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We're at the home of one great British institution, | 0:00:07 | 0:00:12 | |
the Grand National! | 0:00:12 | 0:00:13 | |
Time for another! Let's go Bargain Hunting! | 0:00:13 | 0:00:17 | |
Today, Aintree swaps runners and riders for wheelers and dealers! | 0:00:45 | 0:00:50 | |
But will our teams go the full distance? | 0:00:50 | 0:00:54 | |
Will our teams stumble at the first hurdle? | 0:00:54 | 0:00:57 | |
Let's go and find out. | 0:00:57 | 0:00:59 | |
Our runners today... | 0:01:00 | 0:01:01 | |
10-1 shot Kerry is lively and prone to overenthusiastic outbursts... | 0:01:01 | 0:01:06 | |
I'm quite excited about that, really. | 0:01:06 | 0:01:09 | |
At 40-1, John is rank outsider | 0:01:09 | 0:01:11 | |
but will show form when the prize is high. | 0:01:11 | 0:01:14 | |
Would you like it gift-wrapped, sir? | 0:01:14 | 0:01:16 | |
Please, yes. If that was possible. | 0:01:16 | 0:01:18 | |
Paul is the only grey in the field. | 0:01:18 | 0:01:21 | |
His 30-1 odds reflect he's easily led astray. | 0:01:21 | 0:01:24 | |
Would you be willing to take a risk on that, Henry? | 0:01:24 | 0:01:27 | |
-I would if you could get it for less. -OK. -Shall we see if we can do a deal on it? | 0:01:27 | 0:01:31 | |
Hot favourite is Gary, | 0:01:31 | 0:01:33 | |
quick out of the stalls, but can peak too early. | 0:01:33 | 0:01:37 | |
We don't want to be racing and buy something stupid in the last five minutes. | 0:01:37 | 0:01:41 | |
So let's get them under starter's orders! | 0:01:41 | 0:01:44 | |
-Now, John, how did you two meet? -We met in a bar about five years ago through mutual friends. | 0:01:49 | 0:01:54 | |
Yeah, we just share the same interests, | 0:01:54 | 0:01:56 | |
and we go to gigs and stuff together, and we've just become friends since then, really. | 0:01:56 | 0:02:02 | |
-Now, Kerry, you run a dance group. -Yeah. -Is that a strenuous activity? | 0:02:02 | 0:02:06 | |
I wouldn't say it was strenuous, it's more fun. | 0:02:06 | 0:02:09 | |
But, yeah...it's a dance troupe called the Debauchery Dolls... | 0:02:09 | 0:02:13 | |
-Oh, Lord! -Basically I audition them and put them together and we dance at local events, | 0:02:13 | 0:02:18 | |
doing things like acrobatic pole dancing, fire-eating, and things like that. | 0:02:18 | 0:02:24 | |
Have you got any clothes on at the time? | 0:02:24 | 0:02:26 | |
Not myself...but they do. | 0:02:26 | 0:02:27 | |
Oh, I see. You don't wear clothes, but they do. | 0:02:27 | 0:02:30 | |
-I do! I don't do any of the dancing. -You don't? You just organise it? -Yeah. Organise it and hire them out. | 0:02:30 | 0:02:36 | |
I think you're pretty cute, Kerry. I think you're going to do very well today. Now, John... | 0:02:36 | 0:02:40 | |
-it's just as well you're wearing red today, yes? -Yeah, I happen to be a Liverpool fan, | 0:02:40 | 0:02:44 | |
always have been, born and bred, it's a family thing. So, yeah, I go to the games. | 0:02:44 | 0:02:48 | |
-The family have got a season ticket, so I go to the games, yeah. -You take it quite seriously? -Yeah. | 0:02:48 | 0:02:52 | |
And you're looking forward to today. Are you going to win? | 0:02:52 | 0:02:55 | |
-Definitely, yeah. -Oh, definitely. That's fighting talk. Anyway...good luck. | 0:02:55 | 0:02:59 | |
-You look scared, you boys. -Petrified. -Excellent. -Trembling. | 0:02:59 | 0:03:03 | |
Paul, you're brothers but you're also great friends. | 0:03:03 | 0:03:06 | |
We are indeed. We're very, very good friends, and we've got closer as we've got older. | 0:03:06 | 0:03:11 | |
Gary was pretty much like a father figure to me in my early years, | 0:03:11 | 0:03:15 | |
-and I didn't like him too much then, he was a bit of a...hindrance. -Was he strict with you? | 0:03:15 | 0:03:20 | |
-Oh, extremely, extremely. -Bossy? -He laid the law down. -Bossy? -Very bossy. | 0:03:20 | 0:03:24 | |
-Difficult? -Keep going! All those sort of words, yeah! That's him! | 0:03:24 | 0:03:29 | |
-Now, Gary, you're pleased to be in blue. -Very much so. | 0:03:29 | 0:03:32 | |
In this city you're either red or blue, there's no in-between! | 0:03:32 | 0:03:34 | |
Yeah, brilliant. | 0:03:34 | 0:03:36 | |
-Now, you incorporate your PR campaign for Liverpool in your job, don't you? -Yes. | 0:03:36 | 0:03:41 | |
I set up my own company called Heart Of The City. | 0:03:41 | 0:03:44 | |
Basically I wanted to do a good PR job for the city and bring people in and show them the real Liverpool, | 0:03:44 | 0:03:49 | |
-so I'll take them round certain parts of Liverpool... -So it's like a glorified tour guide? | 0:03:49 | 0:03:53 | |
-Yeah... -But more. -I like to look after people and show them what we Scousers are really like. | 0:03:53 | 0:03:59 | |
This is the friendliest city, it's a great city, | 0:03:59 | 0:04:01 | |
and there's a lot more to it, and I love meeting people. | 0:04:01 | 0:04:05 | |
-So, presumably, Gary, you'll have no problem in winning Bargain Hunt today? -Not at all. | 0:04:05 | 0:04:08 | |
That's rather what I thought you were going to say! Now, the money moment, £300 apiece, there you go. | 0:04:08 | 0:04:13 | |
£300. £300. You know the rules. Your experts await and off you go! | 0:04:13 | 0:04:18 | |
And very, very good luck. | 0:04:18 | 0:04:20 | |
Cor! What great teams! | 0:04:20 | 0:04:23 | |
And every great team needs a great trainer. | 0:04:23 | 0:04:26 | |
Today we have them in the form of two young bucks... | 0:04:26 | 0:04:29 | |
for the Reds... | 0:04:29 | 0:04:32 | |
and for the Blues... | 0:04:32 | 0:04:34 | |
Here we are at the race course. | 0:04:36 | 0:04:37 | |
- Thanks, Jonathan. Best of luck. - Thank you very much. | 0:04:37 | 0:04:40 | |
- Let's hope we don't fall at the first hurdle. - Thank you very much! | 0:04:40 | 0:04:43 | |
Come on, let's get out of here! | 0:04:43 | 0:04:45 | |
Oh, dear, Henry! I hope your advice isn't as lame as your jokes! | 0:04:45 | 0:04:49 | |
-Right, guys, our hour has started. -Yeah. | 0:04:49 | 0:04:52 | |
Fill your boots, have a look around. See what you can find. Anything that's interesting, point it out. | 0:04:52 | 0:04:56 | |
-What are your tactics for today? -We need to get two good-quality products and something quirky. | 0:04:59 | 0:05:04 | |
-Let's go inside, I think, actually. -Yeah. | 0:05:09 | 0:05:12 | |
-You've got to start somewhere. -Yeah, why not there? | 0:05:12 | 0:05:14 | |
-This is like painted wood. -How much are they asking for it? | 0:05:17 | 0:05:20 | |
-150. -But it is period. And a bit of damage that doesn't really matter so much. | 0:05:20 | 0:05:26 | |
-It gives it character. -It shows it's original, that's the thing. | 0:05:26 | 0:05:29 | |
You can see there's a few blemishes on the chrome, the glass... | 0:05:29 | 0:05:32 | |
everything about it is original. And that's important. | 0:05:32 | 0:05:35 | |
It's quite a versatile table. It's functional, it's good-looking, but it's a lot of money! | 0:05:35 | 0:05:40 | |
A lot of our money, yeah! | 0:05:40 | 0:05:42 | |
Let's stick to our anticlockwise route. | 0:05:42 | 0:05:44 | |
Well, you've got £300, Jonathan. | 0:05:44 | 0:05:46 | |
Boys, have you got expensive tastes too? | 0:05:46 | 0:05:50 | |
£445. | 0:05:50 | 0:05:52 | |
-Yeah, that exceeds our... -Next stall! | 0:05:52 | 0:05:55 | |
-£100. -That's a wee bit too much. -Too much. | 0:05:55 | 0:05:58 | |
-How much is it? -That's 120, that. | 0:05:58 | 0:06:00 | |
Er...come on... | 0:06:00 | 0:06:03 | |
That'll be a yes, then? | 0:06:03 | 0:06:04 | |
"London & North Eastern Railway". Things like this railway iron are quite good. | 0:06:04 | 0:06:09 | |
Train plates, nameplates off engines make thousands of pounds, | 0:06:09 | 0:06:13 | |
and there are people who kit places out completely with this sort of thing. | 0:06:13 | 0:06:16 | |
What would you take for it? | 0:06:16 | 0:06:18 | |
-65. -That's all right. | 0:06:18 | 0:06:21 | |
The gentleman says we can have it for £65. | 0:06:21 | 0:06:24 | |
And it's original, it's not fake. Cos there's lot of fakes, but that's original. | 0:06:24 | 0:06:27 | |
Would you take 50? | 0:06:27 | 0:06:28 | |
Well, if it's 65, right, we're going to split the difference and say 60. | 0:06:28 | 0:06:32 | |
I would say there is a fair chance of that making quite a bit. | 0:06:32 | 0:06:35 | |
I would say that. I sell this kind of thing quite a lot. | 0:06:35 | 0:06:39 | |
With the auction house being near Crewe which is massive for railways... | 0:06:39 | 0:06:43 | |
-Yeah. -Yes. -We'd have a lot of punt, maybe. -Exactly. | 0:06:43 | 0:06:46 | |
That would be quite good, and I think there's money in it. | 0:06:46 | 0:06:48 | |
-I'd be surprised to see it lose. -I'm quite excited about that, really. -Shake the man's hand! | 0:06:48 | 0:06:53 | |
- OK. - Would you like it gift-wrapped, sir? | 0:06:53 | 0:06:56 | |
Please, yes. If that was possible. | 0:06:56 | 0:06:58 | |
I'd just settle for a profit, eh, John? | 0:06:58 | 0:07:01 | |
Thank you very much indeed. Hope you're happy with that. Bye. | 0:07:01 | 0:07:04 | |
But at least you're on track. Now, boys, have you finally found something within budget? | 0:07:04 | 0:07:10 | |
-Obviously, I think the terminal on the spoon suggests it's Indian. -Yeah. | 0:07:10 | 0:07:15 | |
Almost certainly silver. | 0:07:15 | 0:07:18 | |
The Indians tended not to assay their particular items. | 0:07:18 | 0:07:22 | |
What's the gold round the edges, that sort of tinting? | 0:07:22 | 0:07:25 | |
-It looks like it's been gilded at some stage. -Gilded... -Yeah. | 0:07:25 | 0:07:28 | |
So obviously it was quite a common thing to do, really, | 0:07:28 | 0:07:31 | |
to replicate gold. Do you like it? | 0:07:31 | 0:07:34 | |
-I like it, but it depends on... -55. Obviously, he'd have to come down... | 0:07:34 | 0:07:39 | |
-I think at auction you'd probably get sort of £30-£40 for it. -Really? | 0:07:39 | 0:07:44 | |
That's the level we'd have to be looking at, really. | 0:07:44 | 0:07:47 | |
-What's the best price you'd do on this? -40 would be the best. | 0:07:47 | 0:07:51 | |
-Not 35? -I mean, you've got to really like it, I think. | 0:07:51 | 0:07:55 | |
-I like the handle. The handle's unusual, isn't it? -Could we have it for 37? | 0:07:55 | 0:07:59 | |
-I'll check with the boss. -I like your style. | 0:07:59 | 0:08:02 | |
- Yeah, OK. - We can do it for 37. | 0:08:02 | 0:08:04 | |
-£37. -That's a decent deal. | 0:08:04 | 0:08:07 | |
Teams, you're neck and neck after the first fence. | 0:08:07 | 0:08:09 | |
-This is lovely. What sort of period is this? -Deco, isn't it? | 0:08:11 | 0:08:16 | |
-Well, it's very, very late deco. -Is it? | 0:08:16 | 0:08:18 | |
-I'd say it's probably into the... it's almost... probably into the war period. -Yeah. | 0:08:18 | 0:08:24 | |
If we can get something like this for a lot less money than that, we will stand to make a profit. | 0:08:24 | 0:08:29 | |
But it's the right idea, certainly. | 0:08:29 | 0:08:31 | |
We've got a silver-plated chamber stick with the etched-glass shade. | 0:08:35 | 0:08:39 | |
-I have to say, as an auctioneer, I haven't seen one with a shade before. -Right. | 0:08:39 | 0:08:43 | |
The only thing I would say is they're the sort of things | 0:08:43 | 0:08:46 | |
that are fundamentally useless in today's society with electricity. | 0:08:46 | 0:08:50 | |
Fundamentally useless? In that case, give me two! | 0:08:50 | 0:08:55 | |
-But, you know, it's different. -Oh, well, Blues, at least you're sticking together! | 0:08:55 | 0:08:59 | |
Unlike the Reds who've lost their expert! | 0:08:59 | 0:09:02 | |
-Have you seen Jonathan? -No, he seems to have disappeared. -I'll go and find him. -Yeah, go and find him. | 0:09:02 | 0:09:07 | |
Ah! There you are, Jonathan! | 0:09:08 | 0:09:10 | |
Happily oblivious! | 0:09:10 | 0:09:13 | |
£50. It's not out of the way, but... Shall we have a look at it? | 0:09:13 | 0:09:17 | |
I thought it was fundamentally useless, Henry! | 0:09:17 | 0:09:20 | |
This is electroplated, so what it is it's silver-plate that's fused on to an alloy or copper, for example... | 0:09:20 | 0:09:28 | |
-Hence the colour. -Hence the colour... And very often, when it's polished, | 0:09:28 | 0:09:32 | |
it exposes the copper beneath. | 0:09:32 | 0:09:35 | |
-Well, what can I say about it? -No hallmarks? -Well, it won't be because it's electroplated. | 0:09:35 | 0:09:41 | |
So...it's a bit sort of Wee Willie Winkie style, isn't it really? But unusual. | 0:09:41 | 0:09:47 | |
Would you be willing to take a risk on that, Henry? | 0:09:47 | 0:09:50 | |
-I would if you could get it for less. -OK. -Shall we see if we can do a deal on it? | 0:09:50 | 0:09:54 | |
-Have a word with the stallholder. -Excuse me? | 0:09:54 | 0:09:57 | |
You've got this down as 50, but would you be interested in taking £30 for that? | 0:09:57 | 0:10:02 | |
40's the lowest I can go on that. | 0:10:02 | 0:10:04 | |
What about 35? | 0:10:04 | 0:10:06 | |
I'll do you 37...37. | 0:10:06 | 0:10:09 | |
-What do you reckon, Paul? -I think it's well worth risking. | 0:10:09 | 0:10:13 | |
I like it, it's different. And as you say, Henry, you haven't seen it with this on before, have you? | 0:10:13 | 0:10:18 | |
-It's quirky enough. -36? | 0:10:18 | 0:10:20 | |
-37's final. -I think 37's OK. -OK, 37. | 0:10:20 | 0:10:24 | |
Not the last of the big spenders, are you, Blues? | 0:10:24 | 0:10:26 | |
But at least that's two for the pot. | 0:10:26 | 0:10:30 | |
Looking at this piece of... it's presumably... is it hallmarked silver? | 0:10:30 | 0:10:33 | |
Can't see anything on it, but I'm pretty sure it is. Go on, you look. | 0:10:33 | 0:10:37 | |
-Thanks very much. -I really like that. -That's a piece... these are sort of jaspers, | 0:10:37 | 0:10:42 | |
like stones from the Cairngorms, in silver, and then you've got this Isle of Man motif. | 0:10:42 | 0:10:47 | |
I've not seen one with that motif on. They always tend to do rather well at auction. | 0:10:47 | 0:10:51 | |
There's a bit of damage there, isn't there, on that little chap... | 0:10:51 | 0:10:54 | |
No there's not. It's just the silver is patternated. | 0:10:54 | 0:10:58 | |
I think the patternation of it makes it look worse than it actually is. | 0:10:58 | 0:11:02 | |
I think really brightly cleaned up, it will look much nicer. | 0:11:02 | 0:11:08 | |
-Hello, kids, how are you getting on? All right? -Well, one under the belt so far, Tim. -Are you pleased? | 0:11:08 | 0:11:13 | |
-I see you've got some lipstick on your cheek. -Yeah, sadly it's not yours! | 0:11:13 | 0:11:17 | |
-Mr Wonnacott... -I've only had 14 kisses so far this morning. | 0:11:17 | 0:11:21 | |
-It's rather good, isn't it? Are all Liverpool people like this, a bit fresh? -Oh, yeah! -Are they? | 0:11:21 | 0:11:25 | |
-How are you getting on, Jonathan? -Well, I've only had the one kiss this morning! | 0:11:25 | 0:11:29 | |
-No, seriously, down to business. What have you bought? -I just picked this up. | 0:11:29 | 0:11:33 | |
-I know you're not supposed to guide us, but Scottish Cairngorms, Isle of Man... -Isle of Man. | 0:11:33 | 0:11:38 | |
I think the patternation makes it look worse than it actually is. | 0:11:38 | 0:11:43 | |
-But if they were resold... -Do you fancy that? -I think it's a nice thing. | 0:11:43 | 0:11:47 | |
The legs of Man. When was the last time you saw a legs of Man one on a Scottish pebble? | 0:11:47 | 0:11:52 | |
-I'm not going to let you convince us, Tim. -I'm not allowed to say anyway... | 0:11:52 | 0:11:57 | |
-£20 doesn't seem a lot, does it? Do you like it? -I love it. -What do you think, John? | 0:11:57 | 0:12:00 | |
-Yeah, again with the local interest. -You've got a lovely team here. -I have, I've been lucky today. | 0:12:00 | 0:12:06 | |
-I can't influence you, so I'll shove off... -Shove off! -Good luck! -See you. | 0:12:06 | 0:12:11 | |
-Where's the lady gone? -She's back there. -To be cheeky, would you take 15? | 0:12:11 | 0:12:15 | |
-15? -Shall we go for it? Number two under our belt! -Yeah. -We'll take that, then, please. Thank you. | 0:12:15 | 0:12:20 | |
Wonderful. Thank you very much. | 0:12:20 | 0:12:23 | |
-Oh, this is easy, isn't it? -Yeah! | 0:12:23 | 0:12:25 | |
-I'm pleased you're so confident, Jonathan! -Good, good, good! | 0:12:25 | 0:12:29 | |
-I mean, this is luxury. -Yeah, we're cruising! | 0:12:31 | 0:12:34 | |
And the nice thing is there's quite a nice selection of stuff, | 0:12:34 | 0:12:38 | |
-so it's not that difficult to find things. -Yeah. -We're doing all right. I think we're doing really well. | 0:12:38 | 0:12:42 | |
We're still OK with time, so... | 0:12:42 | 0:12:45 | |
Plenty of dolls, but no Debauchery Dolls! | 0:12:45 | 0:12:48 | |
BUGLE BLAST | 0:12:50 | 0:12:52 | |
-Is that how it's meant to sound? -Yes. | 0:12:52 | 0:12:55 | |
Good! Everyone's confidence is brimming over, | 0:12:55 | 0:12:58 | |
so it's my turn to check out the fair. | 0:12:58 | 0:13:01 | |
I feel something tribal coming on, don't you? | 0:13:05 | 0:13:07 | |
I mean, how good is this? Here, in the middle of Aintree Racecourse, | 0:13:07 | 0:13:12 | |
we've got an ethnographic dealer who's brought his incredible stock with him, | 0:13:12 | 0:13:17 | |
and my favourite trio out of what he's brought us today include these three fellows... | 0:13:17 | 0:13:23 | |
Each of them has got a typical trumpet-formed base, look. | 0:13:23 | 0:13:28 | |
This one's pierced with a hole through the middle of the stem. | 0:13:28 | 0:13:33 | |
That would be so you could put a leather thong through the hole and cart it around with you. | 0:13:33 | 0:13:38 | |
Because if you're in a tribe, and it's a tribe that moves from place to place, you travel light. | 0:13:38 | 0:13:45 | |
You haven't got much furniture. You want to be able to carry things easily. | 0:13:45 | 0:13:49 | |
And this is an absolute essential. | 0:13:49 | 0:13:53 | |
This piece is at least 50-100 or 150 years old. | 0:13:53 | 0:13:57 | |
But what would these three things have been used for? | 0:13:57 | 0:14:01 | |
Well, you haven't got any furniture, | 0:14:01 | 0:14:03 | |
but you might have an elaborate hairdo. | 0:14:03 | 0:14:06 | |
And for the ladies who are watching, | 0:14:06 | 0:14:09 | |
they know that an elaborate hairdo is a very precious possession! | 0:14:09 | 0:14:13 | |
And if you haven't got a bed and you have to lie on the floor, | 0:14:13 | 0:14:16 | |
what you're not going to want to do is to mess up your elaborate hairdo! | 0:14:16 | 0:14:19 | |
So this is actually a native pillow. | 0:14:19 | 0:14:23 | |
This shaped bar at the top is designed to go round the back of your neck, | 0:14:23 | 0:14:28 | |
so that when you're lying on the floor, | 0:14:28 | 0:14:31 | |
your head is elevated and your elaborate hairdo will not be disturbed. | 0:14:31 | 0:14:36 | |
The neck pillow. | 0:14:37 | 0:14:39 | |
And they come from Namibia. What are they worth? | 0:14:39 | 0:14:43 | |
Well, not an arm and a leg, just a pain in the neck! | 0:14:43 | 0:14:47 | |
That's £100 each to you and me. | 0:14:47 | 0:14:50 | |
And talking of pain, time to rein in the fun and push on to the finish. | 0:14:50 | 0:14:53 | |
Maybe something there. | 0:14:53 | 0:14:55 | |
-More pressure. We bought the first thing in the first 10 minutes... -We've been cruising too much. | 0:14:55 | 0:15:00 | |
We have, but there is so much to see... | 0:15:00 | 0:15:02 | |
Where's your confidence now, then, Jonathan? | 0:15:02 | 0:15:04 | |
-We don't want to be racing and buy something stupid in the last five minutes. -No. | 0:15:04 | 0:15:08 | |
-You like the '50s. -Yeah. -There's quite a lot of that sort of thing around here, that retro stuff. | 0:15:08 | 0:15:12 | |
It would be quite nice to find something that's your choice, yeah? | 0:15:12 | 0:15:16 | |
So I'm not going to put the pressure on, but let's just keep walking and looking, | 0:15:16 | 0:15:20 | |
-but this one's down to you if you can. -Oh! -No pressure! | 0:15:20 | 0:15:24 | |
Ooh, Jonathan! Upping the stakes in the final furlong. | 0:15:24 | 0:15:28 | |
-How about that? -It's musical. | 0:15:28 | 0:15:30 | |
It depends how much it is, though. | 0:15:30 | 0:15:33 | |
-That's a... -Does it play, that? -How much is this, please? | 0:15:33 | 0:15:37 | |
Very best price, I'll do you 85. | 0:15:37 | 0:15:39 | |
-Er... -Shall we do that? -It stands a chance. | 0:15:39 | 0:15:44 | |
-It's a very good musical mech in that one. -They're basically sort of 1930s... -Where is Widdicombe? | 0:15:44 | 0:15:49 | |
-Down in... -Somerset. -Somerset. -Somerset. -Down Devon way. | 0:15:49 | 0:15:52 | |
We sold one in our last auction on Tuesday and we got £75 for it, | 0:15:52 | 0:15:57 | |
-so, at 85, it's borderline, really. -Yeah. -But we're running out of time. | 0:15:57 | 0:16:03 | |
So are Kerry and John, Henry. | 0:16:03 | 0:16:05 | |
OK, look for a stall that you think might catch your eye and then just go for it. | 0:16:05 | 0:16:09 | |
-I can't. I feel as if I've got pressure on me now. -You're all right. | 0:16:09 | 0:16:13 | |
Yes, yes, yes! | 0:16:13 | 0:16:15 | |
Keep moving, keep moving. | 0:16:16 | 0:16:18 | |
Are you specifically looking for anything in particular now, do you think? | 0:16:21 | 0:16:24 | |
No, I want something that catches my eye. | 0:16:24 | 0:16:28 | |
-Would you take a risk? -I'd take a risk at it. -Could we have this for 70? | 0:16:28 | 0:16:32 | |
I couldn't do that, I'm afraid. | 0:16:32 | 0:16:34 | |
How much? | 0:16:34 | 0:16:36 | |
-A tenner. -That's kind of like Austrian Loetz. -It is Loetz. -It is Loetz? Is it with damage? | 0:16:36 | 0:16:41 | |
-On the top rim. -Oh, yeah. There's a big chunk out. | 0:16:41 | 0:16:44 | |
-Yeah. -OK. Sorry! | 0:16:44 | 0:16:45 | |
I mean, a tenner would be...straightforward. | 0:16:47 | 0:16:51 | |
-There's a chunk out the top. -Yeah. | 0:16:51 | 0:16:53 | |
Someone might go to the trouble of doing that. If it was in good condition, it would get £200. | 0:16:53 | 0:16:58 | |
-I'd stick that back up there if I were you. It's here, if we have to rush back, it's an easy tenner. -OK. | 0:16:58 | 0:17:02 | |
-Cos I would like... -I'll put the chip on the outside to put people off. -Shall we go down that way? | 0:17:02 | 0:17:07 | |
I like your style, Kerry! | 0:17:07 | 0:17:09 | |
I'll tell you what, I'll do it at 80, and that'll be my absolute best deal. That'll give you a fighting chance. | 0:17:11 | 0:17:16 | |
I honestly think if you bought that, the gentleman's right, you'd have a fighting chance. | 0:17:16 | 0:17:21 | |
-Right, OK. -Right. OK, I've got a good feeling about this. -OK. | 0:17:21 | 0:17:25 | |
-We'll deal with the 80. -Thank you very much. | 0:17:25 | 0:17:28 | |
OK, how much is that? | 0:17:33 | 0:17:35 | |
Er...absolutely definitely it would be 180. | 0:17:35 | 0:17:38 | |
That's a really big spend, | 0:17:41 | 0:17:43 | |
-but this sort of thing can be quite collectible in the right market. -Yeah. -The verse is...what's it say? | 0:17:43 | 0:17:49 | |
"When I was young I... | 0:17:49 | 0:17:53 | |
-"Thought..." -The spelling's not perfect! -"I little thought that... | 0:17:53 | 0:17:58 | |
-"Learning... -Was so easily taught." | 0:17:58 | 0:18:02 | |
That's quite...that's quite funny. | 0:18:02 | 0:18:05 | |
It's quite a bit of early comedy, really. | 0:18:05 | 0:18:07 | |
-Er... -Do we go out and buy it? -Yeah! -Rock bottoms, you wouldn't take just another tenner...? | 0:18:07 | 0:18:14 | |
If you take that, I'll give you the Loetz for free. | 0:18:14 | 0:18:19 | |
Well, if you're going to chuck that in for free, it's not quite in the rules... | 0:18:19 | 0:18:22 | |
-I'm always in favour of that... -No rules! -Since then, Jonathan? -Let's break the rules. | 0:18:22 | 0:18:28 | |
So we're doing it. | 0:18:28 | 0:18:30 | |
-Thank you very much. Brilliant. -Thank you. -Thank you. | 0:18:30 | 0:18:34 | |
I was destined to be on Bargain Hunt today, I knew it! | 0:18:34 | 0:18:36 | |
-It's exciting. -I'm excited as well, actually. -Yeah! It'll be good. | 0:18:36 | 0:18:40 | |
They've crossed the finish. | 0:18:40 | 0:18:42 | |
Just as well, really, because time's up! | 0:18:42 | 0:18:45 | |
Mmm...so what did those Reds buy? | 0:18:45 | 0:18:48 | |
They settled quickly on an iron railway sign for... | 0:18:48 | 0:18:52 | |
There's got to be a £20-£30 profit in that, I really see it... | 0:18:52 | 0:18:54 | |
Then Jonathan picked up a silver and agate brooch... | 0:18:54 | 0:18:58 | |
and in the dying minutes they landed a sampler | 0:18:58 | 0:19:02 | |
and a chipped Loetz vase for... | 0:19:02 | 0:19:05 | |
-I'm always in favour of that... -No rules! | 0:19:05 | 0:19:08 | |
So what did you finish up by spending? | 0:19:08 | 0:19:10 | |
-We spent 255, leaving us with £45. -£45 left over. Who's got that? | 0:19:10 | 0:19:16 | |
-Me. -£45 left over to me, please. -There's 40...and there's 5 Queens. | 0:19:16 | 0:19:21 | |
Lovely. I trust you. Millions wouldn't. | 0:19:21 | 0:19:22 | |
-Yeah, I know! -Which is your favourite piece, Kerry? | 0:19:22 | 0:19:26 | |
Er...definitely the tapestry. | 0:19:26 | 0:19:28 | |
-That's your favourite? -Yeah. That's something that I'd actually have at home. | 0:19:28 | 0:19:33 | |
Here's your £45. What are you going to do with this, old fruit? | 0:19:33 | 0:19:36 | |
-Oh... -Got any ideas? Have you got a plan? | 0:19:36 | 0:19:40 | |
Well, I feel a little bit guilty because Kerry's not had a retro, vintage type thing, | 0:19:40 | 0:19:47 | |
so I'm going to look for something along that sort of line so you have something you really like. | 0:19:47 | 0:19:52 | |
-I just want to please the lady. -Is that what you want to do? | 0:19:52 | 0:19:55 | |
Well, nothing's new, then, is it, Jonathan? Anyway, very, very good luck! | 0:19:55 | 0:19:59 | |
Meanwhile, why don't we check out what the Blue team bought? | 0:19:59 | 0:20:02 | |
They got underway with the gilt spoon for... | 0:20:03 | 0:20:07 | |
Then Gary felt an Edwardian chamber stick was worth a punt. | 0:20:07 | 0:20:11 | |
And they thought the Widdicombe Fair musical jug would sing at auction. | 0:20:12 | 0:20:16 | |
-Right, OK. -Right. OK, I've got a good feeling about this. -OK. | 0:20:16 | 0:20:19 | |
How much have you spent overall? | 0:20:19 | 0:20:22 | |
-154...was it? 154? -I think so. -Sounds about right. | 0:20:22 | 0:20:28 | |
-£146. Who's got the £146? -I have. | 0:20:28 | 0:20:30 | |
-Thank you very much, Paul. That's lovely. -Some coins here. | 0:20:30 | 0:20:35 | |
-There you go. -You're a gent. That's supposed to be 6 in there with all those 50p, is it? | 0:20:35 | 0:20:39 | |
We'll believe you. Anyway, here we go, Henry. | 0:20:39 | 0:20:42 | |
-Thank you. -Here's a vast amount of money for you. -My tip? -It's your pocket money, actually! | 0:20:42 | 0:20:47 | |
-What are you going to spend it on, Henry? -Not too sure yet. | 0:20:47 | 0:20:50 | |
Perhaps some boys' toys or something like that, you never know! | 0:20:50 | 0:20:54 | |
Well, there's plenty of scope to go for, and very, very good luck! | 0:20:54 | 0:20:58 | |
Meanwhile we're heading off to a place of excellence, | 0:20:58 | 0:21:01 | |
the Walker Art Gallery just down the road in Liverpool. | 0:21:01 | 0:21:05 | |
The Walker Art Gallery opened its doors in 1877, | 0:21:13 | 0:21:18 | |
and before long its walls, halls and galleries were all crammed with works of art, | 0:21:18 | 0:21:23 | |
generously provided by Liverpudlians who were keen on showing off their artistic side... | 0:21:23 | 0:21:30 | |
like. | 0:21:30 | 0:21:31 | |
These benefactors splashed the cash to ensure that, by the 1890s, | 0:21:35 | 0:21:41 | |
the Walker was arguably the greatest gallery outside London. | 0:21:41 | 0:21:45 | |
And one of the finest jewels in the gallery's crown | 0:21:45 | 0:21:50 | |
is its collection of sculpture. | 0:21:50 | 0:21:53 | |
And some would say that the very finest piece of sculpture in the collection is this... | 0:21:53 | 0:21:58 | |
John Gibson's Venus... | 0:21:58 | 0:22:01 | |
known as The Tinted Venus. | 0:22:01 | 0:22:04 | |
If you look at her face, she quite obviously has got pink lips and blue eyes, | 0:22:04 | 0:22:09 | |
if you look at her hair, that most certainly is blonde. | 0:22:09 | 0:22:13 | |
And it's tied up in a hairnet that's got bright blue stripes on it. | 0:22:13 | 0:22:19 | |
When he completed this figure in 1856, he so loved it, he wouldn't allow it to be seen, | 0:22:19 | 0:22:25 | |
or even leave his workshop. | 0:22:25 | 0:22:27 | |
When it did go out after 1860, it created a furore. | 0:22:27 | 0:22:33 | |
It was perfectly acceptable | 0:22:33 | 0:22:36 | |
to have large areas of flesh in sculpture | 0:22:36 | 0:22:41 | |
even in prudish mid-Victorian times, | 0:22:41 | 0:22:45 | |
but by introducing the colour scheme it was thought to have gone beyond the pale. | 0:22:45 | 0:22:52 | |
However the nation's tastes for classically inspired pieces of sculpture like this | 0:22:52 | 0:22:58 | |
was just about to change. | 0:22:58 | 0:23:01 | |
By the 1870s, a raw, brash group of sculptors entered the scene. | 0:23:03 | 0:23:07 | |
They were looking for movement, muscularity... | 0:23:07 | 0:23:10 | |
They wanted to throw the conventions of classical sculpture out of the window! | 0:23:10 | 0:23:14 | |
And one of the sculptors who embraced the principles of the New Sculpture movement | 0:23:14 | 0:23:21 | |
was Edward Onslow Ford | 0:23:21 | 0:23:23 | |
who created this statue, entitled Peace. | 0:23:23 | 0:23:28 | |
He was a sculptor who was particularly interested in symbolism, | 0:23:28 | 0:23:34 | |
and in this figure we've got a young girl who's holding in the one hand a frond of palm, | 0:23:34 | 0:23:41 | |
emblematic of victory, and in her other hand she's releasing the dove of peace. | 0:23:41 | 0:23:49 | |
I love the way that Onslow Ford has got some movement here. | 0:23:49 | 0:23:54 | |
There's nothing classical about this piece. | 0:23:54 | 0:23:57 | |
Her body is inclining to the right, | 0:23:57 | 0:24:00 | |
but yet it's counterbalanced by this delicious spray of palm from above. | 0:24:00 | 0:24:07 | |
Gorgeous! | 0:24:07 | 0:24:09 | |
One of the leading exponents of the New Sculpture movement was William Hamo Thornycroft | 0:24:21 | 0:24:28 | |
who, particularly in this figure, personifies the pursuit of realism in sculpture. | 0:24:28 | 0:24:37 | |
One day in 1881, he was travelling up the Thames by boat | 0:24:37 | 0:24:42 | |
and spotted an agricultural labourer on the bank. | 0:24:42 | 0:24:47 | |
He was so inspired by this, he sketched the theme and ultimately worked up this piece of sculpture | 0:24:47 | 0:24:54 | |
which is entitled The Mower. | 0:24:54 | 0:24:56 | |
This is not copying some earlier classical pose, | 0:24:58 | 0:25:02 | |
this is raw, this is tough life itself | 0:25:02 | 0:25:07 | |
as it was at the end of the 19th century. | 0:25:07 | 0:25:10 | |
The big question today is of course | 0:25:12 | 0:25:14 | |
how tough is life going to be for our teams over at the auction? | 0:25:14 | 0:25:19 | |
Hopefully not too tough | 0:25:21 | 0:25:23 | |
as we hotfoot it south to Nantwich in Cheshire, | 0:25:23 | 0:25:27 | |
where auctioneer Robert Stones is waiting for us. | 0:25:27 | 0:25:31 | |
We've got this rather handsome railway plate. What do you know about that, Robert? | 0:25:31 | 0:25:36 | |
Well, I think it's quite an interesting thing that somebody's bought here. | 0:25:36 | 0:25:39 | |
We've got LNER, the well-known railway that went up the East Coast of England. | 0:25:39 | 0:25:45 | |
LNER was established in 1923 and was actually nationalised in 1948, | 0:25:45 | 0:25:49 | |
-so it only had a small span of time it was actually in use, so, nice interesting thing. -Good. | 0:25:49 | 0:25:54 | |
-Brilliant. What sort of estimate have you put on it? -50-80. -They paid 60. -Well... | 0:25:54 | 0:25:59 | |
-Slap-bang in the middle. -Could be in the money. -Could be in the money. | 0:25:59 | 0:26:02 | |
Now, what about this little oddball brooch? | 0:26:02 | 0:26:05 | |
Well, interesting thing for sure. Cornelian and bloodstone stones in it. | 0:26:05 | 0:26:10 | |
It's a white metal. | 0:26:10 | 0:26:12 | |
Manx three legs in the centre there which is quite a nice thing. | 0:26:12 | 0:26:17 | |
Generally these sort of semiprecious stone things are made in Scotland, | 0:26:17 | 0:26:20 | |
but the unfortunate thing about it is, if you turn it over, it's been repaired, which is not good. | 0:26:20 | 0:26:26 | |
-The condition is unfortunate, isn't it? -Doesn't help it. | 0:26:26 | 0:26:29 | |
-But our team only paid £15 for it. -Did they? -Will it make £15? | 0:26:29 | 0:26:33 | |
-They could be into profit with that. We've put 20-40 on it. -Have you? That's very sound. | 0:26:33 | 0:26:37 | |
Excellent. Now, a complicated lot, this... | 0:26:37 | 0:26:41 | |
-because it comes in two parts. -Ah? | 0:26:41 | 0:26:43 | |
Our cunning, negotiating Jonathan Pratt didn't get a discount, | 0:26:43 | 0:26:48 | |
he got the glass pot instead. | 0:26:48 | 0:26:50 | |
-So we start off, let's say, with the sampler... -Yes. -Do you rate that? | 0:26:50 | 0:26:55 | |
I think it's a terrific thing. | 0:26:55 | 0:26:57 | |
1855, the date on it. | 0:26:57 | 0:26:59 | |
Condition is everything with these, so it has to be said there's a certain amount of damp | 0:26:59 | 0:27:03 | |
or water damage that's got into it. It wouldn't take a lot of effort to get that sorted out, | 0:27:03 | 0:27:09 | |
-and it could look quite nice. -Yeah, I think so too. | 0:27:09 | 0:27:11 | |
And the colours, you know... those pinks and reds and what-not are quite vibrant, aren't they? | 0:27:11 | 0:27:16 | |
-Yeah, I agree. -So a candidate for restoration? -Yeah. -And what's your estimate on that? | 0:27:16 | 0:27:20 | |
-50-80. -Is that all? -Yeah. -Cos they paid 180 for it. | 0:27:20 | 0:27:24 | |
-Did they really? My goodness! -£180. They fell in love with it. | 0:27:24 | 0:27:28 | |
-Well, it might just take off. -Well, I wish them luck with it, cos it has great potential, it's a nice thing. | 0:27:28 | 0:27:32 | |
Well, that's very sweet of you to say so, and then the discount bit | 0:27:32 | 0:27:36 | |
-took the form of this chipped little Austrian vase pot. -Yes... | 0:27:36 | 0:27:42 | |
Which I'm afraid you're going to have to offer for sale. | 0:27:42 | 0:27:45 | |
Well, we'll do our damnedest, but it has to be said with glass, if it's damaged, and that is damaged, | 0:27:45 | 0:27:52 | |
it's got a big chunk out of it... | 0:27:52 | 0:27:54 | |
it really does make a big difference to the value. So something like that I think is going to be | 0:27:54 | 0:27:59 | |
-quite a struggle. We'll see what we can do... -Excellent. Anyway... | 0:27:59 | 0:28:03 | |
depending on how all this malarkey sorts out, the team probably will need their bonus buy, | 0:28:03 | 0:28:09 | |
so let's go and have a look at it. | 0:28:09 | 0:28:12 | |
Kerry and John, the bonus buy moment. | 0:28:12 | 0:28:15 | |
-Are you excited about this? -Yeah, very. -What has JP got under his little red rag? | 0:28:15 | 0:28:21 | |
You gave him £45. What did you buy, JP? | 0:28:21 | 0:28:25 | |
Well... | 0:28:25 | 0:28:26 | |
-OK. -A brooch. -A brooch. I'll pass it straight over. | 0:28:28 | 0:28:32 | |
When I spied that, I looked at it, thinking, "This is a good piece of Victorian jewellery." | 0:28:32 | 0:28:37 | |
It's not set with gems, although it's multicoloured paste, but set in silver, | 0:28:37 | 0:28:43 | |
-so there's a lot of work gone into making that. -Yeah. -But it's a very pretty brooch, I think. | 0:28:43 | 0:28:49 | |
-How much did you pay for that? -I paid £40. -Oh? | 0:28:49 | 0:28:51 | |
And are you pleased to have paid £40? | 0:28:51 | 0:28:54 | |
Do you feel quite chuffed with yourself that you got it just for £40? | 0:28:54 | 0:28:58 | |
Er... Well, look, you know, buying the bonus buy is a difficult exercise, | 0:28:58 | 0:29:03 | |
and I sometimes fret about my purchases, but having seen it again this morning I'm really pleased. | 0:29:03 | 0:29:08 | |
-I've done rather well actually, I think. -It's definitely something I would buy. -It's very neat. | 0:29:08 | 0:29:14 | |
They say diamonds are a girl's best friend! This is the nearest thing. Anyway... | 0:29:14 | 0:29:18 | |
thank you very much. You'll decide later, | 0:29:18 | 0:29:20 | |
but for the audience at home let's find out what the auctioneer thinks about Jonathan's brooch. | 0:29:20 | 0:29:25 | |
Well, Robert, look at that. | 0:29:26 | 0:29:28 | |
Love it! I think this is a really charming little basket of flowers. | 0:29:29 | 0:29:33 | |
It's got paste stones in there which is lovely. | 0:29:33 | 0:29:37 | |
And what more can you say about it? The condition is super. | 0:29:37 | 0:29:40 | |
And, quite honestly, I think this sort of jewellery is really underrated. | 0:29:40 | 0:29:44 | |
It's not fashionable perhaps to have brooches these days, | 0:29:44 | 0:29:47 | |
but quite honestly any lady would really love that. | 0:29:47 | 0:29:50 | |
-A great object. -He's such a good salesman, Robert, isn't he? | 0:29:50 | 0:29:53 | |
You should be in the jewellery-selling business, Robert! | 0:29:53 | 0:29:56 | |
-What do you think for this? -We're saying £15-£30, but I think it's great value and should make more. | 0:29:56 | 0:30:04 | |
Well, Jonathan paid 40. | 0:30:04 | 0:30:05 | |
-Did he? Well, it deserves to do that and better. -Doesn't it? Well, if anybody can sell it | 0:30:05 | 0:30:10 | |
-to its best advantage, it'll be you. -We'll do our best. -Now, that's it for the Reds. | 0:30:10 | 0:30:14 | |
Now for the Blues. | 0:30:14 | 0:30:16 | |
Their first item is the spoon. | 0:30:16 | 0:30:19 | |
This is rather nice. It's difficult to know with these quite what the silver content is, if any, | 0:30:19 | 0:30:24 | |
and of course none of these things are marked, so it makes it rather difficult to trace it back. | 0:30:24 | 0:30:28 | |
But it's a good decorative thing, | 0:30:28 | 0:30:30 | |
which, you know, I think is quite a pleasing little thing to be selling, really. | 0:30:30 | 0:30:34 | |
-How much? -We're saying 10-20. So not a lot of money, but it's good value for money. | 0:30:34 | 0:30:40 | |
Bit of a tempting estimate, I'd say! | 0:30:40 | 0:30:42 | |
-£37 they paid for it. -37? -Yeah. -OK. We'll have to do our best. | 0:30:42 | 0:30:46 | |
-We'll have to get weaving with that one. -Excellent. | 0:30:46 | 0:30:49 | |
Now, the little hurricane chamber lamp. | 0:30:49 | 0:30:51 | |
I mean, you are in a seriously draughty house with this, aren't you? | 0:30:51 | 0:30:56 | |
You've stuck your candle in the middle of that, and you're heading off to the north wing, | 0:30:56 | 0:31:00 | |
but, unfortunately, you've got to go through 3 open courtyards and 19 outside staircases | 0:31:00 | 0:31:06 | |
before you get up to your room! Hence this glass protector. | 0:31:06 | 0:31:10 | |
-Well, I think you're getting a bit carried away... -All right. -Nonetheless, it's a good thing. | 0:31:10 | 0:31:16 | |
The thing I like about it is the quality. All this cutting here on the shade is great quality, | 0:31:16 | 0:31:22 | |
-so, from that point of view, I would say about 30-50. -£37. | 0:31:22 | 0:31:27 | |
They paid £37 for the first item, they paid £37 for the second item. | 0:31:27 | 0:31:32 | |
-No, well, that's excellent, isn't it? £30-50. -Nice thing. -You could get £60 for that, easy. | 0:31:32 | 0:31:37 | |
-Yeah. -They'd be very pleased. | 0:31:37 | 0:31:39 | |
-Now, we're a long way from Devon, all right? -We are indeed. | 0:31:39 | 0:31:43 | |
So how do Crown Devon musical Widdicombe Fair musical jugs fare in Cheshire? | 0:31:43 | 0:31:50 | |
Well... | 0:31:50 | 0:31:52 | |
-I'm not too familiar with what goes on in Devon, unlike you... -Are you not? | 0:31:52 | 0:31:58 | |
But it would be fair to say that these jugs have all sorts of different musical boxes inside them. | 0:31:58 | 0:32:06 | |
It seems to be in pretty good order all round, made in about 1930, something like that, | 0:32:06 | 0:32:10 | |
-and of course produced in Stoke-on-Trent... -Yes. -So it's something we see fairly regularly. | 0:32:10 | 0:32:15 | |
-How much do you think you're going to get for it? -50-80. -Very good. | 0:32:15 | 0:32:19 | |
£80 they paid. So that's pretty well spot on. If you can sell that well, they won't need their bonus buy. | 0:32:19 | 0:32:25 | |
If it doesn't go so hot, they're going to need it, so let's go and have a look at it. | 0:32:25 | 0:32:29 | |
You gave Henry £146. | 0:32:30 | 0:32:35 | |
Henry, what did you spend it on? | 0:32:35 | 0:32:37 | |
Well, what do you think to this? | 0:32:37 | 0:32:40 | |
-What is it? -It's a walnut box and it's made from the beam of the HMS Arethusa. | 0:32:40 | 0:32:47 | |
It was a 50-gun frigate which served out in the Crimea during 1854-56, | 0:32:47 | 0:32:53 | |
and it was broken up in 1933. | 0:32:53 | 0:32:57 | |
-What do you think? -Really nice. -You certainly don't see too many of these every day. | 0:32:57 | 0:33:02 | |
Built from a ship, from the remains of a ship. | 0:33:02 | 0:33:05 | |
It looks like a 1930s box. You wouldn't, without the plaque, make any connection with the Royal Navy, | 0:33:05 | 0:33:11 | |
and certainly not a vessel that dates from the 1840s. | 0:33:11 | 0:33:15 | |
So from all that point of view it is interesting. | 0:33:15 | 0:33:19 | |
-I'd say it's highly speculative, but, er... -Well, that depends on... | 0:33:19 | 0:33:23 | |
How much is it? What have you paid for it? | 0:33:23 | 0:33:25 | |
It cost me £38. | 0:33:25 | 0:33:28 | |
Oh, wow, so we still have quite a bit to spare, then. | 0:33:28 | 0:33:30 | |
It's the sort of thing... People collect Naval memorabilia. | 0:33:30 | 0:33:34 | |
-You never know. Hopefully, it'll do well. -I don't think it'll sink. -I don't think it'll sink either. | 0:33:34 | 0:33:41 | |
Anyway, you don't pick now, you pick later. | 0:33:41 | 0:33:42 | |
For the audience at home, let's find out what the auctioneer thinks about Henry's box. | 0:33:42 | 0:33:46 | |
Here we go, look. A little test of your knowledge of marine history. Robert? | 0:33:48 | 0:33:53 | |
Well, Tim, to be honest, you don't need to know a great deal about this because it's all on the plaque! | 0:33:53 | 0:33:59 | |
And it was an all-wooden boat. It was the last Royal Navy boat to go into a warship situation | 0:33:59 | 0:34:06 | |
-under sail only. -Really? -Quite extraordinary. It was then scrapped | 0:34:06 | 0:34:12 | |
or broken down in Woolwich and that's when, of course, the timbers would have been used to make... | 0:34:12 | 0:34:16 | |
well, I've seen furniture and all sorts of things made out of timbers taken from ships. | 0:34:16 | 0:34:20 | |
So this is little box that was made out of those timbers. It's a pleasant enough thing. | 0:34:20 | 0:34:24 | |
-And what do you think it's worth? -We're looking about £10-20 on it. | 0:34:24 | 0:34:28 | |
-Is that all? -How much did they pay for it? -£38 did our new boy 'Enery. | 0:34:28 | 0:34:34 | |
-He thought it was pretty wizard. -Mmm...we're going to have to get weaving, aren't we? -You are! | 0:34:34 | 0:34:39 | |
What's the name of your local river? | 0:34:39 | 0:34:41 | |
-The Weaver! -There you go. | 0:34:41 | 0:34:43 | |
That's why you're going to get weaving! | 0:34:43 | 0:34:45 | |
-Anyway, thank you very much. -Thanks very much indeed. -Thanks, Robert. -Thanks, Tim. | 0:34:45 | 0:34:49 | |
55 anywhere now, do I hear? | 0:34:49 | 0:34:51 | |
55 there. 60's with me. | 0:34:51 | 0:34:52 | |
65 is the bid. Your bid at 65. | 0:34:52 | 0:34:55 | |
At 65, then. | 0:34:55 | 0:34:57 | |
-How are you feeling? All right? -Yeah. -Pretty zappy? -Excited. -Nervous as well. | 0:34:57 | 0:35:02 | |
-What have you got to be nervous about? -I don't know... I don't know how we're going to do. | 0:35:02 | 0:35:07 | |
Sounding rather frightened! | 0:35:07 | 0:35:10 | |
This isn't like the Kerry we know, is it, JP? | 0:35:10 | 0:35:14 | |
-Ah... -What happened to that super confident person? -I don't know, she's now... -A crumbling wreck! | 0:35:14 | 0:35:20 | |
-Crumbling! -I don't know. You've got nothing to worry about. | 0:35:20 | 0:35:23 | |
You've got you railway sign, right? You paid £60 for that. And here it comes! | 0:35:23 | 0:35:27 | |
Lot number 50, ladies and gentlemen, the LNER railway sign, cast iron. | 0:35:27 | 0:35:32 | |
A lovely thing. £50 I'm bid for this straightaway. | 0:35:32 | 0:35:34 | |
55 anywhere now, do I hear? | 0:35:34 | 0:35:37 | |
55 there. 60's with me. | 0:35:37 | 0:35:39 | |
65 your bid. 70 anywhere else? | 0:35:39 | 0:35:42 | |
-Come on, come on! -At £65 and will be sold at 65, then... | 0:35:42 | 0:35:45 | |
A fiver. That's a good start. | 0:35:46 | 0:35:48 | |
-£65, plus £5. -I'm happy with that. -Well, it's better than nowt! | 0:35:48 | 0:35:51 | |
Here we go, here comes Manx. | 0:35:51 | 0:35:53 | |
Legs of Man brooch. And I've got £20 bid for this straightaway at 20. 5? | 0:35:53 | 0:35:59 | |
25 there. | 0:35:59 | 0:36:00 | |
30 on commission. Your bid at 35. 40 anywhere else? | 0:36:00 | 0:36:04 | |
I have 35, a super thing. I have £35 there... 40. | 0:36:04 | 0:36:08 | |
45. 50 now. | 0:36:08 | 0:36:09 | |
50. Don't go away. 50? 45, your bid at 45. | 0:36:09 | 0:36:13 | |
All quietened down at £45. | 0:36:13 | 0:36:15 | |
-That is plus £30! -Get in there! -That is plus £35. | 0:36:15 | 0:36:20 | |
-Now, King Solomon's Temple. -# We're in the money! # | 0:36:20 | 0:36:23 | |
Lot number 54, ladies and gentlemen, | 0:36:23 | 0:36:25 | |
is the sampler. Several commissions on this. I can start at £100. | 0:36:25 | 0:36:30 | |
£100 I'm bid. 105 now, do I hear? | 0:36:30 | 0:36:32 | |
At £100 with me. At 105 now anywhere do I hear? | 0:36:32 | 0:36:36 | |
It's great value for money at this. Come along now. | 0:36:36 | 0:36:38 | |
At £100 I'm bid. 105 anywhere? | 0:36:38 | 0:36:41 | |
Come on! | 0:36:41 | 0:36:43 | |
That's it, then, it's going to be sold on one bid then at £100. | 0:36:43 | 0:36:45 | |
If you're all finished. At 100. | 0:36:45 | 0:36:48 | |
-£100. -That is awful! -Oh, dear, £100, minus 80... | 0:36:48 | 0:36:53 | |
You've got your 35. You're at minus £45, all right. | 0:36:53 | 0:36:57 | |
Lot number 53, ladies and gentlemen. The glass vase, £5 to start it off. | 0:36:57 | 0:37:02 | |
£5 I'm bid. 10 is the now. | 0:37:02 | 0:37:05 | |
-10 anywhere? -Go to be more than a fiver. -£10 I'm bid. | 0:37:05 | 0:37:08 | |
£10 in the doorway. | 0:37:08 | 0:37:11 | |
Will be sold. At £10 only then. | 0:37:11 | 0:37:14 | |
The freebie gives you plus £10 which means overall you are... | 0:37:14 | 0:37:18 | |
-minus £35. -OK, sorry guys. -It's all right. -Nothing to be sorry about. | 0:37:18 | 0:37:23 | |
This is good. What about this brooch, then? | 0:37:23 | 0:37:25 | |
-Yeah, I'm a gambler. -Yeah? -Yeah. -Here it comes. | 0:37:25 | 0:37:30 | |
Lot number 56. This absolutely delightful silver brooch. | 0:37:30 | 0:37:35 | |
Now, I really like this. £20 to start it off. It's worth every cent. | 0:37:35 | 0:37:38 | |
20 bid straightaway. And 5 now do I hear? | 0:37:38 | 0:37:40 | |
At £20, the bid's there. | 0:37:40 | 0:37:41 | |
5 anywhere now? 25. Well done. 30 now you're bidding. | 0:37:41 | 0:37:45 | |
35. 40 now? | 0:37:45 | 0:37:47 | |
40 bid. 45? | 0:37:47 | 0:37:49 | |
-50? -One more, madam! -At 45, your bid. 45. 50 anywhere? | 0:37:49 | 0:37:54 | |
On the internet at 50? 50 bid. 55? 55. 60 on the internet? | 0:37:54 | 0:38:00 | |
-Go on! -Go on, internet! | 0:38:00 | 0:38:02 | |
Come on, internet! That's what we're saying! 60? | 0:38:02 | 0:38:05 | |
55's in the room at £55. At £55. | 0:38:05 | 0:38:08 | |
All finished and done at 55. Going to be sold at 55. | 0:38:08 | 0:38:10 | |
Yeah! | 0:38:11 | 0:38:13 | |
55. | 0:38:13 | 0:38:15 | |
Thank you very much. | 0:38:15 | 0:38:17 | |
Which means overall you're minus £20, which is no shame. I've seen a lot worse than that. | 0:38:17 | 0:38:22 | |
-All right? Minus 20 is your final score. Don't tell the Blues a thing. -We won't. -Hush-hush! | 0:38:22 | 0:38:28 | |
-Now, Gary and Paul, do you know how the Reds got on? -No, don't know yet. -No idea? | 0:38:32 | 0:38:36 | |
You won't want to know, I tell you! | 0:38:36 | 0:38:39 | |
The first lot up is your spoon and here it comes. | 0:38:39 | 0:38:42 | |
Lot number 71 showing there. The white metal spoon. | 0:38:42 | 0:38:46 | |
£10 to start it off, somebody? 10 is the now. | 0:38:46 | 0:38:49 | |
15 in the doorway. 20 now? | 0:38:49 | 0:38:52 | |
£15, I'm bid at 15. 20 anywhere? At £15. | 0:38:52 | 0:38:55 | |
Bid's there. £15, then. | 0:38:55 | 0:38:57 | |
-Oh, 15! -Didn't fancy that one anyway! | 0:38:57 | 0:38:59 | |
That is minus £22, so that's not so hot, is it? | 0:38:59 | 0:39:01 | |
Anyway, next up is your Edwardian chamber candlestick, here it comes. | 0:39:01 | 0:39:06 | |
Lot number 72, showing now. The Edwardian chamber stick. | 0:39:06 | 0:39:10 | |
That's the one. Super quality. | 0:39:10 | 0:39:12 | |
Don't pass this one over. I'm bid £30 for it, straightaway £30. | 0:39:12 | 0:39:15 | |
35 is the now. 35 now do I hear? | 0:39:15 | 0:39:18 | |
35. 40 is the now, 35 your bid. | 0:39:18 | 0:39:21 | |
40 on the internet. 45 is the now. 45. 45? | 0:39:21 | 0:39:24 | |
£50 on the internet? | 0:39:24 | 0:39:26 | |
45 bid is there and will be sold. | 0:39:26 | 0:39:28 | |
50, just in time. 55? At 50 it's your bid. | 0:39:28 | 0:39:32 | |
At £50, then it will be sold. At £50, then. | 0:39:32 | 0:39:36 | |
-That's a good profit. -£50 is good, that's plus 13. | 0:39:36 | 0:39:40 | |
That means overall you are minus £9. | 0:39:40 | 0:39:43 | |
Now, what about Widdicombe Fair? | 0:39:43 | 0:39:47 | |
Lot number 73, Crown Devon Widdicombe Fair musical jug. | 0:39:47 | 0:39:52 | |
£40 I'm bid straightaway. It's on commission at £40. | 0:39:52 | 0:39:54 | |
45 is the now. 45 anywhere now, do I hear? | 0:39:54 | 0:39:57 | |
45 there. | 0:39:57 | 0:39:58 | |
50 with me. Your bid at 55. | 0:39:58 | 0:40:01 | |
-60 do I hear? 55 bid's there. -Come on! -At £55. 60? | 0:40:01 | 0:40:05 | |
At 55, bid's there and will be sold at 55. | 0:40:05 | 0:40:08 | |
£55. 5 off 60, that's minus 25. | 0:40:09 | 0:40:13 | |
Minus £34... Minus £34 overall. | 0:40:13 | 0:40:17 | |
Oh, dear! This is not working for you at all, I have to say. | 0:40:17 | 0:40:21 | |
Minus £34. What are you going to do about the old box? | 0:40:21 | 0:40:23 | |
We're going to break even with the box at the very least. | 0:40:23 | 0:40:26 | |
-It's a team game. Henry's going to navigate us to get some money back! -The pressure's on. | 0:40:26 | 0:40:30 | |
-You don't have to go with this box. -We're going with it. | 0:40:30 | 0:40:32 | |
-He's not going to burst into tears if you don't. -Henry's the man. -Is he? -Am I? -You're going with it. | 0:40:32 | 0:40:37 | |
Well, there's the decision, then. Determined to go with this box. Here it comes. | 0:40:37 | 0:40:42 | |
Lot number 77. This mahogany box, absolutely super thing, | 0:40:42 | 0:40:47 | |
with the plaque on the top of it. What may we say? | 0:40:47 | 0:40:49 | |
-I've got £20 bid for it straightaway on commission. -That's a good start! | 0:40:49 | 0:40:54 | |
25? 25. 30 now, do I hear? | 0:40:54 | 0:40:56 | |
£30. £35? Worth every penny. 35. | 0:40:56 | 0:40:59 | |
-40 now. -Come on. -At 40 now. Your bid at 35. Looking for 40. | 0:40:59 | 0:41:03 | |
Come on! | 0:41:03 | 0:41:06 | |
Come on, you can hear them begging you from the back! | 0:41:06 | 0:41:08 | |
This man's going in the Mersey! | 0:41:08 | 0:41:11 | |
At 35! | 0:41:11 | 0:41:13 | |
40 anywhere else? | 0:41:13 | 0:41:15 | |
I'm nervous now. | 0:41:15 | 0:41:17 | |
-40! It's worth a round of applause, that! 40 is bid! -Saved him! | 0:41:17 | 0:41:21 | |
50 now? 45 it's your bid. The bid's there at 45. It's your bid. | 0:41:21 | 0:41:25 | |
Will be sold at £45. | 0:41:25 | 0:41:27 | |
-Brilliant. -Well done. -Thanks. -Excellent! | 0:41:27 | 0:41:32 | |
-We're pleased! -Plus 7. | 0:41:32 | 0:41:35 | |
You had to hold it in your hand! | 0:41:35 | 0:41:37 | |
You are still minus £27. | 0:41:37 | 0:41:40 | |
Now, listen, lads, that could be a winning score. Don't say a word to those naughty Reds, all right? | 0:41:40 | 0:41:44 | |
-Well, teams, have we been chatting at all? -No. | 0:41:50 | 0:41:52 | |
-No communication? You have no idea how close you are today? -No. | 0:41:52 | 0:41:58 | |
There is £7 only between our teams. | 0:41:58 | 0:42:02 | |
The similarities are remarkable. Both teams went with the bonus buy and made a profit | 0:42:02 | 0:42:08 | |
with the bonus buy. Both of our experts are walking tall and feeling proud today, | 0:42:08 | 0:42:13 | |
because they'd done their stuff with the bonus buy, but, sadly, to the tune of only £7, | 0:42:13 | 0:42:18 | |
one team's behind and that team is... | 0:42:18 | 0:42:20 | |
-the Blues! -Oh! -Yes! | 0:42:20 | 0:42:23 | |
You lose today by only losing £27, yeah? | 0:42:23 | 0:42:29 | |
-Look at the emotion! -That's a real sore one. | 0:42:29 | 0:42:33 | |
Do you feel really sore about this? You don't? | 0:42:33 | 0:42:35 | |
-No. -I don't want it to ruin your day, Gary, because you've been a great team. | 0:42:35 | 0:42:40 | |
-But you are, sadly, the runners-up today. But the winners, the Reds! -Yes! | 0:42:40 | 0:42:43 | |
This is really peachy, isn't it? | 0:42:43 | 0:42:46 | |
-You've won by only losing £20. -Winning loses! | 0:42:46 | 0:42:50 | |
-Yeah, we're really quite pleased with that, aren't we? -I don't blame you. | 0:42:50 | 0:42:54 | |
That little brooch was a peach. What let you down was the sampler. | 0:42:54 | 0:42:58 | |
Were it not for the sampler, you'd be taking home folding money! | 0:42:58 | 0:43:01 | |
Which is a pity, really. But nevertheless you cracked it. | 0:43:01 | 0:43:05 | |
-You've won today and I hope you've enjoyed it. -Yeah, very much so. | 0:43:05 | 0:43:08 | |
Well done, JP, on your profit. | 0:43:08 | 0:43:10 | |
-Great day! Join us soon for some more Bargain Hunting! Yes? -Yes! | 0:43:10 | 0:43:13 | |
Subtitles by Red Bee Media Ltd | 0:43:17 | 0:43:21 | |
E-mail [email protected] | 0:43:21 | 0:43:25 |