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Hello. Welcome to Peterborough, which is somewhere over that way, | 0:00:03 | 0:00:06 | |
famous for its cathedral and brick-making. | 0:00:06 | 0:00:09 | |
But today its famous for its fabulous finds - we hope! | 0:00:09 | 0:00:14 | |
But right now, let's go Bargain Hunting! | 0:00:14 | 0:00:18 | |
-Are we done? -Yeah. | 0:00:41 | 0:00:43 | |
We're done! | 0:00:43 | 0:00:44 | |
That's it. They've shopped. And what a tremendous shop it was. | 0:00:44 | 0:00:50 | |
A bit of this... | 0:00:50 | 0:00:51 | |
-I'm not buying it. -I like it. | 0:00:51 | 0:00:53 | |
It's not what I was thinking of. | 0:00:53 | 0:00:55 | |
I hate it! | 0:00:55 | 0:00:56 | |
-You're hard to please, aren't you? -Very hard to please! | 0:00:56 | 0:00:59 | |
And there was a bit of that. | 0:00:59 | 0:01:01 | |
65, please! | 0:01:01 | 0:01:02 | |
And the other side! The other side! | 0:01:03 | 0:01:06 | |
You're a very passionate woman and I love that. | 0:01:06 | 0:01:09 | |
Good, eh? | 0:01:09 | 0:01:10 | |
Do you want to see it? Then rewind. | 0:01:10 | 0:01:14 | |
So, today's reds, we have Nicky and Donna, | 0:01:16 | 0:01:20 | |
and for the blues we have Denise and Henriette. | 0:01:20 | 0:01:24 | |
Hello, everyone! | 0:01:24 | 0:01:25 | |
-Hello! -Lovely to see you. | 0:01:25 | 0:01:27 | |
Donna, how did you two meet? | 0:01:27 | 0:01:29 | |
Nicky was my childminder for my son, Max, for a few years. | 0:01:29 | 0:01:33 | |
-Yeah. -And our children both go to the same school now. | 0:01:33 | 0:01:37 | |
And we see each other most days. | 0:01:37 | 0:01:39 | |
-So this relationship goes back a few years? -Yes. | 0:01:39 | 0:01:42 | |
-But it's welded together because of the children. -It is. | 0:01:42 | 0:01:46 | |
No better reason. | 0:01:46 | 0:01:47 | |
Nicky, you're a full-time mother yourself now. | 0:01:47 | 0:01:50 | |
You had a pretty exciting job. Tell me about it. | 0:01:50 | 0:01:53 | |
Before I had my family, I used to work in Formula 1. | 0:01:53 | 0:01:57 | |
I used to travel the world and meet famous people and drive round the circuits occasionally. | 0:01:57 | 0:02:04 | |
-Really? -Yeah, it was fun. -In the proper cars? -Oh, no! | 0:02:04 | 0:02:07 | |
In a hire car, really slowly! | 0:02:07 | 0:02:09 | |
Is it as glamorous as it's supposed to be? | 0:02:11 | 0:02:13 | |
-It's very hard work. -Hard work. -Very. | 0:02:13 | 0:02:16 | |
You're not answering my question! Is it glamorous? | 0:02:16 | 0:02:19 | |
-No! -It's like every other job that looks fantastic from the outside, | 0:02:19 | 0:02:23 | |
but actually you're grafting away. | 0:02:23 | 0:02:25 | |
I was on the administration side of things | 0:02:25 | 0:02:27 | |
so I made sure everyone had what they needed to have to go to various places. | 0:02:27 | 0:02:32 | |
Made sure they had their passes and their uniform. | 0:02:32 | 0:02:34 | |
-You were the efficient one? -Yeah! | 0:02:34 | 0:02:37 | |
Is that how your team is going to work out today, your Formula 1 team? | 0:02:37 | 0:02:41 | |
Pole position, yeah! | 0:02:41 | 0:02:43 | |
-Donna, you've got a passion for photography. -I have indeed. | 0:02:43 | 0:02:47 | |
-Yes. -Tell me about that. -I love taking photos, | 0:02:47 | 0:02:50 | |
to the extreme that my family get fed up of being in photos | 0:02:50 | 0:02:53 | |
so then I move on to nature and animals and anything that takes my eye. | 0:02:53 | 0:02:59 | |
-Will you make a good team, you two? -Of course! -For sure. Yes. | 0:02:59 | 0:03:03 | |
Cos you're women and you can multi-task. You've weaned children. | 0:03:03 | 0:03:08 | |
-Yeah. -So this is a piece of cake. -Yes. -A walk in the park. | 0:03:08 | 0:03:12 | |
We've heard that before! A walk in the park! | 0:03:12 | 0:03:15 | |
Anyway, now, Denise. Mother and daughter, | 0:03:15 | 0:03:18 | |
-but you're actually quite different. -Totally different, yes. | 0:03:18 | 0:03:22 | |
Mum's French and I'm English. | 0:03:22 | 0:03:24 | |
That's a difference for a start. | 0:03:24 | 0:03:26 | |
Henriette, when did you come here? | 0:03:26 | 0:03:28 | |
I came to England in 1953, just a few weeks before the Coronation. | 0:03:28 | 0:03:33 | |
-I bet that was an exciting time? -It was exciting, yes. | 0:03:33 | 0:03:37 | |
Yes, and then it rained all day! | 0:03:37 | 0:03:39 | |
-It is British weather, after all. -It is, yes. | 0:03:41 | 0:03:44 | |
How come you stayed all these years, then? | 0:03:44 | 0:03:46 | |
Well, I met my husband and I got married. | 0:03:46 | 0:03:50 | |
-You finished up in the hotel business? -Yes. | 0:03:50 | 0:03:52 | |
A sort of hotel. My husband was the head gardener and I was the bar manager. | 0:03:52 | 0:03:57 | |
Right. | 0:03:57 | 0:03:59 | |
You had the better job, being behind the bar! | 0:03:59 | 0:04:02 | |
-It was great fun. Great fun. -Very good. | 0:04:02 | 0:04:04 | |
You have a special skill in an ancient craft. | 0:04:04 | 0:04:08 | |
-Tell us about it. -I'm a lace maker. -Are you? | 0:04:08 | 0:04:11 | |
I learned to make lace when I retired. | 0:04:11 | 0:04:14 | |
I wanted a new hobby, something interesting, | 0:04:14 | 0:04:17 | |
and I learned to make lace. | 0:04:17 | 0:04:18 | |
It's an extremely difficult thing to do, isn't it? | 0:04:18 | 0:04:22 | |
It's infuriating sometimes. You want to throw it out the window! | 0:04:22 | 0:04:26 | |
But yes, it is. It's really absorbing | 0:04:26 | 0:04:30 | |
and I enjoy it really very much. | 0:04:30 | 0:04:34 | |
Denise, have you inherited any of your mother's artistic talents? | 0:04:34 | 0:04:38 | |
-Only the appreciation for the finer things in life! -I see. | 0:04:38 | 0:04:42 | |
-Beautifully put. -Unfortunately I'm not as talented as Mum in creating things. | 0:04:42 | 0:04:47 | |
-But you are musical? -I like to go to music festivals, small independent ones, | 0:04:47 | 0:04:52 | |
and I run a very small camp which involves sitting in a field and doing nothing for a week. | 0:04:52 | 0:04:58 | |
So it's a mini Glastonbury, is it? | 0:04:58 | 0:05:00 | |
-Much smaller than Glastonbury. Only about 50 or 60 people there. -Lovely. | 0:05:00 | 0:05:05 | |
So what tactics are you two going to use today on Bargain Hunt? | 0:05:05 | 0:05:09 | |
We'll try and let our heads rule our hearts rather than the other way round. | 0:05:09 | 0:05:13 | |
-And listen to our expert. -Anyway, | 0:05:13 | 0:05:16 | |
-here's the money moment. There is your £300. -Thank you. | 0:05:16 | 0:05:20 | |
-There you go. £300. -Thank you. | 0:05:20 | 0:05:22 | |
You know the rules. Your experts await and off you go! Very, very good luck! | 0:05:22 | 0:05:27 | |
Ooh, la la! | 0:05:27 | 0:05:29 | |
The expert with the blue team is David Harper. | 0:05:29 | 0:05:33 | |
You are very lucky to have us. Very lucky. | 0:05:33 | 0:05:36 | |
Thanks for letting me know! Come on. | 0:05:36 | 0:05:38 | |
And helping the reds is Nick Hall. | 0:05:38 | 0:05:40 | |
What are you after today? | 0:05:40 | 0:05:42 | |
-Silverware. -Something silvery. -Sparkly. | 0:05:42 | 0:05:45 | |
-Bright and shiny. -We're magpies, really! | 0:05:45 | 0:05:48 | |
Magpies? There'll be no thieving on this show, thank you! | 0:05:48 | 0:05:52 | |
-Are you looking both sides? Don't miss anything. -I'm just looking left. One side only. | 0:05:55 | 0:05:59 | |
-She's nice. -She is rather nice. -She's rather nice, isn't she? | 0:06:06 | 0:06:10 | |
-Is it a signed piece? -It is signed. -Well, that's good. | 0:06:10 | 0:06:14 | |
It's a signed piece, Art Deco. Art Deco started in 1925. | 0:06:14 | 0:06:18 | |
It ended at the beginning of the Second World War, | 0:06:18 | 0:06:21 | |
then was sort of reinvented in the '40s, '50s. | 0:06:21 | 0:06:24 | |
-I love Art Deco. -I do. That's first period Deco. | 0:06:24 | 0:06:27 | |
-Shall we ask? -Well, I love it... -I love it, too. | 0:06:27 | 0:06:33 | |
I just... The worry is, | 0:06:33 | 0:06:35 | |
it's worth the asking price, which is £98. | 0:06:35 | 0:06:38 | |
-But buy it with your heart and I'd say nothing wrong with that. -I'd buy it for myself. -Exactly. | 0:06:38 | 0:06:43 | |
-Would you like to try it? -Yes. Excuse me, | 0:06:43 | 0:06:46 | |
what is your very, very, very best price for that vase? | 0:06:46 | 0:06:51 | |
-70. -You couldn't make it 60, could you? | 0:06:51 | 0:06:53 | |
65, please? | 0:06:53 | 0:06:55 | |
We'll do 65, then. | 0:06:58 | 0:07:00 | |
-Is it worth it at 65? -It's up to you. | 0:07:00 | 0:07:02 | |
I think you're a very passionate woman and I love that about you! | 0:07:02 | 0:07:06 | |
Have another hold of it. | 0:07:06 | 0:07:08 | |
Go with your instinct and go with your heart. | 0:07:08 | 0:07:11 | |
Well, my heart says yes. But shall we leave it for half an hour? | 0:07:11 | 0:07:15 | |
-Yes. -Do you want to... | 0:07:15 | 0:07:16 | |
-No! -Get it. You get it. -We'll get it. | 0:07:16 | 0:07:20 | |
-Are you happy? -Yes. -Yes. -Marvellous. | 0:07:20 | 0:07:22 | |
-Thank you very much. -I'm happy, I'm happy! | 0:07:22 | 0:07:25 | |
That's got her bit out of the way! | 0:07:25 | 0:07:27 | |
Well done, blues. One item down already. | 0:07:27 | 0:07:31 | |
-We quite like the look of these. They're quite retro. -What is it you like about them? | 0:07:32 | 0:07:37 | |
-Silver. -The silver. -I think your breakfast set might be food for thought! | 0:07:37 | 0:07:42 | |
Ha! | 0:07:42 | 0:07:43 | |
It gets worse, trust me. It gets worse! | 0:07:43 | 0:07:46 | |
Bad jokes aside, you need to get buying soon. | 0:07:46 | 0:07:51 | |
-What do you think of this toast rack? -It's funky, isn't it? -It is funky, yeah. | 0:07:51 | 0:07:55 | |
-I probably would use it at home if I had it. -Yeah. | 0:07:55 | 0:07:58 | |
-But it doesn't... -It doesn't get you. | 0:07:58 | 0:08:02 | |
-The passion isn't rising? -I've had my passion! | 0:08:02 | 0:08:04 | |
Don't say you've peaked! | 0:08:04 | 0:08:06 | |
There's more passion in there, I'm quite sure. | 0:08:06 | 0:08:10 | |
Maybe you'll be more smitten by penguins. | 0:08:10 | 0:08:12 | |
-I also quite like these. -Oh, they're lovely. | 0:08:12 | 0:08:16 | |
They are fantastic. | 0:08:16 | 0:08:18 | |
What you've got on the base are faux silver marks. | 0:08:18 | 0:08:21 | |
It's silver plated with faux marks. | 0:08:21 | 0:08:24 | |
-But they are fantastic. -Quite fun. -They're absolutely lovely. | 0:08:24 | 0:08:28 | |
-They're new inside. -They look newer on the inside than they do on the outside. | 0:08:28 | 0:08:33 | |
There's a little liner. Is that glass, the liner? | 0:08:33 | 0:08:36 | |
-Pull it out. -I don't want to break it! | 0:08:36 | 0:08:38 | |
No, it's a plastic liner. | 0:08:38 | 0:08:41 | |
-So they're quite new, then. -Plastic's been around for quite some time. | 0:08:41 | 0:08:45 | |
A very long time. | 0:08:45 | 0:08:47 | |
-But they are very funny... -Unusual. -They're unusual, yes. -Quirky. | 0:08:47 | 0:08:52 | |
So do we have a salt and a pepper? Well, not really. | 0:08:52 | 0:08:55 | |
But they could be either or. | 0:08:55 | 0:08:57 | |
I love the fact that you can have this beak facing forwards... | 0:08:57 | 0:09:01 | |
-And this beak the other way. -If he's had an argument, they can face opposite! | 0:09:01 | 0:09:05 | |
-What would be your best price on this? -You've got 45 on them. | 0:09:05 | 0:09:09 | |
-38 would be the best on them. -38. That's the very best? -Is that the best? | 0:09:09 | 0:09:14 | |
I think they are absolutely gorgeous | 0:09:14 | 0:09:17 | |
and I would love to own them. | 0:09:17 | 0:09:18 | |
Have them at home and use them. Every time you had dinner, you would smile when you looked at them! | 0:09:18 | 0:09:24 | |
Would it be possible to ask you to hold them for half an hour? | 0:09:24 | 0:09:27 | |
-Yes, I will. -Lovely. Thank you very much. | 0:09:27 | 0:09:30 | |
-Do you really want to just put them on hold? -I think so because it's so early on. | 0:09:34 | 0:09:38 | |
-It's easy to find this stall. -Let's keep an eye on that half-hour time span. | 0:09:38 | 0:09:43 | |
I thought a bird in the hand was worth more than two in the bush. | 0:09:43 | 0:09:47 | |
Now, I've spotted over here a coal scuttle. What do you think? | 0:09:47 | 0:09:52 | |
Um... Big. | 0:09:52 | 0:09:54 | |
Yes. | 0:09:54 | 0:09:55 | |
-Decorative. -Is that a good um or a "I hate it" um? | 0:09:55 | 0:09:58 | |
-Um... -(I hate it!) | 0:09:58 | 0:10:00 | |
Yeah. Um... | 0:10:00 | 0:10:02 | |
It's not my first choice. But it looks quite weighty, quite substantial. | 0:10:02 | 0:10:07 | |
It's a showy thing, isn't it? It's obviously brass. | 0:10:07 | 0:10:10 | |
Got this lovely embossed decoration all over it. | 0:10:10 | 0:10:13 | |
The nice thing as well is you've still got the shovel in there as well. | 0:10:13 | 0:10:17 | |
-It's been well-used! -Well, you expect that. | 0:10:17 | 0:10:20 | |
This was made to be used, originally. | 0:10:20 | 0:10:23 | |
Underneath there is an interesting little mark | 0:10:23 | 0:10:26 | |
-of Benham & Froud. -Right. -Very good Victorian metalworkers. | 0:10:26 | 0:10:32 | |
That, to me, adds a nice bit of prestige to it. | 0:10:32 | 0:10:36 | |
On the ticket we've got 235. | 0:10:36 | 0:10:40 | |
I think we could get the price down to about 150, 160, something like that. | 0:10:40 | 0:10:45 | |
If we get it down to 150, it might be worth a go. | 0:10:45 | 0:10:48 | |
Let's ask the dealer. | 0:10:48 | 0:10:49 | |
We were wondering if we could take it away for £150. | 0:10:49 | 0:10:53 | |
I'll do 155 and that's the death. | 0:10:53 | 0:10:56 | |
155. That's a big reduction. | 0:10:56 | 0:10:58 | |
A big drop. | 0:10:58 | 0:11:00 | |
It's down to you two girls. What do you think? | 0:11:00 | 0:11:04 | |
-Do you think we should go for it? -Let's go for it. -Yeah. | 0:11:04 | 0:11:07 | |
Very decisive! | 0:11:07 | 0:11:09 | |
I think we're there. 155. | 0:11:09 | 0:11:12 | |
Thank you. | 0:11:12 | 0:11:13 | |
I thought it was something silver you were after, girls. | 0:11:13 | 0:11:17 | |
Maybe you should come and have a look at this. | 0:11:17 | 0:11:20 | |
Isn't that marvellous? What we have here are two rings. | 0:11:20 | 0:11:24 | |
One is a circular ring and one is ovoid. | 0:11:24 | 0:11:27 | |
And they meet in the middle and they can spin independently. | 0:11:27 | 0:11:31 | |
They're made of something called Old Sheffield plate, | 0:11:31 | 0:11:36 | |
which is the old-fashioned way of using silver plate onto a copper core. | 0:11:36 | 0:11:42 | |
The firm that used this form of construction a lot in the 18th century | 0:11:42 | 0:11:46 | |
was Matthew Boulton & Co of the Soho workshops in Birmingham. | 0:11:46 | 0:11:51 | |
But what's it used for? | 0:11:51 | 0:11:53 | |
Well, it's made specifically to hold a dish. | 0:11:53 | 0:11:57 | |
Bung that bowl into that frame | 0:11:57 | 0:12:00 | |
and if the bowl is coming to the table very, very hot, | 0:12:00 | 0:12:05 | |
then the heat from the bowl will not scorch the top of the table. | 0:12:05 | 0:12:09 | |
Traditionally, that sort of dish stand is called a dish cross. | 0:12:09 | 0:12:14 | |
I've never seen a circular one like this. | 0:12:14 | 0:12:17 | |
And if I turn it over like that, if you came to the table with an oval bowl, | 0:12:17 | 0:12:22 | |
rather than circular, it, too, would fit into that shape. | 0:12:22 | 0:12:27 | |
What's it worth? | 0:12:27 | 0:12:29 | |
Well, as a rare Matthew Boulton Sheffield-plated piece, | 0:12:29 | 0:12:33 | |
I guess this thing could be worth anywhere between 250 and £400 in a specialist sale. | 0:12:33 | 0:12:39 | |
What would it cost you here in the Peterborough fair? | 0:12:39 | 0:12:42 | |
Well, down the road, it could be yours for 60 notes! | 0:12:42 | 0:12:47 | |
Now, where were we? Oh, yes, both teams are one item down with two to go. | 0:12:48 | 0:12:52 | |
And time is racing on. | 0:12:52 | 0:12:55 | |
-Tell me why you like it? -It looks old. -It's got a feel. | 0:12:56 | 0:12:59 | |
-What do you mean by feel? -It's got patina and a few knocks, so it's been used and loved. -Good. | 0:12:59 | 0:13:05 | |
You could use it as a blanket box, or just to store your table linen. | 0:13:05 | 0:13:09 | |
I would use it as a toy chest for children. | 0:13:09 | 0:13:12 | |
Well, have a look inside and let's just see what it... | 0:13:12 | 0:13:15 | |
-Oh. "Brush, basket and toy warehouse." -There you go. You were bang on. | 0:13:17 | 0:13:22 | |
How old do you think it is? | 0:13:22 | 0:13:24 | |
-It's described as Victorian. -Oh, yes. | 0:13:24 | 0:13:26 | |
I see no reason why it can't be. | 0:13:26 | 0:13:28 | |
"Work boxes, writing desks and a great variety of fancy articles." | 0:13:28 | 0:13:33 | |
"Baskets of every description made and repainted." | 0:13:33 | 0:13:38 | |
We've got a high-end quality maker in Portman Square, London, | 0:13:38 | 0:13:42 | |
that were not only making really good chests and casks like this, | 0:13:42 | 0:13:47 | |
but were also having them brought back in to be restored and repainted. | 0:13:47 | 0:13:51 | |
Can I ask your best price, please, sir? | 0:13:51 | 0:13:54 | |
-Henriette, let's stand up. That was a struggle! -Who for, me? | 0:13:54 | 0:13:58 | |
-60? -No. | 0:13:59 | 0:14:01 | |
-75. -I thought he was going to say, "No, 50"! | 0:14:01 | 0:14:04 | |
-75. -70? 70? -I can't go any lower. | 0:14:04 | 0:14:07 | |
- Can you go 70? - Could we go 70, darling? | 0:14:07 | 0:14:11 | |
-Can we go 70? -Oh, she's checking the stock book. -She's got the book. | 0:14:11 | 0:14:15 | |
-Go on, give it to us for 70! -Go on, then, 70. | 0:14:15 | 0:14:18 | |
Girls, have it. | 0:14:18 | 0:14:19 | |
-And the other side! -She's French! | 0:14:19 | 0:14:23 | |
Ooh, la la, Henriette! | 0:14:23 | 0:14:26 | |
That was a bonus to the deal! | 0:14:26 | 0:14:28 | |
Look at this wonderful array of sticks. One caught my eye there. | 0:14:31 | 0:14:35 | |
-Which is this little beauty. -That's the plainest one! | 0:14:35 | 0:14:40 | |
-Yeah. -It's a nice-looking stick, | 0:14:40 | 0:14:43 | |
but there's a fantastic story attached to it as well. | 0:14:43 | 0:14:46 | |
-You see the top's been hollowed out? -Yeah. | 0:14:47 | 0:14:49 | |
And the bottom very cleverly unscrews. | 0:14:49 | 0:14:52 | |
My understanding is that these were hollowed out | 0:14:52 | 0:14:55 | |
-to actually blow... -No way! | 0:14:55 | 0:14:58 | |
But little love letters across restaurants and the like! | 0:14:58 | 0:15:02 | |
That's what I'm given to understand with these things. | 0:15:02 | 0:15:05 | |
-What sort of money is that? -I've got 68 on it and my best would be 50. | 0:15:05 | 0:15:10 | |
-£50. -£50. -OK. | 0:15:10 | 0:15:13 | |
You wouldn't shave it to maybe 45? | 0:15:13 | 0:15:16 | |
-Well... -If they promised to write you a love letter? -We would. | 0:15:16 | 0:15:19 | |
£45 and a love letter! | 0:15:19 | 0:15:22 | |
-Yes, 45 would be OK. -Fantastic! -That would be OK, yeah. | 0:15:22 | 0:15:25 | |
-The thing is, have you fallen in love with the love letter stick? -Yes. | 0:15:25 | 0:15:29 | |
Oh, no! | 0:15:30 | 0:15:32 | |
I just don't think there's anything casual about getting a whopping big stick out. | 0:15:32 | 0:15:36 | |
There's nothing romantic about a big stick in a restaurant! | 0:15:36 | 0:15:40 | |
I'm not buying it. | 0:15:40 | 0:15:41 | |
-Oh, I like it. -I'm not buying the story. | 0:15:41 | 0:15:44 | |
-You're hard to please! -You're very hard to please! | 0:15:44 | 0:15:48 | |
Go on! You know you want to! | 0:15:48 | 0:15:50 | |
Go on, Nicky! Think of the romance! | 0:15:50 | 0:15:53 | |
-45's a good price, though. -Yeah. -Go on, then. | 0:15:53 | 0:15:56 | |
-You've got yourself a deal. -Thank you. | 0:15:56 | 0:15:58 | |
That's another item bought by the reds and another one that fails to impress Nicky! | 0:15:58 | 0:16:05 | |
I'm slightly unsold on the whole stick thing. | 0:16:05 | 0:16:07 | |
But the romance will sell it for us. | 0:16:07 | 0:16:10 | |
I'm not convinced that was used to send love letters! | 0:16:10 | 0:16:13 | |
I'm not sure I believe the story either! | 0:16:13 | 0:16:16 | |
So, we've spent £200, we've got about 20 minutes left. | 0:16:17 | 0:16:21 | |
-What's next on the list, girls? -Something sparkly. -Pretty. | 0:16:21 | 0:16:24 | |
Sounds like something a bit more feminine will impress Nicky. | 0:16:24 | 0:16:28 | |
-I haven't found a naked lady. -What have you got? -Another one? | 0:16:32 | 0:16:35 | |
No, a naked bloke! | 0:16:35 | 0:16:37 | |
Glass. Is it pretty enough? First thoughts? | 0:16:40 | 0:16:44 | |
-I like it. -Yeah. -What do you like about it? | 0:16:44 | 0:16:46 | |
-The colour. -The crackle. -The crackle? Great stuff. | 0:16:46 | 0:16:50 | |
I need to find out how much it is and we'll make a decision. Hang on to that. | 0:16:50 | 0:16:54 | |
I'll be back in a minute! | 0:16:54 | 0:16:56 | |
-Denise? -Yes? | 0:16:58 | 0:17:00 | |
Oh, yes! | 0:17:00 | 0:17:01 | |
I used to use that when I was a kid! | 0:17:01 | 0:17:04 | |
-Right. Good news and bad news. -Right. | 0:17:05 | 0:17:08 | |
The good news is it's not over-priced. | 0:17:08 | 0:17:11 | |
The bad news is it's more than we've got left to spend! | 0:17:11 | 0:17:14 | |
Those penguins won't hold any longer | 0:17:14 | 0:17:16 | |
so the blues are on the march. | 0:17:16 | 0:17:19 | |
Right. Girls, do what you feel you need to do! | 0:17:21 | 0:17:24 | |
-Would you possibly consider 35, if we twist your arm? -No, no. | 0:17:24 | 0:17:29 | |
-Backwards! -We'll sell for 38. That's the very best. | 0:17:29 | 0:17:32 | |
-What do you think? -VENDOR: They're worth every penny. | 0:17:32 | 0:17:35 | |
-It's decision time. -I think we go for them. -Go for them, yeah. | 0:17:35 | 0:17:39 | |
-I think they're absolutely fantastic, I really do. -Lovely. | 0:17:39 | 0:17:43 | |
And we're done. You're spent up, not quite. But it's tea time. | 0:17:43 | 0:17:47 | |
The best time of the day! | 0:17:47 | 0:17:49 | |
The blues are done and dusted. | 0:17:50 | 0:17:52 | |
But what about the reds? | 0:17:52 | 0:17:54 | |
-How much time have we got left? -Not a lot! | 0:17:54 | 0:17:56 | |
Will they get their sparkling silver? | 0:17:56 | 0:17:59 | |
Will Nicky actually like anything they buy? | 0:17:59 | 0:18:02 | |
Now, girls, it's not pretty. | 0:18:05 | 0:18:08 | |
But it's decorative. | 0:18:08 | 0:18:10 | |
-Will that cut the mustard with you? -Yeah, it's nice. -It's rather sweet. -Doesn't it need restoring? | 0:18:10 | 0:18:15 | |
No, this is exactly how it's meant to be. | 0:18:15 | 0:18:19 | |
It's an Edwardian poker-work hanging corner cupboard. | 0:18:19 | 0:18:24 | |
It's practical and decorative. | 0:18:24 | 0:18:27 | |
It's 100 years old and this whole design was made with a red-hot poker by a skilled craftsman. | 0:18:27 | 0:18:33 | |
If you think of an artist, take the brush out of his hand and put a hot poker in, | 0:18:33 | 0:18:38 | |
it's decorating and making that lovely design there. | 0:18:38 | 0:18:41 | |
Then you've got this lovely swept shelf in there. | 0:18:41 | 0:18:46 | |
So you can stand your bottle of gin there. | 0:18:46 | 0:18:48 | |
Put your little tumblers and glasses in there. | 0:18:48 | 0:18:52 | |
But I don't know if it's what you're after. You wanted something pretty and girly. | 0:18:52 | 0:18:56 | |
-Glass, that sort of thing. -We had said furniture we would look at. | 0:18:56 | 0:19:01 | |
-How much is it? -She'll take 50 quid. | 0:19:01 | 0:19:03 | |
-Right. -I think someone at auction will pay a bit more than that for it. | 0:19:03 | 0:19:08 | |
-Should do. -Yeah? -What are we thinking? -I like it. | 0:19:08 | 0:19:11 | |
-Yeah? -It's not what I was thinking about getting as my last item. -No? | 0:19:11 | 0:19:15 | |
-To be perfectly honest! -We've got five minutes. If you can find something in budget that you like, | 0:19:15 | 0:19:22 | |
that ticks all the boxes, then we'll move on. | 0:19:22 | 0:19:25 | |
-Hmm. -What do you think? | 0:19:25 | 0:19:27 | |
-I think we have to go for it. -I like it. -All right. -I like it a lot. | 0:19:27 | 0:19:31 | |
It's got flowers on it. That's pretty! | 0:19:31 | 0:19:33 | |
-Sure you're not being bullied into this? -Probably! -I like it. | 0:19:33 | 0:19:37 | |
-Sure? -I'm being bullied. Fine, let's go for it. | 0:19:37 | 0:19:40 | |
Let's give that lady 50 quid, get it loaded up and clear off! | 0:19:40 | 0:19:43 | |
-Come on. -Great. Well done. | 0:19:43 | 0:19:45 | |
It's all over. Three items bought with minutes remaining. | 0:19:45 | 0:19:49 | |
Let's recap. | 0:19:49 | 0:19:51 | |
The reds got a whopping £80 off a decorative coal scuttle. | 0:19:52 | 0:19:57 | |
They romanticised about a cane. Well, not everyone did! | 0:19:59 | 0:20:04 | |
And with time running out, they bought a corner cupboard, as you do! | 0:20:05 | 0:20:09 | |
-You are looking so pleased with yourselves! -Yeah! | 0:20:11 | 0:20:14 | |
-Why are we? -We spent quite a lot of money. -How much? | 0:20:14 | 0:20:19 | |
£150. £250! | 0:20:19 | 0:20:21 | |
-£250. -It's going up! -150 or 250? -250. | 0:20:21 | 0:20:25 | |
250. That's a very good amount of money. | 0:20:25 | 0:20:28 | |
-I love it when you spend up. Who's got the £50 of leftover lolly? -Me. | 0:20:28 | 0:20:32 | |
Thank you. I'll take that. Will you find it a struggle to find anything? | 0:20:32 | 0:20:37 | |
No, it's a diverse fair. For £50 we'll find something pretty with a bit of profit. | 0:20:37 | 0:20:41 | |
-Not brown. -Sparkly. -Not brown. I'm under strict instructions! | 0:20:41 | 0:20:45 | |
Coal scuttle, stick. Not brown. I'm getting the message. | 0:20:45 | 0:20:49 | |
Take it gently, girls, and very good luck, Nick. | 0:20:49 | 0:20:53 | |
Meanwhile, why don't we check out what the blue team have bought? | 0:20:53 | 0:20:57 | |
Henriette bargained hard for that naked lady on a vase. | 0:20:57 | 0:21:01 | |
Then she kissed her way to a deal for a chest. | 0:21:03 | 0:21:06 | |
And they went back for the penguin salt and pepper. | 0:21:09 | 0:21:12 | |
-How's your French now? -Dreadful! You've witnessed my French! | 0:21:14 | 0:21:18 | |
I have slightly! | 0:21:18 | 0:21:20 | |
-He's improved since he met me. -Yes. -I bet he has. | 0:21:20 | 0:21:23 | |
How much did you spend? | 0:21:23 | 0:21:25 | |
-£173. -173. | 0:21:25 | 0:21:28 | |
So I want £127 from you. £127. | 0:21:28 | 0:21:31 | |
That'll be very good, David Harper. | 0:21:31 | 0:21:33 | |
-Thank you. -You're off to find something continental? | 0:21:33 | 0:21:37 | |
Something with a bit of flair and panache. | 0:21:37 | 0:21:40 | |
-Good job, girls. I hope David finds an excellent buy. -I'm sure he will. -Good luck! | 0:21:40 | 0:21:45 | |
Meanwhile, we're heading off to Oxfordshire. | 0:21:45 | 0:21:48 | |
Welcome to Stonor House, an elegant, well-proportioned stately home. | 0:21:55 | 0:22:02 | |
Right? | 0:22:02 | 0:22:03 | |
Wrong! | 0:22:03 | 0:22:05 | |
This Georgian facade | 0:22:05 | 0:22:08 | |
simply covers up a warren of rooms which date back to the 13th century. | 0:22:08 | 0:22:13 | |
The Stonor family settled in this stony valley, from which they took their name, | 0:22:15 | 0:22:21 | |
over 800 years ago. | 0:22:21 | 0:22:23 | |
The small house and chapel were soon connected | 0:22:23 | 0:22:26 | |
by a series of new rooms | 0:22:26 | 0:22:28 | |
and eventually tied together with a neat facade | 0:22:28 | 0:22:32 | |
creating the illusion of a grand manor house. | 0:22:32 | 0:22:35 | |
The earliest surviving bit of the 13th-century house | 0:22:36 | 0:22:41 | |
is here, effectively a vast masonry retaining wall. | 0:22:41 | 0:22:48 | |
Because there was a cut into the hillside here and this stopped the hillside falling into the dwelling. | 0:22:48 | 0:22:55 | |
It's made of napped flints. Literally, stones in the round is the flint. | 0:22:55 | 0:23:03 | |
Napped is the striking process where you split them. | 0:23:03 | 0:23:07 | |
So that the split ends of the flints | 0:23:07 | 0:23:09 | |
are what go to make the outer surface of the wall we see today. | 0:23:09 | 0:23:15 | |
Quite an impressive structure. | 0:23:15 | 0:23:17 | |
And either side of the rectangle was enclosed by a colonnade, | 0:23:17 | 0:23:23 | |
a colonnade that subsequently has been filled with brickwork | 0:23:23 | 0:23:27 | |
which is the way we see it today. | 0:23:27 | 0:23:29 | |
And this is supposed to be the earliest surviving bit | 0:23:29 | 0:23:34 | |
of domestic architecture in Oxfordshire. | 0:23:34 | 0:23:37 | |
Now, | 0:23:37 | 0:23:38 | |
the family would have occupied an apartment at this end of the space | 0:23:38 | 0:23:45 | |
and down here, this is the area | 0:23:45 | 0:23:47 | |
where the chickens and pigs and peasants would have hung out, | 0:23:47 | 0:23:52 | |
all making a filthy mess! | 0:23:52 | 0:23:55 | |
But as the Stonor family went up in the world, they needed more space | 0:23:56 | 0:24:01 | |
to entertain their influential guests. | 0:24:01 | 0:24:03 | |
The Gothic Hall was added on around 1350. | 0:24:05 | 0:24:11 | |
It was designed to house visiting judges and their retinues. | 0:24:11 | 0:24:17 | |
It didn't, however, look much like this. | 0:24:17 | 0:24:21 | |
It was about two-thirds bigger, for a kick-off. | 0:24:21 | 0:24:26 | |
And what we see that looks so incredibly Gothic in this space today | 0:24:26 | 0:24:32 | |
is, in fact, a confection that started to be applied to the space | 0:24:32 | 0:24:38 | |
in the middle of the 18th century. | 0:24:38 | 0:24:41 | |
Even the objects reflect this Gothicism. | 0:24:41 | 0:24:45 | |
For example, the frame around the portrait. | 0:24:45 | 0:24:50 | |
That dates from the Strawberry Hill 18th-century Gothic period. | 0:24:50 | 0:24:57 | |
This Gothic-style gilt brass lantern is a splendid example | 0:24:57 | 0:25:03 | |
of a country house light fitting. | 0:25:03 | 0:25:05 | |
In its day, the candle that would have gone into this fitting | 0:25:05 | 0:25:09 | |
would have been of the very top quality. | 0:25:09 | 0:25:12 | |
Even the furniture reflects this Gothic theme. Take this table. | 0:25:17 | 0:25:22 | |
It's a side or serving table. | 0:25:22 | 0:25:25 | |
It was made towards the end of the 18th century perhaps by Thomas Chippendale's son, | 0:25:25 | 0:25:31 | |
Chippendale the Younger. | 0:25:31 | 0:25:33 | |
Its proportions are incredibly plain and simple. | 0:25:33 | 0:25:37 | |
But the Gothic bit is so subtle. | 0:25:37 | 0:25:41 | |
If you look at the end of this fielded panel, there's an arch moulded in the end. | 0:25:41 | 0:25:48 | |
All very subtle and chic. | 0:25:48 | 0:25:50 | |
The big question today is, | 0:25:50 | 0:25:52 | |
are our teams over at the auction going to be both subtle and chic? | 0:25:52 | 0:25:57 | |
I can't tell you how glorious it is to be in Lincoln fair city | 0:26:05 | 0:26:10 | |
with my old mate, Colin Young. | 0:26:10 | 0:26:12 | |
Pleasure to have you back, Tim. | 0:26:12 | 0:26:14 | |
Now, Nicky and Donna, for the reds, went with this famous coal scuttle. | 0:26:14 | 0:26:19 | |
-Yes. -Which is a splendid example of Benham and Froud. | 0:26:19 | 0:26:23 | |
That's the added bonus with the name, | 0:26:23 | 0:26:26 | |
but I think it's going to be a bit of a struggler when it comes to the sale. | 0:26:26 | 0:26:30 | |
We've had even the best examples of these go through sales | 0:26:30 | 0:26:34 | |
and they just don't seem to make a great deal of money now. | 0:26:34 | 0:26:39 | |
We've put an estimate on it of 40 to 70 | 0:26:39 | 0:26:41 | |
to get everybody interested. | 0:26:41 | 0:26:43 | |
I knew there'd be some pain coming back on this! | 0:26:43 | 0:26:46 | |
I must admit I can't remember the last time I saw one of these make over 100. | 0:26:46 | 0:26:50 | |
They paid £155 for this. | 0:26:50 | 0:26:53 | |
-Yes. -If you seriously only get 40 to 70, there will be so much pain about! | 0:26:53 | 0:26:58 | |
-A lot of pain on that one. -Now, what about this stick? | 0:26:58 | 0:27:01 | |
Yes. Interesting comments that it's for housing love letters | 0:27:01 | 0:27:06 | |
or some story as such. | 0:27:06 | 0:27:09 | |
-Does this ring true with you? -Not really, but it's a wonderful story! | 0:27:09 | 0:27:12 | |
What you've got there | 0:27:12 | 0:27:15 | |
is a standard stick which has got a later embellishment on the bottom | 0:27:15 | 0:27:20 | |
which is nothing to do with it. | 0:27:20 | 0:27:22 | |
Silver mounts on it, marked sterling. I think 30 to £50. | 0:27:22 | 0:27:26 | |
-OK, fine. £45 is what they paid, which is fair enough. -Very reasonable. | 0:27:26 | 0:27:30 | |
The last item for the reds is this poker-work corner cupboard. | 0:27:30 | 0:27:34 | |
Hmm. Yep. Um... | 0:27:34 | 0:27:37 | |
Corner cupboards, of late, have been struggling a little bit. | 0:27:37 | 0:27:42 | |
Now you can buy a half-decent Georgian example | 0:27:42 | 0:27:45 | |
for 100 to £150. | 0:27:45 | 0:27:47 | |
I think on a Victorian example such as that, | 0:27:48 | 0:27:51 | |
you'd probably be looking maybe 40 to £60 now. | 0:27:51 | 0:27:55 | |
Well, they paid 50. | 0:27:55 | 0:27:56 | |
-The big dark hole opening up underneath this team is the coal scuttle. -Yes. | 0:27:56 | 0:28:01 | |
They'll need their bonus buy, so let's have a look at it. | 0:28:01 | 0:28:05 | |
Nicky and Donna, you spent a magnificent £250. | 0:28:05 | 0:28:08 | |
You only gave him £50. Nicholas, what did you spend it on? | 0:28:08 | 0:28:13 | |
Are you ready for this? | 0:28:13 | 0:28:15 | |
BOTH: Ooh! | 0:28:15 | 0:28:16 | |
That was a nice reaction! | 0:28:18 | 0:28:20 | |
-I approve of that! -A typical female reaction! | 0:28:20 | 0:28:22 | |
A pretty object for two pretty ladies. What do you think? | 0:28:23 | 0:28:27 | |
-Lovely. -Sparkly! -Isn't it? -Yes! | 0:28:27 | 0:28:29 | |
I have to say they're not all high-value gemstones. | 0:28:29 | 0:28:33 | |
They're rhinestones. | 0:28:33 | 0:28:34 | |
But it's a bit of mid-20th-century designer costume jewellery. | 0:28:34 | 0:28:39 | |
-On the budget we had, that's all you get! But it's pretty, though. -How much did you spend? | 0:28:39 | 0:28:44 | |
-£36. -Ah! | 0:28:44 | 0:28:46 | |
And what's it going to make us? | 0:28:46 | 0:28:47 | |
Well, it's probably worth about 40 to 50 quid, I'd have thought. | 0:28:47 | 0:28:52 | |
-It's nice, though. -It's slim. But it's pretty. -Yes. Well done. | 0:28:52 | 0:28:57 | |
Two satisfied customers there, Nick. We're predicting a ten to 20 profit on it. | 0:28:57 | 0:29:03 | |
So treasure those words. | 0:29:03 | 0:29:05 | |
Meanwhile, for the audience at home, let's see what the auctioneer thinks about Nick's pendant. | 0:29:05 | 0:29:10 | |
-There we go, Colin. -Thank you. | 0:29:11 | 0:29:13 | |
Something for you to wear at the weekend! | 0:29:13 | 0:29:16 | |
Yes! | 0:29:16 | 0:29:17 | |
-Hollycraft, it says on the back. -Yes. -1953. | 0:29:17 | 0:29:20 | |
-It's paste, isn't it? -It is. | 0:29:20 | 0:29:23 | |
Paste costume jewellery is incredibly popular. | 0:29:23 | 0:29:26 | |
Absolutely. Plenty of buyers out there when it comes to auction. | 0:29:26 | 0:29:30 | |
We've put an estimate on it of ten to £30. | 0:29:30 | 0:29:33 | |
Nick Hall paid £36 for it in the fond hope it will make that extra special profit | 0:29:33 | 0:29:39 | |
to help his team out. | 0:29:39 | 0:29:41 | |
We shall see. | 0:29:41 | 0:29:43 | |
Anyway, that's it for the reds. Now for the blues. | 0:29:43 | 0:29:46 | |
Their first item is the Orrefors vase. | 0:29:46 | 0:29:49 | |
Standard Swedish glass that we see plenty of in the sale room. | 0:29:49 | 0:29:53 | |
Good subject matter, modern design. | 0:29:53 | 0:29:56 | |
20 to £40. | 0:29:56 | 0:29:58 | |
£65 paid. | 0:29:58 | 0:29:59 | |
So I'm afraid they've gone rather over the top with that. | 0:29:59 | 0:30:03 | |
-Could be a bit of pain there. -That is the top, top retail price. | 0:30:03 | 0:30:07 | |
No space for a profit there. | 0:30:07 | 0:30:09 | |
Next up, and completely different, is this domed chest. | 0:30:09 | 0:30:14 | |
I don't know how you find these things, Colin, but the ones with the domed tops, | 0:30:14 | 0:30:18 | |
people don't want. The flat-topped ones they do. | 0:30:18 | 0:30:21 | |
Yes, that's how it changed. People are using them as coffee tables and storage | 0:30:21 | 0:30:26 | |
and there's not a lot you can store that won't fall off that. | 0:30:26 | 0:30:29 | |
Or putting it in a child's bedroom to store toys. All those little studs on the top. | 0:30:29 | 0:30:35 | |
And splinters, and dome topped, it's not PC for the kids. | 0:30:35 | 0:30:41 | |
-No. -So what have you put on it? -We've put an estimate of 30 to £50. | 0:30:41 | 0:30:46 | |
£70 they paid. So they've overpaid on that. That's two overpaid. | 0:30:46 | 0:30:50 | |
Now, what about these novelty cruets? | 0:30:50 | 0:30:53 | |
Right. | 0:30:53 | 0:30:55 | |
Really good-looking things. I love these fun-type objects. | 0:30:55 | 0:31:00 | |
I must admit I was disappointed when I opened them up | 0:31:00 | 0:31:04 | |
and saw plastic liners rather than a glass liner. | 0:31:04 | 0:31:07 | |
That sort of lowers the scale of where you think they're going to be. | 0:31:07 | 0:31:11 | |
-But I think there'll be plenty of people that want them and our estimate is 30 to £50. -Fine. | 0:31:12 | 0:31:18 | |
£38 they paid. So that's their only hope that they'll make a small profit. | 0:31:18 | 0:31:22 | |
They'll definitely need their bonus buy. Let's have a look at it. | 0:31:22 | 0:31:25 | |
You spent £173, yes? That means you gave the boy £127. | 0:31:26 | 0:31:32 | |
He has been out. Alors! | 0:31:32 | 0:31:34 | |
Absolutely. | 0:31:34 | 0:31:36 | |
The most delicious item. | 0:31:36 | 0:31:38 | |
-That is the nicest thing I've bought in months. -That's an ashtray! | 0:31:38 | 0:31:41 | |
It's more than just an ashtray. It's silver-topped, | 0:31:41 | 0:31:45 | |
crystal glass bowl, | 0:31:45 | 0:31:47 | |
something to hold in the hand. And just look under the lip. | 0:31:47 | 0:31:51 | |
-It says Tiffany & Co. -Ooh! -Lovely! -Lovely! | 0:31:51 | 0:31:55 | |
-How super-stylish is that? -That is gorgeous! | 0:31:55 | 0:31:58 | |
The effect I have on women, Tim, is amazing! Just mention Tiffany's! | 0:31:58 | 0:32:03 | |
Date-wise, it's the height of Art Deco, circa 1930. | 0:32:03 | 0:32:07 | |
It is high quality, it's exquisite | 0:32:07 | 0:32:10 | |
and I know smoking isn't exactly PC, but it's still collected. | 0:32:10 | 0:32:13 | |
-It's decorative. You could have earrings in it. -How much did you pay? | 0:32:13 | 0:32:18 | |
-The bargain of a lifetime. -Come on, tell me! | 0:32:18 | 0:32:21 | |
-Have a guess. -I don't know. | 0:32:21 | 0:32:24 | |
£50? | 0:32:24 | 0:32:25 | |
It would be a steal at that. | 0:32:25 | 0:32:27 | |
-80? -26! | 0:32:27 | 0:32:29 | |
-Really? -I'll give you another kiss! | 0:32:29 | 0:32:31 | |
-I'm going to buy more of these, Tim! -Are you jealous? -I am! | 0:32:34 | 0:32:38 | |
Oh, Tim! | 0:32:38 | 0:32:41 | |
-Anyway, we're happy with that, girls. -Very happy. -Don't pick it now, | 0:32:42 | 0:32:46 | |
pick it later if you want to. For the audience at home, let's see what the auctioneer thinks of it. | 0:32:46 | 0:32:52 | |
-OK, Colin? Nice colour blue, isn't it? -A wonderful blue. | 0:32:53 | 0:32:57 | |
Condition overall is pretty good. | 0:32:57 | 0:33:01 | |
Once you get any damage on this sort of enamel, it knocks the value down dramatically. | 0:33:01 | 0:33:06 | |
Looking round it, lovely wheel-cut engraving. | 0:33:07 | 0:33:10 | |
Marked Tiffany. I think that's a fabulous item. | 0:33:12 | 0:33:15 | |
-It's got a lot going for it. -An awful lot. | 0:33:15 | 0:33:17 | |
We always look at things with a critical eye, | 0:33:17 | 0:33:20 | |
and I can't really say anything negative about it. | 0:33:20 | 0:33:24 | |
That is lovely, isn't it? He paid £26 for it. What's it worth? | 0:33:24 | 0:33:27 | |
I think that's fantastic! | 0:33:27 | 0:33:29 | |
We've put an estimate on it of 50 to 80, | 0:33:29 | 0:33:33 | |
and I thought I was being conservative at that. | 0:33:33 | 0:33:36 | |
I can easily see that making £100, 150. It wouldn't surprise me. It's a great little item. | 0:33:36 | 0:33:42 | |
For Harper to pay 26, that's very clever of him. | 0:33:42 | 0:33:45 | |
If the team decide they're going to go with it! | 0:33:45 | 0:33:47 | |
Great excitement. Thank you very much, Colin. | 0:33:47 | 0:33:50 | |
Good luck on the rostrum! | 0:33:50 | 0:33:52 | |
-Nicky and Donna, how are you both? -Fine, Tim. | 0:33:58 | 0:34:01 | |
-Are you at all nervous? -Yes! -Just a little! | 0:34:01 | 0:34:05 | |
-Why's that, Nicky? -I think we're going to crash and burn! -Do you? | 0:34:05 | 0:34:08 | |
We've spent a lot of money. | 0:34:08 | 0:34:10 | |
Most of which you blew on the coal scuttle. | 0:34:10 | 0:34:14 | |
The auctioneer's estimate is 40 to 70. | 0:34:14 | 0:34:17 | |
Ooh. | 0:34:17 | 0:34:18 | |
Lot 176 is the Benham and Froud coal scuttle and shovel to go with it. | 0:34:19 | 0:34:25 | |
A very fine example of Victoriana. | 0:34:25 | 0:34:27 | |
Who'll start me at £50 for it? 50? | 0:34:27 | 0:34:29 | |
Got one! | 0:34:29 | 0:34:31 | |
40. 45. 50. Five. 55. | 0:34:31 | 0:34:33 | |
60 I'm bid. And five. 65. | 0:34:33 | 0:34:35 | |
70 bid. 70. 75. | 0:34:35 | 0:34:37 | |
-Go on, go on! Yes, yes! -It's climbing. | 0:34:37 | 0:34:41 | |
90 bid. 95? 95. | 0:34:41 | 0:34:42 | |
£100 do I see? | 0:34:42 | 0:34:44 | |
Any more bids? At 100 on my left in the room. | 0:34:47 | 0:34:49 | |
We're selling at £100. | 0:34:49 | 0:34:52 | |
£100. That's better than it might have been! | 0:34:52 | 0:34:54 | |
It's still minus 55, girls, but there you go. | 0:34:54 | 0:34:58 | |
Here comes your cane. | 0:34:58 | 0:34:59 | |
There you go. An interesting combination of cane, | 0:34:59 | 0:35:02 | |
silver mounts and an interesting knob as well. | 0:35:02 | 0:35:06 | |
Who'll start me at what, £50? 50. | 0:35:06 | 0:35:08 | |
£30? £30? 20 to go. | 0:35:08 | 0:35:11 | |
Oh, no! | 0:35:11 | 0:35:13 | |
At 20 bid. 22. 25. 28. | 0:35:15 | 0:35:18 | |
28 bid. 30. 30 bid. | 0:35:18 | 0:35:20 | |
32 bid? No? At £30 I'm bid. | 0:35:20 | 0:35:22 | |
32 anywhere else? £30 I'm bid. At £30. | 0:35:22 | 0:35:24 | |
More! Go on! | 0:35:24 | 0:35:26 | |
£30. All done and selling at £30. | 0:35:26 | 0:35:29 | |
That's minus £15. | 0:35:29 | 0:35:31 | |
55. 65. You're minus 70 so far, girls. | 0:35:31 | 0:35:35 | |
The poker-work hanging corner cabinet. | 0:35:35 | 0:35:37 | |
A decent little cupboard with dragons on it. | 0:35:37 | 0:35:40 | |
Who'll start me at 80 for it? 80? 50 to go, then. £50? 50? 30? | 0:35:40 | 0:35:44 | |
-Don't feel good about this. -30 bid. | 0:35:44 | 0:35:46 | |
Five do I see? At £30. Five now. 35. | 0:35:46 | 0:35:49 | |
40 in the room. 40 I'm bid. | 0:35:49 | 0:35:51 | |
-Go on! -At 40. | 0:35:51 | 0:35:53 | |
-45 bid. 50, now? -It's going up. | 0:35:53 | 0:35:56 | |
At 45. Any more bids? At 45. This is the last call. Selling this time | 0:35:56 | 0:36:00 | |
at £45. | 0:36:00 | 0:36:02 | |
£45. That's minus £5. Which means overall you are minus £75. | 0:36:02 | 0:36:06 | |
Which is not as bad as we thought it was going to be. | 0:36:06 | 0:36:11 | |
Come on, girls! | 0:36:11 | 0:36:13 | |
It was not... | 0:36:13 | 0:36:15 | |
But anyway, let's be positive now. | 0:36:15 | 0:36:18 | |
What are we going to do about the paste dingly-dangly? | 0:36:18 | 0:36:22 | |
-Are you going to go with it? -We're going for it. -Going for it. -Nothing to lose. | 0:36:22 | 0:36:26 | |
-You don't have to. -No, we're going to go for it. | 0:36:26 | 0:36:29 | |
Here it comes. A lovely necklace. | 0:36:29 | 0:36:31 | |
A 1950s Hollycraft paste-set pendant with plated chain. | 0:36:31 | 0:36:36 | |
A nice piece of costume jewellery. Start me at £30 for it. | 0:36:36 | 0:36:39 | |
Oh, come on! | 0:36:39 | 0:36:42 | |
-Ten pounds to go, then, surely? £10. -Oh, no! | 0:36:42 | 0:36:45 | |
Thank you. £10 bid. | 0:36:45 | 0:36:47 | |
Ten. Twelve anywhere else? Ten. Maiden bid has it. | 0:36:47 | 0:36:50 | |
-Anybody else going to join in? -£10! | 0:36:50 | 0:36:53 | |
Can I tempt anybody with 11? | 0:36:53 | 0:36:55 | |
It's embarrassing! | 0:36:55 | 0:36:58 | |
11 bid. 12, may I say? | 0:36:58 | 0:36:59 | |
12 bid. 13, madam? It's not unlucky. 13 bid. | 0:36:59 | 0:37:03 | |
14 now. 14 bid. 15, do I see? 15 bid. | 0:37:03 | 0:37:06 | |
£15 is where you're going to stick. | 0:37:06 | 0:37:08 | |
£16 now. | 0:37:08 | 0:37:09 | |
Ooh, we're going up! | 0:37:09 | 0:37:11 | |
At £16 we're done and selling this time. | 0:37:11 | 0:37:13 | |
At £16. | 0:37:13 | 0:37:14 | |
-A round minus 20. -Sorry, girls. | 0:37:16 | 0:37:17 | |
It's not your fault. It's a perfectly nice object. | 0:37:17 | 0:37:20 | |
But not its day today. | 0:37:20 | 0:37:22 | |
-Overall, you are minus £95. -Ah! | 0:37:22 | 0:37:24 | |
That could be a winning score! | 0:37:24 | 0:37:27 | |
Just don't talk to the blues. | 0:37:29 | 0:37:31 | |
-Do you know how the reds got on? -Nope. Not a clue. | 0:37:43 | 0:37:46 | |
-You haven't been chatting. -No. -We don't want you to know. -We haven't seen them. -They 'ave disparu? | 0:37:46 | 0:37:51 | |
-Disparu completement. -Completement. | 0:37:51 | 0:37:53 | |
Superbe! I feel a national anthem coming on! | 0:37:53 | 0:37:56 | |
# Allons, enfants! # | 0:37:56 | 0:37:57 | |
Lot 197 is the Orrefors glass vase, | 0:37:58 | 0:38:01 | |
decorated with a nude lady and two birds. | 0:38:01 | 0:38:04 | |
A pretty and elegant vase, this one. | 0:38:04 | 0:38:06 | |
Start me at £40 for it. 40? | 0:38:06 | 0:38:08 | |
30 to go then. £30 anybody? 30 bid. | 0:38:08 | 0:38:10 | |
Go on! Go on! Get on with it! | 0:38:11 | 0:38:14 | |
And two now, may I say? 32 bid. 35. | 0:38:14 | 0:38:17 | |
38. 40. 42. | 0:38:17 | 0:38:20 | |
45. 48. 50. | 0:38:20 | 0:38:22 | |
-And five. 60. -Yes! | 0:38:22 | 0:38:25 | |
I'll take two if it'll help. | 0:38:25 | 0:38:27 | |
At 60. Third row has it. At £60 bid. All done and selling | 0:38:27 | 0:38:31 | |
at £60. | 0:38:31 | 0:38:33 | |
£60. You're five pounds down. | 0:38:33 | 0:38:35 | |
-Oh. -That's better than predicted. -Here comes your chest. | 0:38:35 | 0:38:39 | |
A Victorian or earlier pine and studded dome-top box. | 0:38:39 | 0:38:43 | |
Start me at £100 for it? 50 to go then, surely? | 0:38:43 | 0:38:46 | |
Come on! | 0:38:46 | 0:38:47 | |
30? 20? £20. | 0:38:47 | 0:38:50 | |
-£20. -20 bid and five? 25. | 0:38:50 | 0:38:53 | |
30, if you like? 30. 30 bid. 35? | 0:38:53 | 0:38:55 | |
35. 40, now. 40 bid. | 0:38:55 | 0:38:57 | |
At 40. | 0:38:57 | 0:38:59 | |
-45. -Come on! | 0:38:59 | 0:39:01 | |
Come on, baby. | 0:39:01 | 0:39:02 | |
50 bid. 55 bid. 60, now? | 0:39:02 | 0:39:05 | |
-Come on! -Have we done it? -No. 70. | 0:39:05 | 0:39:07 | |
-58. 60 on the net. -Yes! -Keep at it! -62. | 0:39:09 | 0:39:12 | |
-65. -Yes! | 0:39:12 | 0:39:14 | |
And 70. 72, sir. 72. 75. | 0:39:14 | 0:39:16 | |
-Yes! -75 bid. | 0:39:16 | 0:39:18 | |
78 now? 78 bid. 78. | 0:39:18 | 0:39:20 | |
At £78. All done. Selling this time, then. At 80 bid. | 0:39:20 | 0:39:24 | |
Sorry, just come in. Two, now? £80 bid. Two anywhere? | 0:39:24 | 0:39:27 | |
-At 80 bid. Two anywhere? -You kissed too early! | 0:39:27 | 0:39:30 | |
-He sold for 80. That's plus ten. -Well done! | 0:39:30 | 0:39:33 | |
Here comes the salt and peppers. | 0:39:33 | 0:39:36 | |
199 is the 1950s silver-plated novelty pepper and salt. | 0:39:36 | 0:39:42 | |
There go the pepper and salt. £30? 30? 20 to go, then, surely. | 0:39:42 | 0:39:45 | |
£20, anybody? Ten if we have to. £10, anyone? | 0:39:45 | 0:39:48 | |
Ten. £10 I'm bid. 12. 15. 18. | 0:39:48 | 0:39:52 | |
-Come on! -At £18 now. | 0:39:52 | 0:39:54 | |
18 bid. 20 bid. | 0:39:54 | 0:39:56 | |
22 now? At 20 bid. Two anywhere else now? | 0:39:56 | 0:39:58 | |
22. 25. 28. | 0:39:58 | 0:40:00 | |
28 bid. 28. 30. £30 bid. And two now? | 0:40:00 | 0:40:04 | |
-32? -Oh! -Come on! Come on! | 0:40:04 | 0:40:07 | |
32 do I see? £30, last call. Selling in the second row at 30. | 0:40:07 | 0:40:12 | |
£30 is minus eight. Which means overall, you're minus three pounds! | 0:40:12 | 0:40:15 | |
-Oh! -Oh! -Only three pounds. -I know what we're going to do. | 0:40:15 | 0:40:19 | |
-We know what we'll do. -What are we going to do? -Go for the ashtray. | 0:40:19 | 0:40:22 | |
-We're going to go with the enamelled Tiffany ashtray? -Definitely. -Well found, David. | 0:40:22 | 0:40:27 | |
You paid £26. | 0:40:27 | 0:40:29 | |
The auctioneer's estimate, I can tell you now, | 0:40:29 | 0:40:31 | |
is 50 to £80, and he wouldn't be surprised if it made 100. | 0:40:31 | 0:40:35 | |
-Absolutely. -I hope so. -That's what he said. | 0:40:35 | 0:40:37 | |
On that basis, let's cross our legs and hope for the best. | 0:40:37 | 0:40:40 | |
Lot 203 is the Tiffany & Co cut glass ashtray. | 0:40:40 | 0:40:47 | |
-We've got a lot of bids on the book for this one. -Good. | 0:40:47 | 0:40:50 | |
We'll start the bidding at 35. | 0:40:50 | 0:40:52 | |
35. 40. 45. | 0:40:52 | 0:40:54 | |
50. Five. 60. Five. | 0:40:54 | 0:40:56 | |
70. Five. 80. Five. | 0:40:56 | 0:40:58 | |
-I'm in heaven! -I'm in a spin! | 0:40:58 | 0:41:00 | |
150 with you, madam. 160. 170. | 0:41:03 | 0:41:04 | |
180. 185? | 0:41:04 | 0:41:06 | |
185. | 0:41:06 | 0:41:09 | |
-Come on! -Come on! | 0:41:09 | 0:41:11 | |
195. 200. | 0:41:11 | 0:41:13 | |
HENRIETTE SQUEALS LOUDLY | 0:41:13 | 0:41:14 | |
Shh! | 0:41:14 | 0:41:16 | |
205 bid. | 0:41:16 | 0:41:19 | |
-210. -Oh, my... -That was a definite no, this time, wasn't it? | 0:41:19 | 0:41:23 | |
-I'm excited! -You're not, are you? -You certainly are! | 0:41:23 | 0:41:26 | |
At 210 bid. | 0:41:27 | 0:41:29 | |
At 210. 215? Selling at £210. | 0:41:29 | 0:41:33 | |
-Yes! -Woo-hoo! | 0:41:33 | 0:41:36 | |
£210! | 0:41:36 | 0:41:38 | |
That is plus £184 in profit. | 0:41:38 | 0:41:42 | |
Oh! | 0:41:42 | 0:41:44 | |
-I have to give you a hug! -Oh, come here! | 0:41:44 | 0:41:46 | |
We have two teams today that are so poles apart it practically defies description! | 0:41:54 | 0:42:01 | |
And the pole that is furthest apart is the red pole. | 0:42:02 | 0:42:08 | |
-I mean, seriously, girls, you have been off the boil today, haven't you? -Yes. | 0:42:10 | 0:42:15 | |
-Have you had a nice time? -Yes! -Fantastic time. | 0:42:15 | 0:42:18 | |
You've been very sporting about it and I admire you for that. | 0:42:18 | 0:42:22 | |
-CLOCK CHIMES -In fact, I hear a bell ringing! | 0:42:22 | 0:42:24 | |
-For whom the bell tolls just happens to be you lot! -Yes. | 0:42:24 | 0:42:30 | |
The wedding bells, however, will start to chime | 0:42:30 | 0:42:33 | |
when it comes to the victors who are going home with £181 of lolly! | 0:42:33 | 0:42:39 | |
-Yay! -Yay! | 0:42:39 | 0:42:40 | |
-Anyway, there's 180, believe you me. -I'll take it. -And one. Yep. | 0:42:40 | 0:42:45 | |
There's so much kissing going on here today | 0:42:45 | 0:42:48 | |
one's lips are being worn out! | 0:42:48 | 0:42:50 | |
Come on, you enjoyed it! | 0:42:50 | 0:42:52 | |
Said like a true French woman! | 0:42:55 | 0:42:57 | |
Join us soon for some more Bargain Hunting, yes? | 0:42:58 | 0:43:01 | |
Yes! | 0:43:01 | 0:43:02 | |
Subtitles by Red Bee Media Ltd | 0:43:22 | 0:43:25 |