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Ah, Cambridgeshire! Let's go bargain hunting! | 0:00:04 | 0:00:08 | |
Park up, James. | 0:00:08 | 0:00:10 | |
To help our teams navigate through the fair | 0:00:33 | 0:00:35 | |
are two boys with the Knowledge. | 0:00:35 | 0:00:38 | |
First up, Nick Hall. | 0:00:38 | 0:00:40 | |
Diehard Nottingham Forest fan. | 0:00:43 | 0:00:45 | |
His opponent, David Harper. | 0:00:49 | 0:00:51 | |
Should be quite a contest! | 0:01:01 | 0:01:03 | |
Coming up on today's show, Emily takes control of the Red purse. | 0:01:06 | 0:01:10 | |
-It's my turn now. -Right. OK. That's fair. | 0:01:10 | 0:01:13 | |
I want something pretty and little, and not brown. | 0:01:13 | 0:01:17 | |
And no-one is in control of the Blues. | 0:01:17 | 0:01:20 | |
I've got the cash, David. To the beer tent! | 0:01:20 | 0:01:23 | |
Thirsty, guys? Time to dig a little deeper. | 0:01:23 | 0:01:26 | |
Well, on today's Red Team we have father and daughter, | 0:01:28 | 0:01:32 | |
who happen to be extremely good friends, | 0:01:32 | 0:01:35 | |
-Christopher and Emily. -Hello. -Hi. -Very nice to see you both. | 0:01:35 | 0:01:39 | |
Emily, you've just finished studying. What's your dream job? | 0:01:39 | 0:01:42 | |
Um, something to do with art and photography, | 0:01:42 | 0:01:45 | |
maybe setting up my own business, that kind of thing, yeah. | 0:01:45 | 0:01:49 | |
-You also like to get your skates on. -Yeah. | 0:01:49 | 0:01:52 | |
I skate with Peterborough ice-skating association, yes, | 0:01:52 | 0:01:55 | |
and do that about five times a week. Before school, I used to do it. | 0:01:55 | 0:01:59 | |
-Five times a week! -Yeah. | 0:01:59 | 0:02:01 | |
Christopher, you're taking some time out of work. | 0:02:01 | 0:02:04 | |
That's right. I've worked for 26 years, since leaving university, | 0:02:04 | 0:02:08 | |
so I thought it was time I had a late gap year or sabbatical year, | 0:02:08 | 0:02:12 | |
and I'm studying for a French diploma with the Open University. | 0:02:12 | 0:02:16 | |
Oh, good for you. But your collecting tastes | 0:02:16 | 0:02:18 | |
-also lean towards the continent. -Yes, slightly continental. | 0:02:18 | 0:02:22 | |
We've been inspired, my wife and I, to start collecting German pieces | 0:02:22 | 0:02:26 | |
from just after the war, some so-called Fat Lava vases | 0:02:26 | 0:02:29 | |
and suchlike - the antiques of the future, perhaps. | 0:02:29 | 0:02:33 | |
-Perhaps. -Perhaps. | 0:02:33 | 0:02:34 | |
So, how is all this ice-skating and sabbatical stuff | 0:02:34 | 0:02:38 | |
going to translate into Bargain Hunt for you today? | 0:02:38 | 0:02:41 | |
I don't know. I'm youthful and you've got the experience. | 0:02:41 | 0:02:45 | |
Experience, maybe a bit of financial brainpower, | 0:02:45 | 0:02:47 | |
-and we'll do our best. -You can't ask for more than that. | 0:02:47 | 0:02:50 | |
-No, exactly. -Well, I hope you have a great time. Good luck. | 0:02:50 | 0:02:53 | |
Now for the Blues. Luke and Ron - firm friends, right? | 0:02:53 | 0:02:58 | |
-Indeed. -So, how long have you known each other, you two? | 0:02:58 | 0:03:01 | |
Practically since we were born, so 25, 30 years now. | 0:03:01 | 0:03:05 | |
-Really? -Yeah. | 0:03:05 | 0:03:06 | |
Luke, shall I call you Luke or Ossifer? | 0:03:06 | 0:03:08 | |
It depends what you've been up to, Tim, really. | 0:03:08 | 0:03:11 | |
-How long have you been a policeman? -Six and a half years, | 0:03:11 | 0:03:14 | |
Leicestershire Constabulary. Thoroughly enjoyed it so far, | 0:03:14 | 0:03:17 | |
-and hopefully continue. -It's good, isn't it? | 0:03:17 | 0:03:20 | |
-Good. -My other passion is football. | 0:03:20 | 0:03:22 | |
-Is it? -Yeah. -What do you support? | 0:03:22 | 0:03:24 | |
I support Leicester City, and try and play every now and then | 0:03:24 | 0:03:28 | |
-on a Sunday morning for the White Lions. -So, Ron, | 0:03:28 | 0:03:31 | |
do you share Luke's passion for the old football? | 0:03:31 | 0:03:34 | |
Yeah, absolutely. We've always played together, really. | 0:03:34 | 0:03:37 | |
-Ron was top goal-scorer one year. -How many goals? | 0:03:37 | 0:03:41 | |
-Seven own goals. -THEY LAUGH | 0:03:41 | 0:03:43 | |
-Prolific defender. -I can see you've got a budding career | 0:03:43 | 0:03:46 | |
as a footballer. You're a bit like twins, you two, right. | 0:03:46 | 0:03:50 | |
Are you going to agree today on what you buy on Bargain Hunt? | 0:03:50 | 0:03:53 | |
I think we will. We've thought about what we're going to buy. | 0:03:53 | 0:03:56 | |
-Really? You've got a plan? -We have indeed. | 0:03:56 | 0:03:59 | |
Just. Doubt we'll stick to it, though. | 0:03:59 | 0:04:02 | |
I'll believe that! Anyway, now the money moment. | 0:04:02 | 0:04:05 | |
You get your £300. Here comes the £300. | 0:04:05 | 0:04:07 | |
-£300 that-a-way. -Lovely. | 0:04:07 | 0:04:10 | |
And £300, Emily, coming your way. Look at all this dosh! | 0:04:10 | 0:04:14 | |
Whoops! Oh, we lost another note! | 0:04:14 | 0:04:17 | |
-We need the money. -All these tenners drifting around! | 0:04:17 | 0:04:20 | |
Anyway, you know the rules. Your experts await, | 0:04:20 | 0:04:23 | |
and off you go! And very, very, very good luck. | 0:04:23 | 0:04:27 | |
So, the Reds are arty and into languages, | 0:04:30 | 0:04:33 | |
and the Blues... like to kick a ball around. | 0:04:33 | 0:04:36 | |
I know who my money's on. | 0:04:36 | 0:04:37 | |
Any strategies, any plans? | 0:04:37 | 0:04:40 | |
Well, we've made a little map. | 0:04:40 | 0:04:42 | |
So we've looked at the outside of the building, | 0:04:42 | 0:04:45 | |
-and this is our strategy. -You are kidding, surely! | 0:04:45 | 0:04:48 | |
No. I like cufflinks, so something silver, | 0:04:48 | 0:04:51 | |
along that kind of lines. I like gold. | 0:04:51 | 0:04:53 | |
-Unique bits of large furniture. -OK. Stuffed animals, weapons. | 0:04:53 | 0:04:56 | |
That's not really a good thing, is it? | 0:04:56 | 0:04:58 | |
-That was things not to buy. -Oh, not to buy. OK. Very good. | 0:04:58 | 0:05:03 | |
-The clock has started. -Oh, let's go. -OK! | 0:05:03 | 0:05:05 | |
Oh, very organised! | 0:05:05 | 0:05:08 | |
These boys could be better at this than I thought. | 0:05:08 | 0:05:11 | |
-Who's got the cash? -I've got the cash, David. | 0:05:11 | 0:05:14 | |
-To the beer tent! -Oh, the kind of guys I like! | 0:05:14 | 0:05:17 | |
Marvellous! | 0:05:17 | 0:05:18 | |
No, I'm still with the Reds. | 0:05:18 | 0:05:20 | |
OK, go! | 0:05:21 | 0:05:23 | |
-Five seconds already. -Do we have to start manic running already? | 0:05:23 | 0:05:27 | |
Let's go down here. Come on. | 0:05:27 | 0:05:29 | |
Slow down! You'll never last the hour. | 0:05:29 | 0:05:32 | |
What about that? | 0:05:32 | 0:05:34 | |
That's unique. | 0:05:34 | 0:05:36 | |
Ah, the boys' specialist subject! | 0:05:36 | 0:05:38 | |
I don't know if it's worth anything. It's not exactly great. | 0:05:38 | 0:05:43 | |
-It just looked different. -I tell you what - | 0:05:43 | 0:05:45 | |
it's only 25 quid. Are you with me? | 0:05:45 | 0:05:47 | |
Yes, but one of the goals is missing. | 0:05:47 | 0:05:50 | |
In football, two goals is quite vital. | 0:05:50 | 0:05:53 | |
-Right. -THEY LAUGH | 0:05:53 | 0:05:55 | |
-Oh, really? Is it? -THEY LAUGH | 0:05:55 | 0:05:57 | |
You have to have a certain amount of players, do you? | 0:05:57 | 0:06:01 | |
There's not enough players on that. | 0:06:01 | 0:06:03 | |
I think, to be fair, it's quirky, but I think it's not for this. | 0:06:03 | 0:06:08 | |
Are you sure? I mean, I love antiques, | 0:06:08 | 0:06:11 | |
and I shouldn't point you at this, but there's something about it. | 0:06:11 | 0:06:15 | |
-Maybe one to come back to. -All right. OK. | 0:06:15 | 0:06:17 | |
'Sorry, David. They're not ready to play ball. | 0:06:17 | 0:06:21 | |
'The Reds seem a bit lost.' | 0:06:21 | 0:06:23 | |
-THEY LAUGH -I'm not sure that the right... | 0:06:25 | 0:06:28 | |
I've got everything for your restoration work. | 0:06:28 | 0:06:31 | |
This is restoration. | 0:06:31 | 0:06:34 | |
These are perhaps a bit too modern, Nick, I think. | 0:06:34 | 0:06:37 | |
We've wandered into the car-boot end. | 0:06:37 | 0:06:39 | |
I'm not sure we're going to find what we're looking for here. | 0:06:39 | 0:06:42 | |
-We have to push on even further and get back to the main drag. -Yeah. | 0:06:42 | 0:06:47 | |
'Car boot? Sorry! He means "vintage". | 0:06:47 | 0:06:51 | |
'Probably wise to move on, Nick.' | 0:06:51 | 0:06:53 | |
-Tell me why you like them. -I like the reclining look. | 0:06:53 | 0:06:56 | |
Try one out and see if it fits you. | 0:06:56 | 0:06:59 | |
I think that's going to suit my bum. Oh, it does, as well, actually! | 0:06:59 | 0:07:03 | |
I could easily sit and watch the footie like that. | 0:07:03 | 0:07:05 | |
NICK LAUGHS | 0:07:05 | 0:07:07 | |
-This is quite interesting. -Yeah. | 0:07:11 | 0:07:14 | |
Classic Art Deco, and it's got, I think, | 0:07:14 | 0:07:16 | |
rather a nice shape and a good look to it, | 0:07:16 | 0:07:19 | |
and I love these chrome mounts set in on the top there. | 0:07:19 | 0:07:22 | |
Let's have a look at the back, | 0:07:22 | 0:07:25 | |
because I'm quite keen to see what sort of movement it's got. | 0:07:25 | 0:07:28 | |
-What the mechanism is, and... -Yeah. -I do like the shape of it. | 0:07:28 | 0:07:32 | |
-I'm not sure about it. -You're not keen at all? | 0:07:32 | 0:07:35 | |
-We haven't convinced you yet? -No. -It's a pretty standard movement, | 0:07:35 | 0:07:39 | |
but it's all there. You've got the pendulum. | 0:07:39 | 0:07:41 | |
You've got these long struts of metal which are the gongs, | 0:07:41 | 0:07:46 | |
so it strikes, which is a nice feature with a clock. | 0:07:46 | 0:07:49 | |
Let's just spin it back round and have another look. | 0:07:49 | 0:07:52 | |
-Do you know what sort of wood? -It's a walnut veneer. | 0:07:52 | 0:07:56 | |
-Oh, yes, I can see that. -It's a stylish thing. | 0:07:56 | 0:07:58 | |
People that collect Art Deco furniture and furnishings | 0:07:58 | 0:08:01 | |
will enjoy something like that to set within the living room. | 0:08:01 | 0:08:05 | |
Yeah. I guess it's a practical thing. | 0:08:05 | 0:08:07 | |
We need to find out how much they want for it. | 0:08:07 | 0:08:10 | |
-Shall I go and find him? -Go and sweet-talk him. | 0:08:10 | 0:08:13 | |
-Get his best price. -His very, very best. | 0:08:13 | 0:08:17 | |
But it's a stylish thing. | 0:08:17 | 0:08:19 | |
-And I like the styling of the... -The font of the... | 0:08:19 | 0:08:22 | |
The font of the numerals. It's very, very unusual. | 0:08:22 | 0:08:26 | |
-So, what's the deal? -I got him down to 70. | 0:08:26 | 0:08:29 | |
That's not bad, you know. I can see a margin in that. | 0:08:29 | 0:08:33 | |
Yeah. I reckon go for it. First one in the bag. | 0:08:33 | 0:08:37 | |
You both like it? 70 quid? You've still got that cash, haven't you? | 0:08:37 | 0:08:41 | |
-It's still in here. -Go and put £70 in that man's hand. | 0:08:41 | 0:08:44 | |
Let's get this packed up and we'll move straight on. | 0:08:44 | 0:08:47 | |
Brilliant. Come on. | 0:08:47 | 0:08:49 | |
'We're off! With Emily in charge of negotiations, | 0:08:51 | 0:08:54 | |
'we've got a purchase - this smart clock for £70. | 0:08:54 | 0:08:58 | |
'Good going!' | 0:08:58 | 0:09:01 | |
Now, what about a nice pair of cufflinks? | 0:09:01 | 0:09:04 | |
-Try that. -And what are they made out of? | 0:09:04 | 0:09:07 | |
They look like they're glass, don't they? | 0:09:07 | 0:09:09 | |
They got a little figure of a dog that's been silvered | 0:09:09 | 0:09:13 | |
or maybe even hand-painted, then I think behind glass. | 0:09:13 | 0:09:17 | |
What's the glass front on? What's the backing? | 0:09:17 | 0:09:21 | |
Gilt metal, so it's probably just a copper. | 0:09:21 | 0:09:23 | |
-OK. -But I just think they're very good quality, | 0:09:23 | 0:09:26 | |
they're novelty, and they're doggy. | 0:09:26 | 0:09:29 | |
Doggy things are always very good news, | 0:09:29 | 0:09:31 | |
-because people are crazy about dogs. -So, what kind of money for that? | 0:09:31 | 0:09:35 | |
-We've got 38 on them. But hold them, tell me if you like them. -Yeah. | 0:09:35 | 0:09:39 | |
I think they're nice, definitely nice. | 0:09:39 | 0:09:42 | |
-They've got good aspect to them. -They're not heavy. -They're light. | 0:09:42 | 0:09:46 | |
-OK. So, are you interested? -I think so. | 0:09:46 | 0:09:50 | |
-This is your part of the tactics. -I definitely like them. | 0:09:50 | 0:09:54 | |
-There's good quality to them. -Let me get a price. | 0:09:54 | 0:09:57 | |
-What would be the absolute death on these? -30. | 0:09:57 | 0:10:00 | |
-Yeah. -He'd do 30. | 0:10:00 | 0:10:02 | |
-Will they do better at auction? -There's a good possibility. | 0:10:02 | 0:10:06 | |
Even if they said 20 to 30, someone might end up paying 50 for them. | 0:10:06 | 0:10:10 | |
-OK. It's a good start. -And you've got something that's on the list. | 0:10:10 | 0:10:14 | |
-Yeah. It's on the checklist. Let's go for it. -We'll go for it. | 0:10:14 | 0:10:18 | |
Are you happy? Cufflinks was your bit. | 0:10:18 | 0:10:20 | |
-Yeah. -Well done. Thank you very much. | 0:10:20 | 0:10:23 | |
'Luke just wasn't biting, but David worked doggedly, | 0:10:25 | 0:10:29 | |
'so Ron's got his cufflinks for £30. | 0:10:29 | 0:10:31 | |
'Woof!' | 0:10:31 | 0:10:34 | |
-This is in line with your Fat Lava. -Oh, yes, it is. | 0:10:34 | 0:10:37 | |
-Look at those big ones! -Oh, they're fantastic. | 0:10:37 | 0:10:41 | |
-They are quite impressive. -They are. Lovely. | 0:10:41 | 0:10:43 | |
Out of the two, which one do you favour? | 0:10:43 | 0:10:46 | |
-I like that one more. -That one? -Yeah. | 0:10:46 | 0:10:48 | |
-Very sculptural, isn't it? -I do like that. | 0:10:48 | 0:10:51 | |
They've been lamp bases. That's got some of the top. | 0:10:51 | 0:10:54 | |
That one's been taken out. They're quite big pieces. | 0:10:54 | 0:10:57 | |
-I might need a hand lifting that. -Of course. | 0:10:57 | 0:11:00 | |
-Get the muscles going, shall we? -I think you should step in. | 0:11:00 | 0:11:04 | |
-Who's got the muscles? -NICK GRUNTS | 0:11:04 | 0:11:06 | |
-I tell you what... -Oh, yes. -Hold that up. | 0:11:06 | 0:11:09 | |
-It's like we've won the cup already. -Yes. | 0:11:09 | 0:11:12 | |
-THEY LAUGH -But it's sculpturally all there. | 0:11:12 | 0:11:16 | |
It looks good, and it looks in good shape. | 0:11:16 | 0:11:19 | |
I love how the colours go from dark to light and dark again. | 0:11:19 | 0:11:22 | |
Yeah, it's really nice. And it's textured, as well. | 0:11:22 | 0:11:25 | |
-Price-wise, I think we've got 25 on the top there. -25. | 0:11:25 | 0:11:29 | |
-See if we can get it down a bit. -I tell you what. Hang on to that. | 0:11:29 | 0:11:33 | |
Let's see if we can get the chap here. | 0:11:33 | 0:11:35 | |
Excuse me, sir. Bearing in mind it is part of a lamp, | 0:11:35 | 0:11:39 | |
not the whole lamp, would the price be negotiable? | 0:11:39 | 0:11:42 | |
-Yes. -How negotiable would it be? | 0:11:42 | 0:11:45 | |
-I could do it for 15. -15 quid? | 0:11:45 | 0:11:47 | |
-Yeah. -You happy with that, guys? -I think that would be really good. | 0:11:47 | 0:11:51 | |
If you hold on to that, I can perhaps get the magic money... | 0:11:51 | 0:11:54 | |
-There we go. -..which I've been very... I've been allowed to keep. | 0:11:54 | 0:11:58 | |
Put the notes in his hand. There you go. | 0:11:58 | 0:12:01 | |
'Another item off the wish-list. | 0:12:02 | 0:12:04 | |
'Christopher gets his Fat Lava for £15. | 0:12:04 | 0:12:08 | |
'Someone's got to love it, I suppose!' | 0:12:08 | 0:12:10 | |
Right. So, we've got two items. We've had 20 minutes. | 0:12:10 | 0:12:14 | |
-My turn now. -Right. -That's fair. | 0:12:14 | 0:12:17 | |
I want something pretty and little, and not brown. | 0:12:17 | 0:12:20 | |
-OK, you're the boss. -Is she always this bossy? | 0:12:20 | 0:12:23 | |
-Often, yes. -Rubbish! | 0:12:23 | 0:12:25 | |
Well, you're the boss, so let's go and find something pretty. | 0:12:25 | 0:12:29 | |
'Ooh, I do love a diva! You tell 'em, girl! | 0:12:29 | 0:12:33 | |
'So, the Reds are on the hunt for just one more item, | 0:12:33 | 0:12:36 | |
'and the boys in blue need two, so buck up!' | 0:12:36 | 0:12:39 | |
Are you sure you don't want that football thing? | 0:12:39 | 0:12:42 | |
-We could go for a coffee. -No! That is a bad part of the strategy. | 0:12:42 | 0:12:46 | |
Come on. Next one. | 0:12:46 | 0:12:48 | |
-Lots of pretty little bits of jewellery here. -Yeah. | 0:12:48 | 0:12:51 | |
-We've got quite a big budget left, so you can even look at some of the gem-set jewellery. -Yes. | 0:12:51 | 0:12:56 | |
-Do you like amethysts? -I like that pink one. | 0:12:56 | 0:13:00 | |
I wonder if it's in our budget. It's a pretty-looking thing. | 0:13:00 | 0:13:03 | |
-Worth asking? -Yeah. Why not? -Let's get the stallholder in. | 0:13:03 | 0:13:07 | |
Hello! | 0:13:07 | 0:13:09 | |
We've been enticed by your glittering array of jewellery. | 0:13:09 | 0:13:12 | |
Could we have a look at that one? | 0:13:12 | 0:13:14 | |
-You can, but I don't think it'll be in budget. -Really? | 0:13:15 | 0:13:18 | |
-That sounds ominous. -I have expensive tastes. | 0:13:18 | 0:13:22 | |
-It's rubies and diamonds, 18 carat. -Oh, I don't think it will be. | 0:13:22 | 0:13:27 | |
Go on, frighten me. How much? | 0:13:27 | 0:13:29 | |
-Well, I've got 580 on it. -NICK GASPS | 0:13:29 | 0:13:31 | |
Right. No, it is out of reach for our budget. | 0:13:31 | 0:13:34 | |
But it is lovely! | 0:13:34 | 0:13:36 | |
'I think Emily is on the verge of splashing some serious cash. | 0:13:36 | 0:13:41 | |
'Go, girl!' | 0:13:41 | 0:13:42 | |
-Are you two worrying a bit? -No, not at all. -Are you sure? | 0:13:42 | 0:13:47 | |
We're just looking. We're searching for inspiration. | 0:13:47 | 0:13:50 | |
-Hello! How are you? Are you well? -I'm well. What you buying? | 0:13:50 | 0:13:53 | |
-Oh, you know, I never stop buying. -Rubbish! -I do not buy rubbish. | 0:13:53 | 0:13:57 | |
-I can't believe you said that. I can't believe it. -You do. | 0:13:57 | 0:14:01 | |
'How could she possibly say that, | 0:14:01 | 0:14:04 | |
'particularly when they've hardly bought anything?' | 0:14:04 | 0:14:08 | |
This is a lot cheaper, this, | 0:14:08 | 0:14:10 | |
because this one is silver gilt. | 0:14:10 | 0:14:14 | |
Ah, right. | 0:14:14 | 0:14:15 | |
-That one's 95. -It's pretty. | 0:14:15 | 0:14:18 | |
-Do you like that? -Yeah. -Have a look. | 0:14:18 | 0:14:21 | |
I like rings. That's really nice. What do you think? | 0:14:21 | 0:14:24 | |
-What's it look like on? Does it fit? Does it fit? -Not really. | 0:14:24 | 0:14:28 | |
-Vaguely. -It's very pretty. | 0:14:28 | 0:14:30 | |
Let's have a closer look. Let's get one of these little loops out. | 0:14:30 | 0:14:33 | |
This is where we need an expert, you see. | 0:14:33 | 0:14:36 | |
The amethysts are nice and clear. They're a good size, nice cut. | 0:14:36 | 0:14:40 | |
They're going to be rhinestones rather than diamonds, | 0:14:40 | 0:14:43 | |
but that's why it's £95 and not £150. | 0:14:43 | 0:14:46 | |
Yeah. | 0:14:46 | 0:14:49 | |
It's going to be 1920s, '30s, '40s, that sort of era, isn't it? | 0:14:49 | 0:14:52 | |
-I think from the '20s. -Around the second war, that sort of period. | 0:14:52 | 0:14:56 | |
It's growing on me. I really like it. | 0:14:56 | 0:14:59 | |
-Do you like it? What would be your best price on it? -80. | 0:14:59 | 0:15:03 | |
-£80. What do you think about that? -Is that the...the death? | 0:15:03 | 0:15:08 | |
It is, because I think that's quite reasonable for what it is. | 0:15:08 | 0:15:12 | |
Would 70 buy it? | 0:15:12 | 0:15:14 | |
75. | 0:15:14 | 0:15:16 | |
And that's the... What do you think? 75. Is that the double death? | 0:15:16 | 0:15:20 | |
-The double death. -Yes, the double death. | 0:15:20 | 0:15:22 | |
-THEY LAUGH -Leave her something to work with. | 0:15:22 | 0:15:25 | |
-Let's do it for 75. -Shall I find the money? | 0:15:25 | 0:15:29 | |
-So that's a deal, then. -Yes. Thank you. | 0:15:29 | 0:15:31 | |
-And I've just got to count out 20... -I hope you do well with it. | 0:15:31 | 0:15:35 | |
60, 70... | 0:15:35 | 0:15:37 | |
-Five. -75. Well done. | 0:15:37 | 0:15:40 | |
-Thank you very much indeed. -Thank you. -Thank you. | 0:15:40 | 0:15:44 | |
'So the Reds complete their shopping list with Emily's choice, | 0:15:45 | 0:15:48 | |
'a bit of amethyst bling. | 0:15:48 | 0:15:51 | |
'Now, Luke, Ron, all eyes are on you with 15 minutes to go. | 0:15:51 | 0:15:56 | |
'No pressure!' | 0:15:56 | 0:15:58 | |
-What are you thinking? -That looks really pretty. | 0:15:58 | 0:16:00 | |
-Yeah. -What sort of money is it? | 0:16:00 | 0:16:03 | |
It's... | 0:16:03 | 0:16:05 | |
It's got 115 on it, | 0:16:05 | 0:16:07 | |
but open to offers. | 0:16:07 | 0:16:10 | |
Go on. Sell it to them! | 0:16:10 | 0:16:12 | |
Walnut veneer, mirror backed. | 0:16:12 | 0:16:15 | |
OK? It's a display cabinet. It's 1920s to 1930s, | 0:16:15 | 0:16:20 | |
Art Deco. The best on it is 85. | 0:16:20 | 0:16:23 | |
-85. -OK. | 0:16:23 | 0:16:25 | |
I think it's a bargain at that if this is what you want, | 0:16:25 | 0:16:28 | |
but again, we're going into an auction, | 0:16:28 | 0:16:30 | |
and we've got to be very cautious. What do you reckon? | 0:16:30 | 0:16:33 | |
I'll give you another ten percent off. I'll give you 80. | 0:16:33 | 0:16:36 | |
-80. -80. That gives you a really good chance, then. | 0:16:36 | 0:16:40 | |
If you tell me what the auction is, I'll come and buy it from you. | 0:16:40 | 0:16:43 | |
THEY LAUGH Could you get nearer 65, or... | 0:16:43 | 0:16:46 | |
You could get near 70. | 0:16:46 | 0:16:48 | |
-I think we could get 65. We've got to... -Come on, then. | 0:16:48 | 0:16:52 | |
-Yeah! -Yeah? Good man. -Always a pleasure. | 0:16:52 | 0:16:55 | |
'Good work! And they're spending again - | 0:16:56 | 0:16:58 | |
'£65 on this Deco display cabinet.' | 0:16:58 | 0:17:01 | |
'What are the Reds buying now? | 0:17:03 | 0:17:06 | |
'Ah, bacon butties!' | 0:17:06 | 0:17:08 | |
I can't believe we did it so well. Thank you very much. | 0:17:08 | 0:17:12 | |
-And so quickly, as well. -Yeah. -Let's go and tuck into these. | 0:17:12 | 0:17:15 | |
'Well, you relax. Stop dribbling. | 0:17:15 | 0:17:18 | |
'But time's running out for our boys in blue.' | 0:17:20 | 0:17:22 | |
What have we got in the back of our minds? | 0:17:22 | 0:17:25 | |
Is there anything you might buy in the last minute? | 0:17:25 | 0:17:28 | |
-The football. -The football could be still there as an option. | 0:17:28 | 0:17:31 | |
-It's funny. It's quirky. -But the players are broken. | 0:17:31 | 0:17:35 | |
-It doesn't matter! -It's about as good as you and me nowadays. | 0:17:35 | 0:17:38 | |
-But it would suit you two. -No, I really can't. | 0:17:38 | 0:17:41 | |
I can't convince you? I just think it's wild, personally. | 0:17:41 | 0:17:45 | |
I want something a bit like that but a bit better condition. | 0:17:45 | 0:17:48 | |
Have we got £150? | 0:17:48 | 0:17:50 | |
Yeah, but we don't have very much time. | 0:17:50 | 0:17:53 | |
'You tell 'em, Dave! Four minutes, to be precise.' | 0:17:53 | 0:17:56 | |
-OK, four minutes. Four minutes. -That's a bit... | 0:17:57 | 0:18:01 | |
-Come on, boys. Come on. OK. -Yeah. | 0:18:01 | 0:18:03 | |
-HE LAUGHS -What you laughing at? | 0:18:03 | 0:18:05 | |
I don't know. | 0:18:05 | 0:18:07 | |
We need to find something quick. | 0:18:07 | 0:18:10 | |
'Yep, it's pretty tense! Ah, what's David spotted?' | 0:18:10 | 0:18:14 | |
Right, right, right. Time, time, time, time, time. | 0:18:14 | 0:18:16 | |
You've got three minutes - rather I've got three minutes | 0:18:16 | 0:18:20 | |
-to sell you this. Can I tell you what it is? -Yes. | 0:18:20 | 0:18:24 | |
It's a mirror, yeah, but it's an Edwardian one, | 0:18:24 | 0:18:27 | |
and a very high-quality one. Made from oak, | 0:18:27 | 0:18:29 | |
it's got that lovely shield mirror, and it's bevelled cut. | 0:18:29 | 0:18:33 | |
Made about 1905, 1910. And it's marquetry-inlaid. | 0:18:33 | 0:18:36 | |
Just run your finger over that decoration there. | 0:18:36 | 0:18:39 | |
Can you feel that it's raised? | 0:18:39 | 0:18:41 | |
It's not painted. It's not transfer-printed. | 0:18:41 | 0:18:45 | |
-Top quality. -It's top quality. It's actually cut in with satinwood | 0:18:45 | 0:18:49 | |
-and fruitwood. Any questions? -Yeah, about the mark just here. | 0:18:49 | 0:18:53 | |
-That's shrinkage. -Right. | 0:18:53 | 0:18:55 | |
Over its 105, 110-year life, with central heating, | 0:18:55 | 0:18:59 | |
it's just shrunk a little. Less than two minutes. | 0:18:59 | 0:19:01 | |
-How am I doing so far? -I think go with it. | 0:19:01 | 0:19:04 | |
-Hang on. -Go with it. -We need a price first. | 0:19:04 | 0:19:07 | |
Hi, there. Sorry. Can I just grab you? | 0:19:07 | 0:19:10 | |
Yes. | 0:19:10 | 0:19:11 | |
-He's always very accommodating and charming. -I am. | 0:19:11 | 0:19:15 | |
What would be the absolute double death on this one? | 0:19:15 | 0:19:17 | |
Double death would be... | 0:19:17 | 0:19:20 | |
20. | 0:19:20 | 0:19:22 | |
-20. -RON HISSES | 0:19:22 | 0:19:24 | |
-Oh, listen to the deep intake... -You sound like a plumber. | 0:19:24 | 0:19:27 | |
Can you stretch it a bit further for us? | 0:19:27 | 0:19:30 | |
18 is the absolute best I can do. | 0:19:32 | 0:19:36 | |
-Ooh, have it, for goodness' sake! -Yeah. | 0:19:36 | 0:19:39 | |
-Oh, go on, then. -Good man. -Give the man the money. | 0:19:39 | 0:19:43 | |
'Phew, finished! What would they have done without you, David, eh? | 0:19:43 | 0:19:47 | |
'You deserve a medal. Well, at least a cuppa.' | 0:19:47 | 0:19:50 | |
-£2 change. Thank you very much. -Nice doing business with you. | 0:19:50 | 0:19:53 | |
-And you. -Thanks a lot. See you next time. | 0:19:53 | 0:19:56 | |
-That way is the coffee shop. -The beer tent. | 0:19:56 | 0:19:59 | |
We'll go there as well. | 0:19:59 | 0:20:01 | |
Right! That's it. | 0:20:01 | 0:20:03 | |
Stop the clock. Our teams are shopped out. | 0:20:03 | 0:20:07 | |
Emily and Christopher wasted no time | 0:20:08 | 0:20:10 | |
and grabbed this Deco mantel clock with both hands, for £70. | 0:20:10 | 0:20:15 | |
Christopher came over all retro and paid £15 | 0:20:15 | 0:20:18 | |
for this Fat Lava lamp base. | 0:20:18 | 0:20:20 | |
Emily chose this pretty amethyst ring for £75. | 0:20:22 | 0:20:27 | |
And they bought bacon butties, but they used their own coppers. | 0:20:28 | 0:20:31 | |
-Afternoon, folks. -Hiya! -How much did you spend overall? | 0:20:33 | 0:20:36 | |
-160 overall. -£140 of leftover lolly for me, then. | 0:20:36 | 0:20:40 | |
-Which I think is in here, if I've got it safe and sound. -Yes. | 0:20:40 | 0:20:43 | |
-140. Thank you very much. -140 for you. | 0:20:43 | 0:20:45 | |
-Which is your favourite piece, Emily? -The ring. | 0:20:45 | 0:20:48 | |
-The ring. -Definitely. -Will that bring the biggest profit? | 0:20:48 | 0:20:51 | |
-No. I think the Fat Lava will. -You reckon it will? | 0:20:51 | 0:20:54 | |
-You have faith in your father? -I do. | 0:20:54 | 0:20:56 | |
-THEY LAUGH -She's good. | 0:20:56 | 0:20:58 | |
-How lovely! Now, talking of faith... -Yes. -..£140 goes to you. | 0:20:58 | 0:21:03 | |
-Is it going to be hope or charity? -There's some choice items out there. | 0:21:03 | 0:21:07 | |
But my favourite thing today so far was the bacon roll. | 0:21:07 | 0:21:11 | |
-The bacon roll. -THEY LAUGH | 0:21:11 | 0:21:13 | |
Things don't change, now, do they? Have a great time. Good luck, Nick. | 0:21:13 | 0:21:16 | |
Meanwhile, why don't we check out what the Blue Team bought? | 0:21:16 | 0:21:19 | |
Despite having it all mapped out, | 0:21:19 | 0:21:22 | |
Luke and Ron needed David as their satnav. | 0:21:22 | 0:21:25 | |
He led the way to those doggy cufflinks for £30. | 0:21:25 | 0:21:30 | |
The boys got on board and bought this Art Deco cabinet. | 0:21:30 | 0:21:34 | |
£65 paid. | 0:21:34 | 0:21:36 | |
And David steered them to their final destination | 0:21:36 | 0:21:39 | |
in the dying minutes, when this oak mirror, | 0:21:39 | 0:21:42 | |
for £18, ended their shop. | 0:21:42 | 0:21:45 | |
-11 seconds. -Whoa! | 0:21:45 | 0:21:47 | |
-Is that true? 11 seconds? -11 seconds. | 0:21:47 | 0:21:50 | |
-It was close, that was. -Tight, tight, tight! -Very good. | 0:21:50 | 0:21:53 | |
-How much have you spent? £113? -£113 in total. | 0:21:53 | 0:21:56 | |
-I'd like £187, please. -You're very good. -£187. | 0:21:56 | 0:21:59 | |
There we go. That's five, and two is seven, | 0:21:59 | 0:22:02 | |
and I trust you for the rest of it. Straight across to Mr Harper. | 0:22:02 | 0:22:05 | |
Can I just dump the mirror, the final purchase there? | 0:22:05 | 0:22:09 | |
-Oh, yeah. -I mean in the nicest possible way. | 0:22:09 | 0:22:12 | |
I'll pass that straight on. What are you going to do with all that cash? | 0:22:12 | 0:22:16 | |
These two want me to blow the lot, but you're just too wild, you two. | 0:22:16 | 0:22:20 | |
-They said just spend it. -But that's the whole attitude. | 0:22:20 | 0:22:24 | |
-Is it? -Yeah, it is! | 0:22:24 | 0:22:25 | |
Go out there and chance your arm, mate. | 0:22:25 | 0:22:28 | |
Exciting! Meanwhile, we're heading off to Oxfordshire - | 0:22:28 | 0:22:31 | |
that's with an O - where we're going to go to Stonor Park. Ooh-ah! | 0:22:31 | 0:22:35 | |
Hidden in a fold of the Chilterns | 0:22:39 | 0:22:41 | |
is a house dating back to the 13th century. | 0:22:41 | 0:22:44 | |
It's belonged to the same family, the Stonors, for 850 years - | 0:22:44 | 0:22:50 | |
but only just. | 0:22:50 | 0:22:52 | |
The first major challenge happened | 0:22:52 | 0:22:55 | |
when old Henry VIII decided to wage war on the Catholics. | 0:22:55 | 0:22:58 | |
The Stonor family here paid a heavy price, | 0:22:58 | 0:23:01 | |
not only in fines but in imprisonment | 0:23:01 | 0:23:04 | |
and general humiliation. Even the church was ransacked. | 0:23:04 | 0:23:08 | |
But did they give up? Oh, no. They hung onto their faith | 0:23:08 | 0:23:11 | |
as well as their house. | 0:23:11 | 0:23:14 | |
The family prospered, and in 1710, | 0:23:14 | 0:23:17 | |
Thomas was the first Stonor to hold the title of Lord Camoys. | 0:23:17 | 0:23:21 | |
But in the 20th century, they faced a new enemy - the tax man. | 0:23:21 | 0:23:27 | |
Shortly before his death, | 0:23:27 | 0:23:29 | |
the sixth Lord Camoys sold anything not screwed down | 0:23:29 | 0:23:33 | |
and put the house up for sale. | 0:23:33 | 0:23:36 | |
His son Thomas, the seventh Lord Camoys, | 0:23:36 | 0:23:40 | |
was determined to keep the house in the family, | 0:23:40 | 0:23:43 | |
and in a last-ditch attempt, he managed to secure the emptied house | 0:23:43 | 0:23:47 | |
for his family. | 0:23:47 | 0:23:49 | |
The furnishings that now fill the rooms at Stonor | 0:23:50 | 0:23:53 | |
are an eclectic mix of inherited, rescued, donated | 0:23:53 | 0:23:57 | |
and recovered fixtures and fittings. | 0:23:57 | 0:24:00 | |
Nowhere is this more apparent than in the library. | 0:24:00 | 0:24:03 | |
So, how do you go about furnishing an enormous house like this, | 0:24:04 | 0:24:10 | |
that's been stripped practically bare? | 0:24:10 | 0:24:12 | |
Well, in a room like this, the library, you can just get lucky. | 0:24:12 | 0:24:17 | |
And they did, | 0:24:17 | 0:24:19 | |
because this magnificent set of mahogany library bookcases | 0:24:19 | 0:24:23 | |
which line the room never actually left. | 0:24:23 | 0:24:27 | |
Their association and connection with the house is good | 0:24:27 | 0:24:31 | |
because they were made by the Catholic cabinetmaker from Liverpool, George Bullock, | 0:24:31 | 0:24:36 | |
and I guess they were so securely attached to the walls, | 0:24:36 | 0:24:39 | |
they literally weren't ripped off and didn't go away for sale. | 0:24:39 | 0:24:45 | |
Sometimes you can just get lucky by being sharp | 0:24:45 | 0:24:48 | |
around the streets of London. | 0:24:48 | 0:24:50 | |
Lord Camoys was walking along Bond Street one day | 0:24:50 | 0:24:53 | |
and a dealer said to him, "I've got something for you, milord," | 0:24:53 | 0:24:56 | |
and showed him this picture - a picture of Alexander Pope, | 0:24:56 | 0:25:00 | |
a most appropriate picture to reacquire and hang here | 0:25:00 | 0:25:04 | |
because Pope visited Stonor Park | 0:25:04 | 0:25:07 | |
and it was quite likely that he presented this picture | 0:25:07 | 0:25:11 | |
to Thomas Stonor at the time. | 0:25:11 | 0:25:14 | |
So it's really wonderful that the thing has got back here. | 0:25:14 | 0:25:18 | |
Now, some came from their earlier house. | 0:25:18 | 0:25:21 | |
They had a fully furnished house in Suffolk, | 0:25:21 | 0:25:24 | |
hence the set of 17th-century tall-back chairs, | 0:25:24 | 0:25:27 | |
the refectory table, arrived by that route. | 0:25:27 | 0:25:31 | |
Perhaps the most spectacular pieces | 0:25:31 | 0:25:35 | |
are the pair of sculptures here at the end of the library. | 0:25:35 | 0:25:39 | |
They represent something that is particularly appropriate | 0:25:39 | 0:25:43 | |
to a Catholic household - a pair of saints, | 0:25:43 | 0:25:47 | |
but carved in the most vigorous and bold manner. | 0:25:47 | 0:25:52 | |
And what I like about them is their sense of movement. | 0:25:52 | 0:25:55 | |
The sculptor has taken a great block of walnut or lime wood, | 0:25:55 | 0:26:00 | |
one single piece, and he's attacked it with his broad chisel, | 0:26:00 | 0:26:05 | |
hacking at these vestments | 0:26:05 | 0:26:08 | |
so that they literally seem to be flowing | 0:26:08 | 0:26:11 | |
as you have a look at them. | 0:26:11 | 0:26:13 | |
These came by inheritance, | 0:26:13 | 0:26:15 | |
and they represent probably the very best | 0:26:15 | 0:26:19 | |
of 18th-century international Catholicism. | 0:26:19 | 0:26:23 | |
The one on the left is thought to be St Ignatius as a young man, | 0:26:23 | 0:26:27 | |
and here he is as an old boy. | 0:26:27 | 0:26:30 | |
The big question is, will God be shining down | 0:26:30 | 0:26:35 | |
on our teams' efforts today over at the auction? Oh, Lordy! | 0:26:35 | 0:26:40 | |
And we've travelled to Golding Young and Thomas Mawer in Lincoln | 0:26:42 | 0:26:46 | |
to meet the auctioneer, Colin Young. | 0:26:46 | 0:26:48 | |
So, the Red Team, Emily and Christopher, | 0:26:48 | 0:26:51 | |
went for this chiming mantel clock. | 0:26:51 | 0:26:54 | |
-That just screams '30s, doesn't it? -It does. Wonderful Deco piece, | 0:26:54 | 0:26:58 | |
and charming as well as chiming. | 0:26:58 | 0:27:01 | |
What sort of money is it worth, Col? | 0:27:01 | 0:27:03 | |
I would have thought you've got to be looking at £50 to £80, that sort of range, for it. | 0:27:03 | 0:27:07 | |
-They paid 70, actually. -Did they? I don't think that's a bad buy at that sort of money. | 0:27:07 | 0:27:12 | |
My guess is it'll make £110, all right? | 0:27:12 | 0:27:14 | |
But, then, I'm always optimistic. Actually, not always, | 0:27:14 | 0:27:18 | |
thinking of the next lot, which is that thing. | 0:27:18 | 0:27:21 | |
There's the belief, with this type of ware, | 0:27:21 | 0:27:24 | |
-that it is becoming the next great thing. -Yeah. | 0:27:24 | 0:27:29 | |
-I haven't quite seen it yet. -No. It only cost £15. | 0:27:29 | 0:27:32 | |
I think it's incredibly ugly, and I don't like it personally, | 0:27:32 | 0:27:36 | |
but if you wanted a big chunky lamp base, | 0:27:36 | 0:27:39 | |
15 smackers is not a lot, is it? | 0:27:39 | 0:27:40 | |
No. There's got to be a little bit of profit in it. | 0:27:40 | 0:27:43 | |
-How much? Will it make £20? -It should make £20 or £30. | 0:27:43 | 0:27:46 | |
Fair enough. Now, their last item, the sublime to the ridiculous, | 0:27:46 | 0:27:51 | |
is this late-Victorian amethyst wee ring. | 0:27:51 | 0:27:54 | |
-Yes. -Do you rate that? | 0:27:54 | 0:27:56 | |
I think it's a nice little knuckleduster. | 0:27:56 | 0:27:59 | |
There's plenty of stones on it. It's well made, | 0:27:59 | 0:28:01 | |
-but the problem is, it's going to be £40 to £60, that sort of range. -OK. | 0:28:01 | 0:28:06 | |
Quite agree. £75 they paid. They're going to need their bonus buy, | 0:28:06 | 0:28:10 | |
so let's go and have a look at it! | 0:28:10 | 0:28:13 | |
Now, Ems and Christopher, you excited about this? | 0:28:13 | 0:28:16 | |
-Very excited. -You spent 160. | 0:28:16 | 0:28:17 | |
You gave Nick Hall £140. | 0:28:17 | 0:28:20 | |
What did naughty Nicholas spend it on? | 0:28:20 | 0:28:23 | |
-I think I've been very prudent. Look at that. -Oh, wow! | 0:28:23 | 0:28:27 | |
-I wasn't expecting that. -I wasn't! -I know you two like your art. | 0:28:27 | 0:28:31 | |
You're quite artistic. Isn't that the most wonderful enamel plaque | 0:28:31 | 0:28:35 | |
-you've seen? -It's beautiful. Do you like that? | 0:28:35 | 0:28:38 | |
-Mm. -It's Spanish. | 0:28:38 | 0:28:40 | |
Now, it's got this wonderful spurious plaque on there | 0:28:40 | 0:28:44 | |
that says "I Nonell". If this is anything to do with Isidre Nonell, | 0:28:44 | 0:28:48 | |
-this could be quite a valuable thing. -OK. | 0:28:48 | 0:28:51 | |
It's not a name I'm familiar with, | 0:28:51 | 0:28:54 | |
so it's somebody you feel confident about? | 0:28:54 | 0:28:56 | |
It would need to be taken out of the frame and researched, | 0:28:56 | 0:29:00 | |
and see if there's any marks, monograms, on the back of the plaque | 0:29:00 | 0:29:04 | |
so at the moment, it's a tenuous, possible maybe. | 0:29:04 | 0:29:07 | |
-It's still a lovely object. -Yeah. | 0:29:07 | 0:29:09 | |
-Do you want to know what I paid? -Oh, yes, we need to know. -£45. | 0:29:09 | 0:29:13 | |
-Excellent. That sounds promising. And you're happy. -How much do you think it'll make? | 0:29:13 | 0:29:17 | |
Good for you, Ems. You get straight in there, darling. | 0:29:17 | 0:29:21 | |
It depends on the art collectors, whether they think it actually is by the hand of Nonell. | 0:29:21 | 0:29:25 | |
or after or school-of. I mean, it's in the lap of the gods. | 0:29:25 | 0:29:30 | |
-But it's got potential. -Yeah. | 0:29:30 | 0:29:32 | |
I think it's an incredibly interesting find, Nick. | 0:29:32 | 0:29:35 | |
We'll see what happens. It's exciting, isn't it? | 0:29:35 | 0:29:37 | |
Your moment to decide is after the sale of your first three items | 0:29:37 | 0:29:41 | |
but for the viewers at home, let's find out what the auctioneer thinks about Nick's plaque. | 0:29:41 | 0:29:45 | |
-There you go. -Thank you. -Get your teeth into that. | 0:29:47 | 0:29:50 | |
-That's a lovely smile, isn't it? -Yep. Makes you feel jollier the more you look. | 0:29:50 | 0:29:54 | |
It does. I think it's a lovely thing. The colours on the enamel are good. | 0:29:54 | 0:29:58 | |
Just seems to be a little bit of either scraping around the top here | 0:29:58 | 0:30:03 | |
or a fault with the enamel, but apart from that, | 0:30:03 | 0:30:07 | |
it's a good-looking thing, well framed. | 0:30:07 | 0:30:10 | |
Yeah, I think there's going to be a few people queuing up for that. We've put an estimate of £50 to £80 | 0:30:10 | 0:30:15 | |
but I wouldn't be surprised if it made over £100. | 0:30:15 | 0:30:18 | |
Nick Hall paid £45, I think, very cleverly. | 0:30:18 | 0:30:22 | |
It's a very, very speculative object and that's what makes it exciting. | 0:30:22 | 0:30:26 | |
Anyway, that's it for the Reds. Now for the Blues. First up is a pair of cufflinks. | 0:30:26 | 0:30:31 | |
Are the cufflinks made of a precious metal? No. Are they made of tin? Yes. | 0:30:31 | 0:30:36 | |
They're all right. You see plenty of them through the sales. A fairly standard thing. | 0:30:36 | 0:30:40 | |
You'd lot them up, people will bid for them, | 0:30:40 | 0:30:43 | |
-but they're all going to stop at the same time. -About £8 worth. | 0:30:43 | 0:30:47 | |
-Could be. We've put an estimate of £10 to £20. -Generous! | 0:30:47 | 0:30:51 | |
Well, we'd hope we'd be getting nearer the higher end, | 0:30:51 | 0:30:54 | |
but I think your £8 is probably going to be the case. | 0:30:54 | 0:30:57 | |
Anyway, the team paid £30. As you say, it takes all sorts. | 0:30:57 | 0:31:00 | |
Next is the Art Deco cabinet. | 0:31:00 | 0:31:03 | |
That's going to excite you as an auctioneer. Not. | 0:31:03 | 0:31:08 | |
But only on the basis that I've probably sold about 20,000 of the things over the years, | 0:31:08 | 0:31:14 | |
so it's one of those markets that you do tend to know what the price is for them. | 0:31:14 | 0:31:19 | |
Again, trying to find positives, it's got a nice convex back to it with shaped shelves. | 0:31:19 | 0:31:24 | |
That does take it away from the standard model. | 0:31:24 | 0:31:27 | |
So I've upped the estimate to £25 to £40. | 0:31:27 | 0:31:29 | |
£65 our lot paid. | 0:31:29 | 0:31:31 | |
Yep, I think that's probably going to see a little bit of pain. | 0:31:31 | 0:31:35 | |
That on top of the painful cufflinks is becoming an agony. | 0:31:35 | 0:31:39 | |
-Right. -Their last ray of hope is this shield-shaped Edwardian mirror. | 0:31:39 | 0:31:44 | |
The best thing about that is the shape, I guess. | 0:31:44 | 0:31:47 | |
It is. I think it's something that's been cobbled together. | 0:31:47 | 0:31:52 | |
It works together as a mirror, it's fine, | 0:31:52 | 0:31:54 | |
but that's going to mean it's just nominal value as part of a bigger piece, really. | 0:31:54 | 0:31:59 | |
-How much? -We've put an estimate of £30 to £40. -Have you really? | 0:31:59 | 0:32:03 | |
-Mm. -Good Lord! £18 is all they paid. | 0:32:03 | 0:32:06 | |
-Oh, that's not bad. -There is a ray of hope! -This is. -They could make a profit on it! | 0:32:06 | 0:32:10 | |
Well, I'd be astonished. Good luck. | 0:32:10 | 0:32:13 | |
-I think we're going to need it on the first couple. -You are. | 0:32:13 | 0:32:16 | |
And they're going to need their bonus buy, so let's have a look at it. | 0:32:16 | 0:32:20 | |
Now, Luke and Ron, this is the bonus buy. | 0:32:20 | 0:32:23 | |
£113 was spent in the fair. | 0:32:23 | 0:32:26 | |
You gave David £187. What did you spend it on? | 0:32:26 | 0:32:30 | |
OK, here we go. Something to match you two chaps, gentlemen of the world. | 0:32:30 | 0:32:34 | |
-Indeed. -If we were to transport ourselves back 100 years or so, | 0:32:34 | 0:32:38 | |
this is exactly the kind of thing that you two would own. | 0:32:38 | 0:32:41 | |
-Open it up. -Let's see what we've got. -Oh, very nice. | 0:32:41 | 0:32:44 | |
-And then take it out. There's your lovely gentleman's watch. -Beautiful. | 0:32:44 | 0:32:48 | |
-It's nice and heavy. -Isn't it? And its case, both hallmarked, Birmingham. | 0:32:48 | 0:32:53 | |
The watch I think is 1905. | 0:32:53 | 0:32:55 | |
And then that would just sit on your bedside table | 0:32:55 | 0:33:00 | |
-and it would be a travelling clock. -Like a travel clock. -Yeah. | 0:33:00 | 0:33:04 | |
-So what do you think? -I like. I like a lot. -Yes? | 0:33:04 | 0:33:07 | |
-Well, the question is... -Go on, the big question. | 0:33:07 | 0:33:11 | |
-Two questions. -Oh, go on, then. Two questions. | 0:33:11 | 0:33:15 | |
-How much have you paid for it? -What's the second question? -Do you think it'll make any money? | 0:33:15 | 0:33:20 | |
I paid £60 for it. | 0:33:20 | 0:33:22 | |
-Less than I thought it was going to be. -OK, that's good. | 0:33:22 | 0:33:26 | |
And I think there's every chance it should make a profit. | 0:33:26 | 0:33:30 | |
-I mean, I think it's a bargain. -Every chance. -Every chance. | 0:33:30 | 0:33:34 | |
-So get enthused about it. -No, I am enthused. -I'm up for it. | 0:33:34 | 0:33:37 | |
-You can't believe how enthused I am. -I can't believe how enthused you are. | 0:33:37 | 0:33:41 | |
-Well, it's very nice to know you're enthused. -Yes! -Very nice, Luke. | 0:33:41 | 0:33:44 | |
-I wouldn't like to see him not enthused. -No, quite. | 0:33:44 | 0:33:47 | |
Don't deflate too much. Meanwhile, for the audience at home, | 0:33:47 | 0:33:50 | |
let's see what the auctioneer thinks about Dave's travelling watch. | 0:33:50 | 0:33:54 | |
-Here you go, Colin. That's rather fun, isn't it? -What a lovely little combination. | 0:33:55 | 0:33:59 | |
Nice silver watch, enamel dial. | 0:33:59 | 0:34:02 | |
I think that's a great little watch on its own. | 0:34:02 | 0:34:05 | |
And this case looks to me like a great little case. | 0:34:05 | 0:34:08 | |
A few dents in it, but often these are just hanging off the leather, | 0:34:08 | 0:34:13 | |
the leather's all rotted away. That leather's all right. | 0:34:13 | 0:34:16 | |
You put a bit of boot polish on that, it'll be perfectly all right. | 0:34:16 | 0:34:20 | |
So you're happy with the watch, I'm happy with the case. | 0:34:20 | 0:34:23 | |
You're looking at £60, £100. Again, you wouldn't be surprised if you got over the £100 mark for the pairing. | 0:34:23 | 0:34:29 | |
-I think it's a very good item. -There you go, that's David Harper for you. He paid £60. | 0:34:29 | 0:34:34 | |
So if the team go with that, they may claw back something | 0:34:34 | 0:34:38 | |
out of this loss-filled pit that they'll otherwise find themselves in. | 0:34:38 | 0:34:43 | |
-Indeed. -And we don't like that, do we? | 0:34:43 | 0:34:45 | |
We'll try and fill the pits as best we can. | 0:34:45 | 0:34:48 | |
Christopher, how are you feeling about all this? | 0:34:56 | 0:34:59 | |
Confident at the moment. If I'm not confident now, I'm never going to be confident. | 0:34:59 | 0:35:03 | |
I may not be confident after the sale. | 0:35:03 | 0:35:05 | |
-Ems, how you feeling? -I'm really excited. I've never been to an auction. | 0:35:05 | 0:35:09 | |
-You've never been to one? -No. -This is a lovely auction room, isn't it? -Yeah. | 0:35:09 | 0:35:13 | |
-It's a beautiful building and it's crammed full of people busting a gut to buy your objects. -I'm sure. | 0:35:13 | 0:35:19 | |
We hope. Anyway, first up is the chiming mantel clock, | 0:35:19 | 0:35:23 | |
-and it's coming up now. -OK, jolly good. | 0:35:23 | 0:35:26 | |
Lot number 134 is a walnut Art Deco mantel clock. What shall we say? | 0:35:26 | 0:35:31 | |
£100 for it? 100. 80. Who's coming in? 50. | 0:35:31 | 0:35:34 | |
-40 to go then, surely. £40 anybody? -He's going the wrong way. | 0:35:34 | 0:35:38 | |
With you, £30 bid. Five anywhere else now? | 0:35:38 | 0:35:40 | |
£30. Five now. 35. 35 bid. 40. 40. | 0:35:40 | 0:35:43 | |
45 do I see now? 50. 50. Five anywhere else? | 0:35:43 | 0:35:47 | |
-I can't believe this. -Five surely. £50 bid. | 0:35:47 | 0:35:49 | |
-Five now do I see? At 50. -Got to be worth more than that! | 0:35:49 | 0:35:53 | |
It's in the room and I'm selling at £50. | 0:35:53 | 0:35:57 | |
-Minus £20. -Somebody's got a bargain there. -Yes. | 0:35:57 | 0:36:01 | |
I just... I can't bear it, really. | 0:36:01 | 0:36:04 | |
-Now, here comes the Lava lamp base. -This is the boy. | 0:36:04 | 0:36:07 | |
Lot 135. Always very popular this, West German... | 0:36:07 | 0:36:11 | |
-You like this one. -I like this one. | 0:36:11 | 0:36:14 | |
30. 20 to go, then, surely. £20 anyone? | 0:36:14 | 0:36:17 | |
20. £10 then. 10. £10. | 0:36:17 | 0:36:21 | |
Thank you, 10 bid. 12 anywhere else now? 12 do I see? | 0:36:21 | 0:36:26 | |
On my right at 10. 10 bid. 12 anywhere else? | 0:36:26 | 0:36:28 | |
Maiden bid has it. All done and finished at £10. | 0:36:28 | 0:36:31 | |
£10. That's minus five. I can't believe that. | 0:36:31 | 0:36:34 | |
-That's another bargain. -Another one going back to Germany. | 0:36:34 | 0:36:37 | |
Lot number 136 is an amethyst and rhinestone dress ring | 0:36:37 | 0:36:41 | |
set in silver gilt. Very fine ring. | 0:36:41 | 0:36:44 | |
Who'll start me at £50? 50. 30 to go. | 0:36:44 | 0:36:47 | |
£30 anybody? 20? | 0:36:47 | 0:36:49 | |
£20 anybody? £20 bid. Two now make it. | 0:36:49 | 0:36:52 | |
Two bid. Five. Now five. 28 bid. 30 bid. | 0:36:52 | 0:36:55 | |
It'll have to be two. 32. 35. | 0:36:55 | 0:36:57 | |
-Moving slowly. -At 35. 38. | 0:36:57 | 0:37:01 | |
35, last call. Going at £35. | 0:37:01 | 0:37:04 | |
-£35. -That's a downer. -That's minus £40, I'm afraid. | 0:37:04 | 0:37:08 | |
Minus 40. Minus 65, I'm afraid. What are we going to do? | 0:37:08 | 0:37:13 | |
-Are we going to go with the plaque? -Got to go for it. | 0:37:13 | 0:37:15 | |
I'm not used to being in the red, Tim, so we've got to go for it. | 0:37:15 | 0:37:19 | |
-And we do love that plaque. -We love it. -We all love that plaque. | 0:37:19 | 0:37:22 | |
-This guy knows his stuff, so we'll go for it. -OK, we're going with the plaque. Happy? -Yes. | 0:37:22 | 0:37:27 | |
-Here it comes. -Lot 140 is the Spanish enamelled plaque. | 0:37:27 | 0:37:31 | |
What shall we say for this? 100? 80 to go. 80. | 0:37:31 | 0:37:35 | |
50 if you like. £50 anybody? 50. | 0:37:35 | 0:37:37 | |
-£50 to go. -Come on, not again. -30. | 0:37:37 | 0:37:40 | |
-£30. -I'm going to cry. -Yeah, I'm going to cry. | 0:37:40 | 0:37:43 | |
35 with you. At 35. 40. 45 bid. | 0:37:43 | 0:37:46 | |
50 now do I see? 50. | 0:37:46 | 0:37:48 | |
-£50 bid. -It's in profit. -At £50 here. | 0:37:48 | 0:37:51 | |
Five anywhere else? £50, last call. Going, all done, at £50. | 0:37:51 | 0:37:56 | |
-Well done, Nick. -That's good if it's a profit. | 0:37:56 | 0:37:58 | |
-We like a profit. -Not enough. | 0:37:58 | 0:38:02 | |
Not enough. It's minus £60 overall. | 0:38:02 | 0:38:06 | |
-The big thing now is, don't talk to the Blues. -We won't. -Go out looking very jolly. | 0:38:06 | 0:38:11 | |
-OK, boys, have you been chatting to the Reds? -Yes. | 0:38:20 | 0:38:23 | |
-You have? -Yeah. -What, about the items they sold? | 0:38:23 | 0:38:26 | |
-Oh, no, no. -Not that, no. -Nice bunch. | 0:38:26 | 0:38:28 | |
-Oh, yes. -Friendly bunch, we are. -Oh, yes. Right, then, standing by. | 0:38:28 | 0:38:32 | |
First up are your doggy-dog cufflinks, and here they come. | 0:38:32 | 0:38:36 | |
Lot number 155 is a pair of early to mid-20th century | 0:38:36 | 0:38:41 | |
gold-plated cufflinks. £30 anybody? 20 to go, surely. 20. | 0:38:41 | 0:38:44 | |
10 to go, then. £10 anybody? 10. £10. | 0:38:44 | 0:38:48 | |
Thank you, 10 down now. 10 bid. 12 anywhere else now? | 0:38:48 | 0:38:52 | |
12 bid. 15 now do I see? 15 now? | 0:38:52 | 0:38:55 | |
-12 bid. 15? All done and finished and selling at £12. -No! | 0:38:55 | 0:39:00 | |
Bad luck. That is minus £18. | 0:39:00 | 0:39:04 | |
-Not a great start. -That's a shocker. -It's a shocker. | 0:39:04 | 0:39:07 | |
Lot number 156, there we go, the Art Deco-style display cabinet. | 0:39:07 | 0:39:11 | |
Start me at £50 for it. 50. £30 anybody? 30? | 0:39:11 | 0:39:15 | |
-20? £20 anybody? 20 I'm bid. -Uh-oh. -22 now. Two anywhere? -Oh, dear. | 0:39:15 | 0:39:20 | |
No? 20 bid. 22 there. 25. | 0:39:20 | 0:39:22 | |
28. 30. 32 now. £30. 32 anywhere else? | 0:39:22 | 0:39:26 | |
At £30 bid. 32 bid. 35. 38. | 0:39:26 | 0:39:30 | |
38 bid, surely. No? 35, all done and finished? Selling at £35. | 0:39:30 | 0:39:35 | |
-Ohh! -He knows his values on these things, you see? | 0:39:35 | 0:39:38 | |
£35. You're minus £30 on that. | 0:39:38 | 0:39:40 | |
-It was £115 at the fair. -Look out, here comes this mirror. | 0:39:40 | 0:39:44 | |
Lot number 150 showing there | 0:39:44 | 0:39:46 | |
is the Edwardian rectangular oak, rosewood and marquetry wall mirror. | 0:39:46 | 0:39:50 | |
Very nice, too. Start me at £30 for it. 30. 20 to go, then. £20. | 0:39:50 | 0:39:54 | |
10 to go, surely. £10. 10 bid. 12 anywhere else? | 0:39:54 | 0:39:56 | |
12 bid. 15 bid. 18 bid. | 0:39:56 | 0:39:59 | |
-Come on. -And 20? No. £18 bid. -We need a bit of profit. | 0:39:59 | 0:40:03 | |
At 18. 20 or not now? | 0:40:03 | 0:40:05 | |
Going, all done and finished at £18. | 0:40:05 | 0:40:08 | |
-Wiped its face. -Wiped its face well and truly. | 0:40:08 | 0:40:11 | |
-Good job we bargained well for that extra £2. -It is. Got £2 off. | 0:40:11 | 0:40:15 | |
-You're on minus 48. -Flipping heck. | 0:40:15 | 0:40:18 | |
What you going to do about this travelling watch? | 0:40:18 | 0:40:20 | |
-Definitely go with it. -We have to go with it, don't we? | 0:40:20 | 0:40:23 | |
-We need to turn a profit on something. -Definitely go with it. -Go with it. | 0:40:23 | 0:40:27 | |
161 is an Edwardian silver-mounted rectangular travelling watch case | 0:40:27 | 0:40:32 | |
with easel back, and for good measure, | 0:40:32 | 0:40:34 | |
you get a good lever-movement watch, as well. Start me at £100. 50 to go. | 0:40:34 | 0:40:39 | |
-50. 30 if you like. £30 anyone to go? -Ooh. -Oh, dear. | 0:40:39 | 0:40:43 | |
30 bid. Two now. 30 bid. Two anywhere else? 32. | 0:40:43 | 0:40:46 | |
35. 35. 38. 38 bid. 40. 40 bid. | 0:40:46 | 0:40:49 | |
42 now. 42. 45. 48 bid. 48 bid. 50 bid. Five. | 0:40:49 | 0:40:53 | |
-Come on. -52 then. -Come on! | 0:40:55 | 0:40:57 | |
52 bid. Five anywhere else? All done and finished? | 0:40:57 | 0:41:00 | |
Fresh bidder, 55. 58 now? On my right, selling at £55. | 0:41:00 | 0:41:04 | |
-Ohh! -£55. | 0:41:04 | 0:41:07 | |
£55 is minus £5. | 0:41:07 | 0:41:09 | |
I mean, you can't predict anything, can you? | 0:41:09 | 0:41:12 | |
-48 is minus 53. -Ohh. | 0:41:12 | 0:41:14 | |
-Bad luck. -So we've lost money. | 0:41:14 | 0:41:17 | |
-But you've done it well. -Not a good day at the office. | 0:41:17 | 0:41:20 | |
-You've done it with style. -THEY LAUGH | 0:41:20 | 0:41:22 | |
On the other hand, minus £53 could be a winning score, right? | 0:41:22 | 0:41:26 | |
Don't talk about it with the Reds and all will be revealed in a moment. | 0:41:26 | 0:41:30 | |
I knew I should've gone on Weakest Link! | 0:41:30 | 0:41:32 | |
Well, what fun we've had today, haven't we? | 0:41:42 | 0:41:44 | |
And it's lovely to come out into this brilliant sunshine in the cathedral city of Lincoln. | 0:41:44 | 0:41:49 | |
So, teams, what communication's been going on between you lot? | 0:41:49 | 0:41:53 | |
-Nothing. -You've not been talking about it? | 0:41:53 | 0:41:56 | |
-No. Emily's been communicating on the web, though. -Has she? | 0:41:56 | 0:41:59 | |
-Have you been taking any statements? -I might have to, I think, depending on the result. | 0:41:59 | 0:42:03 | |
Anyway, there we are. I can reveal that there's only £7 between the teams today. | 0:42:03 | 0:42:08 | |
And, unfortunately, the runners-up today by only a fraction | 0:42:08 | 0:42:12 | |
-just happen to be the Reds. -Ohh! | 0:42:12 | 0:42:16 | |
-Yay! -THEY LAUGH | 0:42:16 | 0:42:18 | |
-Don't be doing that to me! -THEY LAUGH | 0:42:18 | 0:42:21 | |
What is going on here? Settle down, you boys. | 0:42:21 | 0:42:24 | |
I mean, it was the ring really, wasn't it, | 0:42:24 | 0:42:28 | |
that let you down, darling. | 0:42:28 | 0:42:30 | |
-Minus £60 is your score, which doesn't sound too bad if you say it quickly. -No. | 0:42:30 | 0:42:35 | |
-Are you terribly disappointed? -Yeah. -Yes. | 0:42:35 | 0:42:38 | |
I'm disappointed for you, because it should've been different. | 0:42:38 | 0:42:41 | |
-I hope you've enjoyed it, though. -Yeah, it's been really good. -Lovely to have you. Thank you. | 0:42:41 | 0:42:46 | |
Now, the victors today totalled minus 53, | 0:42:46 | 0:42:49 | |
but it was nevertheless just enough to keep you ahead of the Blues. | 0:42:49 | 0:42:53 | |
-Have you had a nice time? -Yes, beautiful. Lovely day. | 0:42:53 | 0:42:56 | |
-Good for you, Ron? -Yeah, great stuff. -We've loved having you. | 0:42:56 | 0:43:00 | |
It's been so nice. You should come and join us soon | 0:43:00 | 0:43:03 | |
-for some more bargain hunting, yes? -Yes! | 0:43:03 | 0:43:06 | |
Subtitles by Red Bee Media Ltd | 0:43:07 | 0:43:11 | |
E-mail [email protected] | 0:43:11 | 0:43:15 | |
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