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Have you got a pen and paper to hand, perchance? | 0:00:04 | 0:00:07 | |
No? Well, you've got about 30 seconds to go and find some | 0:00:07 | 0:00:11 | |
cos let's go Bargain Hunting! | 0:00:11 | 0:00:14 | |
Have you got your pen, then? Good. | 0:00:41 | 0:00:44 | |
Because if you fancy this Bargain Hunting lark at all, | 0:00:44 | 0:00:47 | |
make a note of this website address: | 0:00:47 | 0:00:53 | |
And let us know why you want to be on the show. | 0:00:53 | 0:00:57 | |
In the meanwhile, though, kick off your slippers, relax, | 0:00:57 | 0:01:00 | |
enjoy the fun as we let loose our teams here in Lewes. | 0:01:00 | 0:01:05 | |
Where Catherine Southon and her team are searching for animal magic. | 0:01:07 | 0:01:11 | |
I'm seeing birds, dogs, cats, mice. | 0:01:11 | 0:01:16 | |
Thomas Plant and his team are seeking a Eureka moment. | 0:01:16 | 0:01:20 | |
What do you think of that? It's horrible. | 0:01:20 | 0:01:22 | |
It's horrible? OK, that's fine, I just saw it. | 0:01:22 | 0:01:24 | |
And I head off to Brighton Pavilion | 0:01:25 | 0:01:28 | |
to find out about the two faces of George IV. | 0:01:28 | 0:01:31 | |
Today we've got two teams of married couples | 0:01:33 | 0:01:35 | |
playing head to head. | 0:01:35 | 0:01:38 | |
For the Reds, we've got Maggie and Bill | 0:01:38 | 0:01:41 | |
and for the Blues we've got Claire and Jonathan. Welcome. | 0:01:41 | 0:01:44 | |
So, Bill, you're retired now but you were a policeman for 30 years. | 0:01:44 | 0:01:48 | |
That's right. All of those 30 years in Sussex. | 0:01:48 | 0:01:51 | |
We're both Sussex born and bred. Yes. | 0:01:51 | 0:01:54 | |
And I enjoyed it. I've been retired now for 12 years. | 0:01:54 | 0:01:58 | |
Have you really? Yes. | 0:01:58 | 0:01:59 | |
I don't look that old, do I? You don't. I know. | 0:01:59 | 0:02:02 | |
That's why they call you the Old Bill. This is true. | 0:02:02 | 0:02:05 | |
I'm Young Bill from the Old Bill. That's right. | 0:02:05 | 0:02:08 | |
It was a good time. I enjoyed it. | 0:02:08 | 0:02:09 | |
Any particular achievements in your time on the force? | 0:02:09 | 0:02:13 | |
Well, I suppose... I finished up as a Detective Chief Inspector | 0:02:13 | 0:02:16 | |
down at Eastbourne. Did you? | 0:02:16 | 0:02:18 | |
Gosh, that's a senior rank, isn't it? I suppose it is. | 0:02:18 | 0:02:21 | |
You must be very proud of him. Extremely proud. | 0:02:21 | 0:02:23 | |
Maggie, you own this pet shop... Yes. ..and presumably you adore animals. | 0:02:23 | 0:02:28 | |
I'm passionate about them. Absolutely passionate. | 0:02:28 | 0:02:32 | |
And what are your favourites? Dogs. Dogs. Yes. | 0:02:32 | 0:02:36 | |
Any particular breed? No, I love all dogs. | 0:02:36 | 0:02:39 | |
What do you own yourself? We have two very, very nosy pugs. | 0:02:39 | 0:02:44 | |
Pugs? Yes. Black ones or apricot ones? | 0:02:44 | 0:02:46 | |
I have an apricot and a fawn. Do you? Yes. | 0:02:46 | 0:02:49 | |
And they are delicious. I bet they are. | 0:02:49 | 0:02:51 | |
You specialise and you go to dog shows now, you set up dog shows. | 0:02:51 | 0:02:55 | |
Tell us about that. Yes, I am secretary of a single breed club | 0:02:55 | 0:03:01 | |
but we also are championship judges of a number of breeds | 0:03:01 | 0:03:06 | |
and Bill has been judging more than I have | 0:03:06 | 0:03:08 | |
because he is more, I would say, the senior judge. | 0:03:08 | 0:03:11 | |
He has actually judged at Crufts. Oh, have you? Absolutely. | 0:03:11 | 0:03:15 | |
That is the absolute accolade. I think so. | 0:03:15 | 0:03:18 | |
So what are you going to buy together, you two, today? | 0:03:18 | 0:03:21 | |
What sort of things are you going for? Nothing too big. | 0:03:21 | 0:03:24 | |
You're quite right, too. Very good luck. I hope you have a great time. | 0:03:24 | 0:03:28 | |
Now for the Blues. How did you two love birds meet? | 0:03:28 | 0:03:31 | |
We were paired up as lab partners in A level chemistry. | 0:03:31 | 0:03:35 | |
We didn't have any choice. We were put together. | 0:03:35 | 0:03:37 | |
So you were both still in shorts, almost? Yes, absolutely. | 0:03:37 | 0:03:41 | |
Just about in long trousers. Absolutely. In the chemistry lab? | 0:03:41 | 0:03:45 | |
Yes. I did have my eye on somebody else | 0:03:45 | 0:03:47 | |
but I wasn't allowed to choose my lab partner at the time. | 0:03:47 | 0:03:50 | |
So you got... He grew on me, though. | 0:03:50 | 0:03:52 | |
You got lumbered with Jonathan but it worked. It did. | 0:03:52 | 0:03:57 | |
In our chemistry lab, all we were interested in was making big bangs and lots of smells. | 0:03:57 | 0:04:01 | |
Presumably you had lots of bangs and lots of smells. Absolutely. | 0:04:01 | 0:04:05 | |
Yeah. Brilliant. | 0:04:05 | 0:04:07 | |
So, Jonathan, did your love of science lead you down a particular career path? | 0:04:07 | 0:04:11 | |
Yes, I work in the business that makes equipment for semiconductors. | 0:04:11 | 0:04:17 | |
We make the chips and sell equipment to people like IBM and Intel, | 0:04:17 | 0:04:22 | |
those sorts of customers, and it's all over the world. | 0:04:22 | 0:04:24 | |
And science has given you a jolly good living. It has, yes. | 0:04:24 | 0:04:28 | |
A most interesting living. It's wonderful to work with clever people | 0:04:28 | 0:04:32 | |
and be stimulated and be learning anew all the time. | 0:04:32 | 0:04:36 | |
And let's not be too modest about it, be one of those clever people. | 0:04:36 | 0:04:41 | |
Claire, you're involved in a large restoration project. | 0:04:41 | 0:04:45 | |
Yes. Eight years ago we bought a Grade II listed property in Horsham | 0:04:45 | 0:04:49 | |
and we've been slowly restoring it to its former glory. Brilliant. | 0:04:49 | 0:04:54 | |
We're nearly there, now. About another year's work, we reckon. | 0:04:54 | 0:04:58 | |
But good fun. Absolutely. And it's beautiful now, so we're happy. | 0:04:58 | 0:05:03 | |
What are your tactics going to be today, you scientists? | 0:05:03 | 0:05:07 | |
We'd like to spend all the money. Leave nothing for Thomas Plant. | 0:05:07 | 0:05:11 | |
That's the secret. Well, very good luck. Thank you. | 0:05:11 | 0:05:14 | |
Now it is indeed the money moment. | 0:05:14 | 0:05:16 | |
You get your ?300. There's your 300. ?300 apiece. | 0:05:16 | 0:05:19 | |
You know the rules. Your experts await and off you go | 0:05:19 | 0:05:22 | |
and very, very, very good luck. | 0:05:22 | 0:05:24 | |
Well, what unusual and delightful teams we've got today. | 0:05:24 | 0:05:28 | |
So it's doggy-lovers versus scientists. | 0:05:30 | 0:05:32 | |
Ready? I'm ready. Let's go. | 0:05:32 | 0:05:35 | |
And they're off! | 0:05:35 | 0:05:37 | |
Raring to go? Raring to go. | 0:05:38 | 0:05:41 | |
Carry on and have a good look and I'll have a rummage myself. | 0:05:45 | 0:05:48 | |
What about in these cabinets? | 0:05:51 | 0:05:53 | |
There was this figure. What do you think of that? | 0:05:55 | 0:05:58 | |
It's horrible. It's horrible? OK, that's fine. I just saw it. | 0:05:58 | 0:06:01 | |
What do you think of that pincushion that's in there? | 0:06:02 | 0:06:06 | |
Oh, the piggy? No, it's not actually a pincushion. | 0:06:06 | 0:06:09 | |
This is the glasses moment. I can see why you thought it was. | 0:06:09 | 0:06:14 | |
It's actually a pen wipe, with the bristles. | 0:06:14 | 0:06:17 | |
It is brass, isn't it? Yes, it's brass. | 0:06:17 | 0:06:20 | |
Not brilliantly made, I wouldn't say. | 0:06:20 | 0:06:22 | |
It's not of the finest quality but it's quite novel, isn't it? | 0:06:22 | 0:06:25 | |
People like novelties. They do and you like animals. | 0:06:25 | 0:06:28 | |
I do. I love all animals. | 0:06:28 | 0:06:29 | |
Is it a lot of money? It's ?29. I think we can get that down a bit. | 0:06:29 | 0:06:33 | |
Do you like that? Yeah, I do. You do? Then you can have it. | 0:06:33 | 0:06:37 | |
You're so nice. I go very cheap, you see. You're a lovely wife. | 0:06:37 | 0:06:40 | |
We've still got two to go. We have. We'd better have a word with her. | 0:06:40 | 0:06:45 | |
You go and have a word whilst we look. | 0:06:45 | 0:06:47 | |
See if you can get about 15 or something. | 0:06:47 | 0:06:49 | |
Go on, Bill. | 0:06:49 | 0:06:50 | |
Have you formulated a result yet, scientists? | 0:06:50 | 0:06:53 | |
I'm not seeing anything that really ticks my box at the moment, are you? No. | 0:06:53 | 0:06:57 | |
That'll be a negative, then. | 0:06:57 | 0:06:59 | |
From 29 we're down to 20. | 0:06:59 | 0:07:02 | |
Yeah? I don't think that's unreasonable. Don't you? | 0:07:02 | 0:07:06 | |
Oh, OK, we'll go for it, then. | 0:07:06 | 0:07:07 | |
And the worst we're going to do is lose ?20, isn't it? | 0:07:07 | 0:07:10 | |
I'm with you, Bill, I'm with you. Sold. Sold to the man in red. | 0:07:10 | 0:07:14 | |
Sold to the man in red, yes. | 0:07:14 | 0:07:16 | |
The first item in... That was about two minutes, wasn't it? | 0:07:16 | 0:07:19 | |
Fantastic. That's good. | 0:07:19 | 0:07:21 | |
Speedy! | 0:07:21 | 0:07:23 | |
Gosh, it's hard, isn't it? You betcha! | 0:07:24 | 0:07:27 | |
So what have you got here? You've got a little leather box. | 0:07:32 | 0:07:35 | |
That is quality. Good quality. | 0:07:35 | 0:07:38 | |
It's in good condition, isn't it? | 0:07:38 | 0:07:41 | |
And then these glass... | 0:07:41 | 0:07:45 | |
scent bottles. | 0:07:47 | 0:07:49 | |
They're all there | 0:07:49 | 0:07:51 | |
and they unscrew. | 0:07:51 | 0:07:53 | |
Ah! Little stoppers. | 0:07:53 | 0:07:55 | |
The originals? Yeah, they all fit in rather well. | 0:07:55 | 0:07:58 | |
Can I pick one up? Yeah, go ahead, of course you can. | 0:07:59 | 0:08:02 | |
We're all going to have a turn, are we? Fiddle on. Why not? | 0:08:02 | 0:08:06 | |
Is that going to...? No, it's fine. | 0:08:06 | 0:08:08 | |
Check they've all got their stoppers. That's what I'm doing. | 0:08:08 | 0:08:12 | |
They'll designed to have a stopper. And it's there, it's all perfect. | 0:08:12 | 0:08:17 | |
It's quite sweet. That ticks a lot of boxes. It's nice, isn't it? | 0:08:17 | 0:08:20 | |
It's in good condition. It feels quality. | 0:08:20 | 0:08:23 | |
It is quality, actually. Isn't it beautiful? | 0:08:23 | 0:08:26 | |
What do you think would be the value at auction? | 0:08:26 | 0:08:30 | |
You see, he's got 145. Yes. | 0:08:31 | 0:08:33 | |
You see, I just think that's slightly sort of top dollar. Yes. | 0:08:33 | 0:08:37 | |
In my opinion, it's slightly top dollar. | 0:08:37 | 0:08:39 | |
I would... What can be done on that? The best would be 95. | 0:08:39 | 0:08:43 | |
95? You see, that's a much better price at 95. | 0:08:43 | 0:08:48 | |
That's a much better price. What do you want to do? | 0:08:48 | 0:08:50 | |
Yeah, I like it. The box is in great condition. That's a yes. | 0:08:50 | 0:08:54 | |
That's a yes, I think, yes. | 0:08:54 | 0:08:56 | |
Blues, finally underway. | 0:08:56 | 0:08:59 | |
I'm seeing birds, dogs, cats, mice. How lovely. Wonderful. | 0:08:59 | 0:09:04 | |
# How much is that doggy in the window? | 0:09:04 | 0:09:08 | |
# Woof, woof... # Maggie, are you being led astray? | 0:09:08 | 0:09:12 | |
What have you found? The hound. That hound. What's that made of? | 0:09:13 | 0:09:17 | |
You've found a hound. We have. I wonder if it's cast iron. | 0:09:17 | 0:09:21 | |
Grab your hound. | 0:09:21 | 0:09:23 | |
Oh, it's heavy. It's heavy. Mm. | 0:09:23 | 0:09:26 | |
It's heavy. He likes heavy. I think that's metal. It is. | 0:09:26 | 0:09:29 | |
I'm sure it's metal. Because the way that it's been... Cast. Yeah. | 0:09:29 | 0:09:33 | |
It's the way the paint's coming away. The paint looks original. | 0:09:33 | 0:09:37 | |
Is it what they call cold painted? It could be cold painted. | 0:09:37 | 0:09:40 | |
It's rather smart. The expression on the face is all important on dogs | 0:09:40 | 0:09:46 | |
and that's an intelligent... You know, you know! | 0:09:46 | 0:09:48 | |
That's an intelligent expression. | 0:09:48 | 0:09:50 | |
'I like to think I have one of those.' | 0:09:50 | 0:09:52 | |
Very intelligent. It's a clever dog. It's in lovely proportion. | 0:09:52 | 0:09:56 | |
I think that would grace my mantelpiece very well. | 0:09:56 | 0:09:59 | |
If it was perfect it wouldn't have the appeal to me. Oh, really? No. | 0:09:59 | 0:10:03 | |
OK. I like that because it looks like it's got a bit of age. | 0:10:03 | 0:10:07 | |
So we paid, what, 20 for the pig? We did. | 0:10:07 | 0:10:09 | |
So really we'd be looking at what, about 30 ish? Not much more. | 0:10:09 | 0:10:14 | |
Yeah. Not much more. 35 top whack. Top whack 35. | 0:10:14 | 0:10:17 | |
That would be a fair price. It's 55. 55. | 0:10:17 | 0:10:20 | |
Have to go some with that. You're going to really have to go. | 0:10:20 | 0:10:24 | |
Walkies, Maggie. | 0:10:24 | 0:10:26 | |
So these might be strange, might be strange, | 0:10:30 | 0:10:36 | |
but pens are so collectable. | 0:10:36 | 0:10:38 | |
The reason is that you've got the power of the internet | 0:10:38 | 0:10:42 | |
and these are so easy to sell online to send round the world. Yes. | 0:10:42 | 0:10:47 | |
There are pen collectors out there. | 0:10:47 | 0:10:49 | |
Commercially, I can see the value in these. Right. That's interesting. | 0:10:49 | 0:10:53 | |
In my experience, these sell for between ?20 and ?25 each | 0:10:53 | 0:10:56 | |
and these ones here are between ?10 and ?15. Right. | 0:10:56 | 0:11:01 | |
So there are... I think they're Parker 61s, 51s | 0:11:01 | 0:11:04 | |
and this is a slightly later one in date, | 0:11:04 | 0:11:07 | |
that one there with the stainless steel cap to it. | 0:11:07 | 0:11:10 | |
What age do you think they are? They're '50s, '60s, aren't they? | 0:11:10 | 0:11:15 | |
OK. That's what they are. | 0:11:15 | 0:11:17 | |
We could sort of ask if we could do a deal on the three. | 0:11:17 | 0:11:20 | |
We could ask, couldn't we, and then we could always see if it's a good price. | 0:11:20 | 0:11:26 | |
Absolutely. It could be a good price. | 0:11:26 | 0:11:28 | |
Could you give us your best price on those three together, please? | 0:11:28 | 0:11:32 | |
They could be 45. | 0:11:32 | 0:11:35 | |
Could you do it for 40? | 0:11:35 | 0:11:37 | |
Yes. Yeah? So you think that's a good price for the three? | 0:11:37 | 0:11:41 | |
I'd go for that. You know, I think it's a good... | 0:11:41 | 0:11:44 | |
OK, again, I think it's... Yes. | 0:11:44 | 0:11:46 | |
Yeah? Do you want to do that one? I think we should. Definitely. | 0:11:46 | 0:11:50 | |
I think you've got a good buy. | 0:11:50 | 0:11:51 | |
Yes but have our doggy loving Reds? | 0:11:51 | 0:11:54 | |
What's your very best on that you could do? | 0:11:54 | 0:11:57 | |
Normal trade would be ?50. No, I couldn't, no, no. | 0:11:57 | 0:12:00 | |
?45? No. How about 35? | 0:12:00 | 0:12:03 | |
That's a bit... It has got one or two little scratches on, | 0:12:04 | 0:12:08 | |
to the tail. | 0:12:08 | 0:12:09 | |
Yeah. Mainly the tail but... 40. If we could meet in the middle. | 0:12:09 | 0:12:14 | |
What do you think, Bill? Well, 35's better sounding. | 0:12:14 | 0:12:18 | |
Yes. Normally, it would be 50. | 0:12:18 | 0:12:22 | |
How about 36? Could you make 36? 36? | 0:12:22 | 0:12:24 | |
I think that's fair. 36 would be wonderful. Lovely. | 0:12:24 | 0:12:28 | |
I do so love him. OK, 36. 36 is a good price. 36. | 0:12:28 | 0:12:32 | |
Oh, well done. That's fabulous. Well done. That's excellent. | 0:12:32 | 0:12:36 | |
Well done. | 0:12:36 | 0:12:38 | |
Woof, woof. I thought these two were going to be putty in my hands | 0:12:38 | 0:12:42 | |
and I would tell them what to buy. | 0:12:42 | 0:12:44 | |
They are so decisive. They know what they want | 0:12:44 | 0:12:47 | |
and if they don't like it, they say no. | 0:12:47 | 0:12:50 | |
They... They're tough. Tough. | 0:12:50 | 0:12:53 | |
# Up in the morning and out to school | 0:12:53 | 0:12:55 | |
# The teacher is teaching the golden rule. # | 0:12:57 | 0:12:59 | |
Did you enjoy learning history at school? I know I did. | 0:13:01 | 0:13:05 | |
Now, look at this image, which shows a cartoon | 0:13:05 | 0:13:11 | |
of two Ancient Britons racing down a hillside, | 0:13:11 | 0:13:17 | |
trying out their brand new chariot, circa BC98. | 0:13:17 | 0:13:22 | |
Sitting on the side of the road is a goody-goody Ancient Briton | 0:13:22 | 0:13:28 | |
and the nasty boys are whooshing down the hill | 0:13:28 | 0:13:31 | |
with one of those spear-like things coming off the wheel | 0:13:31 | 0:13:34 | |
and they've just sliced his head off. | 0:13:34 | 0:13:38 | |
All eight-year-old children love bloodthirsty events | 0:13:38 | 0:13:43 | |
and they're bound to remember what the Ancient Britons looked like | 0:13:43 | 0:13:47 | |
from a cartoon like this. | 0:13:47 | 0:13:50 | |
In the next cartoon, we've got another scene | 0:13:50 | 0:13:55 | |
that's inscribed, "The Romans finally left Britain in AD246. | 0:13:55 | 0:14:01 | |
"Then came the Scottish invasion." | 0:14:01 | 0:14:04 | |
In short, things got worse. | 0:14:04 | 0:14:07 | |
Amazing, aren't they? | 0:14:08 | 0:14:10 | |
Now, these things look like simple prints | 0:14:10 | 0:14:13 | |
but they're actually not. | 0:14:13 | 0:14:15 | |
This is the original artwork | 0:14:15 | 0:14:18 | |
for illustrations that have been created | 0:14:18 | 0:14:20 | |
for a history textbook, | 0:14:20 | 0:14:22 | |
the textbook being called History Made Easy. | 0:14:22 | 0:14:27 | |
In this illustration, we've got a trial by ordeal. | 0:14:27 | 0:14:31 | |
This is the scene where the red-hot poker | 0:14:31 | 0:14:35 | |
would be thrust at the guilty party | 0:14:35 | 0:14:38 | |
and if he squealed he was guilty, if he was quiet he was innocent. | 0:14:38 | 0:14:42 | |
All incredibly unfair. | 0:14:43 | 0:14:45 | |
So what might they be worth? | 0:14:45 | 0:14:47 | |
I would have thought an amusing ?100 each at least. | 0:14:47 | 0:14:52 | |
What's the price to you and me today here in Lewes? | 0:14:52 | 0:14:57 | |
They could be yours for ?10 each. | 0:14:57 | 0:14:59 | |
?30 to ?300. | 0:14:59 | 0:15:02 | |
Now, that's a no-brainer. | 0:15:02 | 0:15:05 | |
Now, where have those teams got to? | 0:15:06 | 0:15:08 | |
Two items in 15 minutes. I love you two. | 0:15:08 | 0:15:13 | |
Not bad going. | 0:15:13 | 0:15:14 | |
I bet you do, Catherine. You're more of a mad dash at the end, girl. | 0:15:14 | 0:15:19 | |
How much is it and what one did you see? We've seen this one. | 0:15:20 | 0:15:24 | |
Yeah, OK, OK. Good, good, good. | 0:15:24 | 0:15:26 | |
What do you like about it, first? I like the wood. | 0:15:26 | 0:15:29 | |
Yeah. And the dial. Yeah. | 0:15:29 | 0:15:31 | |
It looks in reasonably good nick from here. Yeah. | 0:15:31 | 0:15:34 | |
It's not too fussy. It's interesting but not too fussy. | 0:15:34 | 0:15:37 | |
OK. There's the key. You just hold on to that | 0:15:37 | 0:15:41 | |
and let's just lift this up. | 0:15:41 | 0:15:44 | |
Let's have a look. Put in on the chair, there. | 0:15:45 | 0:15:47 | |
Well, I think I might hold it for a second. OK. | 0:15:47 | 0:15:50 | |
So you've got a steel dial with the slow fast movements | 0:15:50 | 0:15:56 | |
and the chime and silent and it's chiming at the moment. | 0:15:56 | 0:16:00 | |
And it's Sir John Bennett Ltd... Is that a known maker? ..Cheapside, London. | 0:16:00 | 0:16:04 | |
Yeah, I'm sure it is. I haven't seen it. | 0:16:04 | 0:16:06 | |
The dial could do with a little bit of a clean but it's OK. | 0:16:06 | 0:16:10 | |
There's some slight splitting to the top of the pediment | 0:16:10 | 0:16:13 | |
and the price at 170. | 0:16:13 | 0:16:15 | |
I don't think it's been spruced up since it was bought | 0:16:15 | 0:16:18 | |
in, I'd say, the 1920s, 1930s. | 0:16:18 | 0:16:22 | |
Erm... It is quite attractive, though. Yes. | 0:16:22 | 0:16:25 | |
What do you think, Claire? Let's see what we can get | 0:16:25 | 0:16:28 | |
and if we've got a bit of time left... Who wants to do that? | 0:16:28 | 0:16:31 | |
So far it's been me! I'll do it. Do you want to go and do it, Jonathan? | 0:16:31 | 0:16:35 | |
Yes. Go and ask the chap in charge. It's the John Bennett clock. | 0:16:35 | 0:16:39 | |
Yeah, the John Bennett clock. Good luck, Jonathan. | 0:16:39 | 0:16:43 | |
I quite like the look of that Tunbridge ware. | 0:16:43 | 0:16:45 | |
Oh, the pincushion. | 0:16:45 | 0:16:47 | |
Finally, something that's not an animal. | 0:16:47 | 0:16:49 | |
You did want a pincushion, didn't you? It looks new on the top. | 0:16:49 | 0:16:53 | |
That looks like it's been recovered. Would that detract? | 0:16:53 | 0:16:56 | |
I wonder if we could just have a little look at it? Yeah. | 0:16:56 | 0:16:59 | |
Let's just open it up. | 0:16:59 | 0:17:01 | |
I'm going to hand it to you, straight to you. | 0:17:01 | 0:17:03 | |
Thank you. | 0:17:03 | 0:17:06 | |
Do you like Tunbridge ware? I do. I find it quite attractive. | 0:17:06 | 0:17:10 | |
Yeah, I think pincushions are quite collectable and that's... | 0:17:10 | 0:17:14 | |
You wanted a pincushion, didn't you? Yes. What's on it? | 0:17:14 | 0:17:17 | |
85 at the moment. Ooh, at the moment! | 0:17:17 | 0:17:20 | |
He's a decisive man. Wow. He is, isn't he? | 0:17:20 | 0:17:23 | |
It's the boy against the girls. Well, I think you did really well. I'd better withdraw quietly. | 0:17:23 | 0:17:28 | |
Bill... No, no. ..go and try and see what you can get off it. | 0:17:28 | 0:17:32 | |
No, I wouldn't want... ..and we can discuss from there. | 0:17:32 | 0:17:35 | |
OK. LAUGHTER | 0:17:35 | 0:17:37 | |
The final deal to be settled by the men. | 0:17:37 | 0:17:39 | |
I wonder if you could just give me an idea | 0:17:39 | 0:17:42 | |
what might be the very, very best price you could do on that? | 0:17:42 | 0:17:45 | |
You've got 170 on it but what would be your best? | 0:17:45 | 0:17:48 | |
75 would be the normal trade discount. Yes. | 0:17:48 | 0:17:51 | |
But 65 for a Bargain Hunter. | 0:17:51 | 0:17:54 | |
So 145 is your very best? It's a set price for that. OK. | 0:17:54 | 0:17:59 | |
55? | 0:17:59 | 0:18:01 | |
OK. That's good, at 55. | 0:18:01 | 0:18:03 | |
# Let's hear it for the boy | 0:18:03 | 0:18:05 | |
# Let's give the boy a hand... # | 0:18:05 | 0:18:08 | |
OK, so he said 145 is his very best. | 0:18:08 | 0:18:10 | |
I tried to push him down but that's his very best. OK. | 0:18:10 | 0:18:13 | |
So what do you think? Yeah. I think so, yes. | 0:18:13 | 0:18:16 | |
You want to do it? Yeah. I think so. Why not? | 0:18:16 | 0:18:18 | |
I'm interested now to see how much it makes. | 0:18:18 | 0:18:20 | |
She'll do it for 55. That's good. That's very generous. | 0:18:20 | 0:18:25 | |
I think so but she's a very nice lady. She is a very nice lady. | 0:18:25 | 0:18:28 | |
I think that would be a good buy. OK. Final purchase? | 0:18:28 | 0:18:31 | |
Final purchase. That's it. Final purchase. Well done. | 0:18:31 | 0:18:34 | |
Great team, great team. | 0:18:34 | 0:18:36 | |
'Easy-peasy!' | 0:18:36 | 0:18:38 | |
Well, they've shopped till they've dropped, their time is up. | 0:18:38 | 0:18:42 | |
Let's see what the Reds settled on. | 0:18:42 | 0:18:44 | |
They got off to a cracking start with a pig pen wipe. | 0:18:45 | 0:18:49 | |
I'm with you, Bill, I'm with you. Sold to the man in red. | 0:18:49 | 0:18:53 | |
Sold to the man in red. | 0:18:53 | 0:18:54 | |
Then Maggie took a shine to a cold-painted bronze hound. | 0:18:54 | 0:18:59 | |
Deal. That's fabulous. Thank you very much. | 0:18:59 | 0:19:01 | |
Well done! | 0:19:01 | 0:19:03 | |
And finally, Bill got his way and a Tunbridge ware pincushion | 0:19:03 | 0:19:08 | |
for ?55. | 0:19:08 | 0:19:09 | |
Final purchase? Final purchase. That's it. Final purchase. | 0:19:09 | 0:19:13 | |
Well done. Great team, great team. | 0:19:13 | 0:19:15 | |
I'm glad you're happy because you had your own way, I think. Oh, no. | 0:19:16 | 0:19:19 | |
I can't believe Bill always has his own way. | 0:19:19 | 0:19:22 | |
That's right. He does. Does he always have his own way? | 0:19:22 | 0:19:25 | |
Well, 99.9% because I'm a forgiving lady. | 0:19:25 | 0:19:28 | |
There you are, you see. | 0:19:28 | 0:19:30 | |
Now, you spent how much? ?111. Is that all? That's all. ?111. | 0:19:30 | 0:19:35 | |
Good value for nice things. Good Lord. | 0:19:35 | 0:19:37 | |
What, for all three items? Yes. Correct. | 0:19:37 | 0:19:40 | |
They bartered very well. I'm disappointed by that. | 0:19:40 | 0:19:43 | |
?111 is nine short of 20, so I'd like ?189. | 0:19:43 | 0:19:49 | |
I'm afraid that's all I've got. Which would be ?189. ?189. | 0:19:49 | 0:19:54 | |
Well, you look like an honest fellow. Oh, no! | 0:19:54 | 0:19:57 | |
Anyway, ?189. Thank you very much. There you go, Catherine. | 0:19:57 | 0:20:00 | |
You could buy up half of Lewes with that. I could, I could. | 0:20:00 | 0:20:03 | |
I tell you what, though, I'm definitely not buying a dog | 0:20:03 | 0:20:06 | |
or any animal, come to that. No animals at all. | 0:20:06 | 0:20:09 | |
Animals are off. Good luck with that, Catherine. | 0:20:09 | 0:20:11 | |
Why don't we check out what the Blue Team bought, eh? | 0:20:11 | 0:20:14 | |
The Blues were equally quick off the blocks | 0:20:14 | 0:20:17 | |
with a trio of scent bottles. | 0:20:17 | 0:20:19 | |
That's a yes. That's a yes, I think, yes. Right. | 0:20:19 | 0:20:23 | |
Thank you very much, sir. | 0:20:23 | 0:20:25 | |
It might be strange but pens are getting so collectable. | 0:20:25 | 0:20:29 | |
Followed by a trio of Parkers for ?40. | 0:20:29 | 0:20:33 | |
And they finished on time, with a mantel clock. | 0:20:34 | 0:20:37 | |
I'm interested now to see how much it makes. | 0:20:39 | 0:20:41 | |
So, guys, how do you feel about that? Fantastic. Very good. | 0:20:42 | 0:20:46 | |
Yeah. Very enjoyable. You didn't um and ah. None of that. | 0:20:46 | 0:20:49 | |
A very good performance, that's all I can say | 0:20:49 | 0:20:52 | |
and you spent most of the money. We spent ?280. | 0:20:52 | 0:20:55 | |
That is absolutely marvellous. Just what you wanted to do. | 0:20:55 | 0:20:58 | |
Exactly. Which is your favourite bit? | 0:20:58 | 0:21:01 | |
I think it's the clock, actually. The clock. Yes. | 0:21:01 | 0:21:04 | |
Do you agree with that? I do, yes. | 0:21:04 | 0:21:05 | |
Which piece is going to bring the biggest profit? | 0:21:05 | 0:21:09 | |
I don't know, actually. I feel very good about them all. | 0:21:10 | 0:21:13 | |
Oh, Lord. | 0:21:13 | 0:21:15 | |
Have confidence in these scientists. The pens, I think. | 0:21:15 | 0:21:19 | |
I think the pens will do well. The old Parker 51s. Yes. | 0:21:19 | 0:21:22 | |
They're great. | 0:21:22 | 0:21:23 | |
OK, fine, so I'd like ?20, please. | 0:21:23 | 0:21:26 | |
Thank you. Lovely. | 0:21:26 | 0:21:27 | |
Just the one note this time, Charles. Just the one note. | 0:21:27 | 0:21:30 | |
How are you going to manage? | 0:21:30 | 0:21:32 | |
'How indeed?' | 0:21:32 | 0:21:35 | |
I try and look for something which reflects the contestants. | 0:21:38 | 0:21:42 | |
I've got two scientists, so I might find a slide rule, | 0:21:42 | 0:21:46 | |
maybe marked up at ?25 and see if I can get it for 20. | 0:21:46 | 0:21:49 | |
It really is a lottery when you're looking for something for 20 quid. | 0:21:49 | 0:21:53 | |
And good luck with that. | 0:21:54 | 0:21:56 | |
Meanwhile, we're heading off somewhere positively regal just up the coast. | 0:21:56 | 0:22:00 | |
Guess where? Brighton. | 0:22:00 | 0:22:02 | |
I've come to discover one of its delights. | 0:22:04 | 0:22:08 | |
And no, before you ask, | 0:22:08 | 0:22:10 | |
it does not involve me taking a twirl on the ice. | 0:22:10 | 0:22:13 | |
I'm here, of course, to see the Royal Pavilion. | 0:22:13 | 0:22:17 | |
Architect John Nash created this fantastical monument | 0:22:20 | 0:22:25 | |
in the early 19th century for the Prince Regent, George. | 0:22:25 | 0:22:29 | |
Conceived as a pleasure palace, it lived up to its name. | 0:22:30 | 0:22:35 | |
At lavish banquets, prepared by a celebrity chef, | 0:22:36 | 0:22:39 | |
the future king had a whale of a time in Brighton. | 0:22:39 | 0:22:42 | |
This is the official portrait of George IV, | 0:22:47 | 0:22:51 | |
seen here in his coronation robes. | 0:22:51 | 0:22:55 | |
as recorded in the original painting by Sir Thomas Lawrence. | 0:22:55 | 0:22:59 | |
Actually, George sent a copy of the Lawrence painting | 0:22:59 | 0:23:03 | |
to Pope Pius VII, who sent him back in return this interpretation, | 0:23:03 | 0:23:09 | |
which is made of micro mosaic. | 0:23:09 | 0:23:12 | |
It's literally hundreds of thousands | 0:23:12 | 0:23:15 | |
of tiny pieces of different coloured stone, | 0:23:15 | 0:23:18 | |
put together to record this extraordinary image. | 0:23:18 | 0:23:23 | |
Official of the images of the monarch | 0:23:25 | 0:23:28 | |
weren't only recorded in oil paint on canvas | 0:23:28 | 0:23:32 | |
or micro mosaic. | 0:23:32 | 0:23:34 | |
They were also provided as a form of sculpture, | 0:23:34 | 0:23:38 | |
which is what we have here - | 0:23:38 | 0:23:39 | |
a bust of George IV at his most senatorial | 0:23:39 | 0:23:45 | |
and impressive. | 0:23:45 | 0:23:47 | |
He's wearing a toga as if he was a Roman emperor | 0:23:47 | 0:23:51 | |
and indeed, on the bottom of the inscribed plinth here, | 0:23:51 | 0:23:56 | |
it says in Latin "father of the nation". | 0:23:56 | 0:24:00 | |
In this piece of sculpture, | 0:24:00 | 0:24:03 | |
George IV looks like a resolute, fit and capable | 0:24:03 | 0:24:08 | |
leader of the nation. | 0:24:08 | 0:24:11 | |
The truth, though, was somewhat different | 0:24:11 | 0:24:14 | |
and such was the extraordinary liberalism that existed | 0:24:14 | 0:24:20 | |
in Britain at the end of the 18th | 0:24:20 | 0:24:22 | |
and the early part of the 19th century | 0:24:22 | 0:24:25 | |
that it permitted print sellers to sell images like this. | 0:24:25 | 0:24:30 | |
It's a caricature lampooning the royal family | 0:24:30 | 0:24:35 | |
and in particular George IV. | 0:24:35 | 0:24:37 | |
It's entitled "The Great Joss and his Playthings", | 0:24:37 | 0:24:42 | |
joss being a term to describe an oriental idol. | 0:24:42 | 0:24:46 | |
So here we have the idol himself, | 0:24:46 | 0:24:49 | |
the 17-stone, corpulent George IV, puffing away at a pipe | 0:24:49 | 0:24:58 | |
but in the form of the initial C. | 0:24:58 | 0:25:01 | |
And that's significant | 0:25:01 | 0:25:03 | |
because within these caricatures there are crammed so many details | 0:25:03 | 0:25:09 | |
that are often critical of their subject | 0:25:09 | 0:25:12 | |
and which you have to parse or analyse correctly. | 0:25:12 | 0:25:16 | |
The smoke coming out of his pipe says, "Oh, 'tis love, 'tis love, 'tis love." | 0:25:16 | 0:25:23 | |
What's all that about? | 0:25:23 | 0:25:25 | |
Well, George IV famously had an affair with a Lady Cunningham | 0:25:25 | 0:25:30 | |
and Lady Cunningham is represented by the C-shape of the pipe. | 0:25:30 | 0:25:35 | |
This particular satirical caricature was created by Robert Seymour | 0:25:36 | 0:25:42 | |
and he, alongside others such as Gillray and Cruikshank, | 0:25:42 | 0:25:47 | |
created literally thousands of these images, | 0:25:47 | 0:25:50 | |
which are very much collected today. | 0:25:50 | 0:25:54 | |
The big question is, though, are our teams going to be lampooned | 0:25:54 | 0:25:58 | |
over at the auction? | 0:25:58 | 0:26:00 | |
So, let's hotfoot it to West Sussex, | 0:26:00 | 0:26:03 | |
because I've got a date with auctioneer Jonathan Pratt. | 0:26:03 | 0:26:07 | |
So, Catherine, did you follow your own advice? | 0:26:07 | 0:26:11 | |
Now, Mags and Bill, are you OK? Are you excited? | 0:26:11 | 0:26:14 | |
Absolutely. Deliciously. Deliciously excited. | 0:26:14 | 0:26:17 | |
I love that expression, don't you? Deliciously excited. Good. | 0:26:19 | 0:26:22 | |
Anyway, you spent ?111. | 0:26:22 | 0:26:24 | |
You gave La Catherine Southon ?189 to find your bonus buy. | 0:26:24 | 0:26:29 | |
What did you spend it on? Looks like a turkey. | 0:26:29 | 0:26:32 | |
LAUGHTER | 0:26:32 | 0:26:33 | |
I am so excited about this, I just... Can't control yourself. | 0:26:33 | 0:26:38 | |
What is the one thing I said I wouldn't buy you? A dog. | 0:26:38 | 0:26:41 | |
Ah! Whoo! Look at this little pooch! Yes, it's lovely. | 0:26:43 | 0:26:48 | |
YAPPING Oh! | 0:26:48 | 0:26:50 | |
Wow. YAPS | 0:26:51 | 0:26:54 | |
I just think he's absolutely adorable. He is. | 0:26:54 | 0:26:58 | |
It looks "ruff" to me. | 0:26:58 | 0:26:59 | |
Well, he's a lovely thing. | 0:27:02 | 0:27:04 | |
I only spent ?25 on him, which I thought was a bargain. | 0:27:06 | 0:27:10 | |
?25? Yes. Don't you think he's adorable? | 0:27:10 | 0:27:13 | |
Erm... I think he's barking. | 0:27:13 | 0:27:16 | |
Now, this is a Crufts judge, here, right? | 0:27:17 | 0:27:20 | |
So asking the Crufts judge what he thinks | 0:27:20 | 0:27:24 | |
about this in terms of its confirmation and whatnot... | 0:27:24 | 0:27:27 | |
is difficult. | 0:27:27 | 0:27:28 | |
Is it going to make any money, do you think? Of course. | 0:27:28 | 0:27:31 | |
I think lots of people are going to be excited by him | 0:27:31 | 0:27:33 | |
and maybe you won't get a huge profit but you'll get a profit. | 0:27:33 | 0:27:37 | |
What, ?10 or ?20, something like that? Yeah. As much as that? | 0:27:37 | 0:27:40 | |
That's great. My children would love him. | 0:27:40 | 0:27:42 | |
And our grandchildren would, so, yes, we like it. We do. Good. | 0:27:42 | 0:27:46 | |
Well, you don't need to decide now, you decide later, | 0:27:46 | 0:27:49 | |
but for the viewers, let's find out what the auctioneer thinks about Catherine's pooch. | 0:27:49 | 0:27:53 | |
YAPPING | 0:27:54 | 0:27:56 | |
Do you like this, Jonathan? Ooh, get away from my scent bottles. | 0:27:57 | 0:28:01 | |
What do you think about that? I half expect it to explode into flames. | 0:28:01 | 0:28:05 | |
This surely doesn't have any fire safety label with it. | 0:28:05 | 0:28:08 | |
No, absolutely not. | 0:28:08 | 0:28:09 | |
I mean, I don't know. Is it 1950s? Something like that. | 0:28:09 | 0:28:12 | |
It looks authentic, all the paintwork. | 0:28:12 | 0:28:14 | |
The flashing eyes were good, weren't they? It's a bit spooky. | 0:28:14 | 0:28:18 | |
The thing is, you know, it is good fun and someone will buy it | 0:28:18 | 0:28:22 | |
purely because it's working | 0:28:22 | 0:28:25 | |
and they probably remember this as a child, something like this. | 0:28:25 | 0:28:29 | |
Could be but there we go. Still traumatised by it. | 0:28:29 | 0:28:33 | |
How much, then? ?20 or ?30. OK, ?25 was paid. | 0:28:33 | 0:28:37 | |
Catherine rated it. | 0:28:37 | 0:28:39 | |
She got it because she knows they're so keen on the animals. | 0:28:39 | 0:28:42 | |
It's got a chance. I can see it making ?30 or ?40. It might well do. | 0:28:42 | 0:28:45 | |
Maggie and Bill have gone with this little piggy. | 0:28:45 | 0:28:48 | |
That little piggy at the market. Aye. Do you rate it? | 0:28:48 | 0:28:51 | |
Er, they are collector's objects, these pen wipes | 0:28:51 | 0:28:54 | |
and I had a big collection of them only a year or so ago. | 0:28:54 | 0:28:57 | |
It's kind of entry level, isn't it? | 0:28:57 | 0:28:59 | |
It's not the finest example you could probably get. | 0:28:59 | 0:29:02 | |
I'd say this is a little swine, actually. | 0:29:02 | 0:29:05 | |
I don't rate it at all | 0:29:05 | 0:29:07 | |
because the casting of the brass is terrible. | 0:29:07 | 0:29:09 | |
It's done by a three-year-old, I'd say. | 0:29:09 | 0:29:13 | |
But people love pigs. Yes, that's true. | 0:29:13 | 0:29:15 | |
You don't have to be a farmer to love a pig. How much? | 0:29:15 | 0:29:18 | |
Well, I'd say ?20 or ?30. OK. ?20 paid. | 0:29:18 | 0:29:21 | |
So they paid the right price... Yes. ..and good luck to you on the rostrum with that. | 0:29:21 | 0:29:25 | |
Continuing the animal theme, | 0:29:25 | 0:29:27 | |
surprise, surprise, with Maggie and Bill, | 0:29:27 | 0:29:30 | |
you've got yourself a hound. You'd want it to be cold-painted bronze. | 0:29:30 | 0:29:35 | |
It would be Austrian and it would be collectable. | 0:29:35 | 0:29:37 | |
Looks just like one. It does but it's just on lead. | 0:29:37 | 0:29:40 | |
But it's got the age and the paint's in not too bad a condition | 0:29:40 | 0:29:44 | |
and it's not broken - it's a very brittle metal. | 0:29:44 | 0:29:46 | |
It's a hunting dog. There'll be interest, we're in hunting country. | 0:29:46 | 0:29:50 | |
Yeah. How much? ?20-30. ?36 paid. | 0:29:50 | 0:29:54 | |
It might make ?40, mightn't it? It might. | 0:29:54 | 0:29:57 | |
It's relatively small amounts of money, difficult to tell. | 0:29:57 | 0:30:01 | |
A collector. Who knows what two of them are willing to pay? Quite. | 0:30:01 | 0:30:04 | |
If they one of these hounds knocking around, how lovely. | 0:30:04 | 0:30:08 | |
What about the Tunbridge ware pincushion? | 0:30:08 | 0:30:11 | |
I quite... It always performs quite well. | 0:30:11 | 0:30:13 | |
I like it. It's useful. If you're going to be doing some sewing, you can use it. Yeah. | 0:30:13 | 0:30:19 | |
And it is decorative and it can sit out and be on display | 0:30:19 | 0:30:22 | |
and you can collect them, as well. There's a lot of interest in them. | 0:30:22 | 0:30:25 | |
It's difficult to price, he says, | 0:30:25 | 0:30:27 | |
trying to get out of the responsibility | 0:30:27 | 0:30:30 | |
because you would often sell it with other items in the sale. | 0:30:30 | 0:30:33 | |
Stop being shifty. How much? OK. ?20-?30. OK. ?55 paid. | 0:30:33 | 0:30:37 | |
OK, well, that's it for the Reds. Moving on. Now, for the Blues. | 0:30:37 | 0:30:41 | |
First up for them is the cased bottle set. | 0:30:41 | 0:30:44 | |
It's fairly straightforward - glass bottle inside, | 0:30:44 | 0:30:47 | |
with the enamel tops on base metal. | 0:30:47 | 0:30:49 | |
I mean... Not brilliant enamelling, is it? It's a quality leather case | 0:30:49 | 0:30:54 | |
in nice condition. | 0:30:54 | 0:30:55 | |
?30-?50, I'm sorry. Is that what it is? Yes. ?30-?50. | 0:30:55 | 0:30:58 | |
?95 paid. Mm. Yeah. There is a smell about. | 0:30:58 | 0:31:01 | |
Now, three Parker pens. Do you have buyers for these? | 0:31:01 | 0:31:05 | |
We do. Again, we normally sell pens in a larger quantity. | 0:31:05 | 0:31:10 | |
But the Parker 51 is a classic. | 0:31:10 | 0:31:11 | |
It won awards and whatever, didn't it? Oh, yeah. | 0:31:11 | 0:31:16 | |
These aren't boxed. | 0:31:16 | 0:31:17 | |
There are a couple of little dings on the lids. | 0:31:17 | 0:31:20 | |
I thought ?30, a tenner each, seems fair, really. Yes. | 0:31:20 | 0:31:24 | |
Well, they paid 40. I don't think there's a great deal of opportunity left in that. | 0:31:24 | 0:31:28 | |
Now, what about this classic oak mantel clock? | 0:31:28 | 0:31:32 | |
It's a nice architectural case in oak. Crisply carved. Yeah. | 0:31:32 | 0:31:38 | |
It's not too dark. It could be a lot browner, blacker than that, | 0:31:38 | 0:31:43 | |
so it has a bit more warmth to the colour of it. | 0:31:43 | 0:31:45 | |
A silver dial is always quite nice. | 0:31:45 | 0:31:47 | |
It chimes and it tells the time, so it's a proper clock. | 0:31:47 | 0:31:50 | |
And it's got presence. It could sit on the mantelpiece. | 0:31:50 | 0:31:53 | |
But it's not all that old. It's a late Victorian piece. | 0:31:53 | 0:31:57 | |
My opinion is ?50-?70. | 0:31:57 | 0:32:00 | |
?145 they spent. I don't think it has a chance of getting that. | 0:32:00 | 0:32:05 | |
Well, we shall see. I'll do my best. I know you will. | 0:32:05 | 0:32:08 | |
But it'll torpedo their chances if it only makes your estimate, | 0:32:08 | 0:32:11 | |
in which case, they're going to need their bonus buy, so let's have a look at it. | 0:32:11 | 0:32:15 | |
So, Claire and Jonathan, the bonus buy. | 0:32:15 | 0:32:18 | |
What has your genius, Thomas Plant, gone and spent the ?20 on? | 0:32:18 | 0:32:23 | |
Tom? You flatter me, Tim. Genius, am I? | 0:32:23 | 0:32:26 | |
This is a Danish-style pendant | 0:32:26 | 0:32:30 | |
in the manner of somebody called Georg Jensen, | 0:32:30 | 0:32:33 | |
who was a very famous jeweller... Oh, yes? | 0:32:33 | 0:32:35 | |
..in the early part of the 20th century. | 0:32:35 | 0:32:38 | |
It's still going today - not Georg himself but his factory | 0:32:38 | 0:32:41 | |
and his designs are still going. | 0:32:41 | 0:32:43 | |
This is a similar silver pendant in the design of. | 0:32:43 | 0:32:47 | |
Very nice. And did you spend the full ?20? I spent it all. | 0:32:47 | 0:32:51 | |
And what do you think it would make? Oh, at least ?30-?50. | 0:32:51 | 0:32:55 | |
It's lovely. It's gorgeous. Very nice. | 0:32:55 | 0:32:57 | |
Beautiful. Did you say silver? It is silver, yeah. | 0:32:57 | 0:33:01 | |
I think it's 835 silver, so it's not a 925 silver, | 0:33:01 | 0:33:05 | |
which means it's a lower grade. Not sterling silver. Yeah. | 0:33:05 | 0:33:09 | |
And would you wear this, Claire? I would, yes. There you go. | 0:33:09 | 0:33:12 | |
With a nice top, lovely. Anyway, you don't choose now, you decide later, | 0:33:12 | 0:33:16 | |
as if there's any choice to be made | 0:33:16 | 0:33:17 | |
but whatever you do, you do it later | 0:33:17 | 0:33:20 | |
but for the viewers, let's find out what the auctioneer thinks about Thomas' Danish pendant. | 0:33:20 | 0:33:25 | |
There we go, JP. That's right up your street. | 0:33:25 | 0:33:28 | |
That is... Jewellery. Yeah. 20th century. Silver. | 0:33:28 | 0:33:32 | |
Absolutely beautiful. | 0:33:32 | 0:33:34 | |
You can see why he thinks it's Jensen. | 0:33:34 | 0:33:36 | |
This sort of plant, this flower bud is very typical of his. | 0:33:36 | 0:33:39 | |
You see that terminal on teaspoons by Jensen, | 0:33:39 | 0:33:43 | |
certainly of people who worked around him at that time. | 0:33:43 | 0:33:47 | |
It's not Jensen but it's of the period that he was making these. | 0:33:47 | 0:33:52 | |
It is definitely Scandinavian. | 0:33:52 | 0:33:53 | |
I think it's probably worth at auction ?50-?70. | 0:33:53 | 0:33:56 | |
Good Lord. He only paid ?20. It could make more than that. | 0:33:56 | 0:33:59 | |
Now, that will claw back their chances if they go with it. | 0:33:59 | 0:34:04 | |
Anyway, you're taking the sale today? Absolutely. We're in safe hands. | 0:34:04 | 0:34:08 | |
60, now. 65, 70. | 0:34:09 | 0:34:12 | |
75. | 0:34:12 | 0:34:14 | |
?250. I'll take 260. | 0:34:14 | 0:34:16 | |
OK, Mags and Bill, how are you feeling? Wonderful. Excited. | 0:34:16 | 0:34:19 | |
Looking forward to the competition? It's exciting. | 0:34:19 | 0:34:22 | |
All we need is an animal lover from Tunbridge. | 0:34:22 | 0:34:25 | |
Yes. Well, you never know. It's not far from Tunbridge. It isn't. | 0:34:25 | 0:34:28 | |
Somebody will be over. | 0:34:28 | 0:34:30 | |
First up, though, is your piggy-wiggy-wig pen wipe | 0:34:30 | 0:34:33 | |
and here it comes. | 0:34:33 | 0:34:35 | |
We have a brass pen wipe modelled as a pig. | 0:34:35 | 0:34:39 | |
?20 to start me. At ?20. | 0:34:39 | 0:34:42 | |
?20. I'll take 2. 22, 25. | 0:34:42 | 0:34:45 | |
It's exciting! 28, 30. | 0:34:45 | 0:34:46 | |
?35. Back of the room at ?35. Look at this. It's wonderful. | 0:34:46 | 0:34:50 | |
She's a good girl, this one. 35. Do I see 40? | 0:34:50 | 0:34:53 | |
I'll take 38. Come on! It's exciting. Going at ?35. All done? | 0:34:53 | 0:34:57 | |
It's your last chance. At 35... GAVEL BANGS | 0:34:57 | 0:34:59 | |
Well done. ?35. She's a star, isn't she? She really is. | 0:34:59 | 0:35:03 | |
Plus ?15. I'm so excited. | 0:35:03 | 0:35:05 | |
Now, are you going to perform as well, Bill? Well, I'll try. | 0:35:05 | 0:35:10 | |
Here comes your beagle. | 0:35:10 | 0:35:11 | |
A cold-painted cast lead figure of a beagle. | 0:35:11 | 0:35:14 | |
There he is with his tail up. Start me at ?20? | 0:35:14 | 0:35:18 | |
?20 for the beagle? Come on. Come on, you dog lovers. | 0:35:18 | 0:35:21 | |
?20. Thank you, sir, in the hat at 20. 20's bid. Looking for two. | 0:35:21 | 0:35:24 | |
All you dog lovers. Come on. | 0:35:24 | 0:35:26 | |
Do I see two? | 0:35:26 | 0:35:27 | |
It's ?20. At 20 I'll sell. It's going at ?20. Any more? | 0:35:27 | 0:35:30 | |
That's cheap. At ?20... | 0:35:30 | 0:35:32 | |
Selling. ?20. | 0:35:32 | 0:35:35 | |
THEY GROAN ?20. Never mind. | 0:35:35 | 0:35:37 | |
Minus ?16, which means overall, you're minus ?1. I can't bear it. | 0:35:37 | 0:35:41 | |
That's wiped out your winnings. | 0:35:41 | 0:35:44 | |
A Tunbridge ware and rosewood square pincushion, tapering sides. | 0:35:44 | 0:35:48 | |
A nice example. 40. ?40. Excellent, excellent. | 0:35:48 | 0:35:52 | |
45, 50, 55. Come on. You are a star. | 0:35:52 | 0:35:55 | |
60 now. Well done! 65, 70. | 0:35:55 | 0:35:58 | |
75. 75, standing at the back, then. At ?75. Do I see 80? | 0:35:58 | 0:36:04 | |
This is exciting. Come on! Is there any more? At ?75. | 0:36:04 | 0:36:08 | |
I'm selling. Last chance. ?75. GAVEL BANGS | 0:36:08 | 0:36:10 | |
Yes! Well done. So that is plus 20, minus the one. You are plus ?19. | 0:36:10 | 0:36:17 | |
You are ?19 in the bank. How good is that? Well done. | 0:36:17 | 0:36:21 | |
Now, what are you going to do about the dog? | 0:36:21 | 0:36:24 | |
It's ?25 at risk... You don't have to. ..of your ?19 of profit. | 0:36:24 | 0:36:30 | |
I don't... I think we're staying with what we have. I apologise | 0:36:30 | 0:36:33 | |
but I don't think... We don't really, no. No? | 0:36:33 | 0:36:36 | |
No. No? Definitely. | 0:36:36 | 0:36:39 | |
You're not going with the bonus buy, that's your decision. Yes. | 0:36:39 | 0:36:43 | |
We're going to sell it anyway, so let's see what the bow-wow makes. | 0:36:43 | 0:36:47 | |
Here he is. Lot... | 0:36:47 | 0:36:50 | |
HE LAUGHS | 0:36:50 | 0:36:52 | |
Lot 755a. We've got this little chap here. | 0:36:52 | 0:36:55 | |
How could you reject him? | 0:36:55 | 0:36:57 | |
Battery-operated toy puppy. ?18 I have. | 0:36:57 | 0:37:02 | |
At ?18. I'm bid ?18. Surely worth 20? | 0:37:02 | 0:37:06 | |
For this little chap here. At ?20. Anyone want to bid ?20? | 0:37:06 | 0:37:09 | |
Look at him there. | 0:37:09 | 0:37:10 | |
?20 anyone? Look at him! | 0:37:10 | 0:37:13 | |
At ?18. Against you all at ?18. Any more? ?18. | 0:37:13 | 0:37:18 | |
I'm trying hard here. He certainly is. It's ?18. | 0:37:19 | 0:37:22 | |
I'm going to sell it, then, at ?18. | 0:37:22 | 0:37:24 | |
Completely barking. You did the right thing. So sorry. | 0:37:25 | 0:37:29 | |
?18 is minus ?7 but no matter. No. You didn't go with it. | 0:37:29 | 0:37:33 | |
You did the right thing. You banked your ?19. | 0:37:33 | 0:37:36 | |
The big thing now is not to talk to the Blues. Absolutely not. | 0:37:36 | 0:37:40 | |
Not a word. No. OK. That what we like to see. | 0:37:40 | 0:37:42 | |
So, do you know how the Reds got on? No. No? | 0:37:47 | 0:37:50 | |
The long arm of the law has not got to you? | 0:37:50 | 0:37:52 | |
No, it hasn't. We just want to beat the law today. | 0:37:52 | 0:37:55 | |
Ah, beat the Bill. Beat the Bill, if we can. Yes, quite. | 0:37:55 | 0:37:58 | |
First up are the three screw-top bottles. | 0:37:58 | 0:38:01 | |
A set of three glass and coloured enamel-mounted scent bottles | 0:38:01 | 0:38:05 | |
in a lovely brown leather case. | 0:38:05 | 0:38:07 | |
?70. With me at ?70. I'll take five, now. | 0:38:07 | 0:38:11 | |
?70. Five, anyone? | 0:38:11 | 0:38:13 | |
Against you all at ?70. 75, 80. | 0:38:13 | 0:38:16 | |
Ooh! 85 is bid. Do I see 90? | 0:38:16 | 0:38:20 | |
?85, then. Back in the room at ?85. Any more? | 0:38:20 | 0:38:23 | |
It's your last chance at ?85. | 0:38:23 | 0:38:26 | |
That's brilliant. It could have been worse. It could. | 0:38:26 | 0:38:29 | |
It's only minus ?10. Fantastic. Only? | 0:38:29 | 0:38:32 | |
That was our hardest lot, so... Yes. You can relax a bit now, can't you? | 0:38:32 | 0:38:37 | |
Two Parker 51s and another Parker fountain pen, there. | 0:38:37 | 0:38:42 | |
Straight in at ?45. Yes! Fantastic. Well done. | 0:38:42 | 0:38:46 | |
Looking for 50, now. 50, five. 60, five, | 0:38:46 | 0:38:50 | |
70 at the back. Do I see five? | 0:38:50 | 0:38:53 | |
At 70. Five anywhere else? | 0:38:53 | 0:38:56 | |
Going then. Back of the room at ?70. All done? At 70... | 0:38:56 | 0:38:58 | |
GAVEL BANGS Plus 30. Thomas, well done. Well done, Thomas. | 0:38:58 | 0:39:02 | |
Fantastic. You are a star, Thomas. Well... | 0:39:02 | 0:39:05 | |
You think I'm a star. Don't deny it, just ooze it up while it's about, all right? | 0:39:05 | 0:39:09 | |
Ooze it? Ooze it up. | 0:39:09 | 0:39:11 | |
Now, Claire, it's your big test coming up, darling, the old clock. | 0:39:11 | 0:39:15 | |
A Victorian oak-cased eight-day mantel clock, | 0:39:15 | 0:39:19 | |
inscribed Bennett, Cheapside, London. | 0:39:19 | 0:39:21 | |
Straight in at ?110. Goodness. | 0:39:23 | 0:39:25 | |
Looking for 120, now. That's ?110. | 0:39:25 | 0:39:28 | |
Against you all at ?110 on commission. Do see ?120? | 0:39:28 | 0:39:30 | |
Come on. Must be more. I've got ?110. Is that it? I'll sell it. | 0:39:30 | 0:39:34 | |
At ?110. Last chance. | 0:39:34 | 0:39:36 | |
110. ?110 is minus 35. Oh, dear. | 0:39:36 | 0:39:42 | |
We add plus 20, so you're now at minus 15. | 0:39:42 | 0:39:46 | |
What a helter skelter of a scoring. | 0:39:46 | 0:39:48 | |
I can't bear this. Minus ?15, then. | 0:39:48 | 0:39:51 | |
We were anticipating something very much worse. I think so. | 0:39:51 | 0:39:55 | |
You've done really, really well. What about the pendant? | 0:39:55 | 0:39:58 | |
Is this a no-brainer or not? It's a no-brainer. A no-brainer. | 0:39:58 | 0:40:01 | |
You're having it? Absolutely. Love it. | 0:40:01 | 0:40:03 | |
OK, fine. It's sure to do well. So we are going with the bonus buy. | 0:40:03 | 0:40:07 | |
Now I can tell you that the auctioneer has estimated ?50-?70 | 0:40:07 | 0:40:11 | |
on this. 50 to 70? Thomas only paid 20. | 0:40:11 | 0:40:14 | |
He's estimated ?50-70. | 0:40:14 | 0:40:16 | |
If this auctioneer's got it right, you could be back in the money. | 0:40:16 | 0:40:20 | |
Anyway, here we go. | 0:40:20 | 0:40:22 | |
A Danish silver pendant in the manner of Georg Jensen. | 0:40:22 | 0:40:25 | |
Tear-drop form. Very pretty flowers on there. | 0:40:25 | 0:40:29 | |
I can start at ?25. | 0:40:29 | 0:40:32 | |
Oh, right. Good, good. That's a good start. | 0:40:32 | 0:40:34 | |
With me at ?25. And 30. 35? | 0:40:34 | 0:40:37 | |
40, 45? Fantastic. | 0:40:37 | 0:40:39 | |
It's ?45 with me. Against you, then, at ?45. | 0:40:39 | 0:40:42 | |
At ?45. Do I see 50? | 0:40:42 | 0:40:45 | |
Against you all at ?45. Let's make 50. | 0:40:45 | 0:40:47 | |
Commission bid at 45 and selling. All done at ?45? | 0:40:47 | 0:40:50 | |
Well done. Hooray! Well done. Well done. | 0:40:50 | 0:40:52 | |
That is plus ?25. That is what you call a bonus buy | 0:40:52 | 0:40:55 | |
and that has bounced you from ?15 worth of losses | 0:40:55 | 0:40:59 | |
into ?10 worth of profits. Yes! | 0:40:59 | 0:41:01 | |
Now, plus ?10 could be a winning score... Right. | 0:41:01 | 0:41:04 | |
..so don't say a word to the Reds, right? Absolutely. Right. | 0:41:04 | 0:41:08 | |
Gosh, what fun we've had today, hey? What a great programme. | 0:41:13 | 0:41:16 | |
Now, have you been chatting at all? No. No. No. No, not at all. | 0:41:16 | 0:41:20 | |
Well, there is hardly a sheet of Bronco between these two teams. | 0:41:20 | 0:41:23 | |
How lovely to be giving both teams cash to go home with. Ooh! | 0:41:23 | 0:41:27 | |
I mean, it's as close as that, lads, | 0:41:27 | 0:41:31 | |
and you don't know quite where you're up to, which is a thrill. | 0:41:31 | 0:41:35 | |
We can't have two winners, so we'll have one winner | 0:41:35 | 0:41:38 | |
and some runners-up | 0:41:38 | 0:41:39 | |
and the runners-up are the Blues. Oh! Oh! | 0:41:39 | 0:41:42 | |
But there is no shame in this because it is, as I say, | 0:41:42 | 0:41:46 | |
incredibly close. | 0:41:46 | 0:41:48 | |
Now, Blues, you've got to be duly grateful to Thomas Plant | 0:41:48 | 0:41:51 | |
for his ?30 profit, thank you very much, on the Parker pens | 0:41:51 | 0:41:55 | |
and his ?25 profit on the Jensen lookalike pendant, | 0:41:55 | 0:42:01 | |
which is really very good, Tom, so you can walk tall. | 0:42:01 | 0:42:03 | |
And I'm very pleased to give you, Claire, ?10. Thank you very much. | 0:42:03 | 0:42:09 | |
Have you had a good time? Fantastic. Fantastic, yes. Yeah. | 0:42:09 | 0:42:12 | |
Well, we've loved having you on the programme | 0:42:12 | 0:42:15 | |
and it's nice to give the runners-up some cash. | 0:42:15 | 0:42:17 | |
Whereas when we turn to the Reds, who've won by winning ?19, | 0:42:17 | 0:42:22 | |
so there's not much between you, | 0:42:22 | 0:42:24 | |
you did really rather well, didn't you? | 0:42:24 | 0:42:27 | |
We think so. You think so. | 0:42:27 | 0:42:28 | |
So just following your animal theme didn't do you any harm. Not at all. | 0:42:28 | 0:42:32 | |
So, good. Now, there's that, Mags, and I give you a few coins as well. | 0:42:32 | 0:42:38 | |
And as Bill said, it's almost enough for a bottle of bubbly... | 0:42:38 | 0:42:42 | |
Absolutely. ..which you will enjoy. I will. | 0:42:42 | 0:42:44 | |
Have you enjoyed being on the programme? It's been a blast. | 0:42:44 | 0:42:47 | |
It's been wonderful. Very good. What about you, Bill? | 0:42:47 | 0:42:50 | |
With these two ladies, how can I not? Half the population is envious. | 0:42:50 | 0:42:54 | |
Anyway, join us soon for some more Bargain Hunting, yes? | 0:42:55 | 0:42:58 | |
Yes! | 0:42:58 | 0:43:00 | |
Subtitles by Red Bee Media Ltd | 0:43:17 | 0:43:19 | |
E-mail [email protected] | 0:43:19 | 0:43:22 | |
The guns fell silent on November 11th 1918, but the shadow | 0:43:26 | 0:43:30 | |
cast by the First World War | 0:43:30 | 0:43:32 | |
stretched long into the 20th century. | 0:43:32 | 0:43:34 | |
Historian David Reynolds examines its devastating impact. | 0:43:34 | 0:43:38 |