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Today we're in Oswestry, on the Welsh/English borders. | 0:00:02 | 0:00:05 | |
This place in the 7th century was the site of a famous battle - | 0:00:05 | 0:00:09 | |
today, we have just two teams battling it out, | 0:00:09 | 0:00:12 | |
so let's go bargain hunting! | 0:00:12 | 0:00:15 | |
Today, the sun is shining on us, they've got the flags out | 0:00:37 | 0:00:41 | |
and there are hundreds of stalls. | 0:00:41 | 0:00:43 | |
What more could we want? | 0:00:43 | 0:00:45 | |
Coming up today, we have the beauties versus the beasts - | 0:00:46 | 0:00:49 | |
sorry, chaps, nothing personal. | 0:00:49 | 0:00:51 | |
Our glamorous Reds hope the feminine touch will win the day. | 0:00:51 | 0:00:54 | |
What appeals? Cos they're pink? | 0:00:54 | 0:00:56 | |
Yeah, I've got a car that's the same colour as that. | 0:00:56 | 0:00:59 | |
-No! You haven't got a car this colour? -I have. | 0:00:59 | 0:01:02 | |
I don't believe you! | 0:01:02 | 0:01:05 | |
The Blues are two earthy chaps | 0:01:05 | 0:01:07 | |
who are rather bullish about their chances of winning. | 0:01:07 | 0:01:10 | |
We've got to beat those women! | 0:01:10 | 0:01:13 | |
Well, all of that's still to come. | 0:01:15 | 0:01:17 | |
First, let me remind you of today's rules. | 0:01:17 | 0:01:19 | |
Each team gets £300 and are allowed to shop for three items | 0:01:19 | 0:01:23 | |
which they sell later at auction. | 0:01:23 | 0:01:24 | |
The team wins that makes the most profit. | 0:01:24 | 0:01:28 | |
So, let's go and meet today's teams. | 0:01:28 | 0:01:31 | |
Well, today is a family show and for the Reds, | 0:01:31 | 0:01:34 | |
we've got mother and daughter, Gill and Rebecca - hello, girls. | 0:01:34 | 0:01:38 | |
-Hi, Tim. -Hello, Tim. | 0:01:38 | 0:01:40 | |
-And for the Blues, we've got father and son, Peter and Gavin. -Hello. -Hi. | 0:01:40 | 0:01:43 | |
Lovely to see you. So, Gill - is this beautiful daughter your only beautiful daughter? | 0:01:43 | 0:01:48 | |
No, I have another beautiful daughter, her name's Lucy | 0:01:48 | 0:01:52 | |
and she also works as cabin crew, as Rebecca does. | 0:01:52 | 0:01:56 | |
-Gosh, a double whammy! -A double whammy. -..Of air hostesses. -Exactly. | 0:01:56 | 0:02:01 | |
And what do you work at? | 0:02:01 | 0:02:03 | |
At the moment, I'm a doctor's receptionist, but years ago, | 0:02:03 | 0:02:08 | |
I did work for Peter Wilson's, | 0:02:08 | 0:02:10 | |
the auction house that we're going to be selling our items at. | 0:02:10 | 0:02:13 | |
-Well, that's amazing, isn't it? -Yes. It was 33 years ago though, Tim! | 0:02:13 | 0:02:18 | |
Well, you don't need to do the maths! | 0:02:18 | 0:02:21 | |
-Just cos you started working when you were 14! -That's very kind! | 0:02:21 | 0:02:24 | |
No, seriously. | 0:02:24 | 0:02:26 | |
Do you think you'll get some unfair advantage going back to | 0:02:26 | 0:02:29 | |
the auction house to sell your Bargain Hunt lots? | 0:02:29 | 0:02:32 | |
I don't think so - I was in the back office, on the sales invoices. | 0:02:32 | 0:02:36 | |
OK. Now, Rebecca, you're a high-flyer. | 0:02:36 | 0:02:39 | |
-Have you always wanted to work with the airline industry? -Well, no, Tim. | 0:02:39 | 0:02:44 | |
I finished my A levels and thought I'd take a gap year. | 0:02:44 | 0:02:49 | |
Turns out I joined the airlines and here I am, | 0:02:49 | 0:02:51 | |
seven years later, still on my gap year! | 0:02:51 | 0:02:54 | |
Make us all really jealous - tell us about the places you've visited. | 0:02:54 | 0:02:58 | |
Some of my favourite places... | 0:02:58 | 0:03:00 | |
I do really like Las Vegas, Japan is another really nice place to go to. | 0:03:00 | 0:03:07 | |
But we fly all over, we go to Africa and Australia, so it's a good mix. | 0:03:07 | 0:03:12 | |
I'm feeling terribly sorry for you(!) | 0:03:12 | 0:03:16 | |
So what's your strategy, girls? | 0:03:16 | 0:03:18 | |
Considering we've never actually bought or sold anything | 0:03:18 | 0:03:22 | |
at auction before, that's going to be quite a big hurdle. | 0:03:22 | 0:03:26 | |
Yeah. We're just going to trust our instincts. | 0:03:26 | 0:03:29 | |
If it's something we like, | 0:03:29 | 0:03:30 | |
there could be the chance that somebody else might like it too. | 0:03:30 | 0:03:33 | |
-Going to go with your heart. -We are. -Yes. | 0:03:33 | 0:03:36 | |
I like the thought of that. | 0:03:36 | 0:03:38 | |
Very good luck. Now, boys, what do you think about the opposition? | 0:03:38 | 0:03:42 | |
Very attractive! | 0:03:42 | 0:03:43 | |
No, no, I'm talking about their buying and selling skills! | 0:03:43 | 0:03:49 | |
Well, time will tell. We're fairly confident this side of the border. | 0:03:49 | 0:03:52 | |
You're very competitive, you and your boy, | 0:03:52 | 0:03:55 | |
but you don't necessarily see eye-to-eye, do you? | 0:03:55 | 0:03:58 | |
Never! No, we have a lot of arguments I'm afraid. | 0:03:58 | 0:04:03 | |
-We're as different as chalk and cheese. -Are you? | 0:04:03 | 0:04:06 | |
What are the differences between you? | 0:04:06 | 0:04:08 | |
Well, Gavin, he's very laid back, you can see that. | 0:04:08 | 0:04:12 | |
-He's a bit like a hippy, I'd say. -Yes? | 0:04:12 | 0:04:15 | |
Whereas I'm a self-employed agricultural engineer | 0:04:15 | 0:04:18 | |
and I have to work a little bit harder than him. | 0:04:18 | 0:04:22 | |
So tell us about the agricultural business, then - what do you specialise in? | 0:04:22 | 0:04:26 | |
Quad bikes. | 0:04:26 | 0:04:27 | |
I'm a local business and 80% of our business is buying, selling | 0:04:27 | 0:04:32 | |
and repairing quad bikes. | 0:04:32 | 0:04:33 | |
-Gavin, are you interested in farm machinery? -Not at all, really. | 0:04:33 | 0:04:38 | |
No. What do you hope to do eventually? | 0:04:38 | 0:04:40 | |
I've looked into doing teaching. | 0:04:40 | 0:04:43 | |
I did an English degree at Aberystwyth University. | 0:04:43 | 0:04:46 | |
Yeah, primary school teaching for the future, maybe. | 0:04:46 | 0:04:49 | |
Are you going to be able to beat these lovely girls today? | 0:04:49 | 0:04:51 | |
Well, according to women, men still rule the world, | 0:04:51 | 0:04:54 | |
and we're going to win! | 0:04:54 | 0:04:57 | |
-Ooh! -We're confident! -I think on that happy note, | 0:04:57 | 0:05:00 | |
I'll give you the money and I'd better separate each team! | 0:05:00 | 0:05:03 | |
Here's your £300, you know the rules, your experts await | 0:05:03 | 0:05:06 | |
and off you go and very, very, very good luck! | 0:05:06 | 0:05:10 | |
Just don't argue with him, eh? | 0:05:10 | 0:05:12 | |
So, who ARE today's experts? | 0:05:12 | 0:05:14 | |
He's flying high - he's roaring with enthusiasm. | 0:05:14 | 0:05:17 | |
And he's trotting along like a horse, | 0:05:17 | 0:05:20 | |
Thomas Plant is leading our ladies in red. | 0:05:20 | 0:05:23 | |
For the boys in blue, we have the old stager, | 0:05:25 | 0:05:28 | |
our wise man of antiques, David Barby. | 0:05:28 | 0:05:30 | |
No time to hang about - they are off! | 0:05:30 | 0:05:33 | |
I think we need to go the area where nobody else has been. | 0:05:33 | 0:05:37 | |
-We need to buy things which reflect you. -Let's have a look. | 0:05:37 | 0:05:42 | |
They're searching high and low, outdoors and indoors. | 0:05:42 | 0:05:46 | |
And what a surprise - the girls have gone straight for something pink. | 0:05:46 | 0:05:50 | |
They're quite cute, aren't they? | 0:05:50 | 0:05:52 | |
-They're very sweet. They're coffee cans. -OK. | 0:05:52 | 0:05:56 | |
They're Shelley china, which is a very good make. | 0:05:56 | 0:05:59 | |
The thing about Shelley is one has to check the condition. | 0:05:59 | 0:06:05 | |
Shelley has a tendency to have a hairline round the bottom. | 0:06:05 | 0:06:08 | |
So you're just checking that it's absolutely perfect. | 0:06:08 | 0:06:11 | |
-Now, what appeals? Cos they're pink? -BOTH: Yeah. | 0:06:11 | 0:06:16 | |
-I've got a car the same colour as that. -No! | 0:06:16 | 0:06:19 | |
-You haven't got a car this colour? -I have! -I don't believe you! | 0:06:19 | 0:06:22 | |
-It's true. -Yep. | 0:06:22 | 0:06:25 | |
What's your very best on those? | 0:06:27 | 0:06:30 | |
What have we got there? | 0:06:30 | 0:06:32 | |
The silver's by Adie Brothers, incidentally. | 0:06:32 | 0:06:34 | |
So it's all top makers. 1926. | 0:06:34 | 0:06:37 | |
Um... | 0:06:38 | 0:06:40 | |
I can take the 30 off that, make it 100. | 0:06:40 | 0:06:42 | |
So that would make it a nice, round figure. | 0:06:42 | 0:06:47 | |
Would it be possible to make it two figures? | 0:06:47 | 0:06:49 | |
-Three sounds better to me. -How much do you like them? | 0:06:51 | 0:06:53 | |
-I actually really like them, I think they're cute. -Go for it. | 0:06:53 | 0:06:57 | |
Even at that figure, I don't know if there's a profit there, | 0:06:57 | 0:07:00 | |
and that's what we're here to make. | 0:07:00 | 0:07:01 | |
OK, OK. | 0:07:01 | 0:07:03 | |
Would you do them at 90? | 0:07:03 | 0:07:05 | |
He'll do them at 90. | 0:07:05 | 0:07:07 | |
-I think... -Come on, look at these two! | 0:07:07 | 0:07:10 | |
-I think we'll go for it, then - do you think so? -Yep, go for it. | 0:07:10 | 0:07:13 | |
-Yes, we'll have them. -Even though I've told you that we're here to make a profit? | 0:07:13 | 0:07:17 | |
We've got two, possibly three other things to make a profit on. | 0:07:20 | 0:07:24 | |
Even if these make a small, little profit, we'll go for it. | 0:07:24 | 0:07:27 | |
Thank you very much indeed and I hope you do very well with them. | 0:07:27 | 0:07:30 | |
BOTH: Thank you very much. | 0:07:30 | 0:07:32 | |
There's no point praying, Thomas. | 0:07:33 | 0:07:35 | |
I don't think the great man upstairs is going to help you get these girls under control. | 0:07:35 | 0:07:40 | |
I think the pink coffee cans are extraordinary. | 0:07:40 | 0:07:44 | |
I would never have bought them, but if they believe that they're | 0:07:44 | 0:07:48 | |
going to make a profit, I'm with them all the way. | 0:07:48 | 0:07:51 | |
Well, you're supposed to be advising them, Thomas! | 0:07:51 | 0:07:53 | |
The Blues, and Barby's trying to tempt the savage beasts | 0:07:53 | 0:07:56 | |
with something rather pretty. | 0:07:56 | 0:07:58 | |
What is interesting about this, | 0:07:58 | 0:08:01 | |
it falls into a category of Oriental, maybe Japanese influence, | 0:08:01 | 0:08:06 | |
that came in towards the end of the 19th century. | 0:08:06 | 0:08:09 | |
We call that Arts and Crafts, or Aesthetic Movement. | 0:08:09 | 0:08:12 | |
There were a number of companies producing. | 0:08:12 | 0:08:15 | |
This major did these very attractive glazes. | 0:08:15 | 0:08:18 | |
There's no mark on the bottom, | 0:08:18 | 0:08:20 | |
no mark. What does that say, that symbol there? | 0:08:20 | 0:08:23 | |
Nine shillings. | 0:08:25 | 0:08:26 | |
Nine shillings in about 1890. What would it be now? | 0:08:26 | 0:08:30 | |
-I dunno! -A lot of money, I should think! -About £100 or something. | 0:08:31 | 0:08:35 | |
-Easily. -So, it was highly regarded. | 0:08:35 | 0:08:37 | |
What I like about this is all this decoration - | 0:08:37 | 0:08:41 | |
I like the way the glaze runs and gathers in certain areas. | 0:08:41 | 0:08:45 | |
Can you see that? | 0:08:45 | 0:08:46 | |
It's not a named pot. | 0:08:46 | 0:08:48 | |
Let's have a look - how much are they asking? | 0:08:48 | 0:08:50 | |
-55. -Ooh, dear. 55. That's a lot of money. | 0:08:50 | 0:08:53 | |
The very best would be 25. | 0:08:53 | 0:08:55 | |
-Your very, very best? -Very, VERY best, 25. | 0:08:57 | 0:09:00 | |
-You wouldn't take 20, would you? -No, it'd have to be 25. | 0:09:00 | 0:09:03 | |
Could we split the difference at 22? | 0:09:03 | 0:09:05 | |
Oh, go on then. Yes. | 0:09:05 | 0:09:07 | |
-At £22? -Yeah, that's fine. -Condition's very good. | 0:09:07 | 0:09:11 | |
It is nice. | 0:09:11 | 0:09:13 | |
It's a shame that there's no manufacturing mark. | 0:09:13 | 0:09:17 | |
-I think this is a good piece of art. -I think it's well worth buying. | 0:09:17 | 0:09:20 | |
I think we're going to make money on it. | 0:09:20 | 0:09:23 | |
And we've got to beat those women! That's the main thing! | 0:09:23 | 0:09:28 | |
-They'll buy things that are pink. -Barby, have you been spying on them? | 0:09:28 | 0:09:32 | |
I think that's very nice. At £22, I think it's a must-buy. | 0:09:32 | 0:09:35 | |
I think so, as well. | 0:09:35 | 0:09:37 | |
It screams, "Buy me!" | 0:09:37 | 0:09:38 | |
-Shall we shake on that? -Thank you very much, sir. | 0:09:38 | 0:09:41 | |
Thank you very much, it's very kind of you. | 0:09:41 | 0:09:44 | |
Well, that bright yellow is screaming at me, too. | 0:09:44 | 0:09:46 | |
But, Barby, if you think there's a profit, I won't criticise. | 0:09:46 | 0:09:49 | |
Let's just wait and see, eh? | 0:09:49 | 0:09:51 | |
Our girls are staying all girly and looking now for bling, | 0:09:51 | 0:09:54 | |
and it looks like Thomas is in tune with them. | 0:09:54 | 0:09:58 | |
So I've found something Rebecca, which is just up your street. | 0:09:58 | 0:10:02 | |
This is what you should have in your handbag while on the planes, | 0:10:02 | 0:10:05 | |
just as a travelling piece. | 0:10:05 | 0:10:09 | |
So it's a cut-glass bottle, made by Mappin & Webb, I think... | 0:10:09 | 0:10:14 | |
Yeah, looks like Mappin & Webb, but just in case you're caught short, | 0:10:14 | 0:10:19 | |
-a toothbrush... -Toothbrush for a horse, maybe! | 0:10:19 | 0:10:23 | |
And a brush! | 0:10:23 | 0:10:24 | |
-Look at this. -You don't need any more than that to travel, do you? | 0:10:24 | 0:10:28 | |
That's all you need, isn't it? | 0:10:28 | 0:10:29 | |
-Look at that, isn't that just something else? -That's cute. | 0:10:29 | 0:10:34 | |
It's in bone, it's 19... | 0:10:34 | 0:10:36 | |
Oh, probably quite early, probably 1920s. | 0:10:36 | 0:10:39 | |
But what an amazing thing. | 0:10:39 | 0:10:41 | |
-Do you think that could make any money? -Yes. | 0:10:41 | 0:10:44 | |
-What a fun thing. -How much are they asking? -I don't know. | 0:10:44 | 0:10:47 | |
-< Terry! -How much is this? | 0:10:47 | 0:10:49 | |
< 24. | 0:10:49 | 0:10:51 | |
-Do you think there's profit in that one? -I can't come any lower. -Oh, yes you can! For me! | 0:10:51 | 0:10:56 | |
-I'm very, very sorry. -Go on, make it... | 0:10:56 | 0:10:59 | |
You could round it down to 20, at least. | 0:10:59 | 0:11:02 | |
I'm sorry, no. I'll do it for 22 and that's me best. | 0:11:02 | 0:11:07 | |
-22, what do you think? -What do you reckon? | 0:11:07 | 0:11:09 | |
-Yeah. -Shall we go for it? -Yeah, I think so. We'll go for it. 22, we'll go with that. | 0:11:10 | 0:11:16 | |
-OK, thank you. -That's OK. | 0:11:17 | 0:11:20 | |
£22, eh? I fear they may get the brush-off at the auction! | 0:11:20 | 0:11:24 | |
Anyway, I've been combing the fair for something really hair-raising myself. | 0:11:24 | 0:11:28 | |
"What's this wooden plaque got to do with the French Revolution?" I hear you ask. | 0:11:29 | 0:11:34 | |
Did I hear you ask that? Anyway, I've asked the question. | 0:11:34 | 0:11:38 | |
And the answer is that in 1792, | 0:11:38 | 0:11:42 | |
Louis XVI was holed up in the Tuileries Palace in Paris | 0:11:42 | 0:11:47 | |
and the revolutionaries were determined to take him. | 0:11:47 | 0:11:51 | |
He was guarded by a detachment of Swiss Guards | 0:11:51 | 0:11:55 | |
and in the fracas, all the Swiss were slaughtered. | 0:11:55 | 0:12:00 | |
Around 700 Swiss mercenaries lost their life | 0:12:00 | 0:12:04 | |
and that was a terrible thing for the Swiss. | 0:12:04 | 0:12:07 | |
By 1818, they'd raised some cash to form a memorial in Lucerne | 0:12:07 | 0:12:13 | |
and this thing is now known as the Lucerne lion. | 0:12:13 | 0:12:19 | |
It is the memorial | 0:12:19 | 0:12:21 | |
designed by the famous Danish neoclassical sculptor, Thorvaldsen, | 0:12:21 | 0:12:27 | |
and it's carved into an enormous cliff face in Lucerne. | 0:12:27 | 0:12:32 | |
This thing is at least 40 or 50 feet long in the flesh. | 0:12:32 | 0:12:37 | |
We have a representation of the pride | 0:12:37 | 0:12:41 | |
and heroism of Switzerland which is in the form of this lion, | 0:12:41 | 0:12:45 | |
lying, dying on the ground with the remnants of a spear | 0:12:45 | 0:12:50 | |
puncturing its back with a bit of blood dribbling out. | 0:12:50 | 0:12:54 | |
It's dying on top of a shield, | 0:12:54 | 0:12:56 | |
a shield that's carved with the emblem of the French royal family, | 0:12:56 | 0:13:00 | |
a fleur de lys, and sitting up in the background | 0:13:00 | 0:13:04 | |
is another shield showing the Swiss flag, the Red Cross. | 0:13:04 | 0:13:08 | |
What's it doing here in Oswestry? Well, that's a very good question. | 0:13:10 | 0:13:13 | |
Because this thing has been carved out of a solid lump of lime wood | 0:13:13 | 0:13:17 | |
and it's been carved most beautifully | 0:13:17 | 0:13:22 | |
as a representation for the tourists to take home as a gift. | 0:13:22 | 0:13:26 | |
What's a little thing like this worth? Well, it's a beautiful piece of carving. | 0:13:26 | 0:13:30 | |
You could buy it here for £40, but in Switzerland, | 0:13:30 | 0:13:34 | |
to one of those Swiss burghers, I reckon it's worth nigh-on £250. | 0:13:34 | 0:13:39 | |
How's that? | 0:13:39 | 0:13:41 | |
Any other questions? | 0:13:41 | 0:13:43 | |
No? Good! | 0:13:43 | 0:13:44 | |
Well then, on with the bargain hunting. | 0:13:44 | 0:13:48 | |
Woof! The Blues are about to be dogged by trouble. | 0:13:48 | 0:13:50 | |
-I was looking at this dog for 90. Is that...? -90?! | 0:13:53 | 0:13:57 | |
-Do you like that, Gavin? -Um... You're not so keen? | 0:13:57 | 0:14:00 | |
Well, I think the plaque has been put on later. | 0:14:00 | 0:14:03 | |
-Yeah. -What's your very best on that? | 0:14:03 | 0:14:07 | |
Your very, very best, please. | 0:14:07 | 0:14:09 | |
I could do it for you for 70. | 0:14:09 | 0:14:10 | |
You like it? | 0:14:10 | 0:14:12 | |
Not THAT much! | 0:14:13 | 0:14:14 | |
-THEY LAUGH -I think we should move on. | 0:14:14 | 0:14:17 | |
Gavin's trying to move on but Peter's still sniffing around. | 0:14:17 | 0:14:20 | |
Well, what about... You'd do it at 60 for this young lad? | 0:14:20 | 0:14:24 | |
What's going on here? I thought you blokes didn't like it? | 0:14:24 | 0:14:27 | |
-Please? Thank you very much. -I think we should move on. | 0:14:27 | 0:14:30 | |
Your father's shaken on it. | 0:14:30 | 0:14:32 | |
-OK. -Oh, my goodness. Peter's gone and bought it. | 0:14:32 | 0:14:34 | |
Peter, that was very spontaneous, actually. | 0:14:34 | 0:14:37 | |
Before Gavin actually agreed! It's his choice! | 0:14:37 | 0:14:42 | |
-He didn't shake hands on it... -We'd be a week! | 0:14:42 | 0:14:45 | |
-I'm going to put another thing into the equation. -OK. | 0:14:45 | 0:14:48 | |
Out of the corner of my eye, whilst you were shaking hands, | 0:14:48 | 0:14:52 | |
I looked at this little piece here, | 0:14:52 | 0:14:54 | |
which is gilded bronze. | 0:14:54 | 0:14:57 | |
This is 19th century, | 0:14:57 | 0:15:00 | |
and that's priced at 75. | 0:15:00 | 0:15:03 | |
Which one do you like, out of the two? | 0:15:03 | 0:15:06 | |
Gavin? | 0:15:07 | 0:15:08 | |
I can see that this dog is clearly more weighty than this one. | 0:15:08 | 0:15:11 | |
-So I'm guessing this one has got more quality to it. -It has. | 0:15:11 | 0:15:15 | |
If I go back on the deal, will I have to have my hand cut off, | 0:15:15 | 0:15:19 | |
-is that how it works?! -No, no, no! | 0:15:19 | 0:15:22 | |
-If THEY don't cut your hand off, -I -will! Good lord. | 0:15:22 | 0:15:25 | |
I think as long as this young lady secures a sale, she'll be happy. | 0:15:25 | 0:15:29 | |
So either this or this. | 0:15:29 | 0:15:31 | |
Now, what do you think about this one? | 0:15:31 | 0:15:33 | |
It's... We love dogs. | 0:15:33 | 0:15:36 | |
Oh, well...! | 0:15:36 | 0:15:37 | |
Why didn't you TELL me that?! | 0:15:37 | 0:15:39 | |
We love dogs and this is, I can see, a quality item. | 0:15:39 | 0:15:43 | |
How much would you value it? | 0:15:43 | 0:15:45 | |
I think that's the nicer piece, actually. | 0:15:45 | 0:15:47 | |
How much do you think this would go at auction? | 0:15:47 | 0:15:50 | |
Well, I think possibly more than that. | 0:15:50 | 0:15:53 | |
I love the way that the sculptor's created the hair. | 0:15:53 | 0:15:57 | |
That's superb detail, isn't it? | 0:15:57 | 0:16:01 | |
And if you look on the bottom, these are the old square section screws, | 0:16:01 | 0:16:04 | |
so this is a piece that dates from the 19th century. | 0:16:04 | 0:16:08 | |
What's the best you can do on this object, please? | 0:16:08 | 0:16:11 | |
I've got 75 on, what about 65? | 0:16:11 | 0:16:15 | |
-No... -Make me an offer. | 0:16:15 | 0:16:18 | |
I'm going to make an offer 45. | 0:16:18 | 0:16:20 | |
I'll meet you in the middle - 55, and that's the lowest. | 0:16:21 | 0:16:24 | |
I would suggest that I have made a big error | 0:16:26 | 0:16:29 | |
and I think we should go with this. | 0:16:29 | 0:16:31 | |
-Gavin? -I think I prefer this piece. -I think you're right. | 0:16:31 | 0:16:34 | |
-I think we should go for this one. -Hallelujah! | 0:16:34 | 0:16:37 | |
-Right, shake hands on this, it's your choice. -Thank you. | 0:16:37 | 0:16:41 | |
Hallelujah! Right, we've got so little time! | 0:16:41 | 0:16:45 | |
On the purchase of the dog, Gavin was hesitant, | 0:16:46 | 0:16:49 | |
and not wanting to commit himself and he walked away from the dog - | 0:16:49 | 0:16:53 | |
he didn't want to buy it, then Peter shook hands | 0:16:53 | 0:16:55 | |
and said, "we'll have it!" For heaven's sake, what do you do?! | 0:16:55 | 0:16:59 | |
I thought it was hideous. I didn't say that to the stall holder. | 0:16:59 | 0:17:03 | |
Um, but we rescued it with that little ormolu dog | 0:17:03 | 0:17:06 | |
which I thought was brilliant. | 0:17:06 | 0:17:08 | |
Detail on it very good and I don't think we paid too much. | 0:17:08 | 0:17:11 | |
Barby might have a hang-dog expression, | 0:17:11 | 0:17:14 | |
but let's hope that mutt's not a howler. | 0:17:14 | 0:17:18 | |
Thomas had decided to abandon the girly fun items | 0:17:18 | 0:17:21 | |
and go all-out for something he knows about. | 0:17:21 | 0:17:24 | |
-Now these make a lot of money. -OK. | 0:17:24 | 0:17:27 | |
Pens, OK? | 0:17:27 | 0:17:29 | |
Now, a whole collection here of pens. | 0:17:30 | 0:17:33 | |
That one is 20, that one is 25. | 0:17:33 | 0:17:36 | |
This one here is 25. That makes 70. | 0:17:36 | 0:17:38 | |
So I've asked about these - we could get the whole lot for £100. | 0:17:38 | 0:17:43 | |
Would they make a profit at auction? Let's see - yeah, they would. | 0:17:43 | 0:17:47 | |
You've got good money here, at £100 you've got a profit - | 0:17:47 | 0:17:51 | |
you'd make £60 profit. | 0:17:51 | 0:17:53 | |
-And they'd sell them as a group, you reckon? -Yes, you'd sell them as a lot of pens. | 0:17:55 | 0:17:59 | |
Definitely, as a lot. | 0:17:59 | 0:18:01 | |
I mean, that's my advice. There's profit here. | 0:18:01 | 0:18:04 | |
It's not glitzy, it's not what you're about, | 0:18:04 | 0:18:06 | |
-but you're here to make a profit. -Well, yeah. -Yeah. | 0:18:06 | 0:18:09 | |
-I think we should take the advice. -Yeah. And I like writing. | 0:18:09 | 0:18:13 | |
-Do you like writing? -I love it. I love a good list! | 0:18:13 | 0:18:15 | |
Getting a good list going. | 0:18:15 | 0:18:17 | |
I think we'll go with that. | 0:18:17 | 0:18:19 | |
-I'm just thinking that they're a good purchase. -Yeah. | 0:18:19 | 0:18:23 | |
-Are you happy with that? -Yes, I think so. -I know you're panicking. | 0:18:23 | 0:18:27 | |
-No, we're not panicking! -It's offering you a solution. | 0:18:27 | 0:18:30 | |
No, I think we'll go with your advice. | 0:18:30 | 0:18:34 | |
Yeah? 100? | 0:18:34 | 0:18:36 | |
-100. -Thank you very much. | 0:18:36 | 0:18:38 | |
BOTH: Thank you. | 0:18:38 | 0:18:40 | |
Well done, girls. | 0:18:40 | 0:18:41 | |
OK, have we done OK? | 0:18:41 | 0:18:43 | |
I know I pushed you into these, and these aren't you, but well done. | 0:18:43 | 0:18:46 | |
-And you've got ten minutes to spare! -Brilliant! | 0:18:46 | 0:18:49 | |
-I think we've done well, haven't we? -Shall we have tea? -Definitely! | 0:18:49 | 0:18:52 | |
-Let's have a brew! -Leave those there, we'll come back for them. | 0:18:52 | 0:18:55 | |
In the nick of time, | 0:18:55 | 0:18:57 | |
Thomas hopes he's clocked a profitable item for the girls. | 0:18:57 | 0:19:02 | |
Now, where on Earth are the Blues? | 0:19:02 | 0:19:04 | |
I think it's a French one. | 0:19:04 | 0:19:06 | |
Little fuchsias. | 0:19:06 | 0:19:08 | |
But it does need the triangular stand at the back... | 0:19:08 | 0:19:12 | |
..replacing. It had a very fine piece of wire in it, to hang, | 0:19:12 | 0:19:15 | |
but I think it needs a stand, really. | 0:19:15 | 0:19:17 | |
That needs a bit of silver soldering on, doesn't it? | 0:19:17 | 0:19:20 | |
-It does. -Right. Very Art Nouveau. | 0:19:20 | 0:19:24 | |
Very, very Art Nouveau. | 0:19:24 | 0:19:26 | |
-It's a real cabinet piece, isn't it? -Isn't it nice? Yes. Like that? | 0:19:26 | 0:19:30 | |
I do, yeah. I was thinking of something quite stylish like that. | 0:19:30 | 0:19:33 | |
Now, you've got 35 for damaged goods. | 0:19:33 | 0:19:37 | |
-Damaged goods! -25 to you, David. | 0:19:37 | 0:19:42 | |
-Is it plated silver or solid silver? -No, it's solid silver. | 0:19:42 | 0:19:47 | |
Just look at that. | 0:19:47 | 0:19:48 | |
That falls into your category of wanting something Art Nouveau. | 0:19:48 | 0:19:52 | |
Would you do it for 22? For this young man? | 0:19:52 | 0:19:54 | |
-I would do that. 22. Just for you. -I think that's a good price. -You like that? -Yeah, I do like it. | 0:19:54 | 0:20:01 | |
-Do you know Gavin? -It's amazing! | 0:20:01 | 0:20:03 | |
-Just cos the sun's shining! -Oh, I'm very pleased. | 0:20:05 | 0:20:09 | |
Wow! Father and son in harmony - at last! | 0:20:09 | 0:20:12 | |
And with five minutes to go, excellent. | 0:20:12 | 0:20:14 | |
Thank you very much indeed. That's lovely of you. | 0:20:14 | 0:20:17 | |
-Thank you, kind of you. -Thank you. | 0:20:17 | 0:20:19 | |
And that's it. All stop and let's review what the teams bought. | 0:20:19 | 0:20:23 | |
Our girlies in Red loved those pink coffee cans, £90 paid. | 0:20:23 | 0:20:29 | |
And they brushed up a travelling set for £22. | 0:20:32 | 0:20:37 | |
And all those pens for £100 - | 0:20:37 | 0:20:40 | |
will they be something to write home about, though? | 0:20:40 | 0:20:42 | |
We'll find out at the auction. | 0:20:42 | 0:20:45 | |
OK, you blooming beauties. | 0:20:46 | 0:20:48 | |
-You had one heck of a shop, didn't you, Thomas? -Heck of a shop! | 0:20:48 | 0:20:51 | |
-Am I included in the beauty comment? -Course you are. | 0:20:51 | 0:20:54 | |
You're in charge of the beauty parade. Had a good time with Thomas? | 0:20:54 | 0:20:57 | |
We've had a fantastic time, really enjoyed ourselves. | 0:20:57 | 0:21:00 | |
He's a great expert. Now, tell me, which is your favourite? | 0:21:00 | 0:21:03 | |
I'd have to pick the little cups, the pink and silver cups that we bought. | 0:21:03 | 0:21:07 | |
-They're your favourite? -They're very girly. | 0:21:07 | 0:21:10 | |
And what did you spend, all told? In total, Tim, we spent £212. | 0:21:10 | 0:21:15 | |
That is such a mature amount of money. Lovely. I'd like the £88 please - have you got that, Gill? | 0:21:15 | 0:21:20 | |
-There you go, Tim. -Thank you. | 0:21:20 | 0:21:21 | |
88, which goes straight over to the maestro - | 0:21:21 | 0:21:24 | |
this is your favourite moment, finding something to buy. | 0:21:24 | 0:21:27 | |
I love spending it all. | 0:21:27 | 0:21:29 | |
OK, well, buy sensibly, my friend. | 0:21:29 | 0:21:31 | |
Anyway, girls, go and sit down and have a well-earned break. | 0:21:31 | 0:21:34 | |
Meanwhile, why don't we remind ourselves what the Blue team bought. | 0:21:34 | 0:21:38 | |
Our boys in Blue started on a colourful note | 0:21:38 | 0:21:41 | |
with the brilliant yellow pot for £22. | 0:21:41 | 0:21:45 | |
They paid £55 for the gilt dog - are they barking mad? | 0:21:45 | 0:21:51 | |
And the silver photo frame looks as pretty as a picture at £22. | 0:21:51 | 0:21:55 | |
Well, we only had about three minutes left... | 0:22:00 | 0:22:03 | |
-That's good going, isn't it? -Very good. | 0:22:03 | 0:22:05 | |
Very, very good going. And I understand that you two got on | 0:22:05 | 0:22:09 | |
seamlessly throughout the shopping expedition. | 0:22:09 | 0:22:13 | |
Not quite! | 0:22:13 | 0:22:14 | |
Not really? Tell me, Peter, which is your favourite piece? | 0:22:14 | 0:22:17 | |
-The dog. -The dog is your favourite piece. | 0:22:17 | 0:22:20 | |
-Yep. -Which is your favourite piece, boy? -The picture frame. | 0:22:20 | 0:22:23 | |
-Lovely - which piece is going to bring the biggest profit? -The dog. | 0:22:23 | 0:22:28 | |
-Biggest profit? -The pot. | 0:22:28 | 0:22:29 | |
OK, great. See, this is going rather well, isn't it? | 0:22:29 | 0:22:32 | |
-How much did you spend, all round? -We spent £99. | 0:22:32 | 0:22:36 | |
Please may I have £201? | 0:22:36 | 0:22:39 | |
-There you are, sir. -£200. -There's one. -Well, you like a tidy sum. | 0:22:39 | 0:22:43 | |
-I hope you're going to blow the lot. -No, I'm not. | 0:22:43 | 0:22:47 | |
I'm so delighted that there was a reconciliation | 0:22:47 | 0:22:51 | |
between father and son on the very last buy, but I'm now perturbed, | 0:22:51 | 0:22:56 | |
because I've chosen one thing maybe, but I'm not certain about the other one, | 0:22:56 | 0:22:59 | |
and I'm really emulating what went on with the shopping. | 0:22:59 | 0:23:04 | |
-Does that mean you're going to find a Bonus Buy? -Yes! -That's all right! | 0:23:04 | 0:23:08 | |
Anyway, stand down, chaps. Good luck, have a cup of tea, | 0:23:08 | 0:23:12 | |
meanwhile we're off to Croft Castle, which is absolutely scrummy. | 0:23:12 | 0:23:17 | |
Rural North Herefordshire is home to Croft Castle. | 0:23:21 | 0:23:26 | |
Built in the 17th century, it's an early example of Gothic Revival - | 0:23:26 | 0:23:30 | |
a return to medieval building styles. | 0:23:30 | 0:23:33 | |
However, it's not just the outside that looks back to the Middle Ages for inspiration. | 0:23:35 | 0:23:39 | |
In the 1760s, many of the principle rooms | 0:23:39 | 0:23:42 | |
were remodelled in the then newly-fashionable Gothic Rococo style | 0:23:42 | 0:23:46 | |
by the architect Thomas Farnells Pritchard. | 0:23:46 | 0:23:49 | |
There's one room in particular I'm interested in today. | 0:23:49 | 0:23:53 | |
This room is called the Blue Room, rather appropriately, as it's painted blue. | 0:23:56 | 0:24:01 | |
But originally, when this panelling was moved in by local architect | 0:24:01 | 0:24:07 | |
Thomas Farnells Pritchard in the 1760s, | 0:24:07 | 0:24:11 | |
the panelling, which is Jacobean, and came from an earlier house, would have been brown. | 0:24:11 | 0:24:16 | |
But he decided that the blue colour scheme was rather fetching | 0:24:16 | 0:24:20 | |
and most of the original paintwork you can still see today. | 0:24:20 | 0:24:25 | |
The painted detail in the centre | 0:24:25 | 0:24:28 | |
is extremely unusual. | 0:24:28 | 0:24:31 | |
What Pritchard has achieved here is an optical illusion | 0:24:31 | 0:24:34 | |
called a trompe l'oeil. | 0:24:34 | 0:24:37 | |
He makes this flat painted surface come alive | 0:24:37 | 0:24:43 | |
and appear to have a 3D quality. | 0:24:43 | 0:24:47 | |
Each of the roundels is a carved boss called a rosace, | 0:24:47 | 0:24:52 | |
but the trick in the eye is to paint a shadow | 0:24:52 | 0:24:56 | |
on the shadow side of the boss, so that when you look at all these bosses, | 0:24:56 | 0:25:01 | |
and there are literally hundreds of them | 0:25:01 | 0:25:04 | |
painted all around this room, you get the delicious effect. | 0:25:04 | 0:25:09 | |
Now, the second thing that is arresting in this room | 0:25:09 | 0:25:12 | |
is the particularly fine quality of the fire surround. | 0:25:12 | 0:25:17 | |
What is extraordinary about the fire surround is that Pritchard | 0:25:17 | 0:25:22 | |
the architect has used it as a canvas to show off a smart picture | 0:25:22 | 0:25:28 | |
and what smarter picture could you have | 0:25:28 | 0:25:31 | |
than Thomas Gainsborough's portrait of Lady Croft? | 0:25:31 | 0:25:34 | |
But the real skill in this rests with the local craftsperson, | 0:25:34 | 0:25:40 | |
in Shrewsbury, | 0:25:40 | 0:25:42 | |
who carved out of lime wood, | 0:25:42 | 0:25:44 | |
every piece of the detail on this elaborate fire surround. | 0:25:44 | 0:25:49 | |
On this side, on that delicious tapering pilaster, | 0:25:49 | 0:25:54 | |
an axe, representing martial objects, or war, | 0:25:54 | 0:25:59 | |
and on the other side, musical instruments. | 0:25:59 | 0:26:02 | |
Down below, the architect has created another frame. | 0:26:02 | 0:26:07 | |
This time, to enhance the flickering fire and next door to that, | 0:26:07 | 0:26:11 | |
two more pilasters. This one, look, with a coiled snake - | 0:26:11 | 0:26:17 | |
probably representing wisdom. | 0:26:17 | 0:26:19 | |
The big question today is of course for our teams | 0:26:19 | 0:26:21 | |
over at the auction - will they be representing much wisdom? | 0:26:21 | 0:26:25 | |
Well, we've come to Peter Wilson's auction room in South Cheshire to sell our goods, | 0:26:38 | 0:26:44 | |
and our auctioneer of the moment is Robert Stones. | 0:26:44 | 0:26:47 | |
-Very nice to see you. -And you. | 0:26:47 | 0:26:49 | |
Lovely to be back. Now, first up are the two Shelley coffee cups. | 0:26:49 | 0:26:55 | |
Yes, these are often, or were originally sold in case boxes, | 0:26:55 | 0:26:59 | |
so maybe half a dozen or so of them in the case, | 0:26:59 | 0:27:02 | |
and we've just got two of them. | 0:27:02 | 0:27:05 | |
Silver frames on them, the Shelley was manufactured up until 1925, | 0:27:05 | 0:27:10 | |
but I don't think the spoons relate to them at all, because they're a much later date mark on those. | 0:27:10 | 0:27:16 | |
-Yes. -They're very decorative, they're pleasant enough. | 0:27:16 | 0:27:18 | |
-So how much for just two? -40-60 for the those. -Yeah, £90 paid. | 0:27:18 | 0:27:22 | |
The team have gone completely bonkers. | 0:27:22 | 0:27:24 | |
I think Rebecca went mad for them and they're going to suffer. | 0:27:24 | 0:27:28 | |
-Too much. -Yes. The Mappin & Webb brushes and the dressing table pot. | 0:27:28 | 0:27:34 | |
-Yes. -Nice combo? -Well... | 0:27:34 | 0:27:37 | |
I know they were stored, at least the brushes were inside the bottle, | 0:27:37 | 0:27:41 | |
but I'm not so sure they were like that originally. | 0:27:41 | 0:27:44 | |
I think this is just some accessories that have come out | 0:27:44 | 0:27:47 | |
of a rather fine travelling case. | 0:27:47 | 0:27:50 | |
The giveaway is it's got Mappin & Webb on the toothbrush. | 0:27:50 | 0:27:53 | |
Well, they're top makers, | 0:27:53 | 0:27:54 | |
so it must have been a very fine piece of luggage, I suspect. | 0:27:54 | 0:27:58 | |
Yeah. I quite agree. | 0:27:58 | 0:27:59 | |
-So what's this remaining three lumps worth? -We're saying 30-40 on those. | 0:27:59 | 0:28:04 | |
-Oh, brilliant, £22 our lot paid. -Oh, very good. | 0:28:04 | 0:28:07 | |
-That's fine. -So Thomas found that, he liked it. That's very good. | 0:28:07 | 0:28:11 | |
Thomas also went very strongly with this collection of pens. | 0:28:11 | 0:28:14 | |
Well, I know fountain pens are very collectible, but they've got | 0:28:14 | 0:28:18 | |
to be a bit more special, and this is a fairly ordinary group of pens. | 0:28:18 | 0:28:23 | |
They made masses of Parker pens, | 0:28:23 | 0:28:25 | |
there were thousands of them produced. | 0:28:25 | 0:28:27 | |
-What sort of estimate have you put on them? -40-50 on those. | 0:28:27 | 0:28:31 | |
-They paid £100. -Did they? -Yeah. | 0:28:31 | 0:28:33 | |
Well, if you're right, they'll be £50 light on these. | 0:28:33 | 0:28:36 | |
These could be the dark hole into which they plunge, | 0:28:36 | 0:28:39 | |
in which case they'll need their Bonus Buy, | 0:28:39 | 0:28:41 | |
so let's go and have a look at it. | 0:28:41 | 0:28:44 | |
-Now, Gill and Bec, you OK? -Yes, thank you! | 0:28:44 | 0:28:47 | |
-Do you want to know what the leftover lolly got spent on? -We do! -We're excited! -All £88 of it. | 0:28:47 | 0:28:54 | |
Come on, Thomas, show us your wares. | 0:28:54 | 0:28:56 | |
-Oh! -This is an Art Nouveau lamp base. | 0:28:56 | 0:29:01 | |
It's in spelter and has been bronzed to make it look like it's bronze. | 0:29:01 | 0:29:04 | |
Very organic in style. Imagine that with a good light fitting, | 0:29:04 | 0:29:09 | |
lovely shade in a living room - it's very, very stylish. | 0:29:09 | 0:29:14 | |
I didn't spend all your money. Have a look at it. | 0:29:14 | 0:29:17 | |
-How much DID you spend? -What do you think I spent on that? -A fiver?! | 0:29:17 | 0:29:23 | |
Oh, no! No, no, no! | 0:29:23 | 0:29:26 | |
-45. -A bit less, £40. -Oh, right. | 0:29:26 | 0:29:29 | |
And you think this is period, Tom? You think it's 1900-ish? | 0:29:29 | 0:29:34 | |
I think it's probably 1920s. | 0:29:34 | 0:29:37 | |
As late as that? | 0:29:37 | 0:29:39 | |
I think it's that... | 0:29:39 | 0:29:41 | |
It COULD be pre-WWI, but I think it's got a bit of age, definitely, | 0:29:41 | 0:29:44 | |
with this boned wire collar. | 0:29:44 | 0:29:47 | |
Big question, though - is it going to make any profit? | 0:29:47 | 0:29:50 | |
Um...in the past, lamps have always served me well, | 0:29:50 | 0:29:54 | |
so hopefully this is going to shine bright for me, | 0:29:54 | 0:29:56 | |
but of course that doesn't always happen. | 0:29:56 | 0:30:00 | |
Um, so can we have a prediction please, Tom? | 0:30:00 | 0:30:03 | |
£60-80, you know - I think it's a good thing. | 0:30:03 | 0:30:07 | |
OK, what do you think of it? | 0:30:07 | 0:30:08 | |
Well, I didn't like it when it was first revealed, | 0:30:08 | 0:30:11 | |
but now I'm thinking of a nice shade on it, I can see the possibilities. | 0:30:11 | 0:30:15 | |
-I think we'll definitely think about it. -That's the spirit. | 0:30:15 | 0:30:19 | |
That's what I love about you. | 0:30:19 | 0:30:21 | |
Meanwhile, for the audience at home, | 0:30:21 | 0:30:23 | |
let's find out what the auctioneer thinks about Tom's old lamp. | 0:30:23 | 0:30:27 | |
Here you go, Robert - something to light up your life. | 0:30:27 | 0:30:30 | |
Thank you very much indeed! Tim - a little lamp - isn't that a sweetie? | 0:30:30 | 0:30:33 | |
I think this is rather fine, don't you? | 0:30:33 | 0:30:36 | |
-All this casting here - we rather like it. -What's your estimate? | 0:30:36 | 0:30:41 | |
-We've put on this one 50-70. -Perfect. | 0:30:41 | 0:30:43 | |
Because our Thomas paid £40 and I think that's a fair price to pay. | 0:30:43 | 0:30:47 | |
-I'd agree. -Right, Roberto... | 0:30:47 | 0:30:50 | |
That's it for the Reds, now for the Blues, | 0:30:50 | 0:30:53 | |
and first up is this Chinese-style pot - lovely colour, isn't it? | 0:30:53 | 0:30:58 | |
-It's a great colour, a commercial colour. People like that, it's a great shape. -What's your estimate? | 0:30:58 | 0:31:03 | |
-We put 40-60 on it. -Excellent. £22 paid. | 0:31:03 | 0:31:06 | |
-Well done. -That should be a dead-cert profit. -Yep. -Lovely. | 0:31:06 | 0:31:10 | |
Now, Gavin went off and found this little dog which is a pointer? | 0:31:10 | 0:31:15 | |
Yes - French, bronze, gilded, | 0:31:15 | 0:31:19 | |
great quality. It's a good thing. I rate it. | 0:31:19 | 0:31:23 | |
-How much? -We're saying 60-80. | 0:31:23 | 0:31:26 | |
-Excellent, £55 paid. That's another certain profit. -They'll do well. | 0:31:26 | 0:31:32 | |
-Lastly, what about the little so-called silver frame. -Yes, well, | 0:31:32 | 0:31:37 | |
we're back to the age-old story- it hasn't got a hallmark, | 0:31:37 | 0:31:40 | |
and if it hasn't got a hallmark, we only call it white metal - | 0:31:40 | 0:31:43 | |
that is a legal requirement in our catalogue, so... | 0:31:43 | 0:31:46 | |
-OK. -We're looking at a frame here that's got no hallmark, | 0:31:46 | 0:31:49 | |
but it's pretty and it's well made. | 0:31:49 | 0:31:52 | |
-How much? -We put 30-40 on it. | 0:31:52 | 0:31:54 | |
-Excellent - £22 paid. -Profit again! | 0:31:54 | 0:31:58 | |
So we have three predicted profits - very good, Robert. | 0:31:58 | 0:32:00 | |
Thank you - that doesn't happen very often. | 0:32:00 | 0:32:04 | |
So clearly, Gavin, Peter and David Barby have been extremely cunning | 0:32:04 | 0:32:08 | |
in the way in which they've spent their cash. | 0:32:08 | 0:32:10 | |
They probably won't need the Bonus Buy, but we're going to go and have a look at it anyway. | 0:32:10 | 0:32:16 | |
-Now, Gavin and Peter, you've spent a miserable £99... -Yep. | 0:32:16 | 0:32:21 | |
And D Barby had £201 - a phenomenal amount - what did you find, David? | 0:32:21 | 0:32:26 | |
Something I simply adore. | 0:32:28 | 0:32:30 | |
This is a girandole, a mirror with the provision for candles, | 0:32:32 | 0:32:36 | |
so you get three candles here which would reflect in the mirror | 0:32:36 | 0:32:40 | |
and conduct light round the room. | 0:32:40 | 0:32:42 | |
The date of this is, I'd say, the third quarter of the 19th century, | 0:32:42 | 0:32:48 | |
and this falls in line with the Arts and Crafts Movement | 0:32:48 | 0:32:52 | |
and it has an influence of Dutch. | 0:32:52 | 0:32:54 | |
-I really like that. -You really like this? -Yeah, I do like that, yeah. | 0:32:54 | 0:32:58 | |
-Is it silver? -I wish it were! | 0:32:58 | 0:33:01 | |
No, this is silver plate. | 0:33:01 | 0:33:03 | |
This is mounted onto a rather faded green panel | 0:33:03 | 0:33:07 | |
-and this would've been hung on the wall. -And how much was that? | 0:33:07 | 0:33:11 | |
It was very expensive - I nearly spent the whole lot... | 0:33:11 | 0:33:14 | |
on another object, and I bought this for 40! | 0:33:14 | 0:33:16 | |
£40? Is that all? | 0:33:18 | 0:33:20 | |
It was black. So I had to do a little bit of polish on it. | 0:33:20 | 0:33:25 | |
Did you? I never knew you brought your Brasso with you! | 0:33:25 | 0:33:29 | |
-Borrowed it from the hotel! -Did you? -Yes! | 0:33:29 | 0:33:32 | |
Well, how much love does an expert have for his subject to do a bit of polishing?! | 0:33:32 | 0:33:36 | |
-I want to win! -And he's competitive! | 0:33:36 | 0:33:40 | |
No, seriously, so there we go. That's a good object, then. | 0:33:40 | 0:33:43 | |
Do we agree? Everybody happy with that? | 0:33:43 | 0:33:45 | |
You're a lucky old team. Anyway, you don't have to pick it now, | 0:33:45 | 0:33:49 | |
you may pick it after the sale of your first three items, | 0:33:49 | 0:33:52 | |
but let's find out what our auctioneer thinks about David's rather clever buy. | 0:33:52 | 0:33:56 | |
Well, this is elaborate, Robert, isn't it? | 0:33:58 | 0:34:01 | |
Yes, I like it, Tim, I think it's a really nice thing. | 0:34:01 | 0:34:04 | |
A Girandole, we've got the embossed EPNS frame here. | 0:34:04 | 0:34:08 | |
These are actually hinged, the candle sockets, | 0:34:08 | 0:34:12 | |
a bevelled glass mirror. And the velvet frame. | 0:34:12 | 0:34:16 | |
I think this is a really nice decorative thing. | 0:34:16 | 0:34:18 | |
-So, how much? -60-80. -Brilliant. | 0:34:18 | 0:34:21 | |
-That cunning fox David Barby paid £40. -Did he? That's a good buy. | 0:34:21 | 0:34:26 | |
To pay £40 trade, in a fair, I think is excellent. | 0:34:26 | 0:34:31 | |
Anyway, the next challenge is over to you. | 0:34:31 | 0:34:34 | |
-Are you taking the sale today? -I am. -We're in safe hands! | 0:34:34 | 0:34:38 | |
£30 I'm bid, at £30, five, 35, 35, your bid... | 0:34:38 | 0:34:42 | |
40 anywhere? At £35, then. At £35, and will be sold at £35... | 0:34:42 | 0:34:48 | |
Just look at these girls! Are you excited, Gill, or what? | 0:34:48 | 0:34:52 | |
We're very excited, aren't we, Becs? | 0:34:52 | 0:34:54 | |
Anyway, so how do you think you're going to do today? | 0:34:54 | 0:34:58 | |
I think we're going to do brilliant, we've got every faith in what we bought. | 0:34:58 | 0:35:02 | |
So we've got an exciting moment - a room absolutely crammed | 0:35:02 | 0:35:06 | |
with people - half of Cheshire has turned out for this auction today. | 0:35:06 | 0:35:11 | |
Shelley china coffee cans with silver frames, | 0:35:11 | 0:35:15 | |
ladies and gentlemen, £30 to start them off at £30. | 0:35:15 | 0:35:19 | |
Rather nice. At 30. At 30, I'm bid straight away. And 35, | 0:35:19 | 0:35:22 | |
40 now, 40 bid, 45, 50 now. | 0:35:22 | 0:35:24 | |
50 bid, 55, 60 now, 55 in the doorway, 55, | 0:35:24 | 0:35:28 | |
60 anywhere now? 55 in the doorway, £55, 60 anywhere else? | 0:35:28 | 0:35:32 | |
At £55, at £55. Will be sold at £55 only, then... | 0:35:32 | 0:35:37 | |
-Oh! -£55... | 0:35:37 | 0:35:40 | |
is minus £35. | 0:35:40 | 0:35:42 | |
That's not good. | 0:35:42 | 0:35:44 | |
-Not a good start. -We'll make it up. -Come on. | 0:35:44 | 0:35:48 | |
This delightful silver-topped bottle with the toothbrush and nailbrush in there. | 0:35:48 | 0:35:53 | |
What will we say for it? Give me a starter - £30 it's got to be. | 0:35:53 | 0:35:56 | |
£30 for this? At £30, 30 bid straight away. | 0:35:56 | 0:36:01 | |
Five now, do I hear? | 0:36:01 | 0:36:02 | |
At £30, 35 anywhere now, do I hear? | 0:36:02 | 0:36:04 | |
-The bid's there. -I don't see it, do you? | 0:36:04 | 0:36:08 | |
At £30, don't move a muscle, anyone, | 0:36:08 | 0:36:10 | |
cos I'll take a bid off you! | 0:36:10 | 0:36:12 | |
-At £30. -DO move a muscle! | 0:36:12 | 0:36:15 | |
At £30, all finished and done. | 0:36:15 | 0:36:16 | |
£30, that is plus eight pounds. | 0:36:16 | 0:36:18 | |
At least it's a profit. | 0:36:18 | 0:36:20 | |
-That's good. -Now, for the pens. | 0:36:20 | 0:36:22 | |
'The girls are sinking fast. Can Thomas's pens save the day?' | 0:36:22 | 0:36:27 | |
A really good collecting thing these days - fountain pens - a lovely lot. | 0:36:27 | 0:36:32 | |
£30 to start them off. | 0:36:32 | 0:36:34 | |
At £30, start me off at 30. | 0:36:34 | 0:36:35 | |
Bid, £30, straight away. | 0:36:35 | 0:36:37 | |
£35, 40 now, at 40 bid, and five now. | 0:36:37 | 0:36:40 | |
At 40, the bid's there. Five anywhere else? | 0:36:40 | 0:36:43 | |
At 40, the bid's in the doorway, | 0:36:43 | 0:36:44 | |
at £40. 45 anywhere? At 40, the bid's there. | 0:36:44 | 0:36:48 | |
At 40, last chance, at £40 then, being sold... | 0:36:48 | 0:36:50 | |
-at 40. -£40. | 0:36:50 | 0:36:53 | |
That's minus 60, which overall is minus 87. | 0:36:53 | 0:36:56 | |
That's quite a sting that, isn't it? | 0:36:56 | 0:36:58 | |
-That's a big sting. -That's a big old sting. | 0:36:58 | 0:37:01 | |
-That is all one's worst dreams come true. -It is, isn't it? | 0:37:01 | 0:37:04 | |
What are we going to do about the lamp base, girls? | 0:37:04 | 0:37:07 | |
I think we'll go for it. | 0:37:07 | 0:37:09 | |
-You're going to go for it? -Can't get any worse, can it, to be fair? | 0:37:09 | 0:37:12 | |
It's not been brilliant. It's not been your lucky day, I tell you. | 0:37:12 | 0:37:15 | |
Anyway, we're going with the Bonus Buy - here it comes. Good luck. | 0:37:15 | 0:37:18 | |
Lot number 60, ladies and gentlemen, now I like this. | 0:37:18 | 0:37:22 | |
This is a really nice Art Nouveau table lamp base - a lovely thing. | 0:37:22 | 0:37:26 | |
£40 to start it off, | 0:37:26 | 0:37:27 | |
that's no money at all for this, ladies and gents, start me off. | 0:37:27 | 0:37:30 | |
£40 anywhere now? Two hands at once. | 0:37:30 | 0:37:33 | |
45, 50, 50 bid. 55, 60 now, | 0:37:33 | 0:37:36 | |
you can't go wrong. £60. 65, 60 is your bid at £60. | 0:37:36 | 0:37:39 | |
65 anywhere else? At 60 and five now, do I hear? At £60 only. | 0:37:39 | 0:37:44 | |
At 60 now... | 0:37:44 | 0:37:45 | |
Well done, Thomas - that's a profit of £20, | 0:37:45 | 0:37:48 | |
which means overall you are minus £67. | 0:37:48 | 0:37:51 | |
Listen, that could be a winning score, all right, girls? | 0:37:51 | 0:37:54 | |
Very easily, if things go on the way they're going! | 0:37:54 | 0:37:57 | |
So don't say a word to the Blues, OK? Well done. Good sports, eh? | 0:37:57 | 0:38:03 | |
-Gavin, Peter, do you know how the Reds got on? -BOTH: No. -Good. | 0:38:08 | 0:38:12 | |
We don't want you to. Peter, how are you feeling? | 0:38:12 | 0:38:16 | |
-I'm feeling very confident. -Are you? | 0:38:16 | 0:38:19 | |
But I still think that men rule the world and we're going to win! | 0:38:19 | 0:38:22 | |
Oh, dear! | 0:38:22 | 0:38:24 | |
Well, you stand by for the hate mail! David and I will step back! | 0:38:24 | 0:38:29 | |
Anyway, first lot up, Peter, is your pot and here it comes. | 0:38:29 | 0:38:32 | |
Arts and Crafts type vase, | 0:38:32 | 0:38:35 | |
that's the one, very decorative, we like it a lot, | 0:38:35 | 0:38:38 | |
-£40 I'm bid straight away, at 40. -Straight in at 40. | 0:38:38 | 0:38:41 | |
£40 on commission, 45 is over there, 50 is it now? | 0:38:41 | 0:38:44 | |
45 your bid, at 45, 50 is it now? | 0:38:44 | 0:38:46 | |
45, the bid's there, 45, at 45. | 0:38:46 | 0:38:49 | |
50 anywhere? At £45, bid's there, at 45, going to be sold, at 45. | 0:38:49 | 0:38:54 | |
£23 up, I love it. £23, you've doubled your money. | 0:38:54 | 0:38:58 | |
Oh, this is beautiful, lovely. | 0:38:58 | 0:39:00 | |
Here's your dog. | 0:39:00 | 0:39:02 | |
19th century French ormolu, | 0:39:02 | 0:39:04 | |
that's a bronze, it's gilded, lovely thing. | 0:39:04 | 0:39:07 | |
Nice thing. £60 is cheap. | 0:39:07 | 0:39:10 | |
So who's going to bid? There should be a sea of hands up at £60. | 0:39:10 | 0:39:14 | |
Start me off at £60, anywhere now. | 0:39:14 | 0:39:18 | |
65 is on the internet, it's outbid anybody in the room! | 0:39:18 | 0:39:22 | |
At 65, it's on the internet. At 65, 70 is it now? 70 bid. | 0:39:22 | 0:39:26 | |
75 on the internet? 75. | 0:39:26 | 0:39:28 | |
80? 85 now. | 0:39:28 | 0:39:29 | |
85 is it now? | 0:39:29 | 0:39:30 | |
85. At £80, it's in the room. | 0:39:30 | 0:39:34 | |
This is for nothing, I promise you. | 0:39:34 | 0:39:36 | |
It is nothing. | 0:39:36 | 0:39:38 | |
At £80 bid in the room. 85 anywhere else? | 0:39:38 | 0:39:41 | |
At £80 only, at £80 and it will be sold... | 0:39:41 | 0:39:45 | |
at 80 only then... | 0:39:45 | 0:39:46 | |
That's plus £25. It could have made more, but it made a profit. | 0:39:46 | 0:39:51 | |
That's the main thing. | 0:39:51 | 0:39:52 | |
Lot number 78, ladies and gentlemen, the lovely little frame here. | 0:39:52 | 0:39:57 | |
£20 I'm bid, at 20 and five anywhere now? | 0:39:57 | 0:39:59 | |
25, 30, five, 40, | 0:39:59 | 0:40:02 | |
40 bid. 45, 50... | 0:40:02 | 0:40:04 | |
No - 45, your bid at 45. | 0:40:04 | 0:40:07 | |
50 anywhere else? At £45, bid's there at £45. | 0:40:07 | 0:40:11 | |
All finished and done, at 45. | 0:40:11 | 0:40:13 | |
That's plus £23. | 0:40:13 | 0:40:14 | |
-You have 23, 23 and 25 pounds. -Gosh, that's good, isn't it it? | 0:40:14 | 0:40:19 | |
Overall, that is plus £71. So, are you going with the Bonus Buy? | 0:40:19 | 0:40:23 | |
Yes, we're going to go with it. | 0:40:23 | 0:40:26 | |
Well done. That's excellent. Going with the Bonus Buy. Here it comes. | 0:40:26 | 0:40:30 | |
The Arts and Crafts design, girandole, lovely thing, | 0:40:30 | 0:40:35 | |
great quality, £50 to start it off. | 0:40:35 | 0:40:37 | |
£50 anywhere now, do I hear? £50 surely, at 50, | 0:40:37 | 0:40:39 | |
who's with me now, at £50? | 0:40:39 | 0:40:40 | |
-Come along now, at £50. -I can't believe this! -At 50, surely? | 0:40:40 | 0:40:44 | |
At £50 now, at 50 do I hear...? | 0:40:44 | 0:40:47 | |
You shouldn't be hesitating at this, it's a quality thing here. | 0:40:47 | 0:40:50 | |
50 I'm bid, and five now do I hear? | 0:40:50 | 0:40:52 | |
We got 50. | 0:40:52 | 0:40:53 | |
Five now, at £50 only, | 0:40:53 | 0:40:56 | |
-that is all. At £50 only. -I can't believe this, Tim. | 0:40:56 | 0:40:58 | |
Are we all finished at £50 only then? | 0:40:58 | 0:41:01 | |
£50, but it's a profit. | 0:41:01 | 0:41:02 | |
-Yeah, that's all right. -I know... | 0:41:02 | 0:41:05 | |
It is plus £10, but he wants to see the plus 50 or £80, | 0:41:05 | 0:41:09 | |
which is what it ought to have done. Anyway, there we are. | 0:41:09 | 0:41:11 | |
We got what we got, can't be greedy, you got a profit on all items, | 0:41:11 | 0:41:16 | |
you got a profit on your Bonus Buy, that means you are £81 up. | 0:41:16 | 0:41:20 | |
-That's awesome. -That's great. | 0:41:20 | 0:41:22 | |
-Just don't say a word to the Reds, no point in spoiling their day! -No. | 0:41:22 | 0:41:26 | |
Well, what a lovely day we've had, haven't we, teams? | 0:41:31 | 0:41:34 | |
-Lovely! -I mean, we've had glamour | 0:41:34 | 0:41:38 | |
and we've had hard-headedness today! | 0:41:38 | 0:41:42 | |
And who do you suppose is ahead? Have you been chatting at all? | 0:41:42 | 0:41:45 | |
-ALL: No! -You haven't. Well, I'm terribly sorry to tell you, | 0:41:45 | 0:41:49 | |
but glamour has lost out today, big time. | 0:41:49 | 0:41:53 | |
Minus £67 overall score, | 0:41:53 | 0:41:56 | |
-it was not going your way today, was it? -BOTH: No! | 0:41:56 | 0:41:59 | |
-Have you had a good time? -We've had a lovely time. | 0:41:59 | 0:42:01 | |
I've loved meeting you, too. | 0:42:01 | 0:42:03 | |
-Thanks, Tim. -Rebecca, been all right for you? | 0:42:03 | 0:42:06 | |
It's been wonderful, had a great day. | 0:42:06 | 0:42:08 | |
And you've been really good sports. | 0:42:08 | 0:42:10 | |
Thank you very much for coming and jollying up our day. | 0:42:10 | 0:42:13 | |
But these ugly brutes over here...they're the victors, | 0:42:13 | 0:42:16 | |
by making a profit on every single item, | 0:42:16 | 0:42:20 | |
so all three items that you bought made a profit, | 0:42:20 | 0:42:23 | |
David Barby's Bonus Buy made a profit, | 0:42:23 | 0:42:25 | |
so everybody's incredibly happy on this side of the trench. | 0:42:25 | 0:42:28 | |
In fact, you're going home with £81 profit in your pocket. | 0:42:28 | 0:42:33 | |
There's the £80, there's the £1, | 0:42:33 | 0:42:37 | |
and bearing in mind you only spent £99 to start off with, | 0:42:37 | 0:42:40 | |
that is pretty good going! | 0:42:40 | 0:42:43 | |
Anyway, because you have made a profit | 0:42:43 | 0:42:46 | |
on all three of your items, you're admitted to the ancient | 0:42:46 | 0:42:49 | |
and venerable order of Golden Gavellers - | 0:42:49 | 0:42:52 | |
here's your Golden Gavel... | 0:42:52 | 0:42:54 | |
We don't have golden gavels any more, so we lob out these tie pins | 0:42:54 | 0:42:58 | |
on the rare occasions where somebody does make a profit on all three items. | 0:42:58 | 0:43:02 | |
Anyway, we've had a great time, join us soon | 0:43:02 | 0:43:04 | |
-for some more Bargain Hunting, yes? -ALL: Yes! | 0:43:04 | 0:43:07 | |
I know, you're sitting there thinking, | 0:43:07 | 0:43:10 | |
"I could have done better than that!" | 0:43:10 | 0:43:12 | |
Well, what's stopping you? | 0:43:12 | 0:43:14 | |
If you think you can spot a bargain, go to our BBC website and apply - | 0:43:14 | 0:43:18 | |
it'll be splendid to see you! | 0:43:18 | 0:43:21 | |
Subtitles by Red Bee Media Ltd | 0:43:21 | 0:43:24 | |
E-mail [email protected]. | 0:43:24 | 0:43:27 |