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There are thousands of antiques and collectables here, waiting to be discovered. | 0:00:02 | 0:00:08 | |
So, what are you waiting for? | 0:00:08 | 0:00:11 | |
Let's go bargain hunting! | 0:00:11 | 0:00:13 | |
Today, we're at the... | 0:00:36 | 0:00:39 | |
..on the outskirts of Edinburgh, it's a real family day. | 0:00:39 | 0:00:43 | |
Will our teams find three quality items in an hour? Let's find out! | 0:00:43 | 0:00:49 | |
'They've got bucket-loads of enthusiasm...' | 0:00:50 | 0:00:54 | |
I've never ever come across a stallholder who wasn't prepared to come down a wee bit. | 0:00:54 | 0:01:00 | |
'..but very different styles.' | 0:01:00 | 0:01:02 | |
Don't look at me like that! Definitely. | 0:01:02 | 0:01:05 | |
'I think it's time to be introduced.' | 0:01:08 | 0:01:11 | |
So, Brenda and Nora, | 0:01:11 | 0:01:13 | |
you're two sisters and you come from a big family. | 0:01:13 | 0:01:17 | |
Absolutely, there was eight children, | 0:01:17 | 0:01:20 | |
my mum and dad, animals and pets. | 0:01:20 | 0:01:22 | |
Nora and I are in the middle. | 0:01:22 | 0:01:25 | |
-You're retired now? -Yes. Uh-huh. -What did you do as a job? | 0:01:25 | 0:01:29 | |
Well, I started off as a nurse, a theatre sister for 18 years. | 0:01:29 | 0:01:33 | |
Then I became a midwife and knew that's what I should have been doing for ever. Loved it! | 0:01:33 | 0:01:40 | |
-How many years were you a midwife? -About 22. -22 and 18....? | 0:01:40 | 0:01:45 | |
Don't do this! | 0:01:45 | 0:01:47 | |
My dear girl, you worked for the Health Service... | 0:01:47 | 0:01:51 | |
-Yeah. -..for a long time! 40 years! -40 years. -That is amazing. | 0:01:51 | 0:01:55 | |
-Did you get a medal? -No. I got a thank you and a wee tea. -Wee tea? | 0:01:55 | 0:02:01 | |
You should have had an enormous gold medal. So, Nora - or flaming Nora? | 0:02:01 | 0:02:06 | |
-Well... -It's better than the other one. But, Nora, you've got a story about Blackie? | 0:02:06 | 0:02:13 | |
-Oh, good. Blackie. -Tell me about Blackie. | 0:02:13 | 0:02:15 | |
-We found Blackie, a crow with a broken wing, a wee tiny thing. -When you were babies? | 0:02:15 | 0:02:22 | |
-We were about eight or nine. -Yeah. | 0:02:22 | 0:02:24 | |
My mum put him in the oven... Not to cook! | 0:02:24 | 0:02:28 | |
-LAUGHTER -Short of food, were you? | 0:02:28 | 0:02:31 | |
She stayed up all night and fed this wee bird and he survived. | 0:02:31 | 0:02:35 | |
He lived with us for five years. | 0:02:35 | 0:02:37 | |
-He could count. -How many could he count to? -I figured up to four. She says ten! | 0:02:37 | 0:02:44 | |
-What did he go? -SQUAWKS: -One! Two! Three! | 0:02:44 | 0:02:48 | |
-He did. -I must be blessed with second sight with you two. | 0:02:48 | 0:02:53 | |
We're going to have lots of fun, and very good luck, girls. Now, the father-and-daughter combo. | 0:02:53 | 0:02:59 | |
-Eric and Kathryn, welcome. -Hello. -Very nice to see you. -Thank you. | 0:02:59 | 0:03:04 | |
-Are you looking forward to it? -Yes. | 0:03:04 | 0:03:06 | |
-What made you want to come on Bargain Hunt? -I was dragged round antique shops as a child. | 0:03:06 | 0:03:14 | |
I used to hate it but now I love it, so just a real passion for antiques. | 0:03:14 | 0:03:18 | |
Did you pick up knowledge when you were a nipper? | 0:03:18 | 0:03:22 | |
-Yeah. I'm a novice compared to Dad but I'm learning. -You never stop. | 0:03:22 | 0:03:28 | |
One learns every day for the rest of your life. | 0:03:28 | 0:03:31 | |
-Which is good fun. -Yeah. -Now, Eric. | 0:03:31 | 0:03:34 | |
Tell us about your experiences with these antiques. | 0:03:34 | 0:03:38 | |
I've always been interested in antiques but my latest incarnation | 0:03:38 | 0:03:42 | |
is browsing internet sites, hunting for Arts and Crafts jewellery. | 0:03:42 | 0:03:46 | |
-Finding things very reasonably? -Absolutely. | 0:03:46 | 0:03:50 | |
A couple of years ago... | 0:03:50 | 0:03:52 | |
Obviously, you're looking all over the world, and I spotted this piece | 0:03:52 | 0:03:57 | |
in British Columbia in Canada, and I recognised it instantly | 0:03:57 | 0:04:01 | |
as a piece of Dorrie Nossiter jewellery. | 0:04:01 | 0:04:05 | |
So I put a bid on, was the only bidder, £45. | 0:04:05 | 0:04:08 | |
I had it valued about three months ago at £1,200. | 0:04:08 | 0:04:13 | |
-That's a pretty good bargain. -£45 to £1,200! | 0:04:13 | 0:04:16 | |
You're my man on this programme! Brilliant! | 0:04:16 | 0:04:20 | |
A tremendous show today! First, the money moment. | 0:04:20 | 0:04:23 | |
Here's your £300. | 0:04:23 | 0:04:25 | |
You're ready for that! Get our mitts off for this! | 0:04:25 | 0:04:30 | |
-Thank you very much. -£300 for you, darling. | 0:04:30 | 0:04:32 | |
You know the rules. Your experts await and off you go, and very, very, very good luck. | 0:04:32 | 0:04:38 | |
Cor! £45 to £1,200, eh? We're in for a bit of fun today! | 0:04:38 | 0:04:43 | |
'And so are our experts. | 0:04:44 | 0:04:47 | |
'Ever-ready David Barby is helping the red team. | 0:04:47 | 0:04:52 | |
'And bright-eyed Charlie Hanson's taking on the blues. Woof!' | 0:04:52 | 0:04:56 | |
-I like quality, well-crafted -Unusual objects as well. | 0:04:58 | 0:05:02 | |
-Yeah. Love quirky. -I like quirky. | 0:05:02 | 0:05:05 | |
-What's the plan? -Um... Just buy low, sell high. -Fine. | 0:05:06 | 0:05:10 | |
Whatever you see, don't be afraid to ask, | 0:05:10 | 0:05:14 | |
because the art is in the asking. | 0:05:14 | 0:05:17 | |
Absolutely. | 0:05:17 | 0:05:18 | |
'Come on, Charles. Show us how it's done.' | 0:05:18 | 0:05:22 | |
-May we look at your stand? Do you mind? -Not at all! > | 0:05:22 | 0:05:26 | |
'Such a well brought-up boy!' | 0:05:26 | 0:05:28 | |
Oh, yeah. That looks nice. | 0:05:28 | 0:05:31 | |
-Wood violet? For a chemist? -Can you smell anything? | 0:05:33 | 0:05:36 | |
-It's a chemist's bottle! -Let's smell it. | 0:05:37 | 0:05:41 | |
-Very faint. -Let me smell. | 0:05:41 | 0:05:43 | |
Is there a stopper for it? | 0:05:45 | 0:05:48 | |
Is it the original stopper? The original stopper. | 0:05:48 | 0:05:51 | |
-How old would you say that is? -About 1900. -I like that. | 0:05:51 | 0:05:56 | |
I like the plainness and it's functional. What is wood violet? | 0:05:56 | 0:06:00 | |
It's a perfume. It's an essence. | 0:06:00 | 0:06:03 | |
-Remember Mum used to send us down to the chemist? -That fits beautifully! | 0:06:03 | 0:06:08 | |
You've got opaque glass applied onto the clear glass in its molten form. | 0:06:08 | 0:06:14 | |
Then it's been engraved, in other words, cut away. | 0:06:14 | 0:06:18 | |
Gilded - you can see the traces of gilding. | 0:06:18 | 0:06:22 | |
People buy these now, put them in the bathroom. | 0:06:22 | 0:06:25 | |
I think that's lovely. | 0:06:25 | 0:06:27 | |
-I love it. -How much? | 0:06:27 | 0:06:29 | |
I'll come down to 28. Maybe 25? | 0:06:29 | 0:06:33 | |
24. 24. | 0:06:33 | 0:06:35 | |
24. Is that...? | 0:06:35 | 0:06:37 | |
-I think, if you can get it down... -To about 20? -Yes. -Yeah. | 0:06:37 | 0:06:42 | |
20 would be good. | 0:06:42 | 0:06:44 | |
20 would be good. Yes. All right. | 0:06:44 | 0:06:47 | |
£20. Well spotted. | 0:06:47 | 0:06:50 | |
'Well, you girls aren't wasting any time!' | 0:06:50 | 0:06:53 | |
-That's Arts and Crafts, isn't it? -Yeah. | 0:06:55 | 0:06:58 | |
Small agate there, and the lapis. | 0:06:58 | 0:07:01 | |
Nice Edwardian piece for only £28. | 0:07:01 | 0:07:05 | |
What do you think, Kathryn? | 0:07:05 | 0:07:07 | |
-It's not my kind of thing. -I'm looking for a bit of style... | 0:07:07 | 0:07:11 | |
-You're not seeing it? -No. -Let's move on. | 0:07:11 | 0:07:14 | |
-Time is ticking. -Thanks, but no thanks. | 0:07:14 | 0:07:17 | |
'Looking for style takes time, guys. | 0:07:17 | 0:07:21 | |
'Meanwhile, the reds are speeding through the fair.' | 0:07:23 | 0:07:27 | |
Very cheaply made. | 0:07:27 | 0:07:29 | |
-Do you like that? -No. -No! | 0:07:33 | 0:07:36 | |
A catfish, £100. It sits very well. | 0:07:38 | 0:07:41 | |
It probably is 1890. | 0:07:41 | 0:07:45 | |
But you want that extra... | 0:07:45 | 0:07:47 | |
I'm looking for something that sings to me. It's not doing it. | 0:07:47 | 0:07:52 | |
-Your dad's got it. -Yeah. -But that hasn't! | 0:07:52 | 0:07:55 | |
'You want it all, don't you?' | 0:07:55 | 0:07:58 | |
Could we have a look at the vases, please? | 0:07:58 | 0:08:02 | |
Thank you. | 0:08:02 | 0:08:03 | |
I'll just point out, this one's got a flaw, but it's not through. | 0:08:03 | 0:08:08 | |
-I think that's a firing... -In manufacturing? | 0:08:08 | 0:08:11 | |
Yes. It's a Midland company. I think it's a Henry Tooth. | 0:08:11 | 0:08:16 | |
He produced..."economical artware", | 0:08:16 | 0:08:19 | |
but he produced it for the middle classes. | 0:08:19 | 0:08:22 | |
-These, I think, are so stylish. -They are! | 0:08:22 | 0:08:26 | |
In the Arts and Crafts manner. To have a pair is very nice. | 0:08:26 | 0:08:31 | |
-What age is on these, then? -Let's look at the mark. | 0:08:31 | 0:08:36 | |
About 1905, 1910. | 0:08:36 | 0:08:38 | |
-To be on a mantelpiece? -But just imagine... | 0:08:38 | 0:08:42 | |
A white painted room, a white mantelpiece and these two vases. | 0:08:42 | 0:08:46 | |
-I love them. -I really like them, David. | 0:08:46 | 0:08:49 | |
There's a wee crack there. | 0:08:49 | 0:08:52 | |
It doesn't go all the way through, but it is a problem. | 0:08:52 | 0:08:56 | |
-They're 135 the pair. -135 the pair. | 0:08:56 | 0:08:59 | |
When I first saw them, I thought about 100, but I think, | 0:08:59 | 0:09:05 | |
with that slight defect - which isn't too detrimental. | 0:09:05 | 0:09:09 | |
Can we just point out, there is that there and that there. | 0:09:09 | 0:09:14 | |
-Yes. -What's the best you can do? | 0:09:14 | 0:09:16 | |
I actually missed that one. I would come down to 90 in that case. | 0:09:16 | 0:09:21 | |
-Can you tuck them under that? -We had 80 in our head. | 0:09:21 | 0:09:25 | |
Um... We were thinking 80. | 0:09:25 | 0:09:27 | |
Yes. OK. | 0:09:27 | 0:09:30 | |
-And that is the lowest? -Definitely. | 0:09:30 | 0:09:33 | |
Don't look at me like that. Definitely. | 0:09:33 | 0:09:36 | |
Super. | 0:09:39 | 0:09:41 | |
'Well done, you girls. Two down.' | 0:09:41 | 0:09:44 | |
-Novelty's always great to see! -We think it's American. > | 0:09:46 | 0:09:50 | |
-Do you think it's quite new? -I don't know. > | 0:09:50 | 0:09:53 | |
Do you like it? | 0:09:53 | 0:09:56 | |
-I don't want to live with it! -What's it worth? | 0:09:56 | 0:09:59 | |
About £35. | 0:09:59 | 0:10:01 | |
And between friends? | 0:10:01 | 0:10:03 | |
The same. > | 0:10:03 | 0:10:05 | |
-35, yeah. -You won't take 30? -No. | 0:10:05 | 0:10:09 | |
I quite like that. Have a feel. | 0:10:12 | 0:10:14 | |
-It's heavier than it looks. -Good quality. | 0:10:14 | 0:10:18 | |
I might be "quackers", | 0:10:18 | 0:10:20 | |
but for the first time ever, I might say it could be a bargain. | 0:10:20 | 0:10:25 | |
For Hanson to say that, it's not a frequent occurrence. | 0:10:25 | 0:10:28 | |
Do you think it would fetch that at auction? | 0:10:28 | 0:10:31 | |
If it came into my sale tomorrow, | 0:10:31 | 0:10:34 | |
in the heart of England, where things are a bit more expensive, | 0:10:34 | 0:10:38 | |
I would say it's worth between... | 0:10:38 | 0:10:41 | |
-50 and 70. -I was going to say 60. -There you go. | 0:10:41 | 0:10:44 | |
-Right, that's a good... -I quite like it. | 0:10:44 | 0:10:47 | |
Madam, the absolute best? | 0:10:47 | 0:10:49 | |
-Yes. -The absolute best. | 0:10:49 | 0:10:53 | |
I've never, ever, ever come across a stallholder who wasn't prepared to come down a wee bit. | 0:10:53 | 0:10:59 | |
It's cheap! | 0:10:59 | 0:11:02 | |
-I'm a Scotsman. Please? -It's a silver top. Come on. | 0:11:02 | 0:11:06 | |
If it's not very old, it might only be worth £40 but to me... | 0:11:06 | 0:11:12 | |
We're still ahead, then. | 0:11:12 | 0:11:14 | |
OK. Yes. | 0:11:14 | 0:11:16 | |
-Shall we buy him? Yes, we should. -LAUGHTER | 0:11:16 | 0:11:19 | |
We'll take it, then. | 0:11:19 | 0:11:22 | |
-WHISTLES -'They've broken their duck! | 0:11:22 | 0:11:25 | |
'Now, I've found something simply divine.' | 0:11:27 | 0:11:31 | |
What we've got here is, | 0:11:31 | 0:11:33 | |
surprise, surprise, a preacher. | 0:11:33 | 0:11:35 | |
This is a representation of John Wesley, | 0:11:35 | 0:11:39 | |
founder of the Methodist Church. | 0:11:39 | 0:11:42 | |
Here he is, wearing his surplice, | 0:11:42 | 0:11:45 | |
with a white long cravat. | 0:11:45 | 0:11:48 | |
And he's holding up his arms, | 0:11:48 | 0:11:51 | |
going "Praise! Praise! Praise to the Lord!" | 0:11:51 | 0:11:55 | |
The most inspirational open-air preacher of the 18th century | 0:11:55 | 0:12:01 | |
is doing his stuff in this object. | 0:12:01 | 0:12:04 | |
It's been knocked about a bit, but is pretty well complete. | 0:12:06 | 0:12:11 | |
Put it simply, the thing looks a bit wacky. | 0:12:11 | 0:12:14 | |
But if I turn it up, you get the idea as to what this might be. | 0:12:14 | 0:12:20 | |
What you've got underneath there | 0:12:20 | 0:12:23 | |
is the socket of a joint. | 0:12:23 | 0:12:26 | |
And what you've got here | 0:12:26 | 0:12:29 | |
is the other end of that joint. | 0:12:29 | 0:12:32 | |
In other words, a series of these joined together | 0:12:32 | 0:12:38 | |
would go to make up the spine of an old horse. | 0:12:38 | 0:12:42 | |
It's the fourth vertebra from a horse. | 0:12:42 | 0:12:46 | |
Back in 1800, when this was created, | 0:12:46 | 0:12:50 | |
you threw nothing away. | 0:12:50 | 0:12:52 | |
And because it looks like a preacher standing up and exalting God, | 0:12:52 | 0:12:58 | |
the farmers turned them into little religious icons. | 0:12:58 | 0:13:02 | |
What will a collector pay | 0:13:02 | 0:13:04 | |
for a fourth vertebra from a long-since dead horse? | 0:13:04 | 0:13:10 | |
It could be yours for £200. Oh, do stop nagging! | 0:13:10 | 0:13:14 | |
-HORSE NEIGHS -'Let's get back to the teams.' | 0:13:14 | 0:13:19 | |
I can't believe, you're such whirlwinds, we got two items in 17 minutes. | 0:13:19 | 0:13:25 | |
-What core thing do you want? -I would like to get a piece of jewellery. | 0:13:25 | 0:13:30 | |
We'd end up buying something that we liked, but that's kind of what I know, kind of, a little about. | 0:13:30 | 0:13:37 | |
'Blues, you kind of need to get a move on.' | 0:13:37 | 0:13:41 | |
I recognise these immediately. These are Doulton. | 0:13:41 | 0:13:45 | |
This is quite good. This is my taste and I must not influence you. | 0:13:45 | 0:13:50 | |
-I wouldn't be drawn to them. -I can't see that selling in Glasgow. | 0:13:50 | 0:13:55 | |
Right. Lead on, Macduff. | 0:13:55 | 0:13:58 | |
-Kathryn, why do you like it? -I love seed pearls. | 0:13:58 | 0:14:03 | |
-I love the shape. It's so delicate. -So romantic. | 0:14:03 | 0:14:06 | |
Your daughter's, "Dad, I want it!" What's it worth? | 0:14:06 | 0:14:10 | |
-What are you asking for it? -330. > | 0:14:10 | 0:14:13 | |
-It's a lot of money. -It's a lot of money. | 0:14:13 | 0:14:17 | |
-What's the appeal for you? -I know what it is. | 0:14:24 | 0:14:28 | |
-I use a thurible in church. -Do you? -I do. | 0:14:28 | 0:14:31 | |
I look after the alter servers, who use thuribles, | 0:14:31 | 0:14:35 | |
so I know how it works. | 0:14:35 | 0:14:37 | |
You have a chain that goes through here. | 0:14:37 | 0:14:40 | |
The alter server holds it with a chain, | 0:14:42 | 0:14:45 | |
lifts the chain up, it hangs, and you have charcoal inside. | 0:14:45 | 0:14:50 | |
Then you put the incense inside. | 0:14:50 | 0:14:53 | |
I used to be an alter boy! | 0:14:53 | 0:14:56 | |
You know about that, then. | 0:14:56 | 0:14:58 | |
Then you stand and pretend that it's making you cough! | 0:14:58 | 0:15:02 | |
We're more of a secular society. | 0:15:02 | 0:15:06 | |
-I know. -What use would you find it today? Would you use that? | 0:15:06 | 0:15:10 | |
I would use it with a candle. | 0:15:10 | 0:15:12 | |
-I can see this more secular use. -Yes. | 0:15:12 | 0:15:16 | |
I can see a candle in there, | 0:15:16 | 0:15:18 | |
either a sweet-smelling one or just to flicker away at a meal time. | 0:15:18 | 0:15:23 | |
The light would come out nicely. | 0:15:23 | 0:15:26 | |
-The thing I like is its gothic quality. -You're right. | 0:15:26 | 0:15:31 | |
-How much? -Hundred. -£100. I'll see if I can negotiate another figure. | 0:15:31 | 0:15:37 | |
We haven't got the chain, although I don't think that really matters. | 0:15:37 | 0:15:42 | |
-Good luck. -I like it. -It's lovely. | 0:15:42 | 0:15:46 | |
'David, you've pulled off a minor miracle. | 0:15:47 | 0:15:51 | |
'£65 for a thurible, and they're all done. | 0:15:51 | 0:15:55 | |
'Catch up, blues!' | 0:15:55 | 0:15:57 | |
-This jewellery here. -I love that. -Look at this, Eric. | 0:15:57 | 0:16:01 | |
-Have you got any lipstick? > -That's really stylish. | 0:16:01 | 0:16:04 | |
It's from New York. 1930s. > | 0:16:04 | 0:16:07 | |
-Is it hallmarked sterling? -I think it's Continental. > | 0:16:07 | 0:16:12 | |
It doesn't have a maker's mark on it. > | 0:16:12 | 0:16:15 | |
-That's quite nice. -I really like that sort of thing. | 0:16:15 | 0:16:19 | |
It's got a wee mirror, for applying your lippy. | 0:16:19 | 0:16:23 | |
< For a dressing table or something. | 0:16:23 | 0:16:25 | |
Would it sell? | 0:16:25 | 0:16:28 | |
It's...different. | 0:16:30 | 0:16:31 | |
It is really quite compact and very novel. | 0:16:31 | 0:16:35 | |
-It would be what age? 1930s? '50s? -I think earlier. -'30s. | 0:16:35 | 0:16:40 | |
It is really, really attractive. | 0:16:40 | 0:16:44 | |
-The best price would be...? -Well, probably, 65. | 0:16:44 | 0:16:48 | |
-Do you like it, Kat? -I do. I like Deco things, so... | 0:16:48 | 0:16:53 | |
-High-brow 1930s living. -No initials on it. | 0:16:53 | 0:16:56 | |
So it's really clean to a collector. We've seen how it operates. | 0:16:56 | 0:17:02 | |
-Hm. -65 your best? | 0:17:02 | 0:17:05 | |
-I could squeeze you down to 60! -You could squeeze me to 60. | 0:17:05 | 0:17:09 | |
-A gamble. -Do you think it'd be a gamble? | 0:17:09 | 0:17:12 | |
Yes, I do. | 0:17:12 | 0:17:14 | |
My auction guide price would be a bit less, but it's quite different. | 0:17:14 | 0:17:19 | |
'Be brave! | 0:17:21 | 0:17:23 | |
'The red team finished ages ago. They're window shopping.' | 0:17:23 | 0:17:27 | |
-I remember them. -Look at this! It still works! | 0:17:27 | 0:17:31 | |
-What's that? -A wee sewing machine. Still works. Look. | 0:17:31 | 0:17:36 | |
-You'd need to be a dexterous child. -You would. | 0:17:36 | 0:17:39 | |
'Come on, Charlie boy. | 0:17:43 | 0:17:45 | |
'Give your team a hand.' | 0:17:45 | 0:17:47 | |
-Time is ticking, OK? -Right. | 0:17:47 | 0:17:49 | |
A lipstick, yay or nay? | 0:17:49 | 0:17:52 | |
For £60? | 0:17:52 | 0:17:54 | |
I think it's worth between £30 and £80. | 0:17:56 | 0:17:59 | |
-LAUGHTER -I'm sitting on the fence. | 0:17:59 | 0:18:02 | |
Knowing Anita Manning's increments of £10, it could make 100. | 0:18:02 | 0:18:06 | |
But it could make 40. | 0:18:06 | 0:18:08 | |
I like it. It's unusual. | 0:18:08 | 0:18:10 | |
-Kathryn likes it. -Yeah. Let's do it. | 0:18:10 | 0:18:13 | |
-For £60, is that right? -£60? | 0:18:13 | 0:18:16 | |
I'll do 55. | 0:18:16 | 0:18:18 | |
-55? Fabulous! -There you go. -Even better. Thank you. | 0:18:18 | 0:18:22 | |
-Have you shaken hands yet? -Shaken hands! 55! | 0:18:22 | 0:18:26 | |
Aren't you a good sport? | 0:18:26 | 0:18:28 | |
-Is it a bulldog or a boxer? -LAUGHTER | 0:18:31 | 0:18:35 | |
-Isn't that a really cool clock? -Yeah. -It's really stylish. | 0:18:36 | 0:18:41 | |
-It's from Glasgow. -Isn't that lovely? | 0:18:41 | 0:18:44 | |
A really nice mahogany and boxwood-strung mantel clock. | 0:18:44 | 0:18:49 | |
-It's so Art Nouveau it almost melts. -And it's Glasgow. -Absolutely. | 0:18:49 | 0:18:54 | |
I think it's really stylish. | 0:18:54 | 0:18:56 | |
Enamel dial, Arabic numerals, nice convex glass. | 0:18:56 | 0:19:00 | |
What I like so much is its form. It's almost melting. | 0:19:00 | 0:19:05 | |
It's SO Art nouveau. It's 1910. | 0:19:05 | 0:19:08 | |
-It's at 150. To go to auction... -120. | 0:19:08 | 0:19:12 | |
I would say between 100 and 150, but I really like it. | 0:19:12 | 0:19:16 | |
-It's quality. -Could you do it for 100? | 0:19:16 | 0:19:19 | |
-£100 is a nice reduction. -Let's do it. -You're so decisive. | 0:19:19 | 0:19:24 | |
We've bought it. Thanks, sir. | 0:19:24 | 0:19:27 | |
-'Better late than never, eh?' -Thanks very much, mate. | 0:19:27 | 0:19:31 | |
'Now, let's recap. | 0:19:33 | 0:19:35 | |
'The reds hope the wood violet bottle will blossom in the saleroom. | 0:19:36 | 0:19:42 | |
'They LOVE the vibrant colour and smooth lines of the Bretby vases. | 0:19:42 | 0:19:48 | |
'And they hope that bidders warm to the gothic style incense burner.' | 0:19:48 | 0:19:53 | |
-That's a good shop. -It was great. -Did you enjoy it? -Loved it. | 0:19:55 | 0:19:59 | |
-What did you spend, overall? -165. | 0:19:59 | 0:20:03 | |
165? I'd like 135 of leftover lolly, please, | 0:20:03 | 0:20:06 | |
to give to our number-one man. | 0:20:06 | 0:20:09 | |
What are you going to spend all that cash on, boy? | 0:20:09 | 0:20:13 | |
-Probably something Scottish. -Oh, good. -Something Scottish. | 0:20:13 | 0:20:17 | |
-To play to Anita's audience with, perhaps. -And to Anita herself. | 0:20:17 | 0:20:22 | |
Good luck, David. Good luck, girls. | 0:20:22 | 0:20:25 | |
Why don't we check out what the blue team bought, eh? | 0:20:25 | 0:20:28 | |
'The silver-mounted duck decanter | 0:20:28 | 0:20:30 | |
'became dish of the day for Kathryn and Eric. | 0:20:30 | 0:20:34 | |
'They were charmed by the lipstick compact with its green stone. | 0:20:34 | 0:20:40 | |
'And they didn't waste a second | 0:20:40 | 0:20:43 | |
'in picking out this lovely Art Nouveau mantel clock.' | 0:20:43 | 0:20:48 | |
How lovely to see three such happy people. It's a little miracle! | 0:20:49 | 0:20:54 | |
-You had a good time, Eric? -Absolutely. -Kathryn? -Brilliant. | 0:20:54 | 0:20:58 | |
-You spent not quite £200. -Hundred and...? -90. -190, yeah. | 0:20:58 | 0:21:03 | |
-So who's got the £110? -I have. | 0:21:03 | 0:21:06 | |
-Old money bags over here. -Yeah. | 0:21:06 | 0:21:09 | |
£110, which is lovely, going across straight to Charles. | 0:21:09 | 0:21:13 | |
-Good amount of cash, man. -It's been a great pleasure with these two. | 0:21:13 | 0:21:17 | |
Enthusiasm and passion for antiques. It's been great. | 0:21:17 | 0:21:21 | |
It's going to be a serious challenge to find something they're going to like and rate! | 0:21:21 | 0:21:27 | |
Long may it continue, Tim, is all I'll say! | 0:21:27 | 0:21:30 | |
'Well, it's been a blast. | 0:21:30 | 0:21:33 | |
'But it's time to leave bonnie Scotland behind. | 0:21:34 | 0:21:37 | |
'I'm visiting a London gallery | 0:21:37 | 0:21:40 | |
'dedicated to the Arts and Crafts movement | 0:21:40 | 0:21:44 | |
'and the designer William Morris. | 0:21:44 | 0:21:46 | |
'Morris inspired his fellow artists | 0:21:46 | 0:21:49 | |
'and craftsmen to promote themselves and their work through groups | 0:21:49 | 0:21:53 | |
'called guilds. | 0:21:53 | 0:21:55 | |
'The Century Guild is the most famous.' | 0:21:55 | 0:21:59 | |
This gallery has been specifically reserved and set up | 0:21:59 | 0:22:02 | |
with the production of one of those guilds, the Century Guild, | 0:22:02 | 0:22:07 | |
which was begun in 1882. | 0:22:07 | 0:22:11 | |
The principal founder of the Century Guild was Arthur Heygate Mackmurdo, | 0:22:11 | 0:22:17 | |
who had met William Morris | 0:22:17 | 0:22:20 | |
and had become, as a result, inspired for works of art. | 0:22:20 | 0:22:26 | |
Mackmurdo, for example, designed this candle sconce. | 0:22:26 | 0:22:30 | |
What he's done here | 0:22:30 | 0:22:32 | |
is to produce two candle holders with a back plate | 0:22:32 | 0:22:36 | |
that's been organised with lots of shiny reflective surfaces. | 0:22:36 | 0:22:41 | |
So that the candlelight is reflected back into the room. | 0:22:41 | 0:22:46 | |
But those candles sit beneath | 0:22:46 | 0:22:49 | |
an intriguing embossed image, typically Arts and Crafts, | 0:22:49 | 0:22:53 | |
of the Sun itself, with a happy smiley face. | 0:22:53 | 0:22:58 | |
The top band of this frieze | 0:22:58 | 0:23:01 | |
has been raised in repousse with moons interposed by stars. | 0:23:01 | 0:23:08 | |
All very jolly and amusing for a wall lighting sconce. | 0:23:08 | 0:23:13 | |
Mackmurdo was something of a polymath. | 0:23:14 | 0:23:18 | |
He was able to turn his hand | 0:23:18 | 0:23:20 | |
not only to architecture, not only to metalwork, | 0:23:20 | 0:23:24 | |
but to furniture and all the decorative arts. | 0:23:24 | 0:23:27 | |
This is a piece that he designed, | 0:23:27 | 0:23:31 | |
a simple oak writing table with pigeon holes. | 0:23:31 | 0:23:36 | |
Incredibly simple and typical Arts and Crafts in design. | 0:23:36 | 0:23:41 | |
But with these block type chimneys at the back | 0:23:41 | 0:23:45 | |
and simple rectangular feet, it does have an architectural integrity. | 0:23:45 | 0:23:51 | |
One of my favourite pieces is this chap, a cast bronze paperweight | 0:23:51 | 0:23:57 | |
in the form of a Jenny wren that's been given a peacock's tail! | 0:23:57 | 0:24:03 | |
Mackmurdo also designed this mirror for one of his rooms. | 0:24:03 | 0:24:09 | |
Instead of having a long, rectangular landscape plate, | 0:24:09 | 0:24:13 | |
what you'd expect in an over-mantel mirror, | 0:24:13 | 0:24:17 | |
he's divided that plate up into a series of smaller plates | 0:24:17 | 0:24:21 | |
and then indented. | 0:24:21 | 0:24:24 | |
The idea being, when you put your favourite object | 0:24:24 | 0:24:28 | |
on the shelf between the mirrors, | 0:24:28 | 0:24:30 | |
you can see Jenny wren paperweight from the front and the sides. | 0:24:30 | 0:24:37 | |
All very clever. | 0:24:37 | 0:24:39 | |
The big thing today is, | 0:24:39 | 0:24:41 | |
are our teams going to be equally clever at the auction? | 0:24:41 | 0:24:46 | |
On reflection, I think not. | 0:24:46 | 0:24:48 | |
'A-ha! Now we're back in Scotland, at the Great Western saleroom.' | 0:24:50 | 0:24:55 | |
So, we've slipped across from Edinburgh to Glasgow | 0:24:59 | 0:25:02 | |
to be with Anita Manning, charming as ever. | 0:25:02 | 0:25:06 | |
Welcome, Tim. | 0:25:06 | 0:25:08 | |
First up for the reds, we go with this perfume bottle. | 0:25:08 | 0:25:11 | |
I do like this. | 0:25:11 | 0:25:13 | |
I think the enamelling is good on the wood violet. | 0:25:13 | 0:25:17 | |
I particularly like the fact that it is wood violet, | 0:25:17 | 0:25:21 | |
because that's a flirtatious type of scent. | 0:25:21 | 0:25:25 | |
Really? | 0:25:25 | 0:25:27 | |
This fragrance was reputed to come and go. | 0:25:27 | 0:25:32 | |
-What's your estimate? -20 to 30. | 0:25:32 | 0:25:35 | |
-Is that a "come-and-go" estimate? -Might be come-and-buy! | 0:25:35 | 0:25:39 | |
They paid £20, so that should do pretty well. | 0:25:39 | 0:25:43 | |
What about the Bretby pots? We're a long way from Derbyshire. | 0:25:43 | 0:25:48 | |
Glasgow loves Art Nouveau. | 0:25:48 | 0:25:51 | |
We see the influence of Henry Tooth, who worked at the Linthorpe factory. | 0:25:51 | 0:25:57 | |
These designs were based on some by Christopher Dresser, | 0:25:57 | 0:26:03 | |
and this monochrome glaze takes us back to the Linthorpe factory. | 0:26:03 | 0:26:09 | |
-I like these. -What's your estimate? | 0:26:09 | 0:26:11 | |
-80 to 120. -Brilliant, £80 paid. | 0:26:11 | 0:26:14 | |
We're looking good with this team. How do you go with thuribles? | 0:26:14 | 0:26:18 | |
Well, it's nice to look at. | 0:26:18 | 0:26:21 | |
It has architectural qualities. | 0:26:21 | 0:26:24 | |
-Fine, and it's got everything that's spiky and gothic! -Yes. | 0:26:24 | 0:26:28 | |
For this gothic revival business, I think it's got its charm. | 0:26:28 | 0:26:32 | |
You could use it as a room perfumer. | 0:26:32 | 0:26:35 | |
-It has a functional use as well. -I agree. | 0:26:35 | 0:26:38 | |
I like it for that. There are several aspects we like. How much? | 0:26:38 | 0:26:43 | |
-50 to 80. -Good, £65 paid, so that's very fair, isn't it? | 0:26:43 | 0:26:48 | |
I think this team have done incredibly well. | 0:26:48 | 0:26:51 | |
They probably won't need their Bonus Buy, but let's have a look anyway. | 0:26:51 | 0:26:56 | |
Brenda and Nora, you spent, darlings, £165. | 0:26:56 | 0:27:00 | |
You gave David Barby £135. What did you spend it on, David? | 0:27:00 | 0:27:04 | |
I wanted to buy something that was Scottish and slightly feminine. | 0:27:04 | 0:27:08 | |
So I bought Scottish silver. | 0:27:08 | 0:27:11 | |
-An agate bracelet. -How much? | 0:27:11 | 0:27:14 | |
-I paid £60. -It's really nice. -I love this carved section. | 0:27:14 | 0:27:18 | |
It's typical of well-produced Scottish jewellery. | 0:27:18 | 0:27:22 | |
Popular from the middle of the 19th century | 0:27:22 | 0:27:25 | |
into the 1920s, and still produced now. | 0:27:25 | 0:27:28 | |
-Is this silver? -Yes. Do handle it. | 0:27:28 | 0:27:30 | |
I love the combination of semi-precious stones and silver. | 0:27:30 | 0:27:35 | |
-I love the colours. -You could pick these stones up from beaches. | 0:27:35 | 0:27:41 | |
Have them polished up. I think it's going to make about 80 to 100. | 0:27:41 | 0:27:46 | |
-I'd like to see it go over 100. -Really? | 0:27:46 | 0:27:49 | |
This is a nice quality piece of Scottish jewellery. | 0:27:49 | 0:27:52 | |
You don't pick it now, you pick it later. | 0:27:52 | 0:27:56 | |
For the viewers, let's find out what the auctioneer, wee Anita, thinks about David's pebble bracelet. | 0:27:56 | 0:28:03 | |
-Now, Anita, how glorious is that? -I love this type of thing. | 0:28:04 | 0:28:09 | |
I love these agates. Every single agate is unique. | 0:28:09 | 0:28:16 | |
These wonderful colours remind me of the landscape - | 0:28:16 | 0:28:20 | |
the skies, the lochs, the mossy hills - of Scotland. | 0:28:20 | 0:28:24 | |
They're very fashionable in today's market. | 0:28:24 | 0:28:27 | |
I seem to have lit the blue touch paper there! That's got the Scotsman pulsing through her veins! | 0:28:27 | 0:28:34 | |
-There's one thing that I'm a wee bitty worried about. -Oh, yeah? | 0:28:34 | 0:28:39 | |
One of the communion florets is damaged. There's a split in that. | 0:28:39 | 0:28:44 | |
-It's difficult to see. -Old hawk-eye spotted it! | 0:28:44 | 0:28:49 | |
-What's your estimate? -80 to 120. -Well, that's brilliant. | 0:28:49 | 0:28:53 | |
-£60 was paid by David Barby. -I hope this will do well. -So do I. | 0:28:53 | 0:28:59 | |
That's it for the reds. Now for the blues. | 0:28:59 | 0:29:02 | |
Their first item, which Kathryn and Eric agreed on, | 0:29:02 | 0:29:06 | |
was this novelty claret jug. | 0:29:06 | 0:29:08 | |
Well, it's great fun. | 0:29:08 | 0:29:10 | |
It's a 20th-century example of an earlier type of claret jug. | 0:29:10 | 0:29:15 | |
It's sterling silver, so that's good. | 0:29:15 | 0:29:18 | |
I love these wacky wings! | 0:29:18 | 0:29:20 | |
Which go to make the handle. | 0:29:20 | 0:29:23 | |
I quite like it, but it is modern. | 0:29:23 | 0:29:26 | |
Be nice to have a glass of claret out of it! I'm beginning to feel thirsty! | 0:29:26 | 0:29:32 | |
-How much? -I've put 60 to 80. | 0:29:32 | 0:29:35 | |
I might have been a wee bitty generous, but it is fun. | 0:29:35 | 0:29:39 | |
I don't think so. They paid £35. | 0:29:39 | 0:29:41 | |
I bet you, er...a small dram... | 0:29:41 | 0:29:45 | |
No! A wee dram! ..it'll make the ton. | 0:29:45 | 0:29:48 | |
-With your persuasive tongue, it'll make the ton, I bet ya. -I will do my very best. | 0:29:48 | 0:29:54 | |
I don't wear lipstick. Much! But clearly you do! | 0:29:54 | 0:29:58 | |
-How do you rate the lipstick case? -I absolutely love it. | 0:29:58 | 0:30:03 | |
I think it's very glamorous. | 0:30:03 | 0:30:05 | |
I love this little cabochon stone. | 0:30:05 | 0:30:08 | |
When we open it up, | 0:30:08 | 0:30:11 | |
we have a little mirror here, and I tested it out... | 0:30:11 | 0:30:15 | |
It would make your lipstick perfect! | 0:30:17 | 0:30:19 | |
Well, you'd use it. How much would you pay for it? | 0:30:19 | 0:30:23 | |
-I put 40 to 60. -They paid 55, so it's in the right ball park. | 0:30:23 | 0:30:27 | |
-Yeah. And it could go more. -Yes? -Yeah. -Good. We're reassured. | 0:30:27 | 0:30:32 | |
Excellent. And lastly, we've got the mantel timepiece. | 0:30:32 | 0:30:36 | |
I think the shape of this is very appealing. | 0:30:36 | 0:30:39 | |
It's by Robert French of Glasgow, a good clock maker. | 0:30:39 | 0:30:44 | |
It reflects what was happening in interiors in Glasgow at that time. | 0:30:44 | 0:30:49 | |
-How do you rate it, as far as cash is concerned? -I've put £50 to £80. | 0:30:49 | 0:30:54 | |
You need to give it a nudge cos they paid £100. | 0:30:54 | 0:30:58 | |
Anyway, what will be will be and if the worst comes to the worst, | 0:30:58 | 0:31:02 | |
they've got their Bonus Buy to fall back on. Let's have a look at it. | 0:31:02 | 0:31:07 | |
Now, Kathryn and Eric, you spent a magnificent £190. | 0:31:07 | 0:31:12 | |
You gave Charles £110. Charles, my boy, what did you spend it on? | 0:31:12 | 0:31:16 | |
Well, Tim, they say small is beautiful. Home is at the heart. | 0:31:16 | 0:31:21 | |
Look at that! | 0:31:22 | 0:31:24 | |
This is a small, I suppose, little souvenir book of Glasgow, | 0:31:24 | 0:31:29 | |
-from the year 1901, the year Glasgow host the wonderful Exhibition. -Yeah. | 0:31:29 | 0:31:34 | |
Inside are delightful monochrome views from that exhibition. | 0:31:34 | 0:31:39 | |
The Great Hall, the Russian street. It's superb. What do you think? | 0:31:39 | 0:31:44 | |
-I like it. -It's cute. -Often, things that are local, | 0:31:44 | 0:31:48 | |
they sell well in their home town. | 0:31:48 | 0:31:50 | |
-How much was it? -It cost me £50. | 0:31:50 | 0:31:53 | |
OK, I can see it making between £50 and £100. | 0:31:53 | 0:31:59 | |
-It's lovely. -Nice one. -Happy with it? -You get it back now. | 0:31:59 | 0:32:04 | |
-Do you like it, Tim? -I do. It's a very nice little collectable. Hold that memory. | 0:32:04 | 0:32:09 | |
For the viewers at home, let's find out what the auctioneer thinks about Charles's little book. | 0:32:09 | 0:32:15 | |
-There we go, Anita. That's small enough for you. -Yes. | 0:32:15 | 0:32:19 | |
I think this is a lovely little item. | 0:32:19 | 0:32:24 | |
This was made for the Great Exhibition of 1901. | 0:32:24 | 0:32:29 | |
A splendid exhibition. This little collectable is reflecting that. | 0:32:29 | 0:32:35 | |
-It's the first one that I've seen. -Is it? -Yes, it is. | 0:32:35 | 0:32:38 | |
Do you think that cunning man, Charles Hanson, has been clever to buy that in Edinburgh | 0:32:38 | 0:32:45 | |
-and send it to Glasgow? -He's a clever boy. | 0:32:45 | 0:32:49 | |
-Anyway, what's your estimate? -I put it 30 to 50. -Charles had to pay 50. | 0:32:49 | 0:32:54 | |
He's paid the top end. | 0:32:54 | 0:32:56 | |
If you can't do better than that, Anita, in your heartland, with a Glasgow-related object, | 0:32:56 | 0:33:02 | |
about which you are passionate, I would be very surprised. | 0:33:02 | 0:33:06 | |
I would have paid £50 for it. | 0:33:06 | 0:33:09 | |
And that's saying something. | 0:33:09 | 0:33:11 | |
Anyway, we look forward to seeing you, darling, on the rostrum. | 0:33:11 | 0:33:16 | |
-Brenda and Nora, how are you, girls? -Good. -Feeling nervy? -Excited. | 0:33:22 | 0:33:27 | |
Not nervous, just excited. | 0:33:27 | 0:33:29 | |
It is exciting because this room is stuffed with people, | 0:33:29 | 0:33:34 | |
Anita is hammering away for Scotland, and we're hoping for the best. | 0:33:34 | 0:33:39 | |
First lot. | 0:33:39 | 0:33:41 | |
Lot 51, ladies and gentlemen, a perfumer's bottle, | 0:33:41 | 0:33:45 | |
with these lovely faceted shoulders | 0:33:45 | 0:33:48 | |
and the enamelled label for wood violet. | 0:33:48 | 0:33:52 | |
Start me at £20. £20. 20 bid. | 0:33:52 | 0:33:56 | |
< With you, madam, at 20. 25. | 0:33:56 | 0:33:59 | |
30? With you, madam, at £30. | 0:33:59 | 0:34:03 | |
Are you flirtatious at £30? | 0:34:03 | 0:34:05 | |
LAUGHTER Oh, 35! | 0:34:05 | 0:34:08 | |
35, he's back in. 35. 40. | 0:34:08 | 0:34:12 | |
With the lady at £40... | 0:34:12 | 0:34:14 | |
You've doubled your money. | 0:34:14 | 0:34:16 | |
..All done at £40? BANGS GAVEL | 0:34:16 | 0:34:19 | |
So good. £40 is plus 20, girls. That's a very good start, isn't it? | 0:34:19 | 0:34:24 | |
Here comes the Bretby. | 0:34:24 | 0:34:26 | |
A superb lot. | 0:34:26 | 0:34:28 | |
Will you start me at £50? Start me at £50. | 0:34:28 | 0:34:33 | |
50 bid. 60. | 0:34:33 | 0:34:37 | |
70. 80. | 0:34:37 | 0:34:38 | |
90. 100. | 0:34:38 | 0:34:41 | |
-110 back in. 110. -Oh, lordy! | 0:34:41 | 0:34:44 | |
-There she goes. -120. 120. | 0:34:44 | 0:34:47 | |
All done at 120...? | 0:34:47 | 0:34:50 | |
130...! | 0:34:50 | 0:34:52 | |
Every time she stands up she gets another bid. | 0:34:52 | 0:34:56 | |
..140. 150. | 0:34:56 | 0:34:59 | |
160. 170. £170. | 0:34:59 | 0:35:03 | |
All done at 170? 170... | 0:35:03 | 0:35:08 | |
Plus £90. | 0:35:08 | 0:35:10 | |
You are, at the moment, £110 up. Next is your thurible. | 0:35:10 | 0:35:15 | |
The 19th-century silver-plated thurible. | 0:35:15 | 0:35:19 | |
A rare item and visually exiting. | 0:35:19 | 0:35:23 | |
Start me at 30. | 0:35:23 | 0:35:25 | |
30 bid. 40. 50. | 0:35:25 | 0:35:28 | |
60. 70. 80... | 0:35:28 | 0:35:30 | |
-You're in profit. -..90 on the phone... | 0:35:30 | 0:35:33 | |
-She's standing up again! -A telephone bid as well. | 0:35:33 | 0:35:37 | |
-..110. 120. -Phone bid... | 0:35:37 | 0:35:40 | |
All done at 120? 120... | 0:35:41 | 0:35:44 | |
£55. That is £165 worth of profits! | 0:35:45 | 0:35:49 | |
165, how about that, kids? What are you doing about the agate bracelet? | 0:35:49 | 0:35:54 | |
-Are you going to park...? -We both really like it. | 0:35:54 | 0:35:59 | |
-We've decided we're going to go... -What do you think? | 0:35:59 | 0:36:03 | |
-I think it's very nice, but you've made a very good profit. -We won't go for it. | 0:36:03 | 0:36:09 | |
-On the other hand... -She's a good auctioneer. | 0:36:09 | 0:36:12 | |
-She is. -She is going to powerfully present this Scottish bracelet. | 0:36:12 | 0:36:17 | |
-If she stands up, she'll frighten them into bidding! -We'll go for it. | 0:36:17 | 0:36:22 | |
We are going for the Bonus Buy. | 0:36:22 | 0:36:25 | |
Lot 57 is this 19th-century Scottish silver and agate bracelet. | 0:36:25 | 0:36:30 | |
And I can start the bidding at... | 0:36:30 | 0:36:34 | |
-£40. It's with me at 40. -40 only. | 0:36:34 | 0:36:38 | |
50. 60. 70. | 0:36:38 | 0:36:41 | |
-80. 90. -You're in profit. Well done, David. | 0:36:41 | 0:36:44 | |
100. | 0:36:44 | 0:36:46 | |
-Any adva... 110. -She's standing up! | 0:36:46 | 0:36:50 | |
120. It's with you, sir, at £120. | 0:36:50 | 0:36:54 | |
Any advance on 120? All done at 120? 120... | 0:36:54 | 0:36:59 | |
You doubled your money, you cunning old fox! | 0:36:59 | 0:37:03 | |
-Well done. -So, £225 worth of profit. | 0:37:03 | 0:37:07 | |
You girls have to promise me you won't say a word to the blues. | 0:37:07 | 0:37:12 | |
-No. -This could be ruinous to them. | 0:37:12 | 0:37:14 | |
-Been chatting to the reds? -No. -You don't know how they got on? -No. | 0:37:28 | 0:37:33 | |
-They came out right by you. Did they look happy? -I didn't look. -Poker faces. -Poker faces! | 0:37:33 | 0:37:39 | |
They're a couple of players, those two girls! | 0:37:39 | 0:37:43 | |
Anyway, first up is the "quackers" claret jug. Ha. And here it comes. | 0:37:43 | 0:37:48 | |
Lot 73 is this charming claret jug in the form of a duck. | 0:37:48 | 0:37:54 | |
Start me at £30. 30 with you, sir. | 0:37:54 | 0:37:57 | |
40. 50. 60. 70. 80. | 0:37:57 | 0:38:02 | |
-Doubled your money. -90. 100. | 0:38:02 | 0:38:05 | |
110. 120. | 0:38:05 | 0:38:08 | |
130. 140. | 0:38:08 | 0:38:10 | |
150. 160... | 0:38:10 | 0:38:12 | |
That's more like it! | 0:38:12 | 0:38:14 | |
Any advance on 160? All done at 160? | 0:38:14 | 0:38:17 | |
160... | 0:38:17 | 0:38:19 | |
£160! How about that? | 0:38:19 | 0:38:23 | |
£125 profit. What's going to happen with your lipstick holder, lovey? | 0:38:23 | 0:38:27 | |
The lipstick holder. It has a wonderful cabochon set stone | 0:38:27 | 0:38:33 | |
and a little integral mirror. | 0:38:33 | 0:38:35 | |
It's absolutely lovely. Start me at 50. £50? | 0:38:35 | 0:38:40 | |
30, then? 30 bid. | 0:38:40 | 0:38:42 | |
With you, sir, at 30. Any advance on 30? | 0:38:42 | 0:38:45 | |
40. 50. 60... | 0:38:45 | 0:38:48 | |
You're in profit, girl. | 0:38:48 | 0:38:50 | |
..70. It's on the phone at £70. | 0:38:50 | 0:38:53 | |
Any advance on £70? £70... | 0:38:53 | 0:38:57 | |
-£70. That is plus 15, kids. -Great! Wow! -Now, the clock. | 0:38:57 | 0:39:02 | |
Lot 75, the Art Nouveau mahogany and satinwood inlaid mantel clock. | 0:39:02 | 0:39:09 | |
I'll start the bidding at £60. | 0:39:09 | 0:39:11 | |
70. 80. 90. | 0:39:11 | 0:39:14 | |
100. 110. | 0:39:14 | 0:39:16 | |
120. 130. 140. | 0:39:16 | 0:39:20 | |
£150. 160. | 0:39:20 | 0:39:22 | |
170. 180. | 0:39:22 | 0:39:24 | |
190. | 0:39:24 | 0:39:27 | |
200. 210. | 0:39:27 | 0:39:29 | |
We have a phone. | 0:39:29 | 0:39:31 | |
-It's on the phone! -220 on the phone. 230. | 0:39:31 | 0:39:35 | |
No. All done at 230? 230... | 0:39:35 | 0:39:39 | |
-I told you! -Well done, that man! | 0:39:39 | 0:39:42 | |
That is plus £130. | 0:39:42 | 0:39:45 | |
That means you are plus £270. | 0:39:45 | 0:39:49 | |
-Isn't that fantastic? -I'm so happy! | 0:39:49 | 0:39:51 | |
Hang on. What are we going to do about the book? | 0:39:51 | 0:39:54 | |
-Let's do it. -Are you sure? -Yeah. | 0:39:54 | 0:39:58 | |
-We'll go for it. -What excitement! -It's my best ever result! | 0:39:58 | 0:40:02 | |
You know! | 0:40:02 | 0:40:04 | |
Can't believe it, Tim. The thrill of an auction. | 0:40:04 | 0:40:09 | |
-I had faith in you all these years. -In nine years, my best ever. | 0:40:09 | 0:40:13 | |
-The decision is made, then? -Yes. | 0:40:13 | 0:40:16 | |
Lot 79, ladies and gentlemen, another charming wee item. | 0:40:16 | 0:40:22 | |
I'll start the bidding at... | 0:40:22 | 0:40:25 | |
£40. | 0:40:25 | 0:40:27 | |
50. 60. 70. | 0:40:27 | 0:40:30 | |
You're in profit, Charles. | 0:40:30 | 0:40:33 | |
Any advance on 70 for the little pendant? | 0:40:33 | 0:40:36 | |
Any advance on £70? All done at 70... | 0:40:36 | 0:40:38 | |
-Bid there! -80, fresh bidder. | 0:40:38 | 0:40:41 | |
LAUGHTER | 0:40:41 | 0:40:44 | |
Oh, it's so exciting, isn't it? | 0:40:44 | 0:40:47 | |
80. 90. | 0:40:47 | 0:40:49 | |
100... | 0:40:49 | 0:40:52 | |
-You've doubled your money. -..With you, sir, at 100. | 0:40:52 | 0:40:55 | |
All done at 100? 100... BANGS GAVEL | 0:40:55 | 0:40:58 | |
£100! Well done! That's good. So, plus 50 on that. | 0:40:58 | 0:41:03 | |
Which means, you are £320 up. | 0:41:03 | 0:41:05 | |
-How good is that? -That's pretty good. -Pretty good, isn't it? | 0:41:05 | 0:41:10 | |
Well, there we go. Plus 320. | 0:41:10 | 0:41:12 | |
-Don't say a word to the reds. -No! | 0:41:12 | 0:41:15 | |
We will reveal all once we've been to the cash machine...later! | 0:41:15 | 0:41:20 | |
Now, for those Bargain Hunt viewers who watch avidly, | 0:41:30 | 0:41:34 | |
it is very rare to see two teams looking quite so pleased with themselves. | 0:41:34 | 0:41:41 | |
This can only mean one thing. Both teams have made profits. | 0:41:41 | 0:41:45 | |
EVERYONE: Yes! | 0:41:45 | 0:41:47 | |
-Both teams have made substantial profits. -Oh, really? | 0:41:47 | 0:41:52 | |
Both teams have nearly produced record profits on Bargain Hunt. | 0:41:52 | 0:41:57 | |
The team that is running-up today... | 0:41:57 | 0:42:00 | |
-is the reds. -GROAN | 0:42:00 | 0:42:03 | |
-Despite making £225 profit! -That's brilliant! | 0:42:03 | 0:42:09 | |
There you go, girls. I congratulate you. | 0:42:09 | 0:42:12 | |
Today, we have the incredible privilege of presenting £320... | 0:42:12 | 0:42:17 | |
APPLAUSE AND LAUGHTER | 0:42:17 | 0:42:20 | |
There we go, Kathryn. That is what they call folding money. | 0:42:20 | 0:42:24 | |
And, of course, any team that makes a profit on all three of their items is entitled | 0:42:24 | 0:42:30 | |
to another special privilege, | 0:42:30 | 0:42:32 | |
which is a lapel pin to wear with pride. | 0:42:32 | 0:42:36 | |
-Pick one, Kathryn. -Thank you. | 0:42:36 | 0:42:38 | |
-There you go, Eric. Charles. -It's taken me nine years, Tim. | 0:42:38 | 0:42:43 | |
Here we go. You're going to have one, Nora. Well done. | 0:42:45 | 0:42:48 | |
-Thank you. -And you, Brenda. | 0:42:48 | 0:42:51 | |
I've got a loose one... Give it a good old pull. | 0:42:51 | 0:42:54 | |
A loose one for David Barby. What about that? | 0:42:54 | 0:42:59 | |
We've had a phenomenal day today. | 0:42:59 | 0:43:01 | |
Join us soon for some more bargain hunting. Yes? | 0:43:01 | 0:43:05 | |
ALL: Yes! | 0:43:05 | 0:43:07 | |
Subtitles by Red Bee Media Ltd | 0:43:21 | 0:43:24 | |
E-mail [email protected] | 0:43:24 | 0:43:27 |