Browse content similar to Cornwall 7. Check below for episodes and series from the same categories and more!
Line | From | To | |
---|---|---|---|
With over 800 programmes under our belt, | 0:00:04 | 0:00:06 | |
we don't get that many firsts any more. | 0:00:06 | 0:00:10 | |
But this is the first time we have ever filmed in Cornwall. | 0:00:10 | 0:00:15 | |
Let's go Bargain Hunting! Yes! | 0:00:15 | 0:00:19 | |
We're at the Royal Cornwall showground, by Wadebridge, | 0:00:46 | 0:00:50 | |
where they've been holding auctions, fairs and markets | 0:00:50 | 0:00:54 | |
since the 14th century. | 0:00:54 | 0:00:56 | |
So, what's coming up? | 0:00:58 | 0:01:00 | |
Phil and the red team are out for a Sunday drive. | 0:01:01 | 0:01:05 | |
I feel like a chauffeur. I need a peaked cap! | 0:01:05 | 0:01:08 | |
Henry and the blue team are out for a bit of a splurge! | 0:01:08 | 0:01:12 | |
-I want to spend bigger. -Aim higher. -Spend bigger money. -Fair enough. | 0:01:13 | 0:01:19 | |
And I take a trip to Marazion to uncover a little Cornish wonder | 0:01:19 | 0:01:23 | |
at St Michael's Mount. | 0:01:23 | 0:01:25 | |
Time to meet the teams. | 0:01:27 | 0:01:29 | |
Today we've got two teams of friends. Kathryn and Kathleen for the reds, | 0:01:31 | 0:01:36 | |
-and Mark and Trevor for the blues. Hi, everyone. -Hello! | 0:01:36 | 0:01:39 | |
Lovely to see you. Boys, I hope you're going to spend lots. | 0:01:39 | 0:01:42 | |
-That's our intention, Tim. -Football brought you together. -Correct. | 0:01:42 | 0:01:46 | |
We met each other playing against each other. | 0:01:46 | 0:01:49 | |
Probably 20-odd years ago. | 0:01:49 | 0:01:51 | |
Showing our age! Then we moved on to coaching children | 0:01:51 | 0:01:55 | |
and we've been friends ever since. | 0:01:55 | 0:01:57 | |
Trevor, you're a tattoo artist. Tell us about that. | 0:01:57 | 0:02:00 | |
I've got my own studio. I've been tattooing for eight years. | 0:02:00 | 0:02:03 | |
It's going from strength to strength. I enjoy it. You meet some great people. | 0:02:03 | 0:02:08 | |
How does tattoos work these days? Do people want "Mum" on their fingers? | 0:02:08 | 0:02:13 | |
To be honest, it's very varied now. People are more adventurous. | 0:02:13 | 0:02:18 | |
-It's not just sailors now who are having them. -No. -All walks of life. | 0:02:18 | 0:02:22 | |
Male and female. It's great. | 0:02:22 | 0:02:25 | |
Mark, you're a talented duo, you two, and definitely not to be tangled with. | 0:02:25 | 0:02:29 | |
-You're a martial arts specialist. -Yes, I'm not sure about a specialist | 0:02:29 | 0:02:33 | |
but I'm a martial arts instructor, yes. | 0:02:33 | 0:02:35 | |
Must be a specialist to instruct it. Which particular martial art? | 0:02:35 | 0:02:40 | |
I cover Tae Kwando and kick boxing. | 0:02:40 | 0:02:44 | |
-Brilliant. Do people do it for self-defence, or not really? -Yes, that's the overriding reason. | 0:02:44 | 0:02:50 | |
Most people come in for self-defence | 0:02:50 | 0:02:52 | |
and everybody thinks it's about punching and kicking, | 0:02:52 | 0:02:55 | |
but it's heightening people's awareness and getting them to walk tall and confidently | 0:02:55 | 0:03:01 | |
-to keep you safe, I hope. -Capable of reacting the way you need to. -If you need to. | 0:03:01 | 0:03:06 | |
I react by calling Trevor! | 0:03:06 | 0:03:08 | |
Fair enough! I understand. What's the strategy for you today? | 0:03:08 | 0:03:14 | |
Who's doing the bargaining? | 0:03:14 | 0:03:17 | |
-Hopefully, it'll be a team effort. -See how it goes. -You're being very coy! | 0:03:17 | 0:03:23 | |
Now, Kathleen, how did you two meet? | 0:03:23 | 0:03:25 | |
Kathryn and I met at a local croquet club. We became firm friends | 0:03:25 | 0:03:30 | |
and we're often partners in croquet doubles matches. | 0:03:30 | 0:03:34 | |
-Kathryn, you keep yourself busy in all sorts of departments. -Yes. | 0:03:34 | 0:03:39 | |
I'm a senior observer with the Institute of Advanced Motorists. | 0:03:39 | 0:03:42 | |
-You're an IAM. -I am an IAM! | 0:03:42 | 0:03:45 | |
I had to take my Advanced Motorist test and I had an observer. | 0:03:47 | 0:03:51 | |
I was petrified, I have to say! | 0:03:51 | 0:03:53 | |
-But we're all lovely. -You're lovely until you're driving the car | 0:03:53 | 0:03:58 | |
with the examiner and the observer in the car with you. | 0:03:58 | 0:04:01 | |
-I'm sure you did very well. -It was a very fortuitous pass. -Good. | 0:04:01 | 0:04:07 | |
Now, retired greyhounds. You take them for walks. | 0:04:07 | 0:04:12 | |
-I have a retired greyhound. -Do you? -Yes. | 0:04:12 | 0:04:14 | |
Her full name is Mingler's Leaf, but now she's just known as Leaf. | 0:04:14 | 0:04:19 | |
She was bred in Ireland, brought over to Essex for the racing. | 0:04:19 | 0:04:24 | |
But retired before the age of two. | 0:04:24 | 0:04:26 | |
-She was brought to Cornwall and now lives with me. -Lovely. | 0:04:26 | 0:04:30 | |
Does she ever take a poke at a rabbit? | 0:04:30 | 0:04:33 | |
-Given half the chance! -What tricks have you got up your sleeve today? | 0:04:33 | 0:04:39 | |
We're aware that there's not too much money in Cornwall because of employment. | 0:04:39 | 0:04:44 | |
So we'll probably not spend the full £300. | 0:04:44 | 0:04:48 | |
-That's your strategy? -It is. -And your team are happy with this? | 0:04:48 | 0:04:52 | |
-Are you happy? -I am. -OK, fine. | 0:04:52 | 0:04:56 | |
Well, good luck with that. | 0:04:56 | 0:04:58 | |
Now the money moment. Here comes the £300 apiece. There you go. | 0:04:58 | 0:05:02 | |
You know the rules. Your experts await. | 0:05:02 | 0:05:05 | |
Off you go and very, very good luck. | 0:05:05 | 0:05:08 | |
What fun! | 0:05:09 | 0:05:11 | |
Luckily, our rules are so simple | 0:05:16 | 0:05:19 | |
even our experts understand them! | 0:05:19 | 0:05:22 | |
Right, Henry, we've got one hour. | 0:05:22 | 0:05:25 | |
We need to find three items. | 0:05:25 | 0:05:27 | |
We've got £300 to spend. | 0:05:27 | 0:05:28 | |
-Excellent. Good luck. -Good luck, mate. | 0:05:28 | 0:05:31 | |
Told you so! | 0:05:32 | 0:05:33 | |
Not sure that's in the rules, Phil. | 0:05:33 | 0:05:36 | |
I feel like a chauffeur. I need a peaked cap! | 0:05:36 | 0:05:39 | |
You're meant to be an expert, not a taxi service! | 0:05:39 | 0:05:43 | |
You're a big fellow. I won't have any trouble negotiating today! | 0:05:44 | 0:05:49 | |
As we're in Cornwall, it would be nice to find some Troika. | 0:05:49 | 0:05:52 | |
-Come on. Let's go Bargain Hunting! -Oi, that's my line, you! | 0:05:52 | 0:05:56 | |
I'll try not to get you run over! | 0:05:56 | 0:05:58 | |
-They are what they are, really. Pretty, but... -Move on. | 0:06:06 | 0:06:10 | |
-A fez! -I've always wanted one of them. | 0:06:11 | 0:06:13 | |
-Is that your best Tommy Cooper impersonation? -That's fantastic, isn't it? | 0:06:13 | 0:06:17 | |
-Baxter prints are always popular. -There's another one there. | 0:06:17 | 0:06:21 | |
-What do you think, Trev? You're very arty. -The subject's nice. -"News from Australia." | 0:06:21 | 0:06:25 | |
-Look up here. Emigration in Australia. -What do you think of it with your artistic eye? | 0:06:25 | 0:06:32 | |
-Would you live with that? -The detail. -If I'm honest, I love the subject, | 0:06:32 | 0:06:37 | |
but I don't like the mount and the frame. | 0:06:37 | 0:06:39 | |
But that can change. But I do like the subject cos it's well done. | 0:06:39 | 0:06:44 | |
I think it's ink, I think. But I do like the subject. The farmhouse. | 0:06:44 | 0:06:48 | |
It's not ink, it's a print, basically. | 0:06:48 | 0:06:52 | |
Baxter, like Le Blond, was very popular | 0:06:52 | 0:06:57 | |
during the 19th century. | 0:06:57 | 0:06:59 | |
I think the subject matter is the interesting thing about this particular print. | 0:06:59 | 0:07:04 | |
Prints, in general, don't sell terrifically well, | 0:07:04 | 0:07:07 | |
but this is a nice thing. £12 is not a lot of money for it. | 0:07:07 | 0:07:11 | |
Up to you. See what you can get it for. | 0:07:11 | 0:07:14 | |
-Shall we try? -Have a go and use your charm. | 0:07:14 | 0:07:18 | |
Can I ask about your Baxter print, please? News from Australia. | 0:07:18 | 0:07:21 | |
-You've got it down for £12. -Yes. Very reasonable, isn't it? | 0:07:21 | 0:07:26 | |
-I think you could be more reasonable. -Do you really? | 0:07:26 | 0:07:29 | |
I can knock a pound off, if it helps. | 0:07:29 | 0:07:33 | |
A pound. We were looking for about eight pounds. | 0:07:33 | 0:07:38 | |
-Were you? -Not eight pounds off, eight pounds buying price. | 0:07:38 | 0:07:41 | |
-Why don't we settle on nine? -That's very reasonable. | 0:07:41 | 0:07:44 | |
-Nine pounds is great. Very fair. -It's done the deal. -Thank you. | 0:07:44 | 0:07:47 | |
Thank you. | 0:07:47 | 0:07:49 | |
Good team work, boys. | 0:07:49 | 0:07:51 | |
-He's looking a bit angry. -He's rather fierce. | 0:07:51 | 0:07:54 | |
There's one thing we need to ask ourselves here. | 0:07:54 | 0:07:57 | |
Do either of you like it? | 0:07:57 | 0:08:00 | |
I have to admit not particularly. | 0:08:00 | 0:08:02 | |
Why are we looking at it, then? | 0:08:02 | 0:08:04 | |
Come on, girls. Get with the programme! | 0:08:04 | 0:08:07 | |
-I want to spend bigger. -OK. -Spend bigger money. | 0:08:07 | 0:08:11 | |
-Fair enough. -As it's not mine, I don't mind spending it! | 0:08:11 | 0:08:14 | |
My sentiments entirely. | 0:08:14 | 0:08:16 | |
All aboard. | 0:08:16 | 0:08:18 | |
And your fares! | 0:08:18 | 0:08:20 | |
STEPTOE AND SON THEME MUSIC | 0:08:20 | 0:08:24 | |
Girls, about time you parted with some cash, I'd say. | 0:08:32 | 0:08:36 | |
Is that a nurse's buckle? | 0:08:37 | 0:08:39 | |
That is nice. | 0:08:39 | 0:08:40 | |
-I know nurses still like their buckles. -At auction that'll make 50 to £80. | 0:08:40 | 0:08:46 | |
That would be my shot. Depends what this gentleman can do for you. | 0:08:46 | 0:08:50 | |
What would be your best price on this, please? | 0:08:50 | 0:08:53 | |
-VENDOR: -It needs to be 75. | 0:08:53 | 0:08:55 | |
Do you remember what we said when we set out? | 0:08:57 | 0:09:01 | |
-I said I really wanted you to buy things that you liked. -Yes. | 0:09:03 | 0:09:06 | |
-I think that is nice. -Yes. -Would you like to own it? | 0:09:06 | 0:09:10 | |
-Yes, I would. -Would you like to own it? -Yes. | 0:09:10 | 0:09:12 | |
Would you do 65? | 0:09:12 | 0:09:14 | |
-It's got to be 75. I've got 95 on it. -How about 70? | 0:09:14 | 0:09:18 | |
-No. I've given you my best shot. -OK. | 0:09:18 | 0:09:20 | |
It's seen some wear. It doesn't quite clasp cleanly. | 0:09:20 | 0:09:24 | |
But I quite like the style of it. | 0:09:24 | 0:09:28 | |
You just have to decide if you want to buy it or not. | 0:09:28 | 0:09:31 | |
-Up to you. -Are you happy to go for it? | 0:09:31 | 0:09:33 | |
..Yes. | 0:09:33 | 0:09:35 | |
You can't do 72, even? | 0:09:35 | 0:09:38 | |
-Tell you what. I'll do £70 for it. -Thank you. -Right. | 0:09:38 | 0:09:41 | |
-70, then. -70, yes? -Yes. -Good girl. Well done. | 0:09:41 | 0:09:44 | |
-Thank you very much. -It's a lovely piece. | 0:09:44 | 0:09:46 | |
-Beautiful. -Thanks very much. -Beautiful. | 0:09:46 | 0:09:48 | |
Get the money out, girls. | 0:09:48 | 0:09:51 | |
Kathryn, you tough negotiator! Go, girl! | 0:09:51 | 0:09:54 | |
-We just need a nurse, now, that needs a buckle! -Yes! | 0:09:54 | 0:09:57 | |
What have we got here. We've got Mr Punch up there. | 0:09:58 | 0:10:02 | |
He's based on one of the cast-iron doorstops you get in the Victorian period. | 0:10:02 | 0:10:07 | |
We've got something in common! | 0:10:07 | 0:10:09 | |
I didn't like to say, but... | 0:10:09 | 0:10:11 | |
-He's used to it. That's cast iron, is it? -No, it's not, no. | 0:10:11 | 0:10:15 | |
It's pottery. Shall we have a look? I'm not sure of the age of it. | 0:10:15 | 0:10:20 | |
-Oh, it has got a bit of age to it. -Stafford. | 0:10:22 | 0:10:25 | |
Staffordshire ware. | 0:10:25 | 0:10:26 | |
That back stamp suggests it's probably 1930s, '40s, that sort of period. | 0:10:28 | 0:10:34 | |
-There we are. Got the three knots there. -The Staffordshire knots. | 0:10:34 | 0:10:40 | |
What's the Kent mark on it, then? | 0:10:40 | 0:10:42 | |
Why does it say Kent? Is that a maker? | 0:10:42 | 0:10:44 | |
That's basically the factory. Staffordshire ware Kent factory. | 0:10:44 | 0:10:49 | |
But that's quite... I have to say, from my point of view, I quite like that. | 0:10:49 | 0:10:54 | |
-It's in really good nick. -Yes, for its age. | 0:10:54 | 0:10:57 | |
But I want you guys to like it. It's 45 quid. | 0:10:57 | 0:11:00 | |
-We want to spend more than that, really. -We do. | 0:11:00 | 0:11:04 | |
How much is your...little, um, cigar holder or cigarette holder, please? | 0:11:07 | 0:11:14 | |
-25 on it, sir. -Could we have a look at it, please? -You can. | 0:11:14 | 0:11:17 | |
There's a great psychology to this business. | 0:11:19 | 0:11:22 | |
You say to him, "How much is that?" And he says, "I've got 25 on it." | 0:11:22 | 0:11:27 | |
Does that mean that's the price or does it mean he might dip a little bit? Terrific psychology. | 0:11:27 | 0:11:33 | |
There's a lot of psychology involved. It leaves room for a little negotiation. | 0:11:33 | 0:11:37 | |
A little negotiation. | 0:11:37 | 0:11:39 | |
-Do you like that, girls? -I like the colouring of it. | 0:11:39 | 0:11:42 | |
-It's amber, isn't it? -Amber and a 9-carat gold band. -Gold banding. | 0:11:42 | 0:11:46 | |
Is there a call for these now? | 0:11:46 | 0:11:48 | |
People do collect them. It's nice that it's got the original case, with "London made" on there. | 0:11:48 | 0:11:55 | |
Depends, how much this gentleman will sell it to you for. | 0:11:55 | 0:11:58 | |
I'm going to sell it to you for as much as I can get! | 0:11:58 | 0:12:02 | |
We're coming from a different direction. | 0:12:02 | 0:12:04 | |
We want to give you as little as we have to! | 0:12:04 | 0:12:06 | |
I see. I think £20 would be fair. | 0:12:06 | 0:12:10 | |
-Is that the end? -It's the absolute dead. -Is it? | 0:12:10 | 0:12:13 | |
-How about 18? -I was going to say 15! | 0:12:13 | 0:12:16 | |
Oh, well, sorry... | 0:12:16 | 0:12:18 | |
You bring them out and they get you into trouble before you've even started! | 0:12:18 | 0:12:22 | |
Terribly sorry. | 0:12:22 | 0:12:24 | |
So you should be! | 0:12:24 | 0:12:26 | |
Shall we go back and buy Mr Punch? | 0:12:26 | 0:12:28 | |
Which gets two. So we've got loads of money left in the pot. | 0:12:28 | 0:12:32 | |
-That's what I thought. -Then just go for it. -He has grown on me. | 0:12:32 | 0:12:35 | |
It's bright, it's colourful, in really good nick. | 0:12:35 | 0:12:38 | |
-It's got a bit of age. -Got a big nose. -Novelty. | 0:12:38 | 0:12:41 | |
It looks like you. Let's go and speak to the guy and see what he's about. | 0:12:41 | 0:12:45 | |
-It's in the bag, then. -Exactly. | 0:12:45 | 0:12:47 | |
I think you talked yourselves into that, boys. | 0:12:47 | 0:12:49 | |
Those are hallmarked silver. | 0:12:49 | 0:12:52 | |
20 quid. | 0:12:52 | 0:12:54 | |
-What are the handles made of? -Stag horn. -Oh, goodness. | 0:12:54 | 0:12:58 | |
-It's Elkington's. And it's got the original box. -The original box. | 0:13:00 | 0:13:04 | |
Which do you prefer out of these two? | 0:13:04 | 0:13:06 | |
-This one. -I think that would have probably a better chance at auction. | 0:13:06 | 0:13:11 | |
I'll tell you what I'll look at. If you went to a modern kitchen shop | 0:13:11 | 0:13:15 | |
and bought a carving set | 0:13:15 | 0:13:18 | |
with stag horn handles and silver mounts, what would it cost? | 0:13:18 | 0:13:21 | |
-Oh, a lot of money. -Yes. -Cutlery is expensive. | 0:13:21 | 0:13:24 | |
I think that's nice. | 0:13:24 | 0:13:27 | |
So do I. It's got the original box, as well. | 0:13:27 | 0:13:31 | |
-From this side of the fence, would £20 buy it? -No, it wouldn't, sir. | 0:13:31 | 0:13:34 | |
Would 25 buy it? | 0:13:34 | 0:13:36 | |
I'm afraid not, sir. | 0:13:36 | 0:13:38 | |
What would buy it under 30 quid? | 0:13:38 | 0:13:41 | |
£29.50. | 0:13:41 | 0:13:43 | |
-OK. We've got a price, then. -Can we have the two? | 0:13:43 | 0:13:46 | |
-Well... -£42. -I've got to work this out, now. How much is that? | 0:13:46 | 0:13:51 | |
-It's a bargain, that's how much it is. -It's £42. | 0:13:51 | 0:13:53 | |
-Is that... -You'll do well. It'll make money. -24 quid and £18. Is that right? | 0:13:53 | 0:13:58 | |
If you do it that way, yes. | 0:13:58 | 0:14:00 | |
-Could you keep them both for us for 30 minutes? -I'll put it aside. | 0:14:00 | 0:14:04 | |
-Thank you ever so much. Thank you. -Most kind. -Thank you. | 0:14:04 | 0:14:08 | |
Good negotiating! | 0:14:08 | 0:14:09 | |
But reds, you've still only got one item. | 0:14:09 | 0:14:12 | |
Would you do that for 35 for us? | 0:14:12 | 0:14:14 | |
Let me tell you, originally, I had 65 pounds on that one. | 0:14:14 | 0:14:18 | |
I've reduced it to £45. | 0:14:18 | 0:14:21 | |
But I can knock it down again. I can knock you down another £10. | 0:14:21 | 0:14:24 | |
-Every little helps, to be honest. We'd appreciate that. -35. | 0:14:24 | 0:14:28 | |
Thank you. You're a gentleman. | 0:14:28 | 0:14:30 | |
Thank you. Much obliged. | 0:14:30 | 0:14:31 | |
-Excellent. That was a good deal, that was. -Yeah, in the bag. | 0:14:31 | 0:14:35 | |
-Sorted. -Job done. -We're punching above our weight! | 0:14:35 | 0:14:38 | |
-AS PUNCH: -That's the way to do it! | 0:14:38 | 0:14:41 | |
For when the salt doth lose its saltness, | 0:14:46 | 0:14:49 | |
wherewith will he season it? | 0:14:49 | 0:14:52 | |
Probably with one of these jokers. | 0:14:52 | 0:14:55 | |
Look at that. Isn't that gorgeous? | 0:14:55 | 0:14:58 | |
This is a hoof-form salt cellar or condiment. | 0:14:58 | 0:15:03 | |
Absolutely original, except it's got the wrong lining in it. | 0:15:03 | 0:15:07 | |
If I take that out, you can see that's a piece of 1960s' turned hardwood | 0:15:07 | 0:15:13 | |
that somebody's shoved inside. | 0:15:13 | 0:15:16 | |
But if you examine the silverwork itself, just look how well this has been crafted. | 0:15:16 | 0:15:21 | |
Because here we've got a horse's hoof | 0:15:21 | 0:15:24 | |
that's got this nice, hairy, naturalistic, lumpy bit on the back | 0:15:24 | 0:15:32 | |
and if I turn it over, we've got the most perfectly formed horseshoe | 0:15:32 | 0:15:37 | |
enclosing a frog, which is this diamond or lozenge-shaped piece | 0:15:37 | 0:15:45 | |
which is actually what does exist underneath real horses' hooves. | 0:15:45 | 0:15:50 | |
Isn't that beautiful? | 0:15:50 | 0:15:52 | |
If you look carefully, in the middle of the hairy bit you can see the hallmark, for London 1891. | 0:15:52 | 0:15:59 | |
What would I use them for? | 0:15:59 | 0:16:02 | |
Well, you could use them as condiments, either both for salt | 0:16:02 | 0:16:05 | |
or both for mustard, or either or. | 0:16:05 | 0:16:08 | |
And indeed if you had the proper glass liners blown, | 0:16:08 | 0:16:12 | |
which wouldn't be difficult to do, | 0:16:12 | 0:16:14 | |
you could use them for novelty posy holders. | 0:16:14 | 0:16:17 | |
In short, in any sort of form, they would grace anybody's dining table. | 0:16:17 | 0:16:23 | |
What are they worth? £220, the dealer is asking. | 0:16:23 | 0:16:28 | |
Is that expensive? I don't think so. | 0:16:28 | 0:16:30 | |
Is it cheap? I don't think so. | 0:16:30 | 0:16:32 | |
What I think you should do | 0:16:32 | 0:16:34 | |
is to hoof it round there and get your wallet out! | 0:16:34 | 0:16:38 | |
And that goes for you, too, ladies! | 0:16:38 | 0:16:40 | |
Go on! Hoof it! | 0:16:40 | 0:16:42 | |
-Always lock up before you leave the car! -Yes! | 0:16:42 | 0:16:45 | |
Now, Trevor, you've got something you'd like to get off your chest. | 0:16:45 | 0:16:49 | |
We've got a few pound left, a couple of nice objects in the bag, at the right price. | 0:16:49 | 0:16:54 | |
We can relax, we've got a bit of time on the clock. | 0:16:54 | 0:16:57 | |
Let's see what we can find. You're going to guide us. It's on your head, really. | 0:16:57 | 0:17:02 | |
-What do you think of that? -Truthfully, not much. -Do you not? | 0:17:02 | 0:17:05 | |
-No, so that can go back. -That's because it's not my thing. | 0:17:05 | 0:17:08 | |
-Pressure, pressure, pressure. -Pressure. -The pressure is on. | 0:17:08 | 0:17:12 | |
Looks like the heat's rising for the red team, too. | 0:17:12 | 0:17:15 | |
We'll have to whizz up here, then you have to make a decision. | 0:17:15 | 0:17:19 | |
Tough talking, Philip. | 0:17:19 | 0:17:20 | |
-Nothing's springing out. -No. | 0:17:20 | 0:17:23 | |
It's quite a substantial piece. | 0:17:23 | 0:17:26 | |
-I think I was born too soon for that! -Yes? | 0:17:29 | 0:17:33 | |
I really do. | 0:17:33 | 0:17:34 | |
It's got to just spring out, though. | 0:17:34 | 0:17:36 | |
It's got to punch us. | 0:17:36 | 0:17:38 | |
Oh, my goodness! | 0:17:38 | 0:17:40 | |
You've got ten minutes. We need to focus now. | 0:17:40 | 0:17:43 | |
Focus, focus, focus. | 0:17:43 | 0:17:45 | |
Time to grip it, Phil. | 0:17:45 | 0:17:46 | |
Go and stand over there. | 0:17:46 | 0:17:49 | |
What would you buy? | 0:17:49 | 0:17:51 | |
-I think the carving set. -And? | 0:17:51 | 0:17:53 | |
The cigar holder. | 0:17:53 | 0:17:56 | |
I think I would go for the cheroot holder and the carving set. | 0:17:56 | 0:18:00 | |
I'd go for the cheroot holder and the carving set. | 0:18:00 | 0:18:03 | |
-Yes. -That's good. | 0:18:03 | 0:18:05 | |
-That's all three of us. Let's go. -Wow! | 0:18:05 | 0:18:07 | |
-That's a definite decision. -Excellent. | 0:18:07 | 0:18:10 | |
About time! | 0:18:10 | 0:18:11 | |
Come on, Henry! | 0:18:11 | 0:18:13 | |
I'm thinking. I'm thinking. | 0:18:13 | 0:18:15 | |
We've got to just hope that he hasn't sold this now! | 0:18:17 | 0:18:20 | |
Put your foot down, then! | 0:18:20 | 0:18:22 | |
How about some fish servers? Silver. | 0:18:22 | 0:18:26 | |
Georgian. Can we have a look at them, please? | 0:18:26 | 0:18:28 | |
I'm not going to railroad you into this. We've only got six minutes. | 0:18:30 | 0:18:34 | |
So we've got Sheffield plate and a combination of silver. | 0:18:34 | 0:18:39 | |
The hallmark, slightly faded, is 1820. It's that sort of period. | 0:18:39 | 0:18:45 | |
They're £108. It's not a huge amount of money. You'd need to get more off, really. | 0:18:45 | 0:18:50 | |
-Yeah. -To put them into auction. But if you get the right person that comes in, | 0:18:50 | 0:18:55 | |
they'd look great on a table, wouldn't they? | 0:18:55 | 0:18:57 | |
I like them. Really nice. | 0:18:57 | 0:19:00 | |
-If you don't get that person in... -Then they might make 60 quid. | 0:19:00 | 0:19:05 | |
It won't be 40 cos they have lovely silver grips. They're early. | 0:19:05 | 0:19:09 | |
If you only think, in your experience, they might do 60 or just over, | 0:19:09 | 0:19:13 | |
there's no point buying it if they're going to be 70 or 80 quid. | 0:19:13 | 0:19:17 | |
-We might as well go back to the other things we've looked at. -OK. | 0:19:17 | 0:19:20 | |
Unless the lady does them for 60 quid. Then it might wipe its face! | 0:19:20 | 0:19:25 | |
I'm starting to wonder who's in charge here! | 0:19:25 | 0:19:28 | |
-I can do them for 80. -It's still too much. | 0:19:28 | 0:19:31 | |
It's touch and go but we're running out of time. | 0:19:31 | 0:19:34 | |
If we do come back, can we meet in the middle at 70? | 0:19:34 | 0:19:37 | |
OK. | 0:19:39 | 0:19:41 | |
-70. -Yeah? | 0:19:41 | 0:19:43 | |
-Two more minutes and then come back. -Two minutes. | 0:19:43 | 0:19:46 | |
We couldn't resist your charm(!) | 0:19:46 | 0:19:48 | |
-That's what sold it to us, really. -Was it? | 0:19:48 | 0:19:52 | |
-It was £42, we believe. -42 is what we agreed. | 0:19:53 | 0:19:56 | |
If you're happy. If you're not happy, I don't know where we go. | 0:19:56 | 0:19:59 | |
-We're definitely happy. -All right, then. Well done, girls. | 0:19:59 | 0:20:03 | |
Two in one and you girls are done. | 0:20:03 | 0:20:06 | |
-How long have we got, Henry? -30 seconds. | 0:20:06 | 0:20:09 | |
-Can you run? -Come on, let's do it. | 0:20:09 | 0:20:11 | |
-Trevor loves a run! -Yeah, love it(!) | 0:20:11 | 0:20:13 | |
So do we! | 0:20:13 | 0:20:14 | |
-Go on, run! -She's talking to somebody! | 0:20:14 | 0:20:16 | |
Done! We're going to buy them! | 0:20:19 | 0:20:22 | |
Thank you. Very kind. | 0:20:22 | 0:20:23 | |
-OK. -Thank you very much. | 0:20:23 | 0:20:26 | |
-Plenty of time to spare? -Not really. That was down to the wire, that was. | 0:20:26 | 0:20:31 | |
Phew! That was close. | 0:20:31 | 0:20:33 | |
Now, what was it that the red team bought? | 0:20:33 | 0:20:36 | |
The reds got under way with a silver nurse's belt buckle. | 0:20:36 | 0:20:41 | |
-Would you like to own it? -Yes, I would. -Would you? -Yes. | 0:20:41 | 0:20:45 | |
They deliberated for ages before finally agreeing on an amber cheroot holder | 0:20:45 | 0:20:51 | |
for £16, | 0:20:51 | 0:20:53 | |
and a stag-horn-handled carving set | 0:20:53 | 0:20:57 | |
in its original box. | 0:20:57 | 0:20:59 | |
-We'll definitely have these two. -Well done, girls. Well done. | 0:20:59 | 0:21:03 | |
It's amazing who you bump into at these fairs! | 0:21:03 | 0:21:07 | |
Very nice. This is how the idle rich go round, is it? | 0:21:07 | 0:21:10 | |
How about this, girls? | 0:21:10 | 0:21:13 | |
-You've had the treatment today! -Yes. -We've been spoiled. | 0:21:13 | 0:21:16 | |
I've been flogging up and down these hillsides | 0:21:16 | 0:21:19 | |
while our only vehicle goes off with you lot! | 0:21:19 | 0:21:22 | |
-Very good. Have you had a lovely time? -We have, thank you. | 0:21:22 | 0:21:27 | |
Good for you. Which is your favourite bit, Kathryn? | 0:21:27 | 0:21:30 | |
It has to be the nurse's buckle. | 0:21:30 | 0:21:32 | |
-That's your favourite piece. -Very much so. | 0:21:32 | 0:21:35 | |
-Is that the piece that will bring the biggest profit? -I'm not sure. | 0:21:35 | 0:21:39 | |
-Maybe the carving set. -That will bring the profit? Good. | 0:21:39 | 0:21:43 | |
-How's your driver - sorry, expert! -Chauffeur. | 0:21:43 | 0:21:46 | |
Pull them, Serrell! | 0:21:46 | 0:21:48 | |
Don't move, you could run over my foot! | 0:21:48 | 0:21:51 | |
Anyway, how much did you spend all round? | 0:21:52 | 0:21:54 | |
-£112. -How much?! -112. | 0:21:54 | 0:21:58 | |
-On all three pieces? -Yes. | 0:21:58 | 0:22:00 | |
-Gosh, you've been economical. -We have. | 0:22:00 | 0:22:02 | |
So could we have 188 of leftover lolly? | 0:22:02 | 0:22:07 | |
Philip Serrell, this is your task to go for the bonus buy. Here it comes. | 0:22:07 | 0:22:13 | |
-Thanks, Tim. You two will have to leave me now. -Oh, yes! OK. | 0:22:13 | 0:22:17 | |
-See you later. -Stay with me. | 0:22:17 | 0:22:19 | |
-Good luck, Phil. -Thanks, Timbo. | 0:22:19 | 0:22:21 | |
Meanwhile, why don't we remind ourselves what the blue team bought? | 0:22:21 | 0:22:25 | |
They all felt the Baxter print was good news for £9. | 0:22:26 | 0:22:30 | |
-I think £9 is great. Very fair. -He's done the deal. -Thank you very much. | 0:22:31 | 0:22:35 | |
Then Henry steers them towards a Kent pottery figure of Punch and Toby. | 0:22:35 | 0:22:40 | |
-We've got something in common, him and I! -I didn't like to say that! | 0:22:41 | 0:22:45 | |
And after a sprint finish, they dished up a pair of silver fish servers. | 0:22:47 | 0:22:51 | |
As long as you're happy, that's all we care about. | 0:22:53 | 0:22:56 | |
I'm happy. We could spend all day here with the same results. | 0:22:56 | 0:23:00 | |
-How much did you spend? -We spent £114. -Is that all? | 0:23:00 | 0:23:05 | |
-So we're giving Henry... -186. | 0:23:05 | 0:23:09 | |
-Got the 186. -I've got it. -Well done. | 0:23:09 | 0:23:13 | |
There you go. | 0:23:13 | 0:23:14 | |
There you go. Quite a challenge to go and spend that lot. | 0:23:14 | 0:23:18 | |
It is, yes. I've been listening to the lads | 0:23:18 | 0:23:22 | |
-and I'll go out there and... -Don't buy any tosh! | 0:23:22 | 0:23:26 | |
Tosh? I've got blinkers on. I'll try and avoid tosh! | 0:23:26 | 0:23:30 | |
Absolutely. I like this word, tosh. | 0:23:30 | 0:23:33 | |
Good luck, chaps. Good luck, Henry. | 0:23:33 | 0:23:35 | |
Meanwhile, we're heading off somewhere special, | 0:23:35 | 0:23:37 | |
to St Michael's Mount in the toe end of Cornwall | 0:23:37 | 0:23:41 | |
and let's just hope that the tide's not in. | 0:23:41 | 0:23:44 | |
This iconic Cornish landmark | 0:23:49 | 0:23:51 | |
is St Michael's Mount. | 0:23:51 | 0:23:54 | |
Rising from Mount's Bay on the south coast, | 0:23:54 | 0:23:58 | |
it's been visited for centuries by people who've travelled from far and wide, | 0:23:58 | 0:24:02 | |
each with their own reason for doing so. | 0:24:02 | 0:24:05 | |
So, what brings me here today? | 0:24:08 | 0:24:11 | |
Well, I'm in search of some paintings by an artist nicknamed The Cornish Wonder. | 0:24:11 | 0:24:18 | |
Ooh, arr! | 0:24:18 | 0:24:20 | |
John Opie is the artist in question | 0:24:26 | 0:24:29 | |
and dotted throughout the house are examples of his works. | 0:24:29 | 0:24:33 | |
And they're here due to the generous patronage | 0:24:36 | 0:24:39 | |
of The Mount's owner at the time, Sir John St Aubyn. | 0:24:39 | 0:24:42 | |
This is the earliest John Opie painting in the collection. | 0:24:44 | 0:24:48 | |
It was painted around 1778 and it shows a young man. | 0:24:48 | 0:24:55 | |
Opie was 17 when he painted this picture | 0:24:55 | 0:25:00 | |
and the subject, the young man, is himself. | 0:25:00 | 0:25:04 | |
Can you imagine a 17-year-old doing a self-portrait of this quality? | 0:25:05 | 0:25:11 | |
It's just extraordinary. And it's no wonder | 0:25:11 | 0:25:14 | |
he was taken up and his talent revered. | 0:25:14 | 0:25:18 | |
Just look at the way his expression is intense. | 0:25:18 | 0:25:22 | |
Those fresh cheeks, with the bloom of youth. | 0:25:22 | 0:25:27 | |
But yet, within his eye, he's a wise man. | 0:25:27 | 0:25:32 | |
Another early portrait is this fellow. | 0:25:34 | 0:25:38 | |
This is a portrait of Dolly Pentreath. | 0:25:38 | 0:25:42 | |
Now, old Dolly lived down the coast in Mousehole. | 0:25:42 | 0:25:48 | |
And she lived to the grand old age, it's said, of 102. | 0:25:48 | 0:25:54 | |
And she's celebrated because she was the last surviving native Cornish speaker | 0:25:54 | 0:26:00 | |
as a first language. Indeed, | 0:26:00 | 0:26:02 | |
Opie captured her here just before she died. | 0:26:02 | 0:26:08 | |
It is an extraordinarily haunting image. | 0:26:08 | 0:26:12 | |
Isn't she marvellous? | 0:26:14 | 0:26:16 | |
Formidable? | 0:26:16 | 0:26:18 | |
An ancient matriarch of the St Aubyn line, methinks. | 0:26:18 | 0:26:23 | |
Well, you're wrong. Painted by Opie, | 0:26:23 | 0:26:26 | |
and it's a portrait of Mrs Bell, | 0:26:26 | 0:26:29 | |
who's the fifth Sir John's housekeeper. | 0:26:29 | 0:26:32 | |
Gosh. But painted in the manner of George Rumney. | 0:26:32 | 0:26:38 | |
It's almost as if Opie, who's recorded as not being sophisticated, | 0:26:38 | 0:26:44 | |
he doesn't speak like an educated painter, | 0:26:44 | 0:26:49 | |
he's a bit of a rough diamond, | 0:26:49 | 0:26:51 | |
and some would say that he was more at ease painting servants | 0:26:51 | 0:26:56 | |
than he was aristocrats. | 0:26:56 | 0:26:58 | |
John Opie is principally remembered today as a portrait painter. | 0:27:00 | 0:27:05 | |
His landscapes are rare. Indeed, it's thought he only painted five of them. | 0:27:05 | 0:27:11 | |
Two were views of St Michael's Mount | 0:27:11 | 0:27:15 | |
and this one is by far the most famous. | 0:27:15 | 0:27:18 | |
What I think is intriguing | 0:27:18 | 0:27:20 | |
is what these characters are up to in the foreground. | 0:27:20 | 0:27:23 | |
The Mount is behind. They are sorting out | 0:27:23 | 0:27:27 | |
by the light of a lantern, apparently some sort of illicit fishing catch. | 0:27:27 | 0:27:34 | |
This looks to me like fishy business. | 0:27:34 | 0:27:38 | |
Of course, the big question today is, | 0:27:38 | 0:27:41 | |
what sort of catch will our teams land over at the auction? | 0:27:41 | 0:27:45 | |
This is lovely. We're in Lostwithiel at Jefferys Auctions with Ian Morris, our auctioneer. | 0:28:01 | 0:28:07 | |
-Hello, Ian. -How are you? -Very nice to be here. | 0:28:07 | 0:28:10 | |
Now, first up is the hallmarked nurse's buckle. | 0:28:10 | 0:28:14 | |
It's nice. Nicely pierced and decorated. | 0:28:14 | 0:28:18 | |
But quite average | 0:28:18 | 0:28:20 | |
in the sense that we do see a lot of silver nurses' buckles come through. | 0:28:20 | 0:28:26 | |
They were produced in fair numbers down to a level. | 0:28:26 | 0:28:29 | |
What's your level? Level with me! | 0:28:29 | 0:28:32 | |
Maybe only 20 to £30. Maybe a little bit more than that. | 0:28:32 | 0:28:35 | |
Maybe 35, but I can't see more. | 0:28:35 | 0:28:38 | |
Dear, oh, dear. £70 they paid. So that's a bit of a dark hole. | 0:28:38 | 0:28:41 | |
What about the cheroot holder? | 0:28:41 | 0:28:43 | |
Again, I haven't put a lot of money on it because smoking is not PC nowadays. | 0:28:43 | 0:28:49 | |
But it's in a nice case, it's got a gold rim | 0:28:49 | 0:28:52 | |
and it's amber. So three things going for it. | 0:28:52 | 0:28:55 | |
Apart from what it is, which is difficult. | 0:28:55 | 0:28:58 | |
-So I put an estimate of 20 to £30 on. -That's not too bad. | 0:28:58 | 0:29:02 | |
-They only paid £16. -It's a mark of the times, I think. | 0:29:02 | 0:29:06 | |
Last item is the handled carving set. | 0:29:06 | 0:29:09 | |
I don't think it is horn handled. I think it's wood simulated to look like horn. | 0:29:09 | 0:29:15 | |
-But nevertheless, what a nice set. -It's a good carving set. | 0:29:15 | 0:29:19 | |
-Being Elkington, it's a good make. -So how do you rate that one, then? | 0:29:19 | 0:29:24 | |
Carving sets, cutlery generally, not so great. So I've been conservative at 15 to 30. | 0:29:25 | 0:29:31 | |
£26 they paid. | 0:29:31 | 0:29:33 | |
So I think it's going to be the nurse's silver buckle that drags them back, if anything. | 0:29:33 | 0:29:40 | |
In which case they'll need their bonus buy. Let's have a look. | 0:29:40 | 0:29:43 | |
OK, Kathryn, Kathleen. | 0:29:43 | 0:29:45 | |
You spent £112 and you gave Philip £188. What did he spend it on? | 0:29:45 | 0:29:52 | |
I bought these, because I thought that they were fun. | 0:29:52 | 0:29:56 | |
There are five of them. I haven't broken any, I've just brought three. | 0:29:57 | 0:30:03 | |
I just think they're really fun things. | 0:30:03 | 0:30:05 | |
I love the way they're decorated. | 0:30:05 | 0:30:07 | |
What price did you pay for them? | 0:30:07 | 0:30:09 | |
I paid £35 for the lot. | 0:30:09 | 0:30:12 | |
For the lot. | 0:30:12 | 0:30:13 | |
And I think that's quite cheap. I just love them. | 0:30:13 | 0:30:16 | |
-Chariots of Fire, isn't it? -Yes. And it's the right period for Chariots of Fire, presumably. | 0:30:16 | 0:30:22 | |
-We're talking about 1935 to '45, that sort of thing. -Mid-'30s, I think. | 0:30:22 | 0:30:28 | |
-They're certainly different, aren't they? -Yes. | 0:30:28 | 0:30:31 | |
-Is that a compliment? -Hang on to that memory. | 0:30:31 | 0:30:35 | |
Let's find out for the audience at home what the auctioneer thinks about Phil's glasses. | 0:30:35 | 0:30:41 | |
Right, Ian. Four more like that. | 0:30:41 | 0:30:44 | |
A set of five. Would have been six. They've broken one. | 0:30:44 | 0:30:47 | |
Glass is very contemporary. We sell them in fives and fours. | 0:30:47 | 0:30:52 | |
You know one or two have fallen by the wayside, unfortunately. | 0:30:52 | 0:30:55 | |
They've got some nice decoration, with athletes on the front. All different, | 0:30:55 | 0:31:02 | |
-which is a bonus, but the enamelling's been rubbed. -Estimate? | 0:31:02 | 0:31:06 | |
I've put 25 to 40. | 0:31:06 | 0:31:07 | |
Philip paid £35. The team may not go with the bonus buy, after all. | 0:31:07 | 0:31:12 | |
So that's it for the reds. Now for the blues. | 0:31:12 | 0:31:14 | |
Mark and Trevor. The Baxter print. | 0:31:14 | 0:31:17 | |
"News from Australia". That really is yesterday's antique, that type of print. | 0:31:17 | 0:31:23 | |
I must admit, lots of prints I've sold, | 0:31:23 | 0:31:26 | |
and 20 years ago, it was a dead cert. A dead cert. | 0:31:26 | 0:31:31 | |
Made great money all the time. | 0:31:31 | 0:31:33 | |
So it's the kind of thing there that could be tricky to sell. | 0:31:33 | 0:31:37 | |
-How much? -I've said 20 to £40. | 0:31:37 | 0:31:39 | |
-Have you really? -Yes. -Well, that's brave! | 0:31:39 | 0:31:42 | |
-The boy only paid £9 for it! -Oh, he's done all right, then. | 0:31:42 | 0:31:46 | |
Good. An encouraging start. Now, what about Punch and Toby? | 0:31:46 | 0:31:51 | |
It is a furnishing piece, isn't it? | 0:31:51 | 0:31:53 | |
Not particularly old, but it's well-coloured and well-detailed. | 0:31:53 | 0:31:58 | |
I think I put about 20 to 40 on that. I can see that getting towards the top end, certainly. | 0:31:58 | 0:32:05 | |
20 to £40 is your estimate. £35 paid. | 0:32:05 | 0:32:08 | |
So fairly tight on the money with that. | 0:32:08 | 0:32:11 | |
Lastly, the fish servers with silver handles, but no case. | 0:32:11 | 0:32:15 | |
No, which is a drawback for this type of thing. | 0:32:15 | 0:32:19 | |
And I find that in cutlery, the thing that's most difficult to sell is fish knives, fish eaters | 0:32:19 | 0:32:26 | |
-and servers. -What's it worth without the case? | 0:32:26 | 0:32:28 | |
Well, I've put it at 20 to £30. | 0:32:28 | 0:32:31 | |
That will be a disaster for them because they paid 70. | 0:32:31 | 0:32:34 | |
They'll need their bonus buy! Let's have a look at it. | 0:32:34 | 0:32:37 | |
Mark and Trevor, you've spent £114. You gave Henry £186. | 0:32:38 | 0:32:44 | |
What did you spend it on, Henry? | 0:32:44 | 0:32:46 | |
In today's society, you've got to think outside the box. So I went for this piece. | 0:32:46 | 0:32:51 | |
What do you think to this? | 0:32:51 | 0:32:52 | |
-You like watches. -I'm a watch man. That's really nice. | 0:32:52 | 0:32:55 | |
1970s LED watch by Mercury. | 0:32:55 | 0:32:58 | |
-Retro. Do you like it? -I like it a lot. | 0:32:59 | 0:33:02 | |
I paid £90 for it. It's got its original box. | 0:33:02 | 0:33:07 | |
-Original instructions. -There's people that will take a fancy to this? | 0:33:07 | 0:33:11 | |
I've seen them make 120 to £130. | 0:33:11 | 0:33:13 | |
So you think there could be £30 worth of profit? | 0:33:13 | 0:33:16 | |
Potentially. I can't guarantee what the people of Lostwithiel will bid. | 0:33:16 | 0:33:22 | |
-As an item, I think you did really well. -It's a nice thing. -It's really nice. | 0:33:22 | 0:33:26 | |
-Happy with that, boys? -Very nice. -We have a prediction of profit, which is what it's all about. | 0:33:26 | 0:33:31 | |
It's all down to what happens in the auction. | 0:33:31 | 0:33:34 | |
But for viewers at home, let's find out what the auctioneer thinks of Henry's watch. | 0:33:34 | 0:33:39 | |
Here we go. A nice stainless steel 1970s digital watch for you. | 0:33:40 | 0:33:46 | |
Your favourite! | 0:33:46 | 0:33:48 | |
It's certainly different to what we normally sell. | 0:33:49 | 0:33:52 | |
Original case, which is great. And the instructions as well. And it still works. | 0:33:52 | 0:33:57 | |
All great things towards it. | 0:33:57 | 0:33:59 | |
But I've never sold one before. | 0:33:59 | 0:34:02 | |
So a guesstimate rather than an estimate, maybe. | 0:34:02 | 0:34:05 | |
-I put 25 to £40 on. -Good lord! £90 Henry invested. | 0:34:05 | 0:34:10 | |
-Definitely it's not for the local market. -No. | 0:34:10 | 0:34:14 | |
-It'll either come through the internet or it's a dead duck! -Yes. | 0:34:14 | 0:34:17 | |
Right. | 0:34:17 | 0:34:19 | |
Well, we've got a needle match here, at the end of the programme. | 0:34:19 | 0:34:23 | |
Do the team trust our Henry and go with his bonus buy or not? | 0:34:23 | 0:34:28 | |
We'll find out in a minute! | 0:34:28 | 0:34:30 | |
-Kathleen, all right, darling? -Yes. -Kathryn? Happy? -Fine, thank you. | 0:34:40 | 0:34:45 | |
-Any piece you're most anxious about, Kathryn? -The buckle. | 0:34:45 | 0:34:49 | |
The nurses' buckle. The auctioneer wasn't too hot about it. | 0:34:49 | 0:34:54 | |
-He put 20 to £30 on it. -Goodness. -£70 paid. | 0:34:54 | 0:34:58 | |
-You're nervous because you found it? -I love it. I think it's beautiful. -That's the trouble, isn't it? | 0:34:58 | 0:35:05 | |
First up is your buckle. Kathryn, stand by. | 0:35:05 | 0:35:08 | |
Lot 298. The Art Nouveau marked silver nurses' buckle. Lot 298. | 0:35:08 | 0:35:12 | |
What do you say? £30 away? | 0:35:12 | 0:35:14 | |
£30 away? £20 away. £20 I'm bid. | 0:35:15 | 0:35:17 | |
At £20. 25 with me. £30. | 0:35:17 | 0:35:19 | |
35. £40? At 35. | 0:35:19 | 0:35:21 | |
The bid's on the books. £40. At £40 to my left. | 0:35:21 | 0:35:23 | |
At £40. I'm out. At £40, selling on my left. At £40. | 0:35:23 | 0:35:26 | |
-£40 is minus £30. -Oh, dear! -Ouch! | 0:35:27 | 0:35:29 | |
But it's not as bad as it might have been. | 0:35:29 | 0:35:33 | |
Now, the cheroot holder. | 0:35:33 | 0:35:36 | |
It's a leather-cased, 9-carat gold rimmed amber cheroot holder. | 0:35:36 | 0:35:40 | |
Lot 299. £20 away? £10 away. Five I'm bid. | 0:35:40 | 0:35:44 | |
At five. Six. Eight. Ten. At ten. | 0:35:44 | 0:35:47 | |
12. 14? 14. | 0:35:47 | 0:35:48 | |
At £14 I'm bid. | 0:35:48 | 0:35:49 | |
At £14. We're done at £14. | 0:35:49 | 0:35:53 | |
-£14 is minus two pounds. -Oh, dear. -With the gold band on it. | 0:35:53 | 0:35:58 | |
-In its little case. -They can melt it for that. | 0:35:58 | 0:36:01 | |
Here comes the carving set. | 0:36:01 | 0:36:03 | |
The Elkington cased three-piece stag-horn | 0:36:03 | 0:36:05 | |
silver-mounted carving set. Lot 300. | 0:36:05 | 0:36:08 | |
£30 away? £30 away? | 0:36:08 | 0:36:10 | |
£20 away? £15 I'm bid. | 0:36:10 | 0:36:13 | |
At £15, lot 300. At £15. £18. | 0:36:13 | 0:36:15 | |
20. 22. | 0:36:15 | 0:36:17 | |
25? At 22 the bid's in the middle. | 0:36:17 | 0:36:19 | |
At 22. 25? Are we done? At 22. | 0:36:19 | 0:36:21 | |
£22 is minus four pounds. | 0:36:21 | 0:36:24 | |
That's quite a carving set for £22. | 0:36:24 | 0:36:26 | |
I've a funny feeling this is an inexpensive place! | 0:36:26 | 0:36:30 | |
You'd come to buy here. | 0:36:30 | 0:36:32 | |
Look at that. I can't believe it, girls. Sorry. | 0:36:32 | 0:36:34 | |
Overall, you are minus 36. | 0:36:34 | 0:36:36 | |
Big question is, are you going to preserve your losses at minus 36 | 0:36:36 | 0:36:40 | |
or will you go with the athletic glasses? | 0:36:40 | 0:36:43 | |
-What do you think? -Nothing to lose! Go for it. | 0:36:43 | 0:36:45 | |
No, no, no! | 0:36:45 | 0:36:48 | |
That decision is now set. | 0:36:48 | 0:36:50 | |
-Thanks! -The auctioneer has estimated 25 to £40 on them. | 0:36:50 | 0:36:54 | |
He does quite like them. He quite fancies them. | 0:36:54 | 0:36:57 | |
Phil paid 35. | 0:36:57 | 0:36:59 | |
If the auctioneer is right, he ought to know his market here, | 0:36:59 | 0:37:03 | |
you may make a small profit. | 0:37:03 | 0:37:06 | |
Here we go. The last item. | 0:37:06 | 0:37:07 | |
Lot 306. A set of five 1930s lemonade glasses | 0:37:07 | 0:37:11 | |
enamelled with athletes. | 0:37:11 | 0:37:13 | |
Can I say £30 for that? £20 for that? Ten I'm bid. At ten. | 0:37:13 | 0:37:16 | |
£10 I'm bid. | 0:37:16 | 0:37:18 | |
£10. 12. 14. 16. 18. | 0:37:18 | 0:37:21 | |
At £18 bid. 20. At £20. The bid's on the books. | 0:37:21 | 0:37:24 | |
22. At 22 I'm out. | 0:37:24 | 0:37:26 | |
At 22. 25? At 22. Lady's bid at 22. | 0:37:26 | 0:37:29 | |
-Ooh! -Oh, dear, I'm sorry! | 0:37:29 | 0:37:32 | |
It's been a fantastic day, hasn't it?! | 0:37:32 | 0:37:34 | |
For ever you are pragmatic, Phil. That's minus £13 on that. | 0:37:34 | 0:37:40 | |
36. 46. 49. | 0:37:40 | 0:37:41 | |
Minus £49. | 0:37:41 | 0:37:43 | |
In today's market, that could be a winning score. | 0:37:43 | 0:37:46 | |
Don't be depressed. It could be. | 0:37:46 | 0:37:48 | |
-Stick to the day jobs! -Very easily. Very easily. | 0:37:48 | 0:37:50 | |
-Anyway, minus 49. Don't tell the blues a thing. -No. -No. | 0:37:50 | 0:37:54 | |
Thank you, girls. | 0:37:54 | 0:37:55 | |
-Trevor and Mark, how are you feeling? -Excited. Can't wait. | 0:38:00 | 0:38:04 | |
-Do you know how the reds got on? -No idea. -No? -No. | 0:38:04 | 0:38:08 | |
We don't want you to know. Here we go. Here comes the Baxter print. | 0:38:08 | 0:38:13 | |
The Baxter print, "News from Australia". What do you say? | 0:38:13 | 0:38:17 | |
Can I see £30 away? £20 to start me? £15 I'm bid. | 0:38:17 | 0:38:20 | |
-Good start. -18. 20. Two? At £20 I'm bid. The bid's with me. | 0:38:20 | 0:38:24 | |
At £20. All done. At £20. | 0:38:24 | 0:38:26 | |
A very nice plus £11. | 0:38:26 | 0:38:30 | |
A super start, boy. | 0:38:30 | 0:38:32 | |
-Plus 11. -Here he is. -Look. | 0:38:32 | 0:38:35 | |
A Kent pottery figure. | 0:38:35 | 0:38:36 | |
Punch and Toby. Punch and Toby. | 0:38:36 | 0:38:38 | |
£30 away for this one? | 0:38:38 | 0:38:40 | |
£20 I'm bid. At £20. | 0:38:40 | 0:38:42 | |
At £20. | 0:38:42 | 0:38:43 | |
22. 25. 28. | 0:38:43 | 0:38:45 | |
28. My bid's out. £30 now? £30. 32. 35. | 0:38:45 | 0:38:48 | |
35. 38. £40. | 0:38:48 | 0:38:50 | |
-Lovely. -You're in profit, boy. -It's so unusual. | 0:38:50 | 0:38:53 | |
42 at the back. At 42. 45. 48. | 0:38:53 | 0:38:56 | |
-Hey! -Go on! | 0:38:56 | 0:38:58 | |
48. £50? £50. | 0:38:58 | 0:39:00 | |
55? 55. £60? | 0:39:00 | 0:39:02 | |
At 55 at the back. 55. | 0:39:02 | 0:39:04 | |
£55. £55. Henry, well done. | 0:39:04 | 0:39:09 | |
That is a plus 20 number. | 0:39:09 | 0:39:11 | |
-This is the loss. -Fish servers. | 0:39:11 | 0:39:14 | |
Lot 324. Early Victorian silver hallmarked fish-eaters. | 0:39:14 | 0:39:17 | |
Pierced blades. Lot 324. £30 away? | 0:39:17 | 0:39:20 | |
£20? £15 I'm bid. | 0:39:20 | 0:39:23 | |
15. 18. 20. | 0:39:23 | 0:39:25 | |
At £20 I'm bid. I'll take two. | 0:39:25 | 0:39:27 | |
-£20 bid. -We want more than that. | 0:39:27 | 0:39:29 | |
22. 25? At 22 seated. Five? | 0:39:29 | 0:39:32 | |
22, then. Going at £22. | 0:39:32 | 0:39:33 | |
-£22. -Hammered. -That is minus £48. | 0:39:34 | 0:39:38 | |
48! Tosh! | 0:39:38 | 0:39:41 | |
That is minus seven... | 0:39:41 | 0:39:44 | |
17. Minus 17. | 0:39:44 | 0:39:46 | |
-Minus 17? -Well, it was looking quite pretty. | 0:39:46 | 0:39:49 | |
And then it came downhill a bit. | 0:39:49 | 0:39:51 | |
What are you going to do about this old electric watch? | 0:39:51 | 0:39:54 | |
-Get it in. Just do it. -Henry? | 0:39:54 | 0:39:56 | |
-What's the point? -As long as you don't bang me! | 0:39:56 | 0:39:59 | |
-You're in trouble anyway! -Is this a knee-jerk reaction? | 0:39:59 | 0:40:02 | |
-Would it be? -We've got two to go. | 0:40:02 | 0:40:06 | |
-Trust me, isn't it? -Trust him? -Trust me. | 0:40:06 | 0:40:08 | |
I can't trust him. He's let us down on the silver. | 0:40:08 | 0:40:11 | |
-You trust him and he trusts him. Are you going with it? -You can run fast? | 0:40:11 | 0:40:15 | |
-You'll need to, son. -Going with the bonus buy. | 0:40:15 | 0:40:18 | |
A decision. Going with the bonus buy. | 0:40:18 | 0:40:20 | |
Well, here it comes. Let's find out. | 0:40:20 | 0:40:22 | |
A retro Mercury quartz watch. | 0:40:22 | 0:40:24 | |
Stainless steel strap. Original box, with instructions. | 0:40:24 | 0:40:28 | |
James Bond watch, I do believe. Lot 330. | 0:40:28 | 0:40:30 | |
What do you say for that? | 0:40:30 | 0:40:32 | |
£50 away. £30 away. | 0:40:32 | 0:40:34 | |
£20 I'm bid. At £20. At £20. | 0:40:34 | 0:40:37 | |
Two to get on? 22. | 0:40:37 | 0:40:38 | |
25. 28 with me. £30? | 0:40:38 | 0:40:40 | |
£30. My bid's out. At £30. | 0:40:40 | 0:40:42 | |
To the side. And two. At 32. 35? | 0:40:42 | 0:40:45 | |
35. 38? 38. £40? £40. | 0:40:45 | 0:40:47 | |
45? £40. The bid's up front. | 0:40:47 | 0:40:50 | |
45. 45. £50? £50. | 0:40:50 | 0:40:51 | |
55? 55. £60? | 0:40:51 | 0:40:54 | |
At 55, then, at the back. | 0:40:54 | 0:40:56 | |
55. At 55. | 0:40:56 | 0:40:58 | |
That's minus £35. | 0:40:58 | 0:41:00 | |
35. 45. | 0:41:00 | 0:41:01 | |
£52, boys. | 0:41:01 | 0:41:04 | |
-That's not bad. -Minus £52, down the old proverbial. | 0:41:04 | 0:41:08 | |
-Could be a winning score. -Could be a winning score! | 0:41:08 | 0:41:11 | |
Well, well, well, well, well. Have we been chatting to one another, blues and reds? | 0:41:15 | 0:41:20 | |
No? Not about the score, anyway. | 0:41:20 | 0:41:22 | |
Well, this is a really, really tight competition. | 0:41:22 | 0:41:26 | |
It is no secret to either team that they have made a loss. | 0:41:26 | 0:41:30 | |
It is simply a question of the scale of the losses. | 0:41:30 | 0:41:33 | |
-And it's exciting when there's only three pounds between the teams! -Really? | 0:41:33 | 0:41:40 | |
They have made whopping losses between them, | 0:41:40 | 0:41:44 | |
yet there is only three pounds difference. | 0:41:44 | 0:41:48 | |
And the team that trails to the tune of three pounds, I'm afraid to say, | 0:41:48 | 0:41:53 | |
are the blues. | 0:41:53 | 0:41:55 | |
Which is nothing, really, is it? | 0:41:55 | 0:41:58 | |
-Not in the great scheme of things. -You started off brilliantly. | 0:41:58 | 0:42:01 | |
You made two whopping profits, which is marvellous. | 0:42:01 | 0:42:04 | |
And then there was a downhill slither! | 0:42:04 | 0:42:07 | |
-Sorry, chaps. -That downhill slither... -Our Henry. -..dragged you into the minus 52 sector. | 0:42:07 | 0:42:13 | |
-But you've had a lovely time? -Fantastic. Brilliant. -You've been smashing contestants. | 0:42:13 | 0:42:18 | |
And I have to say I've never known better qualified contestants, | 0:42:18 | 0:42:22 | |
who knew every nuance of this programme backwards | 0:42:22 | 0:42:24 | |
-and have followed it closely. It's been a thrill to have you on the show. -Thank you. | 0:42:24 | 0:42:29 | |
Thank you for all your fun and contribution. But the victors, who've won by only losing £49 | 0:42:29 | 0:42:36 | |
-are the reds. That's pretty rich, Kathryn. -Never expected that. | 0:42:36 | 0:42:40 | |
Lovely. | 0:42:40 | 0:42:41 | |
-We didn't expect to win. -And you're pleased, Kathleen? -We are. | 0:42:41 | 0:42:45 | |
As you ought to be. We've had such fun. Join us soon for more Bargain Hunting, yes? | 0:42:45 | 0:42:50 | |
Yes! | 0:42:50 | 0:42:52 | |
Subtitles by Red Bee Media Ltd | 0:43:13 | 0:43:16 |