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Today, Bargain Hunt is in Kent, the Garden of England. | 0:00:03 | 0:00:08 | |
But we're not here to get green-fingered. | 0:00:08 | 0:00:10 | |
Oh, no! We're here to hunt out bargains. | 0:00:10 | 0:00:13 | |
So let's go bargain hunting! Yeah. | 0:00:13 | 0:00:17 | |
We're at the County Showground, near Maidstone in Kent. | 0:00:42 | 0:00:47 | |
Where everything seems to be blooming. | 0:00:47 | 0:00:49 | |
But will it turn out to be as rosy today in the Bargain Hunt garden? | 0:00:49 | 0:00:54 | |
We'll have to wait and see. | 0:00:54 | 0:00:55 | |
Coming up, there's a clash of taste on the Red team... | 0:00:55 | 0:00:58 | |
My God, that's hideous! Oh, David, what are you doing? | 0:00:58 | 0:01:01 | |
While on the Blue team, there's some confusion | 0:01:01 | 0:01:04 | |
about just WHO is the expert. | 0:01:04 | 0:01:06 | |
Go on, tell me all about that, please. | 0:01:06 | 0:01:08 | |
The police used to have them in, like, Victorian, Edwardian times. | 0:01:08 | 0:01:12 | |
All of that, of course, is coming up. | 0:01:13 | 0:01:15 | |
But first, let me remind you of the rules. | 0:01:15 | 0:01:17 | |
Each team gets £300 and an hour to shop for three items, | 0:01:17 | 0:01:20 | |
which they sell at auction. | 0:01:20 | 0:01:22 | |
And the team wins that makes the most profit or the least loss. | 0:01:22 | 0:01:26 | |
Easy, innit? | 0:01:26 | 0:01:28 | |
Right! Let's go and meet today's teams. | 0:01:28 | 0:01:31 | |
On Bargain Hunt today, we've got married couple Julia and Stephen. | 0:01:34 | 0:01:38 | |
-Welcome. Very nice to see you. -Hello, Tim. | 0:01:38 | 0:01:41 | |
And two old muckers, Colin and Stuart. | 0:01:41 | 0:01:43 | |
-Hi, Tim. -Hello, chaps. | 0:01:43 | 0:01:45 | |
So, Jules, how did you two meet? | 0:01:45 | 0:01:48 | |
Oh, it goes back quite a long way, actually. | 0:01:48 | 0:01:50 | |
When I was at college, in Wisconsin of all places, | 0:01:50 | 0:01:54 | |
I was doing a lot of creative writing | 0:01:54 | 0:01:56 | |
and I thought I was going to be a famous writer someday. | 0:01:56 | 0:01:59 | |
And that writing got loosely published... | 0:02:00 | 0:02:03 | |
a lot of it just got out there, into the ether, Internet, whatever. | 0:02:03 | 0:02:07 | |
I got an e-mail one day, out of the blue, | 0:02:07 | 0:02:09 | |
and it was a fantastic e-mail. | 0:02:09 | 0:02:11 | |
Very funny and just very sweet. It was Stephen, and... | 0:02:11 | 0:02:14 | |
-He'd read something? -I know! | 0:02:14 | 0:02:16 | |
He'd read something, yeah. | 0:02:16 | 0:02:17 | |
-It was hilarious. -We don't know where he found it. | 0:02:17 | 0:02:20 | |
He came across something I'd written and just thought it was... | 0:02:20 | 0:02:23 | |
just nice and e-mailed me and that kind of started it all off. | 0:02:23 | 0:02:27 | |
He came out and met you and - caramba! | 0:02:27 | 0:02:29 | |
-The rest is history. -Pretty much, yeah. -Very good. | 0:02:29 | 0:02:32 | |
Now, Stephen, what do you do for a living? | 0:02:32 | 0:02:34 | |
-I predict the future, Tim. -Do you? -Yeah. I'm a meteorologist. | 0:02:34 | 0:02:38 | |
Oh, you're not a mystic? | 0:02:38 | 0:02:39 | |
-Some people would say so! -The two things are connected. | 0:02:39 | 0:02:43 | |
A meteorologist, really? We've never had a meteorologist on the programme before. | 0:02:43 | 0:02:47 | |
It's of endless fascination to all our viewers, | 0:02:47 | 0:02:50 | |
how the weather forecasting system works. | 0:02:50 | 0:02:53 | |
To have a real, live meteorologist on the programme is a thrill. | 0:02:53 | 0:02:57 | |
Which is really nice. | 0:02:57 | 0:02:58 | |
But, you don't intend predicting the weather forever, do you? | 0:02:58 | 0:03:02 | |
Eventually, I'd love to get into writing more... | 0:03:02 | 0:03:06 | |
and illustration. I've a couple of children's books in the pipeline. | 0:03:06 | 0:03:10 | |
-You'd like to illustrate your own children's books? -Yeah. | 0:03:10 | 0:03:13 | |
-And write them? -Mm-hm. -Brilliant. | 0:03:13 | 0:03:16 | |
What do you collect? | 0:03:16 | 0:03:17 | |
Not a whole lot. | 0:03:17 | 0:03:18 | |
The only thing that we have ended up collecting is fossils, actually. | 0:03:18 | 0:03:22 | |
We do love our fossils, which are VERY antique. | 0:03:22 | 0:03:26 | |
-Yes. I mean, millions of years old. -Yes! VERY antique. | 0:03:26 | 0:03:29 | |
There's a commercial slant now with fossils - | 0:03:29 | 0:03:32 | |
you go round the fairs and in lots of places, | 0:03:32 | 0:03:35 | |
there are fossils for sale. | 0:03:35 | 0:03:37 | |
Could be a tip for finding something that'll make a profit. | 0:03:37 | 0:03:40 | |
-You never know your luck! -That's a good point. | 0:03:40 | 0:03:43 | |
Welcome and good luck. Now, for the Blues... | 0:03:43 | 0:03:46 | |
Your friendship, Colin, goes back a year or two? | 0:03:46 | 0:03:50 | |
Since I was nine. Stuart's slightly older, and I moved next door. | 0:03:50 | 0:03:53 | |
Isn't that nice? Since you were nine and boys. | 0:03:53 | 0:03:56 | |
Did you have a gate through the fence? | 0:03:56 | 0:03:58 | |
Or did you go into the street, come in that way? | 0:03:58 | 0:04:00 | |
Yeah, used the tradesman's entrance. | 0:04:00 | 0:04:02 | |
Used the tradesman's entrance... Good fun. | 0:04:02 | 0:04:05 | |
Stuart, you worked on the railways for most of your working life. | 0:04:05 | 0:04:09 | |
-I did, yes. -Tell us about that. | 0:04:09 | 0:04:11 | |
I started at the bottom and done all sorts of jobs, really, | 0:04:11 | 0:04:15 | |
but I was in the signal box for about 22 years. | 0:04:15 | 0:04:18 | |
Different signal boxes, real ones with levers and brass instruments. | 0:04:18 | 0:04:23 | |
-So how many years? -38. -Did you? A good innings, well done. | 0:04:23 | 0:04:27 | |
But, it's not just the love of the railways, | 0:04:27 | 0:04:30 | |
you collect everything to do with railways, don't you? | 0:04:30 | 0:04:33 | |
Oh, yes, I always used to collect from the time I was 14, | 0:04:33 | 0:04:36 | |
so, yes, we've gone to the extreme | 0:04:36 | 0:04:39 | |
and we've built a railway station in the garden. | 0:04:39 | 0:04:41 | |
-Have you? -Yes. | 0:04:41 | 0:04:43 | |
In fact, we got three stations in the garden. | 0:04:43 | 0:04:46 | |
-That's in your garden? -That's the railway station. | 0:04:46 | 0:04:49 | |
That's in his garden! | 0:04:49 | 0:04:51 | |
Look at that! | 0:04:51 | 0:04:53 | |
-Yes. -You built this in your garden? | 0:04:53 | 0:04:55 | |
That's in the garden, a 60-foot platform. Yes. | 0:04:55 | 0:04:58 | |
WH Smith, ticket office, | 0:04:58 | 0:05:00 | |
telegraph office, buffet. | 0:05:00 | 0:05:03 | |
Gosh, that is amazing. | 0:05:03 | 0:05:06 | |
Um, now, Colin, you've also had a career in railways. | 0:05:06 | 0:05:10 | |
That's right, yeah. Very similar to Stuart's. | 0:05:10 | 0:05:12 | |
I started off in a signal box as a scribe, | 0:05:12 | 0:05:15 | |
just recording the times of trains as they went passed the box. | 0:05:15 | 0:05:18 | |
Various signal boxes and then moved into management. | 0:05:18 | 0:05:22 | |
And I actually ended up as his boss at some stage. | 0:05:22 | 0:05:26 | |
Do you keep your eye on him? | 0:05:26 | 0:05:28 | |
I would have thought no sign was safe in British Railways | 0:05:28 | 0:05:31 | |
with this man around. | 0:05:31 | 0:05:32 | |
He went to work with a screwdriver, he'd go home with a sign. | 0:05:32 | 0:05:35 | |
What about collecting? Are you as obsessed as your friend? | 0:05:35 | 0:05:39 | |
No, I've left the obsession to those sorts of things to Stuart. | 0:05:39 | 0:05:44 | |
But, I do enjoy going to antique fairs, now and again, | 0:05:44 | 0:05:47 | |
to buy things for the house. | 0:05:47 | 0:05:48 | |
Well, the money moment. | 0:05:48 | 0:05:49 | |
I'm going to give you each your £300. | 0:05:49 | 0:05:52 | |
There you go, look, £300 apiece. | 0:05:52 | 0:05:54 | |
You know the rules, your experts await! | 0:05:54 | 0:05:57 | |
And off you go! | 0:05:57 | 0:05:58 | |
And very, very good luck. | 0:05:58 | 0:06:00 | |
So, a meteorologist and a railway buff. | 0:06:00 | 0:06:04 | |
Great! | 0:06:04 | 0:06:05 | |
As usual, we've a brace of experts to lend a hand. | 0:06:07 | 0:06:10 | |
Playing gooseberry to our Red lovebirds, it's David Barby. | 0:06:10 | 0:06:16 | |
And hoping to make sure the Blues stay on track, it's Philip Serrell. | 0:06:16 | 0:06:20 | |
I am a bit in awe, because I am in the presence of an expert, aren't I? | 0:06:21 | 0:06:25 | |
A real, live expert. | 0:06:25 | 0:06:26 | |
Where do your interests lie? | 0:06:26 | 0:06:28 | |
My first interest is finding something | 0:06:28 | 0:06:30 | |
that I'm not going to drop and break. | 0:06:30 | 0:06:32 | |
Aside from that, maybe jewellery. | 0:06:32 | 0:06:34 | |
We like a bit of Art Nouveau, Arts and Crafts. | 0:06:34 | 0:06:37 | |
Let's go and have a buy, and we'll have a chat later. | 0:06:37 | 0:06:40 | |
Anything vintage, slightly quirky, we ought to be looking for. | 0:06:40 | 0:06:44 | |
Just as we walked up, I saw that right there, which is very quirky. | 0:06:44 | 0:06:48 | |
-Can we take a look? -Let's go have a look at it. | 0:06:48 | 0:06:51 | |
Quick work, David! | 0:06:51 | 0:06:52 | |
This is actually what I used when I first started work. | 0:06:52 | 0:06:56 | |
THEY LAUGH | 0:06:56 | 0:06:58 | |
You put the thing down there | 0:06:58 | 0:07:00 | |
and you ring up and say, "There's somebody on the line for you." | 0:07:00 | 0:07:04 | |
-Have you sold one of these before? -Never. Never. | 0:07:04 | 0:07:07 | |
An old dog and bone, not exactly handsome. | 0:07:07 | 0:07:10 | |
Would anyone want it for anything? | 0:07:13 | 0:07:15 | |
It's a bit small for a blanket box. | 0:07:15 | 0:07:18 | |
-It's a little coal box. -Oh, is it? | 0:07:18 | 0:07:20 | |
But I think it's best to walk on with that one. | 0:07:20 | 0:07:23 | |
-Let's go and have a look at what he's got inside. -Fair enough. | 0:07:23 | 0:07:26 | |
Look, observe, to see if there's anything | 0:07:26 | 0:07:28 | |
you'd be particularly interested in, as we go along. | 0:07:28 | 0:07:31 | |
-Well, that's quite nice, isn't it? -Tin painted to look like wood. -Yes. | 0:07:33 | 0:07:36 | |
Edwardian, I should think, is it? | 0:07:36 | 0:07:38 | |
Well, It's an Edwardian trunk, | 0:07:38 | 0:07:40 | |
but quite when it was painted, I don't know. | 0:07:40 | 0:07:42 | |
Before you waste any time, how much is that, please? | 0:07:44 | 0:07:47 | |
£40. | 0:07:47 | 0:07:48 | |
The thing with it is, that as a rough rule of thumb, dome-top trunks | 0:07:49 | 0:07:54 | |
are worth less than flat-top trunks, | 0:07:54 | 0:07:56 | |
because you can't put anything on top. It's not rocket science. | 0:07:56 | 0:08:00 | |
Can you come down on price, at all, sir? | 0:08:07 | 0:08:10 | |
A fiver, down to £35. | 0:08:10 | 0:08:13 | |
See, my maths is sharp, I got that(!) | 0:08:13 | 0:08:15 | |
I was on the case, there! | 0:08:15 | 0:08:17 | |
-See, I thought it was down to 30. -No, no, I am sure five off 40 is 35. | 0:08:17 | 0:08:22 | |
Could you do 30? | 0:08:22 | 0:08:23 | |
-I suppose I could. -Let's have a look around and see what we can do. | 0:08:23 | 0:08:27 | |
We might be able to put something up with it. | 0:08:27 | 0:08:29 | |
It wouldn't look out of place on Stuart's station platform. | 0:08:29 | 0:08:34 | |
Perhaps there's more inside. | 0:08:34 | 0:08:36 | |
This is for a gammon joint. Cutting down like this. | 0:08:38 | 0:08:43 | |
Or if you have a huge turkey, shove that on the leg | 0:08:43 | 0:08:46 | |
-and get all of the meat off it. -Hmm. -Yeah. | 0:08:46 | 0:08:49 | |
Hmm, she doesn't look too convinced, David. | 0:08:49 | 0:08:52 | |
Oh, that is hideous. Oh, my God, that's hideous. | 0:08:54 | 0:08:58 | |
Oh, David, what are you doing? | 0:08:58 | 0:09:00 | |
Still a tad off-message, David. | 0:09:00 | 0:09:03 | |
Oh, I say, Arts and Crafts. That's beautiful. | 0:09:03 | 0:09:06 | |
That is, that's beautiful. | 0:09:06 | 0:09:07 | |
Finally, something pretty for our romantic Reds. | 0:09:07 | 0:09:10 | |
Does it have a specific use or is it just decorative? | 0:09:10 | 0:09:13 | |
This would be on a ladies' dressing table, | 0:09:13 | 0:09:16 | |
for violets that her husband had gathered from the wayside. | 0:09:16 | 0:09:19 | |
-Oh, honey. -The romance! | 0:09:19 | 0:09:22 | |
I really do love that. I absolutely love that. | 0:09:23 | 0:09:25 | |
I like the little touches of green on it. It's very tactile, isn't it? | 0:09:25 | 0:09:29 | |
Just hold it, I think it's lovely. | 0:09:29 | 0:09:31 | |
This dates from the early part of the 20th century. | 0:09:31 | 0:09:34 | |
We have these globules of clear glass all the way around, | 0:09:34 | 0:09:37 | |
with this hint of green. | 0:09:37 | 0:09:38 | |
It's very nice, I like that. | 0:09:38 | 0:09:40 | |
They have the silver, and the crystal, it's a lovely combination. | 0:09:40 | 0:09:44 | |
-£80. -It's Birmingham, 1905, it's £80. | 0:09:44 | 0:09:47 | |
It's Stourbridge glass, which is quite nice. | 0:09:47 | 0:09:50 | |
It ought to be around about £50-£60. | 0:09:50 | 0:09:53 | |
-Shall we try and offer £50 for that? -Yes, shall we try? | 0:09:54 | 0:09:58 | |
-Entirely in your hands. -You're both looking at me. | 0:09:58 | 0:10:00 | |
-OK. Hello. -Oh, I'm happy to, my dear. | 0:10:00 | 0:10:02 | |
-We rather like this little piece. -Beautiful, isn't it? | 0:10:02 | 0:10:05 | |
-It IS nice. The price is a little bit on the heavy side for us. -OK. | 0:10:05 | 0:10:10 | |
Can we put an offer in of £50, please? | 0:10:10 | 0:10:13 | |
Oh, let me see. | 0:10:13 | 0:10:14 | |
55, if that's any good to you? | 0:10:16 | 0:10:18 | |
-We want 50. -Is that your very, very best? -Please? | 0:10:18 | 0:10:21 | |
That's our very, very best. £50. | 0:10:21 | 0:10:24 | |
Well, that would be lower than what I paid for it, | 0:10:24 | 0:10:27 | |
so I can't go lower than £55. | 0:10:27 | 0:10:29 | |
It's no good you looking at me like that, | 0:10:31 | 0:10:33 | |
you'll make me feel really guilty! | 0:10:33 | 0:10:36 | |
Can we meet in the middle at £52? | 0:10:36 | 0:10:39 | |
That's middle-ish. 52? | 0:10:39 | 0:10:41 | |
-Yes, go on, then. -Let's do it for 52. | 0:10:41 | 0:10:44 | |
-We bought something. -Do you like that? -Love it, absolutely love it. | 0:10:44 | 0:10:47 | |
-Yep, it's beautiful. Yep. 52. -Thank you very much. | 0:10:47 | 0:10:51 | |
It looks perfect. | 0:10:51 | 0:10:52 | |
One in the bag and all very nicely done, team. | 0:10:52 | 0:10:56 | |
Meanwhile, Philip's found something that could steal the show. | 0:10:56 | 0:10:59 | |
Yeah, they do go well, those. | 0:10:59 | 0:11:01 | |
Yes, it's nice and original. | 0:11:02 | 0:11:04 | |
I like that, that would look nice framed. | 0:11:04 | 0:11:06 | |
That's really me, that's really busy. | 0:11:06 | 0:11:09 | |
-Yeah, I know, that's up your street, isn't it? -It is, definitely. | 0:11:09 | 0:11:13 | |
-I quite like the trunk. -You do? -Over that, yeah. | 0:11:13 | 0:11:16 | |
We've only had 15 minutes, | 0:11:16 | 0:11:17 | |
if you can hang onto it for us for that 45 minutes, could you do that? | 0:11:17 | 0:11:21 | |
I want a tenner on it if you're going to come back. 10. | 0:11:21 | 0:11:24 | |
Well, what about if we buy this now for a fiver | 0:11:24 | 0:11:27 | |
and we'll talk to you about the rest when we come back? | 0:11:27 | 0:11:30 | |
-All right. -Done. Is that done? -Yeah, fine. -There you are, then. | 0:11:30 | 0:11:33 | |
So, that's one down for the Blues, | 0:11:33 | 0:11:35 | |
but the trunk's left luggage for now. | 0:11:35 | 0:11:37 | |
OK, thank you. | 0:11:37 | 0:11:39 | |
See, I just noticed that, the cricket ball. Are you into cricket? | 0:11:39 | 0:11:42 | |
I am, very much. Cricket and baseball, but especially cricket. | 0:11:42 | 0:11:46 | |
Can we have a look at that, please? Thank you. | 0:11:46 | 0:11:48 | |
-It is loose. -Oh, so it is. | 0:11:48 | 0:11:50 | |
-Would that be a special... -It looks like it's been used. | 0:11:50 | 0:11:53 | |
-I'm sure it's a period ball. -Yeah. -Early 20th century. | 0:11:53 | 0:11:57 | |
This would be used by a guy who had a desk and wanted a desk ornament. | 0:11:57 | 0:12:03 | |
Maybe a paperweight, or something like that. | 0:12:03 | 0:12:06 | |
Or, a cricket follower, a devotee. | 0:12:06 | 0:12:08 | |
Is it a special ball? Was it in a special game? | 0:12:08 | 0:12:11 | |
Why is that specific ball on a stand? | 0:12:11 | 0:12:13 | |
I guess the engraving we can't read might tell us.. | 0:12:13 | 0:12:16 | |
This was because, the team was engraved here, | 0:12:16 | 0:12:19 | |
which you can't read, which is great, great shame, | 0:12:19 | 0:12:21 | |
-they might have scored 100 runs. -OK. | 0:12:21 | 0:12:24 | |
-So, it's just to commemorate that. -It's to commemorate that, yeah. | 0:12:26 | 0:12:29 | |
It has a nice feel to it, doesn't it? | 0:12:29 | 0:12:32 | |
-It's very interesting. -This is a man's thing, it really is. | 0:12:32 | 0:12:35 | |
It really is. It's a butch thing. | 0:12:35 | 0:12:38 | |
Ha, the sound of leather on willow, it's an English thing, Julia. | 0:12:38 | 0:12:41 | |
-You've got 48 on it, that's because it's badly rubbed, isn't it? -Yes. | 0:12:41 | 0:12:45 | |
What's the best you can do on that, sir? | 0:12:45 | 0:12:48 | |
I'll do it for £40. | 0:12:48 | 0:12:50 | |
You are going to try again, aren't you? | 0:12:50 | 0:12:53 | |
What would you offer, then, David? | 0:12:53 | 0:12:55 | |
I'd like to see it for £30. | 0:12:55 | 0:12:58 | |
I'll shake your hand halfway, at £35. | 0:12:58 | 0:13:00 | |
How much do you think it would bring at auction? | 0:13:00 | 0:13:03 | |
Probably what the gentleman is asking. | 0:13:03 | 0:13:06 | |
In that case, can we take a little bit more off, | 0:13:07 | 0:13:10 | |
so we run some risk of making a profit? | 0:13:10 | 0:13:12 | |
A risk of making a profit! | 0:13:12 | 0:13:14 | |
£32. That's it. | 0:13:14 | 0:13:16 | |
-That gives you a little chance. -OK, let's go with that. | 0:13:16 | 0:13:19 | |
It'll bring 30-50, it gives you a good chance. | 0:13:19 | 0:13:22 | |
-This is one for Stephen. -I agree. -This is one for Stephen. | 0:13:22 | 0:13:25 | |
I think that's quite good. If it falls, it's his fault! | 0:13:25 | 0:13:28 | |
THEY LAUGH | 0:13:28 | 0:13:29 | |
-Thank you very much. -I agree with that! | 0:13:29 | 0:13:32 | |
Interesting buy, but will it bowl a yorker at auction | 0:13:32 | 0:13:34 | |
or will it be out for a duck? | 0:13:34 | 0:13:37 | |
Steve and Julia are such a nice couple. | 0:13:37 | 0:13:40 | |
And obviously they're very much in love. | 0:13:40 | 0:13:42 | |
Touching one another, looking at one another, passing comments, | 0:13:42 | 0:13:46 | |
and you get that rapport between them. | 0:13:46 | 0:13:48 | |
Ah, David, you old softie. | 0:13:48 | 0:13:51 | |
Cor, feast your eyes on this. | 0:13:54 | 0:13:56 | |
Isn't she gorgeous? | 0:13:56 | 0:13:58 | |
I'll give it a little revolution so you can see the folds of her dress | 0:13:58 | 0:14:04 | |
and the accuracy that this has been cast. | 0:14:04 | 0:14:07 | |
Because, this girl represents | 0:14:07 | 0:14:10 | |
what you'd have found wandering up the streets of Gay Paris | 0:14:10 | 0:14:16 | |
in about 1750 or 1760. | 0:14:16 | 0:14:19 | |
What she's got attached to her waist is a musical instrument. | 0:14:19 | 0:14:25 | |
And it's a form of hurdy-gurdy. | 0:14:25 | 0:14:27 | |
So this girl is a street musician. | 0:14:27 | 0:14:31 | |
If you look carefully, this piece is loose, | 0:14:31 | 0:14:34 | |
it's a bit of cast bronze that's been gilt. | 0:14:34 | 0:14:38 | |
On the end of it, you can see it's got a handle | 0:14:38 | 0:14:42 | |
which is what the girl would have revolved | 0:14:42 | 0:14:44 | |
to make the mechanical sound from the hurdy-gurdy. | 0:14:44 | 0:14:47 | |
And it's been most beautifully made. | 0:14:47 | 0:14:51 | |
What I really like about it is the additional richness | 0:14:51 | 0:14:55 | |
that this pierced cast base gives it. | 0:14:55 | 0:14:58 | |
It just lifts the chocolate-brown patinated bronze figure | 0:14:58 | 0:15:03 | |
and gives it real presence. | 0:15:03 | 0:15:05 | |
If this was 18th-century, which it ain't, | 0:15:05 | 0:15:09 | |
it would be worth about £1,200. | 0:15:09 | 0:15:12 | |
As it is, it's an early 19th-century revival of a Rococo figure. | 0:15:12 | 0:15:18 | |
And it's worth perhaps £200-£250. | 0:15:18 | 0:15:23 | |
What it would cost you here? | 0:15:23 | 0:15:26 | |
At Detling, off one of these stands, | 0:15:26 | 0:15:28 | |
it could be yours for £80. | 0:15:28 | 0:15:30 | |
Now, that's what you call an Ooh La La. | 0:15:30 | 0:15:34 | |
Go on, tell me all about that, please. | 0:15:42 | 0:15:44 | |
-The police used to have them in Victorian and Edwardian times. -Yep. | 0:15:44 | 0:15:48 | |
So you could either clip it on your belt | 0:15:48 | 0:15:50 | |
or you can tow it around like that. | 0:15:50 | 0:15:53 | |
And what are those worth? | 0:15:53 | 0:15:55 | |
Who is the expert here, Phil? | 0:15:55 | 0:15:57 | |
I think it's great working with Stuart. It's fantastic! | 0:15:57 | 0:16:01 | |
He knows so much about his subject that it's a learning curve for me, | 0:16:01 | 0:16:04 | |
I am learning about things like the old policeman's light | 0:16:04 | 0:16:08 | |
and all that stuff. It's fantastic. | 0:16:08 | 0:16:09 | |
Colin is an enthusiast, too, you just have to go and get it off him. | 0:16:09 | 0:16:14 | |
-What are they? -Where you kept you spoons warm. | 0:16:16 | 0:16:19 | |
-You kept your spoons warm in them? -Yes, you fill it with hot water. | 0:16:19 | 0:16:22 | |
I've never heard of such a thing. Is that what they have at Downton Abbey? | 0:16:22 | 0:16:26 | |
That's because you're American! | 0:16:26 | 0:16:27 | |
So when would this date to? | 0:16:28 | 0:16:30 | |
Probably just after 1800. | 0:16:32 | 0:16:34 | |
What does it for me with this is that this is a naval officer's. | 0:16:36 | 0:16:41 | |
-It would have been making maps? -Yeah, probably drawing maps. | 0:16:41 | 0:16:46 | |
Drawing maps, plotting charts. Which is the best one of these? | 0:16:46 | 0:16:50 | |
That one. | 0:16:50 | 0:16:52 | |
-What would be the best on that, sir? -160, and that's the very best. | 0:16:52 | 0:16:58 | |
You two have a look, I want you two to have a look at it. | 0:16:58 | 0:17:00 | |
This is like, we could do with this, | 0:17:00 | 0:17:03 | |
because we're in horribly uncharted waters, let me tell you. | 0:17:03 | 0:17:06 | |
Canterbury's a long way from the sea. | 0:17:06 | 0:17:08 | |
I think it's made out of shagreen, shagreen is shark skin, | 0:17:08 | 0:17:11 | |
and in the late 18th and 19th century they used shark skin | 0:17:11 | 0:17:14 | |
to cover little boxes and cases and that sort of stuff. | 0:17:14 | 0:17:17 | |
And I just love this. | 0:17:17 | 0:17:19 | |
Oh! Frightened me to death, then. Good Lord! | 0:17:22 | 0:17:26 | |
I got you boys then, didn't I? | 0:17:26 | 0:17:27 | |
You can't beat creeping up from the rear, I've found! | 0:17:27 | 0:17:31 | |
-How are you getting on, all right? -Yes, thank you. | 0:17:31 | 0:17:34 | |
-Have you bought anything yet? -Yeah, we have. | 0:17:34 | 0:17:36 | |
-Well done. -We're thinking of investing... Aren't these lovely? | 0:17:36 | 0:17:40 | |
-Look at that! -And they're complete. -They're fantastic. -Look at that! | 0:17:40 | 0:17:44 | |
-Shagreen-covered. -Not seen anything like it. -How much are they? -£160. | 0:17:44 | 0:17:47 | |
And I wouldn't have a clue, | 0:17:47 | 0:17:49 | |
I really don't know if they're good, bad or indifferent. | 0:17:49 | 0:17:52 | |
I think they're beautiful things to own. | 0:17:52 | 0:17:54 | |
All right, good luck, boys. I tell you, I think you're onto a groove. | 0:17:54 | 0:17:57 | |
-Just keep drawing a straight line and you'll be fine. -Absolutely. | 0:17:57 | 0:18:01 | |
Yeah, I think it's worth a punt, Phil. | 0:18:02 | 0:18:04 | |
My only concern is that the whole thing fits together. | 0:18:04 | 0:18:07 | |
-Yes. -But you like it, don't you? -We do. -It's very interesting. | 0:18:07 | 0:18:12 | |
-Are we going to go for it? -Yes. -Yeah, let's go mad. | 0:18:12 | 0:18:15 | |
-So it's £160, yeah? -Yes. | 0:18:15 | 0:18:18 | |
I think we'd like to buy that off you. | 0:18:18 | 0:18:20 | |
Can you put it all back together for us? | 0:18:20 | 0:18:22 | |
Ha, a real boys' toy for the Blues' second item. | 0:18:22 | 0:18:27 | |
But there's one stop left to go on this journey. | 0:18:27 | 0:18:30 | |
-My personal thing is to go back for the trunk. -Why? | 0:18:33 | 0:18:35 | |
-I like things where you can store items in. -Yeah? -Yeah. | 0:18:35 | 0:18:40 | |
-Well, in my house, you need it. -Really? | 0:18:40 | 0:18:43 | |
Yeah, I need places to hide things. | 0:18:43 | 0:18:45 | |
-You two are sold by this, are you? -In different ways. | 0:18:45 | 0:18:47 | |
We need more than a trunk. | 0:18:47 | 0:18:49 | |
I'll tell you what, you two go and get your trunk and I'll catch you up in a while. | 0:18:49 | 0:18:53 | |
-OK. -Cheers. Come back in a panic if you haven't got it! | 0:18:53 | 0:18:57 | |
I think they've done really well here, | 0:18:57 | 0:18:59 | |
and I'm really pleased with the little box they've bought. | 0:18:59 | 0:19:02 | |
I think the trunk could be an interesting thing | 0:19:02 | 0:19:04 | |
and the poster's cheap. | 0:19:04 | 0:19:06 | |
So, fingers crossed, we might be all right. | 0:19:06 | 0:19:08 | |
Hold your horses, Serrell. There's a way to go yet. | 0:19:08 | 0:19:12 | |
Meanwhile, it looks like David's found a piece of Royal Doulton, | 0:19:12 | 0:19:17 | |
but is it pretty enough for Julia? | 0:19:17 | 0:19:19 | |
I'm just going to have a quick word with him about this, | 0:19:19 | 0:19:22 | |
because there are various items with slight damage. | 0:19:22 | 0:19:25 | |
-In the meantime, have a look at those two, there. -OK. | 0:19:25 | 0:19:28 | |
I had my eye on those things, they're rather lovely. | 0:19:28 | 0:19:30 | |
I think Stephen's got a better idea of how to please her. | 0:19:30 | 0:19:33 | |
I do like that blue on there. | 0:19:35 | 0:19:37 | |
It's kind of mottled a bit, isn't it? It's very autumnal. | 0:19:37 | 0:19:42 | |
-From a purely aesthetic point of view... -They're lovely. -Yes. | 0:19:42 | 0:19:46 | |
Sitting on a mantle or a table. | 0:19:46 | 0:19:48 | |
From a paying-money point of view, they're £130. | 0:19:48 | 0:19:51 | |
-Are they really? -I'm back. 40. -40? OK. | 0:19:51 | 0:19:56 | |
What do you think, darling? What do you like better? | 0:19:56 | 0:19:59 | |
I like these better and they don't appear to have any damage on them. | 0:19:59 | 0:20:03 | |
Is it cheeky if I ask if he'll do these for 80? | 0:20:03 | 0:20:06 | |
No, no, no! Just say you're rejecting the big jardiniere, | 0:20:06 | 0:20:09 | |
you like these, you prefer these, could he do them at £80? | 0:20:09 | 0:20:14 | |
-We'll take these for 80. Let's do it. -All right. | 0:20:14 | 0:20:16 | |
-Do you want to both go along? -Yeah, let's both go. -OK. | 0:20:16 | 0:20:19 | |
Wish us luck! | 0:20:19 | 0:20:21 | |
Now it's David who doesn't look convinced. | 0:20:21 | 0:20:24 | |
-OK. -£85. We're happy with that. | 0:20:24 | 0:20:25 | |
We talked him down to 85, and we're happy with that. | 0:20:25 | 0:20:29 | |
85? You've done remarkably well. | 0:20:29 | 0:20:31 | |
Brilliant. | 0:20:31 | 0:20:32 | |
-You've got a better technique than I have. -We just asked really nicely. | 0:20:32 | 0:20:36 | |
Well, I do as well! | 0:20:36 | 0:20:38 | |
Not nicely enough, David, clearly. | 0:20:38 | 0:20:40 | |
That's the Reds finished. | 0:20:41 | 0:20:42 | |
Now, will the Blues' trunk still be there? | 0:20:42 | 0:20:46 | |
We're back. | 0:20:47 | 0:20:49 | |
-We've decided that we're going to go with the trunk. -Right, fine. | 0:20:49 | 0:20:54 | |
-So, is £30 the best you can do? -Yes, it is, yeah. | 0:20:54 | 0:20:58 | |
-£30. 30, that'd be good, yeah. -Good try. Up to your old tricks. | 0:20:58 | 0:21:02 | |
-Thanks for that. -Thank you very much. -Cheers. -OK, thank you. | 0:21:02 | 0:21:05 | |
That's their three sorted. Just as well, | 0:21:05 | 0:21:08 | |
as we've hit the buffers and time's up. | 0:21:08 | 0:21:10 | |
Let's remind ourselves what the Red team bought. | 0:21:10 | 0:21:13 | |
Romance was in the air for Stephen and Julia, | 0:21:13 | 0:21:16 | |
with this little Arts and Crafts glass table bowl, bought for £52. | 0:21:16 | 0:21:21 | |
Julia was slightly mystified by the commemorative cricket ball, | 0:21:21 | 0:21:25 | |
a baseball would have been much more appropriate for her. | 0:21:25 | 0:21:29 | |
Stephen thought these Royal Doulton vases were lovely, | 0:21:29 | 0:21:32 | |
and paid £85 for the pair. | 0:21:32 | 0:21:34 | |
So, Jules And Si, did you have a good shop up? | 0:21:34 | 0:21:37 | |
-A great shop up. -It's been fantastic, I'm shocked, beautifully. | 0:21:37 | 0:21:40 | |
Jules, which is your favourite piece? | 0:21:40 | 0:21:43 | |
Ooh, I think the Arts and Crafts glass bowl. | 0:21:43 | 0:21:45 | |
The glass bowl was your favourite. | 0:21:45 | 0:21:47 | |
Is that going to bring the most profit? | 0:21:47 | 0:21:49 | |
It may do, it's a lovely thing, | 0:21:49 | 0:21:51 | |
but maybe the Doulton pair of vases will. | 0:21:51 | 0:21:54 | |
Ah, you've your eyes still on those for most profit. | 0:21:54 | 0:21:57 | |
-Do you agree with that? -Absolutely. Yeah, absolutely. | 0:21:57 | 0:22:00 | |
OK. You spent all round, how much? | 0:22:00 | 0:22:02 | |
£169. | 0:22:02 | 0:22:05 | |
Please may I have £131? Please. | 0:22:05 | 0:22:09 | |
£131, beautifully presented. | 0:22:09 | 0:22:12 | |
-Over it goes. -Thank you very much. They're such a wonderful couple. | 0:22:12 | 0:22:16 | |
They've only been married for a short period, | 0:22:16 | 0:22:18 | |
so I wanted to find something that has a romantic link. | 0:22:18 | 0:22:21 | |
You are very romantic, yourself! | 0:22:21 | 0:22:23 | |
That's a known fact! Good luck, David. Good luck! Have a nice cup of tea. | 0:22:23 | 0:22:27 | |
Why don't we check out what the Blue team bought? | 0:22:27 | 0:22:30 | |
This theatre poster was just the ticket for avid collector Stuart, | 0:22:30 | 0:22:34 | |
and a snip at a fiver. | 0:22:34 | 0:22:37 | |
A real boys' toy, this late Georgian instrument case, | 0:22:37 | 0:22:41 | |
though a bit of a gamble at £160. | 0:22:41 | 0:22:43 | |
They hummed and hooed and haaed over this metal dome-top trunk, | 0:22:43 | 0:22:48 | |
but in the end, felt it was worth the £30 price tag. | 0:22:48 | 0:22:51 | |
But, will the bidders agree? | 0:22:51 | 0:22:53 | |
So, you guys, | 0:22:53 | 0:22:55 | |
-we know about what you collect. Did you've a good time? -Very much so. | 0:22:55 | 0:22:59 | |
What thing is going to bring the biggest profit, Stuart? | 0:22:59 | 0:23:02 | |
I think our theatre poster. | 0:23:02 | 0:23:06 | |
Yep, I think, for five pounds, you can't go wrong. | 0:23:06 | 0:23:09 | |
-What did you spend all round? -195. | 0:23:09 | 0:23:11 | |
-Well, I'd like 105 of leftover lolly, please. -There we are. | 0:23:11 | 0:23:14 | |
Thank you very much, Stuart. | 0:23:14 | 0:23:16 | |
That goes straight into the hand of Philip Serrell. | 0:23:16 | 0:23:20 | |
Ooh. This time I'm just going to try and get something | 0:23:20 | 0:23:24 | |
that'll just wipe its face, I hope. | 0:23:24 | 0:23:26 | |
-Wipe its face or a small profit, even? -Who knows? | 0:23:26 | 0:23:28 | |
You never know your luck. Anyway, very good luck to you all. | 0:23:28 | 0:23:31 | |
Meanwhile, we're heading off, not far from here, | 0:23:31 | 0:23:34 | |
to a most unusual castle. | 0:23:34 | 0:23:36 | |
And I can't wait to show it to you. | 0:23:36 | 0:23:38 | |
Chiddingstone Castle in Kent started life as a 17th-century manor, | 0:23:42 | 0:23:47 | |
but has been much added to and redesigned over the centuries. | 0:23:47 | 0:23:51 | |
In the 19th century, the then owner | 0:23:51 | 0:23:53 | |
had it rebuilt in the style of a mediaeval castle. | 0:23:53 | 0:23:57 | |
In 1955, it was bought by Denys Eyre Bower, | 0:23:58 | 0:24:02 | |
an eccentric and rather lovely antiques dealer | 0:24:02 | 0:24:06 | |
who was looking for a place in which he could house his collection. | 0:24:06 | 0:24:11 | |
He persuaded the bank to lend him £6,000 and the place was his. | 0:24:11 | 0:24:16 | |
Bower's collection contains an eclectic mix of items, | 0:24:19 | 0:24:23 | |
including Oriental, Egyptian and Jacobite antiques. | 0:24:23 | 0:24:27 | |
But the house itself is not what it seems. | 0:24:27 | 0:24:30 | |
It's been through several transformations since Tudor times | 0:24:30 | 0:24:34 | |
and visitors to the house can expect a view surprises. | 0:24:34 | 0:24:37 | |
This room, the White Rose Drawing Room | 0:24:38 | 0:24:42 | |
will have been on the visitors' route in Bower's time. | 0:24:42 | 0:24:46 | |
Essentially, this looks like a Georgian drawing room, doesn't it? | 0:24:46 | 0:24:51 | |
Just look at the fire surround and the mouldings that have been used | 0:24:51 | 0:24:54 | |
to contain his collection of Jacobite art. | 0:24:54 | 0:24:58 | |
They looked typically Georgian. | 0:24:58 | 0:25:00 | |
Well, they ain't! | 0:25:00 | 0:25:02 | |
Because they were introduced by Bower | 0:25:02 | 0:25:04 | |
to give the room a Georgian feel | 0:25:04 | 0:25:06 | |
because that's the way he wanted it to look. | 0:25:06 | 0:25:08 | |
He wanted to furnish it this way. | 0:25:08 | 0:25:10 | |
So, in fact it's a bit concocted. | 0:25:10 | 0:25:14 | |
A bit like this piece of furniture. | 0:25:14 | 0:25:17 | |
Because, on the face of it, this looks old, doesn't it? | 0:25:18 | 0:25:22 | |
Beautifully made of carved mahogany, | 0:25:22 | 0:25:27 | |
with this handsome verde antico marble top. | 0:25:27 | 0:25:30 | |
Well, it ain't. | 0:25:31 | 0:25:32 | |
Because, in style, a piece of period furniture like this | 0:25:32 | 0:25:36 | |
simply doesn't exist. | 0:25:36 | 0:25:38 | |
The mask in the middle looks as if it's from a piece | 0:25:38 | 0:25:42 | |
dating from about 1720, | 0:25:42 | 0:25:46 | |
the legs are partly concocted to look like mid-18th-century legs, | 0:25:46 | 0:25:52 | |
and this bit of coffering running along the top, here, | 0:25:52 | 0:25:55 | |
looks like something that is pure regency. | 0:25:55 | 0:25:57 | |
In other words, we've three styles, all mucked together, | 0:25:57 | 0:26:02 | |
to make an attractive-looking piece, | 0:26:02 | 0:26:05 | |
but a piece that most definitely is not right. | 0:26:05 | 0:26:08 | |
This, on the other hand, is quite magnificent. | 0:26:10 | 0:26:13 | |
Another sidetable but just look at the quality of this. | 0:26:13 | 0:26:18 | |
Just look at these - | 0:26:18 | 0:26:20 | |
four magnificent, incredibly crisply-carved, | 0:26:20 | 0:26:24 | |
curvy front supports, all made out of a solid block of mahogany | 0:26:24 | 0:26:29 | |
and carved exquisitely on the front with these elongated palmettes. | 0:26:29 | 0:26:35 | |
Great rosettes running along the frieze, | 0:26:35 | 0:26:38 | |
this thing is probably by Trotter of Edinburgh. | 0:26:38 | 0:26:42 | |
And this thing is just a little gem, isn't it? | 0:26:44 | 0:26:48 | |
It's got a complicated serpentine front outline, | 0:26:48 | 0:26:52 | |
and then we've got these draws, all of which conform, | 0:26:52 | 0:26:55 | |
running down the front, look. All concave-sided, | 0:26:55 | 0:26:59 | |
outset corners, | 0:26:59 | 0:27:00 | |
and those corners are carved with trails of flowers and foliage. | 0:27:00 | 0:27:05 | |
Most pieces of this type you'd think of as kneehole writing desks. | 0:27:05 | 0:27:11 | |
Well, this one isn't. | 0:27:11 | 0:27:13 | |
Because if I open that deep top drawer | 0:27:13 | 0:27:16 | |
It reveals a fitted interior, | 0:27:16 | 0:27:19 | |
complicated, with lots of wells and compartments, | 0:27:19 | 0:27:22 | |
for ladies' jewellery and make-up and so forth. | 0:27:22 | 0:27:27 | |
The centre section, which is inset with a piece of baize, | 0:27:27 | 0:27:31 | |
pulls forward like this. | 0:27:31 | 0:27:34 | |
It runs along on a slide and opens to reveal a wee dressing mirror. | 0:27:34 | 0:27:41 | |
So you'd sit on a stool, | 0:27:41 | 0:27:43 | |
prepare your hair, adjust your jewellery, | 0:27:43 | 0:27:46 | |
and get ready for a party. | 0:27:46 | 0:27:48 | |
The big question today is, of course, | 0:27:49 | 0:27:51 | |
for our teams over at the auction, | 0:27:51 | 0:27:54 | |
are we going to be having a feast or a wake? | 0:27:54 | 0:27:57 | |
Well, the viewing has started at Canterbury Auction Galleries, | 0:28:12 | 0:28:16 | |
and we're with Michael Roberts, our auctioneer today. | 0:28:16 | 0:28:19 | |
-Hello, Michael. -Hello, Tim. -How are you doing? -Very well, thank you. | 0:28:19 | 0:28:22 | |
Now, the Reds went with the Arts and Crafts, | 0:28:22 | 0:28:26 | |
well, it's called a "Peacock Tail" glass pot | 0:28:26 | 0:28:29 | |
with a silver mount. | 0:28:29 | 0:28:30 | |
-Yes. -Made right Stuart, I think, of Stourbridge. | 0:28:30 | 0:28:33 | |
What do you think it's worth? | 0:28:33 | 0:28:36 | |
-It's a good thing, £30-£40 is my estimate. -£52 paid. | 0:28:36 | 0:28:38 | |
-Right. -That's not too bad, is it? | 0:28:38 | 0:28:40 | |
What about cricket balls. How are you with balls here? | 0:28:40 | 0:28:43 | |
The sad thing about this one is that clearly something memorable | 0:28:43 | 0:28:47 | |
on the cricket field has occurred | 0:28:47 | 0:28:49 | |
and someone's bothered to impress this little plaque on it. | 0:28:49 | 0:28:52 | |
Sadly, through the ravages of time, this is now illegible. | 0:28:52 | 0:28:55 | |
Completely illegible, so I have no idea. | 0:28:55 | 0:28:58 | |
It could have been struck by WG Grace. | 0:28:58 | 0:29:00 | |
It could be famous, | 0:29:00 | 0:29:01 | |
but now you can't even use it because somebody has put a plaque on it. | 0:29:01 | 0:29:04 | |
-You know what it is, don't you? -Yep. -Overenthusiastic polishing. | 0:29:04 | 0:29:07 | |
-Well, yes, quite possibly. -What's it going to bring? -Hopefully, £10-£15. | 0:29:07 | 0:29:12 | |
OK, £32 paid. I think it'll do all right. | 0:29:12 | 0:29:14 | |
Now, we've got these silver-mounted Doulton pots. | 0:29:14 | 0:29:17 | |
-Well, they're plated, sadly. -Oh, right. -Plated. | 0:29:17 | 0:29:21 | |
With this it's 1920s period Doulton, when we see this pattern on there, | 0:29:21 | 0:29:25 | |
and they're fine. | 0:29:25 | 0:29:28 | |
They're in good condition, they're reasonably well decorated, | 0:29:28 | 0:29:31 | |
we have the usual marks at the bottom, | 0:29:31 | 0:29:34 | |
but nothing enormously exciting, sadly. | 0:29:34 | 0:29:36 | |
-How much? -£30-£40. | 0:29:36 | 0:29:37 | |
£85 paid. That is a deep, dark black hole | 0:29:37 | 0:29:40 | |
into which they will not survive | 0:29:40 | 0:29:43 | |
unless they have their bonus buy. So let's have a look. | 0:29:43 | 0:29:46 | |
-So, Stephen, how are you feeling? -Smashing, thanks. Good as gold. | 0:29:46 | 0:29:50 | |
-Very good. Julia? You all right? -Yeah, great, thank you. | 0:29:50 | 0:29:53 | |
-Are you ready for this bonus buy moment? -Very. | 0:29:53 | 0:29:57 | |
OK, you gave the man £131, David, what did you spend it on? | 0:29:57 | 0:30:00 | |
Something that was very heartfelt. | 0:30:00 | 0:30:03 | |
-Oh, I say! -What is that? | 0:30:03 | 0:30:05 | |
It's very heart-shaped. | 0:30:07 | 0:30:08 | |
It is heart-shaped, isn't it? | 0:30:08 | 0:30:11 | |
Two lovers, with two little holes there, | 0:30:11 | 0:30:13 | |
which would have had ink bottles. | 0:30:13 | 0:30:16 | |
So it is a stand dish, it's for ink. | 0:30:16 | 0:30:19 | |
This was made by a very well-known company called Wemyss, | 0:30:19 | 0:30:23 | |
up in Scotland, at Fife. | 0:30:23 | 0:30:24 | |
And they specialised in this type of decoration. | 0:30:24 | 0:30:29 | |
-How much do you think we might make for it? -Well, I paid £70 for it. -OK. | 0:30:29 | 0:30:33 | |
-Complete, complete, it would be £350-£400. -Really? -But not complete? | 0:30:33 | 0:30:38 | |
It's not complete, it's speculative, but I think there are collectors | 0:30:38 | 0:30:43 | |
and this one dates from the latter part of the 19th century. | 0:30:43 | 0:30:46 | |
So, not complete, how much do you think we might make? | 0:30:46 | 0:30:50 | |
-I'd like to see £100 on it. -So a bit of profit. | 0:30:50 | 0:30:53 | |
-Thank you very much, David. Anyway, food for thought, right? -Yes. | 0:30:53 | 0:30:56 | |
You pick it later, if you need to. | 0:30:56 | 0:30:59 | |
Right now, let's find out what the auctioneer thinks | 0:30:59 | 0:31:01 | |
about David's piece of Wemyss. | 0:31:01 | 0:31:03 | |
This is a belter, isn't it? | 0:31:03 | 0:31:05 | |
-What a nice thing. -I suppose a perfect Valentine's day present. | 0:31:05 | 0:31:09 | |
Particularly if you're a letter writer. | 0:31:09 | 0:31:11 | |
Yes, indeed. It's fine. Impressed Wemyss Ware on the back. | 0:31:11 | 0:31:14 | |
A Scottish factory. | 0:31:14 | 0:31:17 | |
This design is after one of the decorators, Karel Nekola. | 0:31:17 | 0:31:22 | |
And it's in sound condition. Nothing fundamentally wrong with it. | 0:31:22 | 0:31:25 | |
Just missing its ink wells. | 0:31:25 | 0:31:27 | |
You should have the two inkwells in their to make it perfect. | 0:31:27 | 0:31:31 | |
What do you think it's worth? | 0:31:31 | 0:31:33 | |
-Our estimate is 40-£60. -Is that all? -Yes, sadly. | 0:31:33 | 0:31:36 | |
£70 paid by David Barby. | 0:31:36 | 0:31:38 | |
He reckons it's worth about £100. | 0:31:38 | 0:31:40 | |
A bit of a challenge for you, as auctioneer, today, Michael. | 0:31:40 | 0:31:44 | |
-I'll do my best. -That's it for the Reds, now for the Blues. | 0:31:44 | 0:31:47 | |
-They've got a wacky mix. -They have. | 0:31:47 | 0:31:50 | |
First up, the theatre poster. | 0:31:50 | 0:31:51 | |
Sadly, because of the period of it, | 0:31:51 | 0:31:53 | |
lots of names on there, but none of them really relate to the modern age. | 0:31:53 | 0:31:58 | |
Perhaps the biggest one, Jack Herbert, comedy legend, | 0:31:58 | 0:32:01 | |
but there's not a great deal of detail about him that we could find. | 0:32:01 | 0:32:05 | |
So, what's your estimate? | 0:32:05 | 0:32:07 | |
-£15-£20. -Well, that's brilliant. | 0:32:07 | 0:32:09 | |
-It is. -Super, duper. -Great. | 0:32:09 | 0:32:11 | |
Next is the completely different | 0:32:11 | 0:32:14 | |
-shagreen-cased navigator's instrument set. -Yes. | 0:32:14 | 0:32:18 | |
Which probably dates from the end of the 18th, | 0:32:18 | 0:32:21 | |
-early part of the 19th century? -Absolutely. That's what we think too. | 0:32:21 | 0:32:24 | |
But, it is a complete mix-match inside, all the instruments. | 0:32:24 | 0:32:28 | |
-They weren't all made at the same time. -Exactly. | 0:32:28 | 0:32:31 | |
We have the protractor in there which is virtually new. | 0:32:31 | 0:32:33 | |
But the case is nice. It's shagreen, it's a shark skin. | 0:32:33 | 0:32:37 | |
It's weathered quite a lot, it's not in the best condition. | 0:32:37 | 0:32:41 | |
But it's interesting to somebody. | 0:32:41 | 0:32:43 | |
-Yeah. -Funnily enough, we have had a bit of presale interest in that one, | 0:32:43 | 0:32:46 | |
so fingers crossed. | 0:32:46 | 0:32:47 | |
They paid £160, our lot. What's your estimate? | 0:32:47 | 0:32:51 | |
Our estimate is £40-£60. | 0:32:51 | 0:32:52 | |
-Oh, Lordy. -So a bit of a drop. | 0:32:52 | 0:32:54 | |
Well, whatever they make on the poster, they'll have to make up | 0:32:54 | 0:32:57 | |
with the instruments. | 0:32:57 | 0:32:59 | |
Now, in case you ever wanted to pack up a body, | 0:32:59 | 0:33:02 | |
here is your ideal container to do in | 0:33:02 | 0:33:04 | |
You have the grained wood effect, this painted work. | 0:33:04 | 0:33:07 | |
-Clever. -Yes, it's taken somebody a bit of time to do. | 0:33:07 | 0:33:10 | |
-Yeah. -A metal box, to make it look as if it's wooden, | 0:33:10 | 0:33:14 | |
-is a clever old technique. -Yeah. -So how much? | 0:33:14 | 0:33:17 | |
-Well, £10-£20 is how estimate. -Is it? -It is. | 0:33:17 | 0:33:20 | |
-£30 paid. -Oh, dear. -But, that's close enough. | 0:33:20 | 0:33:22 | |
I don't see any huge profit thanks to the navigational instruments | 0:33:22 | 0:33:26 | |
torpedoing their chances. | 0:33:26 | 0:33:29 | |
So let's go and look at the bonus buy, eh? | 0:33:29 | 0:33:31 | |
Colin, Stuart, have you got any idea what Philip Serrell has bought you | 0:33:31 | 0:33:35 | |
for a bonus buy? | 0:33:35 | 0:33:36 | |
-Not a clue. -Not a clue. | 0:33:36 | 0:33:38 | |
Lovely! £105 you gave him to go out and find you something special. | 0:33:38 | 0:33:44 | |
I expect he's blown the lot. Phil, show us what you've bought. | 0:33:44 | 0:33:48 | |
Well, it cost a tenner and you liked it. | 0:33:48 | 0:33:51 | |
Oh, my God! | 0:33:51 | 0:33:52 | |
THEY LAUGH | 0:33:52 | 0:33:54 | |
Toilet paper. Um... | 0:33:54 | 0:33:56 | |
THEY ALL LAUGH | 0:33:56 | 0:33:58 | |
You bought a box of poo paper? | 0:33:58 | 0:34:00 | |
For £10. I hope it wipes its face! | 0:34:00 | 0:34:03 | |
THEY LAUGH | 0:34:03 | 0:34:05 | |
It's probably about First War. | 0:34:07 | 0:34:10 | |
This man is the expert in all this, well, toilet paper, he's the boy. | 0:34:10 | 0:34:13 | |
-Fourpence ha'penny a packet, that is. -Fourpence ha'penny a packet. | 0:34:13 | 0:34:17 | |
I think that's just extraordinary. | 0:34:17 | 0:34:19 | |
I don't think it's going to be the sleeper of the sale, | 0:34:19 | 0:34:22 | |
-but it's 10 or 20 quids' worth of a bit of fun. -Oh, definitely. | 0:34:22 | 0:34:25 | |
-Sorry, how much did you pay for this? -I paid £10. -That's really good. | 0:34:25 | 0:34:29 | |
Well, on that happy note, I think we'll move on and find out | 0:34:29 | 0:34:32 | |
what the auctioneer thinks about that packet of lavatory paper. | 0:34:32 | 0:34:36 | |
Well, I've presented more than 750 editions of Bargain Hunt to date, | 0:34:36 | 0:34:40 | |
and I have never presented, as a bonus buy to the auctioneer, | 0:34:40 | 0:34:44 | |
a packet of poo-poo paper. | 0:34:44 | 0:34:46 | |
Well, absolutely. | 0:34:46 | 0:34:47 | |
This has no real commercial interest at all, does it? | 0:34:47 | 0:34:52 | |
It's a fantastic survivor, though, isn't it? | 0:34:52 | 0:34:54 | |
This is American lavatory paper. | 0:34:54 | 0:34:57 | |
This is a valuation challenge for you. | 0:34:57 | 0:35:00 | |
Our estimate is £5-£10. | 0:35:00 | 0:35:02 | |
Very, very brave estimate, that! £10 paid by Philip Serrell | 0:35:02 | 0:35:06 | |
-and it just about says it all, doesn't it? -It does. | 0:35:06 | 0:35:10 | |
Be on the Internet, will it? | 0:35:10 | 0:35:12 | |
Actually, it will! | 0:35:12 | 0:35:14 | |
Stand by for a laugh, anyway. | 0:35:14 | 0:35:16 | |
-Thanks, Mike. -OK. | 0:35:16 | 0:35:17 | |
10. 20, sir, 30. | 0:35:21 | 0:35:24 | |
Selling. | 0:35:25 | 0:35:27 | |
Now, Stephen and Jules, are you excited about this? | 0:35:27 | 0:35:29 | |
-Very. -You never know what's going to happen at these auctions. | 0:35:29 | 0:35:33 | |
First piece up is the glass and silver Arts and Crafts bowl. | 0:35:33 | 0:35:37 | |
Here it comes. | 0:35:37 | 0:35:39 | |
152, is the Edward VII silver-mounted clear glass bowl. | 0:35:39 | 0:35:42 | |
Who's going to start me at £20? | 0:35:42 | 0:35:45 | |
A decorative bowl, good quality, 20, I'm bid, straight in. | 0:35:45 | 0:35:48 | |
-Who's 30, now? 30 in the doorway. 40, 50, 60? -I say. | 0:35:48 | 0:35:53 | |
-No. -Hang on. | 0:35:53 | 0:35:55 | |
50 in the doorway. A good thing. £60? 60, fresh bid. £70? | 0:35:55 | 0:35:59 | |
70, 80? | 0:35:59 | 0:36:02 | |
80, right in front, here. 90? 80, right in front, here. | 0:36:03 | 0:36:06 | |
Looking for 90, but 80 and selling, then. It's yours. | 0:36:06 | 0:36:09 | |
-£80. Well, thank you very much. That's £28 up. -That's fabulous. | 0:36:09 | 0:36:15 | |
Now, here comes the cricket ball. | 0:36:15 | 0:36:17 | |
A red leather covered cricket ball with the silvery mount. | 0:36:17 | 0:36:20 | |
Who's £10 for it? Anyone? | 0:36:20 | 0:36:22 | |
-Surely it's worth £10. -Surely? | 0:36:22 | 0:36:24 | |
-Five pound then? -Oh! -Let's get it sold. -I'm going to have an arrest. | 0:36:24 | 0:36:28 | |
10. | 0:36:28 | 0:36:30 | |
10, 15? | 0:36:30 | 0:36:32 | |
-20? 15 with you, sir. -Come on, it's worth £20, sir. | 0:36:32 | 0:36:36 | |
Who's £20? I will sell at 15, if we're all done. | 0:36:36 | 0:36:40 | |
£15. | 0:36:40 | 0:36:41 | |
-So disappointing. -£15 is -£17. -Never mind. | 0:36:41 | 0:36:45 | |
-That is not good. -No. | 0:36:45 | 0:36:47 | |
Lot number 154, the pair of Doulton vases with the plated mounts. | 0:36:47 | 0:36:51 | |
-30 on the phone. -Quite right. -A phone bid. 30, 40, 50, 60. Any further bid? | 0:36:51 | 0:36:57 | |
-I cannot believe this. -At £50, I'll sell, he can't believe it, | 0:36:57 | 0:37:00 | |
but I'm going to sell it nonetheless, on the phone, at £50. | 0:37:00 | 0:37:03 | |
£50 is -£35. You had 17... | 0:37:03 | 0:37:07 | |
No, you didn't, you had £11. | 0:37:07 | 0:37:10 | |
35, 25, it's -£24. | 0:37:10 | 0:37:13 | |
Dear, oh dear, oh dear. I could burst into tears. | 0:37:13 | 0:37:15 | |
-I really could. -So could I. -I am seriously close to tears. | 0:37:15 | 0:37:19 | |
So what are we going to do about the Wemyss heart-shaped pot? | 0:37:19 | 0:37:22 | |
Are we going to go with it? -£24 could be a winning score. | 0:37:22 | 0:37:25 | |
That's OK, I think we're going to go for it. | 0:37:25 | 0:37:27 | |
We'll risk our negative money on it. | 0:37:27 | 0:37:29 | |
-Yes? -Yes. -Final decision, we're going with the bonus buy. | 0:37:29 | 0:37:33 | |
Here it comes. | 0:37:33 | 0:37:34 | |
Right, 158 is the Wemyss Ware pottery heart-shaped ink stand. | 0:37:34 | 0:37:37 | |
Who's going to start me at £30? | 0:37:37 | 0:37:39 | |
30? Ink stand, here. | 0:37:39 | 0:37:42 | |
£30, somebody. Any interest? £30, I'm bid. | 0:37:42 | 0:37:45 | |
Man with a romantic heart. £30. | 0:37:45 | 0:37:47 | |
Who's 40 now? Any further bids? | 0:37:47 | 0:37:49 | |
40, surely? | 0:37:49 | 0:37:51 | |
All these hard-faced people. | 0:37:51 | 0:37:53 | |
£40, where? Come on! No? | 0:37:53 | 0:37:55 | |
Any further bids? If not, I will sell at 30 if we're all done? | 0:37:55 | 0:37:59 | |
-£30 and selling. --£40. -Oh, brilliant, brilliant. | 0:37:59 | 0:38:02 | |
-That's -£64. That's great. -We'll say that very quickly. -Hmm. | 0:38:02 | 0:38:06 | |
What's that you said? "It could be a winning score"? | 0:38:06 | 0:38:09 | |
-It could be, exactly right. -Yes. It could be a winning score, -£64. | 0:38:09 | 0:38:13 | |
-Go, Red team! -"Go, Red team!" And we'll find out in just a moment. | 0:38:13 | 0:38:18 | |
-Now, Stuart and Colin, how are you feeling? -Yeah, fine. -Yeah. | 0:38:22 | 0:38:25 | |
-Pretty confident? -Quietly confident. -Oh, Colin, you're a modest man. | 0:38:25 | 0:38:30 | |
First up then is the theatre poster, and here it comes. | 0:38:30 | 0:38:33 | |
Headlined by Jack Herbert, there we are. | 0:38:33 | 0:38:36 | |
Who'll start me at £10? £10, where? | 0:38:36 | 0:38:38 | |
Anyone? | 0:38:38 | 0:38:40 | |
£10, thank you. | 0:38:40 | 0:38:41 | |
Well done, madam. | 0:38:41 | 0:38:43 | |
£10. Who's £20, then? £20, where? | 0:38:43 | 0:38:46 | |
Any more? £20? | 0:38:46 | 0:38:48 | |
A deathly hush out there. At £10 and selling, it's yours, madam. | 0:38:49 | 0:38:53 | |
£10, that's a five pound profit. | 0:38:53 | 0:38:56 | |
Now, on that basis, with the overall interest in the room... | 0:38:56 | 0:39:00 | |
Yes... | 0:39:00 | 0:39:02 | |
Here come the drawing instruments. | 0:39:02 | 0:39:04 | |
Late 18th-century, Lot 175, who's going to start me at £30? | 0:39:04 | 0:39:08 | |
£30 on commission, 40 where? | 0:39:08 | 0:39:11 | |
40 on telephone, telephone bid. 40. | 0:39:11 | 0:39:14 | |
50, 60... | 0:39:14 | 0:39:15 | |
Come on! | 0:39:15 | 0:39:17 | |
-70, 80, 90? 100. -Ooh. | 0:39:17 | 0:39:21 | |
100, 110. We're making up for the poster. 120. | 0:39:21 | 0:39:25 | |
Yes! | 0:39:25 | 0:39:27 | |
Yes. 130, 140, 150, 160. | 0:39:27 | 0:39:31 | |
That's 170, 180. | 0:39:31 | 0:39:34 | |
190. | 0:39:34 | 0:39:35 | |
-That's good. Look at him. -I'm not going to say anything! | 0:39:35 | 0:39:38 | |
Talk amongst yourselves. 200? No? | 0:39:38 | 0:39:41 | |
At 190. Looking for £200. | 0:39:41 | 0:39:44 | |
But at 190, I will sell at £190. | 0:39:44 | 0:39:47 | |
-Shock of the day. -Plus £30. -Yes! | 0:39:47 | 0:39:50 | |
-I am very, very pleased for you all, actually. -Cheers, Phil. | 0:39:50 | 0:39:53 | |
-Very good. -There IS some justice. | 0:39:53 | 0:39:56 | |
Now, here comes the trunk. | 0:39:56 | 0:39:58 | |
Who's going to start me at £10? A useful trunk. £10, where? | 0:39:58 | 0:40:01 | |
£10, he's got something to put in it. | 0:40:01 | 0:40:04 | |
-£10, 20, 30, 40, 50, 60? -Yes! Good box. Yes! | 0:40:04 | 0:40:09 | |
-No? 50 at the back, looking for 60. Any more? -Loving it. | 0:40:09 | 0:40:13 | |
A useful trunk. | 0:40:13 | 0:40:14 | |
Nope? At £50 and selling. | 0:40:14 | 0:40:17 | |
That's +£20. | 0:40:17 | 0:40:18 | |
You've made a profit on all three items, which is brilliant. | 0:40:18 | 0:40:22 | |
That makes you +55, right? | 0:40:22 | 0:40:24 | |
You're £55 up, what are you going to do about the Bromo? | 0:40:24 | 0:40:28 | |
-Go on! -We've got to go for it. | 0:40:28 | 0:40:30 | |
I don't care anything! | 0:40:30 | 0:40:31 | |
-I'm just really pleased about those instruments. -Yes! | 0:40:31 | 0:40:34 | |
We've got to have the toilet roll! Even if we have to use it! | 0:40:34 | 0:40:37 | |
Want to roll with it? | 0:40:37 | 0:40:38 | |
We're going with the bog paper and here it comes. | 0:40:38 | 0:40:41 | |
Right, Lot 180 is literally from the sublime to the ridiculous. | 0:40:41 | 0:40:44 | |
LAUGHTER | 0:40:44 | 0:40:46 | |
And we've got here the box of the Bromo toilet paper. | 0:40:46 | 0:40:50 | |
There we are. I've been assured it's not been used! | 0:40:50 | 0:40:53 | |
It's all ready for action, so... | 0:40:53 | 0:40:56 | |
if you're desperate, who's five pounds for this? | 0:40:56 | 0:40:58 | |
Five pounds, where? Two places! | 0:40:58 | 0:41:02 | |
Five, ten, yes? | 0:41:02 | 0:41:04 | |
No, ten in the middle, yes? | 0:41:04 | 0:41:06 | |
At five pounds? I've got you, sir, with the long hair, five pounds. | 0:41:06 | 0:41:09 | |
Any more? I did see you. | 0:41:09 | 0:41:12 | |
I'm not going to miss a bid! 10. 15? | 0:41:12 | 0:41:16 | |
Go on! | 0:41:16 | 0:41:18 | |
£20? No. You're a wise man! At £15. | 0:41:18 | 0:41:21 | |
Any more? At £15. | 0:41:21 | 0:41:23 | |
He's going to wish he hadn't come today. | 0:41:23 | 0:41:25 | |
-£15 and selling, 682. -Wahey! | 0:41:25 | 0:41:27 | |
-£15! +£5. -Staggering! | 0:41:27 | 0:41:30 | |
Which takes you up to a lovely, round +£60. | 0:41:30 | 0:41:35 | |
+£60 is excellent, could be a winning score. | 0:41:35 | 0:41:38 | |
Don't say a word to the Reds. | 0:41:38 | 0:41:40 | |
Well, well, well, well, well. | 0:41:45 | 0:41:47 | |
There is a yard of difference between the teams, today. | 0:41:47 | 0:41:51 | |
In fact, a chasm. | 0:41:51 | 0:41:53 | |
You cannot believe that we've been at the same auction, | 0:41:53 | 0:41:56 | |
so contrasting are the results. | 0:41:56 | 0:41:58 | |
Because, I'm afraid, today the Reds have had it. | 0:41:58 | 0:42:01 | |
Oh, dear, dear, dear. | 0:42:01 | 0:42:03 | |
I mean, like, seriously had it. | 0:42:03 | 0:42:05 | |
There used to be the 64,000 question, | 0:42:05 | 0:42:08 | |
now it's £64 worth of losses on this programme. | 0:42:08 | 0:42:11 | |
It started so beautifully, £28 worth of profit | 0:42:11 | 0:42:14 | |
on that lovely Stourbridge pot, and then... | 0:42:14 | 0:42:17 | |
HE BLOWS A RASPBERRY | 0:42:17 | 0:42:19 | |
THEY ALL LAUGH | 0:42:19 | 0:42:20 | |
I can't say a lot more than that, really. | 0:42:20 | 0:42:22 | |
-Not really. -Let's not go into it. | 0:42:22 | 0:42:24 | |
No, we'll leave it there! | 0:42:24 | 0:42:26 | |
-Did you've a nice time? -A great time. -We loved seeing you. -Wonderful. | 0:42:26 | 0:42:29 | |
Anyway, chin up, because... | 0:42:29 | 0:42:31 | |
the Blues have been spectacularly successful. | 0:42:31 | 0:42:34 | |
They're going to take £60 of profits home. | 0:42:34 | 0:42:38 | |
There's your £60. | 0:42:38 | 0:42:39 | |
Because they got a profit on each of their items, | 0:42:39 | 0:42:43 | |
they get awarded the ancient order of the Golden Gavel. Oh, yes! | 0:42:43 | 0:42:50 | |
Take one of those. Well done, Stuart. | 0:42:50 | 0:42:53 | |
Colin, take yours, my old friend. | 0:42:53 | 0:42:55 | |
-Philip, there's one to go with your collection. -Thank you, very much. | 0:42:55 | 0:42:58 | |
We've never sold lavatory paper on Bargain Hunt before, | 0:42:58 | 0:43:01 | |
and I should think we'll be flooded out with it | 0:43:01 | 0:43:04 | |
seeing how it's profitable. | 0:43:04 | 0:43:06 | |
Great fun, great show! Join us soon for some more bargain-hunting. Yes? | 0:43:06 | 0:43:11 | |
ALL: YES! | 0:43:11 | 0:43:13 | |
Subtitles by Red Bee Media Ltd. | 0:43:33 | 0:43:36 |