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We're in Liverpool, the Red team versus the Blue team. | 0:00:02 | 0:00:05 | |
Football? Nah! Much more interesting. | 0:00:05 | 0:00:09 | |
Let's go Bargain Hunting. | 0:00:09 | 0:00:11 | |
No, we're not at Anfield or Goodison Park, either. | 0:00:33 | 0:00:37 | |
We're at Aintree race course. | 0:00:37 | 0:00:39 | |
Of course, in this game there's no football, | 0:00:39 | 0:00:42 | |
just an hour to find a hat-trick of bargains before the final whistle. | 0:00:42 | 0:00:46 | |
So let's have a look at the highlights. | 0:00:46 | 0:00:48 | |
Henry Meadows' Blue team struggle to make decisions. | 0:00:49 | 0:00:52 | |
So that's on the "Let's go back and have a look list"? | 0:00:52 | 0:00:55 | |
And the Red team send Jonathan Pratt round the bend. | 0:00:56 | 0:01:00 | |
I despair. | 0:01:00 | 0:01:01 | |
Who will emerge triumphant at the auction? | 0:01:01 | 0:01:04 | |
-My goodness, this has been a struggle. -Excellent. | 0:01:06 | 0:01:09 | |
CHEERING | 0:01:09 | 0:01:10 | |
Today on the Red team we have firm friends Dave and David. | 0:01:11 | 0:01:16 | |
Dave, you share the same name and quite a few other likes and dislikes. | 0:01:16 | 0:01:21 | |
Yeah, Dave's really into The Who and that type of music | 0:01:21 | 0:01:25 | |
and I'm into classical music, so we're totally different. | 0:01:25 | 0:01:28 | |
I love football and Dave hates football. | 0:01:28 | 0:01:30 | |
-But yet you're friends. -And business partners. | 0:01:30 | 0:01:32 | |
-What sort of business? -We're in mortgage advice. | 0:01:32 | 0:01:35 | |
So what do you get up to when you're not being entrepreneurial? | 0:01:35 | 0:01:39 | |
Collecting football memorabilia, getting shirts signed. | 0:01:39 | 0:01:43 | |
-I go up to the ground, Liverpool FC, and get them signed. -Do you? | 0:01:43 | 0:01:46 | |
Is there anything else that you two don't agree on, David? | 0:01:46 | 0:01:49 | |
Well, it's mainly the football, to be honest. | 0:01:49 | 0:01:52 | |
I can't be bothered with football at all. | 0:01:52 | 0:01:54 | |
-You are a collector like Dave, though, aren't you? -Yeah. | 0:01:54 | 0:01:58 | |
-There's common ground there. -Music collectables, memorabilia. | 0:01:58 | 0:02:01 | |
I've got a tour tracksuit from 1974 owned by Keith Moon of the Who, | 0:02:01 | 0:02:05 | |
the drummer. | 0:02:05 | 0:02:07 | |
-How do you know it was Keith Moon's? -It was bought in auction. | 0:02:07 | 0:02:10 | |
It was a guy who used to be his driver who put them in auction. | 0:02:10 | 0:02:14 | |
-So he authenticated it? -Yeah. | 0:02:14 | 0:02:16 | |
What sort of things are you going to go for today? | 0:02:16 | 0:02:19 | |
We think with it being Aintree, we might go for equestrian stuff. | 0:02:19 | 0:02:23 | |
I think you're going to have fun. Lovely to meet you. | 0:02:23 | 0:02:26 | |
-Now, girls, Karen and Sharon. Best mates, yes? -Yes. | 0:02:26 | 0:02:29 | |
-Where did you meet, then? -We both work for the ambulance service. | 0:02:29 | 0:02:33 | |
We're resource coordinators. | 0:02:33 | 0:02:35 | |
-Are you two in tune with one another? -No, absolutely not. | 0:02:35 | 0:02:39 | |
We're like the Red team, we have nothing in common. | 0:02:39 | 0:02:43 | |
We are really best buddies but we just don't agree on anything. | 0:02:43 | 0:02:48 | |
Now, you've also got something of a sixth sense. | 0:02:48 | 0:02:51 | |
I'm very much into the paranormal. | 0:02:51 | 0:02:54 | |
Sharon will laugh because she thinks it's completely bizarre | 0:02:54 | 0:02:57 | |
but I love it, I think it's great. | 0:02:57 | 0:02:59 | |
-You can't predict the future, can you? -No. I wouldn't be here. | 0:02:59 | 0:03:02 | |
I'd be in the Caribbean with my lottery winnings. | 0:03:02 | 0:03:06 | |
-Now, Sharon, you're also a collector. -I am. | 0:03:06 | 0:03:09 | |
But of some pretty out-there stuff. | 0:03:09 | 0:03:12 | |
Well, I'm a big science fiction fan | 0:03:12 | 0:03:15 | |
and have been since aged 12, Star Trek. | 0:03:15 | 0:03:19 | |
-I am a bit of a Trekkie. -Have you got your own Darth Vader wand? | 0:03:19 | 0:03:22 | |
Erm... no. | 0:03:22 | 0:03:24 | |
-You haven't got one of those? -No, I didn't like Star Wars very much. | 0:03:24 | 0:03:28 | |
What about Karen? What does she think about it? | 0:03:28 | 0:03:31 | |
-She thinks I'm absolutely nuts. -And she's your friend. -She's my best friend. | 0:03:31 | 0:03:35 | |
Your best friend. Good. | 0:03:35 | 0:03:37 | |
So, Sharrie, what's your plan today for victory? | 0:03:37 | 0:03:40 | |
Well, I did have my own plan set out | 0:03:40 | 0:03:43 | |
but Karen did actually send me an email in work, | 0:03:43 | 0:03:47 | |
listing things that I wasn't allowed to look at, | 0:03:47 | 0:03:49 | |
ranging from Toby jugs, matchstick models | 0:03:49 | 0:03:54 | |
-and garden gnomes. -Right. | 0:03:54 | 0:03:55 | |
So I'm going to try to look for something a bit quirky | 0:03:55 | 0:03:58 | |
and possibly go with Karen. | 0:03:58 | 0:04:00 | |
-Yeah. Well, you are in a team together, you know. -Exactly. | 0:04:00 | 0:04:04 | |
I think we could have some sparks today. | 0:04:04 | 0:04:06 | |
Now, the money moment. Here you go. Here's your £300, boys. | 0:04:06 | 0:04:10 | |
-£300, girls. -Thank you. -You know the rules, your experts await | 0:04:10 | 0:04:13 | |
and off you go and very, very, very good luck. | 0:04:13 | 0:04:16 | |
Well, Trekkies, eh? | 0:04:16 | 0:04:20 | |
-Well, this is a one-horse race, isn't it, guys? -We're going to win. | 0:04:20 | 0:04:23 | |
-May the best man win. -Or women. -Or women. | 0:04:23 | 0:04:27 | |
We're going to win. | 0:04:27 | 0:04:28 | |
Well, neither of our teams agree on much. | 0:04:31 | 0:04:34 | |
How on earth will they decide on three items to buy? | 0:04:34 | 0:04:37 | |
The budget is £300 and off we go. | 0:04:37 | 0:04:40 | |
I'm looking at that picture frame, £180. Does that catch your eye? | 0:04:40 | 0:04:45 | |
-It's spending it all in one go really, isn't it? -Sure, yeah. | 0:04:45 | 0:04:48 | |
-I like that. What's the price on that? -65 on that. | 0:04:50 | 0:04:53 | |
It might get 40. I don't think it's worth any more than 40. | 0:04:53 | 0:04:57 | |
I think it's worth thinking about. | 0:04:57 | 0:04:59 | |
I don't think it's got the legs, chaps. | 0:04:59 | 0:05:01 | |
-It's brass, isn't it? -It is, yeah. -What actually is it? | 0:05:06 | 0:05:09 | |
I'd probably call it a page-turner, really. | 0:05:09 | 0:05:13 | |
I'd say looking at the handle it's probably Japanese, | 0:05:13 | 0:05:16 | |
Meiji period, which is going to be circa 1900, that sort of period. | 0:05:16 | 0:05:21 | |
But, I mean, let's have a look. £42. | 0:05:21 | 0:05:24 | |
Erm... So we need to get a little bit more off. | 0:05:24 | 0:05:28 | |
I suspect if that came into one of our auctions, | 0:05:28 | 0:05:30 | |
I'd probably say £30-£50, so we're not adrift, really, | 0:05:30 | 0:05:36 | |
but let's see whether... | 0:05:36 | 0:05:37 | |
-I don't know. Do you like it? -I actually quite like it, myself. | 0:05:37 | 0:05:41 | |
-It's... -I got my attention when we walked past. | 0:05:41 | 0:05:44 | |
That looks nice. It's a relatively hot market at the moment. | 0:05:44 | 0:05:47 | |
-Yeah. -Sorry, am I selling this to you? -You are. I like it. | 0:05:47 | 0:05:51 | |
-You like it, don't you? -I do. | 0:05:51 | 0:05:53 | |
There's evidence of solder here, whether that was when it was originally made | 0:05:53 | 0:05:58 | |
or it could be a repair | 0:05:58 | 0:05:59 | |
but if you could get it for £25, £30, you stand a chance. | 0:05:59 | 0:06:03 | |
-Shall we give it a go? -Yeah. -Are you going to try, Karen? | 0:06:03 | 0:06:06 | |
-Who's doing the haggling? -Looks like it's me. -Nominated. -See what you can do. -Thank you. | 0:06:06 | 0:06:11 | |
The Reds are still looking for their perfect picture. | 0:06:13 | 0:06:17 | |
This is a late Victorian reproduction... | 0:06:17 | 0:06:20 | |
Sorry, 19th century reproduction of a larger oil. | 0:06:20 | 0:06:23 | |
The Death Of Nelson is a well-known print. | 0:06:23 | 0:06:25 | |
This is a steel-point engraving of HMS Victory. | 0:06:25 | 0:06:28 | |
-It's the size of it, as well. -It's not in that bad condition. It could be worse. | 0:06:28 | 0:06:32 | |
-How much is it? -It's 290. -What? -That's why we liked it. | 0:06:32 | 0:06:36 | |
-290? -Sorry. -We've only got 300. -I'd do 240. That's it, though. | 0:06:36 | 0:06:41 | |
I like but if he'd said it was £150, £120, I'd have snapped his arm off. | 0:06:41 | 0:06:48 | |
Mm, remember. It's three items for £300. | 0:06:48 | 0:06:51 | |
-Keep walking. -Thank you. -Cheers. | 0:06:51 | 0:06:53 | |
We're looking around 25. | 0:06:55 | 0:06:58 | |
-No. -28? -30. | 0:06:58 | 0:07:01 | |
30. Sharon? | 0:07:01 | 0:07:03 | |
-For £30 you're not going to go wrong, really. -OK, that's great. | 0:07:03 | 0:07:06 | |
Thank you very much. | 0:07:06 | 0:07:08 | |
First item for the Blues but has Karen got the price down far enough? | 0:07:08 | 0:07:12 | |
This is interesting. | 0:07:14 | 0:07:15 | |
-No! No! -Just... | 0:07:15 | 0:07:18 | |
This is right up your street, isn't it, David? | 0:07:18 | 0:07:20 | |
It is mine. That's been signed by a few players, as well. | 0:07:20 | 0:07:23 | |
-That might be worth about... -70 quid. -..50 quid, something like that. | 0:07:23 | 0:07:28 | |
-How much for the shirt? -I've got 120 on it. -Very good. | 0:07:28 | 0:07:32 | |
-Not for us. -No. | 0:07:32 | 0:07:33 | |
OK, right, moving on. | 0:07:33 | 0:07:36 | |
Mm, I can see a pattern emerging here, Reds. | 0:07:36 | 0:07:39 | |
We've had 20 minutes already, which is nothing to panic about, | 0:07:39 | 0:07:43 | |
but we need to concentrate. | 0:07:43 | 0:07:44 | |
At least we can discount where we've been so far. | 0:07:44 | 0:07:47 | |
Let's just go through here, keep working this way and see what we can find. | 0:07:47 | 0:07:51 | |
As long as you go somewhere. Just hurry up. | 0:07:51 | 0:07:53 | |
What about this piece for a second, relatively low-value? | 0:07:58 | 0:08:04 | |
-It's unusual, isn't it? -Art Deco, isn't it? -It's lovely. | 0:08:04 | 0:08:07 | |
-I really like that. -Yeah? | 0:08:07 | 0:08:09 | |
It's the horse's stirrup, which is quite good for Aintree. | 0:08:09 | 0:08:12 | |
Yeah, it's equestrian. The other side were interested in equestrian things. | 0:08:12 | 0:08:17 | |
That's what I'm thinking. | 0:08:17 | 0:08:19 | |
I guess probably, looking at it, it's 1930s, '40s, | 0:08:19 | 0:08:23 | |
perhaps at the latest. | 0:08:23 | 0:08:25 | |
It was the age of chroming things - cars, mascots, things like that. | 0:08:25 | 0:08:30 | |
Can I have a look at it? Just have a quick look. | 0:08:30 | 0:08:34 | |
Because often things get replaced when they get broken. | 0:08:34 | 0:08:37 | |
Yeah, well, I mean, that's 25 quid, you know. | 0:08:37 | 0:08:42 | |
If you can get a little bit off, we're going to stand a reasonable chance... | 0:08:42 | 0:08:46 | |
What do you think that would be valued at at auction? | 0:08:46 | 0:08:49 | |
Well, obviously you need a couple of equestrian enthusiasts there, | 0:08:49 | 0:08:53 | |
but I guess, I don't know, maybe £30, £40. | 0:08:53 | 0:08:56 | |
It's tricky to say. Perhaps 50 on a good day with the wind behind it. | 0:08:56 | 0:09:02 | |
-But do you want to have a think about it? -Yeah. -I do like that one. | 0:09:02 | 0:09:07 | |
-It would depend how low we can get it, I think. -Yeah. | 0:09:07 | 0:09:10 | |
If we look for something bigger, we can go back, | 0:09:10 | 0:09:13 | |
if we're looking for a last-minute thing. | 0:09:13 | 0:09:15 | |
Let's hope no-one buys it in the meanwhile. | 0:09:15 | 0:09:18 | |
Risky strategy this, Blues. | 0:09:18 | 0:09:19 | |
It's a roulette wheel. | 0:09:19 | 0:09:21 | |
I wonder if the Reds are about to take a chance on their first item? | 0:09:21 | 0:09:26 | |
It's gambling, it's races, it's got horses on. | 0:09:26 | 0:09:29 | |
Elephant racing - I haven't heard of that one - | 0:09:29 | 0:09:32 | |
but you've got cock-fighting, horse racing, hare coursing. | 0:09:32 | 0:09:35 | |
And these are painted lead figures and you can see there's age to it. | 0:09:35 | 0:09:40 | |
This is all coloured. This isn't all made yesterday. | 0:09:40 | 0:09:43 | |
-It's absolutely fine. -When was it made? -Oh, '20s or '30s. -Right. | 0:09:43 | 0:09:48 | |
If the base is original, too, which it probably is, | 0:09:48 | 0:09:51 | |
that will give you an idea of the age. | 0:09:51 | 0:09:53 | |
Obviously, the '20s and '30s was that sort of gambling age. | 0:09:53 | 0:09:58 | |
-It's a party-type thing, isn't it? So... -Yeah. | 0:09:58 | 0:10:03 | |
-140 quid, though. -Are we going to have that?. -Have a think about it. | 0:10:03 | 0:10:06 | |
That's £1,000 we've spent so far. | 0:10:06 | 0:10:09 | |
Yes, spending in your head isn't getting you very far, though, is it? | 0:10:09 | 0:10:13 | |
Halfway on the clock and still no buys. | 0:10:13 | 0:10:16 | |
All this tension! I need to sit down for a moment. | 0:10:16 | 0:10:20 | |
This is nice and comfy, as well it ought to be, | 0:10:21 | 0:10:24 | |
because when you look at that seat, that lovely lilac upholstered seat, | 0:10:24 | 0:10:29 | |
it's thick and it's sprung and it's built for comfort. | 0:10:29 | 0:10:33 | |
But it's a chair that's got a few unusual features. | 0:10:33 | 0:10:37 | |
If you look at those front legs, they've got oddball turnings, look. | 0:10:37 | 0:10:42 | |
The leg tapers in the turn | 0:10:42 | 0:10:44 | |
but then it's got this rather oriental looking turned foot. | 0:10:44 | 0:10:49 | |
Those turnings continue not only in these uprights | 0:10:49 | 0:10:52 | |
but throughout all the stretchers that go to make up the under-frame. | 0:10:52 | 0:10:56 | |
Now, the back is pretty oddball, too. | 0:10:58 | 0:11:01 | |
It's almost a rectangular Georgian back. | 0:11:01 | 0:11:04 | |
It's got a simple, fine-line moulding to it | 0:11:04 | 0:11:09 | |
but instead of having a series of horizontal rails running all the way through, | 0:11:09 | 0:11:14 | |
they're interrupted every so often with a vertical, | 0:11:14 | 0:11:18 | |
which gives you this rather Chinesey looking back. | 0:11:18 | 0:11:22 | |
The secret to this chair is that it's not a standard, mass-produced, | 0:11:22 | 0:11:27 | |
Victorian little bergere armchair. | 0:11:27 | 0:11:30 | |
It's an architect-designed piece of furniture, | 0:11:30 | 0:11:34 | |
produced in a limited quantity, | 0:11:34 | 0:11:37 | |
and the architect who's designed it | 0:11:37 | 0:11:39 | |
is no less than the great designer EW Godwin. | 0:11:39 | 0:11:43 | |
Now, you might get lucky and find such a chair for £50-£100 | 0:11:43 | 0:11:49 | |
in an auction | 0:11:49 | 0:11:51 | |
but if it's properly attributed to the architect designer, | 0:11:51 | 0:11:54 | |
as this piece is, then the value leaps | 0:11:54 | 0:11:58 | |
to the ticket price which the dealer has on this example, | 0:11:58 | 0:12:02 | |
which is £750. | 0:12:02 | 0:12:04 | |
Oh! Great Godwin! | 0:12:04 | 0:12:07 | |
Right, on with the show. | 0:12:07 | 0:12:09 | |
-How about that thermometer? -No. Don't like that. | 0:12:09 | 0:12:12 | |
LAUGHTER | 0:12:12 | 0:12:13 | |
-Are you quite sure? -That was a definite no. | 0:12:13 | 0:12:16 | |
-They're pretty but... Don't you think? -I think they're horrible. | 0:12:16 | 0:12:20 | |
-I don't like that. -It's a Toby jug. It's what you like. | 0:12:20 | 0:12:23 | |
-It's not colourful enough. -It's not colourful enough. I hate it. I thought you might like it. -No. | 0:12:23 | 0:12:29 | |
Well, at least they agree on something. | 0:12:29 | 0:12:31 | |
The Reds' lack of action is starting to take its toll. | 0:12:31 | 0:12:35 | |
-I'm feeling the pressure. -We have seen a few things we can go back to. | 0:12:36 | 0:12:40 | |
Everything's been £200 plus. | 0:12:40 | 0:12:42 | |
If we'd bought any of the three objects we've seen so far, we'd need a loan | 0:12:42 | 0:12:45 | |
and you're the guys to organise it. | 0:12:45 | 0:12:47 | |
-Do you want to go right down there? -Up that way. -Let's go this way. | 0:12:47 | 0:12:51 | |
-That way. -And then we'll go back up that one there. We started down here. | 0:12:51 | 0:12:55 | |
I really like this. This is really, really, nice. | 0:12:56 | 0:13:00 | |
-It's got good novelty charm about it, hasn't it? -It has. | 0:13:00 | 0:13:04 | |
Something else we banned Sharon from looking at was matches | 0:13:04 | 0:13:07 | |
but I see what you mean. It's quirky. | 0:13:07 | 0:13:10 | |
I just think that's really quite fun. | 0:13:10 | 0:13:12 | |
What date would that be from? | 0:13:12 | 0:13:14 | |
It's a difficult one to date, actually. | 0:13:14 | 0:13:16 | |
The glaze suggests it's probably sort of early 20th century, 1920s. | 0:13:16 | 0:13:23 | |
It's one of those things that you either love it or you hate it, really. | 0:13:23 | 0:13:27 | |
But what are your thoughts? | 0:13:27 | 0:13:29 | |
I feel mean because I know Sharon really likes it but I think it's gross. | 0:13:30 | 0:13:34 | |
-It's awful. -What's the condition of it like? | 0:13:34 | 0:13:37 | |
-It's lost the sheen off the top. -Not the most attractive cat | 0:13:37 | 0:13:41 | |
but I guess beauty is in the eye of the beholder. | 0:13:41 | 0:13:44 | |
-How much is it? -28. -£28. | 0:13:44 | 0:13:47 | |
-I don't know, Sharon. -Have a think about it. | 0:13:47 | 0:13:50 | |
-We'll come back. -Yes, it's another one for the think-about list. | 0:13:50 | 0:13:54 | |
That list is getting rather long. | 0:13:54 | 0:13:56 | |
Time is ticking on and you've still got two items left to buy. | 0:13:56 | 0:14:00 | |
We need some compromise here, girls, | 0:14:00 | 0:14:02 | |
and the Reds can't agree on anything, either. | 0:14:02 | 0:14:05 | |
I should bang their heads together or smack them. | 0:14:05 | 0:14:09 | |
That's quite nice. A nice figure group. | 0:14:10 | 0:14:12 | |
They're having a good time, a good drink, probably, | 0:14:12 | 0:14:15 | |
before going out to sea and to battle etc. | 0:14:15 | 0:14:19 | |
-Let's look at the condition. -There's some damage there. | 0:14:19 | 0:14:23 | |
The trouble is with Staffordshire pottery, | 0:14:23 | 0:14:25 | |
it was produced throughout the 19th century | 0:14:25 | 0:14:30 | |
and this sort of painted decoration is quite prone | 0:14:30 | 0:14:33 | |
to chipping and flaking. | 0:14:33 | 0:14:34 | |
-So this is probably about 1860, so... How much is that? -90. | 0:14:34 | 0:14:40 | |
90. About right. That's, you know... | 0:14:40 | 0:14:43 | |
What if we get it down a little bit? What would it make, do you think? | 0:14:43 | 0:14:47 | |
It depends on how flexible the stallholder is, really, | 0:14:47 | 0:14:49 | |
but this sort of thing in a sale room, | 0:14:49 | 0:14:52 | |
in our sale, we'd probably guide at £60-£80, that sort of price. | 0:14:52 | 0:14:56 | |
So you can see at 90, you need to get it down somewhat. | 0:14:56 | 0:15:00 | |
-What do you think? -Shall we give it a go? | 0:15:00 | 0:15:02 | |
-You look quite pensive. -Mm. | 0:15:02 | 0:15:03 | |
I think... I don't know. If we got it down - not at £90. | 0:15:03 | 0:15:08 | |
Shall we see what the flexibility is? | 0:15:08 | 0:15:10 | |
-That will help us make up our minds. -Yeah. | 0:15:10 | 0:15:12 | |
-Where's Dave? -He's down here. | 0:15:14 | 0:15:16 | |
Looks like he's made a new friend. | 0:15:17 | 0:15:19 | |
What is the lowest you can go on that? | 0:15:21 | 0:15:23 | |
The ultimate is 80. The death is going to be £80, honestly. | 0:15:23 | 0:15:29 | |
-It is an early piece, so... -Yeah. -..it's worth that. | 0:15:29 | 0:15:33 | |
I think... I think it's borderline, really. | 0:15:33 | 0:15:37 | |
-You think it's borderline. -I'm conscious of the time, really. | 0:15:37 | 0:15:41 | |
-Erm... -Could you do 70? | 0:15:41 | 0:15:43 | |
-Yeah, go on, then. I'll take 70 for it. -OK. -You're a star. | 0:15:43 | 0:15:46 | |
-Thank you very much. Thank you. -All right. -Thank you. -£70. | 0:15:46 | 0:15:50 | |
-There we go. -That's great. OK, that's our second buy, then. | 0:15:50 | 0:15:53 | |
-Brilliant. Don't drop it. -I won't. | 0:15:53 | 0:15:55 | |
-Item number three, let's go. -Well done, girls! | 0:15:57 | 0:16:00 | |
You finally put your differences aside for item number two. | 0:16:00 | 0:16:03 | |
All the pressure's on the Reds. | 0:16:05 | 0:16:08 | |
I am er... I don't know. 40 minutes and not buying... | 0:16:17 | 0:16:22 | |
I've never been in this position before. | 0:16:22 | 0:16:24 | |
I think with 10 minutes to go, I'm just going to say, "We're going to buy that, that and that." | 0:16:24 | 0:16:29 | |
I despair. | 0:16:30 | 0:16:32 | |
Poor Jonathan. | 0:16:32 | 0:16:33 | |
How's Henry getting on? | 0:16:33 | 0:16:35 | |
They're absolutely fantastic. | 0:16:43 | 0:16:45 | |
You know, they've got ideas about certain things | 0:16:45 | 0:16:49 | |
and I think we're working quite well as a team. | 0:16:49 | 0:16:52 | |
Obviously I'm there to guide them | 0:16:52 | 0:16:54 | |
and I think, yeah, we're gelling together as a team | 0:16:54 | 0:16:57 | |
and one more item left - let's see how that fares. | 0:16:57 | 0:17:01 | |
-That's two items. -Shall we have quick scoot round and if we don't like anything, | 0:17:01 | 0:17:05 | |
-then maybe go back? -OK, let's go. | 0:17:05 | 0:17:07 | |
It's a sort of Arts and Crafts thing, which is cool. | 0:17:11 | 0:17:14 | |
The box is suggesting it's early 20th century. | 0:17:14 | 0:17:17 | |
I was looking at those. They're not hallmarked. Are they silver? | 0:17:17 | 0:17:20 | |
-I think they're more likely to be silver plate. -Yeah. | 0:17:22 | 0:17:26 | |
-How much? -I've got a price tag of £95 on there. | 0:17:26 | 0:17:28 | |
-Yeah. -And you want to do a deal, don't you? -Well, it's an idea. | 0:17:28 | 0:17:32 | |
To you, as you're such a nice man, he says... | 0:17:38 | 0:17:40 | |
-£80. -Ah! -Can you not do 70? | 0:17:41 | 0:17:45 | |
-You know the music to Countdown? -Yeah. -That's what we need to get us going. | 0:17:46 | 0:17:52 | |
HE SINGS | 0:17:52 | 0:17:54 | |
-70, I'll do. -70. | 0:17:54 | 0:17:55 | |
-Let's go back and look at the paintings, first. -We've seen them all. | 0:17:55 | 0:17:59 | |
-Let's make a decision. -We'll go for those at 70. | 0:17:59 | 0:18:02 | |
CLOCK TICKING | 0:18:02 | 0:18:03 | |
'Could this be it? Their first buy.' | 0:18:03 | 0:18:06 | |
You want to go for them, you go for them. | 0:18:07 | 0:18:10 | |
-£70? -£70. -That's a deal. | 0:18:10 | 0:18:13 | |
-# Hallelujah! Hallelujah! # Hallelujah! Hallelujah! # -'Finally! | 0:18:13 | 0:18:18 | |
'Jonathan has sorted them their first purchase.' | 0:18:18 | 0:18:21 | |
Slight sigh of relief, there. Thank you very much. | 0:18:21 | 0:18:23 | |
'Come on, Reds! No time to waste.' | 0:18:23 | 0:18:27 | |
-We've got one object. -We've got to go with the watercolours. | 0:18:28 | 0:18:31 | |
How about the racing thing? | 0:18:31 | 0:18:33 | |
Interesting, fun, parties, Cheshire, bit of sport about it. | 0:18:33 | 0:18:37 | |
Go on, then. We need Dave. | 0:18:37 | 0:18:39 | |
No, no, forget Dave. You're man enough to make a decision. | 0:18:39 | 0:18:44 | |
-Shall we go for it? -Let's go for it. -Great! | 0:18:44 | 0:18:46 | |
Divide and rule, eh, Jonathan? It's for their own good. | 0:18:46 | 0:18:50 | |
-Just bought the second object. -What have you bought? | 0:18:50 | 0:18:54 | |
-We've bought that. -Oh, I like that. I pointed that out. | 0:18:54 | 0:18:57 | |
-OK. -I thought, what the heck, let's make a decision. -What did you pay? | 0:18:57 | 0:19:01 | |
-140. -140. | 0:19:01 | 0:19:02 | |
The boys have caught up. | 0:19:02 | 0:19:05 | |
Now, both teams have just minutes to buy their third item. | 0:19:05 | 0:19:09 | |
Eight minutes. Eight minutes. | 0:19:09 | 0:19:10 | |
140... 210 spent. We've got 90 quid left. | 0:19:11 | 0:19:14 | |
So, two items, £200, seven minutes left... | 0:19:14 | 0:19:17 | |
-We should go back. -The stirrup. -The stirrup. | 0:19:17 | 0:19:20 | |
Get them down to like 15 quid. If we can get it for 15, you know, | 0:19:20 | 0:19:23 | |
if they make £40, it's a small profit but it's a profit. | 0:19:23 | 0:19:26 | |
-At least it's a profit. -Let's go. -It's this way. | 0:19:26 | 0:19:29 | |
I hope it's still there. | 0:19:29 | 0:19:31 | |
-Go on. -It's your turn. -We've only got seven minutes left. | 0:19:31 | 0:19:35 | |
-I've got a good feeling about this. -I have, too. | 0:19:36 | 0:19:39 | |
-I just hope it's still there. -I do, I do. | 0:19:39 | 0:19:42 | |
-If it's not, we're going back to the matchbox. -Not the cat! | 0:19:42 | 0:19:45 | |
-Please not the cat! -No. | 0:19:45 | 0:19:46 | |
What, this cat? | 0:19:46 | 0:19:49 | |
-Oh, it's still there. -Fantastic. Let's see what we can negotiate. | 0:19:55 | 0:19:59 | |
-Best price? -What have we got on it? 28? -28. | 0:19:59 | 0:20:02 | |
We can go 25. | 0:20:02 | 0:20:04 | |
Go on, Sharon, you can do it. | 0:20:04 | 0:20:06 | |
Go on. There's only seconds left. | 0:20:06 | 0:20:08 | |
It's a good novelty. It's good money. | 0:20:08 | 0:20:10 | |
The lady says 18. | 0:20:10 | 0:20:13 | |
-22. Come on. -Oh, 20. -That's a good price. | 0:20:14 | 0:20:17 | |
15 sounds better than 18. | 0:20:17 | 0:20:19 | |
15? | 0:20:19 | 0:20:20 | |
-Oh, thank you very much. -Thank you. -Thank you | 0:20:21 | 0:20:23 | |
-Oh, all right, then. -Hooray! | 0:20:25 | 0:20:27 | |
-Is that a deal? -Yeah. -Are you sure? -CROWD CHEERING | 0:20:27 | 0:20:31 | |
Yes! | 0:20:31 | 0:20:32 | |
-I can't wait now to see how much. -Have to wait for the auction. | 0:20:32 | 0:20:35 | |
-We've got to beat the Red team. -We've got to. -Fingers crossed. | 0:20:35 | 0:20:39 | |
-Thank you very much. -Was that stressful? -Very stressful. | 0:20:39 | 0:20:42 | |
Time's up. The ref's blown his whistle | 0:20:42 | 0:20:45 | |
and no doubt one team will already be grumbling about their performance. | 0:20:45 | 0:20:50 | |
Let's check out how the Reds got on. | 0:20:50 | 0:20:52 | |
Jonathan told the Reds to button it and buy these. | 0:20:53 | 0:20:57 | |
They cost £70. | 0:20:57 | 0:20:58 | |
At £140, the gaming wheel was a gamble in more ways than one. | 0:21:00 | 0:21:05 | |
Let's hope the buyers like quirky. | 0:21:05 | 0:21:08 | |
And with time running out, the Reds went for the ceramic cat | 0:21:08 | 0:21:11 | |
that the Blues had rejected for just £20. | 0:21:11 | 0:21:14 | |
-So, overall, how much did you spend? -£230. | 0:21:15 | 0:21:18 | |
-£230. I'd like £70 of leftover lolly, please. -There you go, sir. -Jolly good. | 0:21:18 | 0:21:22 | |
It's like the tax man - get it with one hand and straightaway with the other. | 0:21:22 | 0:21:26 | |
There you go, JP, and very, very, very good luck. | 0:21:26 | 0:21:28 | |
Meanwhile, why don't we check out what the Blue team bought, eh? | 0:21:28 | 0:21:32 | |
£30 bought the Blues a brass page-turner | 0:21:32 | 0:21:36 | |
but will Karen get the right turn at the auction? | 0:21:36 | 0:21:39 | |
Struggling to agree on anything, | 0:21:40 | 0:21:42 | |
they were taken in by this Staffordshire figure group | 0:21:42 | 0:21:45 | |
for £70. | 0:21:45 | 0:21:47 | |
And lastly, the Blues ended up back where they started | 0:21:47 | 0:21:50 | |
with the silver stirrup calendar. | 0:21:50 | 0:21:53 | |
£15 paid. Giddy up. | 0:21:53 | 0:21:55 | |
Girls, you were a bit mean with your purchases, weren't you? | 0:21:55 | 0:21:58 | |
-I know. Just a tad. -You know. | 0:21:58 | 0:22:00 | |
-What did you spend? -£115. -Only £115. That is truly pathetic. | 0:22:00 | 0:22:05 | |
I know. I'm quite embarrassed, really. | 0:22:05 | 0:22:07 | |
I thought women were supposed to go out there and spend big time? | 0:22:07 | 0:22:11 | |
-Well, we do like a bargain. -We like a bargain, don't we? | 0:22:11 | 0:22:14 | |
£185 of leftover lolly, then, which is a fortune. There you go. £185. | 0:22:14 | 0:22:18 | |
-That's very generous of you. -You could buy half the fair with that. | 0:22:18 | 0:22:22 | |
-We're excited to know exactly what he's going to spend it on, aren't we? -We are. | 0:22:22 | 0:22:26 | |
Jolly good. Anyway, see you at the auction. | 0:22:26 | 0:22:28 | |
Meanwhile, we're heading off down the road, | 0:22:28 | 0:22:31 | |
literally walking down the road to the Walker Art Gallery, ooh-ah. | 0:22:31 | 0:22:35 | |
Andrew Barclay Walker was a successful Liverpool brewer. | 0:22:39 | 0:22:44 | |
He made a fortune selling beer, which paid for this gallery | 0:22:44 | 0:22:47 | |
to be built in 1877. | 0:22:47 | 0:22:50 | |
The temperance movement was at its height | 0:22:50 | 0:22:54 | |
but I can see no evidence of self-restraint in here. | 0:22:54 | 0:22:57 | |
It looks like nothing but sheer luxury and indulgence to me. | 0:22:57 | 0:23:03 | |
Look at this chap. | 0:23:03 | 0:23:05 | |
Lewis Pantin, the Huguenot silversmith, made this | 0:23:05 | 0:23:09 | |
around 1744-5, when the rococo was at the height of its popularity. | 0:23:09 | 0:23:17 | |
Rococo forms are always asymmetric | 0:23:17 | 0:23:20 | |
and they incorporate shell and rock forms, | 0:23:20 | 0:23:24 | |
which is exactly what you have in the finial on the top of the cover | 0:23:24 | 0:23:29 | |
and, of course, vines. | 0:23:29 | 0:23:31 | |
Symbolic for the purpose of the two-handled cup and cover | 0:23:32 | 0:23:36 | |
because, strictly speaking, this utensil would be filled with wine | 0:23:36 | 0:23:41 | |
and passed from person to person at a special function. | 0:23:41 | 0:23:45 | |
What adds to the luxury and feel of this piece | 0:23:45 | 0:23:50 | |
is, of course, the gold effect. | 0:23:50 | 0:23:53 | |
In a way, silver gilt is a sort of con | 0:23:54 | 0:23:58 | |
because your eye is teased into thinking | 0:23:58 | 0:24:01 | |
that this thing is made of solid gold, | 0:24:01 | 0:24:04 | |
which would make it 50 times more expensive to make at the time. | 0:24:04 | 0:24:09 | |
Actually, of course, it's just a thin layer of gold | 0:24:09 | 0:24:15 | |
laid on top of the silver, which gives this effect. | 0:24:15 | 0:24:19 | |
Indeed, if you look just inside the foot rim, | 0:24:19 | 0:24:23 | |
136:14. | 0:24:23 | 0:24:26 | |
That's 136 troy ounces and 14 pennyweights. | 0:24:26 | 0:24:31 | |
Lewis Pantin would have scratched that weight onto the piece | 0:24:31 | 0:24:36 | |
before sending it in to be hallmarked | 0:24:36 | 0:24:38 | |
when they would have had to pay the duty. | 0:24:38 | 0:24:41 | |
In short, it's a magnificent piece. | 0:24:41 | 0:24:44 | |
Now, on either side, we seem to have some more silver gilt. | 0:24:44 | 0:24:50 | |
Well, that's what your eye would lead you to believe | 0:24:50 | 0:24:54 | |
but actually, these two candelabra aren't made of silver at all. | 0:24:54 | 0:24:58 | |
They're made of a base metal, brass or bronze, | 0:24:58 | 0:25:03 | |
which were cast and constructed about 30 years after the making of the two-handled cup | 0:25:03 | 0:25:11 | |
by Matthew Bolton in his manufactory | 0:25:11 | 0:25:14 | |
in Soho on the outskirts of Birmingham. | 0:25:14 | 0:25:18 | |
This technique is known in France as ormolu, | 0:25:18 | 0:25:22 | |
the technique being that you would take real gold | 0:25:22 | 0:25:26 | |
and mix it into a paste with mercury, | 0:25:26 | 0:25:29 | |
apply that to the base metal and then apply heat. | 0:25:29 | 0:25:33 | |
The mercury evaporates and the gold is left adhering to the surface. | 0:25:33 | 0:25:38 | |
One big problem, though. | 0:25:38 | 0:25:40 | |
If you happened to be the ormolu gilder, | 0:25:40 | 0:25:44 | |
when the mercury is given off, it evaporates, | 0:25:44 | 0:25:48 | |
it's in suspension in the air | 0:25:48 | 0:25:50 | |
and if you inhale the mercury into your lungs, | 0:25:50 | 0:25:54 | |
it doesn't do you a great deal of good. | 0:25:54 | 0:25:56 | |
In fact, shortly thereafter, you're dead. | 0:25:56 | 0:25:58 | |
Of course, the big question today is, | 0:25:58 | 0:26:00 | |
which one of our teams is going to be the winner of the gold cup | 0:26:00 | 0:26:05 | |
over at the auction? | 0:26:05 | 0:26:06 | |
Now, this is the exciting bit, Bargain Hunters. | 0:26:08 | 0:26:11 | |
Will our teams make a profit on their items? | 0:26:11 | 0:26:14 | |
Let's find out. | 0:26:14 | 0:26:16 | |
Today, we're at Peter Wilson's sale room in Nantwich | 0:26:17 | 0:26:21 | |
with the boss, Robert Stones. | 0:26:21 | 0:26:23 | |
-Oh, my word. That makes me sound very important, Tim. -You are. | 0:26:23 | 0:26:26 | |
You're very important to our teams, that's for a certainty. | 0:26:26 | 0:26:30 | |
Dave and Dave are looking to you, Robert, with great expectations | 0:26:30 | 0:26:33 | |
on their sunflower buttons. | 0:26:33 | 0:26:36 | |
-How do you rate those? -Well, I'd rate them highly if they were silver | 0:26:36 | 0:26:40 | |
and sadly, I think they're base metal. | 0:26:40 | 0:26:43 | |
There's no silver mark on them. | 0:26:43 | 0:26:45 | |
They're in a very pleasing presentation case | 0:26:45 | 0:26:47 | |
but everything stops there | 0:26:47 | 0:26:50 | |
because they want to be silver, they should be silver to have any value. | 0:26:50 | 0:26:54 | |
-Right. So how much, then? -We've said £15-£30 on those. | 0:26:54 | 0:26:58 | |
Oh, lordy. £70 paid. | 0:26:58 | 0:27:00 | |
-Did they really? That's a lot. -Moving on quickly. | 0:27:00 | 0:27:03 | |
How much is this game worth? | 0:27:03 | 0:27:05 | |
Well, I tell you, I've spent an awful lot of time researching this. | 0:27:05 | 0:27:09 | |
I wish I could find out more about it. | 0:27:09 | 0:27:11 | |
It's French but I think there was a board that went with it | 0:27:11 | 0:27:15 | |
-but I don't know any more about it. -No. | 0:27:15 | 0:27:18 | |
I'd love to know more about it because it's so well made | 0:27:18 | 0:27:21 | |
and it looks good fun. | 0:27:21 | 0:27:22 | |
-So not easy to value, either. -No. -How much, do you think? -£50-£100. | 0:27:22 | 0:27:26 | |
-£140 paid. -Well, it was a fair old price. | 0:27:26 | 0:27:29 | |
-It's a fair old whack. -Mm. -Yes. | 0:27:29 | 0:27:31 | |
Now, how are you with black cats? | 0:27:31 | 0:27:34 | |
Well, I have a theory, as so often I do on these occasions, | 0:27:34 | 0:27:39 | |
that this was probably an advertising aid | 0:27:39 | 0:27:42 | |
-for Black Cat cigarettes. -Right. | 0:27:42 | 0:27:45 | |
1904 was when Black Cat cigarettes were originally produced | 0:27:45 | 0:27:49 | |
but they were then reinvented again | 0:27:49 | 0:27:51 | |
following their demise during the Second World War. | 0:27:51 | 0:27:55 | |
They were reinvented in 1957 | 0:27:55 | 0:27:57 | |
and I think that is probably an advertising aid | 0:27:57 | 0:27:59 | |
to promote the reintroduction of Black Cat cigarettes. | 0:27:59 | 0:28:03 | |
The fact that it's got the Austrian matches put on the dispenser there | 0:28:03 | 0:28:08 | |
-is just... -Irrelevant. Just something that fitted. | 0:28:08 | 0:28:11 | |
-What's your estimate on the black cat? -Ten to 20. | 0:28:11 | 0:28:13 | |
-Perfect. They paid £20. -Good. | 0:28:13 | 0:28:16 | |
This team are in deep trouble. | 0:28:16 | 0:28:18 | |
This team are not going to, according to the estimates, | 0:28:18 | 0:28:22 | |
be anywhere near making a profit, | 0:28:22 | 0:28:24 | |
so they're going to need their bonus buy, so let's have a look at it. | 0:28:24 | 0:28:28 | |
You gave the man £70. What did he spend it on? | 0:28:29 | 0:28:32 | |
OK, JP, show us your wares. | 0:28:32 | 0:28:34 | |
Oh, right. | 0:28:35 | 0:28:37 | |
What we have here is a luggage rack made of aluminium, | 0:28:37 | 0:28:41 | |
-from the, I suppose... -Is it from a train? -..first half of the 20th century, | 0:28:41 | 0:28:45 | |
-when aluminium was a fashionable metal. -OK. | 0:28:45 | 0:28:48 | |
You've got a mirror to see yourself in, somewhere to put your hat | 0:28:48 | 0:28:52 | |
and you can hang your coat and it's practical. | 0:28:52 | 0:28:54 | |
-So it's a nice interiors thing for a modern-day home. -Fantastic. | 0:28:54 | 0:28:58 | |
-How much did you pay for that? -OK, well... | 0:28:58 | 0:29:01 | |
Erm, I paid the princely sum of £60 for it. | 0:29:01 | 0:29:05 | |
-OK. -This may be an easy decision for you. -It might be. | 0:29:05 | 0:29:10 | |
-How much do you think it'll make? -Oh, it's a speculative object. | 0:29:10 | 0:29:14 | |
It might only make £10 or £20 but it might make £50 or £60. | 0:29:14 | 0:29:19 | |
-It's nice, it's nice. -You're warming to it. -It's a bit pricy but yeah. | 0:29:19 | 0:29:23 | |
-It has got style, hasn't it? -Yeah. | 0:29:23 | 0:29:25 | |
Anyway, your moment for a decision is later | 0:29:25 | 0:29:28 | |
but for the audience, let's find out what the auctioneer thinks | 0:29:28 | 0:29:31 | |
about Jonathan's luggage rack. | 0:29:31 | 0:29:34 | |
Now, Robert, let's not get hung up on this. | 0:29:35 | 0:29:37 | |
-What do you think? -I don't quite know what to say about it. | 0:29:38 | 0:29:41 | |
It must have come off something commercial, | 0:29:41 | 0:29:44 | |
probably a boat or a train or something of that kind. | 0:29:44 | 0:29:47 | |
-You think so? -Because it's lightweight. | 0:29:47 | 0:29:49 | |
That's my theory. We've put an estimate of £20-£40 on it. | 0:29:49 | 0:29:53 | |
Yes. The big problem is that Jonathan Pratt paid £60 for it. | 0:29:53 | 0:29:57 | |
-Did he? -Yes, as a bonus buy. | 0:29:57 | 0:29:59 | |
Anyway, moving on. I'm going to put this lightweight roof rack here. | 0:29:59 | 0:30:03 | |
Lovely. Came off an Austin A40 by the look of it. | 0:30:03 | 0:30:07 | |
Moving on, Karen and Sharon, Japanese page-turner. | 0:30:07 | 0:30:10 | |
-Now we're back on track. -Yes, a piece of brassware, here. | 0:30:10 | 0:30:14 | |
It's probably been brought back as a souvenir from Japan. | 0:30:14 | 0:30:17 | |
It's got a pressed metal handle | 0:30:17 | 0:30:20 | |
and the blade has got some sort of engraving on it. | 0:30:20 | 0:30:23 | |
It is decorative, we have to say that about it. | 0:30:23 | 0:30:26 | |
-OK. What do you think it's going to make? -10 to 20. | 0:30:26 | 0:30:29 | |
-£30 paid. -Right, OK. | 0:30:29 | 0:30:31 | |
Staffordshire figure, Auld Lang Syne. | 0:30:31 | 0:30:34 | |
Yes, well, the big thing about Staffordshire figures is their colour. | 0:30:34 | 0:30:38 | |
They have to have plenty of colour about. | 0:30:38 | 0:30:40 | |
This has got cobalt blue jackets, it's in good condition. | 0:30:40 | 0:30:44 | |
There is a small firing crack on the base but it's in good nick. | 0:30:44 | 0:30:48 | |
There was a time when this stuff was making a lot more | 0:30:48 | 0:30:51 | |
-but for the collector, the opportunities have never been better. -Quite. | 0:30:51 | 0:30:56 | |
-How much? -£30-£50. -Oh, Lord. £70. -Oh, really? -£70 paid for it. | 0:30:56 | 0:31:02 | |
Next is the novelty desk calendar. | 0:31:02 | 0:31:05 | |
It's quite nice to see one that's complete. | 0:31:05 | 0:31:07 | |
They invested £15 in that. Did they invest wisely or not? | 0:31:07 | 0:31:11 | |
Well, we'd hope to take a profit on that. We've said £20-£40. | 0:31:11 | 0:31:14 | |
-Have you? -Mm. -So they could double their money. | 0:31:14 | 0:31:17 | |
But it may not be enough and they may need their bonus buy, so let's have a look at it. | 0:31:17 | 0:31:21 | |
Karen, Sharrie, you gave the boy £185. What did he spend it on? | 0:31:22 | 0:31:28 | |
Well, let me show you. | 0:31:28 | 0:31:31 | |
-What do you think to this? -Oh, I love it. | 0:31:32 | 0:31:34 | |
-I know. I thought you would. -I think that's brilliant. | 0:31:34 | 0:31:37 | |
-I tried to buy something that... -Karen's face! | 0:31:37 | 0:31:40 | |
You mentioned that you like advertising items | 0:31:40 | 0:31:45 | |
and we've got a great clock here. It's an electric advertising clock. | 0:31:45 | 0:31:48 | |
Obviously, "Brylcreem your hair." | 0:31:48 | 0:31:51 | |
No reference to my hair but... | 0:31:51 | 0:31:54 | |
-Are you a user, Henry? -I do like gel, I have to confess. | 0:31:54 | 0:31:58 | |
But, yeah, I think it's a smashing item. | 0:31:58 | 0:32:02 | |
It's a good collectable item in today's society. | 0:32:02 | 0:32:04 | |
It's a good retro piece and I think it stands a good chance. | 0:32:04 | 0:32:08 | |
I just love it. How much did you pay for it? | 0:32:08 | 0:32:11 | |
-How much do you think I paid for it? -I don't know. | 0:32:11 | 0:32:13 | |
-£40. -A little bit more. | 0:32:13 | 0:32:16 | |
-50. -60. -70. | 0:32:16 | 0:32:18 | |
£70. But, I think, personally, as a youngster... | 0:32:18 | 0:32:22 | |
-I'd have paid £70. -Exactly. -You'd have paid £170. | 0:32:22 | 0:32:25 | |
-Well, there you go and that's your friend. -Yeah. | 0:32:25 | 0:32:29 | |
You choose after the sale of your first three items | 0:32:29 | 0:32:31 | |
but for the viewers, let's find out what the auctioneer thinks | 0:32:31 | 0:32:35 | |
about Slick Henry's hairdressing clock. | 0:32:35 | 0:32:39 | |
Well, there we go, Robert. That's amusing, isn't it? | 0:32:40 | 0:32:43 | |
I love it. It's a really good bit of memorabilia. | 0:32:43 | 0:32:46 | |
I can almost feel myself sitting in a barber's chair now | 0:32:46 | 0:32:49 | |
and looking at this on the wall. | 0:32:49 | 0:32:51 | |
It's a great piece. I really like it. | 0:32:51 | 0:32:53 | |
Absolutely genuine, too. None of this reproduction stuff. | 0:32:53 | 0:32:58 | |
-It's got its old electric motor. It probably wants rewiring. -Yeah. | 0:32:58 | 0:33:02 | |
-So how much? -We've been a bit mean. We've said £20-£40. | 0:33:02 | 0:33:05 | |
-I think you have, too. £70 our 'Enery Meadows paid. -Yeah. | 0:33:05 | 0:33:09 | |
-Will he get away with it? -I think he could. | 0:33:09 | 0:33:11 | |
-If the team goes with the bonus buy? -We'll see how we get on. | 0:33:11 | 0:33:14 | |
-Are you taking the sale? -I am indeed. -We're in safe hands. | 0:33:14 | 0:33:18 | |
20 I'll take. | 0:33:20 | 0:33:22 | |
-How are you feeling? All right? -Yeah. -Yeah. | 0:33:22 | 0:33:24 | |
-At all nervous? -No. Confident. -Yeah. -You are nervous? -Yeah. | 0:33:24 | 0:33:27 | |
-What have you got to be nervous about? -They bought an item behind my back. | 0:33:27 | 0:33:31 | |
-Yeah. -So I'm panicking about that now. | 0:33:31 | 0:33:34 | |
With five minutes to go, having not bought anything, it was justified. | 0:33:34 | 0:33:37 | |
-Which item is it? -The roulette wheel. | 0:33:37 | 0:33:40 | |
-You don't care for it? -I like it but not the price. -Not the price. | 0:33:40 | 0:33:44 | |
So you're going to blame both of your mates here if that goes wrong. | 0:33:44 | 0:33:48 | |
We made an executive decision. | 0:33:48 | 0:33:49 | |
First lot coming up, then, is your sunflower buttons and here they come. | 0:33:49 | 0:33:53 | |
Lot 92, ladies and gentlemen, | 0:33:53 | 0:33:55 | |
the cased set of Continental buttons and don't those look terrific? | 0:33:55 | 0:34:00 | |
What may we say? £20, for them, somebody. Worth every cent. | 0:34:00 | 0:34:04 | |
£20 I'm bid. At 20. 25 is there now? | 0:34:04 | 0:34:07 | |
At 20. The bid's there. 25 anywhere now, quickly? | 0:34:07 | 0:34:10 | |
At £20. I'll even take 22 on this one if it helps. | 0:34:10 | 0:34:13 | |
-At £20. -It will help. -The bid's there. 22. | 0:34:13 | 0:34:16 | |
25 is there now? 25, thank you. 28, now? | 0:34:16 | 0:34:19 | |
28, yes. 30 now? | 0:34:19 | 0:34:20 | |
-30 bid. -He's milking this. -He is milking it. -£30. | 0:34:20 | 0:34:25 | |
-£30. 32? The bid's at 30. I'm going to sell them. -He's done well. | 0:34:25 | 0:34:29 | |
-At £32 on the internet. -Oh, there's 32 on the internet! | 0:34:29 | 0:34:32 | |
At £32 on the internet. At £32 only on the internet. | 0:34:32 | 0:34:35 | |
Going to be sold for £32... 32. | 0:34:35 | 0:34:37 | |
-£32. -Good start. | 0:34:37 | 0:34:40 | |
-That's bad luck. 38, that would be. Minus £38. -It was on its way. | 0:34:40 | 0:34:44 | |
-That was Dave's that one. -Yes. -It was on its way, that. | 0:34:44 | 0:34:47 | |
Now, listen, you sportsmen, here comes the gaming wheel. | 0:34:47 | 0:34:51 | |
£70 I'm bid straightaway. That's on commission. 75 now do I hear? | 0:34:51 | 0:34:55 | |
At 75 straightaway. 80, there. 85 now? 85? | 0:34:55 | 0:34:59 | |
-90, now. -This could be a surprise here, Tim. | 0:34:59 | 0:35:01 | |
95. 100, now, and five. | 0:35:01 | 0:35:03 | |
-105? 100's there. -Go on! | 0:35:03 | 0:35:06 | |
At £100, the bid's there. Five anywhere now do I hear? | 0:35:06 | 0:35:09 | |
-105. -Hooray! -Good girl. | 0:35:09 | 0:35:11 | |
At 110. 115? At 110. The bid's there at 110. | 0:35:11 | 0:35:15 | |
-115 anywhere else? -Come on. -Come on. -The bid's there at £110. | 0:35:15 | 0:35:19 | |
-115! -Look! -Hooray! -Hooray! 120, now. | 0:35:19 | 0:35:21 | |
120. It's your bid at £120 and being sold. | 0:35:21 | 0:35:26 | |
-120. -Oh! -£120. Thank you very much. | 0:35:26 | 0:35:31 | |
-Minus £20. -Good object. -You are minus 58. That was so close, wasn't it? | 0:35:31 | 0:35:35 | |
-It was. -We've got to make it on the cat. -Here it comes. | 0:35:35 | 0:35:37 | |
The matchbox stand. £20 I'm bid. £20. 25? I have it. 30 is there now? | 0:35:37 | 0:35:42 | |
-25 I'm bid. At 25. -You're in profit. -25, the bid's with me. | 0:35:42 | 0:35:46 | |
At £25 on commission. At 25. 30 in the doorway. | 0:35:46 | 0:35:49 | |
At £30. 35, now? | 0:35:49 | 0:35:51 | |
30's in the doorway. 35 anywhere else? | 0:35:51 | 0:35:53 | |
At £30 only in the doorway. At £30 and will be sold. | 0:35:53 | 0:35:57 | |
At £30. All finished and done? At £30. Going away, then. | 0:35:57 | 0:36:00 | |
At £30, then. | 0:36:00 | 0:36:01 | |
You're minus 48. What are you going to do about the TV aerial? | 0:36:01 | 0:36:05 | |
-The TV aerial? -We're not going to go for that. No. -Or are we? | 0:36:05 | 0:36:10 | |
-Are you? -Shall we toss a coin? | 0:36:10 | 0:36:12 | |
-It's up to you, mate. -Come on, let's put it in. | 0:36:12 | 0:36:14 | |
-Oh, go on, then. -Put it in. | 0:36:14 | 0:36:16 | |
-Is that sensible? -Yeah, we'll go with it. -OK. | 0:36:16 | 0:36:19 | |
-Are you absolutely certain you want to do this? -Go on, then. | 0:36:19 | 0:36:22 | |
Another executive decision. | 0:36:22 | 0:36:24 | |
I mean, do you want to win the programme or not? | 0:36:24 | 0:36:27 | |
-Er... -Yeah, we do. -We'll leave it, then. -All right. | 0:36:27 | 0:36:30 | |
-Do you not have this in the office? -We're not going for it. | 0:36:30 | 0:36:33 | |
-But you quite like it. -No! Get lost! -I like strange things. | 0:36:33 | 0:36:37 | |
-I like strange things. -Your strange things have lost us money. | 0:36:37 | 0:36:40 | |
Well, it's... It's a bit of a debate, isn't it? | 0:36:40 | 0:36:43 | |
-Are we going to do it or not? -No, we're not. -No. | 0:36:43 | 0:36:46 | |
-You're not going for it. -We're not. -Are you sure? -Yes. | 0:36:46 | 0:36:49 | |
We're not going for it. | 0:36:49 | 0:36:50 | |
Listen, you, stop stirring it up. You're not doing it. | 0:36:50 | 0:36:53 | |
-We're not going for it. -We're not going with the bonus buy. | 0:36:53 | 0:36:56 | |
My goodness, this has been a struggle. | 0:36:56 | 0:36:59 | |
We're going to sell it anyway and here it comes. | 0:36:59 | 0:37:02 | |
This terrific 1940s aluminium coat stand. | 0:37:02 | 0:37:05 | |
How much will you say for it? 20 to start it, please. | 0:37:05 | 0:37:08 | |
At £20. Only at £20. You should be queuing up for this. | 0:37:08 | 0:37:11 | |
-Yes! -At £20 only. At £20 do I hear? | 0:37:11 | 0:37:13 | |
At £20. It's all I'm asking. 20 anywhere now? | 0:37:13 | 0:37:16 | |
20 bid there. At 20 and five now do I hear? | 0:37:16 | 0:37:19 | |
At £20 bid in the middle of the room there. At 20. | 0:37:19 | 0:37:21 | |
And 25 anywhere now? At £20 the bid's there. | 0:37:21 | 0:37:24 | |
25 now? At £20 only. Your last chance. At £20. | 0:37:24 | 0:37:27 | |
-I always had my doubts about this. -It's going to be sold. At £20. | 0:37:27 | 0:37:31 | |
-It's a good bargain for £20. I'd have got that for 20. -Minus 40. | 0:37:31 | 0:37:34 | |
But you chaps made the right decision. Congratulations. | 0:37:34 | 0:37:38 | |
You've ring-fenced your losses at minus £48. | 0:37:38 | 0:37:42 | |
-OK. That's not too bad. -And it could be a winning score. -You never know. | 0:37:42 | 0:37:45 | |
-Don't say a word to the Blues. -OK. -Perfect. -Brilliant. | 0:37:45 | 0:37:48 | |
So, girls, how are you feeling? | 0:37:53 | 0:37:55 | |
-Quietly confident. -Quietly confident. | 0:37:55 | 0:37:58 | |
-Do you know how the Reds got on? -No. -No. | 0:37:58 | 0:38:00 | |
-You don't know how the Reds got on? -No. -You have no idea. All right. | 0:38:00 | 0:38:04 | |
That's good. First up is the Japanese page-turner and here it comes. | 0:38:04 | 0:38:08 | |
Lot number 113. I'm going to start the bidding at £20. | 0:38:08 | 0:38:15 | |
-Hooray! -£20, I'm bid. At 20. And five now do I hear? | 0:38:15 | 0:38:19 | |
-25 anywhere now? 25 bid, 30 with me. 35 now? -Red-hot object. | 0:38:19 | 0:38:23 | |
-35, fresh bidder. At 35, I'm bid. At 35. -Excellent. | 0:38:23 | 0:38:26 | |
40 I'll take. At 35. I'm bid at 35. All finished and done? | 0:38:26 | 0:38:29 | |
All finished and done at 35? | 0:38:29 | 0:38:31 | |
-Very good. -That's fantastic. -Yes! -£35 - plus £5. | 0:38:31 | 0:38:34 | |
He said £10 to £20, you make 35, so that's very nice. | 0:38:34 | 0:38:37 | |
Plus £5. Now, let's hope you'll do as well with the Staffordshire. | 0:38:37 | 0:38:42 | |
Auld Lang Syne, lovely lot. | 0:38:42 | 0:38:44 | |
25 I'm bid straightaway. 30 I'll take. | 0:38:44 | 0:38:46 | |
-25 I'm bid here. At 25. -Slow start. -30 is there now? -Come on. | 0:38:46 | 0:38:50 | |
30 anywhere now? This is value for money. | 0:38:50 | 0:38:53 | |
At £25. 30 is there now? 30 I'm bid. 35, then? | 0:38:53 | 0:38:57 | |
-It's slow, isn't it? -35 now do I hear? | 0:38:57 | 0:38:59 | |
At 30. The bid's there. 35... 35 there. 40 is there now? | 0:38:59 | 0:39:04 | |
-35. The bid's there. -Come on. -I think I'll need a drink after this. | 0:39:04 | 0:39:08 | |
At £35. It's going to be sold at £35. The bid's there at 35. | 0:39:08 | 0:39:12 | |
£35. Bad luck, girls. That is minus £35. | 0:39:12 | 0:39:16 | |
Overall, you're minus 30. Next is the stirrup clock. | 0:39:16 | 0:39:19 | |
-What may we say? £15 I'm bid straightaway. -Excellent. | 0:39:19 | 0:39:23 | |
20 is there now? At 15. The bid's with me. I'm looking for 20. | 0:39:23 | 0:39:26 | |
20 bid. At £20. 25 is there now? | 0:39:26 | 0:39:29 | |
20, the bid's there. At £20. 25. 30, now? 30 bid. | 0:39:29 | 0:39:33 | |
-Oh, go on, go on. -35 on the internet. At 35. We're waiting. | 0:39:33 | 0:39:36 | |
At 35. At £35 only. | 0:39:36 | 0:39:38 | |
At £30. The bid's there in the room at £30 and will be sold. | 0:39:38 | 0:39:42 | |
At £30 only, then, all done? | 0:39:42 | 0:39:43 | |
Plus £15. That's excellent, | 0:39:43 | 0:39:45 | |
which means overall, you're minus £15 now. | 0:39:45 | 0:39:49 | |
-So that's not too bad at all. It could be a winning score. -It's not too bad. | 0:39:49 | 0:39:53 | |
-Not too good, either. -Well, come on, | 0:39:53 | 0:39:56 | |
it could have been worse, couldn't it? | 0:39:56 | 0:39:59 | |
Now, what about the Brylcreem sign? | 0:39:59 | 0:40:00 | |
-We've got to go for it. -We're going for it. -Really? -Yes. | 0:40:00 | 0:40:03 | |
-Are you sure? -Yes. -Yes. | 0:40:03 | 0:40:05 | |
Are you sure you're sure? | 0:40:05 | 0:40:07 | |
-A lot of pressure on me, now. -There's pressure on you, Henry. | 0:40:07 | 0:40:10 | |
If we're going to bomb out, let's do it spectacularly. | 0:40:10 | 0:40:13 | |
Minus £15 could be a winning score. | 0:40:13 | 0:40:16 | |
-No. -Do you want to go? -I think... | 0:40:16 | 0:40:19 | |
What are you going to do? Are you going to go for it? | 0:40:19 | 0:40:22 | |
Yeah, let's go with the Brylcreem. | 0:40:22 | 0:40:25 | |
It'll just be a long journey home if this gets hammered. | 0:40:25 | 0:40:28 | |
-Let's just go for it. -I'll never speak to you again. | 0:40:28 | 0:40:32 | |
All right, then. | 0:40:32 | 0:40:33 | |
-This is for certain, is it, this? Yes. -Yes. | 0:40:33 | 0:40:37 | |
-Are you doing it? -Yes. | 0:40:37 | 0:40:39 | |
-Going for the Brylcreem? -Decision made. | 0:40:39 | 0:40:41 | |
OK, then, Sharrie, be that up on your head, darling, | 0:40:41 | 0:40:44 | |
because you're the most enthusiastic about it. | 0:40:44 | 0:40:47 | |
-We are going with the Brylcreem sign. -Karen's about to crawl out. | 0:40:47 | 0:40:51 | |
The auctioneer's estimate is £20-£40. | 0:40:51 | 0:40:54 | |
-Oh, no! -I can only tell you that after you've decided. | 0:40:54 | 0:40:57 | |
Anyway, it ain't over till the fat lady sings | 0:40:57 | 0:41:00 | |
or does her hair and here it comes. | 0:41:00 | 0:41:03 | |
119, ladies and gentlemen, is this terrific clock. | 0:41:05 | 0:41:09 | |
Brylcreem - do you remember that? Brylcreem. | 0:41:09 | 0:41:11 | |
I wish I could use it but there we go. | 0:41:12 | 0:41:15 | |
LAUGHTER | 0:41:15 | 0:41:16 | |
£20 I'm bid straightaway for it and it's great value for money. 25. | 0:41:16 | 0:41:19 | |
30 on commission. 35 now? | 0:41:19 | 0:41:22 | |
35. Now the door's wide open. 35, the bid's there. | 0:41:22 | 0:41:25 | |
40 anywhere else? 40 bid there. This is very reasonable. | 0:41:25 | 0:41:28 | |
45, 50, 55, the bid's there. | 0:41:28 | 0:41:31 | |
-£55 and going to be sold. -Come on. -At 55. Finished and done? | 0:41:31 | 0:41:34 | |
-At 55... 60 on the internet. -Brilliant. -60 I'm bid. | 0:41:34 | 0:41:37 | |
-Somebody knows a bargain when they see one. -65? | 0:41:37 | 0:41:40 | |
It's worth all the money. 65. 70 now on the internet? | 0:41:40 | 0:41:43 | |
-70. At 70 now. -Come on, internet. -70 on the internet. -Excellent. -75? | 0:41:43 | 0:41:47 | |
At 70 on the internet. At £70, there, at £70, on the internet. | 0:41:47 | 0:41:51 | |
It will be sold at 70... | 0:41:51 | 0:41:52 | |
-Well done, Henry. You've wiped your face. -Phew! | 0:41:52 | 0:41:56 | |
You brushed your hair and you wiped your face. | 0:41:56 | 0:41:59 | |
-That's minus £15 overall, girls. Don't say a word to the Reds, all right? -No. -No. -Thank you. | 0:41:59 | 0:42:04 | |
Well, well, well, well, well. | 0:42:09 | 0:42:10 | |
Some days it's good days and some days are, well, not so hot. | 0:42:10 | 0:42:14 | |
-Now, have you been chatting at all? -No. | 0:42:14 | 0:42:16 | |
-You don't know about the scale of losses? -No. | 0:42:16 | 0:42:18 | |
Well, I have to reveal that as we don't have losers, | 0:42:18 | 0:42:21 | |
the runners up are the Reds. | 0:42:21 | 0:42:23 | |
-Oh! -Yes! Delayed reaction! | 0:42:23 | 0:42:27 | |
They suddenly twigged it. | 0:42:27 | 0:42:30 | |
-Anyway, it wasn't so bad, lads, was it? -It wasn't that bad. | 0:42:30 | 0:42:34 | |
Minus £48. You fortunately didn't go with the bonus buy. | 0:42:34 | 0:42:37 | |
You preserved your losses at minus 48 but it wasn't enough. | 0:42:37 | 0:42:41 | |
-Are you disappointed, David? -Very disappointed. -Yeah. | 0:42:41 | 0:42:44 | |
You're disappointed. I'm sorry, too, but it was good fun, though. | 0:42:44 | 0:42:48 | |
-Yes, good fun. -It was good fun. | 0:42:48 | 0:42:50 | |
-But, girls... -Hooray! | 0:42:50 | 0:42:51 | |
You have won by only losing £15, so nothing, really. | 0:42:51 | 0:42:55 | |
-Respectable. -It's a win. -It's been lovely having you on the show. | 0:42:55 | 0:43:00 | |
-Join us soon for some more Bargain Hunting, yes? -Yes! | 0:43:00 | 0:43:03 | |
Subtitles by Red Bee Media Ltd | 0:43:22 | 0:43:24 | |
E-mail [email protected] | 0:43:24 | 0:43:25 |