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Oh, I do love this town. | 0:00:03 | 0:00:04 | |
More antiques shops than you can shake a stick at. | 0:00:04 | 0:00:07 | |
Perfect! Let's go Bargain Hunting! | 0:00:08 | 0:00:10 | |
Yep, today we're in Hungerford in Berkshire, | 0:00:36 | 0:00:40 | |
where Team UK face Team USA. | 0:00:40 | 0:00:44 | |
So many shops, so little time. | 0:00:45 | 0:00:48 | |
-Introducing the Americans... -I like the box. -I like the box. | 0:00:49 | 0:00:54 | |
He likes the box. | 0:00:54 | 0:00:55 | |
-Yay! -Ooh, I'm going completely doolally. | 0:00:55 | 0:00:59 | |
-Erm, yeah. -But I'm not the only one. | 0:00:59 | 0:01:03 | |
Oh, dear, David. | 0:01:03 | 0:01:04 | |
Let's meet the teams. | 0:01:06 | 0:01:08 | |
So, Mary and Julie, welcome. Lovely to see you. | 0:01:10 | 0:01:12 | |
Mary, how did you two girls meet? | 0:01:12 | 0:01:14 | |
We both have sons that play rugby and I was on the sideline cheering | 0:01:14 | 0:01:19 | |
and she was on the sideline cheering | 0:01:19 | 0:01:21 | |
and we were the loudest ones cheering... | 0:01:21 | 0:01:24 | |
-You were cheering in American! -Yes. | 0:01:24 | 0:01:26 | |
And we really didn't know what we were doing, so we were saying, "Go, go, go!" | 0:01:26 | 0:01:30 | |
And you've got this oval ball and they did something called a scrum. | 0:01:30 | 0:01:34 | |
-Yes. -And you thought... -"Just go, just go!" | 0:01:34 | 0:01:37 | |
"Just go! Trample on everybody." | 0:01:37 | 0:01:39 | |
-We realised that we both didn't know what we were talking about. -No. | 0:01:39 | 0:01:42 | |
-We became instant friends. -That's fun. | 0:01:42 | 0:01:45 | |
-Are you working here? -I'm over here for Bargain Hunt. -Of course. | 0:01:45 | 0:01:48 | |
You've flown in specially. | 0:01:48 | 0:01:50 | |
No, my husband's job brought us over here | 0:01:50 | 0:01:53 | |
and Julie's husband's job brought her over here. | 0:01:53 | 0:01:56 | |
How do you girls keep busy when you're not running round after your children? | 0:01:56 | 0:02:00 | |
We have a great group of friends that we go to lunch with and... | 0:02:00 | 0:02:03 | |
-You're ladies that lunch. -Absolutely. | 0:02:03 | 0:02:05 | |
We have adventures all the time. Here we are. | 0:02:05 | 0:02:08 | |
And you're OK on the right side of the road and all that? | 0:02:08 | 0:02:11 | |
Never had a problem. | 0:02:11 | 0:02:12 | |
-No, only joking. -Except when I go home. | 0:02:12 | 0:02:15 | |
And how do you think you're going to get on today? | 0:02:15 | 0:02:17 | |
Are you going to be scary or friendly? | 0:02:17 | 0:02:20 | |
-We'll be friendly. -Oh, yeah. -You'll be friendly. How lovely. | 0:02:20 | 0:02:23 | |
The Blues will be reassured to hear that. | 0:02:23 | 0:02:26 | |
We've got friendly Americans here today. | 0:02:26 | 0:02:28 | |
-It's lovely to see you, Lynette and Sally. How are you? -Good, thank you. | 0:02:28 | 0:02:32 | |
-Isn't it nice to hear how the other half live, eh? -We also lunch. | 0:02:32 | 0:02:36 | |
-You're very keen on that. -We're good at lunching. | 0:02:36 | 0:02:39 | |
But you also like travelling, Lynette. | 0:02:39 | 0:02:42 | |
Well, since my marriage broke up I've been to... | 0:02:42 | 0:02:44 | |
Well, I came back last week from the Gambia, | 0:02:44 | 0:02:47 | |
-so that makes 21 countries. -21 countries. -Yeah. | 0:02:47 | 0:02:50 | |
-Gosh. It's worth getting divorced, isn't it... -It was. -..if it leads you to 21 countries? | 0:02:50 | 0:02:54 | |
What other passions have you got apart from travelling? | 0:02:54 | 0:02:57 | |
I love dancing | 0:02:57 | 0:02:59 | |
and I go to a ballet and jazz class a couple of times a week. | 0:02:59 | 0:03:04 | |
-Do you? -And... Don't laugh. | 0:03:04 | 0:03:07 | |
No, no, no. I always think that's rather a romantic thing to do. | 0:03:08 | 0:03:13 | |
So, Sally, how did you and Lynette become friends? | 0:03:13 | 0:03:15 | |
-Gosh, it was years ago. We've been friends for years, haven't we? -Yes. | 0:03:15 | 0:03:19 | |
Our husbands worked together and I think it was a Christmas party | 0:03:19 | 0:03:23 | |
and I was standing at the bar | 0:03:23 | 0:03:25 | |
and all I saw was Lynette coming out of the ladies | 0:03:25 | 0:03:27 | |
with her dress caught in her tights. | 0:03:27 | 0:03:29 | |
It's that awful moment when you think, "Do I tell her or do I just leave it?" | 0:03:29 | 0:03:35 | |
-You would hope that a friend would say... -It was the right thing to do. | 0:03:35 | 0:03:38 | |
I had walked across the dance floor at this point. | 0:03:38 | 0:03:41 | |
And wondered why everyone was pointing at you. | 0:03:41 | 0:03:44 | |
Now, the money moment. £300 apiece. Here we go, girls. | 0:03:44 | 0:03:47 | |
£300. You know the rules. Your experts await and off you go | 0:03:47 | 0:03:51 | |
and very, very, very good luck. | 0:03:51 | 0:03:53 | |
Gosh, how cosmopolitan, hey? | 0:03:53 | 0:03:56 | |
The clock has started. Who are our experts? | 0:03:58 | 0:04:02 | |
David Barby - such a doll. | 0:04:03 | 0:04:06 | |
-I like always to buy quality. -Yes. -Yes, I agree, absolutely. | 0:04:06 | 0:04:09 | |
And Philip Serrell. What a guy! | 0:04:09 | 0:04:12 | |
The gals are feeling right at home. | 0:04:13 | 0:04:17 | |
It's really interesting. "German Americans for Reagan"? | 0:04:17 | 0:04:20 | |
Byelorussians for Ronald Reagan. | 0:04:20 | 0:04:22 | |
-How well are these going to go in Sussex? Come along. -All right. | 0:04:22 | 0:04:26 | |
-That's very pretty. -What have you got there, David? | 0:04:26 | 0:04:29 | |
There's the little coffee can with the repeated decoration inside. | 0:04:29 | 0:04:33 | |
-That's lovely. -Can you feel, if you put your finger in? | 0:04:33 | 0:04:36 | |
Can you feel all the way round there? | 0:04:36 | 0:04:38 | |
-That is a Miles Mason pattern. -We'll go for this, shall we? | 0:04:38 | 0:04:41 | |
-I think the decoration is absolutely exquisite. -Yes. | 0:04:41 | 0:04:45 | |
It's all hand painted. They're asking £115 | 0:04:45 | 0:04:49 | |
but we've got to sell at auction. | 0:04:49 | 0:04:51 | |
We need to buy it somewhere between £70 and £80. | 0:04:51 | 0:04:54 | |
That's a challenge. | 0:04:54 | 0:04:56 | |
Walking sticks? | 0:04:56 | 0:04:58 | |
Now listen, girls. We are not American tourists, all right? | 0:04:58 | 0:05:02 | |
-We are. We're tourists here today. -No, you're living here. | 0:05:02 | 0:05:06 | |
-But we still feel like tourists, sometimes. -Oh, dear. | 0:05:06 | 0:05:09 | |
Now, no pressure, Blue team, but Barby is watching you haggle. | 0:05:09 | 0:05:14 | |
What price can you give us on this? | 0:05:16 | 0:05:18 | |
-It's a Miles Mason. -Yes, I know. | 0:05:18 | 0:05:20 | |
-Mid Victorian. -Mm-hm. | 0:05:21 | 0:05:24 | |
I can understand why you like it. | 0:05:26 | 0:05:29 | |
115. What sort of price were you thinking of? | 0:05:29 | 0:05:32 | |
This sounds very cheeky but could you take 70? | 0:05:32 | 0:05:34 | |
-Sort of 85. -Mm. Not really. | 0:05:35 | 0:05:39 | |
I think we're in danger of the price going up. | 0:05:39 | 0:05:42 | |
-It's lovely. We like it. -Yes, we'll go for 80, then. | 0:05:43 | 0:05:47 | |
-We'll go for 80. -Let me give you £1 back. It sounds better at 79. -There's a deal! | 0:05:47 | 0:05:51 | |
Well done, girls. £115 down to 79. | 0:05:51 | 0:05:55 | |
Mr Barby will be pleased. | 0:05:55 | 0:05:57 | |
If we could get it down, would that be profitable? No? | 0:06:00 | 0:06:04 | |
LAUGHTER | 0:06:04 | 0:06:05 | |
-OK, let's just put that one away. -Moving right along. | 0:06:05 | 0:06:09 | |
-We're looking at nice things we can't afford. -Story of our lives. | 0:06:09 | 0:06:13 | |
It's always those quirky things that seem to make a profit. | 0:06:13 | 0:06:18 | |
-And that IS ridiculous. -Wow! | 0:06:18 | 0:06:20 | |
Time to step in, Mr Serrell. | 0:06:20 | 0:06:22 | |
-Girls, what do you think of that? -Oh, that's beautiful. | 0:06:22 | 0:06:26 | |
-Can you tell that date? -He can. | 0:06:26 | 0:06:29 | |
Do you know the easiest way to tell the date? Look at the label. | 0:06:29 | 0:06:32 | |
LAUGHTER | 0:06:32 | 0:06:34 | |
And it says Sheffield, 1904. | 0:06:34 | 0:06:35 | |
-So that's just a little tip. -I like that. | 0:06:35 | 0:06:37 | |
-And what is this here? -That's the monogram... | 0:06:37 | 0:06:41 | |
I can't even read it. | 0:06:41 | 0:06:43 | |
The American education system is sadly lacking. | 0:06:44 | 0:06:47 | |
-This must be an S and W. -WS. | 0:06:47 | 0:06:50 | |
If you're going to a teetotal do, you slip this into your handbag | 0:06:50 | 0:06:54 | |
and when no-one's looking, you have a quick gin, you know? | 0:06:54 | 0:06:57 | |
Don't let your teenager in sight of that. | 0:06:57 | 0:07:00 | |
It's £115. | 0:07:00 | 0:07:03 | |
-So you have got to go and use your very sweet... -Her Southern charm. | 0:07:03 | 0:07:06 | |
-What, Cornwall? -Atlanta, Georgia, in the South. -Georgia. | 0:07:06 | 0:07:10 | |
-Yeah, Georgia! -I love the way she says that. | 0:07:10 | 0:07:13 | |
-Go on, do your worst. -OK. | 0:07:13 | 0:07:14 | |
That Southern charm got the hip flask down to £80. | 0:07:14 | 0:07:20 | |
Now, what have you found there, Lynette? | 0:07:21 | 0:07:24 | |
..instead of money... | 0:07:24 | 0:07:26 | |
Sally, David, what do you think of this? | 0:07:26 | 0:07:28 | |
-What have you got there? -I love scent bottles. -Yes. | 0:07:28 | 0:07:31 | |
It's a really, really vibrant blue, that. | 0:07:31 | 0:07:33 | |
-It's very much Upstairs, Downstairs, isn't it? -Yes. -It's very pretty. | 0:07:33 | 0:07:37 | |
It's not silver marked. The thing that worries me is that's not glass. | 0:07:37 | 0:07:42 | |
-That's a plastic drinking straw. -And that would affect the price. | 0:07:42 | 0:07:46 | |
-Yes. -I think it's very pretty. -It's a sweet little bottle. | 0:07:46 | 0:07:50 | |
I'm just worried that if all the parts aren't original, it might affect the value. | 0:07:50 | 0:07:54 | |
I don't think any buyer's going to open it and look at it, | 0:07:54 | 0:07:57 | |
the plastic bit inside. | 0:07:57 | 0:07:59 | |
-It's £68. -I'm not sure. -You're interested in that one? -I am, yes. | 0:07:59 | 0:08:04 | |
Right. That's got to be well under £50. | 0:08:04 | 0:08:07 | |
Get a price established on it and then say, "Oh, I'll come back to it." Let's part company. | 0:08:07 | 0:08:12 | |
Come on, Lynette. | 0:08:12 | 0:08:14 | |
-Hi, ladies. -Hi. -We've found something here. | 0:08:14 | 0:08:19 | |
I noticed that it doesn't have a silver mark on | 0:08:19 | 0:08:22 | |
and on the ticket it says silver and enamel perfume spray | 0:08:22 | 0:08:26 | |
and it has a plastic straw. | 0:08:26 | 0:08:29 | |
-Yes, that looks like a replacement. -That would have been glass. | 0:08:31 | 0:08:35 | |
It's probably an Art Deco straw, you know. | 0:08:35 | 0:08:38 | |
Will they fall for it? | 0:08:38 | 0:08:40 | |
No! | 0:08:40 | 0:08:42 | |
-Could you take 40? -35 to 40 because it's... | 0:08:42 | 0:08:45 | |
I think we might be in trouble with 40, girls. | 0:08:45 | 0:08:48 | |
-Let's come back. -Yeah. -OK. -Thank you very much. Thank you. | 0:08:48 | 0:08:51 | |
No sale. Better luck next time, girls. | 0:08:51 | 0:08:53 | |
Do you know anybody called Kelly? | 0:08:58 | 0:08:59 | |
I mean, do you know a girl called Kelly? | 0:08:59 | 0:09:01 | |
Because if you do, I have just found you | 0:09:01 | 0:09:05 | |
the ideal birthday present | 0:09:05 | 0:09:08 | |
for Kelly. | 0:09:08 | 0:09:10 | |
Here you go, look. It says, "Has anybody seen Kelly?" | 0:09:10 | 0:09:15 | |
Just look what's Kelly's doing. | 0:09:16 | 0:09:19 | |
This is a piece of bawdy pottery, | 0:09:19 | 0:09:22 | |
transfer printed and then hand-coloured later, | 0:09:22 | 0:09:26 | |
showing Kelly, well, what can I say? | 0:09:26 | 0:09:31 | |
Baring herself to nature. | 0:09:31 | 0:09:34 | |
And underneath, again in transfer print, | 0:09:35 | 0:09:38 | |
it says, "Kiss my..." dot, dot, dot. | 0:09:38 | 0:09:41 | |
So, Kelly, what would your loved one pay | 0:09:42 | 0:09:45 | |
for such a personalised, bawdy, saucy, seaside type of present? | 0:09:45 | 0:09:52 | |
Well, it would cost you £45. | 0:09:52 | 0:09:55 | |
Worth every penny I'd say. Cheeky. | 0:09:55 | 0:09:58 | |
Both teams have got item number one. | 0:10:01 | 0:10:03 | |
We've got 27 minutes left. | 0:10:03 | 0:10:05 | |
-Ah! Where's the Moorcroft? -It's down here. | 0:10:05 | 0:10:08 | |
The race is on to find number two. | 0:10:08 | 0:10:11 | |
I'd like to buy something with an American influence. | 0:10:11 | 0:10:14 | |
-If it comes from Georgia, all the better. -Hey. -Yeah. | 0:10:14 | 0:10:17 | |
You may be in luck, dude. | 0:10:17 | 0:10:19 | |
-There's an ashtray. It's USS. -It is. | 0:10:19 | 0:10:23 | |
That's off an American submarine, isn't it? | 0:10:23 | 0:10:25 | |
-Is it from a submarine? Hey! -Why do we know that? | 0:10:25 | 0:10:29 | |
-I don't know that. -Read the label. | 0:10:29 | 0:10:31 | |
You are learning, aren't you? She's learning, this girl. | 0:10:32 | 0:10:35 | |
-Do you like it? -Yeah, I do. | 0:10:36 | 0:10:38 | |
-And it's an American thing. -Beat him to death. | 0:10:38 | 0:10:40 | |
-You've got it marked for 35... -Yeah. -..and we think it's a nice piece. | 0:10:40 | 0:10:44 | |
Go for 15! | 0:10:44 | 0:10:45 | |
-You've just got to bend this one right round. -This one? | 0:10:45 | 0:10:48 | |
-You can do it. -17 and 50 shiny pennies. | 0:10:49 | 0:10:52 | |
-50p's no good, we can't do the graphics. -I give up, you're too good. | 0:10:52 | 0:10:56 | |
-17. -Well done. | 0:10:56 | 0:10:58 | |
-Hey, guys, what's happening? -Hey, we've been busy. | 0:10:58 | 0:11:02 | |
-How many have you got? -We got two pieces already. | 0:11:02 | 0:11:05 | |
We just bought a really wicked American submarine ashtray. | 0:11:05 | 0:11:09 | |
-Get away! -Yes. -Could they smoke on submarines? | 0:11:09 | 0:11:12 | |
I don't think so, do you? | 0:11:12 | 0:11:13 | |
It's really cool. All the American sailors want to buy ashtrays. | 0:11:13 | 0:11:17 | |
Well, I know what you're like about sailors. | 0:11:17 | 0:11:19 | |
Let's hope the submarine ashtray doesn't sink at auction. | 0:11:21 | 0:11:25 | |
Lynette and Sally are delightful. | 0:11:25 | 0:11:28 | |
They're quite positive. They don't want to buy anything damaged. | 0:11:28 | 0:11:31 | |
Let's just check there's no damage. | 0:11:31 | 0:11:33 | |
It's nice but I'm so nervous about anything damaged. | 0:11:33 | 0:11:37 | |
Listen, you and I are pretty damaged because we're old. | 0:11:37 | 0:11:40 | |
-That... I think the eyeball's missing. -It did fall out, didn't it? | 0:11:40 | 0:11:44 | |
-I heard something. -Yeah, it just... -Here it is! | 0:11:44 | 0:11:47 | |
Yeah. I can't believe it's happening to me, today. | 0:11:47 | 0:11:51 | |
Look at that! Faulty goods! Leave them on the shelf. | 0:11:51 | 0:11:54 | |
-It's a nice shape. -Yes. In carved wood. | 0:11:54 | 0:11:58 | |
Nice shape, shame about the face. | 0:11:58 | 0:12:00 | |
-How are you getting on with David Barby? -He's really nice. | 0:12:00 | 0:12:03 | |
-I'm going to take him home. -There's hardly anything left of him, though. | 0:12:03 | 0:12:07 | |
-I know! You've lost an awful lot of weight. -Stop showing off, David. | 0:12:07 | 0:12:10 | |
I think it's called flashing, actually. | 0:12:10 | 0:12:13 | |
-How are you getting on with the girls, David? -Delightful. They know what they want. | 0:12:14 | 0:12:18 | |
They've got prices in their heads. | 0:12:18 | 0:12:20 | |
They were determined right from the outset. | 0:12:20 | 0:12:22 | |
Mirror, mirror, on the wall Who's the fairest of us all? | 0:12:22 | 0:12:25 | |
It's not me. Pass it along. | 0:12:25 | 0:12:27 | |
There is some damage but they are carved-wood framed | 0:12:27 | 0:12:31 | |
and these have been screwed onto a wall. | 0:12:31 | 0:12:33 | |
They would have been on a pub wall like that. | 0:12:33 | 0:12:35 | |
-We're missing the top section here. -Right. | 0:12:35 | 0:12:38 | |
We've lost a little bit of the carving at the top there. | 0:12:38 | 0:12:40 | |
This has also suffered the same damage. | 0:12:40 | 0:12:43 | |
-The price is 150. -That's quite high. -It is quite high. | 0:12:43 | 0:12:47 | |
I think it could either do really well | 0:12:47 | 0:12:50 | |
or if there's nobody there to buy them, do badly | 0:12:50 | 0:12:53 | |
-but I'm up for taking the risk. -Right. No pressure! | 0:12:53 | 0:12:55 | |
The clock's ticking, ladies. | 0:12:56 | 0:12:58 | |
Girls, we've got 15 minutes left. We're three quarters of the way through. | 0:13:01 | 0:13:05 | |
-We've bought two bits but we need to try... -All right. -OK. | 0:13:05 | 0:13:08 | |
..put our foot on the loud pedal. | 0:13:08 | 0:13:10 | |
Now, how goes it with our Blue bombshells? | 0:13:10 | 0:13:14 | |
-They need to be under £100, really. -Under? | 0:13:14 | 0:13:17 | |
They need a lot of restoration. The glass is broken. | 0:13:17 | 0:13:21 | |
They actually need quite a lot of work done on them. | 0:13:21 | 0:13:24 | |
-So... -They're very beautiful but I do understand. | 0:13:24 | 0:13:27 | |
OK, I will ring. | 0:13:27 | 0:13:31 | |
Hello, Linda. It's Adrian here from the arcade. | 0:13:31 | 0:13:33 | |
I've got a nice couple in here looking at your lovely mirrors | 0:13:33 | 0:13:36 | |
with slight damage - a chip to the glass. | 0:13:36 | 0:13:40 | |
They're 150. 10% would be down to 135. | 0:13:41 | 0:13:46 | |
Can you do better, please? | 0:13:46 | 0:13:48 | |
We're running out of time, as well. | 0:13:48 | 0:13:50 | |
She will do the 100 but the very best is £100. | 0:13:51 | 0:13:55 | |
-Right. -I'm OK about that. -OK, right. We'll take them. | 0:13:55 | 0:13:58 | |
-Yes, we'll take them at 100. -Thank you very much. | 0:13:58 | 0:14:01 | |
Lovely, great. | 0:14:01 | 0:14:02 | |
Yes! They bought the mirrors. | 0:14:02 | 0:14:03 | |
-Thank you very much. -We have to move very quickly, here. Thank you. | 0:14:03 | 0:14:07 | |
-Thanks, bye. -Can I just take you up the avenue. -Follow you. | 0:14:07 | 0:14:10 | |
-£95? We're walking. -It's got to be quality. | 0:14:13 | 0:14:16 | |
Look at these two. They are good. | 0:14:16 | 0:14:19 | |
Girls, you've got minutes to buy your last item. | 0:14:19 | 0:14:23 | |
They have some boxes? Do you like boxes or not? | 0:14:23 | 0:14:26 | |
No, I do like them | 0:14:26 | 0:14:28 | |
but I just think it will go and die a thousand deaths. | 0:14:28 | 0:14:31 | |
She's not listening to you, Phil. | 0:14:31 | 0:14:33 | |
Well, I love boxes. It looks like it has original inkwells in it. | 0:14:33 | 0:14:39 | |
-Well, I don't think that's original. -How old is that? | 0:14:39 | 0:14:42 | |
1900-ish, I would think. | 0:14:42 | 0:14:45 | |
This is made out of pitch pine. | 0:14:46 | 0:14:48 | |
-Pitch pine, you've got the pine colour there... -Mm-hm. | 0:14:48 | 0:14:52 | |
..but then you've got these very dark streaks down it | 0:14:52 | 0:14:54 | |
and that's pitch pine. | 0:14:54 | 0:14:56 | |
They made a lot of church pews out of pitch pine. I like that. | 0:14:56 | 0:14:59 | |
-Which is really sad. -I love unusual things. It's just different. | 0:14:59 | 0:15:03 | |
-I love the paper. -That's pretty. | 0:15:03 | 0:15:05 | |
If we can find out how much the best they can do on this is. | 0:15:05 | 0:15:08 | |
The price tag says £55. | 0:15:08 | 0:15:11 | |
Gloves off! Time to box. | 0:15:11 | 0:15:14 | |
We'd really like to buy the box but we need some help on the price. | 0:15:14 | 0:15:18 | |
Well, I'm sorry to say that I'm absolutely forbidden | 0:15:18 | 0:15:22 | |
to go below 48 for it. | 0:15:22 | 0:15:24 | |
-I've asked my boss and he said no. You could... -He's looking that way. | 0:15:24 | 0:15:29 | |
-OK. -Let's go talk to the boss. -Let's talk to the boss. | 0:15:29 | 0:15:32 | |
Have you ever been subjected to Atlanta drawl? | 0:15:32 | 0:15:35 | |
Because you're about to be. | 0:15:35 | 0:15:38 | |
-The girls like this. -We really do. -We think it's a nice thing. | 0:15:39 | 0:15:42 | |
-It is a nice thing. -I guess at 45 quid you'd have, would you? | 0:15:42 | 0:15:45 | |
Yeah. We'd take it for 45. That's what we thought when we saw it. | 0:15:45 | 0:15:49 | |
Are you going to bully me? | 0:15:49 | 0:15:51 | |
-We will. We're not going to leave. -She's pretty good. -I can see that. | 0:15:51 | 0:15:55 | |
-You really want it, don't you? -Yes, we do. | 0:15:55 | 0:15:57 | |
-HE SIGHS -OK. I'll use my managerial status and get into a lot of trouble | 0:15:57 | 0:16:03 | |
-and say yes. -Thank you very much. -Thank you very much, sir. | 0:16:03 | 0:16:06 | |
Thanks. Great. Thank you. | 0:16:06 | 0:16:09 | |
I'll shake your hand as well. | 0:16:09 | 0:16:11 | |
-Thank you, that's lovely. Well done, girls. -OK! -OK. | 0:16:11 | 0:16:14 | |
-Tea time? -Yes, ma'am. | 0:16:14 | 0:16:16 | |
The Reds are done. What did they buy? | 0:16:16 | 0:16:18 | |
An Edwardian silver and glass hip flask for £80. | 0:16:19 | 0:16:23 | |
Philip dived in and found this brass ashtray, | 0:16:25 | 0:16:28 | |
once aboard the USS submarine Dogfish, for £17. | 0:16:28 | 0:16:32 | |
Finally, Julie's seductive Southern drawl | 0:16:34 | 0:16:38 | |
got the pine writing box down to £45. | 0:16:38 | 0:16:41 | |
Eh, you chaps, you are amazing, aren't you? That was good shopping. | 0:16:43 | 0:16:47 | |
-We've done well. -We've done very well. | 0:16:47 | 0:16:49 | |
-Which is your favourite piece? -I like the box | 0:16:49 | 0:16:52 | |
-but I think that the ashtray will make the best profit. -Yeah? | 0:16:52 | 0:16:55 | |
Now, where is the leftover... | 0:16:55 | 0:16:58 | |
-I think Mary has it. -..lolly? -I have it. | 0:16:58 | 0:17:01 | |
-Yes. -Could you just say, "I like the box," again for me? | 0:17:01 | 0:17:04 | |
I just like the way you talk. | 0:17:04 | 0:17:06 | |
-Go on. Do it one more time. -I like the box. | 0:17:06 | 0:17:08 | |
-I like the box. -Brilliant, isn't it? -He likes the box. | 0:17:08 | 0:17:11 | |
-We all like the box. -Yay! | 0:17:11 | 0:17:13 | |
-Do you call it lolly in America? -No. -You don't. | 0:17:13 | 0:17:16 | |
-A lollipop. -A sucker or a lollipop. | 0:17:16 | 0:17:19 | |
-This is a sucker or a lollipop? -You can't suck on it. -Yeah, you can. | 0:17:19 | 0:17:23 | |
You put it all in your mouth and suck on it. | 0:17:23 | 0:17:26 | |
If you've got a big enough mouth you can put the whole thing in. | 0:17:26 | 0:17:29 | |
Leftover lolly. How much did you spend altogether? | 0:17:29 | 0:17:32 | |
-£142. -I'll trust you. Millions wouldn't. | 0:17:32 | 0:17:36 | |
There we go. £158. | 0:17:36 | 0:17:38 | |
So what are you going to spend that on, then, Philip Serrell? | 0:17:38 | 0:17:41 | |
I'm going to go and get them something quintessentially English. | 0:17:41 | 0:17:45 | |
-Oh, right. -Sounds good. -What, a replica of yourself? | 0:17:45 | 0:17:48 | |
-What a good idea. -It is a good idea. | 0:17:51 | 0:17:53 | |
Five minutes to go. What have you got, David? | 0:17:53 | 0:17:57 | |
You know we were looking at that other scent bottle? | 0:17:59 | 0:18:02 | |
-I think this is identical. -Yes, it's sweet. | 0:18:02 | 0:18:06 | |
-It's got nice decoration there. Pink. -Yes. | 0:18:06 | 0:18:08 | |
-Pink is very much in vogue. -Yes. -Right. | 0:18:08 | 0:18:11 | |
I think that's quite nice. | 0:18:11 | 0:18:13 | |
It's got the original glass tube inside. The other one had a straw. | 0:18:13 | 0:18:16 | |
-OK. Have a look at that. -Let's have a... | 0:18:16 | 0:18:20 | |
Can I just point out that, look, the puffer sticks. | 0:18:20 | 0:18:24 | |
We could put a bit of WD40 on that. | 0:18:24 | 0:18:26 | |
-Yes, I think the more use it gets it becomes... -OK. | 0:18:26 | 0:18:30 | |
-75. -Let's find out. | 0:18:30 | 0:18:35 | |
Excuse me. This is priced at 75. What's the very best? | 0:18:35 | 0:18:40 | |
I've spoken to Anne about it and she said she will come down to 45. | 0:18:40 | 0:18:44 | |
-45. -OK. -That's good. -Whose choice is this going to be? -It's yours. | 0:18:44 | 0:18:48 | |
-Your choice. -Lynette, that's yours. Do you like that more than the blue? | 0:18:48 | 0:18:53 | |
-Er... yes. -That's a done deal, then, isn't it? | 0:18:53 | 0:18:56 | |
-OK. Shall we go for it? -Yes. OK. -OK. | 0:18:56 | 0:18:58 | |
-Lovely. -Thank you very much. -Lovely. Thank you, David. | 0:18:58 | 0:19:01 | |
Oh, two. I feel such a relief. | 0:19:01 | 0:19:04 | |
-Great. OK. Good. -No, that's pretty. So we've got three things. | 0:19:05 | 0:19:08 | |
-We've done it. -Brilliant, brilliant. And you're happy with them? -Yes. | 0:19:08 | 0:19:12 | |
Yes. I'm nervous about those mirrors. I'm going to have sleepless nights about those. | 0:19:12 | 0:19:17 | |
If they bomb, I'll just feel awful. | 0:19:17 | 0:19:20 | |
So what did the girls buy altogether? | 0:19:20 | 0:19:22 | |
A porcelain coffee can and saucer for £79. | 0:19:22 | 0:19:27 | |
Reflecting on their success, they bought a pair of gilt carved mirrors | 0:19:27 | 0:19:33 | |
for £100. | 0:19:33 | 0:19:34 | |
The damage is already giving Sally nightmares. | 0:19:34 | 0:19:37 | |
And finally, for £45, Lynette's dream came true | 0:19:38 | 0:19:43 | |
when David found her a perfect 1930s French atomiser. | 0:19:43 | 0:19:48 | |
Was it an interesting experience? Did it come up to your expectations? | 0:19:48 | 0:19:52 | |
Oh, it was great fun. I thoroughly enjoyed it. | 0:19:52 | 0:19:54 | |
-I've enjoyed it. -What about the hour? -That's a bit tough. | 0:19:54 | 0:19:58 | |
-'Ey up, kids. -Hello. -You've finished. -We're done. -Congratulations. | 0:19:58 | 0:20:02 | |
-Here you are, clutching your atomiser. -Yes. | 0:20:02 | 0:20:04 | |
-So, which is your favourite piece, Sally? -I think the pair of mirrors. | 0:20:04 | 0:20:08 | |
They're beautiful but I'm nervous about them. | 0:20:08 | 0:20:11 | |
-It's fingers crossed to see how they go. -That's the thing. Nobody knows what's going to happen. | 0:20:11 | 0:20:16 | |
-Have you ever been able to count your chickens? -Never. Never. | 0:20:16 | 0:20:20 | |
So many things I've bought, great expectations, they've bombed. | 0:20:20 | 0:20:23 | |
-What exactly have we got here? -Let's have a look. | 0:20:23 | 0:20:26 | |
20, 40, 60, 70, six. | 0:20:26 | 0:20:30 | |
I nearly gave you a jelly bean, which I'm sure is a bit... | 0:20:30 | 0:20:33 | |
I like a hairy jelly bean. | 0:20:33 | 0:20:35 | |
This cash comes over to you. Quite a responsibility. | 0:20:35 | 0:20:39 | |
-Have you got anything in mind? -Well, we've seen so much | 0:20:39 | 0:20:42 | |
but I'm getting some general idea of what the girls are interested in | 0:20:42 | 0:20:46 | |
-and it's got to be something of quality and unusual. -Of course. | 0:20:46 | 0:20:49 | |
-These are top of the notch, these girls. -Absolutely. -You're right. | 0:20:49 | 0:20:53 | |
-Good luck with that, David. -OK. | 0:20:53 | 0:20:55 | |
Meanwhile, we're heading off somewhere really rather spectacular. | 0:20:55 | 0:20:58 | |
One of the wonderful things about this house | 0:21:03 | 0:21:06 | |
is the way it just surprises you when you get first sight of it. | 0:21:06 | 0:21:10 | |
but it's not the only surprising view here at Dyrham Park. | 0:21:10 | 0:21:16 | |
The other is inside it. | 0:21:16 | 0:21:19 | |
From where you are, you're in a room with a view | 0:21:22 | 0:21:25 | |
but not everything is as it appears. | 0:21:25 | 0:21:28 | |
In fact, you're being deluded. | 0:21:29 | 0:21:33 | |
Or, dare I say it, conned. | 0:21:34 | 0:21:36 | |
Gotcha! | 0:21:37 | 0:21:38 | |
Isn't this the most extraordinarily clever piece of illusionist painting | 0:21:38 | 0:21:45 | |
you have ever seen? | 0:21:45 | 0:21:47 | |
It was painted by Samuel Van Hoogstraten in 1662 | 0:21:50 | 0:21:56 | |
and you think, "Gosh, there's a Dutch interior | 0:21:56 | 0:22:00 | |
"at the end of that corridor." | 0:22:00 | 0:22:02 | |
But what's actually happening in this picture? | 0:22:02 | 0:22:05 | |
What we've got in this room is a young man standing outside, | 0:22:05 | 0:22:11 | |
looking in at this pretty little girl, | 0:22:11 | 0:22:14 | |
who's looking very tense. | 0:22:14 | 0:22:16 | |
And the elders, the parents, | 0:22:17 | 0:22:20 | |
are interviewing her about this incident. | 0:22:20 | 0:22:23 | |
The picture is dominated at the front by this birdcage. | 0:22:24 | 0:22:28 | |
A birdcage which, significantly, has the door open | 0:22:28 | 0:22:32 | |
with a parrot that's just about to fly out. | 0:22:32 | 0:22:36 | |
The symbolism of a birdcage with an open door | 0:22:36 | 0:22:40 | |
is that someone's lost their virginity. | 0:22:40 | 0:22:43 | |
But in this instance, the green parrot has not yet flitted out, | 0:22:43 | 0:22:48 | |
so perhaps, all is not lost. | 0:22:48 | 0:22:53 | |
What's the significance of that scrap of paper | 0:22:53 | 0:22:56 | |
at the bottom of the stairs? | 0:22:56 | 0:22:58 | |
Could that be a love note? | 0:22:58 | 0:22:59 | |
There is some tension in this building. The animals know it. | 0:23:01 | 0:23:06 | |
The cat with its arched back - | 0:23:06 | 0:23:08 | |
very sensitive creatures, about to hiss and spit. | 0:23:08 | 0:23:13 | |
And this sweet little King Charles puppy dog in the foreground | 0:23:13 | 0:23:17 | |
looks to me pretty scared. | 0:23:17 | 0:23:21 | |
Have we got an instance here of a young man | 0:23:21 | 0:23:24 | |
who's fallen in love with this young girl | 0:23:24 | 0:23:27 | |
and they've been, how can I put it? | 0:23:27 | 0:23:30 | |
Up to no good. | 0:23:30 | 0:23:32 | |
The picture is entitled The Loss Of Innocence | 0:23:32 | 0:23:36 | |
Of course the big question today is | 0:23:38 | 0:23:40 | |
are there any auction virgins in today's sale? | 0:23:40 | 0:23:43 | |
44 it is. And £46. Is there any advance? | 0:23:45 | 0:23:48 | |
At £46, then. | 0:23:48 | 0:23:50 | |
-One more. -Indecision is a terrible thing. | 0:23:50 | 0:23:54 | |
£50 I have. It really is fair warning. At £50. | 0:23:54 | 0:23:58 | |
Well, isn't this lovely? To be in West Sussex, | 0:23:59 | 0:24:01 | |
in Washington at Rupert Toovey's sale room | 0:24:01 | 0:24:05 | |
with the great man Rupert himself. | 0:24:05 | 0:24:07 | |
-Rupert. -Tim, how lovely to see you again. -Very nice to see you. | 0:24:07 | 0:24:10 | |
For our Red Team, Mary and Julie, our first item is the silver and glass flask. | 0:24:10 | 0:24:16 | |
It's rather a handsome thing, isn't it? | 0:24:16 | 0:24:18 | |
-Nice to have some liquid anaesthetic in your pocket. -Quite. | 0:24:18 | 0:24:22 | |
We can always do with a nip of that at any time of the day or night. | 0:24:22 | 0:24:25 | |
But it's been enjoyed, hasn't it? There's a bit of wear to the marks. | 0:24:25 | 0:24:29 | |
I think it's worth between 60 and 90 quid. | 0:24:29 | 0:24:32 | |
Fantastic. £80 they paid, right bang in the middle. | 0:24:32 | 0:24:35 | |
-It's got a good chance. -It could make a small profit. | 0:24:35 | 0:24:38 | |
So we've got the USS Dogfish, here. Do you think it's worth anything? | 0:24:38 | 0:24:42 | |
It depends what happened to the USS Dogfish, really. | 0:24:42 | 0:24:46 | |
I don't know! What's the estimate? | 0:24:46 | 0:24:48 | |
£10-£20. | 0:24:48 | 0:24:50 | |
-OK. £17 rather amusingly spent. -We'll see. -We'll see. | 0:24:50 | 0:24:53 | |
And their third item is this rather rough and ready pine writing box. | 0:24:53 | 0:24:57 | |
It's nice, the pitch pine. It has a lovely colour to it. | 0:24:57 | 0:25:00 | |
-It has that kind of churchy feel about it. -It certainly does! | 0:25:00 | 0:25:03 | |
-Do you fancy it? -Erm, well, not really but... | 0:25:03 | 0:25:07 | |
I think that the age of the computer may have overtaken this. | 0:25:07 | 0:25:11 | |
I think it has, slightly. Would you like to make it for £45? | 0:25:11 | 0:25:14 | |
You couldn't but I fear it will only make 30 or 40. | 0:25:14 | 0:25:17 | |
Well, that's all right. As long as makes more than 45. | 0:25:17 | 0:25:20 | |
On that happy note, because I fancy they're going to need it, we'll look at this team's bonus buy. | 0:25:20 | 0:25:25 | |
Hang about. | 0:25:25 | 0:25:26 | |
-You spent, my darlings, £142. -We did. | 0:25:27 | 0:25:30 | |
You gave 'Er Indoors £158. What did he spend it on? | 0:25:30 | 0:25:35 | |
-This is the moment, Serrell. -Ready? -Yes, we want to know. | 0:25:35 | 0:25:38 | |
-Are you ready? -Yeah. | 0:25:38 | 0:25:40 | |
There you are, then. | 0:25:40 | 0:25:42 | |
-He is so naughty, isn't he? -Just listen, right? Concentrate. | 0:25:43 | 0:25:47 | |
-What's so funny about this? -Concentrate. -OK. | 0:25:47 | 0:25:49 | |
This is an Edwardian rosewood centre table. | 0:25:49 | 0:25:53 | |
There's one of these brackets missing around here | 0:25:53 | 0:25:55 | |
but I bought this for £110 | 0:25:55 | 0:25:58 | |
and it's going to be interesting to see what the auctioneer estimates it at and to see what it makes. | 0:25:58 | 0:26:03 | |
It wouldn't surprise me if it made £150 | 0:26:03 | 0:26:06 | |
-and it wouldn't surprise me if it made £75. -Right. | 0:26:06 | 0:26:10 | |
-What was it used for, originally? -As a centre table in a parlour. | 0:26:10 | 0:26:14 | |
What would somebody use it for today? | 0:26:14 | 0:26:16 | |
A centre table in a parlour. | 0:26:16 | 0:26:18 | |
What I love about our girls is that they're really interested in everything. | 0:26:21 | 0:26:25 | |
You are smashing. | 0:26:25 | 0:26:26 | |
Now, you don't decide until after the sale of the first three items | 0:26:26 | 0:26:30 | |
but for the viewers, let's find out what the auctioneer thinks about the table. | 0:26:30 | 0:26:34 | |
Well, Edwardian. Rosewood, a very glamorous timber. | 0:26:35 | 0:26:39 | |
But, Tim, is it going to earn its space in somebody's drawing room? | 0:26:39 | 0:26:42 | |
I don't know. It looks flashy but it's quite faded. | 0:26:42 | 0:26:46 | |
-It's a little play-worn, isn't it? -Play-worn. Lovely, Rupert. | 0:26:46 | 0:26:50 | |
Serrell's invested his cash in it and he's a man of the timber. | 0:26:50 | 0:26:54 | |
-How much? -30 to 50, Tim. -Oh, dear. He'll be disappointed with that. | 0:26:54 | 0:26:58 | |
-£110 he paid. -Oh, sorry, Philip. -Maybe the team won't go with it. | 0:26:58 | 0:27:03 | |
That's exciting. Anyway, that's it for the Reds. | 0:27:03 | 0:27:05 | |
So, Blues. Miles Mason porcelain coffee can | 0:27:05 | 0:27:09 | |
-and there's only one of them. -Which is a shame. -It is. | 0:27:09 | 0:27:13 | |
-Because if you'd got six in a cabinet... -It would be wonderful. | 0:27:13 | 0:27:17 | |
..it would be good but we've only got the one. | 0:27:17 | 0:27:19 | |
They're great value at the moment | 0:27:19 | 0:27:21 | |
and that means it will probably make £20-£40. | 0:27:21 | 0:27:24 | |
-They paid £79. -Ah. | 0:27:24 | 0:27:27 | |
We're not predicting any profit on that. | 0:27:27 | 0:27:29 | |
-What about the pair of mirrors, Rupert? -They're very sweet | 0:27:29 | 0:27:32 | |
but they've been regilded, I think. | 0:27:32 | 0:27:34 | |
I don't like it when you see that yellow poking through. | 0:27:34 | 0:27:37 | |
It's a slightly unusual decorative quality, isn't it? | 0:27:37 | 0:27:40 | |
I don't mind a bit of red but when it's yellow, I'm not so keen. | 0:27:40 | 0:27:44 | |
It doesn't reflect the light with quite the same quality | 0:27:44 | 0:27:47 | |
-that you'd have expected originally. -No. | 0:27:47 | 0:27:49 | |
-50 to 70, I think. -£100 they paid. | 0:27:49 | 0:27:52 | |
That's the second torpedo whacking into this hull. | 0:27:52 | 0:27:55 | |
So their last item - is this going to be a trio of disaster? - | 0:27:55 | 0:27:58 | |
is the atomiser. | 0:27:58 | 0:28:01 | |
Jolly difficult, isn't it, really, because this sort of vintage item | 0:28:01 | 0:28:04 | |
we don't display on dressing tables like we used to. | 0:28:04 | 0:28:08 | |
No. And, frankly, if it's silver, that's OK, | 0:28:08 | 0:28:12 | |
but if it's plate, you say how much? | 0:28:12 | 0:28:14 | |
15 to 25. | 0:28:14 | 0:28:16 | |
They paid £45. | 0:28:16 | 0:28:18 | |
We are uniquely estimating way underneath everything that they paid for these three items. | 0:28:18 | 0:28:24 | |
They're going to need their bonus buy. Let's go and have a look at it. | 0:28:24 | 0:28:28 | |
You spent £224, which is magnificent. | 0:28:28 | 0:28:32 | |
You only gave him £76. What did you spend it on, David? | 0:28:32 | 0:28:35 | |
I wanted to buy something of quality | 0:28:35 | 0:28:37 | |
-because everything you bought was of quality. -Indeed. Led by you. | 0:28:37 | 0:28:41 | |
You are such a grub, sometimes. | 0:28:41 | 0:28:44 | |
-Well, I bought this. -Oh! -That's sweet. | 0:28:44 | 0:28:47 | |
It's a little cravat pin that would have been used | 0:28:47 | 0:28:50 | |
across a rather large tie. | 0:28:50 | 0:28:51 | |
If you were going out hunting, this would be rather nice to wear. | 0:28:51 | 0:28:55 | |
Also, it's a good luck symbol. 18 carat gold | 0:28:55 | 0:28:57 | |
and these are real pearls. | 0:28:57 | 0:29:01 | |
Yes, I think that's very sweet. | 0:29:01 | 0:29:03 | |
-What did you pay for it? -I paid £55. | 0:29:03 | 0:29:05 | |
What sort of price would it go for? | 0:29:05 | 0:29:07 | |
It depends whether people are going to use it as a cravat pin. | 0:29:07 | 0:29:11 | |
-Do people use them these days? -Well, I use one if I'm wearing a cravat. | 0:29:11 | 0:29:15 | |
-Yeah, but do PEOPLE use them? -Am I not a person? | 0:29:15 | 0:29:19 | |
I mean, ask yourself, how many people do you see up the street | 0:29:20 | 0:29:24 | |
wearing a stock pin or tie pin? | 0:29:24 | 0:29:28 | |
-How many people do you see in the street dressed? -I beg your pardon? | 0:29:28 | 0:29:31 | |
-Well, in my street... -Smart, smart. -I see, yes. | 0:29:31 | 0:29:35 | |
-Yes. -No, if your friends are going out to dinner or to some kind of do, | 0:29:35 | 0:29:39 | |
-do you see them wearing stock pins and tie pins much? -No. -No. | 0:29:39 | 0:29:43 | |
You might decide, perhaps, not to risk it. | 0:29:43 | 0:29:45 | |
On the other hand, you might love it and trust the man and have a go. | 0:29:45 | 0:29:49 | |
Don't look at me like that! | 0:29:49 | 0:29:50 | |
Anyway, for the viewers, let's find out what the auctioneer thinks | 0:29:52 | 0:29:55 | |
about David's stick pin. | 0:29:55 | 0:29:57 | |
Right, Rupert, just what you need these days, a nice stick pin. | 0:29:58 | 0:30:02 | |
-But it is 18-carat gold, isn't it? -Yes. | 0:30:02 | 0:30:05 | |
-And it is in the shape of a horseshoe. -Yes. | 0:30:05 | 0:30:08 | |
-You don't think it might bring them a bit of luck? -They need it. | 0:30:08 | 0:30:11 | |
Is it going to make them a fortune, do you think? | 0:30:11 | 0:30:14 | |
-I think it's about £40-£60. -He paid £55, so about in the middle. | 0:30:14 | 0:30:18 | |
-It has a chance, though. -It does. | 0:30:18 | 0:30:19 | |
-Are you on the rostrum? -Yes. -Good. We're in safe hands. | 0:30:19 | 0:30:23 | |
At £10. Is there any advance on £10? | 0:30:23 | 0:30:27 | |
20? Marvellous. | 0:30:27 | 0:30:31 | |
Here's a strange-looking object. What do you make of this? | 0:30:31 | 0:30:34 | |
The design of this particular gadget | 0:30:35 | 0:30:39 | |
looks as if it could have come from the 1960s | 0:30:39 | 0:30:42 | |
but to think that it was registered | 0:30:42 | 0:30:45 | |
in the third quarter of the 19th century | 0:30:45 | 0:30:47 | |
is truly remarkable. | 0:30:47 | 0:30:49 | |
But what would you use it for? | 0:30:49 | 0:30:52 | |
Well, in the 1870s, your dining or breakfast room | 0:30:52 | 0:30:54 | |
could be a cool mile and a half away from the kitchen | 0:30:54 | 0:30:58 | |
and what do you like for breakfast? | 0:30:58 | 0:31:01 | |
You like a freshly boiled egg, right? | 0:31:01 | 0:31:03 | |
We all like a freshly boiled egg. | 0:31:03 | 0:31:06 | |
And abracadabra, I just happen to have my egg here. | 0:31:06 | 0:31:09 | |
And then, using this very cunning ladle, shove it into the hot water. | 0:31:09 | 0:31:15 | |
If you wanted to give it three minutes, | 0:31:15 | 0:31:17 | |
if you like yours soft-boiled, | 0:31:17 | 0:31:19 | |
or four minutes, if you like the hard-boiled, | 0:31:19 | 0:31:22 | |
and then using the cunning ladle, you fish it out like that | 0:31:22 | 0:31:25 | |
and bung it in your egg cup. | 0:31:25 | 0:31:26 | |
Now, how clever is that? I think remarkably clever. | 0:31:26 | 0:31:31 | |
How collectable is this object? Extremely collectable. | 0:31:31 | 0:31:35 | |
Museums around the world just have to have | 0:31:35 | 0:31:38 | |
a Dr Christopher Dresser designed object in their collections | 0:31:38 | 0:31:42 | |
because he was so cutting edge. | 0:31:42 | 0:31:45 | |
If the competitive interest is out there amongst the buyers, | 0:31:45 | 0:31:50 | |
it could bring a couple of thousand pounds. | 0:31:50 | 0:31:53 | |
Now, that's quite hard-boiled. | 0:31:53 | 0:31:57 | |
There you are. Hours of endless fun. | 0:31:57 | 0:31:59 | |
And opening the bidding here at £18. | 0:31:59 | 0:32:02 | |
-So how are we doing, girls? -Good. -Good. | 0:32:03 | 0:32:05 | |
-Are feeling at all nervy? -No, not at all. -Not at all? -No. | 0:32:05 | 0:32:09 | |
-Nerves of steel, you Yanks? -Absolutely. | 0:32:09 | 0:32:11 | |
I think you're pretty cool, your team. | 0:32:11 | 0:32:13 | |
You've paid the right price, according to his estimates. | 0:32:13 | 0:32:16 | |
-Fingers crossed. -You should come out of it all right. | 0:32:16 | 0:32:19 | |
It all else fails, you've got £110 of risk | 0:32:19 | 0:32:22 | |
-with P Serrell's rosewood table. -OK. -That's right. | 0:32:22 | 0:32:25 | |
-OK, girls? -OK. -Your moment has arrived and here we go. | 0:32:25 | 0:32:28 | |
An Edwardian silver and cut-glass hip flask, | 0:32:28 | 0:32:31 | |
the screw-hinged lid above a faceted cut-glass body and silver cup. | 0:32:31 | 0:32:35 | |
Sheffield, 1904. Lovely thing, there. | 0:32:35 | 0:32:38 | |
And we're opening at £40 with the book. Can I see...? Two. | 0:32:38 | 0:32:43 | |
45, 48 and 50 and five. | 0:32:43 | 0:32:45 | |
55 and 60. 65 I'm bid in the centre. Can I see the 70? | 0:32:45 | 0:32:51 | |
-At £65. Is there any advance? -Is that it? | 0:32:51 | 0:32:53 | |
At 65 and it's fair warning. At £65... | 0:32:53 | 0:32:57 | |
-GAVEL BANGS -Uh-oh. £65. That's not as predicted. | 0:32:57 | 0:33:01 | |
That is minus £15. Don't fret. | 0:33:01 | 0:33:03 | |
A 20th century brass ashtray from the USS Dogfish! | 0:33:03 | 0:33:07 | |
SS 350. | 0:33:07 | 0:33:09 | |
And it was a submarine, in case you didn't know. | 0:33:09 | 0:33:13 | |
So who'll start me at 20? Say ten, then, please. | 0:33:14 | 0:33:16 | |
£10 I'm bid. £10 now, £10 now. | 0:33:16 | 0:33:20 | |
£12, can I see? At £10 and it's the maiden bid at 10. | 0:33:20 | 0:33:23 | |
-Oh, no. -Is there any advance on £10? | 0:33:23 | 0:33:25 | |
-It's not going so well, this, really. -Come on. -Oh, 12. | 0:33:25 | 0:33:28 | |
And 14 in the distance. Marvellous. | 0:33:28 | 0:33:31 | |
14 I have and 16's there. 18. | 0:33:31 | 0:33:34 | |
-And 20! -Yes! -Two! | 0:33:34 | 0:33:36 | |
-24... -Ooh! -26. | 0:33:36 | 0:33:38 | |
-Oh, no, she says. 24 it is, with you, sir, at the back. -Go on. | 0:33:39 | 0:33:43 | |
24. Are we all done at £24? | 0:33:43 | 0:33:46 | |
24. | 0:33:46 | 0:33:48 | |
What about that? It's so good. £24. You just made plus £7, | 0:33:48 | 0:33:52 | |
which means you are only minus £8. Here we go. | 0:33:52 | 0:33:55 | |
-Now, the writing box. -I like this, I like this. -OK. | 0:33:55 | 0:33:59 | |
Two lidded compartments. Lovely original paper in that one. | 0:33:59 | 0:34:03 | |
What shall we say for that, please? £40? | 0:34:03 | 0:34:06 | |
30, then? 30 I'm bid. At 30 and two. 35, 38. | 0:34:06 | 0:34:11 | |
And 40? 38 I have with you, madam. | 0:34:11 | 0:34:14 | |
At £38. Can I see the 40? | 0:34:14 | 0:34:16 | |
-At £38. Is there any advance? -Go on, go on. | 0:34:16 | 0:34:18 | |
-At £38. Are you all done? -I can't bear it. | 0:34:18 | 0:34:21 | |
-40, now. -Yes! -And 42. | 0:34:21 | 0:34:25 | |
-Yes. -45? -Go on, bid again. | 0:34:25 | 0:34:28 | |
No? No more? | 0:34:28 | 0:34:29 | |
-42, I have with you, madam. -Come on. -At £42. | 0:34:29 | 0:34:31 | |
Are we all done? At £42. | 0:34:31 | 0:34:34 | |
Fair warning. 42. | 0:34:34 | 0:34:36 | |
I can't bear it. £42. That's a miserable £3 off. | 0:34:36 | 0:34:41 | |
-You are minus 11. -That is bad, bad. | 0:34:41 | 0:34:44 | |
-Now, listen, that ain't bad. -That ain't bad? | 0:34:44 | 0:34:46 | |
You said it. That ain't bad. I mean, that is darn good. | 0:34:46 | 0:34:50 | |
-Darn good! -Darn good. | 0:34:50 | 0:34:52 | |
This is a drama now. What are you going to do about this bonus buy? | 0:34:52 | 0:34:56 | |
Minus 11 could be a winning score. I have to say that. | 0:34:56 | 0:34:59 | |
-We're just going to stick. -You're going to stick? | 0:34:59 | 0:35:02 | |
Wise move. Sorry, it's nothing to do with me. | 0:35:02 | 0:35:05 | |
That's a definite decision. You are going to stick. | 0:35:05 | 0:35:07 | |
I'll breathe a sigh of relief. | 0:35:07 | 0:35:09 | |
You've made your decision, they're not going with the bonus buy. | 0:35:09 | 0:35:12 | |
I have to tell you that the auctioneer's estimate was £30-£50 | 0:35:12 | 0:35:16 | |
-for this lot. -Ooh. | 0:35:16 | 0:35:17 | |
I mean, no disrespect, Phil, | 0:35:17 | 0:35:19 | |
everything that you have said about that table | 0:35:19 | 0:35:21 | |
being clean, being collectable and inexpensive... | 0:35:21 | 0:35:24 | |
The girls are not going with it but let's see what happens, eh? | 0:35:24 | 0:35:27 | |
Here it comes. | 0:35:27 | 0:35:29 | |
An Edward rosewood octagonal centre table | 0:35:29 | 0:35:31 | |
with satinwood cross-banded borders and inlaid stringing. | 0:35:31 | 0:35:34 | |
It's a very handsome table and we've conflicting bids to match, | 0:35:34 | 0:35:38 | |
opening at £50. | 0:35:38 | 0:35:40 | |
At £50. Can I see the 55? | 0:35:40 | 0:35:41 | |
At £50 for the table. Conflicting bids here. | 0:35:41 | 0:35:44 | |
At £50. Is there any advance on 50? | 0:35:44 | 0:35:47 | |
It's £50. | 0:35:47 | 0:35:49 | |
Good move, girls. £50, £50. That would have been minus 60. | 0:35:49 | 0:35:54 | |
You didn't go with it. You are minus £11. | 0:35:54 | 0:35:56 | |
-OK. -That's pretty good. -You are some cute chicks, you are. | 0:35:56 | 0:36:00 | |
Now, listen, keep everything under your hat. | 0:36:02 | 0:36:05 | |
-Don't say a word to those Blues. -Not a word. | 0:36:05 | 0:36:07 | |
Not a stinker to them, all right? Lovely. | 0:36:07 | 0:36:10 | |
-Well done. -Thank you. -Thank you very much. | 0:36:10 | 0:36:13 | |
Aw, shucks. | 0:36:13 | 0:36:15 | |
Hooray! At £20 and four. 26, sir? | 0:36:15 | 0:36:19 | |
26 I have. And 28. | 0:36:19 | 0:36:21 | |
Oh, no. | 0:36:21 | 0:36:22 | |
Next up is the Christopher Dresser egg boiler, | 0:36:27 | 0:36:30 | |
estimate £600-£1,000. | 0:36:30 | 0:36:34 | |
Let's see what happens. | 0:36:35 | 0:36:37 | |
The Christopher Dresser for Hukin and Heath plated warming pan, | 0:36:37 | 0:36:40 | |
ladle and heater, circa 1878. | 0:36:40 | 0:36:42 | |
Marvellous thing. A beautiful looking object. | 0:36:42 | 0:36:45 | |
I'm opening this lot with conflicting bids at £700. £750. | 0:36:45 | 0:36:49 | |
800, 850. | 0:36:49 | 0:36:51 | |
900, 950. | 0:36:51 | 0:36:52 | |
1,000. 1,100. | 0:36:53 | 0:36:55 | |
1,000 two. 1,000 three. | 0:36:55 | 0:36:57 | |
-1,400, William, with you. -On the telephone. | 0:36:57 | 0:37:00 | |
1,000 six. 1,000 seven. | 0:37:00 | 0:37:02 | |
1,000 eight. 1,000 nine. 2,000 now. | 0:37:02 | 0:37:06 | |
-2,000 on the phone. -£2,000, Tom, with you. | 0:37:06 | 0:37:09 | |
Fair warning, here. £2,000... | 0:37:09 | 0:37:12 | |
Well, there you go. Certainly not soft-boiled. | 0:37:13 | 0:37:15 | |
-Now, girls, feeling excited? -Yes, I am. -Yes. | 0:37:18 | 0:37:21 | |
It's a curious thing, isn't it? | 0:37:21 | 0:37:22 | |
You have to wait for the objects to come up and here we are at the edge of the precipice. | 0:37:22 | 0:37:27 | |
-Do you know how the Reds got on? -No idea. -Very good. | 0:37:27 | 0:37:30 | |
Do you think they looked confident? | 0:37:30 | 0:37:31 | |
-They did. -They had a smile on their face. -A bit American, cocky. | 0:37:31 | 0:37:35 | |
We're having a massive lack of confidence at the moment. | 0:37:35 | 0:37:38 | |
If the worst comes to the worst, you've got your good-luck horseshoe to fall back on. | 0:37:38 | 0:37:42 | |
-We might need it. -You might need it. -We might need it. | 0:37:42 | 0:37:45 | |
Well, it seems to me that you need the good luck straightaway, | 0:37:45 | 0:37:49 | |
-rather than later on. -We could do with that going first. | 0:37:49 | 0:37:52 | |
-Not to worry. Nobody knows anything about anything until the hammer drops. -Absolutely. | 0:37:52 | 0:37:57 | |
-Confident to the end. -Fingers crossed. | 0:37:57 | 0:37:59 | |
First up is the porcelain coffee can and here it comes. | 0:37:59 | 0:38:02 | |
343 is a beautiful Miles Mason porcelain coffee can and saucer, | 0:38:02 | 0:38:07 | |
-circa 1815. -Yes. Yes. -Right. -Beautifully enamelled. | 0:38:07 | 0:38:11 | |
And what shall we say for this lot? Shall we say £40? | 0:38:11 | 0:38:15 | |
Shall we say 20, then, please? | 0:38:16 | 0:38:17 | |
20 I'm bid. At £20. Now, 22 can I see? | 0:38:17 | 0:38:20 | |
At £20. 22 can I see? | 0:38:20 | 0:38:22 | |
-Is there any advance on £20? -Oh, no. -At £20. | 0:38:22 | 0:38:25 | |
-That's a disaster. -Are we all done? | 0:38:25 | 0:38:27 | |
Lovely can. 20 it is, then. | 0:38:28 | 0:38:30 | |
£20 and fair warning at 20. £20. | 0:38:30 | 0:38:33 | |
-GAVEL BANGS -A complete disaster. | 0:38:33 | 0:38:35 | |
-Oh, dear, David. -I wanted to buy that. | 0:38:35 | 0:38:37 | |
-I would love to have bought that. -£20. You're minus £59. Here we go. | 0:38:37 | 0:38:41 | |
A pair of Victorian gilt oval wall mirrors, | 0:38:41 | 0:38:44 | |
each moulded frame with applied foliate mouldings. | 0:38:44 | 0:38:47 | |
A pretty pair of mirrors, later gilded but charming. | 0:38:47 | 0:38:50 | |
What shall we say for that lot, please? £50? | 0:38:50 | 0:38:53 | |
40. | 0:38:53 | 0:38:55 | |
Say 30, then, please. | 0:38:55 | 0:38:57 | |
-30 I'm bid. -Oh, bless that man. -At £30. 32 can I see? | 0:38:57 | 0:39:01 | |
£30 now. 32 can I see? Maiden bid at 30. | 0:39:01 | 0:39:03 | |
At £30. Is there any advance on 30? | 0:39:03 | 0:39:06 | |
Can I see the two anywhere? £30. | 0:39:06 | 0:39:08 | |
-That's a bargain. That is minus £70. -You've got bright red. | 0:39:09 | 0:39:14 | |
345 is an early 20th-century, | 0:39:14 | 0:39:16 | |
French, cut-glass and plate mounted atomiser... | 0:39:16 | 0:39:19 | |
-Here comes your atomiser. -..with a charming pink enamelled cap. | 0:39:19 | 0:39:22 | |
What shall we say for that lot? £20? | 0:39:22 | 0:39:24 | |
Shall we say 10, then, please? | 0:39:24 | 0:39:26 | |
£10 anywhere? | 0:39:26 | 0:39:28 | |
£10 anywhere? 10 I have, thank you. | 0:39:28 | 0:39:30 | |
£10 to the lady there. At £10. 12 can I see? | 0:39:30 | 0:39:33 | |
At £10 now. 12 can I see? And 12 and 14? | 0:39:33 | 0:39:36 | |
-And 16. -It's creeping up. -18? | 0:39:37 | 0:39:40 | |
-It's not going to make up the loss we've made. -Creeping is correct. | 0:39:40 | 0:39:45 | |
At £16. All done at £16? | 0:39:45 | 0:39:48 | |
Fair warning. | 0:39:48 | 0:39:49 | |
-That is £158 down the proverbial. -Are we that much down? | 0:39:49 | 0:39:54 | |
-158 down out of a total expenditure of 224... -Is that a record? | 0:39:54 | 0:40:00 | |
In percentage terms, this has to be on the bad end of Bargain Hunt. | 0:40:00 | 0:40:04 | |
-What about the bonus buy? -We have to go with it. -We can't not. | 0:40:04 | 0:40:09 | |
-Is what's they call good luck. Are you going to go with it? -Yeah. | 0:40:09 | 0:40:12 | |
They're going with the bonus buy and here it comes. | 0:40:12 | 0:40:16 | |
Now, 349 is a charming Victorian 18-carat gold, pearl-set stick pin. | 0:40:16 | 0:40:22 | |
It's got to really fly. | 0:40:22 | 0:40:23 | |
And what shall we say for this lot, please? £40? | 0:40:23 | 0:40:27 | |
Shall we say 30, then, please? | 0:40:27 | 0:40:29 | |
20. 20 I have. At £20 now. | 0:40:29 | 0:40:32 | |
At £20 now. Can I see the 22? | 0:40:32 | 0:40:34 | |
£20. Is there any advance on 20? And two. 24. 26. | 0:40:34 | 0:40:39 | |
28 and 30. And two. | 0:40:39 | 0:40:41 | |
No? 30 it is with you, sir. | 0:40:41 | 0:40:43 | |
At £30. Are we all done at 30? | 0:40:43 | 0:40:45 | |
-At £30. Fair warning... -That's 178. | 0:40:45 | 0:40:49 | |
That's minus £25. Nothing to laugh about here. | 0:40:49 | 0:40:52 | |
-The gold value is worth more than that. -175... | 0:40:52 | 0:40:55 | |
-Minus 183. -It's a record. I've never seen anything quite so low. | 0:40:55 | 0:40:58 | |
-Minus 183. -Oh, I've seen it worse. -Have you? | 0:40:58 | 0:41:01 | |
Yes. Well, not me personally. I've seen it worse. | 0:41:01 | 0:41:04 | |
-I'm really embarrassed. -You never know, | 0:41:05 | 0:41:07 | |
-minus £183... -Might be a winner! -..might be a winning score. | 0:41:07 | 0:41:11 | |
Fair warning! | 0:41:11 | 0:41:12 | |
Well, teams, this is the moment to reveal all. Been chatting? | 0:41:18 | 0:41:23 | |
-No, no. -You have no idea just how well or just how badly you have done. | 0:41:23 | 0:41:28 | |
-No. -Because the difference fair takes the breath away, | 0:41:28 | 0:41:32 | |
I have to say, | 0:41:32 | 0:41:33 | |
and the team with the monster loss, I'm afraid, are the Blues. | 0:41:33 | 0:41:38 | |
I can't bear it. | 0:41:40 | 0:41:42 | |
Minus £183. | 0:41:42 | 0:41:45 | |
Don't give up the day job, that's all I'm saying. | 0:41:45 | 0:41:48 | |
-They only spent £224. -Sh! Sh! -How much? | 0:41:48 | 0:41:52 | |
Don't rub it in, Phil. | 0:41:52 | 0:41:54 | |
Minus £183 is considerable. | 0:41:54 | 0:41:57 | |
How the coffee can could lose 59, how the mirrors could lose 70 | 0:41:57 | 0:42:03 | |
and how that wretched atomiser thing could lose 29 I don't know. | 0:42:03 | 0:42:06 | |
You went with the stick pin and that didn't do you any good either. | 0:42:06 | 0:42:10 | |
So there we go. What can I say? | 0:42:10 | 0:42:12 | |
You've been a great team, you've been very British, | 0:42:12 | 0:42:15 | |
you've been very sporting about it all | 0:42:15 | 0:42:18 | |
but today, the Americans take the prize. | 0:42:18 | 0:42:20 | |
-Yes! -Yes! -MUSIC: "The Star-Spangled Banner" | 0:42:20 | 0:42:22 | |
They're not taking home any money, though, | 0:42:24 | 0:42:27 | |
because the overall score is minus 11 but that is a very respectable score | 0:42:27 | 0:42:32 | |
in relation to everything else. | 0:42:32 | 0:42:34 | |
-And you did make your profit out of the USS...S Dogfish. -We did. | 0:42:34 | 0:42:39 | |
Yes. Good for the Dogfish. | 0:42:39 | 0:42:42 | |
Anyway, there we are. You decided not to go with the bonus buy. | 0:42:42 | 0:42:45 | |
That was a smart move, therefore minus £11 is the winning score today. | 0:42:45 | 0:42:50 | |
Join us soon for some more Bargain Hunting, yes? | 0:42:50 | 0:42:53 | |
Yes! | 0:42:53 | 0:42:54 | |
Subtitles by Red Bee Media Ltd | 0:43:12 | 0:43:14 | |
E-mail [email protected] | 0:43:14 | 0:43:16 |