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Ah! It's that time of the day again, viewers. | 0:00:10 | 0:00:13 | |
Are you ready for another dose of antiques action? | 0:00:13 | 0:00:17 | |
Then let's go bargain hunting! | 0:00:17 | 0:00:20 | |
'Our venue for today's one-hour shopathon is Hungerford in Berkshire | 0:00:41 | 0:00:47 | |
'and what a place to hunt for bargains!' | 0:00:47 | 0:00:50 | |
This looks pretty innocent, doesn't it? | 0:00:54 | 0:00:57 | |
But this £300 can cause our teams an enormous amount of trouble | 0:00:57 | 0:01:04 | |
deciding which three items to buy. | 0:01:04 | 0:01:07 | |
Let's have a look at what's coming up. | 0:01:07 | 0:01:10 | |
'We've got two couples scouring the antiques centres for their prize buys. | 0:01:12 | 0:01:17 | |
'Over at the auction, Christopher Ironmonger in racing through the sales. | 0:01:17 | 0:01:22 | |
'All this and I get to visit Snowshill Manor in the stunning Gloucestershire countryside. | 0:01:23 | 0:01:29 | |
'So, let's get to know the teams a little better.' | 0:01:30 | 0:01:34 | |
-For the Red Team we have partners Karen and Mike. Morning. -Good morning. -Very nice to see you. | 0:01:34 | 0:01:40 | |
How did you two meet, Mike? | 0:01:40 | 0:01:42 | |
-We were at school together. -Really? -We were. We met at school. | 0:01:42 | 0:01:46 | |
-Did you meet behind the bicycle sheds? -Only after youth club. -THEY LAUGH | 0:01:46 | 0:01:51 | |
Early love. How lovely. What sort of hobbies do you have? | 0:01:51 | 0:01:54 | |
I used to be a footballer. I used to love football. | 0:01:54 | 0:01:59 | |
I like, now, going into the country, walking. | 0:01:59 | 0:02:02 | |
-You go to auctions quite a lot? -Oh, yes. There's an auction in our village once a month. | 0:02:02 | 0:02:07 | |
-And have you ever found anything any good? -There was one day we went there | 0:02:07 | 0:02:10 | |
and they had this lovely dining table, six chairs, two carvers, | 0:02:10 | 0:02:15 | |
inlay, everything, and it was the last thing of the day | 0:02:15 | 0:02:19 | |
and it went for £25 and I sold it for £300. | 0:02:19 | 0:02:21 | |
-Did you? Is that what you're going to do on Bargain Hunt today? -Hopefully. | 0:02:21 | 0:02:25 | |
-We'll try. -That'd be lovely, wouldn't it? | 0:02:25 | 0:02:28 | |
-Karen, how did you become interested in antiques? -I used to work for a removal company | 0:02:28 | 0:02:34 | |
and we were sent in, the women, | 0:02:34 | 0:02:38 | |
to pack priceless antiques and so forth. | 0:02:38 | 0:02:43 | |
And, basically, it started from there. | 0:02:43 | 0:02:46 | |
What sort of antique floats your boat? | 0:02:46 | 0:02:49 | |
-Well, Clarice Cliff. -Oh, right. -I love Clarice Cliff. | 0:02:49 | 0:02:52 | |
But some pieces are very expensive. | 0:02:52 | 0:02:55 | |
So your old man's going to be going for dining suites for £25 to turn into £300 | 0:02:55 | 0:03:01 | |
-and you're going to go for Clarice Cliff today? -If I can find some. | 0:03:01 | 0:03:04 | |
We hear this brave talk quite often on Bargain Hunt at the beginning of the show. Very good luck. | 0:03:04 | 0:03:09 | |
And for the Blues, we've got married couple Carol and Brian. Welcome. | 0:03:09 | 0:03:13 | |
Very nice to see you. Brian, you've been married for 50-odd years? | 0:03:13 | 0:03:17 | |
-40 years. 44 years. -40 years, 44 years. -44. | 0:03:17 | 0:03:21 | |
Let's get it right. | 0:03:21 | 0:03:23 | |
-And still counting. -And still happily enjoying it. | 0:03:23 | 0:03:26 | |
That's lovely. What's the recipe, do you think, for your long and happy and successful marriage? | 0:03:26 | 0:03:32 | |
Have a good fight every now and then. Clear the air. | 0:03:32 | 0:03:35 | |
-Is that it? Lance the boil. -That's it. | 0:03:35 | 0:03:38 | |
-Brian, you've been in Britain for a long time, but you're not originally from here. -I'm from South Africa. | 0:03:38 | 0:03:44 | |
-What dragged you over? -Well, all sorts of things. | 0:03:44 | 0:03:47 | |
One of the things was the apartheid system, which I hated. | 0:03:47 | 0:03:50 | |
One of the things was I needed to get a degree and my maths was lousy | 0:03:50 | 0:03:54 | |
-and in South Africa, you had to have maths to get into a university. -Right. | 0:03:54 | 0:03:59 | |
So I came here and went to Kings, studied theology. | 0:03:59 | 0:04:02 | |
Carol, this is a multilingual team that we've got today | 0:04:02 | 0:04:06 | |
-cos you speak umpteen languages, don't you? -Well, ish. | 0:04:06 | 0:04:09 | |
What do you mean ish? How many languages do you speak and which ones? | 0:04:09 | 0:04:13 | |
-I was brought up bilingually, Welsh and English. -And what else? | 0:04:13 | 0:04:16 | |
Well, I went to school and learned French and it seemed quite easy. | 0:04:16 | 0:04:21 | |
I went to university to do French, but I took up Spanish and so I've been teaching French and Spanish. | 0:04:21 | 0:04:28 | |
-And you went on and you have taught throughout your career? -Yes. | 0:04:28 | 0:04:33 | |
That's all I've done, really, teaching. | 0:04:33 | 0:04:35 | |
And now I teach little bits, a bit of coaching, | 0:04:35 | 0:04:37 | |
a bit for people who want to learn languages. | 0:04:37 | 0:04:40 | |
-Even friends, a glass of wine, a bit of Spanish. -Yes. Give them a leg up. | 0:04:40 | 0:04:44 | |
-Yes. -Before they head off to Andalucia. -Exactly. -Brilliant. | 0:04:44 | 0:04:48 | |
OK, now the money moment. £300 apiece. Here we go, £300. | 0:04:48 | 0:04:51 | |
There's your £300. £300. You know the rules. Your experts await. | 0:04:51 | 0:04:55 | |
And off you go! And very, very, very good luck. | 0:04:55 | 0:04:58 | |
Gosh! We're going to have fun today! | 0:04:58 | 0:05:00 | |
'Leading the teams we have two experienced experts. | 0:05:03 | 0:05:08 | |
'For the Reds, Colin Young imparts his words of wisdom.' | 0:05:08 | 0:05:11 | |
I think you don't need to look so serious. It's not that painful. | 0:05:11 | 0:05:16 | |
'Whilst James Lewis hands out advice to the Blues.' | 0:05:16 | 0:05:20 | |
That is actually not as old as it looks. | 0:05:20 | 0:05:22 | |
'Time is money, teams, and the clock is running.' | 0:05:29 | 0:05:33 | |
-See what they've got for us. -This one? -Too modern. | 0:05:33 | 0:05:38 | |
Not what you like, what's going to make you a profit. | 0:05:43 | 0:05:46 | |
-Is this something that either of you like? -I don't like it. -Old fashioned. | 0:05:46 | 0:05:50 | |
It's good workmanship. I'm not sure if I like it that much, James. | 0:05:53 | 0:05:56 | |
-I don't like it. -You don't like it? -No. Do you? -No, I don't. -Don't like it at all. | 0:05:56 | 0:06:01 | |
'They certainly know what they don't like! | 0:06:01 | 0:06:04 | |
'And James isn't keen on some of the prices, either.' | 0:06:04 | 0:06:07 | |
How much? £235? That's insane! | 0:06:07 | 0:06:11 | |
-See what Karen thinks to that. -HE LAUGHS | 0:06:13 | 0:06:15 | |
-How you doing? -I found something, I think. -Ah! | 0:06:16 | 0:06:20 | |
'Value for money is proving hard to find. | 0:06:20 | 0:06:23 | |
'But has Mike taken it too far?' | 0:06:23 | 0:06:25 | |
Yeah. I mean, really, it's sort of brand new. | 0:06:25 | 0:06:28 | |
You're just not going to get any money out of those at all. | 0:06:28 | 0:06:32 | |
'Best to avoid modern tat, then. | 0:06:32 | 0:06:35 | |
'Are the Blues having better luck?' | 0:06:40 | 0:06:42 | |
Everything there is about £1,000 more than our entire budget. | 0:06:42 | 0:06:46 | |
I reckon we're out of our depth here. | 0:06:47 | 0:06:50 | |
'That would be a no, then.' | 0:06:50 | 0:06:52 | |
It's comedy, this is. Common. | 0:06:52 | 0:06:55 | |
'The Reds are first to find something worth writing home about.' | 0:06:55 | 0:07:00 | |
-There's something on there. Ask Colin what he thinks. -Yeah. | 0:07:00 | 0:07:03 | |
One there which we liked. | 0:07:03 | 0:07:05 | |
-Right. -Paper knife there. -So, hallmarked. Birmingham assay. | 0:07:05 | 0:07:10 | |
-Looks absolutely fine. -Like the price. | 0:07:10 | 0:07:13 | |
-Ah, what have they got on it? -33. -£33. Seems all right. | 0:07:13 | 0:07:19 | |
For that sort of money, there's a chance you can make profit. | 0:07:19 | 0:07:22 | |
What do you think of that, James? | 0:07:27 | 0:07:29 | |
-That silver cigarette case? -Well, it's slightly worn. And it's 65 and it's worth 20. | 0:07:29 | 0:07:34 | |
-Good day, sir. How you doing? We noticed this in one of your cabinets. -Yep. | 0:07:38 | 0:07:43 | |
You've got 33 as the price. | 0:07:43 | 0:07:45 | |
-I noticed it's got a little bit of damage on it. -Yeah. | 0:07:45 | 0:07:48 | |
Would you come down a bit? | 0:07:48 | 0:07:50 | |
-25? -Ooh! No, I don't think I can do 25. | 0:07:50 | 0:07:54 | |
I could probably squeeze 28 for you. | 0:07:54 | 0:07:58 | |
27? | 0:07:58 | 0:08:00 | |
-Go on. -It would make a nice, sort of... | 0:08:00 | 0:08:04 | |
..reasonable discount at 27. 27. | 0:08:06 | 0:08:09 | |
-Deal. -That would be the... -Shake hands. -OK? -Done. -All right. -Thank you. | 0:08:09 | 0:08:14 | |
'Nice persuasion tactics, Mike. But not everyone's happy.' | 0:08:14 | 0:08:18 | |
-You didn't look impressed by that purchase. -No. | 0:08:18 | 0:08:21 | |
-Don't worry, two more to go. -That's right. -We'll find something good. -20 quid would've been better. | 0:08:21 | 0:08:26 | |
-I tried. -You did try, did you? -I said 25. -You're slipping. | 0:08:26 | 0:08:31 | |
'Ah, well, at least you've got one item in the bag. | 0:08:31 | 0:08:34 | |
'Pressure's on, Blues. You're lagging behind.' | 0:08:35 | 0:08:38 | |
-Let's start up here. Gives us a bit of space. -Yeah. -OK. | 0:08:38 | 0:08:41 | |
-This is 28 quid. It's quite cheap. -It is, but it's not very old. | 0:08:42 | 0:08:46 | |
-It's not very old. -Yep. It's useful if you've got a Chinese takeaway. -Yes. | 0:08:46 | 0:08:50 | |
-OK, how about that? -Have you found something? | 0:08:53 | 0:08:56 | |
-Oh, that's lovely. -Do you like it? -Yes, I do. | 0:08:57 | 0:09:01 | |
-Ohh. -It's missed its well. -It hasn't got a well in it. | 0:09:01 | 0:09:05 | |
-But... -What is it made of? -Pewter, isn't it? -Pewter, yeah. -Pewter's good. | 0:09:05 | 0:09:09 | |
-How much would you think that would be? -20, 25. What are they asking? | 0:09:09 | 0:09:13 | |
-14.50. -Oh! -Oh, yes. | 0:09:13 | 0:09:15 | |
-14.50 is not huge, is it? -No. | 0:09:15 | 0:09:18 | |
-A tenner. We could offer a tenner. -Somebody might be attracted to it. -We can ask. | 0:09:18 | 0:09:22 | |
'Ask and ye may receive. | 0:09:22 | 0:09:24 | |
'Let's hope the stallholder can do them a deal.' | 0:09:24 | 0:09:28 | |
A flapper-type dress. | 0:09:32 | 0:09:34 | |
-See what Karen thinks to that. -HE LAUGHS | 0:09:34 | 0:09:37 | |
'The Blues need a buy and James has found something unusual.' | 0:09:37 | 0:09:42 | |
-Bit of a novelty item. -What does he do? | 0:09:42 | 0:09:45 | |
-Open the lid. -It's Black Forest. | 0:09:45 | 0:09:49 | |
-It's Black Forest? -Yeah, made in the sort of Austrian, German... | 0:09:49 | 0:09:54 | |
-A lot of these were brought back by tourists in the 1920s. -Mm. | 0:09:54 | 0:09:58 | |
-I guess he's getting on for 100 years old, so he's got a fair bit of age to him. -Oh, I like that. | 0:09:58 | 0:10:03 | |
But I'd like it better if it was 15 quid off. | 0:10:03 | 0:10:07 | |
15 quid off? That would make it 23. | 0:10:07 | 0:10:10 | |
-It's not hugely expensive, but it's a novelty, so... -It's a novelty. | 0:10:10 | 0:10:14 | |
-Now, the other thing I spotted earlier is that. -Mm. | 0:10:14 | 0:10:19 | |
Which is... This is known as a dump. | 0:10:19 | 0:10:22 | |
It's made in Stourbridge, 1850, 1870. | 0:10:22 | 0:10:25 | |
Often you get a spray of flowers | 0:10:25 | 0:10:27 | |
and the floral ones are always much better than the ones with just the bubbles, like this. | 0:10:27 | 0:10:32 | |
-It's got a bit of age to it. -It's also got a bit of a price to it. | 0:10:32 | 0:10:35 | |
68, yeah. Should come down, though. That's another potential. | 0:10:35 | 0:10:39 | |
'Two more maybes. They're not exactly throwing caution to the wind.' | 0:10:39 | 0:10:43 | |
-This is what I was looking at. -Not that old. -OK. | 0:10:47 | 0:10:50 | |
It's more likely to decorate a Chinese restaurant than it is to set alight the Chinese market. | 0:10:50 | 0:10:55 | |
I knew he'd spot that. | 0:10:57 | 0:11:00 | |
£68, travel clock. It's not over the top, is it? | 0:11:04 | 0:11:07 | |
What's it going to make at auction? Is it going to make 20 or 30? Yes, every day of the week. | 0:11:07 | 0:11:12 | |
Will it make 120? Probably not. Safety again. It's whether you want to go with safety | 0:11:12 | 0:11:17 | |
or carry on shopping and try and find something a bit more exotic. | 0:11:17 | 0:11:20 | |
-Yeah. Carry on? -Let's go for the money. | 0:11:20 | 0:11:23 | |
'Careful, guys. Safety first might mean you finish second. | 0:11:23 | 0:11:27 | |
'So what was the verdict on the inkwell?' | 0:11:27 | 0:11:29 | |
-Hi. -I've spoken to the dealer. -Yep. | 0:11:29 | 0:11:32 | |
-And she can do that for £12. -Oh. -£12, OK. | 0:11:32 | 0:11:36 | |
-We looked at other things. Would she do a deal on more than one? -Definitely. | 0:11:36 | 0:11:40 | |
-If we got that as well? -Yes. | 0:11:40 | 0:11:44 | |
-That and the well. -Right. How much would you want to pay? | 0:11:44 | 0:11:47 | |
30 the two. See if we can do that. 30 the two and we'll go for it. | 0:11:47 | 0:11:50 | |
-I'll go and phone her now. -Brilliant. | 0:11:50 | 0:11:52 | |
'That's more than £20 off the ticket prices. Crikey. | 0:11:52 | 0:11:56 | |
'But will the dealer go for it?' | 0:11:56 | 0:11:58 | |
This is nice and comfy, isn't it? Nice armchair. Side table. | 0:12:00 | 0:12:04 | |
I feel a gin and tonic coming on. | 0:12:04 | 0:12:06 | |
Were you to put anything substantial on this table, though, you'd find it's a bit wobbly. | 0:12:06 | 0:12:12 | |
Why's that? Because this thing didn't start off life as a table at all. | 0:12:12 | 0:12:17 | |
This thing started off life as a pole screen. | 0:12:17 | 0:12:22 | |
That heavy triangular base did sit on the ground when this was made in 1810 or 1820. | 0:12:22 | 0:12:29 | |
It then had a great thin shaft sticking up like this | 0:12:29 | 0:12:33 | |
and hanging on that shaft was this thing, but vertically. | 0:12:33 | 0:12:38 | |
The idea was, you'd put this gadget between you, if you were a woman with a pleasant complexion, | 0:12:38 | 0:12:45 | |
and the fire, because the radiant heat from the fire might make your cheeks go pink | 0:12:45 | 0:12:52 | |
and that would not do if you were an aristocrat, | 0:12:52 | 0:12:55 | |
cos they liked to be absolutely pale white. | 0:12:55 | 0:12:58 | |
So, what's happened here is that the shaft and fittings have all broken, | 0:12:58 | 0:13:03 | |
they've cut that down, they've taken off this screen, | 0:13:03 | 0:13:07 | |
they've turned up a new plug, like that, | 0:13:07 | 0:13:09 | |
and they've shoved it into that rough old hole to make it into a table. | 0:13:09 | 0:13:14 | |
What I would do is to take this top part, | 0:13:14 | 0:13:17 | |
which is, I think, very pretty. | 0:13:17 | 0:13:20 | |
I'd remove the needlework picture, I'd insert a bit of mirror instead | 0:13:20 | 0:13:24 | |
and make myself a perfectly pleasant and usable period-looking mirror. | 0:13:24 | 0:13:30 | |
Easy. This bottom part, | 0:13:30 | 0:13:33 | |
if you look very carefully, you'll spy that this thing | 0:13:33 | 0:13:38 | |
has got absolutely spectacular feet. | 0:13:38 | 0:13:42 | |
They're Regency. They date from 1810 to 1820 | 0:13:42 | 0:13:46 | |
and they're mounted on these blocks that would easily unscrew from underneath. | 0:13:46 | 0:13:52 | |
Each is worth between £80 and £120, | 0:13:52 | 0:13:54 | |
so you've got more or less £300 worth before you count anything else. | 0:13:54 | 0:13:59 | |
What are they asking here in the antiques centre | 0:13:59 | 0:14:02 | |
for the whole thing as a wrong piece of furniture? | 0:14:02 | 0:14:06 | |
Well, it could be yours for £55. | 0:14:06 | 0:14:09 | |
Now that's what you do if you want to make money. | 0:14:09 | 0:14:12 | |
'Well, making money is the name of the game, | 0:14:13 | 0:14:16 | |
'but it only works if you spend some, James.' | 0:14:16 | 0:14:19 | |
-That's crazy, really. -James, the dealer will happily do this one for £25. | 0:14:19 | 0:14:26 | |
But, unfortunately, her best one on the inkwell would be £8 because she paid a lot of money for it. | 0:14:26 | 0:14:31 | |
-Hm. -£8? | 0:14:31 | 0:14:34 | |
-Hang on a second, I've just noticed something. -What? | 0:14:34 | 0:14:38 | |
-Look. -Yes. There's a bit missing there. | 0:14:38 | 0:14:41 | |
-It's had a chunk out of the side, as well. -Yeah. We can't pay £8. | 0:14:41 | 0:14:44 | |
-That makes the decision easy, doesn't it? -Yes. -What do you think to him? -Yep. | 0:14:44 | 0:14:48 | |
-He's fun. He's all right. -Do you want to go for him? -Yeah. | 0:14:48 | 0:14:51 | |
-Yes? -Yes. -Deal done. £25. Thank you. | 0:14:51 | 0:14:54 | |
And no for that one. Thanks very much. | 0:14:54 | 0:14:56 | |
'Deal done indeed, and well done, Blues.' | 0:14:56 | 0:14:58 | |
-What do you think of these? -Ah. | 0:15:03 | 0:15:06 | |
Brooches. Not a great deal of age to them, unfortunately. | 0:15:06 | 0:15:10 | |
That's the problem. They've certainly got the look. | 0:15:10 | 0:15:13 | |
Once you've got these photographed and illustrated on the internet, | 0:15:13 | 0:15:16 | |
on a big screen in the saleroom, these are going to look really good | 0:15:16 | 0:15:20 | |
and I'm sure people will spend a little bit of money on them. | 0:15:20 | 0:15:23 | |
They're either going to make £10 or they're going to make £35. You just do not know. | 0:15:23 | 0:15:29 | |
-Why don't we just say £15? -Go on, then. | 0:15:29 | 0:15:32 | |
-Grab a bargain? -Yeah. -Yeah? -'Worth a try.' | 0:15:32 | 0:15:36 | |
We think they're 70s. | 0:15:36 | 0:15:39 | |
Realistically, we'd be doing ten percent | 0:15:39 | 0:15:42 | |
so that'd bring it down to 26. | 0:15:42 | 0:15:46 | |
-And you're not liking that, are you? -No. Not at all. | 0:15:46 | 0:15:50 | |
-What are you liking? -I was looking at £15 for the two. | 0:15:50 | 0:15:53 | |
-'Pushing hard.' -No. | 0:15:53 | 0:15:56 | |
-I couldn't... No, I definitely couldn't do that. -No? | 0:15:56 | 0:16:00 | |
I could say £23. | 0:16:00 | 0:16:03 | |
Shall we say 20? Go on. | 0:16:03 | 0:16:05 | |
-Hm. -Go on, £10 each. | 0:16:07 | 0:16:10 | |
-£10 each. -Make my day. -I'll tell you what... | 0:16:10 | 0:16:13 | |
-Please? -Give me a little bit of chance to escape with my life and make it £21. | 0:16:13 | 0:16:18 | |
-Go on, then, 21, you've got a deal. -If you're happy at 21... | 0:16:19 | 0:16:23 | |
'He didn't stand a chance. Nice work, Karen.' | 0:16:23 | 0:16:26 | |
-It's Arts and Crafts, which you love. -Yes. | 0:16:29 | 0:16:32 | |
It's also this Japanese influence, | 0:16:32 | 0:16:35 | |
flowering lilies, dragonflies. We had this chap called Commodore Perry, who was an American admiral | 0:16:35 | 0:16:40 | |
who came over and signed the Treaty of Edo in 1858 | 0:16:40 | 0:16:45 | |
and that basically opened the doors to the West | 0:16:45 | 0:16:48 | |
and free trade between Japan and the Western world started again. | 0:16:48 | 0:16:52 | |
And it caused the aesthetic movement to start in the UK, which was totally influenced to Japanese art. | 0:16:52 | 0:16:58 | |
-So that's what we're looking at. -It's lovely. -What would you pay? | 0:16:58 | 0:17:02 | |
-I suppose I'll go for £100. -As an ornament, you'd have to have it. | 0:17:03 | 0:17:08 | |
-75? -So would you pay 70 for it? | 0:17:08 | 0:17:12 | |
-Yes. -I would. -Good. | 0:17:12 | 0:17:15 | |
-£70 it is. -Ooh. -Do you want it? | 0:17:15 | 0:17:17 | |
-Yes. -Yep. -I think it's worth going for. -Can we get it for 70? -Yeah. | 0:17:17 | 0:17:21 | |
Good. I'm grandfather was born in 1870, as well. | 0:17:21 | 0:17:23 | |
And I live at number seven and every house I've ever lived at is number seven. | 0:17:23 | 0:17:28 | |
-Isn't that odd? -We've got to have it, then. -Let's go for it. | 0:17:28 | 0:17:31 | |
-And I'm 73. -Lead the way. | 0:17:31 | 0:17:34 | |
'Lucky number seven, eh? Let's hope it doesn't leave them at sixes and sevens in the auction.' | 0:17:34 | 0:17:40 | |
I must admit, I'm getting quite concerned now that we've bought a couple of low-value items | 0:17:41 | 0:17:46 | |
and safety really isn't in the spirit of the game. | 0:17:46 | 0:17:49 | |
I think we need to find something, bigger money, bigger gamble | 0:17:49 | 0:17:53 | |
-and really go for it. What do you reckon? -Yeah, I do, too. | 0:17:53 | 0:17:56 | |
-Let's go for a gamble lot, then. -Let's go. | 0:17:56 | 0:17:59 | |
'Whilst the Reds are talking tactics, the Blues are getting on with their shopping.' | 0:17:59 | 0:18:03 | |
When we were looking at the Stourbridge glass dump, | 0:18:03 | 0:18:06 | |
I mentioned how occasionally you find sulphur inclusions | 0:18:06 | 0:18:10 | |
and they made flowers and busts of important politicians of the day. | 0:18:10 | 0:18:13 | |
And there you see a really good example of one. | 0:18:13 | 0:18:17 | |
Again, the same sort of period, 1870, 1880. | 0:18:17 | 0:18:20 | |
This time, though, with one, two, three, four, five big flowers. | 0:18:20 | 0:18:24 | |
And it's got a friend. | 0:18:24 | 0:18:26 | |
This is a really poor example in comparison. | 0:18:26 | 0:18:29 | |
But I think that these are going to be far more popular and easy to sell than the other. | 0:18:29 | 0:18:36 | |
-I think so. -So if we can get this for anything like the price of the single one, it's worth a bash. | 0:18:36 | 0:18:41 | |
-I think so. That's much more beautiful. -I think so. And I think it appeals, doesn't it? -Mm. | 0:18:41 | 0:18:45 | |
-So I'll go and have a word and see what I can get them for. -Great. -Well done, James. | 0:18:45 | 0:18:49 | |
-You two aren't jumping out with loads of ideas. -No. Sorry. -I can't find anything. | 0:18:52 | 0:18:58 | |
-OK. -James, what? -Right, guys. | 0:18:58 | 0:19:01 | |
-The two for £65. -Oh, that's excellent. That's much better than we hoped. | 0:19:01 | 0:19:06 | |
-I think they're worth that. -I do. -If they don't make a profit at auction, there's something wrong. | 0:19:06 | 0:19:11 | |
'Down in the dumps? I don't think so! | 0:19:11 | 0:19:14 | |
-'That's the Blues finished.' -Brilliant. | 0:19:14 | 0:19:16 | |
I didn't know they were behind us. | 0:19:16 | 0:19:19 | |
-'But there's only five minutes left on the clock, Reds.' -We're across. | 0:19:19 | 0:19:24 | |
I've got this wonderful plan. What we're going to do is try and salvage the situation. | 0:19:24 | 0:19:29 | |
The shop up the road has a lot of architectural salvage. See if that gets us out of trouble. | 0:19:29 | 0:19:33 | |
'I see what you did there, Colin.' | 0:19:33 | 0:19:37 | |
What about a garden bench? Spring's on the way. | 0:19:37 | 0:19:40 | |
-I don't like that price, though. -485. | 0:19:40 | 0:19:43 | |
-That. -That looks all right. -Yes. -Nice bit of retro. | 0:19:45 | 0:19:48 | |
-Yeah. -And I've had these make anything... | 0:19:48 | 0:19:51 | |
Well, we'll keep quiet, but I've had them make well over £100 before. | 0:19:51 | 0:19:56 | |
So there is a chance that, if it can be bought at good money, | 0:19:56 | 0:20:02 | |
it could stand a bit of a profit. I suppose there's no harm having a gamble, offering them 75. | 0:20:02 | 0:20:07 | |
If you can get it for 75, I think it's worth doing. | 0:20:07 | 0:20:10 | |
'Quickly, Mike. Only three minutes to go. | 0:20:11 | 0:20:14 | |
'No such panic for the Blues, though. They're just browsing for fun now.' | 0:20:16 | 0:20:20 | |
The thing is, spring time is the perfect time to buy garden stuff | 0:20:20 | 0:20:26 | |
and it does well at the auctions. | 0:20:26 | 0:20:28 | |
-'And with seconds left...' -I have a deal. -Yeah? | 0:20:28 | 0:20:32 | |
Cash, shook hands, £60. | 0:20:32 | 0:20:34 | |
-£60? -£60. -What a star, man! | 0:20:34 | 0:20:38 | |
'Phew! Just made it. That was a close one. | 0:20:38 | 0:20:40 | |
'Time's up. Let's remind ourselves what the teams bought. | 0:20:40 | 0:20:44 | |
'Mike and Karen ummed and ahhed | 0:20:47 | 0:20:50 | |
'before settling on the silver-handled letter knife at £27. | 0:20:50 | 0:20:55 | |
'Karen haggled like a pro to get the two Art Deco brooches for £21. | 0:20:55 | 0:21:01 | |
'And in a pulsating final dash, | 0:21:01 | 0:21:04 | |
'they got the 1960s retro heater for a cool £60.' | 0:21:04 | 0:21:08 | |
So. 57 minutes of tension there. | 0:21:10 | 0:21:13 | |
What did you spend overall? Oh, noisy with all these motorbikes, isn't it? | 0:21:13 | 0:21:17 | |
-We can tell you what we've got left. -£108 we spent. -£108 we spent. | 0:21:17 | 0:21:21 | |
-£108. -£108. -That's not much, is it? | 0:21:21 | 0:21:25 | |
-No. -£108. -We had the money in our pocket and just couldn't give it away. | 0:21:25 | 0:21:31 | |
All right, fair enough. I would like, please, £192, on that basis, | 0:21:31 | 0:21:36 | |
-which is a lot of money. -£190. -£190. And here's my two. Thank you very much. | 0:21:36 | 0:21:41 | |
-Goes across to Colin Young. -Thank you very much. -The legend. | 0:21:41 | 0:21:44 | |
-What you going to spend it on, Col? -Well, again, do I blow it all? | 0:21:44 | 0:21:48 | |
Do I just spend a small amount? Safety or gamble? | 0:21:48 | 0:21:51 | |
Very, very good. Meanwhile, why don't we remind ourselves what the Blue Team bought, eh? | 0:21:51 | 0:21:57 | |
'Carol and Brian adopted a more leisurely pace | 0:21:58 | 0:22:02 | |
'and bought the novelty box for £25. | 0:22:02 | 0:22:05 | |
'They all agreed the claret jug was good value at £70. | 0:22:05 | 0:22:10 | |
'And finally, got not one but two Stourbridge green glass dumps | 0:22:11 | 0:22:16 | |
'for £65.' | 0:22:16 | 0:22:18 | |
-Successful was it, Brian? -Very successful. | 0:22:19 | 0:22:22 | |
-How much did you spend all round? -160. | 0:22:22 | 0:22:25 | |
160. So I want 140 of leftover lolly, please. | 0:22:25 | 0:22:28 | |
-Do you want it now? -Yes, I do, I want it straight away. | 0:22:28 | 0:22:31 | |
Don't worry, I'll trust you. No need to count it. | 0:22:31 | 0:22:34 | |
Goes straight to James Lewis. He's also very trusting. | 0:22:34 | 0:22:37 | |
Where are you going to go off and have a bit of a poke? Across the road or in here? | 0:22:37 | 0:22:41 | |
-Back in here. Definitely. -Get away from all these beastly motorbikes. | 0:22:41 | 0:22:45 | |
Anyway, very good luck with that. Meanwhile, we're heading off to the depths of Gloucestershire | 0:22:45 | 0:22:50 | |
to Snowshill Manor. Ooh-ahh. | 0:22:50 | 0:22:53 | |
Cor! This is not as easy as it looks. Ooh! | 0:23:01 | 0:23:07 | |
No bone-shaker, this. | 0:23:07 | 0:23:09 | |
But I tell you, Penny Farthing-type principle, | 0:23:09 | 0:23:13 | |
no free-wheeling on the front wheel, | 0:23:13 | 0:23:16 | |
you are attached to this baby no matter how fast it goes. | 0:23:16 | 0:23:20 | |
Anyway, I'm off up the road to a manor house | 0:23:20 | 0:23:24 | |
that's got more wheels attached to bicycles | 0:23:24 | 0:23:27 | |
than you've had hot lunches. Here we go. | 0:23:27 | 0:23:30 | |
Not so easy. Ooh. | 0:23:30 | 0:23:32 | |
HE HUMS | 0:23:32 | 0:23:35 | |
'Get ready for something unusual. | 0:23:36 | 0:23:39 | |
'Snowshill Manor was bought in 1919 by Charles Paget Wade, | 0:23:39 | 0:23:43 | |
'who spent the next 50 years filling it to the rafters with objects that intrigued him. | 0:23:43 | 0:23:48 | |
'And when I saw rafters, I mean rafters.' | 0:23:48 | 0:23:52 | |
I mean, how many roof spaces are crammed with this number of bicycles? | 0:23:54 | 0:24:00 | |
It's completely crackers, isn't it? | 0:24:00 | 0:24:03 | |
But there is a chronological progression | 0:24:03 | 0:24:06 | |
in the development of bicycles | 0:24:06 | 0:24:08 | |
which can be illustrated out of all these machines. | 0:24:08 | 0:24:11 | |
The earliest design dates back to about 1818 | 0:24:11 | 0:24:17 | |
and the design for the machine | 0:24:17 | 0:24:19 | |
is known as a hobby horse. | 0:24:19 | 0:24:22 | |
If you look at it, it's got no pedals, zero suspension. | 0:24:22 | 0:24:26 | |
You've got a handlebar-type device to be able to steer with. | 0:24:26 | 0:24:31 | |
But actually, this pad, this oak pad which might have had a cloth on it | 0:24:31 | 0:24:36 | |
or some sort of padding, | 0:24:36 | 0:24:38 | |
was what you'd used when you straddled it | 0:24:38 | 0:24:40 | |
to literally run with your feet. | 0:24:40 | 0:24:44 | |
And when you came to go downhill, that's when it really got fun | 0:24:44 | 0:24:47 | |
cos you'd oink up your legs and put them in these two iron troughs at the front | 0:24:47 | 0:24:54 | |
and literally whizz down the hill. | 0:24:54 | 0:24:56 | |
Did these things catch on? Actually, they were used as rich men's toys. But things did develop. | 0:24:56 | 0:25:04 | |
And I suppose it was the use of metal | 0:25:04 | 0:25:08 | |
which was the evolutionary process | 0:25:08 | 0:25:10 | |
that led to something that looks a bit more like the bicycle we use today. | 0:25:10 | 0:25:15 | |
Indeed, it was Monsieur Michaux | 0:25:15 | 0:25:18 | |
in Paris in 1861 | 0:25:18 | 0:25:21 | |
who came up with the first velocipede design | 0:25:21 | 0:25:25 | |
where you get a peddle directly attached to the wheel. | 0:25:25 | 0:25:30 | |
We've still got wooden spokes, but the wooden spokes connect to a metal outer rim | 0:25:30 | 0:25:37 | |
and into the metal outer rim, some rubber has been inserted. | 0:25:37 | 0:25:41 | |
The frame itself has got a lot more metal in it. | 0:25:41 | 0:25:44 | |
You've got a leather-padded seat that sits on a springy bar there | 0:25:44 | 0:25:49 | |
that would take up some of the vibration. | 0:25:49 | 0:25:52 | |
And you've still got the troughs in front, | 0:25:52 | 0:25:55 | |
into which you'd insert your legs when you're going very, very fast downhill. | 0:25:55 | 0:26:00 | |
There is, however, by now a rudimentary brake. | 0:26:00 | 0:26:04 | |
That's this piece of string here. | 0:26:04 | 0:26:06 | |
You yank that and through that eye, it pulls on that bar, | 0:26:06 | 0:26:11 | |
and at the other end, there's a flat plate that would rub against the rubber, slowing down the back wheel | 0:26:11 | 0:26:17 | |
and no doubt producing the most incredible pong. | 0:26:17 | 0:26:20 | |
The first reference to the word bicycle | 0:26:21 | 0:26:24 | |
is actually in 1869, which coincides with the year | 0:26:24 | 0:26:29 | |
when these things were invented, | 0:26:29 | 0:26:32 | |
called the ordinary bicycle, and later nicknames the Penny Farthing. | 0:26:32 | 0:26:37 | |
Penny because it relates to the larger wheel at the front | 0:26:37 | 0:26:42 | |
and farthing for the little wheel at the back. | 0:26:42 | 0:26:45 | |
Still we have peddles attached directly. | 0:26:45 | 0:26:48 | |
No chains, no gears. | 0:26:48 | 0:26:51 | |
But at least one revolution of the peddles, because of the larger wheel, | 0:26:51 | 0:26:57 | |
covers a lot of territory on the ground. | 0:26:57 | 0:27:00 | |
It looks much more like a bicycle, though, doesn't it, | 0:27:00 | 0:27:03 | |
with wire spokes | 0:27:03 | 0:27:06 | |
and a lighter construction all round. | 0:27:06 | 0:27:10 | |
What I like about this one is that it's even got its headlight attached. | 0:27:10 | 0:27:15 | |
Look at that. That's a oil japanned metal lamp. | 0:27:15 | 0:27:20 | |
How much light would you get? A miserable amount. | 0:27:20 | 0:27:24 | |
How likely would you be to fall off a Penny Farthing? Quite likely. | 0:27:24 | 0:27:30 | |
If you fell off this one when the lamp is lit, | 0:27:30 | 0:27:34 | |
you'd have the reassurance of not only breaking your leg | 0:27:34 | 0:27:37 | |
but also starting rather a nasty fire. | 0:27:37 | 0:27:40 | |
The big question today is, of course, are our teams over at the auction ready to go either? | 0:27:40 | 0:27:44 | |
That is, breaking their necks or starting fires? | 0:27:44 | 0:27:49 | |
'Let's hope that there are no injuries or fires as we hot-foot it to the auction!' | 0:27:50 | 0:27:55 | |
Well, we've got 85.3 miles | 0:28:00 | 0:28:03 | |
roughly northwards from Hungerford to the heart of Warwickshire. | 0:28:03 | 0:28:07 | |
In fact, to Stratford on Avon to be at Bigwood's salerooms with Christopher Ironmonger. | 0:28:07 | 0:28:13 | |
Good morning, Tim. A very warm welcome. | 0:28:13 | 0:28:16 | |
Thank you. We always get a warm welcome here. It's lovely to be here. | 0:28:16 | 0:28:19 | |
-Mike and Karen's first item is this so-called letter knife. -Right. | 0:28:19 | 0:28:25 | |
Well, it's... It's obviously silver-mounted, Birmingham 1920. | 0:28:25 | 0:28:31 | |
Sometimes they call them page-turners. | 0:28:31 | 0:28:34 | |
A little bit of debate over that. | 0:28:34 | 0:28:36 | |
But I think it's quite a well-presented item, | 0:28:36 | 0:28:40 | |
reasonably good condition and I think we've said £30 to £40. | 0:28:40 | 0:28:43 | |
Well, that's good. £27 was paid. So they'll be delighted with that. | 0:28:43 | 0:28:47 | |
Next are the two Deco-revival brooches | 0:28:47 | 0:28:51 | |
which I think probably come from Taiwan yesterday. | 0:28:51 | 0:28:54 | |
I think so, yes. We've catalogued them as reproduction. | 0:28:54 | 0:28:58 | |
-They are what they are. -Plastic. | 0:28:58 | 0:29:01 | |
Yes. They're not very inspiring. We've said £5 to £10, I'm afraid. | 0:29:01 | 0:29:05 | |
And if you get £1, you might be struggling. | 0:29:05 | 0:29:09 | |
It's difficult, isn't it? £21 they paid. They've got the look | 0:29:09 | 0:29:13 | |
-but intrinsically, age-wise, material-wise, there is no value to those at all. -No. | 0:29:13 | 0:29:18 | |
People are just going to buy those just cos they think they look appealing but for no other reason. | 0:29:18 | 0:29:24 | |
We'll see what happens. Their last item in this miscellaneous trio is the heater | 0:29:24 | 0:29:30 | |
which is, I suppose, a radiant heater and a convector heater, so it's quite clever. | 0:29:30 | 0:29:34 | |
Yeah, it's quite a design statement item. | 0:29:34 | 0:29:38 | |
I think we've catalogued it 1950s. It's evocative of that period | 0:29:38 | 0:29:42 | |
and probably quite an ingenious appliance at the time. | 0:29:42 | 0:29:46 | |
-It's in good nick. I mean, it's not been dented. -Oh, no. -Apart from rewiring, it's in good state. | 0:29:46 | 0:29:52 | |
-What's your estimate? -50 to 80. -£60 they paid. | 0:29:52 | 0:29:56 | |
-So we're in the right frame. -They're in the right area. -Brilliant. | 0:29:56 | 0:30:00 | |
So, will they need their bonus buy or not? | 0:30:00 | 0:30:02 | |
I suspect they may, in which case, we'd better go and have a look at it. | 0:30:02 | 0:30:07 | |
Now, Mike and Karen, we are going to reveal the bonus buy. | 0:30:07 | 0:30:12 | |
You gave Colin Young £192 of leftover lolly. | 0:30:12 | 0:30:17 | |
-Colin, what did you spend it on? -Well, can you guess what it is yet? | 0:30:17 | 0:30:21 | |
-Er...a picture? -OK! There's going to be no surprises here, then, is there? | 0:30:21 | 0:30:27 | |
Let's have a look at what we've got. | 0:30:27 | 0:30:30 | |
It's a late 19th century oil on canvas. | 0:30:30 | 0:30:33 | |
It's a landscape with shepherdess just wandering through a country path. | 0:30:33 | 0:30:36 | |
It's signed Barclay. Just need a light clean | 0:30:36 | 0:30:40 | |
to take a little bit of the gunge off it. I thought it was something worth a gamble. | 0:30:40 | 0:30:44 | |
-OK. -How big a gamble? -How much did you give me? | 0:30:44 | 0:30:48 | |
-£192. -Oh, yeah, I blew the lot. | 0:30:48 | 0:30:51 | |
-Really? -Yeah! Of course! -OK. | 0:30:51 | 0:30:53 | |
-Would you expect anything less? -That's a gamble. -It is a gamble. | 0:30:53 | 0:30:57 | |
Three years ago, this did actually go for auction. | 0:30:57 | 0:31:00 | |
It made £170. | 0:31:00 | 0:31:04 | |
There's been very little change in this market over the period, | 0:31:04 | 0:31:07 | |
so we hope that it's going to do OK. | 0:31:07 | 0:31:11 | |
-Good for you. It gives you some choices, though, doesn't it? -It does. | 0:31:11 | 0:31:14 | |
-You were modest in your expenditure, £108. -I know. | 0:31:14 | 0:31:18 | |
He's blown the lot, bought a quality item, | 0:31:18 | 0:31:22 | |
speculated for you. | 0:31:22 | 0:31:25 | |
But you won't decide until after the sale of your first three items. | 0:31:25 | 0:31:28 | |
But for the viewers at home, let's find out what the auctioneer thinks about Colin's oil. | 0:31:28 | 0:31:33 | |
Well, well, well, Christopher, here's a challenge for you. | 0:31:35 | 0:31:38 | |
It's a furnishing picture, in my view. | 0:31:38 | 0:31:41 | |
I don't see it as having great artistic merit. | 0:31:41 | 0:31:44 | |
But somebody might like it just as a wall filler. | 0:31:44 | 0:31:47 | |
We've said £20 to £30. It might do a little bit better, but I can't see if doing a lot better. | 0:31:47 | 0:31:52 | |
-Listen, £192 was expended on this oil by Barclay. -HE LAUGHS | 0:31:52 | 0:31:58 | |
It's supposed to bail out this team in case they're in trouble. | 0:31:58 | 0:32:02 | |
-Well, I think they might be better to bail out on the picture. -You're quite right. | 0:32:02 | 0:32:06 | |
And now for the Blues, Carol and Brian. | 0:32:06 | 0:32:09 | |
Their first item is the piece of Black Forest. | 0:32:09 | 0:32:12 | |
Yes, it's quite fun. Quite popular, these sorts of novelty items. | 0:32:12 | 0:32:17 | |
We've said £15 to £20. Might do a little bit more. | 0:32:17 | 0:32:19 | |
-But £15 to £20 is an estimate. -£25 they paid. | 0:32:19 | 0:32:23 | |
-Yeah. -Next up is the so-called claret jug. | 0:32:23 | 0:32:26 | |
We've catalogued it as a claret jug. I have to admit, it's probably more likely a water jug from a tea set. | 0:32:26 | 0:32:33 | |
-We've said £20 to £30. -I think you're probably spot on. | 0:32:33 | 0:32:36 | |
£70 they paid, so that's going to be a bit of a dead loss, I fancy. | 0:32:36 | 0:32:41 | |
And their last item are these two dumps. | 0:32:41 | 0:32:43 | |
They do sell well. People like they, they're appealing on the side | 0:32:43 | 0:32:47 | |
and they're something that has maintained its interest. | 0:32:47 | 0:32:51 | |
I think we've said, perhaps a little meanly, £30 to £40, but I've seen some sell at £50ish. | 0:32:51 | 0:32:57 | |
Each? So they paid £65 for the two. | 0:32:57 | 0:33:00 | |
Good. Well, if you're wrong and they're right, they might make a profit on that. | 0:33:00 | 0:33:05 | |
But I don't think they're going to make up for the losses on that so-called claret jug, | 0:33:05 | 0:33:09 | |
in which case, they'll need their bonus buy. Let's have a look at it! | 0:33:09 | 0:33:13 | |
Now, Carol and Brian, your bonus buy. £130 went to James Lewis. What did you spend it on? | 0:33:14 | 0:33:20 | |
Well, I spent your money on... | 0:33:20 | 0:33:23 | |
-Oh, yes! -OK? | 0:33:23 | 0:33:26 | |
They're big, they're decorative, a pair of Japanese terracotta vases. | 0:33:26 | 0:33:30 | |
-Gosh, James! Where did you find these? -And tell us what you paid. | 0:33:32 | 0:33:36 | |
Well, I'll tell you where I found them first, right on the top of a corner cupboard | 0:33:36 | 0:33:40 | |
and it had a price tag of 140 crossed out, | 0:33:40 | 0:33:43 | |
100 crossed out, | 0:33:43 | 0:33:45 | |
it was left at 80 and I got them for 50. | 0:33:45 | 0:33:49 | |
-That was a bargain. -I think they're big and their decorative. | 0:33:49 | 0:33:53 | |
-They do make a statement. -They do. There's no great quality about them, but they're there. -I like them. | 0:33:53 | 0:33:59 | |
I hope we'll be looking at £80 to £100, something like that. | 0:33:59 | 0:34:04 | |
-It could be spectacular. -Yes. | 0:34:04 | 0:34:06 | |
They've got little bits of gilt, as well, to highlight them. | 0:34:06 | 0:34:10 | |
-Yeah. -They've got... -I think you're a born again star. -Ah. | 0:34:10 | 0:34:14 | |
You've got your fan base all around you, James. | 0:34:14 | 0:34:16 | |
Let us find out, at least for the viewers at home, what the auctioneer thinks about James's vases. | 0:34:16 | 0:34:22 | |
Right, Christopher, here's another challenge for you. | 0:34:23 | 0:34:26 | |
Well, erm, I have to say, not exactly something that appeals to me greatly. | 0:34:26 | 0:34:33 | |
The figures and the whole decoration, although it's fairly profuse, | 0:34:33 | 0:34:38 | |
it doesn't excite, I have to say. | 0:34:38 | 0:34:40 | |
They seem to me to very much have the feel | 0:34:40 | 0:34:44 | |
of a Derbyshire pottery. The old Bretby ware. | 0:34:44 | 0:34:48 | |
-You could well be right. -But they're decorative. | 0:34:48 | 0:34:51 | |
-They're decorate, I suppose. We've said £50 to £70. -Fine. | 0:34:51 | 0:34:55 | |
Well, James paid £50 for them. | 0:34:55 | 0:34:57 | |
And if he, as a Derbyshire auctioneer, doesn't recognise them as being Bretby, | 0:34:57 | 0:35:01 | |
then I'm probably barking up the wrong tree. Well, probably barking, actually. | 0:35:01 | 0:35:05 | |
-HE LAUGHS -The barking bit's for certain. The tree is different. | 0:35:05 | 0:35:09 | |
Anyway, that's fair enough. Are you feeling like doing a bit of barking yourself today? | 0:35:09 | 0:35:13 | |
-Yes, I'll be on the rostrum. -Barking away. -I will. | 0:35:13 | 0:35:16 | |
34. 36? 36. | 0:35:16 | 0:35:18 | |
38. 38. 40. | 0:35:18 | 0:35:21 | |
42. £40. 40! | 0:35:21 | 0:35:25 | |
Now, Mike and Karen, how are you feeling? | 0:35:25 | 0:35:28 | |
-Looking forward to it. -Are you? -Yeah. | 0:35:28 | 0:35:30 | |
-You go to auctions a lot, don't you? -We do. | 0:35:30 | 0:35:32 | |
-Would you be encouraged by a nice crowded room like this? -Yes. | 0:35:32 | 0:35:37 | |
-Me, too. -It's great looking at a busy room like this | 0:35:37 | 0:35:40 | |
rather than people just leaving bids, on the telephone. | 0:35:40 | 0:35:43 | |
Bodies on the ground are what you want at sales. | 0:35:43 | 0:35:45 | |
Right, first up is the page-turner-cum-letter-knife. | 0:35:45 | 0:35:50 | |
Birmingham 1920. Who's got £30 for it? | 0:35:50 | 0:35:53 | |
£30? £20, then. | 0:35:53 | 0:35:56 | |
-£20. 20 I'm bid. 20. 22? 22. 24? -Come on. | 0:35:56 | 0:36:00 | |
-26. -Oh, thank goodness for that. -28. -£1 profit. -30. 32? | 0:36:00 | 0:36:05 | |
£30 seated. At 30. Last chance at 30. | 0:36:05 | 0:36:09 | |
Not so much. £30. He's quick with the hammer. | 0:36:09 | 0:36:12 | |
That is plus £3, thank you very much. £3 profit. | 0:36:12 | 0:36:15 | |
-We'll build on this. -Here come your brooches, darling. | 0:36:15 | 0:36:18 | |
£20 for these. 10 to get me going. | 0:36:18 | 0:36:22 | |
10 I'm bid. 12. 14? 14. | 0:36:22 | 0:36:24 | |
16. 18? | 0:36:24 | 0:36:26 | |
16 on the stairs. 18. | 0:36:26 | 0:36:28 | |
16 with you, sir. 18 is it? £16, it's going to go. | 0:36:28 | 0:36:31 | |
All done at 16? On the stairs at 16. 3388. | 0:36:31 | 0:36:36 | |
£16 on the stairs. That is minus £5. | 0:36:36 | 0:36:40 | |
Minus £5, which means minus 2 overall. | 0:36:40 | 0:36:43 | |
That's nothing! Now, here comes the heater. | 0:36:43 | 0:36:46 | |
Quite the fashion or design statement there. | 0:36:46 | 0:36:49 | |
Who's going to give me £50 for it? | 0:36:49 | 0:36:51 | |
Start me at 30, then. £20. | 0:36:51 | 0:36:55 | |
-Start me at 10. -Ohh. | 0:36:55 | 0:36:58 | |
I've got to sell it. Come on! Somebody give me £10. | 0:36:58 | 0:37:02 | |
-£10. -It's on the sign. They said no good. | 0:37:02 | 0:37:05 | |
Come on. £10, get me going. | 0:37:05 | 0:37:07 | |
I can't believe this. | 0:37:07 | 0:37:10 | |
A fiver! Oh, dear. All right, £5 I'm bid. 5. At least he started me. | 0:37:10 | 0:37:14 | |
-Come on, 10 surely! -Oh, dear, oh, dear. | 0:37:14 | 0:37:16 | |
Are you done? You've disappointed me, but it'll have to go. | 0:37:16 | 0:37:20 | |
-HAMMER BANGS -Thank you. | 0:37:20 | 0:37:22 | |
So, you are minus £57. What are you going to do about the bonus buy? | 0:37:22 | 0:37:26 | |
Are you going to go with it or are you going or bank your losses | 0:37:26 | 0:37:31 | |
at minus £57? What's it going to be? | 0:37:31 | 0:37:34 | |
Erm, I think we'll bank our losses. | 0:37:34 | 0:37:38 | |
-Stay as we are. -Yeah. | 0:37:38 | 0:37:40 | |
I don't think they're going to get the money for the picture and we'll going to gain a bigger loss. | 0:37:40 | 0:37:45 | |
No bonus buy, then. Well, you can ring-fence your losses at minus 57. | 0:37:45 | 0:37:50 | |
Meanwhile, we're going to sell the painting anyway, and here it comes. | 0:37:50 | 0:37:54 | |
A lot of bids of this, which means I can start at £60. On the book at 60. | 0:37:54 | 0:37:59 | |
At 60. 5 do I hear? At 60. | 0:37:59 | 0:38:02 | |
65. I've got 70. Will you go 5, sir? | 0:38:02 | 0:38:04 | |
75. I've got 80. Will you go 5? | 0:38:04 | 0:38:07 | |
80 with me on the book. 5 might do it, you never know. £80. | 0:38:08 | 0:38:11 | |
Here on the book at 80. One more do you want to go? | 0:38:11 | 0:38:13 | |
At £80 on the book. 85. I've got 90. 95? | 0:38:13 | 0:38:18 | |
-£90. On the book at £90. -HAMMER BANGS | 0:38:18 | 0:38:22 | |
£90 is minus £102. | 0:38:22 | 0:38:26 | |
-But you didn't go with the bonus buy. -No. | 0:38:26 | 0:38:28 | |
That means you are at minus £57, which could easily be a winning score. | 0:38:28 | 0:38:32 | |
-So don't say a thing to the Blues, OK? -OK. | 0:38:32 | 0:38:35 | |
-Now, Carol and Brian, how are you feeling? -Bit nervous. -Are you? | 0:38:39 | 0:38:42 | |
-Very nervous. -You're not the nervy type. | 0:38:42 | 0:38:45 | |
-No! It's a bit of fun so it doesn't matter. -It doesn't matter that much | 0:38:45 | 0:38:48 | |
-but it's always nice to win. -It is. -Do you know how the Reds got on? | 0:38:48 | 0:38:52 | |
-No. -No idea. -That's good. | 0:38:52 | 0:38:54 | |
Now, first up is the Black Forest box and here it comes. | 0:38:54 | 0:38:57 | |
Late 19th, early 20th century continental | 0:38:57 | 0:39:00 | |
carved and painted softwood tobacco box. £20. | 0:39:00 | 0:39:03 | |
15, then. 10 I'm bid. | 0:39:03 | 0:39:05 | |
At 12 if you like. 12. 14? | 0:39:05 | 0:39:08 | |
14. 16. 18. 20. | 0:39:08 | 0:39:11 | |
-That's it, keep going. -£20, I'm going to sell it at 20. | 0:39:11 | 0:39:15 | |
Any advance on £20? Bid's on my left. Are you done? | 0:39:15 | 0:39:18 | |
£20. That's a shame. Minus £5. | 0:39:18 | 0:39:21 | |
Still, let's not get hysterical. Next up is the claret jug. | 0:39:21 | 0:39:26 | |
Interesting item there. And I've got a bid on the book at £20. | 0:39:26 | 0:39:30 | |
20. 5. 30. 5. 40 is it? | 0:39:30 | 0:39:33 | |
At 35. 40. 5. | 0:39:33 | 0:39:35 | |
45. 50. 55. 60. | 0:39:35 | 0:39:39 | |
60. 5. 70. | 0:39:39 | 0:39:41 | |
75. 75. 80. 75. | 0:39:41 | 0:39:45 | |
Right at the back at 75. All done and finished at 75? | 0:39:45 | 0:39:49 | |
That's brilliant! That is so much better than I thought. | 0:39:49 | 0:39:52 | |
Plus 5. You had minus 5. Now you've got absolutely nothing! | 0:39:52 | 0:39:56 | |
-THEY LAUGH -It's down to the dumps! -Down to the dumps, yes. | 0:39:56 | 0:40:01 | |
Fashioned with internal flower and another paperweight, similar. | 0:40:01 | 0:40:04 | |
And I can start the bidding on this at £40 on my book. | 0:40:04 | 0:40:08 | |
At 40. And 5. 50. And 5. £50. And 5 do I hear? | 0:40:08 | 0:40:12 | |
At £50 only and it's going to go at 50. | 0:40:12 | 0:40:14 | |
55. 60 is it? 55, new bidder at the table at 55. 60 do you want to go? | 0:40:14 | 0:40:19 | |
-Go on! Go on! -Go on! | 0:40:19 | 0:40:22 | |
Last chance at 55. | 0:40:22 | 0:40:25 | |
-Ohh! -Oh, dear. 55. | 0:40:25 | 0:40:27 | |
That was so close. Minus £10. | 0:40:27 | 0:40:30 | |
Overall, you are minus £10. | 0:40:30 | 0:40:33 | |
-And that's really not too bad, is it? -No. | 0:40:33 | 0:40:35 | |
-It's not too bad. I'm disappointed about the glass items. -Mm. | 0:40:35 | 0:40:40 | |
I just hope you're not too much down in the dumps. | 0:40:40 | 0:40:43 | |
-What about the terracotta vases? Are you going to go with them? -Yes, I think we must do. | 0:40:43 | 0:40:47 | |
-Total confidence. -We're going to trust James. -Really? | 0:40:47 | 0:40:51 | |
You've made your decision, we're going to sell them and here they come. | 0:40:51 | 0:40:55 | |
Who's going to give me £50 for them? | 0:40:55 | 0:40:58 | |
Give me 30, then, let's get going. £30. | 0:40:58 | 0:41:01 | |
£20. £20 I'm bid. 5. 30. 5? | 0:41:01 | 0:41:05 | |
£30 at the front here. Is it 5 now? | 0:41:05 | 0:41:07 | |
At £30. Only bid at £30. 35 if you want to go on. | 0:41:07 | 0:41:12 | |
-30 I've got. -No! -Last chance at £30. -HAMMER BANGS | 0:41:12 | 0:41:16 | |
Uh-oh. £30. We're compounding an error here. | 0:41:16 | 0:41:20 | |
Minus £20, which means overall you are minus £30. | 0:41:20 | 0:41:24 | |
-That could be a winning score. -It's not a disaster. | 0:41:24 | 0:41:27 | |
It's not. Well, it could've been better, | 0:41:27 | 0:41:30 | |
but it could be a winning score, so don't talk to the Reds, all will be revealed in a moment. | 0:41:30 | 0:41:35 | |
-Well, what a lovely day we've had today. Have you been chatting at all? -ALL: No. | 0:41:40 | 0:41:45 | |
Well, there's not much between you. There should be no secret | 0:41:45 | 0:41:49 | |
to the fact that no team is walking home with any cash today, sadly. | 0:41:49 | 0:41:54 | |
You're both in the red, so to speak. | 0:41:54 | 0:41:57 | |
But the team that is marginally more in the red...are the Reds. | 0:41:57 | 0:42:03 | |
-Ohh. -But it's only marginal, so don't be depressed. | 0:42:03 | 0:42:06 | |
Your total score is minus 57. | 0:42:06 | 0:42:09 | |
And it started off so beautifully with that nice little profit | 0:42:09 | 0:42:13 | |
on the page-turner-cum-letter-knife | 0:42:13 | 0:42:15 | |
and went down gradually from there. | 0:42:15 | 0:42:18 | |
-Karen, have you had a nice time? -I've had a wonderful time. Thank you. | 0:42:18 | 0:42:21 | |
It's been lovely seeing you, Mike. Keep up the collecting in Wales and Herefordshire. | 0:42:21 | 0:42:28 | |
Anyway, thank you very much, Colin, for your assistance. Brilliant. | 0:42:28 | 0:42:32 | |
But the victors today, who win by only managing to lose £30, | 0:42:32 | 0:42:36 | |
are Carol and Brian. | 0:42:36 | 0:42:39 | |
Well done, team. Congratulations. Always nice to come marginally ahead. | 0:42:39 | 0:42:43 | |
And just shows what I know about anything cos I predicted that your claret jug would do very badly | 0:42:43 | 0:42:48 | |
and it was the only thing you made a profit on. So I go away humbled, too. But we had a lovely day. | 0:42:48 | 0:42:53 | |
-Join us soon for some more bargain hunting, yes? -ALL: Yes! | 0:42:53 | 0:42:57 | |
Subtitles by Red Bee Media Ltd | 0:42:58 | 0:43:02 | |
E-mail [email protected] | 0:43:02 | 0:43:06 | |
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