Browse content similar to Kent 2. Check below for episodes and series from the same categories and more!
Line | From | To | |
---|---|---|---|
Today, we've got two pairs of friends pitting their wits | 0:00:02 | 0:00:05 | |
against one another, so who's going to be the aces | 0:00:05 | 0:00:07 | |
and who's going to be the jokers? | 0:00:07 | 0:00:10 | |
EVIL LAUGH | 0:00:10 | 0:00:12 | |
Let's go bargain hunting! | 0:00:12 | 0:00:14 | |
Spooky. | 0:00:14 | 0:00:15 | |
Our good friends today are bargain hunting | 0:00:39 | 0:00:42 | |
at the Detling antiques and collectors' fair. | 0:00:42 | 0:00:46 | |
They've got £300 to spend and one hour to do it in. | 0:00:46 | 0:00:49 | |
The big question is, will they gamble and spend big? | 0:00:49 | 0:00:53 | |
'Today, it's all about R&R for the Reds. | 0:00:53 | 0:00:56 | |
'Rest and relaxation.' | 0:00:56 | 0:00:57 | |
The best way to test a chair is by actually sitting in it. | 0:00:57 | 0:01:02 | |
'Not for the Blues, though. They just can't stop.' | 0:01:02 | 0:01:06 | |
Come on! For goodness sakes! | 0:01:06 | 0:01:09 | |
'But will it be a story of the tortoise and the hare at the auction? | 0:01:10 | 0:01:14 | |
'Let's meet the teams.' | 0:01:14 | 0:01:16 | |
Here we are. Hello, everyone. | 0:01:16 | 0:01:19 | |
ALL: Hello, Tim. | 0:01:19 | 0:01:20 | |
So, Will and Rob, you're practically inseparable, you two. Why's that? | 0:01:20 | 0:01:26 | |
We work together, we've been to university together, | 0:01:26 | 0:01:29 | |
-we've lived together for five years. -Gosh. -Play rugby together. | 0:01:29 | 0:01:33 | |
What are your plans for the future? | 0:01:33 | 0:01:34 | |
-I want to be a millionaire by the time I'm 30, actually. -No worries at all, then. | 0:01:34 | 0:01:38 | |
But how many years have you got to go? | 0:01:38 | 0:01:41 | |
-Seven. -Oh, seven. That's quite long enough for you to become a millionaire. | 0:01:41 | 0:01:45 | |
It's the leisure industry that you're interested in. | 0:01:45 | 0:01:48 | |
It's where I currently work, yeah. | 0:01:48 | 0:01:50 | |
So let's hope you make a bob or two at the auction. | 0:01:50 | 0:01:53 | |
-Fingers crossed. -Might be enough to start your capital base for your new business. | 0:01:53 | 0:01:58 | |
Are you a competitive man, Rob? | 0:01:58 | 0:02:00 | |
I try to be. I play a lot of rugby. | 0:02:00 | 0:02:02 | |
I've played for county level, three counties level, when I was younger. | 0:02:02 | 0:02:06 | |
You're not averse to a bit of extreme sports either. | 0:02:06 | 0:02:10 | |
I want to try to get into skydiving eventually, do some free-falling. | 0:02:10 | 0:02:14 | |
Why do you want to do that, do you think? | 0:02:14 | 0:02:16 | |
It's just a bit of fun. Why not? | 0:02:16 | 0:02:19 | |
You only live once. | 0:02:19 | 0:02:21 | |
What are your team tactics today? | 0:02:21 | 0:02:23 | |
Are you going to spend a lot of money or a small amount of money? | 0:02:23 | 0:02:26 | |
Not too much, hopefully. | 0:02:26 | 0:02:28 | |
Are you going to take the advice of your expert? | 0:02:28 | 0:02:31 | |
I think we may need it. | 0:02:31 | 0:02:33 | |
That could be your first mistake. No, no, no. Only joking. | 0:02:33 | 0:02:38 | |
We'll have fun, right? We'll look forward to it. | 0:02:38 | 0:02:41 | |
Girls, are you quaking in your boots? | 0:02:41 | 0:02:43 | |
Not at all, we're looking forward to it. Absolutely. | 0:02:43 | 0:02:46 | |
Veronica and Jules, how did you first meet? | 0:02:46 | 0:02:49 | |
We met at the residential special needs school | 0:02:49 | 0:02:52 | |
that I still work at and discussed music and discovered we both had a lot of music. | 0:02:52 | 0:02:56 | |
How important is music for you then, V? | 0:02:56 | 0:02:58 | |
-My life. -Is it? -Yes. | 0:02:58 | 0:03:01 | |
It's my profession but it's also my major hobby. | 0:03:01 | 0:03:04 | |
I run an a cappella jazz group. | 0:03:04 | 0:03:05 | |
-Do you? -Yes. I do some arranging - I have done an arrangement which you may hear later on. | 0:03:05 | 0:03:11 | |
Oh! I think there's a bit of a tease coming on here. | 0:03:11 | 0:03:14 | |
-Now, Jules, you've experienced quite a different type of musical fame, haven't you? -Yes. | 0:03:14 | 0:03:20 | |
In the '60s, I ran a folk singing club | 0:03:20 | 0:03:22 | |
and we did have everybody that was on the circuit. | 0:03:22 | 0:03:25 | |
The Americans, the Brits, | 0:03:25 | 0:03:26 | |
-and I was the first club to give Paul Simon a booking. -Oh, yes? | 0:03:26 | 0:03:30 | |
He wasn't known. We were taking a chance. | 0:03:30 | 0:03:33 | |
You didn't keep his letter of engagement or anything like that? | 0:03:33 | 0:03:38 | |
No, but he wrote the first two verses of Homeward Bound on his way to our club. | 0:03:38 | 0:03:42 | |
He'd just left his girlfriend and played the two verses at our club. The song wasn't finished. | 0:03:42 | 0:03:48 | |
It's actually one of his best-loved and most well known songs, | 0:03:48 | 0:03:52 | |
-I would say. -From that, the man blossomed. | 0:03:52 | 0:03:55 | |
-I didn't quite claim that. -Claim whatever you like, darling. | 0:03:55 | 0:03:59 | |
That's quite something, isn't it? Anyway, now the money moment. £300 apiece. | 0:03:59 | 0:04:04 | |
You know the rules, your experts await, and off you go. | 0:04:04 | 0:04:07 | |
Very, very, very good luck. | 0:04:07 | 0:04:10 | |
Goodness gracious me, whatever's going to happen next? | 0:04:10 | 0:04:13 | |
And who's guiding our teams through this huge fair in Kent? | 0:04:13 | 0:04:17 | |
Hoping to keep the Reds on track is our expert James Braxton. | 0:04:17 | 0:04:24 | |
And David Barby is steering a straight line for the Blues. | 0:04:24 | 0:04:28 | |
If not a straight face. | 0:04:28 | 0:04:30 | |
So it's time to make hay while the sun shines. | 0:04:32 | 0:04:36 | |
-Speaking of which. -I think garden stuff. It's the right time of year. | 0:04:36 | 0:04:39 | |
Look at that. You have the sort of gazebo there. | 0:04:39 | 0:04:41 | |
-It's great with the sun shining. -For £200. | 0:04:41 | 0:04:45 | |
-Something smaller maybe? Please? -There's masses here to look at. | 0:04:45 | 0:04:49 | |
What I want you to do is fairly quick, scan the stalls | 0:04:49 | 0:04:52 | |
because we've got nearly 1,000 to look at. | 0:04:52 | 0:04:55 | |
Good advice from Mr Barby. The clock is running. | 0:04:55 | 0:04:59 | |
David, I saw this pewter... | 0:04:59 | 0:05:02 | |
Nice little pewter jug. £15. | 0:05:02 | 0:05:05 | |
Not bad price, but I don't think you'll get 10 at auction on that. | 0:05:05 | 0:05:08 | |
-No, I don't. -Don't you? -No, I think we'll lose on it. | 0:05:08 | 0:05:11 | |
Well, I'd give £10 for that. | 0:05:11 | 0:05:13 | |
-Yeah, well then you'd be losing a fiver, Jules. -Oh Veronica! | 0:05:13 | 0:05:18 | |
Losing a fiver? That's no good. You're after bargains. | 0:05:18 | 0:05:21 | |
Lighting is always sought after, | 0:05:21 | 0:05:23 | |
although you have to rewire some of it. | 0:05:23 | 0:05:25 | |
That's quite a nice design. Do you like them or hate them? | 0:05:25 | 0:05:29 | |
I'm unsure myself. | 0:05:29 | 0:05:31 | |
I'm not 100% confident with it. | 0:05:31 | 0:05:33 | |
-What about that for a fiver? -"When you've finished pouring tea, place the teapot down on me." | 0:05:35 | 0:05:41 | |
This is lovely. This is made in Torquay. | 0:05:41 | 0:05:45 | |
It's known as slipware, but also for collectors it's called motto, | 0:05:45 | 0:05:50 | |
because there's this little comment on it, | 0:05:50 | 0:05:52 | |
and you get mugs and jugs, and there are collectors of motto ware. | 0:05:52 | 0:05:56 | |
How much do you think it would actually sell for? | 0:05:56 | 0:05:59 | |
It could go up to about £15. | 0:05:59 | 0:06:00 | |
So that would be a profit of only £10. | 0:06:00 | 0:06:04 | |
Yes, but I'd rather have a profit of £10 | 0:06:05 | 0:06:08 | |
-than a loss of five or whatever. -Don't be rude! | 0:06:08 | 0:06:11 | |
Let's put it back for emergencies, shall we? | 0:06:11 | 0:06:15 | |
I'm sure it'll still be there. | 0:06:15 | 0:06:18 | |
You've established the parameters now, so no more £10 or £15 pieces. | 0:06:18 | 0:06:22 | |
-Ooh! -That's the Blues told. Barby wants to spend big. Atta boy! | 0:06:22 | 0:06:29 | |
Come and have a look here. | 0:06:32 | 0:06:34 | |
-What have you found? -It's a nice pencil. | 0:06:34 | 0:06:36 | |
We've got sterling silver here. It's got a maker's name. | 0:06:36 | 0:06:40 | |
But, slightly fascinated by here, 21st June 1918. | 0:06:40 | 0:06:46 | |
Now I know the Great War ended in 1918, any of you history boys? | 0:06:46 | 0:06:52 | |
-No. -I know it coincides kind of that year and everything. | 0:06:52 | 0:06:55 | |
-I'm sure it was round there. -It was around then, I believe. | 0:06:55 | 0:06:58 | |
I think you'll find it was the 11th November 1918, boys. | 0:06:58 | 0:07:01 | |
I quite like that, actually. | 0:07:01 | 0:07:04 | |
The nice thing about these pencils is so often they're very small. | 0:07:04 | 0:07:09 | |
This one's quite big. | 0:07:09 | 0:07:11 | |
It's quite a nice item and it would have hung down there. | 0:07:11 | 0:07:14 | |
The best he can do is £35. It's a good item. Good, fat fellow. | 0:07:14 | 0:07:18 | |
-Usable, and actually it's serviceable. -OK. -OK, yeah. | 0:07:18 | 0:07:22 | |
Made when things were made to last slightly longer than they do today. | 0:07:22 | 0:07:27 | |
It's fab, isn't it? Do you want to go for it, 35? | 0:07:27 | 0:07:30 | |
-Yeah. Let's try it out. You happy with that? -Yeah. Great. | 0:07:30 | 0:07:34 | |
It's good to get our first one in. Let's go for it. | 0:07:34 | 0:07:37 | |
-Good. Brilliant. -You've talked these laid-back lads into their first purchase, James. Well done. | 0:07:37 | 0:07:43 | |
Veronica, there's your musical piece. | 0:07:43 | 0:07:46 | |
-Yes, but it's the ugliest thing I've ever seen! -Course it's the ugliest thing! | 0:07:46 | 0:07:49 | |
It's absolutely fantastic, really. | 0:07:49 | 0:07:51 | |
Notes of discord among the Blues. | 0:07:51 | 0:07:53 | |
Where's the harmony? Where's the beautiful music? | 0:07:53 | 0:07:56 | |
-Ronnie, you're into your music. I've just noticed the quaver earrings. -I am. You're right there. | 0:07:56 | 0:08:01 | |
I'm a professional musician and it's also my big hobby. | 0:08:01 | 0:08:04 | |
I run a jazz a capella group, and especially for yourself | 0:08:04 | 0:08:08 | |
and the team I have done a version of the Bargain Hunt theme, a capella. | 0:08:08 | 0:08:11 | |
Just the choir. | 0:08:11 | 0:08:13 | |
And for the audience at home, this is what it sounds like. | 0:08:13 | 0:08:17 | |
A CAPELLA THEME TUNE PLAYS | 0:08:17 | 0:08:19 | |
Mmm, I like the tune. | 0:08:21 | 0:08:23 | |
Not sure about the dancing though. Are they in time? | 0:08:23 | 0:08:27 | |
There are some peculiar things about, you know. What about this chap? | 0:08:29 | 0:08:34 | |
What do you make of that? | 0:08:34 | 0:08:36 | |
Looks a bit like a four-inch shell from an artillery piece, doesn't it? | 0:08:36 | 0:08:41 | |
I mean, you've got this piece at the top here that's faceted, | 0:08:41 | 0:08:45 | |
and then it goes into a spiral, just like the end of a screw in a woodworking kit, | 0:08:45 | 0:08:52 | |
and then you come down to the shaft of it itself, which is solid porcelain. | 0:08:52 | 0:08:57 | |
Well, not solid, it's been thrown on a wheel, | 0:08:57 | 0:09:00 | |
hence this spiral inside, but only half of it's been properly glazed. | 0:09:00 | 0:09:05 | |
That's this lower part. | 0:09:05 | 0:09:07 | |
If you look at the lower part, there's a panel of blue, | 0:09:07 | 0:09:12 | |
which is stylised foliage, | 0:09:12 | 0:09:14 | |
then you've got these stylised magnolia pink bits of petaling. | 0:09:14 | 0:09:20 | |
And then the tricky part starts, | 0:09:20 | 0:09:22 | |
which is this line of Japanese script. | 0:09:22 | 0:09:25 | |
Now, I do speak Japanese? Sorry, no, I don't. | 0:09:25 | 0:09:30 | |
So I can't read what that says. | 0:09:30 | 0:09:33 | |
And if you said to me, 'what is this used for?' in all honesty, | 0:09:33 | 0:09:37 | |
I couldn't tell you. | 0:09:37 | 0:09:38 | |
I do think it's something that was inserted into the ground. | 0:09:38 | 0:09:43 | |
Literally screwed into the ground. | 0:09:43 | 0:09:45 | |
Not heavyweight clay-type ground, but lightweight sand or loam. | 0:09:45 | 0:09:51 | |
Having screwed it into the ground, only that piece would protrude, | 0:09:51 | 0:09:56 | |
and it could be used for any number of purposes. | 0:09:56 | 0:10:00 | |
You might, in a Zen-type garden, perhaps have a series | 0:10:00 | 0:10:06 | |
of these vessels inserted into the sandy ground, | 0:10:06 | 0:10:10 | |
and perhaps put candles or rockets, or even the bases of tent poles. | 0:10:10 | 0:10:17 | |
How about that? What does the dealer want for this object? | 0:10:17 | 0:10:20 | |
He hasn't got the faintest idea what it is. £20. | 0:10:20 | 0:10:26 | |
Why not invest the £20 and go off and do the research | 0:10:26 | 0:10:29 | |
and see what happens, because for a piece of Japanese porcelain | 0:10:29 | 0:10:32 | |
that is this intriguing, for £20, is not a lot of money. | 0:10:32 | 0:10:38 | |
Got it? Got it. 'Now, the question is, have the Blues got anything?' | 0:10:38 | 0:10:44 | |
-What's the price like, dear chap? -120. | 0:10:44 | 0:10:47 | |
-120? -Yes. | 0:10:47 | 0:10:48 | |
-What sort of price is that? -I could do it for 100. It's got 115. | 0:10:48 | 0:10:52 | |
-Oh lordy, lordy, lordy lords! -That's a no, then. | 0:10:52 | 0:10:55 | |
-How much is that? -200. | 0:10:55 | 0:10:57 | |
Ooh, sugarsville! I shouldn't have touched it. | 0:10:57 | 0:11:00 | |
Oh dear, the Blues aren't having much luck. | 0:11:00 | 0:11:02 | |
-I'm starting to get panicky. -Are you really? | 0:11:02 | 0:11:06 | |
-I really am. -No, David, don't panic, darling. -I'm panicking. | 0:11:06 | 0:11:10 | |
Will, what have you got? | 0:11:11 | 0:11:13 | |
-It's a whistle. -Is that what it is? | 0:11:13 | 0:11:15 | |
Is it a whistle? Oh, it's a whistle. Isn't that fun? | 0:11:15 | 0:11:18 | |
I wonder if it's a different-pitched whistle. | 0:11:18 | 0:11:20 | |
WHISTLE PEEPS | 0:11:20 | 0:11:22 | |
HE WHISTLES | 0:11:24 | 0:11:25 | |
DOGS BARK | 0:11:26 | 0:11:28 | |
I think it's a different-pitched whistle. | 0:11:32 | 0:11:34 | |
I think you've made some new friends here, James. Woof! | 0:11:34 | 0:11:37 | |
And it looks like David's been let off the leash, | 0:11:37 | 0:11:40 | |
so the girls can get their photo taken. | 0:11:40 | 0:11:43 | |
Ah. This is hardly the time, is it, David? | 0:11:43 | 0:11:46 | |
-Here he is. Hooray! We thought we'd lost you. -We thought you'd gone. | 0:11:46 | 0:11:50 | |
They want a picture of you, David. Not us, you darling. You're the celebrity. | 0:11:50 | 0:11:54 | |
What a picture! No, not that one. | 0:11:54 | 0:11:58 | |
Anyway, it's time to snap to it, Blues, | 0:11:58 | 0:12:00 | |
because the Reds are cracking on. | 0:12:00 | 0:12:03 | |
-Good, solid fella. -What do you think, Rob? | 0:12:03 | 0:12:06 | |
-Yeah, I quite like it. It's nice and big. -It's big enough. Got a good weight. | 0:12:06 | 0:12:10 | |
Is there any way of telling where it's come from? | 0:12:10 | 0:12:12 | |
It has. It looks a mixture between a Grecian oil jar. | 0:12:12 | 0:12:17 | |
I don't think it's Grecian though, or something Chinese, isn't it? | 0:12:17 | 0:12:22 | |
It has a sort of oriental look about it. | 0:12:22 | 0:12:25 | |
Without knowing the price, I'd estimate that | 0:12:25 | 0:12:28 | |
somewhere between 40-60, 40-80, that sort of mark. | 0:12:28 | 0:12:31 | |
It's a big fellow. It's pottery, it's an attractive colour blue. | 0:12:31 | 0:12:34 | |
Yeah, I think it's more Chinese than Grecian, really. | 0:12:34 | 0:12:38 | |
-OK. -It's got the five loopholes. Good weight. | 0:12:38 | 0:12:42 | |
Yes. It's heavy enough. | 0:12:42 | 0:12:44 | |
If you like it, we'll see what price she wants. | 0:12:44 | 0:12:48 | |
If it's £100, walk away. If it's 35, buy it. | 0:12:48 | 0:12:52 | |
Let's see what we can do, then. | 0:12:52 | 0:12:55 | |
Right. We've reached that time limit where we said we would spend | 0:12:55 | 0:12:59 | |
half an hour outside and then we'd go into the marquees. | 0:12:59 | 0:13:02 | |
-Come on. -Rock 'n' roll. | 0:13:02 | 0:13:04 | |
Are you into running? Come on, Jules. | 0:13:06 | 0:13:08 | |
That's it, David, best foot forward old chap. Bossy boots. | 0:13:08 | 0:13:12 | |
-Time is running out. Now, how's that haggling going? -I'll do it for 50 for you. | 0:13:12 | 0:13:17 | |
50. You see, that's getting better. We're getting warm. | 0:13:17 | 0:13:22 | |
I think it's as warm as I'm going to get! | 0:13:22 | 0:13:26 | |
47. How about 47? | 0:13:26 | 0:13:28 | |
47. Cor! That's a lot of money you're knocking me, you know. | 0:13:28 | 0:13:33 | |
48. How's that? 48. | 0:13:33 | 0:13:36 | |
That sounds very fair. Do you like it? | 0:13:36 | 0:13:39 | |
-Yes, it's nice. -I really like it. | 0:13:39 | 0:13:41 | |
-I like the colour, I like the size of it. -Weight. | 0:13:41 | 0:13:44 | |
-Yeah, the weight's good. -It's a good, sound fellow, isn't it? | 0:13:44 | 0:13:49 | |
What about these chairs? | 0:13:49 | 0:13:51 | |
Yeah, I like those, Will. They're very nice. | 0:13:51 | 0:13:53 | |
Shall we go and sit down in them? | 0:13:53 | 0:13:56 | |
Take the weight off. | 0:13:56 | 0:13:57 | |
They're comfortable. | 0:13:57 | 0:13:59 | |
-They're very comfy, aren't they? -Extremely. | 0:13:59 | 0:14:01 | |
Always the best way to test a chair is by actually sitting in it. | 0:14:01 | 0:14:05 | |
And James has tested a few in his time! | 0:14:05 | 0:14:08 | |
But come on chaps, find the bargains. | 0:14:08 | 0:14:10 | |
The Blues are on the case. | 0:14:12 | 0:14:13 | |
Jules? | 0:14:13 | 0:14:15 | |
What have we got? | 0:14:15 | 0:14:16 | |
Oh, yes. | 0:14:16 | 0:14:17 | |
That's a garment. | 0:14:17 | 0:14:18 | |
It's a garment. It's silk. | 0:14:18 | 0:14:21 | |
But this design is called Homemaker. | 0:14:21 | 0:14:24 | |
-It's a 1950s design. -Right. -And loads and loads of pottery, | 0:14:24 | 0:14:29 | |
almost as common as willow pattern was produced in the 1950s | 0:14:29 | 0:14:32 | |
in this pattern. They've got all 1950s shapes here. | 0:14:32 | 0:14:35 | |
Absolutely superb. | 0:14:35 | 0:14:37 | |
-What was the price? -Well, he wanted 30, but he'll come down to 20. | 0:14:37 | 0:14:41 | |
I would think this is retrospective of the period. | 0:14:41 | 0:14:46 | |
So I think it was probably made in the '70s or '80s, | 0:14:46 | 0:14:49 | |
but looking back to the '50s design. | 0:14:49 | 0:14:51 | |
-Go on - model it for us, David. -Actually, David, it would fit you! | 0:14:51 | 0:14:54 | |
-I don't think it's a chap's shirt. -It is, because the buttons are down the left. -That way. | 0:14:54 | 0:14:58 | |
-Oh! -'Oh dear. Still no decisions.' | 0:14:58 | 0:15:02 | |
What are we going to do with this? | 0:15:02 | 0:15:04 | |
I'd leave it for the moment. We really must go and look. | 0:15:04 | 0:15:08 | |
-Well, it's right by the door. -Ask him to put it by. | 0:15:08 | 0:15:12 | |
'I think the stress is starting to show. | 0:15:12 | 0:15:14 | |
'He's looking rather windy. | 0:15:14 | 0:15:16 | |
'And the Reds, they haven't even moved!' | 0:15:16 | 0:15:20 | |
Are they all sound? Have they got all their various ribs? | 0:15:20 | 0:15:23 | |
-This appears to have all its various bits, doesn't it? -Yes. -All of them do. | 0:15:23 | 0:15:29 | |
The seat has all its ribs. This one's in good condition. | 0:15:29 | 0:15:32 | |
OK, it's been left out a couple of nights, | 0:15:32 | 0:15:36 | |
-but... -A little bit of damage on this one. | 0:15:36 | 0:15:38 | |
-What is it, just the whipping? -Yes, just the whipping on it. | 0:15:38 | 0:15:41 | |
That's easily fixed. | 0:15:41 | 0:15:44 | |
I think there's great glues available these days, isn't there? | 0:15:44 | 0:15:47 | |
I would suggest, Will and Rob, that you go and see the lovely lady | 0:15:47 | 0:15:51 | |
and see if you can negotiate a special price for the two, | 0:15:51 | 0:15:54 | |
so the vase and the four chairs. | 0:15:54 | 0:15:56 | |
You've got 20 minutes to do a really good haggle. | 0:15:56 | 0:15:58 | |
-Fantastic let's go. -Lovely. -'Cor, James! | 0:15:58 | 0:16:02 | |
'Relaxing on the job again!' | 0:16:02 | 0:16:04 | |
'Now, has David finally found something to win the girls over?' | 0:16:08 | 0:16:13 | |
All right. Sell it to me, David. | 0:16:15 | 0:16:17 | |
-OK. This is a cartoon character. -Yes. | 0:16:17 | 0:16:19 | |
-Very popular during the 1920s. -Right. | 0:16:19 | 0:16:22 | |
This is porcelain, made in Japan. | 0:16:22 | 0:16:25 | |
It's a little oddity, but they're quite collectable. | 0:16:25 | 0:16:28 | |
Yes, that's very true. It's definitely a little oddity. | 0:16:28 | 0:16:31 | |
It's, er, £9. | 0:16:31 | 0:16:33 | |
'The Blues are making poor David really work hard. What about James?' | 0:16:34 | 0:16:39 | |
-All right? -I'm getting far too comfortable. | 0:16:39 | 0:16:42 | |
-Good news? -It was great. -I think so, yes. | 0:16:42 | 0:16:44 | |
We got 48 for the vase | 0:16:44 | 0:16:47 | |
and 48 for the chairs and they threw in the table as well. | 0:16:47 | 0:16:50 | |
I think that is a very good deal. | 0:16:50 | 0:16:52 | |
-I think that's a great lot for £48, plus the table - another bonus. Well done! -Thank you. | 0:16:52 | 0:16:56 | |
Well done, Will. Well done, Rob. | 0:16:56 | 0:16:58 | |
I think you've got three really fun items. | 0:16:58 | 0:17:01 | |
'The Reds are done, but the Blues haven't even started. David, what's happening?!' | 0:17:01 | 0:17:06 | |
-We've reached the stage where we've got 15 minutes. -OK. -OK? -Yes. | 0:17:06 | 0:17:10 | |
And we haven't made a purchase. | 0:17:10 | 0:17:12 | |
We haven't looked at anything in here yet... | 0:17:12 | 0:17:14 | |
Jules, if you start looking at modern reproductions, | 0:17:14 | 0:17:17 | |
you're not going to make a profit. | 0:17:17 | 0:17:19 | |
'Tick, tock, tick, tock, time to buy!' | 0:17:19 | 0:17:22 | |
-You want the shirt? -We'll have the shirt, yes. | 0:17:22 | 0:17:25 | |
OK. I quite agree with you. | 0:17:25 | 0:17:27 | |
Here's the shirt. Is that £20, sir? | 0:17:29 | 0:17:31 | |
-No, it's 25. -Can you do it at 20? -No, I can't. | 0:17:31 | 0:17:35 | |
Sorry, I misled you. It's £25, not 20. | 0:17:35 | 0:17:38 | |
-Could we get a plate thrown in as well, do you think? -No problem at all. | 0:17:38 | 0:17:41 | |
-That would be super. -Thank you very much. | 0:17:41 | 0:17:44 | |
-OK, wonderful. -Yay! -Jules. | 0:17:44 | 0:17:47 | |
-How much are we? Well done. -Thank you very much. -You're wearing it. | 0:17:47 | 0:17:51 | |
-Thank you. -Fabulous... -We've made a purchase! | 0:17:51 | 0:17:55 | |
HE SCREAMS | 0:17:55 | 0:17:56 | |
'David IS stressed and they've still got two to buy. | 0:17:56 | 0:17:59 | |
'James and the Reds though are just chilling.' | 0:17:59 | 0:18:01 | |
-Have you played this before? -It's table skittles. | 0:18:03 | 0:18:06 | |
'Rubbish!' | 0:18:07 | 0:18:09 | |
LAUGHTER | 0:18:10 | 0:18:11 | |
-One. -Poor effort. | 0:18:11 | 0:18:13 | |
'Only one down. Ha! | 0:18:13 | 0:18:15 | |
'Just like the Blues, or is that about to change?' | 0:18:15 | 0:18:18 | |
-What about the Tunbridge box? -45. | 0:18:19 | 0:18:22 | |
-What do you think? -I think 45 is a good price. | 0:18:22 | 0:18:25 | |
-Do you think it will sell for 45 at auction? -No. | 0:18:25 | 0:18:28 | |
-Could you do it for less than 45? -42. | 0:18:28 | 0:18:30 | |
-Could you come under 40? -No. | 0:18:30 | 0:18:33 | |
-There's a little bit of damage. -Damage on the edge. -It needs a bit of polishing. | 0:18:33 | 0:18:37 | |
Do it for 38. You've got me. | 0:18:37 | 0:18:40 | |
I love it. Personally, for myself, I would buy it | 0:18:40 | 0:18:44 | |
-without any hesitation. -Jules, this is your buy, do you like it? | 0:18:44 | 0:18:47 | |
I certainly do. Yes, 38. | 0:18:47 | 0:18:49 | |
-It's a deal. -Thank you very much indeed. | 0:18:49 | 0:18:51 | |
But if you make a profit, I shall be very upset. | 0:18:51 | 0:18:53 | |
LAUGHTER | 0:18:53 | 0:18:55 | |
-If we don't make a profit, -I -shall be very upset! | 0:18:55 | 0:18:58 | |
'If you don't get the third item, we'll all be upset.' | 0:18:58 | 0:19:01 | |
-Thank you very much. -Over here. -Cheers. | 0:19:01 | 0:19:04 | |
-It didn't look very promising. -No! | 0:19:09 | 0:19:11 | |
-LAUGHTER -You did quite well. | 0:19:11 | 0:19:14 | |
-We have got 30 seconds. 30 seconds. -Oh God! Are we still here?! | 0:19:16 | 0:19:21 | |
There we are. Can I open the lid, sir? | 0:19:21 | 0:19:24 | |
Hey! | 0:19:27 | 0:19:29 | |
LAUGHTER | 0:19:29 | 0:19:30 | |
Little Bonzo. | 0:19:30 | 0:19:31 | |
'Quick, buy him! Haggle Barbie.' | 0:19:31 | 0:19:35 | |
-So that's £9, sir. OK. Will you take any less? -Um... | 0:19:35 | 0:19:38 | |
Will you take eight? | 0:19:38 | 0:19:39 | |
-Um, yes. -You'll take eight pounds? -Yes. -Thank you very much, sir. | 0:19:39 | 0:19:43 | |
Can we have it gift wrapped? | 0:19:43 | 0:19:45 | |
LAUGHTER | 0:19:45 | 0:19:47 | |
Are you happy, girls? | 0:19:47 | 0:19:48 | |
Well... | 0:19:48 | 0:19:50 | |
-Ecstatic. -You're ecstatic! -Yes, ecstatic. | 0:19:51 | 0:19:54 | |
-We like to push to the limit. -Talk about panic stations. | 0:19:54 | 0:19:57 | |
-I think -I -deserve a cup of tea. I don't know what you want, gin and tonic? | 0:19:57 | 0:20:01 | |
-Ooh, sounds good. -Double scotch on the rocks! | 0:20:01 | 0:20:05 | |
Time's up, guys and girls. | 0:20:05 | 0:20:07 | |
Let's recap on what the Reds spent. | 0:20:07 | 0:20:10 | |
'The Reds scratched up their first buy with that silver pencil for £35. | 0:20:10 | 0:20:15 | |
'Then they went for a bit of garden decoration | 0:20:17 | 0:20:20 | |
'with two buys in one, a pottery vase for £48 | 0:20:20 | 0:20:24 | |
'and to complete the look, they had a leisurely time choosing a set | 0:20:24 | 0:20:29 | |
'of four cane armchairs with coffee table and a magazine rack | 0:20:29 | 0:20:32 | |
'thrown in for good measure.' | 0:20:32 | 0:20:35 | |
It looks like the front row here, doesn't it? | 0:20:35 | 0:20:38 | |
You're the hooker and two dirty great props. | 0:20:38 | 0:20:41 | |
-So, give us the news. Was it good? -It was great. We got some good buys. | 0:20:41 | 0:20:45 | |
-What did you spend overall? -£131. | 0:20:45 | 0:20:47 | |
-So I want, I think, £169, don't I? -Yes. -Is that what I need? | 0:20:47 | 0:20:54 | |
169. Check the maths. Which is your favourite piece? | 0:20:54 | 0:20:58 | |
My favourite piece is the pencil that we've got. | 0:20:58 | 0:21:01 | |
-The pencil? -Mm-hmm. -Favourite? -I like the blue vase, actually. | 0:21:01 | 0:21:05 | |
Which is going to bring the biggest profit? | 0:21:05 | 0:21:08 | |
Erm, probably the bonus buy. | 0:21:08 | 0:21:10 | |
LAUGHTER | 0:21:10 | 0:21:12 | |
Talking about the bonus buy, what are you going to spend that on, Jimmy? | 0:21:12 | 0:21:15 | |
-Something Indian. -There's something to look forward to. | 0:21:15 | 0:21:18 | |
Good luck, boys, James. | 0:21:18 | 0:21:20 | |
Meanwhile, why don't we check out what the Blue team bought, eh? | 0:21:20 | 0:21:23 | |
'Well, they raced off, did a few laps of the circuit | 0:21:23 | 0:21:26 | |
'and after much hand wringing, | 0:21:26 | 0:21:28 | |
'they plumped for the Homemaker patterned shirt and side plate. | 0:21:28 | 0:21:32 | |
'In a last-minute dash, they found the Tunbridge Ware box for £38. | 0:21:32 | 0:21:36 | |
'And they limped over the finish line | 0:21:37 | 0:21:40 | |
'with a novelty dog pepperette for £8. | 0:21:40 | 0:21:43 | |
'Let's hope all their leg work will pay off, eh? | 0:21:43 | 0:21:46 | |
-That was the most exhausting moment I've had. -Hey, you guys! | 0:21:46 | 0:21:50 | |
You're jolly lucky to have got your three items at all, aren't you? | 0:21:50 | 0:21:55 | |
-A little, yes. -What do you mean, "a little, yes?" | 0:21:55 | 0:21:58 | |
-Well, did take a bit of time. -Took a bit of time?! | 0:21:58 | 0:22:01 | |
You bought nothing and then you bought a whole lot of what? | 0:22:01 | 0:22:04 | |
-How much did you spend? -£71. -£71? I rest my case. | 0:22:04 | 0:22:09 | |
-Who's got the £229? -Me! | 0:22:09 | 0:22:11 | |
You've never had so much leftover lolly to spend. | 0:22:11 | 0:22:13 | |
-No, it's going straight to the head, actually. -Is it? -Yes. | 0:22:13 | 0:22:17 | |
Are you going for hair care? | 0:22:17 | 0:22:19 | |
LAUGHTER | 0:22:19 | 0:22:21 | |
Look at the look of horror! Anyway, girls, | 0:22:21 | 0:22:23 | |
look after yourselves, good luck, good luck with your buy. | 0:22:23 | 0:22:26 | |
Meanwhile, we're heading off somewhere absolutely fab, | 0:22:26 | 0:22:29 | |
down the road, right here in Kent. | 0:22:29 | 0:22:31 | |
Completed in 1843, this is the new house at Scotney, | 0:22:36 | 0:22:41 | |
the result of a six-year collaboration | 0:22:41 | 0:22:44 | |
between the Victorian architect Anthony Salvin | 0:22:44 | 0:22:47 | |
and his local wealthy client squire, Edward Hussey III. | 0:22:47 | 0:22:53 | |
Edward Hussey's grandson, Christopher Hussey | 0:22:53 | 0:22:57 | |
and his wife Betty were the last couple to live here. | 0:22:57 | 0:23:01 | |
And it was only following Betty's death in 2006 | 0:23:01 | 0:23:05 | |
that we have had our opportunity to be able to explore inside | 0:23:05 | 0:23:10 | |
'this magnificent Jacobethan home.' | 0:23:10 | 0:23:14 | |
The interior of this house is relatively unchanged. | 0:23:18 | 0:23:23 | |
It looks indeed as if the previous owners | 0:23:23 | 0:23:27 | |
have simply upped sticks and left it. | 0:23:27 | 0:23:30 | |
When the National Trust took it over, they found | 0:23:30 | 0:23:33 | |
'it was literally crammed full, every drawer, | 0:23:33 | 0:23:36 | |
'every cupboard, every surface, covered in precious objects' | 0:23:36 | 0:23:42 | |
and they've kept it that way, | 0:23:42 | 0:23:44 | |
just like Christopher and Betty requested. | 0:23:44 | 0:23:48 | |
'Christopher Hussey proposed to Betty in the garden at Scotney | 0:23:48 | 0:23:52 | |
'and so it was fitting that shortly after their marriage in 1936, | 0:23:52 | 0:23:56 | |
'it became their home.' | 0:23:56 | 0:23:58 | |
'Betty was keen to modernise the antiquated services | 0:23:58 | 0:24:02 | |
'but very little on the ground floor was changed. | 0:24:02 | 0:24:05 | |
'Even adapting the small drawing room to make a study for Christopher was done with care | 0:24:05 | 0:24:10 | |
'so as to preserve the period character of the house.' | 0:24:10 | 0:24:14 | |
This is one of the few rooms that Christopher and Betty altered on the ground floor, | 0:24:14 | 0:24:20 | |
but they did it very sensitively, | 0:24:20 | 0:24:22 | |
because they retained the Salvin original details, | 0:24:22 | 0:24:27 | |
'including the Jacobethan strapwork plaster to the ceiling' | 0:24:27 | 0:24:32 | |
and of course this magnificent neo-Renaissance fire surround, | 0:24:32 | 0:24:38 | |
complete with its split parcel gilt columns. | 0:24:38 | 0:24:42 | |
And rather fun, I think, stored in the glazed compartment | 0:24:42 | 0:24:46 | |
above the fireplace itself are a series of bottles. | 0:24:46 | 0:24:51 | |
Almost as decorative as these volumes. | 0:24:51 | 0:24:55 | |
Now there is a tradition in the Hussey family | 0:24:55 | 0:24:57 | |
with regard to scrapbooks. | 0:24:57 | 0:24:59 | |
There are all sorts of scrap-decorated screens around | 0:24:59 | 0:25:04 | |
the house, but this particular volume dates back to the period | 0:25:04 | 0:25:09 | |
of Edward Hussey III, and we've got a number of colourful examples. | 0:25:09 | 0:25:15 | |
Effectively, sheets of paper cut up, and in this case, pasted | 0:25:15 | 0:25:20 | |
and sewn on linen pages in this volume. | 0:25:20 | 0:25:24 | |
And here we've got a volume that was created by Christopher. | 0:25:24 | 0:25:29 | |
This one is one of nine albums which survive here in the house, | 0:25:29 | 0:25:35 | |
and it shows how on the 10th of February 1939, | 0:25:35 | 0:25:40 | |
Christopher and Betty visited Corsham Court in Wiltshire. | 0:25:40 | 0:25:44 | |
We've got watercolours and photographs | 0:25:44 | 0:25:47 | |
and signatures that provide on an almost weekly basis throughout 1939 | 0:25:47 | 0:25:55 | |
a visual record of where Christopher Hussey and his wife went. | 0:25:55 | 0:25:59 | |
This of course is particularly interesting in Christopher Hussey's case, because he was employed | 0:26:00 | 0:26:07 | |
or associated closely with the Country Life magazine. | 0:26:07 | 0:26:12 | |
That magazine continues to this very day | 0:26:12 | 0:26:15 | |
to record country life in all its aspects. | 0:26:15 | 0:26:20 | |
The big question today of course is what sort of life | 0:26:20 | 0:26:24 | |
are our teams about to enjoy over at the auction? | 0:26:24 | 0:26:28 | |
And today, we're in the East Sussex | 0:26:30 | 0:26:34 | |
town of Rye at Rye Auction Galleries with auctioneer Kevin Waugh. | 0:26:34 | 0:26:38 | |
-Morning, Kevin. -Morning, Tim. | 0:26:41 | 0:26:42 | |
Very lovely to be here. | 0:26:42 | 0:26:44 | |
Now, we've got this rather fancy silver propelling pencil. | 0:26:44 | 0:26:47 | |
-Is that a good item? -Yes, rather a nice item. | 0:26:47 | 0:26:50 | |
It is dated 1918, so during the First World War still, | 0:26:50 | 0:26:55 | |
not at the end of the war, but it could have been an officer's pencil. | 0:26:55 | 0:26:59 | |
Does have a few little dinks and dents to it though, | 0:26:59 | 0:27:03 | |
which doesn't help it. But it's still a good item. | 0:27:03 | 0:27:06 | |
With the silver prices as they are, | 0:27:06 | 0:27:09 | |
it is a possibility that it could be scrapped. | 0:27:09 | 0:27:11 | |
But we've estimated it between £30-£40. | 0:27:11 | 0:27:13 | |
Fine, £35 was paid. | 0:27:13 | 0:27:15 | |
So they'd be very happy if you got £40 or more. | 0:27:15 | 0:27:18 | |
Next is this hideous Chinese pottery vase. | 0:27:18 | 0:27:22 | |
Chinese, I'm not sure. | 0:27:22 | 0:27:24 | |
There's no marks to it. | 0:27:24 | 0:27:25 | |
One of these items that could have been made three or four weeks' ago. | 0:27:25 | 0:27:29 | |
There's not a great age to it. It's still a decorative item. | 0:27:29 | 0:27:32 | |
It'd look nice in a porch or hallway. | 0:27:32 | 0:27:34 | |
We've estimated the item at £40-£50. | 0:27:34 | 0:27:36 | |
Brilliant, they paid £48, | 0:27:36 | 0:27:38 | |
so it'll be interesting to see what you make of it. | 0:27:38 | 0:27:41 | |
Next is this half a forest of bamboo. | 0:27:41 | 0:27:44 | |
We've got the four armchairs, this joker and some other pieces. | 0:27:44 | 0:27:47 | |
What's all that lot worth, Kevin? | 0:27:47 | 0:27:50 | |
The items again, £10-£20. The four chairs... | 0:27:50 | 0:27:53 | |
What, all of them? | 0:27:53 | 0:27:54 | |
All of them together, I'm afraid. The four chairs are a little bit tired, very flaky and loose, | 0:27:54 | 0:28:00 | |
coming apart. | 0:28:00 | 0:28:02 | |
The magazine rack is the newest piece, probably made in about 1980. | 0:28:02 | 0:28:05 | |
Yes, and the best of it. | 0:28:05 | 0:28:07 | |
And the best piece out of the lot. | 0:28:07 | 0:28:09 | |
-You don't rate the coffee table then? -I don't rate the coffee table at all, I'm afraid. | 0:28:09 | 0:28:12 | |
-Oh dear. -Very loose as well. | 0:28:12 | 0:28:14 | |
-They paid £48 for the lot. -Oh dear. | 0:28:14 | 0:28:16 | |
They thought they'd done well. It means they'll need their bonus buy, | 0:28:16 | 0:28:20 | |
so let's go and have a look at it. | 0:28:20 | 0:28:23 | |
Will and Rob, this is your bonus buy moment. | 0:28:23 | 0:28:26 | |
£169 you gave to the veteran James Braxton. | 0:28:26 | 0:28:30 | |
-Done this a few times, haven't you James? -Yes, ten years. | 0:28:30 | 0:28:33 | |
All the benefit of the things you've experienced on this show, and what have you come up with? | 0:28:33 | 0:28:37 | |
Well, it's been concentrated in this Tim. | 0:28:37 | 0:28:40 | |
All things Indian, that's what we like. | 0:28:41 | 0:28:44 | |
-How much was it? -£25. -25. | 0:28:44 | 0:28:47 | |
It's Indian. Rather nice brass figure, very heavy casting. | 0:28:47 | 0:28:51 | |
-What do you think it's going to make? -I think it should be, I don't know, £30 plus. | 0:28:51 | 0:28:57 | |
Profit? | 0:28:57 | 0:28:58 | |
-No, selling price. -Do you like it, Will? | 0:28:58 | 0:29:02 | |
It isn't my cup of tea. | 0:29:02 | 0:29:03 | |
It's probably going to make more money than the stuff we've bought though, so... | 0:29:03 | 0:29:08 | |
OK, chaps - for the audience at home, let's find out | 0:29:08 | 0:29:10 | |
what the auctioneer thinks of James' little brass figure. | 0:29:10 | 0:29:14 | |
Here we go. Here's something else out of a container. | 0:29:14 | 0:29:17 | |
Over to you, Kevin. | 0:29:17 | 0:29:18 | |
Yes, Indian deity figure. Possibly Balarama. | 0:29:18 | 0:29:22 | |
-It does look to have the moustache there. -Nice moustache! | 0:29:22 | 0:29:26 | |
Got a fair bit of weight to it. Not sure about the age. | 0:29:26 | 0:29:29 | |
We've estimated this item between £10-£20. | 0:29:29 | 0:29:31 | |
£25 paid by Braxton and he's hoping for a profit. | 0:29:31 | 0:29:35 | |
Anyway, I'm going to park the little fellow up there. | 0:29:35 | 0:29:39 | |
Perhaps he'll bring them some luck. | 0:29:39 | 0:29:41 | |
Anyway, that's it for the Reds, now for the Blues. | 0:29:41 | 0:29:45 | |
Another wacky selection, look. | 0:29:45 | 0:29:47 | |
Starting with the Homemaker printed silk blouse and plate. | 0:29:47 | 0:29:52 | |
The date of the shirt is a little bit later than originally thought. | 0:29:52 | 0:29:56 | |
Under investigation, we found out that this company | 0:29:56 | 0:29:59 | |
didn't start manufacturing these shirts until 1990. | 0:29:59 | 0:30:02 | |
Ah, Kevin, you've done your homework. Good man. | 0:30:02 | 0:30:06 | |
It's a later reproduction type shirt? | 0:30:06 | 0:30:08 | |
Because it is a reproduction and a later model, but still quirky, | 0:30:08 | 0:30:12 | |
-25 to £30. -They paid £25. | 0:30:12 | 0:30:15 | |
-So pretty well spot-on with that, actually. -We are. | 0:30:15 | 0:30:18 | |
Next up is the Tunbridge Ware box. | 0:30:18 | 0:30:20 | |
-Now, that's a pukka thing, isn't it? -Nice little box in very good condition, really. | 0:30:20 | 0:30:25 | |
We've had a look at it, just make sure it is Tunbridge Ware and not Sorrento. | 0:30:25 | 0:30:28 | |
We've estimated this, again, 30 to £50. | 0:30:28 | 0:30:31 | |
-Very good. £38 paid, so they paid the right price on that. -Yes. | 0:30:31 | 0:30:35 | |
That's two good items, then. And what about Bonzo? | 0:30:35 | 0:30:37 | |
Bonzo. We have the pepper pot, we don't have the salt. | 0:30:37 | 0:30:41 | |
Oh, I see. | 0:30:41 | 0:30:42 | |
-We want the other half, really. We've estimated ten to £15. -That's all right. | 0:30:42 | 0:30:46 | |
£8 only was paid, so they paid the right price. | 0:30:46 | 0:30:50 | |
-I think they'll do all right. I don't see them in the red. -No. | 0:30:50 | 0:30:54 | |
I see them in the black or blue, | 0:30:54 | 0:30:56 | |
so they may not need their bonus buy, but let's look at it anyway. | 0:30:56 | 0:30:59 | |
Now, Veronica and Jules, | 0:31:01 | 0:31:03 | |
you gave dear David £229 of leftover lolly. | 0:31:03 | 0:31:08 | |
I rather hope you've blown the lot, David! | 0:31:08 | 0:31:10 | |
Well, I wish I could've done, but I didn't. | 0:31:10 | 0:31:14 | |
Two fascinating ladies and I had to buy two related objects. | 0:31:14 | 0:31:17 | |
Tim, would you do the honours and remove the rag cloth? | 0:31:17 | 0:31:20 | |
Yes, here we go. | 0:31:20 | 0:31:21 | |
Ooh! | 0:31:21 | 0:31:23 | |
Veronica, can you hold that one and I'll explain why I like this. | 0:31:23 | 0:31:26 | |
Yes. | 0:31:26 | 0:31:28 | |
This is 1950s, '60s, and it's a good-time girl. | 0:31:28 | 0:31:32 | |
Very, very collectible. The arms or legs go up in the air like this. | 0:31:32 | 0:31:35 | |
And I'd like to think of you probably in your 70s or 80s | 0:31:35 | 0:31:38 | |
jazzing around and having cocktails. | 0:31:38 | 0:31:41 | |
Now, this one here, I think, has got class. | 0:31:41 | 0:31:45 | |
And this one is pewter and it is Liberty. | 0:31:45 | 0:31:49 | |
Designed by an artist called Archibald Knox, | 0:31:49 | 0:31:54 | |
and this is typical of the Art Nouveau pieces | 0:31:54 | 0:31:57 | |
produced for Liberty's, with the handle coming out there | 0:31:57 | 0:32:00 | |
and two sort of tendrils going either side as the support. | 0:32:00 | 0:32:05 | |
Then you've got the little medallion here, can you see that, of a golfer. | 0:32:05 | 0:32:10 | |
The reason I bought this is just outside Rye | 0:32:10 | 0:32:13 | |
is one of the world's famous golf courses. | 0:32:13 | 0:32:16 | |
I think anybody interested in golf coming to Rye | 0:32:16 | 0:32:20 | |
might go for that. | 0:32:20 | 0:32:22 | |
I paid £148 for the two objects. | 0:32:22 | 0:32:26 | |
-I think the corkscrew is wonderful. -I love her. | 0:32:26 | 0:32:29 | |
-She is fun, definitely. -Should feel a cocktail coming on! | 0:32:29 | 0:32:33 | |
Yes, my dear, I think we should! | 0:32:33 | 0:32:36 | |
Hang on to those thoughts, girls, as right now, for the viewers, | 0:32:36 | 0:32:39 | |
we're going to find out what the auctioneer thinks | 0:32:39 | 0:32:42 | |
of David's lot of brewery-ana! | 0:32:42 | 0:32:45 | |
So, Kevin, here's a bit of a combo. What do you make of this? | 0:32:46 | 0:32:50 | |
Rather an unusual combination. A Liberty's Tudric pewter tankard, | 0:32:50 | 0:32:55 | |
and it comes along with a novelty corkscrew and bottle opener. | 0:32:55 | 0:32:59 | |
Which is aluminium, isn't it? | 0:32:59 | 0:33:01 | |
Yes. Cast aluminium. | 0:33:01 | 0:33:03 | |
-That would be '30s or '50s? '50s. -'50s, I would think, here. | 0:33:03 | 0:33:07 | |
The paintwork is missing on part of it but still a quirky little item. | 0:33:07 | 0:33:11 | |
And we've estimated this somewhere around 50 to £70. | 0:33:11 | 0:33:15 | |
-What, for the two? -For the two. | 0:33:15 | 0:33:17 | |
Ooh, dear! This is David Barby's bonus buy. | 0:33:17 | 0:33:20 | |
-He paid 148 for the two pieces. -Oh, dear. | 0:33:20 | 0:33:24 | |
It could be just a question of a bit of a bogey. | 0:33:24 | 0:33:27 | |
OK, boys, how you feeling? | 0:33:32 | 0:33:35 | |
-Yeah, a little bit nervous. -Yeah? | 0:33:35 | 0:33:37 | |
-Beginning of the match nerves? -Not quite that bad. | 0:33:37 | 0:33:40 | |
The next lot is your propelling pencil, and here it comes. | 0:33:40 | 0:33:44 | |
-Here we are. -Good luck, boys. This is really happening. | 0:33:44 | 0:33:47 | |
An E Baker & Son sterling silver propelling pencil | 0:33:47 | 0:33:51 | |
with inscribed date, 21st June 1918. What do we say for this one? | 0:33:51 | 0:33:54 | |
-I've got £30 to start me. 30, I'm in. 32, 35. -Yes! -30. | 0:33:54 | 0:34:00 | |
I'm out, 35 here. 35, 35, do I see 38? Nice little pencil. | 0:34:00 | 0:34:04 | |
35 in the room. 35. | 0:34:04 | 0:34:07 | |
Am I missing anybody here? | 0:34:07 | 0:34:09 | |
At 35! At the back of the room at £35... | 0:34:09 | 0:34:13 | |
That's wipe-face. Sorry about that. But anyway, there we go. | 0:34:13 | 0:34:17 | |
It's no loss, anyway. That's OK. | 0:34:17 | 0:34:18 | |
That's all right. We're even Stevens. | 0:34:18 | 0:34:20 | |
That was the one we were banking on! | 0:34:20 | 0:34:22 | |
Well... | 0:34:22 | 0:34:24 | |
The 20th-century large stoneware vase, having blue glazed decoration. | 0:34:24 | 0:34:28 | |
I can start it at £10. | 0:34:28 | 0:34:31 | |
£10, £10, do I see 12? | 0:34:31 | 0:34:34 | |
12, 15, 18, 20, two, 22 here. | 0:34:34 | 0:34:38 | |
22, 22. Do I see 25? | 0:34:38 | 0:34:41 | |
At £22. We're all done, then, at 22. | 0:34:41 | 0:34:46 | |
£22, so you're minus 26. Bad luck. | 0:34:46 | 0:34:50 | |
Good start(!) | 0:34:50 | 0:34:51 | |
Now, are we going to get caned? | 0:34:51 | 0:34:55 | |
Number 96 is the 1960s, '70s set of four cane armchairs. | 0:34:55 | 0:35:00 | |
Cane and glass coffee table, and a later magazine rack. | 0:35:00 | 0:35:03 | |
THEY LAUGH | 0:35:03 | 0:35:05 | |
-There it is, showing over there. -Lovely. | 0:35:05 | 0:35:07 | |
Yes. Don't you just love a magazine rack? | 0:35:07 | 0:35:09 | |
What do we say, £20? Start me, somebody. | 0:35:09 | 0:35:11 | |
-Brilliant. -£10 I'm bid. Thank you, sir. -We've actually got a tenner(!) | 0:35:11 | 0:35:15 | |
At least it's gone. | 0:35:15 | 0:35:17 | |
12. £10, £10. 12 on the net. | 0:35:17 | 0:35:19 | |
12, 12, do I see 15? | 0:35:19 | 0:35:21 | |
15 on the net. We'll play with the net. | 0:35:21 | 0:35:23 | |
On the internet, at £15. | 0:35:23 | 0:35:25 | |
At 15, 15. Do I see 18? | 0:35:25 | 0:35:27 | |
It's exciting. | 0:35:27 | 0:35:29 | |
Come on. | 0:35:29 | 0:35:31 | |
-Come on. -On the internet, then, at £15... | 0:35:31 | 0:35:34 | |
HE BANGS GAVEL | 0:35:34 | 0:35:35 | |
Uh-oh. | 0:35:35 | 0:35:37 | |
£15 is minus 33. | 0:35:37 | 0:35:40 | |
-Wounded. -Minus 33... That's 26. | 0:35:40 | 0:35:44 | |
59. Minus £59. | 0:35:44 | 0:35:46 | |
What are we going to do about this Indian figure, then? | 0:35:46 | 0:35:50 | |
-Minus 59. -I think it's worth a shot. | 0:35:50 | 0:35:52 | |
-There's no harm in trying. -You're going to have a shot? | 0:35:52 | 0:35:56 | |
-Yeah, we'll take a shot. -We're trusting you, James. | 0:35:56 | 0:35:58 | |
-We trust you here. Come on. -You're going to do it. OK. -Yep. | 0:35:58 | 0:36:03 | |
Right, that's it. Decision's made - | 0:36:03 | 0:36:05 | |
we're going with the Indian brass figure, and here it comes. | 0:36:05 | 0:36:09 | |
It is the 19th-century cast brass Hindu deity figure. | 0:36:09 | 0:36:13 | |
I have some bids. | 0:36:13 | 0:36:14 | |
They start me at 10, 12, 18, 20, | 0:36:14 | 0:36:18 | |
-22, I'm bid. -Come on. | 0:36:18 | 0:36:20 | |
22, 22. Do I see 25? | 0:36:20 | 0:36:22 | |
At 22, here on commission. At 22, 22. | 0:36:22 | 0:36:26 | |
Do I see 25? | 0:36:26 | 0:36:27 | |
-Go on! -It's against you all now. | 0:36:27 | 0:36:29 | |
It's here, at £22. We're all done at 22... | 0:36:29 | 0:36:33 | |
HE BANGS GAVEL | 0:36:33 | 0:36:34 | |
Bad luck. £22, James. It's only minus £3. | 0:36:34 | 0:36:38 | |
-No shame in that. Minus 62. -It was worth a punt. | 0:36:38 | 0:36:41 | |
That is the way to think about it. You had a punt. | 0:36:41 | 0:36:44 | |
You stood there. You took it on the chin. | 0:36:44 | 0:36:46 | |
The big thing now is don't talk to the Blues, all right? | 0:36:46 | 0:36:49 | |
Veronica, are you worried about anything? | 0:36:54 | 0:36:57 | |
I think I could be a bit worried about the silk shirt. | 0:36:57 | 0:37:00 | |
-Why are you were worried about that? -I love it, but it's just... | 0:37:00 | 0:37:03 | |
-Well, he's estimated £25 to £30 on it and you paid £25 on it. -Oh! | 0:37:03 | 0:37:08 | |
It's a peach. He rates it. | 0:37:08 | 0:37:09 | |
-He says he's had some interest, internet-type interest. -Really? | 0:37:09 | 0:37:13 | |
-Fab! -Your first item is the Homemaker plate and shirt. | 0:37:13 | 0:37:18 | |
Here it comes. | 0:37:18 | 0:37:19 | |
Lot number 114 is the 1970s Homemaker side plate | 0:37:19 | 0:37:24 | |
and there's a shady character Homemaker silk patterned shirt. | 0:37:24 | 0:37:27 | |
They tell me this is very rare, this shirt. | 0:37:27 | 0:37:30 | |
Somebody start me at £20. | 0:37:31 | 0:37:34 | |
Somebody start me at £10, then. Let's go. | 0:37:34 | 0:37:36 | |
£10 there. There we go. 12, 15, 18, 20, | 0:37:36 | 0:37:41 | |
2, 25, 28, 30. | 0:37:41 | 0:37:44 | |
-You're in profit. Well done. -30 I have. | 0:37:44 | 0:37:46 | |
At £30. | 0:37:46 | 0:37:48 | |
30, 30. It's well worth it. | 0:37:48 | 0:37:50 | |
-At £30, then. -No! -On my right hand side, we're all done | 0:37:50 | 0:37:53 | |
-at £30... -HE BANGS GAVEL | 0:37:53 | 0:37:56 | |
That's OK. Plus £5. Don't moan about that. | 0:37:56 | 0:37:58 | |
It's a profit. Fantastic. | 0:37:58 | 0:37:59 | |
Now, the Tunbridge Ware box, Jules. | 0:37:59 | 0:38:02 | |
-I like this. This is your box. -My box. | 0:38:02 | 0:38:04 | |
Lot 115 | 0:38:04 | 0:38:05 | |
is the mid-19th century domed-top Tunbridge Ware trinket box. | 0:38:05 | 0:38:09 | |
"Domed-top" makes it more interesting. | 0:38:09 | 0:38:12 | |
I have some bids. I start the bidding here at 15. | 0:38:12 | 0:38:16 | |
20, 5, 28, 30 I'm bid. At 30 I'm bid. | 0:38:16 | 0:38:21 | |
-Up a bit, please. -Oh, no! | 0:38:21 | 0:38:23 | |
32, 35, 38. | 0:38:23 | 0:38:25 | |
38 upstairs. | 0:38:25 | 0:38:27 | |
Come on. Come on. | 0:38:27 | 0:38:29 | |
-40. -Yes! You're in profit. Well done. | 0:38:29 | 0:38:31 | |
45, 48, 50. | 0:38:31 | 0:38:34 | |
Yes! Well done, Jules. | 0:38:34 | 0:38:35 | |
At 50 upstairs. 50, 50. | 0:38:35 | 0:38:37 | |
Do I see 5? At £50, with the young lady there, at £50. | 0:38:37 | 0:38:42 | |
£50 is plus £12. That's plus 12 on that. | 0:38:42 | 0:38:45 | |
-You are plus 17 overall. -High five. | 0:38:45 | 0:38:48 | |
-Now... -Here's sweetie pops. | 0:38:48 | 0:38:50 | |
Lot 116 is the 1920s Japanese porcelain pepper pot | 0:38:50 | 0:38:55 | |
in the form of Bonzo. | 0:38:55 | 0:38:58 | |
Bonzo! | 0:38:58 | 0:38:59 | |
There we are. Where are we going with this one? | 0:38:59 | 0:39:01 | |
Who's got about £50 to start me for him? | 0:39:01 | 0:39:04 | |
-Oh, my Lord! -Come in at 10, then. It's a quirky little piece. | 0:39:04 | 0:39:07 | |
£10, somebody? Thank you very much. | 0:39:07 | 0:39:09 | |
£10 and you're in profit. | 0:39:09 | 0:39:11 | |
12, 15, 18, 20. | 0:39:11 | 0:39:14 | |
Yes! | 0:39:14 | 0:39:16 | |
-18 on my right. -Come on - 20! | 0:39:16 | 0:39:18 | |
18, 18. Do I see 20? | 0:39:18 | 0:39:20 | |
At £18, then, we're all done. | 0:39:20 | 0:39:22 | |
Going away at 18. | 0:39:22 | 0:39:24 | |
That is plus £10. Overall, girls, you are plus £27. | 0:39:24 | 0:39:28 | |
Now, before you break out the champagne, | 0:39:28 | 0:39:30 | |
what are you going to do about the mug and the corkscrew? | 0:39:30 | 0:39:33 | |
-Are you going to go with it? -God! -We're torn. We love them. | 0:39:33 | 0:39:37 | |
-They're fantastic. -With the greatest respect to you... | 0:39:37 | 0:39:40 | |
-No, not at all. -I think it's a no. | 0:39:40 | 0:39:42 | |
-You're going to park it? -Yeah. | 0:39:42 | 0:39:43 | |
-You're going to ring-fence your £27 profit. -Yes. | 0:39:43 | 0:39:46 | |
-Decision made, girls? -Yes. -Happy? | 0:39:46 | 0:39:49 | |
Right, we're not going with the bonus buy, but I can reveal now | 0:39:49 | 0:39:52 | |
that the auctioneer's estimate is £50 to £70. | 0:39:52 | 0:39:55 | |
The purchase price was 148, | 0:39:55 | 0:39:58 | |
and I think his problem is that you've got two disparate objects - | 0:39:58 | 0:40:02 | |
something from the '50s and something from the Tudric, kind of Art Nouveau period. | 0:40:02 | 0:40:08 | |
And whilst they're both good things, together, strangely enough, | 0:40:08 | 0:40:14 | |
they're likely to bring less than what the two parts are worth. | 0:40:14 | 0:40:17 | |
Had they been sold separately... Interesting. | 0:40:17 | 0:40:20 | |
We're not going with it, but we'll see what it brings anyway. | 0:40:20 | 0:40:24 | |
Hand-beaten pewter tankard. Stylised handle and motif. | 0:40:24 | 0:40:28 | |
1950s and '60s Italian cast metal bottle opener and corkscrew. | 0:40:30 | 0:40:34 | |
There they are, showing. Nice quirky corkscrew. | 0:40:34 | 0:40:37 | |
Tankard's a very nice piece. | 0:40:37 | 0:40:38 | |
Somebody start me at about £80, I should think, for Liberty's. | 0:40:38 | 0:40:42 | |
£80? | 0:40:42 | 0:40:43 | |
Start me at 20, then? Let's get it going. | 0:40:44 | 0:40:46 | |
20?! | 0:40:46 | 0:40:48 | |
20, 2, 25, 28, 30, 2, 35, 38. | 0:40:48 | 0:40:52 | |
-40, 45. -I'm trying not to laugh. | 0:40:52 | 0:40:55 | |
45? 45. | 0:40:55 | 0:40:57 | |
-This is cheap, David. -Oh, come on. This is so cheap. -Dirt cheap. | 0:40:57 | 0:41:00 | |
It's not over yet. | 0:41:00 | 0:41:02 | |
45... | 0:41:02 | 0:41:03 | |
-What about the Internet, David? -There's nothing coming in. -Nothing coming in. -I'm shocked. | 0:41:03 | 0:41:08 | |
Upstairs, at 45. | 0:41:08 | 0:41:09 | |
HE BANGS GAVEL | 0:41:09 | 0:41:10 | |
-£45. -That's a steal. | 0:41:10 | 0:41:12 | |
£45. That would have lost you £103. | 0:41:12 | 0:41:16 | |
-But you didn't do it. -No. | 0:41:16 | 0:41:18 | |
You stuck to your true... | 0:41:18 | 0:41:20 | |
You stuck to your instincts. Well done, girls. | 0:41:20 | 0:41:22 | |
-Don't tell the Reds a thing, all right? -No. -No. | 0:41:22 | 0:41:25 | |
-Mum is the word. -Indeed. -Super. Well done. -Thank you. | 0:41:25 | 0:41:29 | |
Well, well, well, well. | 0:41:33 | 0:41:35 | |
As they say, some days is good days and some days is bad days, | 0:41:35 | 0:41:38 | |
and today has been a particularly bad day | 0:41:38 | 0:41:41 | |
for the Red team. | 0:41:41 | 0:41:42 | |
I mean, let's not dwell on this, eh? | 0:41:42 | 0:41:45 | |
Minus £62 is not just dazzling, is it? | 0:41:45 | 0:41:48 | |
-No, it wasn't the best. -It wasn't. | 0:41:48 | 0:41:50 | |
-Did you have a nice time? -Yeah, a great time. | 0:41:50 | 0:41:53 | |
That's the most important thing. We loved having you. Thank you very much | 0:41:53 | 0:41:56 | |
for being so British and taking all this on the chin. | 0:41:56 | 0:41:59 | |
But I have to say, the victors today, the Blues, | 0:41:59 | 0:42:03 | |
-are going home with folding money. They're going home with £27. -Yes! -Here we go. | 0:42:03 | 0:42:07 | |
£27 coming your way. Look at that. | 0:42:07 | 0:42:10 | |
You made a very wise decision not going with the bonus buy, | 0:42:10 | 0:42:13 | |
cos that would've lost you £103. | 0:42:13 | 0:42:16 | |
THEY LAUGH | 0:42:16 | 0:42:17 | |
So that was a very smooth thing, not going with that. | 0:42:17 | 0:42:20 | |
But you did make a profit on all three items, | 0:42:20 | 0:42:24 | |
which means you get to receive | 0:42:24 | 0:42:27 | |
the Order Of The Golden Gavel. Here we are. | 0:42:27 | 0:42:30 | |
We've run out of golden gavels and so now we present chromium-plated tie pins. | 0:42:30 | 0:42:35 | |
To wit you are both entitled, and of course your expert earns one too. | 0:42:35 | 0:42:41 | |
So, please do take, with our love and compliments, your special order. | 0:42:41 | 0:42:47 | |
-There we go. -Thank you. -Here you are, David. | 0:42:47 | 0:42:49 | |
-Thank you. -One to add to your collection. You have to make profit | 0:42:49 | 0:42:53 | |
on all three items and then you get the Golden Gavel Award, which you girls have done today, | 0:42:53 | 0:42:58 | |
and I congratulate you. | 0:42:58 | 0:42:59 | |
And we have had a splendido day! | 0:42:59 | 0:43:02 | |
Why don't you join us soon for some more bargain-hunting. Yes? | 0:43:02 | 0:43:06 | |
ALL: Yes! | 0:43:06 | 0:43:07 | |
Subtitles by Red Bee Media Ltd | 0:43:20 | 0:43:23 | |
E-mail [email protected] | 0:43:23 | 0:43:26 |