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Today's show is from Aintree in Liverpool. | 0:00:01 | 0:00:05 | |
But unlike the Grand National, | 0:00:05 | 0:00:07 | |
Bargain Hunt is a two-horse race where nobody loses. | 0:00:07 | 0:00:10 | |
So let's go Bargain Hunting! | 0:00:10 | 0:00:13 | |
It's a real gallop to spend £300 on bargains. | 0:00:35 | 0:00:38 | |
Let's hope they don't fall at the first fence! | 0:00:38 | 0:00:41 | |
Who'll be the first past the post? | 0:00:41 | 0:00:43 | |
Will our teams be Gold Cup winners | 0:00:43 | 0:00:46 | |
or just old nags? | 0:00:46 | 0:00:47 | |
Really! Who writes this stuff? | 0:00:47 | 0:00:51 | |
Today's teams seem to be in fine fettle. | 0:00:57 | 0:01:00 | |
This is one of the easiest shops I've had for a very long time. | 0:01:00 | 0:01:04 | |
We're rattling our way through. | 0:01:04 | 0:01:06 | |
So we've got an easy ride, now. | 0:01:06 | 0:01:08 | |
We have loads of time. | 0:01:08 | 0:01:10 | |
But which team will end up in the winner's enclosure? | 0:01:10 | 0:01:13 | |
85, now? | 0:01:13 | 0:01:14 | |
Go on! | 0:01:14 | 0:01:16 | |
So for the reds we have husband and wife Darren and Andrea. Good morning. | 0:01:23 | 0:01:28 | |
-Good morning. -Morning. -Nice to see you. How did you two meet? | 0:01:28 | 0:01:31 | |
We first met each other in a bakery school. | 0:01:31 | 0:01:35 | |
We were there for three years. | 0:01:35 | 0:01:37 | |
From there, we won a scholarship to work in Switzerland. | 0:01:37 | 0:01:41 | |
We didn't get on very well at bakery school! | 0:01:41 | 0:01:44 | |
-Why didn't you get on? -She couldn't see the attraction in me! | 0:01:44 | 0:01:47 | |
She kept missing it! | 0:01:47 | 0:01:49 | |
Off you went to Switzerland to do your thingamajig. | 0:01:51 | 0:01:54 | |
We used to have to take the pastry onto the Orient Express. | 0:01:54 | 0:01:59 | |
-You worked on the Orient Express? -We only took on the pastries. -And then we got off! | 0:01:59 | 0:02:04 | |
But the highlight was at 4.00am pushing the noisy bakery trolley | 0:02:04 | 0:02:09 | |
down the platform, and all the bedroom lights would come on. | 0:02:09 | 0:02:12 | |
You'd get on and exchange a few pastries with the barman for free drinks. Have a cocktail. | 0:02:12 | 0:02:18 | |
Then we'd go back down the platform and all the lights would go on again! I liked that! | 0:02:18 | 0:02:24 | |
You're a couple of sadists, when it comes to that. | 0:02:24 | 0:02:27 | |
-Darren, you're a great art collector. -Yes. -Tell us about that. | 0:02:27 | 0:02:32 | |
We've been collecting art since we've been married, over 20 years. | 0:02:32 | 0:02:35 | |
Your collection changes and evolves. | 0:02:35 | 0:02:38 | |
Our home looks like the Royal Academy summer show! | 0:02:38 | 0:02:42 | |
-Is it mainly paintings you go for? -Pictures, yes. -Art, art. | 0:02:42 | 0:02:46 | |
We started with watercolours and we've evolved into oil on canvasses, | 0:02:46 | 0:02:53 | |
looking for the up-and-coming artist. | 0:02:53 | 0:02:55 | |
What's your strategy for victory today? | 0:02:55 | 0:02:58 | |
We just hope to buy some things that people want to buy at the auction, hopefully at a good price. | 0:02:58 | 0:03:05 | |
Itching to get going. Raring to go. | 0:03:05 | 0:03:08 | |
Oh, dear, oh, dear. What is going to happen today? | 0:03:08 | 0:03:12 | |
Are you scared, you blues? | 0:03:12 | 0:03:14 | |
-No, we're excited. -Mother and daughter, Caroline and Joyce. | 0:03:14 | 0:03:19 | |
-Welcome. -Hi, Tim. -Hi. -Nice to see you. | 0:03:19 | 0:03:21 | |
Caroline, music is both a passion and a professional gambit for you. Tell us about that. | 0:03:21 | 0:03:28 | |
I recently released an album which I recorded myself. | 0:03:28 | 0:03:32 | |
And working with young people, teaching them to play instruments who don't normally have access. | 0:03:32 | 0:03:38 | |
I must say, I do love your get-up! | 0:03:38 | 0:03:40 | |
-You've got fantastic trousers. -I'm a bit of a hippy! | 0:03:40 | 0:03:44 | |
Do you model yourself, your music, on anybody in particular? | 0:03:44 | 0:03:47 | |
Marianne Faithfull reincarnated? | 0:03:47 | 0:03:50 | |
No, but it's all '70s songwriters. Carole King, people like this. | 0:03:50 | 0:03:56 | |
Anybody, really. | 0:03:56 | 0:03:58 | |
Joyce, you're retired now but you're a former glamour model. | 0:03:58 | 0:04:02 | |
What?! One day, one day! | 0:04:02 | 0:04:05 | |
-A one-day glamour model? -It wasn't a glamour model. | 0:04:05 | 0:04:09 | |
It was somebody who was doing a photography competition. | 0:04:09 | 0:04:14 | |
My friend's husband was in the club and he asked me to sit for him. | 0:04:14 | 0:04:18 | |
Which I did. I thought, "That's OK". | 0:04:18 | 0:04:20 | |
But when I got there, there were about 20 men and I had to sit on a stage and pose! | 0:04:20 | 0:04:25 | |
-With my clothes on. -Not with your kit off? | 0:04:25 | 0:04:29 | |
-It was just for a facial... -Not one of those artistic ones? | 0:04:29 | 0:04:32 | |
No! | 0:04:32 | 0:04:34 | |
-You're both convinced you're going to make enormous profits. -We are! | 0:04:34 | 0:04:39 | |
Why are you so confident that you'll do so brilliantly? | 0:04:39 | 0:04:43 | |
If you're positive and confident, it usually works out. | 0:04:43 | 0:04:46 | |
If you think, "I don't know what'll happen..." So that's our strategy. | 0:04:46 | 0:04:50 | |
I think we've got two incredibly positive teams today. | 0:04:50 | 0:04:53 | |
Sparks may fly! | 0:04:53 | 0:04:54 | |
£300 apiece. You know the rules. | 0:04:54 | 0:04:56 | |
Your experts await. Off you go and very, very good luck. | 0:04:56 | 0:05:00 | |
Gosh! Whatever's going to happen next? | 0:05:00 | 0:05:04 | |
Under starter's orders with the blues is Henry Meadows. | 0:05:05 | 0:05:09 | |
Morning, ladies. Glad you're here. What are your names? | 0:05:09 | 0:05:13 | |
-I'm Caroline. -Caroline. -Joyce. -Joyce. | 0:05:13 | 0:05:16 | |
-Looking forward to today? -I am. | 0:05:16 | 0:05:17 | |
-Shall we go bargain hunting? -Yes. Let's go! | 0:05:17 | 0:05:20 | |
And chomping at the bit for the reds is Jonathan Pratt. | 0:05:22 | 0:05:26 | |
-Hello! -Hiya! | 0:05:26 | 0:05:28 | |
-Right, here we are. Aintree. Ready to go? -Yeah, definitely. | 0:05:28 | 0:05:32 | |
Let's get inside. Come on. | 0:05:32 | 0:05:34 | |
And they're off! | 0:05:34 | 0:05:37 | |
What are you going for today? | 0:05:39 | 0:05:41 | |
-Pictures? -I'd like to look at that. | 0:05:41 | 0:05:43 | |
Something to make lots of money. | 0:05:43 | 0:05:45 | |
Let's go this way! | 0:05:45 | 0:05:47 | |
Shout if you see anything that catches your eye. | 0:05:47 | 0:05:50 | |
How about the decanter? | 0:05:53 | 0:05:55 | |
Wow, straight in there, Henry! | 0:05:55 | 0:05:58 | |
-It's a striking looking piece. -Lovely. -Not only glass collectors but private individuals as well. | 0:05:58 | 0:06:04 | |
It's got a nice contemporary look about it. | 0:06:04 | 0:06:07 | |
-Shall we have a closer look? -Yes. | 0:06:07 | 0:06:10 | |
Careful. | 0:06:10 | 0:06:11 | |
-VENDOR: -Careful, it's a very heavy stopper. -Original stopper. | 0:06:11 | 0:06:14 | |
-What about the condition? -No damage. -No damage. | 0:06:14 | 0:06:18 | |
-VENDOR: -I can't see any. | 0:06:18 | 0:06:20 | |
It's etched with Blenko, which is the name of the company, | 0:06:20 | 0:06:24 | |
and Philip Myers on the bottom. | 0:06:24 | 0:06:26 | |
-Is it signed on the base? -Yes. | 0:06:26 | 0:06:29 | |
-Can you do a better price? -I can't go much below. This is a trade price. £45, | 0:06:29 | 0:06:34 | |
-and that is a bargain. -I personally think it's got a nice look about it. | 0:06:34 | 0:06:39 | |
£45. It's not a big risk and it could well make a profit. | 0:06:39 | 0:06:43 | |
-I like that. -Shall we buy it? | 0:06:43 | 0:06:45 | |
-Yes. -Shall we do the deal, then? -Yes. -Let's go for it. | 0:06:45 | 0:06:48 | |
Thank you very much. Thank you. | 0:06:48 | 0:06:50 | |
That's great. So that's one down. Let's carry on. | 0:06:50 | 0:06:53 | |
Cor, that was fast! | 0:06:53 | 0:06:56 | |
But hang on a minute. The reds are right behind you. | 0:06:56 | 0:06:59 | |
-Look at that one! -Which one are you pointing to? -This one. | 0:07:02 | 0:07:05 | |
-At the back? -Hmm. -Yes. | 0:07:05 | 0:07:07 | |
-Bill Tidy, is it? -Bill Tidy. A good Liverpudlian. | 0:07:07 | 0:07:12 | |
What can you tell me about the picture? | 0:07:12 | 0:07:14 | |
Nothing except it was a cartoon that was published in the papers as part of his regular work. | 0:07:14 | 0:07:21 | |
Presumably he did this as a one-off for some friends | 0:07:21 | 0:07:26 | |
as it's personally dedicated by him. | 0:07:26 | 0:07:29 | |
He's personally dedicated it to someone. Might that hold it back? | 0:07:29 | 0:07:33 | |
Obviously it would be better if it wasn't. | 0:07:33 | 0:07:37 | |
It's the same as a silver salver, if it's engraved, it detracts from it. | 0:07:37 | 0:07:41 | |
But it's a really good image. It's him, isn't it? | 0:07:41 | 0:07:43 | |
If you know Bill Tidy and how he draws, this is it. | 0:07:43 | 0:07:47 | |
He's a good name, a good local celebrity. | 0:07:47 | 0:07:50 | |
-Would you put this on the wall at home? -I probably wouldn't. | 0:07:50 | 0:07:53 | |
Just because of other things that we've got. | 0:07:53 | 0:07:55 | |
But if I had a blank room, I'd put that in and build things around it. | 0:07:55 | 0:08:00 | |
And change your names to Joy and Peter! | 0:08:00 | 0:08:03 | |
Yeah! This really makes you smile, that's the important thing. | 0:08:03 | 0:08:07 | |
I love the sentiment at the bottom. Dare we ask how much it is? | 0:08:07 | 0:08:10 | |
It's £100 I've got on the base. | 0:08:10 | 0:08:13 | |
Interestingly on the back is his first attempt at it. | 0:08:13 | 0:08:18 | |
That's his first rough draft of it. | 0:08:18 | 0:08:20 | |
-Could we ask... Is that your very best, is it? -70. | 0:08:20 | 0:08:24 | |
-What do you think? -As a first buy, I think that's nice. What do you think, Andrea? | 0:08:24 | 0:08:28 | |
-I like it, yeah. I do. -I think I'd like to go with that. | 0:08:28 | 0:08:32 | |
-OK, that's a deal, then. Number one done. -Thank you very much indeed. | 0:08:32 | 0:08:36 | |
Well, I never did! | 0:08:38 | 0:08:40 | |
Both teams have splashed some cash in the first five minutes! Good work. | 0:08:40 | 0:08:45 | |
What have we got here? We've got, um... | 0:08:48 | 0:08:50 | |
-Coffee bean spoons. -Do you know what EPNS stands for? -No. | 0:08:50 | 0:08:53 | |
Electroplated nickel silver. So they're basically silver plate. | 0:08:53 | 0:08:57 | |
1930s, that sort of period. | 0:08:57 | 0:08:59 | |
What's known as coffee bean spoons because of the distinctive terminals. | 0:08:59 | 0:09:06 | |
We've got the original case, which is nice. | 0:09:06 | 0:09:09 | |
They have a nice look, and I think there's a market for that at auction. | 0:09:09 | 0:09:13 | |
-How much are they? -£15. -£15. | 0:09:13 | 0:09:15 | |
If we talk nicely to the stallholder and talk him down to £10, | 0:09:17 | 0:09:21 | |
we'd stand a good chance of making a profit. | 0:09:21 | 0:09:24 | |
Will you take £10 for them? | 0:09:24 | 0:09:26 | |
-Yeah, I could do that for ten. -Yes? | 0:09:26 | 0:09:29 | |
-Good man. Thank you. -Thank you. That's very good. | 0:09:29 | 0:09:32 | |
We've done well, there. | 0:09:32 | 0:09:34 | |
So let's do the deal, then. | 0:09:34 | 0:09:36 | |
Can't say fairer than a tenner, Caroline! | 0:09:36 | 0:09:39 | |
That's two down for the blues already. | 0:09:39 | 0:09:42 | |
They haven't spent much, though. | 0:09:42 | 0:09:44 | |
-That's a big jug. -I like this one. -That's Italian majolica. | 0:09:47 | 0:09:51 | |
-The big jug. -It's 45. Probably late 19th-century, I'd have thought. | 0:09:51 | 0:09:56 | |
-£45. -Can we have a look at it? -Sure. Help yourself. | 0:09:56 | 0:10:00 | |
-I quite like that. -It makes a statement, doesn't it? | 0:10:00 | 0:10:04 | |
Late 19th-century. Very typical. A pottery with a coloured glaze | 0:10:04 | 0:10:09 | |
over the top. Faience, as we call it. | 0:10:09 | 0:10:11 | |
European. | 0:10:11 | 0:10:13 | |
It's in the manner of the Italian style or something. What's on the bottom? | 0:10:13 | 0:10:18 | |
-Nothing. -Nothing on the bottom? -Nothing at all. | 0:10:18 | 0:10:21 | |
-What would your very best be? -I'll do 40 on it. | 0:10:21 | 0:10:25 | |
-Is that your very best? -That's the absolute definite, yeah. | 0:10:25 | 0:10:28 | |
What do you have in this way at home? | 0:10:28 | 0:10:31 | |
-I know Darren's filled the house with pictures! -We've got some pots, but nothing this size. | 0:10:31 | 0:10:37 | |
The nice thing with this is you can use it. | 0:10:37 | 0:10:40 | |
-It's quite a statement piece. -What would you use it for? | 0:10:40 | 0:10:44 | |
-The corner of the room. -Flowers, or twigs or something. | 0:10:44 | 0:10:48 | |
-Peacock feathers or pampas! -Interior design. | 0:10:48 | 0:10:51 | |
The other thing, I don't know who it's by. He doesn't know. | 0:10:51 | 0:10:54 | |
Someone might recognise it, go to the internet, and they might say that's so and so. | 0:10:54 | 0:10:59 | |
Before you know it, you've got £100 out of it. | 0:10:59 | 0:11:02 | |
-Yeah, I think it's... -And it's not expensive. You're not going to lose... | 0:11:02 | 0:11:07 | |
If you lost ten or £15, it would be disappointing. | 0:11:07 | 0:11:10 | |
-We'll go for that. -I agree with you. | 0:11:10 | 0:11:12 | |
I'm happy. I like the fact that you just find things, | 0:11:12 | 0:11:15 | |
talk about it, like it and then say, "We'll go for it." | 0:11:15 | 0:11:19 | |
I could just go and have a coffee, actually! | 0:11:19 | 0:11:22 | |
-We'll all go for a coffee! -You're doing well and I approve. | 0:11:22 | 0:11:26 | |
OK. Let's go for it. | 0:11:26 | 0:11:27 | |
Both teams are at full speed. | 0:11:30 | 0:11:32 | |
A bit smash and grab, though, buying the first things they see. | 0:11:32 | 0:11:36 | |
This is one of the easiest shops I've had for a very long time! | 0:11:36 | 0:11:40 | |
We're rattling our way through. | 0:11:40 | 0:11:42 | |
We've got an easy ride now. | 0:11:42 | 0:11:44 | |
You have loads of time. | 0:11:44 | 0:11:45 | |
You're finding what you like - well, you are! | 0:11:45 | 0:11:49 | |
-Negotiate hard and get them down. That's the key. -Oh, yes. | 0:11:49 | 0:11:53 | |
-It's my turn next. -It's your turn next. | 0:11:53 | 0:11:56 | |
Come on, let's have a look. Head over here. | 0:11:56 | 0:11:59 | |
I need to put blinkers on this man! | 0:11:59 | 0:12:01 | |
Well, just look at these things. | 0:12:04 | 0:12:07 | |
I fancy they've got a bit of a story to tell. | 0:12:07 | 0:12:11 | |
What we've got is a pair of bird feather pictures. | 0:12:11 | 0:12:16 | |
Now, just think about the skill package involved | 0:12:16 | 0:12:20 | |
in making one of these. | 0:12:20 | 0:12:22 | |
You've got an arrangement of feathers here | 0:12:22 | 0:12:26 | |
which has come from a live bird | 0:12:26 | 0:12:30 | |
and been arranged probably by a taxidermist. | 0:12:30 | 0:12:34 | |
It is, ornithologically-speaking, | 0:12:34 | 0:12:38 | |
as good a representation as you're going to find. | 0:12:38 | 0:12:42 | |
This one represents a quail. | 0:12:42 | 0:12:45 | |
Now, I know it's a quail because it says "quail" underneath! | 0:12:45 | 0:12:50 | |
And I know this is a meadow lark | 0:12:50 | 0:12:53 | |
cos it says "meadow lark" underneath. | 0:12:53 | 0:12:56 | |
But do either of these birds come from Great Britain? | 0:12:56 | 0:13:00 | |
Answer? "No." | 0:13:00 | 0:13:03 | |
Where do they come from? | 0:13:03 | 0:13:05 | |
Indigenously from North America. | 0:13:05 | 0:13:08 | |
So probably both of these bird pictures | 0:13:08 | 0:13:13 | |
were produced in the United States | 0:13:13 | 0:13:16 | |
and I would date them to around, I don't know, 1870, 1880. | 0:13:16 | 0:13:22 | |
They're a bit tatty, particularly with regard to the frames. | 0:13:22 | 0:13:26 | |
But if they could tell their story, | 0:13:26 | 0:13:29 | |
how they came across from North America, | 0:13:29 | 0:13:32 | |
how they happened to be sitting here just north of Liverpool today, | 0:13:32 | 0:13:37 | |
well, it would be fascinating to know. | 0:13:37 | 0:13:40 | |
How much? | 0:13:40 | 0:13:42 | |
Well, 500 to 800 dollars? | 0:13:42 | 0:13:45 | |
And what would they cost you here? | 0:13:45 | 0:13:47 | |
£120. | 0:13:48 | 0:13:50 | |
Now, there's a flutter for you! | 0:13:50 | 0:13:53 | |
So, two items each. But they're looking a bit too chilled for my liking. | 0:13:53 | 0:13:57 | |
Don't they realise there's a time limit on this malarkey? | 0:13:57 | 0:14:00 | |
That's a charming clock there. | 0:14:00 | 0:14:03 | |
-VENDOR: -It's a Jaeger movement, a nice quality movement. | 0:14:03 | 0:14:06 | |
-350. -350. | 0:14:06 | 0:14:09 | |
And your very best for cash? | 0:14:09 | 0:14:11 | |
What have you found there? | 0:14:13 | 0:14:15 | |
It's a pewter bowl. | 0:14:15 | 0:14:17 | |
A pewter bowl. Let's see. ..Ooh! I got an electric shock from it! | 0:14:17 | 0:14:20 | |
-It's an electric bowl! -It's the pewter. | 0:14:20 | 0:14:23 | |
Yikes! Maybe the price is just as shocking! | 0:14:23 | 0:14:28 | |
£120. | 0:14:28 | 0:14:29 | |
For a pewter dish. | 0:14:29 | 0:14:32 | |
I think, personally, that's worth 60 to £80. That sort of price. | 0:14:32 | 0:14:37 | |
Let's leave it. We've got plenty of time. | 0:14:37 | 0:14:39 | |
Carry on? | 0:14:39 | 0:14:41 | |
Plenty of time? Far too laid-back! This place is vast | 0:14:41 | 0:14:45 | |
and there's so much to see! | 0:14:45 | 0:14:47 | |
-You'd get a few cornflakes in there! -You would! | 0:14:48 | 0:14:52 | |
I'm not sure how commercial that would be. | 0:14:52 | 0:14:55 | |
Shall we go on to the next stall? | 0:14:55 | 0:14:57 | |
-What are they for? -Ice cream or prawn cocktails. | 0:14:57 | 0:15:02 | |
-Do you like the old mincer? -I was looking at it. Caroline told me off! | 0:15:02 | 0:15:06 | |
No, all right. | 0:15:06 | 0:15:09 | |
Your husband has found something else! | 0:15:09 | 0:15:11 | |
Are you sure we can only buy three? | 0:15:12 | 0:15:16 | |
With the amount of time we've got, we could buy a dozen things. | 0:15:16 | 0:15:19 | |
Don't give them ideas, Jonathan! | 0:15:19 | 0:15:22 | |
May I ask how much this is? | 0:15:22 | 0:15:23 | |
15. | 0:15:23 | 0:15:25 | |
1-5? | 0:15:25 | 0:15:26 | |
Is that the very best, 15? | 0:15:26 | 0:15:28 | |
I like that. "Is that your very best?" | 0:15:28 | 0:15:31 | |
We've bought two things in about 13 minutes, | 0:15:31 | 0:15:34 | |
so can you hold it for us for about 20 minutes? | 0:15:34 | 0:15:36 | |
-Yeah? -Thank you. -Thank you. You're very kind. | 0:15:36 | 0:15:40 | |
You're making this game look too easy, reds. | 0:15:40 | 0:15:44 | |
There is absolutely no pressure whatsoever. | 0:15:45 | 0:15:48 | |
I don't need the pressure to make you do anything because you'll do it anyway! Let's go. | 0:15:48 | 0:15:53 | |
I think you're right. Let's hide his glasses! | 0:15:53 | 0:15:56 | |
Just be careful, Jonathan. | 0:15:58 | 0:16:00 | |
Keep the pressure on. | 0:16:00 | 0:16:02 | |
Now, how far behind are those blues? | 0:16:02 | 0:16:05 | |
-How are you feeling, Joyce? -I'm getting panicky. | 0:16:06 | 0:16:08 | |
We got the first two so quickly. Now we can't find anything. | 0:16:08 | 0:16:12 | |
A confident start. What have we seen so far that's caught your eye? | 0:16:12 | 0:16:16 | |
I like the glass decanter we've bought. | 0:16:16 | 0:16:21 | |
-That's really... I'd like something more... -We've bought that. We need a third item. | 0:16:21 | 0:16:26 | |
-Have you seen anything? -Not really anything that's grabbed me. | 0:16:26 | 0:16:31 | |
-We'd better get our skates on. -Yeah. Let's find something. | 0:16:31 | 0:16:35 | |
We started in that corner. You could wander down here. | 0:16:37 | 0:16:41 | |
-Yes. -Have a look. | 0:16:41 | 0:16:43 | |
I can't see anything grabbing me at the moment. | 0:16:43 | 0:16:47 | |
-No. -Caroline, have you spotted something? | 0:16:47 | 0:16:50 | |
No! | 0:16:50 | 0:16:52 | |
That's quite fun. | 0:16:54 | 0:16:56 | |
I've seen a little bit of the... They've got the pair in the vase. | 0:16:56 | 0:17:01 | |
I love it! | 0:17:01 | 0:17:04 | |
I can tell what he likes cos he looks immediately at something else! | 0:17:04 | 0:17:07 | |
-Yeah. -He completely ignored me! -Did I? I'm sorry. -You carry on! | 0:17:07 | 0:17:12 | |
-So you want to buy a higher value piece, do you? -Yes. -If we can. | 0:17:12 | 0:17:17 | |
Let's push the boat out. | 0:17:17 | 0:17:19 | |
-What about that piece of glass? -No, I don't like that. | 0:17:20 | 0:17:24 | |
-You don't like it? -Well, I do and I don't. | 0:17:24 | 0:17:27 | |
-The colours are a bit... -Ask him who it's by. | 0:17:27 | 0:17:30 | |
Do you know who this one's by? | 0:17:30 | 0:17:33 | |
It's French. I bought it in Normandy | 0:17:33 | 0:17:35 | |
and the dealer's French, lives in Dunkirk and it's from a factory south of Dunkirk. | 0:17:35 | 0:17:41 | |
-He said it's about 1930's, '40s. -Right. | 0:17:41 | 0:17:44 | |
What would your very best be? | 0:17:44 | 0:17:47 | |
-What have I got on it? -45. | 0:17:47 | 0:17:48 | |
-I'll do you 40. -40. -Straight 40. | 0:17:48 | 0:17:52 | |
You didn't like this, did you? | 0:17:52 | 0:17:53 | |
It's grown on me. I know he's very controlling. | 0:17:53 | 0:17:57 | |
That's interesting. | 0:17:57 | 0:17:59 | |
What's going on here, Jonathan? Take control yourself, man! | 0:17:59 | 0:18:04 | |
-That mirror's nice, isn't it? -Is the mirror old? | 0:18:04 | 0:18:07 | |
-Is it a modern piece, or... -I'd say probably post Second World War. | 0:18:07 | 0:18:11 | |
Probably late '40s, early '50s, something like that. | 0:18:11 | 0:18:15 | |
-It's nice, though. -It's got a bevelled edge, which is nice. | 0:18:15 | 0:18:20 | |
-The peach glass is always quite Art Deco. -It's very nice. | 0:18:20 | 0:18:25 | |
Is the stall-holder about? | 0:18:25 | 0:18:27 | |
-I'm quite interested in this. -What's this? | 0:18:27 | 0:18:29 | |
-I think it's pressed glass. -Yes, moulded glass. | 0:18:29 | 0:18:32 | |
Does he care what we think? | 0:18:32 | 0:18:35 | |
What can you tell us about the mirror here? | 0:18:35 | 0:18:39 | |
-It's 1928. -That's earlier than I initially thought. | 0:18:39 | 0:18:43 | |
No, it's come out of somebody's house that we knew. | 0:18:43 | 0:18:47 | |
-Right. -That's how we know. It was given as a wedding present. | 0:18:47 | 0:18:52 | |
-which is really nice. -What sort of money is it? | 0:18:52 | 0:18:55 | |
-220. -220. | 0:18:55 | 0:18:56 | |
Might need a moment of reflection here, girls! | 0:18:56 | 0:19:00 | |
Let's stop picking things up now. | 0:19:00 | 0:19:02 | |
There's about ten minutes to go. | 0:19:02 | 0:19:04 | |
-Shall we just step over here and take five? -OK, yeah. | 0:19:04 | 0:19:08 | |
Don't forget your back-up plan, reds! | 0:19:08 | 0:19:11 | |
Time's ticking away. Only a few minutes left. | 0:19:11 | 0:19:14 | |
-Rather than shop now, which we've kind of done... -Yeah. | 0:19:14 | 0:19:18 | |
-A decision. -I say we go with the bowl. -You like the bowl? -I do. | 0:19:20 | 0:19:23 | |
-Yeah. Yeah. -Yeah? -That's the decision, yeah. | 0:19:23 | 0:19:28 | |
-That's your final answer? -See if we can ask him to go a bit cheaper. | 0:19:28 | 0:19:31 | |
Walk over there and see what you can do. | 0:19:31 | 0:19:33 | |
-Great! -That mirror's nice! | 0:19:34 | 0:19:36 | |
Oh, Darren, I thought you'd made a decision! | 0:19:36 | 0:19:41 | |
Do you like that? He's found something he really likes now! | 0:19:41 | 0:19:44 | |
Hang on a minute - am I seeing double here? | 0:19:49 | 0:19:51 | |
We've got to make a profit. Can you go down a little bit? | 0:19:53 | 0:19:56 | |
200? | 0:19:56 | 0:19:58 | |
Um... What do they say? | 0:20:00 | 0:20:03 | |
Lower? | 0:20:03 | 0:20:04 | |
Lower? | 0:20:04 | 0:20:06 | |
190? | 0:20:06 | 0:20:08 | |
-How about 195? -Personally I think we may well struggle at auction. | 0:20:08 | 0:20:13 | |
But it's nice. It might stand a chance. | 0:20:13 | 0:20:16 | |
-What do you think? -I think it's lovely. I like it. | 0:20:16 | 0:20:19 | |
-I'd spend... I'd buy it. -Well, there you go. | 0:20:19 | 0:20:22 | |
-I think it's something that's desirable to a lot of people. -Sure. | 0:20:22 | 0:20:27 | |
Do you want to do a deal? | 0:20:27 | 0:20:29 | |
-It's very unusual. -A bit lower maybe? | 0:20:29 | 0:20:32 | |
Well, I'll do it for 190 for you. | 0:20:32 | 0:20:36 | |
That'll give you a bit of an edge. I hope you do well with it. | 0:20:36 | 0:20:39 | |
-Is that OK? -Thank you very much. | 0:20:39 | 0:20:41 | |
Thank you. | 0:20:41 | 0:20:43 | |
Shock horror! The blues are done. | 0:20:43 | 0:20:46 | |
Any chance of a final decision here, reds? | 0:20:46 | 0:20:48 | |
-It's a new piece of glass. -Yeah. | 0:20:48 | 0:20:51 | |
It's stylish, it's good for the mantel. | 0:20:51 | 0:20:55 | |
My decision on this one would be, to be honest with you... | 0:20:55 | 0:20:59 | |
-The bowl. -No, I'd go for that. -Would you? -Yeah. | 0:20:59 | 0:21:01 | |
Why do you say that? | 0:21:01 | 0:21:03 | |
Because I'd like the bowl to be Murano or something like that, | 0:21:03 | 0:21:08 | |
and this is a strong design. | 0:21:08 | 0:21:10 | |
A strong design makes people part with money. | 0:21:10 | 0:21:13 | |
-That's good enough for me. -You stopped and said, "I like that." | 0:21:13 | 0:21:16 | |
-We did. -If only it had a bit more pizzazz. | 0:21:16 | 0:21:20 | |
What's your very best on this one? | 0:21:20 | 0:21:23 | |
-What have I got on it? 42. 35, then. -Would you do it for 30? | 0:21:23 | 0:21:28 | |
-I can't do it for that. 35 is the best, sorry. -32? | 0:21:28 | 0:21:31 | |
I can't, sorry. | 0:21:31 | 0:21:33 | |
Quickly! Make your minds up! | 0:21:33 | 0:21:35 | |
-I think we'll go for that. Do you? -Yeah. | 0:21:35 | 0:21:38 | |
-Agreed. -Definitely. | 0:21:38 | 0:21:41 | |
-Shake the man's hand quickly. -35. | 0:21:41 | 0:21:43 | |
Thank you very much indeed. | 0:21:43 | 0:21:46 | |
Thank you very much. | 0:21:46 | 0:21:47 | |
Well done. There we go. Let's get outta here! | 0:21:47 | 0:21:50 | |
-Well done. -Lunch! | 0:21:50 | 0:21:53 | |
And they've crossed the finish line! | 0:21:54 | 0:21:57 | |
Will it be a steward's inquiry? Will it be a photo finish? | 0:21:57 | 0:22:01 | |
Let's remind ourselves what the red team bought. | 0:22:01 | 0:22:05 | |
First for the reds was a drawing by local lad Bill Tidy for £70. | 0:22:05 | 0:22:10 | |
Let's hope it draws crowds at the auction! | 0:22:10 | 0:22:13 | |
At £40, the continental jug was a very quick second find. | 0:22:13 | 0:22:17 | |
But was it too hasty? | 0:22:17 | 0:22:19 | |
And right at the last minute, Darren struck again | 0:22:19 | 0:22:23 | |
with the Art Deco mirror for £35. | 0:22:23 | 0:22:25 | |
-How much did you spend? -£145. | 0:22:27 | 0:22:30 | |
I'd like £155 of leftover lolly. | 0:22:30 | 0:22:33 | |
Quite enough to buy half the fair. Got any ideas? | 0:22:33 | 0:22:36 | |
No! | 0:22:36 | 0:22:38 | |
-Come on! -He's confused me too much. I don't know. I can top all that. | 0:22:38 | 0:22:43 | |
He always says he has no ideas then comes up with something wizard. | 0:22:43 | 0:22:47 | |
-Had a good day? -Fantastic. -So far. -Really enjoyed it. | 0:22:47 | 0:22:50 | |
The best bit is to come in the auction. | 0:22:50 | 0:22:52 | |
Very good luck. | 0:22:52 | 0:22:53 | |
Meanwhile, why don't we check out what the blue team bought, eh? | 0:22:53 | 0:22:57 | |
The blues' first buy was a glass decanter by Joel Philip Myers. | 0:22:59 | 0:23:05 | |
Quickly followed by a set of coffee bean spoons bought for a tenner. | 0:23:06 | 0:23:11 | |
And finally, a 1930s moulded mirror caught their attention for a whopping £190! | 0:23:13 | 0:23:20 | |
-How much did you spend all round? -245. | 0:23:21 | 0:23:24 | |
245. Can I have £55 of leftover lolly? | 0:23:24 | 0:23:27 | |
From Mum. Well done. | 0:23:27 | 0:23:29 | |
55 smackers. That's enough to go and make a dent! | 0:23:29 | 0:23:33 | |
Thanks very much. I appreciate that. I know what I'm going to buy. | 0:23:33 | 0:23:36 | |
-Tease us with a hint. -No. -Ceramics? -It's a surprise. | 0:23:36 | 0:23:40 | |
A surprise. You're so good, Henry. | 0:23:40 | 0:23:42 | |
Very good luck, girls. Meanwhile, we're heading off not very far. | 0:23:42 | 0:23:47 | |
A couple of miles down the road into the middle of Liverpool to the Walker Art Gallery. | 0:23:47 | 0:23:52 | |
Ooh, ah! | 0:23:52 | 0:23:53 | |
Liverpool has no less than seven absolutely fabulous top-drawer museums | 0:24:00 | 0:24:06 | |
each of which has its own story to tell. | 0:24:06 | 0:24:09 | |
This one owes its existence to a rather clever brewer | 0:24:12 | 0:24:17 | |
who wanted to add respectability to his trade | 0:24:17 | 0:24:19 | |
by lending his name to the arts. | 0:24:19 | 0:24:21 | |
Within 20 years of its opening, | 0:24:23 | 0:24:25 | |
the Walker Art Gallery had become one of the most important outside London. | 0:24:25 | 0:24:30 | |
The Liverpudlian industrialists just loved endowing their local gallery. | 0:24:30 | 0:24:38 | |
They were, in fact, showing their credentials in terms of taste. | 0:24:38 | 0:24:43 | |
And there's no more tasteful painting, I fancy, | 0:24:43 | 0:24:48 | |
than this to show in your gallery. | 0:24:48 | 0:24:51 | |
Frederic Lord Leighton, no less, was commissioned to paint this specifically for this gallery | 0:24:51 | 0:24:58 | |
by an industrialist called Kurtz. | 0:24:58 | 0:25:01 | |
Kurtz wanted the very, very best of art to come here | 0:25:01 | 0:25:07 | |
to the gallery - and by golly, he got it. | 0:25:07 | 0:25:10 | |
Elijah in the Wilderness, | 0:25:10 | 0:25:13 | |
where he had been chased by that beastly Jezebel. | 0:25:13 | 0:25:17 | |
This is the moment when God has sent down an angel with refreshments. | 0:25:17 | 0:25:23 | |
Here's a thoroughly gorgeous image. | 0:25:25 | 0:25:28 | |
These delicious bright colours. | 0:25:28 | 0:25:32 | |
And we've got the dear nymph Echo. | 0:25:32 | 0:25:35 | |
Unfortunately for her, | 0:25:35 | 0:25:37 | |
she fell in love with this ghastly youth, Narcissus. | 0:25:37 | 0:25:41 | |
Narcissus refused to have her | 0:25:41 | 0:25:44 | |
and as a result, he was punished by the gods | 0:25:44 | 0:25:48 | |
who made him fall in love with the reflection of himself | 0:25:48 | 0:25:52 | |
and every time he tries to touch this beautiful thing he's fallen in love with, | 0:25:52 | 0:25:57 | |
of course his hand goes into the water and the image disappears. | 0:25:57 | 0:26:02 | |
'Tis a tragedy! | 0:26:02 | 0:26:05 | |
But it was not a tragedy for the trustees of this gallery. | 0:26:05 | 0:26:09 | |
Every year they had an exhibition, a selling exhibition, | 0:26:09 | 0:26:13 | |
and the works that they sold generated income | 0:26:13 | 0:26:17 | |
and that income they reinvested in works of art | 0:26:17 | 0:26:21 | |
to further enhance the collection. | 0:26:21 | 0:26:23 | |
Which is exactly what they did here | 0:26:23 | 0:26:25 | |
with this picture. | 0:26:25 | 0:26:27 | |
And by gosh, did they do a good job! | 0:26:27 | 0:26:30 | |
An additional route for works of art to the Walker Art Gallery, | 0:26:32 | 0:26:35 | |
of course, was by bequest. | 0:26:35 | 0:26:38 | |
You decide in your will that you're going to endow the local gallery with your favourite picture | 0:26:38 | 0:26:44 | |
and hence, here at the Walker, | 0:26:44 | 0:26:47 | |
they happen to be lucky enough to have John Brett's Stonebreaker. | 0:26:47 | 0:26:51 | |
Here we have an iconic 1850s picture | 0:26:51 | 0:26:56 | |
that represents all the very best of the pre-Raphaelite movement. | 0:26:56 | 0:27:02 | |
Bequeathed by Mrs Jane Barrow in 1918. | 0:27:02 | 0:27:08 | |
Thank goodness she did it. | 0:27:08 | 0:27:10 | |
Otherwise it could be, who knows, anywhere. | 0:27:10 | 0:27:14 | |
The big question is, of course, how are our teams going to be getting on today over in the auction. | 0:27:14 | 0:27:20 | |
Are you ready, Bargain Hunters? | 0:27:22 | 0:27:24 | |
This is my favourite bit! | 0:27:24 | 0:27:26 | |
We've come about an hour-and-a-half south of Liverpool and Aintree by car | 0:27:29 | 0:27:34 | |
to the heart of Cheshire, in Nantwich. | 0:27:34 | 0:27:36 | |
We're in Peter Wilson's excellent sale room to be with our hero and leader today, Robert Stones. | 0:27:36 | 0:27:43 | |
-You're too kind, Tim! -The red team, Darren and Andrea, | 0:27:43 | 0:27:46 | |
have gone with this cartoon. | 0:27:46 | 0:27:48 | |
Do you know this artist, Bill Tidy? | 0:27:48 | 0:27:52 | |
He was actually a Cheshire man, so there's a local connection there. | 0:27:52 | 0:27:57 | |
Essentially, he was an amazing chap. | 0:27:57 | 0:28:00 | |
He had an MBE, he was a cartoon strip writer, | 0:28:00 | 0:28:04 | |
he did stuff for Private Eye. | 0:28:04 | 0:28:06 | |
He was a broadcaster, radio and TV. | 0:28:06 | 0:28:10 | |
A very, very talented man. | 0:28:10 | 0:28:12 | |
That is quite a big piece of work by him, but I'm sure a lot of people would be delighted to have | 0:28:12 | 0:28:18 | |
-this man's work hanging on their wall. -What's it worth? | 0:28:18 | 0:28:21 | |
-80 to 120. -They paid 70, so that's a smart move, isn't it? -Good. | 0:28:21 | 0:28:25 | |
Next item, which I think is absolutely divine, | 0:28:25 | 0:28:29 | |
is this faience, or majolica, or tin glaze, call it what you like. | 0:28:29 | 0:28:35 | |
-This tin glaze jug. -Yes. | 0:28:35 | 0:28:38 | |
I do like the decoration on it. I don't think it's that old, though. | 0:28:38 | 0:28:42 | |
-I don't know how you feel, but to me... -'30s? | 0:28:42 | 0:28:45 | |
-Yeah. -1930s? -That's it. It's not something that's 19th-century or earlier. -How much? | 0:28:45 | 0:28:52 | |
-20 to 40. -Is that all? | 0:28:52 | 0:28:53 | |
-£40 they paid. -They might be all right. | 0:28:53 | 0:28:57 | |
What about this Art Deco spelter menu frame? | 0:28:57 | 0:29:01 | |
These things are quite popular. I have to say I took the precaution | 0:29:01 | 0:29:06 | |
of taking it apart, just to check whether these are spelter or bronze. | 0:29:06 | 0:29:11 | |
They are, sadly, spelter. That cheapens it a bit, but it's decorative. | 0:29:11 | 0:29:17 | |
Nice bit of marble it stands on. I think 50 to 100. | 0:29:17 | 0:29:20 | |
-£35 paid. -Well done. | 0:29:20 | 0:29:22 | |
-So what they might lose on the big jug, they'll make up on the Deco stand. -Let's hope so. | 0:29:22 | 0:29:28 | |
If it all turns awry, we can go with the bonus buy. Here it comes. | 0:29:28 | 0:29:33 | |
Darren and Andrea. | 0:29:34 | 0:29:36 | |
You spent 145. You gave the man £155. What did he buy? Jonathan? | 0:29:36 | 0:29:41 | |
-Wow. -That's a nice box! | 0:29:44 | 0:29:46 | |
A little gold, diamond and sapphire | 0:29:48 | 0:29:52 | |
and a little seed pearl, possibly a cultured pearl, | 0:29:52 | 0:29:55 | |
stick pin in the form of a golf club. | 0:29:55 | 0:29:58 | |
Lovely. That's lovely. | 0:29:58 | 0:30:01 | |
-Is it the original box? -The box is dated on the top, 8 Dec, '38, | 0:30:01 | 0:30:06 | |
the right date for it. It fits beautifully. | 0:30:06 | 0:30:09 | |
-I'd say the original box. -How much? -How much? I paid £60. | 0:30:09 | 0:30:14 | |
-Right. -You said, "Ooh, that's a bargain." | 0:30:14 | 0:30:18 | |
There you go. Have a look. | 0:30:18 | 0:30:21 | |
What do you think that will fetch, then? | 0:30:21 | 0:30:24 | |
I like to think it's worth £100 on a good day. | 0:30:24 | 0:30:26 | |
-Is there a hallmark? -Nothing on it. -Lovely box. I really like it. A pin in a box. | 0:30:26 | 0:30:31 | |
OK, we'll just have the box, then. | 0:30:31 | 0:30:33 | |
We'll split the lot! | 0:30:33 | 0:30:34 | |
Smashing. | 0:30:35 | 0:30:36 | |
-You're keen on that? -I like it. -Hold that thought. | 0:30:36 | 0:30:40 | |
For viewers at home, let's see what the auctioneer thinks of Jonathan's stick pin. | 0:30:40 | 0:30:44 | |
There you go, Robert. | 0:30:44 | 0:30:46 | |
-What about that for a bit of... -It's delightful. | 0:30:46 | 0:30:49 | |
It's not hallmarked gold, but I'm absolutely confident it is. | 0:30:49 | 0:30:54 | |
-A charming thing in a little box. What could be nicer? -Clever Jonathan. | 0:30:54 | 0:31:00 | |
-What's the estimate? -60 to 100. | 0:31:00 | 0:31:02 | |
-£60 he paid. -Good buy. | 0:31:02 | 0:31:05 | |
The team have to decide to go with it. | 0:31:05 | 0:31:07 | |
If they go with it, I'm sure they'll make a substantial profit. | 0:31:07 | 0:31:11 | |
Brilliant. Anyway, that's it for the reds. Now for the blues. | 0:31:11 | 0:31:16 | |
You've got this stylish decanter | 0:31:16 | 0:31:19 | |
that's said to be by Joel Philip Myers. | 0:31:19 | 0:31:22 | |
Yes. Scandinavian glass designer. | 0:31:22 | 0:31:25 | |
I know some people might find this hard to believe, | 0:31:25 | 0:31:30 | |
but I really rate this Scandinavian glass. It's very collectable. | 0:31:30 | 0:31:33 | |
Made in the '70s. He was a real hero | 0:31:33 | 0:31:37 | |
in glass terms for making and designing. | 0:31:37 | 0:31:40 | |
-I think that's a really good thing. -What's it worth, then, Robert? | 0:31:40 | 0:31:44 | |
-We put 20 to £30 on it. -After all that build-up? | 0:31:44 | 0:31:47 | |
-How much did they pay for it? -£45. -Did they? | 0:31:47 | 0:31:50 | |
I hope they get out of trouble with it. It's good. | 0:31:50 | 0:31:52 | |
Next, I'm not so sure about these. Silver-plated bean end coffee spoons. | 0:31:52 | 0:31:58 | |
These are everywhere. If I had a pound for every box of these that I'd seen, | 0:31:58 | 0:32:04 | |
-it would be a lot of money! -What have you put on them? | 0:32:04 | 0:32:07 | |
-Ten to £15. -£5 is what they paid so they'll be happy with that. | 0:32:07 | 0:32:12 | |
Moving on, their last item is the Art Deco mirror. | 0:32:12 | 0:32:15 | |
Yes. 1930s, maybe, something like that. | 0:32:15 | 0:32:19 | |
Frameless mirrors don't make a lot of money. | 0:32:19 | 0:32:21 | |
But that bit of amber glass at the top, the bevelled edge, | 0:32:21 | 0:32:25 | |
that bit of engraving, the nice splashing wave effect on it, will help its cause. | 0:32:25 | 0:32:32 | |
-I don't think it's such a bad thing, really. -Oh, good. What's your most optimistic estimate? | 0:32:32 | 0:32:38 | |
-We've said about 20 to £40 on that. -How much?! | 0:32:38 | 0:32:40 | |
-20 to 40. -Is that what you said? -Yes. | 0:32:40 | 0:32:45 | |
-Is that good enough? -No! £190 they paid! | 0:32:45 | 0:32:48 | |
-What?! -That's what I mean! | 0:32:48 | 0:32:51 | |
£190. Have we got the right mirror? | 0:32:53 | 0:32:55 | |
Yes, it's the right mirror. I can tell you it's the right mirror! | 0:32:55 | 0:32:59 | |
-190. Is that a fact? -Yeah! | 0:32:59 | 0:33:01 | |
-£190. -I'm not happy! | 0:33:01 | 0:33:03 | |
I'm not happy at 20 to £40. There is no question about them needing their bonus buy. | 0:33:03 | 0:33:08 | |
Let's have a look at it. | 0:33:08 | 0:33:10 | |
-Cor, this is exciting, isn't it? -Yes. | 0:33:11 | 0:33:15 | |
You gave Henry £55. Henry, what did you spend it on? | 0:33:15 | 0:33:17 | |
What do you think to this? | 0:33:17 | 0:33:20 | |
Very nice, yes. | 0:33:20 | 0:33:21 | |
It's an Arts & Crafts copper dish. Dates to about 1900. | 0:33:21 | 0:33:25 | |
It's got hammered decoration, called planishing. | 0:33:25 | 0:33:28 | |
What do you think I paid for it? | 0:33:28 | 0:33:30 | |
-Ooh, I don't know. -£30? | 0:33:30 | 0:33:33 | |
I paid 15 quid. | 0:33:33 | 0:33:35 | |
-Wow. -That's good. | 0:33:35 | 0:33:37 | |
Have a look. See what you think. | 0:33:37 | 0:33:39 | |
Yeah, it's nice, isn't it? | 0:33:39 | 0:33:41 | |
It's the sort of thing collectors are after. Unfortunately it's not signed. | 0:33:41 | 0:33:47 | |
But it's a lovely decoration and a good interesting piece. | 0:33:47 | 0:33:51 | |
It's really rustic, isn't it? | 0:33:51 | 0:33:53 | |
-It's got a good quality. -Nice charm to it. | 0:33:53 | 0:33:56 | |
-Does it sing to you, Caroline? -It does. It's singing to me, yeah. | 0:33:56 | 0:34:00 | |
Anyway, hold on to that thought | 0:34:00 | 0:34:03 | |
while we find out from the auctioneer, for viewers at home, | 0:34:03 | 0:34:07 | |
what he thinks about Henry's dish. | 0:34:07 | 0:34:10 | |
A nice little bit of Arts & Crafts for you. | 0:34:11 | 0:34:14 | |
It is, essentially, hand-made. We can tell it's hand-made | 0:34:14 | 0:34:18 | |
by all that chasing and hammering that's going on. | 0:34:18 | 0:34:22 | |
That is something really going in its favour. | 0:34:22 | 0:34:25 | |
-So how much? -We said 20 to 40 on that. | 0:34:25 | 0:34:27 | |
-Perfect. Our Henry went for that at £15. -Yes. Good stuff. | 0:34:27 | 0:34:33 | |
-If the team decide to go with it. -I hope so. -That will be their challenge. Thank you. | 0:34:33 | 0:34:38 | |
Thanks, Tim. | 0:34:38 | 0:34:40 | |
-Darren, Andrea. How are you feeling? -Excited. -Are you? -And nervous. | 0:34:44 | 0:34:49 | |
-You're not that confident, then? -I don't know. I'm just worried! | 0:34:49 | 0:34:53 | |
Your first item coming up is the Tidy sketch. Here it comes. | 0:34:53 | 0:34:58 | |
What may we say for it? Super thing. £70 bid straightaway. | 0:34:58 | 0:35:01 | |
The bid's here at £70. | 0:35:01 | 0:35:03 | |
75 anywhere? | 0:35:03 | 0:35:05 | |
At 75. Your bid at 75. Bid's there at 75. | 0:35:05 | 0:35:08 | |
80 do I hear? 75 there. 80 in a fresh place. 85 now? | 0:35:08 | 0:35:11 | |
85? 85. 85. | 0:35:11 | 0:35:13 | |
90 now? 85 there. At 85. | 0:35:13 | 0:35:15 | |
90 do I hear? | 0:35:15 | 0:35:17 | |
85. Bid's there at £85. It will be sold. | 0:35:17 | 0:35:19 | |
At 85. | 0:35:19 | 0:35:20 | |
Plus 15. Now the faience jug. | 0:35:20 | 0:35:23 | |
Lot 177. | 0:35:23 | 0:35:25 | |
This continental faience pottery jug. | 0:35:25 | 0:35:29 | |
£20 to start it off, please, at 20. | 0:35:29 | 0:35:31 | |
20 anywhere? 20 bid straightaway. 25. | 0:35:31 | 0:35:34 | |
30 now? Yes, 30 bid. 35. 40 now? | 0:35:34 | 0:35:37 | |
40 bid. 45? At 40. The bid's there at 40. Five anywhere else? | 0:35:37 | 0:35:41 | |
-Let's get a profit out of it! -At £40. It will be sold. | 0:35:41 | 0:35:44 | |
45 on the internet. 50 I have. 55. | 0:35:44 | 0:35:47 | |
55 now do I hear? | 0:35:47 | 0:35:49 | |
At 55, surely? | 0:35:49 | 0:35:51 | |
-At 55. 55. -Go on! | 0:35:51 | 0:35:53 | |
55. | 0:35:53 | 0:35:55 | |
55. | 0:35:55 | 0:35:56 | |
At 55. The bid's there. No? 50... | 0:35:56 | 0:35:59 | |
55! 55. | 0:35:59 | 0:36:02 | |
-60 now? 60. 65? -Yes. | 0:36:02 | 0:36:04 | |
65, yes? | 0:36:04 | 0:36:05 | |
65. I cannot wait much longer. | 0:36:05 | 0:36:09 | |
At £60. | 0:36:09 | 0:36:10 | |
Sold. | 0:36:10 | 0:36:11 | |
£60. I'm pleased at that. £60. That's plus 20. | 0:36:11 | 0:36:15 | |
Now, we want this mirror stand to do well. | 0:36:15 | 0:36:18 | |
£100. I've got several bids on this. £100 to start it. | 0:36:18 | 0:36:21 | |
£100 I'm bid. At £100. And ten is there now? | 0:36:21 | 0:36:24 | |
£100 I'm bid straightaway. At £100. Ten now do I hear? | 0:36:24 | 0:36:28 | |
At 100 only. At £100. And ten anywhere? | 0:36:28 | 0:36:30 | |
Several competing bids on this. That's why I'm starting at 100. | 0:36:30 | 0:36:34 | |
At £100 only, then. | 0:36:34 | 0:36:36 | |
Are we all done at 100 only? It will be sold then at 100. | 0:36:36 | 0:36:39 | |
-All quiet. -Look at that! | 0:36:39 | 0:36:41 | |
Plus £65! Darren, you should give up baking! | 0:36:41 | 0:36:45 | |
-Try taking up antiques. -Don't tell the boss! | 0:36:45 | 0:36:48 | |
That is very, very handy, isn't it? | 0:36:48 | 0:36:51 | |
-Three profits. That's special. -Let's go for the gavel. | 0:36:51 | 0:36:54 | |
-Golden gavel. -The golden gavel. There's a thought. | 0:36:54 | 0:36:57 | |
-You have to wait your turn. -Does it exist? | 0:36:57 | 0:37:00 | |
It does. Five, ten. That's ten. | 0:37:00 | 0:37:03 | |
Seven, nine, ten. | 0:37:03 | 0:37:05 | |
Does that make £100 profit? | 0:37:05 | 0:37:07 | |
It is. It's a round ton! | 0:37:07 | 0:37:10 | |
-I'm going to cry. -That's quite something. | 0:37:10 | 0:37:12 | |
-Go on, cry. Cry for the television! -Does it make good TV? | 0:37:12 | 0:37:16 | |
Seriously, that's pretty good. Plus 100. | 0:37:16 | 0:37:20 | |
-What about the stick pin? Quickly! -We'll have a go. -Go for it. | 0:37:20 | 0:37:24 | |
-Go for it. -You're going for it. It's a risky thing. | 0:37:24 | 0:37:27 | |
-It's £60. Are you going with it? -Yeah -Going with it. | 0:37:27 | 0:37:29 | |
-Here it comes. -A stick pin. We really like this. | 0:37:29 | 0:37:33 | |
Where are the golfing people? £60 bid straightaway. 65. 70? | 0:37:33 | 0:37:38 | |
-Is that a profit? -At £70 anywhere? -Yeah. | 0:37:38 | 0:37:40 | |
At 70 bid. At 70. Five anywhere now? | 0:37:40 | 0:37:43 | |
At £70. This is value. | 0:37:43 | 0:37:45 | |
At £70 only. Five anywhere? | 0:37:45 | 0:37:47 | |
75. Well done. | 0:37:47 | 0:37:49 | |
75. 80. 85. | 0:37:49 | 0:37:52 | |
90. 95? | 0:37:52 | 0:37:53 | |
95, yes? At £90. At 90. Five anywhere? | 0:37:53 | 0:37:58 | |
At £90. It will be sold at 90. | 0:37:58 | 0:38:00 | |
-Yes. £90! -Yay! -Get in there! | 0:38:00 | 0:38:02 | |
I think everybody deserves a kiss! | 0:38:02 | 0:38:05 | |
I'm not kissing you! | 0:38:07 | 0:38:08 | |
Well done. Very good. | 0:38:09 | 0:38:11 | |
Very good service. Fantastic. | 0:38:11 | 0:38:13 | |
Listen, don't say a word to the blues. | 0:38:13 | 0:38:15 | |
-Hush-hush. -Calm. -Mum's the word. | 0:38:15 | 0:38:18 | |
Off to the 19th hole! | 0:38:18 | 0:38:20 | |
I'll just run through your items. | 0:38:27 | 0:38:29 | |
Your Joel Philip Myers decanter, everybody loves that. | 0:38:29 | 0:38:34 | |
He's only put 20 to £30 on it. £40 is what you paid. | 0:38:34 | 0:38:37 | |
I think you should make a small profit. It's delightful. | 0:38:37 | 0:38:40 | |
-The plated coffee bean spoons he's put 10 to £15 on. -That's about right. | 0:38:40 | 0:38:45 | |
But the big dark hole that's opening up is the Deco mirror. £190 paid for that. | 0:38:45 | 0:38:51 | |
-He's put 20 to 40 on it. -Oh, my goodness! | 0:38:51 | 0:38:54 | |
-Only 20 to 40. That is a painful prospect. -Oh, my God. How embarrassing! | 0:38:54 | 0:39:00 | |
Anyway. Here it comes, the decanter. Let's get going. | 0:39:00 | 0:39:03 | |
The wonderful decanter by Philip Myers. What may we say? | 0:39:03 | 0:39:10 | |
I've got £40 bid for it straightaway. | 0:39:10 | 0:39:12 | |
The bid's here at £40. 45 is there now? | 0:39:12 | 0:39:15 | |
Bid here at £40. 45 is there now? 45 do I hear? | 0:39:15 | 0:39:18 | |
At £40 only. It's going to be sold. Are you happy? At £40 only. | 0:39:18 | 0:39:22 | |
£40. I thought it would have done better. At £40. Last chance. | 0:39:22 | 0:39:26 | |
At £40. Being sold at £40. | 0:39:26 | 0:39:28 | |
You're only £5 off. £40 is OK. | 0:39:28 | 0:39:30 | |
Better than his estimate. £40 is minus five. | 0:39:30 | 0:39:33 | |
Here comes the beans. | 0:39:33 | 0:39:35 | |
Who'll give me £5 for these? Five anywhere? Five bid. | 0:39:35 | 0:39:38 | |
At £5. Five. Eight. Ten. | 0:39:38 | 0:39:41 | |
-12. At £12 your bid. -Small profit. | 0:39:41 | 0:39:43 | |
15 anywhere else? At 12, the bid's there. £12. | 0:39:43 | 0:39:46 | |
-15. -You're in profit. -15. 18? | 0:39:46 | 0:39:49 | |
-You know your coffee spoons! -£15. It's going to be sold. £15. All done. | 0:39:49 | 0:39:54 | |
£15. That's plus £5. You have no profit, no losses. | 0:39:54 | 0:39:59 | |
You're absolutely square until we come to the mirror! | 0:39:59 | 0:40:03 | |
A 1930s circular mirror. Several bids on this. | 0:40:03 | 0:40:06 | |
I start the bidding at £40. 40 I'm bid. 45 is it now? | 0:40:06 | 0:40:09 | |
£40 I'm bid. At 40 and five? | 0:40:09 | 0:40:11 | |
At £40 I'm bid. At 40. Five anywhere? | 0:40:11 | 0:40:13 | |
At £40 only. The bid's with me at £40. 45 anywhere? | 0:40:13 | 0:40:16 | |
At £40 only. And five quickly? | 0:40:16 | 0:40:19 | |
-At £40 it's going to be sold. -There's going to be bad feeling! | 0:40:19 | 0:40:22 | |
At £40. 45 anywhere? | 0:40:22 | 0:40:24 | |
At £40 only, then. At 40. | 0:40:24 | 0:40:26 | |
I thought it was only broken mirrors that brought bad luck! | 0:40:26 | 0:40:30 | |
£150 down. | 0:40:30 | 0:40:34 | |
-Going with the bonus buy, yes? -We are, definitely. | 0:40:34 | 0:40:37 | |
Let's hope that it's by Pearson and is a hidden treasure | 0:40:37 | 0:40:40 | |
that makes £150 profit. Here it is. | 0:40:40 | 0:40:42 | |
Copper plaque. Hand-made. | 0:40:42 | 0:40:45 | |
Arts & Crafts design. What may we say for it? | 0:40:45 | 0:40:47 | |
How much is there for it? Ten to start it off. At £10 only and ten? | 0:40:47 | 0:40:52 | |
Yes, £10 bid straightaway. 12 is it now? | 0:40:52 | 0:40:55 | |
At ten. 12. 15. 18. 20. It's a nice thing. | 0:40:55 | 0:40:58 | |
-22 bid there. 22. 25 anywhere? -It's still cheap. | 0:40:58 | 0:41:01 | |
22 bid there. 25, fresh bidder. 28. | 0:41:01 | 0:41:04 | |
30 bid. | 0:41:04 | 0:41:05 | |
32? At 30. | 0:41:05 | 0:41:07 | |
Bid's there. Your bid. £30 and will be sold. | 0:41:07 | 0:41:09 | |
At £30, then. All quiet at £30. Being sold at 30. | 0:41:09 | 0:41:13 | |
Yes! Well done, Henry. You've doubled your money. | 0:41:13 | 0:41:17 | |
Plus £15 on that which takes you to minus 135. That's not too bad(!) | 0:41:17 | 0:41:22 | |
-Don't say anything to the reds. -We won't. -Don't spoil their day! | 0:41:22 | 0:41:27 | |
Well, well, well. What fun we've had today. Been chatting? | 0:41:32 | 0:41:36 | |
-No. -No. -It's lovely | 0:41:36 | 0:41:39 | |
when each of the experts make a profit on their bonus buys. | 0:41:39 | 0:41:42 | |
Congratulations, lads. | 0:41:42 | 0:41:44 | |
But there is a world of difference between 'em score-wise. | 0:41:44 | 0:41:50 | |
The victors today are the reds with plus £130. | 0:41:50 | 0:41:55 | |
How can one team make £130-worth of profit, | 0:41:55 | 0:42:00 | |
and the other team make £135 of losses? Anyway, there we are. | 0:42:00 | 0:42:04 | |
If the mirror only hadn't bombed, you would have stood a good chance. | 0:42:04 | 0:42:08 | |
But it let you down. | 0:42:08 | 0:42:09 | |
-I'm really sorry about that. Let's not dwell on it. -No. | 0:42:09 | 0:42:13 | |
-The answer is, don't go for Art Deco mirrors. -No. | 0:42:13 | 0:42:15 | |
-I hope you had a nice time. -Great time. -Did you enjoy it? -Yes. | 0:42:15 | 0:42:19 | |
Loved having you on the show. But now I'm going to hand out £130. Look at this! | 0:42:19 | 0:42:25 | |
-Good, isn't it? -Smashing. | 0:42:25 | 0:42:27 | |
I can't remember the last time a team made a profit on each item and the bonus buy! | 0:42:27 | 0:42:32 | |
It's unbelievable! | 0:42:32 | 0:42:34 | |
As a result, you get one of these vaunted golden gavels. | 0:42:34 | 0:42:38 | |
-Except we haven't got any more golden gavels. So we give out pins to go on your bosoms. -OK. | 0:42:38 | 0:42:45 | |
-Andrea, there's one for your bosom. -Thank you very much. | 0:42:45 | 0:42:48 | |
-There's one for your bosom, and JP, there's one for your bosom. -Thank you. | 0:42:48 | 0:42:53 | |
That's good going. You can walk up your high street and wear that with pride! | 0:42:53 | 0:42:58 | |
-And explain to everybody that you made a profit on all your lots on Bargain Hunt. -Yay! | 0:42:58 | 0:43:03 | |
-How about that? -Brilliant. | 0:43:03 | 0:43:04 | |
It's a topping day and I congratulate you. | 0:43:04 | 0:43:07 | |
Join us soon for some more bargain hunting. Yes? | 0:43:07 | 0:43:10 | |
Yes! | 0:43:10 | 0:43:12 | |
Subtitles by Red Bee Media Ltd | 0:43:29 | 0:43:33 |