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Do you enjoy watching people going shopping for three items to take away | 0:00:12 | 0:00:18 | |
and sell and make a profit at auction? I certainly do. So let's go bargain hunting! | 0:00:18 | 0:00:24 | |
'We're in Shrewsbury today at the Shropshire and West Midlands Showground.' | 0:00:48 | 0:00:54 | |
With all of this Shrewsbury fair to explore and find bargains in, | 0:00:57 | 0:01:03 | |
today's experts, Colin Young... | 0:01:03 | 0:01:06 | |
..and David Harper... | 0:01:08 | 0:01:11 | |
should have this bargain hunting lark all sewn up. | 0:01:11 | 0:01:15 | |
Or will they? | 0:01:15 | 0:01:17 | |
-'We've got a student and her gran.' -Can you do better than 70? | 0:01:18 | 0:01:23 | |
-'And another student and his mum.' -Not shiny enough! | 0:01:23 | 0:01:27 | |
'Can they pick three objects capable of making a profit at auction? | 0:01:27 | 0:01:32 | |
'£300 to play with. Will they use it wisely? Let's go and meet 'em.' | 0:01:32 | 0:01:37 | |
On today's team we have Sophie and her grandmother Maureen. | 0:01:37 | 0:01:42 | |
-Hello, girls. -Hi. -Hello. -All right? -Yes. You? -Not too bad. | 0:01:42 | 0:01:46 | |
-Now you get on particularly well with your gran. -I do! She lives next door to me. | 0:01:46 | 0:01:53 | |
-Right next door? -Yes. -Does she keep an eye on what you get up to? | 0:01:53 | 0:01:57 | |
-You would, wouldn't you? -Yes. -You would. -I like to know. | 0:01:57 | 0:02:01 | |
-Quite right, too. A protective umbrella. -Absolutely. -Yes. | 0:02:01 | 0:02:06 | |
You've started your career on a particularly fashionable path. | 0:02:06 | 0:02:10 | |
Yeah, I just finished my foundation course at St Martin's in London. | 0:02:10 | 0:02:15 | |
Now I'm going to go off to Manchester to study textile design. | 0:02:15 | 0:02:18 | |
It is an exciting thing, fashion. | 0:02:18 | 0:02:22 | |
Yeah, I can't wait to get stuck in. I want to become like a buyer. | 0:02:22 | 0:02:26 | |
-So... -Yeah. Will it influence your choices on Bargain Hunt? | 0:02:26 | 0:02:30 | |
Definitely. I'll look out for some vintage clothing. | 0:02:30 | 0:02:33 | |
-Some frocks? -Yes, and jewellery. | 0:02:33 | 0:02:36 | |
-Anything! -Maureen, do you follow Soph's passion for design? | 0:02:36 | 0:02:41 | |
I love design, but interior design. | 0:02:41 | 0:02:45 | |
-You're a bit of a raver, aren't you? You like to make all the right moves. -Ohh...where's this leading? | 0:02:45 | 0:02:52 | |
Well, you're a dancer! | 0:02:52 | 0:02:55 | |
I...yes. Yes, I love to dance. | 0:02:55 | 0:02:58 | |
-What sort of dancing? -I like the salsa and, em, I like to dance. | 0:02:58 | 0:03:03 | |
And have you got the right moves between you to find the bargains? | 0:03:03 | 0:03:08 | |
-I think so. -We shall try. -We'll try our best. -You'll make a delightful couple of contestants. | 0:03:08 | 0:03:15 | |
Good luck. Now for the Blues, who are quaking in their boots here! | 0:03:15 | 0:03:19 | |
Mother and son combo, Kay and Mitchell. Welcome. Very nice to see you. So, Kay, | 0:03:19 | 0:03:26 | |
-you go car booting together? -Yeah, we have done. | 0:03:26 | 0:03:30 | |
-We go skiing, we still go on family holidays. -Yes. -That's lovely, isn't it? | 0:03:30 | 0:03:36 | |
You're passionate about your career. | 0:03:36 | 0:03:39 | |
I've been nursing for 25 years now. | 0:03:39 | 0:03:42 | |
I'm still a practising nurse, but I moved into education. I work in a Faculty of Health. | 0:03:42 | 0:03:48 | |
I'm principal lecturer there and I'm currently doing my doctorate in education. | 0:03:48 | 0:03:54 | |
-It says here you're incredibly active, whatever that might mean! -I'm not sure! Quite active. | 0:03:54 | 0:04:01 | |
-Tell us about your activities. -I go to the gym, I'm just starting a Zumba class. | 0:04:01 | 0:04:07 | |
-What class? -Zumba. -Zumba?! What's Zumba? | 0:04:07 | 0:04:11 | |
It's supposed to be a mixture of salsa and fitness dancing. | 0:04:11 | 0:04:17 | |
Mitchell, have you inherited the gene of all this active, outdoor stuff from your mum? | 0:04:17 | 0:04:23 | |
Of course! Yes, indeed. I'm a fitness instructor now. | 0:04:23 | 0:04:27 | |
I go to the gym quite a bit and I'm going on another course. | 0:04:27 | 0:04:32 | |
-But my main sport is rugby. -Is it? -Yes. And I've been playing since around the age of ten. | 0:04:32 | 0:04:38 | |
-Where do you play? -Wolverhampton Rugby Club. I've been playing there for a long time now. | 0:04:38 | 0:04:45 | |
-Just come back off tour and we won. -Did you? -Yes, indeed. | 0:04:45 | 0:04:50 | |
-Are you going to be any good at this bargain hunting lark? -Yes. -Yes, let's hope so. | 0:04:50 | 0:04:56 | |
My mum's got the eye for the intricate detail then I'll decide. | 0:04:56 | 0:05:01 | |
-Lovely. Now the money moment. Here we go - £300 apiece. -Thank you. | 0:05:01 | 0:05:06 | |
You know the rules. Your experts await. And off you go! And very, very good luck. | 0:05:06 | 0:05:12 | |
Gosh, what charming teams we've got today. | 0:05:12 | 0:05:16 | |
-What do you like? -I don't know. Lots of different things. | 0:05:22 | 0:05:26 | |
-Anything, really. -Anything? No plan? -No plan. | 0:05:26 | 0:05:31 | |
No plan, no agenda. Let's just get on with it. | 0:05:31 | 0:05:35 | |
-What are you looking for? Kay? -Maybe some sort of jewellery. | 0:05:35 | 0:05:39 | |
-Or silver. -A bit of bling? -Yeah. | 0:05:39 | 0:05:42 | |
Something possibly to do with sport? But keeping the price low. | 0:05:42 | 0:05:47 | |
-A man after my own heart! -Yes. -The price low, not the sport bit! | 0:05:47 | 0:05:51 | |
We've got one hour. Let's go. | 0:05:51 | 0:05:54 | |
-- -It's old. -- -..what model it is? | 0:05:56 | 0:06:00 | |
-As a little table piece. -Yeah. | 0:06:00 | 0:06:03 | |
-What do you think? -Not really! -No. | 0:06:03 | 0:06:06 | |
-No? Is it the damage? -I think so. That puts me off. -OK. | 0:06:06 | 0:06:10 | |
-What do you reckon? A fireman's helmet. -I quite like that. -Yeah, that's interesting. | 0:06:10 | 0:06:17 | |
Portmeirion. It's very retro. | 0:06:17 | 0:06:20 | |
That's probably '60s, '70s. Ten years ago, | 0:06:20 | 0:06:24 | |
it would have been worthless. Now anything Portmeirion from that period... | 0:06:24 | 0:06:30 | |
-It's got that youth. You like it? -Yes. | 0:06:30 | 0:06:33 | |
-It's got a bit of a modern look. -A great modern look. -There's no cup. | 0:06:33 | 0:06:38 | |
-Oh, we're missing a cup? -It broke in transit and I've been trying to replace it. | 0:06:38 | 0:06:44 | |
-I can't get one. -Yeah, yeah. | 0:06:44 | 0:06:46 | |
-What's your best on that one? -I could do 50 on that set, if that's any good. | 0:06:46 | 0:06:51 | |
I think I'll think about it because it's not a set. | 0:06:51 | 0:06:55 | |
- Is that OK? - Yeah, that's fine. | 0:06:55 | 0:06:59 | |
No buy there, then. | 0:07:00 | 0:07:02 | |
-What are the Reds up to? -How about that? That doesn't look "two deer"? -Oh, funny, ha-ha(!) | 0:07:02 | 0:07:09 | |
-Deco, good repro piece. -Quite nice. Is this spelter? | 0:07:09 | 0:07:14 | |
-It is spelter, yeah. -I like that. Do you? -Yeah, I like it. | 0:07:14 | 0:07:19 | |
-Do you want to find out how much it is? -Yeah. -Go and ask him, then. -Me? | 0:07:19 | 0:07:23 | |
Oh, yeah. You're in charge. | 0:07:23 | 0:07:25 | |
Hiya! I'm just wondering how much this is? | 0:07:25 | 0:07:29 | |
- That's 70 to you. - 60? | 0:07:29 | 0:07:32 | |
- Come on... - A hard bargain! Go on, then. | 0:07:32 | 0:07:35 | |
-Do you like it? -I think it's OK. It's one of those lots that's bold. You might do OK with it. | 0:07:35 | 0:07:41 | |
-It ain't gonna race away. -OK. -But it's not too bad at 60. | 0:07:41 | 0:07:45 | |
-And it's pretty, isn't it? -Do you want to spend the money or would you rather come back? | 0:07:45 | 0:07:51 | |
-Do you want to think on it? -Yes. -Definitely. -Oh, dear. | 0:07:51 | 0:07:56 | |
They're as indecisive as the Blues. | 0:07:56 | 0:07:58 | |
-It's not blingy enough for you. -Not shiny enough! | 0:07:58 | 0:08:02 | |
Well, Kay is being decisive now. | 0:08:02 | 0:08:05 | |
-Do you like it? -No, he doesn't. | 0:08:05 | 0:08:08 | |
Still nothing bought by either team. | 0:08:08 | 0:08:10 | |
-What about that cylinder top desk at the back? -Lovely. | 0:08:13 | 0:08:17 | |
-Do you like that? -Yeah, that's nice. -It's not very old, is it? | 0:08:17 | 0:08:21 | |
-Yeah, it's Edwardian. -How much? 175. | 0:08:21 | 0:08:25 | |
In that case, we'll go in and have a look. | 0:08:25 | 0:08:28 | |
The wood that it is is mahogany and it's got satinwood or boxwood stringing in it. | 0:08:28 | 0:08:35 | |
Nice cylinder. It's in good order and these often warp. | 0:08:35 | 0:08:40 | |
And, hopefully, this drawer will come out and turn it into a writing table. It does - fantastic. | 0:08:40 | 0:08:46 | |
Drawer linings are OK on it. Everything's stacking up so far as being OK. | 0:08:47 | 0:08:53 | |
-And the very, very lowest? -160. | 0:08:53 | 0:08:56 | |
-150 you wouldn't do? -Couldn't do 150. -No? | 0:08:56 | 0:09:00 | |
-It would have to be 160. -160. | 0:09:00 | 0:09:03 | |
-That's nice of you. -It is a nice piece. -It is a nice piece, isn't it? | 0:09:03 | 0:09:09 | |
-Yeah, go for it. -Looks like the deal is done. -Excellent, then. 160? | 0:09:09 | 0:09:15 | |
You'd better get that money out of your pocket. | 0:09:15 | 0:09:18 | |
Well done. You've got the Reds up and running, | 0:09:18 | 0:09:21 | |
but David can't persuade Kay and Mitch he's spotted a profit maker. | 0:09:21 | 0:09:26 | |
You don't like that? Surprise(!) | 0:09:26 | 0:09:29 | |
-Is it you or not? -Hmm. | 0:09:29 | 0:09:32 | |
-It's up to you. I don't particularly... -Not sure. -Honestly, these two! | 0:09:32 | 0:09:37 | |
Lady's jewellery box. | 0:09:39 | 0:09:41 | |
French. | 0:09:41 | 0:09:43 | |
It's leather-bound, embossed around the edges. | 0:09:43 | 0:09:48 | |
19th century. | 0:09:48 | 0:09:50 | |
-1870, maybe. Something like that. -Good pitch, David! | 0:09:50 | 0:09:55 | |
-I'm convinced. -What do you think? -I personally prefer the tea set rather than that. -OK. | 0:09:55 | 0:10:01 | |
Oh, dear. Come on, the clock's ticking. | 0:10:01 | 0:10:06 | |
That's quite interesting. | 0:10:06 | 0:10:08 | |
-What is it? -A trivet. Something you would stand something hot on, like a kettle or a pot. | 0:10:08 | 0:10:16 | |
19th century. Really well made. You see these things all over. | 0:10:16 | 0:10:20 | |
What's unusual is that - the Star of David? That could do well, particularly online. | 0:10:20 | 0:10:27 | |
If anyone collects anything with a Jewish feel, that could be very good news. It's only six quid. | 0:10:27 | 0:10:34 | |
-It's one of those chancy numbers. -Yeah. -A fiver? | 0:10:34 | 0:10:38 | |
-You can have it for five. -Marvellous! We've done a deal. | 0:10:38 | 0:10:42 | |
-Always good to do a deal! -Thank you. | 0:10:42 | 0:10:45 | |
Right, come on. Well done, we've bought something! We've spent some money. | 0:10:45 | 0:10:51 | |
So they've only got £295 left. Meanwhile, | 0:10:52 | 0:10:56 | |
-what are Sophie and Mo doing with their remaining 140? -Over there. | 0:10:56 | 0:11:01 | |
A flapper's dress! Go on, you lead the way. Looks like you found something you want. | 0:11:01 | 0:11:07 | |
The question is, is it old? | 0:11:13 | 0:11:15 | |
-Should we ask? -I think we should. | 0:11:15 | 0:11:19 | |
Er, it's 1960s. | 0:11:19 | 0:11:21 | |
-OK, so it's more of a sort of Quant-type thing. -Yeah. | 0:11:21 | 0:11:26 | |
It's reasonably priced at £20. | 0:11:26 | 0:11:29 | |
-That's lovely, Sophie. Do you like that? -Yeah. -Ah! A name to conjure with as well. | 0:11:34 | 0:11:40 | |
-Is that a name you know? -Not that I know of. | 0:11:40 | 0:11:43 | |
-It must be somebody... -OK. | 0:11:43 | 0:11:46 | |
-What do you think, Sophie? Do you like it? -I really like it. | 0:11:47 | 0:11:52 | |
-Doesn't it say 12 in there? Or is that the size? -The size! -Oh, that's a shame. OK. | 0:11:52 | 0:11:58 | |
We always lie about sizes, so how about 14? Is that any good? | 0:11:58 | 0:12:03 | |
-15 and that is it. -15, that's good. -An odd size. | 0:12:03 | 0:12:07 | |
-Shall we go with it? -OK, super. | 0:12:07 | 0:12:09 | |
-Yes, you'd like that. You pleased with that, Colin? Would you wear it? -In the evening. | 0:12:09 | 0:12:15 | |
-Indoors? -It's not really my sort of day thing. | 0:12:15 | 0:12:19 | |
15. Thank you very much. | 0:12:19 | 0:12:21 | |
Sophie was absolutely sure about that. Can Mitch match her? | 0:12:21 | 0:12:26 | |
-What about your coffee set? -I'm still thinking about that. | 0:12:26 | 0:12:30 | |
If we could get it down to 40, it would be a definite. | 0:12:30 | 0:12:34 | |
-Kay? It's literally over there. If it's 40, can I have it? -Yeah. | 0:12:34 | 0:12:39 | |
-Right, come on. -I'll try my best. -Go on. It's a woman. | 0:12:39 | 0:12:43 | |
Charm her. Come on. | 0:12:43 | 0:12:45 | |
OK! Bargaining techniques. Will masculine charm work on a female stallholder? | 0:12:45 | 0:12:51 | |
Right, go on, do your stuff. | 0:12:51 | 0:12:53 | |
-Hi. -Hello! -We're back again. | 0:12:54 | 0:12:57 | |
-We've been thinking about the tea set. -Yes. -It's a coffee set. | 0:12:57 | 0:13:02 | |
-Coffee set. -I knew what you meant. | 0:13:02 | 0:13:04 | |
I was wondering... if you could possibly do it for 40? | 0:13:04 | 0:13:08 | |
And that would be a definite. | 0:13:08 | 0:13:11 | |
Please? | 0:13:13 | 0:13:15 | |
-Go on, then. £40. -Thank you very much. -I'm very impressed. | 0:13:17 | 0:13:22 | |
It does! Both teams have two items and I've found some nifty Irish woodwork. | 0:13:22 | 0:13:28 | |
Just look at that. Is that weird or what? | 0:13:28 | 0:13:33 | |
If we look carefully on this side, it's Mr Punch, | 0:13:33 | 0:13:36 | |
with his great big hooter and his little pointy cap. | 0:13:36 | 0:13:41 | |
Now these type of root sticks come from Ireland. | 0:13:41 | 0:13:45 | |
And they're called shillelaghs. | 0:13:45 | 0:13:48 | |
The root wood, of course, would have come out of the ground like this | 0:13:48 | 0:13:52 | |
so the roots are buried under the earth. | 0:13:52 | 0:13:56 | |
And it's the stem that's cut somewhere up here. The more convoluted the roots are, | 0:13:56 | 0:14:03 | |
the better the Irish like it. | 0:14:03 | 0:14:06 | |
What would it cost you? Well, if you're lucky, you could pick one up for £120. | 0:14:06 | 0:14:12 | |
It wants a bit of restoration, but at the end of the day, properly restored, | 0:14:12 | 0:14:17 | |
this thing could be worth as much as £500. | 0:14:17 | 0:14:21 | |
£500, eh? | 0:14:21 | 0:14:23 | |
Top o' the mornin' to ya! | 0:14:23 | 0:14:25 | |
Can we have a look at that? | 0:14:30 | 0:14:34 | |
Scrimshaw. It's transfer printed. A very nice piece of treen. | 0:14:35 | 0:14:40 | |
What does it hold? Absolutely nothing, but one of those general wares | 0:14:40 | 0:14:45 | |
sometimes called Mauchline wares. | 0:14:45 | 0:14:48 | |
But this is actually a German-manufactured one. | 0:14:48 | 0:14:53 | |
Transfer printed with the Bank of England. | 0:14:53 | 0:14:56 | |
-If it was ten, you'd have it now. Do you go for good old safety, spending 15... -Let's get the deer. | 0:14:56 | 0:15:04 | |
They've got a plan. | 0:15:04 | 0:15:07 | |
-Have the Blues? -Do you like that? -It's...all right. | 0:15:07 | 0:15:11 | |
-It's funky. Is it you? -I don't really... -Not you, Mitchell? | 0:15:11 | 0:15:17 | |
Not really. | 0:15:17 | 0:15:19 | |
-I'm trying my best. -Another rejection by the Blues. | 0:15:19 | 0:15:23 | |
As the Reds hunt down the deer, which I seem to remember were marked at £60. | 0:15:23 | 0:15:29 | |
If you get it to 50, that's a safer option. | 0:15:29 | 0:15:32 | |
I'll go for it. ..Hiya. Is the deer still here? | 0:15:32 | 0:15:36 | |
- The thing we looked at before. - It is, yeah. | 0:15:36 | 0:15:39 | |
-- It was 50... - It wasn't. -No, it was 60. | 0:15:39 | 0:15:44 | |
-We'll beg 5 if that's a possibility. -55? | 0:15:44 | 0:15:47 | |
-Cos we do really like it. -That's my bottom line. -We want it, though, don't we? | 0:15:47 | 0:15:53 | |
-It's our last thing to buy. -Shall we do the last begging? -It's a quality item, madam. | 0:15:53 | 0:15:59 | |
We'll beg for 58 if we can get away with it. | 0:15:59 | 0:16:03 | |
£2 makes the world of difference to us. Is that possible, sir? | 0:16:03 | 0:16:07 | |
-The pleading technique, eh? -Yeah, go on. | 0:16:07 | 0:16:12 | |
That's the Reds all done! Will the Blues make it with 6 minutes to go? | 0:16:12 | 0:16:16 | |
-Any restoration? -It's been relined in the Victorian period. | 0:16:16 | 0:16:21 | |
- It looks quite dark. - It will lighten once it's cleaned. | 0:16:21 | 0:16:25 | |
The colours will shine through, but that is how dealers like to buy them, | 0:16:25 | 0:16:30 | |
rather than sparkling and new. | 0:16:30 | 0:16:33 | |
Do you think it'll make a profit? | 0:16:33 | 0:16:36 | |
-Well, it's got every chance. -I think it will. I do think it will. | 0:16:36 | 0:16:41 | |
-Do you like it? -Yeah. -70 or 90 on the toss of a coin. | 0:16:41 | 0:16:46 | |
-80 or 90. -80 or 90. Happy? -The frame will cost you! | 0:16:46 | 0:16:50 | |
Have you got a coin? | 0:16:50 | 0:16:52 | |
-Good man. You call. -Tails. | 0:16:55 | 0:16:57 | |
-Heads. -You won! -80. Marvellous! | 0:16:58 | 0:17:02 | |
-Thanks. -That's an old Harper trick, that, tossing a coin. | 0:17:03 | 0:17:08 | |
Marvellous! Well, you didn't half perform there! | 0:17:08 | 0:17:13 | |
-Three minutes to go. -Just in time. -Just in time. | 0:17:13 | 0:17:17 | |
-On the spin of a coin. Isn't that exciting? -It is. | 0:17:17 | 0:17:21 | |
-And it worked out well for us. -We've done it! | 0:17:21 | 0:17:24 | |
Right, that's it. | 0:17:24 | 0:17:27 | |
Time's up. Let's go tot up what the teams spent their cash on. | 0:17:27 | 0:17:32 | |
Sophie and Mo pulled in a writing desk for £160. | 0:17:32 | 0:17:37 | |
A flapper-style dress came off the hanger for £15. | 0:17:38 | 0:17:42 | |
And the Art Deco deer were rounded up for £58. | 0:17:42 | 0:17:47 | |
-Now, Mo, have you had a great time? -Yes, really good. -The shopping is fantastic fun. -It was. | 0:17:48 | 0:17:54 | |
-Which is your favourite piece, Soph? -Definitely the flapper's dress. | 0:17:54 | 0:17:59 | |
-Cos you found it. -Definitely! | 0:17:59 | 0:18:01 | |
-Which piece will bring you the biggest profit? -The writing desk. | 0:18:01 | 0:18:06 | |
-The writing desk. -Yeah. -How much did you spend all round? | 0:18:06 | 0:18:10 | |
-£233. -That is a good number. | 0:18:10 | 0:18:13 | |
-May I have £67 of leftover lolly, please? -There's 60. -Thank you. | 0:18:13 | 0:18:18 | |
Dredging... Oh! Lots of little coins. How very nice. | 0:18:20 | 0:18:24 | |
That goes straight across to your man, Colin Young. | 0:18:24 | 0:18:27 | |
What'll you spend the £67 on, Col? | 0:18:27 | 0:18:30 | |
-Not sure, but I'm determined to spend as much as I can. -Good! -Good! | 0:18:30 | 0:18:34 | |
That's the right positive attitude. Well done and good luck, Colin. | 0:18:34 | 0:18:39 | |
Why don't we remind ourselves what the Blue team bought? | 0:18:39 | 0:18:43 | |
A brass trivet cost them just a fiver. | 0:18:43 | 0:18:46 | |
They spent £40 on a stylish coffee set. | 0:18:46 | 0:18:50 | |
And a toss of a coin allowed them to pick up a painting for £80. | 0:18:50 | 0:18:55 | |
-Have you had a nice time? -Wonderful. -Shopping is great. -It is, yes. | 0:18:56 | 0:19:01 | |
-Which is your favourite piece? -I think...the coffee set. | 0:19:01 | 0:19:06 | |
-Same for you, Mitch? -Yes, I think so, yes. | 0:19:06 | 0:19:10 | |
-But which piece will bring the biggest profit? -Well, I think the painting hopefully will. | 0:19:10 | 0:19:16 | |
-Fingers crossed! -Your expert is wincing here. | 0:19:16 | 0:19:21 | |
-Do you agree with that, Kay? -I think that first item. | 0:19:21 | 0:19:25 | |
-The trivet, yes. -You fancy that? -We didn't pay much for that. -No. | 0:19:25 | 0:19:29 | |
And what was your overall spend? What did you spend in total? | 0:19:29 | 0:19:33 | |
We spent £125. | 0:19:33 | 0:19:35 | |
That's easy. 175 leftover lolly. have you got that? Thank you very much, Kay. | 0:19:35 | 0:19:41 | |
This is the bit David Harper likes, hoovering up the cash. | 0:19:41 | 0:19:45 | |
-Just give me the money, Tim. -Well, what are you likely to spend it on? | 0:19:45 | 0:19:51 | |
-Today we were looking for silver and something sporting. -Yes. | 0:19:51 | 0:19:55 | |
And we didn't get anything like silver or anything sporting! | 0:19:55 | 0:19:59 | |
-So... -You haven't got any idea. -Not really! Silver or sporting. | 0:19:59 | 0:20:04 | |
-We'll trust him. -Good luck. | 0:20:04 | 0:20:07 | |
Meanwhile, we're heading off somewhere absolutely fabulous. | 0:20:07 | 0:20:11 | |
I'm off to North Yorkshire to investigate the fading fortunes | 0:20:13 | 0:20:17 | |
of a family and their belongings. | 0:20:17 | 0:20:20 | |
Richard Graham inherited Nunnington Manor from his uncle. | 0:20:21 | 0:20:26 | |
In 1675, he became MP for Cockermouth | 0:20:26 | 0:20:30 | |
and a valued servant of King Charles II. | 0:20:30 | 0:20:35 | |
He was appointed envoy extraordinaire to the Court of France in Versailles, | 0:20:35 | 0:20:41 | |
a sort of posh spy, actually. | 0:20:41 | 0:20:44 | |
He claimed that his post was opened twice - on each side of the Channel. | 0:20:44 | 0:20:50 | |
He described the job as "difficult", but it did allow him to come back with some handsome souvenirs, | 0:20:52 | 0:20:59 | |
which should have been kept out of sunlight. Surviving to this day, | 0:20:59 | 0:21:04 | |
out of the original house furnishings from Richard Graham's period | 0:21:04 | 0:21:09 | |
are this series of magnificent tapestries. | 0:21:09 | 0:21:14 | |
They depict the life of Achilles, | 0:21:14 | 0:21:16 | |
the hero from the Trojan Wars who was dipped in the River Styx | 0:21:16 | 0:21:22 | |
and we can see this moment in this particular tapestry. | 0:21:22 | 0:21:27 | |
You can notice that his mother is hanging on to his heel during the immersion, | 0:21:27 | 0:21:33 | |
meaning that his heel was not protected and that ultimately, of course, led to his downfall. | 0:21:33 | 0:21:41 | |
And in the drawing room there are some more tapestries, but in a completely different style. | 0:21:46 | 0:21:52 | |
The ones on the staircase are narrative, they tell that story. | 0:21:52 | 0:21:57 | |
These are called verdure tapestries, made at about the same period | 0:21:57 | 0:22:02 | |
at the end of the 17th century, but densely, densely woven, | 0:22:02 | 0:22:08 | |
always with trees and foliage. If you look at the detail, you can see that predominantly | 0:22:08 | 0:22:15 | |
the colour scheme is bright blue. | 0:22:15 | 0:22:18 | |
That's because the indigo dyes have hardly faded at all. | 0:22:18 | 0:22:22 | |
If you look in these other spaces that look pale yellow and cream now, | 0:22:22 | 0:22:27 | |
and they're dotted all over the tapestry, originally you would have had pale greens | 0:22:27 | 0:22:33 | |
and a much more subtle range of colours throughout the whole piece. | 0:22:33 | 0:22:38 | |
The problem is that those softer colours fade | 0:22:38 | 0:22:42 | |
and you have no idea the destructive effect of direct sunlight. | 0:22:42 | 0:22:48 | |
But my all-time favourite object in this room | 0:22:50 | 0:22:54 | |
is the tea caddy. | 0:22:54 | 0:22:56 | |
We've got laid out here some tea equipage | 0:22:56 | 0:23:00 | |
and in a period drawing room you'd have one of these handsome boxes to contain | 0:23:00 | 0:23:07 | |
at least two, and in this case it does contain two, compartments | 0:23:07 | 0:23:11 | |
for the two types of tea that you would be serving. | 0:23:11 | 0:23:16 | |
But it's the decoration on this thing that is so extraordinary. | 0:23:16 | 0:23:21 | |
Some people call this stuff quill work. | 0:23:21 | 0:23:24 | |
Some people simply call it curled paper work. | 0:23:24 | 0:23:29 | |
Cos that's what it is, strictly. | 0:23:29 | 0:23:32 | |
Look at the top. There are thousands of these tiny little parchment scrolls, | 0:23:32 | 0:23:38 | |
which have been cut up by smart women in drawing rooms like this in the 18th century | 0:23:38 | 0:23:44 | |
and then arranged in patterns and coloured. | 0:23:44 | 0:23:49 | |
But the problem is that these, too, are subject to fading. | 0:23:49 | 0:23:54 | |
If you look at the colour scheme on the top, there is some colour, | 0:23:54 | 0:23:59 | |
but by and large it's rather bland and brown because it's been in the sun. | 0:23:59 | 0:24:04 | |
But if we look at the colour scheme on the sides, | 0:24:04 | 0:24:08 | |
how handsome is that? | 0:24:08 | 0:24:11 | |
Particularly on the back where it's been most sheltered and protected. | 0:24:11 | 0:24:16 | |
A quite extraordinary survival. | 0:24:16 | 0:24:19 | |
If you ever come across a two-division tea caddy covered in this stuff on Bargain Hunt | 0:24:19 | 0:24:25 | |
for £100, my advice is buy it. | 0:24:25 | 0:24:28 | |
Of course, the big question today is will the sun be shining on our teams over at the auction? | 0:24:28 | 0:24:35 | |
'And we're returning to Shrewsbury to Hall's sale room, in the company of Jeremy Lamond.' | 0:24:35 | 0:24:42 | |
Now for the Red team, they have gone with this Edwardian strung cylinder bureau. | 0:24:42 | 0:24:48 | |
The middle brown furniture market, which is the space this desk occupies, is quite tricky. | 0:24:48 | 0:24:55 | |
And it's also a cylinder bureau. | 0:24:55 | 0:24:58 | |
Equally unpopular. And it's bleached and you can't really get your laptop inside it. | 0:24:58 | 0:25:04 | |
So on all those counts it's a difficult thing to sell. | 0:25:04 | 0:25:08 | |
-What's it likely to bring? -We think £80-£120. -Our guys paid £160. | 0:25:08 | 0:25:12 | |
I would say they don't stand what they used to call a snowflake's chance. | 0:25:12 | 0:25:18 | |
But we could be wrong. Next is the flapper-style dress. | 0:25:18 | 0:25:22 | |
I think it's very ritzy and glitzy and it's the sort of thing that people like wearing nowadays. | 0:25:22 | 0:25:29 | |
-I think there will be a market for it. Not one I understand, but... -Do you think it's old? | 0:25:29 | 0:25:35 | |
-Yeah, it's a Josselyn dress from the 1950s or '60s. -Right. | 0:25:35 | 0:25:41 | |
-What's it worth? -We think £20-£30. -Very good. £15 paid. | 0:25:41 | 0:25:45 | |
-£15 for a frock is not much. -Can't go wrong. -Next is the Art Deco group of these little fellas. | 0:25:45 | 0:25:52 | |
-How do you rate them? -Well, they're bronzed spelter on a variegated plinth. | 0:25:52 | 0:25:58 | |
-They're pretty good models. Nicely fashioned things. -What's your estimate? -£50-£70. | 0:25:58 | 0:26:05 | |
OK, £58 paid. So they should be a banker. | 0:26:05 | 0:26:08 | |
If they've got a dark hole opening up, it's that cylinder bureau and they will need their Bonus Buy. | 0:26:08 | 0:26:14 | |
Let's go and have a look at it. | 0:26:14 | 0:26:17 | |
Now, Mo-Mo, Soph, you spent, you petals, £233. | 0:26:17 | 0:26:22 | |
You gave your man £67 for the Bonus Buy. Colin, what did you buy with £67? | 0:26:23 | 0:26:30 | |
Are you ready for the reveal? | 0:26:30 | 0:26:33 | |
-Yes. -Yes. -It is... | 0:26:33 | 0:26:35 | |
-Nothing? -Nothing? -It's... | 0:26:37 | 0:26:40 | |
-The rug! -Well spotted! -Oh, the rug! | 0:26:40 | 0:26:44 | |
Oh, right. | 0:26:44 | 0:26:46 | |
Oh, well done. | 0:26:46 | 0:26:48 | |
-I think you've got two underwhelmed people here. -No, I love it. | 0:26:49 | 0:26:53 | |
-You do like it? -Yeah. -Sophie? -No, I do like it, actually. | 0:26:53 | 0:26:58 | |
-That's beautiful. -It's a rug which is copying an earlier period. | 0:26:58 | 0:27:04 | |
It's probably 1940s, 1950s. So it's around that mid-20th century sort of period. | 0:27:04 | 0:27:10 | |
It's a design that comes from the Northern Caucasus area. | 0:27:10 | 0:27:14 | |
Nice geometric patterns. Standard colours of the blue, red, but it is that little bit later. | 0:27:14 | 0:27:21 | |
-So how much did you have to pay for it? -£60. -OK. -I saved £7 for good luck. | 0:27:21 | 0:27:27 | |
But £60 and I think a rug such as this, in pretty good order, | 0:27:27 | 0:27:32 | |
just a little bit of fraying, | 0:27:32 | 0:27:35 | |
I would hope that it would make over £100. It won't make a fortune, | 0:27:35 | 0:27:40 | |
but I think at £60 that's a pretty good Bonus Buy. | 0:27:40 | 0:27:44 | |
-This is something I'd buy for myself anyway. -You can't buy it, but you might select it, | 0:27:44 | 0:27:51 | |
after the sale of your first three items. Right now, let's find out what the auctioneer thinks of it. | 0:27:51 | 0:27:57 | |
Well, we think it is £40-£60-worth. | 0:28:00 | 0:28:04 | |
Colin Young paid £60. | 0:28:04 | 0:28:07 | |
Your estimate is £40-£60, so it may be a good buy. That's it for the Reds. Now the Blues. | 0:28:07 | 0:28:14 | |
First up is this bell metal trivet. | 0:28:14 | 0:28:17 | |
-Yup. -Odd-looking thing. -It's quite distinctive. | 0:28:17 | 0:28:21 | |
You don't get many with a symbol like that. The Star of David, Victorian, a bit of wear. | 0:28:21 | 0:28:27 | |
-A bit of a novelty one. We see lots of trivets, but not one shaped like that. -Good. | 0:28:27 | 0:28:34 | |
-How much do you think it'll bring? -We think £15-£20. -Smashing. £5 paid. For £5 in a fair... | 0:28:34 | 0:28:40 | |
-it's not bad, is it? -Very good. -Very good. | 0:28:40 | 0:28:44 | |
Now how do you rate this iconic '60s set? | 0:28:44 | 0:28:49 | |
Well, yet another coffee service. We see a lot of these. | 0:28:49 | 0:28:53 | |
The only difference with this one is it's a chocolate brown. Mostly they're black. | 0:28:53 | 0:28:58 | |
There might be collector's appeal. Good condition. £30-£50. | 0:28:58 | 0:29:03 | |
Good. £40 paid. | 0:29:03 | 0:29:05 | |
And last is the quintessentially Victorian-looking painting of a Welsh interior. | 0:29:05 | 0:29:12 | |
Well, this has seen a bit of life. What's happened here is this craquelure suggests to me | 0:29:12 | 0:29:18 | |
that the bitumen in the oil paint has begun to decompose | 0:29:18 | 0:29:24 | |
or distress. So it's not in a great condition | 0:29:24 | 0:29:29 | |
and the painting itself has been done in the dark. | 0:29:29 | 0:29:33 | |
-It's got a nice frame, which is what's going to sell it. -Is it? -Yeah. | 0:29:33 | 0:29:38 | |
-What do you think it's worth? -£60-£80? -What, the frame? -For the frame. | 0:29:38 | 0:29:44 | |
-Oh, right. Disregard the painting, then? -It'll look nice with a mirror. | 0:29:44 | 0:29:48 | |
That's a novel prediction. I've a funny feeling they'll need their Bonus Buy, so let's have a look. | 0:29:48 | 0:29:54 | |
-Now Mitch and Kay, you spent £125. -Yeah. -Perfectly respectable. | 0:29:56 | 0:30:00 | |
-You gave David Harper £175. -Mm-hm. -And what you've got is quite small. -It is. Thank you very much. | 0:30:00 | 0:30:06 | |
-Kay, we were looking for silver. -Yes. -And something a bit sporty, as he's obviously sporty. | 0:30:07 | 0:30:14 | |
I might have got a combination. Have a look at that. | 0:30:14 | 0:30:18 | |
It's silver, quite obviously. And it's real silver, hallmarked, 1905. It's an import piece. | 0:30:18 | 0:30:24 | |
It's of British standard quality. Very good quality thing. | 0:30:24 | 0:30:28 | |
-And does the fish count as being sporty? -Yes! -That counts. | 0:30:28 | 0:30:33 | |
-Yes, yes. -Is it like a matchbox? -It's a vesta case. | 0:30:33 | 0:30:37 | |
A matchbox holder. | 0:30:37 | 0:30:39 | |
But quite a modern one. | 0:30:39 | 0:30:42 | |
It's good quality, very expensive to buy new. | 0:30:42 | 0:30:46 | |
And it's nice to find new things in old quality. That's something you might find in the 19th century. | 0:30:46 | 0:30:52 | |
-How much did you pay? -Straight to the money! £20. | 0:30:52 | 0:30:57 | |
New... Gosh. | 0:30:57 | 0:31:00 | |
£100? £150? I would imagine, probably. | 0:31:00 | 0:31:03 | |
-Can you see it making a profit? -Definitely. Definitely. It should make a profit. | 0:31:03 | 0:31:09 | |
Well done, David. Well, remember that advice. | 0:31:09 | 0:31:13 | |
For the audience at home, we'll find out what the auctioneer thinks about the match case. | 0:31:13 | 0:31:19 | |
Here we are. Links of London. | 0:31:19 | 0:31:21 | |
-You couldn't get much more modern. -No. Set up in 1990, I think. | 0:31:21 | 0:31:26 | |
-Were they? -A restaurant owner wanted to give cufflinks to his customers | 0:31:26 | 0:31:31 | |
-and he commissioned them. From that, the snowball ran. -Is that a fact? Interesting. | 0:31:31 | 0:31:37 | |
I never knew that. Well, there we are. He branched out from cufflinks | 0:31:37 | 0:31:42 | |
-into match cases. -That's right. And it's a pretty well-made, top-quality thing. | 0:31:42 | 0:31:49 | |
-£20 or £30 we thought. -Perfect. Old Harper paid 20, cunning monkey. | 0:31:49 | 0:31:54 | |
He should get out of it. | 0:31:54 | 0:31:56 | |
Anyway, all will be revealed in a moment. Thank you. | 0:31:56 | 0:31:59 | |
120? 120. | 0:32:01 | 0:32:03 | |
130. A telephone bid... | 0:32:03 | 0:32:06 | |
-OK, Soph and Mo-Mo, how are you feeling, kids? -Nervous. -But you were so cool before! | 0:32:06 | 0:32:12 | |
What's happened to you, darling? Are you worried about anything in particular? | 0:32:12 | 0:32:18 | |
My dress. I'm really worried about my dress. | 0:32:18 | 0:32:22 | |
Listen, you only paid £15 for it. | 0:32:22 | 0:32:24 | |
-He's estimated £20-£30. -Really? -He knows about the label. | 0:32:24 | 0:32:29 | |
He's looked it up. You'll be fine. | 0:32:29 | 0:32:32 | |
-The cylinder writing desk is your big number. You spend £160 on that. -Yes, we did. | 0:32:32 | 0:32:37 | |
He says various things about it. | 0:32:37 | 0:32:40 | |
-Nice things? -Not particularly. | 0:32:40 | 0:32:43 | |
And he's put £80-£120 on it. | 0:32:43 | 0:32:46 | |
Your Deco group of the deer, though, I think is super. | 0:32:46 | 0:32:51 | |
-I can see that thing making £100. -Oh, really? -Or £120. Yeah, I can. | 0:32:51 | 0:32:57 | |
And it may just save your bacon on your cylinder bureau. | 0:32:57 | 0:33:01 | |
-Oh, dear. -Or we could all be absolutely wrong and you'll need to go with the Persian rug. | 0:33:01 | 0:33:07 | |
Anyway, here we go, girls. We're starting with your cylinder writing desk. Here it comes. | 0:33:07 | 0:33:13 | |
Now we have this delightful Edwardian mahogany and boxwood strung cylinder bureau. | 0:33:13 | 0:33:19 | |
Plenty of interest in it. Nice size. | 0:33:19 | 0:33:23 | |
-And I can start this at £120. -Get away! | 0:33:23 | 0:33:28 | |
At 120. Who'll go more? | 0:33:28 | 0:33:31 | |
At 120. 130. It's a telephone bid. | 0:33:31 | 0:33:34 | |
At £130 now. | 0:33:34 | 0:33:36 | |
130 - on the telephone! | 0:33:36 | 0:33:39 | |
140 in the room. At 140. | 0:33:39 | 0:33:42 | |
Against the telephone. 150. | 0:33:42 | 0:33:45 | |
-160. -Hey! -At 160 in the room. 170. | 0:33:45 | 0:33:48 | |
180. | 0:33:48 | 0:33:50 | |
At 180 in the room. | 0:33:50 | 0:33:52 | |
At 180. 190. At 190. | 0:33:52 | 0:33:55 | |
200. | 0:33:55 | 0:33:57 | |
At 200. | 0:33:57 | 0:33:59 | |
£200. At 200. The bid is in the room. On the aisle at £200. | 0:33:59 | 0:34:04 | |
Are we all finished? At £200. Internet, you are out. | 0:34:04 | 0:34:08 | |
Well done. £200 is plus 40. That is a proper result, isn't it? | 0:34:08 | 0:34:13 | |
We're all going to have to apologise. | 0:34:13 | 0:34:17 | |
-Now, Soph... -A flapper-style dress. | 0:34:17 | 0:34:21 | |
Showing for you here. Bit of interest if you're going out. | 0:34:21 | 0:34:25 | |
I can tell you I am bid already £20. | 0:34:25 | 0:34:27 | |
At 20. £20 is bid. | 0:34:27 | 0:34:30 | |
At 20. 22. 25. | 0:34:30 | 0:34:33 | |
28. 30. | 0:34:33 | 0:34:36 | |
35. 40. | 0:34:36 | 0:34:38 | |
£40. It's a commission bid. At £40. Any more? | 0:34:38 | 0:34:43 | |
At £40 to a commission bid. | 0:34:43 | 0:34:45 | |
Are we all finished? At £40. | 0:34:45 | 0:34:48 | |
I got into a flap about that! Anyway, plus £25. That is very nice. | 0:34:49 | 0:34:54 | |
You are £65 up, girls. Now, here comes the little deer. | 0:34:54 | 0:35:00 | |
Various commissions here. I am bid £60. | 0:35:00 | 0:35:04 | |
You're in profit again! | 0:35:04 | 0:35:06 | |
Come on. | 0:35:07 | 0:35:09 | |
At £60 to a commission. At £60. | 0:35:09 | 0:35:13 | |
-Come on! -All finished? At 60. | 0:35:13 | 0:35:16 | |
That's disappointing, but a profit. £60 is plus £2. | 0:35:16 | 0:35:20 | |
You are £67 up, girls. | 0:35:20 | 0:35:23 | |
You've got a profit on every item, which is a really good thing. | 0:35:23 | 0:35:27 | |
-Are you going to go with the Bonus Buy or not? -Yes. What do you think? | 0:35:27 | 0:35:32 | |
-Sophie, darling, do you want to win the competition? -Yes. -And go home with money? -Yes. | 0:35:32 | 0:35:37 | |
-GO with the rug or not? -Do it. -Are you sure? -Yes, let's do it. | 0:35:37 | 0:35:42 | |
-You're going with the Bonus Buy. The decision is made. -A very smart rug there. | 0:35:42 | 0:35:48 | |
I have interest in it already and I can bid £35. At 35. | 0:35:48 | 0:35:53 | |
It's to a commission. 40. 45 against you. | 0:35:53 | 0:35:57 | |
50. Commission's out. 5. 55. Gentleman here. | 0:35:57 | 0:36:01 | |
At £55. 60 at the back. 5. | 0:36:01 | 0:36:05 | |
-70. 5. 80. -Hey, look out! | 0:36:05 | 0:36:08 | |
-90. 5. -Look at this, girls! | 0:36:08 | 0:36:13 | |
120. 130. 140. 150. | 0:36:13 | 0:36:16 | |
160. 170. | 0:36:16 | 0:36:19 | |
With you, sir, at £170. | 0:36:19 | 0:36:22 | |
-Colin! -Are we all done at 170? | 0:36:22 | 0:36:26 | |
-Did he say 170? He said £170. -That's brilliant. | 0:36:27 | 0:36:31 | |
That is so brilliant. Everybody take their toupee off to Colin. | 0:36:31 | 0:36:35 | |
That is plus 110. Yes? | 0:36:35 | 0:36:38 | |
Which means you are plus £177. | 0:36:38 | 0:36:43 | |
-Up! -Well done, Sophie. You can have that for your holiday. -Brilliant! | 0:36:43 | 0:36:49 | |
-Any pre-match nerves, Mitch? -A little bit, but I'm confident. -Are you? | 0:36:54 | 0:37:00 | |
-What about you, Ma? -I'm not confident! -You look a bit shifty, love. | 0:37:00 | 0:37:06 | |
Feeling a bit shifty? Is it the painting that's doing it? | 0:37:06 | 0:37:10 | |
Your Welsh interior. I'll put you out of your agony. | 0:37:10 | 0:37:14 | |
He's estimated £60-£80 on it. | 0:37:14 | 0:37:16 | |
Now you paid £80 for it. | 0:37:16 | 0:37:19 | |
I have to say it is one of the darkest, gloomiest things I've seen in a long while. | 0:37:19 | 0:37:25 | |
But he's very positive about it because it has a smashing frame. | 0:37:25 | 0:37:29 | |
He says somebody will pay more for that and stick a mirror in it, than they would for the picture. | 0:37:29 | 0:37:35 | |
If you park that one, your coffee set, which you paid 40 for, | 0:37:35 | 0:37:39 | |
he's estimated 330-£40. You're OK with that. | 0:37:39 | 0:37:43 | |
And the trivet, he thinks that's really rare. You paid a fiver. He's put £15-£20. | 0:37:43 | 0:37:50 | |
And if all else fails, you've got Harper's reserve fund, | 0:37:50 | 0:37:54 | |
which is the match case cover, to fall back on. | 0:37:54 | 0:37:59 | |
Anyway, first up is the Star of David trivet. Very unusual. And here it comes. | 0:37:59 | 0:38:04 | |
We have the Victorian brass trivet with the Star of David. Unusual. | 0:38:04 | 0:38:09 | |
What about that? Who'll bid me £15 to start it? | 0:38:09 | 0:38:13 | |
-At £15. -Come on. -10? £10? | 0:38:13 | 0:38:17 | |
10. 10 is bid. | 0:38:17 | 0:38:19 | |
Who'll go 12? At £10 it is. | 0:38:19 | 0:38:21 | |
12 anywhere? At £10. | 0:38:21 | 0:38:23 | |
I will sell it at £10 if there is no further interest. | 0:38:23 | 0:38:28 | |
At 10. | 0:38:28 | 0:38:30 | |
-It's still a result. You still doubled your money. -It's a profit. -We'll take it. | 0:38:30 | 0:38:36 | |
1960s Portmeirion Greek pattern coffee service. Susan Williams Ellis. | 0:38:36 | 0:38:41 | |
I am bid already £30. | 0:38:41 | 0:38:43 | |
32. 35. | 0:38:43 | 0:38:46 | |
-At £35. 35. -Go on! | 0:38:46 | 0:38:48 | |
-GO on! -Any more? | 0:38:48 | 0:38:51 | |
At 35, I am selling it. At £35. | 0:38:51 | 0:38:54 | |
-£35. You had £5 profit. You've now just lost £5. -Right. | 0:38:55 | 0:39:00 | |
So you have absolutely nothing. | 0:39:00 | 0:39:02 | |
Welsh cottage interior. Showing there in an impressive gilt frame. | 0:39:02 | 0:39:07 | |
£60 I am bid already. At 60. | 0:39:07 | 0:39:10 | |
65. 70. | 0:39:10 | 0:39:12 | |
5. 80. 5. Commissions out. | 0:39:12 | 0:39:15 | |
£85. It's a room bid. At £85. Any more? | 0:39:15 | 0:39:19 | |
At £85. I'm selling it. | 0:39:19 | 0:39:22 | |
At £85 to you, sir. 85. | 0:39:22 | 0:39:25 | |
Well, isn't that amazing? You had a £5 profit, you lost it. | 0:39:26 | 0:39:30 | |
You just made £5 again. £5 profit. | 0:39:30 | 0:39:33 | |
How extraordinary is that? You are plus £5. What will you do? | 0:39:33 | 0:39:37 | |
-Going to have a go at this piece of silver? -Yes. -Definitely. | 0:39:37 | 0:39:41 | |
We have a sterling silver vesta holder. Set with a leaping fish. | 0:39:41 | 0:39:46 | |
By Links of London. I am bid £25. | 0:39:46 | 0:39:51 | |
25. 30. 32. | 0:39:51 | 0:39:54 | |
35. At 35. The bid is in the room. | 0:39:54 | 0:39:58 | |
At £35. 35 it is. Here in the room at £35. | 0:39:58 | 0:40:02 | |
38. £38. One more? 40. | 0:40:02 | 0:40:05 | |
Yes! | 0:40:05 | 0:40:06 | |
42. 45. It's an internet bid now. | 0:40:06 | 0:40:10 | |
45 here. 48 at the back. | 0:40:10 | 0:40:13 | |
At £48. Are we all done at 48? | 0:40:13 | 0:40:16 | |
Well, that's amazing, isn't it? | 0:40:18 | 0:40:20 | |
£48 is plus £28, which means... | 0:40:20 | 0:40:24 | |
you are plus 33. Now listen, girls and boys. | 0:40:24 | 0:40:28 | |
-This could be a winning score. -Could be! -Don't say a word to the Reds. All will be revealed. | 0:40:28 | 0:40:35 | |
-Congratulations, David. Well done. -Marvellous. | 0:40:35 | 0:40:39 | |
There is a buzz of excitement because we have two teams of winners! Isn't that gorgeous? | 0:40:43 | 0:40:50 | |
Both teams are going to go home with oodles of cash, | 0:40:50 | 0:40:55 | |
which is unusual enough, I can tell you. But which team has nudged ahead? | 0:40:55 | 0:41:01 | |
Well, the runners-up today, I regret to tell you, are the Blues. | 0:41:01 | 0:41:05 | |
Oh, no! | 0:41:05 | 0:41:08 | |
The Blues are the runners-up, yet they go home with £33. | 0:41:08 | 0:41:12 | |
-Thank you! -That's right. She said thank you. Look at Kay, grabbing the cash. | 0:41:12 | 0:41:18 | |
-It's going to Mitch. -Aww. -You had this switch back. | 0:41:18 | 0:41:22 | |
You made £5, you lost £5. You made £5 and then along came David Harper | 0:41:22 | 0:41:28 | |
with his vesta doo-dah and you made £28. | 0:41:28 | 0:41:32 | |
-So you must be very pleased. -Yes. -Thank you. -We're pleased, too. That's a splendid result. | 0:41:32 | 0:41:38 | |
-Congratulations. Have you had a nice time? -Wonderful. -And you go home with money. -Mitchell does. | 0:41:38 | 0:41:44 | |
Well, Mitchell... Has it not always been thus in a mother/son relationship? | 0:41:44 | 0:41:50 | |
We've loved having you on, but the victors today by a big chalk | 0:41:50 | 0:41:55 | |
-are the Reds who are going home with £177. -Oh, my lord! | 0:41:55 | 0:42:00 | |
Now this is £177 plus, because they made a profit on each item, | 0:42:00 | 0:42:06 | |
-you get the Golden Order of the Gavel. -Wow! | 0:42:06 | 0:42:11 | |
We've run out of gavels, so these days we present you with lovely stickpins. | 0:42:11 | 0:42:16 | |
Take one out, darling. For you to keep forever. | 0:42:16 | 0:42:20 | |
-Here's one for Gran. -Lovely. -And one's fallen out in my pocket for Uncle Colin. | 0:42:20 | 0:42:25 | |
Because Uncle Colin gets one, too. | 0:42:25 | 0:42:28 | |
And what is very appropriate for Uncle Colin is | 0:42:28 | 0:42:33 | |
-that he's largely responsible for this wodge of cash. Right? -Yes. | 0:42:33 | 0:42:37 | |
Because his Bonus Buy contributed £110 of profits. How about that for a Bonus Buy? Look at that. | 0:42:37 | 0:42:43 | |
-Thank you! -Do you get to keep this, Soph? -She's having a holiday. -I love it! | 0:42:43 | 0:42:49 | |
The same thing applies, Kay! It goes straight to the ever-open hand. | 0:42:49 | 0:42:55 | |
-Have you enjoyed it? -Yes. -Maureen? -it's been really good. | 0:42:55 | 0:42:59 | |
We've loved having you two. Join us soon for some more bargain hunting! Yes! | 0:42:59 | 0:43:05 | |
Subtitles by Subtext for Red Bee Media Ltd - 2011 | 0:43:06 | 0:43:10 | |
Email [email protected] | 0:43:11 | 0:43:13 |