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The good news is that there are hundreds of stalls. | 0:00:07 | 0:00:11 | |
The bad news is there's only one hour to shop. | 0:00:11 | 0:00:14 | |
So... Let's go Bargain Hunting! | 0:00:14 | 0:00:17 | |
Today we're at the International Antiques and Collectors Fair in Ardingly. | 0:00:41 | 0:00:46 | |
Fabulous! | 0:00:46 | 0:00:47 | |
And here's what's coming up. | 0:00:50 | 0:00:52 | |
Mark Stacey is crystal clear. | 0:00:53 | 0:00:56 | |
I think that's the most hideous thing! | 0:00:58 | 0:01:00 | |
James Braxton is reading the signs! | 0:01:01 | 0:01:04 | |
I like that! | 0:01:05 | 0:01:07 | |
"Prices may vary according to customer attitude"! | 0:01:07 | 0:01:10 | |
-So be nice! -Be nice. | 0:01:10 | 0:01:13 | |
No trouble for our James. | 0:01:13 | 0:01:16 | |
Let's meet today's shoppers. | 0:01:16 | 0:01:18 | |
And here they are, raring to go and barking. Carolyn. | 0:01:19 | 0:01:24 | |
-Tim. -On that happy note, where did you meet? | 0:01:24 | 0:01:28 | |
We met about 22 years ago at London Zoo. | 0:01:28 | 0:01:31 | |
-Did you? -We did, yes. | 0:01:31 | 0:01:33 | |
It was a sales conference we were both doing. | 0:01:33 | 0:01:35 | |
There is something you love in life almost as much as Malcolm. | 0:01:35 | 0:01:39 | |
-Yes, golf. -You do. -I spend a lot of time on the golf course. | 0:01:39 | 0:01:43 | |
It's a lovely sociable game and it keeps me fit and healthy. | 0:01:43 | 0:01:47 | |
But there is a hobby you both share. | 0:01:47 | 0:01:49 | |
I used to show dogs. When I was about eight, my mother bred Labradors. | 0:01:49 | 0:01:55 | |
30 years ago I got Miniature Schnauzers, of which we've got three. | 0:01:55 | 0:01:59 | |
In fact, I judged at Crufts and showed all over the country. | 0:01:59 | 0:02:05 | |
-Quite professional, then. -I was at the time. I packed that up some years ago. | 0:02:05 | 0:02:10 | |
-So, Malcolm, what do you get up to when Carolyn's off on the golf? -Well... | 0:02:10 | 0:02:14 | |
-Wild women coming in? -Well, yes! If I can manage it, yes, indeed! | 0:02:14 | 0:02:18 | |
I'm getting a bit old for that. | 0:02:18 | 0:02:21 | |
Too many Schnauzers, that's what it is! | 0:02:21 | 0:02:24 | |
-The dogs tell tales, unfortunately. -They wag them, too. -Yes. | 0:02:24 | 0:02:27 | |
-What about clocks? You're keen on clocks. -Yes, we have three or four lovely old clocks. | 0:02:27 | 0:02:33 | |
We live in a very old cottage. | 0:02:33 | 0:02:35 | |
Occasionally we go out and spend a bit of money on a clock. We love them. | 0:02:35 | 0:02:40 | |
-Will you be going for time-pieces today? -Yes, that's something I'm very keen to look for. | 0:02:40 | 0:02:45 | |
If they have a good selection, that would be great. | 0:02:45 | 0:02:48 | |
That's something we'd like to... | 0:02:48 | 0:02:51 | |
-You're expert on. -I wouldn't say expert, but we've got one or two | 0:02:51 | 0:02:54 | |
-that we know a little bit more about. -Brilliant. | 0:02:54 | 0:02:57 | |
-Good luck with that. -Thank you. | 0:02:57 | 0:02:59 | |
Ken, when did you meet your co-contestant, Josie? | 0:02:59 | 0:03:02 | |
About six years ago. We worked at Farnborough College. | 0:03:02 | 0:03:06 | |
-Doing what? -Josie was in charge of... -I was Student Services Manager. | 0:03:06 | 0:03:11 | |
And I was a performing arts tutor. | 0:03:11 | 0:03:13 | |
Right. So you're in the performing arts, are you? | 0:03:13 | 0:03:17 | |
Yes. I've been a female impersonator for 30 years | 0:03:17 | 0:03:20 | |
-and recently I've got into classical acting. -Gosh. | 0:03:20 | 0:03:23 | |
-That's quite a shift, isn't it? -Slightly. | 0:03:23 | 0:03:26 | |
-So you don't have to get into a frock to go to work? -Not any more. | 0:03:26 | 0:03:29 | |
Josie, what do you get up to, darling? | 0:03:29 | 0:03:32 | |
I'm recently retired. I help Ken with some of his bookings. | 0:03:32 | 0:03:36 | |
But I've been a volunteer with The Prince's Trust for 20-odd years. And I'm also "an appropriate adult". | 0:03:36 | 0:03:42 | |
My children were impressed when they heard I was appropriate! | 0:03:42 | 0:03:46 | |
I think she's inappropriate, but that's another story! | 0:03:46 | 0:03:49 | |
You have to apply and get clearance as an adult | 0:03:49 | 0:03:52 | |
to be able to be anything to do with any young person. | 0:03:52 | 0:03:56 | |
Absolutely. That's right. I've been working with young people for a long time. Ken and I. | 0:03:56 | 0:04:01 | |
How will you get on with bargain hunting? | 0:04:01 | 0:04:04 | |
-Marvellous! -Yes. -We're both competitive. -Very. | 0:04:04 | 0:04:07 | |
-Are you going to beat up the reds? -We'll beat up each other as well! | 0:04:07 | 0:04:11 | |
We're in for sparks today! | 0:04:11 | 0:04:13 | |
Now the money moment. £300 apiece. Here's your £300 coming up. | 0:04:13 | 0:04:17 | |
You know the rules. Your experts await. | 0:04:17 | 0:04:20 | |
Off you go. Very, very good luck. | 0:04:20 | 0:04:22 | |
Whatever's going to happen next? | 0:04:22 | 0:04:25 | |
Ah, look, they're all friends! | 0:04:29 | 0:04:31 | |
-We've got trouble. We've got stiff competition. -We have. | 0:04:31 | 0:04:34 | |
- I think you need to go. - You're going that way. | 0:04:34 | 0:04:37 | |
-No, that way. -They're going over there. | 0:04:37 | 0:04:39 | |
Maybe not. I think it might be time to split up! | 0:04:39 | 0:04:43 | |
I want you to choose as much as you possibly can. | 0:04:49 | 0:04:51 | |
Then I can blame you at the auction! | 0:04:51 | 0:04:54 | |
Ken, it's jewellery. You will like it! | 0:04:54 | 0:04:56 | |
It's a very Lalique style, isn't it? | 0:05:02 | 0:05:06 | |
Arts and Crafts. | 0:05:06 | 0:05:08 | |
-What is it, though? -It's a belt buckle. -Oh, right. OK. | 0:05:08 | 0:05:11 | |
For those of us with waists, Ken! | 0:05:11 | 0:05:14 | |
We're going to have fun with these two! | 0:05:14 | 0:05:17 | |
-That's lovely. -How much is it? -55. -It's nice quality. | 0:05:17 | 0:05:21 | |
-It would have been silvered at one point. -Is it paste? -Or maybe it was just gilded. | 0:05:21 | 0:05:25 | |
-It's stylish, but it's a bit costume. Great fun. -Thank you. | 0:05:25 | 0:05:29 | |
It's a no. | 0:05:29 | 0:05:30 | |
I've spotted some of the boxes and things. | 0:05:36 | 0:05:38 | |
-They look interesting. -Marquetry. -Marquetry. | 0:05:38 | 0:05:42 | |
-A little writing slope. 170 - that's quite a lot. -It is. | 0:05:42 | 0:05:46 | |
What have we got here? | 0:05:46 | 0:05:48 | |
I have to say that's the most hideous thing! | 0:05:50 | 0:05:53 | |
The trouble is that people want clean lines now. | 0:05:54 | 0:05:57 | |
-Those are quite fun. -Yes. | 0:05:57 | 0:06:00 | |
-A pair of decanters. -Are decanters going well at the moment? | 0:06:00 | 0:06:03 | |
Reasonably well. Those are priced up at 48 for a pair, I think, yes, it's a pair. | 0:06:03 | 0:06:09 | |
-Shall I take one down? -Matching lids, are they? | 0:06:09 | 0:06:12 | |
I'm just looking. I couldn't quite see from there. | 0:06:12 | 0:06:16 | |
-It fits OK. -It's nicely cut. -It's very typical of that period. | 0:06:16 | 0:06:20 | |
They've got here a pair of George III rimmed-neck decanters. | 0:06:20 | 0:06:24 | |
The rim neck refers to this decoration here. | 0:06:24 | 0:06:27 | |
I would say they're probably on the cusp. | 0:06:27 | 0:06:30 | |
-Right. -George III is the most optimistic they could be. | 0:06:30 | 0:06:34 | |
I'd call them William IV or early Victorian. | 0:06:34 | 0:06:38 | |
-In good order as well. -Good order. -I can't see any chips. | 0:06:38 | 0:06:41 | |
-I like those. -Yes. -Why not have a little chat? | 0:06:41 | 0:06:44 | |
-Flash your eyelids. -I will. -It always works. -No problem. | 0:06:44 | 0:06:47 | |
-What do I do? -Flash your eyelids as well. You never know! | 0:06:47 | 0:06:50 | |
We rather like these lovely decanters. | 0:06:50 | 0:06:53 | |
We're wondering what your best price is. | 0:06:53 | 0:06:56 | |
We've got 48 - how about 148? | 0:06:56 | 0:06:58 | |
-Good try! -Bargain! | 0:06:58 | 0:06:59 | |
I could do those at 40 for you. | 0:06:59 | 0:07:02 | |
-Do them at 40. -Cheap as chips. | 0:07:02 | 0:07:03 | |
Would you consider 35? | 0:07:03 | 0:07:05 | |
-I can't do that. -I can't flash my eyelids? | 0:07:05 | 0:07:08 | |
-No. -Smile? -I can do 38 and that's the death on it. | 0:07:08 | 0:07:12 | |
-Shall we go for it? -I think 38 is very fair. -It's a fair price. | 0:07:12 | 0:07:18 | |
Malcolm, your missus has just bagged the decanters for £38. | 0:07:18 | 0:07:22 | |
Atta-girl! | 0:07:22 | 0:07:24 | |
From the '50s. It's only 20 quid. | 0:07:31 | 0:07:34 | |
She doesn't like them because she remembers them from when she was a girl! | 0:07:34 | 0:07:38 | |
Hey! Ken and Josie are friends, right? | 0:07:38 | 0:07:41 | |
-That's not bad, is it? Under ten minutes and we've got our first item. -Fantastic. | 0:07:42 | 0:07:46 | |
-We should be feeling really confident. -We are. | 0:07:46 | 0:07:49 | |
-Let's keep that confidence up, OK? -Yes. | 0:07:49 | 0:07:51 | |
Mark the Motivator! | 0:07:51 | 0:07:54 | |
It's £12. It's a theatrical make-up box. | 0:07:54 | 0:07:58 | |
Still got make-up in it, which is not important. The tin is very old compared to the rest of it. | 0:07:58 | 0:08:03 | |
The cold cream is old. | 0:08:03 | 0:08:06 | |
-£12. -They might do it even cheaper. | 0:08:06 | 0:08:08 | |
-Would you do it for ten? -They'll do it for ten. | 0:08:08 | 0:08:11 | |
-Shall we think about it? -You want it, don't you? -Shall we try it? | 0:08:11 | 0:08:15 | |
I think it's your field, Ken, this. | 0:08:15 | 0:08:18 | |
Certainly not Mr Braxton's colour! | 0:08:18 | 0:08:20 | |
-How old is the box? -I think it's contemporary with the make-up. | 0:08:20 | 0:08:24 | |
-Probably 1950s, '60s? -Even this make-up is old. | 0:08:24 | 0:08:28 | |
They still make sticks by Leichner, but it's not this packaging. | 0:08:28 | 0:08:31 | |
-Is that the Rolls-Royce of theatre make-up? -Yes. It was made by Leichner. | 0:08:31 | 0:08:36 | |
The sticks have all got numbers. The main numbers people used were five and nine. | 0:08:36 | 0:08:41 | |
That's where you get "Five and nine, the Brighton line." | 0:08:41 | 0:08:44 | |
People came from Brighton to London and put make-up on on the train. | 0:08:44 | 0:08:48 | |
They always used sticks five and nine, hence "Five and nine, the Brighton line." | 0:08:48 | 0:08:53 | |
-Having said that, it's a tenner. -It's a tenner. | 0:08:53 | 0:08:56 | |
-I think we should buy it. -Then I'll spend the rest of the money! | 0:08:56 | 0:08:59 | |
Oh, yes. Getting on famously now! | 0:09:00 | 0:09:03 | |
-We'll take that. -Well done. Thank you. | 0:09:03 | 0:09:05 | |
Well done, Ken. We've got the theatrical make-up. | 0:09:05 | 0:09:08 | |
Really good. And we've only done 11 minutes. | 0:09:08 | 0:09:11 | |
And all the rest of the money is mine! | 0:09:11 | 0:09:14 | |
-I don't think so! -Press on. | 0:09:14 | 0:09:16 | |
No squabbling, now! Plenty of dosh left. | 0:09:16 | 0:09:19 | |
As they say, "You never know what you're going to find in one of these fairs." | 0:09:26 | 0:09:30 | |
Here we are in the heart of Sussex in the south of England. | 0:09:30 | 0:09:35 | |
Would you expect to find an 18th-century brass plaque | 0:09:35 | 0:09:40 | |
associated with the history of Edinburgh? | 0:09:40 | 0:09:43 | |
If you look at the inscription on the top, | 0:09:43 | 0:09:46 | |
in Latin, it says, "Sic itur ad astra." | 0:09:46 | 0:09:49 | |
Which means, roughly translated, | 0:09:49 | 0:09:52 | |
"Thus you find your way to the stars." | 0:09:52 | 0:09:55 | |
In the middle, though, is the real clue to the origins of this piece. | 0:09:55 | 0:10:01 | |
Because we've got cast in relief | 0:10:01 | 0:10:03 | |
the antlers and head of a stag | 0:10:03 | 0:10:06 | |
with a cross growing out of the top of the stag's head. | 0:10:06 | 0:10:10 | |
And that relates to a legend | 0:10:10 | 0:10:13 | |
where King David I of Scotland was hunting close by Edinburgh | 0:10:13 | 0:10:18 | |
in about 1140. | 0:10:18 | 0:10:20 | |
He was attacked by a stag and in mortal peril | 0:10:20 | 0:10:24 | |
and as he was trying to defend himself, | 0:10:24 | 0:10:27 | |
he had a vision of a cross between the stag's antlers. | 0:10:27 | 0:10:32 | |
That inspired him to defend himself vigorously and he was saved. | 0:10:32 | 0:10:37 | |
As a result, he founded a religious institution just outside Edinburgh at Holyrood. | 0:10:37 | 0:10:44 | |
All in all, there's an incredible amount of history wrapped up in this wee plaque. | 0:10:44 | 0:10:49 | |
What's it worth? | 0:10:49 | 0:10:51 | |
Apparently, £150. | 0:10:51 | 0:10:54 | |
Do you see a cross appearing between my antlers? | 0:10:55 | 0:10:58 | |
It's half time and this shop is hotting up. | 0:11:02 | 0:11:06 | |
-We've had 27 minutes. So we've got 33 minutes left. -OK. | 0:11:09 | 0:11:13 | |
So we need to crack on. | 0:11:13 | 0:11:16 | |
-I like that. -You do like it? | 0:11:19 | 0:11:20 | |
-How much was it? -It's got 38. You can have it for 35. | 0:11:20 | 0:11:23 | |
Don't beat me. 35. | 0:11:23 | 0:11:26 | |
I wasn't going to attack you! | 0:11:26 | 0:11:28 | |
-You were going to! -I'll set her on you in a minute! | 0:11:28 | 0:11:32 | |
-It's nice. -It's your choice next because I've bought mine. -I like it. | 0:11:33 | 0:11:37 | |
-I'm happy to talk about it. -It's a handsome bit. | 0:11:37 | 0:11:39 | |
-It's in good nick. -Classic design. -It's plate, but in silver that would be a lot of money. | 0:11:39 | 0:11:46 | |
-Shall we think about it? -We can think about it. -Keep it in mind. -We're doing well. | 0:11:48 | 0:11:52 | |
Yes, very well. You've spent a tenner! | 0:11:52 | 0:11:55 | |
That's had the collar broken. That's why it's got a silver collar on it. | 0:12:03 | 0:12:06 | |
-Shame, because it's a nice piece. -It's quite pretty. | 0:12:06 | 0:12:10 | |
It's famille rose, very typical of that Chinese baluster shape | 0:12:10 | 0:12:14 | |
with the wing handles. | 0:12:14 | 0:12:15 | |
It's £55. It depends what we get it for, of course. Let's put it down. | 0:12:15 | 0:12:20 | |
I'm concerned about the time. | 0:12:20 | 0:12:22 | |
Yes, I'm concerned about the time as well. | 0:12:22 | 0:12:25 | |
-We saw a rather nice vase there. -Yep. The best on that would probably be 40 quid. | 0:12:25 | 0:12:31 | |
-That's your very best price? -Yep. -You can't go to 35? -No. | 0:12:31 | 0:12:34 | |
-It's no good me flashing my eyes at you! -I'll flash my eyes! -No, not really! | 0:12:34 | 0:12:39 | |
I'll show you my muscles. | 0:12:39 | 0:12:41 | |
Really? | 0:12:41 | 0:12:43 | |
-38? -Is she with you? | 0:12:43 | 0:12:46 | |
-Afraid so! -She's my wife! | 0:12:46 | 0:12:48 | |
-If you want it for 38, you can have it for 38. -Happy? | 0:12:48 | 0:12:50 | |
-I can't flash my eyes at you any more. -You're wasting your time! | 0:12:50 | 0:12:54 | |
-38. -I won't show you my muscles. | 0:12:54 | 0:12:57 | |
The deal is done on the Cantonese vase for 38 smackers. | 0:12:57 | 0:13:01 | |
How much is your agate bracelet? | 0:13:06 | 0:13:08 | |
It's about 120. | 0:13:08 | 0:13:10 | |
-It's about 1950s, by a chap called Robert Atkinson. -OK. | 0:13:10 | 0:13:15 | |
-85. I wouldn't go any lower than that. -Really. | 0:13:15 | 0:13:18 | |
It's nice, isn't it? I love hard stones. | 0:13:18 | 0:13:21 | |
It's amazing how things like aquamarine have become really trendy. | 0:13:23 | 0:13:28 | |
That's quite an unusual thing as well. | 0:13:28 | 0:13:31 | |
This is silver. | 0:13:31 | 0:13:33 | |
Natural garnets and pearls. This is all enamelling. | 0:13:33 | 0:13:36 | |
-How much on that one? -80 on that one for you. | 0:13:36 | 0:13:38 | |
I like that. And I like the agate bracelet. | 0:13:38 | 0:13:42 | |
-Yeah. Thank you for your help. We'll have a think. -A big think about that. | 0:13:42 | 0:13:47 | |
-I'm here till three. -We're not! -We've got an hour! | 0:13:47 | 0:13:49 | |
So we've got 20 minutes. | 0:13:58 | 0:13:59 | |
Get a move on, then! | 0:13:59 | 0:14:01 | |
Thank the Lord it's not wormy! | 0:14:05 | 0:14:08 | |
He said we could have it for a pound! | 0:14:08 | 0:14:10 | |
A pound?! That is tempting! Do you want to buy it? | 0:14:10 | 0:14:13 | |
Presumably if you sell it for two pounds! | 0:14:13 | 0:14:15 | |
-It's quite fun. -We've checked it for worm. | 0:14:15 | 0:14:18 | |
I've got one virtually the same. Slightly better condition. | 0:14:18 | 0:14:21 | |
I see. Yours is dustier than this one! | 0:14:21 | 0:14:24 | |
-Probably! -I'd buy it. -What would you pay for it? | 0:14:24 | 0:14:27 | |
-40 or 50 quid, possibly. -Yeah, you probably would. | 0:14:27 | 0:14:31 | |
Guys, buy it! | 0:14:31 | 0:14:33 | |
It's a pound!! | 0:14:33 | 0:14:35 | |
-Shall we keep going? We've plenty of time. -What if it's gone? Shall we ask them to keep it for ten minutes? | 0:14:35 | 0:14:40 | |
-Till we decide. -People aren't queuing up for it! | 0:14:40 | 0:14:43 | |
I shouldn't worry! | 0:14:43 | 0:14:46 | |
-Can you hang onto that for ten minutes till we think? -Yes. | 0:14:46 | 0:14:50 | |
-Thank you. -Can you throw in the tuba as well? | 0:14:50 | 0:14:52 | |
-Ten minutes to go. -Come on. -Let's crack on. | 0:14:52 | 0:14:56 | |
Are you sure, blues? That is a bargain! | 0:14:56 | 0:14:59 | |
Ooh, look, four candles! | 0:15:04 | 0:15:06 | |
-Fork 'andles! -Fork 'andles! | 0:15:06 | 0:15:08 | |
No, I do the jokes! | 0:15:10 | 0:15:13 | |
Really? | 0:15:13 | 0:15:14 | |
Sir, can I ask how much the mirror is? | 0:15:14 | 0:15:16 | |
-140. -140. -Right. | 0:15:16 | 0:15:18 | |
It's such a shame, really. That was made in 1860, 1870. | 0:15:18 | 0:15:23 | |
-Yes. -It's 140 years old. | 0:15:23 | 0:15:26 | |
-A pound a year! -Exactly. | 0:15:26 | 0:15:28 | |
It's a lovely antique piece of furniture. | 0:15:28 | 0:15:31 | |
-The woodwork. -The scroll work. The lovely scrolled feet. | 0:15:31 | 0:15:35 | |
It's a beautiful flame mahogany. | 0:15:35 | 0:15:37 | |
It's such a shame that they're not worth very much. | 0:15:37 | 0:15:41 | |
-It is a shame. It's something we can come back to. -Yes. | 0:15:41 | 0:15:44 | |
Very possibly. | 0:15:44 | 0:15:46 | |
-Let's go. -OK. | 0:15:46 | 0:15:48 | |
Onwards and upwards. | 0:15:48 | 0:15:50 | |
Where's the mirror gone? | 0:15:55 | 0:15:57 | |
Oh, no! | 0:15:57 | 0:15:59 | |
Where's the mirror? | 0:15:59 | 0:16:01 | |
She's just sold it for 40 quid. | 0:16:01 | 0:16:03 | |
-No! -Yes. | 0:16:03 | 0:16:04 | |
Oh, Ken! | 0:16:04 | 0:16:06 | |
I told you to buy it! | 0:16:06 | 0:16:08 | |
Don't be depressed, Ken. | 0:16:08 | 0:16:10 | |
You go, James. Cheer the poor boy up. | 0:16:10 | 0:16:13 | |
Your magic touch was relayed on our first purchase. | 0:16:13 | 0:16:17 | |
Don't worry about that. | 0:16:17 | 0:16:19 | |
-I'm still happy with the jewellery. -I think we should negotiate hard with that jewellery lady. | 0:16:19 | 0:16:25 | |
Two items. | 0:16:25 | 0:16:26 | |
Do you think we could get her down to 50 quid each? | 0:16:26 | 0:16:30 | |
Good distraction tactics, Mr Braxton. | 0:16:30 | 0:16:33 | |
I would probably say this is going to be 1900 or so. | 0:16:39 | 0:16:43 | |
-It's an antique. -Yes. -But it's early 20th century. | 0:16:43 | 0:16:46 | |
How much is this barometer, sir? | 0:16:46 | 0:16:48 | |
It could be 195. | 0:16:48 | 0:16:52 | |
Well, no, it's lovely. It's unusual with the clock and things. | 0:16:52 | 0:16:57 | |
But I don't think for the sale room. | 0:16:57 | 0:16:59 | |
-We may see you later. -Thank you very much. | 0:16:59 | 0:17:02 | |
The clock's ticking. Right, go for it, blues. | 0:17:05 | 0:17:08 | |
-I press the pink. -We should just go for the one. | 0:17:15 | 0:17:17 | |
The bracelet stands out, doesn't it? When you look at the two together, it jumps out at you. | 0:17:17 | 0:17:23 | |
We're tight for cash. | 0:17:23 | 0:17:24 | |
The lowest I could go on this piece would be... | 0:17:24 | 0:17:27 | |
-um... -50? -No, I'm working it out. | 0:17:27 | 0:17:31 | |
No, no, no. It would be 80. | 0:17:31 | 0:17:33 | |
I wouldn't go any lower than that. It's a signed piece. | 0:17:33 | 0:17:36 | |
We said we'd do 145 for the two. | 0:17:36 | 0:17:38 | |
-I'll take another £10 off, but that is my final offer. -135. -135 for the pair. | 0:17:38 | 0:17:43 | |
-If you're really good, I'll put the bracelet in a nice box as well. -Ooh. | 0:17:43 | 0:17:48 | |
-KEN: -You OK with that? -Yeah, and it gives him some money. | 0:17:48 | 0:17:51 | |
-OK. -Give it a go. Thank you. Well done. Thank you very much indeed. | 0:17:51 | 0:17:55 | |
-Well done, Josie. Well done. -You'll have to be my friend now! | 0:17:55 | 0:17:59 | |
You got your jewellery in the end! | 0:17:59 | 0:18:01 | |
So, items two and three for 135. | 0:18:03 | 0:18:05 | |
The bracelet for 70 and the brooch for 65. | 0:18:05 | 0:18:08 | |
In the blink of an eye, the blues are done! | 0:18:08 | 0:18:11 | |
-It's 1903, it's got here. -That's attractive. | 0:18:12 | 0:18:15 | |
-Is it silver? -Yeah, that's silver. | 0:18:15 | 0:18:18 | |
135. | 0:18:18 | 0:18:19 | |
All the marks on this should be matching. | 0:18:19 | 0:18:22 | |
-Yes. And they're the same? -They match. -Indeed. | 0:18:22 | 0:18:26 | |
But it's not shouting at you, is it? You didn't say, "I love that, Mark!" So we'll move on. | 0:18:26 | 0:18:32 | |
Careful, guys, it's quiet. The stallholders are packing up. | 0:18:32 | 0:18:37 | |
Four minutes left, now. | 0:18:39 | 0:18:41 | |
I think we should go back and see about the cruet set and inkwell. | 0:18:41 | 0:18:45 | |
-Malcolm, do you want to look at the barometer? -The barometer. | 0:18:45 | 0:18:49 | |
Well, your choices are silver, silver or silver. | 0:18:49 | 0:18:53 | |
Excuse me, madam. | 0:18:53 | 0:18:55 | |
Now, we've got two-and-a-half minutes. I'm going to talk fast! | 0:18:55 | 0:18:59 | |
This is marked at 135. What would be the best on that? | 0:18:59 | 0:19:04 | |
-110. -Right. You've got 30 seconds. | 0:19:04 | 0:19:06 | |
-I think we'll go with that. -Go with that. -We'll go at that. | 0:19:06 | 0:19:10 | |
-There was a thing you liked, but we've no time. -No. You couldn't do it for 100? | 0:19:10 | 0:19:14 | |
-No. -That's your best price? -110 is the limit. | 0:19:14 | 0:19:17 | |
OK. That's it, then. | 0:19:17 | 0:19:19 | |
-Is that the deal? -Yes, it's a deal. -Lovely. Thank you. -Thank you. | 0:19:19 | 0:19:23 | |
-Well, I'm exhausted. -So am I! | 0:19:23 | 0:19:25 | |
-Yes. -Time for a cup of tea. -Most definitely. Let's go! | 0:19:25 | 0:19:29 | |
Phew, that was close! | 0:19:29 | 0:19:32 | |
This silver and glass inkwell for £110 completes the reds' shop. | 0:19:32 | 0:19:37 | |
And relax! | 0:19:37 | 0:19:39 | |
That's it. Decisions made, monies spent. | 0:19:41 | 0:19:45 | |
So who made the best buys? You decide. | 0:19:45 | 0:19:49 | |
Malcolm and Carolyn got off to a great start. | 0:19:49 | 0:19:52 | |
Carolyn talked the talk, | 0:19:52 | 0:19:54 | |
bagging the matching decanters for £38. | 0:19:54 | 0:19:57 | |
They spent another 38 on the Cantonese vase. | 0:19:59 | 0:20:02 | |
But they took it to the wire, and with seconds to spare, | 0:20:05 | 0:20:08 | |
settled on the inkwell for £110. | 0:20:08 | 0:20:11 | |
I'm really sorry, guys, we had so little time to make our decisions. | 0:20:15 | 0:20:19 | |
Certainly at the end. My goodness! | 0:20:19 | 0:20:21 | |
-But you like a bit of excitement! -I certainly do! | 0:20:21 | 0:20:24 | |
-How much did you spend? -£186. | 0:20:24 | 0:20:27 | |
I'd like £114 of leftover lolly. | 0:20:27 | 0:20:30 | |
That's it. And the coinage. | 0:20:30 | 0:20:32 | |
14. Very good. | 0:20:32 | 0:20:34 | |
You've got the time, Mark, and now you've got the money! | 0:20:34 | 0:20:37 | |
-What are you going to get up to? -We nearly didn't have the time, | 0:20:39 | 0:20:42 | |
so I'm going to try and get them something they'd be proud of me for. | 0:20:42 | 0:20:46 | |
We're always proud of you, Mark! | 0:20:46 | 0:20:48 | |
-Bless you. -Have a lovely time. Good luck, Mark. | 0:20:48 | 0:20:51 | |
Meanwhile, let's remind ourselves of what the blue team bought. | 0:20:51 | 0:20:55 | |
Ken and Josie started in theatrical style, | 0:20:56 | 0:20:59 | |
with Ken seeing a profit in this make-up box | 0:20:59 | 0:21:02 | |
bought for a tenner. | 0:21:02 | 0:21:04 | |
Then came disappointment. | 0:21:07 | 0:21:09 | |
But after that bargain slipped through their fingers, | 0:21:09 | 0:21:12 | |
two came along at once for 135. | 0:21:12 | 0:21:15 | |
This silver and agate bracelet for 70, | 0:21:15 | 0:21:18 | |
and a silver and enamel brooch for £65. | 0:21:18 | 0:21:22 | |
-Well done. -We can go and get a cup of tea now! | 0:21:24 | 0:21:27 | |
Can we? | 0:21:27 | 0:21:28 | |
Too soon for tea. I want your leftover lolly. | 0:21:28 | 0:21:31 | |
Not me. Ask him. | 0:21:31 | 0:21:33 | |
-Did you enjoy your shop? -Yes, we did. We had a good time. | 0:21:33 | 0:21:36 | |
-Which was your favourite piece? -Some of us had a good time. -Don't ask about the mirror. | 0:21:36 | 0:21:41 | |
No mirrors. How much did you spend overall? | 0:21:41 | 0:21:44 | |
-145. -145. I'd like £155 of leftover lolly. | 0:21:44 | 0:21:49 | |
That's it, is it? Got a fiver in there? 155. Thank you. | 0:21:49 | 0:21:53 | |
-Look at Braxton's face, lighting up! -Is that the most money you've had to spend here? | 0:21:53 | 0:21:58 | |
-He loves £155. -Certainly it is. | 0:21:58 | 0:22:00 | |
So, £155, James. What's your target to go and buy the bonus buy? | 0:22:01 | 0:22:07 | |
I'll have to work hard. It looks like a lunar landscape out there. | 0:22:07 | 0:22:11 | |
But I'm sure I'll find something big and sculptural in a cattle shed. | 0:22:11 | 0:22:15 | |
Like a mirror? | 0:22:15 | 0:22:17 | |
I think we'll drop this mirror subject! | 0:22:17 | 0:22:21 | |
Very good luck, chaps. Meanwhile, we're heading off somewhere utterly sublime. | 0:22:21 | 0:22:26 | |
Admiral Lord Horatio Nelson, | 0:22:28 | 0:22:30 | |
naval genius, hero and superstar of his age, | 0:22:30 | 0:22:35 | |
sounds like a character from a novel. | 0:22:35 | 0:22:37 | |
But there's nothing imaginary about this chap! | 0:22:37 | 0:22:40 | |
Here we are in the attic store of the National Museum of the Royal Navy | 0:22:44 | 0:22:50 | |
where, via a few objects, I'm going to be able to put some flesh | 0:22:50 | 0:22:56 | |
onto the bones of Britain's premier naval hero. | 0:22:56 | 0:23:01 | |
Here we've got a later-leather-bound volume | 0:23:01 | 0:23:04 | |
that dates back to Nelson's very beginning in the Royal Navy. | 0:23:04 | 0:23:09 | |
It was presented to him in 1771 | 0:23:09 | 0:23:13 | |
as a little stripling midshipman. | 0:23:13 | 0:23:16 | |
He was 12 years of age. It says here that it's a present | 0:23:16 | 0:23:21 | |
from Horatio's uncle, a Captain Suckling. | 0:23:21 | 0:23:24 | |
It's a book he would have used to help him calculate longitude | 0:23:24 | 0:23:30 | |
because, of course, midshipmen, as part of their long training, | 0:23:30 | 0:23:34 | |
needed to know how to navigate. | 0:23:34 | 0:23:36 | |
Nelson, of course, is a man who was forever in the wars, literally. | 0:23:36 | 0:23:42 | |
In 1794, | 0:23:42 | 0:23:44 | |
he nearly lost all his sight in his right eye, in Corsica. | 0:23:44 | 0:23:51 | |
Three years later, in Tenerife, | 0:23:51 | 0:23:53 | |
he had a terrific injury thanks to a musket ball in his right arm | 0:23:53 | 0:23:59 | |
which ultimately was amputated. | 0:23:59 | 0:24:01 | |
Here in the museum they have examples of his handwriting. | 0:24:01 | 0:24:05 | |
In a letter dated 1795, you can see his cursive script | 0:24:05 | 0:24:11 | |
using his then intact right arm. | 0:24:11 | 0:24:14 | |
But immediately after the amputation, | 0:24:14 | 0:24:17 | |
he's practising already with his left hand. | 0:24:17 | 0:24:21 | |
This is the first piece of paper that he inscribed using his remaining left arm. | 0:24:21 | 0:24:27 | |
It says, "God bless you and Freemantle. Horatio Nelson." | 0:24:27 | 0:24:33 | |
An incredibly brave fellow. | 0:24:33 | 0:24:36 | |
But a man as a human being who was also flawed. | 0:24:36 | 0:24:40 | |
He treated his wife abominably | 0:24:40 | 0:24:44 | |
and he ran off with the wife of another, | 0:24:44 | 0:24:47 | |
scandalising society. | 0:24:47 | 0:24:50 | |
As Captain Nelson he had met, a few years earlier, | 0:24:50 | 0:24:55 | |
the wife of the British envoy, Sir William Hamilton, in Naples. | 0:24:55 | 0:24:59 | |
When he returned to Naples | 0:24:59 | 0:25:02 | |
after the Battle of the Nile on 1 August 1798, | 0:25:02 | 0:25:07 | |
he fell for Emma Hamilton big time. | 0:25:07 | 0:25:11 | |
Here she is, | 0:25:11 | 0:25:13 | |
preserved by Bone, the miniaturist, | 0:25:13 | 0:25:16 | |
painted on ivory. | 0:25:16 | 0:25:18 | |
She started her life as a prostitute in a bath house in Piccadilly. | 0:25:18 | 0:25:24 | |
Later, she was passed on to the elderly envoy to George III in Naples, | 0:25:24 | 0:25:30 | |
Sir William Hamilton. | 0:25:30 | 0:25:32 | |
She lived with him for five years until he ultimately married her | 0:25:32 | 0:25:36 | |
before she met Admiral Nelson. | 0:25:36 | 0:25:39 | |
The three of them lived together perfectly happily | 0:25:39 | 0:25:42 | |
in a menage a trois. | 0:25:42 | 0:25:44 | |
This lovely miniature is backed by a coil of her hair | 0:25:44 | 0:25:49 | |
which is this lovely auburn chestnut shade, | 0:25:49 | 0:25:54 | |
one of her most distinctive features. | 0:25:54 | 0:25:57 | |
It was indeed the elderly husband, Sir William Hamilton, | 0:25:57 | 0:26:02 | |
who bequeathed this miniature to Nelson following his death. | 0:26:02 | 0:26:06 | |
When they left Italy and returned to England all together in 1801, | 0:26:06 | 0:26:11 | |
they stopped off in Vienna, | 0:26:11 | 0:26:13 | |
which is when Nelson had this plaster life mask | 0:26:13 | 0:26:17 | |
cast from his face. | 0:26:17 | 0:26:20 | |
This is a true and accurate likeness of Nelson when he was alive. | 0:26:20 | 0:26:25 | |
If this had been a death mask, the configuration of muscle and flesh | 0:26:25 | 0:26:29 | |
simply would not have looked like this. | 0:26:29 | 0:26:32 | |
And it's a really nice true depiction | 0:26:32 | 0:26:36 | |
of what Nelson actually looked like. | 0:26:36 | 0:26:39 | |
The question today is, at the auction, will our teams have to put a brave face on their efforts? | 0:26:39 | 0:26:46 | |
Today we're at Denham's sale room in West Sussex, just outside Horsham | 0:26:56 | 0:27:01 | |
-with Simon Langton, our auctioneer. Morning, Simon. -Morning. | 0:27:01 | 0:27:05 | |
Now, for the red team, their first item are these two very similar, but not matching decanters. | 0:27:05 | 0:27:11 | |
It's almost a matched pair, isn't it? | 0:27:11 | 0:27:13 | |
Put them farther away on the table and you won't tell the difference. | 0:27:13 | 0:27:17 | |
-Does this cut glass sell OK? -It's not as good as it used to be. | 0:27:17 | 0:27:21 | |
We're talking 30 to £50 for a pair like that. | 0:27:21 | 0:27:24 | |
-That's all right as our team paid 38. -Right. | 0:27:24 | 0:27:28 | |
They're in the frame, anyway. | 0:27:28 | 0:27:30 | |
Brilliant. Now, the Canton vase | 0:27:30 | 0:27:33 | |
-which I suppose has got a new top rim to it? -If you look closely, we've got the bottom half of bodies! | 0:27:33 | 0:27:40 | |
-Have we? -We're missing... There's a foot! | 0:27:40 | 0:27:44 | |
Oh, yes! | 0:27:44 | 0:27:45 | |
So this thing would have gone on for a considerable distance | 0:27:45 | 0:27:50 | |
above where it got broken before this chap was put on. | 0:27:50 | 0:27:54 | |
-Another two or three inches on top. -That's interesting. | 0:27:54 | 0:27:57 | |
Anyway, as an altered piece, | 0:27:57 | 0:28:00 | |
decorative enough. How much? | 0:28:00 | 0:28:03 | |
Again, it's broken, so we're talking 30 to 50. | 0:28:03 | 0:28:06 | |
That's OK with our team. They only paid £38. | 0:28:06 | 0:28:09 | |
-So they might turn a small profit. -Quite canny. -They're canny enough. | 0:28:09 | 0:28:13 | |
-They've been watching Bargain Hunt for years! -Ah, well! | 0:28:13 | 0:28:17 | |
And their last item which they bought because they know that boat-shaped objects in silver | 0:28:17 | 0:28:22 | |
do quite nicely, which they tend to, we've got a boat-shaped inkwell. | 0:28:22 | 0:28:27 | |
-Right. -Modest proportions. -Sheffield. About 1910, thereabouts. Nice shape to it. | 0:28:27 | 0:28:33 | |
Cut glass inkwell still there. 70 to 90 for that one. | 0:28:33 | 0:28:37 | |
Ah, this could be their comeuppance. | 0:28:37 | 0:28:39 | |
They paid £110. | 0:28:39 | 0:28:41 | |
-On the money there. -On the money for that. | 0:28:41 | 0:28:43 | |
-So what they make on these two by way of miserable profits, they may lose. -Swings and roundabouts. | 0:28:43 | 0:28:48 | |
Could be it, couldn't it? If you're right, they'll need their bonus buy. Let's have a look at it. | 0:28:48 | 0:28:54 | |
Malcolm and Carolyn, you had a wonderful shop up. | 0:28:55 | 0:28:58 | |
You spent a magnificent £186 and £114 went to Mark. Mark, what have you got? | 0:28:58 | 0:29:05 | |
-Ooh! -A backscratcher? -No! | 0:29:07 | 0:29:10 | |
-I don't think so. You could probably use it as that. -Good. | 0:29:10 | 0:29:14 | |
But it's not a backscratcher. It's actually... The mark is a bit rubbed, | 0:29:14 | 0:29:18 | |
but I think it's mid-18th century. | 0:29:18 | 0:29:20 | |
-It's a solid silver marrow scoop. -Wow. -Right. | 0:29:20 | 0:29:23 | |
George II, early George III. | 0:29:23 | 0:29:25 | |
Lovely colour. | 0:29:25 | 0:29:28 | |
I wanted to buy you something a bit different from the items we bought on the shopping day. | 0:29:28 | 0:29:34 | |
Something a bit interesting for you. | 0:29:34 | 0:29:37 | |
-Hopefully. -How much did you pay for it? -Quite a lot! | 0:29:37 | 0:29:41 | |
-Did you? -For that? -Yes. -Go on. | 0:29:41 | 0:29:44 | |
-£100. -Agh! -Right. -OK. | 0:29:44 | 0:29:46 | |
-£100. -Is it going to make a profit for us, do you think? | 0:29:46 | 0:29:50 | |
I would hope there might a be a 20 to £30 profit in it. | 0:29:50 | 0:29:54 | |
-Good. -I haven't seen a marrow scoop at auction for quite a while. | 0:29:54 | 0:29:59 | |
They don't come up every day of the week. | 0:29:59 | 0:30:02 | |
-That could be an advantage. -The silver dealers, silver collectors, it might be their chance to buy one. | 0:30:02 | 0:30:09 | |
Scoop up a profit! | 0:30:09 | 0:30:10 | |
Anyway, with that happy thought, | 0:30:10 | 0:30:13 | |
think on, because you don't decide until after the sale of your three items. | 0:30:13 | 0:30:18 | |
For viewers at home, let's find out what the auctioneer thinks about Mark's scoop. | 0:30:18 | 0:30:22 | |
OK, Simon, no modern household can be complete without a marrow scoop! | 0:30:22 | 0:30:27 | |
No, we regularly have soup, so we'll always use a good marrow scoop. | 0:30:27 | 0:30:30 | |
Right. OK. Bottom mark a nice 18th-century mark. | 0:30:32 | 0:30:36 | |
-We're talking round about 50 to £75 for that one. -£100 they paid. | 0:30:36 | 0:30:41 | |
A little bit top end. | 0:30:41 | 0:30:43 | |
Doesn't look so hot. Anyway, that's it for the reds. | 0:30:43 | 0:30:46 | |
And now for the blues. A mixture here. | 0:30:46 | 0:30:50 | |
The theatrical make-up box. | 0:30:50 | 0:30:53 | |
-Have you got your make-up on today? -A bit of blusher! | 0:30:53 | 0:30:58 | |
Yes! | 0:30:58 | 0:30:59 | |
-What do you think it's worth? -I put 20 to £30 on that one. | 0:30:59 | 0:31:02 | |
That's not much per stick! | 0:31:02 | 0:31:04 | |
-They'll be delighted. They only paid £10. -Right. | 0:31:04 | 0:31:07 | |
-The little tin box is worth a tenner. -I think so, yes. | 0:31:07 | 0:31:10 | |
Perfect. Next up is the Scottish bracelet which apparently is hallmarked for 1954. | 0:31:10 | 0:31:17 | |
-It's a bit late for this sort of work. -Late, isn't it? | 0:31:17 | 0:31:21 | |
It's a classic high Victorian polished agate stones. | 0:31:21 | 0:31:25 | |
-But '54, a bit late. -Pretty, though. | 0:31:25 | 0:31:28 | |
Yes, it's got a name. 30 to £50 on it. | 0:31:28 | 0:31:32 | |
£70 paid. | 0:31:32 | 0:31:33 | |
I mean, it might get there. What about the Juliano lookalike brooch? | 0:31:33 | 0:31:40 | |
Again, costume jewellery never fails to astonish me what it makes. | 0:31:40 | 0:31:43 | |
It's very popular at the moment. | 0:31:43 | 0:31:46 | |
Having said which I've put an estimate of 30 to £50 on it. | 0:31:46 | 0:31:49 | |
-So you're not that positive? -It's a brooch. -A brooch. -Brooches are a bit... | 0:31:49 | 0:31:53 | |
Anyway, how much for the pin? | 0:31:53 | 0:31:55 | |
Right. We're talking round about 30 to 50 on that one. | 0:31:55 | 0:31:59 | |
£65 paid. | 0:31:59 | 0:32:02 | |
-It's a bit on the money, isn't it? -It is. | 0:32:02 | 0:32:04 | |
They'll need their bonus buy. Let's have a look. | 0:32:04 | 0:32:07 | |
Now, Ken and Josie, you spent £145, which is pretty miserable. | 0:32:07 | 0:32:12 | |
You gave the man 155 of leftover lolly. What did you buy, James? | 0:32:12 | 0:32:17 | |
-Not a lot. -Oh, we've seen this before. Yes. | 0:32:17 | 0:32:20 | |
-I remember this. -The American jug. -Exactly. Well done. Well done. | 0:32:20 | 0:32:25 | |
-You didn't spend all our money on this? -No, course I didn't! | 0:32:25 | 0:32:29 | |
-Only the... -60, wasn't it? | 0:32:29 | 0:32:31 | |
35? | 0:32:31 | 0:32:33 | |
I bought that for 25. | 0:32:33 | 0:32:35 | |
-Oh, God! -That's all right. | 0:32:35 | 0:32:37 | |
-It's a nice quality item. -How much will it sell for? | 0:32:37 | 0:32:40 | |
Sell for? My estimate, I don't know. | 0:32:40 | 0:32:44 | |
-Anywhere between 20 and £40. -You could double your money. | 0:32:44 | 0:32:47 | |
-We could. -And we might not! | 0:32:47 | 0:32:49 | |
We could lose 20 quid. | 0:32:49 | 0:32:52 | |
-That's the dodgy moment, isn't it? -It's very nice. -Think about it. | 0:32:52 | 0:32:55 | |
For the audience at home, let's see what the auctioneer thinks. | 0:32:55 | 0:32:59 | |
There you go, Simon. What you've always wanted to see. A genuine piece of plated silver. | 0:33:01 | 0:33:07 | |
Right. OK. | 0:33:07 | 0:33:08 | |
It's an American silver-plated jug. Um... | 0:33:08 | 0:33:12 | |
Does that help it, being American? | 0:33:12 | 0:33:14 | |
-Rather than being English silver plate? -Not unless it's got Tiffany's written on it! | 0:33:14 | 0:33:19 | |
But in this case it hasn't, so we're talking 20 to £30. | 0:33:19 | 0:33:22 | |
OK. £25 paid by James Braxton as a bonus buy. | 0:33:22 | 0:33:26 | |
-You never know. The team might not take it. -No. | 0:33:26 | 0:33:29 | |
Exciting! Thank you, Simon. | 0:33:29 | 0:33:32 | |
Before we auction today's bargains, take a look at this. | 0:33:38 | 0:33:43 | |
Here's a game old bird! | 0:33:46 | 0:33:48 | |
It's actually Japanese and it dates from around about 1900. | 0:33:48 | 0:33:52 | |
On the face of it, | 0:33:52 | 0:33:55 | |
it looks incredibly uncomfortable the way it's standing on top of this trunk | 0:33:55 | 0:34:01 | |
and leafage. | 0:34:01 | 0:34:03 | |
The reason for that is, it's not supposed to stand like that at all! | 0:34:03 | 0:34:08 | |
It's got a square peg | 0:34:08 | 0:34:10 | |
which fits into the top of the river stump | 0:34:10 | 0:34:15 | |
but where this front leg is positioned, | 0:34:15 | 0:34:17 | |
this curious twisting over, would indicate that it's fallen and got bent. | 0:34:17 | 0:34:22 | |
It needs some restoration. | 0:34:22 | 0:34:25 | |
But look at the plumage. Look at the colour of the bird's body. | 0:34:25 | 0:34:30 | |
This is expert Japanese gilding | 0:34:30 | 0:34:34 | |
where each of the feathers is individually formed | 0:34:34 | 0:34:39 | |
and the colour is just great. | 0:34:39 | 0:34:41 | |
I can't tell you how much I like the base, though. | 0:34:41 | 0:34:44 | |
I think that's absolutely stellar. | 0:34:44 | 0:34:47 | |
If I was a Japanese scholar, | 0:34:47 | 0:34:49 | |
I'd be able to point to that little plaque in the base | 0:34:49 | 0:34:53 | |
which has been inscribed with Japanese characters, | 0:34:53 | 0:34:56 | |
and tell you who the sculptor is. | 0:34:56 | 0:34:59 | |
What's a lovely ornithological bronze like this worth? | 0:34:59 | 0:35:03 | |
Well, I would have thought this should sit comfortably | 0:35:03 | 0:35:07 | |
with an estimate of 300 to £400. | 0:35:07 | 0:35:11 | |
But at 50 to £70, that makes this a bit of a bargain! | 0:35:11 | 0:35:18 | |
Let's catch up with the red team. It's their moment of truth. | 0:35:19 | 0:35:22 | |
-Malcolm, Carolyn, this is exciting, isn't it? -Very exciting! | 0:35:25 | 0:35:29 | |
The first lot up are your two Georgian decanters. Here they come. | 0:35:29 | 0:35:33 | |
Lot 220 is the matched pair of 19th-century ring-necked decanters and stoppers. | 0:35:33 | 0:35:39 | |
There they are, being held up for you. | 0:35:39 | 0:35:42 | |
And I am bid ten, 12, 14, | 0:35:42 | 0:35:44 | |
16, 18, 20 and two. | 0:35:44 | 0:35:47 | |
24. 26. 28. 30. | 0:35:47 | 0:35:50 | |
-With me now at £30. -Come on! -All done and selling now at £30. | 0:35:50 | 0:35:54 | |
All done at 30, are we? | 0:35:54 | 0:35:56 | |
-Fairly close. -£30. Very quick. | 0:35:56 | 0:35:59 | |
Minus £8. Sorry about that. | 0:35:59 | 0:36:01 | |
The Canton famille rose porcelain vase, with courtly figures. | 0:36:01 | 0:36:05 | |
Reduced in height. There we have it. | 0:36:05 | 0:36:07 | |
What do we say for this one? £30 for it, do we say? | 0:36:07 | 0:36:10 | |
I'm bid 30 straight in. Do I see the two? | 0:36:10 | 0:36:13 | |
At £30, now. Maiden bid at 30. Looking for two anywhere. £30. | 0:36:13 | 0:36:17 | |
-Cheap lot here at 30. -Come on! -Do I see the two? Art £30. | 0:36:17 | 0:36:20 | |
Going to sell at 30, then. And two, just in time. | 0:36:20 | 0:36:23 | |
34. 36. 38. 40? | 0:36:23 | 0:36:26 | |
At £38. Sure you won't go 40? | 0:36:26 | 0:36:30 | |
At £38. All done at 38 and selling now. | 0:36:30 | 0:36:34 | |
-£38 wiped its face! -Yes! | 0:36:34 | 0:36:35 | |
The wrong thing wiped its face! | 0:36:35 | 0:36:38 | |
This is what we want to wipe its face, the inkwell. | 0:36:38 | 0:36:41 | |
I'm nervous about this! | 0:36:41 | 0:36:42 | |
Inkwell. There it is. | 0:36:42 | 0:36:44 | |
Sheffield. 1903. Nice little thing. | 0:36:44 | 0:36:46 | |
And I am bid 50. | 0:36:46 | 0:36:49 | |
And five. 60. And five. | 0:36:49 | 0:36:50 | |
70. With me at 70. And five. | 0:36:50 | 0:36:53 | |
75 left-handed. Do I see 80? 80. | 0:36:53 | 0:36:55 | |
And five. 90. | 0:36:55 | 0:36:56 | |
85 with you. | 0:36:56 | 0:36:58 | |
85. Going to sell. 90 is going. And five. 100? | 0:36:58 | 0:37:02 | |
At 95, left-handed. All done and selling now at £95. At 95, are we? | 0:37:02 | 0:37:08 | |
So close, £95. You're minus £15 on that. | 0:37:08 | 0:37:12 | |
Which means overall you're minus 23. | 0:37:12 | 0:37:15 | |
-So, to marrow scoop or not to marrow scoop? -That is the question. | 0:37:15 | 0:37:21 | |
It is the question, and it's quite a big question. | 0:37:21 | 0:37:23 | |
It's £100-worth of marrow scoop. | 0:37:23 | 0:37:26 | |
-And you're minus 23 which could be a winning score. -Yes, it could be. | 0:37:26 | 0:37:31 | |
What do you think, Carolyn? | 0:37:31 | 0:37:32 | |
-I think we... -Go on, spit it out. | 0:37:32 | 0:37:36 | |
-..don't go with it. -You don't go with it? | 0:37:36 | 0:37:38 | |
-No offence, Mark. -Sorry, Mark. -None taken. I won't be offended. | 0:37:38 | 0:37:43 | |
-I think... -Let's keep it at minus 23. -Keep it as minus 23. | 0:37:43 | 0:37:48 | |
-Ring-fence minus 23. -Yes. -OK. Sure about that? -Yes. | 0:37:48 | 0:37:51 | |
OK, we're not going with the bonus buy, but we're going to sell it anyway. | 0:37:51 | 0:37:55 | |
Let's see what happens. No bonus buy, but here it comes. | 0:37:55 | 0:37:58 | |
The antique double-ended marrow scoop. | 0:37:58 | 0:38:01 | |
Nice clear Georgian marks to it. | 0:38:01 | 0:38:04 | |
What do I say for it? 50? I'm bid 30 and five. | 0:38:04 | 0:38:07 | |
40 and five. 50 and five now? | 0:38:07 | 0:38:10 | |
55, left-handed. Do I see 60? | 0:38:10 | 0:38:12 | |
And five. 70. | 0:38:12 | 0:38:15 | |
-And five. -Stop! | 0:38:15 | 0:38:16 | |
70 to the head. All done and selling at 70, are we? | 0:38:16 | 0:38:19 | |
Away it goes now at £70, then. | 0:38:19 | 0:38:22 | |
-The right decision. Well done. -The right decision. -Minus £30. | 0:38:22 | 0:38:26 | |
But you've ring-fenced your losses at minus 23, which is your score, | 0:38:26 | 0:38:30 | |
-which could well be a winning score. -Let's hope. | 0:38:30 | 0:38:33 | |
-Just don't say a word to the blues! -No, never! | 0:38:33 | 0:38:36 | |
So, the Oriental bird. | 0:38:41 | 0:38:44 | |
Beautifully cast, a bit wonky in the legs, | 0:38:44 | 0:38:47 | |
estimate 50 to £75. | 0:38:47 | 0:38:49 | |
Tremendous amount of bids here. I'm bid 320, 340, 360, 380, | 0:38:49 | 0:38:53 | |
400 and 20. | 0:38:53 | 0:38:55 | |
At 420. Anybody give me 440? | 0:38:55 | 0:38:57 | |
-Telephone bid. -440. 460. 480. | 0:38:57 | 0:39:00 | |
500 and 20. | 0:39:00 | 0:39:02 | |
-Second telephone! -540. | 0:39:02 | 0:39:04 | |
560. | 0:39:04 | 0:39:06 | |
560 in the room now. 580. 600. | 0:39:06 | 0:39:09 | |
I thought a nought had been left off! | 0:39:09 | 0:39:12 | |
660. 680. | 0:39:12 | 0:39:15 | |
700. | 0:39:15 | 0:39:16 | |
-Going on! -And 20. 740. | 0:39:16 | 0:39:19 | |
760? | 0:39:19 | 0:39:21 | |
At 740. Seated now. 740. All done at 740, are we? | 0:39:22 | 0:39:27 | |
£740. Now that's what you call a result! | 0:39:27 | 0:39:31 | |
So, let's see if the blues' items will fly. Remember, | 0:39:31 | 0:39:36 | |
the reds made a loss of £23. | 0:39:36 | 0:39:39 | |
-Josie, how do you feel? -Absolutely fine. -Full of confidence? -Oh, yes! | 0:39:39 | 0:39:43 | |
First off is the make-up. Here it comes. | 0:39:43 | 0:39:46 | |
The rectangular japanned theatrical make-up box. | 0:39:46 | 0:39:50 | |
As we see it there. What do we say | 0:39:50 | 0:39:53 | |
for this one? £10 for it, do we say? | 0:39:53 | 0:39:56 | |
-Come along, now. Five to get us going. -Come on! | 0:39:56 | 0:39:59 | |
I'm bid five pounds. Six, here. | 0:39:59 | 0:40:01 | |
Seven. Eight. Seven at the back. | 0:40:01 | 0:40:05 | |
I'm looking for eight. Eight here. Nine. Ten? Nine at the back. | 0:40:05 | 0:40:09 | |
-You never know who might have used it. -No thespians here! | 0:40:09 | 0:40:12 | |
At £9 with you. I'm going to sell at nine. All done at nine? | 0:40:12 | 0:40:17 | |
-I can't bear it. £9. -That was our best hope! -You are minus £1. -Criminal! | 0:40:17 | 0:40:21 | |
-Here's the bracelet. -Lot 241 is the silver bracelet, | 0:40:21 | 0:40:25 | |
set to seven square pendants, as we see them, polished stone pendants. | 0:40:25 | 0:40:30 | |
What do we say for this one? | 0:40:30 | 0:40:31 | |
£30 for it? 30 straight in. | 0:40:31 | 0:40:33 | |
Do I see two? At £30. Looking for two. | 0:40:33 | 0:40:35 | |
At £30. Maiden bid at £30. Do I see the two? | 0:40:35 | 0:40:39 | |
At £30. I'm going to sell now at 30. All done at 30? | 0:40:39 | 0:40:43 | |
-Maiden bid! We're lucky to get 30! -Minus £40. | 0:40:43 | 0:40:46 | |
-Oh, dear. -I'll buy it off them when we go outside! | 0:40:46 | 0:40:49 | |
This isn't good. Here comes "Juliano". | 0:40:49 | 0:40:53 | |
A brooch. There we are. Handsome brooch hung with pendant. | 0:40:53 | 0:40:57 | |
I'm bid 22, 24, 26, 28, 30. | 0:40:57 | 0:41:00 | |
And two. 34. 36. 36 left-handed now. | 0:41:00 | 0:41:04 | |
Are we all done and selling at £36? All done at 36, are we? | 0:41:04 | 0:41:08 | |
36 is four short of 40. You are minus 29 on that. | 0:41:08 | 0:41:14 | |
40, 50, 69, 70. | 0:41:14 | 0:41:17 | |
Minus £70. | 0:41:17 | 0:41:18 | |
-Are you going with the bonus buy or not? -Yes. -You're going with it. | 0:41:18 | 0:41:23 | |
Lot 245 is the American silver-plated water jug. | 0:41:23 | 0:41:27 | |
There we are. Large plated water jug for you. | 0:41:27 | 0:41:30 | |
I'm bid ten, 12, 14, 16, 18, 20, | 0:41:30 | 0:41:33 | |
and two, 24. We're now at £24, then. | 0:41:33 | 0:41:36 | |
Are we done and selling at £24? Away it goes at 24, then. | 0:41:36 | 0:41:40 | |
Bad luck, James, that is minus £1. | 0:41:40 | 0:41:42 | |
Which means you're minus £71 overall. | 0:41:42 | 0:41:45 | |
-Don't say a word to the reds. -Fair enough. -Thank you very much. | 0:41:45 | 0:41:48 | |
Well, well, well, well, well! | 0:41:53 | 0:41:56 | |
-What fun! You been chatting, you teams? -No. -No. | 0:41:56 | 0:41:59 | |
-No communicating going on? -No. -That's unusual with a theatrical lot! | 0:41:59 | 0:42:05 | |
They're very keen on chatting! Anyway, | 0:42:05 | 0:42:07 | |
it is my duty to reveal who the winners and the runners-up are. | 0:42:07 | 0:42:12 | |
No losers on Bargain Hunt, just runners-up! | 0:42:12 | 0:42:14 | |
And they are, by a substantial margin today, the blues. | 0:42:14 | 0:42:18 | |
Sorry about that! | 0:42:18 | 0:42:20 | |
Congratulations. | 0:42:22 | 0:42:24 | |
-You have lost on every single item, which is not so hot. -Quite an achievement! | 0:42:24 | 0:42:30 | |
There we are. Perhaps there is a message here about the jewellery. | 0:42:30 | 0:42:34 | |
-But, nevertheless, had a good time? -Lovely, thank you. | 0:42:34 | 0:42:37 | |
-Good for you, Ken? -Wonderful. -We've loved having you on the programme. Brave, | 0:42:37 | 0:42:42 | |
even in adversity to the end. Thank you very much. | 0:42:42 | 0:42:46 | |
But the victors today, yes! | 0:42:46 | 0:42:48 | |
The reds have won by only managing to lose £23. | 0:42:48 | 0:42:52 | |
£23 is not too bad. | 0:42:52 | 0:42:54 | |
You didn't go with the bonus buy, which was a smart move! | 0:42:54 | 0:42:58 | |
And you managed to preserve it. | 0:42:58 | 0:43:00 | |
It's always nice to have a wiped face, and you had one of those, which is jolly nice. | 0:43:00 | 0:43:05 | |
-Had a nice time, Malcolm? -Enjoyed it thoroughly. -Good for you? -Fabulous. -We loved seeing you. | 0:43:05 | 0:43:11 | |
Join us soon for more bargain hunting, yes? | 0:43:11 | 0:43:13 | |
Yes! | 0:43:13 | 0:43:15 | |
Subtitles by Red Bee Media Ltd | 0:43:32 | 0:43:35 |