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Well, I'm here and you're there. So let's go bargain hunting! | 0:00:03 | 0:00:09 | |
Welcome to the International Antiques and Collectors Fair | 0:00:37 | 0:00:42 | |
at the Newark and Nottingham Showground. | 0:00:42 | 0:00:45 | |
The sun is shining upon us, | 0:00:45 | 0:00:48 | |
but will it be shining upon our teams? | 0:00:48 | 0:00:50 | |
On today's hunt, the Red Team of Bill and Val | 0:00:51 | 0:00:54 | |
are advised by Paul Laidlaw. | 0:00:54 | 0:00:57 | |
Get in amongst it. You've got to look, touch. | 0:00:57 | 0:01:00 | |
While Jeremy Lamond will be leading Jeff and Sandra for the Blue Team. | 0:01:00 | 0:01:05 | |
HE PLAYS FANFARE You've done that before! | 0:01:05 | 0:01:09 | |
They've got one hour to shop for a profit, | 0:01:09 | 0:01:13 | |
and it looks like the women will be in charge. What's new? | 0:01:13 | 0:01:16 | |
If I like it, that's it. | 0:01:16 | 0:01:18 | |
Follow me. | 0:01:18 | 0:01:19 | |
-Don't let him buy that, Paul! -That one? -20, as well. -No! | 0:01:19 | 0:01:23 | |
In charge of profits today | 0:01:23 | 0:01:26 | |
will be the Master of Ceremonies, Colin Young. | 0:01:26 | 0:01:29 | |
And I will take a visit to Northamptonshire. | 0:01:31 | 0:01:34 | |
Or is it America? Oh, dear. | 0:01:34 | 0:01:37 | |
Did they look a friendly bunch? I think so. Let's go and meet them! | 0:01:38 | 0:01:42 | |
-And here they are. Hello, everyone. -ALL: Hello. | 0:01:45 | 0:01:48 | |
Now, Bill, tell me how you and Val met. | 0:01:48 | 0:01:52 | |
It was back in 1964, we both worked at the same factory. | 0:01:52 | 0:01:56 | |
A friend bet me five shillings, | 0:01:56 | 0:01:58 | |
25 pence in new money, that I couldn't get a date with her. | 0:01:58 | 0:02:02 | |
-And how many years have you been together? -45. -Have you? | 0:02:02 | 0:02:06 | |
Val, you had a pretty unusual maiden name, didn't you? | 0:02:06 | 0:02:09 | |
Yes, I did. My maiden name was Christmas. | 0:02:09 | 0:02:13 | |
And when I was at school, I used to get ribbed terribly. | 0:02:13 | 0:02:16 | |
One young guy said to me, | 0:02:16 | 0:02:20 | |
"Valerie, what's your middle name?" I said, "It's May." | 0:02:20 | 0:02:23 | |
So he said, "Oh, Very Merry!" | 0:02:23 | 0:02:27 | |
-Very Merry Christmas! -After that, I was always called Very Merry Christmas! | 0:02:27 | 0:02:31 | |
-So, quite keen to get married to get rid of Christmas? -I didn't mind it. | 0:02:31 | 0:02:36 | |
You grow up with it, so it doesn't matter. | 0:02:36 | 0:02:39 | |
-But you've got a few nicknames from your grandchildren. -Yes. -What's your nickname? | 0:02:39 | 0:02:43 | |
My name's Nana Duckboard. | 0:02:43 | 0:02:46 | |
Nana Duck...? | 0:02:46 | 0:02:47 | |
Duckboard. Because I collect ducks | 0:02:47 | 0:02:49 | |
and I used to call my grandchildren "my little duck" when they were small. | 0:02:49 | 0:02:54 | |
Bill, well, he's Blinky Bill, after an Australian... | 0:02:54 | 0:02:59 | |
-An Australian bear. -Off the TV, a kiddies' programme. | 0:02:59 | 0:03:02 | |
-Yeah, yeah. -No hair and big ears! | 0:03:02 | 0:03:05 | |
What will your tactics be, you two? | 0:03:06 | 0:03:09 | |
-Ooh... Buy what we like, you know? -Yes. | 0:03:09 | 0:03:12 | |
I wouldn't buy it if I didn't think it would suit someone else. | 0:03:12 | 0:03:17 | |
-That's what you're going to go for? -Yes. -Bill, you'll do what you're told? | 0:03:17 | 0:03:21 | |
-I'll do what I'm told. -Carry the bags. -He doesn't do that! | 0:03:21 | 0:03:25 | |
Now, Sandra, how did you and Jeff meet? | 0:03:25 | 0:03:28 | |
I worked as a hairdresser many years ago, | 0:03:28 | 0:03:31 | |
and a friend that worked with me was getting married | 0:03:31 | 0:03:34 | |
and wanted a girl to sing at the reception. | 0:03:34 | 0:03:36 | |
She knew that I was a singer, but we needed someone to play the keyboard. | 0:03:36 | 0:03:40 | |
So she knew a friend that knew Jeff, working in a band previous. | 0:03:40 | 0:03:44 | |
We got together and put a few things together. | 0:03:44 | 0:03:47 | |
How did you become a singer? | 0:03:47 | 0:03:50 | |
Once again, through somebody at the salon. Her father was in a band | 0:03:50 | 0:03:54 | |
and he was wanting someone to front the band. | 0:03:54 | 0:03:57 | |
I went along to the auditions, I was only 16 at the time, | 0:03:57 | 0:04:00 | |
-and I managed to get the job. -Very brave! | 0:04:00 | 0:04:03 | |
Jeff, you have been a fireman. | 0:04:03 | 0:04:06 | |
Any particular incidents that stick in your mind? | 0:04:06 | 0:04:09 | |
One that sticks in my mind is, | 0:04:09 | 0:04:12 | |
we got called to a lady that was stuck in handcuffs. | 0:04:12 | 0:04:15 | |
When we got there, she was handcuffed with her arms and legs together. | 0:04:15 | 0:04:19 | |
Unfortunately, she was naked. We had to use the utmost discretion. | 0:04:19 | 0:04:23 | |
What really scared us, there was a camera set up on a tripod, filming everything. | 0:04:23 | 0:04:28 | |
So we were a little bit scared. | 0:04:28 | 0:04:31 | |
We acted as professionally as we could and got out very quickly. | 0:04:31 | 0:04:35 | |
-Sandra, you've had to call Jeff out, too, haven't you? -I did, Tim. | 0:04:35 | 0:04:39 | |
A few years back, when my little girl was small, I could smell fire in the kitchen. | 0:04:39 | 0:04:45 | |
I was on the phone, so I brought my little girl in. | 0:04:45 | 0:04:48 | |
-I actually realised that her nappy had run through. -Oh. | 0:04:48 | 0:04:52 | |
As I walked through the kitchen door to see all the flames, | 0:04:52 | 0:04:56 | |
-my little pup had done a poo-poo on the floor... -A double poo-poo moment. | 0:04:56 | 0:05:00 | |
-..and I went on my backside. -Did you? | 0:05:00 | 0:05:02 | |
I was in a plaster cast. I'd just had my first spinal operation. | 0:05:02 | 0:05:06 | |
-Oh. -So I crawl back to the hallway to get to the phone | 0:05:06 | 0:05:09 | |
and ring 999 to get the Fire Service out, | 0:05:09 | 0:05:12 | |
because my husband was on nights, you see. | 0:05:12 | 0:05:14 | |
I got the message and it was my own address! | 0:05:14 | 0:05:17 | |
-I drove extra quick that night! -TIM LAUGHS | 0:05:17 | 0:05:20 | |
How do you think you'll get on as a team? | 0:05:20 | 0:05:23 | |
-As long as I do as I'm told... -We'll be very well. | 0:05:23 | 0:05:26 | |
Seems to me that the men have had it all round with this lot! | 0:05:26 | 0:05:29 | |
-Anyway, here we go. £300, Sandra. -Thank you. | 0:05:29 | 0:05:32 | |
-£300. -Thank you. -You know the rules. | 0:05:32 | 0:05:34 | |
Your experts await. Off you go! Very, very good luck. | 0:05:34 | 0:05:39 | |
-Are we looking for anything in particular? -Not really. | 0:05:41 | 0:05:44 | |
I'd just like something that I like. If I like it, that's it. | 0:05:44 | 0:05:48 | |
-Sounds good. Bill? -Same thing. If we like it, buy it. | 0:05:48 | 0:05:52 | |
-If it's cheap enough! -I like that bit at the end! | 0:05:52 | 0:05:55 | |
Jeff and Sandra, here we are. Lots to go at. You've got the world at your feet, as it were. | 0:05:55 | 0:06:01 | |
The sun is not shining for us, so we'd better be quick. | 0:06:01 | 0:06:04 | |
-Let's go. -OK. This way. Follow me. | 0:06:04 | 0:06:09 | |
Well, we can see who's going to be in charge today. | 0:06:10 | 0:06:14 | |
Get in amongst it. You've got to look, touch. | 0:06:14 | 0:06:17 | |
-If you see anything, just shout out. -I will do. | 0:06:17 | 0:06:20 | |
That piano stool's quite a nice piece of furniture. | 0:06:23 | 0:06:26 | |
Look at the squirrel in the box. That's dreadful. | 0:06:26 | 0:06:29 | |
Not much fun for him, is it? Still, there are a lot of goodies here today, folks. | 0:06:29 | 0:06:35 | |
-Do you do glass at all? -Oh, yes. -Look at the form of that. | 0:06:37 | 0:06:41 | |
It looks like a shouldered decanter. | 0:06:41 | 0:06:44 | |
You look at the construction and the patination | 0:06:44 | 0:06:47 | |
and you know this wasn't bought on the high street yesterday. | 0:06:47 | 0:06:51 | |
The form's delicious. Feel the mass in that. | 0:06:51 | 0:06:54 | |
-Oh, yes. -But label there... | 0:06:54 | 0:06:57 | |
-Murano! -Venetian glass. Stylish thing. | 0:06:57 | 0:07:01 | |
They're not easy to sell, lamps. | 0:07:01 | 0:07:03 | |
It's one of those things, if you need a lamp, you've got a lamp | 0:07:03 | 0:07:06 | |
and you really need to be tempted big time to want to buy another. | 0:07:06 | 0:07:11 | |
-There's some weight on it. -Do you like? -It's all right, that. -Can you help at all on prices? | 0:07:11 | 0:07:16 | |
-The best price on that would be 25. -25. | 0:07:16 | 0:07:19 | |
It's not dear, but we're not talking about me taking it home. | 0:07:19 | 0:07:23 | |
We're talking about an auction. | 0:07:23 | 0:07:26 | |
It's going to be unpredictable, because lamps are. | 0:07:26 | 0:07:29 | |
But it's a piece of Murano glass. | 0:07:29 | 0:07:33 | |
If it came to the sale, I'd say it's worth 20 to 40 quid. | 0:07:33 | 0:07:37 | |
-Yes? -So you're not a million miles off. | 0:07:37 | 0:07:40 | |
-Go for 20? -Get a shave off it? -If he would. | 0:07:40 | 0:07:43 | |
Is there any chance... You're over at the box! | 0:07:43 | 0:07:46 | |
-Any chance you could do 20? -I'm afraid not. -22? -25's the best I can do. | 0:07:46 | 0:07:52 | |
-Always give the man the best price. -The best price! | 0:07:52 | 0:07:55 | |
-You've heard how I feel about it. -I like it. It's got weight to it. -It's not a million miles off. | 0:07:55 | 0:08:01 | |
-Happy with that? -We like it, we'll have it. -You better say thanks to the man. | 0:08:01 | 0:08:05 | |
-Thanks, sir. -Thanks, boss. Pleasure doing business. | 0:08:05 | 0:08:08 | |
That was easy enough. | 0:08:08 | 0:08:09 | |
Easy enough indeed, Paul. Well done, team. | 0:08:09 | 0:08:13 | |
The Blues, however, are browsing, not buying. | 0:08:14 | 0:08:18 | |
That's a little Derby vase. | 0:08:18 | 0:08:20 | |
Mm. Have a look at it, then. | 0:08:20 | 0:08:23 | |
-There we are. -Thank you. | 0:08:23 | 0:08:25 | |
-It depends, really, if there's any damage to it. -It's quite nice. | 0:08:25 | 0:08:29 | |
-That's cute. -Is that old, or...? -Oh, yes. | 0:08:29 | 0:08:32 | |
Would that have had a top on it, Jeremy? | 0:08:32 | 0:08:34 | |
Er, no. Because it's gilded at the top. | 0:08:34 | 0:08:38 | |
-I think you're looking at something that is early 19th century. -OK. | 0:08:38 | 0:08:43 | |
-It depends really on... -The condition. -Yes. | 0:08:43 | 0:08:46 | |
-The condition is good. -It looks fine. -The cobalt has run a bit at the bottom. | 0:08:46 | 0:08:50 | |
But the handles are not damaged at all. | 0:08:50 | 0:08:54 | |
It really depends on what it has to be. | 0:08:54 | 0:08:56 | |
-It's nice. -That is nice, yes. -OK. | 0:08:56 | 0:08:59 | |
-30. -30? -Best we can do. -30? | 0:08:59 | 0:09:02 | |
-That's smashing. We'll have that. -That's our first one bought, then. -Two more to go. Thank you. | 0:09:02 | 0:09:08 | |
Blue Derbyshire pottery for the Blue Team. How apt. | 0:09:08 | 0:09:11 | |
The Reds, meanwhile, are looking to the future. | 0:09:11 | 0:09:15 | |
-How much is this? -20. -Don't let him buy that, Paul! -That one? -20, as well. | 0:09:15 | 0:09:20 | |
-No! -Looks like that one's nailed! -I've been told! | 0:09:20 | 0:09:23 | |
I think Val may be getting her way today. | 0:09:23 | 0:09:26 | |
Hang on. The Blues haven't moved. Something has caught Jeremy's eye. | 0:09:28 | 0:09:34 | |
-That little brolly... -Yes? -Has it got a Stanhope in the handle? | 0:09:34 | 0:09:39 | |
-You've got to put it up to your eye. -Oh, wow. | 0:09:39 | 0:09:42 | |
-Can you see? -That's fantastic. -Can you see? -You can. | 0:09:42 | 0:09:45 | |
-Let's look. -You don't need your glasses. | 0:09:45 | 0:09:48 | |
-Put it right up to your eye. -That's amazing! | 0:09:48 | 0:09:51 | |
"A souvenir of Chester. | 0:09:51 | 0:09:54 | |
"King Charles's Tower. Made in France." | 0:09:54 | 0:09:58 | |
-What's it made of? -That one... -Is that ivory? | 0:09:58 | 0:10:01 | |
-Has it got it on it? -It has. | 0:10:01 | 0:10:03 | |
-And also... -It opens up... | 0:10:03 | 0:10:06 | |
-..it's a needle case. -Oh! I'd like that myself! | 0:10:06 | 0:10:11 | |
-And how much is that? -What has it got on it? | 0:10:11 | 0:10:15 | |
-It's 35. -35. -I'll do that for 30, then. | 0:10:15 | 0:10:18 | |
I do like that. That's really nice. | 0:10:18 | 0:10:20 | |
-So, both for 60? -Both for 60. -I think that's reasonable. | 0:10:20 | 0:10:24 | |
-That's very reasonable. We'll take those. -Thank you. | 0:10:24 | 0:10:28 | |
Two! | 0:10:28 | 0:10:29 | |
Two items on one stall at one of Europe's largest antique fairs? | 0:10:29 | 0:10:34 | |
Let's hope they're not missing out! | 0:10:34 | 0:10:36 | |
All I need is my Spitfire. | 0:10:36 | 0:10:39 | |
Which I left at home this weekend! | 0:10:39 | 0:10:42 | |
Suits you, sir. | 0:10:42 | 0:10:44 | |
-Two objects in 20 minutes. -Yes. -That's good. -The sun's out. -Fantastic. | 0:10:44 | 0:10:48 | |
-The world is still our oyster. -Very good. | 0:10:48 | 0:10:50 | |
Be careful. Those 40 minutes will fly by. | 0:10:50 | 0:10:55 | |
Trust the Red Team to look at red objects. | 0:10:56 | 0:10:59 | |
-It's a great colour. Didn't we say at the off, "If it grabs you..." -It's very quirky. | 0:10:59 | 0:11:03 | |
What do you put in it, wine? | 0:11:03 | 0:11:06 | |
-It's purely a novelty. Purely a piece of frivolity. -Oh, right. | 0:11:06 | 0:11:12 | |
-Price-wise, do you want to ask or not? -BOTH: Yes. | 0:11:12 | 0:11:16 | |
What's your best price? | 0:11:16 | 0:11:17 | |
-Bottom line, £35. -35. | 0:11:17 | 0:11:20 | |
-You've given us a fair discount. -They'd fetch £100 years ago. | 0:11:20 | 0:11:24 | |
You're dead right. | 0:11:24 | 0:11:27 | |
-Feel it... -35? -It's got that "wow" factor, hasn't it? | 0:11:27 | 0:11:31 | |
-It's wild all right! Who'd got out and buy that? -It's different. You couldn't go a little bit less? | 0:11:31 | 0:11:37 | |
-No. -If I stroked your dog? | 0:11:37 | 0:11:39 | |
'Don't touch me!' | 0:11:39 | 0:11:41 | |
-Your choice. -I don't really like it. | 0:11:41 | 0:11:44 | |
Oh, dear. Disagreements again in the Red Team. | 0:11:44 | 0:11:47 | |
-BOTH: Shall we think about that one? -It's up to you. | 0:11:47 | 0:11:50 | |
-Could we come back later? Is that all right? -If it's still here. -If it's still here, yes. | 0:11:50 | 0:11:56 | |
If you come back in half an hour's time, | 0:11:56 | 0:11:58 | |
with 15 minutes left and it's gone... | 0:11:58 | 0:12:00 | |
-I'm in favour of you making a decision? Yea or nay? -Do you like it? | 0:12:00 | 0:12:05 | |
-35. -I like it. It's different. -Go on. | 0:12:05 | 0:12:08 | |
-Couple of quid for luck? -If you insist! | 0:12:08 | 0:12:11 | |
That'll do it! | 0:12:11 | 0:12:12 | |
Thank you very much. | 0:12:12 | 0:12:14 | |
Are you sitting at home banging on about how much better you could do than the contestants? | 0:12:17 | 0:12:23 | |
Well, why don't you apply to come on the show? Log on to... | 0:12:23 | 0:12:27 | |
..and have a go! You know you want to. | 0:12:30 | 0:12:34 | |
That's probably by a Staffordshire firm | 0:12:38 | 0:12:42 | |
called Samuel Alcock, who were known for this sort of ware. | 0:12:42 | 0:12:45 | |
-It'd be about 1825, 1830. -It's quite old, then. | 0:12:45 | 0:12:49 | |
-But it's £95. -Right. | 0:12:49 | 0:12:51 | |
-And it's also got a crack. -Ahh! | 0:12:51 | 0:12:54 | |
Well spotted, Jeremy. | 0:12:54 | 0:12:57 | |
Keep your eyes peeled. | 0:12:57 | 0:13:00 | |
That clock is ticking, folks. | 0:13:00 | 0:13:02 | |
Indeed it is. | 0:13:02 | 0:13:03 | |
We know what it does, don't we? | 0:13:05 | 0:13:07 | |
That's to protect your lady's lovely complexion from the fierce heat of the fire. | 0:13:07 | 0:13:12 | |
-I really like it. -£100. | 0:13:12 | 0:13:15 | |
It's no money for a nice William IV rosewood screen. | 0:13:15 | 0:13:21 | |
-But will that...? -But how it's going to do at auction today, I don't know. | 0:13:21 | 0:13:26 | |
-That's a Japanese brocade Imari, it's called. -That's lovely. | 0:13:28 | 0:13:32 | |
It's about 1900 in date. | 0:13:32 | 0:13:35 | |
-This is the legend of Kinko and the Carp. -Oh, yes! | 0:13:35 | 0:13:39 | |
He's riding a giant carp. | 0:13:39 | 0:13:41 | |
-You're looking at maybe 30 or 40 pounds. -That sounds good. | 0:13:41 | 0:13:45 | |
-Yes? -It's worth asking the price. -OK. | 0:13:45 | 0:13:48 | |
Could you tell me how much you'd like for that? | 0:13:48 | 0:13:51 | |
-110, Michael? -Ooh, no. -110. It's the last price. | 0:13:51 | 0:13:55 | |
-Right. -It's too much. -Too much for us. Thank you, anyway. | 0:13:55 | 0:14:00 | |
The Blues sure don't want to splash the cash today. | 0:14:00 | 0:14:03 | |
And the Reds... | 0:14:03 | 0:14:06 | |
-This is nice! -SHE LAUGHS | 0:14:06 | 0:14:09 | |
Don't even go there, Reds. | 0:14:09 | 0:14:12 | |
There's only so many pipes you can have in a day. | 0:14:12 | 0:14:14 | |
This is a Royal Artillery bugle. You've got here the flaming grenade. | 0:14:14 | 0:14:20 | |
Can you blow it? Let's have a laugh. | 0:14:20 | 0:14:23 | |
HE PLAYS FANFARE Oh, he can, n'all! | 0:14:23 | 0:14:26 | |
-You've done that before! -I've done it before. | 0:14:26 | 0:14:29 | |
You could see by the way you blew it. | 0:14:29 | 0:14:32 | |
That's very good. Nice sound to it. | 0:14:32 | 0:14:34 | |
-It's got something written... -Are you bothered, Jeff? -I like that. | 0:14:34 | 0:14:38 | |
You've got Foster & Co... | 0:14:38 | 0:14:40 | |
-Is that a good name? -..who presumably were the makers. | 0:14:40 | 0:14:42 | |
-I think, what's interesting, are the regimental motifs. -Yes. | 0:14:42 | 0:14:48 | |
Yes. Somebody who collects this kind of thing. | 0:14:48 | 0:14:51 | |
-It's an unusual object. -Yes, it is. | 0:14:51 | 0:14:54 | |
-It depends what they want. If you're interested... -I think that's really nice. | 0:14:54 | 0:14:58 | |
-I'll pop and have a word with him and see what he says. -OK. | 0:14:58 | 0:15:02 | |
-What do you think a good price would be? -Yes, what's a good price? -About 25 quid. -25 quid. | 0:15:02 | 0:15:07 | |
You'll have to do a bit of bartering, Jeff. | 0:15:07 | 0:15:10 | |
And don't blow the budget, Jeff. | 0:15:10 | 0:15:12 | |
The Reds, meanwhile, can't find anything even to haggle over. | 0:15:12 | 0:15:16 | |
Nothing grabs me today. | 0:15:16 | 0:15:18 | |
Mm. What price have you got, then, Jeff? | 0:15:18 | 0:15:20 | |
-It's up for 75. The best he'll do is 60. -That's a shame. -What do you think? -It's not bad. | 0:15:20 | 0:15:25 | |
I think it is on the edge. But it is quite quirky. We may... | 0:15:25 | 0:15:30 | |
-We might just make it. -Get military people in, we might just make a little profit. | 0:15:30 | 0:15:35 | |
-I think we should go for that. We haven't spent a lot of money. -We haven't. | 0:15:35 | 0:15:39 | |
-So, yes, definitely. -It's a chance, but let's have a go. | 0:15:39 | 0:15:42 | |
Gives you more money, as well, Jeremy. | 0:15:42 | 0:15:45 | |
-I'll give it a blow for success. -Very good. | 0:15:45 | 0:15:47 | |
-NO NOISE COMES OUT -Hm. Not so good. | 0:15:47 | 0:15:50 | |
Let's hope the Blues' last item has more success at the auction. | 0:15:50 | 0:15:54 | |
Have we any plans, or do we keep following our nose? | 0:15:54 | 0:15:56 | |
Follow our nose and... | 0:15:56 | 0:15:58 | |
-..go in the general direction. -Just follow our nose and... -Yonder! | 0:15:58 | 0:16:02 | |
-What's this, Paul? -It's interesting, isn't it? | 0:16:09 | 0:16:13 | |
-It's 65 quid. -I think it's a bit too mental. -Is it? | 0:16:13 | 0:16:17 | |
Come on, Red Team, time is running out. | 0:16:17 | 0:16:21 | |
We need more of these bitsy stalls. | 0:16:21 | 0:16:24 | |
Bags of time. | 0:16:26 | 0:16:28 | |
No, you haven't, Bill! | 0:16:28 | 0:16:30 | |
-Shall we go back that way? -OK, let's do it. | 0:16:30 | 0:16:33 | |
Maybe the Reds need sign posting to a bargain! | 0:16:33 | 0:16:36 | |
-How much are they? -£100 for the back one and £300. | 0:16:36 | 0:16:38 | |
-Oh, my goodness! -It's nice and clean. -Isn't it? Yes. | 0:16:38 | 0:16:43 | |
Long shot here, and I'm pushing it, is there a bargain price on that? | 0:16:43 | 0:16:47 | |
This is me gambling, they're running out of time, | 0:16:47 | 0:16:50 | |
and me thinking, "What might a punter take a stab at in an auction room?" | 0:16:50 | 0:16:54 | |
-My best on that would be 35. -I love it. | 0:16:54 | 0:16:57 | |
-And someone else might, as well. -I like it. | 0:16:57 | 0:16:59 | |
-The petrolheads put them in the garage. -That's right. | 0:16:59 | 0:17:03 | |
-The blue and yellow one? -Yes. | 0:17:03 | 0:17:05 | |
I like that. | 0:17:05 | 0:17:07 | |
French enamelled sign, | 0:17:08 | 0:17:11 | |
automotive bulbs. | 0:17:11 | 0:17:13 | |
-They buy them like that? -They do. They buy them worse than that. | 0:17:13 | 0:17:17 | |
-It'll fetch a good price. -You decorate your garage. -Oh, right. | 0:17:17 | 0:17:21 | |
-I quite like that. How much does he want? -35! | 0:17:21 | 0:17:24 | |
-Shall we go for 30? -If you could, you're not going to do too badly. | 0:17:24 | 0:17:30 | |
-You're out of time. What have we, three minutes or something? -Oh, right. | 0:17:30 | 0:17:34 | |
-I like it. -It's not my cup of tea, but... | 0:17:34 | 0:17:39 | |
-I wouldn't buy it! -Me, either. It is a gamble, born of desperation. | 0:17:39 | 0:17:42 | |
Desperate times call for desperate measures. | 0:17:42 | 0:17:46 | |
Everything else you've bought was good to go, real merit. | 0:17:46 | 0:17:50 | |
That... It's us playing the game, really. | 0:17:50 | 0:17:53 | |
Just feel the quality of that! | 0:17:53 | 0:17:56 | |
I'll just have a word. | 0:17:57 | 0:17:58 | |
Go on, Bill, see what you can do. | 0:17:58 | 0:18:01 | |
-He's a good bargainer. -Is there any chance we could do 30 on this? | 0:18:01 | 0:18:06 | |
-The very best is 32. -32. -And you've got yourself a deal. | 0:18:06 | 0:18:09 | |
-Go for it. We're out of time. -Paul? | 0:18:09 | 0:18:11 | |
You know how I feel about it. You've got a minute to decide! | 0:18:11 | 0:18:15 | |
-It's a deal. -Good man. Thank you. | 0:18:15 | 0:18:17 | |
Congratulations, Red Team. Done in the nick of time. | 0:18:17 | 0:18:22 | |
The hour's up and the shopping's over. | 0:18:23 | 0:18:25 | |
Let's find out how much the Red Team spent. | 0:18:25 | 0:18:28 | |
£25 bought the Murano glass lamp base. | 0:18:31 | 0:18:35 | |
They'll be really hoping to stick a profit in their pipe and smoke it. | 0:18:37 | 0:18:42 | |
And £32 went on that French automotive sign. | 0:18:42 | 0:18:47 | |
Looks a bit tinny to me. | 0:18:47 | 0:18:48 | |
Rumour has it that you didn't spend much cash. | 0:18:48 | 0:18:51 | |
-We didn't, no, sorry. -Like, how little? -£90. | 0:18:51 | 0:18:55 | |
-You're going to give me £90? -No. Val's going to give you £210. | 0:18:55 | 0:18:59 | |
Good Lord! What's going on? What's the matter with you two? | 0:18:59 | 0:19:03 | |
-He wouldn't let me spend any more. -Oh, yes? -He's used to it! | 0:19:03 | 0:19:07 | |
-210 smackers, please. -There you are. -Thank you. | 0:19:07 | 0:19:10 | |
-Which is your favourite piece, Bill? -I like the quirky pipe. -The pipe. | 0:19:10 | 0:19:15 | |
-Is that going to bring the biggest profit? -I think the Murano might. | 0:19:15 | 0:19:18 | |
-The Murano might. -Mm. -OK, fine. | 0:19:18 | 0:19:21 | |
-I don't know how to do this, Paul. There's an awful lot of cash there. -Indeed! | 0:19:21 | 0:19:25 | |
£210. Are you going to blow the lot or... | 0:19:25 | 0:19:29 | |
Crystal ball territory, that, Tim. I just don't know. | 0:19:29 | 0:19:33 | |
I'll buy on quality and opportunity, not price. | 0:19:33 | 0:19:37 | |
OK. Well, nothing's changed, then! | 0:19:37 | 0:19:41 | |
-Good luck, folks! -Thank you. | 0:19:41 | 0:19:43 | |
The Blue Team went for small items. | 0:19:43 | 0:19:45 | |
Firstly, the Derbyshire vase for £30. | 0:19:45 | 0:19:50 | |
Then they thought they could see money | 0:19:51 | 0:19:54 | |
in the Stanhope needle case. | 0:19:54 | 0:19:57 | |
And finally, they called in a profit charge with a bugle. | 0:19:57 | 0:20:00 | |
They'll need some practice, though, before the auction. | 0:20:00 | 0:20:04 | |
-Have you had a fantastic time? -Absolutely marvellous. -Really excellent time. | 0:20:04 | 0:20:09 | |
-Which is your favourite piece? -The bugle. -That's your favourite. | 0:20:09 | 0:20:13 | |
-Is that yours? -No, I like the little vase. | 0:20:13 | 0:20:17 | |
That's nice. Small and dinky. | 0:20:17 | 0:20:20 | |
-A bit like your expert. -Yes! | 0:20:20 | 0:20:23 | |
Buying the bugle, we've had a real blast, haven't we? | 0:20:23 | 0:20:26 | |
-We certainly have! -As long as you wipe the mouthpiece. -We did! | 0:20:26 | 0:20:30 | |
-How much did you spend? -We spent £120. -Is that all? -Yes. | 0:20:30 | 0:20:33 | |
-Who's got the £180? -There you go. -Thank you, Jeffrey. | 0:20:33 | 0:20:37 | |
There we go. That's a tidy sum for you, Jeremy. | 0:20:37 | 0:20:41 | |
-Lovely. -One or two bags of sweets there. | 0:20:41 | 0:20:44 | |
There's one or two things to look at. | 0:20:44 | 0:20:46 | |
Only about two million up and down these stalls! | 0:20:46 | 0:20:49 | |
-It's going to be difficult, though. -There's a long way to go. But I'm sure I'll find somewhere. | 0:20:49 | 0:20:54 | |
No better person to have a go. Well done, Jeremy. Good luck, team. | 0:20:54 | 0:20:58 | |
Meanwhile, we're heading off to Sulgrave Manor. | 0:20:58 | 0:21:02 | |
Ever heard of it? Well, it's got a certain American connection. | 0:21:02 | 0:21:07 | |
-MUSIC: "The Star-Spangled Banner" -So, why is that? | 0:21:07 | 0:21:11 | |
Well, here's a clue. Rather a large one at that. | 0:21:11 | 0:21:15 | |
Who's this? Well, it's George Washington, | 0:21:15 | 0:21:19 | |
the first President of the United States. | 0:21:19 | 0:21:22 | |
Morning! | 0:21:22 | 0:21:24 | |
And this is where his ancestors lived - | 0:21:24 | 0:21:27 | |
Sulgrave Manor. | 0:21:27 | 0:21:30 | |
George Washington's great-great- great-great-great grandfather, | 0:21:32 | 0:21:37 | |
Lawrence Washington, | 0:21:37 | 0:21:39 | |
built this place between about 1540 and 1560, | 0:21:39 | 0:21:44 | |
having done very well, as they say, in the wool trade. | 0:21:44 | 0:21:49 | |
In 1914, it was decided to form a trust | 0:21:51 | 0:21:56 | |
to buy the then-ruined manor, | 0:21:56 | 0:21:59 | |
restore it and hold it for all time | 0:21:59 | 0:22:03 | |
for the benefit of the British and American peoples. | 0:22:03 | 0:22:06 | |
But what I'm interested in are some of the historic contents. | 0:22:06 | 0:22:12 | |
One of the most significant objects in the collections at Sulgrave | 0:22:14 | 0:22:19 | |
is this portrait. | 0:22:19 | 0:22:21 | |
A portrait of George Washington | 0:22:21 | 0:22:24 | |
painted by Peale in 1772. | 0:22:24 | 0:22:28 | |
It shows him in his uniform | 0:22:28 | 0:22:31 | |
as "Colonel Commanding the Colonial Virginian Troops". | 0:22:31 | 0:22:35 | |
It's significant to Sulgrave because it was presented | 0:22:35 | 0:22:40 | |
by the National Society of Colonial Dames of America | 0:22:40 | 0:22:46 | |
and presented by them in 1915. | 0:22:46 | 0:22:50 | |
Who were these women? | 0:22:50 | 0:22:52 | |
Well, they are the direct descendants | 0:22:52 | 0:22:55 | |
of the inhabitants of the 13 original states | 0:22:55 | 0:22:59 | |
in the union of North America. | 0:22:59 | 0:23:02 | |
And as people who are incredibly proud of that tradition and antecedent, | 0:23:02 | 0:23:08 | |
it was appropriate that they should raise money | 0:23:08 | 0:23:11 | |
to buy an object as significant as this | 0:23:11 | 0:23:15 | |
to present to Sulgrave. | 0:23:15 | 0:23:19 | |
But this is the portrait, the iconic image, | 0:23:24 | 0:23:28 | |
that we always associate with George Washington. | 0:23:28 | 0:23:32 | |
It was painted by Gilbert Stuart. | 0:23:32 | 0:23:35 | |
And whilst Washington hated having his portrait painted, | 0:23:35 | 0:23:40 | |
he nevertheless understood | 0:23:40 | 0:23:42 | |
the importance of getting an iconic image out there | 0:23:42 | 0:23:47 | |
around his people in America and, indeed, around the world. | 0:23:47 | 0:23:50 | |
And hence, Gilbert Stuart, the artist, | 0:23:50 | 0:23:53 | |
produced about 130 versions of this portrait, | 0:23:53 | 0:23:58 | |
of which this is one of the originals. | 0:23:58 | 0:24:02 | |
The image that we all know and associate with George Washington | 0:24:02 | 0:24:07 | |
is, of course, this one, | 0:24:07 | 0:24:09 | |
which is Gilbert Stuart's portrait, but translated via a print, | 0:24:09 | 0:24:15 | |
therefore reversed, onto the dollar bill. | 0:24:15 | 0:24:19 | |
The big question today is, though, | 0:24:19 | 0:24:21 | |
is it going to be big bucks for our teams over at the auction? | 0:24:21 | 0:24:26 | |
Well, we've come 20 minutes down the A1 to Grantham | 0:24:37 | 0:24:41 | |
to be at Golding Young & Thomas Mawer's sale room. | 0:24:41 | 0:24:45 | |
Now, that is quite a mouthful. What's going on, Colin? | 0:24:45 | 0:24:50 | |
It is. The great news is, we've merged the two firms. | 0:24:50 | 0:24:53 | |
The bad news is that both firms have got very long established names from the 19th century | 0:24:53 | 0:24:59 | |
and we don't want to lose identities. | 0:24:59 | 0:25:01 | |
-So you welded them together. -Absolutely, we bolted it together. | 0:25:01 | 0:25:05 | |
We'll look forward to a successful outcome as a result of your bolting! | 0:25:05 | 0:25:09 | |
Anyway, for our teams today, first up in this wacky mixture | 0:25:09 | 0:25:13 | |
is the Murano glass lamp. | 0:25:13 | 0:25:16 | |
It says Murano on the label, which I think is reassuring. | 0:25:16 | 0:25:20 | |
That's excellent news when you come to catalogue something! | 0:25:20 | 0:25:23 | |
The fact that it tells you what it is helps you along! | 0:25:23 | 0:25:27 | |
-So, what do you think it's worth? -We've got an estimate at £25 to £40. | 0:25:27 | 0:25:32 | |
I think it won't race beyond the top end, but should land within those margins. | 0:25:32 | 0:25:36 | |
Very good, because they paid £25, which is promising. | 0:25:36 | 0:25:40 | |
Next, another piece of glass, but something very traditional, | 0:25:40 | 0:25:45 | |
these novelty cranberry pipes. | 0:25:45 | 0:25:47 | |
-How do you rate that? -We've put a lowly 40 to 60. | 0:25:47 | 0:25:51 | |
They do not make the money that they used to, so that's where I've pitched it. | 0:25:51 | 0:25:56 | |
-That's quite a plain example, isn't it? -It is a Plain Jane. | 0:25:56 | 0:26:00 | |
You need a bit of Vaseline on it, | 0:26:00 | 0:26:02 | |
or some other colour integration, just to make it a bit more exciting. | 0:26:02 | 0:26:07 | |
-But it is what it is. -It is what it is. And quite fun. | 0:26:07 | 0:26:11 | |
Anyway, they only paid £33, so that's quite promising. | 0:26:11 | 0:26:14 | |
And then, lastly, | 0:26:14 | 0:26:16 | |
this not particularly attractive enamel... | 0:26:16 | 0:26:20 | |
It isn't enamel, it's a sort of painted tin sign. | 0:26:20 | 0:26:23 | |
Yes. Going to be masses of them out there in France. | 0:26:23 | 0:26:29 | |
Which is good news, because we don't see many over here. | 0:26:29 | 0:26:32 | |
There's a good chance some of the automotive and automobilia collectors may fancy this, | 0:26:32 | 0:26:38 | |
because it's probably not in their collection. | 0:26:38 | 0:26:41 | |
Maybe not. But to me, it looks as if it's been fired at by an air rifle. | 0:26:41 | 0:26:45 | |
Erm, it's rusty, it's dented, | 0:26:45 | 0:26:48 | |
it's losing its colour scheme, and I don't understand it. | 0:26:48 | 0:26:51 | |
-It may've dodged all the bullets. Let's hope it doesn't dodge all the bids! -Well said! | 0:26:51 | 0:26:57 | |
-So, what is your estimate? -25 to 40. | 0:26:57 | 0:27:00 | |
£32 paid. | 0:27:00 | 0:27:01 | |
Anyway, depending on the fate of the sign, | 0:27:01 | 0:27:05 | |
they may or may not need their bonus buy, | 0:27:05 | 0:27:07 | |
but let's go and have a look at it. | 0:27:07 | 0:27:10 | |
Guys, you gave Paul Laidlaw £210 of leftover lolly. | 0:27:10 | 0:27:15 | |
A phenomenal sum! | 0:27:15 | 0:27:17 | |
-Too right! -Right! | 0:27:17 | 0:27:20 | |
-What did you buy, Paul? -I bought... | 0:27:20 | 0:27:23 | |
-..that. -Oh, wow. | 0:27:23 | 0:27:24 | |
A rare beast. What's your first impression? | 0:27:24 | 0:27:27 | |
-Don't say, "Muddy brown, horrid vase." -No, I quite like it. Is it a name? | 0:27:27 | 0:27:32 | |
Look at the name. | 0:27:32 | 0:27:34 | |
-Doulton. Lambeth stoneware. -Oh, Royal Doulton. | 0:27:34 | 0:27:37 | |
These are actual specimens that are impressed into the mould, | 0:27:37 | 0:27:42 | |
so the impression that you get in the formed piece | 0:27:42 | 0:27:45 | |
-is of a twig, a leaf. -Oh, right! | 0:27:45 | 0:27:49 | |
That's not the hand and the eye of the artist, | 0:27:49 | 0:27:54 | |
only in the selection and the placing. | 0:27:54 | 0:27:58 | |
-I adore that. I think that strikes a chord... -How old? | 0:27:58 | 0:28:01 | |
-110 year old. -110? -120 perhaps. | 0:28:01 | 0:28:05 | |
I think that strikes a chord with the market. | 0:28:05 | 0:28:07 | |
How much do you think this will fetch? | 0:28:07 | 0:28:09 | |
I think it will make £40 to £80. | 0:28:09 | 0:28:12 | |
I paid £40. I think it's a banker. | 0:28:12 | 0:28:16 | |
I've only seen a handful in a decade. You don't trip over these. | 0:28:16 | 0:28:21 | |
I adore it. | 0:28:21 | 0:28:23 | |
I like it. I would have that. | 0:28:23 | 0:28:26 | |
-Good. -It's very nice. | 0:28:26 | 0:28:28 | |
There we go. I think you sold it pretty well! | 0:28:28 | 0:28:32 | |
Unfortunately, our teams are not the buyers. | 0:28:32 | 0:28:35 | |
Your moment to select will be after the sale of your first three items. | 0:28:35 | 0:28:39 | |
But for the audience at home, | 0:28:39 | 0:28:41 | |
let's find out what the auctioneer thinks about Paul's pot. | 0:28:41 | 0:28:45 | |
It's a pretty standard item, isn't it? | 0:28:46 | 0:28:48 | |
I've seen one or two of these over the years. | 0:28:48 | 0:28:52 | |
-Is it going to be Doulton, by any chance? -Well, yes! | 0:28:52 | 0:28:56 | |
Lo and behold, it is. Fairly standard piece of stoneware. | 0:28:56 | 0:29:00 | |
A lot come through the sale rooms, | 0:29:00 | 0:29:02 | |
they never really set collectors alight, but plenty people still bid for them. | 0:29:02 | 0:29:07 | |
It's a bonus buy. There's potentially quite a lot riding on this. | 0:29:07 | 0:29:11 | |
-What's your estimate? -I would estimate that at 40 to 60. | 0:29:11 | 0:29:15 | |
I think it'll be within those sort of margins. | 0:29:15 | 0:29:18 | |
£40 paid by that cunning monkey Paul Laidlaw. Let's hope he's right. | 0:29:18 | 0:29:22 | |
That's it for the Reds. Now for the Blues. | 0:29:22 | 0:29:25 | |
And what a mixture again. First up is the Imari pot. | 0:29:25 | 0:29:30 | |
-Too small for ashes and too big for perfume, I think. -Yes. | 0:29:30 | 0:29:34 | |
It's a bit of an odd size, isn't it? Hardly a statement piece for your mantelpiece. | 0:29:34 | 0:29:39 | |
But having said that, good factory, nice design and in good order. | 0:29:39 | 0:29:43 | |
-How much? -25 to 40. | 0:29:43 | 0:29:46 | |
£30 paid. So that's OK. That's right in the middle. | 0:29:46 | 0:29:49 | |
What about the Stanhope needle case? | 0:29:49 | 0:29:53 | |
Those sort of things do have quite a collector's market. | 0:29:53 | 0:29:57 | |
But what I have found is, we get a lot of interest in them, | 0:29:57 | 0:30:01 | |
but never any serious money being paid. | 0:30:01 | 0:30:04 | |
I think it's one of those collectables | 0:30:04 | 0:30:06 | |
people really went for in the '60s and '70s, | 0:30:06 | 0:30:09 | |
at the beginning of that Victoriana boom. | 0:30:09 | 0:30:11 | |
It is. That was the sort of thing that when the people collecting dolls and high Victoriana, | 0:30:11 | 0:30:18 | |
these were lovely accessory pieces they were quite happy to spend a fair amount of money on. | 0:30:18 | 0:30:23 | |
So, how much do you think today? | 0:30:23 | 0:30:26 | |
-Er, well, 25 to 40, yet again. -£30 paid. | 0:30:26 | 0:30:31 | |
-This is getting a bit repetitive, isn't it? -It is! | 0:30:31 | 0:30:33 | |
-What about the bugle? -Ah, the bugle! The good news here is, | 0:30:33 | 0:30:37 | |
we got an enormous amount of arms and militaria in the sale. | 0:30:37 | 0:30:41 | |
So if it's going to do well in any sale, this is going to be the one. | 0:30:41 | 0:30:45 | |
Good. Is there anything special about it? | 0:30:45 | 0:30:48 | |
It's a fairly standard model. Fully stamped up. | 0:30:48 | 0:30:51 | |
And common, or garden values on these are £40 to £60. | 0:30:51 | 0:30:57 | |
Well, we paid twice what we paid for the previous two items, ie, £60. | 0:30:57 | 0:31:02 | |
-Pushed the boat out, then. -Pushed the boat out. | 0:31:02 | 0:31:05 | |
But it's at the very top of your estimate, which makes me nervous. | 0:31:05 | 0:31:09 | |
They'll need their bonus buy. Let's go and have a look at it. | 0:31:09 | 0:31:13 | |
Jeff and Sandra, this is your moment to discover | 0:31:13 | 0:31:16 | |
what Jeremy spent your £180 on. | 0:31:16 | 0:31:19 | |
If I give that a yank, that might help you. | 0:31:19 | 0:31:22 | |
BOTH: Ooh, a microscope. | 0:31:22 | 0:31:24 | |
I was looking round and I thought, "What do I need to help me look for something good?" | 0:31:24 | 0:31:28 | |
And here it is. It's a microscope | 0:31:28 | 0:31:32 | |
made by a very famous firm called Beck. | 0:31:32 | 0:31:35 | |
Now, the microscope is not an uncommon Beck model, | 0:31:35 | 0:31:40 | |
it's almost a student microscope, | 0:31:40 | 0:31:42 | |
but it's quite an early 20th century one. | 0:31:42 | 0:31:44 | |
Although it's different to the one on the lid, | 0:31:44 | 0:31:47 | |
-what I think collectors will enjoy is... -The box itself. | 0:31:47 | 0:31:51 | |
You very rarely see a box for these things. | 0:31:51 | 0:31:55 | |
-Right, OK. -How much did you pay for it? | 0:31:55 | 0:31:57 | |
What do you think? | 0:31:57 | 0:31:59 | |
-£200? £300? -£58? | 0:31:59 | 0:32:01 | |
-50, 60 pounds? -More than that. | 0:32:01 | 0:32:03 | |
-£70. -70? -Not much more. | 0:32:03 | 0:32:05 | |
And how much do you think it'll go for? | 0:32:05 | 0:32:08 | |
Probably a little bit more than that. | 0:32:08 | 0:32:11 | |
-Yes? -If people see this box and like it... | 0:32:11 | 0:32:13 | |
-Will it magnify the profit? -I hope it will! | 0:32:13 | 0:32:16 | |
Boom, boom! | 0:32:16 | 0:32:19 | |
OK, hang on to those thoughts. | 0:32:19 | 0:32:21 | |
Meanwhile, let's find out | 0:32:21 | 0:32:23 | |
what the auctioneer thinks about Jeremy's microscope box. | 0:32:23 | 0:32:26 | |
This looks a bit, er, plain and ordinary to me. | 0:32:27 | 0:32:32 | |
It does. Let's hope it's a little bit more exciting inside. | 0:32:32 | 0:32:36 | |
-Oh, dear. -Not really, is it? -No. | 0:32:39 | 0:32:43 | |
I was hoping for something a little bit more exciting - nice high-sheen brass, | 0:32:43 | 0:32:47 | |
nice combination of good casting on there. | 0:32:47 | 0:32:50 | |
Fairly standard model. | 0:32:50 | 0:32:53 | |
That box looks to me | 0:32:53 | 0:32:54 | |
as if it's made out of orange wood, doesn't it? | 0:32:54 | 0:32:57 | |
-It does. -Just knocked together, which is not a good sign. | 0:32:57 | 0:33:01 | |
No. Fairly low-grade in terms of boxing. | 0:33:01 | 0:33:04 | |
-Fairly standard... -Look at that interior! It's a bit of old rag glued to the side. | 0:33:04 | 0:33:10 | |
We've got to put a positive note on this now. | 0:33:10 | 0:33:13 | |
I think that'll do £40 to £60. | 0:33:13 | 0:33:15 | |
You're a marvellous man, Colin! | 0:33:15 | 0:33:18 | |
£70 was paid by Jeremy for that. He reckons it's going to make a profit. | 0:33:18 | 0:33:23 | |
-Hm... -You never know. Maybe the team won't go with it. | 0:33:23 | 0:33:27 | |
-Let's hope not! -Let's hope not. | 0:33:27 | 0:33:28 | |
-You're taking our sale today. -Indeed. | 0:33:28 | 0:33:30 | |
We're in safe hands! | 0:33:30 | 0:33:32 | |
-Val, Bill, how are you feeling? -Excited! | 0:33:41 | 0:33:44 | |
-Are you? -Nervous, but excited. -What have you got to be nervous about? -I don't know! | 0:33:44 | 0:33:48 | |
-You've gone very quiet! -I know! | 0:33:48 | 0:33:52 | |
-You're not nervy, are you, Bill? -No. | 0:33:52 | 0:33:55 | |
-Confident? -Very confident. -That's what I like to hear. | 0:33:55 | 0:33:59 | |
-You're not standing next to THE Paul Laidlaw for nothing. -He's the man. | 0:33:59 | 0:34:04 | |
First lot up is the Murano glass lamp base. Here it comes. | 0:34:04 | 0:34:08 | |
The Murano green glass lamp. Who's going to start me at £50? | 0:34:08 | 0:34:13 | |
-30 to go, then, surely? £30? Take £20 if we have to. -Oh, no! | 0:34:13 | 0:34:17 | |
£20 bid. Two anywhere else now? | 0:34:17 | 0:34:20 | |
Come on, come on, come on. | 0:34:20 | 0:34:23 | |
Two on the net. 22 bid. Five anywhere else now? | 0:34:23 | 0:34:26 | |
22. Five. Now five. | 0:34:26 | 0:34:29 | |
28 now. 28 bid. | 0:34:29 | 0:34:33 | |
25 is what you paid. | 0:34:33 | 0:34:35 | |
I don't believe this... | 0:34:35 | 0:34:37 | |
Going at £25. | 0:34:37 | 0:34:40 | |
£25. It's just made its low estimate. | 0:34:40 | 0:34:43 | |
-That's good. -Lot number 51 | 0:34:43 | 0:34:45 | |
is a Victorian cranberry glass novelty pipe. | 0:34:45 | 0:34:48 | |
Who's going to start me at £40? 30 to go, then. £30? | 0:34:48 | 0:34:52 | |
-£20? -Come on. | 0:34:52 | 0:34:54 | |
-Start me at 10. -Oh, dear. -£10 bid. | 0:34:54 | 0:34:57 | |
12 anywhere else? | 0:34:57 | 0:34:58 | |
12 now? Look at what we're selling, it's that big! | 0:34:58 | 0:35:02 | |
10 bid. 12 bid. 15 bid. 18 bid. 20. 22. | 0:35:02 | 0:35:05 | |
25. 28. No, 25 bid. 28 anywhere else? | 0:35:05 | 0:35:09 | |
I don't like the look of this. | 0:35:09 | 0:35:11 | |
..coming in on the net? No, just hovering. 25. | 0:35:11 | 0:35:14 | |
Eight anywhere else? 25. | 0:35:14 | 0:35:16 | |
Front row has it. It's going to sell, make no mistake, at £25. | 0:35:16 | 0:35:21 | |
-Minus £8. Nothing like the 40 to 60 estimate. -No. | 0:35:21 | 0:35:27 | |
Lot number 52, a French enamel Norma automotive lamp. | 0:35:27 | 0:35:31 | |
Good-looking automotive lamp there. Who's going to start me at £50? | 0:35:31 | 0:35:36 | |
30 to go, then? | 0:35:36 | 0:35:38 | |
-Come on. -20? 10? | 0:35:38 | 0:35:42 | |
10. 12 now. 12 bid. | 0:35:42 | 0:35:44 | |
15 bid. 18 bid. 18 bid. 20 now. 22 bid. | 0:35:44 | 0:35:48 | |
25. 28. 28. 30. | 0:35:48 | 0:35:51 | |
£30 bid, surely? 30. 30 bid. | 0:35:51 | 0:35:53 | |
32 again now? At 30 and two? | 0:35:53 | 0:35:56 | |
-I don't believe it. -£30 bid. | 0:35:56 | 0:35:58 | |
Two as a last call? No? We sell this at £30. | 0:35:58 | 0:36:04 | |
That's brilliant. I thought it'd make less than that. | 0:36:04 | 0:36:06 | |
That's minus £2. Overall, you are minus £10. | 0:36:06 | 0:36:11 | |
-Which is nothing. -Nothing at all. -Absolutely nothing. | 0:36:11 | 0:36:15 | |
-What are you going to do about the leaf bowl? -We're going for it. -Definitely? -Yes. | 0:36:15 | 0:36:19 | |
It could be a winning score, minus ten. It could be. | 0:36:19 | 0:36:23 | |
-We're going to make a profit on this. -Got to trust Paul. | 0:36:23 | 0:36:27 | |
-The decision's made, yes? -Yes. -You're going with the bonus buy. | 0:36:27 | 0:36:30 | |
I can now reveal that the auctioneer's estimate was 40 to 60. | 0:36:30 | 0:36:34 | |
Paul paid 40, so the auctioneer thinks it should make a profit. | 0:36:34 | 0:36:37 | |
Lot 56, Royal Doulton pottery spherical vase. | 0:36:37 | 0:36:41 | |
Nice naturalistic piece. | 0:36:41 | 0:36:42 | |
Will it £100 of anybody's money? 100? | 0:36:42 | 0:36:46 | |
Half it, then. 50? | 0:36:46 | 0:36:47 | |
-Come on. -You weren't listening, obviously. £50, anybody? | 0:36:47 | 0:36:52 | |
OK, 40. Put me straight at £40 for it. | 0:36:52 | 0:36:55 | |
30 I've got. 32 now? Do I see it? | 0:36:55 | 0:36:58 | |
£30 bid. 32 anywhere else now? 35. 35. 38. | 0:36:58 | 0:37:03 | |
38 on the net. 40. Back in the room now. No? At 38. | 0:37:03 | 0:37:07 | |
Net buyers have it. All the Doulton collectors queued up on the net. | 0:37:07 | 0:37:10 | |
But they've all stopped. | 0:37:10 | 0:37:12 | |
38 bid. Any more now? | 0:37:12 | 0:37:14 | |
All done and finished. Net buyer has it at 38. | 0:37:14 | 0:37:17 | |
It's a miserable price. All done and finished at £38. | 0:37:17 | 0:37:22 | |
Bad luck, Paul. Minus £2 on that. | 0:37:22 | 0:37:25 | |
-Which means, overall, you are minus £12. Which is disappointing. -It is. | 0:37:25 | 0:37:29 | |
Look at him itching with the injustice of it only making £38. | 0:37:29 | 0:37:35 | |
But that is the name of the game. You can't foretell what these things are going to do. | 0:37:35 | 0:37:40 | |
Like I say, minus £12 could be a winning score. | 0:37:40 | 0:37:44 | |
-Don't say a word to the Blues. -We won't. -Well done, team. | 0:37:44 | 0:37:48 | |
Are you nervous at all, Sandra, about anything in particular? | 0:37:59 | 0:38:03 | |
I think the bugle, I'm a little bit worried about. But you never know. | 0:38:03 | 0:38:07 | |
-Are you perfectly happy, Jeff? -I'm thrilled. I think the bugle could do well. | 0:38:07 | 0:38:12 | |
First up is going to be the Imari palette wee pot. Here it comes. | 0:38:12 | 0:38:17 | |
Lot number 71 is an early 19th century Derby two-handled vase. | 0:38:17 | 0:38:21 | |
30 to go. 30 bid? | 0:38:21 | 0:38:23 | |
£30 bid in the back row. 32 now, do I see? 32. 32. 35. | 0:38:23 | 0:38:28 | |
35. 35. 38. Do I see 40? | 0:38:28 | 0:38:31 | |
40 bid. 42 now. | 0:38:31 | 0:38:33 | |
And five. 45 bid. 48 bid. 50. | 0:38:33 | 0:38:36 | |
£50 bid, do I see now? And five. 55. 60 now? 60? | 0:38:36 | 0:38:40 | |
-60 now, surely? -60. -55 now. Back in the room. | 0:38:40 | 0:38:44 | |
I'll take eight as a last call. Back row has it at 55. All done at £55. | 0:38:44 | 0:38:49 | |
-£25! -Fantastic! -£25. | 0:38:49 | 0:38:54 | |
-You must be over the moon. -Thrilled to bits. That's brilliant. | 0:38:54 | 0:38:58 | |
Lot number 72 is a Victorian bone Stanhope. | 0:38:58 | 0:39:02 | |
It's in the form of a carved parasol. | 0:39:02 | 0:39:04 | |
Who's going to start me at £50? | 0:39:04 | 0:39:07 | |
-SANDRA: Come on, ladies. -£50 for the Stanhope? | 0:39:07 | 0:39:09 | |
£30, anyone? | 0:39:09 | 0:39:10 | |
-Uh-oh. -Start me at ten. We'll call it No Hope. | 0:39:10 | 0:39:13 | |
£10? Straight in. 10. 12 on the net. | 0:39:13 | 0:39:17 | |
15 bid. 18 bid. 20, surely? | 0:39:17 | 0:39:20 | |
-No bids in the room? 20 bid. 22 bid. -That's no money, is it? | 0:39:20 | 0:39:24 | |
25 bid. 28 bid. Go on, have another one. | 0:39:24 | 0:39:26 | |
Go on, have another one. | 0:39:26 | 0:39:28 | |
28 bid. 30 anywhere else? Lady's bid, second row, has it. | 0:39:28 | 0:39:33 | |
28. You're out, on the net. We're selling in the second row at £28. | 0:39:33 | 0:39:37 | |
-£28. That's minus £2. -That's not too bad. | 0:39:37 | 0:39:40 | |
It should've done better. Anyway, here comes the bugle. | 0:39:40 | 0:39:44 | |
..next up is the Royal Artillery... | 0:39:44 | 0:39:46 | |
This is where we lose the lot. | 0:39:46 | 0:39:48 | |
Who's going to start me at £50 for it? £40, anybody? | 0:39:48 | 0:39:52 | |
-30? 20 to go. -He's going the wrong way, Tim. | 0:39:52 | 0:39:56 | |
£10? 10 with you, madam, your bid. | 0:39:56 | 0:39:59 | |
12 now, do I see? £10 bid. | 0:39:59 | 0:40:01 | |
12 bid. 15 bid. 18 bid. | 0:40:01 | 0:40:04 | |
18 on the net now. 18 bid. £20 a bid, surely? | 0:40:04 | 0:40:07 | |
-Do I see 20? Two now. Two bid. -Come on. | 0:40:07 | 0:40:10 | |
Lady's bid at 22. 25 now, surely? | 0:40:10 | 0:40:13 | |
-All the net buyers have gone away. Last call, then. -Come on! | 0:40:13 | 0:40:16 | |
It's more like the last post. 25. Fresh bidder. 25. 28 now. | 0:40:16 | 0:40:21 | |
Has that come as a blow, madam?! | 0:40:21 | 0:40:24 | |
Make it six. Go on! | 0:40:24 | 0:40:27 | |
-Come on. -26 now, do I see? | 0:40:27 | 0:40:29 | |
-I'm desperate. Actually, I'm not. Somebody else is. -You bet they are! | 0:40:29 | 0:40:33 | |
25 bid. Selling all done at £25. | 0:40:33 | 0:40:37 | |
-25... -He worked it, didn't he? -He really worked for that. | 0:40:37 | 0:40:41 | |
That is minus £35. That is bad luck. You were plus 23. | 0:40:41 | 0:40:44 | |
Which means, overall, you're now minus 12. | 0:40:44 | 0:40:47 | |
What are you going to do about the microscope? Minus 12 could be a winning score. | 0:40:47 | 0:40:52 | |
-It could be. What are you going to do? -We're going to go with it. | 0:40:52 | 0:40:56 | |
-We're going to go with the bargain buy. -You're definitely going to? | 0:40:56 | 0:40:59 | |
-Yes. -Full confidence in Jeremy. -Here it comes. | 0:40:59 | 0:41:02 | |
Lot number 77 | 0:41:02 | 0:41:04 | |
is the Beck student monocular microscope in a fitted case. | 0:41:04 | 0:41:08 | |
What shall we say for this one? Who's going to start me at £50? | 0:41:08 | 0:41:14 | |
£40. | 0:41:14 | 0:41:15 | |
-£30 to go, then? £30 bid. -Ooh, ooh! | 0:41:15 | 0:41:19 | |
32, do I see? Cracking lot, this. 32 now? Have a close look at it. | 0:41:19 | 0:41:23 | |
32 on the internet. 35? 38 now? 38 bid. | 0:41:23 | 0:41:27 | |
38 bid. 40. 40 bid. 42 now, do I see? | 0:41:27 | 0:41:31 | |
-42 bid. 45 bid. 48 now. 48? No. -Keep going. Keep going. | 0:41:31 | 0:41:35 | |
45 back in the room. At £45 bid, is it coming in now? | 0:41:35 | 0:41:40 | |
48 bid. £50 bid. | 0:41:40 | 0:41:42 | |
55 again now. 55 bid. | 0:41:42 | 0:41:44 | |
-55 now. No? £50. We're back in the room. -Come on. | 0:41:44 | 0:41:49 | |
Going at 50. All done. Sold at £50. | 0:41:49 | 0:41:52 | |
-Bad luck, team. That is minus 20. -Never mind. | 0:41:52 | 0:41:54 | |
Which means, overall, you're minus £32. | 0:41:54 | 0:41:57 | |
-The big thing here is, don't talk to the Reds. -We shan't. | 0:41:57 | 0:42:02 | |
Well, teams, happy, are we? You're looking very smiley! | 0:42:10 | 0:42:14 | |
-I take it you've not been chatting? -ALL: No. | 0:42:14 | 0:42:17 | |
Not about the scores, anyway. | 0:42:17 | 0:42:19 | |
Well, it's no secret to the audience that today is a tale of losses all round, | 0:42:19 | 0:42:24 | |
it's just the scale of the losses. | 0:42:24 | 0:42:27 | |
The team with the largest losses today...are the Blues. | 0:42:27 | 0:42:30 | |
-No way! -Aww! | 0:42:30 | 0:42:32 | |
I'm sorry about that! | 0:42:32 | 0:42:35 | |
-Bad luck. Have you enjoyed yourself? -Very much so. | 0:42:35 | 0:42:38 | |
Sorry it's turned out with this result. | 0:42:38 | 0:42:41 | |
The victors today, who win by only losing £12, | 0:42:41 | 0:42:44 | |
are the Reds! Which is rather brilliant, isn't it? | 0:42:44 | 0:42:48 | |
-All minus scores, but tiny minus scores through it all. -Yes. | 0:42:48 | 0:42:52 | |
So you managed to minimalise your losses. | 0:42:52 | 0:42:54 | |
Happy days. Happy teams. | 0:42:54 | 0:42:56 | |
Join us soon for some bargain hunting, yes? | 0:42:56 | 0:42:59 | |
ALL: Yes! | 0:42:59 | 0:43:01 | |
Subtitles by Red Bee Media Ltd | 0:43:01 | 0:43:05 | |
E-mail [email protected] | 0:43:05 | 0:43:09 |