Browse content similar to Edinburgh 2. Check below for episodes and series from the same categories and more!
Line | From | To | |
---|---|---|---|
Today we've got two sets of friends going head-to-head. | 0:00:03 | 0:00:07 | |
So, what are you waiting for? Let's go bargain hunting. | 0:00:07 | 0:00:10 | |
NEIGH! | 0:00:10 | 0:00:11 | |
Welcome to Scotland! | 0:00:41 | 0:00:43 | |
There's no time to lose, our teams have to source | 0:00:44 | 0:00:47 | |
three quality items to sell on at auction and hopefully make a profit. | 0:00:47 | 0:00:53 | |
Will they make it? Well, stay tuned to find out. | 0:00:53 | 0:00:57 | |
Charles Hanson is taking charge of the men. | 0:00:57 | 0:01:01 | |
We don't want to leave you very much money at all. | 0:01:01 | 0:01:03 | |
David Barby is looking after the girls. | 0:01:03 | 0:01:06 | |
Well, she touches everything, but she hasn't touched me. | 0:01:06 | 0:01:10 | |
And Anita Manning's looking after us all at the auction. | 0:01:10 | 0:01:14 | |
Sorry, sorry! | 0:01:16 | 0:01:17 | |
-So, Carol, you are cat-obsessed, right? -That's true, I am. | 0:01:17 | 0:01:22 | |
-Why's that? -Because I love them, I think they're wonderful. | 0:01:22 | 0:01:25 | |
-And we've got a cattery. -You've got your own cattery? -Yes. | 0:01:25 | 0:01:29 | |
How many cats have you got in your cattery? | 0:01:29 | 0:01:30 | |
Well, we can take about 60. | 0:01:30 | 0:01:32 | |
-60? That's a lot of cats. Do they make a lot of a racket? -No. | 0:01:32 | 0:01:38 | |
They're all quiet. | 0:01:38 | 0:01:40 | |
Apart from looking after all these cats, what do you get up to? | 0:01:40 | 0:01:42 | |
Well, we go to the hospice on Thursday, that's my day off. | 0:01:42 | 0:01:45 | |
-So, we go to the hospice on Thursday and we do gardening and work in the craft room. -At the hospice? -Yes. | 0:01:45 | 0:01:53 | |
-Now, Pearl, you're best mates, yes? -Yes. -And you met through the hospice, is that right? | 0:01:53 | 0:01:58 | |
Yes, through a mutual friend when we all went up to the hospice. | 0:01:58 | 0:02:02 | |
-And these hospices are very special places, aren't they? -Yes. | 0:02:02 | 0:02:05 | |
-They are very, very happy, aren't they? -And they're not sad places. | 0:02:05 | 0:02:08 | |
Don't be under the illusion that they're sad, because they're not, they are very happy places. | 0:02:08 | 0:02:12 | |
I think the whole hospice thing - it's a phenomenal effort, | 0:02:12 | 0:02:15 | |
keeping them all going, so well done to you two for doing that. | 0:02:15 | 0:02:19 | |
Now, I've got an important question for you, Pearl. | 0:02:19 | 0:02:22 | |
What is your strategy? What are your tactics today? | 0:02:22 | 0:02:26 | |
Well, we are going to rely very heavily on David Barby, because he's our expert. | 0:02:26 | 0:02:31 | |
-That could be your first mistake. -Do you think so? Oh, no. | 0:02:31 | 0:02:35 | |
No, he's very good. I'm only joking, I think. | 0:02:35 | 0:02:38 | |
We're going to look for small, I think. | 0:02:38 | 0:02:40 | |
Is that what you're going to go for? | 0:02:40 | 0:02:43 | |
Well, we'll see how that works out in a minute. | 0:02:43 | 0:02:46 | |
Now, to the boys, Mark and Steven. So, Mark how did you two meet? | 0:02:46 | 0:02:51 | |
We met at work. | 0:02:51 | 0:02:53 | |
We both work for a leading metals distribution company. | 0:02:53 | 0:02:55 | |
It says here that you're a systems engineer. Tell me about that. | 0:02:55 | 0:02:59 | |
It's a techy geeky job - I manage computer networks and make sure | 0:02:59 | 0:03:05 | |
all computers are talking to each other across the world. | 0:03:05 | 0:03:07 | |
-Are you a hacker? -Not at all, absolutely not. | 0:03:07 | 0:03:11 | |
That's a pity. I've longed to meet a hacker. | 0:03:11 | 0:03:13 | |
It sounds like interesting work, but you've got another passion, haven't you? | 0:03:13 | 0:03:17 | |
I'm absolutely obsessed with the game of golf. | 0:03:17 | 0:03:20 | |
I adore golf. | 0:03:20 | 0:03:22 | |
Play every day during the summer. | 0:03:22 | 0:03:24 | |
Travel round Scotland, playing in open competitions. | 0:03:24 | 0:03:27 | |
-You're in a great place, here, though, aren't you? -Absolutely. | 0:03:27 | 0:03:30 | |
Wonderful. | 0:03:30 | 0:03:31 | |
Stephen, you have a sporting hobby about which you're passionate too. | 0:03:31 | 0:03:35 | |
When I was younger, I played volleyball but, as you can see, | 0:03:35 | 0:03:38 | |
I didn't quite reach the sort of height that is needed for the game. | 0:03:38 | 0:03:42 | |
So I got more involved in the refereeing side of it. | 0:03:42 | 0:03:45 | |
I'm one of the top qualified referees in Scotland. | 0:03:45 | 0:03:50 | |
So it keeps you out of mischief then? | 0:03:50 | 0:03:52 | |
-They try to keep me out of mischief. -Do you have time for any other hobbies? | 0:03:52 | 0:03:56 | |
I do a bit of fishing, a bit of trout fishing. | 0:03:56 | 0:03:58 | |
And do you eat the fish that you catch? | 0:03:58 | 0:04:00 | |
Yes, that's the best bit of it, eating the fish. | 0:04:00 | 0:04:04 | |
Do you like it hot and spicy? | 0:04:04 | 0:04:06 | |
Yes, what we do is, um... | 0:04:06 | 0:04:10 | |
I do travel to the US, and Mark and I have both got a passion for hot sauces, | 0:04:10 | 0:04:15 | |
so out in Louisiana, which is where the Tabasco sauces... | 0:04:15 | 0:04:18 | |
I bring back some sauces, | 0:04:18 | 0:04:21 | |
-and we have a sort of a... -Sauce fest. | 0:04:21 | 0:04:25 | |
Well, you're the wrong colour to have red-hot tactics, but what are your tactics today? | 0:04:25 | 0:04:31 | |
To not rely on Charles Hanson. | 0:04:31 | 0:04:32 | |
I think we're the exact opposite of the ladies here - not rely on our expert and to spend big. | 0:04:32 | 0:04:39 | |
Look at that. We've got a split of opportunity here. There you go, there's your £300. | 0:04:39 | 0:04:43 | |
One team are going to trust their experts and the other team aren't. | 0:04:43 | 0:04:46 | |
Here you go, Pearl, there's the money. You're the COMPtroller. | 0:04:46 | 0:04:50 | |
You know the rules. | 0:04:50 | 0:04:51 | |
Off you go, and very very very good luck! | 0:04:51 | 0:04:54 | |
Red hot chillies, hey? Red hot teams, I'd say. | 0:04:54 | 0:04:59 | |
-What's the plan of action? -I think we need to go for good-quality items. | 0:05:01 | 0:05:06 | |
Maybe some silver. | 0:05:06 | 0:05:07 | |
This is a huge affair. | 0:05:07 | 0:05:09 | |
There are loads and loads of stores. | 0:05:09 | 0:05:11 | |
-Down here? -Yep. -Great. | 0:05:11 | 0:05:14 | |
Carol, what are you going to look for, what are you aiming for? | 0:05:14 | 0:05:17 | |
-Cats... -And? -..Bronzes... -And? -..Smelter. -And smelter. | 0:05:17 | 0:05:21 | |
Cor, you've got all the bases covered there then! | 0:05:22 | 0:05:25 | |
Let's get started, I think we'll go up that avenue. Come on. | 0:05:25 | 0:05:30 | |
There is so so much to take in. | 0:05:35 | 0:05:38 | |
Don't be worried, because an hour is an hour. | 0:05:38 | 0:05:42 | |
-What is that glass at the top? -To my way of thinking, it looks like a specimen jar. | 0:05:45 | 0:05:51 | |
THEY LAUGH | 0:05:51 | 0:05:53 | |
This is wonderful, isn't it? Look at that. | 0:05:56 | 0:05:59 | |
It's hand-painted porcelain - The Swing (After Fragonard). A very rococo scene. | 0:05:59 | 0:06:07 | |
Today it's not so fashionable, a bit Victorian. | 0:06:07 | 0:06:11 | |
-It's a bit dusty. Do you like it? -No, not really. | 0:06:11 | 0:06:14 | |
I prefer something like this, Charles. | 0:06:14 | 0:06:16 | |
This is a bit more practical. What do you think of that? | 0:06:16 | 0:06:18 | |
What would you use it for? When you say practical...? | 0:06:18 | 0:06:20 | |
A fruit bowl, a decorative piece on a dining table, maybe. | 0:06:20 | 0:06:25 | |
It's in good condition. It is about 1900. | 0:06:25 | 0:06:28 | |
Where were you then? | 0:06:28 | 0:06:30 | |
It is extremely attractive. Look at that gilding there. | 0:06:30 | 0:06:33 | |
-Isn't that wonderful? -Beautiful. | 0:06:33 | 0:06:35 | |
What about all the marks that are around? | 0:06:35 | 0:06:38 | |
It might be dirt. | 0:06:38 | 0:06:40 | |
Sorry, hope it's not dirt. | 0:06:40 | 0:06:42 | |
It's dirt. So that's OK. It might put a few buyers off, | 0:06:44 | 0:06:47 | |
but it could be an attractive proposition. | 0:06:47 | 0:06:51 | |
Why do you rate it? You picked it up. | 0:06:51 | 0:06:54 | |
Beautiful colours, definitely a nice decorative piece. | 0:06:54 | 0:06:58 | |
And made by Doulton, of course,. Doulton Burslem who, | 0:06:58 | 0:07:03 | |
at this time, were the main manufacturers in Staffordshire. | 0:07:03 | 0:07:05 | |
I don't see why that wouldn't make £100. | 0:07:05 | 0:07:08 | |
Yeah, well... | 0:07:08 | 0:07:10 | |
it might make £100, but to me there isn't a margin in it. If you like it, Mark... | 0:07:10 | 0:07:13 | |
-Why don't we just remember? -I think we can remember it. | 0:07:13 | 0:07:15 | |
And maybe come back if we are really struggling. | 0:07:15 | 0:07:19 | |
We like it but we'll think about it. | 0:07:19 | 0:07:21 | |
< All right fine, thanks very much. | 0:07:21 | 0:07:23 | |
-Agreed. -Yeah. -OK, thank you. | 0:07:23 | 0:07:25 | |
Here, we've got a typical | 0:07:30 | 0:07:33 | |
collector's plate, the Beswick Bunnykins, Doulton figurines. | 0:07:33 | 0:07:37 | |
Again, in the current market, they're fairly well-priced at a retail level. | 0:07:37 | 0:07:42 | |
Looks great, but not for us. | 0:07:42 | 0:07:44 | |
Right, anything that takes your fancy. | 0:07:46 | 0:07:48 | |
What's this made of? | 0:07:54 | 0:07:56 | |
-Horn. -Is it? | 0:07:56 | 0:07:58 | |
What is so nice is that you get a lot of objects in Scotland made out of horn with a silver combination. | 0:07:58 | 0:08:04 | |
So, these would be... Oh, egg cup. | 0:08:04 | 0:08:06 | |
So, you've got one for a large egg and probably a little egg... | 0:08:06 | 0:08:10 | |
-Duck egg. -These are lovely, aren't they? -They are nice. | 0:08:10 | 0:08:12 | |
They've got little shields on where you could put your family initials. | 0:08:12 | 0:08:16 | |
Is there any mark on what price they are? | 0:08:16 | 0:08:18 | |
-No. What price? -110. > | 0:08:18 | 0:08:21 | |
Ohhh! | 0:08:21 | 0:08:22 | |
Good, I like to see that look of shock. > | 0:08:24 | 0:08:26 | |
What do you think we could maybe achieve for this? | 0:08:26 | 0:08:30 | |
Well, I don't think there's a huge profit margin in them, with all due respect. | 0:08:30 | 0:08:34 | |
What's that object next to them. | 0:08:34 | 0:08:37 | |
The barrel-shaped thing. | 0:08:37 | 0:08:39 | |
-Isn't that lovely? -It is quite... | 0:08:39 | 0:08:41 | |
quite sweet, isn't it? | 0:08:41 | 0:08:43 | |
-Do you like that? -Yeah, I like it. | 0:08:44 | 0:08:46 | |
Can we do a deal on the three? | 0:08:46 | 0:08:49 | |
We could do, yes. £140. > | 0:08:49 | 0:08:52 | |
-I think it's quite nice. -Yes, I think they are too. I think they're lovely. | 0:08:52 | 0:08:56 | |
-I really like them. -Let me see if I can have a word with him. -OK. | 0:08:57 | 0:09:01 | |
Good luck, David. | 0:09:01 | 0:09:03 | |
Now, Blues are you playing the game? | 0:09:03 | 0:09:04 | |
Gents, what's your sport up here in Scotland? | 0:09:06 | 0:09:08 | |
Ah, well... | 0:09:08 | 0:09:09 | |
Is it Scottish? | 0:09:12 | 0:09:14 | |
Curling. | 0:09:14 | 0:09:15 | |
These are very nice, because what the market likes when it comes to | 0:09:15 | 0:09:18 | |
antiques and collectables, there's a big factor today... | 0:09:18 | 0:09:22 | |
..A factor I've learnt on Bargain Hunt is novelty. | 0:09:22 | 0:09:26 | |
OK, novelty meaning - what are they used for? Have a guess. | 0:09:26 | 0:09:31 | |
-Mustard. -I've got the open salts. | 0:09:31 | 0:09:33 | |
-I've got the pepper. -You've got the mustard and that's the pepper. | 0:09:33 | 0:09:36 | |
So, they've got a function, but they're also novel. | 0:09:36 | 0:09:39 | |
Novel with your sports. | 0:09:39 | 0:09:42 | |
What do you think? Are they silver or plate? | 0:09:42 | 0:09:44 | |
-They're plate, you're right. -What would you price these at? | 0:09:44 | 0:09:47 | |
If these came to auction, I would value them between £40 and £60. | 0:09:47 | 0:09:53 | |
So, what is the bottom price on these, the best price? | 0:09:53 | 0:09:55 | |
-What is the price on them? -£75. | 0:09:55 | 0:09:58 | |
£35? | 0:09:59 | 0:10:00 | |
I could do them for £45. | 0:10:01 | 0:10:03 | |
45. | 0:10:03 | 0:10:04 | |
-Would you do them for £40? -If you twist my arm. | 0:10:05 | 0:10:09 | |
Stephen's our muscle man. | 0:10:09 | 0:10:12 | |
Yeah, I think we should do it. | 0:10:12 | 0:10:16 | |
-Are you happy with that? -Very happy. | 0:10:16 | 0:10:18 | |
£40, thank you very much. | 0:10:18 | 0:10:20 | |
Thank you. | 0:10:20 | 0:10:22 | |
Well-negotiated, boys. | 0:10:23 | 0:10:25 | |
Everyone happy? | 0:10:25 | 0:10:26 | |
-Well, I'm really happy. -Yeah. | 0:10:26 | 0:10:28 | |
-I quite like them. -You are as well. | 0:10:28 | 0:10:30 | |
-You look quiet. -On Stephen's head be it. | 0:10:30 | 0:10:33 | |
Ladies, are you equally in tune? | 0:10:35 | 0:10:37 | |
I really like those. I really really like those. | 0:10:37 | 0:10:40 | |
I like them, but we won't make a profit. | 0:10:40 | 0:10:41 | |
They might just fly. | 0:10:41 | 0:10:43 | |
Pigs might fly. | 0:10:43 | 0:10:44 | |
Carol, Pearl...? | 0:10:45 | 0:10:47 | |
-Let's have a conflab. -Yes. | 0:10:47 | 0:10:49 | |
The gentleman will take £135 for these. | 0:10:50 | 0:10:55 | |
These egg cups, which I think we agreed we like, £90. | 0:10:55 | 0:11:01 | |
This little barrel-shaped pepperette, which I think is lovely, | 0:11:01 | 0:11:06 | |
-is at £45. Shall we go for it? -Yes. | 0:11:06 | 0:11:09 | |
-Yes. -Both of you in agreement? -Yes. -Yes. | 0:11:09 | 0:11:11 | |
Right, I'll go and clinch the deal. | 0:11:11 | 0:11:14 | |
Well, that's excellent. Both teams off to a suitably Scottish start, | 0:11:16 | 0:11:21 | |
speaking of which, just look what I've found. | 0:11:21 | 0:11:24 | |
It seems to be most appropriate to be standing in the Highland Centre | 0:11:24 | 0:11:28 | |
on the outskirts of Edinburgh, where I've discovered this. | 0:11:28 | 0:11:33 | |
What is it? Well, it's a quintessential piece of Scottish pottery. | 0:11:33 | 0:11:39 | |
It's a portrait plaque that's been moulded in relief in clay, and then crudely coloured. | 0:11:39 | 0:11:47 | |
But, the really interesting thing is the picture itself, because it depicts, | 0:11:47 | 0:11:54 | |
as you can see on the scroll underneath, King George IV. | 0:11:54 | 0:11:58 | |
King George IV visited Scotland in 1822. | 0:11:58 | 0:12:02 | |
It was THE big event in Scotland in 1822. | 0:12:02 | 0:12:07 | |
..And a potter in Fife created this framed pottery picture | 0:12:08 | 0:12:14 | |
around 1823, 1824 to commemorate the King's visit. | 0:12:14 | 0:12:19 | |
The King arrived at Leith, just outside Edinburgh, from the Royal Yacht, | 0:12:19 | 0:12:25 | |
and when he stepped ashore there were a series of massive receptions to greet him. | 0:12:25 | 0:12:30 | |
At one, King George IV had to kiss the cheek of 457 ladies. | 0:12:30 | 0:12:37 | |
Apparently, it took him two and a half hours. | 0:12:37 | 0:12:39 | |
Pretty good. | 0:12:39 | 0:12:40 | |
I really love this little thing. I love it for its crudeness. | 0:12:42 | 0:12:45 | |
I love it for the fact that it's got its frame moulded out of ceramic and that's covered in this brown glaze. | 0:12:45 | 0:12:53 | |
The only thing I don't like about it is the price, | 0:12:53 | 0:12:57 | |
because this thing is on a stall across the way, and it's just sold for | 0:12:57 | 0:13:03 | |
£550, | 0:13:03 | 0:13:06 | |
which is quite a regal price. | 0:13:06 | 0:13:09 | |
Look at all the fairies. | 0:13:16 | 0:13:17 | |
-Do you like fairies? -Charles, what are you trying to tell us? | 0:13:19 | 0:13:23 | |
Look at this, isn't that nice? | 0:13:23 | 0:13:25 | |
Intense concentration going on here, David. | 0:13:25 | 0:13:29 | |
-Hello. -What are you up to? | 0:13:29 | 0:13:30 | |
You've bought one item, two items? | 0:13:30 | 0:13:32 | |
-We've got two items. -Two items. | 0:13:32 | 0:13:35 | |
One's quite an interesting piece, a barrel-shaped pepperette, Chester. | 0:13:35 | 0:13:39 | |
The other one... Well, it's a pair of horn and provincial silver Scottish egg cups. | 0:13:39 | 0:13:46 | |
-Sounds like Anita's bag to me. -I would have thought so as well. | 0:13:46 | 0:13:50 | |
A bit of strategy going on, I love it. | 0:13:50 | 0:13:52 | |
-One more item to go, and what have you got on your mind? -The comb, but it's no use to me. | 0:13:52 | 0:13:58 | |
Oh, I don't know, you're not doing too badly. | 0:13:58 | 0:14:00 | |
Do you fancy that comb? | 0:14:00 | 0:14:03 | |
-No. -It looks more like a nit comb. | 0:14:03 | 0:14:05 | |
No good for any of us, you know. | 0:14:05 | 0:14:08 | |
No. You've got about 20 minutes... | 0:14:08 | 0:14:10 | |
25 minutes left. Good luck, chaps. | 0:14:10 | 0:14:13 | |
Bye. | 0:14:13 | 0:14:14 | |
We're going looking for bronzes. | 0:14:16 | 0:14:18 | |
She touches everything, but she hasn't touched me. | 0:14:18 | 0:14:21 | |
Could you tell us a bit about this Masonic gavel? | 0:14:23 | 0:14:27 | |
I don't think there's any serious age to it. | 0:14:27 | 0:14:29 | |
It's more a presentation-type thing. | 0:14:29 | 0:14:31 | |
It's a very nice gavel. | 0:14:31 | 0:14:34 | |
Is it olive or yew wood? | 0:14:34 | 0:14:36 | |
I think it's olive wood. I think it's olive. | 0:14:36 | 0:14:40 | |
It's lovely quality, isn't it? Look at that lovely vein there. | 0:14:40 | 0:14:44 | |
It's obviously Masonic, are you a Mason? | 0:14:44 | 0:14:47 | |
-No, I'm afraid not. -It's a secret. | 0:14:47 | 0:14:51 | |
I think it has got some age. I don't think it's, um...new. | 0:14:53 | 0:14:56 | |
-It's about 1910. -Do you think so? | 0:14:57 | 0:15:00 | |
I think so, 1920. Good thing to spot. | 0:15:00 | 0:15:03 | |
-They're quite collectable, aren't they? -They are collectable. | 0:15:03 | 0:15:05 | |
What's your absolutely best price, sir? | 0:15:05 | 0:15:07 | |
£65. | 0:15:10 | 0:15:12 | |
How would you see it at auction? | 0:15:12 | 0:15:14 | |
Across my fertile lands, it would make between £50 and £80. | 0:15:14 | 0:15:17 | |
Would you come down to the half century? | 0:15:17 | 0:15:19 | |
Yeah, if I could do it for £50, I would. | 0:15:22 | 0:15:26 | |
-I need £55. -It's up to you, Mark. I pick the first item. I think you make the call on that one. | 0:15:26 | 0:15:32 | |
And gents, time is ticking. | 0:15:32 | 0:15:34 | |
-Decision, go for it. -Are you for it? -Let's do it. -OK. | 0:15:34 | 0:15:39 | |
We're buying it. | 0:15:39 | 0:15:41 | |
Thank you very much. | 0:15:41 | 0:15:43 | |
Thanks. Just put the hammer on it. | 0:15:43 | 0:15:46 | |
Sold to the blue team. | 0:15:47 | 0:15:49 | |
Well, that's the hammer down on your second buy, so what's the strategy for item number three? | 0:15:49 | 0:15:53 | |
Look, we want to keep it sensible, in my opinion, leave me lots of money left over | 0:15:53 | 0:16:00 | |
-to find my big find. -That's the problem. We don't want to leave you very much money at all. | 0:16:00 | 0:16:05 | |
-Why not? -Because it's our programme, we want to do it. | 0:16:05 | 0:16:08 | |
-Yeah, but don't you trust me? -No. | 0:16:08 | 0:16:10 | |
OK, then. Best foot forward. | 0:16:10 | 0:16:12 | |
Lads, that's not very nice. | 0:16:12 | 0:16:14 | |
Looks... | 0:16:14 | 0:16:16 | |
Looks what? | 0:16:17 | 0:16:18 | |
-Looks rude. -Looks like a sampler. | 0:16:18 | 0:16:21 | |
Is it a ladies' loo. | 0:16:24 | 0:16:25 | |
There's 10 minutes to go. | 0:16:25 | 0:16:28 | |
Better get your skates on, then. | 0:16:28 | 0:16:30 | |
That's right, ladies, sprint. | 0:16:33 | 0:16:36 | |
-There's your Moorcroft. -It's lovely, actually. | 0:16:39 | 0:16:42 | |
That's lovely. I've not seen it with the white background. | 0:16:42 | 0:16:46 | |
It's a dealer he's bought off before. | 0:16:46 | 0:16:49 | |
£125 off it. | 0:16:49 | 0:16:51 | |
-That's about 1956... -1950s. | 0:16:54 | 0:16:57 | |
But the pattern.. | 0:16:57 | 0:16:59 | |
The colouring is extraordinary. | 0:16:59 | 0:17:00 | |
It's lovely, this is nice too. Even the back's nice, isn't it? | 0:17:00 | 0:17:04 | |
The only thing wrong with it, is the colour ground it's on. | 0:17:04 | 0:17:07 | |
It's the painting that collectors go for. | 0:17:07 | 0:17:09 | |
I can do you that for £100. | 0:17:11 | 0:17:13 | |
That's pretty, isn't it? | 0:17:13 | 0:17:15 | |
Which do you like out of the two? | 0:17:15 | 0:17:17 | |
I like that, but I like that as well. | 0:17:17 | 0:17:20 | |
I like both of them, but I do like the irises, | 0:17:20 | 0:17:23 | |
but this is Carol's choice. | 0:17:23 | 0:17:26 | |
That one cost me £125 and that cost me £90. They are both £100. | 0:17:26 | 0:17:32 | |
Go for that one? | 0:17:32 | 0:17:33 | |
We'll probably go for that. | 0:17:34 | 0:17:36 | |
-Have you made a choice? -Yes. -Yes! | 0:17:36 | 0:17:39 | |
Finally, a decision - £100 for the bowl. Well done, girls. | 0:17:39 | 0:17:45 | |
Now, you wanted an antique. | 0:17:46 | 0:17:47 | |
Handle it and believe it. | 0:17:47 | 0:17:50 | |
This is English Delftware of about 1730. | 0:17:50 | 0:17:53 | |
1730. | 0:17:53 | 0:17:55 | |
1730... Now, we've got five minutes to go, | 0:17:55 | 0:17:58 | |
price...£25 over there. | 0:17:58 | 0:18:02 | |
It can be ours for £20. | 0:18:02 | 0:18:03 | |
I've got to say, it's not buying me. | 0:18:06 | 0:18:09 | |
We said quality. | 0:18:09 | 0:18:12 | |
This is the best part of 260 years old, 270 years old... | 0:18:12 | 0:18:17 | |
£20. | 0:18:17 | 0:18:18 | |
It's a toss-up between this and the fruit bowl. | 0:18:18 | 0:18:21 | |
I think the fruit bowl that we saw at the start. | 0:18:21 | 0:18:23 | |
I think we go back for the fruit bowl. | 0:18:23 | 0:18:25 | |
If the fruit bowl's not there, we'll come back and get this. | 0:18:25 | 0:18:27 | |
I'm saying buy this and you've got guaranteed profit. | 0:18:27 | 0:18:30 | |
You've got one minute. You either go down there now or we take this. | 0:18:30 | 0:18:34 | |
The fruit bowl. | 0:18:34 | 0:18:35 | |
-The fruit bowl. What was the best price? -£105. | 0:18:47 | 0:18:51 | |
£105? Call it a round hundred? | 0:18:51 | 0:18:54 | |
-Yeah. -OK. We'll deal. | 0:18:54 | 0:18:58 | |
-Thank you very much. -Well done. | 0:18:59 | 0:19:01 | |
-Good luck with it. -Thank you. | 0:19:01 | 0:19:04 | |
-Charles, thanks very much. -It's been a great day. -Thank you. | 0:19:04 | 0:19:06 | |
Highs and lows. | 0:19:06 | 0:19:08 | |
Hello. Yes. | 0:19:12 | 0:19:14 | |
What do you mean, reverse the charges? | 0:19:14 | 0:19:16 | |
The nerve. They've stopped shopping? Right. Good. Thanks. | 0:19:16 | 0:19:21 | |
Why don't we check out what the Red Team bought? | 0:19:21 | 0:19:23 | |
The girls started well, two items in one. | 0:19:23 | 0:19:26 | |
A pair of silver-horn egg cups for £90. | 0:19:26 | 0:19:29 | |
And not to be sneezed at, a Chester silver pepperette for £45. | 0:19:29 | 0:19:34 | |
Finally, they went potty over a 1940s Moorcroft bowl and cover. | 0:19:34 | 0:19:39 | |
You are phenomenal, you lot. | 0:19:41 | 0:19:43 | |
I tell you. You've nearly spent the lot. | 0:19:43 | 0:19:47 | |
-What's your total again? -£235. -£235, so £65 leftover lolly. | 0:19:47 | 0:19:54 | |
-You've got £65. -Yes, I have. | 0:19:54 | 0:19:56 | |
Which is your favourite piece? | 0:19:56 | 0:19:59 | |
-I like the horn and silver egg cups. -What's your favourite piece? | 0:19:59 | 0:20:03 | |
The little barrel. | 0:20:03 | 0:20:04 | |
-Which piece is going to bring the biggest profit? -The barrel. | 0:20:04 | 0:20:07 | |
-I think the barrel, yeah. -It's lovely. | 0:20:07 | 0:20:11 | |
£65 to David Barby. | 0:20:13 | 0:20:15 | |
He's the maestro. You got anything that's going to grab you? | 0:20:15 | 0:20:19 | |
There's so much here. As long as I don't take as long as these girls deciding what they wanted. | 0:20:19 | 0:20:25 | |
It's kind of maturing process. | 0:20:25 | 0:20:27 | |
I know, but I was so worried at one point whether we were going to get anything. | 0:20:27 | 0:20:31 | |
-Yes, we were. -You were late starters. | 0:20:31 | 0:20:33 | |
Well, lovely finishers. | 0:20:33 | 0:20:36 | |
Good luck, David. Have a great time, we'll catch up with you later. | 0:20:38 | 0:20:42 | |
Why don't we check out now how the Blues got on? | 0:20:42 | 0:20:45 | |
They got off to a sporting start with a 1920s novelty condiment set. | 0:20:45 | 0:20:51 | |
They struck a deal with an olive-wood gavel | 0:20:51 | 0:20:54 | |
and in the dying minutes, the boys got their own way | 0:20:54 | 0:20:58 | |
and a fruit bowl for £100. | 0:20:58 | 0:21:01 | |
We've done it, we've bought three good items but the bowl I'm nervous about, very nervous about. | 0:21:01 | 0:21:05 | |
-Are you nervous, Charles? -I'm always nervous. | 0:21:05 | 0:21:07 | |
That's an unusual statement. | 0:21:07 | 0:21:09 | |
-Are we quite confident? -Very happy. | 0:21:09 | 0:21:12 | |
-Had a good shop? -Good look round. | 0:21:12 | 0:21:14 | |
Well, you took it almost to the line and what was the total in the end? | 0:21:14 | 0:21:18 | |
We spent £195. | 0:21:18 | 0:21:20 | |
£195. I'd like £105 leftover lolly, please. Who's got that? | 0:21:20 | 0:21:25 | |
There's £100 there...and five. | 0:21:25 | 0:21:29 | |
£105, boy. Something to look forward to there. | 0:21:29 | 0:21:34 | |
I think we brought three nice collectables, and I think I've said the capital definition of an antique | 0:21:34 | 0:21:39 | |
is something pre-1910 so I'm going back in time and pre-1910. | 0:21:39 | 0:21:44 | |
-Are you? -Yes. -Good, lovely. Good luck, Charles, and good luck, chaps. | 0:21:44 | 0:21:48 | |
Charles is not the only one going back in time. | 0:21:48 | 0:21:51 | |
I'm off to see a remarkable collection. | 0:21:51 | 0:21:54 | |
Water House in London was the home of artist and designer William Morris | 0:21:58 | 0:22:02 | |
in the 1840s. | 0:22:02 | 0:22:03 | |
Today, it's full of works by Morris and his contemporaries. | 0:22:03 | 0:22:09 | |
I can't begin to tell you how much I like this house. | 0:22:09 | 0:22:13 | |
I like the scale of this landing. I like this sage eggshell-coloured wall system | 0:22:13 | 0:22:20 | |
and, of course, I love the objects. | 0:22:20 | 0:22:24 | |
Here we've got the settee that's upholstered in a quintessential William Morris material. | 0:22:24 | 0:22:30 | |
This is hand printed onto cotton, and it includes a design | 0:22:30 | 0:22:35 | |
of honeysuckle, tulip and borage in this lovely shade of blue. | 0:22:35 | 0:22:41 | |
The piece of furniture itself was designed by Arthur Heygate Mackmurdo, | 0:22:41 | 0:22:47 | |
and is typical of that late-1880s neo-Japanese design. | 0:22:47 | 0:22:54 | |
You've almost got a simple pagoda top to each of these uprights. | 0:22:54 | 0:22:59 | |
It's the sort of piece with this tall rail, with its curtaining, that you'd either be able to | 0:22:59 | 0:23:05 | |
have an intimate conversation with nobody seeing you or, | 0:23:05 | 0:23:09 | |
if you lived in a draughty house, you'd sit in it and you wouldn't get a draught going down your neck. | 0:23:09 | 0:23:16 | |
Next door, we've got another piece of furniture designed by Mackmurdo. | 0:23:16 | 0:23:20 | |
This side cabinet is made of gorgeous honey-coloured satinwood, but what I like about it, | 0:23:20 | 0:23:26 | |
and this is where Mackmurdo's so clever, he's introduced dark Cuban mahogany panels | 0:23:26 | 0:23:33 | |
that contrast with the blonde satinwood, and then he's had painted | 0:23:33 | 0:23:38 | |
a line from Shelley's poem Prometheus and running up the panels themselves are painted decorations. | 0:23:38 | 0:23:48 | |
In 1900, when the house had been donated, it came only | 0:23:48 | 0:23:52 | |
partly-furnished, and Mackmurdo ran around his artistic friends | 0:23:52 | 0:23:57 | |
persuading them to donate things relating to Morris so that the place could be properly furnished. | 0:23:57 | 0:24:02 | |
But, Mackmurdo wasn't completely alone in this quest. | 0:24:02 | 0:24:07 | |
Well, the connection is, of course, via the artist Sir Frank Brangwyn, who started his career in the 1880s | 0:24:15 | 0:24:23 | |
as a draughtsman working in William Morris's workshop. | 0:24:23 | 0:24:27 | |
He specialised in the expansion of small-scale drawings into | 0:24:27 | 0:24:33 | |
large-scale works, and by the 1890s had become a successful artist in his own right. | 0:24:33 | 0:24:41 | |
And it was he in 1900, alongside Mackmurdo, who went out there | 0:24:41 | 0:24:47 | |
persuading folk to donate objects to the William Morris Gallery. | 0:24:47 | 0:24:52 | |
Indeed he himself left several hundred of his paintings and works of art on display. | 0:24:52 | 0:24:59 | |
It's a process that is ongoing, because the William Morris Galleries, like so many, | 0:24:59 | 0:25:06 | |
have plans to expand and improve, | 0:25:06 | 0:25:09 | |
rather like us, really - plans for expansion and improvement today, over at the auction. | 0:25:09 | 0:25:16 | |
Well, we've come the 40 miles from Edinburgh to Glasgow to the Great Western Auction rooms | 0:25:24 | 0:25:31 | |
in Dumbarton Road to be with Anita Manning, charming as ever. | 0:25:31 | 0:25:35 | |
-Welcome, Tim. -Thank you very much. | 0:25:35 | 0:25:37 | |
Now, Carol and Pearl, first up, have gone with these horn and silver jokers. | 0:25:37 | 0:25:45 | |
Now they've called them two-way egg cups. | 0:25:45 | 0:25:47 | |
I don't think they have anything to do with eggs at all, for me these are napkin rings. | 0:25:47 | 0:25:53 | |
Where do you come from with them? | 0:25:53 | 0:25:55 | |
Well, always the diplomat, multi-purpose. | 0:25:55 | 0:25:59 | |
There we go - you pays your money and takes your choice. | 0:26:00 | 0:26:04 | |
-How much for the pair? -Well, I quite like these. | 0:26:04 | 0:26:06 | |
Aberdeen maker, Edinburgh hallmark, good provincial stuff. £80 to £120. | 0:26:06 | 0:26:12 | |
They paid £90 for that, that's very fair, they should make a profit. | 0:26:12 | 0:26:18 | |
Next is the little barrel-shaped pepper, which is lovely quality, isn't it? | 0:26:18 | 0:26:24 | |
Yes, and people collect these little pepperettes. | 0:26:24 | 0:26:27 | |
Often they made them in novelty form, so you get lots of variety. And this is quite a sweet little one. | 0:26:27 | 0:26:33 | |
-What's your estimate? -£40 to £60. | 0:26:33 | 0:26:35 | |
Great, they only paid £45, so that's pretty good. | 0:26:35 | 0:26:37 | |
And then lastly the hibiscus Moorcroft salt-glazed covered pot. | 0:26:37 | 0:26:46 | |
Odd in salt glaze, isn't it? | 0:26:46 | 0:26:48 | |
I'm not a big fan of that type of thing, but it is a wee bit rarer and the Moorcroft buyers will like that. | 0:26:48 | 0:26:54 | |
A little subtler. | 0:26:54 | 0:26:57 | |
How subtle is your estimate? | 0:26:57 | 0:26:58 | |
I would say £100 to £200. | 0:26:58 | 0:27:01 | |
I've been quite wide on that. | 0:27:01 | 0:27:03 | |
I'm pleased you are wide. | 0:27:03 | 0:27:04 | |
£100 they paid, actually. | 0:27:04 | 0:27:06 | |
-So, quite a subtle estimate, we should be delighted to get £200 for that. -Maybe being a bit generous. | 0:27:06 | 0:27:13 | |
I don't know. They are probably not going | 0:27:13 | 0:27:14 | |
to need the Bonus Buy, but let's go and have a look at it anyway. | 0:27:14 | 0:27:19 | |
Now girls, you spent £235 - | 0:27:19 | 0:27:22 | |
you gave David Barby, the maestro, £65. What did you spend it on? | 0:27:22 | 0:27:27 | |
I think something rather nice. I wanted to buy some porcelain. | 0:27:27 | 0:27:32 | |
Derby from Barby. | 0:27:32 | 0:27:34 | |
-..19th-century Derby porcelain. -It's lovely. | 0:27:34 | 0:27:38 | |
And this is in a sort of Imari palette and it's a little sugar box. | 0:27:38 | 0:27:43 | |
It's in lovely condition. | 0:27:43 | 0:27:45 | |
It's marked on the bottom there, the date of that mark is round about 1880, 1890. | 0:27:45 | 0:27:50 | |
It think it's quite nice, not just for having on a table with sugar in, | 0:27:50 | 0:27:54 | |
you can use it for other things like bonbons, sweets. | 0:27:54 | 0:27:58 | |
-Are we allowed to eat them? -Earrings. | 0:27:58 | 0:28:01 | |
If you wanted to use it for earrings, yes. | 0:28:01 | 0:28:03 | |
Earrings, what are you like? | 0:28:05 | 0:28:08 | |
It needs a wash. It's nice though, isn't it? | 0:28:08 | 0:28:10 | |
It's beautiful, yes. | 0:28:10 | 0:28:12 | |
-How much did you pay for it? -£40. | 0:28:12 | 0:28:15 | |
-That's not bad, is it? -And how much will it go for, do you think? | 0:28:15 | 0:28:18 | |
Well, I'm hoping that it might make something in the region of about £80 to £100. | 0:28:18 | 0:28:24 | |
-Do you like it yourself then, Pearl? -Yes, I do, I think it's nice. | 0:28:24 | 0:28:28 | |
Well, treasure that moment, because, for the viewers at home, | 0:28:28 | 0:28:30 | |
let's find out what the auctioneer thinks about Barby's box. | 0:28:30 | 0:28:33 | |
One Royal Crown Derby wee covered box. | 0:28:33 | 0:28:37 | |
I like it, it's very colourful. | 0:28:37 | 0:28:39 | |
The best of the factories and this Imari palette, which I like... | 0:28:39 | 0:28:43 | |
with the rust red, the blues and the gilt decoration. | 0:28:43 | 0:28:47 | |
It's in good condition, it's absolutely fine, a good little piece. | 0:28:47 | 0:28:52 | |
-How much? -£50 to £80. | 0:28:52 | 0:28:54 | |
-Brilliant. £40 paid, now that is a good bonus buy. -Good buy. | 0:28:54 | 0:28:56 | |
That's a typical David Barby outing. | 0:28:56 | 0:28:59 | |
That's it for the reds, now the blues. | 0:28:59 | 0:29:03 | |
First up, we've got the silver-plated Scottish interest curling set, | 0:29:03 | 0:29:09 | |
which is really strange, isn't it? | 0:29:09 | 0:29:11 | |
I think these are lovely and they will appeal to the buyers. | 0:29:11 | 0:29:15 | |
There are many fans of the curling game in Scotland, | 0:29:15 | 0:29:21 | |
and these will find themselves in the premises of a curling champion or at least a curling enthusiast. | 0:29:21 | 0:29:29 | |
-Pity they're plate. -Yes, but they are by a good maker. | 0:29:29 | 0:29:33 | |
-How much? -£40 to £60. | 0:29:33 | 0:29:35 | |
Great. £40 paid. So, that's pretty cool. | 0:29:35 | 0:29:38 | |
Next is the olive-wood gavel, Masonic connection. | 0:29:38 | 0:29:42 | |
How much for that, do you think? | 0:29:45 | 0:29:46 | |
Well, there will be interest because of the Masonic connection, but I think £20 to £30. | 0:29:46 | 0:29:52 | |
Is that all? £55 paid. | 0:29:52 | 0:29:55 | |
You're going to have to hammer on here, you know? | 0:29:56 | 0:29:58 | |
Well, let's hope there are some budding auctioneers in the customers. | 0:29:58 | 0:30:01 | |
Who happen to be Masons? | 0:30:01 | 0:30:02 | |
Now, moving on then. | 0:30:05 | 0:30:06 | |
This footed bowl. Do you rate that? | 0:30:06 | 0:30:09 | |
Yes, it's a wonderful big piece of Doulton, lots of colour. I love the cobalt blue. | 0:30:09 | 0:30:16 | |
I love these blue full-blown roses in the centre and the pattern is called Gloire de Dijon. | 0:30:16 | 0:30:23 | |
Oh! | 0:30:23 | 0:30:25 | |
Doulton went to France. | 0:30:25 | 0:30:27 | |
Is it worth much? | 0:30:27 | 0:30:29 | |
Well, I've put it £70 to £100. | 0:30:29 | 0:30:32 | |
£100 was paid, whether that was a tad too much we'll find out in a moment. | 0:30:32 | 0:30:37 | |
Of course, if it drags them down, they're going to need their bonus buy. Let's go and have a look at it. | 0:30:37 | 0:30:42 | |
Now, Mark and Stephen you spent the magnificent £195, | 0:30:43 | 0:30:47 | |
that's a good score, you gave Carlos £105. | 0:30:47 | 0:30:51 | |
-Charles, what did you spend it on? -Sometimes you've got to speculate, | 0:30:51 | 0:30:54 | |
and think big and maybe it's not the most fashionable of items, but it's got a fine quality. | 0:30:54 | 0:31:02 | |
Look at that. | 0:31:02 | 0:31:03 | |
I bought it as a cigarette case, | 0:31:04 | 0:31:07 | |
having seen it again today, I just wonder whether it's a cigarette case. | 0:31:07 | 0:31:11 | |
-Could it be a card case? -It could be a card case. It cost me £100. | 0:31:11 | 0:31:16 | |
-Look at his face. -You must remember the market for silver, the market for quality, is untainted. | 0:31:16 | 0:31:23 | |
OK, the condition isn't fantastic, but it's not far off. | 0:31:23 | 0:31:28 | |
So, Mark are you a bit sceptical about this? | 0:31:28 | 0:31:30 | |
I just think it's quite a high price. | 0:31:31 | 0:31:33 | |
I think this could be another Charles Hanson special. | 0:31:33 | 0:31:36 | |
For the right reasons. | 0:31:36 | 0:31:39 | |
Well done, Charles. You seem to have made quite an impression on your team. | 0:31:39 | 0:31:42 | |
Right now, let's find out from the auctioneer what she thinks about Charles's little box. | 0:31:42 | 0:31:49 | |
Here we go Anita, that's very smart, isn't it? | 0:31:49 | 0:31:53 | |
Yes, very, very stylish. | 0:31:53 | 0:31:55 | |
It's from the 1930s. | 0:31:55 | 0:31:57 | |
It has this wonderful combination of engine turned silver, marquisette and this black vitrolite. | 0:31:57 | 0:32:05 | |
And, it was made by Mappin & Webb, so it has quality. | 0:32:05 | 0:32:10 | |
I like it, bags of style. | 0:32:10 | 0:32:12 | |
Is it going to make loads of money? | 0:32:12 | 0:32:14 | |
-I would like to think so. -How much? | 0:32:14 | 0:32:16 | |
I've estimated £70 to £100. | 0:32:16 | 0:32:19 | |
OK, well, it's Charles Hanson's bonus buy, as you know. | 0:32:19 | 0:32:22 | |
He sets great store by it. | 0:32:22 | 0:32:24 | |
He paid £100. A bit tight, isn't it? | 0:32:24 | 0:32:27 | |
-Might go there. -You never know, the teams might not go with it... | 0:32:27 | 0:32:31 | |
if they're sensible. There we are. | 0:32:31 | 0:32:33 | |
Thank you very much, Anita. | 0:32:33 | 0:32:35 | |
We look forward to seeing you on the rostrum in a minute. | 0:32:35 | 0:32:37 | |
Mark and Stephen, how are you feeling? | 0:32:45 | 0:32:47 | |
Well, mmmm....hopeful. | 0:32:47 | 0:32:49 | |
What do you mean, "Mmm"? What does that mean, Mark? | 0:32:49 | 0:32:51 | |
-Unsure. -You're unsure. | 0:32:51 | 0:32:53 | |
I have to tell you, this saleroom is fair humming today. | 0:32:53 | 0:32:56 | |
Just look at all these people in here and they've all come to buy your lots. | 0:32:56 | 0:33:00 | |
-Let's hope so. -Let's hope so. | 0:33:00 | 0:33:03 | |
Here comes your novelty set. | 0:33:03 | 0:33:06 | |
Very good luck, chaps. | 0:33:06 | 0:33:07 | |
Lot 117 is a George IV silver-plated | 0:33:07 | 0:33:12 | |
novelty condiment set, cast in the form of little curling stones. | 0:33:12 | 0:33:16 | |
I can start the bidding at £20... with me at 20... 30... | 0:33:16 | 0:33:24 | |
I'll take it from the floor first. | 0:33:24 | 0:33:26 | |
40...50...60...70...80... | 0:33:26 | 0:33:29 | |
80... With you, madam. 80. | 0:33:29 | 0:33:32 | |
Any advance on 80... | 0:33:32 | 0:33:35 | |
With you at 80... 90...100...110... | 0:33:35 | 0:33:40 | |
Not finished yet. | 0:33:40 | 0:33:41 | |
120... Back in. 120... | 0:33:41 | 0:33:45 | |
With the lady... 125... | 0:33:45 | 0:33:48 | |
I'll take five... 125... | 0:33:48 | 0:33:52 | |
130... 135... | 0:33:52 | 0:33:54 | |
£135... | 0:33:54 | 0:33:57 | |
All done at £135... 135... | 0:33:57 | 0:34:00 | |
-Yes! -Very good. | 0:34:00 | 0:34:01 | |
You've made a profit of £95. | 0:34:01 | 0:34:06 | |
£95 up on that. | 0:34:06 | 0:34:09 | |
Now, the Masonic gavel. | 0:34:09 | 0:34:11 | |
We have this early-20th-century olive-wood gavel. Can we say £80... | 0:34:11 | 0:34:17 | |
60... start me at £20... 20... | 0:34:17 | 0:34:21 | |
20 bid... 30... | 0:34:23 | 0:34:24 | |
40... | 0:34:24 | 0:34:26 | |
50... 60... | 0:34:26 | 0:34:27 | |
£60... | 0:34:29 | 0:34:30 | |
..For the olive-wood gavel. £60... | 0:34:31 | 0:34:34 | |
It is a good result, it is plus £5. | 0:34:35 | 0:34:37 | |
Marvellous, that is a good result, boys. | 0:34:37 | 0:34:40 | |
Mark, you spotted this bowl. | 0:34:42 | 0:34:43 | |
I would have paid £100 for it myself. | 0:34:43 | 0:34:46 | |
A fine piece of Doulton circa 1900. | 0:34:46 | 0:34:51 | |
Start me at £50... 50... | 0:34:51 | 0:34:55 | |
Any advance on 50... 60... | 0:34:55 | 0:34:58 | |
70... 80... 90... | 0:34:58 | 0:35:00 | |
With you, sir, at £90... | 0:35:02 | 0:35:04 | |
All done at £90... £90... | 0:35:04 | 0:35:08 | |
-She's done very well. -She has. | 0:35:09 | 0:35:11 | |
£90. That's minus £10. | 0:35:11 | 0:35:13 | |
You had £100, you've now got £90. | 0:35:13 | 0:35:15 | |
Plus £90 is a very good result, lads. Congratulations. | 0:35:15 | 0:35:18 | |
Now, coincidentally, £100 was spent by Charles on the old black card case, what are you going to do? | 0:35:18 | 0:35:26 | |
Are you going to twist or stick? | 0:35:26 | 0:35:29 | |
-Bank the £90. -Go with it. | 0:35:29 | 0:35:31 | |
-Could be a winning score, £90. -Let's sell it. -Sell it. -Could be a winning score, £90. | 0:35:31 | 0:35:39 | |
-Stick. -I don't know. I don't know. | 0:35:39 | 0:35:43 | |
Our strategy was if we were in that position... | 0:35:43 | 0:35:48 | |
-Stick. Not sell. -We're finally sticking, yes? -Stick. | 0:35:48 | 0:35:52 | |
Fine, we're not going with the bonus buy but we're going to sell it | 0:35:52 | 0:35:55 | |
just for the hell of it. Here it comes. | 0:35:55 | 0:35:57 | |
Is a 1930s Art Deco engine turned silver, marquisette box. £200... | 0:35:59 | 0:36:04 | |
for the Mappin & Webb box, 200... | 0:36:04 | 0:36:07 | |
150... 50...then 50...bid, any advance | 0:36:07 | 0:36:11 | |
on 50...60...70...80... | 0:36:11 | 0:36:16 | |
90...100... | 0:36:16 | 0:36:19 | |
110... | 0:36:19 | 0:36:20 | |
120... 130... 140...150 | 0:36:22 | 0:36:25 | |
150... It's with you, sir, at £150. | 0:36:25 | 0:36:30 | |
Any advance... 160! | 0:36:30 | 0:36:33 | |
160... | 0:36:35 | 0:36:37 | |
Fresh bidder at 160... Oh, it's great fun, isn't it? | 0:36:37 | 0:36:39 | |
160... With you, madam, £160... | 0:36:39 | 0:36:43 | |
-£160. -Well, done, Charles. -Guys, thank you very much. | 0:36:43 | 0:36:46 | |
I have to shake you by the hand, matey, because that is a result. | 0:36:46 | 0:36:50 | |
Two chips on the outside edge of that thing, but it still made £160. | 0:36:50 | 0:36:56 | |
It's a triumph, Charles. Well done. | 0:36:56 | 0:36:58 | |
Bad luck, lads. | 0:36:58 | 0:37:00 | |
The pressure was on you to bank your £90 and I don't blame you at all in | 0:37:00 | 0:37:03 | |
banking your money because it could easily have gone the other way. | 0:37:03 | 0:37:06 | |
But there you go, he's your man. | 0:37:06 | 0:37:08 | |
Well, done, Charles. The thing is don't say a word to the reds. | 0:37:08 | 0:37:13 | |
Now, you kids, are you feeling nervous? | 0:37:17 | 0:37:20 | |
No, beside you never. | 0:37:20 | 0:37:22 | |
Oh, Pearl, you're such a singer. | 0:37:22 | 0:37:26 | |
-What about you, Carol, how are you feeling? -Terrified. | 0:37:26 | 0:37:27 | |
-You're feeling terrified. -Absolutely. | 0:37:27 | 0:37:29 | |
-You look dead cool to me. -Do I? | 0:37:29 | 0:37:31 | |
What are you terrified about? | 0:37:31 | 0:37:33 | |
-In case we don't win. -Oh, it's her competitive nature. | 0:37:33 | 0:37:36 | |
First up are the so called egg cups-cum-serviette rings. | 0:37:36 | 0:37:42 | |
I'm holding bids on this lot and I can start the bidding at £50... | 0:37:42 | 0:37:48 | |
60... with me. 70... 80... 90... | 0:37:48 | 0:37:51 | |
100... 110... | 0:37:51 | 0:37:53 | |
-You're in profit girls. -120... | 0:37:53 | 0:37:55 | |
I'm out. With you sir at £120... | 0:37:55 | 0:37:59 | |
130... | 0:37:59 | 0:38:01 | |
140... | 0:38:01 | 0:38:03 | |
150... 160... | 0:38:03 | 0:38:06 | |
£160... All done at 160... | 0:38:06 | 0:38:10 | |
That's what I love, plus £70. | 0:38:10 | 0:38:13 | |
Now, what's going to happen with your pepperette? Here it comes. | 0:38:17 | 0:38:20 | |
£80... 80... 60... Start me at £20... | 0:38:20 | 0:38:24 | |
20... bid 30... 40... 50... | 0:38:24 | 0:38:27 | |
£50... | 0:38:27 | 0:38:30 | |
60... fresh bidder 70... £70... | 0:38:30 | 0:38:32 | |
Look at this you only paid £45. | 0:38:32 | 0:38:36 | |
-All done at £70... -It's a profit. That is plus £25. | 0:38:36 | 0:38:43 | |
Now, the Moorcroft bowl. | 0:38:45 | 0:38:47 | |
Is she going to be right here? Is it going to double its money? | 0:38:47 | 0:38:51 | |
A rare piece of Moorcroft, ladies and gentlemen. | 0:38:51 | 0:38:56 | |
I'm holding bids. | 0:38:56 | 0:38:57 | |
I can start the bidding at £80... | 0:38:57 | 0:39:01 | |
90... 100 with me. 110... 120... | 0:39:01 | 0:39:06 | |
-You're in profit. -130... 140... | 0:39:06 | 0:39:07 | |
150... 160... 170... 180... | 0:39:07 | 0:39:12 | |
£180... 190... Fresh bidder. 200... | 0:39:12 | 0:39:19 | |
-Look out. -The bid's with me at £200... | 0:39:19 | 0:39:25 | |
Any advance on 200? | 0:39:25 | 0:39:27 | |
All done at 200... | 0:39:27 | 0:39:31 | |
That is plus £100. Hey, hang on | 0:39:31 | 0:39:36 | |
a minute you've got plus £195. | 0:39:36 | 0:39:39 | |
You're nigh on £200 in profit. | 0:39:39 | 0:39:43 | |
-Are we going for it? -We have to, yeah. | 0:39:43 | 0:39:45 | |
The Royal Crown Derby sugar bowl. | 0:39:45 | 0:39:47 | |
It's not much to lose, even if it loses the whole £40. | 0:39:47 | 0:39:49 | |
We'll go with you. It's a lovely thing. | 0:39:49 | 0:39:52 | |
-Are you going to go with it? -Yes. | 0:39:52 | 0:39:55 | |
-Yeah. -You're happy with that. -Derby from Barby. | 0:39:55 | 0:39:57 | |
Barby from Derby. | 0:39:57 | 0:39:59 | |
-OK. We're going to go with it? That's the decision. -Yes. | 0:39:59 | 0:40:02 | |
-Yes. -OK, we're going with the bonus buy. | 0:40:02 | 0:40:04 | |
Here comes the Royal Crown Derby sugar box. | 0:40:04 | 0:40:06 | |
Start me at £50, | 0:40:06 | 0:40:08 | |
ladies and gentlemen. Start me at £50 in the Royal Crown Derby. | 0:40:08 | 0:40:12 | |
20 bid. I'll take 20. | 0:40:12 | 0:40:14 | |
Any advance on 20? | 0:40:14 | 0:40:16 | |
30... 40... 50... | 0:40:16 | 0:40:17 | |
The lady at 50... | 0:40:17 | 0:40:19 | |
With you madam at £50... | 0:40:19 | 0:40:21 | |
60... | 0:40:23 | 0:40:25 | |
All done at £60. | 0:40:25 | 0:40:29 | |
A profit of plus £20, thank you very much. That's £215. | 0:40:29 | 0:40:36 | |
Well, done David, that's very nice. | 0:40:36 | 0:40:38 | |
That's the business, David. | 0:40:38 | 0:40:39 | |
Hey! Hey! | 0:40:39 | 0:40:41 | |
I don't know what you were worried about. | 0:40:41 | 0:40:43 | |
Don't say a word to the blues, everything is sealed. | 0:40:43 | 0:40:48 | |
Well, what a phenomenally successful programme we've had today. | 0:40:52 | 0:40:56 | |
What fun! Have you been chatting to one another? | 0:40:56 | 0:40:58 | |
-No. -I wouldn't talk to them. | 0:40:58 | 0:41:00 | |
-You wouldn't talk to them. -Oh. -Oh. | 0:41:00 | 0:41:02 | |
I can reveal that both teams have made substantial profits today. | 0:41:02 | 0:41:10 | |
And it's all a question of scale and of course strategy. | 0:41:10 | 0:41:14 | |
Go with the bonus buy, trust your expert and you can win out big time. | 0:41:14 | 0:41:20 | |
Distrust him and sadly you can finish up as being | 0:41:20 | 0:41:24 | |
runners up, which is what happened today with our blues. | 0:41:24 | 0:41:29 | |
A very respectable profit score of plus £90. | 0:41:29 | 0:41:33 | |
So £90 coming your way, which is folding money in this business, I can tell you. | 0:41:33 | 0:41:38 | |
That is the most brilliant score and congratulations. | 0:41:38 | 0:41:41 | |
-Did you enjoy it? -Had a great time. | 0:41:41 | 0:41:43 | |
-Did you, Mark? Very good Stephen, I'm glad you enjoyed it. Thank you, Charles. -Pleasure as always. | 0:41:43 | 0:41:46 | |
For your dynamic contribution. | 0:41:46 | 0:41:50 | |
But the victors today, who have won by taking away £215 in cash. | 0:41:50 | 0:41:57 | |
There's £210 and here comes your 15 in little squits. | 0:41:57 | 0:42:02 | |
There's your £215, which is amazing, isn't it? | 0:42:02 | 0:42:06 | |
-It's fabulous. -Just amazing. | 0:42:06 | 0:42:08 | |
And over all I have the additional pleasure of presenting the red team today with the award | 0:42:08 | 0:42:16 | |
of the golden gavel, what never gets presented on Bargain Hunt. | 0:42:16 | 0:42:21 | |
For avid fans, they know the golden gavel award | 0:42:21 | 0:42:24 | |
goes to the team that makes a profit on all three of their items. | 0:42:24 | 0:42:27 | |
An event that never happens on Bargain Hunt, except that today it has. | 0:42:27 | 0:42:31 | |
Therefore please take your pin, which is the successor to the golden gavel, | 0:42:31 | 0:42:36 | |
but its still called the golden gavel award because we're a pretty eccentric programme. | 0:42:36 | 0:42:43 | |
LAUGHTER | 0:42:43 | 0:42:44 | |
Well, done, wear it with pride. | 0:42:44 | 0:42:47 | |
-We shall. -Congratulations there aren't very many of them around. | 0:42:47 | 0:42:50 | |
We've had a super day. Join us soon for some more bargain hunting, yes? | 0:42:50 | 0:42:53 | |
-ALL: -Yes! | 0:42:53 | 0:42:55 | |
Subtitles by Red Bee Media Ltd | 0:43:15 | 0:43:16 | |
E-mail [email protected] | 0:43:16 | 0:43:18 |