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Ha-ha! We're at the biggest fair in Europe. | 0:00:09 | 0:00:12 | |
Just as well I've got transport. Let's go bargain hunting! | 0:00:12 | 0:00:14 | |
With over 2,000 stalls for our teams to choose from, | 0:00:40 | 0:00:45 | |
they're going to be spoilt for choice. | 0:00:45 | 0:00:48 | |
How will they cope? | 0:00:48 | 0:00:50 | |
How indeed? | 0:00:52 | 0:00:53 | |
'Luckily, our teams have some expert guidance today.' | 0:00:53 | 0:00:57 | |
'Paul Laidlaw's being tactful with the Reds.' | 0:00:57 | 0:01:01 | |
-What about this? -It's... | 0:01:01 | 0:01:04 | |
About as unfashionable as you're going to pick up today. I hope! | 0:01:04 | 0:01:09 | |
'And Jeremy Lamond's performing for the Blues.' | 0:01:09 | 0:01:13 | |
'So, let's meet the teams.' | 0:01:18 | 0:01:20 | |
Well, well, well, here we are. | 0:01:22 | 0:01:24 | |
Two teams of firm friends. Hello everybody. Now, Susan and David. | 0:01:24 | 0:01:29 | |
You've known each other for absolutely yonks, haven't you, Sue? | 0:01:29 | 0:01:32 | |
We have, yes. We first met at infant school | 0:01:32 | 0:01:36 | |
in the village where we lived on neighbouring farms. | 0:01:36 | 0:01:38 | |
-Right. -And then joined up again in Young Farmers. | 0:01:38 | 0:01:41 | |
How do you keep up now, then? | 0:01:41 | 0:01:42 | |
-My job is as a milk recorder. -What's that mean? | 0:01:42 | 0:01:45 | |
Well, I go to nine dairy farms in the area where I live | 0:01:45 | 0:01:50 | |
and one of the farms I visit is where David milks. | 0:01:50 | 0:01:53 | |
How long has he been in this business? | 0:01:53 | 0:01:55 | |
I've been milking cows since I was 10, so well over 45 years now. | 0:01:55 | 0:02:00 | |
-And how many cows do you milk, David? -180. -180 lactations? | 0:02:00 | 0:02:04 | |
Because it's quite complicated. | 0:02:04 | 0:02:07 | |
You're doing the nine or ten farms and there's 180 in all of them? | 0:02:07 | 0:02:11 | |
The majority of them. There's no more small farms left. | 0:02:11 | 0:02:15 | |
So, 1,500 of these girls, all milking as hard as they can. | 0:02:15 | 0:02:19 | |
And they do not go to finishing school, the young ladies. | 0:02:19 | 0:02:21 | |
No, quite. So to day's going to be a walk in the park, isn't it? | 0:02:21 | 0:02:25 | |
What are your tactics, you two? | 0:02:25 | 0:02:26 | |
We're not going to spend a lot of money on one particular item. | 0:02:26 | 0:02:30 | |
-No, we're not, we're farmers! -Very tight! | 0:02:30 | 0:02:33 | |
Very tight! | 0:02:33 | 0:02:34 | |
-You know why farmers are mainly bald? -Why's that? | 0:02:34 | 0:02:38 | |
Because when they're told the price of something they go, "How much?!" | 0:02:38 | 0:02:43 | |
It's true! | 0:02:43 | 0:02:44 | |
-Very, very, very good luck. -Thank you. | 0:02:44 | 0:02:46 | |
Now, for the Blues, our wee girls, who must be | 0:02:46 | 0:02:49 | |
quaking in your boots, having heard all this chat from the Reds, right? | 0:02:49 | 0:02:54 | |
-I mean, it's quite frightening, with these two in full flight. -Yes! | 0:02:54 | 0:02:58 | |
Kelly? How did you two meet? | 0:02:58 | 0:03:00 | |
We met when we were 11 at secondary school. | 0:03:00 | 0:03:02 | |
We've just been friends ever since, | 0:03:02 | 0:03:05 | |
we've had lots of girly holidays, lots of drunken nights out | 0:03:05 | 0:03:09 | |
and on another night out, we both met our husbands, on the same night. | 0:03:09 | 0:03:14 | |
What happened with these boys, then? They spotted you? | 0:03:14 | 0:03:17 | |
I don't know. I think it was about ten to two | 0:03:17 | 0:03:19 | |
and there was a bit of desperation setting in at the end of the night! | 0:03:19 | 0:03:23 | |
Kelly went to the toilet and Matthew, Kelly's husband now, | 0:03:23 | 0:03:26 | |
came over and said, when your friend comes back, | 0:03:26 | 0:03:28 | |
will you ask her if she will dance with me? | 0:03:28 | 0:03:30 | |
This, at ten to two? | 0:03:30 | 0:03:32 | |
It was quite late. So he didn't have to buy any drinks! | 0:03:32 | 0:03:35 | |
So, she ended up dancing with Matthew, and I ended up | 0:03:35 | 0:03:37 | |
dancing with his friend, and they were actually ex-brother-in-laws. | 0:03:37 | 0:03:40 | |
What an extraordinary thing. | 0:03:40 | 0:03:42 | |
Two ex-brother-in-laws pick up two chicks in some clubs somewhere, | 0:03:42 | 0:03:47 | |
-and finish up by marrying them? -Yep. -Amazing. | 0:03:47 | 0:03:50 | |
So, which of you two is going to be in charge of the bargaining today? | 0:03:50 | 0:03:54 | |
Well, we're both quite tight, but Kelly's tighter than I am. | 0:03:54 | 0:03:58 | |
She's taken after her husband. That's a shocker! | 0:03:58 | 0:04:03 | |
Well, anyway, I'm not tight, because here comes £300. Look at this. | 0:04:03 | 0:04:08 | |
Look at this, lighting up of faces, £300. | 0:04:08 | 0:04:10 | |
You know the rules, your experts await, and off you go! | 0:04:10 | 0:04:13 | |
And very, very good luck. I hope they're not going to be too tight. | 0:04:13 | 0:04:18 | |
'Tight or not, it's the farmers versus the West Country girls, | 0:04:19 | 0:04:24 | |
and they're off! | 0:04:24 | 0:04:26 | |
-Guess who's got the compass! -We'll certainly need one, it's huge! | 0:04:26 | 0:04:30 | |
I've got the Sat Nav, is that any good? | 0:04:30 | 0:04:32 | |
Anything in mind? | 0:04:32 | 0:04:34 | |
Anything a bit quirky, really, a bit different. | 0:04:34 | 0:04:36 | |
Well, you've got me, so... that's a good start. | 0:04:36 | 0:04:38 | |
'You said it, Jeremy!' | 0:04:38 | 0:04:40 | |
You see these quirky-looking vases? What do you think of those? | 0:04:42 | 0:04:45 | |
Ugh, I don't really like them. | 0:04:45 | 0:04:47 | |
They're different! | 0:04:47 | 0:04:50 | |
Or that sort of flying-saucer-shaped glass dish, | 0:04:50 | 0:04:53 | |
probably by a factory like Vasart or Monart, it's Scottish. | 0:04:53 | 0:04:59 | |
The Ysart Brothers made this sort of thing. | 0:04:59 | 0:05:02 | |
And what you want to check for, especially with glass, | 0:05:02 | 0:05:05 | |
is that it's not chipped or cracked. | 0:05:05 | 0:05:07 | |
So if we give it a quick ding, it sounds like a bell, doesn't it? | 0:05:07 | 0:05:10 | |
How old do you think it is? | 0:05:10 | 0:05:13 | |
It could be 1930s, '40s. | 0:05:13 | 0:05:16 | |
There's a little bit of a mark on there, | 0:05:16 | 0:05:18 | |
is that going to affect the value? | 0:05:18 | 0:05:20 | |
-Somebody's been painting. -Or, is it glass? | 0:05:20 | 0:05:22 | |
No, it's a bit of a firing flaw. | 0:05:22 | 0:05:23 | |
Makes it a bit more unique, I suppose. | 0:05:23 | 0:05:26 | |
Yeah, but it's unusual, isn't it? I think that's worth a go. | 0:05:26 | 0:05:29 | |
But it's your day, ladies. | 0:05:29 | 0:05:31 | |
I like the colour as well. | 0:05:31 | 0:05:33 | |
It's interesting, isn't it? So, shall we go and negotiate? | 0:05:33 | 0:05:36 | |
Yeah! If we get it at a good price, yeah. | 0:05:36 | 0:05:40 | |
-Oh, hiya, what's the best price you can do on this? -25, that one. | 0:05:40 | 0:05:43 | |
Is there any way you could do 20? | 0:05:43 | 0:05:45 | |
I can't do 20, I'm sorry. | 0:05:45 | 0:05:47 | |
-What about 23? -24? | 0:05:47 | 0:05:50 | |
-Yeah? -24? -Brilliant, yeah! | 0:05:50 | 0:05:53 | |
Thanks very much. I'll put some paper around it. | 0:05:53 | 0:05:55 | |
'Cor, you don't waste any time, girls!' | 0:05:55 | 0:05:58 | |
'Sue and David, are you having as much success?' | 0:05:59 | 0:06:02 | |
It smacks of old fashioned. It's not odd. | 0:06:04 | 0:06:07 | |
What about this? | 0:06:07 | 0:06:09 | |
Ah, it's... | 0:06:09 | 0:06:11 | |
About as unfashionable as you're going to pick up today, | 0:06:13 | 0:06:16 | |
I hope! | 0:06:16 | 0:06:17 | |
-Does it have wow factor? -No. -Why are you looking at it? | 0:06:20 | 0:06:25 | |
What are we doing here? | 0:06:25 | 0:06:27 | |
'Bargain-hunting, I hope!' | 0:06:27 | 0:06:30 | |
'Come on, Reds, get with the programme!' | 0:06:30 | 0:06:33 | |
-For those, it must be in great condition. -I don't like it. | 0:06:33 | 0:06:36 | |
I know you didn't, because when I said about it, | 0:06:36 | 0:06:38 | |
I could see your face. | 0:06:38 | 0:06:39 | |
Maybe something we can come back to. | 0:06:39 | 0:06:41 | |
-Yeah! -Let's do the blue bowl. | 0:06:41 | 0:06:44 | |
-No, no, no. -No go? | 0:06:44 | 0:06:45 | |
-That's unusual, isn't it? -Yeah, it is unusual. | 0:06:49 | 0:06:52 | |
Quite a rare thing, £70 on it. | 0:06:53 | 0:06:56 | |
That's really weird, isn't it? | 0:06:56 | 0:06:58 | |
A little wind-up, there. | 0:06:58 | 0:07:02 | |
That's fantastic. It's quirky, isn't it? | 0:07:02 | 0:07:04 | |
-Is it a bit damaged? -There's a little bit of the leg's been renewed. | 0:07:04 | 0:07:09 | |
Reflected in the price, really. | 0:07:09 | 0:07:11 | |
It's lithograph tinplate, isn't it? | 0:07:11 | 0:07:13 | |
-I'm not sure exactly what it is. -Does it say underneath? 1895. | 0:07:13 | 0:07:19 | |
-What do you think? -I think it's worth having a go at. | 0:07:19 | 0:07:21 | |
It's got some slight damage - will that affect the value? | 0:07:21 | 0:07:24 | |
I think, to some collectors, it will do. | 0:07:24 | 0:07:27 | |
-There are collectors of that kind of thing, aren't there? -Yes. | 0:07:27 | 0:07:30 | |
I will take a vote on that, because it is so unusual. | 0:07:30 | 0:07:33 | |
We can do it for 60, if you like it. | 0:07:33 | 0:07:35 | |
-Can you do it for 50, or is that...? -Because it's a bit damaged. | 0:07:35 | 0:07:38 | |
-I can do 55, meet in the middle. -Yeah, all right then. | 0:07:38 | 0:07:41 | |
Happy with that, thank you. Cheers. | 0:07:41 | 0:07:44 | |
'Wow! Two already!' | 0:07:47 | 0:07:49 | |
Now, David, have you finally found something to tempt Paul? | 0:07:49 | 0:07:55 | |
What you seeing, Dave? | 0:07:55 | 0:07:57 | |
Do you know anything about that? | 0:07:57 | 0:07:59 | |
I know we're back where we started. | 0:07:59 | 0:08:02 | |
Victorian pots! | 0:08:02 | 0:08:03 | |
'That will be a "no", then!' | 0:08:03 | 0:08:06 | |
We could pick up Victorian china till we're sunburnt to a frazzle | 0:08:06 | 0:08:10 | |
and we'll not find anything worth selling. | 0:08:10 | 0:08:13 | |
If I'm being honest, I think they're picking up the wrong material. | 0:08:13 | 0:08:17 | |
It's pieces they like, and that's fair enough, | 0:08:17 | 0:08:20 | |
but they're unsaleable at auction. | 0:08:20 | 0:08:22 | |
I've got to steer them, I suspect, towards things they don't like. | 0:08:22 | 0:08:27 | |
And that may be a problem. | 0:08:27 | 0:08:29 | |
The programme's not called Buy Something You Like And Lose Money, | 0:08:29 | 0:08:32 | |
it's called Bargain Hunt! | 0:08:32 | 0:08:34 | |
Argh! | 0:08:34 | 0:08:35 | |
'You said it!' | 0:08:35 | 0:08:37 | |
'Time for a team talk, I'd say.' | 0:08:37 | 0:08:41 | |
We need to focus here. I think the china, we've got to start ignoring. | 0:08:41 | 0:08:46 | |
Different. Out of the box. Something that grabs you. | 0:08:46 | 0:08:49 | |
Not something you'd like on the mantelpiece, something that, "wow!" | 0:08:49 | 0:08:53 | |
OK, so, 12 minutes, two lots, we've got one more to get | 0:08:54 | 0:08:58 | |
and we're squeezed into a 48-minute time window. | 0:08:58 | 0:09:02 | |
'Nobody likes a braggart, Jeremy!' | 0:09:02 | 0:09:05 | |
'You have been pretty snappy, though!' | 0:09:05 | 0:09:08 | |
'And look, I found something pretty snappy, too.' | 0:09:08 | 0:09:10 | |
Have you had your lunch? | 0:09:12 | 0:09:14 | |
I do hope so, because I don't want this to upset you. | 0:09:14 | 0:09:17 | |
What do you think about him? How spooky is that? | 0:09:19 | 0:09:24 | |
It's a type of crocodile called a garvial. | 0:09:24 | 0:09:26 | |
G-A-R-V-I-A-L. | 0:09:26 | 0:09:29 | |
Spelled a variety of ways, but a type of crocodile | 0:09:29 | 0:09:34 | |
that's typically found in India, and this is a fellow who likes | 0:09:34 | 0:09:39 | |
to swim around, in deep rivers, because he's a fish eater. | 0:09:39 | 0:09:43 | |
He flips around very efficiently and digs up lots of fish. | 0:09:43 | 0:09:48 | |
And my theory with this is, | 0:09:48 | 0:09:49 | |
that some British administrator in India, round about 1880-1900, | 0:09:49 | 0:09:56 | |
nabbed this as a trophy, | 0:09:56 | 0:09:59 | |
because it's been most expertly mounted by a taxidermist. | 0:09:59 | 0:10:03 | |
We've got a panel of pine here at the back | 0:10:04 | 0:10:09 | |
that provides the support for the skin | 0:10:09 | 0:10:11 | |
that the taxidermist has overlaid on the top, | 0:10:11 | 0:10:14 | |
and then, the taxidermist has done the amusing thing | 0:10:14 | 0:10:17 | |
of taking a couple of his child's marbles - | 0:10:17 | 0:10:21 | |
this is the bit where you need to have had your lunch - | 0:10:21 | 0:10:24 | |
and he's stuffed the marble inside the skin | 0:10:24 | 0:10:28 | |
to give this protuberant eye, which is what the species actually has. | 0:10:28 | 0:10:32 | |
And what I like about this particular example, | 0:10:32 | 0:10:35 | |
the quality of the mount itself and the fact, | 0:10:35 | 0:10:39 | |
as a furnishing piece, you can see it in some baronial hall. | 0:10:39 | 0:10:43 | |
If we put it there, as if it was mounted on a wall, | 0:10:43 | 0:10:50 | |
you get to see the scale of this extraordinary snout | 0:10:50 | 0:10:54 | |
to anybody who's walking by underneath. | 0:10:54 | 0:10:56 | |
What's this handsome piece of taxidermy worth? | 0:10:56 | 0:10:59 | |
Well, the dealer wants £100 for it. | 0:10:59 | 0:11:02 | |
Seems to me it's a bit of a snip! | 0:11:02 | 0:11:04 | |
Snap! | 0:11:04 | 0:11:06 | |
# But the biggest kick I ever got, was doing a thing... # | 0:11:06 | 0:11:11 | |
-Shall we press on? -Yep. | 0:11:11 | 0:11:13 | |
# While the other kids were rocking round the clock | 0:11:13 | 0:11:16 | |
# We were hoppin' and boppin' to the crocodile rock, well... # | 0:11:16 | 0:11:20 | |
What do you think about the accordion - is that a collector's? | 0:11:21 | 0:11:25 | |
I can't judge it as an instrument. | 0:11:25 | 0:11:26 | |
We are perfectly at liberty to embarrass ourselves | 0:11:26 | 0:11:29 | |
by picking it up and squeezing it, | 0:11:29 | 0:11:31 | |
but if said, can you sell that? | 0:11:31 | 0:11:33 | |
I'd say, yes. What's it going to make? Possibly £80. | 0:11:33 | 0:11:36 | |
-I quite like that... -Then ask the question! | 0:11:36 | 0:11:39 | |
Excuse me, how much is the accordion? | 0:11:39 | 0:11:41 | |
The accordion is 65. | 0:11:41 | 0:11:42 | |
Is in good working order? | 0:11:42 | 0:11:45 | |
The irony is that I haven't, I've had a go at it, | 0:11:45 | 0:11:48 | |
but all the notes work, and all the buttons work. | 0:11:48 | 0:11:51 | |
There we go. | 0:11:51 | 0:11:52 | |
Oh, you've done this before! | 0:11:52 | 0:11:55 | |
I've played the piano, but that's usually down here! | 0:11:55 | 0:11:57 | |
I don't pick a piano up and play it like this. | 0:11:57 | 0:12:00 | |
What did you say the price was? | 0:12:05 | 0:12:07 | |
I'll only go what I always get for them which is 50 quid. | 0:12:07 | 0:12:10 | |
Yeah, I think you would. Italian, German, I don't know. | 0:12:10 | 0:12:15 | |
They live in attics, they get damp and they start to peel. | 0:12:15 | 0:12:18 | |
Now, there has been moisture and a wee bit of oxidation to the plating there | 0:12:18 | 0:12:23 | |
but the good news is, it's all there and none of that, we'll call it veneer, has lifted. | 0:12:23 | 0:12:28 | |
This is all good. You've checked the bellows, it's a working instrument. | 0:12:28 | 0:12:32 | |
-No damage on it at all. -It's got mileage. | 0:12:32 | 0:12:34 | |
-I like it. -That's the case? | 0:12:34 | 0:12:36 | |
The back bit's a bit... | 0:12:36 | 0:12:38 | |
So it's probably the original case, Paul? | 0:12:38 | 0:12:41 | |
Oh, yes. It's been used. | 0:12:41 | 0:12:42 | |
I see it as a gamble at 50 quid | 0:12:42 | 0:12:45 | |
because I've said it's worth £40 to £80. | 0:12:45 | 0:12:49 | |
Anywhere on God's earth today, 40 quid? | 0:12:49 | 0:12:52 | |
No, no. Because I will get 50 quid for that today. | 0:12:52 | 0:12:56 | |
That's fair enough. The guy's being straight. Let's take it or leave it. | 0:12:56 | 0:13:00 | |
-I like it. -Yeah? Go for it. | 0:13:00 | 0:13:01 | |
-Yep, number one. -First one. | 0:13:01 | 0:13:03 | |
Thanking you. | 0:13:03 | 0:13:05 | |
Thank you very much. | 0:13:05 | 0:13:06 | |
Looks like that pep-talk worked, Paul. One down. | 0:13:06 | 0:13:10 | |
You've picked up the pace. Unlike those Blues. | 0:13:10 | 0:13:14 | |
Are you dithering, chicks? | 0:13:14 | 0:13:16 | |
What about a piano? A lovely arts and crafts piano? | 0:13:16 | 0:13:20 | |
What is that? | 0:13:22 | 0:13:23 | |
Her you are, ladies. An adding machine. | 0:13:23 | 0:13:26 | |
No? Not for you? | 0:13:26 | 0:13:27 | |
No, not for me. No. | 0:13:27 | 0:13:28 | |
I've got a calculator! | 0:13:29 | 0:13:31 | |
Silver, no? | 0:13:35 | 0:13:37 | |
Keep a hold of that before you do anything. | 0:13:37 | 0:13:40 | |
Not a fantastic age but a bit of quality. | 0:13:40 | 0:13:42 | |
What's the hallmark, Paul? | 0:13:42 | 0:13:44 | |
-Birmingham. -Sheffield. | 0:13:44 | 0:13:46 | |
Birmingham. | 0:13:46 | 0:13:47 | |
Is it Birmingham? I can't remember. | 0:13:47 | 0:13:49 | |
Dear though. | 0:13:49 | 0:13:50 | |
Well, when they were bought, they were 200 quid apiece. | 0:13:50 | 0:13:54 | |
That's the way the world is. | 0:13:54 | 0:13:56 | |
You buy it today, it's worth a tenth of that tomorrow. | 0:13:56 | 0:13:59 | |
Sorry, how much did you say for them? | 0:13:59 | 0:14:01 | |
90 quid, the pair. | 0:14:01 | 0:14:03 | |
To take them home, you're spot on. But you know the game we're playing. | 0:14:03 | 0:14:06 | |
It's got to be a trade purchase and that's not a trade price. | 0:14:06 | 0:14:09 | |
It's a good retail price. | 0:14:09 | 0:14:11 | |
400 quid's worth, down to... | 0:14:11 | 0:14:13 | |
No, it doesn't work like that! | 0:14:13 | 0:14:14 | |
What's the death? They like them and they're the bosses. | 0:14:16 | 0:14:19 | |
80 quid. | 0:14:19 | 0:14:20 | |
The problem with them is, they're second hand. | 0:14:20 | 0:14:24 | |
Not antiques, not collector's items, they're second hand glass, | 0:14:24 | 0:14:28 | |
with a wee bit of silver on the top. | 0:14:28 | 0:14:30 | |
Right. It's a possibility. | 0:14:30 | 0:14:33 | |
60 quid. All right? | 0:14:33 | 0:14:35 | |
-I like them. -I think they're stylish. | 0:14:35 | 0:14:37 | |
Yes. | 0:14:37 | 0:14:40 | |
Good. Shake the man's hand. Thank him. | 0:14:40 | 0:14:42 | |
Thank you very much. | 0:14:42 | 0:14:44 | |
Good haggling, Paul. | 0:14:44 | 0:14:45 | |
But, teams, you both still need to find that elusive third item. | 0:14:45 | 0:14:51 | |
1777. I mean... | 0:14:51 | 0:14:52 | |
-That's collectible. -Yeah. | 0:14:52 | 0:14:55 | |
-It's a lovely shape. -How much? | 0:14:55 | 0:14:58 | |
190. | 0:14:58 | 0:14:59 | |
Thank you very much. | 0:14:59 | 0:15:01 | |
Right, thank you. | 0:15:01 | 0:15:02 | |
It's harder than it looks, isn't it? | 0:15:02 | 0:15:06 | |
I like that. Being in the farming community, | 0:15:06 | 0:15:08 | |
we're attracted to cows, but they're not black and white ones. | 0:15:08 | 0:15:13 | |
We've seen a couple of things in here that we quite like the look of. | 0:15:18 | 0:15:22 | |
-Do you want to have a look? -Yes, can we? | 0:15:22 | 0:15:24 | |
-It's a champagne tap. -Ooh, is it? Even better! | 0:15:24 | 0:15:27 | |
-Is it a marked silver at all? -No. | 0:15:27 | 0:15:28 | |
What do you think it will be made of? | 0:15:28 | 0:15:30 | |
It will be electroplated. | 0:15:30 | 0:15:34 | |
The champagne tap at £55. | 0:15:34 | 0:15:38 | |
Do you think the case would have been made for it? | 0:15:38 | 0:15:41 | |
Well, yeah, it's a very good fit. It looks like a little coffin case. | 0:15:41 | 0:15:45 | |
I don't know that as a plated one you'd make much on that. | 0:15:45 | 0:15:48 | |
I can do it for 35. | 0:15:48 | 0:15:50 | |
Well, that's tempting, isn't it? | 0:15:50 | 0:15:53 | |
That is tempting. | 0:15:53 | 0:15:54 | |
What do you think? | 0:15:54 | 0:15:55 | |
I think it's nice the way it comes in its original case. | 0:15:55 | 0:15:58 | |
-You like the case? -Yes. | 0:15:58 | 0:15:59 | |
How much did you say? | 0:15:59 | 0:16:01 | |
-35. -35? What do you think? | 0:16:01 | 0:16:03 | |
I think, yeah. I really like it. I think it suits us both. | 0:16:03 | 0:16:06 | |
For our drinking days! | 0:16:06 | 0:16:09 | |
That would be the last thing. | 0:16:09 | 0:16:12 | |
35, it's good, isn't it? | 0:16:12 | 0:16:14 | |
Plenty of money for you to spend. | 0:16:14 | 0:16:16 | |
-I think we are popping corks at that. -Yeah! | 0:16:16 | 0:16:19 | |
Oh, Jeremy! | 0:16:19 | 0:16:21 | |
I know it's marked, it's damaged. | 0:16:28 | 0:16:30 | |
-What's the base like? -It looks a bit... | 0:16:30 | 0:16:32 | |
It's just a nice wee box. 20 quid wouldn't buy it? Wee box? | 0:16:32 | 0:16:35 | |
No, thank you. | 0:16:35 | 0:16:36 | |
Fair enough. Any compromise at all? | 0:16:36 | 0:16:39 | |
No, not at all. | 0:16:39 | 0:16:40 | |
The cogs are going, I can see them. | 0:16:46 | 0:16:49 | |
Um... | 0:16:50 | 0:16:51 | |
..it's the First Lancashire Fusiliers, | 0:16:52 | 0:16:55 | |
but will you be able to sell it? | 0:16:55 | 0:16:57 | |
Buy it. | 0:16:57 | 0:16:59 | |
Yeah? | 0:16:59 | 0:17:00 | |
Aargh! | 0:17:00 | 0:17:01 | |
That's what a soldier kept his bits and bobs in | 0:17:01 | 0:17:05 | |
and there's a market for that, | 0:17:05 | 0:17:07 | |
a regimental collector would pay you £80, £120 for that, | 0:17:07 | 0:17:10 | |
no trouble at all. | 0:17:10 | 0:17:12 | |
But in this auction, I'm worried that it's going to be overlooked. But it's got to make 30 quid... | 0:17:12 | 0:17:17 | |
Buy it and take a gamble that there's a military specialist there. | 0:17:17 | 0:17:20 | |
That's a good thing. If you don't buy it, I'm buying it. | 0:17:20 | 0:17:23 | |
What date-wise are you putting it at? Victorian? | 0:17:23 | 0:17:26 | |
It's 1890, it's Sudan War, it's Boer War. | 0:17:26 | 0:17:29 | |
The only thing I'm concerned about is, will they pick out the damage? | 0:17:29 | 0:17:33 | |
It's a soldier's box. That's what it is. | 0:17:33 | 0:17:36 | |
It's seen a campaign. | 0:17:36 | 0:17:37 | |
It's not about the inside. It's had tools in it. | 0:17:37 | 0:17:40 | |
Lovely, original, painted finish. That's our man there. | 0:17:42 | 0:17:46 | |
Mick McEwan, First Lancashire | 0:17:46 | 0:17:50 | |
F-U-S, Fusiliers. | 0:17:50 | 0:17:53 | |
Lovely little thing. Yes? | 0:17:53 | 0:17:55 | |
Yes, we'll go for it. | 0:17:55 | 0:17:57 | |
A man's life was in that. | 0:17:57 | 0:17:58 | |
Yours might be if it doesn't make a profit! | 0:17:58 | 0:18:03 | |
Now, finally, the teams can rest their old legs because time's up. | 0:18:06 | 0:18:11 | |
What exactly did Sue and David buy? | 0:18:11 | 0:18:14 | |
You've done this before! | 0:18:15 | 0:18:17 | |
An accordion for £50 was music to their ears. | 0:18:17 | 0:18:21 | |
The accordion should do 40 to 80 | 0:18:21 | 0:18:23 | |
so they're in with a shout, that's fair enough. | 0:18:23 | 0:18:27 | |
They got the deal they wanted | 0:18:27 | 0:18:28 | |
for the pair of glass and silver decanters. | 0:18:28 | 0:18:32 | |
And the military box grabbed Paul and wouldn't let him go... | 0:18:33 | 0:18:37 | |
You've got a deal. Thank you. | 0:18:37 | 0:18:39 | |
..making a grand total of £140 spent. | 0:18:40 | 0:18:43 | |
-Kids, how was that? -Wonderful. | 0:18:43 | 0:18:45 | |
You've finished? | 0:18:45 | 0:18:46 | |
-Yes, we have. It's been brilliant. -What fun! | 0:18:46 | 0:18:49 | |
-Please may I have 160 of leftover lolly. -You may, reluctantly. | 0:18:49 | 0:18:52 | |
There's the 160, straight across to Paul, very, very cunning man. | 0:18:52 | 0:18:56 | |
Anyway, you go and have a cup of tea. You go on your trawl. | 0:18:56 | 0:18:59 | |
Meanwhile, we're going to find out what the blue team bought. | 0:18:59 | 0:19:03 | |
They raced off the starter's blocks with a glass bowl for £24. | 0:19:05 | 0:19:09 | |
Unusual was the order of the day when it came to the clockwork bug. | 0:19:11 | 0:19:16 | |
I think it's fun and quirky. I think it'll sell well | 0:19:16 | 0:19:19 | |
and it might be just the one that saves the day for us. | 0:19:19 | 0:19:24 | |
And they finished with an electro- plated champagne tap for £35, | 0:19:24 | 0:19:30 | |
leaving them with £186 of leftover lolly for Jeremy. | 0:19:30 | 0:19:35 | |
Which is your favourite piece? | 0:19:35 | 0:19:38 | |
I think the clockwork bug. | 0:19:38 | 0:19:40 | |
Yeah, the wind-up beetle thing. I really like that. | 0:19:40 | 0:19:42 | |
-Which piece is going to bring the biggest profit? -Hopefully that. | 0:19:42 | 0:19:46 | |
-There you go, J. Including your last pound. -Lovely. | 0:19:46 | 0:19:49 | |
How do you feel about this shopping expedition? | 0:19:49 | 0:19:52 | |
I think I'm in the right shop. | 0:19:52 | 0:19:54 | |
It's a fantastic place, isn't it? | 0:19:54 | 0:19:56 | |
The variety of objects are unbelievable. | 0:19:56 | 0:19:58 | |
It's huge, yeah. | 0:19:58 | 0:20:00 | |
So, girls, you go and relax up. Your task lies ahead of you, Jeremy. | 0:20:00 | 0:20:03 | |
Meanwhile, we're going to head off to Sulgrave Manor | 0:20:03 | 0:20:06 | |
and it's fab. | 0:20:06 | 0:20:09 | |
This is Sulgrave Manor in Northamptonshire. | 0:20:17 | 0:20:21 | |
It was built between 1539 and 1560 by Lawrence Washington. | 0:20:21 | 0:20:27 | |
Washington made his money in the wool trade | 0:20:27 | 0:20:31 | |
and in the 1920s, the manor was restored to give a glimpse | 0:20:31 | 0:20:34 | |
of what life would have been like for a Tudor farmer. | 0:20:34 | 0:20:37 | |
And this room is called the Great Hall. | 0:20:41 | 0:20:44 | |
In the Tudor period, the Great Hall was still a communal space. | 0:20:44 | 0:20:50 | |
A space where the entire household would eat. | 0:20:50 | 0:20:54 | |
The master might be at one end of the table | 0:20:54 | 0:20:57 | |
and all the servants below the salt at the other. | 0:20:57 | 0:21:02 | |
And it's appropriate that this refectory table has in the centre | 0:21:02 | 0:21:08 | |
a bowl which reflects that communal sense of eating and celebration. | 0:21:08 | 0:21:13 | |
This is something called a wassail bowl | 0:21:13 | 0:21:18 | |
and this single block has been mounted on a lathe, | 0:21:18 | 0:21:21 | |
a pretty big lathe, I have to say, and then spun. | 0:21:21 | 0:21:23 | |
The idea of a big communal drinking vessel like this | 0:21:23 | 0:21:27 | |
is that it would be used to celebrate perhaps the harvest coming in or a wedding. | 0:21:27 | 0:21:33 | |
The ingredients used for wassail aren't precisely recorded | 0:21:33 | 0:21:38 | |
but there'd definitely be alcohol in it, probably mead, | 0:21:38 | 0:21:42 | |
various sweetenings like honey and essence | 0:21:42 | 0:21:46 | |
all blended together into the wassail bowl, | 0:21:46 | 0:21:51 | |
out of which the hooch would be ladled and passed around the table. | 0:21:51 | 0:21:56 | |
Next door, we've got a group of objects | 0:21:56 | 0:21:58 | |
which can be directly linked to this Tudor Great Hall. | 0:21:58 | 0:22:03 | |
These two coins, a shilling, dated 1572 | 0:22:03 | 0:22:08 | |
and a sixpenny piece, dated 1567, | 0:22:08 | 0:22:11 | |
were discovered in the ceiling above this room | 0:22:11 | 0:22:16 | |
during the 1920s restoration. | 0:22:16 | 0:22:18 | |
And down below, even more poignantly, I think, | 0:22:18 | 0:22:24 | |
is this a little Tudor leather child's shoe. | 0:22:24 | 0:22:28 | |
Perhaps kicked off by some petulant infant | 0:22:28 | 0:22:33 | |
which somehow found its way behind the wainscoting and into the ceiling void. | 0:22:33 | 0:22:38 | |
But look at how beautifully it's made. | 0:22:38 | 0:22:40 | |
Fine leather, as you'd expect in Northamptonshire, | 0:22:40 | 0:22:44 | |
and stitched with practically invisible tiny little stitches. | 0:22:44 | 0:22:48 | |
Extraordinary. | 0:22:48 | 0:22:50 | |
Of course, the big question today is, | 0:22:50 | 0:22:52 | |
will our teams be finding any booty over at the auction? | 0:22:52 | 0:22:56 | |
Which today is at Golding Young Thomas Mawer in Grantham | 0:22:59 | 0:23:03 | |
where auctioneer Colin Young hopes to get the best possible prices for us. | 0:23:03 | 0:23:08 | |
But first, let's see what Paul found for his bonus buy. | 0:23:10 | 0:23:14 | |
Now, here we come with the bonus buy. You gave him £160. | 0:23:14 | 0:23:18 | |
Did you spend of the lot, Paul? | 0:23:18 | 0:23:20 | |
-I feel slightly dirty about this. -I beg your pardon? Dirty? | 0:23:20 | 0:23:24 | |
-I'm not proud of this. -Oh, come on! | 0:23:24 | 0:23:28 | |
I do strive to pick things that haven't been seen before. | 0:23:28 | 0:23:31 | |
In this instance, I just took the money and ran. | 0:23:31 | 0:23:35 | |
Behold! Another piece of Moorcroft. | 0:23:35 | 0:23:38 | |
It could have been a tea caddy. | 0:23:38 | 0:23:40 | |
It could have been a tortoiseshell card box. | 0:23:40 | 0:23:43 | |
But no, it's Moorcroft. | 0:23:43 | 0:23:46 | |
-You know what that is. You know the world loves it. -Yes. | 0:23:46 | 0:23:49 | |
You take it from me, that is worth certainly £50, £60. | 0:23:49 | 0:23:53 | |
-And you paid how much, Paul? -£28. | 0:23:53 | 0:23:55 | |
SHE GASPS | 0:23:55 | 0:23:56 | |
I just had to grab it. | 0:23:56 | 0:23:57 | |
Do you like Moorcroft? | 0:23:57 | 0:23:59 | |
I love Moorcroft. | 0:23:59 | 0:24:00 | |
You love it, Sue? | 0:24:00 | 0:24:02 | |
I do. It's hibiscus as well. | 0:24:02 | 0:24:04 | |
Hibiscus! She knows her patterns. | 0:24:04 | 0:24:06 | |
It's even got its original trade label on it. | 0:24:06 | 0:24:08 | |
That's amazing, isn't it? | 0:24:08 | 0:24:10 | |
-Is that not amazing? -It's gorgeous. | 0:24:10 | 0:24:12 | |
Don't bang yourself up about getting an piece of Moorcroft if you can buy it half-price. | 0:24:12 | 0:24:17 | |
It was a no-brainer, as they say. | 0:24:17 | 0:24:19 | |
Treasure those thoughts. Your choice will come after the sale of your first three items. | 0:24:19 | 0:24:24 | |
Right now, for the viewers at home, let's find out | 0:24:24 | 0:24:27 | |
what the auctioneer thinks about Paul's Moorcroft pot. | 0:24:27 | 0:24:31 | |
-There's a little sweetheart, look. -It's a pretty little thing. | 0:24:31 | 0:24:34 | |
Not one of the biggest pieces of Moorcroft I've come across but... | 0:24:34 | 0:24:37 | |
Size isn't everything, Colin. | 0:24:37 | 0:24:39 | |
No, it's the pattern that's important. | 0:24:39 | 0:24:42 | |
We've got a good hibiscus pattern. | 0:24:42 | 0:24:44 | |
I would have thought, even on the scale and size, | 0:24:44 | 0:24:47 | |
we are looking at £50 to £80 for it. | 0:24:47 | 0:24:50 | |
That's brilliant. £28 was paid by Laidlaw. That's a good buy? | 0:24:50 | 0:24:54 | |
Yeah, absolutely. | 0:24:54 | 0:24:56 | |
Next is the accordion. I've never played one of these things, I don't know whether you have, Colin? | 0:24:56 | 0:25:01 | |
I've had a bash at a couple of these over the years. | 0:25:01 | 0:25:05 | |
It's what they used to call lavatory seat mother of pearl, isn't it? | 0:25:05 | 0:25:08 | |
Yes, it is. | 0:25:08 | 0:25:09 | |
Where you get this finish that looks like mother of pearl, but it's just plastic actually. | 0:25:09 | 0:25:14 | |
This was made in Germany, I suppose, in the 1950s, something like that. | 0:25:14 | 0:25:19 | |
So how do you rate this thing? | 0:25:19 | 0:25:21 | |
-We've placed an estimate of £25 to £40 on it. -Is that all? | 0:25:21 | 0:25:24 | |
£50 they paid for it and they really quite rate it. | 0:25:24 | 0:25:29 | |
Next are these modern decanters and stoppers, Royal Brierley, | 0:25:29 | 0:25:35 | |
still got the label on, given as a wedding present in 1972, no doubt. | 0:25:35 | 0:25:39 | |
Never been used, hence the original labels. | 0:25:39 | 0:25:42 | |
What do you think they're worth? | 0:25:42 | 0:25:43 | |
They still make £30 or £40 apiece | 0:25:43 | 0:25:46 | |
so we've put an estimate of £60 to £80. | 0:25:46 | 0:25:48 | |
£60 our team paid. So that's all right. 60 to 80, we like that estimate. | 0:25:48 | 0:25:53 | |
Lastly it's the regimental tuck box. | 0:25:53 | 0:25:56 | |
Paul Laidlaw loves this, of course, because it's military. Do you rate it? | 0:25:56 | 0:26:00 | |
I do and I think he's going to have a wry smile on his face when he sees | 0:26:00 | 0:26:04 | |
the rest of the militaria in the sale that will go nicely with it. | 0:26:04 | 0:26:08 | |
So it's in good company today. | 0:26:08 | 0:26:10 | |
We've put an estimate of 25 to 40 and if it's going to make its money, it'll make it today. | 0:26:10 | 0:26:15 | |
Well, it's got to make more than 30. Is that a deal? | 0:26:15 | 0:26:18 | |
No deals to be done with the auctioneer, I can tell you. | 0:26:19 | 0:26:22 | |
No, that's up to the buyers. | 0:26:22 | 0:26:24 | |
Anyway, that's it for the Reds, now for the Blues. | 0:26:24 | 0:26:27 | |
First up for them is the posy vase. | 0:26:27 | 0:26:30 | |
It's quite a big posy to go in there. | 0:26:30 | 0:26:32 | |
It's a good centrepiece. It'll certainly be a statement on anybody's dining table. | 0:26:32 | 0:26:37 | |
-Do think it's Scottish? It looks Scottish. -Undoubtedly. | 0:26:37 | 0:26:40 | |
As for value on it, we see a lot of these things that are unmarked, | 0:26:40 | 0:26:43 | |
and they generally make mid-tens, £40, £60, that sort of range. | 0:26:43 | 0:26:48 | |
£24 our team paid. So that was the right price to pay. | 0:26:48 | 0:26:51 | |
Next is that clockwork bug, call it a beetle if you like. | 0:26:51 | 0:26:57 | |
How do you rate those? | 0:26:57 | 0:26:59 | |
Oh, I like those sort of things. | 0:26:59 | 0:27:00 | |
There's always a lot of in toys in the sales. | 0:27:00 | 0:27:03 | |
And tin plate, in particular, is doing very well at the moment. | 0:27:03 | 0:27:06 | |
-And what's it worth? -Well, the condition isn't great. | 0:27:06 | 0:27:09 | |
So, something like that which should be worth well over £100, | 0:27:09 | 0:27:12 | |
I've put an estimate of 30-50, which I think reflects the condition. | 0:27:12 | 0:27:16 | |
-Oh dear, £55 they paid. -They stand a chance. | 0:27:16 | 0:27:19 | |
Well, still a chance. | 0:27:19 | 0:27:20 | |
And lastly, we've got the champagne tap, here. | 0:27:20 | 0:27:24 | |
That's a nice example, isn't it? | 0:27:24 | 0:27:26 | |
It is a nice example, it's generally not the sort of thing that you would put as a single lot, though. | 0:27:26 | 0:27:32 | |
It just seems fairly low in value. | 0:27:32 | 0:27:35 | |
We've put an estimate of £10-20 on it. | 0:27:35 | 0:27:38 | |
Not something that really excites me and I think it may not do that well. | 0:27:38 | 0:27:43 | |
£25 paid. If it was made of silver it would be helpful. | 0:27:43 | 0:27:46 | |
-But it's just mixed plate, or whatever it is. -Yeah, that's it. Yeah. | 0:27:46 | 0:27:50 | |
So, I think this is a risky group for the Blues. | 0:27:50 | 0:27:54 | |
So risky, in fact, they're likely to need their bonus buy. | 0:27:54 | 0:27:57 | |
So, let's go and have a look at it. | 0:27:57 | 0:27:59 | |
Now we're going to find out what Jeremy Lamond spent your £186 on. | 0:28:01 | 0:28:05 | |
Well, I thought, "What would we need for the winners' party? | 0:28:05 | 0:28:09 | |
"We'd need a jug, from which we could drink." | 0:28:09 | 0:28:11 | |
So, I bought you a Doulton Blackjack, | 0:28:11 | 0:28:16 | |
which is a copy of a leather jug made in the 17th century. | 0:28:16 | 0:28:19 | |
And it's mounted with silver in the Victorian period. | 0:28:19 | 0:28:23 | |
And just so we don't get too rowdy it says, "Drink fair, don't swear." | 0:28:23 | 0:28:28 | |
DAVID LAUGHS | 0:28:28 | 0:28:29 | |
-So, there we are. -Well, that's the motto for BBC, isn't it, really? | 0:28:29 | 0:28:32 | |
Have a look. | 0:28:32 | 0:28:33 | |
-It's certainly unusual. -So, what date was it made, then? | 0:28:35 | 0:28:38 | |
It's about 1895, or so. | 0:28:38 | 0:28:41 | |
It's not something I would personally buy but, um, it's unusual, I think. | 0:28:41 | 0:28:46 | |
Would you drink out of it personally? | 0:28:46 | 0:28:48 | |
I'd drink out of anything. | 0:28:48 | 0:28:50 | |
And what are you going to pay for something that's silver mounted, | 0:28:50 | 0:28:53 | |
complete, a bit quirky, three figures? | 0:28:53 | 0:28:56 | |
-That means you didn't pay. -Probably a lot? | 0:28:56 | 0:28:58 | |
THEY LAUGH | 0:28:58 | 0:28:59 | |
-I don't know, what about, umm...£80? -£90. -£90. | 0:29:00 | 0:29:04 | |
-How much will it make? -Well, I hope 100-150. | 0:29:04 | 0:29:07 | |
Anyway, you girls treasure those thoughts because right now, for the viewers at home, | 0:29:07 | 0:29:12 | |
we're going to find out what the auctioneer thinks about J's jug. | 0:29:12 | 0:29:15 | |
-Isn't it clever, Colin? I mean, looks like leather. -Yep. | 0:29:17 | 0:29:21 | |
-Almost feels like leather. Except it's too heavy. -Yeah. | 0:29:21 | 0:29:24 | |
What I like about it is, though, | 0:29:24 | 0:29:26 | |
the way the pottery has been moulded with these little rivets | 0:29:26 | 0:29:29 | |
and then the rivets are coloured as if they're copper. | 0:29:29 | 0:29:33 | |
You know, you've got a really realistic effect there. | 0:29:33 | 0:29:36 | |
They are, they're really popular at auction, these Blackjack jugs. | 0:29:36 | 0:29:39 | |
As far as this model's concerned, being fairly restrained | 0:29:39 | 0:29:42 | |
in its silver mounting, we've placed 60-90 on this one. | 0:29:42 | 0:29:46 | |
£90 paid by Jeremy who rates it. | 0:29:46 | 0:29:49 | |
-Yeah. -He's clearly thinking that he's going to make a profit on it | 0:29:49 | 0:29:52 | |
if the team decide to go with it. | 0:29:52 | 0:29:55 | |
That's sometimes the million dollar question. | 0:29:55 | 0:29:57 | |
You standing by? | 0:29:57 | 0:29:58 | |
Good in voice and fine fettle. | 0:29:58 | 0:30:00 | |
Strong in gavel. | 0:30:00 | 0:30:02 | |
This is an unusual object, you know. | 0:30:13 | 0:30:15 | |
For a kick-off, just have a look at the size of this ceramic dish. | 0:30:15 | 0:30:21 | |
It probably dates from around about 1850 | 0:30:21 | 0:30:25 | |
and this thing has been made entirely for ornamental purposes. | 0:30:25 | 0:30:30 | |
And it's something that's called faience. | 0:30:30 | 0:30:34 | |
Now, faience is just tin-glazed earthenware, like majolica. | 0:30:34 | 0:30:39 | |
And if you look here, you can see where it's had a chip. | 0:30:39 | 0:30:43 | |
The area underneath is pale yellow earthenware | 0:30:43 | 0:30:47 | |
that's had a very thin layer of tin glaze put on the earthenware to seal it. | 0:30:47 | 0:30:54 | |
It's then been decorated on top of the tin glaze | 0:30:54 | 0:30:58 | |
and the artist, whose name I can't quite make out in the grass here | 0:30:58 | 0:31:03 | |
at the bottom but I can definitely make out Napoli, | 0:31:03 | 0:31:06 | |
so it comes from Naples. | 0:31:06 | 0:31:10 | |
This is a scene from Greek mythology. | 0:31:10 | 0:31:13 | |
We've got the most beautiful girl with most of her kit off, | 0:31:13 | 0:31:19 | |
taking centre stage. | 0:31:19 | 0:31:20 | |
And that's the figure of Europa. | 0:31:20 | 0:31:23 | |
And it's the moment where Zeus, who has developed an incredible | 0:31:23 | 0:31:28 | |
passion for Europa, has disguised himself as a bull | 0:31:28 | 0:31:33 | |
and it's Zeus that's rather enjoying having Europa sitting on his back. | 0:31:33 | 0:31:39 | |
According to the legend, she patted him | 0:31:39 | 0:31:43 | |
and after a bit he simply roared to life, so as to speak, | 0:31:43 | 0:31:48 | |
and ran off with her, galloping into the water down below. | 0:31:48 | 0:31:52 | |
What's it worth? | 0:31:52 | 0:31:54 | |
Well, according to the auctioneers estimate, £1,000-1,500 pounds. | 0:31:54 | 0:32:00 | |
I fancy that might be just a tad bullish. | 0:32:00 | 0:32:03 | |
What do you think? | 0:32:03 | 0:32:05 | |
130, 140, 150, 60... | 0:32:05 | 0:32:08 | |
..170, 180, 190, 200. | 0:32:08 | 0:32:10 | |
HE BANGS THE GAVEL | 0:32:10 | 0:32:11 | |
-So, guys, how are you feeling? -OK. -Great, can't wait. -Yes. | 0:32:11 | 0:32:16 | |
No regrets about anything you've bought, Susan? | 0:32:16 | 0:32:18 | |
-The accordion, maybe... -The accordion. -..slightly, I should think. | 0:32:18 | 0:32:22 | |
Just depends on whether there are any street traders or hawkers | 0:32:22 | 0:32:26 | |
who want to set themselves up in business, really. | 0:32:26 | 0:32:29 | |
-Cos it's all set up, isn't it? -It is. | 0:32:29 | 0:32:31 | |
Lot number 92, then, is the mid-20th century piano accordion by Pietro. | 0:32:31 | 0:32:37 | |
There we go, who's going to start me at £50 for this? £50, anybody? 50? | 0:32:37 | 0:32:40 | |
40 to go if we have to. £40... | 0:32:40 | 0:32:42 | |
-They don't look very musical, do they? -They don't. | 0:32:42 | 0:32:44 | |
£30, I'll take anything. 10? £10? £10 bid. | 0:32:44 | 0:32:48 | |
12 bid, 15 bid, 18 now, 18 do I see? | 0:32:48 | 0:32:50 | |
18 bid and 20, at £20 bid, | 0:32:50 | 0:32:52 | |
22 now, 22 bid. | 0:32:52 | 0:32:54 | |
25 bid. | 0:32:54 | 0:32:56 | |
-Come on. -28 now. | 0:32:56 | 0:32:58 | |
30 now. 30, 32 now. 32, the music's getting sweeter. | 0:32:58 | 0:33:03 | |
35, 38 bid. 40. | 0:33:03 | 0:33:06 | |
-42 now. 42, bid. -Get in there. | 0:33:06 | 0:33:09 | |
45 bid. | 0:33:09 | 0:33:11 | |
48 bid. | 0:33:11 | 0:33:12 | |
-Yes! -It's the internet. -50. | 0:33:12 | 0:33:14 | |
And five, now, do I see? | 0:33:15 | 0:33:16 | |
-Not such a bad buy after all. -Extra five has scared them off. | 0:33:16 | 0:33:19 | |
Oh, we've got 55! They like 55. | 0:33:19 | 0:33:22 | |
-What do you think of that? -Thank you. | 0:33:22 | 0:33:24 | |
That's £60 bid, any more now? | 0:33:24 | 0:33:26 | |
At £60 bid, it's in the room, it's a lady's bid at 60. | 0:33:26 | 0:33:28 | |
Last call, then, selling at £60! | 0:33:28 | 0:33:32 | |
-Very well done, £60... -Oh, brilliant! -..is plus £10. -Brilliant. | 0:33:32 | 0:33:35 | |
Well, that's marvellous, isn't it? | 0:33:35 | 0:33:37 | |
And next up are the two Royal Brierly decanters. Here they come. | 0:33:37 | 0:33:40 | |
Start me at £80 for them. 80! Got to be worth £40 each. | 0:33:40 | 0:33:43 | |
50, £50. 30. | 0:33:43 | 0:33:45 | |
THEY GASP | 0:33:45 | 0:33:48 | |
£30 bid. Your bid at 30, and five now do I see? | 0:33:48 | 0:33:49 | |
At 30 bid, five, surely? 35, 35, 40, 45, 50. 50, 55? No. | 0:33:49 | 0:33:54 | |
55, now, do I see any more, now? | 0:33:54 | 0:33:56 | |
At 50 bid, two if it's going to help anybody else. Two now, may I say? | 0:33:56 | 0:34:00 | |
At £50, 52, fresh bidder. 55, now. | 0:34:00 | 0:34:03 | |
52, second row has it, at 52 and five is the last call. | 0:34:03 | 0:34:07 | |
Then we're selling, make no mistake at £52. | 0:34:07 | 0:34:09 | |
£52, you are minus eight on that. | 0:34:09 | 0:34:11 | |
Overall, you are plus two. 0h, gosh! | 0:34:11 | 0:34:13 | |
-That... That's disappointing. -Very. -This is getting fine. | 0:34:13 | 0:34:16 | |
-Here we go. -Now, the kit box. | 0:34:16 | 0:34:18 | |
First Lancashire Fusiliers' kit box, | 0:34:18 | 0:34:21 | |
this time with carrying handles. | 0:34:21 | 0:34:22 | |
There we go, a decent little box there. | 0:34:22 | 0:34:24 | |
Who's going to start me with £50 for it? 30 to go, surely, £30 anybody? | 0:34:24 | 0:34:26 | |
-Oh no. -£10, anybody? 10. | 0:34:26 | 0:34:29 | |
10 bid, 10, 12, 12, 15, 15, 18, 18, do I see 18? | 0:34:29 | 0:34:32 | |
18, 20, £20 bid, 22 bid, 25 bid, five bid now, 25. | 0:34:32 | 0:34:37 | |
28, bid 30, £30 there, 30 bit, 32? No. | 0:34:37 | 0:34:40 | |
-At £30 bid, 32 anywhere else now? -Cheap. | 0:34:40 | 0:34:42 | |
£30 bid and two is the last call. | 0:34:42 | 0:34:43 | |
At 30, front row has it at 30 bid, two or not now, | 0:34:43 | 0:34:46 | |
selling all done at £30. | 0:34:46 | 0:34:48 | |
-Wiped its face. Well, there we go, I don't believe this. -Unlucky. | 0:34:48 | 0:34:52 | |
-You are plus £2. You have a profit of a pound each. -Yes! | 0:34:52 | 0:34:57 | |
David, you were saying there could be a drink in this. | 0:34:57 | 0:34:59 | |
-There could be a drink. -A lemonade! -I think it's likely to be fizzy water. | 0:34:59 | 0:35:02 | |
-Are you going with the bonus buy or not, quickly? -Yes. | 0:35:02 | 0:35:06 | |
The decision's made, we're going with the bonus buy and here it comes. | 0:35:06 | 0:35:09 | |
Lot number 98 is a Moorcroft pottery small baluster vase, there. | 0:35:09 | 0:35:13 | |
With the hibiscus pattern. | 0:35:13 | 0:35:14 | |
Who's going to start me at £100 for it? 100 for the Moorcroft. 80 then? | 0:35:14 | 0:35:18 | |
50 to go then, 50. | 0:35:18 | 0:35:20 | |
-50, straight in at 50, five now? -Oh, brilliant. | 0:35:20 | 0:35:23 | |
Well done, Paul. | 0:35:23 | 0:35:25 | |
And £50, maiden bid has it, at 50 bid, and 55 bid, 60 now, £60 bid. | 0:35:25 | 0:35:29 | |
60, 65? 65, 65, | 0:35:29 | 0:35:31 | |
70 now, 70 bid, | 0:35:31 | 0:35:32 | |
-75 now. 75 do I see? -Look at this. | 0:35:32 | 0:35:35 | |
-80 bid, 85 now? 85 surely? -It's a pretty little vase. | 0:35:35 | 0:35:40 | |
At £80 I have down here. | 0:35:40 | 0:35:41 | |
Two is the last call! We're done, we're finished and going 82. | 0:35:41 | 0:35:43 | |
Internet comes back. | 0:35:43 | 0:35:44 | |
85. 85, 88? 88 bid. £90 then. | 0:35:44 | 0:35:49 | |
-90. 92 now. 92. -Paul Laidlaw! | 0:35:49 | 0:35:53 | |
At £90 bid, back in the front then at 90, all done and finished | 0:35:53 | 0:35:56 | |
and selling at £90. Thank you, madam. | 0:35:56 | 0:35:59 | |
-Well done, Paul. -Well done. -Brilliant! | 0:35:59 | 0:36:02 | |
£62 plus the £2 you had before, makes you plus £64. | 0:36:02 | 0:36:08 | |
-So we get to drink after all? -How about that? -Wonderful. -Brilliant. | 0:36:08 | 0:36:12 | |
Absolutely brilliant. Thanks to our man here. | 0:36:12 | 0:36:15 | |
And just a shame the box didn't make a bit more, | 0:36:15 | 0:36:18 | |
cos you'd got a lot of faith in that, hadn't you? | 0:36:18 | 0:36:20 | |
-Yeah. -Doesn't matter, it wiped its face. Didn't lose you any money. | 0:36:20 | 0:36:23 | |
-No. -Anyway, congratulations on that. -Thank you very much. | 0:36:23 | 0:36:25 | |
-Don't say a thing to the Blues. -Wouldn't dream of it. -No. | 0:36:25 | 0:36:28 | |
Congratulations, wow! | 0:36:28 | 0:36:30 | |
Next up is the faience platter, | 0:36:42 | 0:36:44 | |
estimate £1,000-1,500. | 0:36:44 | 0:36:46 | |
Magnificent object, here it comes. | 0:36:46 | 0:36:48 | |
There we go, wonderful, painted Italian faience oval charger, this time. | 0:36:48 | 0:36:53 | |
Who's going to start me at 500 and we count on? | 0:36:53 | 0:36:55 | |
£500, straight in for it, 500. £500 bid. At 550 now, 550. | 0:36:55 | 0:36:58 | |
600, 650, 700 now, 700 bid. 700, 750, | 0:36:59 | 0:37:05 | |
800, 850, | 0:37:05 | 0:37:09 | |
900, 950. | 0:37:09 | 0:37:12 | |
1000 now, surely. At 950. I'll take another bid at 75 if it's going to help. As 950. 975. | 0:37:12 | 0:37:18 | |
At 975. Top it up. 1,000 now, surely. 1,000. 1,000 bid. | 0:37:18 | 0:37:22 | |
At £1,000, are we all done and finished? | 0:37:22 | 0:37:25 | |
-Going this time, then, at £1,000. Thank you very much. -£1,000 and sold. | 0:37:25 | 0:37:30 | |
Not bullish at all. | 0:37:30 | 0:37:31 | |
-So, girls, how are you feeling? -Yeah, quite excited. -Confident? -Yeah. | 0:37:39 | 0:37:43 | |
-Do you know how the Reds got on? -No. -No, we don't want you to know that. | 0:37:43 | 0:37:46 | |
Any particular item that you wish you hadn't bought, Kristen? | 0:37:46 | 0:37:50 | |
-That champagne tap, I think that's a dud. -It's a bit of a... | 0:37:50 | 0:37:53 | |
It is a bit dodgy, that thing, isn't it? | 0:37:53 | 0:37:55 | |
First up, though, is the posy vase. And here it comes. | 0:37:55 | 0:37:58 | |
The Scottish turquoise art pottery posy vase this time. | 0:37:58 | 0:38:02 | |
-Who's going to start me at £80 for it? -80. -50 to go then... -Come on. | 0:38:02 | 0:38:07 | |
-£30. 20 to go, then. 20. -Oh, dear! | 0:38:07 | 0:38:11 | |
At £20 bid. Two now. Two, five. | 0:38:11 | 0:38:15 | |
-28, back with you. -You're in profit. | 0:38:15 | 0:38:17 | |
-30. £30 I'm bid. -It's better than 20. | 0:38:17 | 0:38:20 | |
-32 anywhere else? Lady's bid, then. You're all out. -Oh, no! Internet, isn't it? | 0:38:20 | 0:38:25 | |
-£30. -Well done, Jeremy. That is plus £6. To make a profit is an achievement. | 0:38:25 | 0:38:31 | |
Next is the clockwork beetle. | 0:38:31 | 0:38:33 | |
Lot 114 is a German lithograph tinplate clockwork beetle by Lehman, | 0:38:33 | 0:38:38 | |
as opposed to the other Beatle by Lennon. | 0:38:38 | 0:38:41 | |
Who's going to start me at £50 for it? £30, anybody? 30. | 0:38:41 | 0:38:46 | |
£30, what a fun object. Its 30 at the back of the room. | 0:38:46 | 0:38:49 | |
30 bid. Five now. I've had it working during viewing. At £30. Two now if it helps. | 0:38:49 | 0:38:52 | |
It does. 32, 35, 35, 38. 38 bid. 40. £40 I'm bid. | 0:38:52 | 0:38:56 | |
42, 45, 45. 48 on the internet. £50. 50, and five now. £50 bid. | 0:38:56 | 0:39:02 | |
Back in the room at 50. Five, surely. | 0:39:02 | 0:39:04 | |
At £50 bid, are we going to creep into another bid now? No. | 0:39:04 | 0:39:07 | |
-At £50, all done and finished. -No, just a bit more. -All done at £50. | 0:39:07 | 0:39:11 | |
Bad luck. £50 - that's minus £5, which means, overall, | 0:39:11 | 0:39:15 | |
you have a profit of a pound. | 0:39:15 | 0:39:18 | |
50p each. After all this effort. | 0:39:18 | 0:39:21 | |
OK. Now we have the champagne tap. | 0:39:21 | 0:39:24 | |
It should be £30 of anybody's money. 30 pounds, anybody? 20 to go then, surely. | 0:39:24 | 0:39:29 | |
-£20, anyone? 20. -Uh-oh(!) | 0:39:29 | 0:39:31 | |
£10. Thank you. Ten bid. | 0:39:31 | 0:39:33 | |
12, 15. 15, do I see? No, wasn't quick enough then. | 0:39:33 | 0:39:37 | |
At 12 bid, 13 do I see now? £12 I'm bid. 13 now do I see? At 12 bid. | 0:39:37 | 0:39:42 | |
It's lost its fizz very quickly. 13, back in. 14. 15, do I see? 15. 16. | 0:39:42 | 0:39:48 | |
He's such a good auctioneer. | 0:39:48 | 0:39:51 | |
-15 at the back of the room. Last call, sells at 15. 16. -Oh! 16. | 0:39:51 | 0:39:56 | |
17 now, sir. 17, do I see? | 0:39:56 | 0:39:58 | |
No, the lady's bid at 16 bid. Any more now? Going, then, at £16. | 0:39:58 | 0:40:03 | |
You are minus £19 on that wretched tap. | 0:40:03 | 0:40:06 | |
You had a pound before, so that means you're minus £18. | 0:40:06 | 0:40:09 | |
-What about the bonus buy? Minus £18 could be a winning score. -I think we'll go for it. | 0:40:09 | 0:40:13 | |
-We like it. It's unusual. -I think we're going to have to. | 0:40:13 | 0:40:16 | |
-Do you trust in Jeremy? -Yeah. -Drink fair, don't swear. -Yeah, we like that. | 0:40:16 | 0:40:20 | |
There could be a certain amount of swearing if it doesn't do too well, J. | 0:40:20 | 0:40:24 | |
There we go, 119 is a blackjack jug this time. Who's going to start me at 100? | 0:40:24 | 0:40:29 | |
£100, anybody? 80 to go, then, surely. 80. 50. £50, anybody? 50. £50. 30. | 0:40:29 | 0:40:35 | |
-Oh dear! -£30. At £30 bid, five do I see? At 35, 40. At 40 bid. | 0:40:35 | 0:40:39 | |
45 now do I see? 45 I've got. At 45 bid, 50 bid. 55 now. | 0:40:39 | 0:40:44 | |
I've got 50 in the room. 55, 60. No, 55. Net bidder has it at 55. | 0:40:44 | 0:40:49 | |
Any more now? At 55. I'll take eight as a last call. | 0:40:49 | 0:40:52 | |
-58 now, is it going to help you? It does, 58 bid. At 58 bid. 60. -I don't think it'll get there. | 0:40:52 | 0:40:56 | |
60 do I see? No, he's gone for a cup of tea. | 0:40:56 | 0:40:59 | |
At £58 bid. 60 anywhere else now? 58 bid. Last call at £58. | 0:40:59 | 0:41:04 | |
-Oh! -That is minus £32. I can't believe it. 32. You are minus £50. | 0:41:04 | 0:41:11 | |
-Very disappointing. -You are minus £50. I could burst into tears for you. | 0:41:11 | 0:41:15 | |
Poor baby. It's not right, is it, eh? | 0:41:15 | 0:41:19 | |
-No. -That blackjack should have done a lot better. | 0:41:19 | 0:41:22 | |
Listen, it could be a winning score. Be optimistic. | 0:41:22 | 0:41:25 | |
Minus £50, the programme could be yours. | 0:41:25 | 0:41:27 | |
-Just don't say a word to the Reds. -We won't, we won't. | 0:41:27 | 0:41:30 | |
-We'll reveal all and put you out of your agony in a minute. -OK, then. | 0:41:30 | 0:41:34 | |
Oh, poor chickens! | 0:41:34 | 0:41:36 | |
Well, it's not so often that we get two teams who are so completely | 0:41:43 | 0:41:47 | |
poles apart, but we have got a pole apart between our teams today. | 0:41:47 | 0:41:53 | |
I'm afraid the runners-up by a long chalk are the Blues. | 0:41:53 | 0:41:57 | |
-Minus £50 is not a great score, is it? -Not really. | 0:41:57 | 0:42:01 | |
-But you were robbed a couple of times. But you had a good time. -Yes, it was brilliant. | 0:42:01 | 0:42:05 | |
I'm so glad about that. | 0:42:05 | 0:42:07 | |
You've been very sporting to take it all on the chin. | 0:42:07 | 0:42:10 | |
But I have to turn to the Reds with a degree of congratulations, because you need to | 0:42:10 | 0:42:14 | |
look at your leader here because, without him, you would be up a gum tree. | 0:42:14 | 0:42:20 | |
He's the man. | 0:42:20 | 0:42:21 | |
The profit on the Moorcroft pot means that you will walk away | 0:42:21 | 0:42:24 | |
with £64 today. £64. There's 60 in there in a paper clip, which is nice. | 0:42:24 | 0:42:30 | |
-And you get the £4 coming up here, look, which is folding money, isn't it? -It's wonderful. | 0:42:30 | 0:42:34 | |
-And congratulations. -Thank you. | 0:42:34 | 0:42:36 | |
I hope you're going to pay your expert a commission. | 0:42:36 | 0:42:39 | |
THEY LAUGH | 0:42:39 | 0:42:41 | |
He gets that! | 0:42:41 | 0:42:42 | |
-Anyway, brilliant. Have you had a nice time? -Wonderful time. | 0:42:42 | 0:42:46 | |
-Beats milking, doesn't it? -It does, yes. | 0:42:46 | 0:42:49 | |
We thoroughly enjoyed having you. In fact, so much we'd like you to join us soon | 0:42:49 | 0:42:52 | |
-for more bargain hunting. Yes? -ALL: -Yes! | 0:42:52 | 0:42:55 | |
Subtitles by Red Bee Media Ltd | 0:43:07 | 0:43:10 |