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Another beautiful antiques fair, | 0:00:05 | 0:00:08 | |
in another beautiful part of this fair island of ours. | 0:00:08 | 0:00:12 | |
That can only mean one thing. | 0:00:12 | 0:00:14 | |
Let's go bargain hunting, yes! | 0:00:14 | 0:00:17 | |
Today we're at the Royal Bath and West Showground, | 0:00:45 | 0:00:49 | |
near Shepton Mallet in Somerset, | 0:00:49 | 0:00:51 | |
a place that is of course famed for its cider and the Wurzels, | 0:00:51 | 0:00:56 | |
but I'll bet you my combine harvester | 0:00:56 | 0:01:00 | |
that our teams will be able to reap | 0:01:00 | 0:01:02 | |
some good bargains here today. Ooh, yes. | 0:01:02 | 0:01:05 | |
-WEST COUNTRY ACCENT: -'So, what's in store today then, bargain hunters? | 0:01:05 | 0:01:10 | |
'Well, we've got two teams with very different tactics today.' | 0:01:10 | 0:01:15 | |
They home in on things in a very particular way. | 0:01:15 | 0:01:18 | |
-Shoes. -Shoes? -Shoes. | 0:01:18 | 0:01:20 | |
-We like the head. -We do like the head. | 0:01:20 | 0:01:22 | |
'The Blues may look gentle, | 0:01:22 | 0:01:25 | |
'but they're prepared to be ruthless to win.' | 0:01:25 | 0:01:28 | |
-Take them down? -No! | 0:01:28 | 0:01:31 | |
We want to smack the red ones on the nose. | 0:01:31 | 0:01:33 | |
Smack the red ones on the nose? | 0:01:33 | 0:01:36 | |
'The aim of the game actually is for each team to spend | 0:01:36 | 0:01:39 | |
'up to £300 on three items, before selling at auction. | 0:01:39 | 0:01:42 | |
'The biggest profit or smallest loss wins the day. | 0:01:42 | 0:01:45 | |
'So let's meet these teams! | 0:01:45 | 0:01:46 | |
'No catching flies.' | 0:01:47 | 0:01:49 | |
Well, we've got two teams of friends today. | 0:01:50 | 0:01:53 | |
-For the Reds, we've got Angela and Kerry. Hi, girls. -Hi. | 0:01:53 | 0:01:58 | |
-And we've Avril and Pat. Hi, girls. -Hello. -Lovely to see you. | 0:01:58 | 0:02:02 | |
Now, Angela, how did you two meet? | 0:02:02 | 0:02:05 | |
She used to date my little brother, about five years ago, | 0:02:05 | 0:02:08 | |
they're not dating any more but we've been good friends ever since. | 0:02:08 | 0:02:11 | |
Well, that's nice, isn't it? | 0:02:11 | 0:02:13 | |
So the friendship has survived. | 0:02:13 | 0:02:15 | |
Angela, what do you do for a living? | 0:02:15 | 0:02:17 | |
At the moment I'm working for a record label. | 0:02:17 | 0:02:19 | |
I'm their writer, doing press releases and articles. | 0:02:19 | 0:02:22 | |
Who do you send your press releases to? Around the UK? | 0:02:22 | 0:02:25 | |
Well, just to music magazines and music internet sites. | 0:02:25 | 0:02:29 | |
Kerry deals with that. She's the press officer. | 0:02:29 | 0:02:32 | |
What do you do when you're not writing? | 0:02:32 | 0:02:34 | |
I love to cook, experimenting with food. | 0:02:34 | 0:02:36 | |
-I'm good at soups. -Really good at soups? | 0:02:36 | 0:02:38 | |
I like finding unusual vegetables, | 0:02:38 | 0:02:40 | |
putting them in the blender and seeing if they taste good. | 0:02:40 | 0:02:43 | |
-Do you like a bit of cooking too, Kerry? -Definitely. | 0:02:43 | 0:02:47 | |
-Yes? -I worked in a pub for a while, doing a bit of cheffing | 0:02:47 | 0:02:50 | |
and made lots of cake. | 0:02:50 | 0:02:51 | |
-Cake. In a pub? -Oh, yes. -What sort of a pub is this? | 0:02:51 | 0:02:55 | |
A good pub! | 0:02:55 | 0:02:57 | |
You're pretty keen on footy, aren't you? | 0:02:57 | 0:02:59 | |
Yes, I have to be because my dad likes it | 0:02:59 | 0:03:02 | |
and he'd disown me if I didn't support the right team. | 0:03:02 | 0:03:05 | |
-Who do you support? -Bristol Rovers. -Somebody's got to. -Oh, I don't! | 0:03:05 | 0:03:09 | |
-That's one thing we disagree on. -Do either of you collect anything? | 0:03:09 | 0:03:13 | |
I just like weird things that no-one else has. | 0:03:13 | 0:03:16 | |
Are you going to try and find the quirky and the oddball today? | 0:03:16 | 0:03:20 | |
Yes, but we'll keep our business minds on as well... | 0:03:20 | 0:03:23 | |
But it's definitely going to be a partnership between the two of you? | 0:03:23 | 0:03:26 | |
-Definitely. -Are you definitely going to win today? | 0:03:26 | 0:03:29 | |
I should think so. | 0:03:29 | 0:03:31 | |
We'll have to see and it will be very good fun, I promise you. | 0:03:31 | 0:03:34 | |
Anyway, welcome. | 0:03:34 | 0:03:35 | |
Now, girls, are you excited about this? | 0:03:35 | 0:03:38 | |
-Absolutely. -Definitely. -How did you two meet, Avril? | 0:03:38 | 0:03:41 | |
I had a bed and breakfast business in Chippenham and Pat came to stay | 0:03:41 | 0:03:45 | |
when she was buying a house in Chippenham. | 0:03:45 | 0:03:48 | |
We struck up a friendship ever since. | 0:03:48 | 0:03:51 | |
-Do you still live nearby one another? -Quite nearby, yes. | 0:03:51 | 0:03:54 | |
-Do you still run the guesthouse? -No, not now. | 0:03:54 | 0:03:57 | |
-I've got too old for that. -Oh, have you? | 0:03:57 | 0:03:59 | |
-Gosh, yes. -What did you used to do when you were working? | 0:03:59 | 0:04:02 | |
-I was a registrar, births deaths and marriages in London. -Were you? | 0:04:02 | 0:04:06 | |
-Did you have any surprises ever? -Oh, yes. Yes. | 0:04:06 | 0:04:11 | |
-What sort of things happened to you? -Strange names, unusual names. | 0:04:11 | 0:04:15 | |
I had a baby once called Whoopsie. | 0:04:15 | 0:04:17 | |
Did you?! | 0:04:17 | 0:04:19 | |
-Can you remember what the surname was? -No. | 0:04:19 | 0:04:23 | |
-Was the second name Daisy? -No. -Whoopsie Daisy? -No. | 0:04:23 | 0:04:27 | |
-It wasn't as bad as that. -No, no. Do you collect anything between you? | 0:04:27 | 0:04:31 | |
-I collect cruets. -Cruets? -I expect there's about 24, 25 sets. | 0:04:31 | 0:04:38 | |
What about you, Pat? What do you collect, darling? | 0:04:38 | 0:04:41 | |
I've got about 200 key rings from travelling around. | 0:04:41 | 0:04:46 | |
-Key rings? -Yes, key rings. -This is fun, isn't it? | 0:04:46 | 0:04:49 | |
I think we're going to have a riot today, don't you? | 0:04:49 | 0:04:51 | |
Here we go, look. The money moment, £300 a piece. You know the rules. | 0:04:51 | 0:04:56 | |
Your experts await and off you go and very, very, very good luck. | 0:04:56 | 0:05:01 | |
Our teams are joined by a pair of keen experts to guide them | 0:05:01 | 0:05:05 | |
on their way. | 0:05:05 | 0:05:06 | |
Donning their thinking caps for today's show, | 0:05:06 | 0:05:08 | |
are elder statesman, Jeremy Lamond, | 0:05:08 | 0:05:12 | |
and the young pretender, Henry Meadows. | 0:05:12 | 0:05:15 | |
-Pat, Avril, how are we doing today? -Oh, good. -Oh, fine. | 0:05:15 | 0:05:19 | |
So, ladies, what are you looking for today? | 0:05:19 | 0:05:22 | |
It's got to be something that really jumps out at you. | 0:05:22 | 0:05:24 | |
Something old, something a bit unusual. | 0:05:24 | 0:05:27 | |
-Are you going to beat the Reds? -Definitely. -No question! | 0:05:27 | 0:05:29 | |
-Anything connected with the local history. -All right. | 0:05:29 | 0:05:32 | |
Something nautical. | 0:05:32 | 0:05:33 | |
-Should we go? -Yep. -Yep. -Let's go bargain hunting. | 0:05:33 | 0:05:38 | |
-I think it has spent more time in a pub than on a ship. -A bit like us, really. | 0:05:38 | 0:05:42 | |
These are quite nice, aren't they? | 0:05:42 | 0:05:44 | |
Oh, my! All breakages must be paid for, Pat. | 0:05:44 | 0:05:48 | |
-You've heard of Pitcairn Island, presumably. -Yes. | 0:05:48 | 0:05:51 | |
-Fletcher Christian. -That's it. | 0:05:51 | 0:05:53 | |
-A souvenir from Pitcairn Island. -That's good. That's nice. | 0:05:53 | 0:05:57 | |
-I should think it's a pipe rack. -I'd think so, yes, with those holes. | 0:05:57 | 0:06:00 | |
That's a nice piece of wood, too. | 0:06:00 | 0:06:02 | |
What's interesting about it, though, is that it's made by survivors | 0:06:02 | 0:06:05 | |
on the island and made for the tourist market. | 0:06:05 | 0:06:08 | |
But it's nice because it says souvenir from Pitcairn Island, | 0:06:08 | 0:06:11 | |
home of the mutineers of the Bounty, 1790. | 0:06:11 | 0:06:15 | |
It's the sort of thing people collect. | 0:06:15 | 0:06:17 | |
-It's a good collectors' market. -That is quite nice. | 0:06:17 | 0:06:20 | |
-What do you think of this one? -Not a bad maker. | 0:06:20 | 0:06:23 | |
But not the oldest telescope in the world. | 0:06:23 | 0:06:26 | |
I can spy on people! It's quite a nice piece. | 0:06:26 | 0:06:28 | |
-It's a very attractive object. -I'll show you a little trick. | 0:06:28 | 0:06:32 | |
-Over there, I can see what the Blues are buying. -Oh, can I have a look? | 0:06:32 | 0:06:37 | |
I think we better get over there! | 0:06:39 | 0:06:42 | |
Spying on the opposition, eh? Really, Jeremy! | 0:06:42 | 0:06:44 | |
Can we go for it, then? See if we can beat them down? | 0:06:44 | 0:06:47 | |
Obviously, we need to be beat them down. | 0:06:47 | 0:06:49 | |
Yeah. That's quite a lot of money. | 0:06:49 | 0:06:51 | |
If we can get it down to 30 or 35, then it might stand a good chance. | 0:06:51 | 0:06:55 | |
-Do you want to do some negotiating on that one? -Go on, Pat. -Come on. | 0:06:55 | 0:06:59 | |
Morning. | 0:06:59 | 0:07:01 | |
-What's the best you can do on that one? -38. -38? | 0:07:01 | 0:07:05 | |
-36? -What about 35? | 0:07:05 | 0:07:07 | |
-Round it up. -36, that's the final offer. | 0:07:07 | 0:07:11 | |
-35 sounds better than 36. -35 sounds best. | 0:07:11 | 0:07:15 | |
-Round it down. -35, all right. -OK. | 0:07:15 | 0:07:18 | |
So, have you got a deal? Shake the lady's hand. | 0:07:18 | 0:07:21 | |
-Well done. -Thank you very much. Thank you. | 0:07:21 | 0:07:24 | |
A nautical theme is developing and the Blues are the first to set sail, | 0:07:24 | 0:07:28 | |
leaving the Reds marooned. | 0:07:28 | 0:07:30 | |
-£27? -I don't think so. They'll be more than that. But they are quite striking. | 0:07:32 | 0:07:36 | |
-They're fantastic! -I think they're Indian. | 0:07:36 | 0:07:38 | |
I think they're probably 1920s or '30s because of this padding here. | 0:07:38 | 0:07:43 | |
It's quite worn and faded. | 0:07:43 | 0:07:44 | |
-So these aren't new in any way. -It's lovely and smooth. | 0:07:44 | 0:07:47 | |
-It's got lovely texture to it. -It's lovely and smooth. | 0:07:47 | 0:07:50 | |
Where do you think it would have been hung? | 0:07:50 | 0:07:52 | |
I think it would have been hung on a wall as a trophy piece. | 0:07:52 | 0:07:55 | |
Because these are substantial, aren't they? | 0:07:55 | 0:07:58 | |
I think that is a big bull. | 0:07:58 | 0:07:59 | |
I think that these will appeal to pubs or gastro pubs. | 0:07:59 | 0:08:03 | |
-They're just so unusual. -I think, once they're cleaned up, | 0:08:03 | 0:08:06 | |
you might find a couple of people fighting over them. | 0:08:06 | 0:08:10 | |
They might make 100. | 0:08:10 | 0:08:12 | |
-Would we like to inquire about these horns? -Yes, I think we would. | 0:08:12 | 0:08:15 | |
Would we like to inquire about these horns? | 0:08:15 | 0:08:17 | |
-Hey, the horns are 75. That is not bad, is it? -How about 60? | 0:08:17 | 0:08:20 | |
Think I can get it down to 60? | 0:08:20 | 0:08:22 | |
-Yeah. -She will take 60. | 0:08:22 | 0:08:24 | |
-OK, we'll take them! -Yeah. High-five! | 0:08:24 | 0:08:28 | |
I think we've grabbed the bull by the horns | 0:08:28 | 0:08:31 | |
and we're quids in for the first one. | 0:08:31 | 0:08:33 | |
-Let's carry on as we started off. -Carry on. | 0:08:33 | 0:08:36 | |
£60 to grab the bull by the horns, eh? | 0:08:36 | 0:08:39 | |
Punt-tastic! | 0:08:39 | 0:08:41 | |
Those horns are quirky enough. Now, what's cooking for the Blues? | 0:08:41 | 0:08:46 | |
-These look nice. -I think they're lovely. -They're lovely. -Yes. | 0:08:46 | 0:08:49 | |
They look very heavy. | 0:08:49 | 0:08:51 | |
-Do you know which factory might have produced them? -No, I don't. | 0:08:51 | 0:08:54 | |
-They're by the Doulton factory. -Are they? -They're cauldrons, obviously. -Yeah. -That's the form. | 0:08:54 | 0:08:59 | |
-Should we ask how much they are? -Yes. | 0:08:59 | 0:09:02 | |
-Excuse me, how much are the pair of cauldrons here? -The price is £180. | 0:09:02 | 0:09:06 | |
-£180. -Oh! -Each? | 0:09:06 | 0:09:10 | |
-No, for the pair. -For the two. | 0:09:10 | 0:09:12 | |
That's probably a bit high, really, for auction. | 0:09:12 | 0:09:15 | |
-We won't get that back. -Yeah. | 0:09:15 | 0:09:17 | |
If they came in for sale, I would say, probably, | 0:09:17 | 0:09:20 | |
-£100, £150. -My very best price would be 150. -OK. | 0:09:20 | 0:09:24 | |
Obviously, we need to respect the gentleman's lowest figure, | 0:09:24 | 0:09:27 | |
but for us, I think it's going to be a bit too much for today. | 0:09:27 | 0:09:30 | |
-Yeah, I think so, too. -OK. So, shall we move on? -Yeah. -OK. | 0:09:30 | 0:09:35 | |
-What about those stripy ones there? -A good variety. | 0:09:35 | 0:09:38 | |
The Blues are taking it gently, in the autumn of their lives. | 0:09:38 | 0:09:42 | |
While the Reds are looking decidedly frantic. | 0:09:42 | 0:09:45 | |
Or is that madness? | 0:09:45 | 0:09:47 | |
Peg leg! Peg leg! Peg leg, peg leg, peg leg! | 0:09:47 | 0:09:52 | |
-Oh, it's beautiful! -I like that. | 0:09:52 | 0:09:54 | |
-This goes with Bristol's history of pirates, obviously. -Yes. | 0:09:54 | 0:09:57 | |
-Like Black Beard's peg leg, I recognise it. -Yes, definitely. | 0:09:57 | 0:10:00 | |
-You've caught me on the hop a bit, because I don't know a lot... -Jeremy, the pun master. | 0:10:00 | 0:10:05 | |
-It's not a stand-alone item. -No, definitely not. | 0:10:05 | 0:10:07 | |
But with some help, I think it could go far. | 0:10:07 | 0:10:11 | |
Do you think anybody at all ever on Bargain Hunt has bought | 0:10:11 | 0:10:14 | |
-a peg leg before? -No. | 0:10:14 | 0:10:16 | |
I think it is unusual item. | 0:10:16 | 0:10:19 | |
-I don't think, looking at the pricing here, that there's much money in it. -No. | 0:10:19 | 0:10:23 | |
But if you're set on your leg... | 0:10:23 | 0:10:26 | |
I think it would be one small step for the auction, | 0:10:26 | 0:10:29 | |
-one massive leap for Bargain Hunt. -I think so. -Yeah. | 0:10:29 | 0:10:32 | |
I think we're only, really, in terms of time, in the second leg. | 0:10:32 | 0:10:36 | |
Oh, enough of those lame jokes. | 0:10:36 | 0:10:38 | |
Maybe we'll find a better peg leg. | 0:10:38 | 0:10:40 | |
I don't think we're going to find many peg legs here. | 0:10:40 | 0:10:43 | |
Hey, look, over there. Look, there are the Reds. | 0:10:43 | 0:10:46 | |
-Oh, right, OK. I wonder how they're doing. -Let's see. | 0:10:46 | 0:10:49 | |
-Oh, it's the Blues! -Oh, God! | 0:10:49 | 0:10:51 | |
This is turning into a Bargain Hunt standoff. | 0:10:51 | 0:10:54 | |
Quick, hide the leg, hide the leg. | 0:10:54 | 0:10:57 | |
-They won't be as good as us. -No! | 0:10:57 | 0:11:00 | |
I hope they're going to hop off pretty soon. | 0:11:00 | 0:11:03 | |
-How many have you bought? We bought a massive horn. -All right, good. | 0:11:03 | 0:11:06 | |
We're just on our second leg, really. How do you feel, ladies? | 0:11:06 | 0:11:10 | |
-Very good. Very good. -Come on, you Blues! -See you later and good luck! | 0:11:10 | 0:11:15 | |
-Wow, they look like they're going ahead. We better speed up. -Yeah. | 0:11:17 | 0:11:20 | |
-We've got to catch up. -Time to leg it, Reds. | 0:11:20 | 0:11:23 | |
-We want something to really jump out at us. -Jump out. | 0:11:26 | 0:11:30 | |
-Like a deer or something? -Something that is not within this world. | 0:11:30 | 0:11:36 | |
Oh, right, OK. | 0:11:36 | 0:11:38 | |
I don't think we've had a UFO on Bargain Hunt before, Avril. | 0:11:38 | 0:11:41 | |
Meanwhile, let's teleport over to the Red Team. | 0:11:43 | 0:11:46 | |
-Look, lawn bowls. -Oh, golly! -Oh, wow! -A pub would really like that. | 0:11:46 | 0:11:52 | |
-We like this. -It's by Jaques, | 0:11:52 | 0:11:54 | |
quite a famous late Victorian-Edwardian maker | 0:11:54 | 0:11:57 | |
of carpet bowls and croquet sets, especially. | 0:11:57 | 0:12:01 | |
We've got the Jaques, and it's actually marked Jaques. That's really nice, isn't it? | 0:12:01 | 0:12:06 | |
-This ties in with your pub theme, doesn't it? -It does. | 0:12:06 | 0:12:09 | |
So, you've got the horns above the bar | 0:12:09 | 0:12:12 | |
and then you've got the lawn bowls out back | 0:12:12 | 0:12:15 | |
and you're going to have a drink and a bowl, aren't you? | 0:12:15 | 0:12:17 | |
-How do you know so much about lawn bowls? -Misspent youth. | 0:12:17 | 0:12:21 | |
THEY LAUGH | 0:12:21 | 0:12:23 | |
-So, do you like that? -Yeah. -I think we do, yeah. | 0:12:23 | 0:12:26 | |
-Do you want to negotiate? -I think we shall. | 0:12:26 | 0:12:28 | |
-We might have hit the Jaques pot. -The Jaques pot. | 0:12:28 | 0:12:32 | |
-For the bowls? -Yeah, you've got 68 on them. | 0:12:32 | 0:12:35 | |
-I wonder if you would take 50 at all? -Ah... 68... | 0:12:35 | 0:12:38 | |
-Yeah. -Do we have a deal? -Lovely doing business with you. | 0:12:38 | 0:12:43 | |
-Lovely. -Thank you. -Thank you very much. | 0:12:43 | 0:12:46 | |
The Reds scored their second item, they're on a roll! | 0:12:46 | 0:12:51 | |
So, what do our teams think of their experts so far? | 0:12:51 | 0:12:55 | |
-He's lovely, isn't he? -He's very nice! -I want him to be my uncle. | 0:12:55 | 0:12:58 | |
I've got ten grandchildren and I'll add him to the list. | 0:12:58 | 0:13:00 | |
-And Jeremy's jokes? -They're a bit antique, but I suppose it fits. | 0:13:00 | 0:13:05 | |
Oh, look, Jeremy, you can improve your jokes. | 0:13:05 | 0:13:08 | |
-Yeah, cheers. -Leave the jokes to me, eh, J? | 0:13:08 | 0:13:12 | |
-What are those little things there, by your hand, Henry? -These? -Yes. | 0:13:12 | 0:13:16 | |
Oh, right. They're made of conch shells, from the conch shell. | 0:13:16 | 0:13:20 | |
They're cameos. | 0:13:20 | 0:13:21 | |
-You know, you've seen nice Victorian cameos? -Yes. -Things like that? | 0:13:21 | 0:13:26 | |
That's what they are. They've got electric cables, | 0:13:26 | 0:13:29 | |
which, obviously, means they've been lights at some stage. | 0:13:29 | 0:13:32 | |
They'd look nice with a nice light inside them, wouldn't they? | 0:13:32 | 0:13:36 | |
Absolutely. You've got a mythological scene on yours. | 0:13:36 | 0:13:39 | |
-Sort of Grecian female. -Yes. How old do you think they would be? | 0:13:39 | 0:13:45 | |
Looking at the style of carving, they're going to be early 20th century. | 0:13:45 | 0:13:48 | |
Perhaps 1910, 1920. Obviously, they're priced up at £28 each. | 0:13:48 | 0:13:52 | |
Yeah, but you're not going to pay that. | 0:13:52 | 0:13:54 | |
Perhaps, if we could buy the two, we could put them as one lot. | 0:13:54 | 0:13:57 | |
-Yeah, they're rather nice. -Do you like them? I want you to be happy. | 0:13:57 | 0:14:01 | |
If they were rewired, I think they would be really, really pretty. And it would be worth doing. | 0:14:01 | 0:14:07 | |
If they came in to auction, I would say £40 for the two. | 0:14:07 | 0:14:10 | |
-£40? -You should be doing... You should be doing this. | 0:14:10 | 0:14:15 | |
-You want to do some negotiating? -He won't give any more, I don't think. | 0:14:15 | 0:14:19 | |
-We'll see what we can do. -He can only say no. -That's right. | 0:14:19 | 0:14:23 | |
Hi, these two. | 0:14:24 | 0:14:27 | |
-They're much too expensive for us. -Right. -£40 for the two? | 0:14:27 | 0:14:32 | |
-Go on, it's a nice day. -Go on. -Yes? | 0:14:33 | 0:14:36 | |
Well done, Avril! Looks interesting. | 0:14:36 | 0:14:39 | |
-How much have you paid? -£40. -That's marvellous! | 0:14:39 | 0:14:42 | |
-What do you think about them, Hen? -I think they're smashing. | 0:14:42 | 0:14:45 | |
They're sort of tourist quality, | 0:14:45 | 0:14:47 | |
-but they're lovely and inexpensive at £40 for the two. -I think so. | 0:14:47 | 0:14:51 | |
-And when they're lit up, they'll be lovely. -They come from Naples, right? | 0:14:51 | 0:14:56 | |
The Bay of Naples. The old conch has come in from the bed | 0:14:56 | 0:14:59 | |
-of the Mediterranean. -Oh, I see. | 0:14:59 | 0:15:01 | |
And the lovely Neapolitan craftsperson has cut this away | 0:15:01 | 0:15:05 | |
just like a cameo. | 0:15:05 | 0:15:07 | |
-That's right. -Very clever, isn't it? -I think they're lovely. | 0:15:07 | 0:15:10 | |
-Well, girls, that's extraordinary. -Oh, aren't we clever? | 0:15:10 | 0:15:13 | |
Aren't all three of you clever! On that, I'll shove off. Thanks, girls. | 0:15:13 | 0:15:17 | |
-Bye. -Bye. -Bye. See you later. | 0:15:17 | 0:15:19 | |
I hope those shells don't wash up at auction. | 0:15:19 | 0:15:22 | |
Both our teams have just one more item to buy | 0:15:22 | 0:15:25 | |
and no time to get distracted. Go, J. | 0:15:25 | 0:15:28 | |
-Wow, look at those shoes! Shoes, shoes! -Shoes! -Shoes, shoes! | 0:15:28 | 0:15:32 | |
I think they're my size, actually. | 0:15:32 | 0:15:36 | |
-Anything to add, Jeremy? -Shoes... | 0:15:36 | 0:15:38 | |
Didn't think so. | 0:15:38 | 0:15:40 | |
-When I was a little girl, about six or seven... -Yeah. | 0:15:40 | 0:15:44 | |
We had this bath in the kitchen. | 0:15:44 | 0:15:46 | |
-And I got out of the bath, stepped back and sat on top of one exactly like that. -Did you? | 0:15:46 | 0:15:50 | |
Oh gosh! It's what? An old kerosene stove. | 0:15:50 | 0:15:54 | |
-That must've given you a bit of a fright. -It gave me something! | 0:15:54 | 0:15:57 | |
Ooh, painful! It's hotting up. | 0:15:57 | 0:16:00 | |
And with the clock ticking, the Reds are on the charge! | 0:16:00 | 0:16:03 | |
-We can't handle too much. -The Blues are taking it nice and steady. | 0:16:03 | 0:16:06 | |
They want something a bit classy. | 0:16:06 | 0:16:08 | |
-What about some good quality stuff? -Oh, all right. OK. | 0:16:08 | 0:16:12 | |
I'm all about quality. | 0:16:12 | 0:16:15 | |
-What price do you think they are? James? -Henry. -Henry. | 0:16:19 | 0:16:23 | |
They'll cut that bit out! | 0:16:23 | 0:16:26 | |
-Pat? -You have to watch Pat because she does tend to wander off. | 0:16:26 | 0:16:30 | |
They were £60, those tall ones. | 0:16:30 | 0:16:33 | |
Well, we can look at those in a minute. | 0:16:33 | 0:16:37 | |
But Avril's got an idea in her mind | 0:16:37 | 0:16:39 | |
and she just wants to run through it. | 0:16:39 | 0:16:41 | |
What do you think about those two that we saw first of all? The pair. | 0:16:41 | 0:16:44 | |
-I like those. -They were absolutely beautiful. -They were good quality, weren't they? -Yes. | 0:16:44 | 0:16:48 | |
I think, at the moment, we've only got bric-a-brac. | 0:16:48 | 0:16:52 | |
Yeah, we don't give them what he asked for. | 0:16:52 | 0:16:55 | |
-No, we need to get him down to £120, £130. -Yes. | 0:16:55 | 0:17:00 | |
-We do, honestly, in order to make a profit. -If we can do that, | 0:17:00 | 0:17:03 | |
-because he did say 150. He's got to come down more than that. -Yeah. | 0:17:03 | 0:17:08 | |
-And we'll have them. -OK. You lead the way, I'll follow. -OK. | 0:17:08 | 0:17:12 | |
Avril's got a plan. Less haste? | 0:17:13 | 0:17:16 | |
But with time running out, the Reds have stepped up a gear. | 0:17:20 | 0:17:24 | |
-So, we've got about ten minutes. -And counting. | 0:17:25 | 0:17:30 | |
I don't think they had any marks on them. | 0:17:30 | 0:17:32 | |
These are the ones that we saw, Henry. | 0:17:32 | 0:17:34 | |
-I think they are lovely. -And what are the marks like on them? | 0:17:34 | 0:17:39 | |
-Inside, there is an impressed mark. -Yes, there is. 1904. -1904. | 0:17:39 | 0:17:46 | |
-Let's have a look. -There you are. -Oh, yeah. 1904. | 0:17:46 | 0:17:50 | |
1904 is not the date, it's the pattern or the mould number. | 0:17:50 | 0:17:54 | |
-I see, OK. -But also, I've noticed here, can you see "EB" | 0:17:54 | 0:18:00 | |
incised into it? | 0:18:00 | 0:18:02 | |
-"EB." It's very difficult to see, actually. -Oh, yes. | 0:18:02 | 0:18:06 | |
That's going to be the decorator's mark. | 0:18:06 | 0:18:09 | |
I'm afraid, off the top of my head, I don't know who EB is. | 0:18:09 | 0:18:12 | |
-Do you think you could make a profit on those? -I don't think... | 0:18:12 | 0:18:15 | |
If we sell these, were not going to be sitting on a beach dining off the profit. | 0:18:15 | 0:18:19 | |
No, I don't think so either. | 0:18:19 | 0:18:22 | |
We could have some fish and chips. | 0:18:22 | 0:18:25 | |
-We might get to Skegness on it. -OK. -See what you can do. -OK. | 0:18:25 | 0:18:30 | |
What would be the lowest you would take on these? | 0:18:30 | 0:18:33 | |
-It would have to be 140. -135? | 0:18:33 | 0:18:35 | |
-Go on, it's a lovely day. -It's worth a try. -I'm a pensioner. | 0:18:35 | 0:18:41 | |
-Well, so am I! -So are we! -So am I! -I like your style. Use your charm. | 0:18:41 | 0:18:45 | |
-OK. -All right? -Yeah, fine. -We shake hands on this? -We will indeed. | 0:18:45 | 0:18:49 | |
-If I can reach. -Don't drop the vase. | 0:18:49 | 0:18:51 | |
Oh, I wouldn't do that. I think that's lovely. | 0:18:51 | 0:18:53 | |
-Thank you very much. -You're welcome. -Good. -OK. -Well, that's it. | 0:18:53 | 0:18:56 | |
-Well done. -OK. -Thanks. -That old Greek Aesop had it about right. | 0:18:56 | 0:19:01 | |
With a bit of focus, | 0:19:01 | 0:19:02 | |
the blue tortoises have beaten the red hares to the finishing line. | 0:19:02 | 0:19:06 | |
We got very bold towards the end. We wanted to spend big. And we did. | 0:19:06 | 0:19:12 | |
We want to smack the red ones on the nose. | 0:19:12 | 0:19:14 | |
Oh, smack the red ones on the nose? | 0:19:14 | 0:19:16 | |
-Steady on, girl. -Cup of tea time? -Yes, definitely. -Yes, please. | 0:19:16 | 0:19:19 | |
-Let's go. Come on. -Okey-doke. | 0:19:19 | 0:19:21 | |
The Blues meander off for their hard-earned cuppa. | 0:19:21 | 0:19:24 | |
Meanwhile, the manic Reds are pushing it right up to the wire. | 0:19:24 | 0:19:27 | |
Keep up, Jeremy! It's almost last orders. | 0:19:27 | 0:19:32 | |
And look what we found, Jeremy. | 0:19:35 | 0:19:38 | |
OK, so what you've got here is a Victorian police truncheon. | 0:19:38 | 0:19:41 | |
A lot of these were made by Field of Holborn | 0:19:41 | 0:19:43 | |
and are marked or stamped on the end. | 0:19:43 | 0:19:46 | |
And this one is here. Hard wood, as you would expect. | 0:19:46 | 0:19:50 | |
And you've got the remains, really. 25 here. You've got the remains... | 0:19:50 | 0:19:54 | |
You've got some usage just over here. | 0:19:54 | 0:19:56 | |
-..of the Victorian painting. -So what would've been painted on here? | 0:19:56 | 0:20:02 | |
Well, the royal coat of arms was often painted on here. | 0:20:02 | 0:20:05 | |
It would be blacked over there. | 0:20:05 | 0:20:07 | |
The only problem you've got now is that this one is cracked. | 0:20:07 | 0:20:11 | |
-How much is the truncheon? -30. -I think that's worth a go. | 0:20:11 | 0:20:15 | |
You've had bull's horns, you've had carpet bowls. | 0:20:15 | 0:20:19 | |
So, the last bit for your pub, something for behind the bar? | 0:20:19 | 0:20:22 | |
-Are we a done deal? -We are. -I think so. | 0:20:22 | 0:20:24 | |
-Let's go and have a pint. -Excellent idea. | 0:20:24 | 0:20:28 | |
Job done, time for refreshment. | 0:20:28 | 0:20:31 | |
-There's a real head on that. -Definitely. -Cheers. | 0:20:31 | 0:20:35 | |
That's it, stop the clock. | 0:20:37 | 0:20:39 | |
Your destiny is sealed, there is no going back. | 0:20:39 | 0:20:43 | |
Let's now check out what our teams have bought, shall we? | 0:20:43 | 0:20:47 | |
The quick-fire Reds wanted quirky, and they got quirky. | 0:20:47 | 0:20:51 | |
They're hoping to skewer the bidders with these impressive cattle horns, | 0:20:51 | 0:20:55 | |
bought for £60. | 0:20:55 | 0:20:57 | |
That is if they haven't been rustled already. Yeah. | 0:20:57 | 0:21:00 | |
Maybe they'll play a blocker with this quality set | 0:21:00 | 0:21:03 | |
of garden bowls, for £50. | 0:21:03 | 0:21:06 | |
And if the damage doesn't knock them off track, | 0:21:06 | 0:21:09 | |
this Victorian truncheon for £30 might just do the business. | 0:21:09 | 0:21:13 | |
Hey, you lot. You better watch out, it's just about to rain. | 0:21:13 | 0:21:16 | |
-Have you had a nice time? -Yes. -We got everything in the nick of time. | 0:21:16 | 0:21:19 | |
-Got some very interesting objects. -Oh, yes. | 0:21:19 | 0:21:22 | |
And what did you spend all round? | 0:21:22 | 0:21:24 | |
-140? -140. -OK, I'd like 160 of the leftover lolly, please. | 0:21:24 | 0:21:29 | |
-OK, here you go. -Thank you very much. Lovely. £160. | 0:21:29 | 0:21:32 | |
-Jeremy, that's a tidy sum. -I'm quids in this weekend. | 0:21:32 | 0:21:37 | |
Apart from your jokes, what else are you going to invest in? | 0:21:37 | 0:21:42 | |
Well, I think I might look for something small and profitable. | 0:21:42 | 0:21:45 | |
-So... -For a change. -Yes! -Good luck with that. | 0:21:45 | 0:21:49 | |
Meanwhile, why don't we check out what the Blue team bought, eh? | 0:21:49 | 0:21:54 | |
The sure-footed Blues ambled their way through their purchases | 0:21:54 | 0:21:57 | |
and think this souvenir of Pitcairn Island, bought for £35, | 0:21:57 | 0:22:01 | |
might generate some interest at auction. | 0:22:01 | 0:22:04 | |
Will these early 20th century cameo lamps made from conch shells | 0:22:04 | 0:22:09 | |
light up the room at £40? | 0:22:09 | 0:22:11 | |
And they're hoping these two Royal Doulton cauldrons | 0:22:11 | 0:22:14 | |
will do the business. | 0:22:14 | 0:22:16 | |
Just look at these girls. Have you had a good time or not? | 0:22:16 | 0:22:19 | |
-I've thoroughly enjoyed it. -Avril, well, I don't know, I've heard all sorts of stories | 0:22:19 | 0:22:23 | |
-as to what you've been getting up to, you two. -Everything. | 0:22:23 | 0:22:27 | |
-That Patricia, I don't know. -She is a one. | 0:22:27 | 0:22:30 | |
-She is a one, isn't she? -Definitely. -How's it gone for you, Henry? | 0:22:30 | 0:22:34 | |
They've both been great team-mates, I think we've got some good items. | 0:22:34 | 0:22:37 | |
-Yes. -How much did you spend all round, girls? | 0:22:37 | 0:22:40 | |
-Well, I've got £90 to give you. -£210. -210, plus a bit of change. | 0:22:40 | 0:22:47 | |
-Well, £90 is enough to go and do something, Henry, isn't it? -Notes and shrapnel, thanks very much. | 0:22:47 | 0:22:52 | |
-It's a good size fair and there's a lot of variety. -Yes. | 0:22:52 | 0:22:55 | |
And very good luck. And good luck, Henry. | 0:22:55 | 0:22:58 | |
Meanwhile, we're heading off to Kelmscott Manor, | 0:22:58 | 0:23:00 | |
which is an extraordinary place, as you're about to find out. | 0:23:00 | 0:23:04 | |
Kelmscott Manor stands on the river plain | 0:23:08 | 0:23:11 | |
of the upper Thames in the Cotswolds. | 0:23:11 | 0:23:14 | |
The house was built around 1600 by the Turner family, | 0:23:14 | 0:23:18 | |
who lived here for 300 years before advertising it for rent in 1871. | 0:23:18 | 0:23:23 | |
In the same year, William Morris, the designer, | 0:23:27 | 0:23:31 | |
was looking for a country house to which he could withdraw | 0:23:31 | 0:23:37 | |
from the pressures of his life in London. | 0:23:37 | 0:23:41 | |
On discovering Kelmscott, he fell in love, | 0:23:41 | 0:23:45 | |
describing it as heaven on earth that he had seen in a dream. | 0:23:45 | 0:23:50 | |
When Morris died in 1896, his widow Jane bought the house | 0:24:03 | 0:24:10 | |
and she passed it on to their youngest daughter, May, | 0:24:10 | 0:24:14 | |
who lived in it until she died in 1938. | 0:24:14 | 0:24:17 | |
May was determined that the manor should remain as it had been | 0:24:19 | 0:24:23 | |
during her father's life. Accordingly, in her will, | 0:24:23 | 0:24:27 | |
she bequeathed the house to the University of Oxford, | 0:24:27 | 0:24:30 | |
who eventually passed it into the hands | 0:24:30 | 0:24:32 | |
of the Society Of Antiquaries in London. | 0:24:32 | 0:24:36 | |
The society has thoroughly and sympathetically repaired the property, | 0:24:36 | 0:24:40 | |
and the house now lives again as a beautiful country home | 0:24:40 | 0:24:45 | |
and memorial to Morris. When May Morris took over the house, | 0:24:45 | 0:24:49 | |
she brought with her some of the items from the Red House, | 0:24:49 | 0:24:53 | |
their previous family home of five years in London. | 0:24:53 | 0:24:56 | |
These two hangings were particularly important to May Morris | 0:24:56 | 0:25:02 | |
because, of course, her parents, when they went to Red House as newlyweds, | 0:25:02 | 0:25:07 | |
needed, like all newlyweds, house furnishings. | 0:25:07 | 0:25:11 | |
And her mother, Jane, discovered this blue serge. | 0:25:11 | 0:25:16 | |
And William came up with the design, incorporating daisies, | 0:25:16 | 0:25:22 | |
a particular favourite theme of his. | 0:25:22 | 0:25:24 | |
And together they snuggled down in the winter evenings | 0:25:24 | 0:25:29 | |
and worked up these hangings with these designs, | 0:25:29 | 0:25:33 | |
which are very special. | 0:25:33 | 0:25:35 | |
We have another Red House piece of furniture here, | 0:25:35 | 0:25:39 | |
which is a settle, a settle which William Morris was keen on | 0:25:39 | 0:25:44 | |
as a type of furniture because it harked back to a medieval period, | 0:25:44 | 0:25:49 | |
when, of course, draughts coming in | 0:25:49 | 0:25:51 | |
and the protection of your head and back were important. | 0:25:51 | 0:25:55 | |
It's interesting, the treatment | 0:25:55 | 0:25:57 | |
that William Morris gave this leather covering | 0:25:57 | 0:26:00 | |
because these top sections have been decorated with stencils, | 0:26:00 | 0:26:04 | |
some sort of lino or potato cut which repeats, | 0:26:04 | 0:26:10 | |
rather like tiles running along in this section. | 0:26:10 | 0:26:14 | |
And the lower part, which has some pretty comprehensively | 0:26:14 | 0:26:18 | |
decorated panels of tooled leather. You can see the tooling here | 0:26:18 | 0:26:22 | |
in all these almost lizard-like scales | 0:26:22 | 0:26:26 | |
and then painted on the outside, exquisitely, in my view, | 0:26:26 | 0:26:30 | |
with quite thick impasto paint, are stylized carnations. | 0:26:30 | 0:26:35 | |
The big question today is, of course, for our teams, | 0:26:35 | 0:26:39 | |
what sort of condition are they going to finish up in over at the auction? | 0:26:39 | 0:26:43 | |
We'll find out soon enough, as we're in Bristol... | 0:26:43 | 0:26:47 | |
..in the capable hands of Simon Rayner at Dreweatts Auction Rooms. | 0:26:49 | 0:26:54 | |
-Hi. -Hello, Tim. -Very nice to see you. | 0:26:55 | 0:26:58 | |
We start off with some pretty wacky horns here for the Reds. | 0:26:58 | 0:27:03 | |
I mean, these are amazing. | 0:27:03 | 0:27:04 | |
They are huge. They're amongst the biggest I've seen. | 0:27:04 | 0:27:07 | |
Where do they come from, Simon? | 0:27:07 | 0:27:09 | |
They could've come from Highland cattle. | 0:27:09 | 0:27:11 | |
I'm not an expert in this field. It's difficult to find out. | 0:27:11 | 0:27:14 | |
They could've come from a Highland cow, but they're enormous. | 0:27:14 | 0:27:18 | |
It would be a monster of a cow, wouldn't it? | 0:27:18 | 0:27:20 | |
-Might come from India. -Could be, yes. | 0:27:20 | 0:27:22 | |
Well, I think it's a spectacular decorator's piece, don't you? | 0:27:22 | 0:27:26 | |
-Yes, yes. -I mean, redo the pad, clean them up a bit, it's quite something. | 0:27:26 | 0:27:30 | |
It really is, yeah. | 0:27:30 | 0:27:31 | |
-How do you value them? -£50 to £80. | 0:27:31 | 0:27:34 | |
I think it could do towards the top end of that estimate, though. | 0:27:34 | 0:27:37 | |
-It's a guess, isn't it, really? -Yes. -I mean, they paid £60. | 0:27:37 | 0:27:41 | |
-That's a good punt, I think. -Now, the garden bowls. | 0:27:41 | 0:27:45 | |
-Gosh, this looks like a tatty old group. -It is a little bit tatty. | 0:27:45 | 0:27:48 | |
I mean, Jacques are probably the best name in lawn bowls and croquet. | 0:27:48 | 0:27:53 | |
We have sold an identical example, | 0:27:53 | 0:27:55 | |
except in much better condition, for £38 a couple of years ago. | 0:27:55 | 0:27:59 | |
I looked through our auctions. | 0:27:59 | 0:28:00 | |
I think £30 to £50. What's nice, | 0:28:00 | 0:28:03 | |
it's got the ceramic jack still with it. That's good. | 0:28:03 | 0:28:06 | |
And you've got the instructions. | 0:28:06 | 0:28:08 | |
-They're just a little bit tatty. But you've got the box and everything. -Yeah. | 0:28:08 | 0:28:12 | |
-Anyway, £50 was paid. Your estimate is £30 to £50? -Yes. | 0:28:12 | 0:28:17 | |
-They might be a bit light. -They're going to take a tumble, possibly. | 0:28:17 | 0:28:21 | |
-And the third item is the truncheon. -Yep. Truncheons are collectible. | 0:28:21 | 0:28:25 | |
They need to be in much better condition than that, though, really. | 0:28:25 | 0:28:29 | |
You've got the remains of paint there. It's been badly cracked. | 0:28:29 | 0:28:33 | |
Nice turned grip on it. But I think it's going to be £10, £15. | 0:28:33 | 0:28:37 | |
OK, £30 paid. So, I fancy they're going to need their bonus buy, | 0:28:37 | 0:28:40 | |
so let's go have a look at it. | 0:28:40 | 0:28:42 | |
-Now, Ange, Kerry, leftover lolly, are you excited? -Yeah. -Definitely. | 0:28:43 | 0:28:48 | |
OK, £160 Jeremy had. What did you spend it on? | 0:28:48 | 0:28:50 | |
Well, I've got something under here which | 0:28:50 | 0:28:52 | |
isn't immediately obvious as an object. | 0:28:52 | 0:28:54 | |
I want you to tell me what you think it is. Not what it's worth, | 0:28:54 | 0:28:58 | |
but what you think it is. | 0:28:58 | 0:28:59 | |
-Is it a sewing machine? -A sewing machine? Any others? | 0:29:01 | 0:29:06 | |
-Does that wheel move? -It does move. And here is a little cotton reel. | 0:29:06 | 0:29:12 | |
That is a clue. | 0:29:12 | 0:29:14 | |
-Oh, you're such a tease, Jeremy. -I am. -You really are. | 0:29:14 | 0:29:17 | |
Is it for spinning or something? | 0:29:17 | 0:29:19 | |
In this country and Europe, what we do is use a chalk line. | 0:29:19 | 0:29:22 | |
If you're in Japan and you were an architect | 0:29:22 | 0:29:25 | |
and you wanted to mark out an area, you would get your | 0:29:25 | 0:29:28 | |
sumitsubo, which is what this is. | 0:29:28 | 0:29:31 | |
What you would do is drag your cotton reel over the ink here | 0:29:31 | 0:29:37 | |
and pull it out as far as you wanted to with your inky line | 0:29:37 | 0:29:41 | |
and mark your territory out. | 0:29:41 | 0:29:43 | |
Once they completed the building, | 0:29:43 | 0:29:45 | |
they would have sumitsubos presented ceremonially as a mark of | 0:29:45 | 0:29:49 | |
respect and thanks for the building that you had designed and marked out. | 0:29:49 | 0:29:54 | |
Now, these have been made for many centuries | 0:29:54 | 0:29:58 | |
and it's a traditional Japanese architect's tool. | 0:29:58 | 0:30:02 | |
-People like Japanese stuff, don't they? -£95 paid. -Oh, really? | 0:30:02 | 0:30:07 | |
When I bought this, very quickly, in a very busy fair, | 0:30:07 | 0:30:11 | |
I thought it was rosewood. | 0:30:11 | 0:30:13 | |
But looking at it here and feeling it, | 0:30:13 | 0:30:16 | |
I shouldn't be able to bend this wheel in my fingers. | 0:30:16 | 0:30:19 | |
And what I've bought here is a bit of plastic. | 0:30:19 | 0:30:22 | |
So, that doesn't mean that it wouldn't still work as an object. | 0:30:23 | 0:30:27 | |
-But it wouldn't be as valuable. -Obviously not, no. | 0:30:27 | 0:30:30 | |
I don't know if people are going to pay for plastic. | 0:30:30 | 0:30:33 | |
No, I don't think they would either. | 0:30:33 | 0:30:35 | |
-But there's a lesson in that really. -Try before you buy. | 0:30:35 | 0:30:39 | |
I'll get my coat. | 0:30:39 | 0:30:41 | |
Well, everybody is taken in by these very, very clever reproductions. | 0:30:41 | 0:30:46 | |
But as a matter of interest, let's find out what the auctioneer | 0:30:46 | 0:30:49 | |
thinks about Jimmy's plastic sumitsubo. | 0:30:49 | 0:30:52 | |
-Well, there you go, over to you, Simon. -Really unusual object. | 0:30:54 | 0:30:57 | |
I've never seen one of these before. I had absolutely no idea what was. | 0:30:57 | 0:31:03 | |
Very ornate. | 0:31:03 | 0:31:04 | |
But something didn't feel quite right about it as I was looking at it. | 0:31:04 | 0:31:09 | |
And it looks as though it's carved wood, but it's not, plastic. | 0:31:09 | 0:31:13 | |
-This could be in the last 20 or 30 years. -What's it worth? | 0:31:13 | 0:31:18 | |
I don't think it's worth an awful lot of money. | 0:31:18 | 0:31:20 | |
It's a mass-produced item, I would think, being in plastic. | 0:31:20 | 0:31:23 | |
An interesting item, but £30 to £50. Someone might take a gamble on it. | 0:31:23 | 0:31:28 | |
OK, £95 paid by Jeremy. | 0:31:28 | 0:31:30 | |
Anyway, that's it for the Reds, with their completely wacky group. | 0:31:30 | 0:31:33 | |
We'll move on to the Blues. | 0:31:33 | 0:31:35 | |
We've got an early-20th-century pipe rack. | 0:31:35 | 0:31:39 | |
Pitcairn items are collectible, but I don't particularly rate this one. | 0:31:39 | 0:31:43 | |
-There's no great quality to it. -No. Well, it's just crudely carved, isn't it? -Yes. | 0:31:43 | 0:31:48 | |
I've been to the Pitcairn Islands. It's a miserable rock in the middle of nowhere. | 0:31:48 | 0:31:51 | |
-What's your estimate? -£10, £20. -OK, I think that's fair enough. | 0:31:51 | 0:31:55 | |
They paid £35. What about these conch shell lamps? | 0:31:55 | 0:31:58 | |
Yeah, I quite like these. It's a shame it's two rather than a pair. | 0:31:58 | 0:32:02 | |
Different seams, different bases. | 0:32:02 | 0:32:04 | |
They'd look great with a light inside them, | 0:32:04 | 0:32:06 | |
seeing the light through that relief carving. | 0:32:06 | 0:32:09 | |
It's a nice object. I'd say £50 to £80. | 0:32:09 | 0:32:11 | |
£40 paid. They'll be all right. | 0:32:11 | 0:32:13 | |
I hope they should see a profit on that, small profit. | 0:32:13 | 0:32:16 | |
-And we've got these wacky cauldron pots by Doulton. -Yes. | 0:32:16 | 0:32:19 | |
They scream Royal Doulton, don't they? | 0:32:19 | 0:32:21 | |
Edith Beard, I think, the artist inscribed EB. | 0:32:21 | 0:32:24 | |
Great condition, which is absolutely vital. | 0:32:24 | 0:32:27 | |
Nice examples I can see selling for £80 or so as a single item, | 0:32:27 | 0:32:30 | |
so the two of them together, I think 120, 180. | 0:32:30 | 0:32:35 | |
OK, that's positive. £135 for the pair. | 0:32:35 | 0:32:37 | |
To find a pair like that in brilliant condition in a retail environment is quite good. | 0:32:37 | 0:32:42 | |
-I think that's a good buy. -Excellent. | 0:32:42 | 0:32:45 | |
Well, I don't think they're going to need their bonus buy, | 0:32:45 | 0:32:48 | |
but let's have a look at it anyway. | 0:32:48 | 0:32:50 | |
-Now, Avril, Pat, you spent, you darlings, £210, yes? -Yes. -Yes. | 0:32:50 | 0:32:55 | |
You gave £90 to our Henry. What did you spend it on, Henry? | 0:32:55 | 0:32:59 | |
-I hope it's something good. -Are you excited? -Yes! Definitely. | 0:32:59 | 0:33:03 | |
-What do you think to this? -BOTH: Oh. | 0:33:03 | 0:33:05 | |
-A little bit short. -Well, have a look at it anyway. | 0:33:05 | 0:33:08 | |
-Can I ask what we're supposed to do with it? -It's a collectible. | 0:33:11 | 0:33:14 | |
There's lots of people out there that collect corkscrews. | 0:33:14 | 0:33:17 | |
-Any idea what sort of age? -With a shaving brush on the end? -Shaving brush! | 0:33:17 | 0:33:20 | |
It would depend what time you got up in the morning, wouldn't it? | 0:33:20 | 0:33:24 | |
That brush is known as the butler's brush. | 0:33:24 | 0:33:27 | |
-You use it to get the cork off the bottle. -Oh, I see! | 0:33:27 | 0:33:29 | |
Any ideas about the age of it? | 0:33:29 | 0:33:32 | |
-Well, it's jolly old, that's for sure. -1800s? | 0:33:32 | 0:33:35 | |
-It's going to be 1820, 1830, that sort of period. -Really? | 0:33:35 | 0:33:40 | |
That confused me. | 0:33:40 | 0:33:42 | |
Well, it would, wouldn't it? Because that is made of badger's brush. | 0:33:42 | 0:33:45 | |
If the butler needed a close shave in the morning, he could have a quick whip-up. | 0:33:45 | 0:33:49 | |
-It's rather nice, isn't it? -Yes, it is. | 0:33:49 | 0:33:51 | |
-It's in good condition for its age. -The big question is... -What did you pay for it? | 0:33:51 | 0:33:55 | |
What would you pay for it? | 0:33:55 | 0:33:59 | |
I have no idea but I would imagine somewhere around £40-£50. | 0:33:59 | 0:34:03 | |
-50 or 60. -We're on the right sort of wavelength. | 0:34:03 | 0:34:06 | |
-I paid £35 for this. -Is that all? -Really? -Oh, gosh! | 0:34:06 | 0:34:09 | |
-£35. -I would have though you'd make a little bit on it, | 0:34:09 | 0:34:13 | |
if you get the right person there. | 0:34:13 | 0:34:15 | |
-It's a collectible. -Yes. -I think that's the way the market's moving. | 0:34:15 | 0:34:19 | |
I wouldn't be surprised if it made £40 or £50. | 0:34:19 | 0:34:21 | |
Well, Henry, that's successful. Let's find out for the viewers | 0:34:21 | 0:34:25 | |
what the auctioneer thinks of Henry's corkscrew. | 0:34:25 | 0:34:27 | |
-There we go, Simon. -OK, nice 19th-century bone corkscrew. | 0:34:29 | 0:34:33 | |
Bone rather than ivory. You can see the flecks here. | 0:34:33 | 0:34:36 | |
Pretty good condition. You can see the worm here, nice and long. | 0:34:36 | 0:34:40 | |
Sometimes they've been broken off. | 0:34:40 | 0:34:42 | |
And very collectible corkscrews are. | 0:34:42 | 0:34:45 | |
-Very strong market. -A lovely thing, I think. Estimate? | 0:34:45 | 0:34:48 | |
-£30, something in that region. £25-£35. -Is that all? | 0:34:48 | 0:34:52 | |
I think so, yeah. | 0:34:52 | 0:34:53 | |
We might get a little more if we get a corkscrew collector | 0:34:53 | 0:34:56 | |
but there are better examples. | 0:34:56 | 0:34:58 | |
Our Henry paid £30 for that. I quite rate it. | 0:34:58 | 0:35:01 | |
He's made a pretty good buy, there. | 0:35:01 | 0:35:03 | |
I'd be disappointed if it didn't make £60-£80 - one in that nick. | 0:35:03 | 0:35:08 | |
-See what happens. -We'll see what happens on the day. -Yep. | 0:35:08 | 0:35:11 | |
-So, girls, happy? -Yes. -Yes. -Which will bring the best profit? | 0:35:19 | 0:35:23 | |
I think the horns look like the coolest thing in this room. | 0:35:23 | 0:35:27 | |
They must be. | 0:35:27 | 0:35:28 | |
-Your horns look like the coolest thing in this room. -Yes. | 0:35:28 | 0:35:31 | |
It's quite a nice description. Well, you paid £60. | 0:35:31 | 0:35:35 | |
The auctioneer loved them, he has put £50-£80 on them. | 0:35:35 | 0:35:37 | |
-That's good! -So, in the right frame. | 0:35:37 | 0:35:41 | |
And, quite frankly, if you're in the market | 0:35:41 | 0:35:43 | |
for two enormous horns like that, this is the place to buy them. | 0:35:43 | 0:35:46 | |
Not going to find better, not around here. | 0:35:46 | 0:35:49 | |
Anyway, first up are the enormous horns and here they come. | 0:35:49 | 0:35:51 | |
624, then, is the large pair of horns being shown there. Lot 624. | 0:35:51 | 0:35:57 | |
£50 for this lot. £50. | 0:35:57 | 0:36:00 | |
40 to start me. £40. 40 bid. Thank you. At £40. 45 now. | 0:36:00 | 0:36:04 | |
-At £40. 45? At 45. 50. -I don't believe this. -At £45. | 0:36:04 | 0:36:10 | |
-50 anywhere? At £45, all done? -Oh, no, girls. | 0:36:10 | 0:36:15 | |
How disappointing! | 0:36:15 | 0:36:17 | |
-Minus £15. -He sold them, though! -He sold them? | 0:36:17 | 0:36:21 | |
Were you worried they wouldn't sell? | 0:36:21 | 0:36:24 | |
OK, here come the garden bowls. | 0:36:24 | 0:36:26 | |
625. Jean Jacques & Son. Set of eight lignum vitae bowls | 0:36:26 | 0:36:30 | |
with the original ceramic jack. | 0:36:30 | 0:36:32 | |
£20 for this lot. 20 anywhere? 20, thank you. 22 now then. | 0:36:32 | 0:36:36 | |
-At £20 only. -This is like walking through porridge, isn't it? | 0:36:36 | 0:36:41 | |
22 anywhere? All done at £20 then? | 0:36:41 | 0:36:45 | |
So sorry for you. £20 for that is minus 30. This is not right. | 0:36:45 | 0:36:49 | |
Now, the truncheon. | 0:36:49 | 0:36:51 | |
Lot 626. Three commission bids here. | 0:36:51 | 0:36:55 | |
Starting off at £22. 25 anywhere? At £22 with me. 25? 25? 28. | 0:36:55 | 0:37:00 | |
-30. 32. 35. -Profit. | 0:37:00 | 0:37:03 | |
-32 with me then. -Profit! Profit! -35 anywhere? | 0:37:03 | 0:37:08 | |
At £32. All done at 32 then? Thank you. | 0:37:08 | 0:37:11 | |
£32 is plus £2, which reduces your losses to only minus £43. | 0:37:11 | 0:37:17 | |
-I think we should go with the bonus buy. -I don't think we should. | 0:37:17 | 0:37:21 | |
-You're not going to go with his buy? -No. | 0:37:21 | 0:37:24 | |
Well, that is a huge relief all round. | 0:37:24 | 0:37:26 | |
The decision was made, we're not going with the bonus buy, | 0:37:26 | 0:37:30 | |
but we're going to sell it anyway and here it comes! | 0:37:30 | 0:37:33 | |
Next lot, lot 630. Unusual piece here. It's a Japanese sumitsubo. | 0:37:33 | 0:37:37 | |
Commission bids here with me at £30. 32 I can take in the room now. | 0:37:37 | 0:37:41 | |
At £30 here with me. 32. 35. 38. The lady's bid at £38. 40 now? | 0:37:41 | 0:37:46 | |
At £38. 40 for anyone? All done at £38? | 0:37:46 | 0:37:50 | |
The lady's bid. Sale in the room at £38. All done at 38? Thank you. | 0:37:50 | 0:37:57 | |
So that's two short of 40, which is 55, minus 57. | 0:37:57 | 0:38:01 | |
So, never mind you didn't go with it. It matters not a jot. | 0:38:01 | 0:38:06 | |
You preserved your score at minus £43, which could be a winning score, | 0:38:06 | 0:38:09 | |
so don't say a word to the Blues. | 0:38:09 | 0:38:11 | |
-You never know. -Not a word to the Blues. -Not a word. | 0:38:11 | 0:38:13 | |
-Now, Patricia, you bought the pipe rack from Pitcairn, yes? -Yes. | 0:38:22 | 0:38:26 | |
You paid £35. The auctioneer's estimate is £10-£20. | 0:38:26 | 0:38:31 | |
-Oh. -That's not so good, is it? -No. -No. Avril? -Yes? | 0:38:31 | 0:38:36 | |
-You went with the conch shell cameo lamps, yes? -Yes. | 0:38:36 | 0:38:39 | |
You paid £40 for those. You go to the top of the class | 0:38:39 | 0:38:42 | |
because the auctioneer has estimated £50-£80 on those. | 0:38:42 | 0:38:45 | |
-Oh, good! -That's good, isn't it? -That's encouraging. | 0:38:45 | 0:38:47 | |
So, with luck, you'll make back what Pat has just lost on her pipe rack. | 0:38:47 | 0:38:52 | |
-Oh, well, that's fair enough. -I'll hang my head in shame! -I think you two are in clover today. | 0:38:52 | 0:38:56 | |
Anyway, first up is the pipe rack from Pitcairn and here it comes. | 0:38:56 | 0:39:01 | |
650 is the hardwood pipe rack. A Pitcairn Island item. | 0:39:01 | 0:39:06 | |
Lot 650. £20 for this lot. £20. 20? | 0:39:06 | 0:39:10 | |
£10, then. 10 is bid. Thank you, at £10. 12 anywhere now then? | 0:39:10 | 0:39:15 | |
-At £10. 12 for anyone? At £10. -Uh-oh. | 0:39:15 | 0:39:18 | |
Maiden bid of £10. 12 anywhere? All done at £10 and selling. | 0:39:18 | 0:39:22 | |
-Thank you. -Did he say £10? That's a disgrace. Minus 25. | 0:39:22 | 0:39:26 | |
651, then. Two 20th-century conch shell cameo lamp globes. Lot 651. | 0:39:26 | 0:39:32 | |
-Now, conch! -£40 for this lot. | 0:39:32 | 0:39:34 | |
-40 to start me. -Stand by, Avril. | 0:39:34 | 0:39:38 | |
30. £30 anywhere? | 0:39:38 | 0:39:42 | |
-20 is bid. At £20. -Cheap! -22. 25. 28. No? | 0:39:44 | 0:39:49 | |
£25. You're sure? | 0:39:49 | 0:39:52 | |
28. 30. 32. | 0:39:52 | 0:39:54 | |
No? At £30. 32 now. At £30. All done at £30? | 0:39:54 | 0:39:59 | |
I'm selling at 30 then. Thank you. | 0:39:59 | 0:40:02 | |
£30 only he sold them for. Minus 10 on that. | 0:40:02 | 0:40:04 | |
-Uh-oh. -652 then. | 0:40:04 | 0:40:07 | |
A pair of Doulton three-handled salt-glazed stoneware cauldrons. | 0:40:07 | 0:40:11 | |
Lot 652. | 0:40:11 | 0:40:13 | |
£100 start me on this lot. £100. Pair of them there. 100. 100. | 0:40:13 | 0:40:19 | |
No? 80 to start me then. £80. Thank you. 85 now. 85. 90. | 0:40:19 | 0:40:25 | |
95. 100. | 0:40:25 | 0:40:27 | |
110. | 0:40:27 | 0:40:29 | |
-Getting there. -At £100. All done at 100? 110 anywhere? | 0:40:29 | 0:40:35 | |
At £100 then. | 0:40:35 | 0:40:37 | |
Thank you. | 0:40:37 | 0:40:39 | |
-Way under his estimate! -That's terrible! That's dreadful! | 0:40:39 | 0:40:42 | |
-I'm going to cry! -That's awful! | 0:40:42 | 0:40:46 | |
-Oh, I'm really disappointed. -So, what are you going to do? | 0:40:46 | 0:40:49 | |
-Go with the corkscrew? -BOTH: Yes. We might as well. | 0:40:49 | 0:40:52 | |
-Might as well sink. -You are? Well, that's a sound move. Here we go. | 0:40:52 | 0:40:57 | |
656 then. The corkscrew turned bone handle with brush, lot 656. | 0:40:57 | 0:41:03 | |
£30 for this lot. £30? | 0:41:03 | 0:41:07 | |
I'll start on commissions at 20. 22 now in the room. | 0:41:07 | 0:41:10 | |
-At £20 here. 22 anywhere? At £20. 22 for anyone? -Worth more than that! | 0:41:10 | 0:41:14 | |
£22. Commission bids out. | 0:41:16 | 0:41:18 | |
At £22. 25 anywhere? At £22. | 0:41:18 | 0:41:21 | |
-Thank you. -Minus £8 on that, so that is minus £78. | 0:41:23 | 0:41:28 | |
Well, girls, it could be a winning score. | 0:41:28 | 0:41:31 | |
Clearly not our day today. | 0:41:31 | 0:41:33 | |
Definitely not. Bread and marge tonight! | 0:41:33 | 0:41:36 | |
Dear, oh dear, oh dear. | 0:41:49 | 0:41:51 | |
Well, it's no secret to the teams | 0:41:51 | 0:41:54 | |
-that the water in the auction room today was not running down your gutters, was it? -Definitely not. No. | 0:41:54 | 0:41:59 | |
It was disappointing results all round, I'm afraid. | 0:41:59 | 0:42:03 | |
But on this programme we have to have winners and runners up. | 0:42:03 | 0:42:07 | |
And the runners up today are the Blues. | 0:42:07 | 0:42:10 | |
-Which is really tough for you to take, isn't it? -Very much. | 0:42:10 | 0:42:13 | |
-You are so competitive, Avril. -I know. We tried. | 0:42:13 | 0:42:15 | |
And, Patricia, I don't know what to say, really. I could cry for you. | 0:42:15 | 0:42:19 | |
If only I could find one item you made a profit on. | 0:42:19 | 0:42:23 | |
Just a close profit! But, sadly, it wasn't today, was it? | 0:42:23 | 0:42:28 | |
-No, I'm afraid not. Can we come back? -Of course you can. | 0:42:28 | 0:42:30 | |
-Any old time. Come back tomorrow. -I'll get the hang of it by then. | 0:42:30 | 0:42:34 | |
Well, it's been brilliant having you. Thank you. | 0:42:34 | 0:42:37 | |
The victors today, who win by only managing to lose £43, are the Reds. | 0:42:37 | 0:42:42 | |
Which is a miracle, isn't it? And you did actually make a real profit. | 0:42:42 | 0:42:46 | |
The only team to make one profit on one item today was the Reds | 0:42:46 | 0:42:50 | |
-and they managed to make £2! -Yes! | 0:42:50 | 0:42:53 | |
Which is something else, isn't it? | 0:42:53 | 0:42:55 | |
Gobbled up by those losses, which totalled 43. Anyway. There it is. | 0:42:55 | 0:43:01 | |
-You had a good time, Ange, did you? -Yes, I think we did. | 0:43:01 | 0:43:04 | |
-We're flushed with victory. -Flushed with victory! | 0:43:04 | 0:43:06 | |
That's why you're the Red team. We had a lovely day. | 0:43:06 | 0:43:10 | |
-Join us soon for some more bargain hunting, yes? -YES! | 0:43:10 | 0:43:14 | |
I know, you're sitting there thinking, | 0:43:14 | 0:43:17 | |
"I could've done better than that." Well, what's stopping you? | 0:43:17 | 0:43:22 | |
If you think you can spot a bargain, go to our BBC website and apply. | 0:43:22 | 0:43:26 | |
It will be splendid to see you! | 0:43:26 | 0:43:29 |