I can tell you this isn't Egham. | 0:12:26 | 0:12:28 | |
The place that I think this is is St Helena in the South Atlantic. | 0:12:28 | 0:12:33 | |
So, we've got two images that relate to the colonies, | 0:12:33 | 0:12:37 | |
done in the 1870s. | 0:12:37 | 0:12:40 | |
They're naively done, but nevertheless they're interesting. | 0:12:40 | 0:12:44 | |
What are they worth? Well, you could buy them here in the fair | 0:12:44 | 0:12:48 | |
for £50 for the two. That's £25 per image. | 0:12:48 | 0:12:52 | |
If you were selling them in a topographical sale, | 0:12:52 | 0:12:56 | |
I think you could get as much as £150 apiece, | 0:12:56 | 0:13:00 | |
for the novelty and historic interest. | 0:13:00 | 0:13:04 | |
I think that's pretty good, don't you? | 0:13:04 | 0:13:06 | |
-Pierced work. -Yeah, look at that! | 0:13:11 | 0:13:13 | |
We're supposed to be going for something unusual. | 0:13:13 | 0:13:16 | |
Oh, girls, you can't pass this stall! | 0:13:16 | 0:13:19 | |
No rest for the wicked, eh, girls? | 0:13:19 | 0:13:22 | |
-Shall we all have a little sit? -Or maybe there is! | 0:13:22 | 0:13:25 | |
-Oh, I say, it's very comfy! -So, how much are these? | 0:13:26 | 0:13:29 | |
-We don't want all of them. -The bigger one's £75. | 0:13:29 | 0:13:33 | |
-And the little ones? -They're 50. | 0:13:33 | 0:13:35 | |
We've got a factory. We make them ourselves. | 0:13:35 | 0:13:38 | |
They're repros. We bought the original one - | 0:13:38 | 0:13:41 | |
You do a good job of them. It needs to be a bit less than 50 quid. | 0:13:41 | 0:13:45 | |
40, I'd say, is the best. | 0:13:45 | 0:13:47 | |
30, and we take it away now? | 0:13:47 | 0:13:50 | |
35 for one. | 0:13:50 | 0:13:52 | |
No! No! | 0:13:52 | 0:13:54 | |
-No! You have a sit in that. -No. I'd never get up. | 0:13:54 | 0:13:57 | |
-No, but... Go and sit in that one. -Which do you like? | 0:13:57 | 0:14:02 | |
Tell you what - we could be here all day now, | 0:14:04 | 0:14:07 | |
trying chair after chair after chair. "What do you think, Sheena?" | 0:14:07 | 0:14:11 | |
"No, I think this one." No, sorry! You just help yourself, girls! | 0:14:11 | 0:14:14 | |
-I think this one. -Told you. Really? | 0:14:14 | 0:14:18 | |
Well, this is the same as this. This is the same as... | 0:14:18 | 0:14:21 | |
-HE SNORES -Oh, he's gone to sleep! | 0:14:21 | 0:14:24 | |
-SHE LAUGHS -35 for this one with the arms. | 0:14:24 | 0:14:27 | |
-Yeah. -OK. Deal, yeah. | 0:14:27 | 0:14:30 | |
Thank you! | 0:14:30 | 0:14:31 | |
Nice work, Red Team! Feet up, and you still get a deal. | 0:14:31 | 0:14:36 | |
They are completely bonkers. But I love 'em to bits! | 0:14:36 | 0:14:39 | |
Great company, but mad as a bag of frogs! | 0:14:39 | 0:14:43 | |
Takes one to know one, Phil, eh? | 0:14:43 | 0:14:45 | |
-OK, girls? -Yes. -Onward and upward! | 0:14:45 | 0:14:48 | |
Oh, is that Brown Owl? | 0:14:48 | 0:14:50 | |
Girls, can you tell me what these are here? | 0:14:50 | 0:14:55 | |
Snuffbox, that one? | 0:14:55 | 0:14:57 | |
A type of... | 0:14:57 | 0:14:59 | |
Ah, it's a Scottish one. | 0:14:59 | 0:15:02 | |
-Are you picking out Scottish things? -I was just giving you a wee test. | 0:15:02 | 0:15:06 | |
THEY LAUGH | 0:15:06 | 0:15:08 | |
Actually, I think perhaps that one might have been a giveaway. | 0:15:08 | 0:15:12 | |
That's right. And these are pieces of Mauchline ware, | 0:15:12 | 0:15:16 | |
and they were made in a wee village in Ayrshire | 0:15:16 | 0:15:20 | |
in the late 1800s, and everybody in the village, | 0:15:20 | 0:15:23 | |
including all the children and old-age pensioners | 0:15:23 | 0:15:26 | |
would be employed in making these little boxes. | 0:15:26 | 0:15:29 | |
The egg, Theresa. Look at the egg. | 0:15:29 | 0:15:31 | |
-Oh! -And it comes apart. | 0:15:32 | 0:15:34 | |
Hang on. It does something. | 0:15:34 | 0:15:36 | |
-Oh! -Oh, I say. | 0:15:37 | 0:15:39 | |
-You've dropped it. -Do you like these wee Scottish things? | 0:15:39 | 0:15:42 | |
Of course we like wee Scottish things! | 0:15:42 | 0:15:45 | |
-THEY LAUGH -The egg is 33. | 0:15:45 | 0:15:49 | |
-So keep that in mind. -Keep that in mind. -Keep it in mind. | 0:15:49 | 0:15:53 | |
-What is that, sweetheart? -It's a bottle opener. | 0:15:54 | 0:15:57 | |
I don't know whether it's silver, though. Phil would have to see it. | 0:15:57 | 0:16:00 | |
-Where's he gone? -Where's he gone? -Oh, he's bought a dog! | 0:16:00 | 0:16:04 | |
He's bought a puppy dog. | 0:16:04 | 0:16:06 | |
-How much? -Oh, bless his heart! | 0:16:06 | 0:16:08 | |
-Eh? Now, how much are you? -Oh, sweet! | 0:16:08 | 0:16:13 | |
-Lovely! -How much are you? Are you priceless? | 0:16:13 | 0:16:16 | |
Philip, you old softy! | 0:16:16 | 0:16:19 | |
THEY CHATTER | 0:16:20 | 0:16:22 | |
-Blues, have you fallen in love, too? -Beautiful! | 0:16:22 | 0:16:25 | |
-Norwegian. -A Norwegian fjord? | 0:16:25 | 0:16:28 | |
A Norwegian fjord. 125 at the moment. | 0:16:28 | 0:16:30 | |
I just don't think it'll do at auction. | 0:16:30 | 0:16:34 | |
-But you love it. -I love it, yeah. | 0:16:34 | 0:16:36 | |
-Where's Phil? We lost him. -The handle went through there... | 0:16:38 | 0:16:41 | |
Oh, he's over there. He's got some strange piece... | 0:16:41 | 0:16:44 | |
-It looks a bit rude! -Let's have a look. | 0:16:44 | 0:16:47 | |
-What is this? -This one here? | 0:16:47 | 0:16:50 | |
It's a kettle tilter, so you hang it over your fire... | 0:16:50 | 0:16:53 | |
-Oh, that's what we like! -It's too much money for you. | 0:16:53 | 0:16:56 | |
-How much? -It's too much money for you. | 0:16:56 | 0:16:59 | |
It's £55, which, I think, for you to get a profit out of that | 0:16:59 | 0:17:02 | |
in an auction... It's not expensive to a specialist, | 0:17:02 | 0:17:05 | |
but in a general auction, you'd get 40 quid. | 0:17:05 | 0:17:08 | |
-But it's a nice thing. -It's nice, isn't it? | 0:17:08 | 0:17:11 | |
Really nice thing. I love that. | 0:17:11 | 0:17:13 | |
-Oh! -Oh! | 0:17:18 | 0:17:21 | |
-I say! -You like that? -Oh, yes. | 0:17:21 | 0:17:24 | |
-Oh, yes. -A knotted heart. | 0:17:24 | 0:17:26 | |
Isn't that beautiful? | 0:17:26 | 0:17:29 | |
-What sort of date would this be? -I think it's 1960s. | 0:17:29 | 0:17:33 | |
It is a later bit, but that's quite unusual. | 0:17:33 | 0:17:37 | |
Have a look at it. Tell me what you think. | 0:17:37 | 0:17:39 | |
It's got some lovely weight. | 0:17:39 | 0:17:41 | |
It's a Lalique paperweight, and we have these entwined hearts, | 0:17:41 | 0:17:47 | |
a very nice motif. It will appeal to the romantics in the room. | 0:17:47 | 0:17:51 | |
Well, that's not your husband, then, is it? | 0:17:51 | 0:17:53 | |
Oh, come on! I've got a few bits out of a romantic husband. | 0:17:53 | 0:17:57 | |
Now, that's lovely. | 0:17:57 | 0:17:59 | |
We've got a good name and quality here. | 0:17:59 | 0:18:02 | |
-Yeah. Yeah. -Could you do 80 on it? | 0:18:02 | 0:18:05 | |
-I could do 90. -Ooh! -Ooh! | 0:18:05 | 0:18:08 | |
-That's tempting. -A name like that... | 0:18:09 | 0:18:11 | |
-Quality. -If you want to spend some money | 0:18:11 | 0:18:14 | |
and you want to buy a bit of quality... | 0:18:14 | 0:18:17 | |
I think for once in our lives we should listen to somebody else. | 0:18:17 | 0:18:20 | |
We never do. | 0:18:20 | 0:18:22 | |
You girls... You girls are doing very well on your own. | 0:18:22 | 0:18:26 | |
I hate to break up three girls when you're hard at it, | 0:18:26 | 0:18:30 | |
-but how are you getting on? -Fabulously. -Is it? | 0:18:30 | 0:18:33 | |
-Absolutely! -These girls are wonderful! | 0:18:33 | 0:18:37 | |
Of course, you three would support one another. | 0:18:37 | 0:18:40 | |
You've been buying very, very quickly, haven't you? | 0:18:40 | 0:18:44 | |
-Yes, we have. -Which means you can spend lots of time | 0:18:44 | 0:18:47 | |
-over your third item. Is that right? -Yes. | 0:18:47 | 0:18:49 | |
-Three red-hot girls. -THEY LAUGH | 0:18:49 | 0:18:52 | |
-So... -I still love that. That is lovely. | 0:18:52 | 0:18:55 | |
-Feel the weight. -Oh, good grief! | 0:18:55 | 0:18:58 | |
-It's a really weighty piece. -Yeah, I know! | 0:18:58 | 0:19:00 | |
Let's look at a piece of jewellery, then we'll have three choices | 0:19:00 | 0:19:04 | |
all close together, so we don't have to run far. | 0:19:04 | 0:19:07 | |
-Would you look after it for ten, 15 minutes for us? -Yes. | 0:19:07 | 0:19:11 | |
-No, no. we don't want that. -No, I know, | 0:19:11 | 0:19:14 | |
but it reminds me of the xylophone we used to have. | 0:19:14 | 0:19:17 | |
-What was that motto? -Keep calm and carry on. -Regardless. | 0:19:17 | 0:19:20 | |
That's our one. The official one's "for home and country", of course. | 0:19:22 | 0:19:26 | |
Oh, amber! Dark amber! | 0:19:29 | 0:19:31 | |
A beautiful set of Victorian cherry amber. | 0:19:31 | 0:19:36 | |
Oh, look at that! Perfect! | 0:19:36 | 0:19:39 | |
-Oh, yes! -What a lovely length! -Yeah. | 0:19:39 | 0:19:43 | |
They're beautiful. And they're graduated. | 0:19:43 | 0:19:46 | |
We have the largest one down here, | 0:19:46 | 0:19:48 | |
and they're all graduated. It's absolutely lovely. | 0:19:48 | 0:19:51 | |
-How much? -120. | 0:19:51 | 0:19:54 | |
-What do you think? Do you like amber? -I love amber. | 0:19:54 | 0:19:57 | |
-I've got a huge collection of amber. -Have you? | 0:19:57 | 0:19:59 | |
-Now we're in a dilemma. -Yeah, but at auction... | 0:19:59 | 0:20:02 | |
I think we've got to let our heads rule our hearts on this. | 0:20:02 | 0:20:06 | |
-I think we're going to have to go for the Lalique. -Right. | 0:20:06 | 0:20:09 | |
OK. OK. | 0:20:09 | 0:20:11 | |
Thank you very much. We love it, | 0:20:11 | 0:20:13 | |
but we're being sensible! | 0:20:13 | 0:20:16 | |
-I'm sorry. We've sold it. -No! -No! | 0:20:20 | 0:20:23 | |
-No, we're only joking. -THEY LAUGH | 0:20:23 | 0:20:26 | |
-It's there. -We're all in agreement. -We are! | 0:20:26 | 0:20:29 | |
-We'd like to have the Lalique. -Yes, please. | 0:20:29 | 0:20:32 | |
-Yes, please! Thank you. -Lovely! | 0:20:32 | 0:20:35 | |
-Are you happy? -Very, very happy. | 0:20:35 | 0:20:38 | |
I think you've made a good choice. | 0:20:38 | 0:20:40 | |
-That's a good trivet. -Wow! | 0:20:41 | 0:20:43 | |
-That's lovely! -Do you like that? -That's a hefty bit of whatever. | 0:20:43 | 0:20:47 | |
Excuse me! How much is that? | 0:20:47 | 0:20:49 | |
-40. -What's best on it? | 0:20:49 | 0:20:51 | |
-Do 30. -30? | 0:20:51 | 0:20:53 | |
I think that's quite an interesting thing. | 0:20:53 | 0:20:56 | |
-I do, too. -So, you've got that... | 0:20:56 | 0:20:58 | |
-Do you like it? -Mm. -I do, actually. | 0:20:58 | 0:21:01 | |
-Mm. -How old do you think it is? -I think it's probably 1910-ish. | 0:21:01 | 0:21:04 | |
-Oh, is it? How lovely! -It's up to you, girls. | 0:21:04 | 0:21:07 | |
-I like it. Veronica likes it, don't you, Veronica? -Mm. | 0:21:07 | 0:21:11 | |
-25 would be really handy, though. -It's got to be 30, honest. | 0:21:11 | 0:21:14 | |
-That's got to be 30. -Yes. Yes. | 0:21:14 | 0:21:17 | |
-Sounds to me like you've made your minds up. -30. | 0:21:17 | 0:21:20 | |
-You going to buy me a cup of tea, then? -Yeah. -OK, fine. Done. | 0:21:20 | 0:21:24 | |
Happy with that. | 0:21:24 | 0:21:26 | |
Wow, that's it! Both teams have found their booty, | 0:21:26 | 0:21:29 | |
with plenty of time to spare. Now, what did those Reds buy? | 0:21:29 | 0:21:33 | |
The girls fell in love with a model of a steam-driven pump! Unusual. | 0:21:35 | 0:21:39 | |
They thought the Windsor chair copy incredibly comfy... | 0:21:39 | 0:21:43 | |
-Ooh, they are comfy! -..trying chair after chair after chair... | 0:21:43 | 0:21:47 | |
..and a £30 brass trivet finished them off. | 0:21:47 | 0:21:52 | |
I want to know, Phil, are you about to join the Women's Institute? | 0:21:56 | 0:22:00 | |
-If they're all like these two, I would! -We'll have him. | 0:22:00 | 0:22:03 | |
They've been absolutely brilliant, Tim. | 0:22:03 | 0:22:05 | |
It's like a lovely club with you lot. | 0:22:05 | 0:22:07 | |
-We've had such a good time with him. -How much did you actually spend? | 0:22:07 | 0:22:12 | |
-195? -195. I'd like £105 of leftover lolly, please. | 0:22:12 | 0:22:16 | |
-Yes! This is a few coffee mornings. -There you go! | 0:22:16 | 0:22:19 | |
That's all right. That's £105. That goes straight across to Phil. | 0:22:19 | 0:22:22 | |
Which is your favourite piece? | 0:22:22 | 0:22:24 | |
Oh, I think the little machine that we bought first of all. | 0:22:24 | 0:22:29 | |
-Little pump? -The little pump. -Is that your favourite, too? | 0:22:29 | 0:22:33 | |
-Is that going to make most profit? -We hope so. -It's just lovely. | 0:22:33 | 0:22:37 | |
-Good. And you've had a lovely time? -They've been great, | 0:22:37 | 0:22:40 | |
and I've got a new motto. I'm going to keep calm and carry on regardless. | 0:22:40 | 0:22:44 | |
Really? Well, that's a good motto. | 0:22:44 | 0:22:47 | |
-THEY LAUGH -Anyway, good luck, girls! | 0:22:47 | 0:22:49 | |
Why don't we remind ourselves of what the Blues bought, eh? | 0:22:49 | 0:22:53 | |
A silver dish whetted the appetite of our Girl Guides. | 0:22:54 | 0:22:58 | |
They picked up a Moorcroft bowl decorated with poppies. | 0:23:00 | 0:23:03 | |
And lastly, a Lalique paperweight captured their hearts. | 0:23:05 | 0:23:09 | |
You'd be the Blue Owl today, wouldn't you? | 0:23:12 | 0:23:15 | |
-I'm definitely a Blue Owl. -Lovely! How much did you spend overall? | 0:23:15 | 0:23:18 | |
-210. -That's lovely. £90 of leftover lolly, then, from somewhere? | 0:23:18 | 0:23:23 | |
Perfect. So, which is your favourite piece, Theresa? | 0:23:23 | 0:23:27 | |
See, I usually go for the small silver things, don't I, but - | 0:23:27 | 0:23:31 | |
-Just your personal favourite. Not the most money. -The Lalique. | 0:23:31 | 0:23:35 | |
The Lalique is your personal favourite. | 0:23:35 | 0:23:37 | |
And which is going to bring the biggest profit? | 0:23:37 | 0:23:40 | |
-I think the Moorcroft. -Do you? -The Moorcroft. | 0:23:40 | 0:23:43 | |
All right. There's a prediction. £90 for you, my darling. | 0:23:43 | 0:23:46 | |
-Were you a Girl Guide yourself? -I'm afraid not. | 0:23:46 | 0:23:50 | |
-Oh, shocking. -I was a bit of a wild child. | 0:23:50 | 0:23:53 | |
I'm glad you didn't admit to that till after the shopping. | 0:23:53 | 0:23:56 | |
Anyway, good luck. Good luck, Anita. We're going to shove off now, | 0:23:56 | 0:24:00 | |
all the way to London, actually. I'm going to give you a rare treat | 0:24:00 | 0:24:04 | |
in one of those gorgeous London Georgian squares. | 0:24:04 | 0:24:07 | |
Lincoln's Inn Fields - home to Sir John Soane, | 0:24:09 | 0:24:13 | |
one of England's greatest architects. | 0:24:13 | 0:24:16 | |
When he died in 1837, | 0:24:16 | 0:24:19 | |
he left his house and its contents to the nation. | 0:24:19 | 0:24:22 | |
Lucky old us! | 0:24:22 | 0:24:24 | |
Sir John Soane wasn't just a brilliant architect - | 0:24:29 | 0:24:32 | |
he was the most incredible magpie. | 0:24:32 | 0:24:36 | |
In fact, I think he had a seriously defective collecting gene. | 0:24:36 | 0:24:41 | |
I mean, just look at all this stuff! | 0:24:41 | 0:24:45 | |
The inventory of objects includes some 3,000 items - | 0:24:50 | 0:24:55 | |
Greek and Roman and Egyptian antiquities, | 0:24:55 | 0:24:59 | |
casts, bronzes, | 0:24:59 | 0:25:02 | |
gems, silver, | 0:25:02 | 0:25:04 | |
furniture, clocks, ceramics... | 0:25:04 | 0:25:07 | |
You name it, he collected it. | 0:25:07 | 0:25:09 | |
And that doesn't include... | 0:25:10 | 0:25:13 | |
the paintings, | 0:25:13 | 0:25:15 | |
the 8,000 books, | 0:25:15 | 0:25:17 | |
nor the 30,000 architectural drawings. | 0:25:17 | 0:25:20 | |
Soane's most precious antiquity is probably this - | 0:25:24 | 0:25:28 | |
the most extraordinary alabaster-like sarcophagus | 0:25:28 | 0:25:34 | |
that was used to bury the pharaoh Seti I, | 0:25:34 | 0:25:40 | |
who ruled in Egypt about 3,300 years ago. | 0:25:40 | 0:25:45 | |
It was acquired by Soane in 1824, | 0:25:45 | 0:25:49 | |
and he spent £2,000 on it - | 0:25:49 | 0:25:52 | |
a fortune at the time. | 0:25:52 | 0:25:55 | |
One big problem for Soane, though, | 0:25:55 | 0:25:58 | |
was getting it into this space. | 0:25:58 | 0:26:01 | |
Being an architect, he simply cut a neat hole | 0:26:01 | 0:26:06 | |
in the outside boundary wall of the property, | 0:26:06 | 0:26:09 | |
had the sarcophagus inserted, | 0:26:09 | 0:26:12 | |
and it was then lowered to its present resting place here. | 0:26:12 | 0:26:16 | |
This object caused a sensation in London. | 0:26:16 | 0:26:21 | |
Such was the fascination with the antiquity | 0:26:21 | 0:26:25 | |
of the Egyptian rulers, | 0:26:25 | 0:26:28 | |
that Soane was able to host a series of parties, | 0:26:28 | 0:26:32 | |
candlelit soirees, in this space, | 0:26:32 | 0:26:36 | |
where candles actually were inserted into the sarcophagus, | 0:26:36 | 0:26:40 | |
because it's slightly translucent. | 0:26:40 | 0:26:42 | |
Even the portly Prince of Wales came. | 0:26:42 | 0:26:46 | |
He tottered down and peered inside. | 0:26:46 | 0:26:51 | |
In 1806, Soane became professor of architecture | 0:26:59 | 0:27:03 | |
at the Royal Academy, and he liked to invite the students here | 0:27:03 | 0:27:08 | |
to look at examples in the museum before and after his lectures, | 0:27:08 | 0:27:13 | |
to enable them to experience a version | 0:27:13 | 0:27:17 | |
of the Grand Tour, without having to go to Italy. | 0:27:17 | 0:27:21 | |
All this material in the museum was incredibly important. | 0:27:21 | 0:27:27 | |
The big question for us, though, today, over at the auction, is, | 0:27:27 | 0:27:31 | |
how are our teams' acquisitions going to fare? | 0:27:31 | 0:27:36 | |
OK, big boy? | 0:27:37 | 0:27:39 | |
Welcome to Crewkerne! | 0:27:41 | 0:27:43 | |
Now, will Phil still be smiling when auctioneer Richard Kay | 0:27:46 | 0:27:50 | |
passes judgement on his bonus buy? | 0:27:50 | 0:27:53 | |
Now, Sheena and Veronica, you spent £195, which is magnificent. | 0:27:55 | 0:27:58 | |
£105 went to Philip Serrell, who seems to be in some pain | 0:27:58 | 0:28:02 | |
this morning. Phil, you all right? | 0:28:02 | 0:28:04 | |
-Oh, no! -What? | 0:28:04 | 0:28:06 | |
-You rotter! -Is that a bonus buy? | 0:28:06 | 0:28:09 | |
I say! I say, I say, I say! | 0:28:09 | 0:28:12 | |
-Oh, dear! -I'm going to have to take this thing out. It's hard. | 0:28:12 | 0:28:16 | |
At lunchtime! People are eating, Phil! | 0:28:16 | 0:28:18 | |
-Is that our bonus buy, I ask myself? -There was actually two of them, | 0:28:18 | 0:28:22 | |
but I'm afraid we had a slight problem at the optician's with this. | 0:28:22 | 0:28:27 | |
Seriously, there was a bit of damage in transit, wasn't there? | 0:28:27 | 0:28:31 | |
Don't ask me how that eye has been chipped, | 0:28:31 | 0:28:35 | |
but the aquamarine eye | 0:28:35 | 0:28:38 | |
with the bloodshot section is in perfect nick. | 0:28:38 | 0:28:42 | |
It's very interesting, and it is quirky. | 0:28:42 | 0:28:45 | |
-It is quirky! -I'm intrigued. | 0:28:45 | 0:28:47 | |
I'm really intrigued that people will go for these. | 0:28:47 | 0:28:51 | |
How much did you pay for the two, my friend? | 0:28:51 | 0:28:53 | |
I paid £38 for the two when they were wholesome. | 0:28:53 | 0:28:57 | |
-Wholesome! -You paid 38. | 0:28:57 | 0:28:59 | |
We'll treat the sale of the two as if it was less than half the price, | 0:28:59 | 0:29:03 | |
to be fair all round, | 0:29:03 | 0:29:06 | |
and all you have to do is get the bidding to exceed £15, | 0:29:06 | 0:29:10 | |
then you'll be in profit from £15, from that moment on, | 0:29:10 | 0:29:15 | |
if you decide to select them. And you don't have to take these eyes. | 0:29:15 | 0:29:19 | |
You'll decide, darling, when you've sold your first three items. | 0:29:19 | 0:29:22 | |
For the viewers at home, let's find out | 0:29:22 | 0:29:25 | |
what the auctioneer thinks about Philip's eyes. | 0:29:25 | 0:29:28 | |
I dread to think! | 0:29:28 | 0:29:30 | |
Richard, I was rather hoping you'd be able to turn a blind eye to this, | 0:29:30 | 0:29:34 | |
but unfortunately, in transit, | 0:29:34 | 0:29:36 | |
this blue eye has become damaged, | 0:29:36 | 0:29:40 | |
and, being made of glass, if it wasn't properly wrapped, | 0:29:40 | 0:29:44 | |
-I'm not really surprised. -It's a shame. | 0:29:44 | 0:29:47 | |
They're very unusual things to see in an auction, | 0:29:47 | 0:29:50 | |
and they have very quirky appeal. | 0:29:50 | 0:29:52 | |
The best thing about it is that bloodshot white of the eye. | 0:29:52 | 0:29:57 | |
-Are they bloodshot? Isn't that what eyeballs look like? -I don't know. | 0:29:57 | 0:30:01 | |
If you've been out and had one or two glasses of claret, | 0:30:01 | 0:30:04 | |
do you not find that your eye is not as pearly as it might have been? | 0:30:04 | 0:30:08 | |
-Perhaps. -Anyway, we've had our bit of damage. | 0:30:08 | 0:30:10 | |
Philip Serrell paid £38 for the two. | 0:30:10 | 0:30:13 | |
-Yes. -We will treat the insurance claim | 0:30:13 | 0:30:18 | |
as if he had paid £15. | 0:30:18 | 0:30:21 | |
I'd like to know from you what you think the surviving eye | 0:30:21 | 0:30:24 | |
-and the other bit might be worth. -I can see these two items together, | 0:30:24 | 0:30:28 | |
just for their sheer quirky novelty appeal, | 0:30:28 | 0:30:32 | |
-making £20 at auction. -Can you? Well, that's fair enough. | 0:30:32 | 0:30:35 | |
Now, Sheena and Veronica, | 0:30:35 | 0:30:37 | |
their first item is this charming little engineered pump. | 0:30:37 | 0:30:41 | |
It is. It's beautifully made, | 0:30:41 | 0:30:44 | |
and I don't suppose anyone will buy it to make it work, | 0:30:44 | 0:30:47 | |
but just to spin that wheel | 0:30:47 | 0:30:49 | |
-and watch the, er... -The gubbins? | 0:30:49 | 0:30:52 | |
Yeah. Just watching the mechanism of it. It's beautifully smooth, | 0:30:52 | 0:30:55 | |
and it's very, very well made. | 0:30:55 | 0:30:58 | |
So I don't think it'll be bought for its use, | 0:30:58 | 0:31:00 | |
but it'll be bought for its decorative appeal. | 0:31:00 | 0:31:03 | |
-OK. We love it. What's the estimate? -£60 to £80, perhaps. | 0:31:03 | 0:31:07 | |
£130 paid. So they've really loved it. But you never know! | 0:31:07 | 0:31:11 | |
-They could be surprised. -Two people in an auction... | 0:31:11 | 0:31:14 | |
Next up is this so-called Windsor-type chair in front there. | 0:31:14 | 0:31:18 | |
-How do you rate that? Not old, is it? -It's not old. | 0:31:18 | 0:31:22 | |
It's been quite skilfully finished with a paint finish | 0:31:22 | 0:31:25 | |
that makes it look old, so it's a furnishing piece | 0:31:25 | 0:31:28 | |
in the simpler sense of the word. It will sit in a dark corner, | 0:31:28 | 0:31:31 | |
and hopefully not be examined too closely. | 0:31:31 | 0:31:34 | |
What's your estimate on it? | 0:31:34 | 0:31:35 | |
Well, for all the reasons we've mentioned, | 0:31:35 | 0:31:38 | |
-probably only £15 to £25. -They only paid the £35. | 0:31:38 | 0:31:41 | |
We'll see what happens. And last up | 0:31:41 | 0:31:44 | |
is this so-called quirky-looking trivet, | 0:31:44 | 0:31:46 | |
-which I think has just got bent. -It's been sheared, I think. | 0:31:46 | 0:31:49 | |
But if you gave it another tweak, it would straighten up. | 0:31:49 | 0:31:53 | |
It is quite crudely made, | 0:31:53 | 0:31:55 | |
but it's got a sort of rugged, honest appeal about it, | 0:31:55 | 0:31:59 | |
and it's certainly strongly made. It's not going to fall apart. | 0:31:59 | 0:32:03 | |
You could put a big old jam pot on there, couldn't you? | 0:32:03 | 0:32:06 | |
It's not in bad condition, either. So taking all that into consideration, | 0:32:06 | 0:32:10 | |
-£10 to £20, perhaps? -OK, fine. £30 paid. | 0:32:10 | 0:32:14 | |
So we're not that far apart, quite frankly, with any of these items. | 0:32:14 | 0:32:19 | |
Anyway, that's it for the Reds. Moving on to safer territory now | 0:32:19 | 0:32:23 | |
with the Blues, we start with the silver trinket dish. | 0:32:23 | 0:32:27 | |
Well, charming for being small. | 0:32:27 | 0:32:29 | |
Nicely made. I've never seen anything quite like it before. | 0:32:29 | 0:32:32 | |
They're in the form of cherries, but they don't have an obvious purpose. | 0:32:32 | 0:32:37 | |
They might have sat on a lady's dressing table for pins. | 0:32:37 | 0:32:41 | |
-She's called Cherry. -Perhaps. It's a perfect gift. | 0:32:41 | 0:32:44 | |
Otherwise, perhaps you could even put cherry stones in them | 0:32:44 | 0:32:48 | |
-if you're serving cherries at the table. -Not a bad idea, | 0:32:48 | 0:32:51 | |
because you do the "tinker, tailor, soldier, sailor" moment | 0:32:51 | 0:32:54 | |
around the edge of your plate traditionally - | 0:32:54 | 0:32:57 | |
-Dull meals in the Wonnacott family? -Oh, terrible! | 0:32:57 | 0:33:00 | |
But if you were really smart - | 0:33:00 | 0:33:03 | |
But not sterling silver standard, sadly, | 0:33:03 | 0:33:06 | |
which will rule out a few of the silver collectors | 0:33:06 | 0:33:09 | |
who like to be reassured by a hallmark. | 0:33:09 | 0:33:12 | |
Nonetheless, the value of that little dish on its own, | 0:33:12 | 0:33:15 | |
-£15 to £25? -£20 paid. | 0:33:15 | 0:33:17 | |
-Perfect. -We'll do all right with that. | 0:33:17 | 0:33:20 | |
Now, the Moorcroft wee bowl. | 0:33:20 | 0:33:23 | |
Moorcroft is a tremendously popular name, | 0:33:23 | 0:33:25 | |
very popular factory, still producing large quantities of items, | 0:33:25 | 0:33:29 | |
very much in the same style, the same palette. | 0:33:29 | 0:33:32 | |
Many of their pieces decorated with poppies, as here. | 0:33:32 | 0:33:35 | |
Smaller pieces more affordable, but there is a lot of it about. | 0:33:35 | 0:33:39 | |
And the age is vital, and the rarity of the pattern, | 0:33:39 | 0:33:42 | |
and the Moorcroft-ness of the pieces is important. | 0:33:42 | 0:33:46 | |
This I don't think ticks all the boxes. | 0:33:46 | 0:33:49 | |
-It's dull brownish, isn't it? -It's dull, it's rather small, | 0:33:49 | 0:33:52 | |
and it's not an inventive shape. So its auction value | 0:33:52 | 0:33:55 | |
-might be £30 or £40. -£100 they paid. | 0:33:55 | 0:33:59 | |
Although, as I say, Moorcroft is a resonant name amongst collectors. | 0:33:59 | 0:34:03 | |
Sure is, but it's got to resonate quite a lot to get to the 100. | 0:34:03 | 0:34:07 | |
-It's got to go some, I'm afraid. -Um, how do you feel about Lalique? | 0:34:07 | 0:34:10 | |
Lalique, again, is a very good name to look out for | 0:34:10 | 0:34:13 | |
if you're at an antiques market, but the important thing, as always, | 0:34:13 | 0:34:17 | |
with Lalique, in a factory that is still producing items, | 0:34:17 | 0:34:20 | |
you've got to establish that the piece you're buying is of some age, | 0:34:20 | 0:34:23 | |
rather than a piece you could buy from a high-street gift shop, | 0:34:23 | 0:34:27 | |
and this is not old. It's a lovely little piece. | 0:34:27 | 0:34:29 | |
-It's beautifully made, like all Lalique. -Chunky. | 0:34:29 | 0:34:32 | |
-Frosted. -Frosted, and it's a rather clever design, as well. | 0:34:32 | 0:34:35 | |
-Interlinked hearts. -Yes. -There's a lot of that going on. | 0:34:35 | 0:34:39 | |
-Don't look at me when you say that, please. -Yes! | 0:34:39 | 0:34:42 | |
Good! But its auction value, it's £15 to £20, | 0:34:42 | 0:34:47 | |
-as a modern piece. -Really? £90 paid. | 0:34:47 | 0:34:51 | |
This is turning out to be a bloodbath for the Blues. | 0:34:51 | 0:34:54 | |
They're going to need their bonus buy. Let's go and have a look at it! | 0:34:54 | 0:34:58 | |
Now, Carol and Theresa, you spent £210, | 0:34:58 | 0:35:01 | |
a magnificent sum of money, and gave Anita 90. | 0:35:01 | 0:35:04 | |
What did you spend the £90 on, Anita? | 0:35:04 | 0:35:08 | |
-Oh! -Oh! | 0:35:08 | 0:35:09 | |
ANITA LAUGHS Isn't that the sweetest wee thing? | 0:35:09 | 0:35:12 | |
It's a Mauchline box, and this little novelty item | 0:35:12 | 0:35:17 | |
is used to keep your thimble in. | 0:35:17 | 0:35:20 | |
-Oh, I say! -Sweet! | 0:35:20 | 0:35:22 | |
-You like it, girls? -I do, very much. | 0:35:22 | 0:35:25 | |
It was behind the egg. It was behind the egg! | 0:35:27 | 0:35:30 | |
-Isn't that lovely? -Oh, look at the work in that! | 0:35:30 | 0:35:33 | |
-That really is rather sweet. -We like it. | 0:35:33 | 0:35:37 | |
We like it. We have a unanimous "we like it" there. | 0:35:37 | 0:35:40 | |
-How much did you pay? -£20. | 0:35:40 | 0:35:43 | |
-Oh! -We're liking that. -We do like that. | 0:35:43 | 0:35:47 | |
Is that because you think it's worth more than £20? | 0:35:47 | 0:35:50 | |
I think so, because you get the treen collectors, | 0:35:50 | 0:35:53 | |
and you get the sewing bodies who want the thimble inside. | 0:35:53 | 0:35:57 | |
There you go. That's why you are where you are today, Carol. | 0:35:57 | 0:36:00 | |
-THEY LAUGH -She's got all the strategic thought. | 0:36:00 | 0:36:03 | |
How much would you get in your saleroom in Glasgow for this? | 0:36:03 | 0:36:07 | |
-30 to 40. -Would you? You'd nearly double your money. | 0:36:07 | 0:36:11 | |
It'll be interesting to see whether the thing has travelled well | 0:36:11 | 0:36:14 | |
to Somerset or not. Let's find out from the auctioneer | 0:36:14 | 0:36:17 | |
what he thinks about Anita's bit of Mauchline. | 0:36:17 | 0:36:20 | |
-There's a sweet little novelty. -It is a little novelty. | 0:36:20 | 0:36:23 | |
It's rather nicely made, | 0:36:23 | 0:36:26 | |
as Mauchline ware often is nicely made. | 0:36:26 | 0:36:29 | |
The Lees in Folkestone is not, perhaps, the most desirable image | 0:36:29 | 0:36:33 | |
to have printed on the outside, with greatest respect to the people of Folkestone. | 0:36:33 | 0:36:37 | |
-You can deal with all the hate mail. -But there would be better views | 0:36:37 | 0:36:41 | |
to have on the outside of a little thing like this. | 0:36:41 | 0:36:44 | |
But when one lifts the lid off, inside is the thimble. | 0:36:44 | 0:36:47 | |
But it's an unusual little item in that respect. | 0:36:47 | 0:36:50 | |
I don't know how much sewing you get to do, Richard. | 0:36:50 | 0:36:53 | |
-Not as much as I used to, sadly. -Me, neither. It's one of those things | 0:36:53 | 0:36:57 | |
that could be a has-been in my household, | 0:36:57 | 0:36:59 | |
-but what do you think it might bring in the auction? -£15 to £25. | 0:36:59 | 0:37:03 | |
-Perfect! £20 she paid. -OK. -So that's absolutely spot-on. | 0:37:03 | 0:37:07 | |
-So, lovely. You're in charge? -Yes, I am. | 0:37:07 | 0:37:10 | |
-You're taking the sale? -That's correct. -We're in safe hands. | 0:37:10 | 0:37:13 | |
Last time. | 0:37:15 | 0:37:17 | |
-So, Sheena and V, how you feeling? -Excited. | 0:37:19 | 0:37:23 | |
-Are you? How excited? -Very excited. | 0:37:23 | 0:37:25 | |
First up is the scratch-built pump, and here it comes. | 0:37:25 | 0:37:28 | |
And £30 is bid. £30 is bid. | 0:37:28 | 0:37:31 | |
£35. 40. £40. It's with me at £40. Any more? | 0:37:31 | 0:37:35 | |
45, and I'm out. It's 45 in the corner of the room. | 0:37:35 | 0:37:38 | |
50 now. 55. | 0:37:38 | 0:37:41 | |
-60. -Yes! -Five. 70. | 0:37:41 | 0:37:45 | |
Five. 80. | 0:37:45 | 0:37:47 | |
Five. | 0:37:47 | 0:37:49 | |
90. Five. | 0:37:49 | 0:37:50 | |
-£95. -Come on. Have another look. Have another look. -I'm selling. | 0:37:50 | 0:37:55 | |
-Minus 35, but never mind. -That's not bad. | 0:37:56 | 0:37:59 | |
Lot 147 is a painted Windsor chair. | 0:37:59 | 0:38:03 | |
And bids start me here at £18. £18 is bid. | 0:38:03 | 0:38:07 | |
20. 25. | 0:38:07 | 0:38:09 | |
30. Five. 40, and I'm out. £40 is bid. | 0:38:09 | 0:38:13 | |
45. 50. Five. | 0:38:13 | 0:38:16 | |
60. Five. 70. Five. | 0:38:16 | 0:38:18 | |
80. Five. | 0:38:18 | 0:38:20 | |
90. Five. | 0:38:20 | 0:38:22 | |
£95. It's all clear on that. At £95... | 0:38:22 | 0:38:26 | |
Yes! That's the business! | 0:38:26 | 0:38:28 | |
£95. That is plus 60. Look out! Here comes your trivet. | 0:38:28 | 0:38:32 | |
Lot 148 is a brass trivet. £25 is bid. | 0:38:32 | 0:38:36 | |
£25 I have on commission. | 0:38:36 | 0:38:38 | |
30. 35. 40, and I'm out now. | 0:38:38 | 0:38:41 | |
£40 to my right. | 0:38:41 | 0:38:43 | |
At £40. And selling at 40. | 0:38:43 | 0:38:46 | |
-40 is plus ten. -Well done. -Plus the 25 you had before, | 0:38:46 | 0:38:48 | |
is plus £35. You are in profit! | 0:38:48 | 0:38:51 | |
-Look at that! WI rules. -Yeah! -What was that thing again? | 0:38:51 | 0:38:55 | |
-Keep calm and carry on. -That's what we did! | 0:38:55 | 0:38:58 | |
THEY LAUGH | 0:38:58 | 0:39:00 | |
Keep calm. Now, what are we going to do about this eyeball? | 0:39:00 | 0:39:03 | |
-It's fun. Let's go for it. -Yeah. We'll go with your eyes. | 0:39:03 | 0:39:07 | |
-THEY LAUGH -We've got to. | 0:39:07 | 0:39:09 | |
Frankly, the auctioneer hasn't got the faintest idea, | 0:39:09 | 0:39:12 | |
so this is going to be an excitement. | 0:39:12 | 0:39:14 | |
A first for Crewkerne. Anyway, here we go. | 0:39:14 | 0:39:18 | |
A curious lot - two bloodshot glass eyes. | 0:39:18 | 0:39:21 | |
And the bid's with me here | 0:39:21 | 0:39:24 | |
at 18. £20 is bid. | 0:39:24 | 0:39:26 | |
£20 is bid. £25 now. | 0:39:26 | 0:39:29 | |
25 in the room. It's on my far right. At 25 and I'm selling. | 0:39:29 | 0:39:33 | |
-Last time. -25 is plus ten. | 0:39:33 | 0:39:36 | |
-They can have one of these. -Yes! | 0:39:36 | 0:39:39 | |
You got plenty more where they came from. At least two. | 0:39:39 | 0:39:42 | |
OK, listen. Plus £45 is your overall score. | 0:39:42 | 0:39:47 | |
-Wonderful! -Well done. | 0:39:47 | 0:39:49 | |
-Don't... -Oh, God! The WI are like this, aren't they? | 0:39:52 | 0:39:55 | |
Thank you! | 0:39:55 | 0:39:57 | |
-Carol and Theresa. Do you know how the Reds got on? -No! | 0:40:05 | 0:40:08 | |
We kept that secret. That's good. Now, Anita, | 0:40:08 | 0:40:11 | |
your trinket dish in the form of some cherries | 0:40:11 | 0:40:14 | |
I have to say I think is charming, and here it comes. | 0:40:14 | 0:40:18 | |
Continental silver trinket dish in the form of cherries. | 0:40:18 | 0:40:21 | |
£15 for this lot? £15 for this item? | 0:40:21 | 0:40:24 | |
£15 for it? | 0:40:24 | 0:40:26 | |
£10, if you will? Ten is bid. | 0:40:26 | 0:40:29 | |
£10 only. I'm selling at ten. | 0:40:29 | 0:40:31 | |
Oh, no! No! | 0:40:31 | 0:40:33 | |
Selling at ten. Last time at ten. | 0:40:33 | 0:40:36 | |
-Dear, oh, dear. Minus £10. -I want it now! | 0:40:36 | 0:40:39 | |
I'm disappointed. Here comes the Moorcroft. | 0:40:39 | 0:40:41 | |
Lot 171, Moorcroft bowl, decorated with poppies. | 0:40:41 | 0:40:46 | |
1930s in date. £50 is bid. | 0:40:46 | 0:40:49 | |
-£50 is bid. -50. -55. 60. | 0:40:49 | 0:40:52 | |
Five. 70. Five. 80. | 0:40:52 | 0:40:55 | |
-No? £80. It's with me. -More, more, more! -At £80. | 0:40:55 | 0:40:59 | |
-90? £90. -Hang on. -It's still with me. | 0:40:59 | 0:41:02 | |
Commission still at £90, and I'm selling at 90. | 0:41:02 | 0:41:05 | |
-£90 is minus ten. -Nearly there! -So close. It really is. | 0:41:05 | 0:41:09 | |
This is a Lalique paperweight in the form of entwined hearts. | 0:41:09 | 0:41:13 | |
-£20 is bid. -Only 20! | 0:41:13 | 0:41:16 | |
25 now, and I'm out at £25. It's in the room. | 0:41:16 | 0:41:19 | |
-No, no, no. -30 now. £30 near the counter. | 0:41:19 | 0:41:22 | |
Selling at 30 now. At £30. Last time at 30. | 0:41:22 | 0:41:26 | |
-HE BANGS HAMMER -Ouch! Ouch! -Ooh, no, no, no! | 0:41:26 | 0:41:29 | |
That is minus £60. 70, 80... You're minus 80 all round. | 0:41:29 | 0:41:33 | |
-Oh! -What you going to do about the Mauchline pot? | 0:41:33 | 0:41:36 | |
-Go with it. -Go with it. -Go with it. | 0:41:36 | 0:41:39 | |
-We're going with it. Here it comes. -The Mauchline-ware thimble holder, | 0:41:39 | 0:41:42 | |
modelled as a saucepan. | 0:41:42 | 0:41:45 | |
£15 for it. £15 is bid. On my right at 15. | 0:41:45 | 0:41:49 | |
It's a main bid at 15. 18. | 0:41:49 | 0:41:51 | |
20. Five. | 0:41:51 | 0:41:53 | |
30. £30, nearer the counter. At £30, and I'm selling. | 0:41:53 | 0:41:58 | |
That's a £10 profit. That's the business. | 0:41:58 | 0:42:01 | |
That's why she does what she does. That's good. Plus £10, | 0:42:01 | 0:42:04 | |
which means you're minus 70. That could be a winning score. | 0:42:04 | 0:42:07 | |
Don't talk to the Reds, and all will be revealed in a moment! | 0:42:07 | 0:42:11 | |
Thank you! | 0:42:11 | 0:42:12 | |
It's been an extraordinary turnaround, really. | 0:42:17 | 0:42:20 | |
How can one team do so very well and the other team do so very badly? | 0:42:20 | 0:42:25 | |
-Oh... -Oh, no! | 0:42:25 | 0:42:27 | |
And I have to tell you that the team that has done badly | 0:42:27 | 0:42:31 | |
-stands on my left. -THEY MOAN | 0:42:31 | 0:42:33 | |
Overall score, girls? | 0:42:33 | 0:42:36 | |
-Minus 70. You had a good time, yes? -Fantastic. | 0:42:36 | 0:42:40 | |
We loved having you on the show. The victors, though, | 0:42:40 | 0:42:43 | |
who are going home with folding money - | 0:42:43 | 0:42:45 | |
yes, £45 of hard-earned cash is going your way. | 0:42:45 | 0:42:49 | |
You'll be talking about this on the WI for years, won't you? | 0:42:49 | 0:42:53 | |
-Absolutely! -Well, that's marvellous. | 0:42:53 | 0:42:55 | |
-Join us soon for some more bargain hunting. Yes? -Yes! | 0:42:55 | 0:42:59 | |
Subtitles by Red Bee Media Ltd | 0:42:59 | 0:43:03 | |
E-mail [email protected] | 0:43:03 | 0:43:07 | |
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