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Are you ready to go shopping? | 0:00:04 | 0:00:06 | |
I sure know I am, so let's go Bargain Hunting! Yeah! | 0:00:06 | 0:00:10 | |
'Today, we're at the Royal Bath and West Showground in Shepton Mallet. | 0:00:35 | 0:00:39 | |
'Shepton is famous for its cider.' | 0:00:39 | 0:00:41 | |
So, why don't we find out what bargains we've got inside 'ere... | 0:00:41 | 0:00:46 | |
my dear? | 0:00:46 | 0:00:48 | |
Ooh! | 0:00:48 | 0:00:49 | |
'Dear, oh dear! | 0:00:49 | 0:00:51 | |
'Coming up in today's show, | 0:00:51 | 0:00:52 | |
'the boys try to take the girls shopping, with inevitable results.' | 0:00:52 | 0:00:56 | |
She's an acquired taste! | 0:00:56 | 0:00:58 | |
-Does it float your boat? -No. -No. | 0:00:58 | 0:01:01 | |
BOTH: No! | 0:01:01 | 0:01:02 | |
-Expensive taste. -That is expensive taste. | 0:01:02 | 0:01:04 | |
I think it's a bit too much for Bargain Hunt. | 0:01:04 | 0:01:07 | |
Too much for Bargain Hunt?! We're on the wrong show, Lara! | 0:01:07 | 0:01:10 | |
'But will this fussiness pay off at the auction?' | 0:01:10 | 0:01:12 | |
Oh, no! Go on! | 0:01:12 | 0:01:14 | |
Not looking good, this. | 0:01:14 | 0:01:16 | |
'Let's meet the teams.' | 0:01:16 | 0:01:18 | |
On the show today we have two teams of sisters. | 0:01:20 | 0:01:23 | |
How lovely! For the reds, we've got Tracey and Tonya. Hello, girls. | 0:01:23 | 0:01:28 | |
Hello, Tim. | 0:01:28 | 0:01:30 | |
-And for the blues we've got Mary and Lara. -Hi, Tim. -Hi. | 0:01:30 | 0:01:32 | |
Lovely to see you lot. | 0:01:32 | 0:01:34 | |
Tonya, are you going to get on with your sister? | 0:01:34 | 0:01:36 | |
I normally get on very well with her | 0:01:36 | 0:01:38 | |
but today there could be a bit of friction. | 0:01:38 | 0:01:41 | |
-You do spend all your time together though, don't you? -We do, yeah. -Yes. | 0:01:41 | 0:01:44 | |
What do you do for a living, Tonya? | 0:01:44 | 0:01:46 | |
I'm a support worker at a drug and alcohol rehab centre. | 0:01:46 | 0:01:49 | |
Oh, lordy, that sounds quite a job. | 0:01:49 | 0:01:52 | |
It is, very good, very rewarding. | 0:01:52 | 0:01:54 | |
What do you do when you're not at work? | 0:01:54 | 0:01:56 | |
-Bingo. -Do you? | 0:01:56 | 0:01:59 | |
Bingo, boot sales and shopping. | 0:01:59 | 0:02:01 | |
What happens at the bingo then, do you ever do any good with that? | 0:02:01 | 0:02:04 | |
Yeah, recently I had a £6,000 win. | 0:02:04 | 0:02:06 | |
-Never! -Yes. | 0:02:06 | 0:02:08 | |
I went very excited and it was the only time Tracey didn't come with me so we didn't share it! | 0:02:08 | 0:02:12 | |
You didn't give her a scrap? | 0:02:12 | 0:02:14 | |
-No! -Did you not? | 0:02:14 | 0:02:16 | |
That's not very sisterly, is it? | 0:02:16 | 0:02:18 | |
You could have another second, spectacular winning today | 0:02:18 | 0:02:21 | |
on Bargain Hunt, couldn't you? | 0:02:21 | 0:02:22 | |
We certainly will. | 0:02:22 | 0:02:24 | |
I mean, we've got plenty of scope for making £6,000 worth of profit(!) | 0:02:24 | 0:02:27 | |
-That's why we're here. -Tracey, what do you do for a living? | 0:02:27 | 0:02:30 | |
I'm an assistant manageress at an arcade in Weston. | 0:02:30 | 0:02:34 | |
Are you? What sort of an arcade would that be? | 0:02:34 | 0:02:37 | |
It's a busy amusement arcade. | 0:02:37 | 0:02:39 | |
-Ah, one-armed bandits! -Oh, yes, big fruit machines paying out big money. | 0:02:39 | 0:02:43 | |
What do you do when you're not running the amusement arcade? | 0:02:43 | 0:02:46 | |
-My passion is Zumba. -What's Zumba when it's at home? | 0:02:46 | 0:02:49 | |
Zumba is a dance craze | 0:02:49 | 0:02:51 | |
where you wear a jingle-jangle skirt... | 0:02:51 | 0:02:54 | |
-This all means something to you? -Yeah. -Yeah, lovely, very good. | 0:02:54 | 0:02:58 | |
You wear a jingle-jangle skirt to shake your bits | 0:02:58 | 0:03:00 | |
and I've actually brought you, Tim, | 0:03:00 | 0:03:03 | |
a jingle-jangle skirt so you can shake your bits! | 0:03:03 | 0:03:06 | |
-Me?! -TRACEY LAUGHS | 0:03:06 | 0:03:07 | |
-Me?! -Yes. -Zumba? | 0:03:07 | 0:03:09 | |
-Zumba. -I've never heard of Zumba. | 0:03:09 | 0:03:11 | |
Aw, ho-ho-ho! | 0:03:11 | 0:03:14 | |
This is... the Egyptian belly dancer's kit! | 0:03:14 | 0:03:17 | |
It's a bit smaller than a belly dancer's one... | 0:03:17 | 0:03:20 | |
-Is it? -..it's the same principle. -How very kind. | 0:03:20 | 0:03:22 | |
You put it on and you shake your bits. | 0:03:22 | 0:03:24 | |
Reckon you can beat these girls today? | 0:03:24 | 0:03:27 | |
-Oh, yes. -We'll give them a run for their money. | 0:03:27 | 0:03:29 | |
Yeah. They don't seem to be quaking in their boots, exactly. | 0:03:29 | 0:03:33 | |
Anyway, very good luck, reds. | 0:03:33 | 0:03:35 | |
Now, Mary and Lara, you are identical sisters. | 0:03:35 | 0:03:38 | |
-We are, yes. -We are indeed. | 0:03:38 | 0:03:39 | |
Quite similar. | 0:03:39 | 0:03:41 | |
Are you similar in every respect otherwise? | 0:03:41 | 0:03:44 | |
I think we've got quite different personalities. | 0:03:44 | 0:03:47 | |
Mary's known by my family as my Executive PA... | 0:03:47 | 0:03:50 | |
-Oh-ho! -..because she does a lot of work for me, | 0:03:50 | 0:03:53 | |
organising my hectic schedule! | 0:03:53 | 0:03:54 | |
-That's true. -Is that true, Mary? -It is true, definitely! | 0:03:54 | 0:03:57 | |
Well, it's very nice that you accept your role in life as a slave. | 0:03:57 | 0:04:03 | |
-So who's the oldest? -Who d'you think? -Ah! I understand, thank you. | 0:04:03 | 0:04:08 | |
Very good. Hence the executive relationship. | 0:04:08 | 0:04:11 | |
-There you go, you see. -Brilliant, isn't it? | 0:04:11 | 0:04:14 | |
Two significant minutes older, it all counts. | 0:04:14 | 0:04:16 | |
-Now, you share an apartment. -We do, yes. -Does that work out OK? | 0:04:16 | 0:04:20 | |
We get on very well, don't we? | 0:04:20 | 0:04:22 | |
-We work as a good team. -As long as the pecking order is respected! | 0:04:22 | 0:04:25 | |
Mary does the cleaning, I do the bills so that's how it works. | 0:04:25 | 0:04:29 | |
-Lara brings the money in, I spend it, so... -Oh, super! | 0:04:29 | 0:04:32 | |
-We're like a married couple. -Sounds absolutely wizard! | 0:04:32 | 0:04:35 | |
Is that the way it's going to work on Bargain Hunt today? | 0:04:35 | 0:04:37 | |
Will you make all the decisions | 0:04:37 | 0:04:39 | |
and Mary's going to take the cash out and pay? | 0:04:39 | 0:04:42 | |
Well, Mary's a very good shopper. | 0:04:42 | 0:04:43 | |
I'm definitely a chief shopper, | 0:04:43 | 0:04:45 | |
so I think today, I'll be leading the team. | 0:04:45 | 0:04:48 | |
What do you collect? Do you collect anything? | 0:04:48 | 0:04:51 | |
When we moved to Bristol we arrived to an empty flat, unfurnished flat | 0:04:51 | 0:04:55 | |
and being fans of the finer things in life, we couldn't really afford | 0:04:55 | 0:05:00 | |
expensive furniture | 0:05:00 | 0:05:01 | |
so we went out to antiques places | 0:05:01 | 0:05:04 | |
and we bought lots of... | 0:05:04 | 0:05:06 | |
well, run-down furniture with a bit of character, | 0:05:06 | 0:05:09 | |
then we upcycled them and they now sit in our flat. | 0:05:09 | 0:05:11 | |
-So this means you rag 'em, bag 'em, scrag 'em and strip 'em? -Exactly. | 0:05:11 | 0:05:16 | |
Yeah. | 0:05:16 | 0:05:17 | |
Other things we fancy in our flat perhaps we'll buy and hope they sell at auction. | 0:05:17 | 0:05:21 | |
Well, this is going to be exciting. Now, the money moment. | 0:05:21 | 0:05:24 | |
£300 a piece, I'll just get my Zumba outfit out of the way. | 0:05:24 | 0:05:28 | |
That's lovely. You know the rules, your experts await and off you go! | 0:05:28 | 0:05:32 | |
And very, very, very good luck! | 0:05:32 | 0:05:34 | |
Gosh, I've never done any Zumba work! | 0:05:34 | 0:05:37 | |
'Our experts today are angling for some big finds. | 0:05:41 | 0:05:44 | |
'Hoping to reel it in for the reds, | 0:05:45 | 0:05:47 | |
'is Jeremy Lamond. | 0:05:47 | 0:05:49 | |
'Whilst Henry Meadows is trying to hook a bargain for the blues. | 0:05:49 | 0:05:53 | |
'The hour starts now! | 0:05:53 | 0:05:55 | |
'Good luck, teams!' | 0:05:55 | 0:05:56 | |
You know the rules? Let's have a little test. | 0:05:56 | 0:05:58 | |
-How much do the teams have to spend? -£300. | 0:05:58 | 0:06:01 | |
-And how long do they have to do their shopping in? -One hour. | 0:06:01 | 0:06:05 | |
-How many items do they buy? -Three. | 0:06:05 | 0:06:07 | |
-There you go, full marks, you've got it! -Oh, thank you! | 0:06:07 | 0:06:11 | |
£300, one hour, three items | 0:06:11 | 0:06:13 | |
and the team that makes the most profit, of course... | 0:06:13 | 0:06:16 | |
-Win. -Wins! | 0:06:17 | 0:06:19 | |
Magnificent! Bravo! | 0:06:19 | 0:06:23 | |
-So, let me see if I've got this right today, Lara...? -Yep. | 0:06:27 | 0:06:31 | |
-And Mary? -Yeah, that's right. -Hey! | 0:06:31 | 0:06:33 | |
-You are the Yin and Yang of this team? -Yes. -Oh, yes. | 0:06:33 | 0:06:36 | |
-There's going to be double the trouble and double the impact? -Yep. | 0:06:36 | 0:06:39 | |
-I would like to spend all the money we've got. -Really? -Yep. | 0:06:39 | 0:06:43 | |
Do you think the same, or... have you got different ideas about, | 0:06:43 | 0:06:46 | |
you know, what you're going to be going for today? | 0:06:46 | 0:06:49 | |
-I think we've got quite similar tastes. -Yeah. -Fantastic. | 0:06:49 | 0:06:52 | |
-Let's find out. -Let's go. | 0:06:52 | 0:06:53 | |
There's a whip there? | 0:07:00 | 0:07:02 | |
Are you going to be cracking the whip today or...? | 0:07:02 | 0:07:05 | |
-Don't step out of line. -I'm scared now(!) | 0:07:05 | 0:07:07 | |
-It's got a long range. -See what I have to live with? | 0:07:07 | 0:07:10 | |
'Watch your back, Henry. She's a wild one. | 0:07:10 | 0:07:13 | |
'Let's see how Jeremy's getting on with those reds.' | 0:07:13 | 0:07:16 | |
-Does that float your boat? -BOTH: No! -No, oh. | 0:07:16 | 0:07:19 | |
No, definitely not. | 0:07:19 | 0:07:20 | |
-SELLER LAUGHS -Is there a fan in this box? | 0:07:20 | 0:07:23 | |
-Oh, look, it's an invisible fan, that's rare(!) Now that is rare(!) -ALL LAUGH | 0:07:25 | 0:07:29 | |
If I take it out... | 0:07:29 | 0:07:32 | |
-and just spread it... -Ooh, lovely! | 0:07:32 | 0:07:34 | |
-Oof, I felt that(!) -An invisible fan. | 0:07:34 | 0:07:36 | |
And that's the first one I've seen. | 0:07:36 | 0:07:39 | |
'Ah-ha, Jeremy, I don't know how many FANS you're going to have | 0:07:39 | 0:07:43 | |
'after telling a joke like that!' | 0:07:43 | 0:07:45 | |
Trust you to pick up a mermaid. | 0:07:45 | 0:07:47 | |
-I know. -I'm not sure I'd want that on my mantelpiece. | 0:07:47 | 0:07:50 | |
She's an acquired taste! | 0:07:50 | 0:07:51 | |
-Yeah. -Perhaps one for the men. | 0:07:51 | 0:07:54 | |
ALL LAUGH | 0:07:54 | 0:07:55 | |
'Well, Henry, you'll have to work hard | 0:07:55 | 0:07:57 | |
'to keep your head above the waves with these two!' | 0:07:57 | 0:08:00 | |
There's a chandelier weight there, which is unusual. | 0:08:01 | 0:08:04 | |
A cast-iron chandelier weight. | 0:08:04 | 0:08:06 | |
Oh, yeah. It's heavy, yeah. | 0:08:06 | 0:08:08 | |
French suspension for chandelier or heavy light fitting. | 0:08:08 | 0:08:12 | |
-Chandelier or heavy light fitting. -£18. -£18. | 0:08:12 | 0:08:15 | |
Number two, French cast iron. | 0:08:15 | 0:08:18 | |
What would the initials be on it, anything...? | 0:08:18 | 0:08:21 | |
Well, it says, DW or WD. | 0:08:21 | 0:08:24 | |
The French War Department, isn't it? | 0:08:24 | 0:08:26 | |
-Don't! -(FRENCH ACCENT) War of Department! | 0:08:26 | 0:08:29 | |
And under here is 40, | 0:08:29 | 0:08:30 | |
so you've got WD-40. | 0:08:30 | 0:08:32 | |
Which is what we need(!) | 0:08:32 | 0:08:34 | |
No? | 0:08:34 | 0:08:35 | |
Ooh, well, I can't pull it. | 0:08:35 | 0:08:37 | |
It's going to be good and strong if it can pull a chandelier? | 0:08:37 | 0:08:41 | |
-Yeah, that's quite nice. -That's different, isn't it? | 0:08:41 | 0:08:44 | |
-Want to try for that one? -Yeah, go on, then. | 0:08:44 | 0:08:46 | |
-Have a go at that one? -Yeah. | 0:08:46 | 0:08:47 | |
-She's round the corner. SELLER: -Oop, sorry. That's mine. | 0:08:49 | 0:08:52 | |
OK. | 0:08:52 | 0:08:53 | |
-What've I got on it? -£18. | 0:08:53 | 0:08:55 | |
-I'll do it for £15? -£15? -Yeah. | 0:08:55 | 0:08:58 | |
-What d'you think, £15? -I think we should. -Yeah. | 0:08:58 | 0:09:00 | |
-You'll have to find a can of WD-40! -ALL LAUGH | 0:09:00 | 0:09:04 | |
-OK, lovely, thanks. -£15? -Yeah, £15. -We'll go for that. | 0:09:04 | 0:09:07 | |
And here we are. We've bought it. | 0:09:07 | 0:09:09 | |
-Lovely. -Well done, ladies. -Number one. | 0:09:09 | 0:09:11 | |
Under ten minutes, first one. | 0:09:11 | 0:09:13 | |
-Number one, not number two! -Number two. | 0:09:13 | 0:09:16 | |
-Yeah, but number one item. -Yeah. | 0:09:16 | 0:09:18 | |
'Our sisters in red give it the right one-two | 0:09:18 | 0:09:21 | |
'and have kicked off the shopping. | 0:09:21 | 0:09:24 | |
'The terrible twins have clocked something.' | 0:09:24 | 0:09:26 | |
Over here, nice little clock. | 0:09:26 | 0:09:27 | |
Probably got expensive taste but I'll look anyway. | 0:09:27 | 0:09:30 | |
Let's have a look. | 0:09:33 | 0:09:34 | |
What's the condition of it like, though? | 0:09:34 | 0:09:37 | |
Often it's the case...it's prone to damage, it's very soft. | 0:09:37 | 0:09:40 | |
Is it telling the right time? | 0:09:40 | 0:09:42 | |
Well, one thing's for sure, | 0:09:43 | 0:09:45 | |
you can guarantee it's going to be right at least twice a day. | 0:09:45 | 0:09:47 | |
TWINS LAUGH | 0:09:47 | 0:09:49 | |
-I actually laughed at that one. -That was good actually, Henry. | 0:09:49 | 0:09:53 | |
-Well, how much is it? £220. -£220. | 0:09:53 | 0:09:57 | |
-Yeah. -Expensive taste. | 0:09:59 | 0:10:01 | |
And for us, I think it's a bit too much for Bargain Hunt. | 0:10:01 | 0:10:05 | |
Too much for Bargain Hunt?! We're on the wrong show, Lara! | 0:10:05 | 0:10:09 | |
'You highfalutin girls are on the right show - | 0:10:09 | 0:10:12 | |
'you're just picking the wrong items. | 0:10:12 | 0:10:14 | |
'Now, the Reds are onto a dead cert with this executor's ledger.' | 0:10:14 | 0:10:19 | |
You don't know who Mr Bosworth was? | 0:10:19 | 0:10:20 | |
I haven't had time to research it, | 0:10:20 | 0:10:23 | |
but he was obviously a very affluent Victorian gentleman. | 0:10:23 | 0:10:26 | |
So we have what they used to call "a man of substance" here. | 0:10:26 | 0:10:30 | |
-A gentleman. A gentleman... -Just like yourself. -Absolutely! | 0:10:30 | 0:10:34 | |
You know how to get round him, don't you? | 0:10:34 | 0:10:37 | |
I think it is dated somewhere. | 0:10:37 | 0:10:39 | |
There's a date there on the top corner. Next page. | 0:10:39 | 0:10:43 | |
Oh, 1887. Well spotted. | 0:10:43 | 0:10:44 | |
It's all about the parcels of land and stocks | 0:10:44 | 0:10:48 | |
and who he left them all to. | 0:10:48 | 0:10:50 | |
-Depends how much it is. -It's 25, so it's not expensive. | 0:10:50 | 0:10:54 | |
If you're called Bosworth, then of course you're going to want it. | 0:10:54 | 0:10:57 | |
That's good. I like that. | 0:10:57 | 0:10:59 | |
-What we're going to do is stack the auction with Bosworths. -Yeah! | 0:10:59 | 0:11:04 | |
Go through the phone book... | 0:11:04 | 0:11:05 | |
You said it was 25. Would that be your best price? | 0:11:05 | 0:11:08 | |
I can do 20 for you, | 0:11:08 | 0:11:10 | |
but I do think you've actually got... It's a good price. | 0:11:10 | 0:11:14 | |
-And is this vellum? -Yes, it is a vellum cover. | 0:11:14 | 0:11:17 | |
Yes, vellum or pigskin cover. | 0:11:17 | 0:11:19 | |
And it's all branded and stamped up, so that would be in your deed box. | 0:11:19 | 0:11:25 | |
-I do like that. -Do you want to go for that? | 0:11:25 | 0:11:27 | |
Today, Tonya, Tracey, this is... | 0:11:27 | 0:11:31 | |
-not your life. -THEY LAUGH | 0:11:31 | 0:11:33 | |
'A grave decision? | 0:11:33 | 0:11:35 | |
'Let's wait and see. Still, it's two-up for the Reds.' | 0:11:35 | 0:11:39 | |
-This looks quite unusual. -What on earth is that? | 0:11:40 | 0:11:44 | |
Well, it's almost like a tipstaff. | 0:11:44 | 0:11:46 | |
A tipstaff was effectively a truncheon during the 19th century. | 0:11:46 | 0:11:50 | |
Another weapon for Lara, there. | 0:11:50 | 0:11:52 | |
Yeah. Well, weapons seem to be the theme today. | 0:11:52 | 0:11:56 | |
But this is interesting because it's got a classical vase finial to it. | 0:11:56 | 0:12:01 | |
What sort of condition is this one in? | 0:12:01 | 0:12:04 | |
I think it's been used quite a lot. | 0:12:04 | 0:12:06 | |
-You wouldn't want to be hit over the head with it. -No. How much is it? | 0:12:06 | 0:12:09 | |
-That one's 75. -75. | 0:12:09 | 0:12:12 | |
Or you might be able to bargain me down. | 0:12:12 | 0:12:16 | |
I know that it's perhaps not visually the nicest thing, | 0:12:16 | 0:12:21 | |
but I thought he'd probably say 120, 130, | 0:12:21 | 0:12:26 | |
so we're not... I think it's probably one to think about. | 0:12:26 | 0:12:30 | |
Definitely. If we can bargain down a bit more... | 0:12:30 | 0:12:33 | |
So, what do you think to that, then? | 0:12:33 | 0:12:35 | |
It's certainly got a bit of weight behind it. | 0:12:35 | 0:12:38 | |
-I think you've got it the wrong way up! -Have I? -Yeah. | 0:12:38 | 0:12:41 | |
You'd be all right on the receiving end of the wooden bit! | 0:12:41 | 0:12:45 | |
You can't get much impact on that! | 0:12:45 | 0:12:47 | |
Who's first, then? Form an orderly queue. | 0:12:47 | 0:12:51 | |
I don't know about you but I'm getting quite scared. | 0:12:51 | 0:12:53 | |
We should just leave her to it. | 0:12:53 | 0:12:55 | |
Oh dear, I'm getting a bad name for myself at the moment. | 0:12:55 | 0:12:58 | |
'Go away and have a think about it, but don't be too long. | 0:12:58 | 0:13:00 | |
'It might just catch somebody else's eye.' | 0:13:00 | 0:13:04 | |
We're coming at this with a will, aren't we? | 0:13:04 | 0:13:07 | |
With a will and a weight. | 0:13:07 | 0:13:08 | |
-How to get "a head." -Get a hat. | 0:13:08 | 0:13:12 | |
I think we've cased the joint. | 0:13:12 | 0:13:14 | |
'Oh, Jeremy! I'm sure they're tickled pink. | 0:13:14 | 0:13:18 | |
'The Blues are, at least.' | 0:13:18 | 0:13:19 | |
That's a nice piece. Do you know anything about it? | 0:13:19 | 0:13:22 | |
-Absolutely nothing. -It's pink. | 0:13:22 | 0:13:24 | |
It is a nice colour. | 0:13:24 | 0:13:27 | |
It's got a pink lustre to it, which suggests... | 0:13:27 | 0:13:29 | |
that it's made up in Sunderland. | 0:13:29 | 0:13:32 | |
It's got that generic Sunderland lustre pink to it. | 0:13:32 | 0:13:36 | |
It's a classic Victorian piece. Probably date-wise 1830s, 1840s. | 0:13:36 | 0:13:41 | |
There's no markings on it or anything. | 0:13:41 | 0:13:44 | |
No, not every factory put markings on the ware. What's the scene on it? | 0:13:44 | 0:13:48 | |
Two ladies, a bit like you and I, having a walk down the steps there. | 0:13:48 | 0:13:52 | |
-Just strolling without a care in the world. -Exactly. | 0:13:52 | 0:13:56 | |
Living the dream. | 0:13:56 | 0:13:58 | |
It would be quite nice to get one under our belt. | 0:13:58 | 0:14:01 | |
That's the sort of thing, if we could negotiate a little bit more... | 0:14:01 | 0:14:06 | |
Would people be interested in buying something like that? | 0:14:06 | 0:14:10 | |
There's a market for it. | 0:14:10 | 0:14:11 | |
I'm not saying it's as strong as it was | 0:14:11 | 0:14:13 | |
but there are certainly a lot of buyers out there for it. | 0:14:13 | 0:14:16 | |
At auction, I think this is going to make £70, £80. | 0:14:16 | 0:14:20 | |
That sort of price. How much is it? | 0:14:20 | 0:14:22 | |
55. So I could see a moderate profit in it. | 0:14:22 | 0:14:27 | |
Right, I'm just going to go and have a word | 0:14:27 | 0:14:29 | |
with the stallholder, see what negotiating I can do. | 0:14:29 | 0:14:32 | |
'While Henry charms the stallholder, let's see what the Reds are up to.' | 0:14:32 | 0:14:36 | |
-Or a vase... -Something pretty. -Yes. -We've got two manly things. | 0:14:36 | 0:14:40 | |
We want something very girly. | 0:14:40 | 0:14:42 | |
'Is that girly enough for you?' | 0:14:42 | 0:14:45 | |
-She's called The Sun Worshipper. -The Sun Worshipper. | 0:14:45 | 0:14:48 | |
It's very feminine, as a sculpture. | 0:14:48 | 0:14:51 | |
-Does it float your boat? -No. -SHE LAUGHS | 0:14:51 | 0:14:54 | |
'That's that one sunk, then.' | 0:14:54 | 0:14:57 | |
Right, so, good news. I've been and had a word with the stallholder. | 0:14:59 | 0:15:03 | |
-I managed to charm her down to £40. -Well, that's good. -Proud of you. | 0:15:03 | 0:15:08 | |
-Which is all right, isn't it? -Yep. -Yep, definitely. | 0:15:08 | 0:15:11 | |
-We should definitely go for it. -Definitely. First buy. | 0:15:11 | 0:15:15 | |
'Mary and Lara finally in the game, with one item under their belt.' | 0:15:15 | 0:15:19 | |
-Two small things, something big with loads of money. -That's it. | 0:15:19 | 0:15:22 | |
One down, two to go. Quite a bit of money left. | 0:15:22 | 0:15:26 | |
Here we are. | 0:15:26 | 0:15:28 | |
Look, ladies. | 0:15:28 | 0:15:30 | |
The pressure's on. | 0:15:30 | 0:15:32 | |
What's this? That's £45. | 0:15:32 | 0:15:35 | |
-It's quite old, isn't it? -It is. It's 1930s, isn't it? -Yes. | 0:15:35 | 0:15:38 | |
And look, whatever it makes, isn't it a funny thing? | 0:15:38 | 0:15:42 | |
-HE LAUGHS -Do you like it? | 0:15:42 | 0:15:45 | |
-No. -All right, we'll put it there. | 0:15:45 | 0:15:48 | |
'Oh, Jeremy, it's enough to make your blood boil, isn't it?' | 0:15:48 | 0:15:53 | |
I tell you what I did spot. I don't know how you feel about washing. | 0:15:53 | 0:15:56 | |
What are you trying to say, Henry? THEY LAUGH | 0:15:56 | 0:16:00 | |
How about a Victorian wash set? | 0:16:00 | 0:16:03 | |
-Right. -Right, OK... -Lead us to it. -Interesting. | 0:16:03 | 0:16:06 | |
To be honest, on Bargain Hunt, I wouldn't normally point this out. | 0:16:06 | 0:16:10 | |
Wash sets aren't that popular these days. | 0:16:10 | 0:16:15 | |
Auctioneers tend to say "decorated pieces." | 0:16:15 | 0:16:18 | |
But this one is rather more unusual. | 0:16:18 | 0:16:21 | |
It's made by a factory called Loselware, | 0:16:21 | 0:16:23 | |
who are based in Kensington, London. | 0:16:23 | 0:16:26 | |
-Oh, right. -The technique here is called "flow blue." | 0:16:26 | 0:16:28 | |
They used ammonia, which reacted against the cobalt blue | 0:16:28 | 0:16:34 | |
when it was fired, and basically blew blue everywhere. | 0:16:34 | 0:16:38 | |
-How appropriate for the Blues, as well! -I know! | 0:16:38 | 0:16:42 | |
-To be looking at flow blue. -Oh, brilliant. | 0:16:42 | 0:16:44 | |
And we're flowing as well, so... | 0:16:44 | 0:16:46 | |
'Nice to see you in full flow, Henry.' | 0:16:46 | 0:16:49 | |
Is that for soap? Yes, it would... | 0:16:49 | 0:16:52 | |
This has been quite badly restored. | 0:16:52 | 0:16:55 | |
I mean, 145. If we can negotiate it down a little bit, | 0:16:55 | 0:16:58 | |
because the aim of the game is to make as much as possible. | 0:16:58 | 0:17:02 | |
-Shall we ask? Are you drawn to this? -Yeah, definitely. | 0:17:02 | 0:17:05 | |
Because it's such a large set, it's quite exciting. | 0:17:05 | 0:17:08 | |
Would 100 quid buy it? | 0:17:08 | 0:17:10 | |
Because with all the damage... | 0:17:10 | 0:17:12 | |
it's quite a negative, really, isn't it? | 0:17:12 | 0:17:14 | |
-Yeah. I can do £100. -It's a big lump, isn't it? | 0:17:14 | 0:17:16 | |
-You don't want to take it home with you. -No. -Shall go for it? -Yep. | 0:17:16 | 0:17:19 | |
-Shake his hand. -Thanks very much. | 0:17:19 | 0:17:22 | |
-And me. Thank you. -Great. | 0:17:22 | 0:17:25 | |
# Does he wash up? Never wash up | 0:17:25 | 0:17:28 | |
# Does he clean up? # | 0:17:28 | 0:17:30 | |
'That's two down for the Blues. What a great team they make | 0:17:30 | 0:17:33 | |
'with Henry holding the reins.' | 0:17:33 | 0:17:36 | |
-Go on, high fives! -Go! -Let's go! -Follow the expert. | 0:17:36 | 0:17:39 | |
'Look out, Jeremy. | 0:17:39 | 0:17:41 | |
'Too late!' | 0:17:41 | 0:17:42 | |
-How are you doing? -I'm doing really well. | 0:17:42 | 0:17:44 | |
I want to buy something really big | 0:17:44 | 0:17:46 | |
and spend the rest of the money in one big lump. | 0:17:46 | 0:17:48 | |
-I'm on duty. -THEY LAUGH | 0:17:48 | 0:17:52 | |
COCKNEY ACCENT: Now get out my pub! | 0:17:52 | 0:17:54 | |
-Inviting, Lara. -Oh! | 0:17:54 | 0:17:57 | |
-Can't hack the pace of Bargain Hunt. -'Come on, girls. | 0:17:57 | 0:18:00 | |
'You've still got one item to buy!' | 0:18:00 | 0:18:03 | |
Seven minutes. We're up against it. | 0:18:03 | 0:18:05 | |
'As is nearly the always the way on Bargain Hunt, time is running out.' | 0:18:05 | 0:18:09 | |
To market, to market To buy a fat pig... | 0:18:09 | 0:18:12 | |
You see, babies' plates, if they've been used, are usually scratched. | 0:18:12 | 0:18:16 | |
That's not. | 0:18:16 | 0:18:17 | |
Would it make a difference that there's crackle glaze on it? | 0:18:17 | 0:18:20 | |
No, that's what you'd expect at that date, 1930s. | 0:18:20 | 0:18:24 | |
And... Wow, £10. | 0:18:24 | 0:18:26 | |
I quite like that. | 0:18:26 | 0:18:28 | |
-You're not spending big, though. -'Couldn't agree more, Jeremy. | 0:18:28 | 0:18:32 | |
-'The Blues aren't looking so relaxed now.' -So the clock's ticking? | 0:18:32 | 0:18:35 | |
We've only got seven minutes. There's a bit Doulton there. | 0:18:35 | 0:18:39 | |
Doulton vase. | 0:18:39 | 0:18:40 | |
-This one? -It looks like it, yes. | 0:18:40 | 0:18:43 | |
-Look at that. How much is he? -45. | 0:18:43 | 0:18:46 | |
45. If you could get a bit off that, in good condition... | 0:18:46 | 0:18:50 | |
Well, it's up to you. | 0:18:50 | 0:18:52 | |
I prefer the vase to the plate. | 0:18:52 | 0:18:54 | |
-Tonya? -Yeah? -Vase or plate? | 0:18:54 | 0:18:55 | |
Me? I'd go plate. | 0:18:55 | 0:18:58 | |
I'd go vase. | 0:18:58 | 0:19:00 | |
Toss a coin? | 0:19:00 | 0:19:01 | |
Flip a coin? Toss a coin. Heads, plate. Tails, vase. | 0:19:01 | 0:19:04 | |
We haven't got long so you better decide. | 0:19:04 | 0:19:06 | |
How do you feel? | 0:19:06 | 0:19:07 | |
-Stressed. -The pressure's on. -Stressed. | 0:19:07 | 0:19:10 | |
The pressure's on for that last buy. | 0:19:10 | 0:19:12 | |
Do you know what I think we could possibly do? | 0:19:12 | 0:19:14 | |
-Just go back to the... -I think that's the banker, really, isn't it? | 0:19:14 | 0:19:18 | |
'The teams have got to make a hasty decision.' | 0:19:18 | 0:19:20 | |
We want heads for the plate or tails for the vase. | 0:19:20 | 0:19:24 | |
You're going to... | 0:19:24 | 0:19:27 | |
Tails it is. The vase. | 0:19:27 | 0:19:29 | |
The vase. The vase. OK. | 0:19:29 | 0:19:31 | |
What is your best price on that one? | 0:19:31 | 0:19:34 | |
-You're going to have to use your charms. -Powers of persuasion. | 0:19:34 | 0:19:38 | |
-Please! -And we haven't got much time left. About two minutes. | 0:19:38 | 0:19:42 | |
-Where was it again? -Down here. -Just down here. | 0:19:42 | 0:19:46 | |
I'll be really generous. 30. | 0:19:46 | 0:19:49 | |
That is really generous. | 0:19:49 | 0:19:50 | |
-Ladies, that is a really good deal. -Thanks very much. We'll take it. | 0:19:50 | 0:19:54 | |
-Are you going to shake on it? -We will shake on it. Thanks. | 0:19:54 | 0:19:57 | |
-Thank you very much. -Thank you. | 0:19:57 | 0:19:59 | |
'Brilliant. The Reds have finally wrapped it up with the Doulton vase, | 0:19:59 | 0:20:03 | |
'leaving the Blues chasing their last item.' | 0:20:03 | 0:20:07 | |
-I'm getting nervous now. -'Let's hope it's still there.' -Yes! | 0:20:07 | 0:20:10 | |
-Right. -There it is. | 0:20:10 | 0:20:12 | |
It's a dangerous tactic to play, when you like something, | 0:20:12 | 0:20:15 | |
go off looking and hope that it's still going to be there. | 0:20:15 | 0:20:19 | |
-Well, on this occasion, it is. -Definitely paid off. | 0:20:19 | 0:20:22 | |
-What's your best price on that one? -Whatever I said less a fiver.. | 0:20:22 | 0:20:25 | |
-Right, OK. -I can't remember what I said. | 0:20:25 | 0:20:28 | |
OK. 60? | 0:20:28 | 0:20:31 | |
No, that doesn't work with what I said. Did I say 75? | 0:20:31 | 0:20:35 | |
-So 70. -65. | 0:20:35 | 0:20:38 | |
-65 and we'll take it away. -Take it off your hands. | 0:20:38 | 0:20:41 | |
Take it off your hands. | 0:20:41 | 0:20:43 | |
-Flutter your eyelashes. -Yeah, flutter your eyelashes. | 0:20:43 | 0:20:46 | |
Please! | 0:20:46 | 0:20:48 | |
-Oh, you're a superstar. Thank you! -Shake the gentleman's hand. | 0:20:48 | 0:20:53 | |
-Thank you very much! -Enjoyed that even more! -Thank you very much. | 0:20:53 | 0:20:56 | |
Well, that's it. Glad we've finished now so you won't need to beat me. | 0:20:56 | 0:21:01 | |
Depends whether we make a profit or not. It might come in handy later. | 0:21:01 | 0:21:05 | |
'That's it. The clock has stopped. | 0:21:05 | 0:21:08 | |
'Let's have a look at what our teams have bought. | 0:21:08 | 0:21:11 | |
'The Reds kicked off the shopping | 0:21:11 | 0:21:13 | |
'with this chandelier light fitting for £15. | 0:21:13 | 0:21:17 | |
'And they were dead impressed | 0:21:17 | 0:21:20 | |
'with this 124-year-old executor's ledger for £20. | 0:21:20 | 0:21:25 | |
'For £30 they bought this charming Royal Doulton vase.' | 0:21:25 | 0:21:30 | |
-So, girls, what did you spend overall? -We spent a measly £65. | 0:21:30 | 0:21:34 | |
-How much? -They wouldn't let me spend big. I wanted to spend big | 0:21:34 | 0:21:38 | |
-and they wouldn't let me. -I can't believe they wouldn't let you do it! | 0:21:38 | 0:21:42 | |
-That's terrible! -I know. | 0:21:42 | 0:21:44 | |
-Why were you so horrible to Trace? -I wanted to spend big! | 0:21:44 | 0:21:47 | |
-You wanted to spend big? -I never stopped them. | 0:21:47 | 0:21:50 | |
It's just like the politicians in this country. | 0:21:50 | 0:21:52 | |
Nobody's taking any responsibility. | 0:21:52 | 0:21:56 | |
Why should we give you 300 if you only spend 60... No. | 0:21:56 | 0:21:58 | |
That's fine. Please may I have £235 of leftover lolly, please? | 0:21:58 | 0:22:04 | |
-Thank you. Have you counted this? -I did. -I trust you. | 0:22:04 | 0:22:08 | |
Millions wouldn't, but there we go. | 0:22:08 | 0:22:11 | |
And all of that goes over to Jeremy. | 0:22:11 | 0:22:14 | |
You could buy a lot of packets of sweets with that. | 0:22:14 | 0:22:17 | |
No, I'm going to set up a tent with this. | 0:22:17 | 0:22:19 | |
Good luck, girls. Go and have a cup of tea. | 0:22:19 | 0:22:22 | |
And good luck, Jeremy, with your search. | 0:22:22 | 0:22:24 | |
Meanwhile, why don't we check out what the Blue team bought? | 0:22:24 | 0:22:27 | |
'The Blues were tickled pink when they paid £40 | 0:22:27 | 0:22:31 | |
'for this Sunderland lustre jug. | 0:22:31 | 0:22:33 | |
'Will they scrub up at the auction with this Victorian wash set | 0:22:33 | 0:22:37 | |
'for £100? | 0:22:37 | 0:22:40 | |
'And they hope to bludgeon their way to victory with this tipstaff, | 0:22:40 | 0:22:43 | |
'costing £65.' | 0:22:43 | 0:22:46 | |
-How much did you spend all round, you girls? -We spent £205. | 0:22:46 | 0:22:50 | |
£205. Very good. So you've got £95 of leftover lolly about your person? | 0:22:50 | 0:22:54 | |
-I do, yes, somewhere. -Can I have that, Mary, please? | 0:22:54 | 0:22:57 | |
Yes, one moment. | 0:22:57 | 0:22:58 | |
-There you go. -Thank you. | 0:22:58 | 0:23:01 | |
Now, H Meadows, you've got £95, my dear fellow, | 0:23:01 | 0:23:04 | |
to go off and find something decent, yes? | 0:23:04 | 0:23:06 | |
It's a good amount of cash but on this occasion, | 0:23:06 | 0:23:09 | |
I'm not sure what I'm going to go for. | 0:23:09 | 0:23:11 | |
Very good luck. Meanwhile, why don't we head off to Kelmscott Manor? | 0:23:11 | 0:23:15 | |
William Morris? You've not seen anything yet. | 0:23:15 | 0:23:19 | |
William Morris was born on 24 March 1834. | 0:23:23 | 0:23:26 | |
He was educated at Marlborough College | 0:23:26 | 0:23:29 | |
and attended Oxford University, where he discovered | 0:23:29 | 0:23:33 | |
his love of the arts. | 0:23:33 | 0:23:35 | |
Morris went on to become a successful designer and craftsman. | 0:23:35 | 0:23:39 | |
Under his direction, the company Morris and Co flourished | 0:23:39 | 0:23:42 | |
into a fashionable decorating firm renowned for its wallpapers | 0:23:42 | 0:23:46 | |
and textiles. | 0:23:46 | 0:23:47 | |
He remains to this day one of Britain's | 0:23:47 | 0:23:50 | |
most influential designers. | 0:23:50 | 0:23:52 | |
Morris was a tireless worker. | 0:23:52 | 0:23:55 | |
As well as being a designer, and political theorist, | 0:23:55 | 0:24:00 | |
he was also an environmental challenger, | 0:24:00 | 0:24:03 | |
publisher, writer and poet. | 0:24:03 | 0:24:06 | |
But by 1871, in order to escape the pressures of his work in London, | 0:24:06 | 0:24:12 | |
he decided to seek out a country property, | 0:24:12 | 0:24:16 | |
and came to the heart of the Cotswolds, | 0:24:16 | 0:24:19 | |
on the banks of the River Thames, and discovered this - | 0:24:19 | 0:24:24 | |
Kelmscott Manor, | 0:24:24 | 0:24:25 | |
a house which he fell in love with | 0:24:25 | 0:24:28 | |
and was to have an enormous and lasting influence | 0:24:28 | 0:24:31 | |
on the rest of his life. | 0:24:31 | 0:24:33 | |
Originally known as Lower House, | 0:24:36 | 0:24:39 | |
the property did not gain the title of "manor" until 1864. | 0:24:39 | 0:24:44 | |
It was built around the year 1570 by Thomas Turner, | 0:24:44 | 0:24:48 | |
and stayed with the Turner family as a working farm | 0:24:48 | 0:24:50 | |
until Morris took up a tenancy in 1871. | 0:24:50 | 0:24:54 | |
The original house has survived in almost its entirety | 0:24:54 | 0:24:58 | |
and has been sympathetically restored | 0:24:58 | 0:25:00 | |
as both a country home and a memorial. | 0:25:00 | 0:25:02 | |
Plants and birds around Kelmscott had a huge influence on Morris | 0:25:02 | 0:25:07 | |
and much of his work drew heavily on nature. | 0:25:07 | 0:25:11 | |
It's here, just outside the privy, where it is said | 0:25:11 | 0:25:15 | |
that William Morris got his inspiration | 0:25:15 | 0:25:17 | |
for one of his most popular designs. | 0:25:17 | 0:25:21 | |
He had watched thrushes removing strawberries | 0:25:21 | 0:25:26 | |
from these strawberry plants, and then he went off | 0:25:26 | 0:25:31 | |
to the drawing board. | 0:25:31 | 0:25:32 | |
And this is it - | 0:25:37 | 0:25:38 | |
the end result of a chance encounter | 0:25:38 | 0:25:42 | |
outside the garden lavatory - | 0:25:42 | 0:25:45 | |
a short length of printed material, | 0:25:45 | 0:25:49 | |
referred to as the Strawberry Thief pattern. | 0:25:49 | 0:25:53 | |
Isn't it beautiful? Actually, the piece itself is not spectacular. | 0:25:53 | 0:25:59 | |
It's simply a cut-off piece from a larger bolt | 0:25:59 | 0:26:03 | |
but it does illustrate perfectly | 0:26:03 | 0:26:05 | |
the complexity of the design. | 0:26:05 | 0:26:08 | |
One thing that William Morris really liked was medieval textile | 0:26:08 | 0:26:14 | |
and what he's recreated here is a facsimile, | 0:26:14 | 0:26:18 | |
if you like, of medieval needleworked textile. | 0:26:18 | 0:26:21 | |
We've got a dark blue ground, | 0:26:21 | 0:26:25 | |
densely-populated, | 0:26:25 | 0:26:27 | |
scrolling organic foliage and plants. | 0:26:27 | 0:26:31 | |
And then you've got the story interwoven, | 0:26:31 | 0:26:34 | |
with the thrush | 0:26:34 | 0:26:36 | |
and the strawberry which he's about to steal. | 0:26:36 | 0:26:40 | |
But we've got other favourite flowers and plants | 0:26:40 | 0:26:43 | |
of William Morris' included, like the tulip, | 0:26:43 | 0:26:47 | |
these are strawberry blossom, | 0:26:47 | 0:26:49 | |
and here are the spiky leaves of the strawberry plants themselves. | 0:26:49 | 0:26:54 | |
So the crammed nature of this subject would have been | 0:26:54 | 0:26:59 | |
extremely glamorous to his eye. | 0:26:59 | 0:27:03 | |
Charming, isn't it? | 0:27:03 | 0:27:05 | |
The big question today is, of course, | 0:27:05 | 0:27:07 | |
are any of our teams' purchases over at the auction | 0:27:07 | 0:27:10 | |
likely to turn out to be a steal? | 0:27:10 | 0:27:13 | |
For the auction today, we're heading just up the road to Bristol. | 0:27:16 | 0:27:20 | |
Our hosts are Dreweatts auction rooms | 0:27:20 | 0:27:22 | |
and our auctioneer is Simon Raynor. | 0:27:22 | 0:27:25 | |
-Simon, good morning. -Morning. Nice to see you again. -Lovely to be here. | 0:27:30 | 0:27:34 | |
Now, first up for the Reds is this slightly wacky | 0:27:34 | 0:27:36 | |
cast iron continental rise-and-fall gadget. | 0:27:36 | 0:27:39 | |
Do you see any future in that? | 0:27:39 | 0:27:42 | |
It's not something that's easy to find, if you wanted to replace it. | 0:27:42 | 0:27:46 | |
You'd find it difficult. So for a lighting specialist it may have potential. | 0:27:46 | 0:27:51 | |
-I'd guide it at £20-£30. -OK, £15 they paid. | 0:27:51 | 0:27:54 | |
How many lighting specialists are there in the Bristol area? | 0:27:54 | 0:27:57 | |
-There are some. -There are? -Yes. | 0:27:57 | 0:27:59 | |
Good. Well, let's hope they pick up on it. | 0:27:59 | 0:28:01 | |
Next is this hide-covered ledger, | 0:28:01 | 0:28:04 | |
-recording the transactions of Mr Bosworth, deceased. -Yes. | 0:28:04 | 0:28:09 | |
What's that worth, do you think? | 0:28:09 | 0:28:11 | |
There's no intrinsic value there but I think for an historian | 0:28:11 | 0:28:14 | |
or somebody who wanted to do research on it, it might have academic interest. | 0:28:14 | 0:28:18 | |
Whether that translates to financial value, I don't know. I've said £20 to £30. | 0:28:18 | 0:28:22 | |
OK, well, they paid 20, so there's a bit of hope there. | 0:28:22 | 0:28:25 | |
That's two hopeful items. Thank you. And the Doulton pot? | 0:28:25 | 0:28:28 | |
Doulton, it's in great condition, which is vital. | 0:28:28 | 0:28:31 | |
Not the most exciting piece of Doulton, possibly, | 0:28:31 | 0:28:34 | |
but I'd have said £30 to £40. | 0:28:34 | 0:28:36 | |
As you say, it's in good nick. They paid 30, | 0:28:36 | 0:28:38 | |
so according to the estimates, they won't make massive losses. | 0:28:38 | 0:28:42 | |
-They should make a little profit. -Hopefully. | 0:28:42 | 0:28:45 | |
So they maybe don't need the bonus buy, | 0:28:45 | 0:28:47 | |
but let's go and have a look at it anyway. | 0:28:47 | 0:28:50 | |
Now, Tonya, Trace, this is your bonus buy moment. | 0:28:50 | 0:28:52 | |
You spent that miserable £65... | 0:28:52 | 0:28:56 | |
-THEY LAUGH -..and gave the man 235. | 0:28:56 | 0:28:58 | |
-Jeremy, what did you spend all that money on? -Let's see. | 0:28:58 | 0:29:03 | |
-Ooh. -Ooh. | 0:29:03 | 0:29:04 | |
-Or is it underneath? No, there it is. That's it. -What is it? | 0:29:04 | 0:29:08 | |
It's a little Chinese jade tablet. | 0:29:08 | 0:29:11 | |
All I'm going to say is the Chinese market is up. If this is old, | 0:29:11 | 0:29:15 | |
and it's always very difficult to tell with these things, | 0:29:15 | 0:29:19 | |
it could worth a lot more than I paid for it. | 0:29:19 | 0:29:21 | |
-How much have you paid for it? -What do you think? | 0:29:21 | 0:29:25 | |
£10? | 0:29:25 | 0:29:26 | |
No, guess again. | 0:29:26 | 0:29:28 | |
50. | 0:29:28 | 0:29:29 | |
150. | 0:29:29 | 0:29:31 | |
TRACEY GASPS AND LAUGHS | 0:29:31 | 0:29:34 | |
So we're all really confident that this is going to work? | 0:29:34 | 0:29:37 | |
And how much profit do you think there'll be? | 0:29:37 | 0:29:39 | |
If the Chinese market picks it up | 0:29:39 | 0:29:42 | |
and they see some potential in it, then it could make anything. | 0:29:42 | 0:29:46 | |
-If they don't... -It might make nothing. | 0:29:46 | 0:29:50 | |
-It might make nothing at all. It's a real punt. -Quite. | 0:29:50 | 0:29:53 | |
Couch it in those cautious terms, | 0:29:53 | 0:29:55 | |
because you're quite right to do so, but the upside and the downside | 0:29:55 | 0:29:59 | |
are there for you to decide - you lucky girls - | 0:29:59 | 0:30:02 | |
when your moment comes. | 0:30:02 | 0:30:04 | |
But right now, let's find out what the auctioneer | 0:30:04 | 0:30:07 | |
thinks about Jeremy's jade. | 0:30:07 | 0:30:09 | |
So, Simon. What d'you make of that little baby? | 0:30:11 | 0:30:15 | |
Jade's a very strong market at the moment. | 0:30:15 | 0:30:18 | |
A lot of oriental items are doing exceedingly well. | 0:30:18 | 0:30:22 | |
But I think this is 20th century, so it's not the premier league. | 0:30:22 | 0:30:26 | |
If there are going to be fireworks, it's over something like this. | 0:30:26 | 0:30:31 | |
I think £50 to £80, but who knows? | 0:30:31 | 0:30:33 | |
On the day, it could really take off. | 0:30:33 | 0:30:36 | |
Let's hope so, because Jeremy has looked at it in terms of some sort | 0:30:36 | 0:30:42 | |
of archaic interest, in that it has some serious age, | 0:30:42 | 0:30:46 | |
with this stylised flower, | 0:30:46 | 0:30:49 | |
and this rather curious cloud band | 0:30:49 | 0:30:51 | |
running along the bottom. | 0:30:51 | 0:30:53 | |
On the back, it has this seal mark. | 0:30:53 | 0:30:56 | |
Jades do come in a great variety of shapes and colours, don't they? | 0:30:56 | 0:31:01 | |
Yes, we have a spinach-green jade there. | 0:31:01 | 0:31:03 | |
Nephrite jade, rather than jadeite | 0:31:03 | 0:31:05 | |
But, if it IS 20th century, I think it'll struggle | 0:31:05 | 0:31:09 | |
to make more than £50-£80. But, who knows? | 0:31:09 | 0:31:12 | |
Right, so if the team go with £150, | 0:31:12 | 0:31:16 | |
and it makes your estimate of £50-£80, | 0:31:16 | 0:31:19 | |
-it will seriously scupper their chances? -Yes. | 0:31:19 | 0:31:22 | |
Right. That's it for the Reds. | 0:31:22 | 0:31:24 | |
Now, for the Blues. | 0:31:24 | 0:31:25 | |
First up for Mary and Lara is the Sunderland lustre jug. | 0:31:25 | 0:31:28 | |
D'you rate that? | 0:31:28 | 0:31:29 | |
Not particularly. Victoriana is, I'm afraid, absolutely on its knees. | 0:31:29 | 0:31:33 | |
It's a typical piece of Victoriana. | 0:31:33 | 0:31:36 | |
In its favour, it's in quite good condition. | 0:31:36 | 0:31:38 | |
Ten years ago, you'd have been looking at a lot more, | 0:31:38 | 0:31:41 | |
but I think today it'll be around £30, £40. | 0:31:41 | 0:31:44 | |
Well, they paid £40, so that may not be too bad. | 0:31:44 | 0:31:48 | |
Next up is the Loselware bedroom set, which is remarkably complete. | 0:31:48 | 0:31:51 | |
We just have a selection of pieces here, but to find a set | 0:31:51 | 0:31:55 | |
with that many bits in reasonable condition | 0:31:55 | 0:31:58 | |
is quite unusual, isn't it? | 0:31:58 | 0:31:59 | |
It's a good, extensive collection. | 0:31:59 | 0:32:02 | |
You get a lot for your money. | 0:32:02 | 0:32:04 | |
But, again, it's a market which isn't that popular at the moment. | 0:32:04 | 0:32:08 | |
So, what's your estimate? | 0:32:08 | 0:32:10 | |
£60 to £80. | 0:32:10 | 0:32:12 | |
OK, they paid £100. | 0:32:12 | 0:32:14 | |
Henry really rated it, and there could be | 0:32:14 | 0:32:17 | |
-a bit of egg on face here. -Let's hope not. | 0:32:17 | 0:32:20 | |
Lastly, the tipstaff, which is pretty battered. | 0:32:20 | 0:32:25 | |
Yes. It's a vicious-looking object. £30 to £40, I think. | 0:32:25 | 0:32:28 | |
It's lived a very hard life. | 0:32:28 | 0:32:30 | |
It's 1780s, isn't it? | 0:32:30 | 0:32:33 | |
-Yes. George III. -OK, £65 paid. | 0:32:33 | 0:32:36 | |
I think they'll take a bit of a tumble on that one. | 0:32:36 | 0:32:39 | |
I think so. They'll need their bonus buy. Let's go and have a look at it. | 0:32:39 | 0:32:43 | |
So, Mary, Lara. You gave Henry £95 for leftover lolly. | 0:32:43 | 0:32:47 | |
Henry, what did you spend it on? | 0:32:47 | 0:32:49 | |
We had a lot of fun going round the fair, | 0:32:49 | 0:32:52 | |
so I thought I'd continue the fun, and I went for this! | 0:32:52 | 0:32:54 | |
Oh, my gosh! What on earth is that? | 0:32:54 | 0:32:58 | |
-It's a fly whisk. -That IS whacky. | 0:32:58 | 0:33:02 | |
Back in the old Colonial days, | 0:33:02 | 0:33:05 | |
if you were riding on a camel, or a horse, or something like that, | 0:33:05 | 0:33:09 | |
it's be a luxury accessory to keep the flies away. | 0:33:09 | 0:33:13 | |
Is this horse hair on the end? | 0:33:13 | 0:33:16 | |
It could very well be, | 0:33:16 | 0:33:18 | |
but this is worked ivory. | 0:33:18 | 0:33:21 | |
It has a nice finial on the top. | 0:33:21 | 0:33:24 | |
-Isn't that really well carved? -It is. | 0:33:24 | 0:33:26 | |
Can I have a bird's eye? Lovely, look at that. | 0:33:26 | 0:33:30 | |
It's growing on me. | 0:33:30 | 0:33:32 | |
So, how much did you buy it for? | 0:33:32 | 0:33:34 | |
I got it for £65. | 0:33:34 | 0:33:36 | |
-Oh, OK. -What d'you think that might fetch? | 0:33:36 | 0:33:40 | |
-I don't think it'll 'fly' at auction. -Oh! | 0:33:40 | 0:33:42 | |
You won't be 'whisked away' on the profits, | 0:33:42 | 0:33:45 | |
but there might be £10 or £20 profit in it. | 0:33:45 | 0:33:48 | |
Mary, are you going to have a whack? | 0:33:48 | 0:33:50 | |
I'm not sure what to whack. | 0:33:50 | 0:33:52 | |
-Just anything in the air. That's good. -And again! | 0:33:52 | 0:33:55 | |
THEY LAUGH | 0:33:55 | 0:33:57 | |
-Well, whatever you're into... -Somebody's impressed. | 0:33:57 | 0:33:59 | |
Give him another one, a proper whack. | 0:33:59 | 0:34:03 | |
There we go, super. Enough of that! | 0:34:04 | 0:34:06 | |
Let's find out, for the viewers at home, | 0:34:06 | 0:34:09 | |
what the auctioneer thinks about | 0:34:09 | 0:34:11 | |
Henry's whisk, whip, whisk. | 0:34:11 | 0:34:14 | |
Well, Simon, I bet you've never seen one of these before? | 0:34:15 | 0:34:18 | |
It's an unusual piece. Lovely bit of carving, nice bit of ivory. | 0:34:18 | 0:34:22 | |
If it was a paper knife, or something functional, | 0:34:22 | 0:34:24 | |
it might have a bit more mileage at auction. | 0:34:24 | 0:34:27 | |
Don't you get flies in Bristol? | 0:34:27 | 0:34:29 | |
You get flies all over elsewhere in the country. | 0:34:29 | 0:34:32 | |
What a good whacker it is. I hate flies. | 0:34:32 | 0:34:35 | |
Your estimate? | 0:34:35 | 0:34:37 | |
-We might make £30 of it. -Really? | 0:34:37 | 0:34:39 | |
Is that all? Henry paid £65 and really rates it. | 0:34:39 | 0:34:42 | |
It's something made at least 80, or 100 years ago. | 0:34:42 | 0:34:46 | |
I think, on this occasion, | 0:34:46 | 0:34:49 | |
I have to be slightly with Henry, because it IS an unusual object, | 0:34:49 | 0:34:53 | |
it's beautifully made, you might not have many flies around, | 0:34:53 | 0:34:56 | |
but, my gosh, it's a good example. | 0:34:56 | 0:34:58 | |
-Let's see on the day. -Absolutely! | 0:34:58 | 0:35:01 | |
So, girls, excited? | 0:35:10 | 0:35:12 | |
-Yes! -Really excited. | 0:35:12 | 0:35:14 | |
You are in line, according to his estimates, | 0:35:14 | 0:35:18 | |
-to make a profit on every single item. -Fingers crossed. | 0:35:18 | 0:35:21 | |
Pretty cool, isn't it? | 0:35:21 | 0:35:23 | |
Are his estimates accurate? If he is, you're home and dry. | 0:35:23 | 0:35:28 | |
First up is the rise and fall fitting. | 0:35:28 | 0:35:31 | |
Will you rise, or will you fall? Here it comes. | 0:35:31 | 0:35:34 | |
Lot 520. Continental cast iron | 0:35:34 | 0:35:36 | |
spring-loaded rise and fall mechanism. | 0:35:36 | 0:35:38 | |
£20 for this lot. | 0:35:38 | 0:35:39 | |
£20? | 0:35:39 | 0:35:41 | |
-£20? £10? -'Oh, Lord!' | 0:35:41 | 0:35:44 | |
-£10. -Come on. -£10, £12 now. | 0:35:44 | 0:35:47 | |
£15, £18. | 0:35:47 | 0:35:49 | |
He's going on. | 0:35:49 | 0:35:50 | |
At £15. Any more, now? You're out? | 0:35:50 | 0:35:53 | |
Paid £15. | 0:35:53 | 0:35:56 | |
Gone at £15, then? | 0:35:56 | 0:35:58 | |
Very nice work, girls. | 0:35:58 | 0:36:02 | |
So, the last will and testament. | 0:36:02 | 0:36:04 | |
Lot 521 now, the vellum-bound volume here, | 0:36:04 | 0:36:08 | |
with me at £15. | 0:36:08 | 0:36:09 | |
£18, around the roo. At £15. | 0:36:09 | 0:36:10 | |
£18, anyone else? | 0:36:10 | 0:36:12 | |
Oh, go on! | 0:36:12 | 0:36:13 | |
Gone at £15. | 0:36:13 | 0:36:15 | |
£18, now. At £15. All done. With me at £15. | 0:36:15 | 0:36:19 | |
-Aw! -£15. Bad luck, girls. | 0:36:19 | 0:36:21 | |
Minus £5 on that. | 0:36:21 | 0:36:24 | |
Now, Royal Doulton. | 0:36:24 | 0:36:26 | |
Relief moulded. Lot 522. | 0:36:26 | 0:36:28 | |
Here with me at £22. | 0:36:28 | 0:36:29 | |
£25, now. | 0:36:29 | 0:36:30 | |
At £22 pounds. £25, thank you. £28. £30. £32, now. | 0:36:30 | 0:36:33 | |
At £30. The lady's bid at £30. | 0:36:33 | 0:36:35 | |
£32? | 0:36:35 | 0:36:36 | |
£35? | 0:36:36 | 0:36:38 | |
At £32... £35, anywhere? | 0:36:38 | 0:36:40 | |
At £32, all done? | 0:36:40 | 0:36:41 | |
At £32, selling in the room at £32. | 0:36:41 | 0:36:44 | |
£32, you've made £2 profit. | 0:36:44 | 0:36:47 | |
That is absolutely super, isn't it? | 0:36:47 | 0:36:49 | |
You were minus £5, you made a profit of £2, | 0:36:49 | 0:36:52 | |
which means overall you're minus £3. | 0:36:52 | 0:36:56 | |
Are you going to go with the £150 tablet? | 0:36:56 | 0:36:58 | |
BOTH: No. | 0:36:58 | 0:37:00 | |
THEY LAUGH | 0:37:00 | 0:37:02 | |
-You're not? -No. -No. | 0:37:02 | 0:37:04 | |
You're not going to take the tablets? | 0:37:04 | 0:37:06 | |
We're going to stick. | 0:37:06 | 0:37:08 | |
So, the decision's made. You're not going with the tablet. | 0:37:08 | 0:37:12 | |
We're going to sell it anyway. | 0:37:12 | 0:37:14 | |
Let's find out what happens to the Chinese jade. Here it comes. | 0:37:14 | 0:37:17 | |
Lot 536, Chinese green jade plaque. Sure you've all viewed this. | 0:37:17 | 0:37:23 | |
£100? £50 to start, then. | 0:37:23 | 0:37:28 | |
£40? £45, I can take in the room, now. | 0:37:28 | 0:37:31 | |
At £40. £45, now. | 0:37:31 | 0:37:33 | |
£45, £50. | 0:37:33 | 0:37:34 | |
At £50. | 0:37:34 | 0:37:37 | |
£55, anywhere? | 0:37:37 | 0:37:39 | |
All done at £50? £55, for anyone? | 0:37:39 | 0:37:42 | |
All done at £50. We sell at £50, then. | 0:37:42 | 0:37:44 | |
£50. Minus £100. You did make the right choice, girls. | 0:37:44 | 0:37:49 | |
So, you could well have a winning score here with minus £3. | 0:37:49 | 0:37:54 | |
-Bad luck, Jeremy, on the jade. -It could have gone either way. | 0:37:54 | 0:37:59 | |
I'm afraid they're universally gloomy estimates | 0:38:10 | 0:38:14 | |
on what you've purchased. | 0:38:14 | 0:38:16 | |
Let's not despair about that. | 0:38:16 | 0:38:17 | |
-You've always got the fly whisk to fall back on. -Absolutely. | 0:38:17 | 0:38:22 | |
Which we all agree is a divine object, | 0:38:22 | 0:38:24 | |
-with considerable potential. -Fingers crossed. | 0:38:24 | 0:38:26 | |
Unless you happen to be a fly. First up is the Sunderland lustre jug. | 0:38:26 | 0:38:30 | |
The Sunderland jug, lot 546. £20, for this lot? | 0:38:30 | 0:38:34 | |
£20? £20? £10, surely for this lot? | 0:38:34 | 0:38:39 | |
£10 is bid. £12, now, then? | 0:38:39 | 0:38:40 | |
At £10. £12, anywhere now? | 0:38:40 | 0:38:43 | |
£12, £15, £18. £20. | 0:38:43 | 0:38:45 | |
£22? | 0:38:45 | 0:38:47 | |
At £22 anywhere now, then? At £20. £22, for anyone? | 0:38:47 | 0:38:51 | |
Not looking good, this. | 0:38:51 | 0:38:53 | |
Thank you, £25? | 0:38:53 | 0:38:55 | |
At £22, bid. £25, now? | 0:38:55 | 0:38:56 | |
It IS worth more. | 0:38:56 | 0:38:58 | |
The gentleman's bid. All done at £22? | 0:38:58 | 0:39:02 | |
It's so miserable. Minus £18. | 0:39:02 | 0:39:04 | |
That is not the correct result. | 0:39:04 | 0:39:07 | |
The only way's up. | 0:39:07 | 0:39:08 | |
Loselware, here we come. | 0:39:08 | 0:39:11 | |
Good, extensive set, here. Lot 547. | 0:39:11 | 0:39:14 | |
Interest on the book, here. | 0:39:14 | 0:39:17 | |
Commission bids take us to £120. | 0:39:17 | 0:39:19 | |
You could make it all back. £120? Only paid £100. | 0:39:19 | 0:39:22 | |
£130? £30. Profit. | 0:39:22 | 0:39:24 | |
At £130? All done at £130? | 0:39:24 | 0:39:25 | |
We're selling in the room at £130, then. | 0:39:25 | 0:39:29 | |
Thank you. | 0:39:30 | 0:39:31 | |
There you go, girls. | 0:39:31 | 0:39:33 | |
You are ALREADY plus £12, wiping out your previous losses. | 0:39:33 | 0:39:37 | |
You are so clever, you chicks. Now the tipstaff. | 0:39:37 | 0:39:40 | |
Lot 548, George III tipstaff. | 0:39:40 | 0:39:42 | |
Three commissioned bids on this lot. Take us to £45. | 0:39:42 | 0:39:45 | |
-£50, anywhere, now then? -Hey. | 0:39:45 | 0:39:47 | |
At £45 with me, £50, anywhere? | 0:39:47 | 0:39:51 | |
£50, thank you. | 0:39:51 | 0:39:52 | |
-£55, £60? £55, on a commission bid at £55. -Go on! | 0:39:52 | 0:39:55 | |
£60, I'll take now. | 0:39:55 | 0:39:56 | |
At £55. All done at £55? | 0:39:56 | 0:39:58 | |
We want more than that. | 0:39:58 | 0:40:00 | |
All done for £55? Selling at £55? | 0:40:00 | 0:40:05 | |
£60? £60. | 0:40:05 | 0:40:06 | |
You've got your £60. You'll still be in profit, I love it. | 0:40:06 | 0:40:10 | |
Still with me at £65. All done at £65, then? | 0:40:10 | 0:40:13 | |
Thank you. | 0:40:13 | 0:40:14 | |
£65? It wiped its face. Brilliant. | 0:40:14 | 0:40:17 | |
You are plus £12. | 0:40:17 | 0:40:18 | |
You didn't expect that, did you? | 0:40:18 | 0:40:21 | |
Do you want to risk all, and go with the £65 fly whisk, | 0:40:21 | 0:40:24 | |
in the winter, in Bristol? | 0:40:24 | 0:40:26 | |
-Yes. -I think we should just go for it. | 0:40:26 | 0:40:28 | |
-Yep. -You are? | 0:40:28 | 0:40:30 | |
We're going to do it. | 0:40:30 | 0:40:32 | |
You two girls are going to go for it? | 0:40:32 | 0:40:35 | |
-I like your style. -Go hard, or go home, isn't it? | 0:40:35 | 0:40:39 | |
Oh, I love it! They are determined, these kids. | 0:40:39 | 0:40:41 | |
We'll go with the bonus buy. | 0:40:41 | 0:40:42 | |
On to lot 552. The fly whisk. Carved ivory handle. | 0:40:42 | 0:40:46 | |
Lot 552. | 0:40:46 | 0:40:48 | |
Three commissioned bids, here. | 0:40:48 | 0:40:50 | |
I shall start at £50. | 0:40:50 | 0:40:51 | |
With me, £55, anywhere now, then | 0:40:51 | 0:40:53 | |
At £50, here. | 0:40:53 | 0:40:55 | |
£55? £55, thank you. | 0:40:55 | 0:40:56 | |
£65? With you at £65. | 0:40:56 | 0:40:57 | |
£70, anywhere? | 0:40:57 | 0:40:59 | |
At £65, £70, or not? | 0:40:59 | 0:41:02 | |
All done at £65, and selling... | 0:41:02 | 0:41:04 | |
The right decision. It wiped its face. | 0:41:04 | 0:41:07 | |
-No profit, no loss. No pain, no shame. -There we are. | 0:41:07 | 0:41:11 | |
You've preserved your £12. | 0:41:11 | 0:41:12 | |
Henry, you should be really pleased these girls had confidence in you. | 0:41:12 | 0:41:17 | |
They stuck with you through thick and thin. | 0:41:17 | 0:41:20 | |
-What a testament! -A good team. | 0:41:20 | 0:41:23 | |
Very good. | 0:41:23 | 0:41:25 | |
So you ARE plus £12. Don't say a word to the Reds. | 0:41:25 | 0:41:28 | |
All will be revealed in a moment. Well done. | 0:41:28 | 0:41:31 | |
So teams, we've been chatting at all to one another? | 0:41:45 | 0:41:48 | |
ALL: No. | 0:41:48 | 0:41:49 | |
No communication about the score? | 0:41:49 | 0:41:51 | |
There's barely a sheet of Bronco between you teams today. | 0:41:51 | 0:41:55 | |
It's really exciting. | 0:41:55 | 0:41:57 | |
But sadly, as we don't have losers any more on Bargain Hunt, | 0:41:57 | 0:42:01 | |
I have to announce who the runners-up are. | 0:42:01 | 0:42:03 | |
And, they are the Reds. | 0:42:03 | 0:42:05 | |
BOTH: Aw! | 0:42:05 | 0:42:06 | |
It's as if you knew it, girls. | 0:42:06 | 0:42:08 | |
I wonder why(!) | 0:42:09 | 0:42:12 | |
It's just as well you didn't go with your bonus buy. | 0:42:12 | 0:42:16 | |
That's the first bit. | 0:42:16 | 0:42:18 | |
A score of minus £3 could be a winning score. | 0:42:18 | 0:42:20 | |
and that IS your end number. | 0:42:20 | 0:42:23 | |
You made a couple of pounds on the lovely Doulton pot, | 0:42:23 | 0:42:26 | |
but, sadly, not a lot else. | 0:42:26 | 0:42:28 | |
So. minus £3 is it. Are you happy with that? | 0:42:28 | 0:42:31 | |
It could have been worse if we'd gone with our bonus buy. | 0:42:31 | 0:42:34 | |
Happily, you ignored my advice. | 0:42:34 | 0:42:36 | |
So, there we go. You've been a great team. | 0:42:36 | 0:42:38 | |
We've loved having you on the programme. | 0:42:38 | 0:42:41 | |
But, the winners today are the Blues. | 0:42:41 | 0:42:43 | |
Who are going to go home with £12. | 0:42:43 | 0:42:46 | |
£6 each. Assuming you don't reward Henry in any way. | 0:42:46 | 0:42:50 | |
There's your £6. | 0:42:50 | 0:42:52 | |
-It was good, wasn't it? -Not bad. -We did well. | 0:42:52 | 0:42:54 | |
Did you think you'd go home with a profit today? | 0:42:54 | 0:42:57 | |
-We were confident. -You've been quietly confident. | 0:42:57 | 0:43:00 | |
Great teams, great time. Join us soon for some more Bargain Hunting. | 0:43:00 | 0:43:04 | |
-Yes? -ALL: Yes! | 0:43:04 | 0:43:07 | |
'I know you're sitting there thinking, | 0:43:07 | 0:43:09 | |
'I could have done better than THAT!' | 0:43:09 | 0:43:12 | |
'Well, what's stopping you? | 0:43:12 | 0:43:14 | |
'If you think you can spot a bargain, | 0:43:14 | 0:43:16 | |
'go to our BBC website, and apply. | 0:43:16 | 0:43:18 | |
'It'll be splendid to see you.' | 0:43:18 | 0:43:20 | |
Subtitles by Red Bee Media Ltd | 0:43:24 | 0:43:27 | |
E-mail [email protected] | 0:43:27 | 0:43:29 |