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Today we're at the Jaguar Antiques and Collectors Fair at Wetherby Racecourse. | 0:00:04 | 0:00:09 | |
So we're under starter's orders, all bets are on, | 0:00:09 | 0:00:13 | |
but which team will pick up the jackpot? Let's go bargain hunting! Yeah! | 0:00:13 | 0:00:18 | |
Let's take a peek at all the fun and games coming up later. | 0:00:45 | 0:00:50 | |
'The Red Team leave it all to the last minute.' | 0:00:51 | 0:00:53 | |
Sell us something. | 0:00:53 | 0:00:56 | |
'While the Blues need a guiding hand.' | 0:00:56 | 0:00:58 | |
Where are they going? | 0:00:58 | 0:01:00 | |
'And who will be celebrating after the auction?' | 0:01:00 | 0:01:04 | |
Here at the races, our two teams each have £300 | 0:01:04 | 0:01:08 | |
to flutter on three items in only one hour. | 0:01:08 | 0:01:12 | |
Then they're off to the auction. | 0:01:12 | 0:01:14 | |
The team wins that makes the most profits. | 0:01:14 | 0:01:18 | |
But who will pull up short of the finish? | 0:01:18 | 0:01:21 | |
Who will progress and romp home to victory? | 0:01:21 | 0:01:24 | |
-Let's go and meet them. -HE NEIGHS | 0:01:24 | 0:01:27 | |
-Now, Helen, you are great-aunt to Chris. -I am. | 0:01:32 | 0:01:37 | |
-So explain this family connection. -I am married to his great-uncle. | 0:01:37 | 0:01:42 | |
-Are you? -Yes. -Well, that explains it. -It does, perfectly. | 0:01:42 | 0:01:46 | |
-And you get on well, do you? -Oh, he's a lovely boy. -Tremendously. | 0:01:46 | 0:01:50 | |
You're a retired head teacher. What do you do with your time now, Helen? | 0:01:50 | 0:01:55 | |
Oh, I do lots of things. I do lots of charity work, | 0:01:55 | 0:01:58 | |
I'm in the local dramatics society, I know it's hard to believe, | 0:01:58 | 0:02:01 | |
and the operatic society and I raise money for charity by telling people's fortunes. | 0:02:01 | 0:02:07 | |
-Do you? So do I have to cross your palm with silver before I get a response? -Possibly. | 0:02:07 | 0:02:15 | |
-How do you see things going for you today? -Extremely well. | 0:02:15 | 0:02:18 | |
-Have you read... -I have read the cards. The wheel of fortune. | 0:02:18 | 0:02:21 | |
Chris, I understand that you work in props. | 0:02:21 | 0:02:24 | |
Yes, I currently work in props. It's a relatively new job, I've only been there three months. | 0:02:24 | 0:02:29 | |
-Where's there? -Er, it's working at a different TV production company to this. | 0:02:29 | 0:02:35 | |
-Ah, yes. -But it's mainly involving moving scenery around, | 0:02:35 | 0:02:39 | |
refilling pint glasses and making sure that something's in the right hand and not the wrong hand. | 0:02:39 | 0:02:44 | |
-So you're the continuity master. -Kind of, yeah. In a sense. | 0:02:44 | 0:02:48 | |
You said it's a relatively new job, so what were you doing before doing props | 0:02:48 | 0:02:53 | |
with this incredibly successful country-based programme that happens to have "dale" in its title? | 0:02:53 | 0:02:59 | |
Previous to working there, I worked at Warwick Castle as a Trebuchet Master, | 0:02:59 | 0:03:04 | |
which is a medieval catapult. | 0:03:04 | 0:03:07 | |
I delivered tours and talks. And I was once even a children's entertainer as a jester. | 0:03:07 | 0:03:12 | |
-Were you? -So I very much enjoy that side of it, as well. | 0:03:12 | 0:03:15 | |
-What sort of a team do you think you're going to make with your aunt? -I think I'll be the calming factor. | 0:03:15 | 0:03:21 | |
-I'm quite laidback. -You think your auntie's a bit excitable? | 0:03:21 | 0:03:24 | |
-Definitely. -Well, you know what these headmistresses are like. -Exactly. | 0:03:24 | 0:03:29 | |
-Anyway, very, very good luck. -Thank you. | 0:03:29 | 0:03:31 | |
Meanwhile, we've got the father and daughter combo from heaven, Adrian and Jess. | 0:03:31 | 0:03:37 | |
-How are you, kids? -BOTH: Good, thank you. -Lovely. | 0:03:37 | 0:03:40 | |
-So, Tottenham Hotspur is your team. -Yes. | 0:03:40 | 0:03:42 | |
In my case, since birth, and in the kids' case, | 0:03:42 | 0:03:46 | |
they either support Spurs or live elsewhere. That was the choice. | 0:03:46 | 0:03:50 | |
That's fair enough. Now, when not supporting Spurs what do you get up to, Adrian? | 0:03:50 | 0:03:56 | |
Well, sadly and boringly, football also. | 0:03:56 | 0:03:58 | |
I'm heavily involved in running a semi-pro football team in West Yorkshire | 0:03:58 | 0:04:03 | |
down at Guiseley, which is only about 20 miles away from here. | 0:04:03 | 0:04:06 | |
Yeah. Are you coach or what? | 0:04:06 | 0:04:09 | |
I have been on that side, but I'm more or less general manager now | 0:04:09 | 0:04:13 | |
so dealing with players and development of the club. | 0:04:13 | 0:04:16 | |
-Do you collect anything, Adrian? -Yes. I'm very keen on militaria | 0:04:16 | 0:04:19 | |
but I'm also very keen on history books. | 0:04:19 | 0:04:22 | |
Post-French Revolution, European History by and large. | 0:04:22 | 0:04:25 | |
-My wife counts them on a regular basis and I think we've just passed 600. -Oh, dear. | 0:04:25 | 0:04:31 | |
-That's a lot of shelf space. -Yes. | 0:04:31 | 0:04:33 | |
-Now, Jess, tell me about yourself. What do you do for a living? -I am a trainee assistant manager at a pub | 0:04:33 | 0:04:39 | |
in Keighley which happens to be a sports bar, so I get paid to watch football. | 0:04:39 | 0:04:43 | |
-Is it quite fun, this bar? -Yeah, it's really good fun. I'm a very sociable person and a bit of a flirt | 0:04:43 | 0:04:48 | |
-so I'm getting to do the things I like to do. -And get paid for it. | 0:04:48 | 0:04:53 | |
-Yeah. -Good. Do you know anything about antiques? | 0:04:53 | 0:04:56 | |
Little bits. The house is full of them so my dad sort of taught me bits, | 0:04:56 | 0:05:01 | |
but no, just interested in the sort of things that catch my eye. Fun. | 0:05:01 | 0:05:07 | |
Well, that's what we want. Some fun, eye-catching objects. | 0:05:07 | 0:05:11 | |
And now your money moment. Here we go, £300 a piece. Your £300. | 0:05:11 | 0:05:15 | |
You know the rules. Your experts await. And off you go! And very, very, very good luck. | 0:05:15 | 0:05:20 | |
Gosh, whatever's going to happen today? | 0:05:20 | 0:05:23 | |
'Waiting in the paddocks today are our two experts. | 0:05:23 | 0:05:27 | |
'Under starter's orders for the Reds, it's Paul Laidlaw. | 0:05:29 | 0:05:32 | |
'And saddled up and ready to go for the Blues is Thomas Plant.' | 0:05:34 | 0:05:39 | |
-That way? -That way. -Here be bargains. | 0:05:39 | 0:05:42 | |
-Are we ready? Are we fired up? -Yep. -Come on. | 0:05:42 | 0:05:45 | |
-Anything? -No, not really. -No? Not seen anything? | 0:05:54 | 0:05:58 | |
-I used to play the violin. -You didn't. -Yeah! -Very nice. | 0:05:58 | 0:06:02 | |
I gave it up. The world was grateful. | 0:06:02 | 0:06:05 | |
Bronze figure on a marble base. | 0:06:14 | 0:06:16 | |
It's of a Grecian lady in diaphanous robes. | 0:06:16 | 0:06:20 | |
-Diaphanous means they're see-through. -Mm. -We always like ladies in see-through clothes. | 0:06:20 | 0:06:25 | |
-How old would that be? -It's Art Deco. | 0:06:25 | 0:06:27 | |
-1920s. It's heavy. -I quite like that. I think that's one to think about. How much is it? | 0:06:29 | 0:06:35 | |
-It's... -195. | 0:06:35 | 0:06:38 | |
Yeah, but I'm sure a deal can be struck. | 0:06:38 | 0:06:41 | |
-I'm sure a deal could be struck for a bit of brass. -I'm sure it could be. | 0:06:41 | 0:06:44 | |
We could have a conversation. | 0:06:44 | 0:06:47 | |
-What do you think, Adrian? Do you like that? -It's very pretty. -Do you think that'd sell in our area? | 0:06:47 | 0:06:52 | |
-Yeah. -Art Deco sells. -Deco does sell. Is it for fags? | 0:06:52 | 0:06:56 | |
I'm not entirely sure. | 0:06:56 | 0:06:59 | |
-I don't think so. -I tell you what, it's an inkwell. | 0:06:59 | 0:07:01 | |
That's what it was. There would've been glass liners in there. | 0:07:01 | 0:07:05 | |
-It's very nice. -What's your very best on that? | 0:07:05 | 0:07:08 | |
-£150. -I was more thinking a little bit less. | 0:07:08 | 0:07:13 | |
Well, £130 is the very lowest. | 0:07:13 | 0:07:16 | |
I can't do it any lower. No, I paid good money for it. | 0:07:19 | 0:07:22 | |
-What do you think, Jess? -I'd like to have a look around, I think. | 0:07:22 | 0:07:25 | |
No, no, I'm just getting a price. No, I think that's quite understandable. | 0:07:25 | 0:07:30 | |
-£130 is what we've got on it. -Yeah. | 0:07:30 | 0:07:33 | |
What I think the tactic should be is that we'll have a look at things and price them up | 0:07:33 | 0:07:37 | |
-and then we can decide. Is that all right? -Yeah. | 0:07:37 | 0:07:40 | |
-Because we have only got the hour. -It is a very nice thing. -Thank you. -Thank you very much. -No problem. | 0:07:40 | 0:07:45 | |
'So, the Blues already have a lady in waiting, but what about the Reds?' | 0:07:45 | 0:07:49 | |
-What have you spied, my man? -Comic cuts and comic cuttings. | 0:07:49 | 0:07:54 | |
-They're right up your street. -Definitely. | 0:07:54 | 0:07:57 | |
-Various cuttings from newspapers. -Interesting. | 0:07:57 | 0:08:00 | |
Is there a theme or is it random? | 0:08:00 | 0:08:03 | |
It looks random. There doesn't seem to be any comics. There's newspaper, stock markets. | 0:08:03 | 0:08:10 | |
-There was some racing. That's hounds. -Oh, yeah. | 0:08:10 | 0:08:13 | |
-The derby. -Fox hunting in the Lake District. | 0:08:13 | 0:08:16 | |
Alleged theft of an umbrella! Shocking! | 0:08:16 | 0:08:19 | |
-By a dog! By a dog! -Oh, no! THEY LAUGH | 0:08:19 | 0:08:22 | |
-And it's got jesters on it! -It's got jesters on it. | 0:08:22 | 0:08:26 | |
It's sending us all the right messages. | 0:08:26 | 0:08:29 | |
-Is it dear? Is that a price tag in your hand? -£8. | 0:08:29 | 0:08:33 | |
That's going to make £10 or £20 on any day of the week in any auction | 0:08:33 | 0:08:36 | |
and it could do 20 to 30 because of the field sports and how well it presents itself. | 0:08:36 | 0:08:41 | |
I think it's a no-brainer. I don't like spending no money | 0:08:41 | 0:08:45 | |
but this programme is called Bargain Hunt and that's a bargain. | 0:08:45 | 0:08:49 | |
And we quite like spending no money. HE LAUGHS | 0:08:49 | 0:08:52 | |
-But you're loving this, yeah? -Yeah. -I absolutely love it, especially the little gold figures | 0:08:52 | 0:08:58 | |
-£4. -Yeah. | 0:08:58 | 0:09:00 | |
'Go on, Chris! Strike a deal! Let's hope they don't laugh at your offer, though.' | 0:09:00 | 0:09:05 | |
-I saw quite an interesting bracelet over here. -Oh, did you? -Yeah. | 0:09:06 | 0:09:10 | |
-What did you see, Jess? -This bracelet. I thought it was quite quirky and interesting. | 0:09:12 | 0:09:17 | |
-And why did you like it? -Well, I quite like stuff like this myself. | 0:09:17 | 0:09:20 | |
-It's something I'd wear. -It's quite cool, isn't it? -Yeah. | 0:09:20 | 0:09:24 | |
It's bone. The reason we can tell it's bone is because you see these little blood vessels here? | 0:09:24 | 0:09:29 | |
-Oh, yeah. -Can you see the bone has blood running through it? | 0:09:29 | 0:09:32 | |
And it's great. It's really quite... It's got a real retro look to it. | 0:09:32 | 0:09:37 | |
-Yeah. -What's the price on it? £48. Gaming pieces made up into a bracelet. | 0:09:37 | 0:09:42 | |
And the discolouration, is that just age? | 0:09:42 | 0:09:45 | |
Yeah, discolouration, good point. It is age, yeah. Absolutely. | 0:09:45 | 0:09:49 | |
-I'd wear it. -Go on, put it on. | 0:09:49 | 0:09:52 | |
-Let's see what it's like on. -That's why I picked it up. | 0:09:52 | 0:09:55 | |
-It's quite nice to see that you've picked something out... That's quite cool, actually, isn't it? -Yeah. | 0:09:55 | 0:10:00 | |
-Do you want to get a price on that? -Yeah. Excuse me, can we just have a... -Hello. -Hiya. | 0:10:00 | 0:10:04 | |
What have we got here? | 0:10:04 | 0:10:07 | |
-OK, well, I'll go down to 40. -40. | 0:10:07 | 0:10:10 | |
Can you not go any lower? 35? | 0:10:10 | 0:10:13 | |
Well, we could split the difference maybe. 38. | 0:10:13 | 0:10:17 | |
-What do you think? -Well, it's a good thing. 38, that's not bad. | 0:10:17 | 0:10:20 | |
I'd prefer it at 35. | 0:10:20 | 0:10:23 | |
-OK, today we'll go for 35. -What do you want to do? | 0:10:24 | 0:10:27 | |
-We'll say yes, thank you. -You want it? -Yes. -OK. | 0:10:27 | 0:10:31 | |
-Yeah. -Well, Jess has said yes, 35. -Thank you. -That's quick. | 0:10:31 | 0:10:35 | |
-That's quick, isn't it? -Thank you very much. | 0:10:35 | 0:10:38 | |
-Well done you. I think we'd better go on and find the next two. -Yeah. | 0:10:38 | 0:10:41 | |
-I hope they're that easy! -Thank you very much. -Thank you. | 0:10:41 | 0:10:45 | |
'So, the Blues have got off to a start with the bone bracelet. Let's hope it's an ace up their sleeve! | 0:10:45 | 0:10:50 | |
'Now, how did Chris get on with that scrapbook?' | 0:10:50 | 0:10:52 | |
-What was the bottom line in the end? -The bottom line was £5. -Well done. | 0:10:52 | 0:10:57 | |
She offered me six and I got her down to five. | 0:10:57 | 0:11:00 | |
-One down, two to go. -Brilliant. Onwards. | 0:11:00 | 0:11:02 | |
'Only £5? Last of the big spenders. Not.' | 0:11:02 | 0:11:06 | |
We've been shopping for about half an hour, maybe a bit longer. | 0:11:11 | 0:11:15 | |
If we go inside, we've got another half an hour. If we stay out here, we've got to make a decision. | 0:11:15 | 0:11:19 | |
-I like that Deco figure if we can get it at a reasonable price. Do you agree, Jess? -Yeah. | 0:11:19 | 0:11:24 | |
-Can we go back and have a look? -Do you want to go round and buy it if we can for the right money? -Yes. | 0:11:24 | 0:11:29 | |
-And then go inside for one more item? -Yep. -Yep. -All right, let's go. | 0:11:29 | 0:11:32 | |
'Well, you better back up, because these look like stormy skies.' | 0:11:32 | 0:11:36 | |
-What did we get to before? 130? -150 we got to. | 0:11:38 | 0:11:41 | |
-Did we? -Yeah. -We thought we got to 130. | 0:11:41 | 0:11:45 | |
-Go on, we'll do it for 130, then. -Can you knock another fiver off, perhaps? | 0:11:45 | 0:11:49 | |
-So we can take it off your hands? It is rather heavy. -I have to pay for the diesel to get home. | 0:11:49 | 0:11:54 | |
-125, go on. -Yep! Thank you. | 0:11:54 | 0:11:57 | |
-Well done! -I think I'm actually losing money on that! -Oh, yeah! | 0:11:57 | 0:12:00 | |
I'll just get out the violins, eh? | 0:12:00 | 0:12:03 | |
'Music to Thomas's ears. Could tune up to a nice bargain, this.' | 0:12:03 | 0:12:07 | |
-Fantastic. So that's 125 and you spent 35, so that's 160. -Yep. | 0:12:07 | 0:12:14 | |
Well done. So we've still got 140 left to spend, a little bit left over for me. | 0:12:14 | 0:12:19 | |
-The heavens are really going to start opening. Let's rush inside. Come on. -Thank you. -Cheers. | 0:12:19 | 0:12:24 | |
I don't know if you're fond of your garden, | 0:12:24 | 0:12:26 | |
but just look at this thing that I found. Isn't this marvellous? | 0:12:26 | 0:12:30 | |
One of the really irritating things, I think, about irrigating your garden with a hosepipe | 0:12:30 | 0:12:36 | |
is coiling up the hosepipe and keeping everything neat and tidy. | 0:12:36 | 0:12:39 | |
Now, go to your local DIY store today and they'll sell you some hideous plastic device | 0:12:39 | 0:12:45 | |
which doesn't really work properly and after two seasons, starts to crack and fall apart. | 0:12:45 | 0:12:51 | |
Well, this is the way the continentals addressed the problem | 0:12:51 | 0:12:54 | |
a cool 100 years ago. | 0:12:54 | 0:12:58 | |
Because this cast iron stand which takes the tap, and this is a modern replacement tap, | 0:12:58 | 0:13:04 | |
which is piped up through the square shaft, | 0:13:04 | 0:13:08 | |
allows the tap to drip into a drip tray down below, | 0:13:08 | 0:13:13 | |
you could put your watering can or anything on this metal stand. | 0:13:13 | 0:13:17 | |
But the bit I really like is the hose coil reel on the back. | 0:13:17 | 0:13:22 | |
All integrated, all fitted into a unit | 0:13:22 | 0:13:25 | |
and done 100 years ago. | 0:13:25 | 0:13:28 | |
What's it worth? Well, the dealer has only just bought it | 0:13:28 | 0:13:31 | |
and he hasn't decided what price to ask yet. | 0:13:31 | 0:13:34 | |
But if I was estimating it for sale at auction, | 0:13:34 | 0:13:37 | |
I think this thing could bring between £250 and £400. | 0:13:37 | 0:13:42 | |
And at that, I think it could make quite a splash. | 0:13:42 | 0:13:47 | |
'Ha-ha. Back to the shopping and it's 2-1 to the Blues. | 0:13:47 | 0:13:50 | |
'But Paul has found something which might just balance the score.' | 0:13:50 | 0:13:55 | |
We know exactly what we're looking at here and they're not uncommon. | 0:13:56 | 0:14:00 | |
And this is all bad news. They used to sell really well | 0:14:00 | 0:14:04 | |
but that was then and this is now | 0:14:04 | 0:14:06 | |
and demand for such things, be they counter-top or pocket sovereign scales, | 0:14:06 | 0:14:12 | |
it's diminished greatly. But you work within that environment | 0:14:12 | 0:14:17 | |
and these, for my money, are smart for this reason. | 0:14:17 | 0:14:21 | |
Not too big, not too small. Desk size, display size. | 0:14:21 | 0:14:26 | |
Love the turning here. Tapering upright, | 0:14:26 | 0:14:29 | |
these lovely little turnings. | 0:14:29 | 0:14:32 | |
It appears to be all there. That's cool. | 0:14:32 | 0:14:35 | |
-We have... -There's that. -Yeah, that's dead right. | 0:14:35 | 0:14:38 | |
That's what elevates them for the exercise. | 0:14:38 | 0:14:42 | |
OK? Made by Avery, still a business name. | 0:14:42 | 0:14:47 | |
Mahogany base. Watermarked. Old flake there. | 0:14:47 | 0:14:52 | |
It's beautifully made and it's not huge | 0:14:52 | 0:14:56 | |
so you can see it either in a modern home or a Victorian home. | 0:14:56 | 0:15:00 | |
-Let me cut to the chase. They're worth £20 to £40 at auction. -Right. | 0:15:00 | 0:15:03 | |
What did I say about what we need to buy it for? | 0:15:03 | 0:15:06 | |
-You buy it at low estimate. -Right. -Can I...? -Yes. | 0:15:06 | 0:15:09 | |
You've heard all of this. Utterly transparent. | 0:15:09 | 0:15:11 | |
-Is there any way... I want to buy those for £20. -I'll do them for £20. -Ohh! | 0:15:11 | 0:15:16 | |
-Thank you! -Thank you. Lovely to meet you. -Thank you so much. | 0:15:16 | 0:15:19 | |
-Pleasure to do business with you. -Thank you. -Shall I carry those? | 0:15:19 | 0:15:22 | |
-Yeah, I'm frightened to cross you now. You could really sort me out. -Very wise. -Lead wellies. | 0:15:22 | 0:15:28 | |
-Right then, guys, onwards and upwards. Two down, one more to go. -Excellent. | 0:15:29 | 0:15:34 | |
'Well, well, Reds, looks like it's all hanging in the balance.' | 0:15:34 | 0:15:38 | |
Where are they going? | 0:15:38 | 0:15:40 | |
It's a sort of gay abandon. Just off, walking down the aisle. | 0:15:40 | 0:15:45 | |
'Well, give them a guiding hand then, Tom. That's what you're there for, boy.' | 0:15:45 | 0:15:49 | |
Come and have a look. There you are, just off with abandon, not looking at anything. Come on. | 0:15:49 | 0:15:56 | |
Again, this is the problem. What's happened is, we've come inside | 0:15:56 | 0:15:59 | |
and it is a huge assault and they don't know what's happening | 0:15:59 | 0:16:02 | |
because there's so much stuff to look at. | 0:16:02 | 0:16:05 | |
But I'm trying to point them on this stand to something. It's an Art Deco lamp base. | 0:16:05 | 0:16:09 | |
And, you know, I want them to spot it, not me. | 0:16:09 | 0:16:12 | |
But Art Deco does well at this sale room, so that's the item they should be looking at. | 0:16:12 | 0:16:17 | |
Yep. | 0:16:17 | 0:16:19 | |
-What about the lamp? -I was going to say the lamp, yeah. -Yeah, it's quite funky. -Eureka! | 0:16:19 | 0:16:25 | |
-Yeah, I like that. -Eureka! Right, let's have a look at the lamp. | 0:16:25 | 0:16:28 | |
-It's classic, isn't it? -Yeah. OK, let's have a look at this. | 0:16:28 | 0:16:31 | |
What happens about... Don't we need to plug it in? | 0:16:31 | 0:16:34 | |
Ah, well, I can tell you all about that. So here we are. | 0:16:34 | 0:16:37 | |
-I really like that. -What do you think? -Yeah. | 0:16:37 | 0:16:40 | |
-It's simple, stylish. -It's something I'd have in my room and it's retro and for the... -How much is it? | 0:16:40 | 0:16:47 | |
I don't know yet. What's your best on that? | 0:16:47 | 0:16:51 | |
-30. -£30. -Yeah. | 0:16:51 | 0:16:55 | |
-It's got to be worth a risk. -Do you think? -Yes. | 0:16:55 | 0:16:58 | |
25? | 0:16:58 | 0:17:00 | |
-Go on. -25. | 0:17:01 | 0:17:03 | |
-Yeah. -It's lovely. -Do you like it? | 0:17:03 | 0:17:06 | |
-I want it myself. -And this is a screw-off thing. | 0:17:06 | 0:17:11 | |
This screws off. | 0:17:11 | 0:17:13 | |
That will screw off, so that's quite a good fitting. | 0:17:13 | 0:17:16 | |
It's a moulded fitting. | 0:17:16 | 0:17:19 | |
Love this shaft. I think it's wonderful. What do you want to do? | 0:17:19 | 0:17:23 | |
-Yeah. -I like it. -You want to go for it? -We like that, yeah. | 0:17:23 | 0:17:26 | |
-25 quid. -Yeah. -You in for it? -Absolutely. | 0:17:26 | 0:17:29 | |
-You're happy? -Yep. -Three items. -Yep. | 0:17:29 | 0:17:32 | |
-Do it? -Yeah. -Yes, let's do it. | 0:17:32 | 0:17:35 | |
-Who's going to tell the dealer? Who's going to say, "We'll have it"? -Go on, Dad. -We'll have it. Thank you. | 0:17:35 | 0:17:41 | |
'Lighten up, Thomas. The Blues are done. | 0:17:41 | 0:17:44 | |
'The Reds, on the other hand, have lost their sense of direction. They're at the end of the road.' | 0:17:44 | 0:17:48 | |
-What's up here? Nothing. -Nothing. -Stalls that way. | 0:17:48 | 0:17:52 | |
-Is that where we came from? -Yeah. -We had better sprint. | 0:17:52 | 0:17:56 | |
-Yeah. -I don't think we've got any option. -Definitely. | 0:17:56 | 0:17:59 | |
Sell us something. Seriously, we're running out of time. | 0:18:04 | 0:18:08 | |
We're sort of panicking. We've got a budget. We're looking for something with individuality. | 0:18:08 | 0:18:13 | |
But is there anything you can help us with on price? | 0:18:13 | 0:18:16 | |
Is there anything you want to sell that you're sick of seeing? | 0:18:16 | 0:18:20 | |
-Yes. Apart from your husband. -Had it too long... -All of it. -THEY LAUGH | 0:18:20 | 0:18:25 | |
You beat me to that one. How about this? | 0:18:25 | 0:18:28 | |
-Yeah, that little... -For scent or snuff. -Yeah. | 0:18:28 | 0:18:32 | |
I could do that for 25. | 0:18:32 | 0:18:35 | |
-It's 1922 and it's still got its original... -Stopper's there. | 0:18:35 | 0:18:41 | |
-Yeah, that's not unattractive. -And there are no nibbles on the glass. -Can I have a feel? | 0:18:41 | 0:18:45 | |
It's a pretty little thing and it's a very fair price for the end user. | 0:18:45 | 0:18:50 | |
-But... -I don't think we've got wow. -No. We've got three minutes. | 0:18:50 | 0:18:53 | |
Anything more substantial? Have you got something bigger, more wow, that you could maybe compromise on? | 0:18:53 | 0:18:59 | |
-That's lovely! -I know. -I saw that. That's so sweet. | 0:18:59 | 0:19:02 | |
-No compromise on that. -Engine-turned, nine-carat banding. | 0:19:02 | 0:19:05 | |
-Rosy nine-carat. -Yep. -Condition is sweet. | 0:19:05 | 0:19:09 | |
-Absolutely. -Lovely lenticular section. | 0:19:09 | 0:19:12 | |
Lovely price of...? Never mind what you've got on it, just tell us what it could be. | 0:19:12 | 0:19:16 | |
-85. -You hold the perfume. | 0:19:16 | 0:19:19 | |
-I'll hold the perfume. -That really is smart, isn't it? That is really smart. | 0:19:19 | 0:19:23 | |
-And it could be a card case. -Yes, indeed. | 0:19:23 | 0:19:26 | |
If you want to win it, if you want to win the programme, and you buy that, | 0:19:26 | 0:19:30 | |
-if you don't mind me saying, it's a modest little perfume. -Yeah. | 0:19:30 | 0:19:33 | |
I think you'll break even with that. This is panic territory. We've got less than a minute. | 0:19:33 | 0:19:38 | |
I think if you're unlucky, you'll lose £20 on that. | 0:19:38 | 0:19:40 | |
Please, please, please, please, please, and we will stump up, I'm sure I can convince you, | 0:19:40 | 0:19:46 | |
please, please, please, with icing, | 0:19:46 | 0:19:50 | |
-please take £70 for it. I beg you. -No. | 0:19:50 | 0:19:52 | |
-Please. -80 is the absolute death on it. | 0:19:52 | 0:19:56 | |
-It's a gamble. -What do you think? | 0:19:57 | 0:19:59 | |
-It's a gamble. -I think we haven't got much time left. -I'm happy with that. I like it. | 0:19:59 | 0:20:03 | |
-I think it's really nice. -We'll go with that. -Shake on it. | 0:20:03 | 0:20:07 | |
-Thank you. -Thank you very much. Well done, team. -Thank you. -Thank you very much. -Very kind. | 0:20:07 | 0:20:12 | |
That's it. Time's up. Their 60 minutes has elapsed. | 0:20:12 | 0:20:17 | |
Next they're going to have to hand the leftover lolly to their experts. | 0:20:17 | 0:20:21 | |
But first, let's have a bird's-eye at what the Red Team bought. | 0:20:21 | 0:20:25 | |
'At £5, they could be playing their joker with this scrapbook. | 0:20:25 | 0:20:30 | |
'Weighing in at £20 are these apothecary scales. | 0:20:32 | 0:20:36 | |
'And at £80, are they taking a gamble | 0:20:38 | 0:20:41 | |
'with this silver and gold cigarette case?' | 0:20:41 | 0:20:44 | |
-What's all this about a bacon sandwich? I'd quite like a bacon sandwich. -I'm afraid you missed it. | 0:20:44 | 0:20:49 | |
-I missed it. -You missed it. -So, hell's bells, how's that shopping? | 0:20:49 | 0:20:53 | |
Interesting. Quite tiring. But I think, possibly, profitable. | 0:20:53 | 0:20:58 | |
Is it like going around with a crowd of three-year-olds, going around with this lot? | 0:20:58 | 0:21:02 | |
-It's slightly worse. -Is it? -Mm. -Worse than a schoolroom experience? | 0:21:02 | 0:21:06 | |
-Yes, children do what you tell them. These two don't. -Chris, was it good for you? | 0:21:06 | 0:21:11 | |
Yes, I very much enjoyed it. Looking forward to seeing how much my comic book with cuttings in it makes. | 0:21:11 | 0:21:16 | |
-Will it bring the biggest profit? -I don't think it will because we didn't spend the most on it. | 0:21:16 | 0:21:21 | |
-But it should make a profit. -You didn't spend very much, did you? | 0:21:21 | 0:21:24 | |
-It's the combination of a Yorkshire lass and a Scottish expert. -THEY LAUGH | 0:21:24 | 0:21:28 | |
-Fatal. What was the total? -We spent £105. -£105, pathetic. | 0:21:28 | 0:21:34 | |
So someone has got £195 somewhere. | 0:21:34 | 0:21:37 | |
-It's my hurt look. -It's your hurt look, is that what it is? | 0:21:37 | 0:21:40 | |
This is a large wodge of money going to you, Laidlaw. What are you going to spend it all on, I hope? | 0:21:40 | 0:21:46 | |
Do you know, I've no idea. I've been so focused on this exercise. | 0:21:46 | 0:21:50 | |
-You have, yeah. -There's nothing in the periphery, nothing banked. It's all to play for. | 0:21:50 | 0:21:55 | |
Well, good luck with that, Paul. Have a nice cup of tea and let's check out what the Blue Team bought. | 0:21:55 | 0:22:00 | |
'Jess thinks she has come up trumps | 0:22:02 | 0:22:04 | |
'with this playing card bracelet for £35. | 0:22:04 | 0:22:07 | |
'They paid £125 for the bronze and marble inkstand. | 0:22:09 | 0:22:14 | |
'And they were positively lit up by the Art Deco lamp.' | 0:22:18 | 0:22:22 | |
Well, this is a happy tribe, isn't it? It's enough to send you barking round these parts. | 0:22:24 | 0:22:29 | |
-Listen, you had a good shop? -We did, yes. -Yeah? | 0:22:29 | 0:22:31 | |
What was your favourite bit in the shopping, Dad? | 0:22:31 | 0:22:34 | |
Er, Jessica spotted a little tiny bone bracelet | 0:22:34 | 0:22:39 | |
-which was embossed with playing cards which was quirky and relatively cheap. -Yep. | 0:22:39 | 0:22:44 | |
-Well done for that. Is that your favourite piece? -It's definitely my favourite piece. | 0:22:44 | 0:22:48 | |
-Is that going to bring the biggest profit, do you think? -No. I think the lamp will. -The lamp. -Yeah. | 0:22:48 | 0:22:54 | |
-Do you agree with that? -I must say, the lamp was a late spot and we started to panic. | 0:22:54 | 0:22:58 | |
But, yes, given what we managed to get it for, we think it might well, and we're advised by Thomas... | 0:22:58 | 0:23:03 | |
-The ever-reliable Thomas Plant. -Ever-reliable. I think I told you to look a bit harder. | 0:23:03 | 0:23:08 | |
-Yes, look a bit harder. -And what did that lot cost you? | 0:23:08 | 0:23:12 | |
-£185 in total. -£185 in total. Then I'd like, please, £115 of leftover lolly. | 0:23:12 | 0:23:18 | |
-There you are, good sir. -That's beautifully presented. Straight across to the Planter. | 0:23:18 | 0:23:22 | |
This is the moment he likes very much. Look how he brightens up with having £115. | 0:23:22 | 0:23:28 | |
-What are you going to spend it on? -Erm, something from the Far East. | 0:23:28 | 0:23:32 | |
Good luck with that, Tom. And have a nice cup of tea, teams. | 0:23:32 | 0:23:36 | |
Meanwhile, we're heading off to Ormesby Hall in North Yorkshire. | 0:23:36 | 0:23:40 | |
Ooh-ah, how lovely! | 0:23:40 | 0:23:42 | |
'Set in stunning park land, this is Ormesby Hall, | 0:23:44 | 0:23:48 | |
'an unexpected architectural delight | 0:23:48 | 0:23:51 | |
'hidden away in a rural enclave in the suburbs of Middlesbrough, North Yorkshire. | 0:23:51 | 0:23:57 | |
'And for nearly 400 years, Ormesby was the home of one family, the Pennymans.' | 0:23:58 | 0:24:04 | |
In the early 17th century one James Pennyman bought land here. | 0:24:04 | 0:24:09 | |
He was clearly a man of substance. | 0:24:09 | 0:24:13 | |
In the middle of the 17th century, after the civil war, the family were awarded a baronetcy | 0:24:13 | 0:24:19 | |
in recognition of their loyalty to the royalist cause. | 0:24:19 | 0:24:23 | |
Subsequent generations, often called Sir James, have made their mark on the place. | 0:24:23 | 0:24:30 | |
'The main house you see today was built adjacent to the old hall | 0:24:32 | 0:24:36 | |
'and was constructed for James Pennyman and his wife Dorothy in the 1740s, | 0:24:36 | 0:24:41 | |
'in a simple yet striking version of the then-modern Palladian style. | 0:24:41 | 0:24:47 | |
'Both outside and in, James and Dorothy both put their stamp on the place. | 0:24:47 | 0:24:51 | |
'But they weren't the only ones to do so.' | 0:24:51 | 0:24:54 | |
The drawing room here at Ormesby has certainly seen its fair share of changes through the generations | 0:24:55 | 0:25:02 | |
because in the 18th century, for Dorothy Pennyman, | 0:25:02 | 0:25:07 | |
this space was described as the best eating room. | 0:25:07 | 0:25:10 | |
It got its upgrade with the 6th Baronet in 1770, | 0:25:10 | 0:25:16 | |
when he introduced all this elaborate Adam plasterwork, | 0:25:16 | 0:25:21 | |
this neo-classical decoration on the ceiling, | 0:25:21 | 0:25:26 | |
and also all these plaster enrichments that run around the room. | 0:25:26 | 0:25:31 | |
And it wasn't until the 1870s | 0:25:31 | 0:25:34 | |
that a family member converted it into a withdrawing room, | 0:25:34 | 0:25:39 | |
the form which we see it in today. | 0:25:39 | 0:25:41 | |
Interestingly, it's this piece of furniture | 0:25:41 | 0:25:45 | |
that could have sat here perfectly happily in the 18th century when the room was a dining room, | 0:25:45 | 0:25:50 | |
as well as in the 19th century when it was a drawing room. | 0:25:50 | 0:25:54 | |
And it's called a commode. | 0:25:54 | 0:25:57 | |
Now, you say to any self-respecting Brit "commode" and what does it conjure up? | 0:25:57 | 0:26:02 | |
A gadget that resembles some sort of lavatory. | 0:26:02 | 0:26:06 | |
But for the French, it's derived from the word "suitable" or "appropriate". | 0:26:06 | 0:26:12 | |
And in furniture terms, it's a low cupboard or chest of drawers. | 0:26:12 | 0:26:16 | |
And this is, of course, a French piece of furniture. | 0:26:16 | 0:26:20 | |
It was made by the celebrated French ebeniste Pierre Roussel, | 0:26:20 | 0:26:25 | |
I guess around about 1750. | 0:26:25 | 0:26:28 | |
It's Rococo in form, that means it's curvilinear. | 0:26:28 | 0:26:34 | |
And what I love about it is its absolute complexity. | 0:26:34 | 0:26:38 | |
You've got all these conflicting curves and shapes | 0:26:38 | 0:26:42 | |
that the cabinet maker has to carefully craft his veneered surfaces over. | 0:26:42 | 0:26:48 | |
And the veneered surfaces are extremely complicated, too, | 0:26:48 | 0:26:53 | |
because what we've got here is called cube parquetry. | 0:26:53 | 0:26:58 | |
And it deceives your eye with the geometry of all these different shapes. | 0:26:58 | 0:27:05 | |
If you're fond of your period metalwork, you'll love the way that these cast handles | 0:27:05 | 0:27:10 | |
and the shoots and sabots, the other metal details, have been made. | 0:27:10 | 0:27:16 | |
And having been cast and formed, the metal is covered in ormolu, | 0:27:16 | 0:27:22 | |
giving you, after a couple of hundred years, this lovely mellow, deep gold colour. | 0:27:22 | 0:27:29 | |
Of course, the big question today is, | 0:27:29 | 0:27:32 | |
which of our teams are going to be going for gold over at the auction? | 0:27:32 | 0:27:36 | |
Well, it's very nice to be at Calder Valley Auctions with Ian Peace. | 0:27:51 | 0:27:56 | |
-Ian, good morning. -Good morning, Tim. Nice to see you. -Very nice to be here, too. | 0:27:56 | 0:28:01 | |
Now, for Helen and Chris, their first item is this scrapbook. How do you rate that? | 0:28:01 | 0:28:05 | |
Not very well at all, I'm afraid. It's a fairly boring lot. | 0:28:05 | 0:28:08 | |
Erm, lovely cover, but gets worse when you go inside. | 0:28:08 | 0:28:12 | |
Oh, dear. So what's it worth? | 0:28:12 | 0:28:14 | |
-£5 to £10. -Well, I'm sorry, but our team paid £5 for it. Chris loved it. | 0:28:14 | 0:28:21 | |
If it makes £5 to £10, that will be brilliant. If it makes £1, they might not be so pleased. | 0:28:21 | 0:28:26 | |
Next up though, we have got a genuine, proper antique | 0:28:26 | 0:28:31 | |
in the way of this apothecary's balance. What do you think about that, Ian? | 0:28:31 | 0:28:36 | |
Well, I like it because it is genuine, it is a period item. It's 19th century, early 19th century, | 0:28:36 | 0:28:41 | |
with a drawer, with some weights. It's all complete. | 0:28:41 | 0:28:45 | |
But it's not the fashionable desk toy it was 15, 20 years ago. | 0:28:45 | 0:28:49 | |
-What's your estimate? -Erm, my estimate is £30 to £45. | 0:28:49 | 0:28:52 | |
Oh, well, that's marvellous. They only paid £20. | 0:28:52 | 0:28:55 | |
-Good. -There's a bit of a profit coming on here, which is great. | 0:28:55 | 0:28:58 | |
And their last item is the silver and little slither of gold cigarette case. Is that any good? | 0:28:58 | 0:29:05 | |
I love it. I love it. It's pristine condition, the engine turn decorations are very precise, | 0:29:05 | 0:29:12 | |
and the border with the gold is lovely. I think £75 to £100. | 0:29:12 | 0:29:17 | |
I think that will possibly fetch £100, £110. | 0:29:17 | 0:29:21 | |
-Really? That's lovely. £80 was paid. -Good. -Well, overall, I'm getting a nice warm feeling here. | 0:29:21 | 0:29:27 | |
I don't think they'll need their bonus buy. But let's have a look, anyway. | 0:29:27 | 0:29:31 | |
Your leftover lolly moment. | 0:29:31 | 0:29:34 | |
Paul Laidlaw was given the princely sum of £195. | 0:29:34 | 0:29:39 | |
What did you spend it all on, Paul Laidlaw? | 0:29:39 | 0:29:41 | |
I didn't blow the budget but I guarantee you I have grown you a profit if you go with it. | 0:29:41 | 0:29:48 | |
-Do you know what that is? -I haven't a clue. -Can you tell me anything? What's your reaction? | 0:29:48 | 0:29:52 | |
Is it an ice cream scoop? | 0:29:52 | 0:29:54 | |
Ah, good guess. It looks like it belongs on a boat. | 0:29:54 | 0:29:57 | |
Picture that beside one's bed with one's pocket watch here. | 0:29:57 | 0:30:03 | |
-Oh, of course! -Ah! -Yeah? -That's clever. | 0:30:03 | 0:30:07 | |
-£15. -Oh! TIM LAUGHS You are wonderful. | 0:30:07 | 0:30:10 | |
-£15? -Well, wait and see, don't count any chickens. -Hang on a minute, £15? | 0:30:10 | 0:30:16 | |
-Yes. -Was that the deposit then? And you're sending in the rest later? -I've got to go back there. | 0:30:16 | 0:30:23 | |
Whether you pick it or not is up to you but let's find out what the auctioneer thinks about it. | 0:30:23 | 0:30:28 | |
Well, there we are. Looks a bit like a ship's binnacle, doesn't it? | 0:30:28 | 0:30:32 | |
Yeah, it does. Or a hearing aid. | 0:30:32 | 0:30:36 | |
-But... -The deaf auctioneer. -But it's definitely a little bit different. | 0:30:36 | 0:30:41 | |
I haven't seen one like it for years. | 0:30:41 | 0:30:44 | |
But, no, it all works. It's got a little bit of Arts and Crafts style about it. | 0:30:44 | 0:30:49 | |
-I like it, it's unusual. -What's your estimate? | 0:30:49 | 0:30:51 | |
-£30 to £45. -Well, that's jolly good. That extremely cunning Paul Laidlaw only paid £15. | 0:30:51 | 0:30:57 | |
So that's good, if the team decide to go with the bonus buy, which of course they might not. | 0:30:57 | 0:31:02 | |
Next up it's the Blues. First up for Adrian and Jess is this little bracelet | 0:31:02 | 0:31:08 | |
and the first question I have to ask you here, Ian, is what's it made of? | 0:31:08 | 0:31:12 | |
Well, it's either a bone or ivory. | 0:31:12 | 0:31:15 | |
We have tested it because there's a possibility it might have been plastic material. | 0:31:15 | 0:31:20 | |
-It seems to have survived that test. A little bit novel. -What's it worth, then? | 0:31:20 | 0:31:25 | |
-£20 to £30. -OK, £35 they paid, so they've overcooked that. | 0:31:25 | 0:31:29 | |
Next, Adrian went very strongly for this encrier. | 0:31:29 | 0:31:34 | |
-Now, how do you rate that, Ian? -I like it. I do like it very much. | 0:31:34 | 0:31:38 | |
The top, the woman, is of cast bronze, | 0:31:38 | 0:31:43 | |
could be 19th century, possibly mid-19th century, | 0:31:43 | 0:31:46 | |
so the Art Deco cataloguing possibly is incorrect. | 0:31:46 | 0:31:51 | |
-So I think that's got possibilities. -How exciting! What's your estimate? | 0:31:51 | 0:31:55 | |
-£80 to £120. -Well, that's a bit of a tease estimate, isn't it? -Yes. | 0:31:55 | 0:31:58 | |
Because the team paid £125. If you're right and it makes £80 to £100, | 0:31:58 | 0:32:03 | |
-they're going to make a small loss. -Yes. | 0:32:03 | 0:32:06 | |
The last item, completely different, is this aluminium table lamp. | 0:32:06 | 0:32:11 | |
-I mean, there's half a spitfire in that, isn't there? -It's quirky, it's fun, it will go into modern living. | 0:32:11 | 0:32:17 | |
-Somebody's apartment or whatever. -What my mother would call hideous. -Yes. -Yep. | 0:32:17 | 0:32:22 | |
But that's my mother, isn't it? What's it worth? | 0:32:22 | 0:32:27 | |
-£30 to £40, without sounding repetitive. -That's all right, don't worry about the repetitive syndrome. | 0:32:27 | 0:32:33 | |
We've all got that. £25 they paid. | 0:32:33 | 0:32:35 | |
-Oh, good. -So that's OK. Brilliant. | 0:32:35 | 0:32:38 | |
Well, all of this is going to hinge on how well the Regency or not Regency inkwell does, | 0:32:38 | 0:32:44 | |
which will determine whether they need the bonus buy. But let's have a look at it, anyway. | 0:32:44 | 0:32:48 | |
So, Adrian and Jess. The leftover lolly moment. | 0:32:48 | 0:32:52 | |
You gave the lovely TP £115. What did you spend it on, Thomas Plant? | 0:32:52 | 0:32:58 | |
I spent it on a very fine jade and gold pendant. | 0:32:58 | 0:33:03 | |
It's Chinese. It's got a beautiful detail here, it's pierced. | 0:33:04 | 0:33:10 | |
For £90, it's a steal and right now it's hot, hot, hot! | 0:33:10 | 0:33:14 | |
-Oh! -It's beautiful. -It's very pretty. -I think Jess loves it. | 0:33:14 | 0:33:19 | |
-Look at that. -I do like that. Would you expect that to make a profit? | 0:33:19 | 0:33:23 | |
Yeah, if they have Chinese objects here and it's on the internet, yes. | 0:33:23 | 0:33:28 | |
-And it's a 14-carat gold little swing, as well. -It's a lovely thing, isn't it? -It is gorgeous. | 0:33:28 | 0:33:33 | |
Now, Jessie, is that something you'd wear, baby? | 0:33:33 | 0:33:36 | |
-No. -No. -But it's something I'd have. I like it. It's very pretty. -Yes. | 0:33:36 | 0:33:40 | |
Hang onto that gen, all right? Remember all that when you have to pick, | 0:33:40 | 0:33:44 | |
after the sale of your first three items. | 0:33:44 | 0:33:47 | |
But right now, let's find out what the auctioneer thinks about Thomas Plant's locket. | 0:33:47 | 0:33:52 | |
Well, there we go, Ian. That's rather handsome, isn't it? Do you like that? | 0:33:53 | 0:33:57 | |
I do. Erm... | 0:33:57 | 0:34:00 | |
My assistant and myself were cataloguing this and I would have put this at a higher price. | 0:34:00 | 0:34:05 | |
But it's relatively modern. We sold one very similar for £300 in a recent sale. | 0:34:05 | 0:34:11 | |
Erm, but the fact it's modern, I pulled the estimate down, £45 to £60. | 0:34:11 | 0:34:17 | |
-I think it's going to do a lot better. -£45 to £60, is that all? -Yeah. | 0:34:17 | 0:34:22 | |
Thomas Plant has paid £90. | 0:34:22 | 0:34:24 | |
He really rates that thing as his bonus buy. But anything could happen, couldn't it? | 0:34:24 | 0:34:28 | |
-I would like to see it go over £100 and I hope I have under-estimated it. -So do I! | 0:34:28 | 0:34:33 | |
So does Thomas Plant. So does the Blue Team. | 0:34:33 | 0:34:36 | |
That depends on them actually taking it when their opportunity comes, which they may not do. | 0:34:36 | 0:34:42 | |
-Anyway, exciting stuff. -Yes. -Are you taking the sale today? -I am indeed. -We're in safe hands. | 0:34:42 | 0:34:47 | |
-Are you feeling a bit nervy then, Jess? -A little bit, yeah, my heart's going slightly. -Why's that? | 0:34:53 | 0:34:58 | |
I don't know. I don't want to make a fool of myself and make a massive loss. | 0:34:58 | 0:35:02 | |
I shouldn't worry about that. Hundreds have before you. | 0:35:02 | 0:35:05 | |
The first lot is your bracelet, Jess, and here it comes. | 0:35:05 | 0:35:09 | |
Early 20th century bone bracelet made up of gaming pieces. | 0:35:09 | 0:35:13 | |
What am I bid for this lot here? 30? | 0:35:13 | 0:35:15 | |
20? 15 to open? Right at the back at 10. | 0:35:15 | 0:35:20 | |
And 12.50. 15. | 0:35:20 | 0:35:22 | |
-Hey! -17.50. | 0:35:22 | 0:35:25 | |
20. 22.50. | 0:35:25 | 0:35:27 | |
At £22.50, the lady at the back there. At 22.50. | 0:35:27 | 0:35:31 | |
Anybody else now? At 22.50. | 0:35:31 | 0:35:33 | |
Oh, no. I can't bear this, Jess. Don't cry, honey, don't cry. | 0:35:33 | 0:35:38 | |
Anyway, 22.50. That means you are minus £12.50 on that. | 0:35:38 | 0:35:43 | |
But not to worry. Here comes the inkstand. | 0:35:43 | 0:35:46 | |
19th century Art Deco bronze and marbled inkstand | 0:35:46 | 0:35:49 | |
in the style of Thomas Hope. I'm going to open this at £80. 80? | 0:35:49 | 0:35:54 | |
At £80. At 80. At 80. At 90. | 0:35:54 | 0:35:58 | |
I have £100. At £100. All done at £100? | 0:35:58 | 0:36:01 | |
£110 second row. £120 on commission bid. At 120. | 0:36:01 | 0:36:06 | |
-130. At £130. -Well done, Dad. | 0:36:06 | 0:36:09 | |
130, second row. Any further bids? | 0:36:09 | 0:36:12 | |
At £130, all done? | 0:36:12 | 0:36:15 | |
-That, old fruit, is plus £5. -Well done. -Well, a profit is a profit. | 0:36:15 | 0:36:19 | |
-But I fancy there's a bit more profit in that, don't you? -I do. | 0:36:19 | 0:36:24 | |
Next up is the aluminium Deco table lamp. Here it comes. | 0:36:24 | 0:36:26 | |
Right, what am I bid for lot 63? 20? 15. | 0:36:26 | 0:36:31 | |
17.50 anywhere? It's unusual. £15. | 0:36:31 | 0:36:35 | |
Anybody else now at £15? Quite quirky. 17.50. | 0:36:35 | 0:36:39 | |
20, the lady there. 20. 22.50. | 0:36:39 | 0:36:42 | |
At 22.50. 25. | 0:36:42 | 0:36:46 | |
-27.50. -You're in profit. | 0:36:46 | 0:36:49 | |
-On my right then, it's going at 27.50. -HAMMER BANGS | 0:36:49 | 0:36:54 | |
Well done. That's a profit again. Excellent. | 0:36:54 | 0:36:56 | |
So that's plus £2.50 on that, which means your profits are £7.50 | 0:36:56 | 0:37:00 | |
and your losses are £12.50, which means overall you're minus a fiver. | 0:37:00 | 0:37:05 | |
-Now listen, there's no shame in that, is there? -No. -No shame in that at all. | 0:37:05 | 0:37:09 | |
-What are you going to do about the bonus buy, though? -Go with it. -Liked it so we'll go with it. | 0:37:09 | 0:37:14 | |
-I like your positivity about it. -No pressure here, Tom. -No pressure. -No pressure. | 0:37:14 | 0:37:19 | |
-OK, we're definitely going with the bonus buy. -It's a lovely thing. | 0:37:19 | 0:37:23 | |
The decision is made, let's see what happens. | 0:37:23 | 0:37:25 | |
The 14-carat gold mounted jade pendant. | 0:37:25 | 0:37:29 | |
£30. Jade pendant, £30. 20 then, 20. | 0:37:29 | 0:37:32 | |
20 I'm bid. At £20. At 20. And five anywhere? | 0:37:32 | 0:37:36 | |
So far only one bid. There you are, 25. | 0:37:36 | 0:37:40 | |
30 there. 35 in the corner. 35. | 0:37:40 | 0:37:42 | |
40. 45. | 0:37:42 | 0:37:44 | |
-At 45. 45, then. -HAMMER BANGS | 0:37:44 | 0:37:48 | |
-Disappointing. It's a disaster. -Well, I am sorry, people. | 0:37:48 | 0:37:52 | |
-It was still a lovely thing. -Well, it is still a lovely thing. | 0:37:52 | 0:37:55 | |
How can that be? Minus £45? | 0:37:55 | 0:37:58 | |
With the gold and the whatnot. Surely there's more than £45 worth of gold there! | 0:37:58 | 0:38:03 | |
-Yes. -Oh, dear. | 0:38:03 | 0:38:05 | |
Anyway, overall you are minus £50. | 0:38:05 | 0:38:08 | |
-Now, minus £50 might be a winning score, so don't talk to the Reds. -We won't. | 0:38:08 | 0:38:13 | |
-So how are you, guys? -Yeah, very good. We're quite excited. | 0:38:18 | 0:38:22 | |
We're being quite quiet because the auctioneer's quite quiet. | 0:38:22 | 0:38:26 | |
-Well, it really annoys me when you have noisy contestants. -You don't like noisy contestants. | 0:38:26 | 0:38:31 | |
-The viewers do like to hear what's going on though, which is fair enough. -It's like assembly. | 0:38:31 | 0:38:36 | |
Television, that's what it's called. | 0:38:36 | 0:38:39 | |
The first item is the scrapbook. And here it comes. | 0:38:39 | 0:38:41 | |
The Victorian scrapbook. 15. | 0:38:41 | 0:38:45 | |
£10. 10. Open me at 5. | 0:38:45 | 0:38:49 | |
£5 I'm bid. At £5. | 0:38:49 | 0:38:51 | |
-The scrapbook at 5. -Break even. | 0:38:51 | 0:38:54 | |
At £5. Any advance on 5? | 0:38:54 | 0:38:56 | |
And 7 here. And 9. 11. | 0:38:56 | 0:38:59 | |
13. 13 in the second row. | 0:38:59 | 0:39:02 | |
£13. And 15 the lady at the back. At 15. 17. | 0:39:02 | 0:39:07 | |
-£17. Any further bids? -It's a charming little book. | 0:39:08 | 0:39:12 | |
At £17. Second row. We're going at 17. All done. | 0:39:12 | 0:39:16 | |
-Plus £12! -Get in! -Christopher Columbus. | 0:39:16 | 0:39:21 | |
Right. Now, the scales. | 0:39:21 | 0:39:24 | |
Start me at 10. £10. Here we go. 10 at the back. £10. | 0:39:24 | 0:39:28 | |
At 12.50 do I see? | 0:39:28 | 0:39:31 | |
At 10. At 12.50. At 15. | 0:39:31 | 0:39:33 | |
-I don't like the look of this. -At 17.50. | 0:39:33 | 0:39:36 | |
At £20. | 0:39:36 | 0:39:38 | |
I have 20, the lady's bid there, £20. 22.50. | 0:39:38 | 0:39:42 | |
At 22.50. Are we all done? At 22.50. | 0:39:42 | 0:39:47 | |
Plus £2.50. But there's a lot of money in that still. | 0:39:47 | 0:39:51 | |
Now, the cigarette case. | 0:39:51 | 0:39:54 | |
Fine silver and gold edge cigarette case | 0:39:54 | 0:39:57 | |
and I have a bit of interest here so I'm opening the bidding at £100. | 0:39:57 | 0:40:01 | |
-Oh! -Yes! -THEY LAUGH | 0:40:01 | 0:40:06 | |
-That's popular. -110 there. | 0:40:06 | 0:40:09 | |
110. | 0:40:09 | 0:40:11 | |
120. At £120. At 120. £130. | 0:40:11 | 0:40:15 | |
130. £130. I'll take 5 now. | 0:40:15 | 0:40:19 | |
At 130, the gentleman in the middle of the room. | 0:40:19 | 0:40:22 | |
That's brilliant. Plus £50. Plus £50. 50. | 0:40:22 | 0:40:27 | |
62... | 0:40:27 | 0:40:29 | |
£64.50 you are up. | 0:40:29 | 0:40:32 | |
-Hey! -That is brilliant, isn't it? | 0:40:32 | 0:40:34 | |
You spend £105 and you make £64 profit on £105. That is very good. | 0:40:34 | 0:40:40 | |
Well done, team. Now, what are you going to do about the watch stand? | 0:40:40 | 0:40:44 | |
-You are going to risk the £15? -We are. -Yes. -You are. | 0:40:44 | 0:40:48 | |
-You know we are. -You know we are! -You know we are! | 0:40:48 | 0:40:52 | |
We're going with the bonus buy and here comes the watch stand. | 0:40:52 | 0:40:55 | |
Start me at 10. £10. | 0:40:55 | 0:40:58 | |
£10. 10 I'm bid, thank you. And 12. | 0:40:58 | 0:41:01 | |
14. I have 14, gentleman over there. | 0:41:01 | 0:41:04 | |
14. 16. 18. | 0:41:04 | 0:41:08 | |
32. 34. 36. 38. | 0:41:08 | 0:41:12 | |
£40. At 40 second row. | 0:41:12 | 0:41:15 | |
At £40. Any further bids? At £40 it's going. | 0:41:15 | 0:41:18 | |
£40. Well done. It's a profit. | 0:41:18 | 0:41:22 | |
It's plus £25. That's added to the total | 0:41:22 | 0:41:25 | |
but I fancy there's a bit more profit in that, don't you, Mr Laidlaw? | 0:41:25 | 0:41:29 | |
Anyway, there we are. 64. 84. | 0:41:29 | 0:41:32 | |
-That's plus £89.50. -Wonderful. | 0:41:32 | 0:41:36 | |
-What about that? -Well done. -OK, £89.50 up. | 0:41:36 | 0:41:39 | |
The big thing now, apart from being congratulated, | 0:41:39 | 0:41:42 | |
-is not to say a word to the Blues, all right? -OK. -Not a word. Thank you very much. | 0:41:42 | 0:41:47 | |
Well, well, well, what fun we've had. Now, you teams been chatting at all? | 0:41:52 | 0:41:56 | |
-No. -Going through the results? Have you resisted? -Absolutely. -I'm proud of you. | 0:41:56 | 0:42:01 | |
Well, it's a close run thing. Actually, it's not at all. | 0:42:01 | 0:42:04 | |
There's a vast gap between the two teams today, and it should come as no surprise | 0:42:04 | 0:42:10 | |
-that the winners today are the Reds. -Yeah! -Well done. | 0:42:10 | 0:42:14 | |
You have managed to win by taking home a profit of £89.50. | 0:42:14 | 0:42:20 | |
£89.50 is coming out of the pocket here. | 0:42:20 | 0:42:23 | |
Rarely have I handed out quite so much dosh. | 0:42:23 | 0:42:27 | |
And, of course, you managed to make a profit on every single item, | 0:42:27 | 0:42:31 | |
including a chunky profit on the bonus buy, so congratulations to Paul on that. | 0:42:31 | 0:42:36 | |
Which means that I am able to award you the golden gavel. | 0:42:36 | 0:42:40 | |
So will you take a pin, Helen? Thank you. Christoph, take a pin. | 0:42:40 | 0:42:44 | |
And Paul Laidlaw, a pin to go with your collection. | 0:42:44 | 0:42:48 | |
-Anyway, congratulations. -Thank you. -A profit on each lot. Incredible. | 0:42:48 | 0:42:52 | |
On the other hand, turning to the Blues, | 0:42:52 | 0:42:56 | |
sadly you guys are going away with minus 50. | 0:42:56 | 0:42:59 | |
It was that bonus buy that dragged you back. | 0:42:59 | 0:43:03 | |
And the less we say about that, Thomas, I think the better. | 0:43:03 | 0:43:07 | |
Anyway, enough of this dribbling on. We've had such a nice time. | 0:43:07 | 0:43:10 | |
-You ought to join us soon for some more bargain hunting, yes? -ALL: Yes! | 0:43:10 | 0:43:14 | |
Subtitles by Red Bee Media Ltd | 0:43:15 | 0:43:19 | |
E-mail [email protected] | 0:43:19 | 0:43:23 | |
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