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The Grand National, a race where anything can happen. | 0:00:04 | 0:00:08 | |
A bit like our show, really! | 0:00:08 | 0:00:11 | |
So let's go Bargain Hunting! | 0:00:11 | 0:00:13 | |
Dealers have replaced horses today here at Aintree, | 0:00:39 | 0:00:43 | |
which means that our teams are going to both have their trots and their wits about them | 0:00:43 | 0:00:48 | |
if they have any chance of cantering off to victory. | 0:00:48 | 0:00:51 | |
Coming up... | 0:00:53 | 0:00:54 | |
Danielle keeps her team on track. | 0:00:54 | 0:00:57 | |
-We need to walk faster. -OK. | 0:00:57 | 0:00:59 | |
-Let's go. -OK. -This way. -Did you hear her? | 0:00:59 | 0:01:01 | |
Start walking fast, Dorothy! | 0:01:01 | 0:01:03 | |
Wendy tries to derail hers. | 0:01:03 | 0:01:05 | |
£20. He's sticking his heels in. | 0:01:05 | 0:01:09 | |
22.50? | 0:01:09 | 0:01:11 | |
No, that's the wrong way, you daft... | 0:01:11 | 0:01:13 | |
And I travel into the heart of Liverpool | 0:01:15 | 0:01:17 | |
and discover an unexpected connection at the Walker Art Gallery. | 0:01:17 | 0:01:21 | |
Now, Danielle, you describe yourselves as a grandmother/ granddaughter combo, | 0:01:27 | 0:01:33 | |
but actually you're also the best of friends. | 0:01:33 | 0:01:36 | |
Absolutely. My gran is my best friend of all time. | 0:01:36 | 0:01:38 | |
We speak to each other on the phone all the time | 0:01:38 | 0:01:41 | |
but if we're not on the phone, Gran is texting me non-stop! | 0:01:41 | 0:01:45 | |
Hi-tech, eh, Gran? | 0:01:45 | 0:01:47 | |
Yes! | 0:01:47 | 0:01:48 | |
-Danielle, your passion is dance. -Right. -Tell us about that. | 0:01:48 | 0:01:52 | |
I started in the Form School of Dancing when I was younger. | 0:01:52 | 0:01:55 | |
-I've worked on two cruise liners as a singer/dancer. -Did you? | 0:01:55 | 0:01:59 | |
Then I opened my own dancing school two years ago, the Skelmersdale School of Dance, | 0:01:59 | 0:02:04 | |
where I have over 40 children. | 0:02:04 | 0:02:06 | |
Are you going to teach us a few steps today? | 0:02:06 | 0:02:08 | |
Get your tap shoes on! | 0:02:08 | 0:02:10 | |
-Me tap dancing! -Or your ballet tights! -That I am looking forward to! | 0:02:10 | 0:02:15 | |
Very funny. Dot, what's your strategy today? | 0:02:15 | 0:02:18 | |
What is your plan to win loads of dough? | 0:02:18 | 0:02:21 | |
Hopefully just lift the ornament up and look on the bottoms! | 0:02:21 | 0:02:28 | |
What, see what the price is? | 0:02:28 | 0:02:30 | |
See what it's made of and everything. | 0:02:30 | 0:02:33 | |
Well, that's not a bad strategy, I have to say. | 0:02:33 | 0:02:36 | |
Very good luck to you two girls. | 0:02:36 | 0:02:37 | |
Now, Wendy and Duncan. | 0:02:37 | 0:02:39 | |
-How are you? -Very well, thank you. -Fine. -Brilliant. | 0:02:39 | 0:02:43 | |
You shove off to France for extended periods, like five months a year. | 0:02:43 | 0:02:47 | |
-That sounds like fun. -We hide in the hills in a region called Limousin. | 0:02:47 | 0:02:53 | |
For 30 years without a break we've gone there every year. | 0:02:53 | 0:02:56 | |
Now we've got a little cottage and our son's bought a wood just above it | 0:02:56 | 0:03:01 | |
and one of big projects is to make the wood accessible to local people. | 0:03:01 | 0:03:06 | |
That's very nice. Wendy, you're incredibly creative. | 0:03:06 | 0:03:09 | |
Your houses in France and England are full of artistic objects. | 0:03:09 | 0:03:13 | |
They are. A lot of them are mine. | 0:03:13 | 0:03:15 | |
When I do glass or do paintings, where do I put them? On a wall. | 0:03:15 | 0:03:20 | |
-Yes. -I mean I sell the odd thing. They have little exhibitions so I sell the odd thing. | 0:03:20 | 0:03:26 | |
They're quite interested in glass because I have glass hanging from trees | 0:03:26 | 0:03:30 | |
-because I don't know where else to put it! -You hang glass from trees? -Yes. | 0:03:30 | 0:03:35 | |
We've got a lovely cherry tree in the garden and I hang various glass objects that I've made. | 0:03:35 | 0:03:40 | |
Does it not smash every time a gale goes through? | 0:03:40 | 0:03:43 | |
I have replacements! | 0:03:43 | 0:03:45 | |
-I make such a lot! -You keep producing it. | 0:03:47 | 0:03:50 | |
When that's bust, it doesn't matter, I've got more! | 0:03:50 | 0:03:53 | |
That's rather a whizz, isn't it? Anyway, | 0:03:53 | 0:03:57 | |
this is the money moment. | 0:03:57 | 0:03:59 | |
£300 apiece. There's your £300. | 0:03:59 | 0:04:01 | |
You know the rules. Your experts await. Off you go! | 0:04:01 | 0:04:05 | |
And very, very good luck! | 0:04:05 | 0:04:07 | |
Smashing glass, eh? | 0:04:07 | 0:04:09 | |
Luckily, our teams will be in safe hands with today's experts. | 0:04:09 | 0:04:13 | |
The reds are led by Jonathan Pratt. | 0:04:13 | 0:04:16 | |
And the blues by Henry Meadows. | 0:04:17 | 0:04:20 | |
Right. We've got the teams, we've got the experts. | 0:04:21 | 0:04:24 | |
All we need now are some clear tactics. | 0:04:24 | 0:04:27 | |
-What are your tactics? -Go straight up there. -Then right. | 0:04:29 | 0:04:32 | |
OK. You lead the way, then. | 0:04:32 | 0:04:35 | |
Good. That's clear as mud! | 0:04:35 | 0:04:38 | |
-Focussed, too, red team? -What are you looking for? | 0:04:39 | 0:04:42 | |
-It depends what's there, Jonathan. -OK. | 0:04:42 | 0:04:44 | |
-Dancing figurines, jewellery. -Whatever takes my eye. | 0:04:44 | 0:04:48 | |
Well, there's plenty to choose from, so let's fill our boots. | 0:04:48 | 0:04:52 | |
Fill our boots. | 0:04:52 | 0:04:54 | |
Let's head down this row, yeah? | 0:04:54 | 0:04:56 | |
The first quarter of an hour, don't worry. After that, worry. | 0:05:02 | 0:05:07 | |
We're interested in the pair of vases here. | 0:05:07 | 0:05:10 | |
What can you tell me about them? | 0:05:10 | 0:05:12 | |
-VENDOR: -Those date back to the '60s. -'60s, right. | 0:05:12 | 0:05:15 | |
Would you like to have a look? | 0:05:15 | 0:05:17 | |
-Have a look. -I like the colours. And I like the... | 0:05:17 | 0:05:21 | |
-Have you seen the West German lava? -No, I haven't, no. | 0:05:21 | 0:05:26 | |
It's very much in vogue at the moment. There's been books written about it. | 0:05:26 | 0:05:31 | |
I have to be honest, I'm not terribly familiar with Eric Leaper. | 0:05:31 | 0:05:36 | |
He's obviously influenced by that particular movement. | 0:05:36 | 0:05:40 | |
I like these two. What's your best price on the two? | 0:05:40 | 0:05:44 | |
I have 130 on them. I would do them for 95. | 0:05:44 | 0:05:47 | |
-For the two. -80? | 0:05:47 | 0:05:49 | |
Now you're pushing it! | 0:05:49 | 0:05:50 | |
80 and we'll shake your hand. | 0:05:50 | 0:05:53 | |
85. | 0:05:53 | 0:05:54 | |
82.50. | 0:05:54 | 0:05:56 | |
I like your style in haggling. | 0:05:56 | 0:05:59 | |
OK. 82.50. | 0:06:01 | 0:06:03 | |
-Wonderful. -82.50. -We've got a deal, then. | 0:06:03 | 0:06:05 | |
-Yep! -Great. -Thank you very much. | 0:06:05 | 0:06:08 | |
My word, blues! Those tactics are clearly working. Whatever they are! | 0:06:08 | 0:06:12 | |
-That was a quick deal. Well done. -Sorry about that. | 0:06:12 | 0:06:16 | |
-Excellent. -I like the colours. | 0:06:16 | 0:06:18 | |
-'70s. -It gives us time now. | 0:06:18 | 0:06:20 | |
-We can coast. -Go and have a cup of tea! | 0:06:20 | 0:06:23 | |
-Put your feet up. -Absolutely. | 0:06:23 | 0:06:25 | |
Ten-minute nap and I'll be refreshed. | 0:06:25 | 0:06:27 | |
-Let's carry on. -Don't get too cocky, Wendy and Duncan. You've still got to find two more items. | 0:06:27 | 0:06:33 | |
How are the red ladies getting on? | 0:06:33 | 0:06:35 | |
Are they egg cups? | 0:06:35 | 0:06:38 | |
-A couple of egg cups for the dressing table! -Candlesticks! -Oh, candles! | 0:06:38 | 0:06:42 | |
Candlestick holders. | 0:06:42 | 0:06:45 | |
Quail eggs for breakfast! | 0:06:45 | 0:06:46 | |
I like that. | 0:06:46 | 0:06:48 | |
That's something I'd do is my Gran's sort of style. | 0:06:48 | 0:06:51 | |
It's not my style. You're not happy, are you? | 0:06:51 | 0:06:54 | |
I'm not saying I'm not happy. My feelings are OK, £40 isn't a lot of money. | 0:06:54 | 0:06:58 | |
And it's kind of retro. | 0:06:58 | 0:07:01 | |
And it's pink, so it's, you know... | 0:07:01 | 0:07:03 | |
-We'll keep it in mind. -It could be. | 0:07:03 | 0:07:07 | |
Jonathan, you don't sound convinced. | 0:07:07 | 0:07:10 | |
I fear you've got your work cut out today, old boy. | 0:07:10 | 0:07:12 | |
-We could nip outside. -Steady! | 0:07:12 | 0:07:14 | |
OK. | 0:07:15 | 0:07:16 | |
-What do you think? -Have we finished in here? We haven't been over there. | 0:07:16 | 0:07:21 | |
OK. Go that way. Go on. | 0:07:21 | 0:07:23 | |
A leisurely pace. Let's keep going. | 0:07:23 | 0:07:26 | |
-That's quite nice. -Yes. -It is nice, actually. | 0:07:33 | 0:07:36 | |
Let's have a look. | 0:07:36 | 0:07:38 | |
-It's got quite an Indian feel about it. -I quite like that. | 0:07:38 | 0:07:41 | |
-This is what? -I'd say it's probably been electro-plated. | 0:07:41 | 0:07:45 | |
You can see brass coming through. | 0:07:45 | 0:07:47 | |
It depends on how much it is, really. | 0:07:47 | 0:07:50 | |
-Do you like it? -Yes, I do. We could ask and find out. | 0:07:50 | 0:07:54 | |
We don't have to get it immediately. | 0:07:54 | 0:07:56 | |
-Do you want to ask, Duncs? -Can you tell me how much that is, please? | 0:07:56 | 0:08:00 | |
-30. -30, right. | 0:08:00 | 0:08:02 | |
What do you think about 30? | 0:08:02 | 0:08:03 | |
-Leave it and come back? -£30, it's food for thought, really. | 0:08:03 | 0:08:07 | |
Food for thought, indeed. | 0:08:07 | 0:08:09 | |
Now, Danielle, have you found something to tempt JP? | 0:08:09 | 0:08:14 | |
Jonathan? | 0:08:14 | 0:08:16 | |
Dancing figurines. What do you think? | 0:08:16 | 0:08:19 | |
Pennies or pounds? | 0:08:19 | 0:08:21 | |
We'll have to see what the stall-holder says. | 0:08:21 | 0:08:25 | |
Um... | 0:08:25 | 0:08:26 | |
What is it made of? I suppose it's moulded glass. | 0:08:27 | 0:08:30 | |
-Could do with a clean. -It's not that old, I would have thought. | 0:08:30 | 0:08:34 | |
It depends what it's worth. | 0:08:34 | 0:08:35 | |
Danielle's a dancer. She saw the ballerina. | 0:08:35 | 0:08:38 | |
-Right. -How much are you asking? | 0:08:38 | 0:08:40 | |
15. | 0:08:40 | 0:08:42 | |
What do you think? | 0:08:42 | 0:08:44 | |
Do you think it... What would you... | 0:08:45 | 0:08:47 | |
-What's it made of? I can't work it out. -I don't know. -It's not cold. | 0:08:47 | 0:08:51 | |
No, it isn't that cold. | 0:08:51 | 0:08:53 | |
But if 12 sounds more attractive, then you've twisted my arm. | 0:08:53 | 0:08:57 | |
I think that, for a decorative figure, | 0:08:57 | 0:09:00 | |
-you might make a fiver out of it, maybe more. I don't think there's money on it. -OK. | 0:09:00 | 0:09:05 | |
It's not an antique. It's a collectable. | 0:09:05 | 0:09:08 | |
-What do you think? -You like that, don't you? -I like it because it represents what I do. | 0:09:08 | 0:09:12 | |
-But if you don't like it. -I don't dislike it, at all. | 0:09:12 | 0:09:15 | |
I think it's good for the money as well. It'll make something. | 0:09:15 | 0:09:19 | |
-Even if it's a couple of pounds, it's better than nothing. -It's a profit. | 0:09:19 | 0:09:23 | |
-A profit of two pounds! -Then everybody's happy with it. | 0:09:23 | 0:09:26 | |
-You happy with it? -I am. At that sort of money, | 0:09:26 | 0:09:29 | |
you could buy three objects at £12 and probably make a profit on all of them. | 0:09:29 | 0:09:33 | |
-Well, we'll have it, then. -Yep, we'll have it. -Right. | 0:09:33 | 0:09:37 | |
Here we go. Thank you. | 0:09:37 | 0:09:38 | |
-£12. -Thanks very much. Thank you. -Thank you. | 0:09:38 | 0:09:41 | |
And you can't take it home! | 0:09:41 | 0:09:43 | |
Well handled, Jonathan. And you're off the blocks. | 0:09:43 | 0:09:47 | |
-Do you like this snuff box, sir? -Oh, yes, that's nice. | 0:09:47 | 0:09:50 | |
-It's pewter. -Windsor Castle. -It's not a lot of money. | 0:09:50 | 0:09:54 | |
Let's have a look. | 0:09:54 | 0:09:56 | |
-Perhaps you need an eye-glass! -No, I've still got fresh eyes! | 0:09:56 | 0:10:01 | |
-JD. James Dixon and Sons of Sheffield. -Yes. | 0:10:01 | 0:10:05 | |
What can I say? It's pewter. | 0:10:05 | 0:10:08 | |
Obviously during the days of snuff. I don't know where this is. | 0:10:08 | 0:10:11 | |
-Right. -Your knowledge might be greater than... | 0:10:11 | 0:10:15 | |
Might be in Yorkshire or something. It's nice that. | 0:10:15 | 0:10:18 | |
-It's not a lot of money. -No. | 0:10:18 | 0:10:20 | |
-Even less if we bargain. -Yes, we'll bargain. | 0:10:20 | 0:10:23 | |
-Have a haggle. See what... -What's your best price? | 0:10:23 | 0:10:26 | |
-What's on it? -25. -Well, for you, 50! | 0:10:26 | 0:10:31 | |
-Brilliant. -50p? -It should go down, not up! | 0:10:32 | 0:10:35 | |
Sorry, I couldn't remember how it went! | 0:10:35 | 0:10:37 | |
It was half of 25, wasn't it? | 0:10:37 | 0:10:39 | |
-17? -20. | 0:10:39 | 0:10:42 | |
-20. -Slightly less? -No, 20 would be it. | 0:10:42 | 0:10:45 | |
- £20. - He's sticking his heels in! | 0:10:45 | 0:10:48 | |
22.50? | 0:10:48 | 0:10:50 | |
No, that's the wrong way, you daft... | 0:10:50 | 0:10:53 | |
The other way! No! | 0:10:54 | 0:10:56 | |
20.50. | 0:10:56 | 0:10:57 | |
-No, he said 20! -Right. -So it's less than 20 you're trying to do! | 0:10:57 | 0:11:02 | |
-19.50. -I'm totally confused. I'm 20. 20 is it. | 0:11:02 | 0:11:05 | |
-It's a deal. -Shake on it. | 0:11:05 | 0:11:07 | |
It's nice, that. | 0:11:07 | 0:11:09 | |
-This is crazy. It's only my wife! -I'm no good at maths. | 0:11:09 | 0:11:13 | |
£20. "I'll give you 22 for it!" | 0:11:13 | 0:11:15 | |
-Marvellous! -That was hard work! | 0:11:15 | 0:11:17 | |
Certainly was! | 0:11:17 | 0:11:19 | |
Sorry, Henry! | 0:11:19 | 0:11:21 | |
-It's all right. -Two and two always make five or six with Wendy! | 0:11:21 | 0:11:25 | |
She was going to give away £2.50. Silly... | 0:11:25 | 0:11:28 | |
Steady on, Duncan. It all came good in the end! | 0:11:29 | 0:11:32 | |
Reds, at least you're seeing eye-to-eye. | 0:11:32 | 0:11:35 | |
-We walked all that way without looking at anything! -I was looking! | 0:11:35 | 0:11:39 | |
-OK. -You may have been asleep. -No, I'm never asleep. | 0:11:39 | 0:11:41 | |
Oh, well, maybe not. | 0:11:41 | 0:11:43 | |
I need something that's going to make us some money. | 0:11:43 | 0:11:46 | |
We haven't got anything yet, have we? | 0:11:46 | 0:11:50 | |
-We've got one object and a profit out of it, I'm sure. -You hope! -Definitely. | 0:11:50 | 0:11:54 | |
We need to get something else. | 0:11:54 | 0:11:56 | |
Something a bit more expensive, I think. | 0:11:56 | 0:11:59 | |
It's just finding it. | 0:11:59 | 0:12:01 | |
You've hit the nail on the head, there, Dotty! | 0:12:01 | 0:12:04 | |
Luckily, I have found something. Come and have a look. | 0:12:04 | 0:12:08 | |
These are fun, aren't they? | 0:12:08 | 0:12:11 | |
Six bonnets. | 0:12:11 | 0:12:12 | |
Look at that. Made of solid silver. | 0:12:12 | 0:12:15 | |
Most importantly, cast silver. | 0:12:15 | 0:12:18 | |
Not cheaply embossed from behind, | 0:12:18 | 0:12:21 | |
but actually cast in a mould | 0:12:21 | 0:12:23 | |
which means there's more silver in them. On the back, | 0:12:23 | 0:12:27 | |
you've got this slightly snake-skin textured effect | 0:12:27 | 0:12:33 | |
where it's been removed from the mould. | 0:12:33 | 0:12:36 | |
Difficult to read the date on the hallmark, but they're not old. | 0:12:36 | 0:12:39 | |
I make the hallmark around the year 2000. | 0:12:39 | 0:12:43 | |
All very decorative and nice, | 0:12:43 | 0:12:45 | |
but what's their function and purpose? | 0:12:45 | 0:12:47 | |
These are name place holders. | 0:12:47 | 0:12:51 | |
You use little cards which you tuck just behind the bow here, | 0:12:51 | 0:12:56 | |
so that the card stays prettily on the table. Now, | 0:12:56 | 0:13:01 | |
if you don't have too many dinner parties that you need to use place card holders like this, | 0:13:01 | 0:13:06 | |
they do have another function. You can use them for holding photographs. | 0:13:06 | 0:13:11 | |
I just happen to have a photo of an incredibly good-looking fellow here. | 0:13:11 | 0:13:17 | |
Look how well it holds a snapshot. | 0:13:17 | 0:13:20 | |
So they have form and they have function. | 0:13:20 | 0:13:23 | |
And I think a certain amount of value as a collectable. | 0:13:23 | 0:13:28 | |
180 to £240 would be my estimate of value | 0:13:28 | 0:13:34 | |
for the six. | 0:13:34 | 0:13:36 | |
But what might you buy them for here today in the fair at Aintree? | 0:13:36 | 0:13:40 | |
They could be yours, the whole lot, for £80. | 0:13:40 | 0:13:44 | |
Now, there's a feather in your cap! | 0:13:44 | 0:13:48 | |
Let's go back up this way. | 0:13:49 | 0:13:51 | |
-We need to walk faster. -OK. -Let's go. | 0:13:56 | 0:13:59 | |
OK. Did you hear her? Start walking faster! | 0:13:59 | 0:14:03 | |
We have to get going. | 0:14:04 | 0:14:06 | |
OK. | 0:14:06 | 0:14:07 | |
Come on, Dorothy. Keep working at it! | 0:14:07 | 0:14:09 | |
Maybe about 1960, 1970, something like that. | 0:14:19 | 0:14:23 | |
This is a costume bracelet. It's silver. Silver and paste. | 0:14:24 | 0:14:28 | |
No, it's zircon and spinel. | 0:14:28 | 0:14:31 | |
You think this is zircon? It's so identifiable as a gemstone. | 0:14:31 | 0:14:36 | |
It splits light and so you see double images through the stone. | 0:14:36 | 0:14:40 | |
Very visibly. | 0:14:40 | 0:14:42 | |
-And is it? -I don't think so. | 0:14:42 | 0:14:44 | |
That's how I bought it. | 0:14:44 | 0:14:46 | |
Yeah. '95. Quite modern. | 0:14:46 | 0:14:49 | |
It's an English hallmark, silver. | 0:14:49 | 0:14:51 | |
Oh, crikey! How much is it? | 0:14:51 | 0:14:55 | |
-65. -£65. | 0:14:55 | 0:14:58 | |
-It's rather showy. -I think it's very pretty. | 0:15:00 | 0:15:04 | |
-It would look pretty on the wrist. -Dorothy? | 0:15:04 | 0:15:06 | |
It's quite pretty, yes. Honestly. | 0:15:06 | 0:15:08 | |
-What do you think, Jonathan? -Would you wear it? | 0:15:08 | 0:15:11 | |
Have you got the matching earrings? I'd only wear it with earrings! | 0:15:13 | 0:15:17 | |
-It suits you, sir. -Is that your best price? -Green's my colour. | 0:15:17 | 0:15:20 | |
-65? -50. -50. | 0:15:20 | 0:15:23 | |
At £50 it stands a chance. It's a nice good-looking piece. | 0:15:23 | 0:15:27 | |
-OK. -If you think about it. Around that sort of figure, maybe. | 0:15:27 | 0:15:31 | |
-Leave you with it. -Thank you. | 0:15:31 | 0:15:33 | |
I'll look at a couple more stands and maybe you can do a deal. | 0:15:33 | 0:15:36 | |
OK. Thank you very much. | 0:15:36 | 0:15:38 | |
-What do you think? -45? | 0:15:38 | 0:15:40 | |
-Yeah. -Thank you very much indeed. Thank you. | 0:15:40 | 0:15:43 | |
Thank you. | 0:15:43 | 0:15:44 | |
Thank goodness for that deal done. | 0:15:44 | 0:15:46 | |
Hey, what have you got there? | 0:15:50 | 0:15:52 | |
Come on, show me. | 0:15:52 | 0:15:54 | |
I'll see if I can sell them to you. | 0:15:54 | 0:15:56 | |
Good. | 0:15:56 | 0:15:57 | |
Obviously, a cased set of, by the size of them, probably serving spoons. | 0:15:57 | 0:16:02 | |
Are they silver or are they electroplate? | 0:16:04 | 0:16:08 | |
Ah. | 0:16:08 | 0:16:09 | |
-They're electroplated. -Right. | 0:16:11 | 0:16:13 | |
-Shucks. -But they may well be in our price range. -Yes. | 0:16:13 | 0:16:17 | |
Style-wise, it's very organic, the terminals. | 0:16:17 | 0:16:22 | |
That's the Art Nouveau movement. | 0:16:22 | 0:16:25 | |
It was at its height in the 1890s up to about 1910, that sort of period. | 0:16:25 | 0:16:30 | |
I mean, ooh... | 0:16:30 | 0:16:32 | |
Let's have a look. | 0:16:32 | 0:16:34 | |
-£95. -So we can bring him down? -We need to get him down a lot. | 0:16:34 | 0:16:39 | |
If we can get them for... 60 to 80 would be my guide at auction. | 0:16:39 | 0:16:43 | |
They do stand a chance of making more. It depends on the day, really. | 0:16:43 | 0:16:48 | |
-We keep saying that. -We want a better price. We'll go for 70. | 0:16:48 | 0:16:52 | |
See what he says. There might be some flexibility in it. | 0:16:52 | 0:16:55 | |
What a difference a team makes, eh? | 0:16:55 | 0:16:59 | |
Blues cruising... | 0:16:59 | 0:17:00 | |
-I don't want to throw 100-odd pounds. -It's about spending it wisely. | 0:17:02 | 0:17:06 | |
Listen, Jonathan, we buy things starting at 30. | 0:17:06 | 0:17:09 | |
Ooh, things are turning ugly. Must be a tiff! | 0:17:09 | 0:17:12 | |
-I was going to have a look at that candelabra. -Don't mention things. | 0:17:12 | 0:17:16 | |
We're looking at this lovely pair of spoons. What's your best price? | 0:17:20 | 0:17:24 | |
-My best price would be... -The ultimate. | 0:17:24 | 0:17:28 | |
..75. | 0:17:28 | 0:17:29 | |
- We were going... - That's the lowest I can do. | 0:17:29 | 0:17:32 | |
-That's fair enough. Very fair. -OK. | 0:17:32 | 0:17:37 | |
-I think we'll go for that. -Shall we go for it? -Yes. | 0:17:37 | 0:17:39 | |
-That's the third item, then. -Yes. | 0:17:39 | 0:17:41 | |
-Can I get to shake the hand? -Yes, of course you can. | 0:17:41 | 0:17:45 | |
Can I shake your hand on that? It's very kind. Thank you very much. | 0:17:46 | 0:17:50 | |
-Very kind of you. -Thank you. | 0:17:50 | 0:17:51 | |
-Lovely. Job done! -Job done! | 0:17:51 | 0:17:53 | |
-Excellent. -Really good. -Thank you. -Time for coffee! | 0:17:53 | 0:17:57 | |
Well done, blues. You've jumped the final hurdle. | 0:17:57 | 0:17:59 | |
Reds, are you in sight of the home straight yet? | 0:18:01 | 0:18:03 | |
Have a look at that. | 0:18:03 | 0:18:05 | |
Flick a few pages over on that. | 0:18:05 | 0:18:08 | |
It's covering when he was in France and Belgium during the First World War. | 0:18:08 | 0:18:13 | |
-How much is it? -I've got 38. | 0:18:13 | 0:18:16 | |
OK. £38. | 0:18:16 | 0:18:17 | |
There's still profit. Every page has been filled in. | 0:18:17 | 0:18:21 | |
Absolutely. It's got a lot about it. | 0:18:21 | 0:18:23 | |
It's got the drawings which people may find interesting. Nostalgia. | 0:18:23 | 0:18:28 | |
History about the army. It's always at the right price, though. | 0:18:28 | 0:18:32 | |
30, you've got leeway. | 0:18:32 | 0:18:35 | |
With that, it's a one-off. Only one person would have owned it. | 0:18:37 | 0:18:40 | |
-It's not a mass-produced item. -I like it. | 0:18:40 | 0:18:43 | |
-You're offering it for how much? -30. | 0:18:43 | 0:18:45 | |
That's your best price? | 0:18:45 | 0:18:48 | |
Just a little bit? | 0:18:48 | 0:18:50 | |
Tell you what, 27 and you're robbing me. | 0:18:50 | 0:18:53 | |
Then we'll rob you! | 0:18:53 | 0:18:55 | |
You're more likely to get the police is all I'm saying! | 0:18:55 | 0:18:58 | |
-As long as Jonathan's happy. I'm happy. Yes? -I'm happy, yes. | 0:18:58 | 0:19:03 | |
-Job's a good 'un. -Job's a good 'un. -Sold, sealed and delivered. In a bag. | 0:19:03 | 0:19:08 | |
-Let's see the cash and I'll just get a bag for it. -Thank you. | 0:19:08 | 0:19:13 | |
And they've crossed the finishing line! | 0:19:15 | 0:19:18 | |
Will it be a photo finish? Will there be a steward's inquiry? | 0:19:18 | 0:19:21 | |
Let's remind ourselves what the red team bought. Neigh! | 0:19:21 | 0:19:26 | |
Dancer Danielle fell in love with a ballerina figurine. | 0:19:26 | 0:19:30 | |
It's not a quality object, but it's pretty. | 0:19:30 | 0:19:34 | |
Have you got matching earrings. I'll only wear it with earrings! | 0:19:34 | 0:19:38 | |
Dotty thought the bracelet a real gem. | 0:19:38 | 0:19:41 | |
And JP eventually made his mark with the autograph book. | 0:19:41 | 0:19:45 | |
It could make a few pounds profit. It may make a few pounds loss. | 0:19:45 | 0:19:49 | |
It's an interesting object. | 0:19:49 | 0:19:50 | |
-That was slick, wasn't it? -Slick?! -Talking of slick! | 0:19:50 | 0:19:54 | |
You're always teeing something up, aren't you, JP? | 0:19:56 | 0:19:59 | |
-Did you have a good shop? -Brilliant. -Thank you, very nice. -He's a lovely man. -He is. | 0:19:59 | 0:20:04 | |
-Gorgeous! -A lot of people would pay money to have an hour with him! | 0:20:04 | 0:20:08 | |
-I bet they would! -You've had it for free! -He paid us! | 0:20:08 | 0:20:11 | |
-Did he? -I'm going red, now. -Enough of that. | 0:20:11 | 0:20:14 | |
-How much did you spend all round? -80... -£80-odd. | 0:20:14 | 0:20:18 | |
-How much all round? -£84. | 0:20:18 | 0:20:20 | |
-You should know! -£84? | 0:20:20 | 0:20:22 | |
-You bought three items for £84? -Yeah! | 0:20:22 | 0:20:25 | |
-That's pathetic! -No, it's good bargaining. | 0:20:25 | 0:20:28 | |
-There we go. -It's good shopping. | 0:20:28 | 0:20:31 | |
£84. So I get £216 back, then. | 0:20:31 | 0:20:35 | |
-Who's got the £216? -I've got 200. -200. | 0:20:35 | 0:20:38 | |
-And I've got six. -You've got the 210 in there, I hope. | 0:20:38 | 0:20:44 | |
There's the six. 216. | 0:20:44 | 0:20:46 | |
I'll tell you, dot 1 and carry the I. | 0:20:46 | 0:20:49 | |
Here we go. | 0:20:49 | 0:20:50 | |
-There you go. That's a wodge of money, that is. -A wodge of money. | 0:20:50 | 0:20:54 | |
-What will you spend it on? -Something that ties in with what we've been talking about. | 0:20:54 | 0:20:58 | |
-I have my mind. -Anyway, that's enough of that. | 0:20:58 | 0:21:02 | |
Well done, girls. Well done, Jonathan. Good luck. | 0:21:02 | 0:21:05 | |
Now, why don't we check out how the blue team got on, eh? | 0:21:05 | 0:21:09 | |
Wendy and Duncan jumped straight in with a pair of Eric Leaper vases. | 0:21:09 | 0:21:14 | |
Slightly out of my control, the pair of vases, I felt. | 0:21:14 | 0:21:18 | |
But Wendy tried to pay more than was asked for the pewter snuff box! | 0:21:18 | 0:21:22 | |
-22.50. -No, that's the wrong way, you daft... | 0:21:22 | 0:21:25 | |
And they finished in great time with a pair of Art Nouveau serving spoons. | 0:21:27 | 0:21:32 | |
Really unusual, nice condition. In their original case. | 0:21:32 | 0:21:36 | |
We'll have to wait and see. | 0:21:36 | 0:21:38 | |
'Ello, 'ello, 'ello! | 0:21:38 | 0:21:40 | |
I suppose you're out here looking at the race course | 0:21:40 | 0:21:43 | |
relaxing because you stopped so quickly, right? | 0:21:43 | 0:21:47 | |
Absolutely. We did it in record time. | 0:21:47 | 0:21:50 | |
That's good. And what did you spend overall? | 0:21:50 | 0:21:54 | |
177.50. | 0:21:54 | 0:21:55 | |
-177.50. -Yep. | 0:21:55 | 0:21:58 | |
-Does that give me 122.50? -Correct. -Yes. | 0:21:58 | 0:22:03 | |
£122.50. | 0:22:03 | 0:22:06 | |
Where's the 50p? There we go. | 0:22:06 | 0:22:08 | |
£122.50 goes to Henry. A small fortune, Henry. | 0:22:08 | 0:22:13 | |
-Any idea what you're going to spend it on? -Hopefully something that may sail away. | 0:22:13 | 0:22:17 | |
-Ah. -Nautical! | 0:22:17 | 0:22:19 | |
Bit of a hint there, anyway. Jolly good luck. | 0:22:19 | 0:22:23 | |
Meanwhile, we're heading a short distance that-away | 0:22:23 | 0:22:26 | |
into the middle of Liverpool to the Walker Art Gallery. | 0:22:26 | 0:22:29 | |
The Walker Art Gallery in Liverpool opened its doors to the public | 0:22:32 | 0:22:36 | |
in 1877. | 0:22:36 | 0:22:37 | |
It started off as an art gallery | 0:22:37 | 0:22:41 | |
but now is bursting at the seams with treasures of all shapes and sizes. | 0:22:41 | 0:22:46 | |
One of the things I like about museums | 0:22:47 | 0:22:50 | |
are the connections between seemingly unrelated objects. | 0:22:50 | 0:22:54 | |
Take this magnificent painting of Napoleon. | 0:22:59 | 0:23:03 | |
It was produced by the artist Paul Delaroche in 1850, | 0:23:03 | 0:23:09 | |
exactly 50 years after Napoleon | 0:23:09 | 0:23:14 | |
led a modest army through the St Bernard Pass into Italy | 0:23:14 | 0:23:20 | |
and smashed up the Austrians at the Battle of Marengo | 0:23:20 | 0:23:25 | |
which was a tremendous achievement. | 0:23:25 | 0:23:28 | |
But what's interesting about this picture | 0:23:28 | 0:23:31 | |
is that at the time, in 1801, | 0:23:31 | 0:23:37 | |
the French artist Davide produced another version | 0:23:37 | 0:23:40 | |
which showed Napoleon in the same spot | 0:23:40 | 0:23:44 | |
but astride a magnificent charger | 0:23:44 | 0:23:47 | |
looking brave and heroic. | 0:23:47 | 0:23:50 | |
50 years later, the taste in art had changed | 0:23:50 | 0:23:54 | |
more towards a sense of realism | 0:23:54 | 0:23:57 | |
and here he's on some knackered, broken-down old mule | 0:23:57 | 0:24:03 | |
being led by a Swiss peasant. | 0:24:03 | 0:24:06 | |
This, effectively, is the realistic approach | 0:24:06 | 0:24:10 | |
to that moment in history. | 0:24:10 | 0:24:14 | |
But what possible connection could this have | 0:24:14 | 0:24:17 | |
with some other objects here in the Walker Art Gallery? | 0:24:17 | 0:24:21 | |
Cor, these are flashy, aren't they? | 0:24:29 | 0:24:33 | |
Strictly speaking, a pair of torchieres. | 0:24:33 | 0:24:37 | |
They would have been designed to take some massive lighting implement on the top. | 0:24:37 | 0:24:45 | |
What's most interesting, though, is this elaborate decoration. | 0:24:45 | 0:24:49 | |
What we have here is a series of sheets of brass | 0:24:49 | 0:24:53 | |
which have been cut and then beautifully inset into the rosewood timber ground. | 0:24:53 | 0:25:00 | |
In short, they are the absolute top of the notch | 0:25:00 | 0:25:05 | |
when it comes to Regency furniture making. | 0:25:05 | 0:25:09 | |
Why are they here in Liverpool? | 0:25:12 | 0:25:14 | |
Well, surprise, surprise, | 0:25:14 | 0:25:17 | |
they are the production of Liverpool's most celebrated cabinet maker, George Bullock. | 0:25:17 | 0:25:23 | |
He was the person who was successful in getting the commission | 0:25:23 | 0:25:28 | |
for the furnishing of New Longwood House in St Helena. | 0:25:28 | 0:25:32 | |
And St Helena was the place | 0:25:32 | 0:25:35 | |
that Napoleon Bonaparte, the guy on the stairs, | 0:25:35 | 0:25:40 | |
here in Liverpool was, of course, sent to in 1815 | 0:25:40 | 0:25:44 | |
after his defeat at Waterloo. | 0:25:44 | 0:25:46 | |
So, you see, there are connections between objects | 0:25:46 | 0:25:50 | |
that at first sight seem unconnected. | 0:25:50 | 0:25:54 | |
George Bullock not only provided the furniture for the new house | 0:25:54 | 0:25:59 | |
that Napoleon moved into on the island of St Helena, | 0:25:59 | 0:26:03 | |
but he also provided the furnishings. | 0:26:03 | 0:26:06 | |
Here in the Walker Art Gallery | 0:26:07 | 0:26:09 | |
are a selection of pieces of ceramics | 0:26:09 | 0:26:12 | |
that date back to the time of Bullock's commission. | 0:26:12 | 0:26:16 | |
The interesting thing is that this particular set | 0:26:16 | 0:26:19 | |
wasn't actually taken by the British government for Napoleon. | 0:26:19 | 0:26:23 | |
They felt that the design, with this stylised laurel leaf | 0:26:23 | 0:26:30 | |
would have been unkind because the laurel wreath, in a way, | 0:26:30 | 0:26:35 | |
might have reminded the exiled emperor | 0:26:35 | 0:26:39 | |
not of victory, but of defeat. | 0:26:39 | 0:26:42 | |
But I think it's marvellous that they finished up | 0:26:42 | 0:26:45 | |
back in Liverpool, Bullock's birthplace. | 0:26:45 | 0:26:48 | |
The big question today is, of course, | 0:26:49 | 0:26:51 | |
will our teams have been successful in uncovering similar treasures | 0:26:51 | 0:26:56 | |
during their shopping spree just up the road in Aintree? | 0:26:56 | 0:27:01 | |
Well, let's find out. | 0:27:03 | 0:27:05 | |
I'm over at Peter Wilson's in Nantwich | 0:27:05 | 0:27:08 | |
where auctioneer Robert Stones awaits us. | 0:27:08 | 0:27:12 | |
Gosh, isn't this exciting? | 0:27:12 | 0:27:14 | |
How are Danielle and Dotty going to get on today, do you suppose? | 0:27:14 | 0:27:19 | |
-We wish them luck. -We certainly do. | 0:27:19 | 0:27:21 | |
They'll need it with the first item cos this plastic figure is an acquired taste! | 0:27:21 | 0:27:26 | |
I thought it was glass, actually, Tim, but when I picked it up, | 0:27:26 | 0:27:30 | |
-shock of shocks, it's acrylic, or plastic. -Yeah. | 0:27:30 | 0:27:34 | |
And not that old, either. I don't know how we'll do with that, quite honestly. | 0:27:34 | 0:27:39 | |
-Do you put ten, £20 on it? See what happens? -That's what we've done. | 0:27:39 | 0:27:42 | |
Lovely. £12 they paid. | 0:27:42 | 0:27:45 | |
-Yep. -Next, Dotty went with the bling. | 0:27:45 | 0:27:49 | |
A good decorative thing. As you say, bling. | 0:27:49 | 0:27:53 | |
It's not particularly well made, but it looks good. | 0:27:53 | 0:27:56 | |
It's got that dressed jewellery part about it. | 0:27:56 | 0:27:59 | |
-Again, ten to 20. -Is that all? | 0:27:59 | 0:28:02 | |
-Hmm. -Dotty paid 45. | 0:28:02 | 0:28:04 | |
-Good grief! -Is she dotty? -I think she had a good go at that! -Yeah. | 0:28:04 | 0:28:09 | |
A bit of alcoholic interest here from the World War One Americano soldier. | 0:28:09 | 0:28:14 | |
On the whiskey. | 0:28:14 | 0:28:16 | |
Very fashionable, these autograph books. | 0:28:16 | 0:28:18 | |
We handle quite a lot of them and some are extremely interesting. | 0:28:18 | 0:28:22 | |
Often they are a little snapshot of someone's life or period in time | 0:28:22 | 0:28:26 | |
-and some nice inscriptions, as you might expect. -Yeah. | 0:28:26 | 0:28:30 | |
-How do you rate this one? -We put 30 to 50 on it. -£27 paid. | 0:28:30 | 0:28:35 | |
Fab. All being well, they won't need the bonus buy but let's look at it anyway. | 0:28:35 | 0:28:41 | |
Well, girls. £84, top end. | 0:28:42 | 0:28:45 | |
-It's not so much that, Dotty, is it? -No, not very much at all! | 0:28:45 | 0:28:50 | |
No. £216 went to the boy. What did he spend it on? | 0:28:50 | 0:28:54 | |
Jonathan? | 0:28:54 | 0:28:55 | |
Some of these things are a bit difficult to cover up! | 0:29:01 | 0:29:05 | |
The subterfuge. JP, tell us about it. | 0:29:06 | 0:29:09 | |
OK, it's a bentwood rocking chair in the manner of Thonet | 0:29:09 | 0:29:13 | |
who was the man who invented | 0:29:13 | 0:29:16 | |
the cafe-type bentwood chair of the late French 19th century. | 0:29:16 | 0:29:22 | |
This isn't of that period, I should say. | 0:29:22 | 0:29:24 | |
It's a reproduction of that. But the cane is in nice order, | 0:29:24 | 0:29:28 | |
-and it's got style about it. -So? | 0:29:28 | 0:29:30 | |
-Going straight for the jugular here! -Yes! | 0:29:30 | 0:29:34 | |
Danielle doesn't hang around! | 0:29:34 | 0:29:36 | |
It cost me £40. | 0:29:36 | 0:29:37 | |
£40. Is that enough to send you off your rocker? | 0:29:37 | 0:29:41 | |
-Yeah, just a bit. -It'll be nice for me, Granny, won't it? | 0:29:41 | 0:29:44 | |
-Have a go! Sit in it! -Come on, Dotty, have a go, love. | 0:29:46 | 0:29:51 | |
-Nice for Granny, innit? -This is when it snaps! | 0:29:51 | 0:29:53 | |
-Is it comfortable? -Oh, it's lovely... Ooh! | 0:29:53 | 0:29:56 | |
-Come on! -Oh, it's you! | 0:29:59 | 0:30:01 | |
-It's lovely. -Is it? | 0:30:01 | 0:30:04 | |
So think about it, Dotty. £40. Would you buy that for £40? | 0:30:04 | 0:30:09 | |
-Would you buy it? -Yeah! -Would you?! | 0:30:09 | 0:30:13 | |
-Yeah. -I'm not overly keen. | 0:30:13 | 0:30:16 | |
But you never know. | 0:30:16 | 0:30:18 | |
Think about it, girls. For you at home, let's see what the auctioneer thinks about the bentwood rocker. | 0:30:18 | 0:30:25 | |
There you go, Robert. Nice thing for you to nod off in! | 0:30:26 | 0:30:31 | |
Absolutely. I wish I had time to nod off in a chair like that in an auction room! | 0:30:31 | 0:30:37 | |
It never happens! | 0:30:37 | 0:30:38 | |
In the manner of Thonet. 1871 was when they finished production. | 0:30:38 | 0:30:42 | |
-But I don't think it's that old. -No. | 0:30:42 | 0:30:45 | |
I agree. I think '60s or '70s. Anyway, | 0:30:45 | 0:30:47 | |
an old genuine Thonet one would be worth several hundred pounds. | 0:30:47 | 0:30:52 | |
-What's this copy worth? -A disastrous ten to 20. | 0:30:52 | 0:30:56 | |
-Jonathan paid 40. -Did he? -He rates it as a bonus buy. | 0:30:56 | 0:30:59 | |
-Somebody will pop up. -We'll look for them! -And your persuasive tongue, too! | 0:30:59 | 0:31:03 | |
-Thank you! -Anyway. That's it for the reds. | 0:31:03 | 0:31:07 | |
Now for the blues. The pair of vases. | 0:31:07 | 0:31:10 | |
Dribbly ones! | 0:31:10 | 0:31:12 | |
Yeah. Leaper. He was a potter. He persevered all his life | 0:31:12 | 0:31:17 | |
to make pots. | 0:31:17 | 0:31:18 | |
And he was somebody that seemed to be struggling as a potter. | 0:31:18 | 0:31:22 | |
But he actually produced some fantastic glazes. | 0:31:22 | 0:31:25 | |
In a strange sort of way, I think I quite like them. | 0:31:25 | 0:31:29 | |
-I'm not surprised. -Cos he's got that dribble and the orange and brown. | 0:31:29 | 0:31:33 | |
-Mm. -Good colours. | 0:31:33 | 0:31:36 | |
What do you think they're worth, these Leaper pots? | 0:31:36 | 0:31:39 | |
-30 to 50. -Not leaping around too much, then, are they? | 0:31:39 | 0:31:43 | |
-Is that all? -Yeah. -30 to 50? -Yeah. | 0:31:43 | 0:31:46 | |
-What did they pay for them? -£82.50. -Did they? -Yeah. | 0:31:46 | 0:31:50 | |
Which is £41.25 per leap! | 0:31:50 | 0:31:53 | |
No, seriously, | 0:31:53 | 0:31:56 | |
onto a traditional antique. The pewter little snuff box | 0:31:56 | 0:32:00 | |
that looks just like silver. Isn't that amazing? | 0:32:00 | 0:32:03 | |
It is pewter. I was a bit disappointed, really. | 0:32:03 | 0:32:06 | |
When I first saw the top of that, I thought, "This has got to be Cambridge. | 0:32:06 | 0:32:11 | |
"One of the universities there." | 0:32:11 | 0:32:13 | |
But it isn't. When I had a look at some photographs, it just isn't the right place. | 0:32:13 | 0:32:18 | |
I wish we could identify it. It would make such a difference if we knew where it was. | 0:32:18 | 0:32:22 | |
-How much do you think, then? -10 to 20 on that. | 0:32:22 | 0:32:25 | |
-They only paid £20. Duncan liked it. -Did they? -Yeah. -That's all right. | 0:32:25 | 0:32:29 | |
Wendy went with the Art Nouveau serving spoons, nicely presented in their case. | 0:32:29 | 0:32:35 | |
Do you rate those? | 0:32:35 | 0:32:37 | |
I'd like them a lot more if they were silver. | 0:32:37 | 0:32:39 | |
But EPNS, they are. They're very well presented. | 0:32:39 | 0:32:42 | |
very stylish, it has to be said. | 0:32:42 | 0:32:44 | |
This typical sort of whiplash effect for the piercing on the top. | 0:32:44 | 0:32:49 | |
They're very stylish. | 0:32:49 | 0:32:51 | |
-Having said all that, how much? -20 to 40. | 0:32:51 | 0:32:54 | |
-Oh, Lordy. £75. -75?! Gosh! That's a good price. | 0:32:54 | 0:32:59 | |
-That's taken the wind out of your sails. -It has. | 0:32:59 | 0:33:02 | |
£75 is a tad too much. | 0:33:02 | 0:33:05 | |
-If anything drags this team down, it'll be those. -Yeah. | 0:33:05 | 0:33:09 | |
-They'll need their bonus buy. -Definitely. -Let's have a look at it. | 0:33:09 | 0:33:13 | |
Now, you happy punters. £122.50 was given to Henry | 0:33:14 | 0:33:20 | |
to go and find you your bonus buy. What did you find? | 0:33:20 | 0:33:24 | |
Well, I bought something - I know Duncan and Wendy weren't keen on spending lots of money. | 0:33:24 | 0:33:30 | |
So I hope you like this. | 0:33:30 | 0:33:32 | |
-Ooh, yes! -Yes, nautical! -What do you think to that? -Excellent! -Yes. | 0:33:32 | 0:33:37 | |
It's a Prattware jug. Obviously it's got Captain Hardy here and Admiral Nelson. | 0:33:37 | 0:33:44 | |
I think it's a commemorative piece made in 1905 for the centenary. | 0:33:44 | 0:33:49 | |
Unfortunately, it is damaged, but you can't have it all. | 0:33:49 | 0:33:53 | |
People are going to recognise it as a good item. | 0:33:53 | 0:33:57 | |
How much did you pay for it? | 0:33:57 | 0:33:59 | |
-I paid the princely sum of £40. -That's all right! -It'll make at least 100, easily! | 0:33:59 | 0:34:06 | |
That's OK. That's the damage, is it? | 0:34:06 | 0:34:08 | |
You can't have it all, as I say. | 0:34:08 | 0:34:10 | |
-I really like that. -Hopefully, it'll sail away! | 0:34:10 | 0:34:13 | |
-Super. Really nice. -Super. | 0:34:13 | 0:34:15 | |
Hold that thought that it might make £100. | 0:34:15 | 0:34:18 | |
For viewers at home, let's see what the auctioneer thinks about Henry's jug. | 0:34:18 | 0:34:23 | |
-There you go, Robert. -Thank you very much. | 0:34:24 | 0:34:27 | |
A Prattware pot for you. | 0:34:27 | 0:34:29 | |
Battle of Trafalgar, 1805. Here we've got Nelson on one side, Hardy on the other. | 0:34:29 | 0:34:36 | |
-Kiss me. -Kiss me, exactly. | 0:34:36 | 0:34:39 | |
-No, thanks! -Not today! -Not this week! | 0:34:39 | 0:34:42 | |
And we've got a jug. We think it was probably made to commemorate 100 years | 0:34:42 | 0:34:47 | |
-since the Battle of Trafalgar and the impact it had. -A great victory. -Yes. | 0:34:47 | 0:34:52 | |
-What's it worth? -The estimate we're saying 20 to 30. | 0:34:52 | 0:34:55 | |
-£40 paid. -Did they? -By Henry. -OK. -It's fair enough. -It might do it. | 0:34:55 | 0:34:59 | |
Somebody will be sufficiently intrigued. That's marvellous. | 0:34:59 | 0:35:03 | |
-Thank you, Robert. -Thank you. -Looking forward to the outcome with interest! | 0:35:03 | 0:35:08 | |
-Now, you both went with the Leaper pots. -Yes. -You liked them, didn't you? | 0:35:13 | 0:35:18 | |
-The colour. -You paid £82.50. He's estimated 30 to £50. | 0:35:18 | 0:35:23 | |
-Wonderful. -Marvellous. -It's not so wonderful! -Each? -No, for the two! | 0:35:23 | 0:35:27 | |
-Let's hope it was a leap of faith! -It didn't exactly ignite his enthusiasm. | 0:35:27 | 0:35:33 | |
He likes them, but not to take to anything like a leveller. | 0:35:33 | 0:35:38 | |
Anyway, first is the Leaper vases. Here they come. | 0:35:38 | 0:35:41 | |
Lot 155, ladies and gentlemen, | 0:35:41 | 0:35:44 | |
the Eric Leaper vases. | 0:35:44 | 0:35:46 | |
Several commissions left on this. So it's to save time, £40 bid. | 0:35:46 | 0:35:51 | |
45 I have. 50 is there now? | 0:35:51 | 0:35:53 | |
At £45 I'm bid. 50, anywhere? 50 I'm bid. Your bid at 50. | 0:35:53 | 0:35:59 | |
Five anywhere now? 55 on the internet. 60 I'm bid. | 0:35:59 | 0:36:02 | |
65 on the internet. At 65. | 0:36:02 | 0:36:04 | |
It's your bid at 65. 70 now? At 65. | 0:36:04 | 0:36:07 | |
On the internet at £65. Will be sold. | 0:36:07 | 0:36:10 | |
At 65 and going. | 0:36:10 | 0:36:12 | |
£65. Bad luck. | 0:36:12 | 0:36:14 | |
Five off 70. That means you're minus £17.50. | 0:36:14 | 0:36:20 | |
Here comes the snuff box. | 0:36:20 | 0:36:21 | |
James Dixon pewter snuff. Lovely thing. | 0:36:21 | 0:36:26 | |
£10 to start it off. Great value for money at ten. Ten I'm bid. 15. 20. | 0:36:26 | 0:36:30 | |
20 bid? Yes. | 0:36:30 | 0:36:32 | |
25. 30, now. | 0:36:32 | 0:36:33 | |
25 it's there. 25. 30? 30. | 0:36:33 | 0:36:36 | |
-35. -Look at that. Well done, Duncan. | 0:36:36 | 0:36:39 | |
45 anywhere else? At £40. Going to be sold at 40. | 0:36:39 | 0:36:42 | |
Bid's there at £40. All quiet at 40. | 0:36:42 | 0:36:44 | |
Plus £20. | 0:36:44 | 0:36:46 | |
It's plus £20 which means you are £2.50 up. | 0:36:46 | 0:36:52 | |
Here we go. | 0:36:52 | 0:36:54 | |
-The spoons. -I really like these. | 0:36:54 | 0:36:56 | |
Art Nouveau design. | 0:36:56 | 0:36:58 | |
£20 I'm bid straightaway. Great value. At £20 I'm bid. 25 there. | 0:36:58 | 0:37:02 | |
25. 30 is it now? 25 your bid. | 0:37:02 | 0:37:05 | |
At 25. 25. Look what I'm doing. 30. Well done. | 0:37:05 | 0:37:07 | |
35. 40 now? | 0:37:07 | 0:37:09 | |
£40. £40. 45. | 0:37:09 | 0:37:11 | |
45. Keep going. 45. At 45. | 0:37:11 | 0:37:13 | |
50 now. Fill it up. At 45, the bid's in. | 0:37:13 | 0:37:16 | |
45 there. 50 fresh bidder. 55? | 0:37:16 | 0:37:18 | |
50, fresh bidder coming in for the kill at £50. | 0:37:18 | 0:37:22 | |
Only at 50. I'm going to sell at £50 only. | 0:37:22 | 0:37:24 | |
That's not that bad, £50. | 0:37:24 | 0:37:28 | |
That's minus 25. So overall | 0:37:28 | 0:37:30 | |
you are minus £22.50. | 0:37:30 | 0:37:32 | |
-That's fine. -It could have been a lot worse! | 0:37:32 | 0:37:35 | |
What are you going to do about the Staffordshire jug? | 0:37:37 | 0:37:40 | |
We have every faith in our expert. | 0:37:40 | 0:37:42 | |
-Henry's going to lead us to success. -Pressure's on. -The bonus buy. Here it comes. | 0:37:42 | 0:37:47 | |
161 is the Staffordshire jug. | 0:37:47 | 0:37:50 | |
Admiral Nelson. There we are. I've got £30 bid for it straightaway. | 0:37:50 | 0:37:55 | |
-Good start. -35 there. | 0:37:55 | 0:37:57 | |
35. 40, is it now? 35 bid there. Bid's there at 35. Looking for 40. | 0:37:57 | 0:38:01 | |
-At 35. Bid's there at 35. -Very close, isn't it? | 0:38:01 | 0:38:04 | |
40 anywhere? 40. Well done. 45. 50 now? | 0:38:04 | 0:38:07 | |
50, yes? At 45 the bid's there. At 45. Bid's there. | 0:38:07 | 0:38:10 | |
£45 and will be sold. At £45 last chance. £45. | 0:38:10 | 0:38:13 | |
-£45. Well done, Henry. -It's a profit, anyway! | 0:38:13 | 0:38:17 | |
Well done, Henry. Five pounds. | 0:38:17 | 0:38:19 | |
-Overall, that is minus £17.50. -Fantastic. | 0:38:19 | 0:38:22 | |
-It's OK, isn't it? -It could be a winning score. Don't tell the reds. | 0:38:22 | 0:38:26 | |
Well done, Henry, making that profit. | 0:38:26 | 0:38:29 | |
-OK, girls. Excited? -Yes. -It is exciting, isn't it? -Yes. | 0:38:33 | 0:38:37 | |
-Here on the edge of the auction. Look how busy it is. -Packed. | 0:38:37 | 0:38:40 | |
-They're all here to buy your items, Danielle! -Good thing. Hopefully. | 0:38:40 | 0:38:45 | |
With any luck. | 0:38:45 | 0:38:46 | |
-Danielle, you went with the ballerina. -I did! | 0:38:46 | 0:38:49 | |
The plastic ballerina. You paid £12 for it. | 0:38:49 | 0:38:52 | |
Here it comes. | 0:38:52 | 0:38:54 | |
The figure of a ballerina. Lovely thing. Ten to start it. £10 only. | 0:38:54 | 0:38:59 | |
Ten. Ten do I hear? Who'd like this for £10 only. | 0:38:59 | 0:39:01 | |
This is no money at all. | 0:39:01 | 0:39:03 | |
At £10. Ten. Five. | 0:39:03 | 0:39:05 | |
There. £5. Six. | 0:39:05 | 0:39:07 | |
-Six. Seven. Eight. -It's clawing its way now! -Nine. | 0:39:07 | 0:39:11 | |
Ten. 11. | 0:39:11 | 0:39:13 | |
12. | 0:39:14 | 0:39:16 | |
13? The bid's there at 12. | 0:39:16 | 0:39:18 | |
It's going to be sold. At £12, then. | 0:39:18 | 0:39:20 | |
You wiped your face, darling. That's lovely. | 0:39:20 | 0:39:22 | |
-Break even. -Yes. So... | 0:39:22 | 0:39:25 | |
Here comes Dotty's bracelet. | 0:39:25 | 0:39:27 | |
Bracelet. Lovely bracelet. | 0:39:27 | 0:39:29 | |
Several commissions here. £20 bid. | 0:39:29 | 0:39:31 | |
20 bid. 25. 30. 35. 40. | 0:39:31 | 0:39:34 | |
-45? At 40 the bid's here. -Not bad, Dot. -45 anywhere else? | 0:39:34 | 0:39:37 | |
At 40 I'm bid. With me at £40. 45 on the internet. 52 here. | 0:39:37 | 0:39:41 | |
55? 55 on the internet. At 55. 60? At 55 the bid's there. | 0:39:41 | 0:39:47 | |
At £55 and will be sold at 55 on the internet. | 0:39:47 | 0:39:51 | |
-That's OK. -£55. Well done, Dorothy. | 0:39:51 | 0:39:53 | |
That is a good number. Plus ten. Thank you. I'm liking it. | 0:39:53 | 0:39:57 | |
Lot 136 is the autograph book. We always like these. | 0:39:57 | 0:40:01 | |
£30 I'm bid. 35 I've got. 40 anywhere? At 35. | 0:40:01 | 0:40:05 | |
At 35. 40 now, do I hear? | 0:40:05 | 0:40:07 | |
-At £35 only. 35. -Fantastic. -40 anywhere? At 35 only. | 0:40:07 | 0:40:11 | |
It will be sold at £35 only. All quiet. At 35 being sold. | 0:40:11 | 0:40:15 | |
-£35. -Sold the scrapbook for £35. You are plus eight pounds. | 0:40:15 | 0:40:19 | |
So overall, you're plus 18. | 0:40:19 | 0:40:22 | |
Now, are you going to ringfence this or are you going with the bonus buy? | 0:40:22 | 0:40:26 | |
-It's a bit of a decision. -It is. | 0:40:26 | 0:40:29 | |
What do you think, Dorothy? Stick? | 0:40:29 | 0:40:31 | |
-Stick? -Yeah, we won't go with it. | 0:40:31 | 0:40:33 | |
-Not going to twist? -No. -Sure? -Yes. -We're not going with the bonus buy. | 0:40:33 | 0:40:38 | |
We're going to sell it anyway. Here it comes. | 0:40:38 | 0:40:41 | |
Lot number 140 is the bentwood rocking chair. | 0:40:41 | 0:40:44 | |
Super thing. What may we say? | 0:40:44 | 0:40:46 | |
£20 to start it off. At £20. £20. | 0:40:46 | 0:40:49 | |
This could be in your home tonight at £20. | 0:40:49 | 0:40:52 | |
£20 now do I hear? | 0:40:52 | 0:40:53 | |
20's there. Are you making that 25? Yes? | 0:40:53 | 0:40:56 | |
25. 30. Yes. £30. | 0:40:56 | 0:40:59 | |
35. At 30 the bid's there at £30. | 0:40:59 | 0:41:01 | |
35 anywhere else? | 0:41:01 | 0:41:03 | |
The bid's at 30 and will be sold. At £30 only. 35 anywhere now? | 0:41:03 | 0:41:08 | |
At 30 only, then. All finished at 30? | 0:41:08 | 0:41:10 | |
-£30. -That was the bargain of the day. | 0:41:10 | 0:41:13 | |
That's your decision, isn't it? | 0:41:13 | 0:41:15 | |
That was the decision. Minus £10. | 0:41:15 | 0:41:18 | |
Overall, you're preserved your £18. | 0:41:18 | 0:41:21 | |
-Good. -Don't say a word to the blues. -Won't. Zip. | 0:41:21 | 0:41:24 | |
Very good. Nice little profit. | 0:41:24 | 0:41:26 | |
Well, teams, this is fun, isn't it? Been chatting? | 0:41:31 | 0:41:35 | |
-No. -No. | 0:41:35 | 0:41:36 | |
I can reveal that you have near identical scores! | 0:41:36 | 0:41:40 | |
Oooh! | 0:41:40 | 0:41:41 | |
Nail-biting! | 0:41:41 | 0:41:42 | |
Except that one team has the nearly identical number but in the minus score. | 0:41:42 | 0:41:48 | |
That team today is, I'm afraid, the blues. | 0:41:49 | 0:41:53 | |
-Oh. -What a shame! -It's really crucifying, isn't it? -It is. | 0:41:53 | 0:41:58 | |
Minus £17.50. That's what you got. | 0:41:58 | 0:42:02 | |
-Bad luck, isn't it? -Yes. -Typical. -Awful. | 0:42:02 | 0:42:05 | |
-So close, yet so far. -You've been a great team. | 0:42:05 | 0:42:08 | |
But the victors today are going to walk away with the near identical score of £18 but in real money! | 0:42:08 | 0:42:14 | |
-Yay! -Yay! -They made a profit. | 0:42:14 | 0:42:16 | |
£18. Here we go, darling. | 0:42:16 | 0:42:19 | |
-Look at that. -Thank you. -That twitchy finger is gathering it up. | 0:42:19 | 0:42:24 | |
-Here's your three pounds. -Thank you very much. | 0:42:24 | 0:42:27 | |
£18. Congratulations. Because you got effectively free profit, | 0:42:27 | 0:42:31 | |
we're going to treat this as a golden gavel situation | 0:42:31 | 0:42:34 | |
-and out of my pocket come the modern equivalents of golden gavels! -Ooh! | 0:42:34 | 0:42:40 | |
Bargain Hunt pins, which I will present now. | 0:42:40 | 0:42:44 | |
You put it on - I don't want to puncture anything! | 0:42:44 | 0:42:47 | |
-Here you go, Dotty! -Thank you. | 0:42:47 | 0:42:50 | |
There's your golden gavel pin. There you go, Jonathan. | 0:42:50 | 0:42:54 | |
-Have you had any before? -No, this is my first. -Your first. | 0:42:54 | 0:42:58 | |
-Well, you can wear this pin with pride I tell you. -Thank you. | 0:42:58 | 0:43:03 | |
We've lobbed out very, very few of them over the years! | 0:43:03 | 0:43:07 | |
You cracked it. Congratulations. | 0:43:07 | 0:43:09 | |
Join us soon for some more Bargain Hunting, yes? | 0:43:09 | 0:43:12 | |
Yes! | 0:43:12 | 0:43:13 | |
Subtitles by Red Bee Media Ltd | 0:43:31 | 0:43:35 |