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Bore da! Oh, no. Prynhawn da pawb. | 0:00:02 | 0:00:04 | |
Good afternoon, everyone. We're in North Wales. | 0:00:04 | 0:00:07 | |
Well, back to normal. | 0:00:07 | 0:00:09 | |
Let's go Bargain Hunting! | 0:00:09 | 0:00:11 | |
Bargain Hunt is in Anglesey. | 0:00:34 | 0:00:37 | |
We're at the Great North Wales Antique and Collectors Fair. | 0:00:37 | 0:00:42 | |
But if you want to discover | 0:00:42 | 0:00:44 | |
what our teams are going to uncover in this lot... | 0:00:44 | 0:00:47 | |
Ha! | 0:00:47 | 0:00:48 | |
..you're just going to have to wait and see. | 0:00:48 | 0:00:51 | |
Coming up, the Blues drive their expert to distraction. | 0:00:52 | 0:00:56 | |
I am going to go and lie down in a darkened room now. | 0:00:56 | 0:00:59 | |
And what's this? Has Anita gone native? | 0:01:00 | 0:01:03 | |
Mae'n braf fod yma. | 0:01:03 | 0:01:06 | |
That's all coming up. | 0:01:07 | 0:01:08 | |
First of all, though, let me remind you of the rules. | 0:01:08 | 0:01:11 | |
Each team gets £300 and an hour to shop for three items | 0:01:11 | 0:01:14 | |
and the team wins that makes the most profit at auction. | 0:01:14 | 0:01:17 | |
Simple, innit? | 0:01:17 | 0:01:19 | |
Now, let's go and meet the teams. | 0:01:19 | 0:01:21 | |
Well, we're keeping it in the family way today, so as to speak, | 0:01:24 | 0:01:28 | |
because, for the Reds, | 0:01:28 | 0:01:29 | |
we have got Becky and Frank, mother-and-son combo, | 0:01:29 | 0:01:34 | |
and for the Blues, we've got Peter and Peapea or, should I say, Pea. | 0:01:34 | 0:01:40 | |
Welcome, everybody. | 0:01:40 | 0:01:41 | |
-ALL: -Hello, Tim. -Very nice to see you. | 0:01:41 | 0:01:43 | |
Now, you two, how are you going to get on in today's show? | 0:01:43 | 0:01:47 | |
Oh, we think we could do quite well. | 0:01:47 | 0:01:49 | |
We get on very well together as mother and son. We hardly ever argue. | 0:01:49 | 0:01:55 | |
Erm, so, yes, I think we should do OK. | 0:01:55 | 0:01:58 | |
It says you describe yourselves as "best friends". | 0:01:58 | 0:02:00 | |
-Yes, definitely. -Pretty much so. | 0:02:00 | 0:02:02 | |
He keeps me in check. | 0:02:02 | 0:02:03 | |
So what do you do for a living, then, Mum? | 0:02:03 | 0:02:06 | |
I've got my own shop in Ruthin in Denbighshire, | 0:02:06 | 0:02:10 | |
and in my shop, we sell everything | 0:02:10 | 0:02:12 | |
that's either recycled, locally made or Fairtrade. | 0:02:12 | 0:02:15 | |
-So are you quite a green person, then? -Yes. Yeah, have to be. My husband's an eco-scientist, | 0:02:15 | 0:02:19 | |
-so we don't get a choice in the matter. -No, quite right, too. | 0:02:19 | 0:02:23 | |
Frank, you're in the middle of your studies, old fruit. Tell us about that. | 0:02:23 | 0:02:26 | |
Yes, I'm at Ysgol Brynhyfryd, | 0:02:26 | 0:02:28 | |
studying psychology, biology and physics. | 0:02:28 | 0:02:31 | |
-Are you? -It's all very sciencey. | 0:02:31 | 0:02:33 | |
-Are you doing that at A-level, then, are you? -Yes. | 0:02:33 | 0:02:35 | |
-And have you decided what you're going to specialise in? -I have no idea, to be honest, | 0:02:35 | 0:02:39 | |
but I'm looking to follow up the field of psychology. | 0:02:39 | 0:02:42 | |
I haven't entirely ruled out being a musician, a rock star. | 0:02:42 | 0:02:45 | |
-No, naturally. Are you looking forward to this competition, Frank? -Yes, I am. | 0:02:45 | 0:02:49 | |
We're very much looking forward to seeing how you get on. Good luck. | 0:02:49 | 0:02:52 | |
Now for the Blues. | 0:02:52 | 0:02:54 | |
So how do you two think you'll get on on today's show? | 0:02:54 | 0:02:57 | |
Fine, fine. We've got very similar interests. | 0:02:57 | 0:02:59 | |
We don't argue amongst each other very much, | 0:02:59 | 0:03:02 | |
so we shouldn't have a problem, really. | 0:03:02 | 0:03:04 | |
I think we might have a little bit of argy-bargy, though. | 0:03:04 | 0:03:07 | |
A little bit of, you know, "discussion". | 0:03:07 | 0:03:09 | |
Funny you should say that, Pea. | 0:03:09 | 0:03:11 | |
-You look a bit mischievous to me. -Oh. | 0:03:11 | 0:03:14 | |
What do you like to collect, Peter? | 0:03:14 | 0:03:16 | |
I've got a collection of American silver dollars, | 0:03:16 | 0:03:18 | |
most bought ten or 15 years ago. | 0:03:18 | 0:03:20 | |
What's it with dollars? What do you like about those? | 0:03:20 | 0:03:23 | |
I just got one, then I got two | 0:03:23 | 0:03:25 | |
and every year, they produce a new one. | 0:03:25 | 0:03:27 | |
All the coins are worth at least twice as much as I paid for them. | 0:03:27 | 0:03:30 | |
So they've been an investment? | 0:03:30 | 0:03:32 | |
Well, I hope so, yeah. | 0:03:32 | 0:03:33 | |
-You're quite shrewd and canny, aren't you, Pete? -I think so. | 0:03:33 | 0:03:37 | |
Now, Pea, I assume your name is an assumed name, is it? | 0:03:37 | 0:03:41 | |
It is. | 0:03:41 | 0:03:42 | |
Because I don't like the name my parents gave me. | 0:03:42 | 0:03:45 | |
-Which was what? You going to own up to it? -Oh, do I have to? | 0:03:45 | 0:03:48 | |
Yeah, go on. | 0:03:48 | 0:03:49 | |
-Jane. -So what don't you like about Jane, then? | 0:03:49 | 0:03:52 | |
-I think it's just boring. -Yeah? -Yeah. | 0:03:52 | 0:03:55 | |
-And where did Pea come from? -From my husband. | 0:03:55 | 0:03:57 | |
I met him about 18 years ago | 0:03:57 | 0:03:59 | |
and he just started calling me Sweet Pea as a little joke. | 0:03:59 | 0:04:02 | |
How sweet! | 0:04:02 | 0:04:03 | |
Then it shortened to Pea. | 0:04:03 | 0:04:05 | |
-Peter, do you call her Pea? -No. THEY LAUGH | 0:04:05 | 0:04:08 | |
And what do you do for a living, Pea? | 0:04:08 | 0:04:10 | |
Most of the time, I'm a ceramic artist. | 0:04:10 | 0:04:13 | |
So, I make objects in clay, mainly figures. | 0:04:13 | 0:04:16 | |
I do paint a little bit as well. | 0:04:16 | 0:04:18 | |
But I teach ceramics - two days a week usually - | 0:04:18 | 0:04:20 | |
and I do workshops. | 0:04:20 | 0:04:22 | |
-Fantastic. Have you got your own kiln? -I've got two kilns. -Oh-ho! | 0:04:22 | 0:04:26 | |
This is a serious woman when it comes to ceramics. | 0:04:26 | 0:04:29 | |
-You're going to have fun today? -Yeah. I'm excited. | 0:04:29 | 0:04:32 | |
We're going to have fun today. First, though, the money moment. | 0:04:32 | 0:04:35 | |
Your £300 apiece. You know the rules. | 0:04:35 | 0:04:38 | |
Your experts await. And off you go and very, very, very good luck! | 0:04:38 | 0:04:42 | |
Well, I've never had a contestant called Pea before. | 0:04:42 | 0:04:46 | |
But we always have two sweet peas as experts. And today's no exception. | 0:04:46 | 0:04:50 | |
For the Reds, it's our jewel in the crown, Anita Manning. | 0:04:50 | 0:04:55 | |
Hoping to keep the Blues from getting lost is Jonathan Pratt. | 0:04:55 | 0:04:59 | |
-Do we have any tactics? -Open mind. | 0:05:01 | 0:05:04 | |
-What do you want to buy? -Eh, silverware. | 0:05:04 | 0:05:07 | |
What period do you like? | 0:05:07 | 0:05:09 | |
I'm Art Nouveau, turn of the century. | 0:05:09 | 0:05:11 | |
Some ceramics, but that's Jane's field rather than mine. | 0:05:11 | 0:05:15 | |
-I don't know anything about old ceramics. -Neither do I. Let's look. | 0:05:15 | 0:05:18 | |
-I like Art Deco. -So you're a pair with bags of style? -Oh, yes! | 0:05:18 | 0:05:23 | |
When you say it's way out of your price range, | 0:05:23 | 0:05:25 | |
is it haggleable or way, way out? | 0:05:25 | 0:05:27 | |
Everything's haggleable. | 0:05:27 | 0:05:29 | |
-Is that a real word? -"Haggleable"? -'Well, it is now.' | 0:05:29 | 0:05:32 | |
-I'm just thinking it's too Welsh. -Too Welsh? | 0:05:32 | 0:05:35 | |
-IN WELSH ACCENT: -You can never be too Welsh. | 0:05:35 | 0:05:38 | |
Well, we are in Wales, after all! | 0:05:38 | 0:05:40 | |
-Now, I know you like the Art Deco period. -Yes. | 0:05:42 | 0:05:45 | |
And, to me, that epitomises Art Deco. | 0:05:45 | 0:05:50 | |
-Definitely. -It's bird's eye maple | 0:05:50 | 0:05:53 | |
-and that curved shape of it is absolutely lovely. -Beautiful. | 0:05:53 | 0:05:59 | |
Marked up at? | 0:05:59 | 0:06:02 | |
-30. -£30. | 0:06:02 | 0:06:05 | |
So stylish. | 0:06:05 | 0:06:07 | |
It would fit in in a modern home, wouldn't it? | 0:06:07 | 0:06:09 | |
Shall I asked the lady how much could... | 0:06:09 | 0:06:13 | |
What we are looking to do... I mean, it's not bad at 30, | 0:06:13 | 0:06:18 | |
but we're really wanting to get it kind of round about 20. | 0:06:18 | 0:06:24 | |
-20? -18-20. -We could get it for less. So, offer about 15. | 0:06:24 | 0:06:29 | |
-Ask her. -What the very best is. | 0:06:29 | 0:06:32 | |
What the very best and then she'll come in and then... Let's see. | 0:06:32 | 0:06:37 | |
-Hello. -Hello. | 0:06:37 | 0:06:39 | |
What is the very, very best you could do a map for us, please? | 0:06:39 | 0:06:43 | |
Eh, 30... I'll go down to 25. | 0:06:43 | 0:06:47 | |
-Can you go... -20 and that's my very best offer. | 0:06:47 | 0:06:50 | |
-Can we push you for 18? -No! Definitely not. | 0:06:50 | 0:06:54 | |
-20, Anita? -I think it's a beautiful thing. | 0:06:54 | 0:06:57 | |
I think it's gorgeous, absolutely stunning. | 0:06:57 | 0:07:00 | |
It's got bags of style, just like yourself. | 0:07:00 | 0:07:02 | |
SHE LAUGHS | 0:07:02 | 0:07:04 | |
Definitely. Thank you. Shake on it. | 0:07:04 | 0:07:07 | |
Wonderful. Thank you. | 0:07:07 | 0:07:10 | |
Sealed with a kiss. Or two. | 0:07:10 | 0:07:13 | |
So, boys and girls, that's one down, one in the bag. | 0:07:13 | 0:07:18 | |
-You have been wonderful. -Thank you. | 0:07:18 | 0:07:21 | |
We've got bags of time, we've got bags of time. | 0:07:21 | 0:07:24 | |
Don't get too relaxed, Reds. The clock's still ticking. | 0:07:24 | 0:07:27 | |
What have the Blues got cooking? | 0:07:27 | 0:07:30 | |
-You like your kitchenalia, don't you? -I do like kitchenalia. | 0:07:30 | 0:07:33 | |
They're produced for using, so a reproduction isn't a reproduction, | 0:07:33 | 0:07:36 | |
it's just a modern version for the same sort of use, I suppose. | 0:07:36 | 0:07:40 | |
Looking at the bottom there, that looks a little more modern. | 0:07:40 | 0:07:43 | |
From the 19th-Century jelly... | 0:07:43 | 0:07:45 | |
-They're not jelly, sort of pate moulds and things like that, aren't they? -OK. | 0:07:45 | 0:07:50 | |
-Is that something you... -I've never bought any of them. | 0:07:50 | 0:07:53 | |
When they're clear white or copper, I can see the attraction. | 0:07:53 | 0:07:57 | |
I think these are a little modern. I wouldn't buy them myself. | 0:07:57 | 0:08:00 | |
-We could see how much they are. -If you really like them. | 0:08:00 | 0:08:03 | |
Ask her how old she thinks they are. Find out something. | 0:08:03 | 0:08:06 | |
I mean, by all means, use your own...judgement. | 0:08:06 | 0:08:09 | |
-I can then wash my hands of it. -Tut-tut, JP. | 0:08:09 | 0:08:12 | |
-What would be the price for just buying these two? -I've got 22. | 0:08:12 | 0:08:18 | |
12 and ten. So if I said 18 on the pair? | 0:08:18 | 0:08:22 | |
How old do you think they are? Are they modern-ish? | 0:08:22 | 0:08:25 | |
-No, they are old ones. Definitely Victorian. -Do you think Victorian? | 0:08:25 | 0:08:28 | |
-Definitely. -Could we offer you 15? | 0:08:28 | 0:08:31 | |
Um... Yes, I suppose you could. | 0:08:32 | 0:08:35 | |
My advice to you is...your decision. | 0:08:35 | 0:08:37 | |
-If you like 'em, you go for them. -We're going to buy them. -Sold! | 0:08:37 | 0:08:40 | |
Right. An item apiece. And the competition is hotting up. | 0:08:40 | 0:08:45 | |
Do you know, oh, blimey, I forgot I was actually up against Anita. | 0:08:45 | 0:08:49 | |
I caught sight of Jonathan earlier on | 0:08:49 | 0:08:52 | |
and he was talking, talking, talking. | 0:08:52 | 0:08:55 | |
He's a very persuasive man, as well as being very good-looking. | 0:08:55 | 0:08:59 | |
Anita's always calm and, you know, never going to be a problem. | 0:08:59 | 0:09:03 | |
And I expect she'll just say, "We'll just buy that, anyway." | 0:09:03 | 0:09:06 | |
So we've got a real game on. A real game on. | 0:09:06 | 0:09:09 | |
He might be quite a tough opponent to beat. | 0:09:09 | 0:09:12 | |
-Nothing that particularly catches my eye. -No. | 0:09:14 | 0:09:17 | |
You sure you're not interested in that? | 0:09:17 | 0:09:19 | |
-I'm sure. I'm absolutely 100%. -OK. | 0:09:19 | 0:09:22 | |
-Look at that lady up there. -A bit naughty, that, you know. | 0:09:22 | 0:09:26 | |
Looks like Peter and Pea have given Jonathan the slip, | 0:09:26 | 0:09:30 | |
while the Reds are sticking close to their expert. | 0:09:30 | 0:09:33 | |
That's an interesting lump. What have you got there, Anita? | 0:09:33 | 0:09:36 | |
Well, it's a piece of 20th-Century glass | 0:09:36 | 0:09:39 | |
and I particularly like this type of thing. | 0:09:39 | 0:09:42 | |
-Yes. -If we look at that, look at that lovely big oil drop there. | 0:09:42 | 0:09:48 | |
I think that's gorgeous and, look, we have different tones of blue. | 0:09:48 | 0:09:52 | |
-Yes, the blue and the purple. -And I like the asymmetric shapes. | 0:09:52 | 0:09:56 | |
-It's a very good shape. -It's sort of young stuff again, isn't it? | 0:09:56 | 0:09:59 | |
Again, yeah, it's quite modern, in a way. | 0:09:59 | 0:10:02 | |
Do you know the designer's name on this one? | 0:10:02 | 0:10:05 | |
There's no maker's mark at all. | 0:10:05 | 0:10:08 | |
-Have you been over it with a fine tooth-comb? -Yes. It's perfect. | 0:10:08 | 0:10:13 | |
We think it is Murano, but we're not 100% sure. | 0:10:13 | 0:10:16 | |
-Uh-huh. OK. -It's certainly one that we would think about, isn't it? | 0:10:16 | 0:10:20 | |
-Yes. -So, keep that in mind. | 0:10:20 | 0:10:23 | |
That's not massive. | 0:10:23 | 0:10:24 | |
It's not very big. Well, it's small on you. | 0:10:24 | 0:10:27 | |
Have you got a big head? | 0:10:27 | 0:10:29 | |
Yes. I do have a reasonably-sized barnet. | 0:10:29 | 0:10:33 | |
There we go. Look. | 0:10:33 | 0:10:35 | |
I wouldn't. I personally wouldn't. | 0:10:35 | 0:10:38 | |
If you're going to buy silver, it's got to be novelty. | 0:10:38 | 0:10:41 | |
It's got to be rare makers, so... | 0:10:41 | 0:10:44 | |
I probably wouldn't. | 0:10:44 | 0:10:47 | |
-Are you all right with the camera? -What's the sledge? | 0:10:47 | 0:10:50 | |
What's that? | 0:10:50 | 0:10:52 | |
-Is that a coal thing? -Think about what's good to buy. | 0:10:52 | 0:10:55 | |
-I love that! -Do you really? That's a little breakfast dish. | 0:10:55 | 0:10:58 | |
-It's quite a nice thing. -Yeah, it is. | 0:10:58 | 0:11:00 | |
-Let's get moving. -Right, OK. | 0:11:02 | 0:11:03 | |
En avant, as they say in France. | 0:11:03 | 0:11:06 | |
The Blues are taking a laissez-faire "haw-hee-haw" approach. | 0:11:06 | 0:11:10 | |
They need to focus. The Reds, though, have taken the bull by the horns. | 0:11:10 | 0:11:14 | |
-The bull? -The bull. -Yeah, it's lovely. -Is he silver? | 0:11:14 | 0:11:18 | |
No, it's Dansk. I think it's plated. | 0:11:18 | 0:11:21 | |
Looks like it should be on a car bonnet. | 0:11:22 | 0:11:24 | |
SHE LAUGHS Possibly. | 0:11:24 | 0:11:26 | |
Can you tell us anything about it? | 0:11:26 | 0:11:29 | |
Haven't got a clue. I haven't got a clue, I'll be perfectly honest. | 0:11:29 | 0:11:33 | |
It's just an ornament, isn't it? Um...Danish? | 0:11:33 | 0:11:36 | |
-Are many people interested in bulls? -Yes. Certainly in this area. | 0:11:39 | 0:11:43 | |
Large farming area. Can't go wrong with bulls, cows, sheep. | 0:11:43 | 0:11:47 | |
It's the right place. | 0:11:47 | 0:11:48 | |
-But it is plate and it is modern. -It is. Yeah, I'm not arguing! | 0:11:48 | 0:11:54 | |
-What sort of price? -I've got 20 on it. -20? -Go on. | 0:11:54 | 0:11:58 | |
-She's going to look me in the eyes now. -She is going to bat her eyelashes now. | 0:11:58 | 0:12:02 | |
Come on. Let's see how good you really are. THEY LAUGH | 0:12:02 | 0:12:06 | |
I mean, I do like stylised animals. | 0:12:06 | 0:12:09 | |
-Make me an offer, then. -Fiver. | 0:12:09 | 0:12:11 | |
Excuse me! That's not on offer. Harsh. | 0:12:11 | 0:12:14 | |
That's bringing tears to my eyes. THEY LAUGH | 0:12:14 | 0:12:17 | |
Try again. | 0:12:17 | 0:12:18 | |
-Come on. -A wee bit... -A little bit more, perhaps. | 0:12:18 | 0:12:23 | |
-What's the very, very best you could do? -Go on. | 0:12:23 | 0:12:26 | |
-Make me a really, really fair offer. -Eight? -Ten. | 0:12:26 | 0:12:31 | |
Ten and I'll go. Go on. It's worth a chance at ten. How's that? | 0:12:31 | 0:12:35 | |
-How about nine? Meet us in the middle? -No, ten! | 0:12:35 | 0:12:38 | |
Come on! I like even figures. | 0:12:38 | 0:12:41 | |
That's nice. | 0:12:41 | 0:12:43 | |
Mum and son. | 0:12:43 | 0:12:46 | |
-Mum's in charge...as always. -I know. I don't look old enough. | 0:12:46 | 0:12:48 | |
Well, you're doing very well. There we are. Thanks, mate. | 0:12:48 | 0:12:52 | |
Oh, my team are wonderful. We've spent a little time | 0:12:57 | 0:13:00 | |
and we've bought two items. | 0:13:00 | 0:13:02 | |
Anita's fantastic. She's been guiding us really well, hasn't she? | 0:13:02 | 0:13:07 | |
Yes. She's right on the ball. | 0:13:07 | 0:13:09 | |
But they're a great team. | 0:13:09 | 0:13:11 | |
-Yeah, we'd be lost without her. -Truly lost! | 0:13:11 | 0:13:15 | |
It's not going very well at the moment. | 0:13:15 | 0:13:17 | |
We've got one item in 34 minutes, | 0:13:17 | 0:13:19 | |
so we're getting a bit panicky now. | 0:13:19 | 0:13:21 | |
I think Pea is starting to panic a little bit and she's going, | 0:13:21 | 0:13:24 | |
"What about this?" Every single object she looks at, "What about this?" | 0:13:24 | 0:13:28 | |
Unless I get guidance, I don't know what to pick up. | 0:13:28 | 0:13:31 | |
Jonathan's OK when he's here. He seems to wander off a lot. | 0:13:31 | 0:13:35 | |
Mutiny in those Blue ranks. While Anita is on a charm offensive. | 0:13:35 | 0:13:41 | |
You're a Welsh speaker. Say something in Welsh. | 0:13:41 | 0:13:44 | |
SHE SPEAKS IN WELSH | 0:13:44 | 0:13:45 | |
HE SPEAKS IN WELSH | 0:13:45 | 0:13:47 | |
SHE SPEAKS IN WELSH | 0:13:47 | 0:13:49 | |
HE SPEAKS IN WELSH | 0:13:49 | 0:13:51 | |
-What did you say to him? -I hope you enjoy. -Oh, right. That's nice. | 0:13:51 | 0:13:55 | |
-"Croeso" is "welcome". -Uh-huh. | 0:13:55 | 0:13:58 | |
-Coesau? -Croeso. -"Coesau" is legs! -THEY LAUGH | 0:13:58 | 0:14:03 | |
Croeso i Gymru - Welcome to Wales. | 0:14:03 | 0:14:05 | |
Aw. How do you say, "Thank you and it's lovely to be here?" | 0:14:05 | 0:14:08 | |
Diolch yn fawr. Mae'n hyfryd i fod yma. | 0:14:08 | 0:14:10 | |
-A bit slower. A bit slower. -Diolch yn fawr. | 0:14:10 | 0:14:13 | |
Diolch yn fawr. | 0:14:13 | 0:14:15 | |
Mae'n hyfryd i fod yma. | 0:14:15 | 0:14:17 | |
Mae'n hyfryd i fod yma. | 0:14:17 | 0:14:19 | |
-Fod yma. -Fod yma. -THEY LAUGH | 0:14:19 | 0:14:23 | |
Stick to the antiques, Anita! Now, back to business. | 0:14:23 | 0:14:26 | |
I like beaten metalwork. | 0:14:26 | 0:14:28 | |
Arts and crafts is one of my favourite periods. | 0:14:28 | 0:14:32 | |
Here we have this, it's almost like a mythical creature. | 0:14:32 | 0:14:37 | |
I really like it, whether it's a bit too expensive, I'm not sure. | 0:14:37 | 0:14:40 | |
-It looks like a kind of a dragon to me. -It is a type of a dragon. | 0:14:40 | 0:14:43 | |
I'm not sure, to be honest. | 0:14:43 | 0:14:45 | |
A reflection of Anita Manning - what could be nicer? | 0:14:45 | 0:14:49 | |
-How much is this? -120. -Seems a bit steep to me. | 0:14:49 | 0:14:52 | |
-You think that's a bit much? -I don't know. | 0:14:52 | 0:14:55 | |
-It's a wacky thing. -It is. -It's certainly unusual. | 0:14:55 | 0:14:59 | |
-Anyway, good luck. -Thank you. -Thank you. | 0:14:59 | 0:15:01 | |
Thank goodness the Blues have kissed and made up. | 0:15:01 | 0:15:05 | |
-Seems a lot for £25. -It depends if they're silver spoons. | 0:15:05 | 0:15:09 | |
Even if they're not silver, it seems a lot. | 0:15:09 | 0:15:12 | |
Some of these might be silver... They're probably not. No. | 0:15:12 | 0:15:17 | |
-No? OK. -I'd buy that, myself. -Would you? This is the thing. | 0:15:17 | 0:15:23 | |
He would buy it, because he likes the spoons. | 0:15:23 | 0:15:26 | |
-It's up to you. -At the end of the day, | 0:15:26 | 0:15:28 | |
it's something that someone like yourself may bid on it. You have to buy what you like. | 0:15:28 | 0:15:33 | |
-OK. Go and ask the stallholder. -You ask. | 0:15:33 | 0:15:35 | |
-Is this yours? -Yes. | 0:15:35 | 0:15:38 | |
Would you take £15? | 0:15:38 | 0:15:40 | |
-Oh, I should think so. -Would you? -Yes, I would. | 0:15:40 | 0:15:43 | |
Thank you, we'll take that. | 0:15:43 | 0:15:46 | |
The Blues have evened the score, and even Anita's at it again. | 0:15:46 | 0:15:50 | |
-Tell me how to say "thank you" again. -Diolch yn fawr. | 0:15:50 | 0:15:54 | |
-Diolch yn fawr, gentlemen. -Not bad! MAN: You're very welcome! | 0:15:54 | 0:15:58 | |
-I love that! -HONK! | 0:15:59 | 0:16:03 | |
-I love that. -Put it away and get buying, Blues! | 0:16:03 | 0:16:08 | |
Excuse me, sir. It's us again. | 0:16:08 | 0:16:10 | |
-We've been all round, and they still like this. -It's drawing us back. | 0:16:10 | 0:16:16 | |
-It's drawing them back. -But we haven't got many pennies. | 0:16:16 | 0:16:20 | |
-What would be your best on that, your very best? -My best... | 0:16:20 | 0:16:24 | |
What's on it now? 45. | 0:16:24 | 0:16:27 | |
It hasn't got a maker's name on it. | 0:16:27 | 0:16:29 | |
It hasn't got a maker's name on it. | 0:16:29 | 0:16:31 | |
-I'll do it for 30. -Please, 25? Pretty please. I'll bat my eyelashes. | 0:16:31 | 0:16:37 | |
I know, but I've got to make a little bit on it. 30. | 0:16:37 | 0:16:41 | |
You just said 25! That's going the wrong way! | 0:16:41 | 0:16:44 | |
No, YOU said 25! THEY ALL LAUGH | 0:16:44 | 0:16:47 | |
-I'll do it for 30. -27? -30. -Hard push, here. | 0:16:47 | 0:16:54 | |
15 off is fair. | 0:16:54 | 0:16:57 | |
-28? -28, then, I'll take it. | 0:16:57 | 0:17:00 | |
-Diolch yn fawr! -Thank you very much. -Diolch. | 0:17:02 | 0:17:07 | |
Diolch. | 0:17:07 | 0:17:10 | |
Well done, Anita! The Welsh lessons have paid off. But the Blues are talking at cross purposes. | 0:17:11 | 0:17:17 | |
-Would you take 140? -No. It would have to be 160. | 0:17:17 | 0:17:24 | |
-What do you think, for 160? -Crikey. | 0:17:24 | 0:17:28 | |
It's very collectable, it is very collectable. | 0:17:29 | 0:17:34 | |
-They are hideous things. -I love them! | 0:17:34 | 0:17:39 | |
-But that's a massive, massive investment. -It is. | 0:17:39 | 0:17:43 | |
-If I offer a kiss and a cuddle, what would you take? -150. | 0:17:43 | 0:17:46 | |
-150, Jonathan, with a kiss and cuddle...from you? -Really?! | 0:17:46 | 0:17:52 | |
-You're selling me now?! -Go on, take it. | 0:17:52 | 0:17:55 | |
We've still 30 seconds left, there's time to think about it(!) | 0:17:55 | 0:17:59 | |
-You can give it more thought. -Ask for 140. | 0:17:59 | 0:18:01 | |
-Would you take 145? -No. -Would you take 148? | 0:18:01 | 0:18:08 | |
-And I'll give you a cuddle and a kiss. -Go on, then, 148! | 0:18:08 | 0:18:11 | |
Congratulations, that is very well done. | 0:18:14 | 0:18:17 | |
Thank you, thank you, thank you. | 0:18:17 | 0:18:19 | |
I'm going to go and lie down in a darkened room now. I need to relax. | 0:18:19 | 0:18:24 | |
Poor Jonathan's a delicate flower, you know. | 0:18:24 | 0:18:27 | |
Right, that's it. You've had your 60 minutes. | 0:18:29 | 0:18:33 | |
Let's remind ourselves of what the Red team bought. | 0:18:33 | 0:18:35 | |
The lovely maple letter rack should deliver a profit. | 0:18:37 | 0:18:39 | |
It was a first-class deal, at £20. | 0:18:39 | 0:18:42 | |
They paid £10 for the little silver-plated bull paperweight, | 0:18:43 | 0:18:47 | |
but will it charge ahead at auction? | 0:18:47 | 0:18:50 | |
And they went back, for this modern studio glass vase, | 0:18:50 | 0:18:55 | |
but with no maker's mark, will it top the £28 paid? | 0:18:55 | 0:18:58 | |
-I didn't even spend it. -You bought well. -Why are you so guilty? | 0:19:00 | 0:19:04 | |
-Why are you feeling guilty? -Because we've hardly spent any money. | 0:19:04 | 0:19:07 | |
-I do apologise. -Do you think I'm going to be cross? -Yes. | 0:19:07 | 0:19:10 | |
-Well, I won't be. How much did you spend? -A measly £58. -I'm furious! | 0:19:10 | 0:19:16 | |
Seriously, it's what you've bought that really matters. | 0:19:18 | 0:19:22 | |
Have you got the £242? It's 242. That is a fortune. | 0:19:22 | 0:19:28 | |
So, um, which is your favourite piece, Becky? | 0:19:28 | 0:19:32 | |
The first thing we bought, the Deco letter rack. Beautiful. | 0:19:32 | 0:19:38 | |
-I like the vase. -Well done, you plough an independent furrow there! | 0:19:38 | 0:19:42 | |
-Which piece is going to bring the biggest profit? -Probably the bull. | 0:19:42 | 0:19:47 | |
-I don't know. It's possible. -We only spent a tenner on it. | 0:19:47 | 0:19:50 | |
There's been a lot of old bull about, that's for sure! | 0:19:50 | 0:19:53 | |
Anyway, handing over the cash. There's enough housekeeping to buy the grocer's. | 0:19:53 | 0:19:58 | |
-What are you going to do with it? -I will try and spend, because these guys wanted to spend big money, | 0:19:58 | 0:20:03 | |
but what they looked at were fairly modestly priced. | 0:20:03 | 0:20:08 | |
-I'll do my best. -Thank you. | 0:20:08 | 0:20:10 | |
I'd rather spend that than that. | 0:20:10 | 0:20:14 | |
-But I MIGHT spend that. -You're such a tease! Anyway, thank you. | 0:20:14 | 0:20:19 | |
Let's check out how the Blue team got on. | 0:20:19 | 0:20:22 | |
Pea went all wobbly over these glazed jelly moulds, for £15. | 0:20:23 | 0:20:27 | |
But will the bidders have a sweet tooth on the day? | 0:20:27 | 0:20:31 | |
This case full of sparkling spoons caught Peter's eye. Again, £15. | 0:20:31 | 0:20:36 | |
With seconds to spare, Pea couldn't resist this Palissy ware jug, | 0:20:36 | 0:20:41 | |
though Lord knows why! | 0:20:41 | 0:20:43 | |
At £148, it could prove to be their undoing. | 0:20:43 | 0:20:47 | |
-Come on, guys, are you giving him a hard time?! -No, no! | 0:20:49 | 0:20:53 | |
-He's only young! -I know that. | 0:20:53 | 0:20:55 | |
I'm not saying it, I don't believe it any more. | 0:20:55 | 0:20:58 | |
-Added years to his life. -That was right to the last minute. | 0:20:58 | 0:21:01 | |
Which is your favourite piece? | 0:21:01 | 0:21:04 | |
I bought a small glass-fronted wall case, with some small spoons in. | 0:21:04 | 0:21:10 | |
-That is your favourite? -Yes. | 0:21:10 | 0:21:12 | |
Which piece is going to bring the biggest profit? | 0:21:12 | 0:21:15 | |
-The glass-fronted cabinet with the spoons. -Right. -The Palissy ware. | 0:21:15 | 0:21:20 | |
-Hopefully. -We've got a battle here. | 0:21:20 | 0:21:22 | |
-We bought that Palissy with 30 seconds to go and we spent... -£148! | 0:21:22 | 0:21:28 | |
In the last 30 seconds! My word! | 0:21:28 | 0:21:31 | |
-We didn't spend much, apart from that! -What was the overall total? -178, we spent. -178. | 0:21:31 | 0:21:38 | |
So can I have £122, please? | 0:21:38 | 0:21:42 | |
-That's 120. There's the two. -122. I think you've done incredibly well. | 0:21:42 | 0:21:48 | |
It's a most interesting competition. | 0:21:48 | 0:21:52 | |
And now it's up to you, JP, to go and find something stunning for 122. | 0:21:52 | 0:21:56 | |
-Are you up for this? -I am. -After your lie-down? -I'll just recoup. | 0:21:56 | 0:22:00 | |
Go and have a nice glass of milk. Anyway, now we're off to a castle. | 0:22:00 | 0:22:05 | |
It's called Eastnor Castle. | 0:22:05 | 0:22:07 | |
Eastnor Castle in Herefordshire is a fine, fine property. | 0:22:16 | 0:22:21 | |
Built in the early 19th century, | 0:22:21 | 0:22:24 | |
it's home to the Hervey-Bathurst family and it's still in private hands, | 0:22:24 | 0:22:29 | |
having been passed on from generation to generation. | 0:22:29 | 0:22:34 | |
Cor, look at this! | 0:22:45 | 0:22:48 | |
-Cuckoo! -ECHOING | 0:22:50 | 0:22:52 | |
A vast, cavernous space, | 0:22:53 | 0:22:56 | |
constructed in the style of a great mediaeval hall. | 0:22:56 | 0:23:01 | |
But by the time we get to the 1980s, this space has been refurnished | 0:23:01 | 0:23:08 | |
as if it's an incredibly luxurious Edwardian drawing-room, | 0:23:08 | 0:23:13 | |
with all this soft furnishing and comfortable lamps and tables. | 0:23:13 | 0:23:18 | |
The original intention was to use this large space to display arms | 0:23:18 | 0:23:25 | |
and armour, in the same way that a real mediaeval castle would have done. | 0:23:25 | 0:23:31 | |
Indeed, today, we've still got 12 suits of three-quarter armour, | 0:23:31 | 0:23:38 | |
which is not incomplete, | 0:23:38 | 0:23:41 | |
it simply is armour that would have been worn on horseback, | 0:23:41 | 0:23:45 | |
and you don't need the protection below the knee. | 0:23:45 | 0:23:48 | |
Essentially, the collection was bought by the 3rd Earl Somers, | 0:23:48 | 0:23:53 | |
in particular, a sale in Milan in 1853, where he bought no less than 32 suits of armour. | 0:23:53 | 0:24:01 | |
The two complete sets of armour at this end of the Great Hall | 0:24:02 | 0:24:06 | |
date from around 1520. | 0:24:06 | 0:24:09 | |
And they are described as being "Emperor Maximilian I style". | 0:24:09 | 0:24:16 | |
What I like about them are these curvy, rather sexy, lines. | 0:24:16 | 0:24:22 | |
Now, the idea with the fluted areas is that, | 0:24:23 | 0:24:26 | |
by fluting the metal, you're able to make it thinner, | 0:24:26 | 0:24:30 | |
and therefore the suit of armour is more lightweight and easy to wear. | 0:24:30 | 0:24:35 | |
And also, by having all these curves, | 0:24:35 | 0:24:38 | |
it means that if you ARE struck by an opponent's lance, for example, | 0:24:38 | 0:24:42 | |
it would be much more likely simply to glance off. | 0:24:42 | 0:24:46 | |
It was in the Victorian period that interest in arms and armour seriously took off. | 0:24:48 | 0:24:55 | |
"The age of chivalry" and all that lark. | 0:24:55 | 0:24:59 | |
Indeed, collectors vied with one another frantically, | 0:24:59 | 0:25:04 | |
to buy groups of arms and armour, and the 3rd Earl described himself | 0:25:04 | 0:25:10 | |
as "having the disease quite badly", which he described as "armouritis". | 0:25:10 | 0:25:16 | |
You can see what he means, when looking around the Red Inner Hall. | 0:25:16 | 0:25:20 | |
I'm particularly fond of mounted armour, which you can identify | 0:25:20 | 0:25:27 | |
as coming from the Visconti family, because on the shield | 0:25:27 | 0:25:32 | |
it's got their crest, which includes a serpent eating a child. | 0:25:32 | 0:25:37 | |
Ghoulish. | 0:25:37 | 0:25:39 | |
And speaking of children, this little fellow | 0:25:39 | 0:25:42 | |
is a 19th-Century reproduction set of armour, | 0:25:42 | 0:25:46 | |
which would have been commissioned by a wealthy and proud father, | 0:25:46 | 0:25:51 | |
so that he could get his nine or ten-year-old kitted up | 0:25:51 | 0:25:56 | |
for a nice 19th-Century jousting competition. | 0:25:56 | 0:26:00 | |
Can you imagine how excited your average nine or ten-year-old would be to have such a gift? | 0:26:00 | 0:26:07 | |
Of course, one of the problems with suits of armour | 0:26:07 | 0:26:10 | |
is that when you're wandering around a stately home, | 0:26:10 | 0:26:13 | |
it can be incredibly dark. | 0:26:13 | 0:26:16 | |
Therefore, I like to come armed with an appropriate pair of glasses, | 0:26:16 | 0:26:20 | |
like these, so that if you really need to look into the matter, | 0:26:20 | 0:26:26 | |
one can get the correct amount of illumination. | 0:26:26 | 0:26:29 | |
Will our experts be able to shed any light on the thinking behind their bonus buys? | 0:26:32 | 0:26:37 | |
Hi, how are you doing? | 0:26:37 | 0:26:39 | |
I'm looking for something a bit unusual. | 0:26:39 | 0:26:43 | |
I find that in today's market, it's the weird and quirky things | 0:26:43 | 0:26:47 | |
that are making the money. | 0:26:47 | 0:26:49 | |
With 242, I can probably buy something of quite nice quality, | 0:26:49 | 0:26:53 | |
but if it has quality and it's a wee bit unusual, | 0:26:53 | 0:26:56 | |
that's where I might win. | 0:26:56 | 0:26:58 | |
I'm looking for, sort of, interesting novelty objects. | 0:27:04 | 0:27:07 | |
Stuff you can't necessarily put a rational amount on at auction. | 0:27:07 | 0:27:11 | |
A store may have 200-300 objects, | 0:27:11 | 0:27:14 | |
and you automatically filter out some things. | 0:27:14 | 0:27:17 | |
Modern silver, you don't want to look at. The reproduction stuff, you're filtering out. | 0:27:17 | 0:27:22 | |
And there's usually a few objects that I would be interested in. | 0:27:22 | 0:27:26 | |
This chap here. That's screaming Newlyn, isn't it? | 0:27:26 | 0:27:31 | |
-You would have thought, at least. -It is allegedly from Cornwall. | 0:27:31 | 0:27:36 | |
-You mean, it once holidayed there! -Yes, exactly. | 0:27:36 | 0:27:40 | |
Isn't this a strange thing? | 0:27:40 | 0:27:43 | |
It's a walrus, | 0:27:43 | 0:27:45 | |
but inside, we have the face of a child. | 0:27:45 | 0:27:49 | |
And this big old chap here. He's very impressive. I like him. | 0:27:49 | 0:27:53 | |
That's the star of my copper show. | 0:27:53 | 0:27:56 | |
We'll see later what surprises they have in store for the teams, | 0:27:56 | 0:27:59 | |
but now we're off to the auction. | 0:27:59 | 0:28:02 | |
It's lovely to be back in my old stomping ground, Cheshire, | 0:28:03 | 0:28:07 | |
at Frank Marshall's saleroom, with my old mucker, Nick Hall. | 0:28:07 | 0:28:12 | |
-Hi. -Welcome, Tim. -Nice to be back. | 0:28:12 | 0:28:14 | |
Let's have a look at Frank and Becky's first item. | 0:28:14 | 0:28:18 | |
It's a repro... You could say Deco style, I suppose. | 0:28:18 | 0:28:22 | |
Yes, it's a mass-produced Indonesian export, | 0:28:22 | 0:28:25 | |
but it's a nice veneer, classic Deco form, just a modern slant. | 0:28:25 | 0:28:29 | |
-20, £30. -£20 paid, so that's all right. | 0:28:29 | 0:28:33 | |
We've got another modern repro, which is boring. This Japanese bull. | 0:28:33 | 0:28:37 | |
Dansk, yes. A modern novelty. | 0:28:37 | 0:28:41 | |
An unusual thing to bring to an antiques auction? | 0:28:41 | 0:28:44 | |
-They bought it, did they?! They paid money?! -It wasn't given away. | 0:28:44 | 0:28:48 | |
Do you think you'll get anything? 10 or £20? | 0:28:48 | 0:28:50 | |
-That's what we put on it, £10-£20. -Perfect. They paid £10. | 0:28:50 | 0:28:53 | |
They paid the right price. Lastly, this Murano lookalike. | 0:28:53 | 0:28:59 | |
-Sumersault, whatever that is. -Sumersault's the technique. | 0:28:59 | 0:29:02 | |
It's when you got different colours | 0:29:02 | 0:29:04 | |
encased within a sandwich of clear glass. | 0:29:04 | 0:29:07 | |
The 1960s original ones make good money now. | 0:29:07 | 0:29:11 | |
-This is 1980s, '90s. -Lovely. How much? -30 to 50. -£28 paid. -Good. | 0:29:11 | 0:29:18 | |
The way you're estimating, they won't need their bonus buy, but let's have a look at it. | 0:29:18 | 0:29:23 | |
Well, you spent a miserable £58. I mean, how could you do that? | 0:29:24 | 0:29:29 | |
-I do apologise profusely. -No need to apologise. | 0:29:29 | 0:29:32 | |
You'll probably do well, having gone down the minimalist route! | 0:29:32 | 0:29:36 | |
£242 went to the lovely Anita Manning. What did you spend it on? | 0:29:36 | 0:29:41 | |
-Ooh! -Oh! -THEY LAUGH | 0:29:42 | 0:29:44 | |
-Isn't it cute! -It's got a little face inside. -I loved it. | 0:29:44 | 0:29:49 | |
He's so sweet! | 0:29:49 | 0:29:51 | |
It's a walrus with a little child's face peeping out! | 0:29:51 | 0:29:56 | |
-Now, this intrigued me. Has the walrus eaten the child? -THEY GIGGLE | 0:29:56 | 0:30:02 | |
Or is the walrus skin protecting the child from the cold? | 0:30:02 | 0:30:08 | |
-I didn't know, but it tickled me to think about it. -It's just so sweet. | 0:30:08 | 0:30:12 | |
-May I? -Yes, of course. -How old is he, do you think, Anita? | 0:30:12 | 0:30:16 | |
I think it's late 19th century, early 20th century. | 0:30:16 | 0:30:22 | |
-And it's perhaps based on a myth. -It's certainly a talking point, isn't it? | 0:30:22 | 0:30:26 | |
-How much did you spend, dare I ask? -There's the rub. | 0:30:26 | 0:30:30 | |
Em, the trader liked it, I liked it, he knew I liked it. | 0:30:30 | 0:30:36 | |
And he wouldn't come any further down than £150. | 0:30:36 | 0:30:42 | |
And I was in a flibbertigibbet mood, so I decided just to go for it. | 0:30:42 | 0:30:46 | |
On the basis that somebody else might have the same emotion today in the sale. | 0:30:48 | 0:30:52 | |
-Of course. -I've never seen anything like it. | 0:30:52 | 0:30:55 | |
It's one of the most bizarre things I've seen. | 0:30:55 | 0:30:57 | |
Well done, just on amusement factor! | 0:30:57 | 0:31:00 | |
Well, your moment to pick will be after the sale of your first three items. | 0:31:00 | 0:31:04 | |
But for our viewers at home, let's find out what the auctioneer thinks about Anita's walrus. | 0:31:04 | 0:31:10 | |
-This is something a bit different, isn't it? -Very much so. Yeah. | 0:31:10 | 0:31:14 | |
It's not a portrait of the purchaser, is it? | 0:31:14 | 0:31:17 | |
No, I don't think our teams look quite like that walrus! | 0:31:17 | 0:31:21 | |
-It's quite good fun, isn't it? It's got some age. -It has. Late 19th century. It's Continental. | 0:31:21 | 0:31:26 | |
I think probably French, that Dieppe school of earthenware. | 0:31:26 | 0:31:31 | |
-I quite agree. How much? -We have gone 70 to 100. | 0:31:31 | 0:31:36 | |
Anita Manning pushed the boat out. | 0:31:36 | 0:31:38 | |
She had all that cash and spent £150. Is she going to make it? | 0:31:38 | 0:31:43 | |
Are they going to go with it? We won't find out till a little bit later on. | 0:31:43 | 0:31:48 | |
But right now, that's it for the Reds. For the Blues, | 0:31:48 | 0:31:50 | |
Pea and Peter. First up are the graduated jelly moulds. | 0:31:50 | 0:31:55 | |
I find these difficult to enthuse about, personally. | 0:31:55 | 0:31:59 | |
They're not the most stylish of objects, are they? | 0:31:59 | 0:32:02 | |
Not beautifully decorated, that's for a fact. How much? | 0:32:02 | 0:32:05 | |
-Not an awful lot. 20 quid? -Marvellous, they paid £15. | 0:32:05 | 0:32:09 | |
I'm very pleased with that. | 0:32:09 | 0:32:11 | |
They might be having a jelly and blancmange party yet, if they get a profit on it. | 0:32:11 | 0:32:15 | |
-What about the wall-mounted spoon rack? -Yeah. -Hideous, isn't it? | 0:32:15 | 0:32:18 | |
It is not my favourite lot, to be fair. | 0:32:18 | 0:32:21 | |
It all comes down to the price. If the price is right, as they say. | 0:32:21 | 0:32:27 | |
-What is the price? -Well, we've put £10-£20, and be pleased to get it. | 0:32:27 | 0:32:30 | |
-They paid £15. Ever hopeful. -You've got to be hopeful in this game. | 0:32:30 | 0:32:34 | |
-What about the creepy-crawly jug? -Yes, Palissy ware. | 0:32:34 | 0:32:39 | |
Probably one of those Portuguese copycat pieces, I suspect. | 0:32:39 | 0:32:45 | |
So, how much do you think your audience will pay for that? | 0:32:45 | 0:32:50 | |
-Well, I've put 70 to 100. -OK, they paid £148. | 0:32:50 | 0:32:54 | |
Whatever they've done with these moulds, | 0:32:54 | 0:32:57 | |
and those spoons is likely to be wiped out by the failure of that Palissy ware jug, | 0:32:57 | 0:33:02 | |
in which case they're going to need the bonus buy, so let's go and have a look at it. | 0:33:02 | 0:33:06 | |
-This is exciting, isn't it? -Yes. | 0:33:06 | 0:33:09 | |
Are your longing to know what JP spent the £122 of leftover lolly on? | 0:33:09 | 0:33:13 | |
-Yes, definitely. -You, too? -Yes. -OK, put them out of their agony! | 0:33:13 | 0:33:18 | |
Oooh... | 0:33:19 | 0:33:21 | |
-Not very big. -Not very big. | 0:33:21 | 0:33:23 | |
What we have here | 0:33:23 | 0:33:25 | |
is a little silver mounted, silver-covered table lighter. | 0:33:25 | 0:33:30 | |
You have a certain amount of silver, which has a certain amount of weight and value to that alone. | 0:33:30 | 0:33:36 | |
-How much did I pay for it? -Go on. -£30. -OK. | 0:33:36 | 0:33:39 | |
The silver alone would probably sell for... There's £35 to £40 of silver. | 0:33:39 | 0:33:44 | |
Is it a working lighter? | 0:33:44 | 0:33:46 | |
-I imagine it needs gas and a flint, but I'm sure you can. -I like that. | 0:33:46 | 0:33:52 | |
-Jonathan, do you see this as a sure-fire profit? -Yes. | 0:33:52 | 0:33:56 | |
Handy for a lighter, having a sure-fire profit! | 0:33:56 | 0:33:59 | |
-There must be £30 in the silver itself. -There's more than that. | 0:33:59 | 0:34:03 | |
-There's £35 to £40 worth of silver. -OK, we watched his lips. | 0:34:03 | 0:34:07 | |
You know you can trust this man. | 0:34:07 | 0:34:09 | |
You'd even buy a car from him, probably. | 0:34:09 | 0:34:12 | |
Anyway, on that happy note, the audience at home are going to see | 0:34:12 | 0:34:16 | |
what the auctioneer thinks about Jonathan Pratt's lighter. | 0:34:16 | 0:34:20 | |
-Nicholas, that's pretty clean and functional. -It is, indeed. | 0:34:20 | 0:34:25 | |
And silver is doing very well, of course. | 0:34:25 | 0:34:27 | |
-Nicely hallmarked, little motto on the front. -How much? -40 to 60. | 0:34:27 | 0:34:31 | |
Brilliant. £30 paid. Clever Jonathan Pratt. | 0:34:31 | 0:34:34 | |
All will be revealed in a moment. You taking the sale today? | 0:34:34 | 0:34:38 | |
-I am indeed. -We're in safe hands. | 0:34:38 | 0:34:41 | |
-Frank, Becky, how are you feeling? -Stressed. -Where's the stress? | 0:34:45 | 0:34:49 | |
-Look at this room, jammed up with people who came here to buy your items. -If only! | 0:34:49 | 0:34:55 | |
-First up, the three-division rack. Here it comes. Good luck. -Lot 50. | 0:34:55 | 0:35:01 | |
I've got commission interest. | 0:35:01 | 0:35:03 | |
I can start the bidding straight in here at 22, 25, £28. | 0:35:03 | 0:35:07 | |
At £28. 30, 32, 5 with you? 35, lady seated. At £35 in the room. | 0:35:07 | 0:35:13 | |
Any advance? At £35, lady seated. All done at 35. | 0:35:13 | 0:35:16 | |
-BANGS GAVEL -Yes! -Well done. | 0:35:16 | 0:35:20 | |
Plus £15. That's a very good start. | 0:35:20 | 0:35:22 | |
Now, the Japanese sculpture. | 0:35:22 | 0:35:25 | |
That's your fault, this one! | 0:35:25 | 0:35:27 | |
-AUCTIONEER: -I've got commission interest. I can come straight in | 0:35:27 | 0:35:31 | |
at 10, 15, 18, 20, 22, 25, 28. | 0:35:31 | 0:35:32 | |
£28, I'm starting. Straight in at £28. | 0:35:32 | 0:35:36 | |
Commission bid is with me. At £28. Any advance? | 0:35:36 | 0:35:39 | |
-At 28, 30. 35 I have. -I don't believe this! -Give me 38? | 0:35:39 | 0:35:44 | |
Squeeze a bit more. I've got 35. 38 is with you. I'm out. It's your bid. | 0:35:44 | 0:35:49 | |
At £38. If you're all sure. I'm selling with you, at £38. | 0:35:49 | 0:35:53 | |
Well done, that's amazing! Plus £28 on that. | 0:35:53 | 0:35:57 | |
Plus £28, 38... You're plus 43 already! | 0:35:57 | 0:36:01 | |
Antiques of the future. £20? At 20, somewhere? Somewhere, surely. | 0:36:01 | 0:36:06 | |
Thank you. Front row, £20 bid. You bidding online? | 0:36:06 | 0:36:09 | |
There's a flutter. I've got £20 in the room. Give me 5. 25, thank you. | 0:36:09 | 0:36:15 | |
30, thank you. Front row at £30. You listening online? | 0:36:15 | 0:36:18 | |
It's against you. We're all waiting for you. £30 in the room. | 0:36:18 | 0:36:22 | |
At 30. 35, thank you. Don't lose it, you'll like it. | 0:36:22 | 0:36:25 | |
It's a nice vase! I'll take 38. | 0:36:25 | 0:36:28 | |
I love that man! | 0:36:28 | 0:36:30 | |
38 in the front row? Thank you. | 0:36:30 | 0:36:33 | |
£38 in the front row. I'm looking for 40. 40 online. At £40. | 0:36:33 | 0:36:38 | |
You know I'm coming back to you. At £40, are you finished? | 0:36:38 | 0:36:42 | |
OK, thank you, I've got £40 online. I'm selling online. At £40. | 0:36:42 | 0:36:47 | |
-£40. -Yes! Thank you! | 0:36:47 | 0:36:51 | |
So, £12 on that. 42...53...£55. | 0:36:51 | 0:36:55 | |
Plus 55. Well, I eat my words. | 0:36:55 | 0:36:58 | |
-Do the happy dance. Sorry. -You spent £55, which I criticised roundly. | 0:36:58 | 0:37:05 | |
You just made £55 profit, having spent £58. | 0:37:05 | 0:37:10 | |
You've doubled your money. This is amazing. | 0:37:10 | 0:37:13 | |
What are we going to do about the earthenware boy? | 0:37:13 | 0:37:16 | |
-We're not going there. -I beg your pardon? | 0:37:16 | 0:37:19 | |
I absolutely adore him, but we said if we made more than a fiver, we were sticking. Sorry, Anita. | 0:37:19 | 0:37:24 | |
-No, no. -You don't need to phone anybody or anything? No? | 0:37:24 | 0:37:28 | |
-No. -All right, that seems to be a firm decision. | 0:37:28 | 0:37:30 | |
They're not going to go with the bonus buy. But we'll sell it just to see what happens. | 0:37:30 | 0:37:35 | |
-Here it comes. -Who's bidding on this lot? Come on. Unusual item, this. | 0:37:35 | 0:37:41 | |
Good glaze as well. 50 for it? £50, someone? 40? Show willing. At £40? | 0:37:41 | 0:37:44 | |
It's a nice rare little piece. A good bit of porcelain. £40? 40 bid? | 0:37:44 | 0:37:50 | |
30? Don't make me beg! At £30. Where are you? Where's the bids at 30? | 0:37:50 | 0:37:54 | |
Come on, let's get this lot sold and move on. 30 I'm bid online. | 0:37:54 | 0:38:00 | |
5, 40. We're there, we're stuck at £45 online, if you're sure. 50, 5. | 0:38:00 | 0:38:05 | |
All done, you sure? I'm selling online at £55. | 0:38:05 | 0:38:08 | |
-Yes! -£55. Bad luck, Anita. -Sorry, Anita. | 0:38:08 | 0:38:13 | |
It was a piece of frivolous buying, on my part. But I enjoyed him. | 0:38:13 | 0:38:19 | |
-I bet you're glad you didn't go with it. -Just a bit. | 0:38:19 | 0:38:21 | |
Minus £95, that would have been. | 0:38:21 | 0:38:24 | |
Overall, you didn't go for the bonus buy. You preserved your £55 profit, | 0:38:24 | 0:38:28 | |
with a profit on all three items, which could be a winning score. | 0:38:28 | 0:38:32 | |
Just don't tell the Blues a thing, right? | 0:38:32 | 0:38:34 | |
-So, Pea, Peter, do you know how the Reds got on? -No. -No. -No? | 0:38:40 | 0:38:44 | |
They passed us in the corridor, but that's it. | 0:38:44 | 0:38:48 | |
-Did they look confident? -No, no. -Rather sad? -Unable to say. -OK. | 0:38:48 | 0:38:52 | |
First up are the jelly moulds. | 0:38:52 | 0:38:55 | |
-Let's see if you can get into a quiver. -Lot 71. | 0:38:55 | 0:38:58 | |
Who's up for jelly and ice-cream on this? We're going to go £20? | 0:38:58 | 0:39:03 | |
10 for the two. Where's £10? 10 online. Thank you. | 0:39:03 | 0:39:05 | |
At £10, the bid's online. At a tenner. At 10 only. | 0:39:05 | 0:39:09 | |
Any advance on £10? You all done? Are you sure? | 0:39:09 | 0:39:11 | |
Parties are going to finish early, then. At £10. | 0:39:11 | 0:39:14 | |
-Selling at 10 online. 10, it sold. -All the children will cry. | 0:39:14 | 0:39:19 | |
-Minus £5. -Now the ace. | 0:39:19 | 0:39:22 | |
10 I'm bid in the front row, thank you. 10 I'm bid. 10 offered. | 0:39:22 | 0:39:25 | |
You get the cabinet AND the spoons. £10 only? At a tenner? £10. | 0:39:25 | 0:39:31 | |
15 at the back. 20 in front. At 20. Still going to go, sir? 5, I have. | 0:39:31 | 0:39:36 | |
Right at the back at £25. I'll take 28 with you, madam, if it helps. | 0:39:36 | 0:39:39 | |
What about 26? I've got 25. At 25 it is, right at the back. | 0:39:39 | 0:39:44 | |
Gent standing. All done? No-one online. It's with you. At 25 it is. | 0:39:44 | 0:39:49 | |
Well done, Pete. You were right, we were all wrong! | 0:39:49 | 0:39:52 | |
Plus £10. That means you are plus £5. | 0:39:52 | 0:39:54 | |
What's going to happen with the Palissy jug? | 0:39:54 | 0:39:57 | |
So where are we going to go? 70? 60? 50? Come on, where's £50? | 0:39:57 | 0:40:03 | |
At £50, where's the collectors? | 0:40:03 | 0:40:05 | |
Are you bidding? 50 quid. 5 in the room. And 5, 60. 5, 70. | 0:40:05 | 0:40:11 | |
75 has it back in the room. Anyone else? At 75, right at the back. | 0:40:11 | 0:40:16 | |
All done... 80 online. 85 with you, sir. 90 here. | 0:40:16 | 0:40:20 | |
5 with you, thank you, sir. 95 back in the room. 100 online. | 0:40:20 | 0:40:24 | |
Still in? 110 with you. 110, I'll take. At 110, back in the room. | 0:40:24 | 0:40:28 | |
Gent standing, at 110. 120 here. 120, I have. | 0:40:28 | 0:40:31 | |
Last call, selling online at £120. All done? | 0:40:31 | 0:40:35 | |
What a shame. Minus £28, which means overall | 0:40:35 | 0:40:39 | |
you are minus £23. | 0:40:39 | 0:40:41 | |
-That's not bad. -What are you going to do with this cigarette lighter? | 0:40:41 | 0:40:45 | |
-Go for it. -Yeah, we're definitely going for it. -Definitely. | 0:40:45 | 0:40:48 | |
-Good buy, from Jonathan. -Where we going to go? £40, surely. | 0:40:48 | 0:40:52 | |
40, 30, 20. We're going the wrong way! 20 I'm bid. Where's 5? | 0:40:52 | 0:40:57 | |
-20. At 25, thank you, madam. 30, 5. 40, 5. 50, 5. -Go, Jonathan. | 0:40:57 | 0:41:03 | |
£55, with you. Any advance? Anyone else? 55 it is. At 55, all done? | 0:41:03 | 0:41:11 | |
-I don't believe it. -There we go. -£55 gives you £25 profit, | 0:41:11 | 0:41:15 | |
which means, overall, you are plus £2! | 0:41:15 | 0:41:18 | |
You just made £1 each! This is wonderful, this programme, isn't it? | 0:41:18 | 0:41:25 | |
The money we've got to share around, £1 each profit! Is that good? | 0:41:25 | 0:41:29 | |
Cash winnings. | 0:41:29 | 0:41:31 | |
Just as well you've got a decent expert with you! | 0:41:31 | 0:41:34 | |
Hang on a minute. £2 could be a winning score. | 0:41:34 | 0:41:37 | |
Don't talk to the Reds. All will be revealed in a moment. | 0:41:37 | 0:41:40 | |
-This has been a result. Everybody happy? -Yes! -You ought to be happy! | 0:41:45 | 0:41:50 | |
How lovely to have two teams in profit. | 0:41:50 | 0:41:54 | |
-Oooh! -How rare is that?! | 0:41:54 | 0:41:57 | |
But it is, as ever, simply a matter of scale of profits. | 0:41:57 | 0:42:03 | |
And the team with a good deal less profit than the other today are the Blues. | 0:42:03 | 0:42:08 | |
-Aww! -Bad luck, Blues. -We made some money, anyway. -Here's £2! OK, Pea? | 0:42:08 | 0:42:15 | |
That's one for you, and one for Pete. And nothing for Jon. | 0:42:15 | 0:42:20 | |
You've been very colourful for us, particularly you, Pea. | 0:42:20 | 0:42:24 | |
-Well done for that. But the victors today... -Yes! -Yes! | 0:42:24 | 0:42:30 | |
-My gosh, they're going home with £55. -Wooo! | 0:42:30 | 0:42:32 | |
The mother and son combo, which is particularly satisfying, isn't it? | 0:42:32 | 0:42:38 | |
You made a profit on all three items, which means... | 0:42:38 | 0:42:40 | |
..you get a Golden Gavel! Except we've run out of gavels, and you get a tiepin instead. | 0:42:42 | 0:42:48 | |
-So, do take that, darling. -There we go. | 0:42:48 | 0:42:52 | |
Wear it in your street with pride. Anita, that goes in your collection, which is lovely. | 0:42:52 | 0:42:57 | |
I hope you've had a good day. | 0:42:57 | 0:42:58 | |
Fantastic. | 0:42:58 | 0:43:00 | |
We've loved having you on the programme, all of you. | 0:43:00 | 0:43:02 | |
-Join us soon for some more bargain hunting, yes? -Yes! | 0:43:02 | 0:43:07 | |
I know you're sitting there thinking, | 0:43:07 | 0:43:10 | |
"I could have done better than that!" | 0:43:10 | 0:43:13 | |
Well, what's stopping you? | 0:43:13 | 0:43:15 | |
If you think you can spot a bargain, go to our BBC website and apply. | 0:43:15 | 0:43:19 | |
It'll be splendid to see you! | 0:43:19 | 0:43:21 | |
Subtitles by Red Bee Media Ltd | 0:43:22 | 0:43:26 | |
E-mail [email protected] | 0:43:26 | 0:43:29 |